Podcasts about Pratt Institute

The hosts discuss Stephanie Wambugu's justly-hyped novel Lonely Crowds before they're joined by Noah Kulwin, an avowed Macdonaldhead who details the pleasures of private eye fiction through 1966's Black Money. Noah Kulwin is a writer based in New York City. He is also the co-host of the podcast Blowback, a history program about American empire. He has written for a wide variety of publications, but more recently can be found in The Baffler, The Intercept, Screen Slate and Protean. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWritersAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode 513 / Langdon GravesLangdon Graves is a Virginia-born, New York City-based artist who holds a BFA from Virginia Commonwealth University in Painting & Printmaking and an MFA from Parsons School of Design. She is adjunct faculty at Parsons and Assistant Professor in the Graduate Fine Arts program at Pratt Institute. Langdon has shown her work throughout the United States, Canada, Europe and Australia with solo and group exhibitions that include Dinner Gallery, TEI's Art in Buildings, Mrs., Tilton Gallery, Deanna Evans Projects, Grimm, Taymour Grahne Projects, STONELEAF and the Delaware Contemporary Museum. Langdon has attended the Fountainhead Residency in Miami, the Kunstenaarsinitiatief Residency and Exhibition Program in the Netherlands, the Object Limited residency in Bisbee, Arizona and STONELEAF Retreat in upstate New York. She is a recipient of Canson & Beautiful Decay's Wet Paint Grant and has been featured in Artnet, Art in America, Hyperallergic, Vice Creators Project, Juxtapoz, Art F City, The Wall Street Journal, the Artmatters podcast and Madeline Schwartzman's See Yourself X.

Charlotte and Jo revisit Rebecca Novack's Murder Bimbo before taking a quick tour of the Russian Civil War and comrade crushes through Nikolai Ostrovsky's How The Steel Was Tempered. They're then joined by the scintillating Brittany Newell, who meditates on contemporary fiction, cities at night, and Samuel R. Delany's indelible Times Square Red, Times Square Blue. Also discussed in this episode: Emma Cline's The Guest and Vincenzo Latronico's Perfection.Brittany Newell is a writer and performer living in San Francisco. Her debut novel Oola was published in 2017 at the age of 21 in the US, UK, and Germany. You can find her written work in Granta, n+1, McSweeney's, The New York Times, and others. Her second novel Soft Core was published by FSG in February 2025 in the US, UK, and France. She is at work on a third novel about love addiction, emotional vampires, and cannibalism. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Charlotte and Jo spring into the new year with a conversation about ancient poetry: Beowulf, The Iliad, and Dante's Inferno as translated by Mark Musa, Mary Jo Bang, and Danny Lavery. They're then joined by the wise and wonderful Hanif Abdurraqib who—after sharing a scoop about what series of book he reads every year (!)—reflects on the formative impacts of his encounter with Gloria Naylor's The Women of Brewster Place. Other titles discussed: Toni Morrison's Jazz, Bebe Moore Campbells' Your Blues Ain't Like Mine, Lloyd Alexander's The Chronicles of Prydain. Hanif Abdurraqib is a writer from the east side of Columbus, Ohio.Danny Lavery's translations of The Inferno can be found here.Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWritersAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

At last, the audio from December's Bookforum x Reading Writers live holiday event! The justly celebrated novelist Stephanie Wambugu joins Charlotte and Jo to talk about the controversial and inescapable Perfection by Vincenzo Latronico.Stephanie Wambugu is the author of the novel Lonely Crowds. Her work has appeared in The Drift, The Nation, Granta, Frieze, Bookforum. She lives and works in New York. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

In this host-only bonus episode, Charlotte and Jo discuss some of their most memorable reads of 2025. Authors discussed include Shon Faye, Sarah Schulman, Ai Yazawa, Marjane Satrapi, Ariana Reines, Kyung-Ran Jo, and more.Please consider supporting us on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The hosts discuss Stephanie Wambugu's justly-hyped novel Lonely Crowds before they're joined by Noah Kulwin, an avowed Macdonaldhead who details the pleasures of private eye fiction through 1966's Black Money. Noah Kulwin is a writer based in New York City. He is also the co-host of the podcast Blowback, a history program about American empire. He has written for a wide variety of publications, but more recently can be found in The Baffler, The Intercept, Screen Slate and Protean. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

In a scandalous rejection of holiday spirit, Jo and Charlotte reflect on the dark, elegant pleasures of Gabrielle Wittkopf's The Necrophiliac alongside contemporary novel conventions as deployed in Rebecca Novack's Murder Bimbo. The hosts are then joined by dear friend Clio Chang, who outlines the timeless, charming, annoying allure of Cheryl Strayed's hit memoir Wild (2012).Also discussed in this episode: Charlotte Roche's Wetlands, Gillian Flynn's Gone Girl, and Lillian Fishman's Acts of Service.  Clio Chang is a staff writer at Curbed who can do three pullups. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWritersHosted on Acast. See acast.com/privacy for more information.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Charlotte and Jo spring into the new year with a conversation about ancient poetry: Beowulf, The Iliad, and Dante's Inferno as translated by Mark Musa, Mary Jo Bang, and Danny Lavery. They're then joined by the wise and wonderful Hanif Abdurraqib who—after sharing a scoop about what series of book he reads every year (!)—reflects on the formative impacts of his encounter with Gloria Naylor's The Women of Brewster Place. Other titles discussed: Toni Morrison's Jazz, Bebe Moore Campbells' Your Blues Ain't Like Mine, Lloyd Alexander's The Chronicles of Prydain. Hanif Abdurraqib is a writer from the east side of Columbus, Ohio.Danny Lavery's translations of The Inferno can be found here.Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

In this host-only bonus episode, Charlotte and Jo discuss some of their most memorable reads of 2025. Authors discussed include Arthur C. Clarke, Shon Faye, Sarah Schulman, Ai Yazawa, Marjane Satrapi, Ariana Reines, Kyung-Ran Jo, and more.Please consider supporting us on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Niama Safia Sandy is a New York-based multidisciplinary artist, curator, organizer, and change agent.Her essay “Red” weaves a meandering tale that touches on Sandy's coming of age through rememberings of family lore, food, and key engagements with cultural organizing anchored through sorrel. The essay considers the ubiquitous staple Caribbean holiday drink as a microcosm of the collisions of political histories, desire and ancestral memory. Sandy's work across disciplines delves into the human story - through the application and critical lenses of culture, healing, history, migration, music, race and ritual. Her creative practice often is an examination of the ways history, economics, migration and other social forces and constructs have shaped modern realities. Her aim is to use the visual, written and performing arts to tell stories we know in ways we have not yet thought to tell them and to lift us all to a higher state of ontological and spiritual wholeness in the process. Sandy has taught undergraduate and graduate students at Columbia University and Pratt Institute.

In a scandalous rejection of holiday spirit, Jo and Charlotte reflect on the dark, elegant pleasures of Gabrielle Wittkopf's The Necrophiliac alongside contemporary novel conventions as deployed in Rebecca Novack's Murder Bimbo. The hosts are then joined by dear friend Clio Chang, who outlines the timeless, charming, annoying allure of Cheryl Strayed's hit memoir Wild (2012).Also discussed in this episode: Charlotte Roche's Wetlands, Gillian Flynn's Gone Girl, and Lillian Fishman's Acts of Service. Clio Chang is a staff writer at Curbed who can do three pullups. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Arlene Keizer, an Afro-Caribbean American poet and scholar, writes about the literature, lived experience, theory, and visual culture of the African Diaspora. The recipient of an Academy of American Poets Prize, she later earned an MA in English and Creative Writing (Poetry) at Stanford University and a PhD at the University of California, Berkeley. She is the author of Black Subjects: Identity Formation in the Contemporary Narrative of Slavery (Cornell UP), and her poems and articles have appeared in African American Review, American Literature, The Kenyon Review, Obsidian: Literature and Arts in the African Diaspora, PMLA, Poem-a-Day, TriQuarterly, and other venues. Fraternal Light: On Painting While Black, her collection of poems about the African American painter Beauford Delaney, won the 2022 Stan and Tom Wick Poetry Prize and was published in 2023 by the Kent State University Press. She is a professor at Pratt Institute in Brooklyn, NY.Links:Arlene Keizer Arlene Keizer's page at Pratt Institute Interview with Arlene Keizer at Speaking of Marvels “Canopy” in Poem-A-Day Fraternal Light: On Painting While Black at Kent State University Press Beauford Delaney Bio and artwork at Knoxville Museum of Art Bio and Artwork at the Smithsonian Bio and artwork at Studio Museum in Harlem Artwork at Michael Rosenfeld Gallery “Beauford Delaney in Knoxville” at Knoxville History Project Mentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser

In this episode of Bonfire Conversations, host I down with Hugo Martin, the acclaimed Game Director behind*DOOM (2016), DOOM Eternal, and DOOM: The Dark Ages. Together, we explore the creative evolution of the modern DOOM trilogy, the philosophy behind making something truly “badass,” and the design decisions that shaped one of the most influential first-person shooter franchises in history.Hugo shares stories from his childhood, his early journey into game development, and the breakthrough moments that brought him to id Software. He explains how he tests ideas, builds emotional impact through gameplay, reinvents DOOM's identity with each entry, and pushes combat design into bold new territory. They also discuss the legacy of DOOM as it reaches its 32-year milestone, the challenges of carrying a cultural icon forward, and the creative risks behind The Dark Ages.The conversation ends with the “Penny for Your Thoughts” segment, where Hugo answers personal and imaginative questions about creativity, habits, favorite films, top games, dream directors for a DOOM movie, and more.Bonfire Conversations is available on YouTube and all major podcast platforms. Subscribe for more in-depth conversations with the most influential voices in entertainment, games, and pop culture.Chapters:00:00 Intro & The "Badass" Philosophy02:04 Childhood & 80s Pop Culture04:51 The Birth of Gaming: Atari to Nintendo06:44 The Journey to Game Development07:05 Early Art Training & Illustration09:02 Pratt Institute & Concept Art10:44 Art Center Degree Decision12:42 Freelancing (Wizards of the Coast, MTV)14:38 Overcoming Imposter Syndrome16:44 First Big Break: Naughty Dog18:43 From Pacific Rim to ID Software19:01 The Philosophy of "Luck"19:47 The Creative Process: Research & The Teapot Story28:15 How to Design "Badass"29:11 Inspiration for the Doom Slayer37:10 The One Rule: Make Them Feel Something40:53 The Theme of Doom: The Dark Ages41:58 The Brilliant Idea Hugo Abandoned47:02 Reading vs. Audiobooks48:20 Dream Director for a DOOM Movie59:39 Conclusion#hugomartin #doom #gamedevelopment

Charlotte delves into Ecclesiastes through the work of liberation theologist Elsa Támez (When the Horizons Close) before Jo shares some of Pierre Guyotat's horny, rapturous literary memoir, Idiocy. Icon of many RW conversations past, the thoughtful Jackie Ess then joins to discuss Tolstoy's crank-inflected final novel, Resurrection.Jackie Ess is the author of a novel called Darryl, and more recently of a long short-story length chapbook called Eugene. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWritersOur Sponsors:* Check out Avocado Green Mattress: https://avocadogreenmattress.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Charlotte delves into Ecclesiastes through the work of liberation theologist Elsa Támez (When the Horizons Close) before Jo shares some of Pierre Guyotat's horny, rapturous literary memoir, Idiocy. Icon of many RW conversations past, the thoughtful Jackie Ess then joins to discuss Tolstoy's crank-inflected final novel, Resurrection.Jackie Ess is the author of a novel called Darryl, and more recently of a long short-story length chapbook called Eugene. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Clare Grill (born 1979, lives and works in Queens, NY) received her MFA from the Pratt Institute in 2005 and attended the Skowhegan School of Painting and Sculpture in 2011. Recent solo exhibitions include Parlance, Derek Eller Gallery, New York, NY; Cutwork, Galería Marta Cervera, Madrid, Spain; and Wich Language and Oyster, M+B, Los Angeles, CA. Group exhibitions include Things I Had No Words For at the Center for the Arts, Virginia Polytechnic Institute and State University; Interisland (New Paintings from New York and Hawai’i), University of Hawaiʻi at Mānoa; Of Flesh and Air, Marta Cervera Gallery, Madrid, Spain; The Feminine in Abstract Painting, Milton Resnick and Pat Passlof Foundation, New York, NY; Deep! Down! Inside!, Hales Gallery, NY; and New Skin, curated by Jason Stopa, Monica King Gallery, New York, NY. Her work has been reviewed in Artforum, ArtNews, Hyperallergic, the Brooklyn Rail, The New York Times, The Los Angeles Times, and The Boston Globe. Clare Grill, Drape, 2025, oil on linen, 80 x 112 inches (diptych) Clare Grill, Dune, 2025, oil on linen, 94 x 73 inches Clare Grill, Flit, 2025, oil on linen, 46 x 42 inches

Jo and Charlotte discuss secret gardens, indoor kids, and Peter Pan's baby teeth before they're joined by culture-shaping Annelise Ogaard, who introduces listeners to the lavish, creepy world of Gabrielle Wittkop's fiction.Annelise Ogaard is a writer, translator, filmmaker, vibesmith, area woman, and friend of the pod. She has translated a variety of Japanese manga, including Hauntress, (one of the NYPL's top ten graphic novels of the year

Jo and Charlotte discuss secret gardens, indoor kids, and Peter Pan's baby teeth before they're joined by culture-shaping Annelise Ogaard, who introduces listeners to the lavish, creepy world of Gabrielle Wittkop's fiction.Annelise Ogaard is a writer, translator, filmmaker, vibesmith, area woman, and friend of the pod. She has translated a variety of Japanese manga, including Hauntress, (one of the NYPL's top ten graphic novels of the year

photo by Colin Outridge. The exhibition Change of Scenery,  marks the painter's third solo show with the gallery. It is the culmination of a year's worth of travel across the U.S., as Brennan Hinton spent extended time in residency in Corsicana, TX, Martha's Vineyard, MA, and Fishers Island, NY. Brennan Hinton's practice focuses on the sustained act of observation, the plein-air discipline, and painting's ability to capture the essence of a place. The time spent in three distinctive towns, each in its own ways divergent from Brennan Hinton's familiar Ontario, required the artist to meet each place with open eyes and a fresh palette. To situate himself, Brennan Hinton leaned on two formative texts, Lonesome Dove by Larry McMurtry and Moby Dick by Herman Melville, which are each set in the same landscapes in which he painted. Keiran Brennan Hinton (b. 1992, Toronto) lives and works in Toronto and Elgin, Ontario. He received his BFA from Pratt Institute in 2014 and his MFA from Yale University in 2016. His work is held in the permanent collections of the Ogunquit Museum of Art, Ogunquit, ME and The Dennos Museum Center, Traverse City, MI. Past international solo shows of Brennan Hinton's work include exhibitions at MAKI Gallery, Tokyo, Japan (2022); Thomas Fuchs Gallery, Stuttgart, Germany (2021); Charles Moffett, New York, NY (2023, 2021); Nicholas Robert Gallery, Ontario (2022); and Francesco Pantaleone Gallery, Palermo, Italy (2019) among others. His paintings have been featured in institutional exhibitions at the Art Gallery of Ontario, Toronto, Ontario; James Castle House, Boise, Idaho; and Katonah Museum of Art, Westchester, NY. Keiran Brennan Hinton, The White Pine, 2025. Oil on linen, 70 x 60 in. Photo by Lauren Finlay. Courtesy the artist and Charles Moffett. Keiran Brennan Hinton, Texas Sky (Sunrise), 2024. Oil on linen, 56 x 44 in. Photo by Daniel Greer. Courtesy the artist and Charles Moffett. Keiran Brennan Hinton, Fishers Island Living Room, 2025. Oil on linen, 9 x 12 in. Photo by Zeshan Ahmed. Courtesy the artist and Charles Moffett.

Charlotte overcomes her resistance to novels about sexual abuse in order to read Kate Elizabeth Russell's excellent My Dark Vanessa, after which Jo introduces listeners to the freewheeling criminality of Diane DiMassa's Hothead Paisan: Homicidal Lesbian. The ferociously intelligent Torrey Peters then joins for a conversation about plant consciousness and our relationship with the organic world. Other titles mentioned in this episode: Jamie Hood's Trauma Plot, The Incest Diary by Anonymous, Is a River Alive? by Robert MacFarlane, Melanie Challenger's How To Be Animal, Sunaura Taylor's Beasts of Burden, and Merlin Sheldrake's Entangled Life.The Rabindranath Tagore quote that Charlotte gets wrong at the end (I'm sorry! —CS) is:I slept and dreamt that life was joy. I awoke and saw that life was service. I acted and behold, service was joy.Torrey Peters is the author of the novel Detransition, Baby, which won the 2021 PEN/Hemingway award for debut fiction and was named a Best Book of the Century by the New York Times. Her second book, Stag Dance, was a national bestseller. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. Our Sponsors:* Check out Avocado Green Mattress: https://avocadogreenmattress.com* Check out BetterHelp: https://betterhelp.com/THENATIONAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Charlotte overcomes her resistance to novels about sexual abuse in order to read Kate Elizabeth Russell's excellent My Dark Vanessa, after which Jo introduces listeners to the freewheeling criminality of Diane DiMassa's Hothead Paisan: Homicidal Lesbian. The ferociously intelligent Torrey Peters then joins for a conversation about plant consciousness and our relationship with the organic world. Other titles mentioned in this episode: Jamie Hood's Trauma Plot, The Incest Diary by Anonymous, Is a River Alive? by Robert MacFarlane, Melanie Challenger's How To Be Animal, Sunaura Taylor's Beasts of Burden, and Merlin Sheldrake's Entangled Life.The Rabindranath Tagore quote that Charlotte gets wrong at the end (I'm sorry! —CS) is:I slept and dreamt that life was joy. I awoke and saw that life was service. I acted and behold, service was joy.Torrey Peters is the author of the novel Detransition, Baby, which won the 2021 PEN/Hemingway award for debut fiction and was named a Best Book of the Century by the New York Times. Her second book, Stag Dance, was a national bestseller. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Read about Felix's Spot Art in the New York Times Felix is an artist I've know for a long time and havent had a chance to really get to know. He's pretty well-known for his Good Luck Spots as Hug Spots along with his Bad Luck Spots and suicide spots Felix's work is interactive: people walking down the street notice the spots. While some may avoid them, others walk into them and others are inspired to kiss or hug. Felix is driven to make art. He's truly lived the life of an artist risking a lot for his work including harrassment and homelessness. Felix was born here six days after his mother came here from Columbia. They went back and Felix lived in a rural town there with his 2 brothers and one sister until he was 11, when his grandmother visited Columbia and brought him back with her. Through hard work and perserverance, Felix was able to attend Pratt Institute and the Art Students league, growing to become the successful working artist he is today. More about Felix and his art HERE: https://www.felixmorelo.com/ Follow Felix on Instagram: @morelofelix

This week, Jo discovers the seminal elegance of Sylvia Wynter's Black Metamorphosis: New Natives in a New World, while Charlotte considers how well she would fare if she traveled back in time to the era of Alexander the Great, as depicted in Mary Renault's The Persian Boy. Then, the dazzling Lauren Michele Jackson joins to discuss the chaotic, thrilling, sexually vibrant, and deeply unwell narrator of Nettie Jones' Fish Tales.Also mentioned in this episode: Percival Everett's Glyph, Danzy Senna's Symptomatic, Street Zen by David Schneider, Eve Babitz, and Samuel R. Delany's Times Square Red, Times Square Blue.Lauren Michele Jackson is an assistant professor of English at Northwestern University and contributing writer at The New Yorker. She is the author of White Negroes and the forthcoming essay collection, Back. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute.Our Sponsors:* Check out Avocado Green Mattress: https://avocadogreenmattress.com* Check out BetterHelp: https://betterhelp.com/THENATIONAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Arlene Keizer, an Afro-Caribbean American poet and scholar, writes about the literature, lived experience, theory, and visual culture of the African Diaspora. The recipient of an Academy of American Poets Prize, she later earned an MA in English and Creative Writing (Poetry) at Stanford University and a PhD at the University of California, Berkeley. She is the author of Black Subjects: Identity Formation in the Contemporary Narrative of Slavery (Cornell UP), and her poems and articles have appeared in African American Review, American Literature, The Kenyon Review, Obsidian: Literature and Arts in the African Diaspora, PMLA, Poem-a-Day, TriQuarterly, and other venues. Fraternal Light: On Painting While Black, her collection of poems about the African American painter Beauford Delaney, won the 2022 Stan and Tom Wick Poetry Prize and was published in 2023 by the Kent State University Press. She is a professor at Pratt Institute in Brooklyn, NY.Links:Arlene Keizer Arlene Keizer's page at Pratt Institute Interview with Arlene Keizer at Speaking of Marvels “Canopy” in Poem-A-Day Fraternal Light: On Painting While Black at Kent State University Press Beauford Delaney Bio and artwork at Knoxville Museum of Art Bio and Artwork at the Smithsonian Bio and artwork at Studio Museum in Harlem Artwork at Michael Rosenfeld Gallery “Beauford Delaney in Knoxville” at Knoxville History Project Mentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser

In the 2016 documentary The Happy Film, designer Stefan Sagmeister started the film's creative process with one set of expectations and ultimately became a co-director who took multiple risks, and suffered a tremendous loss. During the filmmaking, co-director Hillman Curtis passed away. Stefan's movie about happiness not only forces us to look at his life but also our own lives with a fresh perspective, and it teaches us the importance of coping with harsh, tragic, and unforeseen realities.-Stefan Sagmeister is an Austrian designer living and working in New York. He received his MFA from the University of Applied Arts in Vienna, and as a Fulbright Scholar he earned his MFA in communication design from The Pratt Institute. In 2025 he received an honorary degree from Pratt, the Doctor of Fine Arts, for being a creative and innovative leader in the field. He's also been honored by the AIGA, received a National Design Award from the the Cooper-Hewitt National Design Museum, and exhibited his solo and collaborative designs internationally. Early in his career, Stefan brought new life to music packaging with his memorable, interactive designs for albums by the Talking Heads, Brian Eno, and David Byrne, among others, winning two Grammy Awards. His work is in multiple permanent collections, including the Museum of Modern Art, and he is the author of "Things I Have Learned in My Life So Far" a blend of visual whimsy, serious plan, and sound advice. https://sagmeister.com/‍ ‍https://www.grammy.com/artists/stefan-sagmeister/9972‍ ‍https://www.moma.org/artists/30682-stefan-sagmeister‍ ‍-The Happy Film (2016)rent/buy @ Amazonhttps://amzn.to/3WIdnb6‍ ‍https://www.imdb.com/title/tt5134870/‍ ‍-Sagmeister's "Now Is Better"https://amzn.to/4hP4J49‍ ‍-Sagmeister's "Things I Have Learned in My Life So Far"https://amzn.to/49UmPzD‍ ‍-Other movies and shows discussed:Comedian (2002)

This week, Jo discovers the seminal elegance of Sylvia Wynter's Black Metamorphosis: New Natives in a New World, while Charlotte considers how well she would fare if she traveled back in time to the era of Alexander the Great, as depicted in Mary Renault's The Persian Boy. Then, the dazzling Lauren Michele Jackson joins to discuss the chaotic, thrilling, sexually vibrant, and deeply unwell narrator of Nettie Jones' Fish Tales.Also mentioned in this episode: Percival Everett's Glyph, Danzy Senna's Symptomatic, Street Zen by David Schneider, and Samuel R. Delany's Times Square Red, Times Square Blue.Lauren Michele Jackson is an assistant professor of English at Northwestern University and contributing writer at The New Yorker. She is the author of White Negroes and the forthcoming essay collection, Back. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Today we're joined by Tanya Van Cott. Tanya is a New York–based architect, industrial designer, and educator whose work explores how design and storytelling can drive social change. A graduate of Pratt Institute, Tanya has been recognized by the National Endowment for the Arts with a Presidential Design Achievement Award and has been published for her innovative approach to interdisciplinary design. Before launching her own practice and press, WomanBecool PRESS, she honed her skills at world-renowned studios Pentagram and Lippincott. Through both design and the written word, Tanya examines how disruptive technologies shape our lives — often through the eyes of powerful female protagonists. [Nov 10, 2025]   00:00 - Intro 00:25 - Intro Links -          Social-Engineer.com - http://www.social-engineer.com/ -          Offensive Security Vishing Services - https://www.social-engineer.com/offensive-security/vishing/ -          Offensive Security SMiShing Services - https://www.social-engineer.com/offensive-security/smishing/ -          Offensive Security Phishing Services - https://www.social-engineer.com/offensive-security/smishing/ -          Call Back Phishing - https://www.social-engineer.com/offensive-security/call-back-phishing/ -          Adversarial Simulation Services - https://www.social-engineer.com/offensive-security/adversarial-simulation/ -          Social Engineering Risk Assessments - https://www.social-engineer.com/offensive-security/social-engineering-risk-assessment/ -          Social-Engineer channel on SLACK - https://social-engineering-hq.slack.com/ssb -          CLUTCH - http://www.pro-rock.com/ -          innocentlivesfoundation.org - http://www.innocentlivesfoundation.org/                                 02:12 - Tanya Van Cott Intro 03:04 - The Path to Architecture 03:58 - Primal Screams 06:57 - Bandwidth -          Bandwidth - Tanya Van Cott 08:15 - The Human Element 10:42 - Lack of Empathy 16:51 - The Parent Trap 19:26 - Is Empathy an Action? 24:22 - We're the Problem! 29:14 - Mentors 32:50 - Book Recommendations -          Cat's Cradle - Kurt Vonnegut 35:13 - Find Tanya Van Cott Online -          LinkedIn: https://www.linkedin.com/in/tanyavancott/ -          Website: http://www.tanyavancott.com/ 36:37 - Valuing Real Connections 39:35 - Guest Wrap Up & Outro -          www.social-engineer.com -          www.innocentlivesfoundation.org

Reading Writers is BACK, and in partnership with Bookforum Magazine!In this first episode of Season 3, hosts Jo and Charlotte delve into the (separate) letter collections of Vincent Van Gogh and D.H. Lawrence before they're joined by superstar novelist Rumaan Alam to reflect on magazine eras of yore via Tina Brown's The Vanity Fair Diaries. Also mentioned: Cat Marnell's How To Murder Your Life, Jean Godfrey June's Free Gift With Purchase, Michael M. Grynbaum's Empire of the Elite, Stet by Diana Athill, the diaries of Helen Garner, and the diaries of Andy Warhol.Rumaan Alam is the author of four novels, including, most recently, Entitlement.Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWritersOur Sponsors:* Check out Avocado Green Mattress: https://avocadogreenmattress.com* Check out BetterHelp: https://betterhelp.com/THENATIONAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Reading Writers is BACK, and in partnership with Bookforum Magazine!In this first episode of Season 3, hosts Jo and Charlotte delve into the (separate) letter collections of Vincent Van Gogh and D.H. Lawrence before they're joined by superstar novelist Rumaan Alam to reflects on magazine eras of yore via Tina Brown's The Vanity Fair Diaries. Also mentioned: Cat Marnell's How To Murder Your Life, Jean Godfrey June's Free Gift With Purchase, Michael M. Grynbaum's Empire of the Elite, Stet by Diana Athill, the diaries of Helen Garner, and the diaries of Andy Warhol.Rumaan Alam is the author of four novels, including, most recently, Entitlement.Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

This week on Better Buildings for Humans, Joe Menchefski heads to the heart of New York City's public school system with Caleb Crawford, Director of Sustainable Design and Resiliency at the NYC School Construction Authority. With decades of experience as an architect, educator, and environmental advocate, Caleb dives into how one of the world's largest school systems is confronting climate change head-on. From electrification and green infrastructure to passive survivability and equity-driven design, Caleb shares the innovative—and often surprising—ways NYC is making schools safer, healthier, and more resilient. He discusses the critical role of local laws, the balancing act of building in a dense city, and how even a brick wall can teach us something about thermal comfort. Whether you're designing new schools or retrofitting old ones, this episode is a masterclass in building for the future, today.More About Caleb CrawfordCaleb Crawford is the Director of Sustainable Design and Resiliency at the New York City School  Construction Authority. Crawford comes to the SCA from private practice, where he was a partner in the award-winning firm, Coggan + Crawford Architecture + Design. He has taught design and sustainability at many institutions, including Pratt Institute and City College. Crawford is a registered architect in New York State, a Certified Passive House Designer, and a LEED Accredited Professional in Building Design and Construction. Crawford studied fine arts at the University of Michigan and film at Hunter College before completing a Bachelor of Architecture degree at Pratt Institute. He went on to complete a Masters of Architecture degree at the Southern California Institute of Architecture (SCI-Arc).Contact:https://www.linkedin.com/in/caleb-crawford-4295a415/ https://www.instagram.com/greenguynyc/ Where To Find Us:https://bbfhpod.advancedglazings.com/www.advancedglazings.comhttps://www.linkedin.com/company/better-buildings-for-humans-podcastwww.linkedin.com/in/advanced-glazings-ltd-848b4625https://twitter.com/bbfhpodhttps://twitter.com/Solera_Daylighthttps://www.instagram.com/bbfhpod/https://www.instagram.com/advancedglazingsltdhttps://www.facebook.com/AdvancedGlazingsltd

Peoples & Things host, Lee Vinsel, talks with Whitney Laemmli, Assistant Professor in the Department of Social Science and Cultural Studies at the Pratt Institute, about her forthcoming book, Making Movement Modern: Science, Politics, and the Body in Motion. The book traces a technique for visualizing human movement, Labanotation, from its origins in expressionist dance, Austro-Hungarian military discipline, and contemporary physiology to its employment in factories and offices a half-century later. In this way, Making Movement Modern provides a beautiful example of following an object of study into many different, surprising, and unexpected worlds. The pair also discuss one of Laemmli's new projects, which examines the history of Western ideas and theories that memory might be stored not only in brains but also in bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Peoples & Things host, Lee Vinsel, talks with Whitney Laemmli, Assistant Professor in the Department of Social Science and Cultural Studies at the Pratt Institute, about her forthcoming book, Making Movement Modern: Science, Politics, and the Body in Motion. The book traces a technique for visualizing human movement, Labanotation, from its origins in expressionist dance, Austro-Hungarian military discipline, and contemporary physiology to its employment in factories and offices a half-century later. In this way, Making Movement Modern provides a beautiful example of following an object of study into many different, surprising, and unexpected worlds. The pair also discuss one of Laemmli's new projects, which examines the history of Western ideas and theories that memory might be stored not only in brains but also in bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Peoples & Things host, Lee Vinsel, talks with Whitney Laemmli, Assistant Professor in the Department of Social Science and Cultural Studies at the Pratt Institute, about her forthcoming book, Making Movement Modern: Science, Politics, and the Body in Motion. The book traces a technique for visualizing human movement, Labanotation, from its origins in expressionist dance, Austro-Hungarian military discipline, and contemporary physiology to its employment in factories and offices a half-century later. In this way, Making Movement Modern provides a beautiful example of following an object of study into many different, surprising, and unexpected worlds. The pair also discuss one of Laemmli's new projects, which examines the history of Western ideas and theories that memory might be stored not only in brains but also in bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

I've got some tough love for you today: it's 2025, and you can't afford to not have a website. Clients are vetting freelancers harder than ever, and your site is the first thing that tells them whether you're worth the investment. The goal isn't just to throw one together; it's to have a website that books clients.That's why I invited Brand & Web Designer, Alyssa Downey, to join me in this episode. We're walking you through the essentials of creating a website that isn't just pretty but strategic, accessible, and designed to convert. Alyssa even echoes exactly what Laura Jawad teaches for SEO in episode #259: search engines and clients need to clearly understand what you do before they'll take action. Creativity matters, but clarity comes first.Alyssa is the owner of Amp'd Designs®, helping businesses get noticed through bold, unforgettable Branding & Web Design that's deeply rooted in strategy and business goals (and looks stunning, too). With over a decade of design experience, a BFA in Communications Design from Pratt Institute, and a background as an NYC art director, Alyssa brings both the strategy and the artistry. She's also the founder of Make Your Design Matter®, where she empowers self-employed designers to grow thriving, confident businesses.Listen to learn more about:The number one most common website pitfall that's costing you conversionsWebsite accessibility essentials that make your site usable for all visitorsTwo or three quick design tweaks that instantly make your website look more professionalWhat to focus on if you're just starting and don't have a website yetThe must-have homepage elements that build trust and help you land better clientsIf you've been procrastinating on your website (or wondering why the one you have isn't booking clients), this episode is your wake-up call. Alyssa and I are giving you the practical steps to finally build a website that books clients. Tune in, take notes, and cross “launch my website” off your to-do list once and for all.Sponsored by the Unicorn Digital Marketing Assistant SchoolAdmin work is getting automated—but marketing? That's in demand everywhere. UDMA School is the only program that teaches you the exact skills clients are searching for: email marketing, funnels, SEO, social media, and even AI tools. You'll learn how to do the high-value work that pays $35, $45, even $50+ an hour, plus get live support and access to a network of clients who need your skills. Doors open October 23, class starts October 30. Don't stay stuck in low-paying admin work. Step into the skills businesses really need. >>Save your spot at udmaschool.comLinks Mentioned in the Show:Alyssa will be joining our Digital Marketer's Workgroup to do live website audits in December. It's your chance to get professional eyes on your site and walk away with actionable tweaks to make it truly client-ready. When you join the Workgroup, you'll also plug into a tight-knit community of freelancers where you get behind-the-scenes conversations, real-time support, and troubleshooting every solo marketer needs. Plus, you'll score advanced trainings,...

What happens when a high school student's big idea meets a classroom full of learners? In this episode, you'll meet Ronil Dubal, a high school senior and founder of Studysnap, and Meghan Killeen, a curriculum specialist who put the app to work with her students at Temple University.After inviting Ronil to share Studysnap with her English language learners, Meghan discovered just how powerful the tool could be in supporting diverse students. Together, they reflect on the journey from idea to classroom impact and explore how AI-driven tools are reshaping the future of learning.---ABOUT OUR GUESTSMeghan Killeen is the Curriculum and Assessment Specialist for TCALC's Academic Team. She graduated from The University of Westminster, London, U.K., with a degree in Applied Linguistics and Literature. She has nearly 15 years of teaching experience at both private institutions in Japan and at universities in New York City, including CUNY-LaGuardia and Pratt Institute. She has also served as a research assistant for a professional development program aimed at K-12 educators at Teachers College, Columbia University. Her research concentration is in project-based learning, assessment, and inter-semiotic communication.Ronil Dubal is the founder of Studysnap and a current high school senior from San Jose, CA.---SUBSCRIBE TO THE SERIES: ⁠⁠⁠YouTube⁠⁠⁠ | ⁠⁠⁠Spotify⁠⁠⁠ | ⁠⁠⁠Apple Podcasts⁠⁠⁠ | ⁠⁠⁠YouTube Music⁠⁠⁠ | ⁠⁠⁠Overcast⁠⁠⁠FOLLOW US: ⁠⁠⁠Website⁠⁠⁠ | ⁠⁠⁠Facebook⁠⁠⁠ | ⁠⁠⁠Twitter⁠⁠⁠ | ⁠⁠⁠LinkedIn⁠⁠⁠POWERED BY CLASSLINK: ClassLink provides one-click single sign-on into web and Windows applications, and instant access to files at school and in the cloud. Accessible from any computer, tablet, or smartphone, ClassLink is ideal for 1to1 and Bring Your Own Device (BYOD) initiatives. Learn more at ⁠⁠⁠classlink.com⁠⁠⁠.

In this eye-opening episode of The Hen Report, hosts Jasmin Singer and Mariann Sullivan welcome back Jan Dutkiewicz, professor of political science at Pratt Institute and co-author of the forthcoming book Feed the People: Why Industrial Food is Good and How to Make it Even Better. The conversation centers on a problematic New York Times article about animal rights activism in…

Eliza Swann, also known as Emerald, is a writer, artist, alchemist and scholar based in New York. Swann's formative years cultivated a deep interest in the intertwined studies of mysticism and fine art, which remain central to their work as both artist and educator. Swann received a BA in Painting from the San Francisco Art Institute (2004) and an MFA from Central St. Martins in London (2012). Additionally, Swann is an initiate in Gnostic and Hermetic orders, has studied Vedic cosmology with Dr. Vagsish Shastri, trained in mindfulness meditation at the Insight Meditation Society, and studied herbalism and gardening under the guidance of their witch aunt. These studies inform their expansive approach to esoteric and ecological practices.Swann teaches art and mysticism as a unified practice and, in 2014, founded Golden Dome, an artist-in-residence program rooted in queer intersectional mysticism. Since its inception, Golden Dome has expanded to offer nationwide exhibitions, residencies, publications, and educational programming. Swann is currently faculty at Pratt Institute, where they teach “The Alchemical Imagination”, a course they created to introduce alchemical concepts to contemporary creative practice. In 2025, Swann transitioned from directing Golden Dome to launch a new initiative: Emerald School, which explores alchemy as a living, transdisciplinary practice.As a visual artist, Swann has exhibited internationally, most recently at the University of California Santa Cruz and the Feminist Center for Creative Work in Los Angeles. They are the author of The Anatomy of the Aura, Green Mary, and The Alchemical Imagination, and have contributed to numerous publications. Their work has been supported by PEN America, the Foundation for Contemporary Art, the Author's League Fund, the Los Angeles Department of Cultural Affairs, the Pratt Faculty Development Fund, the Feminist Center for Creative Work, the Hemera Fellowship for Contemplative Practice, and the Wassaic Project.Today Eliza shares about their roots, literally, the gardens of their aunt and a return to them after living and traveling beyond. We talk about alchemy and how it folds many disciplines, prayer, devotion, poetry, intuition... into its being. Eliza recalls teachers both direct and indirect and what they're work surfaced. We discuss grief and how alchemy has supported them in navigating both the personal and the global. The Emerald School is the container for their work where they guide folks through the stages of alchemy including a freeing of self and specialty, to move into deeper collaboration with all. "The school becomes a crucible: a space where diverse elements converge, disciplinary boundaries blur, and new ways of knowing can take shape."We talk about their upcoming 9 week online course, "The Alchemical Imagination," Sept. 14-Nov. 16, and their upcoming offering as a part of the O+ Festival, "The Star Inside: Alchemy and the Power of Plants" and why mugwort became a part of the conversation.Today's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFYITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCAFollow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast

Jana Ireijo is an Hawaii born muralist whose passion as a conservation artist is born out of a love of art that started at a very young age. Jana creates vanishing murals using charcoal gathered from areas recently affected by wildfires.  This material, formed by the heat of the flames, carries the story of destruction and renewal that is intrinsic to the natural world.  She says her art is a reflection of the transience and impermanence of life and nature. Born in Honolulu in 1968, Jana has spent most of her life in transit leaving the island for California, before attending grad school in New York, then as a divorced woman to Connecticut where she raised her family, and finally returning to Hawai'i in 2023, where she has come full circle. Jana is the eldest of three children; she has a younger sister and brother. Her parents Rona August, a realtor, father James Ireijo, and step-father Joel August (both attorneys) encouraged Jana as a child to explore the arts, taking her to museums and galleries, and ensuring she always had access to arts and crafts. It was her mother that recognized a natural talent and told Jana she would become an artist. When the time came to choice her career pathway, Jana was drawn to advertising and after graduating from H. P. Baldwin High School (Maui) in 1986, she headed for the University of Hawai'i at Manoa to earn a BFA in Graphic Design in1991.  She then attended Pratt Institute, New York, where she earned an MFA Painting in 1999.  Jana took ten years off from her art to raise a family before turning her hand to public murals and developing her own style. Now back in the islands as an empty nester, Jana has immersed herself in her passion for environmental issues, such as the ocean, deep sea mining, and helping her community. She is also working on her first book for children entitled Vanishing Moon.  Jana's links:https://janaireijo.co/https://www.instagram.com/janaireijo Some favorite female artists:Gillian Jagger - sculptor - she was my thesis advisor at Pratt, and a huge influence in my practice. Maya LinLita AlbuquerqueNina Bentley Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

Jana Ireijo is an Hawaii born muralist whose passion as a conservation artist is born out of a love of art that started at a very young age. Jana creates vanishing murals using charcoal gathered from areas recently affected by wildfires.  This material, formed by the heat of the flames, carries the story of destruction and renewal that is intrinsic to the natural world.  She says her art is a reflection of the transience and impermanence of life and nature. Born in Honolulu in 1968, Jana has spent most of her life in transit leaving the island for California, before attending grad school in New York, then as a divorced woman to Connecticut where she raised her family, and finally returning to Hawai'i in 2023, where she has come full circle. Jana is the eldest of three children; she has a younger sister and brother. Her parents Rona August, a realtor, father James Ireijo, and step-father Joel August (both attorneys) encouraged Jana as a child to explore the arts, taking her to museums and galleries, and ensuring she always had access to arts and crafts. It was her mother that recognized a natural talent and told Jana she would become an artist. When the time came to choice her career pathway, Jana was drawn to advertising and after graduating from H. P. Baldwin High School (Maui) in 1986, she headed for the University of Hawai'i at Manoa to earn a BFA in Graphic Design in1991.  She then attended Pratt Institute, New York, where she earned an MFA Painting in 1999.  Jana took ten years off from her art to raise a family before turning her hand to public murals and developing her own style. Now back in the islands as an empty nester, Jana has immersed herself in her passion for environmental issues, such as the ocean, deep sea mining, and helping her community. She is also working on her first book for children entitled Vanishing Moon.  Jana's links:https://janaireijo.co/https://www.instagram.com/janaireijo Some favorite female artists:Gillian Jagger - sculptor - she was my thesis advisor at Pratt, and a huge influence in my practice. Maya LinLita AlbuquerqueNina Bentley Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Jana Ireijo is an Hawaii born muralist whose passion as a conservation artist is born out of a love of art that started at a very young age. Jana creates vanishing murals using charcoal gathered from areas recently affected by wildfires.  This material, formed by the heat of the flames, carries the story of destruction and renewal that is intrinsic to the natural world.  She says her art is a reflection of the transience and impermanence of life and nature. Born in Honolulu in 1968, Jana has spent most of her life in transit leaving the island for California, before attending grad school in New York, then as a divorced woman to Connecticut where she raised her family, and finally returning to Hawai'i in 2023, where she has come full circle. Jana is the eldest of three children; she has a younger sister and brother. Her parents Rona August, a realtor, father James Ireijo, and step-father Joel August (both attorneys) encouraged Jana as a child to explore the arts, taking her to museums and galleries, and ensuring she always had access to arts and crafts. It was her mother that recognized a natural talent and told Jana she would become an artist. When the time came to choice her career pathway, Jana was drawn to advertising and after graduating from H. P. Baldwin High School (Maui) in 1986, she headed for the University of Hawai'i at Manoa to earn a BFA in Graphic Design in1991.  She then attended Pratt Institute, New York, where she earned an MFA Painting in 1999.  Jana took ten years off from her art to raise a family before turning her hand to public murals and developing her own style. Now back in the islands as an empty nester, Jana has immersed herself in her passion for environmental issues, such as the ocean, deep sea mining, and helping her community. She is also working on her first book for children entitled Vanishing Moon.  Jana's links:https://janaireijo.co/https://www.instagram.com/janaireijo Some favorite female artists:Gillian Jagger - sculptor - she was my thesis advisor at Pratt, and a huge influence in my practice. Maya LinLita AlbuquerqueNina Bentley Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

Episode 485 / Estefania Velez RodriguezEstefania Velez Rodriguez is an artist born in Mayaguez, Puerto Rico. She received her BFA from the University of South Florida (painting)and her MFA from Brooklyn College (painting).Solo shows: Auxiliary Projects (brooklyn), Praxis Gallery (chelsea), Fordham University (midtown), Other notable shows (group shows): Marc Strauss (Manhattan), Elizabeth Foundation for the arts (manhattan), Field of Play (brooklyn), Below Grand (manhattan), Soil Gallery (seattle), University of Arkansas, Cuntshaus (tampa), Queens College, Norte Maar (brooklyn), Paradise Palace, Praxis Gallery (manhattan), Art Fair Miami (during basel, satellite location fair).She's participated in residencies at: Hidrante (puerto rico), Ucross (Wyoming), Goldeyhouse (New York), and the Vermont Studio Center. Mural Project with Norte Maar Organization & more. Her work has been covered by:Two Coats of Paint , Brooklyn Rail, Revista Marvin (mexico), Art as Form, Epicenter NYC, Centro Puerto Rico (Hunter college center for puerto rican studies artists spotlight and book cover), I like your work podcast, and Interlocutor magazine. She has taught at:Rutgers University, Pratt Institute, and Montclair State University. She has a current Group Exhibition at Marc Straus Gallery (Lower East side location), "Past Tense / Future Perfect" up until August 8th. 

⁠Jen Dalton ⁠+ ⁠William Powhida⁠ are the founders of the ⁠Zero Art Fair⁠. The basic concept that drives the fair is to get great art that artists have in storage—out of storage and into people's lives, irregardless of their financial situation to purchase art. They started the⁠ fair upstate last year ⁠and this year, they were invited to present it at a highly respected institution in Chelsea, ⁠The Flag Art Foundation. ⁠ Bill and Jen explore and illuminate their ideas and innovations with Dr. Lisa. They discuss their various projects and processes, (their first project together was in 2008), leading up to this fair and where they are now—getting work into art lovers hands, especially if those folks don't have the disposable income to buy art. Such a fun talk to hear how Jen and Bill have really honed their thinking and process, keeping in mind the desire to make these fairs and interventions scaleable and sustainable simply so the plans can be implemented anywhere. I encourage you to listen to this episode as Bill and Jen describe this important project which seeks to go beyond an art fair and open a dialogue about so much more—such as what is the value of art and what is the social purpose of it? The basics of the Zero Art Fair ⁠HERE⁠ JEN DALTON https://www.jenniferdalton.com/ @jendalton_ Bio: Jennifer Dalton (born 1967) is an American artist. She received her Master of Fine Arts from Pratt Institute in 1997. Dalton's work has been exhibited in galleries and museums internationally, including the FLAG Art Foundation in New York, the Curator's Office in Washington, DC, Kunsthalle Wien (Vienna), Contemporary Museum in Baltimore and the Chicago Museum of Contemporary Art. She was also included in La Superette at Deitch Projects, Participant Inc. and The Cult of Personality: Portraits of Mass Culture at Carriage Trade, both in New York. She has been an artist-in-residence at numerous artist colonies, including the MacDowell Colony, Yaddo, Vermont Studio Center, Millay Colony for the Arts and the Smack Mellon Studio Residency Program. She was a recipient of a Pollock-Krasner Foundation Grant in 2002. WILLIAM POWHIDA https://williampowhida.com/ @williampowhida BIO: William Powhida (born 1976) is an American visual artist and former art critic.Powhida's work is critical and addresses the contemporary art world. Powhida received his Master of Fine Arts in painting from Hunter College in January 2002. He is currently represented by Postmasters Gallery (NY), Charlie James Gallery (LA), Poulsen Gallery (DK), and Platform Gallery (WA). He holds a BFA in Painting from Syracuse University and an MFA in painting from Hunter College. His work has been written about in the New York Times, Artforum, Art in America, The Los Angeles Times, Hyperallergic, ArtFCity, The Guardian, the New Yorker, New York Magazine, and October among other publications. His work in the collections The San Diego Museum of Art, The Henry Art Museum, The Crocker, The Orange County Museum of Art, Casa Maaud, and JP Morgan Chase.

Laurie Fader has been the recipient of many honors and awards, including a Pollock-Krasner Award, an Adolph and Esther Gottlieb Emergency Assistance Grant, the Helen W. Winternitz Award for excellence in painting from Yale University, Great Meadows Foundation and artist's residencies in France, Haiti, Hungary, and Italy. She lived in New York City for 25 years while teaching at Pratt Institute, then in Baltimore while she taught at the Maryland Institute College of Art. She was co-founder, Chair and Associate Professor at the Kentucky School of Art at Spalding University in Louisville, Kentucky. Currently she is a full-time practicing artist and has exhibited in the US and abroad.www.lauriefader.com/

Welcome to this Inwood Art Works On Air podcast artist spotlight episode featuring visual artist, Howard Better.Howard attended Pratt Institute and California Institute of the Arts in the late Seventies and his art-making career has mostly involved moving images, First using 16mm film, then video and digital images. His movies have been made to be projected on unusual surfaces, such as the side of a cliff or into the corner of a room. Howard spent two decades doing freelance animation, mostly working on Sesame Street and other similar shows. He began teaching video and animationclasses in the early nineties, and has taught 3D computer animation to college students, but he professes his real love is stop-motion animation.  In recent years, he has been working primarily with special ed students.  Howard began working with collaged objects about 20 years ago and has ongoing installations in various locations around Uptown Manhattan.  He has shown his collage work several times up in Yonkers, Soapbox Gallery in Brooklyn, Le Petit Versailles in the East Village, and at the Tufano Gallery in Cobleskill, NY. He is currently working on an ongoing series of collages called WALLPAPER which are used to cover the walls of large spaces.  

Episode 473 / Sarah Martin-Nuss (b. 1992, Corpus Christi, Texas) is an interdisciplinary artist working across painting, drawing, performance, and sound. Her work draws from biological systems, philosophical post-humanist thought, and the intricate web of ecological relationships, exploring themes of interconnectivity, transformation, and time. Martin-Nuss received her MFA in Painting and Drawing from Pratt Institute in 2024 and her BA in Fine Art and English Literature from Austin College in 2014. Martin-Nuss also studied visual arts at the Collège International de Cannes in Cannes, France and performance, sound, and video art at the School of Visual Arts in New York. In addition to her visual arts education, Martin-Nuss trained with the Meredith Monk Ensemble and is the producer, songwriter and vocalist for the avant-pop duo Dancing In Tongues. Her recent solo exhibitions include Future Currents, Rachel Uffner Gallery, New York, New York (2025); Pouring Water Into Water, Rachel Uffner Gallery, New York, New York (2024); and Open Systems, Prince & Wooster, New York, New York (2023). Her recent group exhibitions include The Figure Abstracted, Prince & Wooster, New York, New York (2024);The Blue Hour, PhillipsX, New York, New York (2024); Unfixed Ecosystems: Obsidian/Yarrow, Pfizer Factory, Brooklyn, New York (2024); What In The World, Steuben Gallery, Brooklyn, New York (2023); and Creative Distancing, Art Museum of South Texas, Corpus Christi, Texas (2020). Her work has been featured in Two Coats of Paint, Cultbytes, Art Spiel and New American Paintings and is included in the JPMorganChase Art Collection. Born in Corpus Christi, Texas, Martin-Nuss now lives and works in Brooklyn, New York.REGISTER FOR TONIGHT's TALK AT FUTURE FAIR HEREWHY I MAKE ART with Brian Alfred, Associate Professor of Art, Penn State and Host of Sound & Vision Podcast, Liz Nielsen, artist and exhibitor (Elijah Wheat Showroom), and artist E.E. Kono. THU, MAY 8, 5:45 PM; SPECIAL PROJECT 2 AT FUTURE FAIR

Lynn Steger Strong is the author of the novels Hold Still, Want, Flight and The Float Test. Her non-fiction has appeared in The New York Times, Los Angeles Times, New York, The Paris Review, Time, and elsewhere. She has taught writing at The Pratt Institute, Fairfield University, Catapult, and Columbia University. She was born and raised in South Florida. Learn more about your ad choices. Visit megaphone.fm/adchoices

Want to fall in love with your ADHD brain and make it work for you? Learn more about my patented program, Your ADHD Brain is A-OK Academy here: programs.tracyotsuka.com/signup___What happens when you stop trying to prove your worth and start building what only you can see? Elizabeth Elfenbein is a creative powerhouse, a purpose-driven leader, and a visionary storyteller who's redefining women's health, equity, and representation on a global scale. But like so many ADHD women, that journey started with feeling like she didn't quite fit in.Diagnosed later in life after both of her children received ADHD diagnoses, Elizabeth realized she'd spent decades navigating the world with an undiagnosed brain. School was a struggle, especially growing up in a family that valued academics above all else. But when she discovered design and visual storytelling, everything clicked. That passion led her to Pratt Institute and a trailblazing career in branding, healthcare, and advocacy—all built on instinct, creativity, and a refusal to accept the status quo.In this conversation, Elizabeth and Tracy talk about the energy behind ideas, the power of purpose, and why ADHD minds are wired for innovation. They explore how mission-driven work becomes a container for restlessness, how meditation and self-care keep Elizabeth grounded, and why she's never been afraid to run toward a problem others might avoid. She also opens up about parenting ADHD children, managing emotional energy over time, and what it means to finally recognize your own brilliance, not just in what you create, but in who you are.Resources:LinkedIn: linkedin.com/in/elizabethelfenbein  Website: otherhoodagency.com Website: underthehoodofwomenshealth.com   Under the sisterhood: underthesisterhood.comBlog: medium.com/@elizabethelfenbein Send a Message: Your Name | Email | Message Learn more by connecting with Tracy through Instagram, Facebook, LinkedIn, Pinterest, or visit adhdforsmartwomen.com.Are You Ready to Discover Your Brilliance? Order Now: https://adhdforsmartwomen.com/bookJoin Your ADHD Brain is A-OK: https://adhdforsmartwomen.com/aokVisit our website: https://adhdforsmartwomen.comJoin our community of ADHD For Smart Ass Women: https://www.facebook.com/groups/tracyotsuka Join What Do I Do With My Life Masterclass: spyhappy.me/classUnlock your best days with Blends: https://adhdforsmartwomen.com/blends

Episode 469 /  Amy Bravo is an artist who lives and works in New York. After completing a bachelor's degree in Illustration at Pratt Institute, New York, she obtained a Master of Fine Arts in Painting at Hunter College, New York in 2022. Recent exhibitions include group shows with Rachel Uffner Gallery, Workplace, and The FLAG Foundation, as well as a solo show at Nada Miami with Swivel Gallery and a duo show at Swivel Gallery, New York, in 2022. She was also a resident at the Fountainhead Residency in Miami in 2022. Amy Bravo is jointly represented by Swivel Gallery (Brooklyn, NY).If you're in New York this May, check out Future Fair, an independent contemporary art fair celebrating its fifth anniversary in Chelsea from May 7th to 10th. Sound & Vision listeners can get 30% off tickets with the code SOUNDANDVISION all one word at https://futurefairs.artsvp.com/eeb3d8?link=701cf2d5-5345-409f-a430-c816aad011ea