Podcasts about hidden mother

In this powerful conversation, Kat sits down with artist Sarah Detweiler to explore the intersections of motherhood, identity, and creative evolution. Sarah opens up about her journey from commercial art to fine art, the deeply personal work in her Hidden Mother series, and her most recent solo show Unmasquerade—a vibrant, layered exploration of ADHD, selfhood, and unmasking in midlife. Together, they unpack the beauty and the bravery of allowing yourself to evolve as an artist—even when it feels risky. This is a raw, affirming episode for anyone navigating transitions and seeking deeper authenticity in their work.   Chapters: 00:00 – Introduction and Background 06:33 – Artistic Evolution and Personal Journey 13:33 – The Hidden Mother Series 17:21 – Unmasquerade: New Directions in Art 22:26 – Exploring Identity and ADHD 27:33 – Closing Thoughts and Future Directions 32:12 – Outro   ✨ CALL FOR ART Submissions for Create! Magazine's Summer Issue #52 are now open. Be part of our print + online issue, curated by an international jury. Submit by April 30: www.createmagazine.co/call-for-art  

Mike Detar is a creative motherfucker.  Whatever he did in whichever career in which he did it, he was going to throw passion, fire and grit everywhere he went. Like many of us who are slaves to our creativity, he worked with a mix of attention to detail and a ‘grip it and rip it' philosophy that took him right to the edge of innovation.  When he opened his brewery in Washington State, he quickly found out that he was going to need every one of his unique talents to fight for profitability. Against rising expenses, city permitting, distribution, the beer drinkers in his local market, liquor laws, his partners. And, of course, a worldwide pandemic.  For part of his story he lost his money, his brewery, his friend and even his wife. But now he's on to the next chapter and while not sure where the path leads, he knows he's got the experience and tenacity to walk it with confidence.  Sit back and listen to the story of the rise and fall of Spokane Washington's Hidden Mother Brewery.  Hidden Mother's Facebook Page Instagram News Story About Their Closing Episode Sponsored by: Brewery Direct Simpson Motorcycle Helmets Leapfrog Promotional Products BrewBids Where to get my book --- Support this podcast: https://podcasters.spotify.com/pod/show/damnbrewery/support

     Slam the Gavel welcomes Brenda Daniel to the podcast to talk about the disappearance of her Mother, affectionately known as Poochie.      Family troubles began in 2004 after the death of Vonnie, Brenda's oldest sister. Brenda's two sisters and their husbands created turmoil within the family upon discovering Vonnie had not left a will. These same four moved Mrs. Daniels unbeknownst to Brenda and her brother Tom in May 2019.       Poochie was moved into an assisted living facility, her home was quickly made inaccessible and sold under market value.       By December 2019 Mrs Daniels was held captive inside the facility per her POAs with the support of the facility doctor and management.       In March 2020, the facility began an official lockdown due to Covid . That lockdown continued on until May 2021. Covid ravaged the facility as Mrs Daniels remained in isolation there. 14 months of life as a prisoner. Suspicious severe facial injuries occured.  Switchblades, hammers and loose pills were presented to Brenda and Doug during window visits.       An ADA Advocate, Janice Grenadier has helped Brenda and her husband writing letters to the attorneys, where two of them have withdrawn. While locked in the facility, Brenda has not been allowed to take her mother out.     As of now Brenda's Mother has been hidden for almost one year, December 23, 2022 will be the one year mark. Brenda's goal is to see her own Mother.     Fascinating podcast discussing the whereabouts of her Mother and dealing with Personality Disorders.To Reach Brenda Daniel: goterps123@aol.comSupportshow(https://www.buymeacoffee.com/maryannpetri)dismantlingfamilycourtcorruption.comSupport the showSupportshow(https://www.buymeacoffee.com/maryannpetri)http://beentheregotout.com/http://www.dismantlingfamilycourtcorruption.com/

   Slam the Gavel welcomes Brenda Daniel to the podcast to talk about the disappearance of her Mother, affectionately known as Poochie. Family troubles began in 2004 after the death of Vonnie, Brenda's oldest sister. Brenda's two sisters and their husbands created turmoil within the family upon discovering Vonnie had not left a will. These same four moved Mrs. Daniels unbeknownst to Brenda and her brother Tom in May 2019. Poochie was moved into an assisted living facility, her home was quickly made inaccessible and sold under market value. By December 2019 Mrs Daniels was held captive inside the facility per her POAs with the support of the facility doctor and management. In March 2020, the facility began an official lockdown due to Covid . That lockdown continued on until May 2021. Covid ravaged the facility as Mrs Daniels remained in isolation there. 14 months of life as a prisoner. Suspicious severe facial injuries occured. Switchblades, hammers and loose pills were presented to Brenda and Doug during window visits. An ADA Advocate, Janice Grenadier has helped Brenda and her husband writing letters to the attorneys, where two of them have withdrawn. While locked in the facility, Brenda has not been allowed to take her mother out. As of now Brenda's Mother has been hidden for almost one year, December 23, 2022 will be the one year mark. Brenda's goal is to see her own Mother. Fascinating podcast discussing the whereabouts of her Mother and dealing with Personality Disorders. To Reach Brenda Daniel: goterps123@aol.com Supportshow(https://www.buymeacoffee.com/maryannpetri) dismantlingfamilycourtcorruption.com --- Support this podcast: https://anchor.fm/maryann-petri/support

Podcasts, unite! Join us with our special guests, Colin and Shane from the Hamilton Horror Podcast as we discuss six horror shorts that made us cringe, jump, and say, "da fuq?" We discuss the small but scary stories of The Curve, The Hug, Lights Out, Mama, Hidden Mother and What Happened to Crow 64?

MonsterCast 2020 continues with a very special episode. Last year we name the horror short Hidden Mother our top choice of the HuluWeen Film Festival and now we are so psyched to have the writer and director Joshua Erkman here to discuss it! We talk where the idea came from, the boldness of that ending and what horror films he recommends for a truly scary October. Give it a watch and listen! FEATURING: Jeremy Goeckner Don't forget to follow/reach us at: Website: www.nprillinois.org/programs/front-row-network Twitter: @frontrowreviewz Email: thefrontrowmoviereviews@gmail.com Facebook: https://www.facebook.com/thefrontrownetwork/ Instagram: frontrownetwork YouTube: https://bit.ly/2NyawO0 Please enjoy this episode of MONSTERCAST and as always, we'll see you in the front row!

Jake and Joe taste Zippy from Structures and another Black is Beautiful, this time from Pelican brewing. Peppered into the conversation is a little about RBG, current political climate and a fun BIB tasting Jake did solo at Hidden Mother in Spokane, WA.

We talk about the new album from The St Pierre Snake Invasion. Plus new songs from Sum 41, Blink 182, A Day To Remember and Hidden Mother. Plus we go back 15 years to 2004 to do a retrospective on My Chemical Romance 'Three Cheers For Sweet Revenge' And of course we have some news and other shit. Our twitter - @loudnoisespoduk Our Facebook - https://www.facebook.com/loudnoisespod THIS WEEKS SINGLES:- Blink 182 - Generational Divide Sum 41 - A Death in the Family / Never There A Day To Remember w/ Marshmello - Rescue Me Hidden Mother - The Longest Journey Yet THIS WEEKS ALBUMS:- The St Pierre Snake Invasion - Caprice Enchante THIS WEEK RETROSPECTIVE:- My Chemical Romance 'Three Cheers For Sweet Revenge'

In which Bill decides to make something no one was curious about into a pointless mystery, and the movie establishes its habit of criminally wasting Kevin Kline.

The Hidden Mother by Church at Liberty Square

This episode we discuss a creepy old photography style involving hiding your mom in a blanket and sitting on her! Jane discusses one of her favorite photography phenomemon from one of the most famous hauntings of our time. Also, introducing the very first "Talk-O-Break"!

Hailing from Spokane, Washington, The Hidden Mother Brewing has been making waves in the beer scene since February 2018. Mike and Remington (yes, that's his real name), made a special trip to the studio just to be interviewed by us. So already you know there is something wrong with these two. Mike also came dressed in a taco costume, which explains the puns. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hidden (Mother's Day) by Shaun Nepstad

In this episode we dive deep into healing hidden mother wounds, as well as the current astrology that's supporting doing this work. Looking at our relationship to biological mother as well as the mother archetype we discuss: – Shadow expressions of mother – Divine expressions of mother – How to step into healthy, whole mother… The post Healing Hidden Mother Wounds – Episode 36 appeared first on Rewilding for Women.

Hidden Mother by Laura Larson was published by Saint Lucy Press (January 2017), with 96 pages and 26 Color and black and white images. Hidden Mother tells the story of the adoption of Larson’s daughter from Ethiopia as mapped through nineteenth-century hidden mother photographs. The term “hidden mother” refers to the widespread but little-known practice in 19th-century portrait photography of concealing a mother’s body as she supported and calmed her child during the lengthy exposures demanded by early photographic technology. In the final portrait of the child, the mother–often covered from head-to-toe in a black drop cloth–appears as an uncanny figure. A practical strategy deployed by the photographer unintentionally yielded an evocative representation of the mother; never meant to be seen, her presence nonetheless haunts these images. Part photography book, part essay, Hidden Mother enlists these strange and powerful images to present a lyrical account of becoming a mother through adoption. Laura Larson is a photographer who has exhibited her work both nationally and internationally, including Art in General, Bronx Museum of the Arts, Metropolitan Museum of Art, Museum of Fine Arts, Houston, SFCamerawork, Susanne Vielmetter/L.A. Projects, and Wexner Center for the Arts. Reviews of her exhibitions have appeared in Artforum, The New York Times, The New Yorker, and Time Out New York, and she has published artist projects in Cabinet, Documents, Open City and The Literary Review. She is the recipient of grants from Art Matters, Inc., New York Foundation of the Arts, and Ohio Arts Council, and of residency fellowships from MacDowell Colony, Virginia Center for the Creative Arts, Santa Fe Art Institute, and Ucross Foundation. Larson’s work is represented by Lennon, Weinberg Gallery in New York City. She earned a BA in English from Oberlin College, a MFA in Visual Art from Mason Gross School of the Arts at Rutgers University, and participated in the Whitney Museum of American Art Independent Study Program. Hidden Mother is available online at the Saint Lucy bookstore. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hidden Mother by Laura Larson was published by Saint Lucy Press (January 2017), with 96 pages and 26 Color and black and white images. Hidden Mother tells the story of the adoption of Larson’s daughter from Ethiopia as mapped through nineteenth-century hidden mother photographs. The term “hidden mother” refers to the widespread but little-known practice in 19th-century portrait photography of concealing a mother’s body as she supported and calmed her child during the lengthy exposures demanded by early photographic technology. In the final portrait of the child, the mother–often covered from head-to-toe in a black drop cloth–appears as an uncanny figure. A practical strategy deployed by the photographer unintentionally yielded an evocative representation of the mother; never meant to be seen, her presence nonetheless haunts these images. Part photography book, part essay, Hidden Mother enlists these strange and powerful images to present a lyrical account of becoming a mother through adoption. Laura Larson is a photographer who has exhibited her work both nationally and internationally, including Art in General, Bronx Museum of the Arts, Metropolitan Museum of Art, Museum of Fine Arts, Houston, SFCamerawork, Susanne Vielmetter/L.A. Projects, and Wexner Center for the Arts. Reviews of her exhibitions have appeared in Artforum, The New York Times, The New Yorker, and Time Out New York, and she has published artist projects in Cabinet, Documents, Open City and The Literary Review. She is the recipient of grants from Art Matters, Inc., New York Foundation of the Arts, and Ohio Arts Council, and of residency fellowships from MacDowell Colony, Virginia Center for the Creative Arts, Santa Fe Art Institute, and Ucross Foundation. Larson’s work is represented by Lennon, Weinberg Gallery in New York City. She earned a BA in English from Oberlin College, a MFA in Visual Art from Mason Gross School of the Arts at Rutgers University, and participated in the Whitney Museum of American Art Independent Study Program. Hidden Mother is available online at the Saint Lucy bookstore. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hidden Mother by Laura Larson was published by Saint Lucy Press (January 2017), with 96 pages and 26 Color and black and white images. Hidden Mother tells the story of the adoption of Larson’s daughter from Ethiopia as mapped through nineteenth-century hidden mother photographs. The term “hidden mother” refers to the widespread but little-known practice in 19th-century portrait photography of concealing a mother’s body as she supported and calmed her child during the lengthy exposures demanded by early photographic technology. In the final portrait of the child, the mother–often covered from head-to-toe in a black drop cloth–appears as an uncanny figure. A practical strategy deployed by the photographer unintentionally yielded an evocative representation of the mother; never meant to be seen, her presence nonetheless haunts these images. Part photography book, part essay, Hidden Mother enlists these strange and powerful images to present a lyrical account of becoming a mother through adoption. Laura Larson is a photographer who has exhibited her work both nationally and internationally, including Art in General, Bronx Museum of the Arts, Metropolitan Museum of Art, Museum of Fine Arts, Houston, SFCamerawork, Susanne Vielmetter/L.A. Projects, and Wexner Center for the Arts. Reviews of her exhibitions have appeared in Artforum, The New York Times, The New Yorker, and Time Out New York, and she has published artist projects in Cabinet, Documents, Open City and The Literary Review. She is the recipient of grants from Art Matters, Inc., New York Foundation of the Arts, and Ohio Arts Council, and of residency fellowships from MacDowell Colony, Virginia Center for the Creative Arts, Santa Fe Art Institute, and Ucross Foundation. Larson’s work is represented by Lennon, Weinberg Gallery in New York City. She earned a BA in English from Oberlin College, a MFA in Visual Art from Mason Gross School of the Arts at Rutgers University, and participated in the Whitney Museum of American Art Independent Study Program. Hidden Mother is available online at the Saint Lucy bookstore. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hidden Mother by Laura Larson was published by Saint Lucy Press (January 2017), with 96 pages and 26 Color and black and white images. Hidden Mother tells the story of the adoption of Larson’s daughter from Ethiopia as mapped through nineteenth-century hidden mother photographs. The term “hidden mother” refers to the widespread but little-known practice in 19th-century portrait photography of concealing a mother’s body as she supported and calmed her child during the lengthy exposures demanded by early photographic technology. In the final portrait of the child, the mother–often covered from head-to-toe in a black drop cloth–appears as an uncanny figure. A practical strategy deployed by the photographer unintentionally yielded an evocative representation of the mother; never meant to be seen, her presence nonetheless haunts these images. Part photography book, part essay, Hidden Mother enlists these strange and powerful images to present a lyrical account of becoming a mother through adoption. Laura Larson is a photographer who has exhibited her work both nationally and internationally, including Art in General, Bronx Museum of the Arts, Metropolitan Museum of Art, Museum of Fine Arts, Houston, SFCamerawork, Susanne Vielmetter/L.A. Projects, and Wexner Center for the Arts. Reviews of her exhibitions have appeared in Artforum, The New York Times, The New Yorker, and Time Out New York, and she has published artist projects in Cabinet, Documents, Open City and The Literary Review. She is the recipient of grants from Art Matters, Inc., New York Foundation of the Arts, and Ohio Arts Council, and of residency fellowships from MacDowell Colony, Virginia Center for the Creative Arts, Santa Fe Art Institute, and Ucross Foundation. Larson’s work is represented by Lennon, Weinberg Gallery in New York City. She earned a BA in English from Oberlin College, a MFA in Visual Art from Mason Gross School of the Arts at Rutgers University, and participated in the Whitney Museum of American Art Independent Study Program. Hidden Mother is available online at the Saint Lucy bookstore. Learn more about your ad choices. Visit megaphone.fm/adchoices

I det tredje avsnittet söker Pukslaget efter frihet och förlösning tillsammans med slagverkaren och tonsättaren Magdalena Meitzner som visar oss hur slagverket talar till vårt undermedvetna. Symbolik är något som hänger tätt samman med slagverksmusiken genom tiderna och Magdalena Meitzner reflekterar kring hur nutida slagverksmusik kan kopplas ihop med psykologen Carl Gustav Jungs idéer om hur symboler påverkar vårt undermedvetna. Programmet drar en linje mellan Berlioz användning av kyrkklockor,  Sjostakovitjs innovativa gestaltning av ett poptrumset till Magdalenas egna stycken där hon använder till exempel knivar.  Med utgångspunkt i medeltidens tarotkort skapar Magdalena musik som kan ses som en sorts ljudritualer. Med som grupp Hidden Mother framför hon bland annat tarotkorten Översteprästinnan och Rättvisan i en helhetsupplevelse som låter den musikaliska och visuella upplevelsen smälta samman.