Podcasts about Pratt Institute

How can architectural thinking, technology, and a shift from outputs to outcomes empower designers to solve complex human challenges beyond the built environment?In this episode of Practice Disrupted, host Evelyn Lee sits down with Michael Caton, a Pratt-trained architect whose non-traditional career trajectory spans international mega-projects, technology-driven practice, mass timber housing, and pediatric behavioral health. Michael shares how graduating into the 2008 financial crisis launched a global journey, from construction administration on an Abu Dhabi hotel spanning a Formula One track to civic leadership in Brooklyn, that fundamentally reshaped how he views the architect's role in the room.Michael reflects on his evolution through technology-focused roles at Studio V, enterprise spatial delivery at WeWork, and his five-year tenure as the first design hire at mass timber startup Juno. Along the way, he completed a full-stack engineering bootcamp and navigated the counterintuitive realities of scaling housing innovations. He discusses the critical mindset of falling in love with the problem rather than the solution, and how his personal journey as a parent to a neurodivergent son led him to found Lumi, a pediatric behavioral health startup delivering real-time, multi-player behavioral guidance for families.The conversation culminates in an inspiring case for the future of architectural agency. Michael challenges firm leaders to look beyond drawing sets and physical artifacts to focus on the true transformations clients are buying. By prioritizing outcomes over outputs, he argues, design thinkers can leverage their problem-solving superpowers to create profound, measurable impact across the built environment and far beyond."If we really focus on those outcomes and that impact through the eyes of that client, those users in very deep ways, that makes the work that we create all the more powerful." - Michael CatonThis episode serves as a powerful reminder that an architect's greatest skill is not merely generating drawings, but applying systems thinking and design synthesis to complex human needs. By focusing on outcomes over outputs, design leaders can expand their agency and unlock meaningful transformation in traditional practice and new industries alike.Guest:Michael Caton, AIA, is an architect, technologist, and founder of Lumi, a pediatric behavioral health startup dedicated to supporting neurodivergent families with real-time, personalized behavioral guidance. A graduate of Pratt Institute, Michael's multi-faceted career spans international project delivery in the UAE and Switzerland, civic leadership advocacy with AIA New York, enterprise workplace delivery at WeWork, and mass timber product development as the first design hire at Juno. Combining architectural expertise with full-stack software engineering, he is a passionate advocate for outcome-driven design and leveraging technology to strengthen human connections.This episode is especially for you if: ✅ You are curious about how architectural training can open doors to non-traditional, high-impact careers outside conventional firm practice.✅ You want to explore the compelling case for prioritizing outcomes over outputs to increase client value and professional agency. ✅ You are eager to learn about the counterintuitive challenges and supply-chain realities of scaling mass timber housing startups. ✅ You want to understand how personal lived experience and empathy can drive the creation of human-centered tech startups. ✅ You believe that technology should be leveraged to foster deeper human connections and solve sticky societal problems.How are you prioritizing outcomes over outputs in your practice? Share your reflections with us on social and join the conversation.

On this month's episode, Jessica speaks with Dr. Uzma Rizvi (Professor of Anthropology and Urban Studies at Pratt Institute) and Sayed Gul Kalash (Archaeologist, Museum Professional, and Cultural Preservationist from the Kalash Valley, Chitral, Pakistan). The two discuss their discovery of archaeology as a field and their subsequent journeys to become archaeologists. As a result, Gul Kalash became the first and only Kalash community woman archaeologist/anthropologist. The two then discuss how they came to work together and describe some of the important work each of them has focused on, including the importance of using legacy collections, sharing data, learning cultural protocols and respecting community, and finding your own research questions/methods. Links Laboratory for Integrated Archaeological Visualization and Heritage Kalash, S. G. (2022). Indigenous archaeology and heritage in Pakistan: Supporting Kalash cultural preservation through education and awareness. Journal of Community Archaeology & Heritage, 9(1), 33–43. Rizvi, U. Z. (2022). Community engagement in archaeology and heritage in Pakistan. Journal of Community Archaeology & Heritage, 9(1), 1–8. Dr. Uzma Rizvi Istagram Sayed Gul Kalash's YouTube Channel Gul Kalash's Instagram Gul Kalash's LinkedIn Gul Kalash's TikTok Account Heritage Voices on the APN Contact Jessica Jessica@livingheritageanthropology.org @livingheritageA ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store Affiliates Motion Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dr Jan Dutkiewicz is an Assistant Professor of Political Science in the Department of Social Science and Cultural Studies at the Pratt Institute in New York. Much of his research focuses on the political economy of food; in addition to publishing research on this topic in academic journals, he's the author of many popular pieces in publications like The New York Times, Vox, and The New Republic, where he is a contributing editor. In this episode, we talk about his book Feed The People! Why Industrial Food is Good and How to Make it Even Better, which was co-authored with Gabriel N. Rosenberg. Feed the People was published by Basic Books in 2026. This episode is proudly sponsored by the Animal Politics book series at Sydney University Press. In his answers to the regular questions, Jan mentioned Peter Singer's Animal Liberation and the work of Dinesh Wadiwel. Jan's website is here: https://www.jandutkiewicz.com/

It's YOUR time to #EdUp with Chris A. Sula, Associate Provost for Academic Affairs, Denise Mngo, Director of Academic Assessment, & Luke Phillips, Registrar, Pratt InstituteIn this episode, recorded LIVE from the 2026 AcOps Conference powered by CoursedogYOUR host is Dr. Joe Sallustio⁠⁠⁠⁠⁠⁠Listen in to #EdUpThank YOU so much for tuning in. Join us on the next episode for YOUR time to EdUp!Connect with YOUR EdUp Team - ⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Elvin Freytes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dr. Joe Sallustio⁠⁠⁠⁠⁠● Join YOUR EdUp community at ⁠The EdUp Experience⁠We make education YOUR business!

Meena Hasan (born 1987, NYC) received her B.A. from Oberlin College in 2009 and her MFA from Yale School of Art in 2013, where she won the Carol Schlosberg Memorial Prize for Painting. In 2010, she was awarded the Terna Prize Affiliated Fellowship at the American Academy in Rome and in 2025 she was an artist-in-residence in the Winter TNT Residency hosted by Transmitter and Tiger Strike Asteroid Galleries in NYC. She has participated in group exhibitions at the Kristen Lorello Gallery, NYC, Klaus von Nichtssagend Gallery, NYC, Center for Book Arts, NYC, The Stedelijk Museum, Den Bosch, The Netherlands, Deitch Projects, NYC, Nathalie Karg Gallery, New York, NY, the 2022 New England Triennial at the deCordova Sculpture Park and Museum and Fruitlands Museum and at BRIC Arts and Media in Downtown Brooklyn in Spring of 2023 among others. Recent two-person and solo exhibitions have been shown at The Old Stone House of Brooklyn, NY, Main Window, Dumbo with Deanna Evans Projects, NYC, and Stowaway Gallery, Los Angeles, CA all in 2025. Meena has taught Painting at Rutgers University – Newark, Pratt Institute’s Painting MFA program, the School of Visual Arts at Boston University and Studio in a School, NYC. She is currently the Graduate Program Director and Associate Professor in Painting at RISD, Providence and lives and works in Brooklyn, NY. Meena Hasan, jaali 1 (after matisse’s seated odalisque with haiti textile, 1926) acrylic, Flashe, Okawara paper, Tyvek, image transfer, copper pipe, climbing rope, carabiners, 85 x 40 inches Meena Hasan, jaali 1 (detail, after matisse’s seated odalisque with haiti textile, 1926) acrylic, Flashe, Okawara paper, Tyvek, image transfer, copper pipe, climbing rope, carabiners, 85 x 40 inches Meena Hasan, Terrible Beauty, at Main Window Dumbo, Was On View: June 5 – August 20, 2025, 1 Main Street, Brooklyn, NY Meena Hasan, Terrible Beauty (Detail), at Main Window Dumbo, Was On View: June 5 – August 20, 2025, 1 Main Street, Brooklyn, NY

On this episode of Exclusively Van Halen on Johnny Beane TV, we discuss the surprising news that David Lee Roth has been added to Alex Van Halen's TEDxFargo appearance this Thursday! David Lee Roth will join Alex Van Halen and acclaimed artist Robert Vargas on stage at TEDxFargo on Thursday, July 30, in Fargo, North Dakota. Roth's involvement wasn't revealed until today through social media posts from Robert Vargas and TEDxFargo, making this a major surprise for Van Halen fans around the world. While this won't be a concert or musical performance, the three are expected to take part in a live conversation as part of this year's TEDxFargo theme, "CHARGE." Alex has kept a low public profile in recent years following the release of his memoir Brothers, making this appearance even more significant. Robert Vargas, the Los Angeles artist behind the famous Eddie Van Halen mural at Guitar Center Hollywood and his striking Alex Van Halen portrait, has become a close friend of Alex and will also be part of the discussion. Robert Vargas, the Los Angeles-based contemporary artist joining Alex and Roth on stage, is internationally recognized for his massive freehand murals and striking mixed-media portraits. Raised in Boyle Heights, California, Vargas studied at the Los Angeles County High School for the Arts before continuing his education at Pratt Institute in Brooklyn, New York. His artwork can be found on prominent buildings throughout downtown Los Angeles as well as in cities across Europe, the Middle East, and Asia. Among Van Halen fans, he's best known for creating the iconic Eddie Van Halen mural at Guitar Center Hollywood and his impressive portrait of Alex Van Halen. Perhaps the biggest story is that this marks the first public event featuring David Lee Roth and Alex Van Halen together on the same stage since Van Halen's final performance at the Hollywood Bowl in October 2015. What stories, memories, and surprises might they share? We'll break down everything we know, what fans can expect, and why this could be one of the most talked-about Van Halen events of the year. #RobertVargas #VanHalen #DavidLeeRoth #AlexVanHalen #TEDxFargo

Artists Katherine Hubbard and Sophie Thun explore how Hubbard's work is positioned within queer feminist art and critically engages with the tradition of analogue photography. The conversation was recorded during the installation of the exhibition on 7 June 2026. Katherine Hubbard The Great Room 12.6. – 30.8.2026 How do you capture the inner life of a person whose reality no longer aligns with the outer world? And how do you remain in relation to someone who is both intimately familiar and irreversibly changing? Katherine Hubbard began her five-year project The Great Room in 2020, at the onset of the Covid-19 pandemic, when her mother, Antonette Berger, became increasingly unwell and the artist became her primary caretaker. It took several months in a time of anxiety and isolation until Berger was diagnosed with LATE (limbic-predominant age-related TDP-43 encephalopathy), a form of dementia. Hubbard has described this diagnosis as both necessary and insufficient: a gesture towards control and classification that ultimately fails to grasp the lived, shifting reality of her mother's condition. It is precisely this gap that the project inhabits. More Katherine Hubbard (b. Philadelphia, PA, 1981) considers analog photography as a mimesis of the body and asks how its procedures might be called upon to investigate social politics, history, and narrative. In her photographs the positioning of one's body has an essential relationship to how one processes images, exploring this encounter as a time-based experience. Hubbard's writing practice forms the core of her performances, harnessing the malleability of vision to frame a politics of looking. Hubbard is a 2024 Guggenheim fellow in photography and received her MFA in 2010 from the Milton Avery Graduate School of the Arts at Bard College. She is Associate Professor and MFA Photography Program Director at Pratt Institute, School of Art in Brooklyn, NY. Solo exhibitions include The great room, Company Gallery, New York (2023); Avoid glancing blows, Company Gallery, New York (2020); Katherine Hubbard, Higher Pictures, New York (2018); stages, Baxter St. Camera Club of New York, New York (2017); and Bring your own lights, The Kitchen, New York (2016). Her work has been exhibited in group exhibitions including Time Management Techniques, The Whitney Museum of American Art, New York; Ecstatic Land, Marfa Ballroom, Texas; A Collection of Slow Events, The Luminary, St. Louis, Missouri; The Artist's Museum, The Institute of Contemporary Art, Boston; and Greater New York, MoMA PS1. Hubbard's performances have been presented at the Chinati Foundation, Marfa, Texas; Konstfack, Stockholm, Sweden; the Metropolitan Museum of Art, New York; and the Whitney Museum of American Art, New York. Her work is included as part of the permanent collection at the Whitney Museum of American Art. Sophie Thun (*1985, lives and works in Vienna) works primarily with analogue photography techniques, their spaces, processes and production and exhibition conditions. Thun grew up in Warsaw and completed her master's degree at the Academy of Fine Arts in both Vienna and Krakow. Thun has been a member of the board of the Secession since 2021, where she had a solo exhibition in 2020; from 2023 to 2025 she was interim professor of the photography class at the Kunstakademie Düsseldorf. Since 2026, she has been Professor of Artistic Photography at the Institute of Fine Arts and Media Art at the University of Applied Arts Vienna. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Bettina Spörr

Welcome to the Success With Jewelry podcast, hosted by Laryssa Wirstiuk and Liz Kantner, two experts passionate about helping independent jewelry artists thrive. Welcome to episode #179! Liz sits down with Alyssa Downey, owner of Amp'd Designs, a brand and web designer with over a decade of experience helping small businesses build websites that don't just look beautiful — they work for everyone who visits them. Alyssa studied at Pratt Institute, has worked at NYC design studios, as an Art Director at a high-end print company, and in the Art Department at Atlantic Records, and has been running her own design business full time since 2018. In today's episode, Liz and Alyssa break down website accessibility in a way that actually makes sense for independent jewelry brands — not the intimidating technical version, but the practical one that helps you make sure the customers who want to find you and buy from you actually can. In today's episode, Liz and Alyssa cover: What website accessibility means and why it should be a priority for every jewelry brand The legal side of accessibility — and why it's worth paying attention to even as a small business The most common accessibility mistakes Alyssa sees on jewelry websites Why heading structure matters way more than most designers realize (and it's not just about design) Text legibility, tiny fonts, and script typefaces — what's hurting your website and what to do about it Color contrast explained: how to check yours and what to do if it fails Alt text: why it matters for both accessibility and SEO, and how to write it correctly How to audit your own website for accessibility without hiring a developer In the bonus segment for Insiders only, Alyssa shares the accessibility fixes she sees jewelry websites need the most — including a live look at a few well-known jewelry brand websites — and where to start if this all feels overwhelming. Learn more about Amp'd Designs: https://www.ampddesigns.com/Follow on Instagram: https://www.instagram.com/ampd_designs Liz Kantner works with independent jewelry artists to help them find their unique voices and succeed in today's marketplace. With over ten years of experience in jewelry marketing and sales, Liz offers consulting services and digital strategy. She's also the founder of the Stay Gold Collective, a private group providing live training, industry insights, and personalized feedback. Learn more at https://www.lizkantner.com. Laryssa Wirstiuk is the founder and creative director of Joy Joya, a digital marketing agency for the jewelry industry. She's the author of Jewelry Marketing Joy and the creator of JoyDeck, a platform designed to make marketing accessible for jewelry makers and designers. Discover more at https://joyjoya.com. Tune in to hear Liz and Laryssa share valuable insights, tips, and strategies for success in the jewelry industry!

Author and professor John O'Connor joins us to talk about the increasing popularity of psychedelics whether it's for spiritual reasons or for better mental health. John O'Connor is the author of A Short Strange Trip: An UntoldSstory of Magic Mushrooms, madness, and a Search for the Meaning of Life in the Amazon and The Secret History of Bigfoot: Field Notes on a North American Monster. His articles and essays have appeared in newsstand publications such as The New York Times, GQ, Financial Times Magazine, Men's Journal, and The Boston Globe. He has taught nonfiction writing in the BFA program at Pratt Institute and now teaches journalism at Boston College. He lives in Cambridge, Massachusetts, with his wife, children, and rabbit. See more about John O'Connor at https://www.johnmoconnor.com/ The episode I reference is "HM 338 Microdosing with Kayse Gehret" and can be found at https://www.drlizhypnosis.com/episode338 -------------- Support the podcast through Buy Me a Coffee! https://buymeacoffee.com/drlizbonet Support the Podcast & Help yourself with Hypnosis Downloads by Dr. Liz! http://bit.ly/HypnosisMP3Downloads Do you have Chronic Insomnia? Find out more about Dr. Liz's Better Sleep Program at https://bit.ly/sleepbetterfeelbetter Search episodes at the Podcast Page http://bit.ly/HM-podcast --------- About Dr. Liz Interested in hypnosis with Dr. Liz? Schedule your free consultation at https://www.drlizhypnosis.com Winner of numerous awards including Top 100 Moms in Business, Dr. Liz provides psychotherapy, hypnotherapy, and hypnosis to people wanting a fast, easy way to transform all around the world. She has a PhD in Clinical Psychology, is a Licensed Mental Health Counselor (LMHC) and has special certification in Hypnosis and Hypnotherapy. Specialty areas include Anxiety, Insomnia, and Deeper Emotional Healing. A problem shared is a problem halved. In person and online hypnosis and CBT for healing and transformation.  Listened to in over 140 countries, Hypnotize Me is the podcast about hypnosis, transformation, and healing. Certified hypnotherapist and Licensed Mental Health Counselor, Dr. Liz Bonet, discusses hypnosis and interviews professionals doing transformational work. Thank you for tuning in!

AFH: Season 2, Episode 15Featuring Holly HowardAbout the Guest:Holly Howard is the founder and CEO of Pyramid.Work, an AI-powered strategic growth engine for the entrepreneurial economy.Pyramid is the culmination of Holly's lifelong pursuit: integrating artist, scientist, healer, business builder, and teacher—and using that integration to create technology that helps people realize their own visions.Holly's journey began in 1996 at the Joffrey Ballet Training Program. At 18, she danced with the Ruth Page Ballet's Nutcracker and joined the American Guild of Musical Artists.In 1999, she entered Berklee College of Music to study Music Therapy and Bassoon, where she discovered neuroscience and neuroplasticity—that creativity can literally rewire the brain. She created an internship at the Institute for Music and Neurologic Function under Dr. Concetta Tomaino, longtime collaborator of Oliver Sacks. That experience taught her how to invent what doesn't exist.After three years as a Board-Certified Music Therapist in New York, Holly took a detour into Brooklyn's restaurant scene—working at Marlow & Sons, where she was photographed by Roe Ethridge (now in ICA Boston and MOCA). She also recorded on bassoon with The Pierces. Later, she managed egg restaurant that she made profitable enough to offer PTO and health insurance to every employee in 2009. That work led to a congressional briefing for Congresswoman Rosa DeLauro and influenced the Healthy Families Act.During those years, Holly earned her premedical certificate at Columbia University while conducting orthopedic research at Lenox Hill Hospital. After publishing in the Journal of Arthroplasty, she chose not to pursue medicine and pivoted back to creativity.In 2012, Holly founded Ask Holly How, her consulting practice. By 2014, her programs were sponsored by JPMorgan Chase and economic development corporations. She has since worked with over 1,000 small businesses, become a professor at Pratt Institute, joined the faculty at RISD, and launched the podcast Cultures Within Capitalism. Her work has been cited in the New York Times, The Cut, Fast Company, and Bustle.In 2023, Holly completed her Master's Certificate in Religions of the World at Harvard, integrating the spiritual and philosophical roots of everything she builds.Through Pyramid, Holly is uniting all of these disciplines—art, science, service, and spirit—to help entrepreneurs build from their own foundations, not someone else's framework.Guest Info:https://www.pyramid.work/aboutFollow Me:Instagram: @afinehuman Shop Dame: dame.com This podcast was produced by aurielle sayeh, filmed by @thetellychannel, and powered by @dameproducts.

Nick Fusaro (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY). Fusaro has made a habit of drafting new artworks behind a character or archetype when ideating. In this instance, as the exhibition’s title suggests, he has poised himself as The Foreman. The Foreman is an overseer. He doesn’t design or create plans, he simply executes them. He is the figure at the helm of process, navigating projects from renderings to realities. Imagined in the shape of a clown, the character of The Foreman is featured prominently in a panel at the gallery’s back wall, overseeing the exhibition like a construction site. His authority is subtly undercut by his choice of dress, and the delicate safety pin that holds him to the wooden panel. His intention, ability, and capacity are in question, but nevertheless, for better or for worse, it’s The Foreman who is in charge. Foreman, 2026, 48″ x 48″ (122cm x 122cm) Aluminum Roofing Paint, Felt, Nickel Tacks, Graphite on paper, safety pin, on panel A Dozen Plus Three, 2026, 23.5″ x 16″ x 4″ ( 60cm x 40cm x 10cm ) Silk-velvet, poplar, aluminum foil The One Through the Clumsy Hole, 2026, 32″ x 22″ x 18.5″ ( 81cm x 56cm x 47cm ) Poplar, Pine, Plywood, Roofing Nails, Aluminum Roofing Paint, Chestnuts, Railroad Ties, Wire, Custom Plywood Pedestal Nodules (N_5), 2026, 19″ x 8″ x 8″ ( 48cm x 20cm x 20cm ) Polyester Resin, Epoxy Resin, Insulation Foam

Questions about alchemy and its place in modern day? Eliza is here with answers!The Alchemical Imagination is the first book of its kind to address the ancient subject of alchemy through the lens of contemporary creativity. From an expert teacher of modern alchemy across disciplines, Eliza Swann distills this arcane science into an accessible series of philosophies and techniques to help readers find a deeper connection to their own creativity. Part workbook and part historical journey through the lives and practices of the great alchemists, The Alchemical Imagination highlights often-overlooked female alchemists and queer alchemical imagery and traces their many contributions to contemporary art, handing this ancient craft to a new generation.The Alchemical Imagination brings the alchemical worldview to 21st-century artists in pursuit of expanding their creative life and practices. Swann brings a modern, queer, femme perspective to alchemical theory in a voice that is lively, fresh, and grounded in their fifteen years of teaching alchemy in universities and community organizations.Find the book and Eliza:Book: https://www.amazon.com/Alchemical-Imagination-Creativity-Catalyst-Transformation/dp/1578639018Website: www.elizaswann.com School: ⁠golden-dome.orgInstagram: @thecircularserpent and @goldendomeschoolEliza Swann is an interdisciplinary artist, intuitive, writer, and educator based in New York City. They are the founder of the Golden Dome School, now Emerald School, an alternative school that explores the mystical dimensions of art, and has taught at leading institutions including the Pratt Institute, the Philosophical Research Society, and the Hammer Museum.

As the United States approaches its 250th anniversary, the Constitution remains the most consequential document in American life — and more people are reading it than ever. But pick up almost any commercial edition and you'll find the same thing: small type, no imagery, nothing that invites you in. Jessie McGuire noticed this too. Find bonus content and more on our Substack: https://designbetterpodcast.com/p/jessie-mcguire Every copy her studio ordered looked identical — dense, utilitarian, forgettable. So they redesigned it. They printed thousands of copies, donated them to New York City schools, and invited designers like Milton Glaser and Seymour Chwast to create posters for each amendment in the Bill of Rights. That project became a turning point — not just for the studio, but for how they think about what design is actually for. Jessie is Managing Partner of Thought Matter, the independent design and creative studio that just won the 2026 National Design Award for Communication Design from the Cooper Hewitt, Smithsonian Design Museum — the field's highest national honor. It's an award that recognizes not a single project but a decade of practice, and Thought Matter's practice has been built around a bold idea: that imagination is a radical act. A Salvadoran-American designer, New Yorker, and mother of two, Jessie brings a perspective shaped by navigating spaces that weren't always designed for her. She teaches entrepreneurship at Pratt, mentors emerging designers, and leads a studio that works with cultural institutions, nonprofits, and commercial brands — all grounded in the belief that design is civic infrastructure, a tool for helping people see themselves as participants in shaping the world around them. In this episode, Jessie talks about the origin of the Constitution project, what it means to fund the work you actually want to talk about, why she thinks scale and speed aren't serving us, and why sitting down to make something with your hands — like the beaded bracelets she makes with her kids — still matters. Bio Jessie McGuire is Managing Partner of Thought Matter, the independent design studio that won the 2026 National Design Award for Communication Design from Cooper Hewitt, Smithsonian Design Museum — the field's highest national honor. She leads the studio's strategy and long-term vision, working with cultural institutions, nonprofits, and commercial brands on work grounded in the belief that design shapes what people believe. A Salvadoran-American designer and mother, Jessie is committed to expanding who gets to lead in the design industry. She teaches entrepreneurship at Pratt Institute, lectures on design as civic infrastructure, and mentors emerging designers. Before Thought Matter, she worked in-house at Kimberly-Clark and led projects for multinational brands. She holds a BFA from Pratt Institute and an MPS in Branding from the School of Visual Arts. *** Premium Episodes on Design Better This ad-supported episode is available to everyone. If you'd like to hear it ad-free, upgrade to our premium subscription, where you'll get an additional 2 ad-free episodes per month (4 total). Premium subscribers also get access to the documentary Design Disruptors and our growing library of books. New premium subscriber benefit: we've launched a private Slack workspace…join now to connect with designers, product leaders & creative practitioners in our community. And get a behind-the-scenes pass to every episode with The Roundup, where each week we bring you insights and actionable tactics from recent episodes. You'll also get access to our monthly AMAs with former guests, ad-free episodes, discounts and early access to workshops, and our monthly newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show. And subscribers at the annual level now get access to the Design Better Toolkit, which gets you major discounts and free access to tools and courses that will help you unlock new skills, make your workflow more efficient, and take your creativity further. Upgrade to paid Learn more about your ad choices. Visit megaphone.fm/adchoices

What if the designer's real job isn't to design the object at all? In this episode, hosts Giulia Donatello and Lee-Sean Huang sit down with Todd Bracher -- industrial designer, founder of Bracher and BetterLab, and author of two books -- to dig into a practice built on removing ego from the design process and letting context drive the answer. From a Pratt exam that accidentally changed his career, to a decade across four European countries, to unlocking a NASA scientist's 25-year-old patent, Todd makes the case that design's most powerful move is understanding the system before touching the object.In This EpisodeThe accidental industrial designer. Todd originally applied to Pratt Institute as an illustrator. A complex respirator brief on a Pratt entrance exam made him ask, "What is this thing?" The answer was industrial design, and he never looked back.Designing the context, not the tree. Todd's framework, laid out in his book Design in Context, argues that designers make a fundamental mistake when they start designing the object without first mapping the "governors" -- finance, legal, supply chain, competition, human needs -- that will ultimately determine the output. His metaphor: a tree's shape isn't an opinion, it's the result of its ecosystem. Design should work the same way.BetterLab and the patent moat problem. Many of the world's most promising scientific breakthroughs sit unused -- stuck in litigation, sitting in drawers, or bought up by companies with no intention of using them. BetterLab is Todd's venture platform to change that. One example: partnering with a former NASA scientist whose UVC light patent for hand sanitization had been sitting unused for 25 years.Visionary execution. The BetterLab manifesto holds that visionary solutions don't spread on merit alone; they require visionary execution. Getting design into the room with scientists, not just at the end of the process, is the intervention.Ergonomics as wellness. After nearly 20 years collaborating with Humanscale, Todd traces the shift from ergonomics as basic human measurement to ergonomics as a long-term health discipline. Humanscale's gravity mechanism does away with knobs and levers entirely, using the sitter's own body weight to instantly adjust the chair.Legacy brands in the age of AI. The competitive threat for heritage companies often isn't a competitor's product -- it's the experience gap. Consumers who use Spotify and Airbnb every day bring those expectations to every brand. Links & Resources Todd Bracher - https://toddbracher.com/ Observations, Research, and Design (Phaidon monograph) -- https://www.phaidon.com/en-us/products/observations-research-and-design | Use code NEW20 for a discountDesign in Context framework - https://toddbracher.com/bookField Notes: "The De-Evolution of a Business" -- https://toddbracher.com/field-notes/the-de-evolution-of-a-businessBetterLab - https://betterlab.comThe Measure of Man - https://ia801906.us.archive.org/34/items/TheMeasureOfManDreyfuss/The%20Measure%20of%20Man%20%28Dreyfuss%29_text.pdf 99% Invisible, "On Average" - https://99percentinvisible.org/episode/on-average/Humanscale - https://www.humanscale.com/ Action Office - https://www.hermanmiller.com/products/workspaces/workstations/action-office-system/About Todd BracherTodd Bracher is an industrial designer and founder of Bracher, a Brooklyn-based studio, and BetterLab, a research and design hub at the intersection of science and design. Named International Designer of the Year three times, he has designed products for Herman Miller, 3M, Zanotta, and Issey Miyake, holds over two dozen patents, and has brought more than 200 products to market. His 2025 book Design in Context is his framework for strategic differentiation through context-based design. His Phaidon monograph, Observations, Research, and Design, covers 25 years of insights, failures, and lessons learned.

Welcome back to ARTMATTERS: The Podcast for ArtistsOn this week's episode I'm joined by Will Hutnick.Will is a painter based in Sharon, Connecticut. He holds an MFA from Pratt Institute and a BA from Providence College. Hutnick is a 2021 New York Foundation for the Arts Fellow in Painting. His solo exhibitions include High Noon in New York, the McDonough Museum of Art, Geary Contemporary, and Pamela Salisbury Gallery. His work has been featured in The New York Times, New American Paintings, and Hyperallergic. He's held residencies at Yaddo, the Elizabeth Murray Artist Residency, and Vermont Studio Center. Will currently serves as Director of Artistic Programming at the Wassaic Project, a nonprofit that uses art and education to foster social change.Will and I sat down last month at High Noon in Tribeca, where his solo exhibition  “Time's a Goon” was on display. Will and I discussed planning a painting, starting a painting, new content, landscapes, working on 15-year-old canvases, his printmaker background, the challenges of editing and finishing and his love of works on paper. We also discuss chance, noise, and the lack of control, decoration, orchestration and the arbitrary, Will's work as Director at the Wassaic Artist Residency and the simple efficacy of the Thank You Note.Before we begin, a reminder that ARTMATTERS is entirely listener-supported. If you want to support the show and help make more conversations like this possible, consider joining the ARTMATTERS Patreon. Supporters get video versions of every episode, as well as more behind-the-scenes content. Find the link in the description or go to patreon.com/artmatterspodcastSupport this podcast by clicking HERE and becoming a Patreon Supporter!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!Support this podcast by clicking HERE and becoming a Patreon Supporter!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mannwww.isaacmann.cominsta: @isaac.mann guest: Will Hutnickwww.willhutnick.cominsta: @willhutnickThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

In this episode, Brian is joined by Aliya Khan, VicePresident Global Design Strategy & Product Development at Marriott Hotels & Resorts. As Vice President Global Design Strategy & Product Development, Aliya oversees the creative direction for over 30 brands across the Premium, Select and Midscale portfolios. With a background in both Architecture and Industrial Design from Pratt Institute, she has built areputation for translating brand strategy into thoughtful, resonant guest experiences at scale. Tune in to hear who Aliya Thanks for helping her along the way.

Rochelle Voyles (b. 1989, Toledo, Ohio) is a Brooklyn based multi-disciplinary artist whose works explore the cyclical nature of humanity's patterns and the underlying impulses that drive behavior. Mining historical textile diagrams and found images, Voyles arranges fragments of different moments meticulously in collage on-wood cut sculpture. She dislocates, interrupts, and re-purposes found images in order to decontextualize her experience of reality and decipher our collective relationship to photographs. She received her BFA in Fine Arts/Printmaking from Pratt Institute in 2012. She is an upcoming resident of the Wassaic Project, and was a resident at The Peter Bullough Foundation, the Byrdcliffe Arts Colony and the ChaNorth Residency. She has shown at galleries in New York such as Below Grand, 81 Leonard Gallery, Trestle Gallery, Peninsula Art Space, Field of Play Gallery, and Collarworks. Voyles has been published in blogs and online such as Collé, Shoutout LA, Paradice Palase, and The Jealous Curator. Her recent solo show “Unreliable Narrators” at 81 Leonard has been featured as a March 2026 editors select in Impulse Magazine, and as an editorial feature on Art Rabbit. Additionally, the show received favorable reviews in Art Spiel and White Hot Magazine. Neptune in Pisces, 2026Mixed media; collage, paper, and wood, 20 x 23 in. The Bowline at Dusk, 2025 Mixed media; collage, paper, and wood 32 x 31 in. Returned in Fragments, 2026 Mixed media; collage, paper, wood 8 x 7 in.

In the Season 3 finale, Jo sells Charlotte on Alan Warner's “amazingly textured” Movern Callar, which leads the hosts to reflect on some of the season's recurring themes. They're then joined by the radically reflective William C. Anderson, who explains how the Buddhism transmitted in Thich Nhat Hanh's Zen Battlest, a commentary on the teachings of Master Linji, informed his political development.William C. Anderson is a writer and activist from Birmingham, Alabama. His work has appeared in The Guardian, MTV, British Journal of Photography, Logic(s) Magazine, and Prism, where he's a monthly columnist. He is the author of The Nation on No Map (AK Press 2021) and co-author of  As Black as Resistance (AK Press 2018). He's also the co-founder of Offshoot Journal and provides creative direction as a producer of the Black Autonomy Podcast. His writings have been included in the anthologies, Who Do You Serve, Who Do You Protect? (Haymarket 2016) and No Selves to Defend (Mariame Kaba 2014). Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWritersAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode 521 / Nat MeadeNat Meade received his BFA from the University of Oregon and his MFA from Pratt Institute. His work has shown in numerous group and solo exhibitions nationally and internationally, and has been reviewed in publications such as Artforum, Juxtapoz, The Boston Globe, and Hyperallergic. He attended the Skowhegan School for Painting and Sculpture 2009, the Sharpe-Walentas Studio Program in 2016, the Siena Art Institute in 2018, and the James Castle House Summer Residency in Boise, Idaho in Summer 2021. He lives and works in Brooklyn, NY.Nat returns to the pod as he just hung a show called Franklin at Hesse Flatow for a talk about his new work, funny sad songs, cinema, teaching, making work for fellow painters, titles with multiple meanings and much more. 

¿Qué define la frontera entre la belleza absoluta y la provocación insoportable? En este episodio de FOTÓGRAFOPRO, nos sumergimos en la vida y obra de Robert Mapplethorpe, el artista que no solo capturó imágenes, sino que esculpió cuerpos y flores con una precisión casi divina.Exploramos su viaje desde sus inicios en el Pratt Institute y sus días de bohemia en el Chelsea Hotel junto a su alma gemela Patti Smith, hasta convertirse en el epicentro de las Culture War) en Estados Unidos.En este episodio analizamos:La Cámara como Cincel: Cómo el dominio de la Hasselblad y el uso de fondos negro profundo permitieron a Mapplethorpe elevar el cuerpo humano al nivel de la escultura clásica griega.Retratos de Flores: El fascinante mundo de sus bodegones, donde tulipanes y orquídeas no son simples plantas, sino "personajes" capturados con el enfoque de un headshot humano.Arte y Censura: El impacto del juicio de Cincinnati en 1990 y cómo la exposición The Perfect Moment desafió los límites de la libertad de expresión y el financiamiento público del arte.El Legado del Deseo: La búsqueda del clímax de la belleza tanto en lo sagrado como en lo profano, y cómo su muerte por complicaciones del AIDS aceleró su producción creativa final.Acompáñanos a descubrir por qué, para Mapplethorpe, "la belleza y el diablo son la misma cosa". Un análisis profundo sobre la intención, la simetría y el orden en una obra que, décadas después, sigue siendo imposible de ignorar.Presentado por: John Vargas. Escucha ahora y descubre los secretos detrás del lente más controvertido del siglo XX.

This week we finish breaking down Weight Loss. The Office gang continues to lose weight for the Dunder Mifflin Weight Loss Challenge, and a truly unexpected proposal happens. We hear an audio clip from Paul Feig about what it was like to be the Season 5 “Tastemaker”. Jenna tells us about some very special cats at Pratt Institute, Angela breaks down what it was like to have a fruit fly wrangler on set and we learn everything we ever wanted to know (and maybe not wanted to know) about the famous Jim and Pam gas station proposal. Enjoy! Office Ladies Website - Submit a fan question: https://officeladies.com/submitaquestion  Follow Us on Instagram: OfficeLadiesPod Follow Us on YouTube Follow Us on TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Charlotte puzzles over who exactly wrote Brighton Rock before Jo shares a newfound fascination with big machines, spurred in part by Don Gillmor's On Oil. A conversation with the preternaturally wise Rayne Fisher-Quann starts with Iris Owens' After Claude, then opens up into a rousing feminist seminar on Margery Kempe, sexual obsession, and women's humor of past and present. Rayne Fisher-Quann is a Brooklyn-based writer. Her blog is called Internet Princess, and her first book, COMPLEX FEMALE CHARACTER, is forthcoming from Knopf. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Books discussed on all seasons of the podcast are aggregated here on Bookshop. Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWritersAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jo and Charlotte turn their attention to Nobel Laureate Kenzaburo Oe's mindblowing A Personal Matter and Troubled Lands: Stories of Mexico and Cuba, a collection translated by Langston Hughes, before they're joined by Gothic-literature-loving writer-of-all-modes Nicholas Russell, who puts the spotlight on Algernon Blackwood's unsettling preoccupation with mysterious forces in the natural world. Nicholas Russell is a writer and critic from Las Vegas. His work has been featured in McSweeney's, The Baffler, Conjunctions, The Nation, and Orion, among other publications. He's a long-time bookseller, a contributing writer at Defector, and managing editor at Still Alive magazine. His debut novel Observer will be published by Ecco at HarperCollins on September 15th. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Books discussed on all seasons of the podcast are aggregated here on Bookshop. Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode 519 / Cyrilla MozenterCyrilla Mozenter is known for her gouache-painted, pencil-drawn works on paper and hand stitched industrial wool felt pieces that include the transplantation of cutout letters, letter-derived and pictogram-like shapes. Her solo exhibitions include Problems of Art and Present Participle, 57W57 Arts, NY; See Why and the failed utopian, Lesley Heller Gallery, NY; the failed utopian & Other Stories, FiveMyles, Brooklyn; warm snow, Adam Baumgold Gallery, NY, and the Garrison Art Center, Garrison, NY; More saints seen, The Aldrich Contemporary Art Museum, Ridgefield, CT; and Very well saint, The Drawing Center, NY. She has produced two collaborative books with photographer/writer Philip Perkis: ar, AC Books, San Diego, 2023, and the bilingual Octave, anmoc press, Seoul, 2020. A 2020 Guggenheim Fellow, she has also received two fellowships from the NY Foundation for the Arts and two project grants from The Fifth Floor Foundation. She has been in residence at Pianpicollo Selvatico, Dieu Donné Papermill, and Instituto Municipal de Arte e Cultura-Rioarte. Her work is in numerous public collections including the Brooklyn Museum and the Yale University Art Gallery. She taught for many years in the MFA program at Pratt Institute.

Welcome back to ARTMATTERS: The Podcast for ArtistsOn this week's episode I'm joined by Hiba Schahbaz.Born in Karachi, Pakistan, Hiba Schahbaz trained in traditional Indo-Persian miniature painting at the National College of Arts in Lahore. Her practice spans oil, wood, paper, black tea, and water-based pigments. Schahbaz received an MFA in painting from Pratt Institute and has exhibited internationally since 2002. Recent exhibitions include the FLAG Art Foundation, Almine Rech Paris, the Institute of Contemporary Art Miami, and Jeffrey Deitch, as well as a public art commission for Rockefeller Center produced with Art Production Fund. Her current retrospective, Hiba Schahbaz: The Garden, on view at the Museum of Contemporary Art North Miami, brings together roughly fifteen years of work tracing her evolution from the disciplined traditions of miniature painting to expansive, immersive works.I sat down with Hiba in her Bushwick loft studio and asked her about the “aha” moment - when a new idea begins to take shape. We also talk about cut-outs and shifting scale, the difference between one-off paintings and a sustained flow state, learning from mistakes, and why she never lets a painting leave the studio before the idea feels fully resolved. We talk materials and process, how Hiba starts a painting, and how she approaches large commissions, museum projects, and multi-panel works differently. Hiba discusses maintaining a daily studio practice and how it shifts with seasonal rhythms, the difficulty and necessity of waiting for ideas to develop, and the importance of physical health in the studio and taking responsibility for one's body over time. Finally, we talk about avoiding creative burnout through continuous learning, and why Schahbaz believes in committing fully to the path of an artist without a Plan B.Support this podcast by clicking HERE and becoming a Patreon Supporter!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com  host: Isaac Mann www.isaacmann.com insta: @isaac.mann guest: Hiba Schahbaz www.hibaschahbaz.com insta: @hiba_schahbazThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

In the Season 3 finale, Jo sells Charlotte on Alan Warner's “amazingly textured” Movern Callar, which leads the hosts to reflect on some of the season's recurring themes. They're then joined by the radically reflective William C. Anderson, who explains how the Buddhism transmitted in Thich Nhat Hanh's Zen Battles, a commentary on the teachings of Master Linji, informed his political development.William C. Anderson is a writer and activist from Birmingham, Alabama. His work has appeared in The Guardian, MTV, British Journal of Photography, Logic(s) Magazine, and Prism, where he's a monthly columnist. He is the author of The Nation on No Map (AK Press 2021) and co-author of As Black as Resistance (AK Press 2018). He's also the co-founder of Offshoot Journal and provides creative direction as a producer of the Black Autonomy Podcast. His writings have been included in the anthologies, Who Do You Serve, Who Do You Protect? (Haymarket 2016) and No Selves to Defend (Mariame Kaba 2014). Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Charlotte and Jo go deep on jealousy, self-hatred, love, and vulnerability in a conversation that touches on A Separate Peace, The Go-Between, Beowulf, and more. Then the canny and intrepid Maya Binyam joins for a discussion about the category of little girlhood, ambiguity in fiction, and female desire.Maya Binyam is the author of Hangman. Her writing has appeared in the New Yorker, the Paris Review, Best American Short Stories, and elsewhere. She is a 2025 - 2026 Rome Prize Fellow at the American Academy in Rome. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Books discussed on all seasons of the podcast are aggregated here on Bookshop. Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Charlotte puzzles over who exactly wrote Brighton Rock before Jo shares a newfound fascination with big machines, spurred in part by Don Gillmor's On Oil. A conversation with the preternaturally wise Rayne Fisher-Quann starts with Iris Owens' After Claude, then opens up into a rousing feminist seminar on Margery Kempe, sexual obsession, and women's humor of past and present. Rayne Fisher-Quann is a Brooklyn-based writer. Her blog is called Internet Princess, and her first book, COMPLEX FEMALE CHARACTER, is forthcoming from Knopf. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Books discussed on all seasons of the podcast are aggregated here on Bookshop. Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Today we're breaking down Goodbye Toby. To kick off this two part episode, Paul Liberstein sent in audio clips to talk about what it was like to write himself off the show and introduce Holly Flax, played by Amy Ryan. When Toby has his last day at Dunder Mifflin, Michael insists on throwing him a huge going away party. Angela Martin scoffs at the idea, so Phyllis steps in. While breaking down Pratt Institute, Jenna ends up quoting her own book, The Actor's Life: A Survival Guide. Creed chimes in about his famous “quabity assuance” scene and Angela learns the difference between “hot to trot” and “fired up”.  This episode is cruisin' for a bruisin', so listen up! Link to Jenna's book, The Actor's Life: A Survival Guide: https://www.amazon.com/Actors-Life-Survival-Guide/dp/1944648224 Office Ladies Website - Submit a fan question: https://officeladies.com/submitaquestion  Follow Us on Instagram: OfficeLadiesPod Follow Us on YouTube Follow Us on TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Jo takes us on a whirlwind tour of their recent reading, including Mary Helen Washington's Paule Marshall: A Writer's Life, and Charlotte explains why Susanna Moore's In the Cut is one of the most thrilling novels she's ever encountered. Then, the profoundly thoughtful Jamie Hood joins to explore the many boyfriends and political disappointments of Doris Lessing's The Golden Notebook. Jamie Hood is the author, most recently, of Trauma Plot: A Life, the hybrid pandemic diary how to be a good girl, the semi-monthly, Proust-infused newsletter, regards, marcel, and a book of love poems, forthcoming in 2026. She has written extensively on books, feminism, #MeToo, and other political matters for many publications, some of them even prestigious. She lives in Brooklyn.Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome back to ARTMATTERS: The Podcast for ArtistsOn this week's episode I'm joined by New York artist David Hornung.David Hornung is a painter and mixed media artist whose work has been exhibited in the US and UK. Over the course of a long career he has served on the faculties of The Rhode Island School of Design, Indiana University, Skidmore College, Pratt Institute, and Adelphi University. He is the author of Color: A Workshop for Artists and Designers (Laurence King Pub Ltd.), a color textbook. Translated into six languages it is used in art schools around the world. His work is shown at Cynthia Winings Gallery, Elena Zang Gallery, Pulp Gallery, and J.J. Murphy Gallery in NYC.We recorded this episode early one morning at the JJ Murphy Gallery during his solo exhibition "Continuum."On today's episode, David and I explore the nuanced terrain of painting practice and philosophy. We discuss the importance of a painting's surface, how he starts a painting and how one reads a painting. David shares his perspective on scale, arguing that painting is an intimate experience rather than spectacle. We trace his six-decade evolution from observational work through post-painterly abstraction, his collage techniques, and his four recent years of pure abstraction. The conversation touches on Henri Matisse, Ad Reinhardt, Fra Angelico, Albert Pinkham Ryder, and Paul Klee. David also talks his love of shapes, collage, a raw edge, painting slower than he is thinking, factual versus fictional painting, and finally, emphasizes the importance of recognizing one's own temperament and painting both honestly and sincerely from that space; which, he argues, is where great paintings come from.Support this podcast by clicking HERE and becoming a Patreon Supporter!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mannwww.isaacmann.com insta: @isaac.mann guest: David Hornungwww.davidhornung.cominsta: @davidhornungartworkshops: https://www.artfuelstudio.com/scotland-september-2026-hornung madelineartschool.com/collections/workshops/products/exploring-improvisation-in-abstract-painting?_pos=7&_fid=5184b59de&_ss=c Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

Jo and Charlotte turn their attention to Nobel Laureate Kenzaburo Oe's mindblowing A Personal Matter and Troubled Lands: Stories of Mexico and Cuba, a collection translated by Langston Hughes, before they're joined by Gothic-literature-loving writer-of-all-modes Nicholas Russell, who puts the spotlight on Algernon Blackwood's unsettling preoccupation with mysterious forces in the natural world. Nicholas Russell is a writer and critic from Las Vegas. His work has been featured inMcSweeney's, The Baffler, Conjunctions, The Nation, and Orion, among other publications. He's a long time bookseller, a contributing writer at Defector, and managing editor at Still Alive magazine. His debut novel Observer will be published by Ecco at HarperCollins on September 15th. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Books discussed on all seasons of the podcast are aggregated here on Bookshop. Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Charlotte and Jo revisit Rebecca Novack's Murder Bimbo before taking a quick tour of the Russian Civil War and comrade crushes through Nikolai Ostrovsky's How The Steel Was Tempered. They're then joined by the scintillating Brittany Newell, who meditates on contemporary fiction, cities at night, and Samuel R. Delany's indelible Times Square Red, Times Square Blue. Also discussed in this episode: Emma Cline's The Guest and Vincenzo Latronico's Perfection.Brittany Newell is a writer and performer living in San Francisco. Her debut novel Oola was published in 2017 at the age of 21 in the US, UK, and Germany. You can find her written work in Granta, n+1, McSweeney's, The New York Times, and others. Her second novel Soft Core was published by FSG in February 2025 in the US, UK, and France. She is at work on a third novel about love addiction, emotional vampires, and cannibalism. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWritersAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Charlotte and Jo go deep on jealousy, self-hatred, and vulnerability in a conversation that touches on A Separate Peace, The Go-Between, Beowulf, and more. Then the canny and intrepid Maya Binyam joins for a discussion about the category of little girlhood, ambiguity in fiction, and female desire.Maya Binyam is the author of Hangman. Her writing has appeared in the New Yorker, the Paris Review, Best American Short Stories, and elsewhere. She is a 2025 - 2026 Rome Prize Fellow at the American Academy in Rome. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Books discussed on all seasons of the podcast are aggregated here on Bookshop. Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

At last, the audio from December's Bookforum x Reading Writers live holiday event! The justly celebrated novelist Stephanie Wambugu joins Charlotte and Jo to talk about the controversial and inescapable Perfection by Vincenzo Latronico.Stephanie Wambugu is the author of the novel Lonely Crowds. Her work has appeared in The Drift, The Nation, Granta, Frieze, Bookforum. She lives and works in New York. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWritersAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode 514 / Michael BrennanMichael Brennan (b. 1965, Pine Island, FL; lives Brooklyn, NY) has exhibited his paintings and works on paper nationally and internationally for the past three decades, including in the United States, Mexico, Belgium, France, Germany, Italy, China, Australia, and New Zealand.  Here at the gallery, he previously mounted four very well-received solo exhibitions – Floating Weeds (2023), Late Spring (2018), Grey Razor Paintings (2014), and Knife Paintings (2006) – and has participated in numerous group exhibitions including our major survey exhibition MINUS SPACE at MoMA PS1 in 2008-2009 and Twenty (2023).Brennan's work have been reviewed in publications including The New York Times, Art in America, ARTnews, Art New England, The Brooklyn Rail, ArtNet Magazine, NY Arts, and Philadelphia Inquirer. He is also an accomplished arts writer, and his reviews and essays have been published in The Brooklyn Rail, ArtNet Magazine, Two Coats of Paint, The Village Voice, The Architect's Newspaper, American Abstract Artists, and Archives of American Art/Smithsonian Institution, as well as in numerous exhibition catalogues.Brennan's work is included in collections such as the Baltimore Museum of Art, National Gallery of Art, San Francisco Museum of Modern Art, San Jose Museum of Art, American Express, General Dynamics, Daimler AG, and Sony Corporation. He holds an MFA in Painting and an MS in Art History from Pratt Institute and a BA in Classics from the University of Florida. He has taught at Pratt Institute since 1998 and is currently Adjunct Professor in the Fine Arts Department. He has also previously taught at the School of Visual Arts, Hunter College, and Cooper Union (all NYC).  

Jo takes us on a whirlwind tour of their recent reading, including Mary Helen Washington's Paule Marshall: A Writer's Life, and Charlotte explains why Susanna Moore's In the Cut is one of the most thrilling novels she's ever encountered. Then, the profoundly thoughtful Jamie Hood joins to explore the many boyfriends and political disappointments of Doris Lessing's The Golden Notebook. Jamie Hood is the author, most recently, of Trauma Plot: A Life, the hybrid pandemic diary how to be a good girl, the semi-monthly, Proust-infused newsletter, regards, marcel, and a book of love poems, forthcoming in 2026. She has written extensively on books, feminism, #MeToo, and other political matters for many publications, some of them even prestigious. She lives in Brooklyn.Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

The hosts discuss Stephanie Wambugu's justly-hyped novel Lonely Crowds before they're joined by Noah Kulwin, an avowed Macdonaldhead who details the pleasures of private eye fiction through 1966's Black Money. Noah Kulwin is a writer based in New York City. He is also the co-host of the podcast Blowback, a history program about American empire. He has written for a wide variety of publications, but more recently can be found in The Baffler, The Intercept, Screen Slate and Protean. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWritersAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode 513 / Langdon GravesLangdon Graves is a Virginia-born, New York City-based artist who holds a BFA from Virginia Commonwealth University in Painting & Printmaking and an MFA from Parsons School of Design. She is adjunct faculty at Parsons and Assistant Professor in the Graduate Fine Arts program at Pratt Institute. Langdon has shown her work throughout the United States, Canada, Europe and Australia with solo and group exhibitions that include Dinner Gallery, TEI's Art in Buildings, Mrs., Tilton Gallery, Deanna Evans Projects, Grimm, Taymour Grahne Projects, STONELEAF and the Delaware Contemporary Museum. Langdon has attended the Fountainhead Residency in Miami, the Kunstenaarsinitiatief Residency and Exhibition Program in the Netherlands, the Object Limited residency in Bisbee, Arizona and STONELEAF Retreat in upstate New York. She is a recipient of Canson & Beautiful Decay's Wet Paint Grant and has been featured in Artnet, Art in America, Hyperallergic, Vice Creators Project, Juxtapoz, Art F City, The Wall Street Journal, the Artmatters podcast and Madeline Schwartzman's See Yourself X.

Charlotte and Jo revisit Rebecca Novack's Murder Bimbo before taking a quick tour of the Russian Civil War and comrade crushes through Nikolai Ostrovsky's How The Steel Was Tempered. They're then joined by the scintillating Brittany Newell, who meditates on contemporary fiction, cities at night, and Samuel R. Delany's indelible Times Square Red, Times Square Blue. Also discussed in this episode: Emma Cline's The Guest and Vincenzo Latronico's Perfection.Brittany Newell is a writer and performer living in San Francisco. Her debut novel Oola was published in 2017 at the age of 21 in the US, UK, and Germany. You can find her written work in Granta, n+1, McSweeney's, The New York Times, and others. Her second novel Soft Core was published by FSG in February 2025 in the US, UK, and France. She is at work on a third novel about love addiction, emotional vampires, and cannibalism. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Charlotte and Jo spring into the new year with a conversation about ancient poetry: Beowulf, The Iliad, and Dante's Inferno as translated by Mark Musa, Mary Jo Bang, and Danny Lavery. They're then joined by the wise and wonderful Hanif Abdurraqib who—after sharing a scoop about what series of book he reads every year (!)—reflects on the formative impacts of his encounter with Gloria Naylor's The Women of Brewster Place. Other titles discussed: Toni Morrison's Jazz, Bebe Moore Campbells' Your Blues Ain't Like Mine, Lloyd Alexander's The Chronicles of Prydain. Hanif Abdurraqib is a writer from the east side of Columbus, Ohio.Danny Lavery's translations of The Inferno can be found here.Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWritersAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

At last, the audio from December's Bookforum x Reading Writers live holiday event! The justly celebrated novelist Stephanie Wambugu joins Charlotte and Jo to talk about the controversial and inescapable Perfection by Vincenzo Latronico.Stephanie Wambugu is the author of the novel Lonely Crowds. Her work has appeared in The Drift, The Nation, Granta, Frieze, Bookforum. She lives and works in New York. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

In this host-only bonus episode, Charlotte and Jo discuss some of their most memorable reads of 2025. Authors discussed include Shon Faye, Sarah Schulman, Ai Yazawa, Marjane Satrapi, Ariana Reines, Kyung-Ran Jo, and more.Please consider supporting us on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The hosts discuss Stephanie Wambugu's justly-hyped novel Lonely Crowds before they're joined by Noah Kulwin, an avowed Macdonaldhead who details the pleasures of private eye fiction through 1966's Black Money. Noah Kulwin is a writer based in New York City. He is also the co-host of the podcast Blowback, a history program about American empire. He has written for a wide variety of publications, but more recently can be found in The Baffler, The Intercept, Screen Slate and Protean. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

In a scandalous rejection of holiday spirit, Jo and Charlotte reflect on the dark, elegant pleasures of Gabrielle Wittkopf's The Necrophiliac alongside contemporary novel conventions as deployed in Rebecca Novack's Murder Bimbo. The hosts are then joined by dear friend Clio Chang, who outlines the timeless, charming, annoying allure of Cheryl Strayed's hit memoir Wild (2012).Also discussed in this episode: Charlotte Roche's Wetlands, Gillian Flynn's Gone Girl, and Lillian Fishman's Acts of Service.  Clio Chang is a staff writer at Curbed who can do three pullups. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWritersHosted on Acast. See acast.com/privacy for more information.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Charlotte delves into Ecclesiastes through the work of liberation theologist Elsa Támez (When the Horizons Close) before Jo shares some of Pierre Guyotat's horny, rapturous literary memoir, Idiocy. Icon of many RW conversations past, the thoughtful Jackie Ess then joins to discuss Tolstoy's crank-inflected final novel, Resurrection.Jackie Ess is the author of a novel called Darryl, and more recently of a long short-story length chapbook called Eugene. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWritersOur Sponsors:* Check out Avocado Green Mattress: https://avocadogreenmattress.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jo and Charlotte discuss secret gardens, indoor kids, and Peter Pan's baby teeth before they're joined by culture-shaping Annelise Ogaard, who introduces listeners to the lavish, creepy world of Gabrielle Wittkop's fiction.Annelise Ogaard is a writer, translator, filmmaker, vibesmith, area woman, and friend of the pod. She has translated a variety of Japanese manga, including Hauntress, (one of the NYPL's top ten graphic novels of the year

Charlotte overcomes her resistance to novels about sexual abuse in order to read Kate Elizabeth Russell's excellent My Dark Vanessa, after which Jo introduces listeners to the freewheeling criminality of Diane DiMassa's Hothead Paisan: Homicidal Lesbian. The ferociously intelligent Torrey Peters then joins for a conversation about plant consciousness and our relationship with the organic world. Other titles mentioned in this episode: Jamie Hood's Trauma Plot, The Incest Diary by Anonymous, Is a River Alive? by Robert MacFarlane, Melanie Challenger's How To Be Animal, Sunaura Taylor's Beasts of Burden, and Merlin Sheldrake's Entangled Life.The Rabindranath Tagore quote that Charlotte gets wrong at the end (I'm sorry! —CS) is:I slept and dreamt that life was joy. I awoke and saw that life was service. I acted and behold, service was joy.Torrey Peters is the author of the novel Detransition, Baby, which won the 2021 PEN/Hemingway award for debut fiction and was named a Best Book of the Century by the New York Times. Her second book, Stag Dance, was a national bestseller. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. Our Sponsors:* Check out Avocado Green Mattress: https://avocadogreenmattress.com* Check out BetterHelp: https://betterhelp.com/THENATIONAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy