Podcasts about risd

Grace and Alvina revisit the "bucket lists" they created in 2005, see what they've already crossed off, and create updated lists. For the Fortune Cookie segment, they talk about some recent changes at Scholastic Publishing. And then, Alvina tells Grace about the new book WHAT IF WE... by Eugenia Yoh and Vivienne Chang. And they end as they always do with what they're grateful for. See complete show notes at www.bookfriendsforever.com. Click here to become a Patreon member: https://www.patreon.com/Bookfriendsforever1. See info about Grace's new book "The Gate, the Girl, and the Dragon": https://linktr.ee/gracelinauthor. Follow us on Instagram: https://www.instagram.com/bookfriendsforever_podcast/

Episode 478 / Butt JohnsonButt Johnson (b.1979, Ramapo, New York) earned a BFA in painting from RISD and received a Pollock-Krasner Fellowship in 2010. His work is included in the Whitney Museum of American Art in New York, the Spencer Museum of Art in Lawrence, KS and the RISD Museum. He is a founder and partner in the Klaus von Nichtssagend (Neek-saa-gundt) Gallery in New York. He has exhibited at the Luther W. Brady Art Gallery at George Washington University, the Abrons Art Center and CRG Gallery, both in New York.The Canopy Program is now accepting applications for the 2025-2026 cohort cycle -  led by faculty mentors Amir H. Fallah, Sharon Butler, Catherine Haggarty, Meg Lipke, Clare Grill, and Jessica Dickinson. Founder and executive director Catherine Haggarty will be hosting information sessions where all questions can be answered - to RSVP, learn more and apply by July 26thplease visit www.nyccritclub.com www.nyccritclub.comIG is @nyccritclub and @the_canopy_program_

Have you ever had a moment when everything you thought you knew about your path suddenly shifted? In today's episode, I sit down with textile artist Qualeasha Wood, whose innovative work bridges digital imagery with traditional craft techniques. She reveals the unexpected moments that led her from a completely different path into textile art. Qualeasha also shares the profound encounter that changed the trajectory of her art practice. Through stories about family, creativity, and finding her authentic voice, Qualeasha offers powerful insights for any artist navigating their creative journey. Chapters 00:00 Introduction to Qualeasha Wood and Her Art Journey 02:57 The Impact of Family and Community on Creativity 06:06 Early Influences and the Search for Representation in Art 08:53 Navigating the Art World: From Discouragement to Discovery 11:47 Finding a Medium: The Shift from Illustration to Printmaking 15:02 The Role of Textiles in Qualeasha's Artistic Expression 18:08 The Influence of Faith Ringgold and Career Shifts 21:09 Exploring Printmaking and the Intersection of Art and Identity 24:35 The Journey into Textile 27:50 Exploring Identity through Art 32:08 The Evolution of Artistic Mediums 37:12 Navigating Graduate School Decisions 41:00 Redefining Success in Art 47:35 Legacy and Impact through Textiles   Connect With Qualeasha: Website: Qualeasha's Website Instagram: Qualeasha Wood Support the Show Website: Martine SeverinFollow on Instagram: Martine | This Is How We CreateSubscribe to the Newsletter: Martine's Substack This is How We Create is produced by Martine Severin. This episode was edited by Santiago Cardona and Daniel Espinosa. Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives  

Join me as I sit down with the remarkable Jen White, founder of Drawing from Memory, a thriving creative agency she's been running for over 20 years. In this captivating conversation, Jen takes us through her unconventional journey from a rural Vermont childhood to becoming a successful entrepreneur who built her business from the ground up. Jen shares her early experiences growing up in a traditional New England family where money was never discussed, her bold decision to attend boarding school at 14, and how she pieced together her first business while bartending in Vermont after graduating from RISD. We explore her strategic move to Colorado with just one cornerstone client, her savvy real estate investments that started with only $1,500, and the creative partnership with her husband that has shaped both their personal and financial decisions. Throughout our discussion, Jen opens up about the realities of entrepreneurship, from learning to price her services to navigating the challenges of raising two kids while running a business. She shares valuable insights on teaching financial literacy to her children, experimenting with alternative wealth-building strategies, and her surprising contemplation of leaving her successful 24-year business to work for a corporation. This episode is packed with practical wisdom for creative entrepreneurs, insights on building wealth through strategic investments, and honest reflections on the intersection of creativity, business, and family life. Key Topics: How to price your creative services when you have no experience or market reference points Building a business through word-of-mouth marketing while working other jobs to support yourself Making strategic real estate investments with minimal capital and turning small investments into long-term wealth Navigating finances as a couple when one partner is an entrepreneur with irregular income Teaching kids about money through transparency and real-world budgeting exercises Alternative wealth-building strategies beyond traditional employment, including buying and scaling small businesses When and why a successful entrepreneur might consider leaving their business for corporate employment Connect with Jen online: Website: https://drawingfrommemory.com/   Find more from Syama Bunten: Instagram: @syama.co, @gettingrichpod Website: https://syamabunten.com/ Download Syama's Guide to Getting Rich: www.syamabunten.com Big Delta Capital: www.bigdeltacapital.com

Talking with HSURAE, artist, educator, bio-researcher on embodied questions, the art of making glass phantom limbs, mirror box therapy as speculative philosophy, and why the body is already a site of perpetual augmentation. On weaving high heels out of softened bone, gut microbiome colonialism, intergenerational sequencing with her grandmother, karaoke as mistranslation engines, and the limits of empathy as pedagogical virtue. On scar tissue as kintsugi, feces as a portal to human agency, and fibroblasts growing on glass not as object but as time-bound collaborator. Exploring tongue-based sight devices, bone extracts spun into jewelry, human ears grown on arms, and why all bodies are partially disabled, already entangled in the flows of medical devices, nationhood, and post-human speculation. On the ecological horrors of processing ultra-purified water, the irreducibility of artificial intelligence as an aesthetic quality, prayer rituals for semiconductor droughts, and what it means to make “Taiwanese art” in the age of AI. Also: on collecting rocks, deep time, and the slow, sacred practice of stitching of identity and memory into human hair.On SpectrumsThis dichotomy between abled bodies and disabled bodies is not necessary or a helpful differentiation - all of our bodies are essentially disabled or disability is something that all of us would have to come to terms with earlier or later. I see it really as a flow instead of distinct categorizationsOn Art for Generating QuestionsI studied occupational therapy and I worked as a therapist… but during that time I would visit art museums by myself. And in those visits I found that there was a sort of opening or space within art that seemed to be like inviting curiosity, inviting questions, and experimentation that I, I had not encountered in my previous studies… But there were moments during my education to study to be a therapist where I found myself asking questions that were unanswerable or coming up to the limits of empirical reasoning... I wasn't trying to look for answers, really. I was looking for a space where I could ask more questions… On Ultra Pure Water TSMC alone accounts for 38% of the country's daily water usage.And it's not even enough. They still like purchase water from construction sites, for example, because the creation of AI chips requires like thousands of washing with what's called ultra pure water. So it's like water that is a thousand times pure than tap water.On the SpiritualI collect rocks wherever I go, and I wouldn't say I worship the rocks, but that seems to be the closest spiritual practice in my life.Visit hsurae.com/ for more information. Postscript from Rae:Regarding the Phantom Limb Series: It came together with the help of many: TAs, classmates, faculty at RISD. In glassblowing, especially with large or experimental forms, it's almost never a solo effort. There's an improvised choreography in the hot shop, and I leaned heavily on that. At the time, I didn't always know how to properly credit that kind of fluid, mutual support. But over the years, I've become more intentional about acknowledging those contributions.That ethos continues in my current work. Two of my ongoing projects are being developed under a loose, evolving collective called Lythologies. It's not a fixed group, but rather a dispersed, flexible way of holding collaboration, one that shifts and grows with each project.Also, I wanted to highlight two upcoming exhibitions:* Stories Written by the Sky, NTMoFA, Taiwan (10/25–12/14) (* Human Machine, EWERK Luckenwalde, Germany (9/20–12/14)Selections and images of some of Hsurae's pieces discussed during interviewAll photos credit: hsurae.com/ Get full access to Leafbox at leafbox.substack.com/subscribe

Send us a textThis week, Wes and Todd talk with visual poet, Monica Ong. Monica discusses her early journey with art, getting her MFA from RISD, integrating poetry with her visual art practice, experimentation & play, her first book “Silent Anatomies”, her poem "The Attic", sculptural types of poems, her interest in astronomy, process & evolution of the work, the blurring of boundaries & thinking outside of the box, the importance of connection, design being rooted in the lyric and narrative, her family history and how it influences her work, Buddhism and her practice, routine, balancing family and work, being an example to her son and young people, phases of the making, creating a user experience, insomnia, curiosity & questions, identity, philosophy, her new book “Planetaria”, “The Star Gazer”, asterisms,  her poem “Lunar Volvelle”, her micropress “Proxima Vera”, when it's time to publish a book , being awarded a United States Artists Fellowship, her poem " Jade Insomnia", and the importance of support.Join us for a fabulous conversation with Monica Ong!Check out Monica's work at her website -  www.monicaong.comVisit Monica's micropress, Proxima Vera, at www.proximavera.comFollow Monica on social media:Instagram - www.instagram.com/proximavera/@proximavera

Philipstown artist mounts first solo show When Lisa Diebboll needs inspiration for her landscape paintings, she walks next door from her Philipstown home to a town park that has a meadow and pond. "It's like a laboratory" for creativity, she says. The artist's first solo show, Between Observation and Abstraction, continues through May 31 at the Buster Levi Gallery in Cold Spring. The Rhode Island School of Design graduate says the abstract and formal work together to make a landscape come alive - "all of sudden everything makes sense when you look at it." But, she says, she has little interest in abstraction alone. "I need reality." "I'm looking for certain juxtapositions of shapes and colors, and I use them as my jumping off point," adds Diebboll, who co-owns The Highland Studio, a fine art printmaking business off Route 9 that she established 28 years ago with her husband, Joe. She studied painting and printmaking at RISD (where she met Joe, also a graduate of the school). "I love printmaking and the process," she says. "I love that way of thinking about images and imagery." The business "turned into a way for us to stay in the art world and have a career that could support a family." Lately, Diebboll has taken a step back from the printing business. "In the past five years I've been working to get back to my first love, which is painting, and it's where I'm happiest," she says. To reach that goal, Diebboll reclaimed a home bedroom as a studio. The Buster Levi show includes 15 oil paintings, as well as prints and sketches. A few paintings are framed conventionally, but Diebboll otherwise used a light aluminum support onto which she affixes her works on linen. The aluminum is attached to wood that can be suspended from the gallery's hooks. The result: a strong, light panel that is easier to store than the usual stretched canvas and can be displayed with or without a frame. "Chartreuse and Ultramarine Violet Receding" (2025) "Quarry - Fractured, Askew" (2024) "Squirrel Island Assemblage" (2025) "Tree Figures" (2025) In the works, Diebboll's greens and blues are in dialogue with salmons and pinks; some are energized by yellow and orange. In one small piece, a modest house peeks through trees; hills inject diagonal verve into others. Diebboll says it gives her satisfaction to explore the interplays. Growing up, her family leaned into science more than art, but her father was an accomplished painter in pastels. She remembers being transfixed by her parents' oversized art books, which she would spread open on the floor to gaze at the images. "I always wanted to put marks on paper and draw or paint what I saw," she recalls. Spying her young daughter's interest, Diebboll's mother enrolled her in oil painting lessons; she continued with the same teacher through high school. Diebboll's own two daughters studied art but did not pursue artistic careers. One works in biological and environmental science and the other in the food industry. The opening of her show on May 3 was "a perfectly lovely evening," Diebboll says. She sold several paintings. "My biggest goal now is not to lose the thread and to keep going with the path that I've established." The Buster Levi Gallery, at 121 Main St. in Cold Spring, is open from noon to 5 p.m. on Saturdays and Sundays, or by appointment. See busterlevigallery.com.

In this episode of The Photo Detective, host Maureen Taylor welcomes Emily Banas, Associate Curator of Decorative Arts and Design at the RISD Museum, to explore the captivating world of French wallpaper. Their discussion centers on The Art of French Wallpaper Design exhibition, diving into the artistry, craftsmanship, and cultural legacy behind these historical wall coverings.The RISD Museum's collection of 18th and 19th-century French wallpaper—originally acquired in 1934—is showcased for the first time in decades, highlighting woodblock-printed designs from 1770–1840.The collection was assembled by French artist Charles Ard and American author Francis Wilson Ard, who sourced wallpapers for famed interior decorator Nancy McClelland.Visitors learn about the intricate woodblock printing method, with some designs requiring up to 20 blocks. A reproduction project by Delphi Paper Hangings brings these methods to life.Related Episodes:Episode 255: The Power of Knitting: History, Healing, and Resilience in Loretta Napoleoni's BookEpisode 241: The Threads of Life: Unraveling the Rich Tapestry of Sewing with Author Clare HunterLinks:The Art of French Wallpaper DesignSign up for my newsletter.Watch my YouTube Channel.Need help identifying family photos? Check out The Family Photo Detective ebookHave a photo you need help identifying? Sign up for photo consultation.About My Guest:Emily Banas is the Associate Curator of Decorative Arts and Design at the RISD Museum in Providence, Rhode Island where she has been working since 2015. Her recent exhibitions span from design works on paper and contemporary enamelwork to historic wallpaper, reflecting a broad, interdisciplinary approach examining form, style, material, and use across 18th to 21st century decorative arts, craft, and design. She earned an MA in decorative arts, design history and material culture from the Bard Graduate Center in 2015, and an MA in art history and museum studies, with a concentration in decorative arts and design, from Georgetown University in 2012.About Maureen Taylor:Maureen Taylor, The Photo Detective® helps clients with photo related genealogical problems. Her pioneering work in historic photo research has earned her the title “the nation's foremost historical photo detective” by The Wall Street Journal and appearances on The View, The Today Show, Pawn Stars, and others.   Learn more at Maureentaylor.com I'm thrilled to be offering something new. Photo investigations. These collaborative one-on-one sessions. Look at your family photos then you and I meet to discuss your mystery images. And find out how each clue and hint might contribute to your family history. Find out more by going to maureentaylor.com and clicking on family photo investigations. Support the show

Season 4 will feature interviews with Jo Sittenfeld MFA 08 PH, Hanson Cheng BArch 16, Miguel Lastra MFA 22 CR, JooHee Yoon 11 IL, Lindsay Degen 10 TX, and Vincent Brathwaite 05 ID. Supported by the RISD Alumni Association.   Pulling on the ThreadRISD Alumni on Instagram

In this candid and richly layered episode, Emily sits down with artist and actress Jemima Kirke for a conversation that unfolds with wit, depth, and honesty. Best known for her role as Jessa in HBO's Girls, Jemima is also a RISD-trained painter whose work explores vulnerability, womanhood, and identity through a deeply personal lens.Jemima opens up about the nuances of balancing visibility in the film world with the more private act of painting, the impact of motherhood on her creative process, and why she remains uninterested in pleasing anyone but herself when it comes to making art.The interview was photographed by the inimitable Matthew Tully Dugan, who captured Jemima at home—images as intimate and magnetic as the conversation itself.As always, The Art Career Podcast is brought to you by a small but passionate team. These unscripted, heartfelt dialogues are made possible by a community that values art, storytelling, and truth. Thank you for being here.Jemima Kirke is a British-American actress and visual artist. She rose to prominence for her role as Jessa Johansson on the HBO series Girls, and has since starred in acclaimed projects such as Conversations with Friends, Maniac, and Sex Education. A graduate of the Rhode Island School of Design, Jemima's first love is painting—her figurative works often exploring themes of intimacy, identity, and the complexities of womanhood. Her art has been exhibited in both the U.S. and the UK, and she continues to cultivate a multidisciplinary practice that defies easy categorization.

Randy talks with Artist/Painter/Musician Sebastian Blanck about his early days at RISD, playing in Black Dice, Injuries, inspiration and abstraction. https://sebastianblanck.com/ https://www.milesmcenery.com/artists/sebastian-blanck https://www.instagram.com/sebastianblanck/?hl=en

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode, Emily features Daisy Nam, the director and chief curator at the Wattis Institute of Contemporary Arts. Daisy discusses her journey from growing up in Los Angeles to her roles at prestigious institutions like NYU, Columbia, Harvard, and Marfa Ballroom. She shares insights on the significance of art spaces in cities, her love for art books, and memorable exhibitions, particularly the current 'Steady' sculpture show involving artists Esther Partegas and Michelle Lopez. Daisy highlights the unique aspects and challenges of working in the contemporary art world, emphasizing the importance of maintaining art spaces and building partnerships within the art community. Daisy also shares her personal experiences and perspectives on art and nature in Northern California.About Curator Daisy Nam:Daisy Nam is the director and curator of CCA Wattis Institute of Contemporary Art in San Francisco, which opens their new galleries on the expanded campus in Fall of 2024. Previously, she was at Ballroom Marfa, a contemporary art space dedicated to supporting artists through residencies, commissions, and exhibitions, first as the curator in 2020 and then the director and curator in 2022. From 2015–19, she was the assistant director at the Carpenter Center for the Visual Arts, Harvard University, managing the administration  and organizing programs, exhibitions, and publications. From 2008–2015, she produced seven seasons of talks, screenings, performances, and workshops as the assistant director of public programs at the School of the Arts, Columbia University.Curatorial residencies and fellowships include: Marcia Tucker Senior Research Fellow at the New Museum, New York (2020); Bellas Artes, Bataan, Philippines (2020); Surf Point in York, Maine (2019); Gwangju Biennale Foundation, Korea (2018). She holds a master's degree in Curatorial and Critical Studies from Columbia University and a bachelor's degree in Art History and Cinema Studies from New York University. She has taught at RISD, and lectured at Lesley University, Northeastern, SMFA/Tufts, SVA as a visiting critic. She co-edited a publication, Best! Letters from Asian Americans in the arts withPaper Monument in 2021.CLICK HERE to learn more about Daisy. CLICK HERE to connect to The Wattis InstituteCLICK HERE to get more info about the Wattis exhibition 'STEADY' --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

More and more in today's fashion industry, women are the ones in charge and designing for themselves instead of for some unrealistic societal ideal. Kimberly Becker is doing this and going a step further for women's rights with her brand K. Becker. In episode 111, hear how politics, feminism, and sustainability guide her work and how she's using fashion to give back to causes that support women across the globe. Kimberly started this journey as a Textile Major at RISD. After graduating, she worked in the garment district of Manhattan for about a decade off and on – beginning at Liz Claiborne, and then moving to upholstery fabric design, always focused on designing the fabrics. Kimberly's time at Liz Claiborne gave her priceless experience, both about how the business was run and also in getting exposure to the suppliers and manufacturers from around the world. Fast forward 25 years and she is creating art focused on women's rights. Her House Dresses and Dolls for Change were both discussions about how women are still facing an uphill battle in the world. Someone asked her why she wasn't designing clothing. They loved the way the dolls Kimberly was making were dressed. It took about 6 months for Kimberly to find the courage to try. That decision was life-changing. She's one year in and the brand is settling into the collection and message she feels fits what she was aiming for. K.Becker is a collection of sustainable pretty things that fit and flatters real women's bodies. Empowering women is vital. When we feel beautiful we are a force. All clothing is sewn in NYC, and knit in Brooklyn and the company is an all-women team. Kimberly donates 5% of all profits to women-focused causes. In this episode, you'll learn: The two sides of feminism in fashion and where Kimberly sees both in the industry today How politics and women's rights activism sparked the idea for K. Becker Why Kimberly moved away from describing her brand as petite The thing that Kimberly asks her focus groups of women to bring The balance between being too corporate and too personal as a brand The core message and values that guide K. Becker How Kimberly met her factory and patternmaker The importance of consistency Why Kimberly doesn't like to use blended fiber materials How Kimberly's background in textiles influences her fabric and apparel design decisions People and resources mentioned in this episode: K. Becker website (use code "Fitting20" for a 20% discount!) K. Becker Instagram Kimberly's email Kimberly's LinkedIn Jane Hamill - Fashion Brain Academy - fashion business coach Do you want fashion business tips and resources like this sent straight to your inbox? Sign up for the How Fitting newsletter to receive new podcast episodes plus daily content on creating fashion that fits your customer, lifestyle, and values.

Hannah Lupton Reinhard's paintings always have a consistency in intent, and yet an interpretation of intention seems to be flexible for some, perhaps even malleable. The theme of moving goal posts to secure your own meaning is rife in modern society, perhaps more so than ever as we all have the unique ability to erase our own history so easily. We all, at the touch of a button, can share and manipulate our opinions, often in an instant. I don't know if we, as a collective, were ready for this, and we are struggling. We are angry. We are confused. Reinhard has been making paintings about being Jewish since her time at RISD, has explored Jewish "displacement, diaspora, and the weight of inherited identity." In her celebratory work, she speaks of something quite universal: the complex idea of home and, as she notes from the philosopher Judith Butler, "that cohabitation—living among and alongside others—is central to Jewishness itself." As war in the Middle East began to explore, her work was being re-evauluated, her inclusive opinions causing her anger from her community and re-reading of her artwork that was never her intention. It brought out broader conversations about coexistence, and how a proudly Jewish artist can criticize Zionism while remaining as proud of her heritage as ever? In this conversation on the Radio Juxtapoz podcast, Evan Pricco speaks with Reinhard at Rusha & Co just as her solo show, Are We Here Yet? was opening. They spoke about how the fires in Los Angeles gave her work an extra dimension, finding identity in art school and how she painted through a major shift in her public life and how it caused a uncertainty in her private life. (Editor's note: Click here to see imagery that connects with the conversation, a gives context for some of Reinhard's older works)Radio Juxtapoz' Unibrow podcast is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 155 was recorded in Los Angeles on February 12, 2025 Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠

Today, I'm thrilled to be joined by Coral & Tusk founder, Stepahnie Housley. Stephanie is someone whose work beautifully embodies the art of storytelling through collecting and creativity and her journey is nothing short of inspiring. Growing up in the Ohio Valley, she cultivated a deep appreciation for nature and found objects—traits that became the foundation for her unique creative voice. After studying textile design at RISD, she spent 15 years as an interior textile designer in New York City. But in 2007, with a single embroidery machine in her Brooklyn apartment, Stephanie took a leap of faith and started Coral & Tusk, a brand now celebrated for its spirited embroidered textiles and home goods.What sets Coral & Tusk apart is the magic of Stephanie's process: every design begins as her original hand-drawn illustration before being meticulously translated to cloth. Today, Stephanie calls the mountains of Wyoming home—a setting that feels perfectly aligned with Coral & Tusk's celebration of nature and imagination.We delve into the idea of collecting with your eyes first, how her latest book, In Stitches, offers a window into her collections and creative process, and three of my favorite designs from the book and the stories behind them. So without further adieu, Stephanie Housley, founder of Coral & Tusk, for Collectors Gene Radio. 25% Off Code - CGxCoral25Coral & Tusk - https://coralandtusk.com/ CollectorsGene.com - https://collectorsgene.com/

Hiten Sonpal is the CEO of RISE® Robotics, an industrial technology company headquartered in Somerville, Massachusetts, specializing in sustainable motion control solutions for heavy machinery. He discusses the innovative technology behind their electric actuation system, Beltdraulic™, which offers significant advantages over traditional hydraulic systems. He also shares insights into the commercialization journey of their products, the importance of leadership in navigating organizational priorities, and the balance between having a clear vision and adapting to uncertainty in business. Hiten emphasizes the value of proving their technology's effectiveness to potential customers and the growing demand for electrification and autonomy in robotics. Links: Show notes: http://brandonbartneck.com/buildingbetter/hitensonpal Edison Manufacturing Exchange: https://brandonbartneck.substack.com/publish/home linkedin.com/in/brandonbartneck/ https://www.riserobotics.com/ https://wefunder.com/riserobotics Takeaways Beltdraulic™ technology is more efficient than hydraulics. The actuator is three times as fast and 80% lighter than hydraulics. Commercialization involves cutting scope and focusing on key products. Leadership requires articulating what not to do to increase speed. The market demand for electrification is growing due to legislation. Proving value to customers is essential for adoption. The technology is designed to be easy to integrate into existing systems. Energy efficiency and cost reduction are key benefits of their technology. Bio: Hiten Sonpal is the CEO of RISE® Robotics, bringing over two decades of experience in robotics, automation, and product innovation. He contributed to generating $2B+ in revenue and shipping 9M+ units at iRobot, scaled deployments 3x at Electric Sheep Robotics, and launched SaaS and hardware products at Robin. As an advisor to Graze Robotics and Main Street Autonomy, Hiten continues to shape the future of technology and automation. With a BS in Computer Engineering from the University of Evansville and an ongoing MS in Computer Science at Georgia Tech (‘28), Hiten is passionate about revolutionizing industrial machinery. At RISE, he is leading efforts to replace traditional hydraulics with sustainable, high-efficiency belt technology while fostering a culture of innovation and impact. About RISE: RISE® Robotics is an industrial technology company headquartered in Somerville, Massachusetts, specializing in sustainable motion control solutions for heavy machinery. Founded in 2011 by graduates of MIT and RISD, RISE has developed the patented Beltdraulic™ system, a fluid-free alternative to traditional hydraulics. This innovative technology uses lightweight, steel-reinforced belts to deliver high-efficiency performance, reducing machine weight, lowering operational costs, and minimizing environmental impact. RISE is increasing machine productivity while supporting global sustainability goals. Backed by The Engine, Greentown Labs, and Techstars, RISE is redefining what's possible in industrial motion control. Building Better Building Better with Brandon Bartneck is focused on the people, products, and companies that are creating a better tomorrow, often in the transportation and manufacturing sectors. This show was previously called the Future of Mobility podcast. I aim to have real, human conversations to explore what these leaders and innovators are doing, why and how they're doing it, and what we can learn from their experiences. If you care about making an impact then this show might be for you. Topics include manufacturing, production, assembly, autonomous driving, electric vehicles, hydrogen and fuel cells, impact, leadership, and more. Edison Manufacturing and Engineering: Edison is your low volume contract manufacturing partner, focused on assembly of complex mobility and energy products that don't neatly fit within traditional high-volume production methods.

Hundreds of years ago, wallpaper looked very different than the simple repeating patterns we often see today. Originally done on wood blocks, early designs were extremely decorative, colorful, and labor-intensive. “The Art of French Wallpaper Design” is the latest exhibit at the RISD Museum, featuring samples of salvaged wallpapers, fragments and drawings of designs from the 18th and 19th centuries. Morning host Luis Hernandez visited the exhibit to talk with Emily Banas, the museum's Associate Curator of Decorative Arts and Design. “The Art of French Wallpaper Design” is on now at the RISD Museum through May 11.

Wednesday, November 20, 2024 Hoover Institution | Stanford University On behalf of the Hoover Applied History Working Group, Dr. Niall Ferguson welcomes Anthony Gregory to vibrantly discuss his recent book, New Deal Law and Order: How the War on Crime Built the Modern Liberal State. ABOUT THE TALK This special book talk discovers how the 1930s redefined law and order, transforming liberalism and reshaping American government itself. We remember the New Deal as foundational to modern liberalism, but its crucial role in building the law-and-order state has gone neglected. This HAHWG seminar will look to Franklin Roosevelt's war on crime for lessons on how political legitimacy relies on enforcement authority and consider the implications for today's fraught politics of law and order. The book is available for purchase here. ABOUT THE SPEAKER Anthony Gregory is a Hoover Fellow at the Hoover Institution on War, Revolution and Peace, at Stanford University. He is a legal and policy historian of the American state. He was previously an assistant professor in residence at Rhode Island School of Design's Department of History, Philosophy, and Social Sciences. He earned his PhD in History at the University of California Berkeley, where he trained as an Americanist studying politics and law, and spent two years as a postdoctoral research associate at Brown University's Political Theory Project before beginning at RISD. Gregory is the author of multiple academic publications on national security, constitutionalism, and legal theory and is currently working on modern American liberalism and criminal justice, particularly on how the New Deal war on crime legitimated and transformed U.S. governance.

Heather E. McGowan is a keynote speaker and author of The Empathy Advantage and The Adaptation Advantage with deep experience in the Future of Work field. She describes the importance of empathy with AI's growing influence and fostering a connected, resilient, and adaptable workforce. Heather discusses how AI can transform cognitive work and why leaders must shift from relying on their own expertise to harnessing collective intelligence. She explains how the promise and tacit agreement of work has changed, leading to younger generations' focus on mission, impact, and mentorship.     TAKEAWAYS   [02:35] Interested in human behavior and art, Heather goes to RISD to study industrial design.   [04:00] Heather learns to ask the right question – is the process, not the product, that matters.   [04:54] Observing people helps Heather identify unarticulated needs, as seen with the Swiffer.   [06:21] Heather designs various products then does an MBA to bridge design and business.   [07:36] Her mentor's influence directs her towards ESG-focused private equity work.   [09:49] Integrating design and business, Heather works in academia for several years.   [10:50] Heather starts defining how work is changing for her academic and corporate clients as the Future of Work emerges.   [12:24] Challenging the concept of having to take single discipline courses before collaborative studies.   [13:00] The importance of having a common mindset around problem solving.   [13:31] Using basic systems thinking to understand the impact of solutions.   [14:33] Interesting reactions to mixed-year participation in courses.   [15:25] How people responded to integrated design-thinking projects.   [16:15] Heather gets delayed positive feedback to their innovative approach.   [16:39] Insights from Heather's experiences in education such as getting people to think propositionally.   [17:00] The genesis of the Adaptation Advantage book.   [17:45] The impact of set occupational identity and the rigid 'education-career-retire' model.   [18:26] Lifelong learning with learning and careers overlapping not sequential stages.   [18:55] Retirement is not good for us, now that life expectancy has increased.   [19:30] The AARP starts to focus on people's ‘next' or ‘encore' chapter rather than ‘retirement'.   [20:46] Heather's research and writing focuses on Future of Work tacit vs explicit knowledge.   [21:17] Explicit knowledge can be automated, while tacit knowledge needs human interaction.   [22:15] AI as a “third lens” for understanding human cognition and expanding our capabilities.   [23:39] Heather warns that over-reliance on automation risks atrophying our skills.   [24:59] The benefit of enhancing cognitive capabilities, not just reducing costs.   [26:16] The long broken agreement about work between employers and employees.   [27:38] Gen Z seeks mission, meaningful work, and mentorship since there is no job security.   [28:04] Empathy is necessary to connect with employees and understand their mentoring needs.   [28:55] Leaders must not rely on individual intelligence but shift to collective intelligence.   [30:34] Heather predicts AI will disrupt cognitive work much like electrification disrupted labor.   [31:28] Heather connects rising polarization with declines in socialization and greater loneliness.   [32:08] How our brains are shaped for agitation because of our solitude.   [33:00] Workplaces serving as essential social trust-building spaces.   [34:32] Leaders must build trust through authenticity, logic, and empathy.   [35:30] The compelling letter Airbnb's CEO wrote to employees being laid off.   [37:36] Being transparent about the challenges of fast-changing circumstances.   [38:16] Human-centered policies which optimize for thriving employees improve retention and financial performance.   [40:45] When leaders reach a very senior level in organizations their empathy decreases.   [42:47] Heather encourages reweaving the social fabric to foster collaborative exploration.   [44:16] IMMEDIATE ACTION TIP: Talk with coworkers about shared values. Ask how they're doing, if they're getting enough sleep, if they're working on a project that is meaningful to them. Share experiences where you've been able to bounce forward, not back. Your job is to help your team adapt to change and become the next best version of themselves.       RESOURCES   Heather McGowan on LinkedIn Heather's website Leading the Day After article Sven Hansen and the Reliance Institute Letter from Brian Chesky, CEO of Airbnb, to employees Frances Frei, HBS Professor       QUOTES   “We need to start taking longer strides and putting greater visions out there and say it's going to be hard, but it's going to be worth it."   "Trust comes down to three things. Authenticity, logic, and empathy. So authenticity is do people experience the real you? Do they feel like you're giving them the honest approach when you're delivering things to you, or are you putting on a Persona? Logic is, do you have a sound theory of what you're asking people to do? Ability to communicate, a division of where the organization is trying to go? And then do you demonstrate that you care what that work means to the individual?"   “Now, most leaders are leading teams of people who have skills and knowledge they do not have at least some of them, and it may not even be within their group. So you can't lead with Individual intelligence, you have to lead with collective intelligence. You cannot get collective intelligence without empathy. So that's the first piece of how we need to lead differently.”   “If we only use technology to replace what humans currently do, it's a race to the bottom. If we only let humans get lazy by using ChatGPT, we will lose. What we need to do is ‘Where is the ability to enhance? Where can I become better? Where can I make my organizational capacity stronger, greater, more resilient?”   “The promise and the agreement on work, the tacit agreement we've had for work has changed. It really became the last promise for the Boomers was ‘I trade my loyalty to an organization for the security of employment'. That promise has been broken for many decades, But the organizations that are still expecting that loyalty, that be it not providing that promise of security, have to realize they have to provide something else.”   “I think what Gen Z is pushing for, which I think a lot of folks are on board with, is instead, I know I'm not going to get security. So I want three things. I want mission. I want to be part an organization that's trying to do something big and hard and meaningful. I want to be part of something bigger than myself essentially. I want meaningful work.”

Brenton Duhan grew up between North Carolina and Kandern, Germany--home to two distinct and rich pottery traditions. Brenton studied at Brown University and RISD in Providence, practiced museum exhibit design in DC, and gave tours and made ceramics in New Orleans before moving to New Haven, Connecticut. Brenton is currently maintaining a ceramic practice while studying architecture at Yale University. http://ThePottersCast.com/1069

Jia Sung is a Singaporean Chinese artist and educator whose practice spans painting, artist books, textiles, printmaking, writing, and translation. Drawing on motifs from Chinese mythology and Buddhist iconography, Sung uses the familiar visual language of folklore to examine and subvert conventional archetypes of femininity, queerness and otherness. Her recent work explores threads of ecofeminism, ethnoecology, the ecological capacities of the body, invasive species as family, and the potentials of collective and constant human transformation through interspecies dynamics. Her approach draws from that of the Chinese zhiguai tradition, that genre of ‘strange tales' cannot be translated directly through the lens of horror. The supernatural, the monstrous, the spiritual, seep into the tidy confines of ordinary existence, often humorous, arbitrary, smearing at the boundaries of our reality and then slinking away just as rapidly. Here is shapeshifter, here is trickster, things that inhabit liminal space and refuse to be held in place or form; the profane invades the interior, wilderness enters the domestic space, phenomena defy causation and morality, creature refutes taxonomy. Topics Discussed In This Episode:  Jia's childhood, early influences, and why she chose to dedicate her life to the arts (00:06:14) Formative books, films, and mythologies for Jia, Jennifer, and Yoshino (00:08:05) Art as a lifestyle and sketching/journaling as a form of expression (00:15:52) Jia explains her experiences going to RISD (00:17:03) Teaching art and guiding students – Jia shares her approach to teaching, focusing on personal expression over technique (00:18:46) Returning to unfinished work (00:22:42) Balancing chaos and creativity – reflections on how emotional turmoil can fuel or take away from creative work (00:28:11) Identity, ego, and output in art – how artists' identities are tied to their creative output and the challenges that brings (00:33:32) Discussing various levels of consciousness (00:40:44) Challenges of art school and institutional expectations – Jia reflects on the pressures and baggage that come from a formal art education (00:43:48) Breaking away from art jargon and structured critique to find a personal voice (00:54:27)  Lightheartedly discussing astrology (01:04:04) The Artist Decoded Tarot and Jia's “The Trickster's Journey” tarot (01:10:27) Discussing the potential future of AI (01:18:17)  Jia's advice to her younger self (01:30:41) Episode co-host: Jennifer Sodini artistdecoded.com jia-sung.com instagram.com/jiazilla

Please welcome Chris Baer to the Clocking Out podcast. Chris Baer is the founder of the Mandala Institute, an organization that helps leaders create humanistic and innovation culture in teams and companies. He is an expert on innovation strategy, engaging and growing talent through coaching, as well as design methodologies.Chris is also a co-founder of Sunstone Therapies, an early-stage medical company dedicated to alleviating emotional distress in patients through trial psychedelic therapies. Chris also played a key role in the creation of the Bill Richard's Center for Healing, a state of the art facility designed expressly for psychedelic therapy in the medical setting.Prior to Mandala and Sunstone, Chris served as Vice President of Global Leadership Development and Learning Experience at Marriott International overseeing talent and executive development. In other Marriott roles, Chris led customer experience initiatives encompassing brand and digital consumer product development. Contributions included brand creation (Moxy), brand revitalization (Marriott Hotels), and customer experience strategy and execution (the Ritz-Carlton), as well as the development of Marriott's enterprise innovation framework.Prior to Marriott, Chris led an international marketing firm, and consulted to Fortune 100's on digital strategy, product management and user experience.Formally trained as an industrial designer at RISD, Chris employs design methodologies to business challenges and has brought design thinking to executives and their product teams globally.Chris holds a leadership coaching certification from Georgetown University's Institute for Transformational Leadership (cohort 45), and coaches top executives seeking to bring forth transformation within themselves, their enterprises and beyond.An internationally acclaimed artist, Chris is also a contemporary abstract painter and creates works in glass and mixed media.Chris lives in Washington DC with his family.Visit: www.Mandala.InstituteConnect with Chris on LinkedIn: https://www.linkedin.com/in/cdbaer/Youtube: https://www.youtube.com/@Mandala-Chris-Baer Follow Careerminds: LinkedIn: https://www.linkedin.com/company/careermindsInstagram: https://www.instagram.com/careerminds/Facebook: https://www.facebook.com/CareermindsYoutube: https://www.youtube.com/@CareermindsVisit Raymond's website: https://www.raymondlee.co/Order Clocking Out: A Stress-Free Guide to Career Transitions: https://www.amazon.com/Clocking-Out-Stress-Free-Career-Transitions/dp/1586446541 Follow Raymond: LinkedIn: https://www.linkedin.com/in/raymondmlee/Instagram: https://www.instagram.com/raymondlee.coTiktok: https://www.tiktok.com/@clockingoutpodX: http://twitter.com/hrentrepreneurYoutube: https://www.youtube.com/@clockingoutwithraymondlee/videosBecome a guest on Clocking Out: https://docs.google.com/forms/d/e/1FAIpQLSeSTQmww_Gvld1zfLzTmS16PDfZvltFna7Gh6iSYehL-maUvA/viewform

Our guest this week is Annie Kairaba, founder of Rwanda Initiative for Sustainable Development (RISD). We discuss her personal journey and what makes Rwanda's civil society unique. We also delve into the role civil society can play in resolving conflicts like those in Eastern DRC.Listen to the Long Form with Sanny Ntayombya podcast on Apple Podcasts https://podcasts.apple.com/rw/podcast...Listen to the Long Form with Sanny Ntayombya podcast on Spotify: https://open.spotify.com/show/7HkkUi4...Follow Long Form with Sanny Ntayombya on Twitter: https://x.com/TheLongFormRwFollow Long Form with Sanny Ntayombya on Instagram: / thelongformrw  Follow Long Form with Sanny Ntayombya on TikTok: /   / longformrw  Follow Sanny Ntayombya on Twitter: https://x.com/SannyNtayombya About Long Form with Sanny Ntayombya:The Long Form with Sanny Ntayombya is a weekly podcast intent on keeping you up to date with current affairs in Rwanda. The topics discussed range from politics, business, sports to entertainment. If you want to share your thoughts on the topics I discuss use the hashtag #LongFormRw on Twitter and follow us on Twitter and Instagram on our handle @TheLongFormRwBe a part of the conversation.

ABOUT DANNY KIM: 20+ years of vehicle architecture & prototype development. Inventor w/ 65 issued int'l patents, 22 USPTOs. Focus of HBS case study: Industrial design & sustainable transportation. Former Land Rover mechanic, machinist, woodworker, welder, and vehicle integrator. Reed College, UCB, RISD, & Media Lab. LINKS: LIT MotorsWefunder Flickr Instagram YouTube TOOLS: 0:00 – Intro 1:19 – 48″ Margining steel lead screw shaft Rockwell 52 (AKA Handy File) 7:48 – Spectrum 375 Plasma Cutter (1/2″ lightsaber “Scissors') 14:35 – Edwards 65 Ton Ironworker 16:07 – Miller MIG Welder 23:58 – Maybe cardboard would be a prototyping tool 23:49 – LIT Motors prototype Watch on YouTube   For show notes and transcript visit: https://kk.org/cooltools/danny-kim-inventor/

Joe Gebbia's journey began in Georgia, where his early interest in sports led him to work as a ball boy for the Atlanta Hawks. However, his true passion lay in art, earning him the nickname "art guy" in school as he spent countless hours drawing from comic books. This passion led him to the Rhode Island School of Design (RISD), where he discovered industrial design and the work of Charles and Ray Eames. A pivotal moment came when a professor doubted his art project, but Joe secured school funding and proved the professor wrong, showcasing his early entrepreneurial spirit.At RISD, Joe met Brian Chesky, and he felt an instant connection, believing they would create something significant together. After graduation, Joe moved to San Francisco and convinced Brian to join him, leading to the creation of Airbnb. Faced with skepticism and rejection from investors and law firms, Joe drew on his art background to reframe challenges as opportunities. This resilience paid off as Airbnb became a global phenomenon, changing how people travel and connect.Joe's journey at Airbnb taught him invaluable leadership lessons and underscored the importance of creativity and innovation. His artistic sensibility helped him approach problems with a fresh perspective, leading to the creation of Samara, a venture focused on reimagining home design. After Airbnb went public, Joe branched Samara out as a separate company, recognizing the potential in the Accessory Dwelling Unit (ADU) space.Beyond Airbnb, Joe relocated to Austin, Texas, becoming a minority owner of the San Antonio Spurs and aligning his entrepreneurial pursuits with his passion for sports. Committed to making a positive impact, Joe is passionate about causes such as homelessness and environmental sustainability. He also helped establish the Eames Institute of Infinite Curiosity, reflecting his commitment to fostering creativity and innovation. Joe Gebbia's story is one of resilience, creativity, and a relentless pursuit of dreams, inspiring others to embrace their passions and challenge the status quo.*The Founder Hour is brought to you by Outer. Outer makes the world's most beautiful, comfortable, innovative, and high-quality outdoor furniture - ALL from sustainable materials - and is the ONLY outdoor furniture with a patented built-in cover to make protecting it effortless. From teak chairs to fire pit tables, everything Outer makes has the look and feel of what you'd expect at a 5-star resort, for less than you'd pay at a big box store for something that won't last. For a limited time, get 10% off at www.liveouter.com/thefounderhour. Terms and conditions apply.Customers are flocking to your store—do you have a reliable point-of-sale system? Shopify POS is your retail command center, handling payments, inventory, and more. Choose from hardware options like smartphone, tablet, or Shopify's POS Go device. With award-winning support, Shopify helps you succeed every step of the way. Get started with a $1/month trial at www.shopify.com/founderhour.Still using your personal phone number for your startup in 2024? OpenPhone makes it easy to get business phone numbers for your team with an app that works on both phone and computer. It integrates with CRMs like HubSpot and Salesforce, and offers AI-powered call transcripts and summaries. Plus, your whole team can access the same number. Start at $15/user/month, but The Founder Hour listeners get 20% off for 6 months. Visit https://www.openphone.com/founder to start your free trial!Stressed, sleepless, or need a health boost? Try Magnesium Breakthrough from BiOptimizers! It's the only supplement with 7 types of magnesium, each with unique benefits like muscle recovery, heart health, and energy production. All-natural, vegan, and gluten-free. Visit www.bioptimizers.com/founderhour and use code FOUNDERHOUR for 10% off. ***Follow The Founder Hour on:Instagram | www.instagram.com/thefounderhourTwitter/X | www.x.com/thefounderhourLinkedIn | www.linkedin.com/company/thefounderhourYouTube | www.youtube.com/@thefounderhour

Think about the skills needed to create a paint color which matches a cat's coat and another which transforms the steel I-Beams of a major transit hub. That describes the color chops of Architectural Color Consultant Eve Ashcraft. She came to NYC after attending RISD and with her unique color skills became the creator of Martha Stewart's original paint line as well as  the color-meister of Moynihan Train Hall in NYC. Through the decades, her prowess in the field and her client base grew to include esteemed commercial clients and countless residential home owners. Meet Eve and hear about her journey through the world of color.

Debi Cornwall is a multimedia documentary artist who returned to visual expression after a 12-year career as a civil-rights lawyer. Her work explores the performance of power, citizenship and identity through still and moving images, sound, testimony, and archival material.While completing a degree in Modern Culture and Media at Brown University, Debi studied photography at RISD. After working for photographers Mary Ellen Mark and Sylvia Plachy, as an AP stringer, and as an investigator for the federal public defender's office, she attended Harvard Law School and practiced as a wrongful conviction attorney for more than a decade, also training as a mediator. Exhaustive research and negotiation were critical to her advocacy and remain integral to her visual practice.Debi was awarded the 2023 Prix Elysée, a biennial juried contemporary photography prize created by the Photo Elysée Museum in Lausanne, Switzerland with the support of Parmigiani Fleurier. The award enabled her to complete Model Citizens, now a book in English and French editions (Radius/Textuel) and an exhibition at the 2024 Rencontres d'Arles festival. She is also a 2024 New York State Council on the Arts (NYSCA) Individual Artist Grantee in film, a 2019 NYSCA/NYFA Artist Fellow in photography, and inaugural Leica Women Foto Project Award winner. Debi's work has been profiled in publications including Art in America, European Photography Magazine, British Journal of Photography, the New York Times Magazine, and Hyperallergic, and is held in public and private collections around the world.Debi has published two previous books, Welcome to Camp America: Inside Guantánamo Bay and Necessary Fictions. She is also an ICP faculty member, teaching students how to plumb deeper layers in their work, and consults independently with artists developing long-term projects. In episode 235, Debi discusses, among other things:Winning the Prix ElyséeHer path into a legal career in civil rightsThe ightbulb moment that took her to Guantanamo BayWorking around restrictions imposed“The performance of American power”Her secoond book Necessary FictionsHer films Pineland/Hollywood and Jade HelmHer latest book Model Citizens Website | Instagram“I don't think it's a thread in the work so much as something that I'm really sitting with personally and creatively, but I have this advocate self who is outraged and frustrated at what is happening in our societies. And I have a trained mediator in me, which is more consistent with my creative approach, who thinks none of this changes unless we can really talk to each other across these divides; unless we can accept each other's humanity and hear each other. Because that isn't happening.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.

We're taking the summer off and will be republishing some of our favorite episodes from the archives through August. This episode originally aired October 28, 2020. — Alicia Cheng is a founding partner of the New York design studio MGMT and the author of the book This Is What Democracy Looked Like: A Visual History of the Printed Ballot. She previously worked as a designer for Method, was a co-design director at the Cooper Hewitt, and is currently an external critic for the MFA program at RISD. In this episode, Jarrett and Alicia talk about how the design of ballots can teach us about the United States's uneasy relationship with voting, mixing design history with American history, and how research feeds her design practice. Alicia is currently the design director at The Metropolitan Museum of Art in New York City. — Links from this episode can be found at scratchingthesurface.fm/165-alicia-cheng. 
— 
If you enjoy the show, please consider supporting us on Patreon and get bonus content, transcripts, and our monthly newsletter! www.patreon.com/surfacepodcast

Hey hey! Hope everybody is having a truly relaxing, mindful summer with enough sunscreen and design totes filled with image-heavy, text-light books to go around. We're back with another episode of Graphic Support Group, believe it or not. We have a very special episode for you, the first in a series we'd like to call “Behind the Screen” (thanks to Drew's partner Deniz Önder for the great nomenclature). This series focuses on the behind-the-scene heroes of the design industry: the printers, technicians, administrators, and studio managers who keep the wheels of this chaos screwed on. Without them, we'd be pretty helpless, so we'd like to dig into what keeps these instrumental figures motivated and inspired, and the pitfalls they undoubtedly face from time to time. Our inaugural Behind-the-Screen-er is Hasan Askari. Hasan has been a key figure at The Rhode Island School of Design since the late 90's when he co-founded Concept-Link, a print and design shop that slowly but surely became a go-to resource for design, photo, and architecture students, helpless to find the proper printing capabilities on RISD's Campus. Over the years Concept-Link offered their services to RISD's students and faculty to the point of giving students access to the print shop after hours, answering emergency 3 am phone calls from feverish degree project candidates in the 11th hour of production, and even eventually moving into RISD's official facilities to become the one-stop-shop for students to talk through print techniques and revise projects to make them actually printable, while Hasan dished out philosophy and literature references and pearls of wisdom to bloodshot-tearful eyes of the RISD woebegone. Besides being a full time print hero and entrepreneur, he has also enjoyed a journalistic career and contributed in critical studies and creative nonfiction. He has also been working on an anthology of English translations of contemporary Urdu poetry. James and Drew were delighted to talk with Hasan, after years away from Concept Link with memories rushing back in of our days as crying students. We hope you enjoy! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit graphicsupportgroup.substack.com

A conversation with artist Pam Glick. In the conversation, the Buffalo native discusses her lifelong fascination with Niagara Falls and its persistent influence on her work. We also discuss her time at RISD, the evolution of her abstract work, and her ability to overcome the hurdles that life throws at each of us.Pam Glick at Stephen FriedmanExhibition: "Bark"

The Arts and The Empowerment Factory with Gail Ahlers Gail Ahlers, a renowned Rhode Island artist and sculptor, discovered her passion for art at the prestigious Rhode Island School of Design (RISD). After earning her degree in Light Metals in 1985, Ahlers expanded her expertise by studying art history in Paris and receiving advanced sculpture training in Mexico. With a prestigious De Beers Shining Light Diamond Design Award under her belt, Ahlers founded her own art business Ahlers Designs in 1989, showcasing her exceptional design talent and artistry. Gail was also recently honored with the National RISD Serves Award in 2024 for her service to the community as a distinguished RISD alum. Gail was also recently selected to join the Women's Business Enterprise National Council (WBENC) mentorship program. WBENC is a leading non-profit organization dedicated to helping women-owned businesses thrive. In addition to her acclaimed art business, Gail Ahlers is the executive director of The Empowerment Factory, a nonprofit organization she founded in Pawtucket, Rhode Island. The Empowerment Factory launched in 2014 to provide art and literacy enrichment programs that empower children in the state's low-income communities, focusing on creativity, self-esteem, and community pride.  Under Ahlers' leadership, the nonprofit has grown to serve over 7,500 children in 10+ years, providing transformative programming that blends social-emotional learning, art, literacy, and environmental education. The Empowerment Factory (TEF) is dedicated to giving children the skills they need to lead happier, healthier, more empowered lives. The organization primarily serves students in Title I schools in Rhode Island's urban core cities, focusing on three areas of development: creativity, self-esteem, and civic pride. TEF's Creative Squad programs blend social emotional learning (SEL), art, literacy, and environmental education, providing children with the skills to be successful in school and in life https://gailahlers.com/ https://empowermentfactory.org/ https://www.instagram.com/gailahlers/ Call In and Chat with Deborah during Live Show: 833-220-1200 or 319-527-2638 Learn more about Deborah here:  www.lovebyintuition.com

Providence Mayor Brett Smiley talks to Gene about the homeless advocates and protest yesterday, and the latest on the RISD protests See omnystudio.com/listener for privacy information.

Bill Bartholomew discusses some of the big issues of the day, including Secretary of Commerce Gina Raimondo's visit to Newport for the groundbreaking of a new NOAA facility, RISD students join the worldwide campus protests and the cost of Washington Bridge project balloons to nearly half a billion dollars.Support the Show.

Brown Professor Wendy Schiller talks to Gene about the RISD sit in Protest, latest on Trump's hush money trial, and new ABC polls on BidenSee omnystudio.com/listener for privacy information.

Robert Houser is New England, born and raised. Though he has lived in California all his adult life, you cannot take the New Englander out of him. It follows him. He's determinedly independent, critically frugal, he doesn't take himself too seriously, and yes, sarcasm slides in as an icebreaker.Photography entered his life at RISD, an extra course while he was at Brown studying Psychology and Comparative Literature with French. The photography courses at the Rhode Island School of Design reinvigorated his artistic side, which had been hidden for a decade by STEM classes. And though he worked on locked psychiatric wards while in college, it was the time in the darkroom that spoke to him. He became passionate about the medium, but his academic background stayed with him – psychology taught him to connect with people, to notice things they do or say, and to find a way put them at ease. And, Comparative Literature? It's all about stories – a multi-disciplinary look at a theme. Decades of images later, he tells stories about people.  https://roberthouser.com/https://www.instagram.com/roberthouser/https://www.instagram.com/roberthouserstudio  https://www.facebook.com/robert.houser.photography ----- John Bates provides 1:1 Executive Communications Coaching, both in-person and online, as well as large and small group training. Sign up for his free weekly micro-trainings at https://johnbates.com/mini-trainings and create a great leadership communications habit that makes you the kind of leader who inspires trust, loyalty and connection.

In s3e54, Platemark host Ann Shafer talks with Andrew Raftery, artist, professor, scholar, and wallpaper designer. Andrew works in several modes, most notably in engraving. The through line in the work is domesticity. An early print featured a young man suit shopping. Next was a portfolio of engravings detailing rooms during a real estate open house. Then engravings representing each month in the life of a garden were transferred to twelve dinnerplates and sold as a set. His latest show included watercolors depicting historical interior rooms that feature French and Chinese wallpapers. He also produces letterpress wallpapers himself.  Ann and Andrew talk about how engraving shows itself completely—there is no secret to how it is made, the inscrutability of Vermeer's paintings, the importance of understanding the history of prints, how the transfer process works with ceramic dinnerware, how French and Chinese wallpapers were made (some were hand painted!), and hatboxes. Images of Andrew's art are by Erik Gould; Andrew's headshot is by Ned Lochaya. Andrew is represented by Mary Ryan Gallery.  Andrew Raftery (American, born 1962). Human Resources, 1990s. Engraving (unfinished). Courtesy of the artist. Andrew Raftery (American, born 1962). Cosmetic Counter, 1990s. Exterior of folding triptych. Courtesy of the artist. Andrew Raftery (American, born 1962). Cosmetic Counter, 1990s. Interior of folding triptych. Courtesy of the artist. Andrew Raftery (American, born 1962). Suit Shopping: An Engraved Narrative, 2002. Diptych, engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). Suit Shopping: An Engraved Narrative, 2002. Triptych, engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). Scene 1 (living room) from the portfolio Open House, 2008. Engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). Scene 2 (dining room) from the portfolio Open House, 2008. Engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). Scene 3 (kitchen) from the portfolio Open House, 2008. Engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). Scene 4 (hallway) from the portfolio Open House, 2008. Engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). Scene 5 (bedroom) from the portfolio Open House, 2008. Engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). January (recto) from the set Autobiography of a Garden on Twelve Engraved Plates, 2009–16. Earthenware dinner plate with transferred engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). January (verso) from the set Autobiography of a Garden on Twelve Engraved Plates, 2009–16. Earthenware dinner plate with transferred engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). February from the set Autobiography of a Garden on Twelve Engraved Plates, 2009–16. Earthenware dinner plate with transferred engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). March from the set Autobiography of a Garden on Twelve Engraved Plates, 2009–16. Earthenware dinner plate with transferred engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). April from the set Autobiography of a Garden on Twelve Engraved Plates, 2009–16. Earthenware dinner plate with transferred engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). May from the set Autobiography of a Garden on Twelve Engraved Plates, 2009–16. Earthenware dinner plate with transferred engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). June from the set Autobiography of a Garden on Twelve Engraved Plates, 2009–16. Earthenware dinner plate with transferred engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). July from the set Autobiography of a Garden on Twelve Engraved Plates, 2009–16. Earthenware dinner plate with transferred engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). August from the set Autobiography of a Garden on Twelve Engraved Plates, 2009–16. Earthenware dinner plate with transferred engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). Study for August from the set Autobiography of a Garden on Twelve Engraved Plates, 2009–16. Pen and ink. Courtesy of the artist. Andrew Raftery (American, born 1962). September from the set Autobiography of a Garden on Twelve Engraved Plates, 2009–16. Earthenware dinner plate with transferred engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). October from the set Autobiography of a Garden on Twelve Engraved Plates, 2009–16. Earthenware dinner plate with transferred engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). Figure model for October from the set Autobiography of a Garden on Twelve Engraved Plates, 2009–16. Courtesy of the artist. Andrew Raftery (American, born 1962). November from the set Autobiography of a Garden on Twelve Engraved Plates, 2009–16. Earthenware dinner plate with transferred engraving. Courtesy of the artist. Andrew Raftery (American, born 1962). December from the set Autobiography of a Garden on Twelve Engraved Plates, 2009–16. Earthenware dinner plate with transferred engraving. Courtesy of the artist. Installation shot of Autobiography of a Garden on Twelve Engraved Plates, 2009–16, at Mary Ryan Gallery. Courtesy of the artist. Clare Leighton (American, 1898–1989). New England Industries, c. 1952. Set of twelve dinner plates. Live Auctioneers. Paul Scott (British, born 1953). Gardens of Lyra, 2020. Set of dinnerware produced for Fortnum and Mason. Andrew Raftery (American, born 1962). Winter: Weeds, 2019. Letterpress printed wallpaper. Courtesy of the artist. Installed Winter wallpaper. Andrew Raftery (American, born 1962). Spring: Irises, 2019. Letterpress printed wallpaper. Courtesy of the artist. Installed Spring wallpaper. Andrew Raftery (American, born 1962). Summer: Scutellarioides, 2019. Letterpress printed wallpaper. Courtesy of the artist. Andrew Raftery (American, born 1962). Autumn: Amaranths, 2019. Letterpress printed wallpaper. Courtesy of the artist. Installed Autumn wallpaper. Andrew Raftery (American, born 1962). Green Wall, 2019. Letterpress printed wallpaper. Courtesy of the artist. Installed Green Wall wallpaper. Andrew Raftery and Dan Wood printing wallpaper. Working materials for wallpaper. Working materials for wallpaper. Andrew Raftery's studio. Winterthur, Garden & Library, Delaware. Andrew Raftery (American, born 1962). Winterthur, Baltimore Drinking Room with Chinese hand-painted paper, artists unknown, 2022. Watercolor over lithograph. Courtesy of the artist. And the artist working in situ. Corliss-Carrington House, Providence. Andrew Raftery (American, born 1962). Corliss-Carrington House, Providence, East Parlor with Chinese hand-painted paper, artists unknown, 2023. Watercolor over lithograph. Courtesy of the artist. Andrew Raftery (American, born 1962). Corliss-Carrington House, Providence, Telemachus on the Island of Calypso by Dufour: Garden of Calypso, 2022. Watercolor over lithograph. Courtesy of the artist. Andrew Raftery (American, born 1962). Winterthur, Philadelphia Bedroom with Chinese hand-painted paper, artists unknown, 2022. Watercolor over lithograph. Courtesy of the artist. Andrew Raftery (American, born 1962). Private Residence, Delaware, Zuber's View of North America, 2023. Watercolor over lithograph. Courtesy of the artist. Handicraft Club, Providence. Andrew Raftery (American, born 1962). Handicraft Club, Providence, Great Tiger Hunt of India, 2023. Watercolor over lithograph. Courtesy of the artist. Andrew Raftery (American, born 1962). Handicraft Club, Providence, Great Tiger Hunt of India, 2023. Watercolor over lithograph. Courtesy of the artist. Redwood Library, Newport. Andrew Raftery (American, born 1962). Studies for Redwood Library, Newport, commission, 2024. Courtesy of the artist. Andrew Raftery (American, born 1962). Studies for Redwood Library, Newport, commission, 2024. Courtesy of the artist. Andrew Raftery (American, born 1962). Studies for Redwood Library, Newport, commission, 2024. Courtesy of the artist. Andrew Raftery (American, born 1962). Powderhouse Bandbox, 2024. Courtesy of the artist. Andrew Raftery (American, born 1962). Powderhouse Bandbox with open lid, 2024. Courtesy of the artist. Andrew Raftery (American, born 1962). Monogrammist ASR's Hatbox, 2024. Courtesy of the artist.

America's oldest art school, the Pennsylvania Academy of Fine Arts, is closing its degreed programs after a perilous drop in enrollment. It is just one of the many arts and humanities programs that are being slashed, retooled, and shut down across America. Nico, who both attended and taught at art school, and Jessa discuss the state of arts education, the tight grip the MFA has on the imaginations of our young artists, and why our world trains so many artists for jobs that do not exist. This week's sponsor: http://betterhelp.com/culturewedeserve http://theculturewedeserve.substack.com

Alec Stewart wrote us a profound email on addiction and design a couple years ago (we've shared it below). Both of us had known of Alec at RISD, where he studied as an undergrad during our time as graduate students. At the time he possessed a great energy and creativity that we found envious. We had little idea he was also struggling with addiction and great inner turmoil all the while. A now sober and radically open Stewart shares his path to recovery and how he maintains his sobriety despite the never ending threat of a relapse. The surprising thing about Alec's story is how relevant his struggles are to the unhealthy trappings and myths of design practice and the cycle of self loathing and burnout from overworking. Our obsession and addiction to long hours and “passion” are truly destructive to our health and well being. We're dangerously committed to a belief that creativity comes from struggle and that greatness only comes by going over the edge. Alec shares his discovery of this falsehood, and also discusses how he inversely applies design thinking to create boundaries for himself and his life.We're super thankful for Alec for being so open and direct with us. He brings his humor and wit to a difficult story. We can't thank him enough. Disclaimer: This episode contains accounts of addiction and substance abuse. If you or someone you love is struggling with addiction or substance abuse, please visit usa.gov/substance-abuse for resources and support. Help is out there.—ALEC STEWART -On understanding addiction, radical sobriety & brutalist designTo begin - I will introduce myself in the manner of AA: Hello my name is Alec and I'm an Alcoholic. I suffer from addiction - it's a fact and I am not afraid to admit that. It's a part of who I am and the more I begin to understand my own addiction, the easier those words come. Where before I was ashamed to admit my own struggles, now I feel relief to tell people who I really am. A lot of that initial shame came from the incredible amount of negative connotations that surround Addiction. In western culture it is often looked down upon as a moral failing, a deficiency of character. I personally see it as a disease. Something that needs to be continuously treated, healed, and rehabilitated. There's nothing wrong with having addiction, it merely is. I suffer from the disease of alcoholism, just as someone else may suffer from diabetes. When you take Alcoholism, and consider it in the lens of disease, you can analyze its symptoms like any other health condition. To define the symptoms of Alcoholism is tricky. Alcoholism is complicated and multifaceted, both highly personal and universal. I think there's several overarching principles that every alcoholic shares when in active addiction: uncontrollable compulsion, self-isolation, attachment, ego, and an inability to love oneself. I am happy to expand on any of these symptoms and its relation if needed. I also believe, you don't need to be addicted to Alcohol to be considered an Alcoholic. I think there are base symptoms of the disease in people who've never touched a drop of alcohol. Addiction can manifest in many ways. With designers for example, it can appear as an addiction to work. This is a super common reality for designers. Many of us throw ourselves into work at the expense of ourselves. Forgoing our basic needs in order to keep designing. Burning out our burnout. That compulsion to work and keep working is not any different than the compulsion to drink. They are both incredibly unhealthy, and they both need to be treated. I think when we overwork ourselves, we lean into the symptoms of compulsion, attachment, and ego. We work obsessively, we attach to our designs / ideas / inspirations / whatever, we sacrifice ourselves to be the best - craving the respect of our peers over the contentment of where we are. Yuck. You'd be hard pressed to find a designer that hasn't dwelled in one of these symptoms. The only way to mitigate these symptoms is through sobriety. Sobriety is not just abstinence from a substance, it's a way of being. It's admitting oneself is powerless over the disease and figuring out a healthier way of living. There's a guide to it in AA called the 12 steps. They are written in relation to Alcoholism, but they still are a pretty decent thing to work through - whether you struggle with alcohol addiction or not.Outside of the 12 steps, my personal sobriety involves a lot of guard rails, a grid system applied to my life. These involve various ways for me to avoid triggers and mitigate compulsions. Some days I'm successful, some days I'm not. I just figure it out one day at a time. They are all involved in making sure I maintain a healthy mind, body, and soul. My significant other and I have a mantra: The best way to tell someone you love them is to love yourself. The best way to take care of someone is to take care of yourself. I apply the personal responsibility of taking care of myself everyday, so I have the ability to take care of those around me.To give an example of one of my guardrails - I no longer allow myself to have social media. I deleted my instagram. I realized I was using my instagram to find validation for my work through others, validation I couldn't give myself. I thought that if others liked my work they inversely liked me too. Super twisted, backwards way of thinking. I still struggle with making work for myself. It's hard for me to detach from the approval of my peers and try to allow myself the grace to give myself that approval. That is all rooted in the inability to love myself.My personal design practice is also rooted in my sobriety. Both in the design movement I work within, and how I use design in relation to my mental well being. My personal practice in graphic design is in Brutalism. I see brutalism as truthful. It presents itself as it is - no frills, no gimmicks, no bullshit. It's starkness holds honesty. That rigorous honesty is necessary for me in every aspect of my life in order to maintain abstinence from alcohol, so it also makes sense that I would apply that same honesty to my design practice as well.In relation to my mental well being, I use my designs to filter my compulsions. I take the thoughts I am obsessing over and apply them to my designs. You can directly see how my work visually changes depending on my mental health. The more manic and unhealthy I am, the more chaotic and out of control my designs become. My computer screen is a mirror for me to see how upside down and inside out I am at any given time. That said, I will addictively design if given the opportunity too. Anything healthy, I can make unhealthy on the flip of a dime. This whole year I have been actively practicing stepping away from the screen. After designing for a decade, I am still trying to figure out how to work in a healthy manner. My hope is that one day I can be happy enough with what I make, that I won't have to make at all.In the manner of AA, I think we should end with a prayer -Grant me the serenity to accept Photoshop crashes, the courage to not name my files FINAL_FINAL_FINAL, and the will to not burn myself out - AmenRelated info I did not include in the above write up that I can talk about if you want me too:I have been placed on adult time out twice. I have done both an intensive impatient program, and a detox. I have been an alcoholic since college. I have done IOP, AA, and all the Jazz. I am happy to explain them or my experiences with them. I can talk about how fucking luny rehab is, how much I drank to end up in rehab, or the absolute cartoon characters of human beings I've met in rehab. I can clarify any AA lingo or address its weird roots in christianity. I can talk about relapses, prolonged amounts of sobriety, or anything in-between. Basically anything related to me being an utter goofball of a human and a digital cowboy of a designer I'm happy to touch upon.Thanks for reading - Cheers! Get full access to Graphic Support Group Podcast at graphicsupportgroup.substack.com/subscribe

Kathleen and Christopher Sleboda run Draw Down Books, a publishing project and bookshop focused on graphic design, typography, and printed matter. They also work as graphic designers for clients and teach at Boston University, RISD, and the University of Connecticut. Previously, Christopher was Director of Graphic Design at the Yale University Art Gallery for 15 years and Kathleen worked as an archivist at the Beinecke Rare Books Library at Yale. In this episode, Jarrett talks with them about experimental publishing, publishing as a form of community building, and the continued relevance of printed matter. Links from this episode can be found at scratchingthesurface.fm/248-kathleen-christopher-sleboda.
 — 
If you enjoy the show, please consider supporting us on Patreon and get bonus content, transcripts, and our monthly newsletter! www.patreon.com/surfacepodcast

A conversation with Lissa McClure, Executive Director of the Woodman Family Foundation about the life and work of Francesca Woodman and her organization's new partnership with Gagosian Gallery to represent Woodman's work beginning with an exhibition at Gagosian's 555 West 24th Street location in New York which opens March 13. In the conversation, Lissa discusses Woodman's prodigious work, her fondness for allegory, her fascination with surrealism, and the legacy that the organization is focused on preserving and growing.https://woodmanfoundation.org/https://gagosian.com/exhibitions/2024/francesca-woodman/

This week Randy sits down with drummer extrodinare Hisham Bharoocha form Black Dice, Soft Circle, Kill Alters to talk about growing up in Japan and San Diego. As well as attending RISD and singing in Lightening Bolt on top of whole bunch of other stuff. Give it a listen. https://www.hishamakirabharoocha.com/ https://www.instagram.com/softcircle/ https://www.hugoandmarie.com/artists/hisham-akira-bharoocha/ https://www.seekcollective.com/blogs/stories/we-who-seek-hisham-bharoocha

Hey! For our first episode of Season 7, long time TRGMH guest Camila Risso brings us NYC Art Punk purveyors Les Savy Fav and their endearingly bombastic 2010 release 'Root For Ruin'. "We've no shame and we've no pride And we've got nothing left to hide Cause we've got nothing left inside They can try with all of their might We still got our appetite" Songs discussed in this episode: Who Rocks The Party (Live at the Bowery Ballroom, NY 1/1/2008), Legendary Tippers - Les Savy Fav; Luno - Bloc Party; Waiting Room - Fugazi; Appetites - Les Savy Fav; Mr. Pharmacist - The Fall; Dirty Knails, Sleepless In Silverlake, Let's Get Out Of Here - Les Savy Fav; Holiday In Cambodia - Dead Kennedys; Lips N' Stuff, Poltergeist - Les Savy Fav; Ghost Rider - Suicide; High And Unhinged, Excess Energies, Crutches - Les Savy Fav; Shamisen Solo 1 - Shinichi Kinoshita; Calm Down, Clear Spirits - Les Savy Fav; Not Me - This Mortal Coil; Let's Get Out Of Here (Alternate Version) - Les Savy Fav

A very special episode! Today we are chatting with Xander Marro, co-founder of the Dirt Palace, "a feminist cupcake encrusted netherworld located along the dioxin filled banks of the Woonasquatucket river, which is to say in Providence, RI USA". The Dirt Palace is a feminist artist-run collective/residency program/space that has been a pivotal part of the artistic community in Providence for over 20 years, and this interview is the first in a three part series focused on the Dirt Palace and its two co-founders: Xander Marro and Pippi Zornoza.This series was made in collaboration with Voices in Contemporary Art (VoCA), and was recorded in December 2022 in Xander's studio. In a first for the pod, you can *watch* the interview, including clips of Xander's work here: https://vimeo.com/889901548In the interview, we discuss Xander's creative origins, explorations in puppetry, animation, printmaking, film, live performance, and community arts organizing.  We don't normally share guest-written bios, but Xander's is a work of art in its own right, so we simply must: "Xander Marro has been living the good life in the feminist sub-underground for too many years to count on her long bony fingers.  She draws pictures (usually narrative), makes movies (usually not narrative), produces plays with elaborate sets and costumes (usually narrative, but confusing), and then makes stuff like posters, quilts and dioramas (probably narrative?). Her work is often about spiritual relationships to the material stuff of this world. Co-founder of the Dirt Palace in 2000 (feminist cupcake encrusted netherworld located along the dioxin filled banks of the Woonasquatucket river, which is to say in Providence, RI USA). Her studio (and heart) is there still. Xander currently serves as co-director of Dirt Palace Public Projects. She cut her teeth in community arts management serving as the Managing Director of Providence's legendary AS220. She teaches a class on poster design at RISD and serves as The Board Chair of One Neighborhood Builders, a community development/affordable housing organization."Stay tuned for our conversation with Pippi, and the final episode in the series where we sit down with both artists to discuss their decades long collaboration. Links from the conversation with Xander> http://xandermarro.com> https://www.dirtpalace.org> https://www.dirtpalace.org/wchbnbGet access to exlusive content - join us on Patreon!> https://patreon.com/artobsolescenceJoin the conversation:https://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

Today, I'm talking with Lucy Golden. Lucy and I only recently connected, though when I saw her work it felt familiar. Sure enough, Lucy sells some of her nature inspired jewelry on Uncommon Goods. Lucy takes us on her 35 year jewelry making journey from high school where she participated in two month-long intensive independent study jewelry classes to working in the fashion jewelry industry in Manhattan, and eventually finding herself living in the White Mountains of New Hampshire on a 350 acre farm where nature ultimately became her muse.  We talk about many things today including the importance of working with your hands as a life long pursuit, figuring out what works best for you, cultivating community and the pleasure of creating meaningful relationships with your customers.  About Lucy... Lucy Golden has been making jewelry in the White Mountains of NH for over 35 years. As an avid naturalist, she feels fortunate to be able to explore her interests in her work. When not in the studio, Lucy can be found exploring the outdoors, by bicycle, hiking boots or skis, depending on season. It is often during these times that creative ideas present. Lucy's interests encompass all facets of the natural world, but she is especially fascinated by caterpillars, moths, butterflies, and mushrooms. She enjoys raising four species of native "giant silk moths" and various species of praying mantises from which she draws inspiration. Lucy incorporates color and detail in her work which pays tribute to all of the life forms that share our world with us. She is passionate about conservation and preservation, and hopes that her work is a reminder of the critical importance of our natural environment. Lucy started making jewelry in high school, and took jewelry classes at RISD while earning a BA in Semiotics from Brown University. She worked in the fashion jewelry industry in Manhattan before moving to NH. She has been a juried member of the League of NH Craftsmen for over 30 years, and sells her work through most of their galleries and their Sunapee Fair, as well as other events and galleries. She teaches metals and jewelry-making at the Littleton Studio School and is an enthusiastic believer in power of creative expression. Instagram: @lucygoldenjewelry Website: lucygoldenjewelry.com Please consider supporting the podcast by joing our Slowmade Podcast Community on Patreon. Your support literally makes the podcast possible! Thank you! Follow Christine and the Slowmade Podcast on Instagram @christinemighion.    

This week, Miranda speaks with Lois Harada. They talk about Lois' journey to printmaking and letterpress from RISD to a commercial print shop, her invaluable insights into how to be a working artist through diversification, making work about her grandmother's incarceration during World War II, and the penny press as printmaking. Lois on Instagram @loisharada Jesus' website https://www.loisharada.com/ YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw MERCH www.teepublic.com/user/helloprintfriend WEBSITE www.helloprintfriend.com Instagram www.instagram.com/helloprintfriend ✨patreon✨ www.patreon.com/helloprintfriend Our sponsor, Speedball www.speedballart.com

Now on view at Rachel Uffner Gallery on the Lower East Side is the latest work from Iranian artist Arghavan Khosravi. Khosravi was born and raised in Iran before moving to this country in 2015, earning her MFA at RISD. This show is called True To Self, and displays nine works that incorporate sculpture and painting, some of which refer to the role of women in Iranian society in response to the protests following the death of Mahsa Amini in Iranian police custody. True To Self is on view through January 6, and Khosravi joins us to discuss her work.

Inspiration is on tap as Teresa Au speaks to graphic designer, entrepreneur, and author Aaron Draplin. Known as much for his warm and direct personality as for his signature thick lines design style and ample use of Pantone Orange 21, Aaron is beloved by designers everywhere. Aaron shares lessons gleaned from his midwestern upbringing, nearly 20 years in business on his own, and creating his Field Notes and DDC branded merchandise.What you'll hear in this episode:What Aaron wishes he knew when he went out on his ownBe professional on your way out of a role or projectWhy a job transition should be an overlap, not a hard stopGetting financially prepared for going into business for yourselfWhy you should take every job that comes your wayA note on taxesLessons learned from challenging jobs and peopleThe difficulties of the corporate environmentHow to control your own timeThe value of keeping your wordWhat you can learn from your clients that can help you in your own businessUse merchandise to make your business look as big–or as small–as you wishHow Aaron started the Field Notes brandFinding inspiration in your collectionsWhen it's time to bring in a teamIs passive income actually passive?Taking on big jobs allows Aaron to do little things to help his friend and familyCorporate clients don't have to mean endless meetings and emailsA big client can also be a passion jobWhy Aaron is sometimes the invisible designerGive clients what they need, not necessarily what they think they wantAaron's book tourNo one has to know which jobs have big paychecks and which ones you do for nothingWhich design students make the best audiencesThe people you meet when you travel, for better and worseWhat's special about driving through AmericaWhat Aaron learned from his DadThe importance of appreciating the people who help you get your work doneHow to celebrate someone you've lostAaron's dream gigPlanning a follow-up book to Pretty Much EverythingAaron's list of words for 2024Aaron Draplin is founder of the Draplin Design Co. a shop specializing in Print, Identity and Illustration. His clients include Coal Headwear, Union Binding Co., Richmond Fontaine, Esquire, Nike, Wired, Dinosaur Jr, Timberline, Chunklet, Eaux Claires Music Festival, Poler, Incase, Sub Pop Records, Fender, Marc Maron, Cobra Dogs, Jill Soloway, Thing Festival, Jack White, Old 97s, Jason Isbell, Nixon Watches, Bernie Sanders, Patagonia, Target, Chris Stapleton, NASA/JPL, John Hodgman, Timex, Ford Motor Company, Woolrich and even the Obama Administration. He co-created Field Notes brand with Jim Coudal, and their memo books are sold the world over, with limited-edition special editions shipped quarterly to a booming subscriber list. He is the author of eight Skillshare classes, and his first book, Pretty Much Everything is in its twelfth printing. His DDC Merch line is a cult favorite, featuring 300+ products. You'll find Aaron in his backyard studio in Portland, Oregon, or crossing the US in his orange van, putting on “speaking fiascos” for audiences ranging from Adobe MAX to vocational school students.Teresa Au (@tautastic) is an executive for community engagement and driving customer empathy at Adobe. Her career spans diverse creative fields, primarily in New York's fashion industry, as well as architecture firms, and now Silicon Valley tech companies. She has always prized working with distinctive design and the interesting people behind it–from designer Elie Tahari to start-up CEOs. We want to hear from YOU, our listeners, so we put together a brief survey as we look ahead to season two: https://adobe.ly/podcastsurvey To thank you for your feedback, we're giving away two 12-month memberships to Creative Cloud (valued at $659.88 each). Enter for your chance to win one of the two Creative Cloud licenses by completing the survey form from November 7 at 9pm PT to November 30 at 5pm PT. Winners will be drawn at random and notified at December 1 at noon PT. Valid one license per winner. No purchase necessary. You must be 18 years or older to enter. Please see Terms and Conditions on our website for full details. https://adobe.ly/podcastsurveyLearn more about this podcast, and find transcripts and links, at adobe.ly/inthemaking. In the Making is brought you by Adobe Express and Adobe Creative Cloud. Past episodes of Wireframe can still be found in the show archive within this feed, or online on Behance. Design flyers, TikToks, resumes, and Reels with the new, all-in-one Adobe Express. Create video, marketing, and social content. Edit photos and PDFs. Make it all in one app, including generative AI tools from Adobe Firefly and easy, one-click tasks like removing backgrounds.Adobe Creative Cloud provides apps, web services, and resources for all your creative projects — photography, graphic design, video editing, UX design, drawing and painting, social media, and more. Learn more about the apps in Creative Cloud

A thousand facets sits with Jenna Fennell from East camp goods and they talked about her education, her beginnings at the Met museum and how she found her voice!. About: Jenna Wainwright Fennell and Andy Fennell, the couple behind East Camp Goods, are metalsmiths based in upstate New York. Jenna is a classically trained goldsmith, who learned the fundamentals of metalsmithing at RISD while an undergraduate at Brown University 20 years ago. Andy is a skilled builder with a BFA in Sculpture from SUNY Purchase, well versed in metal forging at a large and small scale. Their jewelry designs are strongly influenced by their experiences working intimately with objects in the underground workshops of the Metropolitan Museum of Art - as a mount-maker and a crate-builder. Together, they share the creative process in designing and making the East Camp Goods jewelry line, creating bold yet delicate sculptural forms, with a finely tuned balance of scale. Working directly with high karat gold, Jenna and Andy melt, hammer, manipulate, and coax forms into shape from sheet and rod. From chain-making to stone-setting, all steps are performed in-house using old world goldsmithing techniques. You can follow Jenna Fennell on Instagram @eastcampgoods or visit her website https://www.eastcampgoods.com/ Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__ https://youtu.be/nKQHjg_E0yE Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sign up for the Black Women Stitch quarterly newsletter!   Check out our merch here Leave a BACKSTITCH message and tell us about your favorite episode. Join the Black Women Stitch PatreonAmazon Store Lisa WoolforkLisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation.Sahara ClemonsSahara Clemons is a multimedia artist and designer born in Washington D.C and based in Charlottesville, Virginia. Clemons revels in the fluidity of artistic mediums and interweaves painting, textiles, and dance in her creative process. Her work explores the intersection of race and gender and provides commentary on the socio-political forces that shape identity. Her work has been shown at the Virginia Museum of Fine Arts, Second Street Gallery, The Bridge Progressive Arts Institute, and McGuffey Art Center. Clemons is a YoungArts alumni and is currently pursuing a Bachelor of Fine Arts Degree from Rhode Island School of Design.Insights from this episode:How to go from ‘sketch' to ‘stitch'The techniques behind textile manipulationThe importance of defining your purpose when doing creative workTips for overcoming your fear of making mistakes and taking chancesBeing creative when you don't have a lot of resourcesQuotes from the show:“I feel like I'm a very conceptual person when it comes to making, and I think it always starts off with the story. Mainly I think the core aspect of that is making it personal and authentic to my journey as not just an artist, but as a person.” – Sahara Clemons, Stitch Please, Episode #202 [05:53]“I think too often we think about sewing or fashion and manufacturing, but that's not all that you're doing and this is one of the reasons I think that fashion is art. The same things that we see in art, or the things that go into making art, go into making the garments that we ultimately see.” – Lisa Woolfork, Stitch Please, Episode #202 [08:51]“What I appreciate about fashion is that idea of community-building and bringing people into the clothing.” – Sahara Clemons, Stitch Please, Episode #202 [11:35]“I wanted the collection to go through the transition of a person's mindset when it comes to body exploration… knowing that it is a healing process rather than, ‘this is okay, my scars are okay.' With all of society and you yourself, it's hard to feel that way and it's really challenging to go through that process, and that's what I wanted to share. That it's more about this healing and embracing a new perspective of yourself rather than an immediate dopamine rush of what it is, because it is hard sometimes to let go.” – Sahara Clemons, Stitch Please, Episode #202 [25:40]“I paralleled [pearls] with this idea of feeling like your body is an antagonizing force. Seeing how you can turn that around and how that creates in yourself this beauty and thing you have to overcome with yourself is a powerful journey that ends up being very beautiful.” – Sahara Clemons, Stitch Please, Episode #202 [35:40]Resources Mentioned:Sahara's first appearance on the Stitch Please podcastSupima Design CompetitionCLO computer-assisted 3D design programThis week's episode is sponsored by AccuQuiltStay Connected:YouTube: Black Women StitchInstagram: Black Women StitchFacebook: Stitch Please PodcastLisa WoolforkInstagram: Lisa WoolforkTwitter: Lisa WoolforkSahara ClemonsWebsite: Sahara ClemonsInstagram: sgcoriginalsSubscribe to our podcast + download each episode on Apple Podcasts and Spotify.This episode was produced and managed by Podcast Laundry.

We're taking the summer off to recharge our creative batteries. Please enjoy some of our favorite episodes and we'll be back in the fall with more fantastic Clever episodes!Airbnb Co-Founder & CEO, Brian Chesky, grew up playing hockey and asking Santa for poorly designed toys so he could redesign them. A self-described “peculiar” kid obsessed with art, no one pegged him as a future CEO. He studied industrial design at RISD where he also met his future business partner. After soaring global success, Airbnb, having suffered dramatic losses due to coronavirus, is getting back to its creative values and making meaningful contributions in the modern crisis of connection.Images, links and more from Brian!Please say Hi on social! Twitter, Instagram and Facebook - @CleverPodcast, @amydeversIf you enjoy Clever we could use your support! Please consider leaving a review, making a donation, becoming a sponsor, or introducing us to your friends! We love and appreciate you!Clever is hosted by Amy Devers, with editing by Rich Stroffolino, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven. Hosted on Acast. See acast.com/privacy for more information.