Podcasts about istwa

Wilnise Meus

Mwen te kontan gen yon konvèsasyon ak Marckenley Macien, @timetoedit080_official sou Instagram. Li pataje istwa l sou kòman l sòti de 3,000 a 14,000 followers nan 4 mwa sou Instagram. Nan epizod sa nou pale sou: Kòman l te pèdi premye kont Instagram lan? Pwosesis kreyasyon kontni Kijan l rete kreyatif pou l toujou jwenn nouvo ide videyo Zouti pou w kreye kontni Instagram sou Telefòn ou ak plis ankò.... Konekte ak Marckenley sou Instagram: http://www.instagram.com/timetoedit080_official/ Pataje podcast la epi tag mwen sou Instagram story @gaetancasso.

Maxley Ivanderlove Melay, yon jenn kreyatif kap evolye nan domenn fotografi ak kreyasyon kontni. Etidyan nan maketin nan inivesite Quisqueya e responsab rezo sosyo a tan pasyèl. Li pasyone de biznis ak fe lajan sou entènèt. Nan Epizod sa, nou touche pwen sa yo: Enpòtans break genyen pou yon Influencer/kreyatè kontni Koman Maxley souvan jwenn ide kontni pou Instagram ou? Zouti espesefik pou edit foto + kèk astis pou yon moun pran pi bon foto pou Instagram li? Koman w ka jwenn mesaj ou kòm yon Influencer? Ki etap / fason pou yon moun ka vin yon Instagram Influencer? Koman yon Influencer ka pozisyone l pou l jwenn bon kontra ak Biznis/brand? Kisa w panse yon biznis/brand ap chèche nan yon influencer pou l ka chwazi travay ak li? Konekte ak Maxley: Instagram: https://www.instagram.com/mr_melmax/ Twitter: https://twitter.com/mr_melmax Tiktok: https://www.tiktok.com/@mr_melmax LinkedIn: Maxley Ivanderlove MELAY Youtube: https://www.youtube.com/channel/UCo1bFB0mXsvGo24oEdN5d1A

Sa fè yon bon moman depi tout moun ap kleyonnen yon sèl bagay "MAKETING NIMERIK, MAKETING DIJITAL". Sa ka rive jiskaprezan ou poko janm konn kisa l ye, ki kote l soti e menm ki kote l prale. Se pou sa menm nan epizòd sa nou pote kèk rechèch pou ou k ap ede w konprann domèn sa pi byen. Lè w fin tande epizòd sa w ap tou aprann : • Definisyon konsèp la ak diferan zouti li gen ladan • Wòl li ak enpòtans li nan biznis • Istwa kote l soti ak moman enpòtan yo • Kèk tandans ki pral enfliyanse l nan jou k ap vini yo. N ap swete w bon ekout e pa bliye pataje podkas la si w renmen sa w tande a

Istwa 7 février nan peyi dayiti .

El Maniel Maroon community and women's reproductive rights. --- Send in a voice message: https://anchor.fm/negmawonpodcast/message Support this podcast: https://anchor.fm/negmawonpodcast/support

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Konprann istwa maladi chabon an Ayiti

Eksperyans yo fèt pou pataje. Sitou lè yo ka itil lòt moun. Se pou rezon sa, nan nouvo epizòd Mentalitude la, mwen pataje ak nou yon chapit entim nan lavi m, ki ka san dout itil anpil kèk nan nou. --- Send in a voice message: https://anchor.fm/osman-j351r364me/message Support this podcast: https://anchor.fm/osman-j351r364me/support

Episode 14/LaunchLeft, Right? A Conversation with Rain PhoenixEpisode 14 finds host Perry Serpa and guest co-host, Jillian Santella in a serious mind meld with musician, actor, activist and fellow podcaster, Rain Phoenix. Yes, Rain drops weekly dispatches of her celebrated LaunchLeft podcast, an ever inspiring, high minded conversation with creatives, rabble rousers, legends and go-getters about the importance of engagement. Folks like Jane Fonda, Mick Rock, Ben Harper, Ani DiFranco, Michael Stipe and George Clinton, among many others, have visited the room. After we chat about her nonprofit work, sing the praises of fellow creators and explore the significance of simple, positive communication in our everyday lives, Rain turns us onto her new label (also called LaunchLeft) and offers up an amazing song called “So Sure” by Simone Istwa, for our Hottest On Record segment. Istwa grew up in a musical family with parents Sam Phillips and T Bone Burnett. “So Sure” is the first single from their forthcoming EP, Heartweb, available on June 4 via LaunchLeft. The song's video was directed by Nina Ljeti, who made Phoebe Bridgers' “Kyoto” video. A must-hear for sure! 

Simone Istwa grew up in a musical family with parents Sam Phillips and T Bone Burnett, absorbing a wide variety of music from an early age. Their own music spans a wide range of influences as well, from glitchy electronic music to riffy rock n' roll, and they will release new EP, Heartweb, on June 4 via LaunchLeft label. “Aesthetically, the world I’m painting with the record is, on one end, candy coated in a plastic sheen and on the other, dusty, dug-up artifacts of the past,” Istwa says. The first single off the EP is "So Sure," a swaying ballad that is both grungy and ethereal. The song's video, which was directed by Nina Ljeti, who made Phoebe Bridgers’ “Kyoto” video. “Nina and I met at my house and we talked about the movie Scorpio Rising by Kenneth Anger and the invention of the reverse strip tease," Says Simone. The video co-stars James Duval who you may know from Independence Day, Go!, and such Gregg Araki films as The Doom Generation, Nowhere, and Totally F***ed Up. - Text excerpt from Brooklyn Vegan -----------------  LAUNCHLEFT OFFICIAL WEBSITE  https://www.launchleft.com  LAUNCHLEFT PATREON  https://www.patreon.com/LaunchLeft  TWITTER  https://twitter.com/LaunchLeft  INSTAGRAM  https://www.instagram.com/launchleft/  FACEBOOK  https://www.facebook.com/LaunchLeft  ---------------------  LaunchLeft is an alliance of left-of-center artists, a label, a podcast, a curation engine. LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism that enlists famed creatives to launch emerging bands. LaunchLeft begins with music, but ultimately aims to launch left-of-cent. See omnystudio.com/listener for privacy information.

Nan epizod sila, nou gen onè resevwa Youri JP, Espesyalis nan Marketing ki gen plizyè lane eksperyans, Antreprenè, CEO JP Media Group ak Ayiti Fitness. Youri Fonde Haiti Digital Marketing Summit. Nou touche pwen sa yo: Kote pasyon Youri gen pou Marketing lan soti Kisa Haiti Digital Marketing Summit ye Opotinite Rezo Sosyal ofri Biznis Konsa pou moun ki ta renmen vin Influencer sou Rezo Sosyal yo Koman w ka vann apati Istwa w sou Rezo Sosyal yo Top 3 Estrateji Marketing Rezo Sosyal Si w apresye epizod la, pataje ak zanmi w.

Nickson Clermont se yon jèn antreprenè ayisyen k ap viv Brezil ki itilize Instagram pou fè biznis an liy. Li rive grandi paj Instagram li a 16,000 Abone e monetize kont Instagram li. Nan epizod sa, nou touche pwen sa yo: Koman Nickson te komanse sou Instagram Koman pwosesis la te ye pou l rive a 16 mil abone sou Instagram Etap pou w grandi paj Instagram ou Koman w ka fè lajan sou Instagram Ere ki fè anpil moun pa rive grandi paj Instagram yo Ak plizyè lot pwen anko. Konekte ak Nickson sou Instagram nan lyen sa: www.instagram.com/nickson_clermont

Lucas Berton Bruny, Graphic Designer ap pataje istwa l e koman li soti de 0 a 8,000 abone sou Instagram. Nou touche pwen tankou : Pwosesis pou w soti de 0 a 8,000 abone sou Instagram 3 pi gwo leson Lucas aprann nan pakou li sou Instagram ak @lucasmotiv Estrateji ki pi efektif pou ede w grandi sou Instagram ak anpil lot anko...........................

Nan lane 1974, Erving Goffman, yon kokennchenn sosyològ ameriken ki te travay anpil sou entèraksyon moun ak moun, pibliye Frame Analysis: An essay on the organization of experience. Ladan, Goffman - ki te lengwis tou - montre kijan moun entèprete sa k ap pase nan monn lan atravè kadraj yo genyen. Kadraj la se jan yon sous enfòmasyon defini, konstwi, enfòmasyon sa a. Jan li deside prezante l la tou pral enfliyanse jan moun ki resevwa enfòmasyon an reyaji. Youn nan pi gwo aplikasyon teyori sa se nan maketing. Maketing itilize kominikasyon pou kreye lakay kliyan an sèten konpòtman ak aksyon espesifik. Kadraj pèmèt li pwovoke konpòtman sa yo. Si m vle w achte alkòl, m pa gen enterè montre w imaj moun ki sou k ap sal kò yo, m ap montre w foto moun k ap fete anvan etap ki pi lèd la. Menm jan tou, si m ap fè kanpay kont alkòl, m ap montre imaj moun k ap vomi, imaj aksidan machin, ak lòt imaj ki pou dekouraje w bwè. Se pou sa maketing se yon biznis 1.7 trilyon dola pa ane; anviwon 176 fwa lajan peyi dAyiti fè nan yon ane. Jan kadraj sa yo vin ankadre kominikasyon nou enfliyanse anpil jan nou entèprete done nou resevwa, jan nou trete yo e sitou jan nou kominike sou yo. An 1995, yon etid montre nouvèl kadejak ak vyolans domestik ki ekri nan vwa pasiv - kidonk, istwa ki, jan nou te wè l nan premye epizòd la, efase moun ki fè zak la - fè lektè ak lektris yo plis aksepte vyolans sou fanm sa yo. Menm etid la montre nan jounal yo t ap analize a - ki te Boston Globe - vwa pasiv la itilize defwa pi souvan pase vwa aktiv pou pale de zak sa yo. Nan yon fason pi ekstwòdinè ankò, an 2009, yon lòt etid montre lè se fanm ki fè zak sa yo sou gason, jounalis yo mwens itilize vwa pasiv. Nou konstate menm tandans sa yo nan laprès Ayiti. Vwa pasiv la se jis youn nan zouti kadraj medya yo itilize pou minime vyolans ki fèt sou fanm. Istwa kadejak tounen eskandal seksyèl, adiltè, gason fanbre … Mo prezime lage tout kote ki kreye dout nan tèt moun k ap tande nouvèl la … Detay grafik ki ranfòse aspè eskandal la olye krim ki komèt la … kadraj senpatik sou sa akize a fè pou kominote a, siksè li nan lavi l, elt…tout bay pwoblèm. Se sou aspè sa, kote fason medya yo pale de viktim yo ankouraje kilti vyòl, envite nou, Widlore Mérancourt pral pale avèk nou. Patisipe nan konvèsasyon an, li epi kòmante biyè nou pibliye sou emisyon an sou kozekiltivyol.com/s01e06.

MEN TOUT ISTWA KACHE KI NAN MIZIK K-DILAK AK B-GARMEL LA | ISTWA KI KA FEW KRIYE --- Send in a voice message: https://anchor.fm/haitian-star-magazine/message Support this podcast: https://anchor.fm/haitian-star-magazine/support

Nan Leya Kokoye, yon lodyans Maurice Sixto sou inegalite nan peyi a. Leya, ki te loreyat pwomosyon l nan pedagoji ak daktilografi, ap prepare l pou l ale nan randevou nan Ministè Edikasyon Nasyonal pou l al chèche yon travay. Zafè fanmi Leya pa bon, men Leya gen yon fanmi ki diy. Anvan l kite kay li, manman l raple l pou l pa kite vagabon ranse ak figi li. Minis lan se te yon pa itil, ki gen kòm sèl dokiman sou biwo l yon liv pònografik yo rele Les 27 pauses. Antrevi a pa byen pase, Leya soti imilye. Pandan l ap sòti pral lakay li, medam k ap travay nan biwo a ri li. Akèy sa totalman diferan ak pa Lili de la Fouquechaude la. Li menm,san l pa gen ankenn kalifikasyon, jwenn travay tousuit ak anpil avantaj paske l s on bèl fanm, santibon, ki aksepte sòti ak Minis la. Istwa sa nan lodyans Maurice Sixto a, se reyalite anpil moun sou mache travay la jodi a, kote patwon mande ba yo yon bagay pou moun ka jwenn yon dyòb, rete ladann oubyen jwenn pwomosyon. Se sou aspè sa, kote yon seri pawòl ak pratik nou aksepte nan milye travay yo vin ranfòse dominasyon gason sou fanm nan peyi a, envite nou Chantal Élie, pral pale avèk nou. Patisipe nan konvèsasyon an, li epi kòmante biyè nou pibliye sou emisyon an sou kozekiltivyol.com/s01e03

Si w ta renmen konnen koman pou w genyen 1 Milyon Followers sou Rezo Sosyal yo, Epizod sa se pou ou. Mwen ansanm ak Etzer-Louis Charles fè revi Liv " One Million Followers " ke Brendan Kane ekri. Nou pale sou koman Brendan Kane soti de 0 a 1 Milyon Followers nan 30 Jou, e nou Dekòtike sistèm ak estrateji li itilize pou fè sa, ak koman ou ka itilize sistèm sa pou grandi paj Rezo Sosyal ou yo.

Singer/songwriter Simone Istwa chats with host Rich Tupica about her childhood growing up with her musical parents — T Bone Burnett and Sam Phillips — and her life as an uncompromising artist. She also recently released the single "Driving," which is a part of the dynamic Launched Artists Digital Singles Series via Rain Phoenix's LaunchLeft imprint.Beyond that, the LA-based musician also cut a striking rendition of the Leonard Cohen classic "Bird On A Wire," out now on The Great (Original Series Soundtrack). (Photo: Sophie Day)

This is a Kreyol and more summarized version of my previous post and it's basically telling a story of optimism and reality But it's set in 2080. 2080 Se yon piece ke mwen kontan arivé exprime, surtout en Kreyol. LI DEKRI emotion mwen idee mwen et ...echec mwen nan yon sense. Nan lané 2080 --- Support this podcast: https://anchor.fm/sola-drac/support

A week after this conversation was captured at Gold-Diggers in Hollywood, the world went into quarantine. It’s near romantic to hear about life on the road from Phantogram. This street beat, dream-pop duo do not mince words as they unpack their life-long friendship, creative process and the trials and tribulations that have fueled the engine of their creative and activism. They pay it forward and share about a band they love called Why? We welcome them on the heals of their latest record Ceremony.To close the episode a quick Q&A with Simone Istwa about her new single “Driving” available exclusively via the LaunchLeft label. #phantogram #rainphoenix #summerphoenix #artistslaunchingartists #simoneistwa

Misye fet TROU DU NORD. Lal lekol OKAP. A 17 an, li te gen yon rev pou'l al viv Ozetazini. Yon tonton'l ki Miami tap regle papye pou li. Men Sa pat mache. Konsa, misye deside al CHILI. Men rev la toujou se al viv Ozetazini. An'n koute istwa-l. Get MORE of Roosevelt Jean-Francois: Tel & Text: (954)604-0817 ► MORE GREAT VIDEOS: https://www.youtube.com/results?searc... ► LIKE Roosevelt Jean-Francois on Facebook: https://www.facebook.com/Roosevelt-Je... ► FOLLOW Roosevelt Jean-Francois on Instagram: https://www.instagram.com/rooseveltjf/ ► FOLLOW Roosevelt Jean-Francois Twitter: https://twitter.com/rooseveltjf ► FOLLOW Roosevelt Jean-Francois Website: http://www.rooseveltjeanfrancois.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Prezantasyon emisyon ISTWA M kap fèt sou Pòdkas ViaL'AVENTURIER. Ti koze ke yon jèn ak lòt ap vin pote. Sijè, motivasyon, pataj eksperyans.

Yon kanaval yo pa tap tann, yon kanaval ki make tan l

07/02/20

11 fevriye 1986. Lari Pòtoprens tèt anba. Dechoukaj, kraze brize. 11 fevriye se dat Madigra te tonbe pou ane 1986 la. Se te dwe «madigra»: fèt kanaval nan peyi a, e prensipalman nan kapital la, sou Channmas, ki tradisyonèlman akeyi pi gwo defile evènman sa a. Men 5 jou avan, Jean-Claude Duvalier, prezidan avi peyi a te kite pouvwa a nan yon anbyans dezòd ak kraze brize kifè 11 févriye 1986 pat gen kanaval. Poutan, jan sa te konn abitye fèt, depi apre fèt Lèwa, 6 janvye, radyo te kòmanse jwe mizik kanaval. Gen kèk djaz ki te menm gentan soti mereng pou ane a. Kanaval tankou «Bwa Mapou» de Coupé Cloué te gentan popilè. Te genyen tou yon lòt mereng ki, menm jan ak Bwa Mapou, ta pral disparèt, men li menm, lòt djaz ta pral kopye l…anndi pito…PIYE L' pou fè kanaval pa yo nan ane lontan apre. Mereng sa a se te «Ozana» Dixie Band!

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Ribrik ki la pou rafrechi memwa nou sou sak te pase nan dat aktyèl la.

What if Sam Phillips and T- Bone Burnett had a lovechild? What would it be like to have River Phoenix as your number one fan? These questions and more answered when LaunchLeft’s Rain & Summer are joined by critically acclaimed powerhouse recording artist Sam Phillips and her virtuoso dynamic daughter Simone (aka S.I Istwa). Sam shares about her record World on Sticks, making art because you have to, self-love and earth activism while Simone talks prepared music, wanting to produce her moms next record, animatronic bands and the pure genius of Angeline. Icing on the cake- Ms. Phillips launches S.I. ISTWA’s song “Fucked up, Insecure, Neurotic, Emotional (FINE)” to close the show.Music: S.I. ISTWA“Fucked up, Insecure, Neurotic, Emotional (FINE)”LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.comTWITTERhttps://twitter.com/LaunchLeftINSTAGRAMhttps://www.instagram.com/launchleft/Websitewww.rainjphoenix.com

Jean Sam Occélin - Istwa Kache [Kanaval 2019] by Chokarella Media

Latest episode of TeamTim Podcast --- Support this podcast: https://anchor.fm/tim-valda/support

A la mizè pou Alcibiade C’est dans une atmosphère très cordiale que nous avons eu cette rencontre avec l’animateur et comédien Nicolas Pierre Rollin dit Alcibiade, autour de son émission « Détente théâtrale » sur Caraïbes FM, qui cette année a cinquante-cinq (55) ans. Devenue ainsi l’une des plus vieilles émissions haïtiennes, pour ne pas dire la seule à être restée debout à cette date, l’émission nous conduit vers son animateur engagé dans la satire sociale, malgré la maladie et la consternation.

This week, we sit down with Sophia Fecu, an entrepreneur. She tells us about her book "Mon Héritage" her religion (manbo) and her upcoming event "Mon Héritage"". She also shares the story of bouki and his run in with tet San kò; the bodiless head. Afterwards, she takes on our riddles challenge. Follow us on twitter and IG @KrikKrakPodcast & @Tinarsjn. Keep in touch with today’s guest on Facebook: Sophiphie FanmBeni; and on Twitter: @Sophiphie30 Semèn sa, nou chita pale ak Sophia Fecu, yon antreprenè, Li pale nou de liv li a (Mon Héritage), de relijyon li (li se on manbo) al program li ap prepare ki rele "Mon Héritage" . Li rakonte nou istwa "Bouki ak Tèt san kò" apre sa li atake seyans devinèt yo. Swiv nou sou twitter ak IG: @KrikKrakPodcast & @Tinarsjn Swiv envite nou an sou Facebook: Sophiphie FanmBeni ; ak sou twitter: @Sophiphie30

This week, we sit down with Richardson Morin, a storyteller. He tells us about a Documentary on Haitian fairy tales and children’s games that is in the works. He also shares the story of a man that was very selfish man and takes on our word riddles. Follow us on twitter and IG @KrikKrakPodcast & @Tinarsjn Keep in touch with today’s guest on Facebook: Richardson Morin Semèn sa, nou chita pale ak Richardson Morin, yon kontè. Li pale nou de on dokimantè kap fèt sou kont ak jwèt timoun en Haiti. Li ban nou istwa on nèg ki te chich anpil epitou li atake devinet nou yo. Swiv nou sou twitter ak IG: @KrikKrakPodcast & @Tinarsjn Swiv envite nou an sou Facebook: Richardson Morin

Zombifying a Nation: Race, Gender and the Haitian Loas on Screen (McFarland, 2016) dwells on the intersections of memory, history, and cultural production in both Africa and the African diaspora. The figure of the zombie that entered the popular imagination with the publication of William Seabrook's book The Magic Island (1929) during the American occupation of Haiti still holds cultural currency around the world. Zombifying a Nation: Race, Gender and the Haitian Loas on Screen calls for a rethinking of zombies in a sociopolitical context through the examination of several films, including White Zombie (1932), The Love Wanga (1935), I Walked with a Zombie (1943) and The Serpent and the Rainbow (1988). A 21st-century film from Haiti, Zombi candidat la presidence … ou les amours dun zombi, is also examined. A reading of Heading South (2005), a film about the female tourist industry in the Caribbean, explores zombification as a consumptive process driven by capitalism. Author Toni Pressley-Sanon holds a Ph.D. in African Languages and Literatures with a minor in Latin American, Caribbean, and Iberian Studies from the University of Wisconsin-Madison. She also holds an M.A. in Liberal Studies and Anthropology from the New School for Social Research and a B.A. in Comparative Literature with a minor in African-American Studies from Hamilton College. She is an assistant professor at Eastern Michigan University in Ypsilanti, Michigan. In addition to Zombifying a Nation: Race, Gender and the Haitian Loas on Screen, Pressley-Sanon has a forthcoming book titled Istwa across the Water: Haitian History, Memory, and the Cultural Imagination. The work reads the historical and contemporary relationship between Dahomey/Benin Republic, Kongo and Saint Domingue/Haiti dialectically; that is, as a “long conversation” that is facilitated by the ebb and flow of the ocean's waves. She argues that this relationship is anchored in memory and manifest through material culture on both sides of the Atlantic divide. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Zombifying a Nation: Race, Gender and the Haitian Loas on Screen (McFarland, 2016) dwells on the intersections of memory, history, and cultural production in both Africa and the African diaspora. The figure of the zombie that entered the popular imagination with the publication of William Seabrook’s book The Magic Island (1929) during the American occupation of Haiti still holds cultural currency around the world. Zombifying a Nation: Race, Gender and the Haitian Loas on Screen calls for a rethinking of zombies in a sociopolitical context through the examination of several films, including White Zombie (1932), The Love Wanga (1935), I Walked with a Zombie (1943) and The Serpent and the Rainbow (1988). A 21st-century film from Haiti, Zombi candidat la presidence … ou les amours dun zombi, is also examined. A reading of Heading South (2005), a film about the female tourist industry in the Caribbean, explores zombification as a consumptive process driven by capitalism. Author Toni Pressley-Sanon holds a Ph.D. in African Languages and Literatures with a minor in Latin American, Caribbean, and Iberian Studies from the University of Wisconsin-Madison. She also holds an M.A. in Liberal Studies and Anthropology from the New School for Social Research and a B.A. in Comparative Literature with a minor in African-American Studies from Hamilton College. She is an assistant professor at Eastern Michigan University in Ypsilanti, Michigan. In addition to Zombifying a Nation: Race, Gender and the Haitian Loas on Screen, Pressley-Sanon has a forthcoming book titled Istwa across the Water: Haitian History, Memory, and the Cultural Imagination. The work reads the historical and contemporary relationship between Dahomey/Benin Republic, Kongo and Saint Domingue/Haiti dialectically; that is, as a “long conversation” that is facilitated by the ebb and flow of the ocean’s waves. She argues that this relationship is anchored in memory and manifest through material culture on both sides of the Atlantic divide. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zombifying a Nation: Race, Gender and the Haitian Loas on Screen (McFarland, 2016) dwells on the intersections of memory, history, and cultural production in both Africa and the African diaspora. The figure of the zombie that entered the popular imagination with the publication of William Seabrook’s book The Magic Island (1929) during the American occupation of Haiti still holds cultural currency around the world. Zombifying a Nation: Race, Gender and the Haitian Loas on Screen calls for a rethinking of zombies in a sociopolitical context through the examination of several films, including White Zombie (1932), The Love Wanga (1935), I Walked with a Zombie (1943) and The Serpent and the Rainbow (1988). A 21st-century film from Haiti, Zombi candidat la presidence … ou les amours dun zombi, is also examined. A reading of Heading South (2005), a film about the female tourist industry in the Caribbean, explores zombification as a consumptive process driven by capitalism. Author Toni Pressley-Sanon holds a Ph.D. in African Languages and Literatures with a minor in Latin American, Caribbean, and Iberian Studies from the University of Wisconsin-Madison. She also holds an M.A. in Liberal Studies and Anthropology from the New School for Social Research and a B.A. in Comparative Literature with a minor in African-American Studies from Hamilton College. She is an assistant professor at Eastern Michigan University in Ypsilanti, Michigan. In addition to Zombifying a Nation: Race, Gender and the Haitian Loas on Screen, Pressley-Sanon has a forthcoming book titled Istwa across the Water: Haitian History, Memory, and the Cultural Imagination. The work reads the historical and contemporary relationship between Dahomey/Benin Republic, Kongo and Saint Domingue/Haiti dialectically; that is, as a “long conversation” that is facilitated by the ebb and flow of the ocean’s waves. She argues that this relationship is anchored in memory and manifest through material culture on both sides of the Atlantic divide. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zombifying a Nation: Race, Gender and the Haitian Loas on Screen (McFarland, 2016) dwells on the intersections of memory, history, and cultural production in both Africa and the African diaspora. The figure of the zombie that entered the popular imagination with the publication of William Seabrook’s book The Magic Island (1929) during the American occupation of Haiti still holds cultural currency around the world. Zombifying a Nation: Race, Gender and the Haitian Loas on Screen calls for a rethinking of zombies in a sociopolitical context through the examination of several films, including White Zombie (1932), The Love Wanga (1935), I Walked with a Zombie (1943) and The Serpent and the Rainbow (1988). A 21st-century film from Haiti, Zombi candidat la presidence … ou les amours dun zombi, is also examined. A reading of Heading South (2005), a film about the female tourist industry in the Caribbean, explores zombification as a consumptive process driven by capitalism. Author Toni Pressley-Sanon holds a Ph.D. in African Languages and Literatures with a minor in Latin American, Caribbean, and Iberian Studies from the University of Wisconsin-Madison. She also holds an M.A. in Liberal Studies and Anthropology from the New School for Social Research and a B.A. in Comparative Literature with a minor in African-American Studies from Hamilton College. She is an assistant professor at Eastern Michigan University in Ypsilanti, Michigan. In addition to Zombifying a Nation: Race, Gender and the Haitian Loas on Screen, Pressley-Sanon has a forthcoming book titled Istwa across the Water: Haitian History, Memory, and the Cultural Imagination. The work reads the historical and contemporary relationship between Dahomey/Benin Republic, Kongo and Saint Domingue/Haiti dialectically; that is, as a “long conversation” that is facilitated by the ebb and flow of the ocean’s waves. She argues that this relationship is anchored in memory and manifest through material culture on both sides of the Atlantic divide. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stoned in the workplace, Hardcore fandom, Viking lifestyles, Rendering blues, Smarmy Canadian Journalism, The truth about cars, Local news fun, True Detective, Titanfall, The stick of Truth. Outro The angry river, Father John Misty & S. I. Istwa

A diverse group of storytellers gathers to explore how stories about Haiti are told. Explore the poetry of Haiti. Series: "Haiti Stories/Istwa Ayiti" [Humanities] [Show ID: 20918]

A diverse group of storytellers gathers to explore how stories about Haiti are told. Explore the poetry of Haiti. Series: "Haiti Stories/Istwa Ayiti" [Humanities] [Show ID: 20918]

A diverse group of storytellers gathers to explore how stories about Haiti are told. Explore the poetry of Haiti. Series: "Haiti Stories/Istwa Ayiti" [Humanities] [Show ID: 20918]

A diverse group of storytellers gathers to explore how stories about Haiti are told. Explore the poetry of Haiti. Series: "Haiti Stories/Istwa Ayiti" [Humanities] [Show ID: 20918]