Podcasts about jepson center

Join Tamara for an interview with Dana Richardson (b. Sewanee, TN), an artist, muralist, and art instructor at Savannah Christian Preparatory School. Her connection to landscape painting began during a year spent at the Marchutz School of Painting in the south of France.  Dana first moved to Savannah to get her B.F.A. in Painting from SCAD, and is currently pursuing an M.F.A. at the Maryland Institute College of Art, expected to graduate in 2026. In her current work, she explores the re-enchantment of spaces through her subconscious painting method, using automatic processes to channel internal landscapes. Dana returns annually to Ossabaw Island, where she completes a residency to study the unique environment. She currently has a piece installed at Artfields (running through May 3), and in June she and artist Lisa D. Watson will install collaborative work in the Boxed In/Break Out windows at the Jepson Center.  Check out Dana's work and follow her here:  https://www.instagram.com/danawrich/ https://www.danarichardsonart.com/   Tune in and get all the details! 

Join Tamara for an interview with oil painter Darcy Melton, a local native who attended Savannah Arts Academy and then tried fashion school in NYC for a year, before returning to Savannah and the self-directed study of fine art. Her work focuses on portraits (she accepts commissions) and still lifes, and she has taught painting workshops at the Jepson Center and at Arts on the Coast in Richmond Hill. Darcy's mother-in-law is Melinda Borysevicz, a former local figurative oil painter who has moved to Italy, and through her Darcy's been able to gain Italian residency too. She now splits her time between Savannah - look for her in shows at Location Gallery, SLAM, and Isle of Hope Art Fair - and Padula, Italy!    Check out more of Darcy's work and follow her here: https://www.darcymeltonfineart.com/ https://www.instagram.com/darcymeltonfineart/ Topics in their chat include: How Darcy transitioned from watercolor painting to oil, and her advice that if you can work simply, with a limited palette and just one "solvent," moving from watercolor to oil painting is actually way less intimidating and complicated than people tend to think; once she started showing her work in person at a Sulfur Street Fair, and expanding to portrait work, both around 2021/2022, her career rapidly got a foothold; a large part of her art business recently is portrait commissions (she is open if you would like to book one!); juggling trying to learn Italian and/or Neapolitan, the dialect spoken in her town of Padula; and the 2 projects she shares with her husband Nathaniel Mellor - the "Only a Bag" podcast of Italian travel tips, news, and history tidbits, and their art & literary magazine "Pigeon Review," which they started during COVID and hope to reinstate in the near future. P.S. - at some point we could not remember what ASMR actually stands for and I promised to do research, so here it is! "ASMR (Autonomous Sensory Meridian Response) is a relaxing sensation triggered by specific sounds or visuals, often described as a 'tingling' feeling in the head or spine."  Tune in and get all the details! 

Join Tamara for an interview with Julia Roland, a Savannah native who graduated from SCAD earlier this year with a BFA in painting and a minor in art history. The paintings in her portfolio symbolize the many different layers of African American culture and human identity through the juxtaposition of frontal facing confrontational figures, saturated colors, bold shapes, and loose patterns. These paintings are reflections of her identities intersecting as a black, queer woman.  You can view her work in the current FAAA Small Works show at the Jepson Center, through November 26, 2024; at Bobby Bagley's studio/co-op gallery in City Market; and murals at Kim's Cafe and the outside door of a Head Start off of MLK.   Check out Julia's work and follow her here:  https://www.juliaroland.com/ https://www.instagram.com/j.r.art_/  Topics in their chat include: How Julia began showing her work in various Savannah spots as young as 18; she enjoys hand-building her substrates and using a jigsaw to cut out organic shapes for her wood panel art; she's always been into design and pattern but didn't want to create strictly abstract paintings, so her current work is portraits with abstract backgrounds; to build up the abstraction she relies on the underpainting to guide her, letting areas peek through or inform a pattern she's going to emphasize; creating murals at Kim's Cafe on MLK, including a portrait of MLK, Malcolm X, and the owners' mother, Kim (and thus the pressure to get portraits right when they're of recognizable people); what is a collagraph and why is it a good printmaking process for someone with a small working space?; her collagraph inspired by her experiences with roommates of different races and thinking about the differences in their hair; the challenge of using a handheld jigsaw to cut out her organic-shaped panels - it has to be thick enough to cut cleanly, but if it's too thick then the piece is very heavy, so Julia likes 1/4" plywood or a small piece of birch; her upcoming group show at Swan Coach House Gallery in Atlanta; her best advice to young artists who are looking to to find their style, message, and audience: thinking of creating art as a lifestyle and not a career, so that you find success in your productivity and not necessarily in your sales.    Tune in and get all the details!

Join Tamara and David for an interview with Autumn Gary, a largely self-taught American/First Nations painter, sculptor, and art instructor from Portland, Oregon. Her practice revolves around therapeutic art outreach, public art, and intertribal collaboration with indigenous/native arts communities. Mark your calendar: Autumn and Alexis Javier (of Sulfur Studios) will have a joint exhibition at the #art912 space in the Jepson Center from July 19 until next February 9, with an Artist Talk & Reception on July 18!  Check out Autumn's work and follow her here: https://www.instagram.com/autumn.gary.art/ https://www.telfair.org/exhibitions/of-one-mind/  Topics in their chat include: Growing up in an artistic and inclusive environment; making pilgrimages to the Kahnawake Mohawk Territory in Quebec; learning the Mohawk language and discovering how many words and feelings are untranslatable between it and English; having moved to Savannah in 2008, largely as the result of a dream; her sculpture project at the Savannah Center for the Blind and Low Vision, which was a collaboration with the blind users of the center; the center's Training Sidewalk, which recreates the various topographies of a city, so blind people can practice getting around; what she and AJ are planning for their collaborative sculpture and immersive Jepson Center exhibition coming up in a few months; the unstructured way she teaches at the Telfair's art summer camps; the awesome surfing metaphor we came up with toward the end of the show; and dancing with seniors.  Tune in and get all the details!   * And some cool podcast news: Feedspot has highlighted Art on the Air as one of the Top 3 Georgia Art Podcasts on the web. Hooray!  https://blog.feedspot.com/georgia_art_podcasts/

Christian Kessinger, Julie Mitchell and Ann Kloeckner:  Talk about a housing guide and evictions, domestic violence, divorce, custody and protection orders. 50 years for Legal Aid Works. Celebration August 24th at the Jepson Center at UMW.   Ticket info at legalaidworks.org/50th-anniversary/

Join Tamara for an interview with William Kwamena-Poh, who moved from Ghana to the U.S. as a young man. After studying art in college, he eventually arrived in Savannah in 1995 and has been here ever since. He's a full-time artist with a City Market studio, a busy schedule of selling (and winning awards) in art fairs across the country, and he even had a solo exhibition at the Jepson Center for the Arts in 2019-20. Through his gouache paintings, William depicts scenes from Ghana, in order to communicate to diverse communities about a people who have been disenfranchised and viewed negatively throughout the years.  Also, William was one of 5 artists profiled in the recently-released Savannah episode of the Amazon Prime show "The Story of Art in America!" https://www.williamkfineart.net/ https://www.instagram.com/kwamenapoh/  Topics in their chat include: being taught to draw without holding/using an eraser; how making $600 in a 1-night art show in Chicago in the late 80s made him move there; how screenprinting teaches you to really pare down your work's shapes and colors; his philosophy on being open to bargaining when you sell art at fairs; opening his City Market studio AND a gallery in 1996; how he started painting with gouache literally because a tube cost less than a tube of watercolor; his love of driving cross-country for shows; and working toward a big museum show coming up in 2025 at the Dennos Museum in Michigan.   Tune in and get all the details!

Join Tamara and David as they interview Erin Dunn, Curator of Modern and Contemporary Art at the Jepson Center. Her retrospective "Feels like Freedom: Phillip J. Hampton," has recently opened and will run through January 2023, and you have to go see it!  We chat about how Erin got into curation, tips and advice for anyone looking to enter the field, and the steps a museum takes when art arrives for an exhibition and needs to be checked over for any degradation, plus lots of specifics about the Hampton exhibition and his incredible artistic range.  Toward the end David gets to ask her his favorite query, and she really knocks it out of the park! Connect with Erin and her curatorial life here: https://www.instagram.com/erindunn_art/ https://www.telfair.org/exhibitions/feels-like-freedom/    Bonus - a mini-interview with painter Laura Till Barton (at 56 minutes) about her most recent series of large-scale figures and interiors.   https://www.instagram.com/laura_barton_fine_art/  Get the answers to such burning questions as: What are Erin's favorite and least favorite aspects of being a curator? What were the steps involved for her to curate and put up her current exhibition? How did Philip J. Hampton's work run the gamut from social realism and speaking about the Black experience in Savannah, to the expressionist/conceptual art that had begun to boom in the art world in general?  Why might artists want to avoid making too much work on newsprint?    Tune in and find out!

On this week's episode of Art on the Air we're pleased to present our long form interview with Noel W. Anderson and Erin Dunn about Anderson's "Heavy Is The Crown," his brilliant new exhibition at the Jepson Center! Recorded via zoom from Anderson's home in Brooklyn, the multi-disciplinary artist will guide us through the philosophical underpinnings of the exhibition, as well diving deep into the meaning and purpose behind many of the works included in the show. Special thanks to Telfair Museums' Curator of Contemporary Art Erin Dunn for her guidance and help in setting up this very special interview with one of today's premiere contemporary artists! Do. Not. Miss. It!

On this week's episode of Art on the Air, we're excited to present our Field Note with Sauda Mitchell!   This very special interview was recorded LIVE from the Jepson Center's #art912 gallery, and includes an audio tour of Mitchell's incredible exhibition "Re-Cor-Dare" hosted by the artist herself!   A deep and powerful discussion that you won't want to miss!

The Secular Reliquaries of Therman Statom Therman Statom – sculptor, glass artist, and painter – is most notably known as a pioneer of the contemporary glass movement for his life-size glass ladders, chairs, tables, constructed box-like paintings, and small-scale houses; all created through the technique of gluing glass plate together. Sandblasted surfaces become a canvas for spontaneous vibrant colors and line work, which take nuances from Abstract Expressionism and concepts of Minimalism, while simultaneously incorporating a twist by using blown-glass elements and found objects.  Born in Winter Haven, Florida in 1953, Statom spent his adolescence growing up in Washington, D.C. His interest in the arts grew from a fondness of painting and he began to investigate ceramics at RISD. However, after an experimental glassblowing session with Dale Chihuly, he was soon hooked on the spontaneity of hot glass and its limitless possibilities. Statom went on to pursue studies at Pilchuck Glass School during its inaugural year, completing a BFA in 1974 from RISD, and later studied at the Pratt Institute of Art & Design.  Throughout his career, public artworks have been permanently installed at prominent locations including the Los Angeles Public Library, Corning, Inc. Headquarters, the Mayo Clinic, San Jose Ice Center, the Toledo Museum of Art, and the Jepson Center for the Arts in the Telfair Museum, Savannah as well as several hospitals across the country.  Statom’s artwork appears in numerous exhibitions annually, including solo and group shows around the nation and internationally. Over the span of his career, he has completed over 30 large, site-specific installations. Most notably in recent years, his 2009 solo exhibition Stories of the New World, at the Orlando Museum of Art, which spanned over 5,000 square feet, has been his largest installation to date. Exploring themes related to Juan Ponce de Leon’s 1513 search for the fabled Fountain of Youth as a point of departure, the installation referenced historic and contemporary themes of hope, discovery, ambition, and destiny. Visitors traversed the gallery space consisting of a mirrored maze, panoramic glass wall mural, a room-size structure built entirely of glass, and video projections. In conjunction with the exhibit, Statom partnered with the educational department of the OMA and the Zora Neale Hurston National Museum of Eatonville to work with over 80 young students to create a work of art titled “Glass House,” which was a large, walk-though structure built from glass boxes designed by the children. The piece was later displayed at the annual summer community festival.  Much of the latter half of Statom’s career has been focused on the importance of educational programming within the arts. He has taken a deep interested in employing workshops as a catalyst for social change and in affect, positively impacting a community. Working directly with the artist himself, adults and children alike share a combined experience of exploring art making via a hands-on experience. Inhibitions and limitations are left by the wayside, and the practice or act of “doing” becomes a journey of self-discovery, creating an opportunity for the participant to go to a new place within themselves. Says Statom: “I believe art can be understood both conceptually and intuitively. I think there is a need for the general public to come to an understanding that to appreciate art and creativity they must trust his or her self; that extensive education is not a prerequisite for understanding art. Much of what I do is seeded in what is more of an intuitive process; a large portion of my work is exploring these processes within people and their environments. “The fact is, I believe that creativity is a part of all aspects of what people do; my studio and educational efforts via workshops and the support of outside programming, general educational and cultural institutions, are a reflection of this belief. I feel that art is tool for empowerment and education. It’s also a viable tool to investigate positive change and engage a culture through exploration.”  

On this week's episode of Art on the Air we're pleased to welcome Erin Wessling into the studio! Wessling is the founder of W Projects, which is responsible for a number of high profile projects in Savannah including the A-Town Get Down Festival, Mossterpiece at Judge Realty, and the Pavement-to-Parks installation with The Revival Society as a part of CNU.26 Savannah.Additionally, we'll be broadcasting TWO Field Notes: First, we spoke with Dana Richardson from the Jepson Center about her new mural project curated by Erin Dunn as part of the #art912 initiative; and we talked to Kate Greene about "On The Line," a show highlighting the worldwide refugee crisis.You won't want to miss it!

On this week's episode of Art on the Air we're excited to invite several members of the Savannah Art Association into the studio! We'll be delving into their 100 year history, including their corresponding Jepson Center for The Arts exhibition and their On::View Residency at Sulfur Studios!Plus we'll be broadcasting THREE Field Notes!We spoke with Tate Ellington at the new Washed Ashore Collective. We met with Bradley Collins at the new exhibition space at Moodright's. AND we chatted with Parker Stewart about his upcoming show at Starland Yard.Listen in!

Ghanaian artist William Kwamena-Poh is a mostly self-taught painter whose work is familiar to many in Savannah, where he’s been a resident since 1995. He joined me on this week’s episode of Art on the Air to discuss how he came to be an artist and his current exhibition “The Journey Is Mine: Chapter One,” at Telfair Museum’s Jepson Center. Read the full column on DoSavannah.com

Art on the AirWe journey into the field this week, with three on-site interviews!We head down to the Jepson Center to have a nice, long discussion with Curator Rachel Reese and Artist Suzanne Jackson all about Suzanne’s “Five Decades” career survey exhibition, opening June 28th!We pop on over to a local coffee shop to sit down with illustrator Kristen Haffke to get all of the details on the book project she’s just completed work for, a lovely children’s story called “Willow & Oliver in The Case of the Missing Sock,” produced in collaboration with NYT best-selling author of ‘Pete the Cat’ Kim Dean!And we catch up with Kevin Clancy at their new project space “The Hen House!” Links:Suzanne Jackson Five DecadesFacebook - Art on the Air Instagram - Art on the Air

Back from a Deep Dive in Savannah, Joe and Matthew reflect on their visit and their conversation with curator Rachel Reese. Stops at The SCAD Museum of Art and the Jepson Center – part of the Telfair Museums – are included. Exhibitions by Jose Parla, Carlos Cruz-Diez, and Chiharu Shiota, are discussed. The day’s audio […] The post . . . But, That’s Savannah | Episode 18 appeared first on Brain Fuzz.

While on a Brain Fuzz Deep Dive in Savannah GA, Joe and Matthew are joined by curator Rachel Reese. In a first for Brain Fuzz, the conversation is simulcasted live from the Jepson Center on KCHUNG radio. More about that in the podcast. They discuss museums and the life of a curator. Along the way, […] The post The KCHUNG Simulcast With Rachel Reese | Episode 17 appeared first on Brain Fuzz.

Here's a piece of art history you may not know. Telfair Museums, located in Savannah's beautiful historic district, happens to be the oldest public art museum in the South. Founded by a woman (!), it is comprised of the Telfair Academy of Arts and Sciences, the Owens-Thomas House, - a National Historic Landmark, and the Jepson Center, devoted to contemporary art.   Lisa Grove is Director/CEO of Telfair Museums. Her leadership, vision and guidance have helped make Telfair Museums a dynamic center for the local community, serving more than 180,000 visitors each year. Join Lisa on this 'insider' tour of these three special and distinct sites.

After studying photography in Southern California, Dan Winters  finished his formal education at the film school of Ludwig Maximilian University in Munich, Germany. He began his career in photography as a photojournalist in his home town in Ventura County, California. After winning several regional awards for his work, he moved to New York City, where magazine assignments came rapidly. Known for the broad range of subject matter he is able to interpret, he is widely recognized for his unusual celebrity portraiture, his scientific photography, photo illustrations, drawings and photojournalistic stories. Dan has won over one hundred national and international awards from American Photography, Communications Arts, The Society of Publication Designers, PDN, The Art Director's Club of New York, Life Magazine, and won the world press photo award in the portrait category, among others. He was also awarded the prestigious, Alfred Eisenstaedt Award for Magazine Photography. In 2003, he was honored by Kodak as a photo "Icon" in their biographical "Legends" series. He has had four exhibitions of his personal work in galleries In New York and Los Angeles and had a book of his magazine work entitled Dan Winters: Periodical Photographs published in 2009 by Aperture. In addition, he has photos in the permanent collection of the National Portrait Gallery at the Smithsonian, the Houston Museum of Fine Art, the Harry Ransom Center in Austin and the Wittliff Collection at the Jepson Center for the ARts/Telfair Museum in Savannah, GA. He has published several books of his photography. His latest is The Grey Ghost: New York City Photographs.   Resources: Dan Winters The Grey Ghost: New York City Photographs Irving Penn Francis Bacon: Work on Paper }} Fahey Klein Gallery   Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Click here to download for Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button.

After studying photography in Southern California, Dan Winters  finished his formal education at the film school of Ludwig Maximilian University in Munich, Germany. He began his career in photography as a photo journalist in his home town in Ventura County, California. After winning several regional awards for his work, he moved to New York City, where magazine assignments came rapidly.  Known for the broad range of subject matter he is able to interpret, he is widely recognized for his unusual celebrity portraiture, his scientific photography, photo illustrations, drawings and photojournalistic stories. Dan has won over one hundred national and international awards from American Photography, Communications Arts, The Society of Publication Designers, PDN, The Art Director's Club of New York, Life Magazine, and won the world press photo award in the portrait category, among others. He was also awarded the prestigious, Alfred Eisenstaedt Award for Magazine Photography. In 2003, he was honored by Kodak as a photo "Icon" in their biographical "Legends" series.  He has had four exhibitions of his personal work in galleries In New York and Los Angeles and had a book of his magazine work entitled Dan Winters: Periodical Photographs published in 2009 by Aperture. In addition, he has photos in the permanent collection of the National Portrait Gallery at the Smithsonian, the Houston Museum of Fine Art, the Harry Ransom Center in Austin and the Wittliff Collection at the Jepson Center for the ARts/Telfair Museum in Savannah, GA. www.danwinters.com www.laurencemillergallery.com/artist_metzker.htm www.thecandidframe.com info@thecandidframe.com