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2 episodes with co curator
2 episodes with co curator
2 episodes with co curator
2 episodes with co curator
2 episodes with co curator
The National Library Board's new exhibition “Untold Stories: Four Singapore Artists’ Quest for Inspiration in Bali 1952”, features a collection of works inspired by a landmark 1952 trip to Bali and Java by four renowned Singapore artists: Liu Kang, Chen Chong Swee, Cheong Soo Pieng, and Chen Wen Hsi. The exhibit showcases over 1,000 never-before-seen photographs, 31 original artworks, and various archival materials including donations from Liu Kang’s family. Wide World Segment on the "Saturday Mornings Show" with host Glenn van Zutphen and co-host Neil Humphreys talk with Gretchen Liu, the Co-Curator and daughter-in-law of Liu Kang and Nadia Ramli, Senior Librarian (Outreach) at National Library Board.See omnystudio.com/listener for privacy information.
Our host, Stephanie Fortunato, speaks with Natasha Sharma, co-Curator of the Govandi Arts Festival, about how engagement with the arts and creative interventions can help displaced or overlooked communities reclaim space, agency, and narratives of belonging.
This week on The Curatorial Blonde we have Allison Glenn. Allison Glenn is a New York-based curator and writer focusing on the intersection of art and public space, through public art and special projects, biennials, and major new commissions by a wide range of contemporary artists. She is a Visiting Curator in the Department of Film Studies at the University of Tulsa, organizing the Sovereign Futures convening, and Artistic Director of The Shepherd, a three-and-a-half-acre arts campus part of the newly christened Little Village cultural district in Detroit. Previous roles include Co-Curator of Counterpublic Triennial 2023; Senior Curator at New York's Public Art Fund, where she proposed and developed Fred Eversley: Parabolic Light (2023) and Edra Soto Graft (2024) for Doris C. Freedman Plaza; Guest Curator at the Speed Art Museum, and Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art. In this role, Glenn shaped how outdoor sculpture activates and engages Crystal Bridges 120-acre campus through a series of new commissions, touring group exhibitions, and long-term loans. She also realized site-specific architectural interventions, such as Joanna Keane Lopez, A dance of us (un baile de nosotros), (2020), as part of State of the Art 2020 at The Momentary. She acted as the Curatorial Associate + Publications Manager for Prospect New Orleans' international art triennial Prospect.4: The Lotus in Spite of the Swamp. A Curatorial Fellowship with the City of Chicago's Department of Cultural Affairs and Special Events, culminated with In the beginning, sometimes I left messages in the street (2016), a citywide billboard and performance exhibition. As Program Manager at University of Chicago's Arts Incubator, she worked with a team led by Theaster Gates to develop the emergent space, where she curated exhibitions and commissioned performances such as Amun: The Unseen Legends (2014), a new performance from Terry Adkin's Lone Wolf Recital Corps, that included Kamau Patton. Glenn has been a visiting critic, lecturer, and guest speaker at a number of universities, including The University of Tulsa, University of Pennsylvania, School of the Art Institute of Chicago, Louisiana State University, and Pacific Northwest College of Art. Her writing has been featured in catalogues published by The Los Angeles County Museum of Art, The Neubauer Collegium, Counterpublic Triennial, Prospect New Orleans Triennial, Princeton Architectural Press, Crystal Bridges Museum of American Art, Scottsdale Museum of Contemporary Art, Kemper Museum, Studio Museum in Harlem, and she has contributed to Artforum, ART PAPERS, Brooklyn Rail, Hyperallergic, ART21 Magazine, Pelican Bomb, Ruckus Journal, and Newcity, amongst others. She has curated notable public commissions, group exhibitions, and site specific artist projects by many artists, including Mendi + Keith Obadike, Matthew Angelo Harrison, Maya Stovall, Rashid Johnson, Basel Abbas + Ruanne Abou-Rahme, Lonnie Holley, Ronny Quevedo, Edra Soto, Terry Adkins, Kamau Patton,Shinique Smith, Torkwase Dyson, George Sanchez-Calderon, Hank Willis Thomas, Odili Donald Odita, Martine Syms, Derrick Adams, Lisa Alvarado, Sarah Braman, Spencer Finch, Jessica Stockholder, Joanna Keane-Lopez, Genevieve Gaignard and others. Her 2021 exhibition Promise, Witness, Remembrance was name one of the Best Art Exhibitions of 2021 by The New York Times. Glenn is a member of Madison Square Park Conservancy's Public Art Consortium Collaboration Committee and sits on the Board of Directors for ARCAthens, a curatorial and artist residency program based in Athens, Greece, New Orleans, LA and The Bronx, New York. She received dual Master's degrees from the School of the Art Institute of Chicago in Modern Art History, Theory and Criticism and Arts Administration and Policy, and a Bachelor of Fine Art Photography with a co-major in Urban Studies from Wayne State University in Detroit.
Kith and Kin is a new group exhibition at Season Gallery with brunelle dias, Tony Guo, Levi Kereama, Claudia Kogachi, and the esteemed Jacqueline Fahey. Testifying to the importance of strengthening community, Kith and Kin comprises stylistically diverse figure-based paintings exploring notions of family and friendship, ancestry and diaspora, identity and belonging. Emblems of faith, evocative interiors, fields seen from the sky, and items of food both everyday and symbolic can be seen as common elements in the works. Sofia spoke to Season Gallery co-curator, Francis McWhannell, about Kith and Kin, starting the interview asking him about the process for selecting artists.
Send us a message!Welcome back to LNXdance with your Co-Hosts, Marcus & Mari! Our guest for this episode is the inspiring David Herrera. We are so honored to share his story with you. Enjoy!Learn More: www.dhperformance.orgInstagram: DHPCComparte el amor with our guest, and let us know your favorite part of this chat. We want to thank David for making this Sip & Chat happen and sharing his story with us!David Herrera is a choreographer, producer, and community leader in San Francisco, California, whose work centers Latinx/e voices, aesthetics, and narratives through David Herrera Performance Company. He is also the Director of the Latinx Hispanic Dancers United initiative.David grew up in Hollywood, CA influenced by his culturally diverse neighborhood and his Mexican and American heritages. He advocates to provide Latinx/e and BIPOC artists opportunities while challenging non-equitable practices in the modern dance field. In 2007, he launched David Herrera Performance Company to respond to the lack of Latinx visibility and representation. He has created over 30 works including evening-length productions ÒRALE!, The Tip of My Tongue, The Least of Them, TOUCH, and Slumber. His work has been presented at the Austin Dance Festival, Mix&Match Festival, ODC's Walking-Distance Festival, Festival of Latin American Contemporary Choreographers, SJ Dance Company's "Choreoproject", and more.David leads the national network Latinx Hispanic Dancers United, which serves the national Latinx/e/a/o dance community, and is the director and mentor of LatinXtensions, a 12-month mentorship program for emerging Latinx/e/a/o dance artists.David is a recipient of the National Latino Arts & Culture Leadership Fellowship and Bridge Live Art's Community Engagement Residency. In 2023, David was a Co-Curator for the Yerba Buena Gardens Festival's "Choreofest". He served as advisor to the Festival of Latin American Contemporary Choreographers, Isadora Duncan Awards Committee, and is a founding member of Dancing Around Race, a community program dedicated to the discussion and implementation of cultural equity in the dance sector led by Gerald Casel. David has also mentored homeless individuals through the Community Housing Partnership in SF. He serves as Deborah Slater's Studio 210 Residency mentor.David holds B.A.s in American StudiSupport the Show.--Brought to you by MotionScoop Dance Corp, LNXdance Podcast is a series of conversations FOR Latinx dancers and educators BY Latinx dancers and educators. Join Mari & Marcus -M&M- as they dive deep into important topics in the dance industry and explore how being part of the Latinx community affects us, our contributions, decisions, and careers. We hope you enjoy our sip and chat, don't forget to subscribe and leave a comment with what you loved, questions and topics for next time! Follow us on our Instagram page LNXdance to interact with our community and with us.For business inquiries and to apply to be a guest, please email motionscoopinfo@gmail.com ¡Adiós! Hosts: Marcus Mantilla-Valentin & Mari VasconezSponsors: MotionScoop Dance Corp.
Gary Tanguay Fills In On NightSide with Dan ReaToday is Juneteenth, and we've got two great guests to cover its history! Gary will be chatting with Mary Elliot, Curator of American Slavery and Co-Curator of the Exhibition “Slavery and Freedom” at the Smithsonian's National Museum of African American History and Culture, and Peter Drummey, Chief Historian and Stephen T. Riley Librarian with the Mass. Historical Society. Don't miss this informative hour!Ask Alexa to play WBZ NewsRadio on #iHeartRadio
This week, my guest is watercolour artist Lisa Gardner. Lisa is inspired by the natural world, the connection between breath and brushwork and rare wild plant species on the edge of extinction - seemingly far flung interests that come together in a beautifully natural and synergistic way in Lisa's work. About Lisa Gardener Lisa Gardner is a watercolour artist inspired by the natural world, the connection between breath and brushwork and rare wild plant species on the edge of extinction. Passionate about wild plants and the vital role they play in the health of our environment, Lisa's art strives to connect people to nature, to improve their wellbeing, and inspire action to save species and their habitats. Links Lisa has created 6 video workshops that share her journey with Plantlife, they can be found here. Short film mentioned in the interview Plantlife's important work can be found here. Information on the Grassland Action Plan Lisa and Plantlife are campaigning for can be found here. You can also get involved and volunteer for the National Plant Monitoring Scheme. Other episodes if you liked this one: Garden Sculpture - This episode I'm speaking to Victoria Leedham, Co-Curator and Gallery Manager of the Hannah Peschar Sculpture Garden. I visited the garden earlier this month and even in winter garb, it was beautiful, set as it is in ancient woodland with streams running through it that pour down from Leith Hill in Surrey. The sculptures in the garden are diverse in character and look stunning within the location, each one fitting harmoniously into the backdrop of planting and landscape. Victoria is responsible for sourcing and placing sculpture in the garden, alongside owner garden designer Anthony Paul. We spoke about Victoria's work, about the sculpture garden and also how you can select and place sculptures in your own garden. Plants as Art - Sarah chats to Alyson of Alyson Mowat Studio and author of Terrariums & Kokedama. Alyson Mowat runs her studio out of Shoreditch in London and has been creating botanical masterpieces for the past 5 years. She works with indoor and outdoor plants to make visually stunning green displays and specialises in terrariums, jarrariums, aquascapes and kokedama to stage plants in unique ways. We talk about using plants to create visual statements, finding sources of inspiration and how you can try some of these techniques for yourself. Support the podcast on Patreon.
Derek Jarman was a pioneering artist whose work was unapologetic and defiant. The artist's place as an influential gay rights activist is cemented in his work that survives him. 30 years after Jarman passed away from complications relating to AIDS, his work will be exhibited in Aotearoa for the first time. Derek Jarman: Delphinium Days co-curated by Lisa Beauchamp, Curator of Contemporary Art at Gus Fisher Gallery, City Gallery Wellington Senior Curator Aaron Lister, and Michael Lett opens at Gus Fisher Gallery on the 15th of June. Nicholas spoke to co-curator Lisa Beauchamp about the landmark exhibition.
Robyn Kahukiwa (Ngāti Porou, Te Aitanga-a-Hauiti, Ngāti Hau, Ngāti Konohi, Te Whānau-a-Ruataupare, Te Whānau-a-Te Aotawarirangi) is an internationally acclaimed artist whose work explores heritage, identity and rangatiratanga of Māori. The kaupapa of her work ranges from exploring ideas surrounding colonisation, dispossession, motherhood, wellbeing, whakapapa, and tikanga Māori. Her newest exhibition, Tuawahine, at Season Gallery centres images of wāhine Māori, emphasising mana wāhine and mana Māori motuhake. Sofia spoke to co-curator of Season, Francis McWhannell, about the exhibition and Kahukiwa's practice.
A South Auckland-based art exhibition opened last week at the Mangere Arts Centre, featuring the works of 10 contemporary Aotearoa artists with Tāgata Pācifica and Tāgata Ahia heritage. Producer Ezra spoke to the Co-Curator from I-M.S Arts, Iokapeta Magele-Suamasi, about the importance of the “South-Versed” exhibition for recognising South-Auckland-connected talent.
A South Auckland-based art exhibition opened last week at the Mangere Arts Centre, featuring the works of 10 contemporary Aotearoa artists with Tāgata Pācifica and Tāgata Ahia heritage. Producer Ezra spoke to the Co-Curator from I-M.S Arts, Iokapeta Magele-Suamasi, about the importance of the “South-Versed” exhibition for recognising South-Auckland-connected talent.
Ep.192 Allison Glenn is a New York-based curator and writer focusing on the intersection of art and public space, through public art and special projects, biennials and major new commissions by a wide range of contemporary artists. She is a Visiting Curator in the Department of Film Studies at the University of Tulsa, organizing the Sovereign Futures convening, and Artistic Director of The Shepherd, a three-and-a-half-acre arts campus part of the newly christened Little Village cultural district in Detroit. Previous roles include Co-Curator of Counterpublic Triennial 2023, Guest Curator at the Speed Art Museum, and Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art. In this role, Glenn shaped how outdoor sculpture activates and engages Crystal Bridges' 120-acre campus through a series of new commissions, touring group exhibitions, and long term loans. She has also acted as the Curatorial Associate + Publications Manager for Prospect New Orleans' international art triennial Prospect.4: The Lotus in Spite of the Swamp. Her writing has been featured in catalogues published by The Los Angeles County Museum of Art, Counterpublic Triennial, Prospect New Orleans triennial, Princeton Architectural Press, Crystal Bridges Museum of American Art, Scottsdale Museum of Contemporary Art, Kemper Museum, Studio Museum in Harlem, and she has contributed to Artforum, ART PAPERS, Brooklyn Rail, Hyperallergic, and ART21 Magazine, amongst others. Glenn sits on the Board of Directors for ARCAthens, a curatorial and artist residency program based in Athens, Greece, New Orleans, LA and The Bronx, New York. She received dual Master's degrees from the School of the Art Institute of Chicago in Modern Art History, Theory and Criticism and Arts Administration and Policy, and a Bachelor of Fine Art Photography with a co-major in Urban Studies from Wayne State University in Detroit. Photograph by Grace Roselli Allison Glenn https://www.allisonglenn.com/ Artnet https://news.artnet.com/art-world/valuations-allison-glenn-2395989 NYTimes https://www.nytimes.com/2023/05/09/arts/design/counterpublic-st-louis-public-art.html ARTnews https://www.artnews.com/art-news/artists/qa-david-adjaye-on-his-first-permanent-sculpture-1234670283/ e-flux https://www.e-flux.com/criticism/537239/counterpublic-2023 NPR https://www.stlpr.org/arts/2023-03-07/massive-public-art-exhibition-will-highlight-historical-injustices-in-st-louis The Architects Newsletter https://www.archpaper.com/2022/04/david-adjayes-first-permanent-public-artwork-among-art-and-architectural-commissions-for-2023-counterpublic-triennial-in-st-louis/ Artnet https://news.artnet.com/art-world/counterpublic-2023-2106157 ARTnews https://www.artnews.com/list/art-news/artists/shaping-art-2022-deciders-1234612406/naomi-beckwith/ NYTimes https://www.nytimes.com/2021/12/07/arts/design/best-art-2021.html Observer https://observer.com/power-series/2021-arts-power-50/ Artforum https://www.artforum.com/features/huey-copeland-and-allison-glenn-on-promise-witness-remembrance-249992/ SAIC https://www.saic.edu/news/alum-allison-glenn-and-the-power-of-listening NYTimes https://www.nytimes.com/2021/03/11/arts/design/speed-museum-breonna-taylor-curator.html Art Newspaper https://www.theartnewspaper.com/2021/02/25/speed-art-museum-will-reflect-on-the-death-of-breonna-taylor-in-an-exhibition Surface https://www.surfacemag.com/articles/breonna-taylor-exhibition-speed-art-museum-other-news/#taylor Culture Type https://www.culturetype.com/2021/02/22/the-week-in-black-art-february-22-28-2021-cameron-shaw-named-executive-director-of-california-african-american-museum-aperture-names-seven-new-trustees/ Artnet https://news.artnet.com/art-world/louisville-speed-art-museum-breonna-taylor-1945823 Observer https://observer.com/2021/02/breonna-taylor-speed-art-museum-louisville/ 88.9 WEKU https://www.weku.org/post/new-speed-exhibition-honor-life-legacy-breonna-taylor#stream/0
Co-Curator of The 12/12 Live arts Festival Curator, Samkelisiwe Khuzwayo on what to expect from The 12/12 Live Arts Festival which plans to bring a celebration of art-making, stories, culture and language to the Joburg Theatre's Space.com from 22 - 25 February 2024 (with lead up events from 15 - 17 February 2024). See omnystudio.com/listener for privacy information.
Carolyn Harding with visual artist/activist Andrea Bowers and Lauren Leving, curator at Cleveland Museum of Contemporary Art, or commonly called moCa. On December 21, 2023, Andrea, you posted on Face Book, “A line from the Lake Erie bill of rights will be shining over Lake Erie on the science center across from the rock and roll hall of fame!” with photos and video clip from the installation of your work of Art, which is now hundreds of feet high installed on the Great Lakes Science Center, next to the Rock and Roll Hall of Fame in downtown, Cleveland, Ohio. Congratulations! That's a big and very public work of Art. Let's Talk about this huge Glowing Sign that says “Lake Erie has the Right to Exist, Flourish and Naturally Evolve” in Red, Green, Blue and Yellow Neon. Ohio-raised Andrea Bowers is a Los Angeles-based artist who has been recording and amplifying the work of activists present and past for more than two decades. Her multi-media practice includes drawing, video, sculpture, and installation work that foregrounds the experience of the people who dedicate their time and energy to the struggle for gender, racial, environmental, labor, and immigration justice and those who are directly affected by systemic inequality. Over time, her different bodies of work have become a document of the changing language, prerogatives, and dynamics of social justice movements. In 2021, a major mid-career survey of Bowers's work curated by Michael Darling and Connie Butler opened at the MCA Chicago and traveled to the Hammer Museum in Los Angeles in 2022. Other recent solo exhibitions include Grief and Hope, Museum Abteiberg, Mönchengladbach, Germany and Light and Gravity, Weserburg Museum für moderne Kunst, Bremen, Germany. In September 2022, Bowers opened a solo exhibition including both new and existing work at the Galleria d'Arte Moderna di Milano as part of an exhibition program organized by the Fondazione Furla. Bowers is represented by Vielmetter Los Angeles, Andrew Kreps Gallery, Kaufmann Repetto, and Jessica Silverman Gallery. Lauren Leving (she/her) is a curator and writer based in Chicago, IL and Cleveland, OH. Her work explores how creative practice can expand institutionally-rooted understandings of access. Currently, she is Curator-at-Large at the Museum of Contemporary Art (moCa) Cleveland; Associate Curator for the Orange County Museum of Art's 2024 California Biennial; and Co-Curator of Everlasting Plastics, originally presented in the U.S. Pavilion during the 2023 Venice Architecture Biennale. Since joining moCa in 2019, Leving has organized projects including the Getting to Know You residency, which supported the production of Messages to Authorities (Go Away!), a largescale textile commission by Aram Han Sifuentes and Don't mind if I do, a group exhibition stewarded by Finnegan Shannon. She holds an MA in Museum & Exhibition Studies from the University of Illinois–Chicago and a BA from Tulane University. https://www.mocacleveland.org/exhibitions/andrea-bowers-exist-fourish-evolve Celdf.org GrassRoot Ohio - Conversations with everyday people working on important issues, here in Columbus and all around Ohio. Every Friday 5:00pm, EST on 94.1FM & streaming worldwide @ WGRN.org, Sundays at 2:00pm EST on 92.7/98.3 FM and streams @ WCRSFM.org, and Sundays at 4:00pm EST, at 107.1 FM, Wheeling/Moundsville WV on WEJP-LP FM. Contact Us if you would like GrassRoot Ohio on your local LP-FM community radio station. Face Book: www.facebook.com/GrassRootOhio/ Instagram: www.instagram.com/grassroot_ohio/ All shows/podcasts archived at SoundCloud! @user-42674753 Apple Podcast: podcasts.apple.com/.../grassroot-ohio/id1522559085 YouTube: www.youtube.com/channel/UCAX2t1Z7_qae803BzDF4PtQ/ Intro and Exit music for GrassRoot Ohio is "Resilient" by Rising Appalachia: youtu.be/tx17RvPMaQ8 There's a time to listen and learn, a time to organize and strategize, And a time to Stand Up/ Fight Back!
On this week's Sustainability Now!, your host, Justin Mog, is thrilled to have the studio filled with the amazing co-visionaries behind Social Work Day taking place at the Muhammad Ali Center on December 4, 2023 from noon to 2pm. This event seeks to explore art, research & design that illuminates Medical Racism, Human Erasure & Women's Rights, while helping participants understand place and the people erased from it, in honor of Mrs. Ada Doss Campbell. It's an event where social work, public health, and public art collide. Guests on today's show include: 1. Dr. Renee Campbell, Executive Director of the Phoenix Global Humanitarian Foundation (https://www.phoenixglobalhumanitarian.org/our-executive-leadership) and a recent Lifetime Achievement Award recipient from the Center for Nonprofit Excellence! Her work includes teaching experience at numerous Colleges and Universities, and she served as the Coordinator and Clinical Assistant Professor in the College of Social Work at the University of Kentucky for two years. 2. Dr. Lynetta Mathis, Director of the DSW program at the University of Louisville's Kent School of Social Work and Family Science (https://louisville.edu/kent/about/faculty-1/bios/lynetta-mathis). Dr. Mathis is a clinical social worker with 17 years of practice experience in medical social work, therapeutic foster care and adoptions, and clinical supervision. Her scholarship focuses on postsecondary student mental health and social work field education. The overall goal of Dr. Mathis' scholarship is to remove barriers and increase supports to foster student success. 3. Tony Helm, Professor and Director of Campus Field Education at Spalding University's School of Social Work (https://spalding.edu/social-work/meet-social-work-faculty/). Professor Helm earned his MSSW from the University of Louisville, Raymond A. Kent School of Social Work and Family Science. His areas of interest include child welfare, LGBTQIA+, diversity and inclusion, and effective teaching. Professor Helm currently serves on the Diversity Consciousness Action Group (DCAG) and on local organizational boards. 4. Dr. Mindy Brooks-Eaves, Kentucky State University's Chair for School of Social Work (https://www.kysu.edu/directory/faculty-staff/mindy-brooks-eaves.php). Formerly worked at Louisville's Ujima Neighborhood Place. Dr. Eaves' passion is equity, teaching, and sustainability of social workers with specific attention to disparity, blackness, identity, cultural inclusivity, and practicing radical self-care as a guiding principle. In 2021, she co-edited “The A to Z Self-Care Handbook for Social Workers and other Helping Professionals” and published “Self-Care as Sociopolitical Liberation for Black Women” in The New Social Worker. 5. Marlesha Woods, Interdisciplinary Artist and Co-Curator for Social Work Day. Her work is still on display in the Ali Center's temporary "We Don't Wither" exhibit through December 18, 2023 (https://alicenter.org/muhammad-ali-center-announces-new-temporary-exhibit-featuring-louisville-area-artists/). As always, our feature is followed by your community action calendar for the week, so get your calendars out and get ready to take action for sustainability NOW! Sustainability Now! is hosted by Dr. Justin Mog and airs on Forward Radio, 106.5fm, WFMP-LP Louisville, every Monday at 6pm and repeats Tuesdays at 12am and 10am. Find us at http://forwardradio.org The music in this podcast is courtesy of the local band Appalatin and is used by permission. Explore their delightful music at http://appalatin.com
From 'Spits & Suds' (subscribe here): Kwame Mason, award-winning filmmaker and Co-Curator of the NHL's 2023-24 United by Hockey Mobile Museum Tour, joins host Gavin Spittle to talk about the tour hitting Farmers Branch on November 21st and the American Airlines Center on Wednesday November 22nd prior to Stars-Knights. Jason Robertson of the Stars is featured in this museum. Kwame tells some great stories of these amazing athletes and how they broke through. #nhlunitedbyhockey To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
See a video version of the interview with curator Jackie Dunn here See a video version of the interview with artist Desmond Lazaro here The largest exhibition of Kandinsky's work ever to be seen in Australia has just opened at the Art Gallery of NSW! The exhibition, titled simply 'Kandinsky', brings together over 50 works of one of the 20th century's most innovative and ground breaking painters - Vasily Kandinsky - with 47 paintings from the Solomon R Guggenheim Museum in New York. Curated by the Guggenheim's curator of modern art and provenance Megan Fontanella together with the AGNSW's senior curator Jackie Dunn, these works touch on the most important periods of Kandinsky's artistic career, from the early 'Blue Rider' period, to his time in Germany when teaching at the Bauhaus school right through to his final years in Paris. In this podcast episode (which you can also see on YouTube) I talk with Jackie Dunn about this extraordinary exhibition. She tells me about Kandinsky's life and work, including what the catalysts were for him to become a painter, his use of colour, line and form and his interests in spirituality and music. I also talk with Desmond Lazaro who was commissioned to design a family-friendly space where visitors are invited to follow the path of a colourful labyrinth and create drawings using the shapes that inspired Kandinsky. Lazaro is a British-Indian-Australian artist whose primary ingredient is colour. His practice explores map-making, planetary systems and the concept of the journey. Also, alongside the Kandinsky show is an exhibition of 'spirit drawings' created by British medium Georgiana Houghton in the 1860s and 70s. The exhibition, 'Invisible Friends', brings together a collection of rarely seen swirling, evocative watercolours. They highlight how significant spiritualism was in early modernism. 'Kandinsky' is a must-see exhibition. It runs from November 4th to March 10th, 2024. More details here. To hear the podcast episode press 'play' beneath the above photo. To watch the video versions of the interviews click on the links at the top of this page or see below. Links 'Kandinsky' at the Art Gallery of NSW Desmond Lazaro Tickets for my conversation with Julia Gutman on 15 November 2023 in the Artists in Conversation series Talking with Painters on Instagram Talking with Painters on Facebook Connect with me on LinkedIn https://youtu.be/Pgm4112joG8 https://youtu.be/D3b3WLlsakc 'Composition 8' July 1923, oil on canvas, 140.3 x 200.7 cm, Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, by gift, photo courtesy Solomon R. Guggenheim Foundation 'Blue mountain' 1908-09, oil on canvas, 107.3 x 97.6 cm, Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, by gift, photo courtesy Solomon R. Guggenheim Foundation Vasily Kandinsky 'In the black square' June 1923, oil on canvas, 97.5 x 93.3 cm, Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, by gift, photo courtesy Solomon R. Guggenheim Foundation 'Landscape with rain' January 1913, oil on canvas, 70.5 x 78.4 cm, Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, photo courtesy Solomon R. Guggenheim Foundation 'Yellow painting' July 1938, oil and enamel on canvas, 116.4 x 88.9 cm, Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, photo courtesy Solomon R. Guggenheim Foundation 'Around the circle' MayAugust 1940, oil and enamel on canvas, 97.2 x 146.4 cm, Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, photo courtesy Solomon R. Guggenheim Foundation
On this episode of the Nordic Art Agency Podcast host Juliet is joined by Rosie O'Connor the Co-Curator at Frameless, London's first permanent digital immersive arts experience. Frameless opened in September 2022 in the heart of London's West End cultural district. As the biggest digital immersive arts experience of its kind in the UK, Frameless is a new art landmark destination, bringing art to life like never before. So after almost a year of opening it's doors with a 4K multi-genre and multi-artist experience, featuring iconic masterpieces from the likes of Cezanne, Kandinsky, Monet, Canaletto, Rembrandt and Klimt how has this new immersive art experienced been received and what place does it take in the museum and gallery world?Rosie O'Connor who studied Art History and Visual Culture and has a special interest in British Modernism, museology and accessibility in the arts gives us her take on the evolution and future of the immersive art experience.
#erniekovacs #TVcomedy #Hollywood #EdieAdams #realconversations CONVERSATIONS WITH CALVIN WE THE SPECIES Now!!! JOSHUA MILLS; ‘Ernie in Kovacsland;' Co-Curator, Runs estates of Ernie Kovacs (original TV genius), Edie Adams, Martin Mills Photography; Host of ‘Rarified Heir'(children of celebrities); LIVE from LA https://www.youtube.com/c/ConversationswithCalvinWetheSpecIEs 245 Interviews. GLOBAL Reach. Earth Life. Amazing People. PLEASE SUBSCRIBE and join the other 4100 Subscribers. (You can find almost any subject, even AI) ** JOSHUA MILLS; ‘Ernie in Kovacsland;' Co-Curator, Runs estates of Ernie Kovacs (original TV genius), Edie Adams, Martin Mills Photography; Host of ‘Rarified Heir'(children of celebrities); LIVE from LA YouTube: https://www.youtube.com/watch?v=v_8m-uVTlKU&t=5s “Getting a chance to interview Josh Mills was in the ‘magical' classification. The son of Edie Adams (originally married to Ernie Kovacs, who revolutionized 1950's television comedy) Josh, is a fixture in Hollywood, interviewing the children of celebrities on his podcast ‘Rarified Heir.' He is introspective, funny, brilliant, and replete with so many stories like hanging out with Clint Eastwood, watching TV, when he was a kid. ALL in our interview. Importantly his very special, creative, unique and essential (especially if you like TV etc.) book, just released on Amazon. (A purist coffee table book), “Ernie in Kovacsland: Writings, Drawings, and Photographs from Television's Original Genius” Calvin ** CONTACTS: www.edieadams.com/ https://rarifiedheirpodcast.com www.erniekovacs.com fantagraphics.com www.martinmillsphotography.com itsalivemedia.com fantagraphics.com ERNIE IN KOVACSLAND(book) Amazon: amzn.to/45xfgu5 ** BIO: It's Alive! Media was founded by Josh Mills in 2002. We are a boutique public relations company with a concentration in music, music-related films and technology publicity specializing in both consumer entertainment PR as well as corporate communications. Since 2008, It's Alive! Media has worked hand in hand with Ediad Productions handing the estates of groundbreaking comedian Ernie Kovacs, entertainer Edie Adams and photographer Martin Mills. It's Alive! Media provides its clients with a wide variety of PR and marketing services. This includes the creation and servicing of corporate and consumer press releases, full-service press campaigns involving some or all of the following: national press, tour press, trade & industry press and electronic & mass media press. Primary genres for consumer press include: Indie, Rock, Punk, Alternative, Pop, Industrial, World Music, Gothic, Kids and Electronic music. We specialize in high-profile reissues, new releases and local/indie bands for tour press, regional & national campaigns. Josh Mills has worked in public relations since 1996. He has worked for a variety of independent and corporate companies including independent label World Domination Recordings, national live music venue House of Blues and digital music distributor Liquid Audio. Additionally, he has consulted for Ark21 Records, Motormouth Media, Transistor Recordings and Liquid Digital Media. His experience in the music industry has run the gamut from consumer press, live music/venue press to music technology corporate/business press. ** WE ARE ALSO ON AUDIO AUDIO “Conversations with Calvin; WE the SpecIEs” ANCHOR https://lnkd.in/g4jcUPq SPOTIFY https://lnkd.in/ghuMFeC APPLE PODCASTS BREAKER https://lnkd.in/g62StzJ GOOGLE PODCASTS https://lnkd.in/gpd3XfM POCKET CASTS https://pca.st/bmjmzait RADIO PUBLIC https://lnkd.in/gxueFZw edits by Claudine Smith- Email: casproductions01@gmail.com
The 2023 Scandinavian Film Festival, now in its ninth year, showcases the best contemporary cinema from these countries, selected from international film festival. The post Christof Wehmeier, interview with festival co-curator of the Scandinavian Film Festival appeared first on Fred Film Radio.
The 2023 Scandinavian Film Festival, now in its ninth year, showcases the best contemporary cinema from these countries, selected from international film festival. The post Christof Wehmeier, interview with festival co-curator of the Scandinavian Film Festival appeared first on Fred Film Radio.
The 2023 Scandinavian Film Festival, now in its ninth year, showcases the best contemporary cinema from these countries, selected from international film festival. The post Christof Wehmeier, interview with festival co-curator of the Scandinavian Film Festival appeared first on Fred Film Radio.
The 2023 Scandinavian Film Festival, now in its ninth year, showcases the best contemporary cinema from these countries, selected from international film festival. The post Christof Wehmeier, interview with festival co-curator of the Scandinavian Film Festival appeared first on Fred Film Radio.
The 2023 Scandinavian Film Festival, now in its ninth year, showcases the best contemporary cinema from these countries, selected from international film festival. The post Christof Wehmeier, interview with festival co-curator of the Scandinavian Film Festival appeared first on Fred Film Radio.
The 2023 Scandinavian Film Festival, now in its ninth year, showcases the best contemporary cinema from these countries, selected from international film festival. The post Christof Wehmeier, interview with festival co-curator of the Scandinavian Film Festival appeared first on Fred Film Radio.
The Spanish Film Festival runs nationally in Australia at Palace Cinemas until the 12th of July. The post Benjamin Zeccola, co-curator of the Spanish FF Australia appeared first on Fred Film Radio.
The Spanish Film Festival runs nationally in Australia at Palace Cinemas until the 12th of July. The post Benjamin Zeccola, co-curator of the Spanish FF Australia appeared first on Fred Film Radio.
The Spanish Film Festival runs nationally in Australia at Palace Cinemas until the 12th of July. The post Benjamin Zeccola, co-curator of the Spanish FF Australia appeared first on Fred Film Radio.
The Spanish Film Festival runs nationally in Australia at Palace Cinemas until the 12th of July. The post Benjamin Zeccola, co-curator of the Spanish FF Australia appeared first on Fred Film Radio.
The Spanish Film Festival runs nationally in Australia at Palace Cinemas until the 12th of July. The post Benjamin Zeccola, co-curator of the Spanish FF Australia appeared first on Fred Film Radio.
The Spanish Film Festival runs nationally in Australia at Palace Cinemas until the 12th of July. The post Benjamin Zeccola, co-curator of the Spanish FF Australia appeared first on Fred Film Radio.
In einem Gespräch zwischen dem Architekturtheoretiker und CO-Curator des deutschen Pavillons der diesjährigen Architektur-Biennale von Venedig und Lisa Zeitz erfahren wir mehr zum Konzept „Open for Maintenance – Wegen Umbau geöffnet“ für die Architekturbiennale und wieso ökologische Nachhaltigkeit untrennbar mit sozialen Fragen verknüpft ist. Der "WELTKUNST-Podcast - Was macht die Kunst?" wird in Partnerschaft mit Volkswagen produziert.
The book title is a mantra that today's Guest, Christy Beltz, has used for many years. While she isn't sure where it originally came from - it stuck! When she journals in the morning, many times she ends her pages with Oh God of Second Chances, Here I Am Again. Christy is the president of Empowerment Coaching and Consulting, a leadership development practice helping individuals and organizations focus on maximizing employee engagement to improve overall company performance. Christy guides her clients toward a conscious transformation using a mixture of human behavior motivation techniques, including the Leadership Circle, the Root Cause ™ system, HeartMath, Clarity International: SHIFT Training and Brené Brown's Dare to Lead methodology.Christy's lifelong dedication supporting women's leadership has led to her role as Co-Curator with TEDxCherryCreekWomen. In this position, she works with TEDx speakers to guide presenters to stand in their own power and share an idea worth spreading with the world. Christy's life's work has been focused on lifting women up so they can step fully into their authentic selves. Our mindful conversation was Mind FILLING! Wowsa. I read the book and highlighted and post-it-noted more pages than I could have a conversation about! Check out the link below to buy Christy's book Oh God of Second Chances, Here I Am Again. And check out her website for more on her work and leadership course curriculum - http://christybelz.com3 Takeaways from today's conversation:1. We are ALL Whole, Perfect and Complete at the core of who we are.2. MSU - Making Stuff Up - We all do it! Christy gives us a tip for knowing when it is happening. There are Facts and there are Emotions about the Facts. Learning to identify them can help you. 3. HeartMath is one of Chrity's favorite techniques. Listen in as she guides me through a Heart Lock-In. It's vulnerable and helpful! Eek! Robin has been a guest on several podcasts including Creative Lifescaping and Everyday Innovator. Check out my conversations via my LinkTree https://linktr.ee/robinglicksteinPlease follow my blog, The MindFULL Creative. It's the inspiration for this podcast and has tons of ideas and links to fill your mind with fresh perspectives! https://themindfullcreative.comBe in touch with me! You can DM me on Instagram at MindFULL conversations and let me know what you think! Also, let me know if you'd like to be a guest (or have a suggestion for a guest) and fill our minds https://www.instagram.com/mindfullconversations/And, if I have mentioned a book above, I might have moved the link up there - in case you need it again, click below to easily support local bookstores, shop my page and fill your mind. https://bookshop.org/shop/mindfullconversations
Host: Karly Quadros, Freelance Journalist & ProducerGuests: Roya Amirsoleymani, PICA Artistic Director & Curator of Public Engagement, Co-Curator of Remembering to Remember: Experiments in SoundFelisha Ledesma, Founder of S1 Synth Library, Musician, and Co-Curator of Remembering to Remember: Experiments in SoundProduced By: Karly Quadros, Freelance Journalist & ProducerEngineered By: Kathryn Kucera, XRAY.FM Community ManagerEdited By: Chase Spross, XRAY.FM Station Director
This interview was recorded for the GOTO Book Club.gotopia.tech/bookclubRead the full transcription of the interview hereTitus Winters - Principal Software Engineer at Google and Co-Curator of "Software Engineering at Google"Matt Kulukundis - Senior Staff Software Engineer at GoogleDESCRIPTIONWhat's the difference between programming and software engineering?Join Titus Winters, co-curator of “Software Engineering at Google”, and Matt Kulukundis while they approach the lessons learned by software engineering teams at Google in establishing the right practices for writing sustainable code in a safe environment. Discover what Google is still trying to improve on and what software decisions are difficult to undo.The interview is based on Titus' co-curated book "Software Engineering at Google"RECOMMENDED BOOKSTitus Winters, Tom Manshreck & Hyrum Wright • Software Engineering at GoogleForsgren, Humble & Kim • Accelerate: The Science of Lean Software and DevOpsGeorge Fairbanks • Just Enough Software ArchitectureFred Brooks Jr. • The Mythical Man-MonthKim Scott • Just WorkDouglas R. Hofstadter • Gödel, Escher, BachDouglas R. Hofstadter • I Am a Strange LoopAlasdair MacIntyre • After VirtueN. K. Jemisin • The Fifth SeasonBecky Chambers • Wayfarers SeriesKen Liu • The Dandelion DynastyDavid Farley • Modern Software EngineeringMartin Kleppmann • Designing Data-Intensive ApplicationsZhamak Dehghani • Data MeshDev InterruptedWhat the smartest minds in engineering are thinking about, working on and investing in.Listen on: Apple Podcasts Spotify Manufacturing MattersInsights and interviews discussing trends, innovations, and advanced automation technologyListen on: Apple Podcasts SpotifyTwitterLinkedInFacebookLooking for a unique learning experience?Attend the next GOTO conference near you! Get your ticket: gotopia.techSUBSCRIBE TO OUR YOUTUBE CHANNEL - new videos posted almost daily
Lou sits down with Kara Kane, one of the curators of the Civic Design Conference, to discuss her role in the public sector and how that's changed over the years. They preview the narrative she and her team have put together for the conference as well as discuss the challenges and victories she has faced through her career that have left her with her current optimistic view on the growth of civic design in the public sector.
Marta Franceschini, Fashion Researcher, Fashion Historian and Co-Curator of the Fashioning Masculinities Exhibition at the V&A talks Made In Italy, Tom Ford and obviously the viral moments from Harry Styles and Timotheé Chalamet. Find about the meaning of the suit and the development of menswear to date. Like the exhibition, this conversation goes beyond the binary and keeps in mind the playfulness at the heart of fashion. Fashioning Masculinities is on at the V&A until 6th Nov. Pick up a copy of the exhibition book to learn more or read the article with extras from the interview. If you wish to satisfying your thirst for menswear further dive into this article on BTS' relationship with fashion, self expression and artistic power; or read our latest interview with Writer/Director Dionne Edwards about her latest BBC and BFI backed film 'Pretty Red Dress'.
Zac Lassen is a self-taught oil painter born and raised in Saint Louis, Missouri. After attending Webster University, he started his career in motion and graphic design. His paintings draw inspiration from life, as well as imagined, scenes of alternate realities. He favors using impressionistic methods of painting and capturing moments of people in their own worlds, questioning their realities. He has shown in galleries across the Midwest through Kansas City, Nashville, and Saint Louis and was the Co-Curator of a pop-up gallery installed in the Arcade Apartment Lofts.
The Claremont Lewis Museum of Art is one of Claremont's emerging art venues, bringing some of the best of the best art, in many forms, to Claremont and visitors. Seth Pringle, CLMA's Co-Curator, art educator/expert and amazing artist/ceramist in his own right, speaks about how the CLMA is growing, the various shows that have been and are to come, and the education programs and other opportunities the CLMA is offering. In addition, Seth reveals other local exhibits and shows of interest, including the Maloof Residence and the fascinating show "Built on Water" at the Ontario Museum, an art show that is as much an educational experience regarding out use of water in SoCal - Seth offers key insight into how we can improve, be more efficient and effective, and save real money in the bargain.For anyone who is a member of the Claremont Lewis Museum of Art, or enjoys seeing the best of both the old and new, Seth's interview provides an extra measure of insight and an added level of enjoyment to your next visit.==================================================To see more of Seth Pringle's work and contact him (and tell him you liked his CS episode, of course), visit www.sethpringle.comFor the Claremont Lewis Museum of Art's latest shows, hours and information, go to https://clmoa.org/To learn more about the Maloof exhibit opening soon: https://www.malooffoundation.org/For information on "Built on Water" and more at the Ontario Museum: https://www.ontariomuseum.org/And to explore the The dA Center for the Arts (Pomona Centro de Artes y Cultura)please visit https://www.dacenter.org/
On this week's episode we hear from Guy Salter about London Craft Week, the capital-wide festival celebrating talented makers from all over Britain and around the globe, opening on Monday 9th May. We also chat to Rosalind McKever about the extraordinary craft down the ages that's gone into menswear. Fashioning Masculinities, in partnership with Gucci, is on at the V & A until November and culminates in a celebratory ‘Finale Room' showcasing three fabulous outfits – the tuxedo gown by Christian Siriano that Billy Porter wore to the Oscars, the Alessandro Michele for Gucci gown and tailored jacket worn by Harry Styles on the cover of Vogue and the Ella Lynch wedding dress worn by Bimini Bon Boulash in Ru Paul's Drag Race. No-one is more knowledgeable or passionate about the glories of craft than Guy and he provides the perfect guide to all that's on offer this week, from learning about silk weaving with the Queen of Malaysia to knitting beanies out of upcycled materials. Along the way, Pimlico Road will be open to all, Design Centre Chelsea Harbour hosts Artefact, an opportunity to meet the makers and much, much more. There will be over 300 events celebrating the capital as the global fulcrum of craft, putting craft firmly in the cultural mainstream and encouraging visitors to have the confidence e to assert their individuality and commission bespoke pieces.
Zaib Abbas is a student and one of the co-curators for Emergent 2021: VCE Graduate Showcase. The exhibition showcases the achievements of local students upon completing the VCE subjects: Studio Art, Media, Product Design and Technology, and Visual Communication and Design. We spoke to Zaib about why she wanted to be part of it, how she and her fellow curators settled on the themes for the show and how they undertook the difficult job of deciding which students to showcase. The exhibition runs from Saturday the 2nd of April to Saturday the 16th of April at Bunjil Place in Narre Warren. For more information click here. Be sure to follow @artsmittensyn on Instagram, and tune in to SYN 90.7FM every Wednesday at 4pm-6pm. See omnystudio.com/listener for privacy information.
Hadas Maor, co-curator of futuristic exhibition in Melbourne (Hebrew)
In this special bonus episode, Stephen interviews Dr. Fraser Elliott, co-curator of the Taiwan Film Festival Edinburgh 2021 find out more at https://taiwanfilmfestival.org.uk/
Ray is joined in studio by Dr. Siobhán Power, geologist with Geological Survey Ireland and Co-Curator of Down to Earth Exhibition. The exhibition takes place in Dublin's Collins barracks.
Sarah Brooks is a design leader and intrapreneur who uses strategic design and mixed-methods research to help teams and organizations reach better outcomes. She has worked in enterprise, federal, non-profit, start-up, and hybrid organizations. If you're one of millions of US military veterans, her work at the Veterans Administration has touched your life. We are pleased to welcome Sarah as a member of the Civic Design conference (https://rosenfeldmedia.com/civic-design-2021/) and community curation team! In this Rosenfeld Review episode, she shares her experience at the VA, digging into specific challenges when working within a large org, learning what ‘patriotism' means from people who are in the service, and how soft-skills (people skills, really) are needed at the systems level. Sarah recommends: Emergent Strategy by Adrienne Maree Brown https://www.amazon.com/Emergent-Strategy-Shaping-Change-Changing/dp/1849352607 Tickets to Civic Design 2021 are now available; register now! https://rosenfeldmedia.com/civic-design-2021/ More about Sarah: Sarah Brooks is a design leader and intrapreneur working at the intersection of foresight, service design, and mixed-methods research approaches to help teams and organizations reach better outcomes. She has worked across the enterprise, federal, non-profit, start-up, and hybrid organizations. Currently, Sarah is the Executive design leader responsible for the development and diffusion of standards and practices that create experience excellence across IBM's product and service teams. She is an active mentor, author, educator, and speaker on the art & craft of seamless experiences and living systems approached to complex challenges. Sarah is the author of System Shifting, in the book Strategic Design Thinking: Innovation in Products, Services and Beyond, and the essay Collective Strength and Greater Understanding Through Co-Design in the book Leap Dialogues: Career Pathways in Design for Social Innovation. Sarah served as a 2014-2015 U.S. Presidential Innovation Fellow at the U.S. Department of Veterans Affairs continuing on as a political appointee until the end of the Obama-Biden Administration, working as Chief Design Officer leading a team that worked on strategic transformation priorities. Prior to government service, Sarah lived in San Francisco and worked in the social impact ecosystem and currently lives in Montauk, New York.
This week on the Film at Lincoln Center podcast, we're featuring a special Q&A on Ailey, an affectionate portrait of the world-renowned dancer and choreographer, Alvin Ailey, with director Jamila Wignot, and producer Lauren DeFilippo. The two filmmakers discussed the new film with Liz Wolff, Co-Curator of the Dance on Camera Festival, following our outdoor screening at Lincoln Center's Restart Stages. Ailey poetically examines how its subject's fascinating life inspired his passion for dance, suffusing rare archival footage with Ailey's own words, in addition to interviews with celebrated company dancers and choreographers. Beginning with Ailey's early experiences in the rural South, which would eventually inspire some of his most memorable works, and culminating in the creation of a dance inspired by his life, this documentary captures the artist's enduring impact on modern dance and the preservation of the African-American cultural experience with fresh insight. Ailey is now playing in our theaters, with special Q&As with the director, Jamila Wignot, on July 23 & 24 at the 6:15pm screenings. Go to filmlinc.org/ailey for more information.
Martha Dorris, Founder and CEO, Dorris Consulting International, has almost 34 years of government experience in acquisition, technical and program management to customer experience. Martha has run many government organizations that build and deliver agency and citizen facing programs to deliver government services anytime, anywhere on any device. Most recently, Martha led and managed GSA's Office of Strategic Programs where she brought a customer-centric lens to the services and acquisitions they award. In this Rosenfeld Review episode, she takes a dive into her projects at the GSA improving Customer Experience (as opposed to the previous focus on Customer Service), as well as work across the government and her advice for anyone just starting out. We are pleased that Martha is supporting the curation team for our new Civic Design conference and community, which will be launching soon with our first monthly videoconference. Sign up here to be notified: https://rosenfeldmedia.com/civic-design-2021/ Tickets to Civic Design 2021 are now available; register now! https://rosenfeldmedia.com/civic-design-2021/
Ariel Kennan is a service design and product development leader who has worked across the public, private, academic, and nonprofit sectors. She is currently a Senior Fellow at the Beeck Center for Social Impact + Innovation at Georgetown University. We are pleased to announce that she has joined the curation team of our new Civic Design conference and community, which will be launching soon with our first monthly videoconference. Sign up here to be notified: https://rosenfeldmedia.com/civic-design-2021/ In this Rosenfeld Review episode, Ariel discusses the myriad of public service projects she's had a hand in, and particularly the ways in which Civic Design can improve peoples' lives, especially those who are underprivileged (for example, the application for unemployment benefits during the covid-19 pandemic.) Ariel recommends: Creative Reaction Lab — building capacity in historically marginalized communities and training designers to work in new ways. https://www.creativereactionlab.com/
We are excited to welcome Charlotte Lee as a co-curator of our new Civic Design conference and community, which will be launching soon with our first monthly videoconference. Sign up here to be notified: https://rosenfeldmedia.com/civic-design-2021/ In this episode, Charlotte and Lou discuss the intersection of design and technology, machine learning, how the House of Representatives legislates, and more. She also shares details about her current project, redesigning congress.gov, and a peek into what you can expect from the Civic Design Conference. Looking for a great read? Charlotte recommends: Humanocracy https://www.humanocracy.com/ by Gary Hamel and Michele Zanini About Charlotte: Charlotte Lee is an award-winning entrepreneur and human-centered design practitioner based in Washington D.C. She is the founder and CEO of Monday Design Company, a service design consultancy as well as Kastling Group, a digital transformation consultancy. She is a strategic advisor to public and private executives in organizations undergoing IT modernization. Many of her clients seek partnership to help execute their vision of a holistic view of transformation that places human achievement as the measure of success. Her professional path in product management and user experience design was taken with the vision of a more human-friendly world in every way. Charlotte's current portfolio at the House of Representatives exemplifies her two biggest passions- human centricity and strengthening democracy. She is very energized by the opportunity to apply HCD and design thinking to examine and reimagine the way ideas turn into law.
WATCH ON YOUTUBEhttps://youtu.be/h3DUsU27AxMJeff sits down with Christina Henley, co-curator of the The Tulsa Race Massacre Centennial Exhibit at Living Arts to hear about what this experience has meant to her at a deeper level, about her perspective on the impact of this exhibit on people who have interacted with it, and her thoughts on how this has been a "mind altering" experience for her and for many others.Artist Statement-Creating is a sensory experience for me in process and execution. I think about the materials I use. How they feel to the touch, the texture I want to show and convey. Choosing colors that are striking, bold, unusual and jarring, and the emotions I want to evoke to myself and the viewer. Sometimes, I'll include three dimensional elements to push the piece even further into the sensory experience. I want the viewer to feel what I feel by what they see, while also forming their own interpretation or idea of what they are looking at. I don't want to conform and I think my artwork expresses that.
WATCH ON YOUTUBEhttps://youtu.be/h3DUsU27AxMJeff sits down with Christina Henley, co-curator of the The Tulsa Race Massacre Centennial Exhibit at Living Arts to hear about what this experience has meant to her at a deeper level, about her perspective on the impact of this exhibit on people who have interacted with it, and her thoughts on how this has been a "mind altering" experience for her and for many others.Artist Statement-Creating is a sensory experience for me in process and execution. I think about the materials I use. How they feel to the touch, the texture I want to show and convey. Choosing colors that are striking, bold, unusual and jarring, and the emotions I want to evoke to myself and the viewer. Sometimes, I'll include three dimensional elements to push the piece even further into the sensory experience. I want the viewer to feel what I feel by what they see, while also forming their own interpretation or idea of what they are looking at. I don't want to conform and I think my artwork expresses that.
Academy Award-winning costume designer Ruth E. Carter was the first Black person to ever win the Oscar for Best Costume Design for her work on Ryan Coogler’s Marvel superhero film Black Panther (2018). Prior to this win, she’d previously been nominated for her work on Amistad (‘97) and Malcolm X (‘92). She’s also credited for films such as School Daze (‘88), Do the Right Thing (‘89), What’s Love Got to Do with It (‘93), B*A*P*S (‘97), Love & Basketball (‘00), and Selma (‘14) just to name a few. In December 2020, SCAD FASH (Atlanta) partnered with Carter to launch her premier exhibition, entitled 'Ruth E. Carter: Afrofuturism in Costume Design.' For this week’s episode, I discuss the exhibition with the Director of SCAD FASH Exhibitions and Co-Curator for this exhibit, Rafael Gomes. Learn more about the exhibit and SCAD FASH at scadfash.org
For Jeanette. 11/11 William Burke is a playwright, director and curator living in BrooklynHis productions include "the food was terrible" (The Bushwick Starr), Is it Supposed to Last(Playco) PIONEERS!#goforth (JACK), COMFORT DOGS: Live from the Pink House (JACK) and FURRY! (JACK) FURRY!/LA FURIA! (The Bushwick Starr). With Target Margin Theater: I Made a Mistake, EXPLODITY! and DAY!Night?fuck (The Stahl Center at Stony Brook University. Co-Chair of the Soho Rep Writer/Director Lab with Jackie Sibblies Drury, Head of Artistic Development and Co-Curator of the Starr Reading series at The Bushwick Starr, and a co-curator for Little Theatre at Dixon Place. William studied playwriting at Brooklyn College with Mac Wellman, Anne Washburn and Erin Courtney.
The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. Each month a visiting artist to the MFA Theatre Program's Grad Lab is interviewed. Grad Lab is one of the core components of the program where graduate students work with guest artists and develop group-generated performance pieces monthly. Caleb Hammons is interviewed by Kyrie Ellison (SLC21) and Andrew Del Vecchio (SLC22). CALEB HAMMONS is a Tony and Obie Award-winning cultural producer and curator of performance working in Brooklyn and the Hudson Valley. Currently the Director of Artistic Planning and Producing at the Fisher Center at Bard, he facilitates Live Arts Bard, a professional commissioning, residency, and presenting initiative focusing on contemporary practices in the performing arts, produces an extensive portfolio of dance, theater, live music, and transdisciplinary performance projects, and co-curates the Bard SummerScape Spiegeltent. Prior to his time at Bard he was the Producer at Soho Rep in NYC and was the first Producing Director of Young Jean Lee's Theater Company from 2008 to 2011. He is the Co-Curator of the acclaimed Brooklyn-based performance series CATCH. Caleb holds a BFA from the NYU/Tisch Experimental Theatre Wing and was a member of the Institute for Curatorial Practice in Performance's inaugural class at Wesleyan University. Photo is by Maria Baranova
In 2020 EU President Ursula von der Leyen launched the New European Bauhaus, an initiative intending to address climate by and through design. In this episode architect Orla Murphy outlines the values and workings of this initiative and talks about its potential impacts on architecture, on Ireland and on our shared futures on the planet. The conversation also engages with matters of civic and public space and the use of it by people in towns and cities. About Orla Murphy. Orla Murphy B. Arch M. RIAI is a part-time Assistant Professor in the School of Architecture Planning and Environmental Policy (APEP), Co-Director of the UCD Centre for Irish Towns (CfIT), and owner of Custom Architecture. Orla has been External Examiner in CCAE and invited speaker at UL, CCAE, WIT and TUD. In 2018 Orla was Co-Commissioner and Co-Curator of FREE MARKET, Ireland's national representation at the architecture biennale, Venice. In 2020 Orla was appointed to the round-table group for the New European Bauhaus. Music is by Sinead Finegan and is played by the Delmaine String Quartet. The podcast was recorded on zoom in May 2021.
In this episode, we feature a conversation with Venice Atienza about her film LAST DAYS AT SEA which was part of the Grand Angle section of Visions du Réel. LAST DAYS AT SEA follows Reyboy, a twelve-year-old boy living in an isolated fishing village in the Philippines where he grew up. Reyboy loves his village and the sea, but by the end of summer, he will have to leave to study in the city.At the heart of the film lies an environmental story of marine preservation, but one that is told ever so subtly through Reyboy's charming young eyes, and Venice’s contemplative narration.What’s most striking about the film is the tender relationship between Venice and Reyboy, who seem more like affectionate siblings than Director and Protagonist. LAST DAYS AT SEA is a beautiful piece of empathetic filmmaking, one that transports us to a dream-like existence. - Teyama Alkamli, Filmmaker and Co-Curator of @docsinorbit
www.patreon.com/artistdecoded Jesse Damiani is a writer, curator, and cultural producer living in Los Angeles, CA. He covers art, media, and technology on Forbes, and serves as . Other writing appears in Billboard, Entrepreneur, Quartz, The Verge, and WIRED. He has consulted with Google, Oculus, and the Sundance Institute, and served as a mentor in the YouTube VR Creator Lab. He is also Founder and Series Editor of Best American Experimental Writing. He was the Curator/Producer for the XR art exhibition, Spatial Reality, at sp[a]ce gallery; Co-Curator of Virtual Futures with LACMA for LA Art Show; and Co-Curator of SIM-CINEMA with FLOAT and Wevr. He is Curatorial Advisor for CURRENTS New Media and founded the AWE Arts Initiative, where he curated and produced the Immersive Arts Symposium. He also curates The Tech Zone at DesignerCon and XR For Change, the XR summit at Games For Change. Topics Discussed In This Episode: NFTs and the blockchain The future of NFTs Artists managing the sale of their work VR exhibitions powered by NFTs and blockchains Unlocking the potential of NFTs The ecological impact of NFT transactions How an artist can use NFTs to sell their artwork Jesse’s entry point into emerging technologies Human and A.I. collaborations Translating high-level concepts into tangible and practical applications Simulation Theory Poetry as it relates to emerging tech www.artistdecoded.com www.instagram.com/jessedamiani
Michael is joined by Sally Foster, Co-Curator of the Botticelli to Van Gogh: Masterpieces from the National Gallery, London exhibit, which commences today at the National Gallery of Australia. Botticelli to Van Gogh: Masterpieces from the National Gallery, London is the first time in its near 200-year history that the National Gallery, London has toured an exhibition of works internationally. Drawing on the strengths of their collection, this exhibition offers a rare opportunity to see 61 paintings by some of Europe’s most revered artists, including Botticelli, Titian, Rembrandt, Vermeer, El Greco, Velázquez, Goya, Turner, Constable, Van Dyck, Gainsborough, Renoir, Cézanne, Monet, Gauguin and Van Gogh. Highlights include Rembrandt’s Self Portrait at the Age of 34 from 1640, Vermeer’s A Young Woman seated at a Virginal c.1670 and Van Gogh’s Sunflowers painted 1888. See omnystudio.com/listener for privacy information.
For the 15th episode of PhotoWork with Sasha Wolf, Sasha and photographer, Zora J Murff have a conversation about the myriad of discriminatory practices embedded in the art world that have worked to exclude artists of color and how the current push for inclusion leads one to wonder if newly created opportunities are really here to stay. Zora discusses how the pandemic has lead to new ways of engaging students and looking at their work and how we should hold on to much of what we have learned during this time. http://www.zora-murff.com Zora J Murff is an Assistant Professor of Art at the University of Arkansas. He received his MFA from the University of Nebraska—Lincoln and holds a BS in Psychology from Iowa State University. Merging his educational experiences, Murff uses his practice to highlight intersections between various social systems and art. He has published books with Aint-Bad Editions (PULLED FROM PUBLISHER) and Kris Graves Projects. His most recent monograph, At No Point In Between (Dais Books), was selected as the winner of the Independently Published category of the Lucie Foundation Photo Book Awards. Murff is also a Co-Curator of Strange Fire Collective, a group of interdisciplinary artists, writers, and curators working to construct and promote an archive of artwork created by diverse makers. Murff is represented by Webber Gallery, London. In 2020 Aperture and Baxter St at the Camera Club of New York, with the generous support of 7|G Foundation, announced Murff as the inaugural winner of the Next Step Award. Find out more at https://photowork.pinecast.co
RESET is an A&M project in partnership with Singapore Art Week 2021. RESETTalk 1 | Better Together: New Ideas and Networks The global ban on travel has paradoxically fueled international collaboration as art practitioners find ways to engage with their peers virtually, and in preparation for the opening up of borders to meet again in person to do more together. We speak with the people who have found innovative ways of expanding their networks to bring new experiences to their local communities. Panellists: Alessio Antoniolli, Director, Gasworks & Triangle Network Emi Eu, Executive Director, STPI; Project Editor, S.E.A. Focus Tan Boon Hui, Curator, Founding Artistic Director; Co-Curator, Asia Society Triennial Moderator: Nadya Wang, Editor, A&M This panel discussion was broadcast on 10 December 2020, as the first of five in the RESET series. More information at artandmarket.net/reset.
Kiana Pirouz, Head of Marketing at We Are Rosie and Co-Curator of Before We Were Banned interviews Lorraine Charles, Co-Founder and Executive Director of Na'amal, which provides support for refugees and other vulnerable populations to access dignified livelihoods, particularly remote work. The two discuss Lorraine's mission and what the ideal future of work for refugees looks like.
Many of the events of Alice Dunbar-Nelson's life feel relevant to the politics and culture of the 21st-century United States, including her experience of police brutality. In this episode, “I Am an American!” co-curator, librarian, and professor Jesse R. Erickson explores Dunbar-Nelson's struggle for justice against a white police officer who brutalized her at the U.S. Capitol and considers the incident's connections to the Black Lives Matter movement of today.
In the 21st century, Alice Dunbar-Nelson enjoys a reputation as an icon of LGBTQIA+ history. “I Am an American!” co-curator Monet Timmons discusses Dunbar-Nelson's same-gender romantic relationships, her significance to queer heritage, and the tools scholars use to unlock LGBTQIA+ voices in history. Timmons, a Ph.D. student in the Department of English at the University of Delaware, has conducted in-depth research into Dunbar-Nelson's life and relationships and shares personal stories of encountering Alice Dunbar-Nelson in the archive.
Alana Washington and Lou embark on a really wide-ranging conversation, touching on: • The changing nature of work in the time of pandemic, • How we can handle the intersection of our personal and private lives when working remotely, • The restorative power of something as simple as putting down the phone and holding a physical book, and • How DesignOps can help businesses enact more human-based processes. Alana serves as a Senior Design Program Manager at Uber Freight. She’s also part of the DesignOps Summit 2020 curation team. The team is looking to frame the program against the difficult backdrop of these challenging times, when designers need more support than ever before. That’s why resilience is our theme for DesignOps 2020; we’ll explore design operations’ role in helping individual designers, design teams, and entire organizations adapt, survive, and thrive. Learn more: https://rosenfeldmedia.com/designopssummit2020/ Alana’s recommended resources: • 24/6: The Power of Unplugging One Day a Week by Tiffany Shlain https://www.amazon.com/24-Power-Unplugging-One-Week/dp/1982116862 • Emergent Strategy by Adrienne Maree Brown https://www.akpress.org/emergentstrategy.html • Lou recommends: 6 tips for surviving a racism pandemic by Alana herself! https://womentalkdesign.com/talks/6-tips-for-surviving-a-racism-pandemic/
Anke Kempkes, Co-Curator of the upcoming Muzeum Susch exhibition "Evelyne Axell. Body Double" in conversation with Jessica Morgan, Director of the Dia Art Foundation, New York.
The LFA is the world's largest annual architecture event and celebrates London as a global hub of architectural experimentation, practice and debate. This year London Festival of Architecture making LFA Digital on the theme of Power. As a part of LFA Digital, “Architects Love Media & Media Loves Architects – But Do They Get Along?” panel talk organised by Anylab Experimental Studio, based in Somerset House London; will question how we can define “media” in architecture. Is media only a tool, or is it a space dialogue and debate? Speakers will present their idea of media and demonstrate how media can explore the connections between architecture and its representation. Speakers: Dara Huang/ Architect, Founder of DH Liberty, Co-founder of Vivahouse Tom Wilkinson/ History Editor The Architectural Review, Author of Bricks and Mortals: Ten Great Buildings and the People They Made, co-director of New Architecture Writers Sam Jacob/ Principal of Sam Jacob Studio for architecture and design, Professor of Architecture at UIC and Visiting Professor at Yale School of Architecture Manijeh Verghese/ Founding Director at Unscene Architecture, Head of Public Programmes at Architectural Association, Co-Curator of the British Pavilion at the 2021Venice Architecture Biennale Jim Stephenson/ Photographer, Film-maker, Founder of Clickclickjim Bobby Jewell/ Press and Communications Consultant, Coordinator at ACAN, Co-organiser of the Negroni Talks Shukri Sultan / Co-founder of Afterparti, inaugural member of the New Architectural Writers program Nurgul Yardim/ Architect, Podcast Host, Founder of Anylab (Chair)
This episode I’m speaking to Victoria Leedham, Co-Curator and Gallery Manager of the Hannah Peschar Sculpture Garden. I visited the garden earlier this month and even in winter garb, it was beautiful, set as it is in ancient woodland with streams running through it that pour down from Leith Hill in Surrey. The sculptures in the garden are diverse in character and look stunning within the location, each one fitting harmoniously into the backdrop of planting and landscape. Victoria is responsible for sourcing and placing sculpture in the garden, alongside owner garden designer Anthony Paul. We spoke about Victoria’s work, about the sculpture garden and also how you can select and place sculptures in your own garden. This episode I’m speaking to Victoria Leedham, Co-Curator and Gallery Manager of the Hannah Peschar Sculpture Garden. I visited the garden earlier this month and even in winter garb, it was beautiful, set as it is in ancient woodland with streams running through it that pour down from Leith Hill in Surrey. The sculptures in the garden are diverse in character and look stunning within the location, each one fitting harmoniously into the backdrop of planting and landscape. Victoria is responsible for sourcing and placing sculpture in the garden, alongside owner garden designer Anthony Paul. We spoke about Victoria’s work, about the sculpture garden and also how you can select and place sculptures in your own garden. About the Hannah Peschar Sculpture Garden: “The Sculpture Garden was the brainchild of owner and original curator Hannah Peschar 36 years ago, and has grown from a handful of sculptures to over 200 pieces exhibited every summer. Artists come from across Britain and Europe to exhibit their work in these breathtaking surroundings, allowing their sculptures to be seen in a whole new way. The Garden used to be part of a large estate, laid out between 1915 and 1920. Later it was split up and sold in several lots; leaving the 15th Century, grade 2 listed cottage with ten acres of land including a large water and rock garden. The garden fell rapidly into decline after the estate was sold. Over the past 40 years the garden has been redesigned and replanted by award-winning landscape designer Anthony Paul, who has introduced many large-leaved plants in bold groups, tall grasses and created 3 new ponds. The range of works selected by the curators is wide with styles varying from figurative to highly abstract, innovatively using contemporary metals, wire, glass, ceramics and plastics as well as the more traditional stone, wood and bronze. Each sculpture is placed in a carefully considered and meaningful relationship with the other featured works within the garden. The result is an inspired combination of peaceful, enclosed harmony and dramatic, surprise vistas in an ever-changing environment. Throughout the 37 year lifetime of the Garden, the overriding theme is the powerful relationship between art and nature. Neither one outshines the other: every piece is placed in harmony with its surrounding to create an amazing synergy within the environment.” - http://www.hannahpescharsculpture.com/about What We Discuss: The ethos behind the Hannah Peschar Sculpture Garden Considerations around placing sculpture in the garden, including planting and lighting A discussion of the different materials used and their pros and cons Choosing sculpture for and placing it in your own garden Links: Hannah Peschar Sculpture Garden www.hannahpescharsculpture.com The Hannah Peschar Sculpture Garden Black & White Cottage, Standon Lane, Ockley, Dorking, Surrey, RH5 5QR Telephone: (+44) (0) 1306 627 269 Email: hannahpescharsculpture@gmail.com Re-opens for the year from 3rd April 2020 Get in touch: Email podcast@rootsandall.co.uk Website www.rootsandall.co.uk Twitter @rootsandall Instagram @rootsandallpod Patreon Link: Help me keep the podcast free & independent! Donate as much or as little as you like at https://www.patreon.com/rootsandall GoFundMe gf.me/u/w7sy4c
Australian writer Sophie Cunningham appeared on the program to talk about an upcoming fundraiser for animals affected by the bushfires. I Am An Animal: A Wildlife Fundraiser At: Common Rooms, Trades Hall 54 Victoria Street, Carlton 3053 Time: 7.00pm – 8.45pm (with short interval) Doors open at 6.30pm Tickets: $35.00 This event will be Auslan interpreted. Bookings for this event are essential and can be made at commonrooms.com.au
Created and presented by Susanna Cordner, Senior Research Fellow: Archives at LCF, Sartorial Stories is our In Conversation series in which Susanna interviews leading figures from the fashion industry and invites them to bring in one item from their work or from their wardrobe. In this episode, Susanna chats with Stephanie Wood, Co-Curator of the current Mary Quant exhibition at V&A. They discuss the role of the curator and Stephanie’s own love of vintage clothing and ways she associates her clothes with aspects of her life such as her identity as a northerner, living in the south.
This week Justin Favela brings you another conversation from NYC. This time it's with photographer, curator and activist, Oscar Diaz. They get into the different facets of being an artist, gestures, expressing identity and joy! You can follow Oscar on Instagram @oscmdiaz and while you're there check out their project @nulatinx. Photo by Ximena Izquierdo Ugaz @huacatayy
On today's episode of All in the Industry®, host Shari Bayer's guest is Regina Varolli, journalist and founder and Editor-in-Chief of CulEpi, a culinary industry platform for people in the industry to share their voice and make a positive impact. She is also the author of the Amazon best-seller "99 Things You Wish You Knew Before Going To Culinary School", and the Co-Curator of the PX+ Hospitality Festival 'Let's Talk About It' series of festival panel discussions focused on celebrating, collaborating, and changing the hospitality industry and the world at large. Prior to writing about the hospitality industry and travel for HuffPost and others, Gina covered human rights issues and women’s issues, and was Hill lobbyist in Washington DC. Today's show also features Shari's PR tip, Speed Round, Industry News discussion, and Solo Dining experience at Erik Ramirez's Llama San in NYC. Listen at Heritage Radio Network; subscribe/rate/review our show at iTunes, Stitcher or Spotify. Follow us @allindustry. Thanks for being a part of All in the Industry®! All in the Industry is powered by Simplecast.
In Episode 5, Maris hosts Art Activist and Seattle treasure, Sara Porkalob!Sara is a Seattle based Arts Activist who specializes in theater work. You may have seen the first two plays of her Dragon Cycle trilogy centering around telling the story of her family through the perspective of her mother and grandmother. And earlier this summer, you may have seen her play 7th and Jackson at Cafe Nordo here in Seattle. You have a few opportunities to see Sara’s work in the next year! First, Cafe Nordo will be producing the world premier of her new play, The Angel in the House, February 2020. It is, in Sara’s words, “A feminist, Victorian revenge thriller”. Next, Artswest is producing a world premier of her new play, Alex and Alix, in April 2020. Alex and Alix is a lovestory about two women and their journey with memory loss.And this winter, Sara will be performing in Baltimore Center Stage's production of Men on Boats, directed by Jenny Koons.And be sure to follow her on instagram @sporkalob, and check out her website! Sara and Maris’s conversation covers the intersection of public policy, social justice, and art making; how storytelling can be used to dismantle systemic racism; and Sara’s recommendations for Filipino food in Seattle. Sara Porkalob is an award winning arts activist based in Seattle. She’s featured in Seattle Magazine’s Most Influential People of 2018, City Arts’s 2017 Futures List, and served as Intiman Theatre’s 2017 Co-Curator. She is a co-founder of DeConstruct, and online journal of intersectional performance critique. Her first full length play Dragon Lady is the recipient of three 2018 Gregory Awards for: Outstanding Sound/Music Design, Outstanding Actress in a Musical, and Outstanding Musical Production, has garnered a Seattle Times Footlight Award, and a Broadway World Award for “Best New Play”. In 2019, American Repertory Theatre produced Dragon Lady and Dragon Mama, the first two plays in her family trilogy The Dragon Cycle and in July 2019, Nordo’s Culinarium produced her new play, 7th and Jackson, a historical fiction with music and immersive dining, inspired by Seattle’s International District. She is a proud 2nd generation Filipinx American and owes all of her success to her family.Believe survivors. Black Lives Matter. Queer Trans Lives Matter. Vote. Listen to Episode 5 on iTunes HEREListen on Spotify HEREFollow along or become a supporter of Sharpest Knives at www.Patreon.com/SharpestKnivesPodcastFind Sharpest Knives on Facebook.com/SharpestKnivesPodcastFollow @SharpestKnivesPodcast on InstagramEmail any suggestions or questions for future guests to SharpestKnivesPodcast@gmail.comSharpest Knives is partially supported by the Seattle Office of Arts and Culture.Support the show (http://www.patreon.com/sharpestknivespodcast)
In this episode we talk with Brian Applegarth, Cannabis Tourism and Travel Entrepreneur; Cannabis Historian and Co-Curator of Grassroots: Cannabis from Prohibition to Prescription; Executive Director of the California Cannabis Tourism Association and Creator of the Cannabis Trail (whew!) In this great conversation, we talk about The Cannabis Trail – a series of important spots […]
This week I'm really thrilled to be chatting to Vikki Leedham, the wonderful & enthusiastic Co-Curator and Gallery Manager at The Hannah Peschar Sculpture Garden. Created over 35 years ago in Ockley, Surrey, this was the first garden of its kind in the UK. It seemed appropriate to talk outside as that's where the sculptures are - the garden is their gallery. This did mean dealing with aeroplane noise, mowers and electric saws. Still, proof positive that we genuinely were enjoying the outdoors! http://www.hannahpescharsculpture.com https://www.surreyartschool.com Instagram: @hannahpescharsculpt & @intheweedswithanne Twitter: @Hannah_Peschar
Monika Jiang hat chinesische Eltern und ist in Deutschland geboren und aufgewachsen. Sie ist in einer kleinen deutschen Grenzstadt in der Nähe von Basel aufgewachsen. Sie hat eine “milde” Form von Alltagsrassismus erlebt und sie erklärt uns, wie es immer wieder dazu kommt. Beruflich sollte es bei Monika “irgendwas mit Medien” sein, aber Monika hat schnell gemerkt, dass sie einen tieferen Sinn in der Arbeit sucht. “Warum hier, warum für diese Kampagne, warum für diese Marke?” Das waren Fragen, die sie sich während eines 6-Monate dauernden Praktikums bei einem großen Unternehmen immer wieder stellte und auf die sie, trotz einer tollen Kultur in ihrem direkten Team, keine Antwort bekam. Monika bezeichnet sich heute “Millennial Activist”. Nach einer ersten beruflichen Station bei Soulworks mit Julia von Winterfeldt und verschiedenen freien Projekten, arbeitet sie heute als Co-Curator & Chamber Program Lead bei der Business Romantic Society von Tim Leberecht. Wir sprechen mit Ihr über ihre Generation, über New Work, über China und über den Sinn des Lebens. Für uns steht fest, dass wir uns mehr Gäste aus ihrer Generation wünschen. Unsere Folge 143 von “On the Way to New Work” mit Monika hört Ihr ab Montag, ab 6:00 Uhr auf allen gängigen Plattformen wie #Podigee, #iTunes, #Spotify und #SoundCloud. SPOTIFY spotify.onthewaytonewwork.com SOUNDCLOUD soundcloud.com/onthewaytonewwork ITUNES itunes.onthewaytonewwork.com Und alle Buchtipps books.onthewaytonewwork.com mit Christoph Magnussen und Michael Trautmann
Associate Curator of Native American Art Jill Ahlberg Yohe stopped in to chat with the team. Currently the Co-Curator of the Minneapolis Institute of Art’s “Hearts of Our People: Native Women Artists” exhibit, Jill is surrounded by a whirlwind of excitement. She helped helm a 21 person Advisory Board to select the best of Native American women’s art. The first show to solely feature Native American women artists, the exhibit spans ancient to contemporary times, featuring works of art, pottery and ceramics, audio stories, garments and many more. Jill is proud of creating a new blueprint for future curators to follow by employing the talents of the large Native American and art communities. Along with chatting about the exhibit, she also shares some revealing stories from her younger years, paving the way for a life of deep immersion in Native American culture.Learn more about MIA’s “Hearts of Our People: Native Women Artists”.Learn how the Andelin App helps preserve, prepare and share life’s most precious memories.Discover Kinetic Legacy’s proprietary platform to aid institutions, brands and companies in crafting their digital legacy and enhancing workflow production.Want to get in touch with Sam, Jim or Sarah? Email us at: info@legacymatterspodcast.com.
Jaamil Olawale Kosoko is a Nigerian American poet, curator, and performance artist originally from Detroit, MI. He is a 2017-2019 Princeton Arts Fellow, a 2018 NEFA National Dance Project Award recipient, a 2018-20 New York Live Arts Live Feed Artist-in-Residence, a 2019 Gibney DiP Artist-in-Residence, a 2017 Jerome Foundation Artist-in-Residence at Abrons Arts Center, a 2017 Cave Canem Poetry Fellow, a 2016 Gibney Dance boo-koo resident artist, and a recipient of a 2016 USArtists International Award from the Mid-Atlantic Arts Foundation. His previous work #negrophobia (premiered September 2015, Gibney Dance Center) was nominated for a 2016 Bessie Award and has toured throughout Europe having appeared in major festivals including Moving in November (Finland), TakeMeSomewhere (UK), SICK! (UK), Tanz im August (Berlin), Oslo Internasjonale Teaterfestival (Norway), Zurich MOVES! (Switzerland), Beursschouwburg (Belgium) and Spielart Festival (Munich). His current work, Séancers, premiered at Abrons Arts Center in December 2017 and has toured nationally and internationally to critical acclaim. Recent highlights include Mousonturm (Frankfurt, DE), FringeArts (Philadelphia, PA), Sophiensaele (Berlin, DE), and the Wexner Center (Columbus, OH). In 2019, Séancers will have engagements at the Fusebox Festival (Austin, TX) and Montréal Arts Interculturels (Montréal, CA), among others.American performance venues include: Abrons Arts Center, Joyce SoHo, DTW, FringeArts, Dixon Place, Dance Theater Workshop, Bennington College, Danspace at St. Mark’s Church, the CEC Meeting House Theater, Wexner Center for the Arts, Kelly Strayhorn Theater, LAX Festival, Miami Theater Center, Art Basel Miami, and the Painted Bride Arts Center, among others.He was a Co-Curator of the 2015 Movement Research Spring Festival and the 2015 Dancing While Black performance series at BAAD in the Bronx; a contributing correspondent for Dance Journal (PHL), the Broad Street Review (PHL), and Critical Correspondence (NYC); a 2012 Live Arts Brewery Fellow as a part of the Philadelphia Live Arts Festival; a 2011 Fellow as a part of the DeVos Institute of Art Management at the John F. Kennedy Center for the Performing Arts; and an inaugural graduate member of the Institute for Curatorial Practice in Performance (ICPP) at Wesleyan University where he earned his MA in Curatorial Studies.His work in performance is rooted in a creative mission to push history forward through writing and art making and advocacy. Kosoko’s work in live performance has received support from The Pew Center for Arts and Heritage through Dance Advance, The Philadelphia Cultural Management Initiative, The Joyce Theater Foundation, and The Philadelphia Cultural Fund. His breakout solo performance work entitled other.explicit.body. premiered at Harlem Stage in April 2012 and went on to tour nationally. As a performer, Kosoko has created original roles in the performance works of Nick Cave, Pig Iron Theatre Company, Keely Garfield Dance, Miguel Gutierrez and The Powerful People, and Headlong Dance Theater, among others. In addition, creative consultant and/or performer credits include: Terry Creach, Lisa Kraus, Kate Watson-Wallace/anonymous bodies, Leah Stein Dance Company, Emergent Improvisation Ensemble, and Faustin Linyekula and Les Studios Kabako (The Democratic Republic of Congo).Kosoko’s poems can be found in such publications as The American Poetry Review, Poems Against War, The Dunes Review, and Silo. In 2009, he published he chapbook, Animal in Cyberspace, and, in 2011, he published his own collection, Notes on an Urban Kill-Floor: Poems for Detroit (Old City Publishing). Publications include: The American Poetry Review, The Dunes Review, The Interlochen Review, The Broad Street Review, Silo Literary and Visual Arts Magazine.Kosoko has served on numerous curatorial and funding panels including the Brooklyn Arts Council, the National Endowment for the Arts, MAP Fund, Movement Research at the Judson Church, the Philadelphia Cultural Fund, and the Baker Artists Awards, among others. In 2014, Kosoko joined the Board of Directors for Dance/USA, the national service organization for dance professionals. He is also a founding advisory board member for the Coalition for Diasporan Scholars Moving.He has held producing and curatorial positions at New York Live Arts, 651 Arts, and The Watermill Center among others. He continues to guest teach, speak, and lecture internationally.
The National Trust Magazine is our ‘thank you’ to our members for helping us to look after special places. We’ve created this audio version so our blind and partially sighted members, or those who prefer to listen rather than read, can enjoy the magazine too. Look out for new episodes of this podcast in January, May and September. You can listen to individual articles and interviews at these timecodes: 00:00 - Editor's Letter 01:52 - News 05:45 - From the Director-General 09:02 - Patrick Begg, Outdoors and Natural Resources Director 12:19 - 124th AGM of the National Trust 16:05 - People's Landscapes introduction 18:50 - Interview with Tom Freshwater, Head of Public Programmes 22:38 - Kinder Scout mass trespass 26:58 - Tolpuddle Martyrs' Tree 28:41 - Runnymede 31:04 - New Light on old masters 40:14 - Interview with Rupert Goulding, Co-Curator of the 'Prized Possessions' exhibit 46:21 - Future Paths 55:24 - Interview with Nigel Cassin 58'14 - Staying somewhere special 63:35 - An object I love 67:43 - From you 01:10:53 - What's on
Maria is a visual storyteller working in cinema, photography, and art. She received her M.F.A. from CalArts in Film/Video. As an award-winning writer/director, her experience ranges across new media platforms, traditional media, technology, public art/civic engagement and subject matters left of center. She leads the charge as a producer with essential business, marketing, and creative skills. With a practice, autonomy first and platform second, she maintains mobility and adaptation new technologies. Her artwork is about community, space, and place. Her short film PALM TREES won the Adrienne Shelly Award for excellence in directing and aired on BET's “Lens on Talent”. Awards for the best narrative film MOONLESS and screenplay ORBITERS were also garnered. SPACED and MOONLESS have screened around the world and are distributed by Flourishing Films. Her organization INDIGO IMPACT was founded in 2016 with a mission to bring left of center stories and creators to global audiences as an Impact Producer. She worked for such titles like DREAMSTATES starring Saul Williams, Haiti’s first Oscar selection AYITI MON AMOUR, and JINN by Oakland native Nijla Mumin. She brings affordable music, literature, art and performance to the Bay Area as a Co-Curator of the MATATU FESTIVAL. Previously sitting on the board of BAWIFM and SFWIFF, she continues a commitment to autonomous filmmaking and advocating for equality and equity for women in film. WIRED magazine called her a “filmmaker provocateur” bridging technology thinking with art making. Futurism and technology feed her love for science fiction, surrealism and fantasy. Feature projects in development KILL, TIME. and EVENTUALLY, EVERYTHING IS FINE, view sci-fi through a lo-fi lens. A CERTAIN GRACE continues her conversation with San Francisco in making the invisible -- seen. Currently, she is working on her second long-form film "IN THIS WORLD". She can be found in her hometown of San Francisco kicking around the fog Maria Judice Linkedin: https://www.linkedin.com/in/mariajudice Website: https://www.mariaaj.com/ Host Website www.ljeffreymoore.com Music Credits I dunno by grapes (c) copyright 2008 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/grapes/16626 Ft: J Lang, Morusque The Vendetta by Stefan Kartenberg (c) copyright 2018 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/58628 Ft: Apoxode Outro Paint The Sky by Jeris (c) copyright 2017 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/VJ_Memes/55442 Ft: MissJudged --- Support this podcast: https://anchor.fm/l-jeffrey-moore/support
Welcome to Episode 5, with Maria Judice. Maria is an award-winning writer and director, who also founded INDIGO IMPACT in 2016 with a mission to bring left of center stories and creators to global audiences as an Impact Producer. She worked for such titles like DREAMSTATES starring Saul Williams, Haiti’s first Oscar selection called AYITI MON AMOUR, and SXSW breakout JINN by Oakland native Nijla Mumin. She brings affordable music, literature, art, and performance to the Bay Area as a Co-Curator of the MATATU FESTIVAL. She sits on the Diversity Board of SF FILM and Advisory Board of Code Tenderloin. WIRED magazine called Maria a “filmmaker provocateur” bridging technology thinking with art making. Here she talks about the decolonization of docs, how to build relationships with audiences and communities and about what an Oscar campaign entails. Show notes: Thinking about your strategy before you enter the festival circuit is crucial. Even if you get into a top festival, it's about marketing your screening to fill the room with the right people who can amplify your message. You can get into a top festival and have very few people attend your premiere if you dont promote it properly ahead of time ! Depending on your goals, strategy will vary. If a film is meant for impact, or to screen widely, or to be a career milestone, all this will determine your priorities and the people you should meet. Oscar campaigns: Ayiti Mon Amour was the first Haitian Oscar nominee ever (short-listed for the final nominations), and just getting the pre-selection in was a huge deal as most films selected have a lot of money for marketing campaigns. Their team used this campaign to connect with the Haitian diaspora and make people think about Haiti in a new way, away from the poverty porn. The goal was also to put the director Guetty Felin on the map for her next career opportunities, which was a success. Very important to be realistic: if you don't have the money or star power, you need to take a step back and have realistic goals and do all the outreach necessary to cut through the clutter. Until you're rich or famous, you do the work for people to come to you. Maria has very real conversations with filmmakers who approach her about connecting with a specific community. If you're a white man who made a film about people of color, as is often the case, you might not be the right person to have those dialogues and might have to take a backseat during screenings, and let people from the community lead the conversation. You also can't expect people of color to want to embrace your film. Always ask yourself: Am I the right person to tell this story ? Do I have a genuine connection to the community I am filming ? How can I make them participants and not just subjects? It's a constant checking in. Once we turn the camera on, we have impacted their world, and can't pretend we are not participating with another person, and with that comes accountability and responsibility. If you made a film about or for underserved audiences, don't think of them as a pipeline to get your film seen. It's a complex relationship that takes time, especially for films about hard topics. Figure out early on and in-person how that audience is connected and rooted into the subject matter. It's "Holistic filmmaking" - treating your audiences as participants who help you curate and lead those conversations and the path of the film. When you do engage with audiences at screenings, it's also about creating a genuine connection and serving your audiences. They will always sniff out dishonesty and lack of authenticity. Treat your audiences with respect and intelligence. They are also your number one ambassadors ! Partnership building advice: look at what is around you, what partners do you already have in your community, the groups you already belong to, are involved in or who have invested in you ? Look at the low hanging fruits first. Relationships: show up to other filmmakers' stuff, be there for your community, remind yourself aboutt he support you do have around you and nurture those relationships.
We play our live coverage of the Toyota Hybrid CARnival produced by @isatv @danakadan. TRAKTIVIST Radio was the Official House Dj for the entire CARnival and a Co-Curator of Sunday’s ISA Block Party! The CARnival was a 5-day event experience featuring Toyota hybrid cars, interactive exhibits, curated food, giveaways and importantly musical performances by amazing Asian American artists such as Amber Liu, Dumbfoundead, Kina Grannis, Sweater Beats, Shawn Wasabi, FYKE, Hotel Garuda, Satica, AOBeats, Hollis, Emmalyn, Dolly Ave, Gloria Kim, C-Tru, Rozen, & DANakaDAN!
The Theresa and Eddie Show - Life and Business With the Woman On TOP
Meet Sarah Porkalob. She's funny, witty, bold and beautiful. I think she's going to be my new west coast BFF. Sara is an artist activist and award winning solo-performer based in Seattle. She served as Intiman Theatre's 2017 Co-Curator and is the Programs Director for their Emerging Artist Program. She was one of the first recipients of a Village Theatre Original Writers Residency. Dragon Lady, her first full length work, has garnered a Seattle Times Foot-light Award and Broadway World Award for “Best New Play”. In spring of 2019, American Repertory Theatre will produce Dragon Lady and Dragon Mama, the first two solo-shows in her family trilogy THE DRAGON CYCLE . Her new play 7th and Jackson--a coming-of-age tale about three young women set in 1940's Seattle's International District and accompanied by live music--will be produced by Nordo's Culinarium in the summer . This fall and winter, she is teaching and focusing on writing her family memoir/cookbook/graphic novel. You can find her at www.saraporkalob.com
This is the third symposium in ACCA's 'Unfinished Conversations' symposium series. Chaired by Wemba-Wemba and Gunditjmara artist, curator, academic and Co-Curator of Unfinished Business, Paola Balla, with guest panellists Maddee Clark, Neika Lehman, Kate Just, Nina Lykke, this panel discussion set out to identify and question the challenges of blak feminism and intersectionality today in Australia and more widely. Recorded on Wednesday 7 March 2018.
Rev. Melanie is a womanist ethicist, millennial preacher, intellectual activist, and the 2017-18 Visiting Instructor of Ethics, Theology, and Culture at Brite Divinity School in Fort Worth, Texas. She is the Co-Curator of #millennialwomanism forum alongside Liz S. Alexander hosted on the Black Theology Project (btpbase.org) and Co-Creative of The Millennial Womanism Project. In this week's episode, Rev. Melanie along with co-hosts Rev. Tracy Howe Wispelwey and Rev. Dr. Velda Love, reflect on shifting paradigms, the force of millennials in eradicating racism as well as radicalizing young white nationalists, lent and more. Rev. Melanie earned a B.A. in Economics and Political Science from Howard University and a Master of Divinity with a certificate in Black Church Studies from Vanderbilt University Divinity School. Melanie is a Doctor of Philosophy candidate at Chicago Theological Seminary studying ethics, theology, and culture.
Independent art historian and exhibition co-curator Professor Dawn Ades introduces our exhibition, exploring Dalí and Duchamp's unexpected friendship and their shared interests and attitudes to art and life.
“A portrait,” Matisse said, “is a quarrel.” His long, laborious studio sessions were intense sites of contestation between physical resemblance and what Matisse understood to be the more lasting, essential character of the person he was portraying. Such sessions frequently resulted in portraits that did not please their subjects. Art historian and co-curator of 'Matisse in the Studio', Ellen McBreen explores how specific objects from the artist's personal collection – a Yoruba mask, a Buddha bust, and a medieval head – provided alternative models for the visual expression of individuality and identity. roy.ac/matisse
Shelly Govila is one of those super-energetic, passionate TEDsters you’d just love to have on your team. Her team at TEDxWanChai loves her energy as well. She’s very involved in the region, having traveled to TEDxSingapore, TEDxShanghai, and TEDxWeekend (for Organizers). You’ll love getting to know Shelly and will discover new ideas you will want to put to use on your show. Originally from India, she moved to Hong Kong and first was involved in a University TEDx. In 2014 she ran marketing for Wanchai. There’s a lot of TED in her adopted town, three TEDx events in Hong Kong, Wanchai, Hong Kong and Mongkok. She says they have a divide and conquer system, not all the team works on all the events. They do six events a year, which can burn out a single group. We talked at length about their Open Mike night and how tricky it is to pull speakers from the x-patriate community. The ambiance and vibrant nightlife of a music store/bar, with 300 people as the Jury helps them find some exciting ideas and presenters. Everyone gets a rating card and picks 3 to 5 speakers.
In this episode we talk to Daniel Boyd about Defying Empire: 3rd National Indigenous Art Triennial at National Gallery of Australia, Canberra. We discuss Other Worlds Zine Fair with comic maker Nicky Minus, and the Co-Curator of 'A working model of the world' at UNSW Art & Design Galleries, Holly Williams, joins us in the the studio. Tracks by JD Reforma.
This week on Earth Matters you'll get an up close and personal guided tour with Melbourne based Aboriginal Artist Paolla Bella - A Wemba-Wemba & Gundijtmara woman & Co-Curator of the SOVEREIGNTY Art exhibition which is on at The Australian Centre for Contemporary Art (ACCA). Deadly fine indigenous contemporary art on display at ACCA featuring and focussing the solid artforms of Victorian Aboriginal and Islander Artists and on display until 26th March 2017.
Jameson is a writer by trade, a writer by profession. From his Kansas City home base, he travels a lot in an effort to keep the Muse happy and entertained, finding the small hideaways most intriguing. He is a Roving Correspondent for Poetrybay http://www.facebook.com/poetrybay.1152611418123138 and the Co-Curator for the April 2017 KC Poetry Throwdown http://www.spartanpresskc.com/throwdown His work has been published in numerous literary journals and magazines and his solo work “legends of doe hoe” was released by Spartan Press in Feb 2017. Follow Jameson at http://www.facebook.com/dharmabum1945 and https://jamesonbayles.wordpress.com
Chad Alligood co-curated State of the Art: Discovering American Art Now. Alligood’s ongoing work at Crystal Bridges focuses on the collection, presentation, and scholarship of modern and contemporary American art, with an emphasis on the postwar period.
Defying the Quiet: Photography of the Civil Rights Movement in South Carolina was an exhibit organized by the McKissick Museum in October 2013 to highlight and commemorate the many civil rights campaigns across the state of South Carolina during the early 1960s. As the closing event to this exhibit, USC Associate Professor of History and exhibit Co-Curator, Bobby Donaldson, sat down with Dr. Henrie [Monteith] Treadwell to discuss her first-hand account of the Civil Rights Movement. On September 11, 1963, she was one of the first three black students—along with Robert Anderson and James Solomon—to desegregate the University of South Carolina. With a perspective unlike any other, Dr. Treadwell, along with Dr. Donaldson, contextualize the photographs of this show, describing the people, community and world in which she and many others organized, gathered and stood up against segregation and racial discrimination.
The Public Works of Art Project gave artists an opportunity to create art during the Great Depression. Co-Curator of the American Art Museum, Anne Wagner, discusses the federal government and its program to support artists, the artists' lives working on the federal pay roll, and select paintings from the exhibition 1934: A New Deal for Artists.
Fereshteh Daftari, co-curator of Asia Society Museum's Iran Modern exhibition, offers an insider's view of the work on view. (1 hr., 2 min.)
Jane Munro, Co-Curator of the 'Endless Forms: Charles Darwin, Natural Science and the Visual Arts' at The Fitzwilliam Museum, Cambridge (16 June - 4 October 2009) introduces the new podcast series complementing this exhibition, which explores Darwin's influence on 19th-century art. (www.darwinendlessforms.org)
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