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Lana Z Caplan works across various media – including single-channel films or videos in essay form, interactive installations, video art, and photography. Her recent photographic monograph, Oceano (for seven generations) published by Kehrer Verlag in 2023, contrasts the historic inhabitants of California's Oceano Dunes – the Indigenous Chumash and a colony of depression-era artist and mystic squatters – with the current ATV riding community which is the source of a public health crisis in neighboring communities. Oceano (for seven generations) is in the collection of museums including Los Angeles County Museum of Art, The Getty Museum, Museum of Fine Arts Boston and The Cleveland Museum of Art. Her work has been reviewed and featured in publications such as ARTnews, LA Times, , and The Boston Globe and she has received several grants including from Massachusetts Cultural Council and the Film/Video Studio Program Fellowship at the Wexner Center for the Arts in Columbus, OH. Caplan earned her BA and BS from Boston University, her MFA from Massachusetts College of Art and is currently an Associate Professor of Photography and Video at Cal Poly, San Luis Obispo. Resources Lana Z. Caplan Websites Photo Workshops Tokyo Exploration Workshop with Ibarionex Perello Sponsors Playpodcast Podcast App Charcoal Book Club Chico Review Photobook Retreat Frames Magazine Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Click here to download Contribute a one-time donation to the show thru Buy Me a Coffee Support the work at The Candid Frame by contributing to our Patreon effort. You can do this by visiting or the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .
Optimal Health Series Human beings are wired for social connections, but when those connections are few, our health pays the price. The U.S. is suffering from a loneliness epidemic, and the toll it takes on our health is both enormous and measurable. In 2023, the U.S. Surgeon General declared loneliness and isolation a “public health emergency,” saying loneliness can increase the risk for premature death to levels comparable to smoking 15 cigarettes a day. The Surgeon General's startling advisory found that poor social connections can raise the risk of heart disease by 29%, increase the risk of stroke by 32%, and increase the risk of developing dementia in older adults by 50%. There is hope: leaders across Ohio are working to combat loneliness, to re-establish connections lost during the pandemic, and create new resources to reduce social isolation. This thought-provoking panel discussion tackles the loneliness epidemic in Ohio and its profound health and societal implications, including actionable strategies to build socially connected communities that can thrive, enjoy better health outcomes, and develop resilience in the face of loneliness. Featuring panelists: Dr. Amy Acton, Private Practice, Preventive Medicine, and Former Director, Ohio Department of Health Dr. Whitney Raglin Bignall, On Our Sleeves Associate Clinical Director, Nationwide Children's Hospital Susan DiMickele, CEO, National Church Residences Dr. Megan Schabbing, Medical Director of Psychiatric Emergency Services, OhioHealth The host is Tracie McCambridge, Director of Art & Resilience, The Wexner Center for the Arts The presenting sponsors of CMC's Optimal Health Series are The Ohio State University Wexner Medical Center, Nationwide Children's Hospital, and OhioHealth. This forum was sponsored by The Center for Human Kindness at the Columbus Foundation and by National Church Residences. It was supported by The Ellis. The livestream presenting sponsor was The Center for Human Kindness at The Columbus Foundation. The livestream partner was The Columbus Dispatch. This forum was recorded before a live audience at The Ellis in Columbus, Ohio's historic Italian Village on April 10, 2024. Please note this CMC forum contains a conversation about suicide. If you or someone you love is struggling with mental health or addiction, please contact the Suicide & Crsis Lifeline by calling 988.
Joy Sullivan received an MA in poetry from Miami University and has served as the poet-in-residence for the Wexner Center for the Arts. She has guest-lectured in classrooms from Stanford University to Florida International University and is the founder of Sustenance, a community designed to help writers revitalize and nourish their craft. Buy her book, Instructions for Traveling West, here: https://amzn.to/43QRrNC Read her thoughts on the creative life in her Substack newsletter, Necessary Salt: https://joysullivan.substack.com/ Follow her Instagram: https://www.instagram.com/joysullivanpoet Check out her website: https://joysullivanpoet.com _______________________________________ Want to work with Jeremy? Click here. Sign up for Jeremy's weekly newsletter! Each week, he shares a personal story and his favorite books, tunes, articles, and ideas. Click here: https://longdistancelovebombs.mykajabi.com/email. It's easy and takes five seconds. Join Jeremy's free online Discord chat room here: https://discord.gg/DfjFwN3rGX Follow Jeremy on Instagram @LongDistanceLoveBombs: https://www.instagram.com/longdistancelovebombs. Check out a list of 120 of Jeremy's favorite books here, including HIS BOOK, and many his guests have written and recommend reading: https://www.amazon.com/shop/longdistancelovebombs. Here is all of Jeremy's favorite stuff on the planet: https://www.longdistancelovebombs.com/favorites --- Send in a voice message: https://podcasters.spotify.com/pod/show/longdistancelovebombs/message
Our new series of Embracing Change is a deep examination of all the different ways change shows up in our lives and all the ways we can respond to it. As Jen says in this interview, our guest today went through a “chosen change.” Hers was a transformation that felt inevitable after all the small, incremental posture changes made her ready for the leap to follow — a leap toward more sanity, more love, and more joy. Joy Sullivan is a poet and community builder. Her new book “Instructions for Traveling West” is “for anyone flinging themselves into fresh starts.” She received a Masters in poetry from Miami University and has served as the poet-in-residence for the Wexner Center for the Arts. She joins the podcast today sharing her story of walking into the unknown. Through her unique viewpoint as a poet, she unlocks potent ways for us to trust our intuition and stay curious about what is scaring us. Jen and Joy touch on: The importance of embracing loneliness and stillness as opportunities for self-discovery and hearing one's true inner voice and callings. stories from Joy's life that served as lessons for her to love herself more deeply Reclaiming selfhood by rupturing constrictive cultural and religious narratives, especially around womanhood and female identity For anyone feeling the tug to upend the inertia of their life and lean into evolution, this conversation is an inspiring guide for following one's deepest callings into new horizons. * * * Thought-Provoking Quotes: "I started driving west and I spent six weeks hiking in Sedona, being in the beautiful desert. During that time, I really had this sense of awakening and the sense of rupturing. It was that question like, ‘Am I doing work that matters?' And I was so awake to my life again in that intense way that loneliness just pricks us alive. And I really began to grapple. I just looked at every aspect of my life and said, ‘Could there be more?'" - Joy Sullivan “I don't think it matters where you go, but to be able to give yourself an opportunity to really reinvent, that's the good stuff.” - Joy Sullivan "Be it beautiful or a mistake, the power has to be that you begin to choose for yourself." - Joy Sullivan “The loneliness of the road is something you just have to sign up for as part of the evolution.” - Joy Sullivan "I didn't have the life that I sort of felt like I always should have had based on what a woman was supposed to get — a husband, kids, the stability of the white picket fence, etc. And what's been interesting is when I sort of recreated or fractured some of those stories culturally and religiously that I had been given, my life just expanded into possibility because it had never occurred to me that a woman could be really, really happy if she didn't choose those things." - Joy Sullivan “Poetry is the only place that can hold the unsayable. It's the only space we have that holds that which cannot be spoken in any other art form. All the ache, all the beauty, all the impossibility of being alive; that's what poems are for.” - Joy Sullivan Resources Mentioned in This Episode: Sustenance (A Community of Poets and Writers founded by Joy Sullivan) Necessary Salt (Joy Sullivan's Substack Blog) Instructions For Traveling West by Joy Sullivan (A book of poems coming April 9, 2024) Guest's Links: Joy's Website Joy's Twitter Joy's Instagram Connect with Jen! Jen's Website Jen's Instagram Jen's Twitter Jen's Facebook Jen's YouTube The For the Love Podcast is a production of Four Eyes Media, presented by Audacy. Four Eyes Media: https://www.iiiimedia.com/ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
In 2018, Helen Molesworth was unceremoniously dismissed from her position as chief curator of the Museum of Contemporary Art Los Angeles. The move proved controversial among industry insiders, many of whom cast it as an example of an institution punishing its employee, a straight talking, strong willed feminist, for refusing to march in line. But for Molesworth, whose resume also includes stints at the Institute of Contemporary Art Boston, the Baltimore Museum of Art, and the Wexner Center for the Arts, The backlash didn't change the facts. For the first time in years, she was a curator without a home. Since then, Molesworth has struck out on her own, and she's been as active as ever. She's guest curated critically acclaimed exhibitions of at David Zwirner, Jack Shainman, and International Center of Photography. She's also hosted a hit podcast, Death of an Artist, about Anna Mendieta, led a series of filmed artist interviews, and been profiled by the New York Times. The forward momentum has given the curator little cause to look back. That is, until now. This month, Phaidon will release Open Questions: Thirty Years of Writing About Art, a career spanning collection of Molesworth's essays, all previously published in exhibition catalogs and art journals. Most of the written pieces are about artists, people like Kerry James Marshall, Catherine Opie, and Lisa Yuskavage. But the real subject of the book, of course, is Molesworth herself, and it's a rich text in that regard. "I trained as an art historian" Molesworth explains, "I really believe in art objects as knowledge producers, and for better or for worse, in the history of the 20th century, museums are the institutions that allow and convey that knowledge. Ahead of the book's release, Artnet News senior writer Taylor Dafoe sat down with Molesworth to talk about the project and the period of deep personal reflection it inspired.
In 2018, Helen Molesworth was unceremoniously dismissed from her position as chief curator of the Museum of Contemporary Art Los Angeles. The move proved controversial among industry insiders, many of whom cast it as an example of an institution punishing its employee, a straight talking, strong willed feminist, for refusing to march in line. But for Molesworth, whose resume also includes stints at the Institute of Contemporary Art Boston, the Baltimore Museum of Art, and the Wexner Center for the Arts, The backlash didn't change the facts. For the first time in years, she was a curator without a home. Since then, Molesworth has struck out on her own, and she's been as active as ever. She's guest curated critically acclaimed exhibitions of at David Zwirner, Jack Shainman, and International Center of Photography. She's also hosted a hit podcast, Death of an Artist, about Anna Mendieta, led a series of filmed artist interviews, and been profiled by the New York Times. The forward momentum has given the curator little cause to look back. That is, until now. This month, Phaidon will release Open Questions: Thirty Years of Writing About Art, a career spanning collection of Molesworth's essays, all previously published in exhibition catalogs and art journals. Most of the written pieces are about artists, people like Kerry James Marshall, Catherine Opie, and Lisa Yuskavage. But the real subject of the book, of course, is Molesworth herself, and it's a rich text in that regard. "I trained as an art historian" Molesworth explains, "I really believe in art objects as knowledge producers, and for better or for worse, in the history of the 20th century, museums are the institutions that allow and convey that knowledge. Ahead of the book's release, Artnet News senior writer Taylor Dafoe sat down with Molesworth to talk about the project and the period of deep personal reflection it inspired.
The Columbus Museum of Art and The Wexner Center for The Arts are two giants on the Columbus arts scene, and both have new leaders at their helms. Gaëtane Verna is the Wexner Center's new executive director, taking over the institution's leadership last November. Born in the Republic of Congo, and a Quebecer since age two, she is the first woman of color, and person of color, to lead “The Wex.” On Broad Street, the 145-year-old Columbus Museum of Art welcomed new leader Brooke Minto in May. Born in New York to Jamaican parents, Minto has worked to inspire people to engage with the arts in New York City, New Orleans, Miami, and Cape Town. Today, we meet these two new dynamic leaders for a conversation spotlighting what's “new and next” at CMA, The Wex, and in the Columbus arts world. The speakers are: Brooke Minto, Executive Director and CEO, The Columbus Museum of Art And Gaëtane Verna, Executive Director, Wexner Center for the Arts The host is Erica Thompson, Features Editor, The Columbus Dispatch This forum was sponsored by The Greater Columbus Arts Council, Benefactor Group, and CoverMyMeds and was supported by The Ellis. The livestream was presented by The Center for Human Kindness at The Columbus Foundation and by The Columbus Dispatch. This forum was recorded before a live audience at The Ellis in Columbus, Ohio's historic Italian Village on October 4, 2023.
Episode No. 621 features artist Carmen Winant and curator Negar Azimi. The Minneapolis Institute of Arts is exhibiting Winant's "The last safe abortion" through December 31. It features Winant's assemblages of historical photographs gathered from across the Midwest that detail the work of providing health care to women. That work includes answering phones, presenting training sessions, scheduling appointments, and more. "The last safe abortion" was curated by Casey Riley. Winant's work typically explores representations of women through strategies such as collage and installation. Her exhibition credits include the Wexner Center for the Arts at The Ohio State University, the Carnegie Museum of Art, Pittsburgh, Sculpture Center, Queens, the Bemis Center for Contemporary Arts, Omaha, the Institute of Contemporary Art Boston, and many venues in Europe. Azimi discusses her exhibition "Becoming Van Leo," the first international survey of the photography of the late Armenian artist known as Van Leo. It's on view at the Hammer Museum in Los Angeles through November 5. Born Levon Boyadjian in Turkey, Leo became a leading studio photographer in Cairo between the 1940s and the 1960s. Azimi's exhibition includes some of Leo's earliest pictures from the 1930s, his extensive experiments with self-portraiture, and his challenging of East-West binaries. Instagram: Carmen Winant, Tyler Green.
documentary King Coal. Told in an intimate and reflective manner, King Coal details the history of the all powerful fossil fuel in Appalachia, stretching back in time to the foundation of the mining region and utilising the imagery of the coal miner's daughter to explore the myth and dominance that the black rock has on the region. King Coal never condemns those who have worked in and relied on the mining industry as a source of income or stability, with Elaine's supportive narration being one that highlights the importance that coal once held for those in the region, while also spotlighting the need to navigate a path out of relying on it. It's with the focus on two young girls who grow up in the region that we follow this tale of coal and the almost fanatical adoration that people in the region still hold onto it. There's a touch of fantastical realism to King Coal which is amplified by the stunning cinematography that reinforces just how nourishing nature can be. In this interview, recorded ahead of King Coal's national release in America, Elaine talks about the need to explore the story of coal in a tender manner, the importance of telling it from her own lived experience, as well as the vision of hope that it gives at its end. King Coal is screening across America from August 11th in New York, with further screenings: New York City - August 11th @ DCTV TheaterWinston-Salem, NC - August 18th @ Aperture CinemaCharleston, WV - August 31st @ Floralee CinemaAkron, OH - September 1st @ The NightLightCincinnati, OH - September 4th @ The Woodward TheaterColumbus, OH - September 8th @ Wexner Center for the ArtsQueens, NY - September 9th @ Museum of the Moving ImageBlacksburg, VA - September 21st @ Lyric TheaterBluefield, WV - September 22nd @The Granada Theater See omnystudio.com/listener for privacy information.
documentary King Coal. Told in an intimate and reflective manner, King Coal details the history of the all powerful fossil fuel in Appalachia, stretching back in time to the foundation of the mining region and utilising the imagery of the coal miner's daughter to explore the myth and dominance that the black rock has on the region. King Coal never condemns those who have worked in and relied on the mining industry as a source of income or stability, with Elaine's supportive narration being one that highlights the importance that coal once held for those in the region, while also spotlighting the need to navigate a path out of relying on it. It's with the focus on two young girls who grow up in the region that we follow this tale of coal and the almost fanatical adoration that people in the region still hold onto it. There's a touch of fantastical realism to King Coal which is amplified by the stunning cinematography that reinforces just how nourishing nature can be. In this interview, recorded ahead of King Coal's national release in America, Elaine talks about the need to explore the story of coal in a tender manner, the importance of telling it from her own lived experience, as well as the vision of hope that it gives at its end. King Coal is screening across America from August 11th in New York, with further screenings: New York City - August 11th @ DCTV TheaterWinston-Salem, NC - August 18th @ Aperture CinemaCharleston, WV - August 31st @ Floralee CinemaAkron, OH - September 1st @ The NightLightCincinnati, OH - September 4th @ The Woodward TheaterColumbus, OH - September 8th @ Wexner Center for the ArtsQueens, NY - September 9th @ Museum of the Moving ImageBlacksburg, VA - September 21st @ Lyric TheaterBluefield, WV - September 22nd @The Granada TheaterSee omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.
Elaine McMillion Sheldon is a director and writer known for documentaries, such as the Netflix Original Documentaries, Heroin(e) and Recovery Boys. Her latest film, King Coal, premiered at the 2023 Sundance Film Festival. This “part fable, part documentary” is about the complex, coal culture in Central Appalachia. In this episode, No Film School's GG Hawkins speaks with Emmy-winning filmmakers, Elaine McMillion Sheldon and Curren Sheldon to discuss: The inception of the film and how it became a hybrid style What the lens vetting process was like Not using any artificial light The reason behind focusing on the young characters in the film Why it's important to have bad ideas Pushing through moments of vulnerability Where Elaine got inspiration from Working with a breath artist to create all the crazy sounds in the film All the wonderful support they received from labs and grants Why you need to have a long-term version Memorable Quotes “How do we make this feel almost like a dream, almost like an imagined future?” [7:51] “This film required a level of failure and vulnerability that made me insecure at moments. But ultimately made me grow as a filmmaker.” [14:09] “Having a long view of your career is so healthy otherwise you're gonna get burnt out and depressed.” [31:20] “Most of this industry lives in a bubble, on a coast.” [42:08] Resources: King Coal trailer King Coal official website King Coal on Instagram Here is the upcoming 2023 theatrical: August 11th - DCTV- New York City, NY (weeklong) August 18th - Aperture Cinema - Winston-Salem, NC (weeklong) August 25th - Laemmle Glendale - Los Angeles, CA (weeklong) August 28th -Harris Theater - Pittsburgh, PA (Select shows during the week) August 31- Floralee Theater - Charleston, WV (Select shows) September 1st - The Nightlight - Akron, OH (weeklong) September 1st- Zoetropolis Cinema - Lancaster, PA (two-week run) September 1st - Central Cinema - Knoxville, TN (weeklong) September 4th - The Woodward Theater - Cincinnati, OH (one night) September 8th - Wexner Center of the Arts - Columbus, OH (one night) September 9th - Museum of the Moving Image- Queens, NY (one night) September 15th- Raleigh Playhouse- Beckley, WV (one night) September 21st - The Lyric Theater- Blacksburg, VA (one night) September 22nd - The Granada Theater- Bluefield, WV (one night) Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Send us an email with questions or feedback: podcast@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices
The Columbus Arts Festival returns to the riverfront June 9-11 and will feature more than 225 exhibiting artists. We'll talk about this as well as the Wexner Center for the Arts' Pioneers of Queer Cinema Film Festival and Evolution Theatre's production of McQueen.
Episode No. 600 features artist Anna Tsouhlarakis and curator Michael Hartman. Anna Tsouhlarakis is in several exhibitions around the United States. A solo presentation of her "The Native Guide Project" (2019-present) is at the Wexner Center for the Arts at The Ohio State University through July 9. The indoor-outdoor exhibition presents the Wexner's commissioning of "The Native Guide Project: Columbus," which includes boldface phrases such as "I LIKE HOW YOU SEE NATIVE AMERICANS AS YOUR INTELLECTUAL EQUAL" both within and around the Wexner's famed Peter Eisenman-designed building. The presentation was curated by Kelly Kivland with Bethani Blake. Tsouhlarakis is among the artists included in the second edition of the St. Louis triennial Counterpublic, which weaves contemporary art into the fabric of St. Louis. Counterpublic's curatorial ensemble included Allison Glenn, Diya Vij, NEw Red Order, and Risa Puleo. Counterpublic is on view through July 15. At the Scottsdale Museum of Art through August 27, Tsouhlarakis is in "Language in Times of Miscommunication," an exhibition of artworks that use language to critically examine the complexities of social reality. It was curated by Lauren R. O'Connell with Keshia Turley. Next month the Museum of Contemporary Art Denver will present a survey of Tsouhlarakis's Indigenous Absurdities sculptures which center Indigenous knowledge and systems as ways of teaching starting points. Curated by Leilani Lynch, the exhibition will be on view from June 14 to September 10. Tsouhlarakis, who is Navajo, Creek and Greek, often challenges and stretches the aesthetic and conceptual boundaries of Native art, often with humor and even sarcasm. Michael Hartman discusses "Historical Imaginary," at the Hood Museum of Art at Dartmouth College. The exhibition pairs an unfinished study for Emanuel Leutze's Washington Crossing the Delaware with other works to explore how artists have constructed American memory. It's on view through November 11.
The Exhibit, on MTV and the Smithsonian Channel, introduced America to the wonderful, brilliant Baseera Khan, and she joins Studio Noize to talk all about it. Baseera has been making her performances, sculptures, and installations for years, and her work explores materials and their intersections with identity. She talks about being on the show, her approach to exploring materials, and her life's many facets. We discuss her solo exhibition, I Am an Archive, at the Brooklyn Museum and the ways that experience changed her view of her work and herself. We learn more about her psychedelic prayer rugs, her upcoming project for Highline Park in New York, and some of the work from The Exhibit. Listen, subscribe, and share!Episode 167 topics include:making art on The Exhibitmeeting all the artistsusing identity in artpsychedelic prayer rugsI Am an Archive exhibition at the Brooklyn Museumbeing an artist during the pandemicdealing with rejection as an artistthe excitement of exploring materials how your practice can change after a big projectBaseera Khan is a New York-based performance, sculpture, and installation artist who makes work to discuss materials and their economies, the effects of this relationship to labor, family structures, religion, and spiritual well being. Khan is currently working on a public art commission on The High Line for fall 2023. Khan mounted their first museum solo exhibition at the Brooklyn Museum of Art, New York (2021-22), and opened their first solo touring exhibition in Houston, Texas at Moody Arts Center for the Arts, Rice University (2022-2023). Khan has representation at Simone Subal Gallery, New York where they mounted their first solo exhibition called Snake Skin (2019). They have exhibited in numerous locations such as Wexner Center for the Arts (2021), New Orleans Museum of Art (2020), Munich Documentation Centre for the History of National Socialism, Munich, Germany, Jenkins Johnson Projects, Brooklyn, NY (2019), Sculpture Center, NY (2018), , Aspen Museum (2017), Participant Inc. (2017). Khan's performance work has premiered at several locations including Brooklyn Museum of Art, Whitney Museum of American Art, and Art POP Montreal International Music Festival. Khan completed a 6 week performance residency at The Kitchen NYC (2020) and was an artist in residence at Pioneer Works (2018-19), Abrons Art Center (2016-17), was an International Travel Fellow to Jerusalem/Ramallah through Apexart (2015), and attended the Skowhegan School of Painting and Sculpture (2014). Khan is a recipient of the UOZO Art Prize (2020), BRIC Colene Brown Art Prize and the Joan Mitchell Painters and Sculptors Grant (2019), was granted by both NYSCA/NYFA and Art Matters (2018). Their works are part of several public permanent collections including the Solomon R. Guggenheim, Whitney Museum of American Art, Brooklyn Museum of Art, the Walker Art Center, MN, and the New Orleans Museum of Art, LA. Khan's work is published in 4Columns, The New York Times, The New Yorker, Artforum, Art in America, BOMB, Brooklyn Rail, and TDR Drama Review. Khan is an adjunct professor of sculpture, performance, and critical theory, and received an M.F.A. from Cornell University (2012) and a B.F.A. from the University of North Texas (2005)See more: www.baseerakhan.com + Baseera Khan IG @baseerakhanPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast
Bob Furmanek of the 3D Film Archive discusses the Wednesday night preview screening at the Wexner Center of the double feature Robot Monster in 3D and Abbott and Costello's Jack and the Beanstalk in restored Super Cinecolor.
Gaetane Verna is the newly appointed Executive Director of the Wexner Center for the Arts. You'll meet her on this morning's All Sides Weekend.
Gaetane Verna is the newly appointed Executive Director of the Wexner Center for the Arts. You'll meet her on this morning's All Sides Weekend.
We meet painter KATY MORAN to discuss More Me, the artist's first presentation in Australia to date, showcasing her signature style of painting that defies and dispels traditional genres of landscape, portraiture or still life, instead, existing as free, gestural explorations of colour and line. Moran's practice hovers in a productive space between figuration and abstraction. She paints over canvases found in flea markets and charity shops, blurring the found images beneath her layers of paint, evoking a deliberate sense of nostalgia and longing, as if unravelling a distant memory.Katy Moran's paintings reflect a responsive working process: shifting or rotating the canvas while painting, reworking textures, and reconsidering the shapes and figures that emerge. With this approach to painting along with the inclusion of collage, often partially obscured, her work conveys a deliberate tension between materiality and subject. Moran creates a dynamic push and pull between the addition and the removal of paint; some works exhibit thick application of paint, while in others the painterly gesture is removed with rags dipped in varnish or even by sanding. Via the oscillation between representation and abstraction, composition and narrative, texture and space, Moran engages thought and sense simultaneously.Follow @KatyMoran123 on Instagram and visit her gallery Modern Art: https://modernart.net/artists/katy-moranKaty Moran's new exhibition More Me is now open and runs until 1st April at Station, Melbourne, Australia.Visit https://stationgallery.comKaty Moran lives and works in Hertfordshire. She was born in Manchester in 1975 and completed an MA Fine Art in painting at the Royal College of Art, London in 2005. Moran's work has been the subject of solo exhibitions at Parasol Unit for Contemporary Art, London (2015); the Douglas Hyde Gallery, Dublin (2013); Wexner Center for the Arts, Columbus (2010); Tate St. Ives (2009); and Middlesbrough Institute of Modern Art, UK (2008). Her work has been featured in group exhibitions at Tate St. Ives (2018); Aspen Art Museum (2015); Walker Art Center, Minneapolis (2013); SFMOMA (2012); and Tate Britain, London (2008). Her work is included in important public and private collections including Arts Council Collection, London; David Roberts Art Foundation; Government Art Collection, London; The Rachofsky Collection, Dallas; Royal College of Art, London; Tate; SFMOMA; and Walker Art Center; Yale Center for British Art, New Haven; and Zabludowicz Collection. Hosted on Acast. See acast.com/privacy for more information.
A celebration of Toni Morrison with two of Ohio's most revered poets and authors as Hanif Abdurraqib and Dionne Custer Edwards discuss the influences of Toni Morrison's work on their own and celebrate the importance of her legacy as writers and Ohioans. Toni Morrison Day is celebrated on February 18th in Ohio, commemorating the birth of the literary giant and possibly “the greatest Ohioan we've ever had,” as Hanif Abdurraqib remembers her. Morrison often used Ohio as a setting for her novels, from examining the influences and disparities of White and Black families living in post-Depression era Lorain in The Bluest Eye to exploring the insidious reach of slavery over the Ohio River in Beloved. Toni Morrison's writing shed the white gaze and centered stories that explored the terrors, hopes, and dreams of Black lives and communities. Hanif Abdurraqib - a 2021 MacArthur Genius' Grant Recipient - is a poet, essayist, and cultural critic from Columbus, Ohio. His poetry has been published in Muzzle, Vinyl, PEN American, and various other journals. His essays and music criticism have been published in The FADER, Pitchfork, The New Yorker, and The New York Times. He is the author of the poetry collections The Crown Ain't Worth Much, a finalist for the Eric Hoffer Book Prize, and A Fortune For Your Disaster, which won the 2020 Lenore Marshall Prize, and the essay collections They Can't Kill Us Until They Kill Us, named a best book of the year by Buzzfeed, Esquire, NPR, Oprah Magazine, Paste, CBC, The Los Angeles Review, Pitchfork, and The Chicago Tribune, among others; Go Ahead In The Rain: Notes To A Tribe Called Quest, a New York Times Bestseller, a finalist for the Kirkus Prize, and longlisted for the National Book Award; and A Little Devil In America: Notes in Praise of Black Performance, which was shortlisted for the National Book Award. He is a graduate of Beechcroft High School. Dionne Custer Edwards is a writer, educator, and the Director of Learning & Public Practice at the Wexner Center for the Arts. Her work in the arts and education spans 25 years, including nearly two decades at the Wex where she pioneered several groundbreaking education programs that include Pages, an art and writing program serving hundreds of high school students a year from across central Ohio. Dionne has received acknowledgments and awards that include professional fellowships with Americans for the Arts, the Jefferson Center for the Arts, and a GCAC Arts Educator of the Year. Dionne is co-editor of a forthcoming book series by Ohio State University Press, On Possibility: Social Change and the Arts + Humanities, with the first issue due out in 2023. Special thanks to fo/mo/deep for lending us their song, "Bourbon Neat" for the podcast! Find out about upcoming Bexley Public Library events at BexleyLibrary.org Follow Bexley Public Library across social media platforms @bexleylibrary
Laura, who is the founder of Benefactor Group and a lead author of the Giving USA study, talks with Sybil about the research and facts from the report, which offers research every year to answer the question of why people give. This episode is packed with interesting facts to help you as a donor be even more effective at tapping into why you give, and also how your giving fits into the data and facts about good giving practices. Episode Highlights:A deep dive into understanding why people give The statistics and facts that explain why people giveDiscussion of the major yearly study, called Giving USA, which reviews trends in givingLaura MacDonald Bio:Laura MacDonald, Principal and Founder of Benefactor Group, has served the nonprofit sector for four decades. In 2000, she established Benefactor Group to serve the needs of those who serve the common good. The firm works with healthcare, arts, culture, and educational institutions; human service organizations; women's funds; and others as they pursue their vision of a better world. The team at Benefactor Group has served hundreds of clients, ranging from universities, art museums, hospitals, and global NGOs, to start-up community organizations.Prior to establishing Benefactor Group, Laura served as the vice president and creative director of a national fundraising firm, chief development officer in arts and higher education, and as a key volunteer for community organizations. Laura was chief development officer at The Ohio State University's Wexner Center for the Arts where she also served as a senior development officer in the University's $1.2 billion capital campaign.Links: Benefactor: https://benefactorgroup.comGiving USA: https://givingusa.orgLinkedIn: https://www.linkedin.com/in/benefactorgrouppresidentFacebook: https://www.facebook.com/BenefactorGroupIf you enjoyed this episode, listen to these as well:#99 Partnering With Government to Leverage your Private Funds, with Meta Loftsgaarden Forest Supervisor for the Mt. Hood National Forest and former Director of the Oregon Watershed Enhancement Board # 88 Navigating Transitions Via a Nonprofit Working on Climate Change, with Elizabeth Bast, Executive Director Oil Change International #46 An Entrepreneurial Philanthropist Takes Action on Climate Change with Tim Miller, Executive Director, PECICrack the Code: Sybil's Successful Guide to PhilanthropyBecome even better at what you do as Sybil teaches you the strategies as well as the tools, you'll need to avoid mistakes and make a career out of philanthropy through my new course, Crack the Code!In this new course, you'll gain access to beautifully animated and filmed engaging videos, and many more! Link for the wait list for the Philanthropy Accelerator https://www.doyourgood.com/Philanthropy-Accelerator-Mastermind-WaitlistLink to the nonprofit email sign-up to connect https://www.doyourgood.com/ticket-to-fundraisingCheck out her website with all the latest opportunities to learn from Sybil at https://www.doyourgood.com/ Connect with Do Your Goodhttps://www.facebook.com/doyourgoodhttps://www.instagram.com/doyourgoodWould you like to talk with Sybil directly?Send in your inquiries through her website www.doyourgood.com, or you can email her directly at sybil@doyourgood.com!
In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, David Benjamin Sherry have a deeply personal and moving conversation about the decisions and influences that lead David to pursue photography and to work in the uniquely exuberant and process forward manner that he does. https://davidbenjaminsherry.com David Benjamin Sherry (Santa Fe, NM) is an artist whose work is both challenging and reinvigorating the American Western landscape tradition. His work revolves around interests in environmentalism, queer identity and alternative analog film processes. He's best known for his colorful landscape work, brought upon by the desire to explore the last remaining wilderness in America. Through numerous projects, Sherry's work expresses deep concern for the rapidly changing environment, while continuing to sustain a queer sensibility in the hetero-male dominated canon of landscape photography. Sherry has referred to himself as a “nostalgic futurist” and currently uses a large format 8x10 film camera in order to reflect and understand our connection within the contemporary American landscape. Sherry was born in 1981 in Stony Brook, NY and lives and works in Santa Fe, New Mexico. He received his BFA in Photography from Rhode Island School of Design in 2003 and his MFA in Photography from Yale University in 2007 where he was awarded the Richard Dixon Welling Prize. In 2010 he received the Rema Hort Mann Foundation Visual Arts Grant. Sherry taught Western Landscape and Large Format photography as a distinguished faculty member at the San Francisco Art Institute in 2018. In the fall of 2020, joined the Yale MFA Photography program as a Visiting Critic. A multi-part installation of his work was exhibited in Greater New York 2010 at MoMA PS1, New York, a survey show organized by Klaus Biesenbach Connie Butler, and Neville Wakefield. His work has been exhibited in numerous solo presentations and also included in many group presentations including: The Anxiety of Photography, Aspen Art Museum (2011), New York Minute at Garage Museum of Contemporary Art, Moscow (2011), Out of Focus at Saatchi Gallery, London (2012), Lost Line, LACMA Los Angeles County Museum of Art (2013), What is a Photograph? at ICP International Center for Photography, New York (2014), Fotofocus Biennial, Cincinnati, Ohio (2014) Color Fields at MassArt Museum (2015) and Ansel Adams In Our Time, Museum of Fine Arts, Boston (2018). His work is in permanent collections at The Whitney Museum of American Art, NY, The Nasher Museum of Art, Durham, NC, Walker Art Center, Minneapolis, MN, Wexner Center of the Arts, Columbus, OH, Los Angeles County Museum of Art, Los Angeles, CA, The Saatchi Collection, London, UK, The Alfond Collection of Contemporary Art, Cornell Fine Arts Museum, FL, and The Marciano Foundation, Los Angeles, CA Sherry's work has been featured in many prominent international publications, including Artforum, Aperture Magazine, Architectural Digest, Art in America, Interview Magazine, The New Yorker, New York Magazine, and The New York Times, among many others. In September 2014, his work was featured on the cover of The New York Times Magazine. In the spring of 2019, his work was featured on the cover of Aperture Magazine for the Earth issue. There are four monographs of his work: It's Time (Damiani, 2010); Quantum Light (Damiani, 2013); Earth Changes (Mörel Books, 2015) and his most recent monograph, “American Monuments” (Radius, 2019) features essays by top environmentalists and activists Terry Tempest Williams and Bill McKibben. David Benjamin Sherry is represented by Salon 94 Gallery, New York and Morán Morán Gallery, Los Angeles. Find out more at https://photowork.pinecast.co
There's plenty of arts and culture in our city all year round, especially in the height of summer. We'll discover what's new at the Wexner Center, that iconic building at the heart of the Ohio State University campus and more.
There's plenty of arts and culture in our city all year round, especially in the height of summer. We'll discover what's new at the Wexner Center, that iconic building at the heart of the Ohio State University campus and more.
Ep.115 features Beverly Semmes. She is a sculptor whose work incorporates painting, drawing, film, photography, and performance. These complementary elements adhere in surprising ways, probing the paradoxes and complexities of the female body and its representation. Current exhibitions include inclusion in a group show at Canada gallery curated by Kahlil Robert Irving titled SUMMER Nights, which opened on July 8th, 2022. Semmes recently participated in an exhibition titled Process on view at the Alexander McQueen flagship location on Old Bond Street in London. For this presentation 12 visual artists from around the world were invited to respond to the upcoming Alexander McQueen collection. In May 2022 Semmes created Pool in collaboration with Jennifer Minniti and Emily Mast at JOAN exhibition space in Los Angeles. Pool was on view through mid June 2022. Semmes' paintings and sculptures were also recently on view in Witch Hunt at the Hammer Museum in Los Angeles; a Hammer Museum billboard announcing the Witch Hunt exhibition continues to loom over the historic corner of Hollywood and Sunset Boulevards. The artist has had dozens of solo exhibitions at institutions such as MoMA PS1, ICA Philadelphia, Sculpture Center, the MCA Chicago, the Wexner Center for the Arts, Artist's Space, the Fabric Workshop and Museum, the Irish Museum of Modern Art, the Frances Tang Teaching Museum and Art Gallery at Skidmore College, and the Hirshhorn Museum and Sculpture Garden. A solo exhibition of paintings titled Pot Peek was on view at Susan Inglett Gallery in New York through mid March 2022. Semmes received her M.F.A. in Sculpture from the Yale School of Art (1987). She also studied at the New York Studio School, the Boston Museum School, and at the Skowhegan School of Painting and Sculpture where she now serves on the Governors Board. Semmes is represented by Susan Inglett Gallery in New York and Shoshana Wayne Gallery in Los Angeles. She was born in Washington, D.C. Photo Credit: Ross Collab Artist Beverly Semmes (beverlysemmesstudio.com) Brooklyn Rail Beverly Semmes: POT PEEK – The Brooklyn Rail Alexander McQueen https://www.alexandermcqueen.com/en-us/beverly-semmes Youtube https://www.youtube.com/watch?v=YfUcQHRCsZY&ab_channel=Rain https://www.youtube.com/watch?v=wkbnuQfp2Cc&ab_channel=AlexanderMcQueen The Guardian https://www.theguardian.com/fashion/gallery/2022/jun/09/process-alexander-mcqueen-fashion-and-the-art-it-inspired-in-pictures Joan Los Angeles https://joanlosangeles.org/carwash-collective-and-emily-mast-pool/ Susan Inglett Gallery https://www.inglettgallery.com/artists/190-beverly-semmes/overview/ Hammer Museum https://hammer.ucla.edu/exhibitions/2021/witch-hunt Wikipedia Beverly Semmes - Wikipedia Artnet Beverly Semmes | Artnet
Jack Marchbanks sits down with Dionne Custer Edwards, Scott Woods, and Is Said for a discussion about Black poetry using James Weldon Johnson's groundbreaking anthology The Book of American Negro Poetry as a springboard. Dionne Custer Edwards is a writer, educator, and the Director of Learning & Public Practice at the Wexner Center for the Arts, Scott Woods is a poet, writer, and the founder and director of the performing arts organization Streetlight Guild, and Columbus poetry legend Is Said, has received the King Arts Complex Legends & Legacies Award and was inducted into the Lincoln Theater Hall of Fame. This program is generously funded by Jack Marchbanks and The Kridler Family Fund at The Columbus Foundation. Special thanks to fo/mo/deep for lending us their song, "Bourbon Neat" for the podcast! Find out about upcoming Bexley Public Library events at https://www.bexleylibrary.org Follow Bexley Public Library across platforms @bexleylibrary
William Wegman in his studio William Wegman was born in Holyoke, Massachusetts, in 1943 and received a BFA from the Massachusetts College of Art, Boston and an MFA from the University of Illinois, Urbana-Champaign. His work has been exhibited extensively in both the United States and abroad, including solo exhibitions at the Walker Art Center, Minneapolis (1982); San Francisco Museum of Modern Art (1988); Whitney Museum of American Art (1992); Museum of Fine Arts, Boston (2001); and The Art Gallery of Ontario, Toronto (2002). The retrospective “William Wegman: Funney/Strange” was held at the Brooklyn Museum, and traveled to the Smithsonian American Art Museum, Washington, D.C.; the Norton Museum of Art, Palm Beach; the Addison Gallery of American Art, Andover; and Wexner Center for the Arts, Columbus (2006-07). Since his first exhibition at Sperone Westwater in 1990, Wegman has exhibited regularly at the gallery (1992, 2003, 2006, 2012, 2016, 2017 and 2022). The book William Wegman: Writing by Artist was edited by Andrew Lampert and published in April 2022 by Primary Information. The first collection to focus on Wegman's lengthy and deeply funny relationship to language, the book is filled with over 300 previously unknown and wildly entertaining texts, drawings, and early photographs spanning the early 1970s to the present. William Wegman, OMG, 2021, acrylic and charcoal on wood panel, 40 x 60 inches William Wegman, Untitled ("Moths cost us millions..."), 1970-71, typewritten text on paper, 11 x 8 1/2 inches
When the Seattle Art Museum opened the Olympic Sculpture Park on the urban waterfront in 2007, it changed the way people could interact with art and experience the city's environment. The fact that it's free and open to everyone makes the park one of the most inclusive places to see art in the Pacific Northwest. The sculpture park contains pieces like Alexander Calder's red sculpture The Eagle, Jaume Plensa's giant head Echo, and Neukom Vivarium, a 60-foot nurse log in a custom-designed greenhouse, among many others. Although many people believe that the greatest work of art at the park is the park itself and the way it connects with its surroundings. Because of the efforts of the Seattle Art Museum and the city, instead of being filled with private condo buildings, this former industrial site has become a welcoming part of the waterfront for the public to enjoy sculptures, activities, and the gorgeous Elliott Bay views. The new book Seattle's Olympic Sculpture Park: A Place for Art, Environment, and an Open Mind, pays homage to the interconnected spirit of the park. Mimi Gardner Gates — the director of the Seattle Art Museum (1994–2009) at the time of the Sculpture Park's conception and creation — edited this collection of writings and images about the park and how public-private partnerships can create innovative civic spaces. Other contributors include Barry Bergdoll, Lisa Graziose Corrin, Renée Devine, Mark Dion, Teresita Fernández, Leonard Garfield, Jerry Gorovoy for Louise Bourgeois, Michael A. Manfredi, Lynda V. Mapes, Roy McMakin, Peter Reed, Pedro Reyes, Maggie Walker, and Marion Weiss. Seattle Times journalist Lynda V. Mapes and SAM curator Catharina Manchanda joined Gates in discussion about the remarkable waterfront park and how it might inspire future innovation in civic spaces. Mimi Gardner Gates was director of the Seattle Art Museum for fifteen years and is now director emerita, overseeing the Gardner Center for Asian Art and Ideas. Previously, she spent nineteen years at Yale University Art Gallery, the last seven-and-a-half of those years as director. She is a fellow of the Yale Corporation; Chairman of the Dunhuang Foundation; Chairman of the Blakemore Foundation; a trustee of the San Francisco Asian Art Museum; a trustee of the H. John Heinz III Center for Science, Economics and the Environment, and serves on the boards of the Yale University Art Gallery, the Northwest African American Museum, the Terra Foundation, and Copper Canyon Press. Dr. Gates formerly chaired the National Indemnity Program at the National Endowment for the Arts and served on the Getty Leadership Institute Advisory Committee. Lynda V. Mapes is a journalist, author, and close observer of the natural world, and covers natural history, environmental topics, and issues related to Pacific Northwest indigenous cultures for The Seattle Times. Over the course of her career she has won numerous awards, including the international 2019 and 2012 Kavli gold award for science journalism from the American Association for the Advancement of Science, the world's largest professional science association. She has written six books, including Orca Shared Waters Shared Home, winner of the 2021 National Outdoor Book Award, and Elwha, a River Reborn. Catharina Manchanda joined the Seattle Art Museum as the Jon & Mary Shirley Curator of Modern & Contemporary Art in 2011. Notable exhibitions for SAM include Pop Departures (2014-15), City Dwellers: Contemporary Art from India (2015), Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas (2017), and Frisson: The Richard E. Lang and Jane Lang Davis Collection (2021). Prior to joining SAM, she was the Senior Curator of Exhibitions at the Wexner Center for the Arts in Columbus, Ohio. She has also worked in curatorial positions at the Mildred Lane Kemper Art Museum, St. Louis; the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum; and the Philadelphia Museum of Art. She is the recipient of numerous international awards including an Andy Warhol Foundation grant, Getty Library Research grant, and others. Buy the Book: Seattle's Olympic Sculpture Park: A Place For Art, Environment, And An Open Mind from University Book Store Presented by Town Hall Seattle. To become a member or make a donation click here.
Michael Mercil, Emeritus Professor of Art has created sculpture, drawing, painting, landscape architecture, film, and performance for regional and national exhibitions. His installations at Ohio State have included bean fields by the Wexner Center and a virtual pasture of Shetland sheep. He joins host David Staley on this week's Voices of Excellence on Soundcloud and iTunes to describe his work and academic interests
STUART PIMSLER is a choreographer, director, writer, performer, founder andartistic co-director of Stuart Pimsler Dance & Theater (SPDT). His work has beenhonored with Choreography Fellowships from the National Endowment for the Arts andMcKnight Foundation and as well as a Major Fellowship and six Individual Fellowshipsfrom the Ohio Arts Council. Mr. Pimsler has been commissioned by the Guthrie Theater,the Lila Wallace Arts Partners Fund, National Performance Network Creation Fund, theJerome Foundation, the Wexner Center, University of Minnesota, the Walker Art Center,The Wharton Center at Michigan State University among others.Based in Minneapolis since 1999, SPDT has toured to Europe, Israel, Taiwan, Russia,Canada, Bermuda, China, and Mexico including presentations at the Beijing ModernDance Festival, International Tanzmesse, Dusseldorf, the Bermuda Ministry of Cultureand the National Center for the Arts, UNAM and American Embassy in Mexico City. Inthe U.S. SPDT has appeared in more then 35 States at such venues as the The KennedyCenter for the Performing Arts, the National Civil Rights Museum, Jacob's Pillow, theAmerican Dance Festival, and New York Live Arts.His new book, The Choreography of Care/Engaging Caregivers in Creative Expressionchronicles the internationally recognized arts in health work of Mr. Pimsler and SuzanneCostello. (choreographyofcare.com) Their work has been recognized for “Best Practices”by the National Endowment for the Arts and as a “national model” by The KennedyCenter for the Performing Arts.As a teller of imagistic stories, Pimsler is interested in the interplay of movement andwords situated in specific settings. His work is constructed in a world of layers connectedthrough theme, metaphor, and memory. The emblematic layers of his aesthetic arerealized through emotionally textured movement, narrators, place, dialogue, song, design,video, and the vulnerability of SPDT's exquisite performers. Pimsler is compelled by thepersonal and political and how each of these sectors influences everyday life.Mr. Pimsler holds an A.B. in English from Franklin & Marshall College and in 2015, hewas celebrated with an Alumni Citation for his exemplary record of accomplishments. Healso has a J.D. from Catholic University School of Law and was admitted to the NewYork State Bar in 1975. The following year he was accepted as an M.F.A. Fellow inDance at Connecticut College where he evolved his aesthetic with the mentorship ofMartha Myers. He was also honored to work with Daniel Nagrin, whose solos SpanishDance (1948) and Word Game (1968) he continues to perform.As cultural activist, Mr. Pimsler has served on the Board of Directors of Dance/USA(1990-97) and the Steering Committee of the National Performance Network (1992-95).He has served as panelist for the National Endowment for the Arts, the McKnightFoundation, Bush Foundation and an array of arts councils and agencies throughout theU.S. In 2005, Pimsler founded The SAGE Awards for Dance, an annual celebration ofoutstanding dance achievements throughout Minnesota which he co-coordinated withDana Kassel through 2016.www.stuartpimsler.com
This week, CMC features Columbus native Wil Haygood. His new book, Colorization: One Hundred Years of Black Films in a White World, examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists and their films as a prism to explore Black culture, civil rights, and racism in America. This CMC forum was recorded before a live audience following COVID protocols at the Boat House in Columbus, Ohio on October 20, 2021 and was sponsored by Crabbe, Brown, and James, LLP and RAMA Consulting Group The speakers are: Wil Haygood, Author of Colorization: One Hundred Years of Black Films in a White World David Filipi, Director of Film/Video, Wexner Center for the Arts The host is Ray Paprocki, Publisher and General Manager, Dispatch Magazines
John Bleasdale talks to Lynne Sachs, the Memphis born, Brooklyn based filmmaker on the eve of a season of her works being streamed on the Criterion Channel. Since the 1980s, Sachs has created cinematic works that defy genre through the use of hybrid forms and collaboration, incorporating elements of the essay film, collage, performance, documentary and poetry. Her films explore the intricate relationship between personal observations and broader historical experiences. With each project, she investigates the implicit connection between the body, the camera, and the materiality of film itself. Over her career, Sachs has been awarded support from the Guggenheim Foundation, the NYFA, and Jerome Foundation. Sachs has made 40 films (including Tip of My Tongue, Your Day is My Night, Investigation of a Flame, and Which Way is East). Her films have screened at the Museum of Modern Art, Wexner Center, the Walker, the Getty, New York Film Festival, and Sundance. In 2021, Edison Film Festival and Prismatic Ground Film Festival at Maysles Documentary Center awarded Sachs for her body of work. Sachs is also deeply engaged with poetry. In 2019, Tender Buttons Press published her first book Year by Year Poems. In 2020 and 2021, she taught film and poetry workshops at Beyond Baroque, Flowchart Foundation, San Francisco Public Library, and Hunter. www.lynnesachs.comAfter comprehensive career retrospectives at Sheffield Doc/Fest 2020 and the Museum of the Moving Image in 2021, the Criterion Channel is delighted to announce that director Lynne Sachs' films will join the Channel in October 2021 along with a newly recorded director interview exploring her works. Sachs will be making her the Criterion Channel debut with seven earlier works followed by her latest feature, Film About a Father Who, recently released theatrically by Cinema Guild and receiving its exclusive streaming premiere with the Criterion Channel. Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.
Lynne Sachs is a Memphis born, Brooklyn based filmmaker. Since the 1980s, Sachs has created cinematic works that defy genre through the use of hybrid forms and collaboration, incorporating elements of the essay film, collage, performance, documentary and poetry. Her films explore the intricate relationship between personal observations and broader historical experiences. With each project, she investigates the implicit connection between the body, the camera, and the materiality of film itself.Over her career, Sachs has been awarded support from the Guggenheim Foundation, the NYFA, and Jerome Foundation. Sachs has made 40 films (including Tip of My Tongue, Your Day is My Night, Investigation of a Flame, and Which Way is East). Her films have screened at the Museum of Modern Art, Wexner Center, the Walker, the Getty, New York Film Festival, and Sundance. In 2021, Edison Film Festival and Prismatic Ground Film Festival at Maysles Documentary Center awarded Sachs for her body of work.Sachs is also deeply engaged with poetry. In 2019, Tender Buttons Press published her first book Year by Year Poems. In 2020 and 2021, she taught film and poetry workshops at Beyond Baroque, Flowchart Foundation, San Francisco Public Library, and Hunter. Lynne's films are now available on the Criterion Channel. STEPHEN VITIELLO (MUSIC):Electronic musician and sound artist Stephen Vitiello transforms incidental atmospheric noises into mesmerizing soundscapes that alter our perception of the surrounding environment. He has composed music for independent films, experimental video projects and art installations, collaborating with such artists as Nam June Paik, Tony Oursler and Dara Birnbaum. Solo and group exhibitions include MASS MoCA, The High Line, NYC, and Museum of Modern Art. ALEX WATERS (PRODUCER):Alex Waters is a media and music producer. He has written and produced music for podcasts such as The Faith and Chai Podcast and Con Confianza, as well as for other independent artists. Alex lives in Brooklyn with his wife and two cats and enjoys creating and writing music independently and in collaboration with others. You can reach him with inquiries by emailing alexwatersmusic12@gmail.com.
As the new arts season begins All Sides Weekend host Christopher Purdy goes behind the scenes of OSU's Wexner Center for the Arts.
Jon talks with Brett Kaufman, Founder of Kaufman Development & The Gravity Project, about how we turn our wounds into success! Brett Kaufman, founder and CEO, has been working in real estate development through the investment, banking and development lens—for 20 years. During this time, he has developed, leased and/or sold over 10,000 homes and developed a variety of commercial, retail, land and office projects. Since founding the company, Kaufman Development has donated numerous resources to various philanthropic organizations, including Besa, KIPP Journey Academy, Community Shelter Board, Ohio State University Star House, Hunger Alliance, Ronald McDonald House, OSU James Cancer, Columbus Jewish Federation and many others. Brett personally has donated much of his professional life to many community organizations, and various committees, including Adjunct Professor Ohio State Fisher School of Business, Agudas Achim Synagogue, the Columbus Jewish Federation, and the Columbus Jewish Day School. Brett also serves as board member for The Columbus Partnership, Greater Columbus Arts Council, and the Wexner Center for the Arts. His professional accomplishments have been recognized by a variety of generous awards and designations. He was twice named Developer of the Year by the Building Industry Association (BIA); is past president of the Columbus Apartment Association; and serves on many civic boards throughout Central Ohio. In 2012, he was named Next Generation Builder of the Year by the BIA, and in 2014, Brett was honored as Ernst & Young's Emerging Entrepreneur of the Year. Brett has been recognized as one of the top 50 leaders in the region for his ability to drive innovation within his organization, impact his employees and the community-at-large, as well as lead Kaufman Development in a direction that is built to transform. In 2015 and 2016 Brett has been honored with Smart 50 and Fast 50 awards and was recently listed at #657 on the Inc. 5000. Connect with Jon Dwoskin: Twitter: @jdwoskin Facebook: https://www.facebook.com/jonathan.dwoskin Instagram: https://www.instagram.com/thejondwoskinexperience/ Website: https://jondwoskin.com/LinkedIn: https://www.linkedin.com/in/jondwoskin/ Email: jon@jondwoskin.com Get Jon's Book: The Think Big Movement: Grow your business big. Very Big! Connect with Brett Kaufman: Website: https://livekaufman.com/ Facebook: http://facebook.com/livekaufman Twitter: http://www.twitter.com/LiveKaufman YouTube: http://www.youtube.com/user/livekaufman Instagram: https://instagram.com/livekaufman/
In this episode of PhotoWork with Sasha Wolf, Sasha and photographer Catherine Opie discuss Cathy's new comprehensive, survey monograph just published by Phaidon, the pivotal role a family friend played in Cathy's artistic trajectory, the impact her iconic picture Pervert had on her life and the reactions from those who first saw the work at the 1995 Whitney Biennial, including Sasha's own reaction. https://www.phaidon.com/store/photography/catherine-opie-9781838662189/ https://www.regenprojects.com/artists/catherine-opie Opie received a B.F.A. from San Francisco Art Institute in 1985, and an M.F.A. from CalArts in 1988. Solo exhibitions of her work have been organized at the Plug In Institute of Contemporary Art, Winnipeg, Canada (2020); Marciano Foundation, Los Angeles, CA (2019); Princeton University School of Architecture, Princeton, NJ (2018); Henie Onstad Kunstsenter, Oslo, Norway (2017); Nova Southeastern University Art Museum, Fort Lauderdale, FL (2017); Los Angeles County Museum of Art, Los Angeles, CA (2016); Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (2016); Hammer Museum, Los Angeles, CA (2016); Wexner Center for the Arts, Columbus, OH (2015); Long Beach Museum of Art, Long Beach, CA (2012); Socrates Sculpture Park, New York, NY (2012); Institute of Contemporary Art, Boston, MA (2011); Portland Art Museum, Portland, OR (2010); Solomon R. Guggenheim Museum, New York, NY (2008); Museum of Contemporary Art Chicago, IL (2006); Walker Art Center, Minneapolis, MN (2002); and the Saint Louis Art Museum, Saint Louis, MO (2000). Opie has received numerous awards and fellowships, including the John Simon Guggenheim Memorial Foundation Guggenheim Fellowship, Photography (2019), Aperture Foundation Award (2018), Smithsonian Archives of American Art Medal (2016), Women's Caucus for Art President's Award for Lifetime Achievement (2009). United States Artists Fellowship (2006), San Francisco Art Institute President's Award for Excellence (2006), Larry Aldrich Award (2004), and the CalArts Alpert Award in the Arts (2003). She has been a professor of fine art at the University of California, Los Angeles, since 2001 and serves on the board of directors of The Andy Warhol Foundation for the Visual Arts and the board of trustees of the Museum of Contemporary Art, Los Angeles. Find out more at https://photowork.pinecast.co
Mandy Morrison, Ridgewood, Queens, NY 2021 Mandy Morrison's process explores how the body projects itself in varying contexts. Her particular focus is on physicality; its expression, and how it's capacity for agency and mobilization is affected by colonized or corporatized structures. With a practice that straddles between Baltimore and New York, she generates projects that link capital and control with the politics of movement. Her interest derives from a body's meaning, in having different forms of entitlement to public, private and mediated space. Over the years, her collaborative efforts with video and performance engage with architectural environments and include, dancers, youth groups, and local community participants. Her works have been performed, exhibited and screened internationally at festivals, galleries and museums, including the Whitney Museum of American Art, the Brooklyn Museum, Dixon Place (NYC), the Kunstlerhaus e.V., Hamburg, CINESONIKA in Vancouver, and the Center for Art, Design and Visual Culture in Baltimore. Grants, fellowships and residencies include the Illinois Arts Council, the New York State Council on the Arts, Wexner Center for the Arts, and the Sacatar Institute in Bahia, Brazil. A distinguished educator she has been faculty at Pratt Institute and Rutgers University, and a visiting artist at Sarah Lawrence College, the University of Minnesota, University of Wisconsin, Museum School of Fine Arts, Boston, and SUNY Oswego. In the summer of 2021 she is performing with other artists in the work of Maja Bekan (Netherlands/Slovenia) in “Hold It Together (We Have Each Other)” at the International Studio and Curatorial Program in Brooklyn, NY developed over 2020 during Covid. She is a 2021 recipient of an Individual Artist Grant from the Tree of Life Foundation. The book mentioned in the interview is Underland: A Deep Time Journey, by Robert Macfarlane. Housekeeping (Video Still) 2018 Single-channel video installation with audio Dimensions: 9'5” x 16′ Duration: 01:46 (loop) Spirits of Promise and Loss, 2020 (Installation view) Six-channel video installation with audio Dimensions: 4' x 40' Duration: 02:31 (loop)
About: Moxy Martinez, a self taught DJ & producer, has created, performed, produced, and contributed original music and DJ sets for a variety of projects both nationally and internationally since 2003. They have worked and collaborated with individual artists, art institutions, art galleries, dance studios, live music venues, and film projects throughout their career. Highlights of Moxy's career include DJing the Trans Musicales festival in France (2007), being hand selected by Tom Sachs for his show ‘Tom Sachs: Boombox Retrospective' at the Contemporary, Austin providing a unique DJ mix which was played from inside his sculptures (2015), and contributing original music to Emmy nominated documentary Tiny Out Loud (2015). In addition, Moxy has recently (2018- present) worked with the Columbus Museum of Art and The Wexner Center for the Arts providing live DJ sets, performing live synthesizer sets and mediating discussion forums with other artists. Most notably, in collaboration with The Wex and Counterfeit Madison, Moxy produced the sold out show ‘Say A Little Prayer: An Aretha Franklin Celebration' held at the Lincoln Theatre, February 2020. Moxy has also performed and released music as Osea Merdis since 2016. The Osea Merdis project is structured around ideas which are 100% created on analog synths (mainly Moog Mother 32 ecosystem). These ideas, paired with self captured field recordings, contort everyday life into a uniquely identifying audio personality. Moxy's Osea Merdis project is very discerning, emotionally intentional, and based in the need to express the softer side of life even through struggles and sufferings. Links: https://oseamerdis.bandcamp.com https://moxymartinez.bandcamp.com
Jon talks with Brett Kaufman, Founder of Kaufman Development & The Gravity Project, about how we turn our wounds into success! Brett Kaufman, founder and CEO, has been working in real estate development through the investment, banking and development lens—for 20 years. During this time, he has developed, leased and/or sold over 10,000 homes and developed a variety of commercial, retail, land and office projects. Since founding the company, Kaufman Development has donated numerous resources to various philanthropic organizations, including Besa, KIPP Journey Academy, Community Shelter Board, Ohio State University Star House, Hunger Alliance, Ronald McDonald House, OSU James Cancer, Columbus Jewish Federation and many others. Brett personally has donated much of his professional life to many community organizations, and various committees, including Adjunct Professor Ohio State Fisher School of Business, Agudas Achim Synagogue, the Columbus Jewish Federation, and the Columbus Jewish Day School. Brett also serves as board member for The Columbus Partnership, Greater Columbus Arts Council, and the Wexner Center for the Arts. His professional accomplishments have been recognized by a variety of generous awards and designations. He was twice named Developer of the Year by the Building Industry Association (BIA); is past president of the Columbus Apartment Association; and serves on many civic boards throughout Central Ohio. In 2012, he was named Next Generation Builder of the Year by the BIA, and in 2014, Brett was honored as Ernst & Young's Emerging Entrepreneur of the Year. Brett has been recognized as one of the top 50 leaders in the region for his ability to drive innovation within his organization, impact his employees and the community-at-large, as well as lead Kaufman Development in a direction that is built to transform. In 2015 and 2016 Brett has been honored with Smart 50 and Fast 50 awards and was recently listed at #657 on the Inc. 5000. Connect with Jon Dwoskin: Twitter: @jdwoskin Facebook: https://www.facebook.com/jonathan.dwoskin Instagram: https://www.instagram.com/thejondwoskinexperience/ Website: https://jondwoskin.com/LinkedIn: https://www.linkedin.com/in/jondwoskin/ Email: jon@jondwoskin.com Get Jon's Book: The Think Big Movement: Grow your business big. Very Big! Connect with Brett Kaufman: Website: https://livekaufman.com/ Facebook: http://facebook.com/livekaufman Twitter: http://www.twitter.com/LiveKaufman YouTube: http://www.youtube.com/user/livekaufman Instagram: https://instagram.com/livekaufman/
Chris Sullivan is a filmmaker and performance artist. Working in long form alternative narrative, his features include 'Consuming Spirits' and 'The Orbit of Minor Satellites'. He advises with an open mind to students' direction and desires, his goal being to help them make strong work that has unique vision. He works well with writing, visuals, sound design, animation, comics, sculpture, painting, and drawing. He focuses on the reception of the work to the viewer, audience, or reader and how to make what is important to you visible in complicated ways. Chris is a Professor at The School of the Art Institute of Chicago in Film, Video, New Media, and Animation (1989). BFA, 1983, Minneapolis College of Art and Design. Screenings: Film Forum, NY; Cinefamily, Los Angeles; Museum of Modern Art, NY; Whitney Biennial, NY; Boston Art Museum; Walker Art Center, Minneapolis; Wexner Center for the Arts, Columbus; Houston Fine Arts Museum; Gene Siskel Film Center, Chicago. Film Festivals: Tribeca, NY; Annecy International Animated Film Festival, France; Zagreb Film Festival, Croatia; Festiwal Animator, Puznam Poland (1st Prize); Cork Film Festival, Ireland; Istanbul, Luxembourg City Film Festival; Fantoche International Animation Film Festival, Switzerland; Animatou, Geneva; Holland Animation Film Festival, Utrecht; Melbourne International Animation Festival, Australia. Awards: John Simon Guggenheim Fellowship; Rockefeller Media Arts Fellowship; Bush Foundation Fellowship; Illinois Arts Council; NEA Regional fellowships; Creative Capital Film Grant. I am presently in the final stages of my new feature film, The Orbit of Minor Satellites.
Episode No. 491 of The Modern Art Notes Podcast is a holiday weekend clips episode featuring artist Torkwase Dyson. Dyson is included in “Climate Changing: On Artists, Institutions, and the Social Environment” at the Wexner Center for the Arts in Columbus, Ohio through May 9. The exhibition looks at how artists engage with social issues and how they may shape institutions at a time when both racism and a global pandemic have caused many institutions to re-consider their construction and practices. The exhibition was curated by Lucy I. Zimmerman. “Climate Changing” features nine artworks commissioned by the Wexner, including work Torkwase Dyson discussed on the program last September, when this conversation first aired. The Contemporary Art Museum St. Louis is exhibiting paintings from Dyson's "Bird and Lava" series, an exploration of spaces of geographic, architectural, and infrastructural liberation, in "Stories of Resistance." Dyson developed "Bird and Lava" during a residency at the Wexner. Curated by Wassan Al-Khudhairi with Misa Jeffereis, "Stories" looks at artistic forms of resistance in the U.S. and abroad. It's on view through August 15.
1. Performance artist George Ferrandi tells us about intimate work that has emerged in spite social distancing https://www.georgeferrandi.com 2. Four Voicemails from Peterson's Dad, Pete Toscano 3. A sound slice from an incomplete temple in Mexico Bubble&Squeak is a podcast with uncanny sounds, funny interludes, and stories—most weird, many true. Created by Peterson Toscano. He mostly creates the show for himself, and his dad, Pete Toscano, who died in 2012 “The Bubble&Squeak theme song is Worthless. by The jellyrox from the album Bang and a whimper. You can find it on iTunes, Spotify, of wherever you listen to music.” You also heard Aurelian by S.A. Karl. and Our Waters by Isobel O’Conner. They are available at Epidemic Music. George Ferrandi is an American artist whose work ranges in form and scale from a simple gesture–like leaning on someone on the subway, to a giant spectacle–like parading with hundreds of people through the streets of South Philly. Sculpture usually plays a role in her work, as does humor. It’s often a collaborative experiment in story-telling, with participants becoming performers in the narrative or even creating it. George’s work has been presented at the International House of Japan in Tokyo, Abrons Arts Center and the Kitchen in New York, Cinders Gallery and Booklyn in Brooklyn, Brunnenpassage in Vienna, the MAC in Dallas, the Wexner Center in Columbus, the Harn Museum in Gainesville, Harvester Arts in Wichita, and Fleisher Art Memorial in Philadelphia. Her projects have been supported by the Franklin Furnace Fund, Brooklyn Arts Council, Mid Atlantic Arts Council, Kindle Projects and Pratt Institute. She was a Japan-US Friendship Commission Fellow, and her Jump!Star initiative in Kansas was awarded a National Endowment for the Arts "Our Town" Grant. George was the founding director of Wayfarers Studio Program and of Cloud Seeding: Circus of the Performative Object. She currently publishes George’s Lovely Variety, a monthly newspaper of thoughts and drawings. George's Lovely Variety is pulpy and wonderful subscription-based newspaper featuring legit science, Covid-era existentialism and cute animals. Jump!Star Constellates are collaborative dreamtanks for organizations and institutions interested in collectively imagining the future. Visit: georgeferrandi.com jumpstar.love brooklynwayfarers.org Peterson on Twitter @p2son Bubble&Squeak on Instagram: @BubbleSqueaker Logo design by Christine Bakke Bubble&Squeak is part of the Rock Candy Network www.rockcandyrecordings.com Learn more about Peterson at www.petersontoscano.com
Contemporary art and the presentation of it has traditionally been a class-based endeavor. The Wexner Center for the Arts is trying to change that through its programs and the type of work that they present. I spoke with Johanna Burton, the Center's Executive Director about what the Wexner Center is and how you should view it, how to convince people to expose themselves to the arts, the importance of being a multi-disciplinary laboratory, and how they are pivoting in this time. The post Wexner Center for the Arts appeared first on The Confluence Cast.
Contemporary art and the presentation of it has traditionally been a class-based endeavor. The Wexner Center for the Arts is trying to change that through its programs and the type of work that they present. I spoke with Johanna Burton, the Center's Executive Director about what the Wexner Center is and how you should view it, how to convince people to expose themselves to the arts, the importance of being a multi-disciplinary laboratory, and how they are pivoting in this time. The post Wexner Center for the Arts appeared first on The Confluence Cast.
Jean Alexander Frater experiments with the materials inherent to painting and then integrates other histories, traditions and language into this form. Alexander Frater was a 2017-2018 Chicago Artists BOLT resident, received an MFA. from School of Art the Institute of Chicago, and a BA in Philosophy, from the University of Dayton, Ohio. Her work has been exhibited internationally in venues such as the Wexner Center for Arts, Columbus; El Museo Cultural de Santa Fe; Images Festival, Toronto; Possible Project Space, Brooklyn; Ben-Gurion. airport, Tel Aviv; Kulturhuset, Stockholm, Aspect/Ratio, Chicago; THE MISSION Gallery, Chicago; Transmitter Gallery, Brooklyn and Guest Spot @ The Reinstitute, Baltimore.
Episode No. 486 features artists Baseera Khan and Amy Franceschini of Futurefarmers. Kahn and Futurefarmers are among the artists included in "Climate Changing: On Artists, Institutions, and the Social Environment" at the Wexner Center for the Arts in Columbus, Ohio through May 9. The exhibition looks at how artists engage with social issues and how they may shape institutions at a time when both racism and a global pandemic have caused many institutions to re-consider their construction and practices. The exhibition was curated by Lucy I. Zimmerman. "Climate Changing" features nine artworks commissioned by the Wexner, including work Torkwase Dyson discussed on the program last September. Baseera Khan addresses colonial histories, exile, place and displacement, and belonging within the context of capitalism and its impacts. Their work takes many forms, including performance, sculpture and, soon, a TV pilot produced during a recent residency at The Kitchen in New York City. Later this year they will have their first museum solo exhibition at the Brooklyn Museum. Futurefarmers is an ever-changing design studio and collective that supports art projects and research interests. Founded in 1995 by Amy Franceschini, the group has focused on using projects to propose alternatives to present social, political and environmental constructs. Futurefarmers' project "Seed Journey" is included in "Climate Changing." Initiated in 2016, "Seed Journey" is a collaboration between Futurefarmers and local farmers and scholars to return heirloom grain seeds to their native lands. It began with a voyage from Oslo, Norway to Belgium, and expanded in subsequent years to include other seeds, nations and continents.
I am so happy that I got to have the warm and vibrant conversation with Johamy Morales. She is the current Educational Director at Seattle Children's Theatre and my boss and mentor. Johamy has a way of welcoming you in without overloading you. My guard was all the way down during this conversation as I leaned in and just absorbed all of the amazing stories that she shared. At her core Johamy is a story teller and it makes me extremely happy to be able to share her story with all of you. As always like and follow for future content. Johamy Morales holds an MFA in acting from The Ohio State University, with a specialization in outreach and devising new work, and a BA in Theatre from San Diego State University. Johamy currently serves as the Director of Education at Seattle Children’s Theatre (SCT) and as a Trustee for Theatre Communication Group (TCG). Johamy has served on the theatre panel for Colorado Creative Industries, TCG’s Rising Leaders of Color, Creede Pride Committee and Theatre for Young Audiences/USA webinar series. Prior to working with SCT, Johamy served as the Education Director for Creede Repertory Theatre in Creede, Colorado and directed the Comparative Arts Department and the Junior Musical Theatre Program at Interlochen Center for the Arts in Interlochen, Michigan. Johamy has worked with Arena Stage in Washington D.C. and the La Jolla Playhouse through their education programs as a teaching artist. Johamy is an alumnus of the Allen Lee Hughes Fellowship at Arena Stage and the British American Drama Academy in Oxford, England, where she studied Contemporary & Classical works with Deborah Warner and Fiona Shaw. Johamy toured with the cast of New World Jukebox where she performed in the 2006 Grahamstown National Arts Festival, in Grahamstown, South Africa and with San Diego State University in, Carnaval de Calaveras, with performances in Oaxaca, Veracruz, and Mexico D.F. in 2004. In February of 2017, Johamy collaborated with the US State Department, the US Embassy & Consulate and several NGO’s to promote awareness of domestic and gender violence in Kolkata and Ranchi, India. As an educator, artist, and director Johamy has worked with various schools and nonprofit organizations both nationally and internationally including Hope College, Fort Lewis College, University of San Diego, Esperanza Charter School, Wexner Center, Dennos Museum, Students in Transition Empowerment Program, Traverse City Continuation School, Blackbird Arts and Columbus Refugee & Immigration Services.
Kendall Markley-Wexner Center for the Arts by Fine Arts at Ohio University
Episode No. 467 of The Modern Art Notes Podcast features artist Tomashi Jackson and curator Stephen Wicks. The Wexner Center for the Arts at The Ohio State University is showing "Tomashi Jackson: Love Rollercoaster," an exhibition of five new Jackson paintings that address disenfranchisement and voter suppression in Ohio's Black communities. The exhibition was originally conceived by Michael Goodson and was curated by Kristin Helmick-Brunet, Dionne Custer Edwards, and Megan Cavanaugh. It is on view in Columbus through December 27. Jackson is also included in "States of Mind: Art and American Democracy" at the Moody Center for the Arts at Rice University in Houston. The exhibition investigates how artists have addressed issues before the nation this season, including equality, voting access, gun control and immigration policy. It was curated by Ylinka Barotto along with Julia Fisher and Julia Kidd. It's on view through December 19. Jackson's work examines the relationship between politics, race, history and aesthetics, most often in ways that emphasize how history has created the present. She's previously had solo exhibitions at Kennesaw State University and at Michigan State University; with exhibitions at the Parrish Art Museum and the Radcliffe Institute for Advanced Study at Harvard University forthcoming. Her work is in the collections of MOCA in Los Angeles, the Whitney Museum of American Art, New York, and the Baltimore Museum of Art. Learn more about Lucy Depp Park in Powell, Ohio. On the second segment, Stephen Wicks discusses his exhibition "Beauford Delaney and James Baldwin: Through the Unusual Door" at the Knoxville Museum of Art. It is on view through October 25. The exhibition uses over 50 paintings and works on paper and unpublished archival material to examine the nearly four-decade-long relationship between the Knoxville-born Delaney and Baldwin and the ways in which their friendship and intellectual exchange impacted their work.
Episode No. 464 of The Modern Art Notes Podcast features artist Torkwase Dyson and historian Dennis Reed. The New Orleans Museum of Art is showing "Torkwase Dyson: Black Compositional Thought, 15 Paintings for the Plantationocene," a series of works made for the museum. These new paintings were inspired by Dyson's interest in the systems that underlay water delivery, energy infrastructure and by the physical impacts of climate change. Through this and other work, Dyson investigates the legacy of agriculture enabled by slave economies and its relationship to the environmental and infrastructural issues of the present, a relationship known as the “plantationocene.” The exhibition is on view through December 31, 2020. Dyson is an artist-in-residence at the Wexner Center for the Arts at The Ohio State University. She is preparing work that will be included in "Climate Changing: On Artists, Institutions, and the Social Environment," which is scheduled to debut at the Wexner on January 30, 2021. Dyson's previous solo museum exhibitions have been at the Arthur Ross Architecture Gallery at Columbia University, at the Irwin S. Chanin School of Architecture at Cooper Union, at the Colby College Museum of Art, The Drawing Center, Eyebeam, and more. Her work is in the permanent collections of the Smith College Museum of Art, the Smithsonian National Museum of African American History & Culture, and the Studio Museum in Harlem. On the second segment, historian and curator Dennis Reed discusses the J. Paul Getty Museum's acquisition of 79 pictures made by Japanese-American photographers between 1919 and 1940. Reed's collection and the Getty's acquisition of it is a result of 35 years of work Reed and his students at Los Angeles Valley College did to learn about Japanese-American photographers who made work before the war. Reed and his students built a list of 186 names from photography catalogues at UCLA's Charles E. Young Research Library and painstakingly cold-called the photographers and their relatives in an effort to build knowledge related to an art-making community that was disappeared by the illegal American internment of Japanese-Americans. Reed's collection -- which includes the only surviving work by several of the artists -- has been exhibited in venues such as the Whitney Museum of American Art in New York, and the Corcoran Gallery of Art in Washington. The Getty, which remains closed due to the pandemic, will be exhibiting work from the acquisition at a date to be announced. In addition to the images below, the Getty and Google created this slideshow.
**This episode originally aired on Clocktower Radio in 2016** ROAD, READ, BLOG, FEST, PROMOTE, DISTRIBUTE Guest: Sonel Breslav Host: Christopher Kardambikis Recorded in Brooklyn, NY Blond Art Books: Established by Sonel Breslav in 2012, Blonde Art Books is a Brooklyn based organization dedicated to promoting self-published art and poetry books through exhibitions, publications, book fairs, talks, and online exposure. Most recently, Blonde Art Books has organized exhibitions and events at Baxter Street / Camera Club of NY; SIGNAL, Brooklyn; MoMA, PS1, Queens, NY; and Printed Matter, New York. Past venues include ICA, Philadelphia, PA; Mattress Factory, Pittsburgh, PA; Wexner Center for the Arts, Columbus, OH; Nudashank, Baltimore, MD; Hyde Part Center, Chicago, IL; Schema Projects, Brooklyn; Present Company, Brooklyn; and Interstate Projects, Brooklyn. The first book published under the Blonde Art Books imprint, Kitsch Encyclopedia by Sara Cwynar, was launched in April 2014. This year will mark the fourth annual Bushwick Art Book and Zine Fair, organized by Blonde Art Books and hosted by SIGNAL. Breslav received her MA from UCL, London in 2010 and her BFA from University of Buffalo - State University of New York in 2005. --- Support this podcast: https://anchor.fm/paper-cuts/support
A great privilege was attained to the highly recognized architectural platform on Instagram, ParametricArchitecture; the founder, Hamid Hassanzadeh interviewed one of New York Five; Peter Eisenman, architect, educator, and founder of Eisenman Architects. Peter Eisenman has been one of architecture’s foremost theorists of recent decades, but also has an apathy for current trends that architects engage in. He is an internationally acknowledged architect and educator whose award-winning large-scale housing and urban design projects, innovative facilities for educational institutions, and series of inventive private houses attest to a career of excellence in design. Eisenman has built little, despite his symbolic influence to the field. The most ground-breaking works include: House VI, the Memorial to the Murdered Jews of Europe, the City of Culture of Galicia and the Wexner Center for the Arts. Please subscribe to PA Talks podcast on Spotify, Apple Podcast, and Google Podcast in order not to miss a single episode. Please share this podcast with the URL. Also you can use #patalks on twitter, Instagram, facebook to give us a feedback about the podcasts. Thank you!
Lantern Lites is joined by Dr. Iahn Gonsenhauser to speak about the statistics of COVID-19, panic level and what's next in the course of the virus. We thank Dr. Gonsenhauser for taking the time to join us and for providing essential and insightful information about the virus and its impact. Media professor Nicole Kraft, reporter Owen Milnes and host Kevin Lapka also discuss the first day of virtual learning and the decision made by the College of Arts and Sciences to give the option of pass/fail grading in major, minor and elective courses.
SUMMARYChris Delisio’s career in higher education has led him to a leadership role in one of the largest comprehensive campaigns in the country, as the Time and Change Campaign at Ohio State targets one million donors and a fundraising goal of $4.5 billion. While justifiably proud of his current leadership position, Chris is quick to point to the resources and advice that helped him move along the path to nonprofit success. Chris and I had a great conversation about the skills and experiences you need to develop when you’re first getting started in the nonprofit profession, how you build on those skills when you’re aspiring to senior leadership, and how to ultimately shift into managing a team. ABOUT CHRISChris is the AVP for Development and Executive Director for Principal Gifts at The Ohio State University. In this role he oversees the day-to-day operation and strategic management of the Principal Gift office focused on $5M+ gifts across the entire university. Prior to this role, he was the AVP for Development and Chief Advancement Officer for OSU’s College of Arts and Sciences. Additionally, he provided comprehensive leadership and oversight for the College of Food, Agricultural and Environmental Sciences, the Wexner Center for the Arts, WOSU Public Media and the University Libraries. He also worked as the Chief Advancement Officer for the College of Food, Agricultural and Environmental Sciences and as a development officer at the Comprehensive Cancer Center-James Cancer Hospital and Solove Research Institute at OSU. Prior to his work in Columbus, he also worked at Ohio Wesleyan University, Ohio University and the University of Dayton. Chris received his undergraduate degree from Hiram College and his MBA from Kent State University.EPISODE TOPICS & RESOURCESDavid Allen’s book Getting Things Done Carol Dweck’s book MindsetWill Sparks’ book Actualized Leadership, and Episode #14 on the PathAngela Duckworth’s book GritJohn Wooden’s book On LeadershipDon Jonas’ Episode #8 on the Path
Meghan Finn is the Artistic Director of The Tank. Her work has been seen at the Tank, the V&A, Serpentine Galleries, The Wexner Center, SCAD, The Logan Center for the Arts, Museo Jumex Mexico City, The Power Plant, Canadian Stage, Carnegie Mellon, Brooklyn College, MIT, the Great Plains Theater Conference and others. She has directed three world premieres by playwright Mac Wellman, including most recently The Invention of Tragedy at The Flea. Finn is currently directing the world premiere of I am Nobody a new musical by Greg Kotis at The Tank; as well as The Nine Dreams: Blake & the Apocalypse by writer Nick Flynn as an immersive performance installation at The Silos at Sawyer Yards for CounterCurrent Festival, Houston. She is a frequent collaborator of conceptual artist and sculptor Pedro Reyes, and directed DOOMOCRACY for Creative Time. She has collaborated with photographer Mitch Epstein on a live performance with cellist Erik Friedlander as well as premieres by Erin Courtney, Peggy Stafford, Gary Winter, Ben Gassman, Alexandra Collier, Carl Holder, Eliza Bent and Cori Copp. WHEN WE WENT ELECTRONIC by Caitlyn Saylor Stephens which premiered at The Tank in 2018 will tour in 2020 to ART HOUSE, The Koun Theater in Athens Greece and OnStage! Festival Rome. Check out all The Tank has to offer at www.thetanknyc.org Check out The Tank's Podcast, TANKED. Go check out the shows she's working on: I Am Nobody by Greg Kotis | March 5 - 28, 2020 When We Went Electronic by Caitlin Saylor Stephens | March 19 - April 5, 2020 The Nine Dreams: Blake & the Apocalypse by Nick Flynn Follow us: PAGE TO STAGE: Instagram or Facebook MARY DINA: Instagram or Twitter BRIAN SEDITA: Instagram or Website BROADWAY PODCAST NETWORK: Website or Instagram #PageToStagePodcast
Born in Birmingham, Alabama, Patricia Thornley is a multi-disciplinary artist who lives and works in New York City. She is a graduate of the Atlanta College of Art (BFA in Sculpture), the Whitney Independent Study Program (Studio), and Bard College (MFA in Photography). In New York City she has been an Instructor at the School of Visual Arts and Pratt Institute. She has also been a Visiting Lecturer at the Massachusetts College of Art and an Instructor at the Vermont College of Fine Arts and Maine College of Art. She was a Fellow at the Salem2Salem Artists Residency Program, Germany. She has exhibited nationally and internationally at museums, galleries, artist-run centers, and site-specific curatorial projects. Selected venues include: P.S.1 Contemporary Art Center (NY), Whitney Museum of American Art (NY), AC Project Room (NY), Wexner Center for the Arts (OH), Walter Phillips Gallery (Banff, Canada), croxhapox (Ghent, Belgium), Paço des Artes (Sao Paulo, Brazil), and Alhamra Art Gallery (Lahore, Pakistan). Her work was featured in Views from the Avant-Garde at the 51st New York Film Festival. Her most recent project, THIS IS US, is a seven-year series of artworks that emulate and embrace the collaborative fantasies we enact through popular media in the United States, as it shifts ubiquitous media forms to a place of social gesture, and acts of desire. THIS IS US: The Western, 2018 asks the viewer to recognize the enduring stereotypes persisting in a culture still besotted by old mythologies, and to connect with them. The work ultimately speaks of the malleability of ourselves, to the interchangeable costumes we wear everyday, and the history and specificity of what we consider to be our personal choices. “I use conversation, song, props, and cheap effects to create a dialogue between the participant’s actual identity and the mythologies that I, and our culture, imagine around them. In my role/performance as Director I expose my expectations, desires, and blindspots. The work speaks of that weakness—of an inability to disentangle one’s self from personal and cultural forces—and of our shared willingness, or need, to be transported.” Deserter, 2018, Digital Pigment Print, 16 x 16 inches Savage, 2018, Digital Pigment Print, 16 x 16 inches
Jaamil Olawale Kosoko is a Nigerian American poet, curator, and performance artist originally from Detroit, MI. He is a 2017-2019 Princeton Arts Fellow, a 2018 NEFA National Dance Project Award recipient, a 2018-20 New York Live Arts Live Feed Artist-in-Residence, a 2019 Gibney DiP Artist-in-Residence, a 2017 Jerome Foundation Artist-in-Residence at Abrons Arts Center, a 2017 Cave Canem Poetry Fellow, a 2016 Gibney Dance boo-koo resident artist, and a recipient of a 2016 USArtists International Award from the Mid-Atlantic Arts Foundation. His previous work #negrophobia (premiered September 2015, Gibney Dance Center) was nominated for a 2016 Bessie Award and has toured throughout Europe having appeared in major festivals including Moving in November (Finland), TakeMeSomewhere (UK), SICK! (UK), Tanz im August (Berlin), Oslo Internasjonale Teaterfestival (Norway), Zurich MOVES! (Switzerland), Beursschouwburg (Belgium) and Spielart Festival (Munich). His current work, Séancers, premiered at Abrons Arts Center in December 2017 and has toured nationally and internationally to critical acclaim. Recent highlights include Mousonturm (Frankfurt, DE), FringeArts (Philadelphia, PA), Sophiensaele (Berlin, DE), and the Wexner Center (Columbus, OH). In 2019, Séancers will have engagements at the Fusebox Festival (Austin, TX) and Montréal Arts Interculturels (Montréal, CA), among others.American performance venues include: Abrons Arts Center, Joyce SoHo, DTW, FringeArts, Dixon Place, Dance Theater Workshop, Bennington College, Danspace at St. Mark’s Church, the CEC Meeting House Theater, Wexner Center for the Arts, Kelly Strayhorn Theater, LAX Festival, Miami Theater Center, Art Basel Miami, and the Painted Bride Arts Center, among others.He was a Co-Curator of the 2015 Movement Research Spring Festival and the 2015 Dancing While Black performance series at BAAD in the Bronx; a contributing correspondent for Dance Journal (PHL), the Broad Street Review (PHL), and Critical Correspondence (NYC); a 2012 Live Arts Brewery Fellow as a part of the Philadelphia Live Arts Festival; a 2011 Fellow as a part of the DeVos Institute of Art Management at the John F. Kennedy Center for the Performing Arts; and an inaugural graduate member of the Institute for Curatorial Practice in Performance (ICPP) at Wesleyan University where he earned his MA in Curatorial Studies.His work in performance is rooted in a creative mission to push history forward through writing and art making and advocacy. Kosoko’s work in live performance has received support from The Pew Center for Arts and Heritage through Dance Advance, The Philadelphia Cultural Management Initiative, The Joyce Theater Foundation, and The Philadelphia Cultural Fund. His breakout solo performance work entitled other.explicit.body. premiered at Harlem Stage in April 2012 and went on to tour nationally. As a performer, Kosoko has created original roles in the performance works of Nick Cave, Pig Iron Theatre Company, Keely Garfield Dance, Miguel Gutierrez and The Powerful People, and Headlong Dance Theater, among others. In addition, creative consultant and/or performer credits include: Terry Creach, Lisa Kraus, Kate Watson-Wallace/anonymous bodies, Leah Stein Dance Company, Emergent Improvisation Ensemble, and Faustin Linyekula and Les Studios Kabako (The Democratic Republic of Congo).Kosoko’s poems can be found in such publications as The American Poetry Review, Poems Against War, The Dunes Review, and Silo. In 2009, he published he chapbook, Animal in Cyberspace, and, in 2011, he published his own collection, Notes on an Urban Kill-Floor: Poems for Detroit (Old City Publishing). Publications include: The American Poetry Review, The Dunes Review, The Interlochen Review, The Broad Street Review, Silo Literary and Visual Arts Magazine.Kosoko has served on numerous curatorial and funding panels including the Brooklyn Arts Council, the National Endowment for the Arts, MAP Fund, Movement Research at the Judson Church, the Philadelphia Cultural Fund, and the Baker Artists Awards, among others. In 2014, Kosoko joined the Board of Directors for Dance/USA, the national service organization for dance professionals. He is also a founding advisory board member for the Coalition for Diasporan Scholars Moving.He has held producing and curatorial positions at New York Live Arts, 651 Arts, and The Watermill Center among others. He continues to guest teach, speak, and lecture internationally.
It's time to break down the biggest movie event of the year. Who will live and who will die - and does it really matter?
Brett Kaufman, founder and CEO, has been working in real estate development through the investment, banking and development lens—for 20 years. During this time, he has developed, leased and/or sold over 10,000 homes and developed a variety of commercial, retail, land, and office projects. Since founding the company, Kaufman Development has donated numerous resources to various philanthropic organizations, including Besa, KIPP Journey Academy, Community Shelter Board, Ohio State University Star House, Hunger Alliance, Ronald McDonald House, OSU James Cancer, Columbus Jewish Federation and many others. Brett personally has donated much of his professional life to many community organizations, and various committees, including Adjunct Professor Ohio State Fisher School of Business, Agudas Achim Synagogue, the Columbus Jewish Federation, and the Columbus Jewish Day School. Brett also serves as board member for The Columbus Partnership, Greater Columbus Arts Council, and the Wexner Center for the Arts. His professional accomplishments have been recognized by a variety of generous awards and designations. He was twice named Developer of the Year by the Building Industry Association (BIA); is past president of the Columbus Apartment Association; and serves on many civic boards throughout Central Ohio. In 2012, he was named Next Generation Builder of the Year by the BIA, and in 2014, Brett was honored as Ernst & Young's Emerging Entrepreneur of the Year. Brett has been recognized as one of the top 50 leaders in the region for his ability to drive innovation within his organization, impact his employees and the community-at-large, as well as lead Kaufman Development in a direction that is built to transform. In 2015 and 2016 Brett has been honored with Smart 50 and Fast 50 awards and was recently listed at #657 on the Inc. 5000. What you'll learn about in this episode: How Brett entered the world of real estate via a journey that includes architecture and banking Why Brett founded Kaufman Development on the principles of philanthropy, wellness, innovation, and sustainability How Kaufman Development works to develop real estate properties centered on creativity and community development How Kaufman Development is expanding beyond Columbus, Ohio, including working on a project in partnership with the Green Bay Packers Why Brett refocused his life on lifting up communities, and how he first began doing the work he does Why Brett believes passionately in helping people, and why he sometimes questions the path he is on Why our hobbies, interests, and passions are seldom things we look to for our purpose in life Why Brett's difficult childhood involving divorce and abuse shaped his views on self-care, mental health, and perseverance Why opening yourself up to the help you need to overcome your challenges is the first step to taking action What advice Brett has for people needing to overcome trauma and find internal healing and happiness How to connect with Brett Kaufman: Website: www.livekaufman.com Website: www.gravityproject.com
The lives of alienated and secretive individuals converge in a strip club in writer-director Atom Egoyan’s 1994 drama EXOTICA starring Bruce Greenwood, Mia Kirshner, Elias Koteas, and Don McKellar. In recommendations, Mark Pfeiffer covers the Wexner Center for the Arts’ Cinema Revival: A Festival of Film Restoration and spotlights Alfred Santell’s melodrama THAT BRENNAN GIRL and John Berry’s CLAUDINE with Diahann Carroll and James Earl Jones. Paul Markoff picks Nicolas Winding Refn’s DRIVE with Ryan Gosling as a stuntman by day and getaway driver by night. Send your comments, questions, and feedback to filmboundpod@gmail.com. Twitter: @filmbound Facebook: https://www.facebook.com/filmboundpod/ EXOTICA clip courtesy Miramax THAT BRENNAN GIRL clip courtesy Paramount Pictures CLAUDINE clip courtesy Twentieth Century Fox DRIVE clip courtesy Sony Pictures Home Entertainment Music: "Parasail" by Silent Partner Recorded March 9, 2019.
About the Performance: This production contains extreme sexually explicit images from the Robert Mapplethorpe collection that may be inappropriate for attendees under 18. Discretion is advised. Thirty years after the death of Robert Mapplethorpe, we still cannot turn away from what his photos reveal. Composer Bryce Dessner, Librettist Korde Arrington Tuttle, and director Kaneza Schaal in collaboration with Roomful of Teeth and a musical ensemble of 12 players explore the ways Mapplethorpe's works compel an audience's complicity and characterizes them in the act of attention. As a young man growing up in Cincinnati, Dessner's own exposure to the protests surrounding this galvanizing artist rooted a lifelong kinship to his pivotal body of work. Mapplethorpe's pictures both unite and divide viewers, provoking a consideration of perceived opposites–their literal as well emotional and cultural meanings – Black/White, Male/Female, Gay/Straight, Art/Porn, Classical/Contemporary. His pictures seduce, shock, offend, excite, intrigue and scare us all at once. Single images take our breath away through the classic capture of everyday acts of nature and the beauty of their composition. On the other hand, a single image has the power to reveal our fears and our desires and the razor-thin line between the two. We confront this work privately, flipping through coffee table books or seeing the work in a museum gallery. But in Triptych (Eyes of One on Another), Dessner, Tuttle & Schaal ask an audience to experience these reactions collectively. Through music, projection of Mapplethorpe's images, and the poetry of Tuttle, Essex Hemphill and Patti Smith, the work puts the audience inside the artist's view finder, inside his beautiful, bold, voracious view of how nature and humans look, touch, feel, hurt and love one another. Co-produced by Los Angeles Philharmonic, Gustavo Dudamel Music and Artistic Director. Produced in Residency with and Commissioned by University Musical Society, University of Michigan, Ann Arbor, MI. TRIPTYCH was co-commissioned by BAM; Luminato Festival, Toronto, Canada; Stavros Niarchos Foundation Cultural Center, Athens, Greece; Cincinnati Opera, Cincinnati, OH; Cal Performances, UC Berkeley, Berkeley, CA; Stanford Live, Stanford University, Stanford, CA; Adelaide Festival, Australia; John F. Kennedy Center for the Performing Arts for performance as part of DirectCurrent 2019; ArtsEmerson: World on Stage, Emerson College, Boston, MA; Texas Performing Arts, University of Texas at Austin, Austin, TX; Holland Festival, Amsterdam; Barbican Centre, London; Wexner Center for the Arts, Ohio State University, Columbus, OH; and Celebrity Series, Boston, MA. Residency development through MassMOCA, North Adams, MA. Photo credits: Alistair Butler, 1980 © Robert Mapplethorpe Foundation. Used by permission. Bryce Dressner photo by Shervin Lainez Korde Arrington Tuttle photo courtesy of the artist Roomful of Teeth photo by Bonica Ayala Produced in cooperation with The Robert Mapplethorpe Foundation Program: Bryce DESSNER : Triptych (Eyes of One on Another) Artists: LA Phil New Music Group Sara Jobin conductor Bryce Dessner composer Korde Arrington Tuttle featuring words by Essex Hemphill & Patti Smith librettist Roomful of Teeth Kaneza Schaal director Simon Harding video Yuki Nakase lighting design Carlos Soto costume design Talvin Wilks dramaturgy ArKtype / Thomas O. Kriegsmann co-producers TUE / MAR 5, 2019 - 8:00PM Upcoming concerts: www.laphil.c
I Like Your Work: Conversations with Artists, Curators & Collectors
Lynne Cooney is the Artistic Director and chief curator of the Boston University Art Galleries where she has organized numerous group and solo exhibitions. Lynne received a BA in English from Simmons College, Boston, an MFA in photography from the California College of the Arts, San Francisco, and an MA in Art History from Boston University. She is currently a Ph.D. candidate at Boston University’ in the Department of History of Art and Architecture. Her dissertation examines concepts of race and representation in the art collections of the Wits Art Museum in Johannesburg, South Africa. She was awarded a Fulbright Fellowship to South Africa during the 2014-2015 academic year. In this episode, we talk about her background in photography, literature and how this lead her to get an MFA to decide not to be an artist but rather a curator. Lynne talks about her love of education and artist-run spaces which lead her to work at Boston University. We talk about the nuts and bolts that impact curatorial decisions such as logistics and responding to the space. We talk about shows she has organized, how she discovers artists and also tips for artists looking to work with curators. Thank you to Hannah Cole of Sunlight Tax for sponsoring this episode! Get 15% off by going to this link and entering ILIKEYOURWORK LINKS MassArt CCA Boston University Wexner Center of the Arts On Pause: Meditation at the Wexner Center for the Arts Studio Visit Artist
Beth B exploded onto the New York film scene in the late ‘70s, after receiving her BFA from the School of Visual Arts in 1977. These breakthrough films, such as Black Box, Vortex, and The Offenders (co-directed with Scott B), were shown at Max’s Kansas City, CBGB’s, the New York Film Festival and the Film Forum. These and more recent films have been shown at, and acquired by, the Whitney Museum and MoMA. Her early films, along with those of Jim Jarmusch and Amos Poe, were the focus of the documentary film, Blank City. Her films have been the subjects of several books and other documentaries, including The Cinema of Transgression; Art, Performance, Media; and No Wave: Underground 80; Downtown Film and TV Culture. Beth B’s career has been characterized by work that challenges society’s conventions, and that focuses on social issues and human rights. Throughout her prolific career, Beth B has produced over 30 films within the documentary, experimental, and narrative genres. B worked in television as an Executive Producer, Producer, and Director for eight years. She has mounted largescale media installations for the Hayward Gallery and the Wexner Center, and created a theater production for BAM’s Artist in Action series. Her films have been shown at museums and cinemas worldwide as well as film festivals including: The New York Film Festival, Sundance Film Festival, Berlin Film Festival, Toronto Film Festival, Nuremberg Int’l Human Rights Film Festival, DOC NYC Film Festival, Locarno Film Festival and many others. Currently, Beth B is directing and producing the feature length documentary film, LYDIA LUNCH: The War is Never Over, about iconic musician and performance artist, Lydia Lunch. In 2016, B released her feature documentary film, Call Her Applebroog, with Zeitgeist Films as distributor. The film had its world premiere at The Museum of Modern Art at Doc Fortnight and opened at the Metrograph Theater in NYC as well as other theatrical venues. The film reveals renowned artist Ida Applebroog’s groundbreaking artwork that has been a sustained enquiry into the polemics of human relations, but more intimately, it is about her dramatic struggle to overcome adversity. Her personal story is one that Beth B knows well—Ida is her mother and colleague. In February 2017, B mounted a new interdisciplinary exhibition, VOYEUR, at the HOWL! Gallery in New York City. The show combines video installation, photographs, and a large-scale sculpture. In 2013, B produced, directed, filmed and edited EXPOSED, a documentary feature film about 8 New York performance artists who use their bodies in provocative and comedic ways to question the very concept of “normal.” The film premiered in the Panorama section at the 2013 Berlin Film Festival where it was nominated for Best Documentary Film and has been screened in over 30 countries. From 2000-2008, Beth B began a new phase of her career, producing and directing television and educational documentaries and docudramas, which she continues to do. Breathe In, Breathe Out, a co-production with Open City/Blow Up, Dune and ZDF Television, had its world premiere at the Rotterdam Film Festival, its US Premiere at the Toronto Film Festival, and was subsequently broadcast in several countries. B has a prolific career producing and directing television documentaries including Positive ID: The Case Files of Anthony Falsetti; Death of a Rising Star; The Black Widow; An Unlikely Terrorist; and several other programs. B worked as Senior Series Producer on a six-part reality television series, Crime Scenes Uncovered, about the “real CSI” shot in Miami for TLC. She produced and directed two of the episodes. For ZDF/Germany, ARTE/France, the Sundance Channel and PBS, she has created various short subject documentaries, including Breasts for PBS's Egg the Arts Show, segments for Nerve for the HBO series and website; High Heel Nights for ARTE/France, and segments for AfterEffects, the Sundance Channel series.
Jeffrey Wright goes into the Alaskan wilderness to hunt wolves suspected of killing children in director Jeremy Saulnier’s HOLD THE DARK. In recommendations, Mark Pfeiffer appreciates the action, humor, and satire in John Carpenter’s THEY LIVE and picks BISBEE ‘17, AMÉRICA, and HALE COUNTY THIS MORNING, THIS EVENING as must-see films at the Wexner Center for the Arts’ Unorthodocs. 2018 film festival. Paul Markoff savors the lurid thrills of David Fincher’s GONE GIRL. Send your comments, questions, and feedback to filmboundpod@gmail.com. Twitter: @filmbound Facebook: https://www.facebook.com/filmboundpod/ HOLD THE DARK clip courtesy Netflix THEY LIVE clip courtesy Universal Pictures GONE GIRL clip courtesy Twentieth Century Fox Music: "Parasail" by Silent Partner Recorded September 29, 2018.
MARSHA COTTRELL (b. 1964) lives and works in Brooklyn, NY. Cottrell was educated at The University of North Carolina at Chapel Hill (MFA) and Tyler School of Art (BFA). Cottrell is a recipient of the 2013 Louis Comfort Tiffany Foundation, Biennial Award; the 2007 Pollock-Krasner Foundation, Fellowship Grant in Drawing; the 2004 Harvestworks Digital Media Arts Center, Educational Grant; the 2003 New York Foundation for the Arts, Fellowship Grant in Drawing; the 2001 John Simon Guggenheim Memorial Foundation, Fellowship; the 1999 New York Foundation for the Arts, Fellowship Grant in Digital Arts; and the 1999 Marie Walsh Sharpe Art Foundation, Space Program. Cottrell has had solo exhibitions at Anthony Meier Fine Arts, San Francisco (2016); Eleven Rivington (2015), New York, NY; g-module, Paris, France (2003); Henry Urbach Architecture, New York, NY (2003); Gaga, New York, NY (2000), among others. Group exhibitions include Gray Matters, organized by Michael Goodson, Wexner Center for the Arts, Columbus, OH; Worlding: Lucas Blalock, Marsha Cottrell, Ben Hagari, Ajay Kurian, and Hayal Pozanti, organized by Mia Curran, University of Western Michigan, 2017; One Third White, Kunst im Tunnel (KIT), Dusseldorf, Germany, 2013; and Field Conditions, San Francisco Museum of Modern Art, San Francisco, CA, 2012. Selected public collections include The Museum of Modern Art, New York, NY; The Morgan Library and Museum, New York, NY; The National Gallery of Art, Washington, D.C.; Philadelphia Museum of Art, Philadelphia, PA; Pollock Gallery, Southern Methodist University, Dallas, TX; and San Francisco Museum of Modern Art, CA. Brian met up with Marsha at her solo show to talk about quiet and light and more.
How do cultural art centers decide what's worthy of presentation? I sat down with Lane Czaplinski, the Wexner Center for the Arts' new director of performing arts to talk about his journey from literature student to art curator, his impressions of Columbus, and some of the exciting shows coming up in the Wexner Center's fall performing arts season. The post Performing Arts at the Wexner Center for the Arts appeared first on The Confluence Cast.
How do cultural art centers decide what's worthy of presentation? I sat down with Lane Czaplinski, the Wexner Center for the Arts' new director of performing arts to talk about his journey from literature student to art curator, his impressions of Columbus, and some of the exciting shows coming up in the Wexner Center's fall performing arts season. The post Performing Arts at the Wexner Center for the Arts appeared first on The Confluence Cast.
BalletMet Artistic Director Edwaard Liang talks about the upcoming performance of Parallel Connections. Three Columbus organizations committed to dance unite for Parallel Connections. Join BalletMet, The Ohio State University Department of Dance (supported by Ohio State’s College of Arts and Sciences), and the Wexner Center for the Arts as they come together for two performances only. This special program will feature BalletMet performing master choreographer James Kudelka’s The Man in Black, set to the music of Johnny Cash, and Wexner Prize–recipient William Forsythe’s dynamic and sophisticated Slingerland Pas de Deux. Ohio State Department of Dance students will perform Wexner Center MinEvent, with selections drawn from the vast repertoire of dance icon Merce Cunningham, another recipient of the Wexner Prize. Then the Ohio State dancers and BalletMet’s professional company will join forces onstage to perform the irresistible and exuberant Minus 16, by noted Israeli choreographer and Batsheva Dance Company artistic director Ohad Naharin. Together, these works will demonstrate surprising connections across the spectrum of contemporary dance artistry—as well as celebrate our vibrant community of dance lovers and dance organizations.Parallel Connections is presented with support from The Ohio State University’s College of Arts and Sciences and Arts Initiative.Season support for BalletMet and the Wexner Center is provided by the Ohio Arts Council, Greater Columbus Arts Council, The Columbus Foundation, and Nationwide Foundation.Major support for the Wexner Center’s performing arts season is generously provided by the Doris Duke Charitable Foundation.Minus 16 is presented with support from the Lenore Schottenstein & Community Jewish Arts Fund of the Columbus Jewish Foundation.October 20-21, 2017 | Mershon AuditoriumFriday, 10/20 Senior Dress RehearsalFriday, 10/20 8:00 pmSaturday, 10/21 8:00 pmCheck out a full list of productions for BalletMet’s 2017-18 40th Anniversary season.https://www.balletmet.org/2017-18-seasonhttps://www.balletmet.org/subscription-packages/An affiliate podcast of Circle270Media Network - http://www.circle270media.com"Step One Music For Makers" thanks to Logan Music
BalletMet Artistic Director Edwaard Liang talks about the upcoming performance of Parallel Connections. Three Columbus organizations committed to dance unite for Parallel Connections. Join BalletMet, The Ohio State University Department of Dance (supported by Ohio State’s College of Arts and Sciences), and the Wexner Center for the Arts as they come together for two performances only. This special program will feature BalletMet performing master choreographer James Kudelka’s The Man in Black, set to the music of Johnny Cash, and Wexner Prize–recipient William Forsythe’s dynamic and sophisticated Slingerland Pas de Deux. Ohio State Department of Dance students will perform Wexner Center MinEvent, with selections drawn from the vast repertoire of dance icon Merce Cunningham, another recipient of the Wexner Prize. Then the Ohio State dancers and BalletMet’s professional company will join forces onstage to perform the irresistible and exuberant Minus 16, by noted Israeli choreographer and Batsheva Dance Company artistic director Ohad Naharin. Together, these works will demonstrate surprising connections across the spectrum of contemporary dance artistry—as well as celebrate our vibrant community of dance lovers and dance organizations.Parallel Connections is presented with support from The Ohio State University’s College of Arts and Sciences and Arts Initiative.Season support for BalletMet and the Wexner Center is provided by the Ohio Arts Council, Greater Columbus Arts Council, The Columbus Foundation, and Nationwide Foundation.Major support for the Wexner Center’s performing arts season is generously provided by the Doris Duke Charitable Foundation.Minus 16 is presented with support from the Lenore Schottenstein & Community Jewish Arts Fund of the Columbus Jewish Foundation.October 20-21, 2017 | Mershon AuditoriumFriday, 10/20 Senior Dress RehearsalFriday, 10/20 8:00 pmSaturday, 10/21 8:00 pmCheck out a full list of productions for BalletMet’s 2017-18 40th Anniversary season.https://www.balletmet.org/2017-18-seasonhttps://www.balletmet.org/subscription-packages/An affiliate podcast of Circle270Media Network - http://www.circle270media.com"Step One Music For Makers" thanks to Logan Music
Hidden Mother by Laura Larson was published by Saint Lucy Press (January 2017), with 96 pages and 26 Color and black and white images. Hidden Mother tells the story of the adoption of Larson’s daughter from Ethiopia as mapped through nineteenth-century hidden mother photographs. The term “hidden mother” refers to the widespread but little-known practice in 19th-century portrait photography of concealing a mother’s body as she supported and calmed her child during the lengthy exposures demanded by early photographic technology. In the final portrait of the child, the mother–often covered from head-to-toe in a black drop cloth–appears as an uncanny figure. A practical strategy deployed by the photographer unintentionally yielded an evocative representation of the mother; never meant to be seen, her presence nonetheless haunts these images. Part photography book, part essay, Hidden Mother enlists these strange and powerful images to present a lyrical account of becoming a mother through adoption. Laura Larson is a photographer who has exhibited her work both nationally and internationally, including Art in General, Bronx Museum of the Arts, Metropolitan Museum of Art, Museum of Fine Arts, Houston, SFCamerawork, Susanne Vielmetter/L.A. Projects, and Wexner Center for the Arts. Reviews of her exhibitions have appeared in Artforum, The New York Times, The New Yorker, and Time Out New York, and she has published artist projects in Cabinet, Documents, Open City and The Literary Review. She is the recipient of grants from Art Matters, Inc., New York Foundation of the Arts, and Ohio Arts Council, and of residency fellowships from MacDowell Colony, Virginia Center for the Creative Arts, Santa Fe Art Institute, and Ucross Foundation. Larson’s work is represented by Lennon, Weinberg Gallery in New York City. She earned a BA in English from Oberlin College, a MFA in Visual Art from Mason Gross School of the Arts at Rutgers University, and participated in the Whitney Museum of American Art Independent Study Program. Hidden Mother is available online at the Saint Lucy bookstore. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hidden Mother by Laura Larson was published by Saint Lucy Press (January 2017), with 96 pages and 26 Color and black and white images. Hidden Mother tells the story of the adoption of Larson’s daughter from Ethiopia as mapped through nineteenth-century hidden mother photographs. The term “hidden mother” refers to the widespread but little-known practice in 19th-century portrait photography of concealing a mother’s body as she supported and calmed her child during the lengthy exposures demanded by early photographic technology. In the final portrait of the child, the mother–often covered from head-to-toe in a black drop cloth–appears as an uncanny figure. A practical strategy deployed by the photographer unintentionally yielded an evocative representation of the mother; never meant to be seen, her presence nonetheless haunts these images. Part photography book, part essay, Hidden Mother enlists these strange and powerful images to present a lyrical account of becoming a mother through adoption. Laura Larson is a photographer who has exhibited her work both nationally and internationally, including Art in General, Bronx Museum of the Arts, Metropolitan Museum of Art, Museum of Fine Arts, Houston, SFCamerawork, Susanne Vielmetter/L.A. Projects, and Wexner Center for the Arts. Reviews of her exhibitions have appeared in Artforum, The New York Times, The New Yorker, and Time Out New York, and she has published artist projects in Cabinet, Documents, Open City and The Literary Review. She is the recipient of grants from Art Matters, Inc., New York Foundation of the Arts, and Ohio Arts Council, and of residency fellowships from MacDowell Colony, Virginia Center for the Creative Arts, Santa Fe Art Institute, and Ucross Foundation. Larson’s work is represented by Lennon, Weinberg Gallery in New York City. She earned a BA in English from Oberlin College, a MFA in Visual Art from Mason Gross School of the Arts at Rutgers University, and participated in the Whitney Museum of American Art Independent Study Program. Hidden Mother is available online at the Saint Lucy bookstore. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hidden Mother by Laura Larson was published by Saint Lucy Press (January 2017), with 96 pages and 26 Color and black and white images. Hidden Mother tells the story of the adoption of Larson’s daughter from Ethiopia as mapped through nineteenth-century hidden mother photographs. The term “hidden mother” refers to the widespread but little-known practice in 19th-century portrait photography of concealing a mother’s body as she supported and calmed her child during the lengthy exposures demanded by early photographic technology. In the final portrait of the child, the mother–often covered from head-to-toe in a black drop cloth–appears as an uncanny figure. A practical strategy deployed by the photographer unintentionally yielded an evocative representation of the mother; never meant to be seen, her presence nonetheless haunts these images. Part photography book, part essay, Hidden Mother enlists these strange and powerful images to present a lyrical account of becoming a mother through adoption. Laura Larson is a photographer who has exhibited her work both nationally and internationally, including Art in General, Bronx Museum of the Arts, Metropolitan Museum of Art, Museum of Fine Arts, Houston, SFCamerawork, Susanne Vielmetter/L.A. Projects, and Wexner Center for the Arts. Reviews of her exhibitions have appeared in Artforum, The New York Times, The New Yorker, and Time Out New York, and she has published artist projects in Cabinet, Documents, Open City and The Literary Review. She is the recipient of grants from Art Matters, Inc., New York Foundation of the Arts, and Ohio Arts Council, and of residency fellowships from MacDowell Colony, Virginia Center for the Creative Arts, Santa Fe Art Institute, and Ucross Foundation. Larson’s work is represented by Lennon, Weinberg Gallery in New York City. She earned a BA in English from Oberlin College, a MFA in Visual Art from Mason Gross School of the Arts at Rutgers University, and participated in the Whitney Museum of American Art Independent Study Program. Hidden Mother is available online at the Saint Lucy bookstore. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hidden Mother by Laura Larson was published by Saint Lucy Press (January 2017), with 96 pages and 26 Color and black and white images. Hidden Mother tells the story of the adoption of Larson’s daughter from Ethiopia as mapped through nineteenth-century hidden mother photographs. The term “hidden mother” refers to the widespread but little-known practice in 19th-century portrait photography of concealing a mother’s body as she supported and calmed her child during the lengthy exposures demanded by early photographic technology. In the final portrait of the child, the mother–often covered from head-to-toe in a black drop cloth–appears as an uncanny figure. A practical strategy deployed by the photographer unintentionally yielded an evocative representation of the mother; never meant to be seen, her presence nonetheless haunts these images. Part photography book, part essay, Hidden Mother enlists these strange and powerful images to present a lyrical account of becoming a mother through adoption. Laura Larson is a photographer who has exhibited her work both nationally and internationally, including Art in General, Bronx Museum of the Arts, Metropolitan Museum of Art, Museum of Fine Arts, Houston, SFCamerawork, Susanne Vielmetter/L.A. Projects, and Wexner Center for the Arts. Reviews of her exhibitions have appeared in Artforum, The New York Times, The New Yorker, and Time Out New York, and she has published artist projects in Cabinet, Documents, Open City and The Literary Review. She is the recipient of grants from Art Matters, Inc., New York Foundation of the Arts, and Ohio Arts Council, and of residency fellowships from MacDowell Colony, Virginia Center for the Creative Arts, Santa Fe Art Institute, and Ucross Foundation. Larson’s work is represented by Lennon, Weinberg Gallery in New York City. She earned a BA in English from Oberlin College, a MFA in Visual Art from Mason Gross School of the Arts at Rutgers University, and participated in the Whitney Museum of American Art Independent Study Program. Hidden Mother is available online at the Saint Lucy bookstore. Learn more about your ad choices. Visit megaphone.fm/adchoices
What are you doing May 19? You could go to this show. It is at the Wexner Center. It features performers describing their lives. They all wrote six word memoirs. Larry Smith hosts; we talked recently Six word memoirs are … Continue reading →
In this week's episode, OT visited The Third Line at Al Serkal Avenue and attended Hassan Hajjaj's show for the year. During which, OT caught up with Hassan and chopped it up, Dukkan style, sitting on one of Hassan's art installations. They discussed his inspirations, career, journey, mind blocks, downtime, and upcoming projects. A very interesting session into the world of the Moroccan pop-culture artist. Grab a seat and join the conversation. From Dubai to the world. --- Dukkan Show Links:www.dukkanshow.comFacebook | Instagram | Twitter ---- The Hosts:OT: Instagram | Twitter Irshad: Instagram | TwitterToofless: SoundCloud ---- Hassan Hajjaj: Born in Larache, Morocco in 1961, Hajjaj arrived in London in his teens and grew up amid the emerging club culture in the UK. Known as the “Andy Warhol of Marrakech” Hajjaj is very much a child of the pop art generation. His work encompass many techniques and fields, from designing and producing furniture including lamps, stools, poufs made from recycled North African objects such as upturned Coca-Cola crates as stools, road signs turned into tables tops as well as custom made clothes and photography. Hajjaj is best known for designing the ‘Andy Wahloo' bar-restaurant in Paris in 2003, for which he decked out the entire establishment in his trademark style of recycled North Africa objects. ‘Andy Wahloo' acknowledges one of his favourite artists, Andy Warhol, but also at the same time refers to a Parisian slang term meaning ‘I have nothing' adopted by Hajjaj as a way of describing his work. Hajjaj's most recent solo shows include: Hassan Hajjaj, My Rock Stars Experimental, Vol.1, Wexner Center for the Arts, Columbus, USA (2015); Kesh Angels, Taymour Grahne Gallery, New York, USA (2014); My Rock Stars: Volume 2, Gusford Gallery, Los Angeles, CA, USA (2014); My Rock Stars: Volume 1, Los Angeles County Museum of Art, CA, USA (2014, travelled from The Third Line, Dubai, and Virginia Commonwealth University, USA). Hajjaj's work has been exhibited internationally in many high profile exhibitions including London, Paris and Morocco, notably Islamic Art Now: Contemporary Art of the Middle East, LACMA, Los Angeles, USA (2015); True to Life?-New Photography from the Middle East, Birmingham of Art Gallery, Birmingham, UK (2014). Hassan Hajjaj's works have been acquired by Los Angeles County Museum of Art; Brooklyn Museum, New York; the Victoria and Albert Museum, London; the British Museum, London and the Farjam Collection, Dubai. The artist lives and works between London, England and Marrakech, Morocco. See omnystudio.com/listener for privacy information.
In this week's episode, OT visited The Third Line at Al Serkal Avenue and attended Hassan Hajjaj's show for the year. During which, OT caught up with Hassan and chopped it up, Dukkan style, sitting on one of Hassan's art installations. They discussed his inspirations, career, journey, mind blocks, downtime, and upcoming projects. A very interesting session into the world of the Moroccan pop-culture artist. Grab a seat and join the conversation. From Dubai to the world. --- Dukkan Show Links:www.dukkanshow.comFacebook | Instagram | Twitter ---- The Hosts:OT: Instagram | Twitter Irshad: Instagram | TwitterToofless: SoundCloud ---- Hassan Hajjaj: Born in Larache, Morocco in 1961, Hajjaj arrived in London in his teens and grew up amid the emerging club culture in the UK. Known as the “Andy Warhol of Marrakech” Hajjaj is very much a child of the pop art generation. His work encompass many techniques and fields, from designing and producing furniture including lamps, stools, poufs made from recycled North African objects such as upturned Coca-Cola crates as stools, road signs turned into tables tops as well as custom made clothes and photography. Hajjaj is best known for designing the ‘Andy Wahloo’ bar-restaurant in Paris in 2003, for which he decked out the entire establishment in his trademark style of recycled North Africa objects. ‘Andy Wahloo’ acknowledges one of his favourite artists, Andy Warhol, but also at the same time refers to a Parisian slang term meaning ‘I have nothing’ adopted by Hajjaj as a way of describing his work. Hajjaj’s most recent solo shows include: Hassan Hajjaj, My Rock Stars Experimental, Vol.1, Wexner Center for the Arts, Columbus, USA (2015); Kesh Angels, Taymour Grahne Gallery, New York, USA (2014); My Rock Stars: Volume 2, Gusford Gallery, Los Angeles, CA, USA (2014); My Rock Stars: Volume 1, Los Angeles County Museum of Art, CA, USA (2014, travelled from The Third Line, Dubai, and Virginia Commonwealth University, USA). Hajjaj’s work has been exhibited internationally in many high profile exhibitions including London, Paris and Morocco, notably Islamic Art Now: Contemporary Art of the Middle East, LACMA, Los Angeles, USA (2015); True to Life?-New Photography from the Middle East, Birmingham of Art Gallery, Birmingham, UK (2014). Hassan Hajjaj’s works have been acquired by Los Angeles County Museum of Art; Brooklyn Museum, New York; the Victoria and Albert Museum, London; the British Museum, London and the Farjam Collection, Dubai. The artist lives and works between London, England and Marrakech, Morocco.
Luc Tuymans Lecture The Philip Feldman Gallery + Project Space is pleased to present an exhibition of prints by the influential artist, Luc Tuymans. “Luc Tuymans: Graphic Works - Kristalnacht to Technicolor” runs from Mar 6- June 14 2014. Download (mp3) Though he is known primarily as a painter, Belgian artist Luc Tuymans (b. 1958) continues to produce extraordinary work in the discipline of printmaking. Graphic Works - Kristalnacht to Technicolor brings together an array of Tuymans’ printmaking works. The pieces were produced between 1992 and 2013 and range in technique from color photocopy of Kristalnacht, 1992 to the twelve stone color lithograph of Gene (Plant), 2004. The exhibition will also feature examples of Tuymans’ experiments in printing on non-traditional surfaces such as Transitions A-B-C-D, 2008, which was produced with multi-colored screenprints on PVC plastic. Luc Tuymans: Graphic Works - Kristalnacht to Technicolor is curated by Feldman Gallery + Project Space Director, Mack McFarland and PNCA faculty member, Modou Dieng, in direct collaboration with the artist. About Luc Tuymans: Belgian artist Luc Tuymans is widely credited with having contributed to the revival of painting in the 1990s. His sparsely colored, figurative works speak in a quiet, restrained, and at times unsettling voice, and are typically painted from pre-existing imagery which includes photographs and video stills. His canvases, in turn, become third-degree abstractions from reality and often appear slightly out-of-focus, as if covered by a thin veil or painted from a failing memory. There is almost always a darker undercurrent to what at first appear to be innocuous subjects: Born in 1958 in Morstel, near Antwerp, Belgium, Tuymans was one of the first artists to be represented by David Zwirner. He joined the gallery in 1994 and had his first American solo exhibition that same year. In 2013, Luc Tuymans: The Summer is Over was on view in New York and marked his tenth solo show with the gallery. In 2013, a solo presentation of the artist’s portraits, Nice. Luc Tuymans, was hosted by The Menil Collection in Houston, Texas. His work was recently the subject of a retrospective co-organized by the Wexner Center for the Arts, Columbus, Ohio, and the San Francisco Museum of Modern Art. It traveled from 2010 to 2011 to the Dallas Museum of Art; Museum of Contemporary Art Chicago; and the Palais des Beaux-Arts, Brussels. Previous major solo exhibitions include those organized by the Moderna Museet Malmö, Sweden in 2009 and Tate Modern, London in 2004. Other venues that have presented recent solo shows include the Centro de Arte Contemporáneo de Málaga, Spain (2011); Haus der Kunst, Munich; Zachęta National Gallery of Art, Warsaw (both 2008); Mucsarnok Kunsthalle, Budapest (2007); and the Museu Serralves, Porto, Portugal (2006). A catalogue raisonné of the artist’s paintings is currently being prepared by David Zwirner in collaboration with Studio Luc Tuymans. Compiled and edited by art historian Eva Meyer-Hermann, the catalogue raisonné will illustrate and document approximately 500 paintings by the artist from 1975 to the present day. In 2001, the artist represented Belgium at the 49th Venice Biennale. His works are featured in museum collections worldwide, including The Art Institute of Chicago; Centre Georges Pompidou, Paris; Los Angeles County Museum of Art; The Museum of Modern Art, New York; Pinakothek der Moderne, Munich; Solomon R. Guggenheim Museum, New York; and Tate Gallery, London. Tuymans recently donated his portrait of Her Majesty Queen Beatrix of The Netherlands to the Stedelijk Museum, Amsterdam. He lives and works in Antwerp. Image: Luc Tuymans, The Valley, 2012; screenprint; 71 x 72,5 cm; Edition: 75; Courtesy of the artist. Download
This time on The Newsstand, Ryan is joined by Josh Brunsting, Scott Nye, Sean Hutchinson, and David Blakeslee to talk about Criterion's January 2014 line-up, the trailer for The Grand Budapest Hotel, the upcoming Wexner Center talk, the Fantastic Mr Fox, and more!
OSU professors Robert Ladislas Derr (Art), Heather Inwood (East Asian Languages and Literatures), and Norah Zuniga-Shaw (Dance) come together to consider how corporeal engagement inflects and is inflected by technology and arts practices. Derr stages both a corporeal and a historical encounter with Christopher Columbus, sensing his way through both past and present, Inwood analyses excretory excesses written into contemporary Chinese poetry, especially in the School of Rubbish and the School of Spam, and Zuniga-Shaw and her students offer perspectives on how technologically mediating physical practices such as dance opens up new questions around the body, movement, aesthetics, and decision-making. Discover Columbus In his project, Discovering Columbus, Robert Ladislas Derr utilizes the power of perspective and video technology to explore the convergence of ten towns in the U.S. named after the 15thcentury explorer. Constellations transposed on streets serve as navigation. Transcending time and place, his point of departure is wanderlust and the iconic explorer. Heather Inwood’s presentation will look at Chinese poetry on the internet that deals with the human body, examining avant-garde poems published online in the mid-2000s to consider the connection between the human body and digital technologies. She will explore the changes that occurred when practitioners of “body writing” (shenti xiezuo) moved online and suggest that poems that deal with bodily processes and sensations function as a form of meta-poetry, or poetry about poetry. The School of Rubbish (lajipai), whose writings included a style known as “shit and piss writing,” and the School of Spam (guanshuipai), whose members liked to “spam” internet forums with their crudely written poems, are used as examples. Synchronous Objects Norah Zuniga Shaw will discuss choreographic knowledge as a locus for interdisciplinary and intercultural creativity. Shaw’s most recent project with William Forsythe and Maria Palazzi, Synchronous Objects, was launched online and installed at the Wexner Center for the Arts in 2009. She will discuss how this work has impacted international audiences and connected viewers with the deep structures of a dance and the generative ideas contained within.
OSU professors Robert Ladislas Derr (Art), Heather Inwood (East Asian Languages and Literatures), and Norah Zuniga-Shaw (Dance) come together to consider how corporeal engagement inflects and is inflected by technology and arts practices. Derr stages both a corporeal and a historical encounter with Christopher Columbus, sensing his way through both past and present, Inwood analyses excretory excesses written into contemporary Chinese poetry, especially in the School of Rubbish and the School of Spam, and Zuniga-Shaw and her students offer perspectives on how technologically mediating physical practices such as dance opens up new questions around the body, movement, aesthetics, and decision-making. Discover Columbus In his project, Discovering Columbus, Robert Ladislas Derr utilizes the power of perspective and video technology to explore the convergence of ten towns in the U.S. named after the 15thcentury explorer. Constellations transposed on streets serve as navigation. Transcending time and place, his point of departure is wanderlust and the iconic explorer. Heather Inwood’s presentation will look at Chinese poetry on the internet that deals with the human body, examining avant-garde poems published online in the mid-2000s to consider the connection between the human body and digital technologies. She will explore the changes that occurred when practitioners of “body writing” (shenti xiezuo) moved online and suggest that poems that deal with bodily processes and sensations function as a form of meta-poetry, or poetry about poetry. The School of Rubbish (lajipai), whose writings included a style known as “shit and piss writing,” and the School of Spam (guanshuipai), whose members liked to “spam” internet forums with their crudely written poems, are used as examples. Synchronous Objects Norah Zuniga Shaw will discuss choreographic knowledge as a locus for interdisciplinary and intercultural creativity. Shaw’s most recent project with William Forsythe and Maria Palazzi, Synchronous Objects, was launched online and installed at the Wexner Center for the Arts in 2009. She will discuss how this work has impacted international audiences and connected viewers with the deep structures of a dance and the generative ideas contained within.
OSU professors Robert Ladislas Derr (Art), Heather Inwood (East Asian Languages and Literatures), and Norah Zuniga-Shaw (Dance) come together to consider how corporeal engagement inflects and is inflected by technology and arts practices. Derr stages both a corporeal and a historical encounter with Christopher Columbus, sensing his way through both past and present, Inwood analyses excretory excesses written into contemporary Chinese poetry, especially in the School of Rubbish and the School of Spam, and Zuniga-Shaw and her students offer perspectives on how technologically mediating physical practices such as dance opens up new questions around the body, movement, aesthetics, and decision-making. Discover Columbus In his project, Discovering Columbus, Robert Ladislas Derr utilizes the power of perspective and video technology to explore the convergence of ten towns in the U.S. named after the 15thcentury explorer. Constellations transposed on streets serve as navigation. Transcending time and place, his point of departure is wanderlust and the iconic explorer. Heather Inwood’s presentation will look at Chinese poetry on the internet that deals with the human body, examining avant-garde poems published online in the mid-2000s to consider the connection between the human body and digital technologies. She will explore the changes that occurred when practitioners of “body writing” (shenti xiezuo) moved online and suggest that poems that deal with bodily processes and sensations function as a form of meta-poetry, or poetry about poetry. The School of Rubbish (lajipai), whose writings included a style known as “shit and piss writing,” and the School of Spam (guanshuipai), whose members liked to “spam” internet forums with their crudely written poems, are used as examples. Synchronous Objects Norah Zuniga Shaw will discuss choreographic knowledge as a locus for interdisciplinary and intercultural creativity. Shaw’s most recent project with William Forsythe and Maria Palazzi, Synchronous Objects, was launched online and installed at the Wexner Center for the Arts in 2009. She will discuss how this work has impacted international audiences and connected viewers with the deep structures of a dance and the generative ideas contained within.
OSU professors Robert Ladislas Derr (Art), Heather Inwood (East Asian Languages and Literatures), and Norah Zuniga-Shaw (Dance) come together to consider how corporeal engagement inflects and is inflected by technology and arts practices. Derr stages both a corporeal and a historical encounter with Christopher Columbus, sensing his way through both past and present, Inwood analyses excretory excesses written into contemporary Chinese poetry, especially in the School of Rubbish and the School of Spam, and Zuniga-Shaw and her students offer perspectives on how technologically mediating physical practices such as dance opens up new questions around the body, movement, aesthetics, and decision-making. Discover Columbus In his project, Discovering Columbus, Robert Ladislas Derr utilizes the power of perspective and video technology to explore the convergence of ten towns in the U.S. named after the 15thcentury explorer. Constellations transposed on streets serve as navigation. Transcending time and place, his point of departure is wanderlust and the iconic explorer. Heather Inwood’s presentation will look at Chinese poetry on the internet that deals with the human body, examining avant-garde poems published online in the mid-2000s to consider the connection between the human body and digital technologies. She will explore the changes that occurred when practitioners of “body writing” (shenti xiezuo) moved online and suggest that poems that deal with bodily processes and sensations function as a form of meta-poetry, or poetry about poetry. The School of Rubbish (lajipai), whose writings included a style known as “shit and piss writing,” and the School of Spam (guanshuipai), whose members liked to “spam” internet forums with their crudely written poems, are used as examples. Synchronous Objects Norah Zuniga Shaw will discuss choreographic knowledge as a locus for interdisciplinary and intercultural creativity. Shaw’s most recent project with William Forsythe and Maria Palazzi, Synchronous Objects, was launched online and installed at the Wexner Center for the Arts in 2009. She will discuss how this work has impacted international audiences and connected viewers with the deep structures of a dance and the generative ideas contained within.
OSU professors Robert Ladislas Derr (Art), Heather Inwood (East Asian Languages and Literatures), and Norah Zuniga-Shaw (Dance) come together to consider how corporeal engagement inflects and is inflected by technology and arts practices. Derr stages both a corporeal and a historical encounter with Christopher Columbus, sensing his way through both past and present, Inwood analyses excretory excesses written into contemporary Chinese poetry, especially in the School of Rubbish and the School of Spam, and Zuniga-Shaw and her students offer perspectives on how technologically mediating physical practices such as dance opens up new questions around the body, movement, aesthetics, and decision-making. Discover Columbus In his project, Discovering Columbus, Robert Ladislas Derr utilizes the power of perspective and video technology to explore the convergence of ten towns in the U.S. named after the 15thcentury explorer. Constellations transposed on streets serve as navigation. Transcending time and place, his point of departure is wanderlust and the iconic explorer. Heather Inwood’s presentation will look at Chinese poetry on the internet that deals with the human body, examining avant-garde poems published online in the mid-2000s to consider the connection between the human body and digital technologies. She will explore the changes that occurred when practitioners of “body writing” (shenti xiezuo) moved online and suggest that poems that deal with bodily processes and sensations function as a form of meta-poetry, or poetry about poetry. The School of Rubbish (lajipai), whose writings included a style known as “shit and piss writing,” and the School of Spam (guanshuipai), whose members liked to “spam” internet forums with their crudely written poems, are used as examples. Synchronous Objects Norah Zuniga Shaw will discuss choreographic knowledge as a locus for interdisciplinary and intercultural creativity. Shaw’s most recent project with William Forsythe and Maria Palazzi, Synchronous Objects, was launched online and installed at the Wexner Center for the Arts in 2009. She will discuss how this work has impacted international audiences and connected viewers with the deep structures of a dance and the generative ideas contained within.
OSU professors Robert Ladislas Derr (Art), Heather Inwood (East Asian Languages and Literatures), and Norah Zuniga-Shaw (Dance) come together to consider how corporeal engagement inflects and is inflected by technology and arts practices. Derr stages both a corporeal and a historical encounter with Christopher Columbus, sensing his way through both past and present, Inwood analyses excretory excesses written into contemporary Chinese poetry, especially in the School of Rubbish and the School of Spam, and Zuniga-Shaw and her students offer perspectives on how technologically mediating physical practices such as dance opens up new questions around the body, movement, aesthetics, and decision-making. Discover Columbus In his project, Discovering Columbus, Robert Ladislas Derr utilizes the power of perspective and video technology to explore the convergence of ten towns in the U.S. named after the 15thcentury explorer. Constellations transposed on streets serve as navigation. Transcending time and place, his point of departure is wanderlust and the iconic explorer. Heather Inwood’s presentation will look at Chinese poetry on the internet that deals with the human body, examining avant-garde poems published online in the mid-2000s to consider the connection between the human body and digital technologies. She will explore the changes that occurred when practitioners of “body writing” (shenti xiezuo) moved online and suggest that poems that deal with bodily processes and sensations function as a form of meta-poetry, or poetry about poetry. The School of Rubbish (lajipai), whose writings included a style known as “shit and piss writing,” and the School of Spam (guanshuipai), whose members liked to “spam” internet forums with their crudely written poems, are used as examples. Synchronous Objects Norah Zuniga Shaw will discuss choreographic knowledge as a locus for interdisciplinary and intercultural creativity. Shaw’s most recent project with William Forsythe and Maria Palazzi, Synchronous Objects, was launched online and installed at the Wexner Center for the Arts in 2009. She will discuss how this work has impacted international audiences and connected viewers with the deep structures of a dance and the generative ideas contained within.
In the 5th episode of The James Spader Podcast, hosts Mike Gray and Chris Onderick of Snow Arch Films and Erik Pepple with the Wexner Center for the Arts look at the made for TV movie “A Killer in the Family” (1983) directed by Richard T. Heffron. Based on the real life Tison gang’s crime … Continue reading The James Spader Podcast 5 – “A Killer in the Family” 6.25.13 →
In this episode of The James Spader Podcast, hosts Mike Gray and Chris Onderick of Snow Arch Films and Erik Pepple with the Wexner Center for the Arts, dive into “Starcrossed” (1985) directed by Jeffrey Bloom. The cast comes replete with excerpts from an exclusive interview with director and writer Jeffrey Bloom, as well as … Continue reading The James Spader Podcast 4 – “Starcrossed” 4.14.13 →
In the third episode of The James Spader Podcast, hosts Mike Gray and Chris Onderick of Snow Arch Films and Erik Pepple with the Wexner Center for the Arts tackle “Endless Love” (1981) directed by Franco Zeffirelli. In addition to James Spader, the film would feature performances from Brooke Shields, Martin Hewitt and serve as … Continue reading The James Spader Podcast 3 – “Endless Love” 3.31.13 →
In the second show of The James Spader Podcast, hosts Mike Gray and Chris Onderick of Snow Arch Films, and Erik Pepple with the Wexner Center for the Arts, examine Cocaine: One Man’s Seduction (1983) directed by Paul Wendkos and featuring performances from actors Dennis Weaver, Karen Grassle, Jeffrey Tambor and Pamela Bellwood. Special guests … Continue reading The James Spader Podcast 2 – “Cocaine: One Man’s Seduction” →
This week: The coolest person we know! The lovely, the talented, the amazing Jennifer Reeder! This weeks show was edited in the bathroom of a Hampton Inn between bouts of my 2 year old vomitting. The fun and off-the-rails conversation managed to keep my spirits light, and as you navigate the holiday fracas I'm sure it will aid you too. HAPPY BIRTHDAY DUNCAN!! Over the last decade and since her inclusion in the 2000 Whitney Biennial (with her iconic Nevermind, where the artist herself lip-syncs to “Smells like Teen Spirit” by the 90s grunge-rock band Nirvana), Jennifer Reeder has steadily built a body of work that explores gender, identity and relationships in an often strange, complicated world. Her works have also gotten progressively longer and more narrative and have been screened in countless film festivals around the world. Jennifer lives and works in Chicago, Illinois. She received her M.F.A. from the Art Institute of Chicago in 1996. She is currently the chair of the graduate studies department for the School of Art and Design at the University of Illinois Chicago, where she is also an associate professor of moving image. She was nominated for the 2000, 2001, 2002 and 2008 Rockefeller Grants for Film/Video/New Media as well as a 2001 Louis Comfort Tiffany Award for visual art and a 2004 Richard H. Dreihaus Foundation Award. She is currently an Efroymson Family Fund Fellow. Other events include a solo screening at the Moderna Museet in Stockholm Sweden and group screenings and exhibitions at: The New York Video Festival, at The Lincoln Center; Double Heart/Hear the Art, at the Kunsthalle Exnergasse, Vienna, Austria; The 2000 Biennial at the Whitney Museum of American Art; In the Middle of Nowhere at the Yerba Buena Center for the Arts in San Francisco; Generation Z at P.S.1, New York; The 48th International Venice Biennial, Venice, Italy. This is her first exhibition with the gallery. The new film we present here was partially funded by the Media Art Residency Program at the Wexner Center for the Arts and a fellowship from the Emfroyson Family Fund.
Bob Fass and Jessica Wolfson are the guests this week. We discuss Bob's career as a freeform radio pioneer in New York City. Jessica and Paul Lovelace have made a film called Radio Unnameable, which chronicles Bob's five decades on the air, his activism, and the fantastic scene he helped foster. The film is showing at the Wexner Center next Thursday, November 15, and Paul will be on-hand for a question and answer session after the screening.Play List:Bob Fass - "Sound Collage 1967 or 1968 (excerpt)" from Radio Unnameable archives Nino Ferrer and Clyde Borly - "Les Cornichons" from Les 50 Plus Belles Chansons Leila - "Little Acorns" from Pop Ladies MIcachu and the Shapes - "Vulture" from Jewellery Mi-Gu - "From Space" from Choose The Light Erase Errata - "Marathon" from Other Animals Numbers - "We Like Having These Things" from Numbers Life Dan Deacon - "USAII The Great American Desert" from America Tiny Tim - "Ever Since You Told Me That You Loved Me" from Radio Unnameable archivesPhil Ochs - "When I'm Gone" from There But For Fortune Spacemen 3 - "Big City (Everybody I Know Can Be Found Here)" from Recurring Download this show: pat_radio_Nov_9_2012.mp3
This week: Amanda and Tom talk to Heathers Hubbs (director of NADA) and Lauren Wittels (Executive Director, Regency Arts Press, Ltd.) about the press, their projects and the forthcoming Art Book Swap (Saturday October 9th, 2010 12-5 at the AIC's Regenstein Library)! Next: Duncan (in our first official phone interview) talks to Christopher Bedford, Curator of Exhibitions at the Wexner Center for the Arts in Columbus Ohio. DONATE BOOKS! COME TO THE SWAP!
This week: We talk to artist Mark Dion, about social practice, the Museum of Jurassic Technology, cabinets of curiosity. The word "taxonomy" is bandied about at great length. Mark Dion was born in 1961 in Massachusetts; he lives and works in Pennsylvania. Dion is known for making art out of fieldwork, incorporating elements of biology, archaeology, ethnography, and the history of science, and applying to his artwork methodologies generally used for pure science. Traveling the world and collaborating with a wide range of scientists, artists, and museums, Dion has excavated ancient and modern artifacts from the banks of the Thames in London, established a marine life laboratory using specimens from New York’s Chinatown, and created a contemporary cabinet of curiosities exploring natural and philosophical hierarchies. His approach emphasizes illustration and accuracy but is charged with a biting undertone. Dion has a longstanding interest in exploring how ideas about natural history are visualized and how they circulate in society. Dion’s work has been presented at many U.S. and international museums and galleries, including solo exhibitions at the Vancouver Art Gallery, Vancouver; Galleria Emi Fontana, Milan; Wexner Center for the Arts, Columbus, Ohio; Tanya Bonakdar Gallery, New York; and Deutsches Museum, Bonn. Dion has been commissioned to create works for Aldrich Museum of Art, Ridgefield, Connecticut; the Tate Gallery, London; the Yerba Buena Center for the Arts, San Francisco; and The Museum of Modern Art, New York.
Nancy Courtney, Outreach Coordinator for OSU Libraries, will read selections from Messages from My Father by Calvin Trillin. Mary Klie, Wexner Center, will read selections from Theories and Documents of Contemporary Art. James Petsche, Wexner Center, joins the program with selections from Ann Packer's The Dive from Clausen's Pier.
featured a tribute to Kurt Vonnegut (1922-2007). Readers included Joanna Anderson, University Libraries, Mary Klie from the Wexner Center, Mykola Bilokonsky, OIT and Jason Payne, Comparative Studies.
featured a reading of The Great Silent Grandmother Gathering by Sharon Mehdi. readers included Beck Andre, CIO/TELR, Donna Distel, University Libraries, Amanda Potter, Wexner Center, Eunice Hornsby, Office of Academic Affairs and Deb Ballam, Director of The Women"s Place.
Watch in Quicktime.Click text or picture to view iPod ready video.Click the post below to view this video in Windows Media.Running time: 6:16GREAT RIVERS BIENNIAL 2006January 20, 2006 - March 26, 2006_________________________MOSES: The Audiophile SeriesMATTHEW STRAUSS: Dead LanguageJASON WALLACE TRIEFENBACH: Hero, Compromised (Autobiographical Fiction/Narrative Medley)The Great Rivers Biennial is a collaboration between the Contemporary and the Gateway Foundation designed to strengthen the local art scene in St. Louis. As many as three artists are selected by a panel of esteemed national jurors to receive an award of $15,000 each and an exhibition at the Contemporary Art Museum St. Louis.The goal of this innovative awards program is to identify talented emerging local artists, provide them financial assistance, raise the visibility of their work in both the Midwest and national art community, and provide them with professional support from visiting critics, curators and dealers.Emerging artists in the St. Louis area were invited to submit work from any of the following categories: drawing, painting, photography, printmaking, sculpture, mixed media, and multi-media. An emerging artist is someone in the early stages of his or her career development who has not yet received wide exhibition exposure locally or nationally or significant financial awards from other organizations.During summer 2005, Great Rivers Biennial jurors reviwed all submissions and selected three emerging artists to receive the award. This year's high profile panel of jurors included Elizabeth Dunbar, Curator at the Kemper Museum of Contemporary Art, Kansas City; Gary Garellis, Senior Curator at UCLA Hammer Museum, Los Angeles; and Helen Molesworth; Chief Curator of Exhibitions at Wexner Center for the Arts, Columbus.The recipients of the inaugural Great Rivers Biennial 2004 were Jill Downen, Adam Frelin, and Kim Humphries who were selected by jurors Lisa Corrin, Director, Williams College Museum of Art; Debra Singer, Executive Director and Chief Curator, The Kitchen; and Hamza Walker, Department Director, Renaissance Society at the University of Chicago.Information courtesy Great Rivers Biennial 2006 catalogue, Contemporary Art Museum St. Louis (www.contemporarystl.org)In these three interviews, produced during the week of the opening exhibition, by Hugh Beall and illusionJunkie.com, William Griffin, Artistic Director of the St. Louis Veiled Prophet Parade, talks with Moses, Matthew Strauss and Jason Wallace Triefenbach. All three artists are represented by Bruno David Gallery (www.brunodavidgallery.com).A free subscription to www.illusionJunkie.com saves time by automatically downloading future videos to your computer. Requires only one-click from the sidebar on this page.
Julia and Joyce: Two Fifties Outsiders Tell their stories: David Stebenne, Department of History will read selections from Julia Child's memoir entitled My Life in France and Karen Simonean, director of Media and Public Relations for the Wexner Center, will read from Joyce Johnson's Minor Characters: A Beat Memoir.
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