Podcasts about jaamil

The pandemic introduced virtual gatherings into many people's lives. Team meetings, activist assemblies, even theater performances were now attended from kitchen chairs, sofas, and beds. Both activists and performance makers (usually strong believers in the need for bodily presence) resorted to screens–and if only because there was no choice. Where are we now and what comes after Zoom? Is the metaverse more than a promise or threat? In this edition of the Art of Assembly we look at how performing arts are approaching digital realms. Journalist Kent Bye, who hosted hundreds of game developers, academics, creatives, and enthusiasts in the VR and AR fields on his podcast “Voices of VR,” offers a brief overview of virtual gatherings in art and activism. Jaamil Olawale Kosoko speaks about their virtual performance suite Chameleon: The Living Installments, exploring the fugitive realities of living at the intersection of digitality, Blackness and queerness. Sarah Rothberg introduces her playful VR/AR experiences and talks about the intersection of interactivity and performance.

This episode is also available as a blog post: https://thecitylife.org/2022/05/18/jaamil-olawale-kosoko-presents-black-body-amnesia-at-the-museum-of-arts-and-design-july-7-baad-bronx-academy-of-arts-and-dance-july-9/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This week on the show we have Jaamil Olawale Kosoko, who is a multi-spirited Nigerian-American poet, curator, and performance artist whose work is rooted in embodied ritual practice, poetics, Black critical studies, and queer theory. We spoke to Jaamil about using the pandemic as a time to slow down, turning from the investigation of Black Suffering to Black Joy, and their upcoming projects: Syllabus For Black Love and Black Body Amnesia. Jaamil's work is best found on their website or, for more frequent updates, his Instagram. Talking to Ghosts is produced and recorded by Michael Kurt and Wesley Mueller. For an archive of all our episodes and reviews, please check out our official website.

The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. Each month a visiting artist to the MFA Theatre Program's Grad Lab is interviewed. Grad Lab is one of the core components of the program where graduate students work with guest artists and develop group-generated performance pieces monthly. Jaami was interviewed by Chanel Blanchett (SLC21) and Ricky Brown (SLC22). Jaamil Olawale Kosoko is a Nigerian American performance artist, poet, and curator originally from Detroit, MI. He is a 2019 NYSCA/NYFA Artist Fellow in Choreography, 2019 NPN Development Fund Award, a 2017-19 Princeton Arts Fellow, 2019 Red Bull Writing Fellow, 2018 NEFA NDP Production Grant recipient, and a 2017 Cave Canem Poetry Fellow. His creative practice draws from Black study, queer theories of the body, weaving together visual performance, lecture, ritual, and spiritual practice. His most recent works, Séancers (2017) and the Bessie nominated #negrophobia (2015), have toured internationally appearing in major festivals including: Tanz im August (Berlin), Moving in November (Finland), Within Practice (Sweden), TakeMeSomewhere (UK), Brighton Festival (UK), Oslo Teaterfestival (Norway), and Zürich MOVES! (Switzerland) among others. He is the author of two chapbooks and his poems and essays have been included in The American Poetry Review, The Dunes Review, The Broad Street Review, among others. Visit jaamil.com for more information. IG@jaamil_means_beauty Photo by Aisha Nailah

2012 Interview with Jaamil Olawale Kosoko. Jaamil discusses his recent collaboration with Kate Watson-Wallace, his recent trip to Japan, completing ICPP, and his new position as a producer at New York Live Arts.

Interview and conversation with Jaamil Olawale Kosoko, choreographer, writer, dancer, and curator as he prepares for the upcoming The Gemini Show: An Evening of Daring Dirty Duets, on Thursday, June 9 and Friday June 10th, at thefidget space in Fishtown. Jaamil Olawale Kosoko, a 2011 Fellow at the Kennedy Center for the Performing Arts and an inaugural member of the Institute for Curatorial Practice in Performance at Wesleyan University, is a poet, choreographer, performance artist, curator, experimental vocalist, and comedian. He is the Executive Producing Director at The Philadiction Movement, a Philly based performance company. His work has received support from The Pew Center for Arts and Heritage through Dance Advance, Philadelphia Cultural Management Initiative, The Joyce Theater Foundation, and The Philadelphia Cultural Fund among other agencies. His work in dance theater has been shown at Joyce SoHo, Dixon Place, Dance Theater Workshop, Bennington College, Danspace at St. Mark's Church, the CEC Meeting House Theater, Painted Bride Arts Center, among others. He has performed with Kate Watson-Wallace/anonymous bodies, Pig Iron Theatre Company, Keely Garfield Dance, Miguel Gutierrez and The Powerful People, Headlong Dance Theater, Leah Stein Dance Company. He's been published in The American Poetry Review, The Dunes Review, The Interlochen Review, The Broad Street Review, Silo Literary and Visual Arts Magazine, and Poems Against War. Mostly recently Kosoko published his newest poetry collection, Notes on an Urban Kill-Floor.

We've all heard the term "Living the American Dream." For me, this dream of a possible future beyond the poverty embedded inside my Black inner-city youth, was all I had as a child and teenager. But as I've grown older, I've come to realize that dreams have power and manifest in strange ways throughout our daily decisions to either fulfill our dream-self or not. But what happens when you learn that what you thought was your dream was really only social conditioning? In this conversation with author, scholar, and performance maker Season Butler, we discuss her debut novel "Cygnet" and the cruel optimistic circumstances that inspired the story and frames the psychic state of its protagonist. *Cruel Optimism is a term coined by American theorist Lauren Berlant and refers to the way the modern human clings to such fantasies of the "good life" even when the conditions for surviving the modern world have become increasingly more compromised due to climate change, economic failure, social injustice, political unrest, and more. Learn more here: https://www.youtube.com/watch?v=Ppdd2R46Eh4

In Episode 1, "My Black Body as a Matter of Fact!" Jaamil discusses the real life circumstances that led to the creation of American Chameleon Podcast. Jaamil did an interview with Nora McInerny (Terrible , Thanks for Asking) in 2017 where he goes into much more detail around those circumstances, post traumatic enlightenment, and the his own continued journey towards healing. Here's a link to that show: https://www.ttfa.org/episode/ttfa/2017/11/what-does-all-this-loss-mean

Part sound art, part creative critical discourse, American Chameleon is a conversation based podcast hosted by performance artist, poet, and curator jaamil olawale kosoko. It centers around the idea of the artist as a chameleon––someone who shapeshifts in order to survive in the world––not only in response to the environment, but also in response to the past, their inner selves, and imaginations of the future. The project began as a way to capture and archive the critical (but often invisible) conversations Jaamil was already having with fellow Black/POC artists, scholars, and activists during the development processes of his newest performance work. In the show, we explore how these subjects exemplify the chameleonic figure who moves between cultures, mediums, and projected identities. The writers and activists come from a number of places around the world and work in a surprising number of creative genres. They include former U.S. Poet Laureate Tracy K. Smith, choreographer Miguel Gutierrez, performance artists Ima Iduozee and mayfield brooks, sound designer and composer Everett Asis-Saunders, writer Season Butler, and curator and scholar Joy Kristin Kalu. Conversations, interwoven with reading excerpts and experimental sound art, dive into the rich complexities of grief, the ways in which identity forms or emerges out of one’s creative practice, and how history, politics, and personal narratives shape the work contemporary global thought leaders create.

Jaamil Olawale Kosoko is a Nigerian American poet, curator, and performance artist originally from Detroit, MI. He is a 2017-2019 Princeton Arts Fellow, a 2018 NEFA National Dance Project Award recipient, a 2018-20 New York Live Arts Live Feed Artist-in-Residence, a 2019 Gibney DiP Artist-in-Residence, a 2017 Jerome Foundation Artist-in-Residence at Abrons Arts Center, a 2017 Cave Canem Poetry Fellow, a 2016 Gibney Dance boo-koo resident artist, and a recipient of a 2016 USArtists International Award from the Mid-Atlantic Arts Foundation. His previous work #negrophobia (premiered September 2015, Gibney Dance Center) was nominated for a 2016 Bessie Award and has toured throughout Europe having appeared in major festivals including Moving in November (Finland), TakeMeSomewhere (UK), SICK! (UK), Tanz im August (Berlin), Oslo Internasjonale Teaterfestival (Norway), Zurich MOVES! (Switzerland), Beursschouwburg (Belgium) and Spielart Festival (Munich). His current work, Séancers, premiered at Abrons Arts Center in December 2017 and has toured nationally and internationally to critical acclaim. Recent highlights include Mousonturm (Frankfurt, DE), FringeArts (Philadelphia, PA), Sophiensaele (Berlin, DE), and the Wexner Center (Columbus, OH). In 2019, Séancers will have engagements at the Fusebox Festival (Austin, TX) and Montréal Arts Interculturels (Montréal, CA), among others.American performance venues include: Abrons Arts Center, Joyce SoHo, DTW, FringeArts, Dixon Place, Dance Theater Workshop, Bennington College, Danspace at St. Mark’s Church, the CEC Meeting House Theater, Wexner Center for the Arts, Kelly Strayhorn Theater, LAX Festival, Miami Theater Center, Art Basel Miami, and the Painted Bride Arts Center, among others.He was a Co-Curator of the 2015 Movement Research Spring Festival and the 2015 Dancing While Black performance series at BAAD in the Bronx; a contributing correspondent for Dance Journal (PHL), the Broad Street Review (PHL), and Critical Correspondence (NYC); a 2012 Live Arts Brewery Fellow as a part of the Philadelphia Live Arts Festival; a 2011 Fellow as a part of the DeVos Institute of Art Management at the John F. Kennedy Center for the Performing Arts; and an inaugural graduate member of the Institute for Curatorial Practice in Performance (ICPP) at Wesleyan University where he earned his MA in Curatorial Studies.His work in performance is rooted in a creative mission to push history forward through writing and art making and advocacy. Kosoko’s work in live performance has received support from The Pew Center for Arts and Heritage through Dance Advance, The Philadelphia Cultural Management Initiative, The Joyce Theater Foundation, and The Philadelphia Cultural Fund. His breakout solo performance work entitled other.explicit.body. premiered at Harlem Stage in April 2012 and went on to tour nationally. As a performer, Kosoko has created original roles in the performance works of Nick Cave, Pig Iron Theatre Company, Keely Garfield Dance, Miguel Gutierrez and The Powerful People, and Headlong Dance Theater, among others. In addition, creative consultant and/or performer credits include: Terry Creach, Lisa Kraus, Kate Watson-Wallace/anonymous bodies, Leah Stein Dance Company, Emergent Improvisation Ensemble, and Faustin Linyekula and Les Studios Kabako (The Democratic Republic of Congo).Kosoko’s poems can be found in such publications as The American Poetry Review, Poems Against War, The Dunes Review, and Silo. In 2009, he published he chapbook, Animal in Cyberspace, and, in 2011, he published his own collection, Notes on an Urban Kill-Floor: Poems for Detroit (Old City Publishing). Publications include: The American Poetry Review, The Dunes Review, The Interlochen Review, The Broad Street Review, Silo Literary and Visual Arts Magazine.Kosoko has served on numerous curatorial and funding panels including the Brooklyn Arts Council, the National Endowment for the Arts, MAP Fund, Movement Research at the Judson Church, the Philadelphia Cultural Fund, and the Baker Artists Awards, among others. In 2014, Kosoko joined the Board of Directors for Dance/USA, the national service organization for dance professionals. He is also a founding advisory board member for the Coalition for Diasporan Scholars Moving.He has held producing and curatorial positions at New York Live Arts, 651 Arts, and The Watermill Center among others. He continues to guest teach, speak, and lecture internationally.

Dead sister. Dead grandma. Dead grandpa. Dead uncle. Dead mom. Dead dad. Dead brother. The list of loss goes on and on for Jaamil, and so does his list of professional accolades and accomplishments as he moves from trauma to post-traumatic enlightenment.

Dead sister. Dead grandma. Dead grandpa. Dead uncle. Dead mom. Dead dad. Dead brother. The list of loss goes on and on for Jaamil, and so does his list of professional accolades and accomplishments as he moves from trauma to post-traumatic enlightenment.

      Movement Research Studies Project, "Diversity and Accountability: A conversation with the MR Artists of Color Council" - November 2, 2016 
 With Jaamil Olawale Kosoko, Alicia Ohs, Lisa Parra, Marýa Wethers and Tara Aisha Willis. The artists driving this new Movement Research initiative open their current conversations to a wider audience, sharing thoughts on the Council’s mission and their experiences as artists of color within Movement Research’s programs. In support of accountability efforts underway within Movement Research and working towards two-way transparency, the Council invites the concerns of the community around cultural diversity, equity, and sustainable structural integration into the space.          

Movement Research Studies Project, "Placing Performance," Part of Movement Research Festival Spring 2015: LEGIBLE/ILLEGIBLE - May 12, 2015 Moderated by Sarah MaxwellWith panelists AUNTS, Megan Bridges and the Spring Festival co-curators, Layla Childs, Jaamil Olawale Kosoko and Samita Sinha. What words do we use, arrange, invent, and discover to talk about the particular communicative power of performance work? How does geographic location and environment influence the creation, languaging, and understanding of dance and performance? How do digital/ virtual sites affect the consumption of dance as a living, complex, emotionally dense form? This conversation covered topics concerning locality, environmental and digital influence, and curatorial process.