Podcast appearances and mentions of Dale Chihuly

Once in a while you come across somebody and you realize in that moment they're an important figure in art history, and maybe their story hasn't been told yet. In this case, I don't think it really has.You see, my guest today is Shahrokh Rezvani and he's a very interesting man to say the least. What makes him so interesting is this journey that he's had with people like Fritz Scholder and Dale Chihuly and working with them to create monotypes, cyanotypes, and all sorts of different kinds of prints.He came to my booth at Scottsdale Ferrari Art Week and I could see him looking at the work by Fritz Scholder that I was showing. I could tell there was a connection, and not a connection in the way you might see with a collector or an acolyte even... but a different kind of connection.I approached him and asked if he knew Scholder personally. He said back to me: ”oh, yeah, he was a great person. I knew Fritz and I knew him well." I said “okay, well, tell me about it.” After that he spoke to me all about Fritz and their working relationship from 1977 to 1993. Fast forward to today and Shahrokh is at that age where health can be a problem. I said, well, I want to come up to your house and I want to hear the rest of the story, hence this podcast. Now you'll get to hear the story of this wonderful journey of this man's life as an artist and as a master printmaker.He makes wonderful art himself and I hope that this podcast is as intriguing for you as it was for me. I think this is the type of interview that's going to be used when people tell the story of Fritz Scholder and that connection and collaboration, that he had with Shahrokh. So I hope you enjoy it as much as I did. Shahrokh Rezvani on Art Dealer Diaries Podcast episode 344.

Send us a textHow does a farm kid turned basketball champ end up digging graves and wrangling wildlife in Kirkland's parks? This week, Parks Superintendant Jason Filan shares his 35-year journey from seasonal worker to seasoned pro. PLUS the wackiest things he's encountered on the job—including a Dale Chihuly sculpture, surprise wildlife, and tasks you'd never expect. Also on the show: federal and military professionals should check out Kirkland Police Department for your next gig. Get $5,000 rebates for smarting your yard. Celebrating Women's Leadership. Stay up to date on the City Council agenda. Get ready for boating season. And more.  Show note links: www.kirklandwa.gov/podcast#20250327

In this episode of the Blue Rain Gallery Podcast, host Leroy Garcia welcomes glass artist Spooner Marcus to the studio. Spooner, a new addition to the Blue Rain Gallery artist roster, shares his journey as a glass artist, beginning with a serendipitous discovery of glassblowing after high school in his hometown of Española, New Mexico. He discusses his early experiences working in a makeshift hot shop and how his passion for the craft grew over the years. Spooner reflects on pivotal moments in his career, including collaborations with notable artists like Tony Jojola and Ira Lujan, and encounters with renowned glass artist Dale Chihuly. Now working at Prairie Dog Glass in Santa Fe, Spooner has honed his craft for over two decades, evolving his style and refining his techniques. This insightful conversation is accompanied by a showcase of Spooner's intricate glassworks, demonstrating his creativity and dedication to the art form. Tune in to explore the vibrant world of Native glass art and the journey of an artist keeping the movement alive. https://blueraingallery.com/artists/spooner-marcus The Blue Rain Gallery Podcast is hosted by Leroy Garcia, produced by Leah Garcia, and edited by Brandon Nelson, with music by Mozart Gabriel Abeyta.

Thank you for listening to this track produced by the Art Gallery of South Australia. Timed to coincide with Chihuly in the Botanic Garden, hear about AGSA's glass collection with Rebecca Evans, Curator of Decorative Arts and Design. For more information visit agsa.sa.gov.au Image: Installation view: Imperial iris Persian pear by Dale Chihuly, Art Gallery of South Australia, Adelaide; photo: Saul Steed.

This week the Filipina artist Goldie Poblador who works in scent and glass interactive instillation art.  Goldie specializes in glass flameworking combined with performance, video, installation, and scent embodying themes of feminism, the environment, and decolonization as it relates to the body.  Goldie was born in Manila, The Philippines in 1987. Her parents; Napoleon Poblador, a lawyer and painter and Gizela Poblador, a home-maker who had earlier studied dentistry. Goldie is the eldest of four children; she has three younger brothers. She was, she says, an imaginative child who enjoyed creating worlds and performing. Her parents exposed her to art and music; she visited art shows, galleries and museums, learned the piano, and performed in a drama club. By the age of 18 Goldie was performing in a Punk band; something she likes to recreate today for fun. But it was her fascination with glass and painting that would steer her through college. She graduated from the University of The Philippines in 2009 with a BFA in Studio Art and later with an MFA Glass from the Rhode Island School of Design. Between colleges Goldie was introduced to the Scuola Abate Zanetti in Murano, Italy. She also worked as an artist and attended the Pilchuck Glass School in Seattle, co-founded by the renown glass sculptor Dale Chihuly.  Goldie has been exhibited internationally at such institutions as the Yangon Secretariat Building Knockdown Center, Cemeti Art House, Singapore Art Museum, Bangkok Art and Culture Center, Fine Art Museum of Hanoi and The Cultural Center of the Philippines. She is currently working on a show for the Art Fair in The Philippines in 2025. Goldie will be a featured artist in the Sensorium, Stories of Glass and Fragrance; an exhibition that will explore the millennia-long relationships between glass, perfumery, and the storage of scent, at the Corning Museum of Glass (CMoG) from September 7, 2024 - February 1, 2025.  Goldie is married to Joseph Sousa and the couple live in New York City. https://goldiepoblador.com/InformationInstagram: @_goldieland https://www.instagram.com/_goldieland Goldie's favorite female artists:Janine AntoniAgnes ArellanoJoan JonasCamille ClaudelKiki SmithHost: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the Filipina artist Goldie Poblador who works in scent and glass interactive instillation art.  Goldie specializes in glass flameworking combined with performance, video, installation, and scent embodying themes of feminism, the environment, and decolonization as it relates to the body.  Goldie was born in Manila, The Philippines in 1987. Her parents; Napoleon Poblador, a lawyer and painter and Gizela Poblador, a home-maker who had earlier studied dentistry. Goldie is the eldest of four children; she has three younger brothers. She was, she says, an imaginative child who enjoyed creating worlds and performing. Her parents exposed her to art and music; she visited art shows, galleries and museums, learned the piano, and performed in a drama club. By the age of 18 Goldie was performing in a Punk band; something she likes to recreate today for fun. But it was her fascination with glass and painting that would steer her through college. She graduated from the University of The Philippines in 2009 with a BFA in Studio Art and later with an MFA Glass from the Rhode Island School of Design. Between colleges Goldie was introduced to the Scuola Abate Zanetti in Murano, Italy. She also worked as an artist and attended the Pilchuck Glass School in Seattle, co-founded by the renown glass sculptor Dale Chihuly.  Goldie has been exhibited internationally at such institutions as the Yangon Secretariat Building Knockdown Center, Cemeti Art House, Singapore Art Museum, Bangkok Art and Culture Center, Fine Art Museum of Hanoi and The Cultural Center of the Philippines. She is currently working on a show for the Art Fair in The Philippines in 2025. Goldie will be a featured artist in the Sensorium, Stories of Glass and Fragrance; an exhibition that will explore the millennia-long relationships between glass, perfumery, and the storage of scent, at the Corning Museum of Glass (CMoG) from September 7, 2024 - February 1, 2025.  Goldie is married to Joseph Sousa and the couple live in New York City.  https://goldiepoblador.com/InformationInstagram: @_goldieland https://www.instagram.com/_goldieland Goldie's favorite female artists:Janine AntoniAgnes ArellanoJoan JonasCamille ClaudelKiki SmithHost: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

In today's episode, the Wadsworth's Krieble Curator of American Paintings and Sculpture Erin Monroe returns to talk about material culture in the exhibition and why the inclusion of Dan Friday's glass piece, Aunt Fran's Basket, was so special. Then Friday joins host Drew Baron for an interview discussing his work, heritage, and the world of glass art. Friday has worked with some of the biggest names in the medium — Paul Marioni, Preston Singletary, and since 2000, he has worked at Dale Chihuly's renowned studio, The Boathouse. He's taught at the University of Washington, Pilchuck Glass School, and the Haystack Craft Center in Maine. Friday was also featured as a contestant on season three of Blown Away, Netflix's hit glass art competition show. His work fuses glass with inspiration from his Coast Salish cultural heritage, utilizing forms such as bears, salmon, totems, and baskets. The (Un)Settled Podcast is a multipart special presentation of the Binder Podcast dedicated to the traveling exhibition (Un)Settled: The Landscape in American Art. Part of a series of American art exhibitions created through a multi-year, multi-institutional exhibition partnership formed by the Wadsworth Atheneum Museum of Art as part of the Art Bridges Cohort Program. You can find a full transcript of today's episode here: https://www.columbiamuseum.org/sites/default/files/pdfs/UnSettled%20Ep%202%20Transcript.pdf

We're excited to kick off a special three-part podcast series “Celebrating Seattle” in collaboration with Visit Seattle. Our friend Jeannette Ceja, an award-winning bilingual travel journalist and TV host, joins TWM podcast host Mike Schibel to explore some of Seattle's iconic attractions and connect with small business owners in the vibrant Hispanic, Latino, and BIPOC communities. Our adventure in Seattle took place during the cozy season, arguably one of the best times to visit the Pacific Northwest with its mellow vibes, lush scenery, and welcoming locals. Never heard of the cozy season? We suggest giving it a try—we loved it! In part one of “Celebrating Seattle,” we explore some of Seattle's most iconic and well-known attractions, including Pike Place Market, Chihuly Garden and Glass, and the Space Needle. For over a hundred years, Pike Place Market has been a staple in Seattle and a top attraction for travelers. During our visit, we explored three Hispanic and Latino-owned restaurants: Maíz, Copacabana, and Los Agaves, serving authentic cuisines from Mexico and Bolivia. Copacabana was the first Bolivian restaurant in the western United States when it opened over sixty years ago. In the second part of the episode, we talk with Randy Cote from the Space Needle and neighboring Chihuly Garden and Glass. We were mesmerized by the work of the famed glassblower and Tacoma, Washington native Dale Chihuly. You've probably seen Chihuly's work around the world, but walking through Chihuly Garden and Glass is an enchanting experience. Sitting in the famed Chihuly Glasshouse, looking up at the Space Needle, we learned the connection between these two landmarks was enhanced in 2018 when the first-of-its-kind revolving glass floor was installed one floor below the upper observation level of the Space Needle. Visitors now have two incredible views of Seattle and the surrounding areas—from looking out at Mount Rainier, Puget Sound, and the Cascade and Olympic mountain ranges, to looking down them at the different neighborhoods of Seattle. Many travelers also noticed the Chihuly Garden and Glass right next door. It was pretty cool to look up at the bottom of the Space Needle from inside the Glasshouse and then look through the top of the Glasshouse from the top of the Space Needle. Travel tip: have lunch at The Bar at Chihuly Garden and Glass, which sources incredible local dishes and cocktails and displays many of Dale Chihuly's unique collections. A big thank you to all the amazing people we met: Kathy (Maíz), Vivian (Copacabana), Chef Jaime (Los Agaves), and Randy from the Space Needle and Chihuly Garden and Glass. Thank you to our partners on this series, Visit Seattle, for coordinating our adventure, and the wonderful Jeannette Ceja. For all your Seattle travel details and cozy season packages, visit VisitSeattle.org Stay tuned for part two of Celebrating Seattle!

Craig and Geoffrey talk about Dale Chihuly, Estonia, and Applebee's. Get your tickets now for The Loosey Goosey Tour! - http://craigconant.com/shows/   Check out Geoffrey's Special here! - https://www.youtube.com/watch?v=_3vSW95zhfs   Get some Colors, and get your mind right! https://colorsgummies.net/ Discount code: loosey15   Follow Geoffrey! YouTube - https://www.youtube.com/c/GeoffreyAsmus IG - https://www.instagram.com/geoffreyatm/ Website - https://www.whitecomedian.com/ Podcast - https://www.instagram.com/youreanidiotpod TikTok - https://www.tiktok.com/@geoffreyatm   Follow Craig! TikTok - https://tiktok.com/@craigpconant/ IG - https://instagram.com/craigpconant/ Merch - https://craigconantstore.com/ Komi - https://craigconant.komi.io/   Small Business Plugs: Need a natural, holistic facial or some Ayurvedic healing? Contact Cynthia at Ritual Skin and Soul: https://instagram.com/livecynplyayurveda/ https://instagram.com/ritualskinandsoul/ PV Coin Exchange - https://palosverdescoinexchange.com/ Deadlight Visions Graphic Design - https://instagram.com/deadlightvisions/ Donny Honcho's Healthy Pet Products - https://linktr.ee/localdogdaddy Swank Hank's Handmade EDC - https://swankhanks.com/ Glitch Pudding, Acrylic Artist - https://instagram.com/glitchpudding/ Hoobs Glass Art - https://www.hoobsglass.net/   Craig's Holistic Doctors: Dr. Jay - https://www.instagram.com/100yearsjay/ PBC Health - https://www.instagram.com/pbchealthwellness/   Robert Kiyosaki - Liabilities to Assets - https://youtube.com/watch?v=A8vD_XO0vUU   Healing affirmations: Louise Hay - https://youtu.be/lz16YqpWkz4 Wayne Dyer - https://youtu.be/44ImQV46lF4 Change Your Thoughts, Change Your Life - https://youtube.com/watch?v=14JxE7i0EPc   Craig's favorite healers: Esther Hicks (AKA Abraham Hicks) Joe Dispenza Bruce Lipton Dr. Sebi   Also shout out to these light workers giving out that lost knowledge: Dr. Delbert Blair Dolores Cannon Santos Bonnaci 

By now, North Carolina's reputation as an arts destination is well known, but did you know that it played a significant role in the history of the Studio Glass Movement in America? Since Harvey Littleton first moved to the area in the late 1970s, Western North Carolina has cultivated a thriving community of glass makers and supporting organizations. Today, we speak to Candace Reilly, who has been an active member of the arts community in Asheville for almost a decade and currently serves as Executive Director of Asheville's largest public-access glass studio and gallery, the North Carolina (NC) Glass Center. As an advocate with a fervent commitment to nurturing creative talent, Candace believes that integrated arts education is critical for a more enriched and socially cohesive community. In today's episode, she gives us a glimpse into the history of glass and how the NC Glass Center is not only upholding traditions but democratizing the future of studio glass practice for an ever-expanding community of glass artists! Tune in for all this and more in another fascinating installment of the Artsville Podcast.Key Points From This Episode:An overview of Candace's background and her role at the NC Glass Center.Insight into the history of glass and glass artists in North Carolina.How you can learn about glass at the NC Glass Center.What to expect from the Dale Chihuly exhibition at Biltmore Estate.The explosive growth that led to NC Glass Center's second location in Black Mountain.Different ways that NC Glass Center generates income (and how you can support them!)Where you can find the NC Glass Center online and how to contact them.Links Mentioned in Today's Episode:North Carolina (NC) Glass Center — https://www.ncglasscenter.org/“Glass on the Go" — https://www.ncglasscenter.org/mobile-unitNC Glass Center on Instagram — https://www.instagram.com/ncglasscenter/NC Glass Center on Facebook — https://www.facebook.com/NorthCarolinaGlassCenter/Chihuly at Biltmore — https://www.biltmore.com/things-to-do/events/chihuly-at-biltmore/Art Connections — https://www.arttoursasheville.com/Mountain BizWorks — https://www.mountainbizworks.org/Craft Your Commerce — https://www.mountainbizworks.org/craft-your-commerce/Ferguson Family YMCA — https://ymcawnc.org/locations/centers/ferguson‘Community Art, Friendship, and Healing: Artsville's Partnership with the Ferguson Family YMCA in Candler' — https://www.artsvilleusa.com/community-art-friendship-and-healing-artsvilles-partnership-with-the-ferguson-family-ymca-in-candler/Artsville Podcast —

Said Blown Away Season 4 winner, Morgan Peterson, “I'm not just the creepy weirdo lurking in the background anymore. I'm right up front.” As champion of Netflix's 2024 glassblowing competition series, the Seattle-based artist received a whopping cash prize of $100,000, a paid residency in Venice, Italy, with glass legend Adriano Berengo, and a residency at the world-renowned Corning Museum of Glass. Growing up in Boston, MA, Peterson's watched horror films and Unsolved Mysteries with her Godmother, introducing her to the unnerving  and creepy style so associated with her unique work that uses metaphor and imagery to address themes of pop culture and addiction. On Blown Away 4, from her initial bathtub-toaster combo titled Best Friends to a knife thrower's impeccably made knives, black and white targets, and puddles of blood to her unforgettable monster mushroom, dark humor and twisted style set Peterson's work apart- not just from other artists on the show, but from other artists making work in glass today. Her final gallery, 6 Crime Scenes, included 80 glass objects and was described by guest evaluator Berengo as “fresh, new, and very contemporary.” The crime scene installation was based on six murders that occurred in Chicago during the 1920s and inspired by the artist's obsession with the musical Chicago. Peterson graduated from the Massachusetts College of Art and Design with a dual degree in 2006. Upon completion of her degrees, she relocated to Seattle, WA, to pursue a career and continue her education and advancement in the arts. She has worked for many notable artists including Buster Simpson and Bruce Mau, and is a full-time team member for Dale Chihuly. Heavily involved with Pratt Fine Arts and Pilchuck Glass School, she is not only a member of the staff but also an instructor.  Included in The Young Glass Exhibition, hosted by the Glasmuseet Ebeltoft, which is an international competition that only occurs once a decade, Peterson has also participated in multiple group shows in 2019, including Pittsburgh Glass Center, The Habatat Invitational, CHROMA (Nashville, TN), Traver Gallery (Seattle, WA), REFRACT (Seattle's Glass Art Fair), and the Irish Glass Biennale (Dublin also in 2023). In 2020 and 2022, the artist exhibited virtual solo shows through Habatat in Royal Oaks, MI. Her first in person solo exhibition was held at Method Gallery, Seattle, WA, in October 2021. Since winning Blown Away 4, Peterson says she has been “very busy in the best ways possible.” Her latest work will be on view in Once Upon a Crime In Hollywood, opening Saturday, April 13, 6 p.m. -10 p.m. at the new Nathie Katzoff Art Gallery, 8900 Beverly Blvd., West Hollywood. PLEASE RSVP – info@nathiekatzoff.com. Her Corning residency takes place April 22 – 28, and she'll participate in a group show at Traver Gallery in Seattle this October.  

Ever caught yourself trying to live your life like a curated Instagram gallery, each 'perfect' moment on display? This episode is dedicated to why we need to start tearing down that gallery wall.Like Mekiya Outini said on Tuesday's episode, the actual trauma is telling ourselves that life is perfect. Nothing is perfect! Yet, all external signals from society have taught us that to be valuable and worthy,  we have to be perfect. This is a complete lie.It's a lie that I have struggled with this myself – this striving to be perfect. At times, I have definitely wrapped my own self worth into the version of myself I wished I was, instead of simply accepting myself exactly as I am.That's why I take time in this episode to pull a thread from Mekiya's comment and unravel the concept of radical responsibility and how it can lead to genuine liberation.The cracks in our personal veneer are essential to our story's beauty, and I hope this episode invites you to breathe through the bounds of perfectionism and let your imperfect beauty shine. Nothing in nature is perfect. In fact, it's the imperfections that make every flower gorgeous. Journaling questions for this episode:Where might I be trying to fill in a hole? Where can I let nature be, exactly as it's intended to exist? Where in my life can I let myself love one of those little "natural holes" in my life, exactly as it is?Listen to this episode to hear:How taking radical responsibility for where you are can help you let go of perfectionism.Why your imperfections are a masterpiece.How to embrace the beauty of your life, exactly as it is.Mentioned in this episode:Chihuly Garden and Glass in Seattle, WAYouTube video showing a bit about Chihuly's creative processSupport the showJoin Brilliant Breathwork, the monthly membership offering multiple weekly live breathwork sessions with Jen and other trauma-informed facilitators, an extensive vault of replays, and a supportive community for authentic, creative, and radiant growth. Other ways you can support: Share an episode and tag Jen on Instagram @untetheredjen Follow/subscribe to get updates of new episodes Leave a review! Connect with Jen JenLiss.com @untetheredjen Music created and produced by Matt Bollenbach

Ever caught yourself trying to live your life like a curated Instagram gallery, each 'perfect' moment on display? This episode is dedicated to why we need to start tearing down that gallery wall.Like Mekiya Outini said on Tuesday's episode, the actual trauma is telling ourselves that life is perfect. Nothing is perfect! Yet, all external signals from society have taught us that to be valuable and worthy,  we have to be perfect. This is a complete lie.It's a lie that I have struggled with this myself – this striving to be perfect. At times, I have definitely wrapped my own self worth into the version of myself I wished I was, instead of simply accepting myself exactly as I am.That's why I take time in this episode to pull a thread from Mekiya's comment and unravel the concept of radical responsibility and how it can lead to genuine liberation.The cracks in our personal veneer are essential to our story's beauty, and I hope this episode invites you to breathe through the bounds of perfectionism and let your imperfect beauty shine. Nothing in nature is perfect. In fact, it's the imperfections that make every flower gorgeous. Journaling questions for this episode:Where might I be trying to fill in a hole? Where can I let nature be, exactly as it's intended to exist? Where in my life can I let myself love one of those little "natural holes" in my life, exactly as it is?Listen to this episode to hear:How taking radical responsibility for where you are can help you let go of perfectionism.Why your imperfections are a masterpiece.How to embrace the beauty of your life, exactly as it is.Mentioned in this episode:Chihuly Garden and Glass in Seattle, WAYouTube video showing a bit about Chihuly's creative processSupport the showWant to work with me live, in person? I'll be on the island of St. Maarten for the Island Girl Awakening Retreat where I'll be joining The Traveling Island Girl, Riselle Celestina, for a week of transformative fun, adventure, LUXURY, and healing. If you're ready to say a huge heck yes to living your best life, this will be the experience for you. Apply to be one of the beautiful women to join us at jenliss.com/retreat. ---See the other ways you can work with me at jenliss.com Other ways you can support: Share an episode and tag Jen on Instagram @untetheredjen Follow/subscribe to get updates of new episodes Leave a review! Connect with Jen JenLiss.com @untetheredjen Music created and produced by Matt Bollenbach

Working Artists! You are not alone! Listen to these entertaining and inspirational podcast conversations with working artists.When Christopher Jefferies caught the glassblowing bug in high school, he charted a course that would ultimately result in building his own glass shop by "paying his dues." From working on Dale Chihuly's team to sleeping on the floor of a Czech hot shop, Christopher immersed himself in the fast-paced environment of production glass studios that created hundreds of pieces daily. Once he launched his own studio, his work evolved into multiple-element wall installations on a large scale. Christopher talks about going after those "big fish" on the art festival scene and how he navigates his unique career. https://jeffriesglass.com/#blownglassart  #residentialwallart #lagunabeachglassartist #modernwallart #customglassartdecor #art  #corporateart  #homedecor #chihuly #glassinstallation #wallglass #studioglassmovement #glassartist #interiorstylehunter #designerwallart #homestaging #crystalglass #sculpture #artistinspiration #independentartist #independentartistpodcast #indieartspod #artistpath #artistpodcast #artistconversations #artistprocess #workingartist  #contemporarycraft  #artisticvision #youtubepodcast Visual artists Douglas Sigwarth https://www.sigwarthglass.com/ and Will Armstrong http://www.willarmstrongart.com/ co-host and discuss topics affecting working artists. Each episode is a deep dive into a conversation with a guest artist who shares their unique experiences as an independent professional artist. In today's preamble, we discuss going to Miami, being an ADHD artist, and making money off your art that is meant to help a cause. The link to the article about corporate filing https://news.artnet.com/art-world/corporate-transparency-act-impacts-self-employed-artists-2417585File your Beneficial Ownership Information here https://www.fincen.gov/boiFOLLOW US ON SOCIAL MEDIAInstagram https://www.instagram.com/independentartistpodcast/Facebook https://www.facebook.com/independentartistpodcastWebsite https://www.sigwarthglass.com/independentartistpodcast.htmlYouTube https://www.youtube.com/@theindependentartistpodcastMailing List  http://eepurl.com/hwQn7bEmail independentartistpodcast@gmail.comPLEASE RATE US AND REVIEW US.......... and SUBSCRIBE to the pod on your favorite streaming app.SUPPORT THE SHOWVENMO/ username @independentartistpodcast or through PAYPAL.ME by clicking on this link https://paypal.me/independentartistpod?locale.x=en_USSponsorsThe National Association of Independent Artists (NAIA). http://www.naiaartists.org/membership-account/membership-levels/ZAPPlication https://www.zapplication.orgMusic  "Walking" by Oliver LearBusiness inquiries at theoliverlear@gmail.comSupport the show

Hey Hey Hey Friends, Foes, Formaldehyde it's us. We are slow. At making this podcast but aren't we cute when we just post it on up outta nowhere? Skippers you should move along to about 25 mins in so you don't get irrationally angry about how long we take to get to the good stuff. And good it is my people. Neysa kicks us off with some short and sweet details about one sick bruh, Johannes Vermeer a guy from Delft, Netherlands who painted his home town a grand total of 36 times. You know Delft? The hottest place around. After this Jocelyn gets into the controversial contemporary glass artist Dale Chihuly. You like chandeliers? Because ho boy do we got some chandeliers for you. Tune in to hear us discuss these home boys and as always head to our insta for some reference pics from the episode. Live, Laugh, Lobotomy. ~ Jocelyn & Neysa --- Support this podcast: https://podcasters.spotify.com/pod/show/iminoredinarthistorypod/support

Join my online school for eBay sellers here. Use coupon code 2022FREETRIAL$ for a limited free trial.Email your comments, feedback, and constructive criticism to me at Suzanne@SuzanneAWells.comGet your BOLO Books in my eBay Store here. Book a consulting session here.Join my private Facebook group here.Find me on YouTube here.Visit my website here.Happy Selling!Support the show

When "Bond King" Bill Gross bought his girlfriend a $1 million sculpture by the famed glass artist Dale Chihuly to display in the backyard of their Laguna Beach home, he had no idea that it would set off a bitter, years-long feud with his neighbors over their view of the Pacific Ocean. This is a story of what happens when the ultra-wealthy go to war... with each other.Too Much Money is hosted and produced by Jo Piazza and Doree Shafrir. Music by Lisa Brenner. Email us at toomuchmoneypodcast@gmail.com. Hosted on Acast. See acast.com/privacy for more information.

From his studio in Dania Beach, Florida, Rob Stern creates his signature Windstar sculptures, dedicated to his father, a consummate stargazer fascinated by cosmic phenomena. Stern was also inspired by his surname, which means star in German. The artist often names his stars to reveal their celestial spheres. Copernica is derived from Copernicus, visible in the evening sky over Miami Beach. Polaris, known as the North Star, is the brightest in the constellation of Ursa Minor. Antares is the 15th brightest star in the night sky and is part of the constellation Scorpius. Other Windstar titles conjure colors and experiences, such as Red Dawn, which takes its name from a glowing red center or Modra, the Czech word for blue. Stern's Windstars are a testament to his deep understanding of glass and belief that the material takes him where it wants to go during the making process. Another iconic body of work, Stern's Stilettos, was inspired by his wife's vast collection of designer shoes that includes Manolo Blahnik, Jimmy Choo, and Alexander McQueen. However, these glass slippers are even more extreme with wild bejeweled designs that could make even Lady Gaga swoon.  Stern states: “My creative endeavors and sculptures are mere stepping stones towards my search for understanding life. Harmonic instances between what I sense and do are the signals that guide me through my processes and prompt daily decisions. My works act as a communicative device which seeks to connect my thoughts and my actions to the collective human consciousness. A path seeking insight and enlightenment carries me forwards and always seems to bring me back to the glass.” His mother an art teacher and father a filmmaker, Stern attended Northside High School for Performing Arts in Atlanta, Georgia, where he was part of an elite group that performed internationally. He later pursued visual arts, receiving a BFA from San Francisco State University (1989) and an MFA from the University of Miami (2003). Other glass training includes a five-year apprenticeship with John Lewis Glass, Oakland, California, where he trained to be a metal fabricator and expert glass caster/cold-worker. Stern went on to assist Czech master Petr Novotny and worked in the Czech glass factories as a designer/maker for two years. The artist also assisted or collaborated with many masters such as Dale Chihuly, William Morris, Martin Blank, Richard Royal, Richard Jolley, Dante Marioni, Therman Statom, Stanislav Libensky, Rene Roubicek, and Vladimir Klien, among many others. Lecturing at the University of Miami for 10 years, Stern also acted as interim professor at University of Texas Arlington in 2009. He has frequented the premier glass institutions, most notably Pilchuck Glass School, Stanwood, Washington, for a 30-year consecutive run where he has taught, been a gaffer, TA, AA, and worked with the most notable international artists. Dedicated to education, the artist has also taught at the Corning Museum of Glass, New York; the Penland School of Craft, North Carolina; The Glass Furnace, Istanbul, Turkey; Bildwerk Frauenau, Germany; and Ways of Glass, Czech Republic. Stern designed and created many centerpiece collections for various institutions including Pilchuck in 2011, and he received the Amazon award for his Pilchuck auction piece in 2021. This year he has a prominent piece in Pilchuck's October Auction. Currently involved in long-term residencies at YZ Center for the Arts, China, and Bezaiten Arts Center in Lake Worth, Florida, Stern will serve as the future director of glass at The Dania Art Park, now in development. Meanwhile he and his team design and create original sculpture, architectural commissions, and unique lighting that has been commissioned, exhibited, and collected internationally. Recently, the artist participated in Habatat Gallery's Glass 51 exhibition, and several of his works were acquired by Imagine Museum in St. Petersburg, Florida. Eighty of his pieces have become part of the permanent collection of the Weiner Museum of Decorative Arts (WMODA), Dania Beach, Florida. Says Stern: “My aesthetic resides at the crossroads where humans and nature intersect. Between organic and angular, a space connects the temporary man-made to the pre-existing and eternal cosmos. Here, we begin to measure our perspective and contemplate the perception of our place in the world as it is one that is always changing with the evolution of space, light, and time. I venture to capture moments with materials that speak to a fleeting sensibility of the permanence or importance of this balancing act. Color and form dictate emotion, and humanity is transcended as we reflect in the inherent rhythm and fractal patterning in this natural world. My constant observation of details persuades my attention to nuances in an attempt to mimic the complexity of its simplicity.”  Stern's work will be exhibited at Kittrell Riffkind in Dallas, Texas, in April 2024.  

Artist Sarah Verardo has an eye for detail and design. Originally from a small Rhode Island beach town, Sarah grew up in a home filled with art, and socialized regularly with artists from the Rhode Island School of Design in Providence. Her father, who briefly owned an art gallery, once brought five-year-old Sarah to Dale Chihuly's studio to watch him make art from blown glass. While a government major at Georgetown University in Washington, D.C., Sarah took her first painting class right before graduating. She applied her strong visual sense to marketing in fashion and home design, working for storied European fashion houses like Gucci from her New York City base. After 14 years, Sarah returned to Providence, where she picked up her paintbrush again. Her connection to the New England coast is clearly felt in the intricate details of her subject matter, which include seashells, flower petals and beach stones. Join our conversation with Sarah Verardo today on Radio Maine.

This morning, quoting a line from the great novel, "The Winners" by Frederik Backman, we attempt to capture the essence of Jerusalem through the art of Dale Chihuly, in his installation at Migdal David (David's Tower) in the Old City of Jerusalem in 2000. And we attempt to put this into words, using several stories by Sarah Tuttle-Singer, ending with a story of Marci and me, and Sarah, and Dale, trying to hold up the mysterious and contradictory essence of Jerusalem. Michael Whitman is the senior rabbi of ADATH Congregation in Hampstead, Quebec, and an adjunct professor at McGill University Faculty of Law. ADATH is a modern orthodox synagogue community in suburban Montreal, providing Judaism for the next generation. We take great pleasure in welcoming everyone with a warm smile, while sharing inspiration through prayer, study, and friendship. Rabbi Whitman shares his thoughts and inspirations through online lectures and shiurim, which are available on: YouTube: tinyurl.com/adathyoutube Instagram: www.instagram.com/adathmichael/ Podcast - Mining the Riches of the Parsha: Apple Podcasts - tinyurl.com/miningtheriches1 Spotify: tinyurl.com/miningtheriches3 Stitcher: tinyurl.com/miningtheriches4 Please contact Rabbi Whitman (rabbi@adath.ca) with any questions for feedback, or to receive a daily email, "Study with Rabbi Whitman Today," with current and past insights for that day, video, and audio, all in one short email sent directly to your inbox.

As a collaborative team, Dean Bensen and Demetra Theofanous create narrative pate de verre wall sculptures utilizing nature as a vehicle to communicate environmental challenges and metaphors for the human experience. Their work connects the viewer with the natural world and instills an appreciation for its interconnectedness to humanity and its inherent fragility.    Says Bensen and Theofanous: “Our decaying leaf installations reflect on our impermanence and vulnerability. What we do has impact – often unforeseen and unmeasured. A pile of leaves hit by a gust of wind is a metaphor for this uncertainty in our future. It expresses that pivotal moment of change, when things we took for granted are suddenly gone. Existing peacefully with others and protecting our natural resources is a tenuous balance, highlighting our interdependence on others and the earth.” Bensen and Theofanous work both independently and as a collaborative team. Their work has been exhibited nationally and internationally and is represented in numerous private and public collections. Recent exhibitions include participating 2018 at the Ming Shangde Glass Museum in China, where they received an award from the Chinese government. Another large-scale leaf installation was on view 2022-‘23 in an exhibition at the Wadsworth Atheneum Museum in Hartford, Connecticut, curated by Brandy Culp. Attending The College of Idaho, Bensen graduated with a BA in art in 1990. His fascination in glass started a hunger for what he had been missing since his youth, an immersion into the exploration and development of his creative side. Upon receiving his degree, he moved to Ketchum/Sun Valley, Idaho, where he continued working in glass at a local studio. In 1997, the artist returned to California to pursue glassblowing as a full-time career. Immersing himself in the Bay Area glass scene, Bensen began working for many local artists and teaching at places such as San Jose State University, Palo Alto High School, Corning Glass School, Bay Area Glass Institute (BAGI), and Public Glass.  In 2002, Bensen developed a body of work that would become the foundation for his ideas based on the existence of the old growth redwood forest. Using both clear glass and color, he focused initially on environmental concerns. As his concepts evolved, Bensen's work grew further, investigating the life cycles in nature, their significance, and the interplay between the earth and various species. Each slice of murrine served to highlight one of nature's footprints, marking the passage of time and a glimpse of history, the rings of life in a felled tree. Bensen has taught extensively, received a scholarship to attend Pilchuck glass school, and his first solo show, Nature's Footprints, received a full-page review in the San Francisco Chronicle. His work has been widely exhibited, including at the Imagine Museum, San Francisco Airport Museum, San Luis Obispo Museum of Art, the Oakland Airport Museum, and the Ming Shangde Glass Museum in China. He has also worked on a team creating several projects for renowned artist Dale Chihuly, including an enormous chandelier in Dubai.  Theofanous was immersed in the arts from a very young age, but this thirst for expression was temporarily diverted when she received her business degree from the Haas School of Business at UC Berkeley. She graduated and spent time working in San Francisco only to realize there was something missing in her work, and she needed to find a way to return to her creative roots. In 2004, Theofanous entered the medium of glass through flameworking and developed a method for weaving with glass that provides a continuing basis for narratives and investigation in her work. She also utilizes the ancient technique of pate de verre, which offers a detailed and painterly approach to casting that is well suited to creating hyper-realistic sculpture inspired by the natural world. Some of her sculptures now combine this cast glass technique with flameworked sculpture.  Theofanous has been internationally recognized for her woven glass nest and flora sculptures, and is included in numerous private collections, as well as in the permanent collection of the Racine Art Museum. Notable awards include: a Juror's Choice Award from renowned collector Dorothy Saxe, a merit award from Paul Stankard, a NICHE Award, a Juror's Choice Award at the San Luis Obispo Museum of Art, the Leigh Weimers Emerging Artist Grant, two juror awards from Carol Sauvion, Executive Producer of Craft in America, and an Award of Excellence juried by the Detroit Institute of the Arts in Habatat Gallery's 50th International Exhibiton . She has exhibited internationally, including at the Triennial of the Silicate Arts in Hungary, San Francisco Museum of Craft + Design, National Liberty Museum, Alexandria Museum of Art, and twice in the Crocker Art Museum's prestigious Crocker-Kingsley Biennial. As an educator she has taught at top institutions such as Pratt Fine Arts Center and Pittsburgh Glass Center. She serves as Board President of the Glass Alliance of Northern California, was as a Board Member of the Glass Art Society, and is the President of the Art Alliance for Contemporary Glass. Theofanous and Bensen met in 2004, and their friendship soon evolved into a partnership, both in and outside of the studio. In 2017, during an artist residency at the Marin Museum of Contemporary Art, they began to merge their sculptural works culminating with an exhibition of woven glass wall tapestries titled Intertwined. Their collaborative work is now represented by some of the country's finest galleries, has been exhibited at numerous museums, and is in the permanent collection of the Imagine Museum and the Jordan Schnitzer Family Foundation. Says Theofanous: “Technique merges with narratives in our work, to express metaphorical bridges between nature and human beings. Inspired by the storytelling tradition of woven tapestry and basketry, I see myself as weaving with glass to connect the viewer with the story of the natural world. Through the delicate leaves in each piece, I seek to depict the cycle of life: growth, discovery, change and renewal. I use the fluidity and fragility of glass to express the beauty and vulnerability inherent in the human experience.”  Theofanous and Bensen will have a solo exhibition at Trifecta Gallery in Lexington, Kentucky, in fall of 2023.  

With her unique sculptural works, Ann Wolff holds a distinguished place as one of the world's leading artists working with glass. She applies her strongly personal approach to bronze, aluminum and concrete sculpture, as well as to drawing, pastel work and photography. From April through October 2022, Prince Eugen's Waldemarsudde, one of Sweden's most popular art museums, presented a solo exhibition of Wolff's work in several techniques and media from the year 2000 until the present day. VOGUE Scandinavia nominated the show as one of the 10 best fall exhibitions in Scandinavia. It was also the largest showing of her work presented in Sweden. Wolff states: “I have seen my works in painting, stone, bronze, concrete, and glass as equal in status. Sometimes I feel that my strongest works might be in paper, charcoal and pastels.”  She continues: “I feel as a human being out of time. The notion of self and hence identity, grips me, disturbs me and motivates me. Everything comes from that. My interest in the self includes the others. It is clear that in the way that one carries out one's work, something like a self expresses itself. And this self is guided by constantly developing insights. The insights can be very unclear but can still be the inspiration behind a work. I am testing out old questions of identity; be it inside-outside, symmetry, layers and core, number two and the double, the goat and the monkey. Moments of recognition are what my work needs, they propel me forward. Collected moments of clarity become knowledge.” Born in Germany in 1937, Wolff studied at the Hochschule für Gestaltung (University of Design and Art) in Ulm, Germany, then worked as a designer in Sweden. For many years, she designed for the Kosta Boda glassworks, during which time she also pursued an independent career as a studio artist. Currently living and working on the Baltic island of Gotland, Sweden, she is the recipient of several internationally prestigious distinctions including the Lifetime Achievement Award from Glass Art Society and the PRO EUROPA Foundation's European Culture Prize. She has been honored with numerous international awards, among them the renowned Coburger Glaspreis (1977), the Bayerischen Staatspreis (1988), the Jurypreis of the Toledo Museum of Art (2005), and the Award of Excellence of the Smithsonian Renwick Collection, Washington, DC (2008). The Swedish Royal family has acquired several of her works. As one of the founders of the international Studio Glass movement, Wolff was at the center of attention as early as end of the 1960s. Her initiation into the American Studio Glass movement came at the invitation of Marvin Liposfsky and Dale Chihuly. Early days at Pilchuck sharing ideas and techniques revealed to her a new reality – one in which she was respected as an artist not a designer.  Wolff States: “The Studio Glass movement from the United States burst in on my work – my isolation – in the mid 1960s. I was astonished and thrilled by the freedom with which glass was handled there. An immense curiosity about the unused potential and the broad possibilities of the new material for art: glass. It has to fit into the framework of art in general, though. For me, art is the deciding factor. The path I took shows that I intensely wanted to express my life in pictures, clarify things for myself. Of course, I could have started in a quite different medium – painting, sculpture, film – but it became glass.” In her 50-year career, Wolff repeatedly created works that made people think. With glass, she allowed the world to glance at her esthetic sentimentality, and she also created homogenous objects. Ever recurring themes predominant in her work are womanhood and habitation expressed through objects that are mostly monochrome, often in warm earthy tones. Dance-theater was a strong inspiration, and she was allowed to attend rehearsals with Pina Bausch, made views from what she saw there and then formed glass objects. Wolff brings out the special characteristics of glass: contours, surfaces, the relation between inside and outside. She makes inner landscapes visible. What lies behind the mask? The artist has asked herself this question again and again over the years. The psychology behind the facade is a regular theme of her works. Investigating further the subject of Wolff's blown and engraved bowls and cast sculptures, one finds that the relationships between women as friends, and as mothers and daughters, and the role of women in society deeply concern her. She writes: “It is natural to take oneself as one's starting point. The situation of women partly determines who I am and leads me to pose particular questions.”  

Leah is the owner and head glass blower at Big Eddy Glass Works. She has been working with glass for over 18 years and in 2018 she opened her own studio in Revelstoke, B.C., Canada. She fell in love with the art of glass blowing her very first time trying it out and absolutely knew it was what she was going to do for the rest of her life. She interned at the Seattle Glass Blowing Studio where she had the opportunity to study with renowned glass blower, Dale Chihuly. Ali & Callie were fortunate enough to catch up with Leah after a very busy weekend of LUNA Fest in Revelstoke, as Leah was not only involved in setting up an elaborate temporary exhibit, but also involved with a permanent installation in one of the "alleries" - art galleries in the alleys. You can hear about the challenges of working with glass, especially when collaborating with a metal artist! Find out more about the Big Eddy Glass Works at bigeddyglassworks.ca. And check out the Ali & Callie Facebook page for photos and a fun video of Leah at work.

Richard Royal, a native of the Northwest, has become recognized internationally as one of the most skilled and talented glassblowers in the Studio Glass movement. Bodies of work such as his early Diamond Cut series to the more recent Geometrics are the hallmarks of his successful career in glass. The artist began working as a glass sculptor in 1978 at the Pilchuck Glass School, located north of Seattle. After spending a number of years as a ceramist, the birth of a new artistic movement appealed to the young artist.  Working his way through the ranks, Royal became one of Dale Chihuly's main gaffers. This relationship lasted for a number of years and consequently led to Royal's emergence in the art market in the 1980s. He has since been an independent artist exhibiting work internationally in both solo and group exhibitions. Wrote gallerist, Ken Saunders: “When Royal joined the staff of Pilchuck it was ostensibly as a maintenance man. In those early days a guy hired to clean up and a guy hired to drive a truck – Royal and William Morris respectively – might easily find themselves assisting the world's greatest glassblowers as they worked the hot glass, in demonstrations for students and for themselves after hours and after the summer sessions had ended for the season. Though Royal was introduced to glass as a student at the Central Washington University he pursued an interest in ceramics and in 1972, he and fellow student Ben Moore built a studio in their hometown of Olympia, Washington. There they created a line of production objects made from clay. The young men worked compulsively and energetically but typically found themselves in bohemian circumstances. Royal made his rent money building high-end wood furniture and endeavored to keep the studio viable while Moore enrolled in the under-graduate program at the California College of Arts. At CCA Moore met Marvin Lipofsky, who was running the glass program, though Moore did not participate in glass at that time and went on to earn his undergrad degree in ceramics. For graduation, Moore's parents gifted him with a session at Pilchuck Glass School in Stanwood, Washington. There, Moore met Chihuly who liked his energy and encouraged the young artist to help out during the summer programs at Pilchuck and later to attend RISD to earn an MFA in glass. As the small staff of the school expanded to accommodate the explosion of interest in the programming, Moore reached out to his buddy Royal, inviting him to join the staff in 1978. Royal jumped at the chance to get out of Olympia where maintaining the ceramics studio had become a lonely enterprise. ‘I'd heard about what was going on at Pilchuck but I was just thinking about having a job and getting fed regularly. I had no idea what was going to happen…it changed my life.' After spending the summer of 1978 at Pilchuck, working maintenance and, on many occasions, assisting in the hot-shop during classes and after hours, Royal was invited to stay for the fall to assist Chihuly with his work. Chihuly was assembling a large team that he felt would allow him to create ambitious, large- scale sculptures and installations… Once winter descended on the Pacific Northwest the team was forced to abandon Pilchuck for the season. Chihuly filled his calendar with Visiting Artist Residencies at colleges and universities around the country and took members of the team with him. Royal recalls the excitement: ‘We'd take over the art department and during our demonstrations the hot shop would be standing room only,' the team putting on what amounted to a performance with Chihuly playing the master of ceremonies breathlessly directing the action. ‘We would hit the campus like rock stars.' While Chihuly developed a very specific vision of a large studio employing extremely gifted crafts people to handle very specific tasks in an effort to harness the best each had to offer to the process, most artists working in glass in those days worked in very small teams, basically a handful of artist/friends who took turns leading the creation of their own works with the assistance of the others. ‘We all had our own ideas. In fact, when it was your turn you were expected to have your own ideas for your own work.' And led by the example set by Dale, ‘everybody was completely supportive of the others and willing to lend a hand if need be.' Dale set the tone, ‘really supporting whatever each of us wanted to create.'  Royal continued working with Chihuly for nearly 30 years until 2006,. He simultaneously worked at Benjamin Moore Inc. beginning in 1984.  Wrote Saunders: “Royal's first series of blown objects to find commercial and critical success, the Diamond Cut and Shelter Series, were begun at this time… The most important technical characteristic of this early work was the overlay of color on the outside of the bubble – a strategy that turns the usual process of picking up color first on its head. Royal describes the process: ‘In the Diamond Cut Series I overlaid four or five different colors on the outside of a bubble, brought the blank down to room temperature and used a diamond band saw to cut through those layers…I wanted to create an object that would allow you to look at the outside and inside simultaneously…This was a personal metaphor for exploration, looking inside.” The Shelter Series extended this metaphor reflecting profound changes he was going through emotionally, financially and professionally.  In 1989 his engagement and subsequent marriage to Jana led to Royal's Relationship Series. The form consists of a top and a bottom of equal size that meet and entwine around a smaller vessel at the center of the sculpture. ‘The Relationship pieces…show two equal entities coming together around a single idea.' Central to these works was the artist's sense of scale. Royal committed early on to working in the largest scale that was technically feasible. Those early bodies of work especially reflect the profound influence Moore and Chihuly had on the artist's work. Moore's tight technical approach was itself influenced by Italian Design. Moore blew on-center and his work is often characterized by a restrained use of color. Chihuly, on the other hand, had an organic sensibility but his approach to the creative impulse was as much informed by Warhol as by nature. His pieces were gestural, gaudy and loud in color and in form. Royal thinks that his work has benefited from the influence of these two opposites. In Royal's latest body of work, the Geos, the artist has sought to capture the qualities of kiln cast glass in his blown glass constructions. He has emphasized simple and subtle coloration and given the individual pieces a sculptural presence by referencing organic forms as opposed to utilitarian objects. The artist is also reinventing his Diamond Cut series, creating fresh new objects (such as those seen at the top of this page). Royal's work can be found in such noteworthy museum collections as The Mint Museum of Art + Design, The High Museum, the New Orleans Museum of Art, The Tampa Museum of Art, and the Daiichi Museum (Japan). His artwork is also included in the SAFECO Collection, PricewaterhouseCoopers, IBM, and the Westinghouse Corporation. One of the first Artists-in-Residence at the Waterford Crystal Factory, Royal continues to teach as both a guest artist and faculty member at various universities and the Pilchuck Glass School. A past grant recipient from the National Endowment for the Arts, he has served as a visiting artist at the Corning Museum of Glass, the Haystack Mountain School of Crafts, Ohio State University and the University of Hawaii at Manoa.  

Sunday on PBS News Weekend, we explore Juneteenth's evolution into a national holiday and meaningful ways to celebrate its significance. Then, blown-glass artist Dale Chihuly's latest exhibit takes inspiration from the Arizona desert's landscape. Plus, NPR's Scott Simon reflects on the joys and challenges of being a dad. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

In the desert of Arizona, you can visit one of famed architect Frank Lloyd Wright's homes. But for the past few months, the site has also been home to an installation by glass artist, Dale Chihuly. Special correspondent Mike Cerre looks at how the work of these two artists came together among the rugged landscape. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

In the desert of Arizona, you can visit one of famed architect Frank Lloyd Wright's homes. But for the past few months, the site has also been home to an installation by glass artist, Dale Chihuly. Special correspondent Mike Cerre looks at how the work of these two artists came together among the rugged landscape. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

We have special episode this week, the continuation of our Kosnos Campaign. Join best friends Nebun and Dagnal as they take the initiation test at the fabled Ironheart Institute. Check out episode 24 for the their first adventure. For more information, please check out our website. Email: acoupleofcharacterspod at gmail dot com. Twitter, Instagram, Patreon: ACoCPodcast. Bookshop dot org storefront and gift cards. Use code CHOOSEINDIE on Libro.fm to receive a free audiobook when you purchase a subscription. Episode notes: Transcript. Freezing Ray Spell homebrew. Dyslexia friendly versions: Transcript. Freezing Ray Spell homebrew. Mentioned episodes: Kosnos 1. Animated Battle Robe. Dale Chihuly. Sara, creator of the combat wheelchair: Twitter. Patreon. Cover art: Copyright Chandra Reyer 2019.

On this episode of Big Blend Radio, travel writer Debbie Stone talks about her adventures in Phoenix and Scottsdale, Arizona including Taliesin West, Musical Instrument Museum, and Wrigley Mansion & Geordie's. Read her stories on these Arizona Attractions: * TALIESIN WEST: https://blendradioandtv.com/listing/experience-a-visual-conversation-between-wright-and-chihuly-at-taliesin-west/ * MUSICAL INSTRUMENT MUSEUM: https://blendradioandtv.com/listing/explore-the-world-of-music-at-mim/ * WRIGLEY MANSION: https://blendradioandtv.com/listing/tour-historic-wrigley-mansion-then-dine-in-style/ Debbie Stone appears on Big Blend Radio every 4th Tuesday. 

Jenn talks to Leslie Chihuly and McLean Hospital's Eriana Kirwin about the relationship between mental health and the arts. Leslie and Eriana highlight ways that creativity can benefit our mental state, share how to express ourselves in an emotionally helpful way, provide first-hand experience as to how art has been beneficial both for themselves and their loved ones, and answer questions on how we can all do our part to reduce the stigma associated with mental illness.Leslie Jackson Chihuly is an American arts executive and philanthropist with a focus on democratizing access to the arts and ensuring ongoing viability for artists and arts organizations. She is the president and chief executive officer of Chihuly Studio and Chihuly Workshop, both of which support the artistic vision of her husband and partner, Dale Chihuly. In 2018, Leslie was inducted into the College of Fine Arts Hall of Fame at the University of Nevada, Las Vegas, in recognition of her extraordinary achievements in the arts.Eriana Kirwin, OTD, is an occupational therapist at McLean's Pathways Academy. Pathways Academy is a year-round, therapeutic day school developed to meet the social, sensory, psychological, and educational needs of children and adolescents ages 6 through 22 with autism spectrum disorders.RELEVANT CONTENT:– More about the episode: mclean.link/vaa– Read the episode transcript: mclean.link/gt0- - -The McLean Hospital podcast Mindful Things is intended to provide general information and to help listeners learn about mental health, educational opportunities, and research initiatives. This podcast is not an attempt to practice medicine or to provide specific medical advice.© 2022 McLean Hospital. All Rights Reserved.

Martin Blank's early figurative work swiftly solidified his place as a premier figurative sculptor working in glass. The artist expanded his contributions to the contemporary glass scene in 2001 when he introduced his sensual and fluid abstract landscapes. An innovator with an intense drive to create and to push his material, Blank's influences include glass masters Pino Signoretto and William Morris and artforms as diverse as origami and opera. Blank states: “My work explores what I call visual mirroring. It deals with abstract forms and their spatial relationships. Mirroring is the way two juxtaposed objects relate to one another. There is a dialogue that is created between these forms. A tenuous and tactile presence is created. It is the resonating voice. Each shape relates to its adjacent partner. In this intimate stage, each element has the ability to affect and echo the other. There is a moment when these objects reach their peak visual potency. This is the essence of what is revealed while I create.” Blank emerged as one of North America's premiere figurative sculptors with a style quintessentially his own, admiring the grace and flow of the human form since childhood. In 1984, the artist earned his BFA from Rhode Island School of Design. That same year, he moved west to begin his professional career in Seattle, working at the center for studio glass and learning from the driving force behind it – Dale Chihuly. Blank brought his infectious enthusiasm and courageous desire to push the material to Chihuly's team, all the while establishing his own contributions to the glass movement. From his Lotus series to Deconstructed Blue and Adorn series, Blank's sculpture can be found in international locations including the Millennium Museum in Beijing, China, the Shanghai Museum of Fine Art, Shanghai, China, and the American Embassy in Slovakia. The artist was among a group of America's most renowned glass artists invited to make presentations to create public art for the World Trade Center park in New York City. His work is included in private collections and museums around the world to include the Corning Museum of Glass, Corning, New York; the Museum of Fine Arts, Boston; the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, Stanford, California; and the Cleveland Museum of Fine Art.  In 2001, Blank created the Bill and Melinda Gates Foundation “Access to Learning” Award for recipients in Finland, Argentina and Guatemala. His own honors include: the Award of Excellence for the International Glass Invitational, Habatat Gallery, Royal Oak, Michigan, 2006, 2010, 2013 and 2016; Artists Grants, Pilchuck Glass School, Stanwood, Washington, 1986 and 1990; and artist residencies at Museum of Glass, Tacoma, Washington, 2003, 2007. His public abstract landscapes include: Current at Museum of Glass, Tacoma, Washington; Repose in Amber at the Fort Wayne Museum of Art, Indiana; Fluent Steps at the Museum of Glass in Tacoma, Washington; and Steam Portrait at 99 Church Street, New York, New York. These public sculptures reveal nature's inherent structure and celebrate the complementary relationship of natural and figurative objects in space.  Blank recently completed a new installation at Imagine Museum, St. Petersburg, Florida, titled If a River Could Tell a Story, an installation and ecosystem of light, reflection, form and motion, on view through 2022. The artist was commissioned to collaborate on a work of art for Imagine Museum with founder, Trish Duggan. The fluidity of motion contained in the work invites one on the journey of the river of self-discovery. Every year, Imagine Museum selects its Artist of the Year, a contemporary artist whose art fosters the appreciation of the artistic and expressive nature of glass. For 2022, Blank was chosen, as he is one of the premier figurative sculptors across the globe whose work distinctively expresses motion, sensuality, and the powerful resonance of human landscapes. Since the 1990s, as an independent artist in Seattle, Blank has produced art and commissions for contemporary collectors, museums and gallery exhibitions. Whether it is a collection of flower blossoms, a monumental abstract installation, or a figurative sculpture, his hot sculpted glass is made with a combination of technical exactitude and creative exuberance. His working relationship with glass is an intimate one, as he wears heat protective clothing, gets very close, and employs his entire body while molding the molten material. Intuitive and deliberate, he is nonetheless open to enhancing his visual vocabulary with the happy accidents of glasswork. Blank states: “It always intrigues me when the forms reveal a negative space that is as vital and potent as the actual objects. Great sculpture is like music, all you have to do is feel it.”  

For Thomas McKeon, glass art has been his passion for almost 30 years.  When Tom first discovered glass, he worked exclusively in the stained glass world not only producing numerous pieces for sale through local art shows, but also teaching in the field when he was living in New Jersey. A full size reproduction of a Frank Lloyd Wright window for his own home sat at the very top of his bucket list for many years and, when completed, was considered the highlight of his works. But it left him still wanting more.After moving to North Carolina, he turned his attention to glass fusing and has set about studying and perfecting a variety of techniques, determined to learn as much as he could about all the intricacies of how glass behaves in a kiln.Tom's website:  www.encoreglassart.comFB: @EncoreGlassArtTom's artist recommendations:   Dale Chihuly (blown glass)   Frank Lloyd Wright (leaded / stained glass)   Tim Carey (Painterly Portrait fused and stained glass)    Support the show

Cappy Thompson is an internationally acclaimed Seattle artist known for her mythopoetic narratives on glass created via the grisaille painting technique. Early in her career, she was drawn to the images and symbols of the medieval period, inspired by the Christian tradition of Western Europe as well as the content of Hindu, Pagan, Judaic, Buddhist and Islamic painting. In more recent years, the artist has moved away from mythological narrative and toward compositions on vessels that draw upon images and themes from her personal life. Thus began an autobiographical exploration of world culture and spirituality that continues to the present. Thompson states: “For me, as a narrative painter, the issue has always been content.  The issue wasn't glass, the material that I chose some 45 years ago. Nor was it the painting technique—grisaille or gray-tonal painting—that I taught myself to use. My work—which spans several decades and a variety of scales from the intimate to the monumental—has always been driven by content.” Born in Alexandria, Virginia, in 1952, Thompson grew up in Seattle and attended the Evergreen State College in Olympia, Washington, where she received her BA in 1976 in painting and printmaking. Basically self-taught, her first professional exposure to glass came in 1975 when she worked for a small studio in Olympia. For several years she learned and worked in solitude until her reputation brought her to the attention of glass artists Charles Parriott, Therman Statom and Dale Chihuly. In 1984 Thompson moved back to Seattle, and her subsequent exposure to artists at Pilchuck Glass School, Stanwood, Washington, led her to painting on vessel forms. Thompson's work can be found in collections worldwide, including those of the Corning Museum of Glass, Tacoma Art Museum, Hokkaido Museum of Modern Art, the Chrysler Museum of Art, Museum of Art and Design, and the Microsoft Corporation.  Recent exhibitions include Indie Folk: New Art and Songs from the Pacific Northwest, held at The Jordan Schnitzer Museum of Art at Washington State University, Pullman, 2022; The Schneider Museum of Art, Ashland, Oregon, 2022; and Fluid Formations, Whatcom Museum, Bellingham, Washington, on view in 2021. Public commissions include large-scale installations at the Seattle-Tacoma International Airport, the Museum of Glass in Tacoma, Evergreen State College, and Montgomery Museum of Fine Arts. In 2019, Thompson designed, fabricated and installed eight painted glass windows for Salk Middle School, Spokane, Washington, a project commissioned by Washington State Arts Commission in partnership with Spokane School District.  A recipient of an NEA fellowship, the Libensky Award, and Pilchuck's John Hauberg Fellowship, Thompson has also been artist in residence at Pilchuck and at Toyama City Institute. She has served on the Bellevue Arts Museum Advisory Council, the Board of Directors of the Glass Art Society and Pilchuck Glass School's Artistic Program Advisory Committee and continues serving on the Board of Directors for Pottery Northwest. She has taught workshops around the world at Bildwerk, Frauenau, Germany; California College of Arts and Crafts, Oakland, California; Canberra School of Art, Canberra, Australia; Centro del Arte Vitro, Monterrey, Mexico; Chrysler Museum of Art, Norfolk, Virginia; International Glass Center, Dudley College, Stourbridge, England; National Sculpture Factory, Cork Ireland; National College of Arts and Design, Dublin, Ireland; Northlands Creative Glass Center, Lybster, Scotland; Penland School of Crafts, Penland, North Carolina; Pilchuck Glass School, Stanwood, Washington; and many more. Though each piece tells its own story, there is one general message Thompson tries to convey with her work: “I see now, after more than three decades of work, that I am like those medieval painters striving to express magnificence and beauty.  But my expression focuses on the human experience of goodness, of hope and of love.”  

One would be hard-pressed to think of any other artist working with glass whose work reflects as many varied and compelling styles as Dan Dailey's. From vessel forms to his Individuals to lamps, sconces and chandeliers, these beautiful, sometimes humorous pieces dazzle through a combination of colored glass and intricate metal work. No matter the format, Dailey's work expresses humanity, historical reference, and reverence for the natural world.  Dailey credits his successful career to his education in the arts. Born in Philadelphia in 1947, he attended Philadelphia College of Art, where he encountered glass through ceramic teacher, Roland Jahn, and discovered a mentor in William P. Daley, who taught basic design and color to his freshman class. Dailey, who completed graduate studies at Rhode Island School of Design (RISD) as Dale Chihuly's first graduate student, says: “Under Chihuly's influence, I focused totally on glass. That was a breakthrough for me. It was a lucky time for me to be there.'' Following graduate school, with the support of a Fulbright fellowship, Dailey moved to Italy and worked in Murano's famed Venini Factory during 1972 and 1973 as an independent artist/designer. He later worked with other established glass companies such as Critsallerie Daum in Nancy, France, and Steuben Glass Works, in Corning, New York. In 1973, Dailey returned to the US and established the glass program at the Massachusetts College of Art and Design in Boston, which he headed until 1985. Now Professor Emeritus, he transitioned into a new relationship with MassArt, creating a lecture series titled Materialism, in collaboration with Joe Rapone, a professor of design at the University of the Arts in Philadelphia. Dailey continues his role as independent designer at both Venini and Daum, and serves on the National Advisory Board for The University of the Arts.  Among his many awards, Dailey received a Fulbright Hayes Fellowship, Venice, Italy, 1972-1973 and a Fellowship at the MIT Center for Advanced Visual Studies, Cambridge, Massachusetts, 1975-1983. He was elected a Fellow of the American Craft Council in 1998, honored in 2000 with the Libensky Award, and in 2001 with the Masters of the Medium Award by the James Renwick Alliance. Shown in over 300 exhibitions, including a retrospective at the Renwick Gallery, his work is included in more than 50 museum and public collections internationally, and currently represented by Schantz Galleries, Stockbridge, Massachusetts; Hawk Galleries, Columbus, Ohio; Habatat Galleries, Royal Oak, Michigan; and Sandra Ainsley Gallery, Toronto, Canada.  Dailey's process for transforming glass into compelling and unexpected forms is almost as interesting on paper as it is in three dimensions. Drawings and watercolors are used to refine ideas, but also to direct his team, which can include glassblowers in Seattle; acid polishing in West Virginia; waterjet cutters in local machine shops; and cutting, grinding, metal working, and assembling assistants at his New Hampshire studio. Working from his titles forward, the artist keeps a list of thoughts and key phrases, illustrating words with the objects he makes.  He states: “I emphasized drawing as a teacher for many years, because it would help me to help somebody realize their own ideas. It doesn't have to be a beautiful drawing. It just needs to include information. However, in my own work, I make accurate drawings that really represent the piece.” Focusing part of his time on producing sculptural lighting and large installations for residences and public buildings, Dailey says being diversified has kept him continuously busy, though he notes, not everyone makes a connection between all of his work. “Someone interviewed me at an exhibition in Chicago and did not realize that I made all of the work on exhibit. She thought it was three different artists. It was the first time I considered that perhaps my work wasn't clearly all mine, even though to me it all looked like it belonged. If you look through my sketchbooks and see the black-and-white ink on paper drawings, you can see that as different as the finished work can be, it is all connected by my stylistic approach.” Emerging from the Studio Glass movement initiated by Harvey Littleton, Dailey's work goes beyond its historical glass roots to combine with metal in a variety of formats, all of which communicate a subjective, narrative message. A vast array of forms has always been required to express the multitudes of ideas generated by Dailey's mind, and style is the common thread that binds them.  

Welcome back to another episode of Artsville, where we celebrate American contemporary arts and crafts from Asheville, North Carolina, and beyond! In today's double-whammy episode, you'll hear from two special guests: Stephanie Moore, Director of the Center for Craft, and Jordan Ahlers, Director and Owner of Momentum Gallery, both of which are located on Broadway Street in Downtown Asheville. Tuning in, you'll learn about the vision and mission of both these institutions, including how they crossover, collaborate, and share knowledge to promote contemporary art and craft for the future of Asheville while also honoring its rich cultural history. We discuss what makes Asheville Artsville, the fundamental differences (and similarities) between art and craft, and how the art and craft community in Asheville is coalescing to create the Broadway Cultural Gateway, as well as how Jordan and Stephanie are using education to tell the stories of the next generation of artists and makers in Asheville and beyond. We also touch on the power of material-based traditions, how to buy art as a newbie, and so much more, so make sure to tune into this episode of the Artsville Podcast today! Key Points From This Episode: Why the Center for Craft and Momentum are considered ‘new kids' on Broadway Street. An introduction to Stephanie, the Center for Craft, and their mission. Get to know Jordan, Momentum Gallery, and their focus on material-based traditions. How he believes Asheville became Artsville thanks to its rich cultural history. The inherent reverence and respect for art and craft that Stephanie has found in Asheville. Stephanie and Jordan reflect on the difference (or lack thereof) between art and craft. The unique framework of partnership that exists among makers and creatives in Asheville. Learn about the Center's grant, fellowship, and craft research programs. Turning Broadway Street into an arts corridor known as the Broadway Cultural Gateway. Jordan's advice for navigating and exploring the rich art landscape in Asheville. Find out from Stephanie how the Center works with national art school programs. Jordan's words of wisdom for those new to buying art: start with something meaningful. Educating his clients and collectors about local artists who may be less well-known. Stephanie on how the Center is connected with Indigenous and Native craft traditions. Reconciling the sometimes uncomfortable history of craft through education. Some insight into the glasswork of Harvey Littleton and his relationship with Dale Chihuly. Stephanie highlights self-taught artists like the Bringle Sisters and Michael Sherrill. Learn about Stoney Lamar, the Windgate Foundation, and their contributions to craft. Links Mentioned in Today's Episode: Stephanie Moore on LinkedIn — https://www.linkedin.com/in/stephanie-moore-65b4256/ (https://www.linkedin.com/in/stephanie-moore-65b4256/) Center for Craft — https://www.centerforcraft.org/ (https://www.centerforcraft.org/) Jordan Ahlers on LinkedIn — https://www.linkedin.com/in/jordan-ahlers-b82a789/ (https://www.linkedin.com/in/jordan-ahlers-b82a789/) Momentum Gallery — https://momentumgallery.com/ (https://momentumgallery.com/) Lexington Glassworks — https://www.lexingtonglassworks.com/ (https://www.lexingtonglassworks.com/) East Fork — https://eastfork.com/ (https://eastfork.com/) Makers: A History of American Studio Craft — https://www.amazon.com/Makers-History-American-Studio-Craft/dp/0807834130 (https://www.amazon.com/Makers-History-American-Studio-Craft/dp/0807834130) Chihuly — https://www.chihuly.com/ (https://www.chihuly.com/) Cynthia Bringle — https://www.cynthiabringlepottery.com/ (https://www.cynthiabringlepottery.com/) Michael Sherrill — https://www.michaelsherrill.com/ (https://www.michaelsherrill.com/) Windgate Foundation — https://www.windgatefoundation.org/ (https://www.windgatefoundation.org/) Scott “Sourdough” Power — https://www.notarealartist.com/...

Dan Friday has lived in the Northwest his whole life, a shining product of the studio glass movement. Friday has cultivated his artistic vision with strong influence from his indigenous roots in the Pacific Northwest. Craft, form and idea drive Dan's work from conception to object. The past two decades working with artists such as Dale Chihuly and Paul Marioni have given Dan tools and inspiration to develop craft and produce his art. He feels fortunate to have experienced the rich diversity of Seattle for his skill development. Currently Dan's work is in collections around the world. Episode recorded at Blue Rain Gallery August 2021 Join us this year for Dan Friday exhibition during our Annual Celebration of Native American Art in August 2022. Dan will also have live glass blowing demos at Blue Rain Gallery the weekend of the show. Stay tuned for more info, or head to our website blueraingallery.com Available works by Dan Friday: https://blueraingallery.com/artists/dan-friday/view-all Blue Rain Gallery Podcast is hosted by gallery owner and art dealer, Leroy Garcia. It is produced by Leah Garcia with music by Mozart Gabriel Abeyta (https://mozartgabriel.com).

Welcome to the Instant Trivia podcast episode 338, where we ask the best trivia on the Internet. Round 1. Category: Personal Products 1: The Ace bandage got its name in a contest: the winning entry used it as an acronym for "All Cotton" this. Elastic. 2: This company introduced its baby powder in 1893, its baby oil in 1935 and its baby shampoo in 1954. Johnson and Johnson. 3: Though its logo originally said "Since 1850", this brand of casual wear was introduced by Levi's in 1986. Dockers. 4: This clothes line introduced by Garan Inc. in 1972 had kids matching hippos and other creatures to make outfits. Garanimals. 5: In 1989 this underwear maker put Michael Jordan under contract. Hanes. Round 2. Category: The Old College Try 1: Merton College was one of the first entities that become this famous British university. Oxford. 2: This Jesuit Washington, D.C. university is home to the Woodstock Theological Center. Georgetown. 3: Seen here is the sports team logo of this university, whose stars have included Sidney Moncrief and Lance Alworth. Arkansas (Razorbacks). 4: John Wayne attended this L.A. university in the 1920s and also played on its football team. USC. 5: Glass artist Dale Chihuly is a graduate of this design college abbreviated RISD. Rhode Island School of Design. Round 3. Category: A Billion Reasons 1: Since 1909 his head has appeared on billions and billions of pennies. Lincoln. 2: According to its website, this chain serves more than a billion "finger lickin' good" chicken dinners annually. Kentucky Fried Chicken. 3: Forbes magazine has estimated that this comic book boy is "worth" $24.7 billion. Richie Rich. 4: The only event the Time Almanac has listed under 4.5 billion B.C. is this "formed". Earth. 5: This eccentric billionaire formed an aircraft company in 1934 to design racers. Howard Hughes. Round 4. Category: Quakes 1: The Jan. 26, 2001 quake centered in this country was felt in Bangladesh, 1,200 miles across the Bay of Bengal. India. 2: In early 2001 L.A. got 14" of rain; this city got 5" of rain and a 6.8 jolt that trapped people in its Space Needle. Seattle. 3: In December 2000 this country felt several small quakes around Popocatepetl. Mexico. 4: A 1964 quake in this state caused tsunamis as far away as Siberia, and Hawaii and California. Alaska. 5: On Jan. 13, 2001 a 7.6 temblor rocked this tiny Central American nation; a 6.6 quake hit exactly one month later. El Salvador. Round 5. Category: Rough Alternate Literary Endings 1: Kitty and Levin's marriage is great, she thought. My guy stinks. With that, she pushed Hubby under the train. Whoomp!. Anna Karenina. 2: Farmer Arable dabbed the napkin at his mouth. Mmm! That Wilbur... "Some pig", indeed!. Charlotte's Web. 3: Jenny told me "Love means never having to say you're sorry". But now she was gone, and that nurse was giving me the eye.. Love Story. 4: Enraged, Lemuel tore the ropes from his body. His captors were "not six inches high"! His boot rose ominously.. Gulliver's Travels. 5: "Hey, it's Dantes! He must've escaped in Abbe Faria's burial shroud!" shouted Villefort. So they hanged him. Fin.. The Count of Monte Cristo. Thanks for listening! Come back tomorrow for more exciting trivia!

What's the difference between an artist and an artisan? You might say one makes things for expression and the other for use. But in reality, the line is blurry. It's a distinction without a difference for the people who are actually making things.  Art and craftsmanship have always been in conversation. Creating for expression was made possible by creating for necessity. Ancient Mesopotamians discover glassmaking. Syrians blow it into household goods. Eventually, you get Dale Chihuly.   But plenty of artists and artisans flow back and forth across whatever imaginary line human beings need to draw between categories.  If you visit artist Francis Pavy at his studio in Lafayette's Freetown neighborhood, and you could be forgiven for thinking it was a workshop. Best known as a painter, Francis has shown his work internationally but he's also a wonder with a C&C router, carving blocks to make his iconic paintings with motifs of Louisiana mythology, pop culture and 20th century design.  Francis grew up in Lafayette and began his career in glass making, moving into painting in the 1980s. Recently, he and his wife Cathi, a designer, launched an imprint for creating fabrics. Each textile features hand-designed patterns with orders filled on demand. Their line now includes eight different designs, meticulously crafted in a digital processing method Francis created to accommodate his style in fabric.  Since long before there was an Acadiana, this region has been blessed with a vibrant maker culture. The Atakapa-Ishak Tribe that populated Southwestern Louisiana and East Texas were known for their trading posts where travelers and craftsman could trade their goods.  That's the tradition Erica Fox and her partner Kimberly Abadie-Moore tapped into when they launched Attakapas Collective, a cooperative that serves as a retailer and platform for local artisans, especially indigenous people and women of color.  Erica and Kimberly saw opportunity in the time people have spent creating during the pandemic and put the collective together as an outlet. The shop opened in Downtown Lafayette in 2021, just around the corner from Pavy Studio actually, and now represents 34 artisans who produce local goods like tapestries, jewelry, metalworking and more.  Erica is a songwriter and a Lafayette native. She spent 14 years in L.A. as a commercial artist signed to No Limit Records before moving back to Lafayette. Pandemic conditions compelled us to record this episode of Out to Lunch Acadiana by Zoom. Next week we hope to be back at our regular lunch spot, Tula Tacos on Jefferson Street in Downtown Lafayette. You can find photos by Astor Morgan from this show at our website. And there's more recent lunch table conversation about Acadiana art (and karate!) here. See omnystudio.com/listener for privacy information.

Megan Marie Myers is a painter, illustrator, and native Oregonian. After attending art school in Seattle, Megan took a position in Seattle at Chihuly Studio where her job was to coordinate the logistics of creating and installing full-scale gallery exhibitions of Dale Chihuly's artwork, as well as private commissions of large-scale glass and steel art installations for public and private clients worldwide. This, she says, was instrumental in teaching her the all-encompassing business side of the art world. It was exhausting but so valuable to her future as an entrepreneur. In 2013, she relocated to Portland and began working at Trader Joe's as an artist and sign maker. Because of the flexibility and freedom of this job, Megan was finally able to create and sell more of her own work. She and her partner, Matt, moved to Bend in 2015 and this became a huge "I Could Never Do That" moment for her. Should she transfer and continue to work for Trader Joe's in Bend with flexibility and a steady income? Could she launch her own business in a town where she was unknown? Would this new town even be receptive to her work and unique style?  Well, as it turns out, the town of Bend was not only receptive to Megan, but they unofficially adopted her as the town's resident artist!   ​Her work is ubiquitous with Bend because it encapsulates why so many people love Central Oregon - inspiration from the outdoors and the connection we have to our natural surroundings and to each other.  It only makes sense because, in addition to painting outdoor scenes, Megan also embodies her work as a trail runner, hiker, and outdoor enthusiast. Earlier this year, she created the Creativity Shakeout run, which connects creatives of all types for an informal weekly walk or run. It's her unique way of connecting with others and giving back to a community that has given her so much.  Megan Myers is proof that if you keep showing up authentically, big magic will happen and, when you put so much joy into the world through your art, how could it not? Today we talk: The joy that her work brings to her fans/buyers The personal touches and "language" of her paintings and illustrations Her journey from Seattle to Portland to Bend How she broke into the Bend creative scene - spoiler alert: a lot of cold calls and knocking on doors Client work vs. Original Work - which does she prefer? What her work with Chihuly and Trader Joe's taught her about entrepreneurship and running a business The behind-the-scenes of running a business Her favorite music and how she creates a mood to work The parallels between ultra running and creating art How she trains for her ultras The genesis of the Creativity Shakeout Group Episode Resources: Megan Marie Myers Website Podcast Supporter: 8Greens.com - use promo code: ICNDT for 15% off first on-line purchase    

Glass isn't typically the first material that folks associate with Indigenous artwork. And yet, the medium lends itself well to unique cultural interpretations, combining fundamental elements of earth, air, and fire with generational artistry. Native artists have been drawn to glassblowing since the 1970s, utilizing it to reinterpret traditional forms and tell thoroughly modern stories. Host Charlotte Jusinski explores the hypnotic beauty on display at Clearly Indigenous: Native Visions Reimagined in Glass at the Museum of Indian Arts and Culture (MIAC), the first exhibition of its kind on view until June 2022. Joining Charlotte are her co-host for this episode Dr. Matthew Martinez, interim director of the museum, and Robert “Spooner” Marcus, one of the glassblowers featured in the exhibit. The two men share a bond that stretches back to their childhood on the reservation in Ohkay Owingeh, NM, an experience that informs their perspectives on art and colors this conversation.   This is perhaps one of the most aesthetically beautiful exhibitions ever to grace Santa Fe's cultural landscape. That's saying something given the city's renowned collection of museums. Visitors to Clearly Indigenous descend from MIAC's bright galleries into a dimly lit space, a journey that feels almost subterranean, forcing the senses to adjust to a new environment. This darkness emphasizes the molten glow emanating from within some of these intensely fragile pieces and recalls their beginnings in a blazing furnace. The effect casts a regal air over the entire exhibit. Juxtapose the majestic characteristics of glass with the personable, often irreverent nature of its artists. Spooner is warm and easygoing despite working with this daunting, often dangerous material. “Glass is a very fickle thing,” he says. “If you don't respond to what it's doing, then it's not going to cooperate.” That Zen-like approach to his craft was born when he answered a newspaper ad for a production line glassblower––no experience necessary. Spooner's earliest pieces were juice cups, fashioned assembly line style over and over again. But the utilitarian end product didn't diminish the allure of working with glass. “I walked into the shop, there's this big furnace that's blazing, and I basically did not turn back. I really knew from that moment that it was going to be in my life for a relatively long time.”  Twenty years later, Spooner's technique-driven work is on display at MIAC alongside 32 fellow Indigenous glass artists in an exhibition that includes pieces by Dale Chihuly, the artist credited with bringing the medium to Indian Country. Clearly Indigenous highlights an immense range of forms and the ways in which glass can reference the past while remaining wholly modern. Spooner agrees. He hopes the show inspires others to become better acquainted with the methods and magic of glass art. “It's that spark, that interest in creating that hopefully an exhibit like this [creates]. Somebody will see it and say, ‘Hey, you know, I want to try doing this!' or maybe buy a piece of glass or go take a lesson.” Clearly Indigenous: Native Visions Reimagined in Glass is at the Museum of Indian Arts and Culture through June 16, 2022. To learn more about Robert “Spooner'' Marcus, visit his website and follow him on Instagram. Connect with Dr. Matthew Martinez via LinkedIn. Explore glass blowing classes and experiences in Santa Fe at Prairie Dog Glass.    Visit http://newmexicoculture.org for info about our museums, historic sites, virtual tours and more. *** Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Charlotte Jusinski Technical Director: Edwin R. Ruiz at Mondo Machine Recording Engineer: Kabby at Kabby Sound Studios in Santa Fe Executive Producer:  Daniel Zillmann Theme Music: D'Santi Nava For more, visit NewMexicoCulture.org.

https://www.hammondartstudio.com/ Hammond, represented by Rehs Contemporary Galleries in Midtown Manhattan, grew up in the historic Hudson Valley of New York. His earliest influences included Jim Davis and Charles Schultz, as well as characters created by DC and Marvel Comics. His interest in art was further fueled by the strong museum and arts background of his parents. In the late 90's, Hammond studied the business and presentation side of the fine art world while working for Vanier Galleries, Scottsdale, AZ. In doing so, he was exposed to world-renowned artists such as Dale Chihuly, Francoise Gillot, Fritz Scholder and Paul Jenkins. He had his first solo exhibition in 2000 and earned his B.A. in Art from Arizona State University in 2006. While trained in representational art, Hammond began working from the subconscious, and in 2011 he shifted to an abstract expressionistic style. The initial outcome was his first abstract series, UNTITLED. In 2012 he moved to Cincinnati, OH. He then partnered with Artworks Cincinnati on multiple projects, and in 2014 he founded the Cincinnati Abstract Art Group. Hammond's work was selected for the Ohio Governor's Office and Residence Loan Program in 2016 and he has received three purchase awards through the Ohio Percent for Art program. He has had solo exhibitions in AZ, NY, OH and WI and is in public and private collections nationally.

In Ep. 01 I'm joined by Neile Cooper, glass artist, jewelry maker, teacher, author, glass installation guru and all around top of the game stained glass artist who's bio and accomplishments are so long it was hard to cover them all in 1 episode. Oh yeah and she's the creator of THAT CABIN. You know the one. It's all over your Pinterest and Instagram.  She's going to break down her strategy for pricing a large commission project, the process of writing a crafting book and why everyone needs a Rob. Join me as I crack it wide open!Watch us have our conversation and see the art, people and places we're speaking about on my youtube channel HERE.Honorable mentions and links from this episode:See more of Neile's incredible work and stay up to date on her projects. Her instagram is @neilecooper and her website  is glasscabinstudio.com.There's not yet a link to pre-order her book but will be soon and she'll be posting about it!Neile's dream team of glass artists helping with her Maker's Mark project:Lauren Barns - @PoplarbrookartsCarissa Kelly - @hottrashglassJodi Crean - @earlygirlglassAllysa Sobey - @sotoldcreativeNeile's favorite artists:Eyvand Earle - @Eyvindearlearteyvindearle.comTheodore Ellison - @theodoreellisondesignstheodoreellison.comLearn more about Dale Chihuly and his glass work:@chihulystudio Chihuly.comChihuly photos taken at the Maker's Mark campus are by Virginia Miller - check out her awesome blog:www.theperfectspotsf.com Maker's Mark family and campus photos are from the kind people at Maker's Mark. Check out more photos, get recipes and book a tour at MakersMark.com.British Society of Authors - https://www2.societyofauthors.org/Insurance & shipping  - The North American Collectables Association Inc.For episodic sponsorship opportunities please email hello@runaglassworks.Support the show (https://www.patreon.com/runaglassworks)

This episode spotlights Tracey Robertson, a nonprofit leader and community organizer who was tired of hearing her neighbors repeat stereotypes she knew were not true. She figured that to change the narrative, people needed to be able to see each other more clearly, as complex individuals each with a story to share. In this episode, we learn about a project called Color-Brave that evolved from conversations in a coffee shop to a traveling exhibit and book. You'll meet Mushe and Shawn, featured in Color-Brave, and the photographer and museum curator who made it possible.Voices in this episode:Tracey Robertson co-founded and directed Fit Oshkosh, Inc from 2014-2020. Fit Oshkosh, Inc. was a non-profit social justice organization with the mission to promote social transformation, race equity, and justice through Color-Brave conversations, education, advocacy, and research. Tracey specializes in anti-racist curriculum development and has delivered workshops to clients across the United States and Canada. Her 2017 TedX Oshkosh Talk, “Black Girls Aren't Magic,” received a standing ovation and has been viewed worldwide. She is currently a trainer with Quad Consulting DEI Consultants.Colleen Bies was born and raised in Wisconsin. Prior to her role as Regional Project Director for Wisconsin Women's Business Initiative Corporation (WWBIC), Colleen served in the Army National Guard, worked in finance, and created 2 businesses as an entrepreneur. Married for 14 years and a big believer in community, her work is dedicated to servicing her community and supporting her family. You can find Colleen's 2019 TEDxOshkosh talk on Why Children of Immigrants Work so Hard here and her photography here.Mushe Subulwa is the Director of SEPO Zambia, a non-profit dedicated to sustainability, education, and progress in western Zambia. Subulwa received the Daisy Frazier Social Justice Award in 2019 for his work with SEPO Zambia.Shawn Anthony Robinson, Ph.D. is a leading scholar on African American boys with dyslexia. Dr. Robinson has over 40 publications and is a public speaker, consultant, and educator. He is affiliated with Wisconsin's Equity & Inclusion Laboratory at the University of Wisconsin Madison, Madison Area Technical College, American University, and an active Board member with the International Dyslexia Association. His goal is to change the narrative around dyslexia. His website can be found here.Aaron Sherer has served as the Executive Director of the Paine Art Center and Gardens since 2002. Sherer leads a varied exhibitions program, including shows by artists such as Dale Chihuly, Normal Rockwell, and Ansel Adams, as well as lamps by Louis Comfort Tiffany and costumes from the television show Downton Abbey. Sherer also initiated the annual Nutcracker in the Castle holiday presentation, now preparing for its 15th year, and he has overseen more than $10 million of historic preservation and capital improvements to the historic estate. Sherer lives in Oshkosh with his husband and four sons.

Welcome to the Instant Trivia podcast episode 184, where we ask the best trivia on the Internet. Round 1. Category: Twelfth Night 1: Dealing with a beastly triple-header was this man's famous twelfth labor. Hercules. 2: The traditional present for your twelfth wedding anniversary is this fabric created by a type of moth larva. silk. 3: Seen here, she represented New York's 12th District in the House of Representatives from 1969-1983. Shirley Chisholm. 4: The Twelfth Amendment to the U.S. Constitution concerns a revamping of this "college". the Electoral College. 5: This twelfth U.S. president died in office, and his daughter married Jefferson Davis. Zachary Taylor. Round 2. Category: Trends 1: It's toymaker Bandai's "loveable egg", a virtual pet. Tamagotchi. 2: Billy Blanks is the man behind this fitness system that includes elements of tae kwon do. Tae Bo. 3: Chip the Cat, born January 26, 1996, is one of these Ty stuffed animals. Beanie Babies. 4: Who can resist watching this MTV show whose combatants have included The 3 Tenors vs. The 3 Stooges?. Celebrity Deathmatch. 5: Despite his brief screen time in "The Empire Strikes Back" and "Return of the Jedi", this bounty hunter has a cult following. Boba Fett. Round 3. Category: The Old College Try 1: Merton College was one of the first entities that become this famous British university. Oxford. 2: This Jesuit Washington, D.C. university is home to the Woodstock Theological Center. Georgetown. 3: Seen here is the sports team logo of this university, whose stars have included Sidney Moncrief and Lance Alworth. Arkansas (Razorbacks). 4: John Wayne attended this L.A. university in the 1920s and also played on its football team. USC. 5: Glass artist Dale Chihuly is a graduate of this design college abbreviated RISD. Rhode Island School of Design. Round 4. Category: "West" Side Story 1: In 1965 he was TIME Magazine's "Man of the Year". William Westmoreland. 2: I presume you know David Livingstone is buried there. Westminster Abbey. 3: The first Studebakers ran on batteries developed by this company. Westinghouse. 4: Celebrity known as "Grandma Freud". Dr. Ruth Westheimer. 5: Shelley called this "thou breath of Autumn's being". the West Wind. Round 5. Category: Oceania 1: When this nation gained independence in 1962, it had "Western" in its name. Samoa. 2: The high islands like Viti Levu in the Fiji group and Kao in the Tonga group were formed by these. Volcanoes. 3: When Gauguin arrived on this island in 1891, he was shocked at how modern it was. Tahiti. 4: In the Solomons, you can tour Olasana Island, where this future U.S. president was rescued in August 1943. JFK. 5: The largest city in Oceania outside Hawaii and New Zealand is Port Moresby in this nation. Papua New Guinea. Thanks for listening! Come back tomorrow for more exciting trivia!

Remembering Benjamin Moore: Heart of the Seattle Glassmaking Scene  Seattle glass art legend Benjamin Moore died on June 25, 2021. He was 69. His passing has been a shock to the glass community — both locally and beyond — evidenced by outpourings of sadness from such institutions as the American Craft Council, UrbanGlass, Tacoma Art Museum and Pilchuck Glass School, where Olympia-born Moore took a class in 1974 (a college graduation gift from his parents). A seminal figure in establishing Seattle as a contemporary glass center, Moore provided his studio and top-notch glassblowing team to make the work of the world's finest artists and designers. The groundbreaking art produced on King Street at Benjamin Moore, Inc. (BMI) contributed both to the glass arts and the art world at large. But the true gift of art making within this supportive community is the camaraderie and lifelong friendships born out of such a unique creative environment. This is the lifeblood of the Seattle glass experience. Said Moore, in our 2013 conversation: “The one thing I learned from Dale (Chihuly) that made a profound impact on me and has always been a part of my career is the joy of working with others. The camaraderie of our community here, working with one another and supporting each other, is huge. Dante Marioni and Preston Singletary both came to work for me out of high school, and when I look at their careers now, I'm the proudest guy in the world.” Moore served as Chihuly's primary gaffer from 1975 to 1982 and was the first educational coordinator at Pilchuck Glass School in Stanwood, Washington, beginning in 1977. Following graduate studies with Chihuly at the Rhode Island School of Design (RISD), Moore went to work at the Venini Glass Factory in Murano, Italy. In 1978 he brought the Italians to Pilchuck for the first time to demonstrate time-honored techniques rarely seen by US artists. For the Americans, this exposure resulted in a dramatic increase in the sophistication of works produced and further entrenched the value and process of working glass as a team. Though Moore dedicated much of his career to making Chihuly's work, their aesthetic approach to glass, form, and color could not be more different. In his own work, Moore reveals a Modernist sensibility reflected in pure geometric forms and simple colors. Translucent, a solo exhibition held at the Museum of Glass, Tacoma, Washington, from February 2012 though October 2013, presented a selection of his masterpieces that simultaneously evoke aspects of historical tradition and the refinement of a unique contemporary aesthetic. Inspired by Scandinavian ceramics of the 1950s, ‘60s and ‘70s, Moore's objects in glass possess a timelessness achieved by the artist's focus on color, shape, and proportion. By altering the way light interacts with the work through opacity, translucency, and transparency, he created different impressions for each series of his work. The fundamental concern and focus of his own work was to achieve simplicity, balance, and clarity of form. He said: “If you think of trying to blow something off hand on the round, historically almost everything had already been done. To come up with something fresh and totally new with those parameters was almost impossible.”  Almost. Moore's The Interior Fold Series (1975) incorporates the technique of folding the transparent glass onto itself. The ancient Romans used this technique as a utilitarian detail in the vessel form, giving the piece added thickness. “I use this folding technique as a design or aesthetic element. In this series, I combine this folding technique with a horizontal plane of glass, which is spun out from the fold. The spiral wrap on the horizontal plane emphasizes the circular form.”  Moore's Palla Series (1983) was developed and based on the simple spherical form “palla” – the Italian word for ball. In this series, the sphere functions as the foot of the form as well as the focal point. “I use contrasting opaque colors to draw attention to the contrasting geometric elements. These forms are created generally in pairs, accentuating the horizontal and vertical lines. However, the bowl does stand strongly on its own.” In the Exterior Fold Series (1978), Moore uses a similar technique to that of the Interior Fold Series. The difference being the exterior fold creates a hollow ring on the outside of the piece. This fold is used as the breaking point between the concave curve and the convex curve in the blown form. These pieces are generally displayed in groupings, and the translucent colors vary from subtle to bold. This podcast was created from an interview with Moore recorded in 2013 and retrieved from the ToYG archives. From Team Pilchuck Moore was a visionary artist, an inspiring mentor, and a once-in-a-lifetime friend. Many of you knew and loved him, and many more of you have been touched by the steadfast and collaborative leadership he brought to our community over the past 50 years. We are all deeply saddened by Benny's recent passing, and we know how eager you are to show your care and support for Benny's beloved wife Debora, their daughter Jasmyn, and the rest of their family. Friends of the Moores have set up a GoFundMe page to honor Benny's memory and assist Debora in this sad and difficult time. We want to share it with you now—if you are able, please consider contributing. Gifts of any amount are much appreciated as the family grieves and works to honor Benny's incredible legacy.  

World class glassblowing, a diverse farmers market and even a bit of kayaking: join Host Oneika Raymond on a road trip through the Pacific Northwest, exploring the local communities between Seattle and Portland. We'll hear stories from area insiders along the way as we stop in Tacoma, Washington; Olympia, Washington; and Estacada, Oregon. First, we'll head south from Seattle to Tacoma, Washington to visit the Museum of Glass. There, we'll speak with glass artist Benjamin Cobb who's been creating glass art for a live audience at the Museum of Glass for 19 years.Next, we're stopping in Olympia, Washington to visit the Olympia Farmers Market. We'll chat with some of the local vendors and their faithful shoppers about just what makes this farmers market special.Last, we'll head inland to Estacada, Oregon to meet Clackamas River Outfitters owner Luke Spencer. We'll get some kayaking tips and learn about how we can help the town recover from a recent wildfire.We'll end our journey in Portland, Oregon where we get familiar with the city by visiting one of the many waterfront festivals off the Willamette River. Finally, we head to the Portland Marriott Downtown Waterfront hotel restaurant, the Proof Reader, to taste local flavors from nearby farmers, cheesemongers and brewers.Thanks to our guests on this episode for sharing their stories along the route. You can view the collection at the Museum of Glass by visiting their website: https://www.museumofglass.org/our-permanent-collection.You can see some of the public works of legendary glass sculptor Dale Chihuly here: https://www.chihuly.com/work/installations.Check out the schedule and which vendors are available at the Olympia Farmers Market at https://www.olympiafarmersmarket.com/vendors.If you're curious about what the kind of waterfalls Luke Spencer tackles on the Clackamas River visit https://www.opb.org/news/article/kayaking-the-mount-everest-of-oregon-rivers/.For more about this route and to get other road trip ideas visit Marriott Bonvoy Traveler traveler.marriott.com/road-trips/. If you enjoyed this episode of About The Journey, please be sure to rate, review, and subscribe.

Dan Friday's Future Artifacts Creativity was fostered in Dan Friday by his family from an early age. Growing up immersed in the rich cultural heritage of the Lummi Nation meant that making things with his hands was a regular activity. Typically working with simple themes and forms, the artist often employs subtle silhouettes when making his glass totems. His more narrative work reflects a personal expression or means of processing a life event, often with an underlying statement. His latest works will be on view at the Museum of Northwest Art, La Conner, Washington, in Future Artifacts, on view July 3 – October 10, 2021. Friday says: “As the recipient of the Bill Holm Grant from the Burke Museum, with my sister I have been studying Coast Salish artifacts in their archives. It is a surreal experience to hold items of your oldest known family members, even see their handwriting on treasured belongings. With all of the information, images, and data I have already catalogued, I hope to make inspired pieces of glass: the Skexe (Coast Salish wooly Dog) Blanket Panels, and The Sxwo'le (Reef Net) projects, to mention a few. It will be my way to document not only my family's history, but the artwork of the Coast Salish people. Glass is a medium that will survive millennia, and a great way to tell a story to future generations. It is, metaphorically, a contemporary painting on the cave wall.”  He continues: “The preparation for this show at MoNA has already given me great satisfaction, not just the physical act of producing these works, but the connections I have made within the beautiful and resilient Coast Salish community.”   https://www.monamuseum.org/future-artifacts A lifelong resident of Washington State's Puget Sound region, Friday maintains an independent glass studio in Seattle. He has worked for Dale Chihuly at the Boathouse Studio since 2000 as a glass blower collaborating with other studio staff on Chilhuly glass designs. This experience helped Friday expand and perfect technical skills in glass working and increased his insight into the relationship and interaction between artist and the public. Working at Pilchuck Glass School since 2006 as a teacher, gaffer, and coordinator for the hot shop and wood and metals departments, Friday has fabricated and facilitated works for international artists. He has also assisted James Mongrain since 2009 on various glass blowing projects, domestically and abroad.  Working at Tacoma Glass Museum since 2004, Friday is part of a specialized team of glass sculptors, demonstrating a variety of methods to educate the public about the medium of glass. He has also collaborated and assisted prominent artists in the creation of major glass art commissions and installations, including James Drake, Nicolas Africano, Wendy Maruyama, and Charles Ledray, to name a few. As personal assistant for Paul Marioni, Friday cast and cold worked glass tiles for a large-scale installation.  Friday has taught at the University of Washington, Pilchuck Glass School, and the Haystack Craft Center. He has been awarded residencies at the Museum of Glass in Tacoma, the Burke Museum in Seattle, the Corning Museum in New York, and the Dream Community in Tai Pei, Taiwan. He is the recipient of the Bill Holm Grant, the People's choice award from the Bellevue Art Museum, and the Discovery Fellowship through the Southwestern Association for Indian Arts. Represented by Blue Rain Gallery (Santa Fe), Stonington Gallery (Seattle), Ainsley Gallery (Toronto), Habatat (West Palm, Florida), and Schantz (Stockbridge, Massachusetts), Friday's work in glass is contemporary in format while maintaining Native American qualities. Cultivating his artistic vision with strong influence from his indigenous roots in the Pacific Northwest, the artist allows craft, form and idea to drive his work from conception to object.   

Life Weekend Picks Ep 124: Chihuly's glass sculptures in bloom 10:04 mins Synopsis: Every Thursday, The Straits Times recommends lifestyle and food picks for the coming weekend in Singapore.  In this week's episode, senior culture correspondent Ong Sor Fern previews the much-anticipated Dale Chihuly showcase at Gardens by the Bay. She also details how the intricate works of art made it all the way to Singapore, from Seattle in the US. (0:17) Food correspondent Eunice Quek shares more on the JalanJalan.me website, which offers curated online guides in five Singapore neighbourhoods. (3:50) Looking for your next binge-worthy Korean drama? Journalist Jan Lee tells us why Sell Your Haunted House is a good option. (6.17) Produced by: ST Life desk & ST Video team Edited by: ST Video team and Aleemah Basirah  Subscribe to Life Weekend Picks Podcast for new episodes every Thursday and rate us on your favourite audio apps: Channel: https://str.sg/JWa2 Apple Podcasts: https://str.sg/JWa6 Spotify: https://str.sg/JWau Google Podcasts: https://str.sg/JuYZ Website: http://str.sg/stpodcasts Feedback to: podcast@sph.com.sg Discover The Straits Times Videos: https://str.sg/JPrc --- Discover more ST podcast series: Asian Insider Podcast: https://str.sg/JWa7 Green Pulse Podcast: https://str.sg/JWaf Health Check Podcast: https://str.sg/JWaN ST Sports Talk Podcast: https://str.sg/JWRE #PopVultures Podcast: https://str.sg/JWad Bookmark This! Podcast: https://str.sg/JWas Lunch With Sumiko Podcast: https://str.sg/J6hQ Discover BT Podcasts:  http://bt.sg/podcasts Follow our shows then, if you like short, practical podcasts! See omnystudio.com/listener for privacy information.

Life Weekend Picks Ep 124: Chihuly's glass sculptures in bloom 10:04 mins Synopsis: Every Thursday, The Straits Times recommends lifestyle and food picks for the coming weekend in Singapore.  In this week's episode, senior culture correspondent Ong Sor Fern previews the much-anticipated Dale Chihuly showcase at Gardens by the Bay. She also details how the intricate works of art made it all the way to Singapore, from Seattle in the US. (0:17) Food correspondent Eunice Quek shares more on the JalanJalan.me website, which offers curated online guides in five Singapore neighbourhoods. (3:50) Looking for your next binge-worthy Korean drama? Journalist Jan Lee tells us why Sell Your Haunted House is a good option. (6.17) Produced by: ST Life desk & ST Video team Edited by: ST Video team and Aleemah Basirah  Subscribe to Life Weekend Picks Podcast for new episodes every Thursday and rate us on your favourite audio apps: Channel: https://str.sg/JWa2 Apple Podcasts: https://str.sg/JWa6 Spotify: https://str.sg/JWau Google Podcasts: https://str.sg/JuYZ Website: http://str.sg/stpodcasts Feedback to: podcast@sph.com.sg Discover The Straits Times Videos: https://str.sg/JPrc --- Discover more ST podcast series: Asian Insider Podcast: https://str.sg/JWa7 Green Pulse Podcast: https://str.sg/JWaf Health Check Podcast: https://str.sg/JWaN ST Sports Talk Podcast: https://str.sg/JWRE #PopVultures Podcast: https://str.sg/JWad Bookmark This! Podcast: https://str.sg/JWas Lunch With Sumiko Podcast: https://str.sg/J6hQ Discover BT Podcasts:  http://bt.sg/podcasts Follow our shows then, if you like short, practical podcasts! See omnystudio.com/listener for privacy information.

Glenn van Zutphen and Anita Kapoor, Sunday guest co-host in conversation with Michael Lee, CEO of Hustle & Bustle, Chairperson of the Organising Committee for "Dale Chihuly: Glass in Bloom" about the opening of American artist’s garden exhibition in Singapore, portraying the landscapes of Singapore’s iconic Gardens by the Bay with 25 of his magnificent large-scale installations, and what went through the process of putting together the exhibition. See omnystudio.com/listener for privacy information.

Ross Richmond: Figurative Elements and Symbolic Objects In sculpting realistic figures of humans and horses adorned with color and pattern, Ross Richmond demonstrates how an artist can push his medium beyond its normal boundaries. The artist creates beautiful and expressionistic sculpture using gesture to convey narrative. Communication has always been the main source of Richmond’s inspiration, whether it be with oneself or between others.   Richmond discovered glass in 1991 during his time at the Cleveland Institute of Art, where he received a BFA in glass, with a minor in metals. He is considered one of the top glass sculptors in the field today and has worked with (and for) some of the greatest glass and non-glass artists including William Morris, Jane Rosen, Preston Singletary, KeKe Cribbs, and Dale Chihuly. Richmond studied and taught at The Studio of the Corning Museum of Glass (CMoG), Penland School of Craft and the Pilchuck Glass School. The artist was awarded residencies at the Tacoma Museum of Glass, Toledo Glass Museum and CMoG. His work is represented by a number of galleries across the country. Working as an apprentice in 1997, Richmond became a member of Morris’ glassblowing team in 1999 and worked alongside him until his retirement in 2007. Morris encouraged teamwork and working outside the box – lessons reflected in both the surface and shape of Richmond’s exquisite horse figures. All of Richmond’s work is blown and hot sculpted, meaning that nothing is casted or mold blown – all pieces are made by hand while hot on the pipe in the glass shop. First, the main shape of the piece is established then allowed to cool. Working it in a colder state affords the artist a more “solid core” to work from. If the piece is too hot, the shape will distort as the details are brought out. A small oxygen-propane torch is used for all of the detail work, which allows for a greater variety of flame shapes and sizes to work with. Heads are typically blown, whereas all hands are solid. With a blown shape, Richmond is able to inflate areas or suck areas in as needed. Hands are made solid so that delicate fingers do not collapse or distort. All colors are applied in layers of glass powders, and the finished piece is coated with an acid to remove the shine for a matte finish.  The inspiration for Richmond’s figures made between 2015 and 2018, was derived from ancient Egyptian sculpture, Japanese prints and Art Nouveau graphics, which all use or are inspired by natural scenes and landscapes. All of these different time periods and genres produced works that were highly ornate, yet simplistic in form and composition. Richmond used color and pattern to decorate and adorn the robes his figures are wearing to create imagery and convey a setting or scenery, to place the figure in a natural environment. Imagery of blossoming flowers or trees convey growth or growing to create the feeling of springtime bliss, awakening after the winter slumber. Carved imagery or applied components provide a bas relief and texture to an otherwise flat and smooth surface. Richmond says: “The figure has always been a major theme in my work, and in this series, I am breaking down the human form into a basic shape as if it were draped in fabric. This keeps the eye from focusing on the details of anatomy, and lets the viewer follow the sweeping gestural lines of the form. The basic shape of the body along with its quiet contemplative facial features, gives these figures a calm meditative feel.”  In 2016, Richmond and Randy Walker were awarded a collaborative residency at CMoG. Having worked together on the Morris glassblowing team, the two artists utilized well-learned teamwork combined with strengths in form, color, and the ability to push the bounds of the material. Walker created objects that seemed to grow out of and be part of the natural world, while Richmond sculpted realistic figures adorned with color and pattern. Marrying their aesthetic, objects were transformed from natural objects into figurative works.  Over the last few years, Richmond has been slowly building his own hot glass studio in Seattle. From March 4 through 27, Traver Gallery presents a unique exhibition of works by Jane Rosen and Richmond. Though their influence is always visible in one another’s artwork, this is the first time they have shown side by side. This exhibition celebrates and highlights the critical impact of artist friendships and highlights the vital influence each has on the other.      

Prolific designer and architect Jeffrey Beers grew up traveling the world with his parents, which instilled in him a love of hospitality and design—a skill he honed under a who’s who of mentors, including Dale Chihuly, Oscar Niemeyer, and I.M. Pei. For the self-described rebel entrepreneur, his passion for the industry is as present today as it was more than three decades ago, cementing his legacy as one of the forefathers of hospitality design today.

Deb Edwards is a lighting designer, a Young Living representative, and a smart, kind, and interesting human. In this episode of Inclusivi-TALKS Sustainability, Deb talks about her creative path, designing lighting for the artist Dale Chihuly, what sustainability means for her, and "feeling like a princess" when her uncle gave her a carriage ride for her fifth birthday. Song “Beautiful Too” Written and Sung By: Teghan Devon

This is the forty-eighth episode of "Talking with Authors" by HEC Media and HEC Books. We're a program dedicated to speaking with some of the best selling authors around, covering many different genres.Today, our guest is the Best Selling author Jan Greenberg. We spoke with her in St. Louis in November of 2020 about her newest book “World of Glass: The Art of Dale Chihuly” by publisher Abrams Books. The award winning writer Jan Greenberg has penned books for adults and children about art of all types. From poetry to pottery…ballet to van Gogh, she’s been able to break down interpretations of all of the forms for readers to make the works more accessible to all that encounter them. This time she went into the “World of Glass”, which she wrote with her frequent collaborator Sandra Jordan, and artist Dale Chihuly because of the transformative nature of his work. We’ll hear about her visits to Chihuly’s studio for research on this book, how and why she got started writing about art, how she works with her collaborator and more. Best selling writer Jan Greenberg is our guest on this edition of Talking With Authors from HEC Media and HEC Books.Our host and interviewer this time is Angie Weidinger.HEC Media is a production company out of St. Louis, Missouri. With the help of independent bookstore Left Bank Books and St. Louis County Library, we are able to sit down with these amazing writers and thought leaders to discuss their work, their inspiration, and what makes them special. You can watch video versions of most of our interviews at hecmedia.org.Host and video producer of this episode - Angie WeidingerVideo Editor - Greg KoppSupervising Producer - Julie WinkleProduction Support - Jayne Ballew & Christina ChastainHEC Media Executive Director - Dennis RiggsTalking with Authors Podcast Executive Producer - Christina ChastainPodcast Audio Editing - Ben SmithPodcast Producer - Rod MilamPodcast Host - Rod MilamSpecial thanks to Left Bank Books and the St. Louis County Library.You can follow us on all social media platforms. Just search for "Talking with Authors":Facebook Page: https://www.facebook.com/talkingwithauthorsInstagram: https://www.instagram.com/talkingwithauthorsTwitter: https://twitter.com/TalkingwAuthors

Learning through seeing, thinking, and wondering is the educational utopia we’re striving to achieve, and thanks to teachers like Sabrina Walters and parents like Lori Trent from Upper Arlington City School, we’re closer to making it a reality.  These forward-thinking educators reveal how creating an active dialogue between parents, teachers, and students can revolutionize the learning process. Their holistic model builds on the notion that learning is best delivered from a dynamic pool of voices and perspectives. For Sabrina and Lori, true learning exists in constructive, shared conversations and not in top-to-bottom instructions from a teacher to a student.  To learn more, visit: http://pastfoundation.org/ (pastfoundation.org) Resources: Recreate the Dale Chihuly art project for your students: https://artsycraftsymom.com/10-dale-chihuly-art-projects-for-kids/ (artsycraftsymom.com/10-dale-chihuly-art-projects-for-kids/) Learning Unboxed is produced in part by http://crate.media (Crate Media) Recorded by Eric French at http://wosu.org (WOSU Studios) in Columbus, Ohio

The Secular Reliquaries of Therman Statom Therman Statom – sculptor, glass artist, and painter – is most notably known as a pioneer of the contemporary glass movement for his life-size glass ladders, chairs, tables, constructed box-like paintings, and small-scale houses; all created through the technique of gluing glass plate together. Sandblasted surfaces become a canvas for spontaneous vibrant colors and line work, which take nuances from Abstract Expressionism and concepts of Minimalism, while simultaneously incorporating a twist by using blown-glass elements and found objects.  Born in Winter Haven, Florida in 1953, Statom spent his adolescence growing up in Washington, D.C. His interest in the arts grew from a fondness of painting and he began to investigate ceramics at RISD. However, after an experimental glassblowing session with Dale Chihuly, he was soon hooked on the spontaneity of hot glass and its limitless possibilities. Statom went on to pursue studies at Pilchuck Glass School during its inaugural year, completing a BFA in 1974 from RISD, and later studied at the Pratt Institute of Art & Design.  Throughout his career, public artworks have been permanently installed at prominent locations including the Los Angeles Public Library, Corning, Inc. Headquarters, the Mayo Clinic, San Jose Ice Center, the Toledo Museum of Art, and the Jepson Center for the Arts in the Telfair Museum, Savannah as well as several hospitals across the country.  Statom’s artwork appears in numerous exhibitions annually, including solo and group shows around the nation and internationally. Over the span of his career, he has completed over 30 large, site-specific installations. Most notably in recent years, his 2009 solo exhibition Stories of the New World, at the Orlando Museum of Art, which spanned over 5,000 square feet, has been his largest installation to date. Exploring themes related to Juan Ponce de Leon’s 1513 search for the fabled Fountain of Youth as a point of departure, the installation referenced historic and contemporary themes of hope, discovery, ambition, and destiny. Visitors traversed the gallery space consisting of a mirrored maze, panoramic glass wall mural, a room-size structure built entirely of glass, and video projections. In conjunction with the exhibit, Statom partnered with the educational department of the OMA and the Zora Neale Hurston National Museum of Eatonville to work with over 80 young students to create a work of art titled “Glass House,” which was a large, walk-though structure built from glass boxes designed by the children. The piece was later displayed at the annual summer community festival.  Much of the latter half of Statom’s career has been focused on the importance of educational programming within the arts. He has taken a deep interested in employing workshops as a catalyst for social change and in affect, positively impacting a community. Working directly with the artist himself, adults and children alike share a combined experience of exploring art making via a hands-on experience. Inhibitions and limitations are left by the wayside, and the practice or act of “doing” becomes a journey of self-discovery, creating an opportunity for the participant to go to a new place within themselves. Says Statom: “I believe art can be understood both conceptually and intuitively. I think there is a need for the general public to come to an understanding that to appreciate art and creativity they must trust his or her self; that extensive education is not a prerequisite for understanding art. Much of what I do is seeded in what is more of an intuitive process; a large portion of my work is exploring these processes within people and their environments. “The fact is, I believe that creativity is a part of all aspects of what people do; my studio and educational efforts via workshops and the support of outside programming, general educational and cultural institutions, are a reflection of this belief. I feel that art is tool for empowerment and education. It’s also a viable tool to investigate positive change and engage a culture through exploration.”  

This show originally aired on September 21, 2019. Collections come in all shapes and sizes. Whatever it is, a collection can take on a life of its own. And it says something about the person behind it. That’s our latest theme — The Collector: why we’re drawn to collect stuff, and what we’re willing to do in pursuit of it. First, the co-owner of a Tacoma bar shares how he came to acquire a small collection of glass art from Dale Chihuly. Then, we meet a woman who makes jewelry out of animal bones . A man shares how his obsession with a certain tree led him on an intense trip to Chile in pursuit of seeds . We meet a Seattle librarian who is helping catalogue more than 30,000 zines from across the country. Next, we learn about the man who collected — among many things — recordings of ferry horns. Finally, one of our own shares what he’s learned from a collection of letters from past girlfriends. CHIHULY GLASS On top of the old bar inside The Swiss in Tacoma — towering above 31 tap handles

This show originally aired on September 21, 2019. Collections come in all shapes and sizes. Whatever it is, a collection can take on a life of its own. And it says something about the person behind it. That’s our latest theme — The Collector: why we’re drawn to collect stuff, and what we’re willing to do in pursuit of it. First, the co-owner of a Tacoma bar shares how he came to acquire a small collection of glass art from Dale Chihuly. Then, we meet a woman who makes jewelry out of animal bones . A man shares how his obsession with a certain tree led him on an intense trip to Chile in pursuit of seeds . We meet a Seattle librarian who is helping catalogue more than 30,000 zines from across the country. Next, we learn about the man who collected — among many things — recordings of ferry horns. Finally, one of our own shares what he’s learned from a collection of letters from past girlfriends. CHIHULY GLASS On top of the old bar inside The Swiss in Tacoma — towering above 31 tap handles

Pushing the boundaries beyond form and function, Janusz Pozniak’s blown glass abstractly reflects his personal experiences while distilling human emotion. Works in decorative, functional, figurative or abstract glass reflect the highest level of hot glass expertise. Whether colorful or achromatic, a Pozniak sculpture is always delicate, detailed and striking. In 1986, Pozniak earned his BA in 3D Design from West Surrey College of Art and Design in the UK. He subsequently went to work for Christopher Williams and Annette Meech at The Glasshouse in Covent Garden, London. Driven by his passion for pursuing a creative career, the artist moved to the US in 1991 to work alongside Dale Chihuly. This opportunity allowed him to expand his knowledge, talent, and substantial glassblowing skill.  Throughout his career, Pozniak has worked with the most prominent glass artists in the world including Lino Tagliapietra, Sonja Blomdahl, Josiah McElheny, Dick Marquis, Benjamin Moore and Preston Singletary. He’s been working alongside Dante Marioni since 1992. In addition, Pozniak has travelled all over the globe to teach and mentor others, providing students with the skills, inspiration and encouragement to fulfill their own artistic visions.  After more than 30 years as an artist, Pozniak is still discovering new ways of experimenting and evolving his work to elevate and communicate the unique beauty of glass as an artistic medium. In 2019, he became one of 10 highly skilled glassmakers from North America to appear in the Netflix competition series, Blown Away. On the show, glassblowers had a limited time to fabricate beautiful works of art that were assessed by a panel of expert judges. One artist was eliminated in each 30-minute episode until a winner was announced in the 10th and final episode. Pozniak, an instant show favorite for anyone who knows glassblowing, quickly grew in popularity amongst neophytes, the result of his impressive command of glass and on-screen magnetism.  Riding the wave of fame which resulted from his appearance on the show, Pozniak and wife Michelle funded a successful Kickstarter campaign to launch [Hohm-meyd], a home goods company that utilizes a network of local makers to produce functional wares they design.  Says Pozniak: “Driven by our core values of community, sustainability, and ethics, each product will be made with care and integrity. Simultaneously we hope to train and mentor local artisans. Between the two of us, we have 50 years of making and selling work as artists. We also know that purchasing a piece of fine art is too expensive for many people. Given our combined experience, our community of other artisans and craftspeople and our growing family, there is no time like the present for us to pursue this shared dream.”  

In this episode of RMC Podcast you can listen to a full live recording of the performance of Barry Guy’s work ‘Hotshop’ written for an ensemble of students from both RMC and The Royal Danish Academy of Music. The piece was premiered in Brorsons Church in Copenhagen on Friday the 4th of October 2019, conducted by Barry Guy, performed by the ensemble of student, and co-presented in collaboration with RMC, The Royal Danish Academy of Music, ALICE, Snyk and Brorsons church.‘Hotshop’ is inspired by American glass sculptor Dale Chihuly. Guy has drawn on inspiration both from Chihuly’s work, and also from visiting his studio and seeing the amount of energy and concentration that goes into sculpting with glass. The graphic score behind the piece is divided into 12 parts, each representing a part of Chihuly’s work series with cylinders, baskets and vases.The project was created with the kind support of Beckett Fonden and Augustinus Fonden.Concert recording: Lars Nissen, Lars Rex Christensen and music production students from RMC.Concert mastering: Simon MariegaardFind out more at https://rmc-podcast.pinecast.coThis podcast is powered by Pinecast.

I thought I would bring in an expert today....my mom who has fallen in love with a very famous glass blower...#Chihuly. Over a 20 year period my mom, Mary LeVasseur has seen numerous examples of the amazing variety of Dale Chihuly. And most recently she saw his incredible glass museum and gardens in Seattle, Washington. Listen to why she feels art is important and how it can influence your life. Thanks for stopping by the show mom! @chihulystudio http://www.chihuly.com Sponsored by Stiletto Titanium Hammer- Get ONE today and support the show with this small but powerful tool just for women! More info and show notes: http://remodelyourlifepodcast.com/31

I thought I would bring in an expert today....my mom who has fallen in love with a very famous glass blower...#Chihuly.  Over a 20 year period my mom, Mary LeVasseur has seen numerous examples of the amazing variety of Dale Chihuly.  And most recently she saw his incredible glass museum and gardens in Seattle, Washington.   Listen to why she feels art is important and how it can influence your life.  Thanks for stopping by the show mom! @chihulystudio http://www.chihuly.com Sponsored by Stiletto Titanium Hammer- Get ONE today and support the show with this small but powerful tool just for women! More info and show notes: http://remodelyourlifepodcast.com/31  

“Autumn seemed to arrive suddenly that year. The morning of the first September was crisp and golden as an apple.” —J.K. Rowling in Harry Potter and the Deathly Hallows ~The Simple Sophisticate, episode #263 ~Subscribe to The Simple Sophisticate: iTunes | Stitcher | iHeartRadio | YouTube | Spotify Style and comfort. Knowing how to achieve this combination while we travel enables each of us to relax and fully enjoy our excursions wherever our wanderlust might take us. As would not surprise TSLL readers, many of you, including myself, love to journey to Europe, in particular France and Britain, and while I have primarily traveled to France in the summer, and London during the summer months as well, it was during the fall of 2017 that I had the good fortune to travel back to Britain. Expectedly, the suitcase's contents were far different than for the warmest months of the year. So when a TSLL reader recently reached out and asked for style ideas for her upcoming trip to London this October, I came up with the idea to share a seasonal style episode/post for Anglophiles. In the coming months and seasons look for the remaining three seasons for both Anglophiles and Francophiles as having a resource to help simplify the packing process so that we travelers can focus on creating an itinerary that surpasses our dreams. Admittedly, and unsurprisingly, I enjoy selecting the perfect outfit for whatever the occasion might be, but equally as desiresome is to not have to worry about my clothes while I am traveling. Just trusting that what I have packed is exactly what I need frees my mind to absorb the many new sightss, sounds, tastes and interactions which enrich the trip all the more. So with that introduction, I'd like to share with you Style Essentials for Traveling to Britain in Autumn, the city and the country. City GOAL: Layers of style that provide warmth when necessary from the rain and chill, but walkability as you make your way about the city on foot, the tube, bus or taxi. 1.Ankle boots (flat or with a slight heel) to wear with jeans or pants (my Eileen Fisher suede pair seen on the chevron floors of Burberry - here is a similar pair) 2. A short trench, works well with jeans (more casual outfits) and over midi dresses if the quality is top-notch (use promo code RLFAMILY to save 30% site-wide through October 15, 2019). For a full trench, or how to find the perfect trench for you, read my post after visiting the Burberry flagship store in London - The Perfect Trench is Personal. 3. Light-weight high-quality sweater (for layering) 4. Button-up collar shirt 5. Scarves - light-weight, yet autumnal hues (these scarves offer many color options and are well-priced) 6. Pants or dark denim jeans 7. Midi dress, wear with #8 ~The Royal Albert Hall~ 8. Knee-high boots with a slight heel (pack your toiletries and beauty styling utensils inside your boots to save space in your suitcase) 9. A sturdy pocket umbrella (James Smith & Sons are one of the longest running British umbrella businesses and used by the Royal household). You can order online (5-6 color options), or visit their shop in London for even more colors and patterns. 10. Short or long sleeve blouses (silk or light-weight material for layering) 11. Worn in, yet stylish walking shoes for those days when you will be visiting many places and be on your feet most of the day. ~the Dale Chihuly scultipure see in the entrance in the Victoria and Albert Museum~ Country GOAL: Layers for warmth when the rain fall in misty waves never-ending and days and evening strolling about the many towns and shops you come across as well as hikes about the hills and along the coastline. ~the rolling hills in Northern Devon~ 1.Wellies, choose a size and shaft height you feel most comfortable wearing 2. A light-to-medium weight coat that is rain-resistant. I brought my Patagonia coat, and it was perfect. 3. A stocking cap. Primarily it misted often, but when it rained heavily, I stayed inside. If you will be outside when it rains heavily, bring a raincoat with a hood, such as these from Columbia available in many different colors and figure flattering. ~a quiet country road in northern Devon~ 4. Jeans, comfortable for walking, but also capable of transitioning for a nice, casual outing. These J Brand jeans are a classic style - straight-leg - in a timeless color (darker blue is available). 5. Button-up collar shirts, I gravitate toward Shirtini's for their variety and classic cuts and colors 6. Gloves, water repellant, yet warm also 7. Flat or low-heel ankle boots 8. Light-weight sweater or long-sleeve tee The lists shared above were based on my own travel experiences in the city and the countryside during my trip in November 2017. If you will be traveling in early autumn, bring a few lighter and shorter layers (sleeves, even shorts perhaps), but no matter when you travel during this season, if you pack items that layer well, you should be prepared for any occasion. Of course, your go-to handbag for day and one for evening is a good idea to pack as well, and I have even purchased a blow-dryer, rather than worry about adapters as blow-dryers often have more wattage than my adapter can handle. This was a choice I made, and it just made it simpler as the blow-dryer was not all that expensive and I just stow it away in my closet for my next trip to Britain. May you have the opportunity to visit Britain soon, and when you do, feel free to stop back by and share what worked for you! ~Click here for the SHOPTAGR App and to be entered automatically for a giveaway to win $250. SIMILAR POSTS YOU MIGHT ENJOY: ~10 News Items & Inspirational Ideas for Anglophiles (September 2019) ~episode #185, Give Yourself Permission to be Awkward ~TSLL's Latest British Week Round-Up of Posts (May 2019) ~You Might Be An Anglophile If . . . (30 signs) ~My Devon Vacation Cottage ~London Perfect: A Traveler's Sanctuary ~My Discoveries in the Devon Countryside Petit Plaisir: ~Floret's Flowers, purchasing bulbs in the fall for spring! ~Starting today (and they go fast, so shop soon), Floret's Flowers is selling their bulbs (daffodils, tulips, ranunculus and more) until they are sold out. Last year I purchased two packages of daffodils (40 total) that I fell in love with this past spring and have since brought with me to my new home. I am looking to pick up some tulips this time, and cannot recommend the quality of her bulbs more highly. Unfortunately, she does not ship internationally, but wherever you purchase bulbs, the fall season is the time to plant them so that in the spring you will be greeted from the long winter with their beautiful fresh colors.

Shawn Kyle is an American singer, songwriter, artist and multimedia producer. Born inTampa, Florida on a side of town known to police and lawyers as "Suitcase City" for itsvagrancy, 80's drug epidemic, and crime; Kyle's own true stories often read like fiction.Kyle's first exposure to arts and culture came while working on construction sites andfrequenting the old family run businesses in Ybor City and inner city Tampa with hisfather as a pre-teen. It was the city's then potent mix of old world and new in the 80'sand 90's that introduced him to artists that led to a job as a furnace glass blowereventually assisting Dale Chihuly contemporaries, as well as a stint employed by listedpop-artist and money forger J.S.G. Boggs, all while Kyle clandestinely performed as ayoung stage actor fill-in for pay at Colleges he wasn't even attending.What would become all encompassing to his life for the next two decades however,would be kicked off by coming across an ad in a magazine looking for an electricguitarist. Calling the ad, and winning the audition, he stated his age as a baby faced 22.In reality Kyle had been playing an instrument for just two years and was only 17.Active work as a touring artist in clubs and college circuit found him alongside a varietyof bands and musicians who would become some of the more influential artists ofAlternative Rock, Americana, and College Radio. Over time as different bands and stylescame and went, Kyle worked into being represented by several of the largest talentagencies in the world, finding himself a runner up for an Independent Grammy Awardhe had no idea he was submitted for, in between colorful moments like cutting demoswith Joey Molland (Badfinger, George Harrison), wrestling Edwin McCain (and losing),trading jabs with Stan Lynch (Tom Petty, Glen Frey) or having a blackout night withpre-sobriety Jason Isbell (there may be an Isbell song about Ybor City and that evening).Eschewing an inherent promise of traditional arts had led Kyle into what would becomean even harder road: two decades of constant bootstrapping work in the hurly-burly ofthe rise, fall and recent rebirth of the music industry coinciding with the evolution of thedigital age. Through the disrupting Napster era into the music industry's current rebirthas a platform for never-ending directly delivered content; music and the businessaround it evolved, with the industry in hindsight shaping how the majority of allbusinesses and industries now socially function in media and tech from the corporateworld and the government, to record stores and yes, musicians.After their 10,000+ hours, many musicians that grew within the DIY era found a varietyof skillsets, from video production to auto mechanic work, app development tomarketing and branding, public relations to knowing which guitar will disintegrate tosplinters when smashed on a festival stage. All done by one person, on a momentsnotice, learning by experience, on a deadline, because the work had to be done.Shawn Kyle currently resides in Tampa, Florida, and is owner of Bay Multimedia LLCwhich has provided multimedia, marketing and branding for some of Tampa's belovedindependent businesses, a founder of the Music Festival App (on the iTunes Store), andpartner in Be Original Media LLC, providing A/V solutions for the non-profits industry.

Seattle & Tacoma are the epicenter for glass art in America thanks to legendary artist Dale Chihuly. As the next generation of artists expands and enhances this art form, Billy & Piper O'Neill and business partner Christian Shevchenko have teamed up to takeover and transform a Seattle-area favorite, Glass Eye Studio. Billy joins Home & Wealth Host Brian Bushlach to share his story, working closely with Chihuly, and now bringing hand blown glass art to a wider audience.

Dan Friday is a world-class glass blower whose art is shown in galleries and museums throughout the United States. A member of the Lummi Tribe, Dan’s pieces, which include totems, ravens, bears, and owls, are a reflection of his tribal culture and his Pacific Northwest roots. What you will learn:   How Dan went from fixing cars to working with world-class glass blowers like Dale Chihuly, and then became a world-class glass blower himself.  How Dan developed his unique glass blowing style and aesthetic. How his tribal culture influenced his approach to glass blowing.  How he learned the art and craft of glass blowing.   How glass blowing is a “team sport.”  How he navigates the challenges of the business of making and selling art.   How his art takes him around the world, where he teaches others about glass blowing.  Additional resources: http://www.fridayglass.com/index.html https://stoningtongallery.com/artist/dan-friday/ https://www.blueraingallery.com/artists/dan-friday @danfriday on Instagram, Twitter https://www.facebook.com/dan.friday.56  https://www.youtube.com/watch?v=bVF-lqf6K28  

This week Farley and Jennifer sit down with glass artist Peter Jacobsen. Listen in as they talk about learning from the legendary Dale Chihuly, how his faith informs his art, and how art has helped him overcome personal struggles.  Podcast edited by Cameron Troy. Cover art by Skye Young. Intro and outro music by Abram Dean and voice by Leah Westberry. Peter Jacobsen

Valentine's Day cards The Office. If you haven't seen Patton Oswalt's filibuster from Parks & Recreation, you should. Brandon Bird also has some very nice Valentine's Day cards. Moltz's son has this great pasta-making set of attachments for the KitchenAid. Everyone's buzzing about air fryers these days although Lex has never used his. Tacoma Monkey Shines is an annual event. Dale Chihuly's float boats are pretty cool. Lex has to leave early which gives Jon and Moltz time to talk about the Super Bowl spots for Avengers: Endgame and Captain Marvel. Follow us: @ttcashow. Lex Friedman can be found @lexfri, John Moltz can be found at micro.blog/moltz or @Moltz on Mastodon and Jon Armstrong is @blurb.

It’s not uncommon to read comparisons between Albert Einstein and Paul Marioni, artist and one of the founders of the Studio Glass movement, many based on their shared lifelong fascination with light. Known as an innovator in the glass world, Marioni has been pushing the limits of his medium for five decades, redefining what is possible not only in process but content. He says: “I work with glass for its distinct ability to capture and manipulate light. While my techniques are often inventive, they are only in service of the image.”    A surrealist whose work addresses issues of nature, identity, and emotion, Marioni relies upon dreams as well as political and social convictions to make statements, causing us to forget the unfair advantage that working with glass affords. Using material that is inherently beautiful, the artist inspires people to think rather than telling them what to think. Marioni’s work can be found in collections including the Smithsonian American Art Museum, Washington, D.C.; The Corning Museum of Glass, Corning, New York; and the Museum of Arts and Design, New York, New York.   Marioni, who graduated in 1967 from the University of Cincinnati, Ohio, is a Fellow of the American Crafts Council and Glass Art Society Lifetime Achievement Award recipient. He has received three fellowships from the National Endowment of the Arts and has taught at schools worldwide including the Penland School of Crafts, Bakersville, North Carolina; Pilchuck Glass School, Stanwood, Washington; the Glass Furnace, Istanbul, Turkey; and more recently at Soneva Art and Glass in the Maldives.   At 77, Marioni remains passionate about the “road show,” a grassroots effort started by artists like himself, Fritz Dreisbach, Dale Chihuly, and Richard Marquis, to spread knowledge and enthusiasm about glass to anyone who showed interest. “I’ve worked in glass all but three years of my life. What was I thinking to get into a field with no history, no books, no teaching? Obviously I wasn’t thinking. But we built the Studio Glass movement on cooperation, not competition, because there was no past. There was nothing for us to get. And we’ve barely scratched the surface of what can be done.”   In addition to gallery work, Marioni has produced over 100 public and private commissions in both cast glass and terrazzo. From his studio in Mexico, the artist currently works on the biggest commission of his career for the $52 million Bellevue, Washington, light rail station. Its train serves business powerhouses of the Pacific Northwest including Microsoft and Boeing. Selected as lead artist for the project through a national competition, Marioni is designing 3000+ square feet of art glass for the platforms as well as the terrazzo floors.   

Bruce Helander is arguably one of the most recognizable collage artists today.  Bruce’s work can be found in over fifty museums collections throughout the country and in addition to being a premier collage artist, he is an art critic, curator and arts writer. His writing can be found in Art in America, ARTnews, The Washington Post, Huffington Post and of course, we would be remiss without mentioning that he also has been an active contributing writer for Art Hive Magazine since 2013. We sat down with Bruce about growing up with Dale Chihuly, curating shows with Robert Rauschenberg and overcoming adversity. For more info on Bruce, what exhibitions he has coming up and where Bruce will be speaking next on his book: Chihuly: An Artist Collects please visit: brucehelander.com You can find Bruce’s most recent article in Art Hive Magazine issue #27 on photographer Shalini Nopany https://issuu.com/arthivemagazine/docs/fall27issuu/20

Description: Reena Esmail knows she doesn’t look like a stereotypical composer, but that doesn’t prevent her from making a big impact. Known for her signature blend of Indian and Western classical music, Reena joins us in the studio to discuss stage fright, getting in touch with her heritage, how the #MeToo movement inspired her, and the washing machine that sparked a revelation. Playlist: Here is a Spotify playlist with hand-picked selections from Chrysanthe, Thomas, and Reena Esmail. Music Featured in Interview: “String Quartet: Ragamala” by Reena Esmail (Listen / Score) “Piano Sonata No. 15 in C, K.545: 1. Allegro” by Wolfgang Amadeus Mozart (iTunes / Spotify) “Jhula Jhule” by Reena Esmail (Listen / Score) “Die Forelle, D. 550” by Franz Schubert (iTunes / Spotify) “Träumerei” by Robert Schumann (iTunes / Spotify) “This Love Between Us” by Reena Esmail (Listen) “Tuttarana” by Reena Esmail (Listen / Score) “#metoo” by Reena Esmail “Nishani” by Reena Esmail (Listen / Score) Additional Links: Hindustani Music: Cultural Collisions (and Washing Machines) - Reena’s blog on NewMusicBox about the washing machine Lightning Round: What genre is your music?  Indpressionism -- “the opposite of Impressionism” Performance ritual? Performance ritual: “breathe, open your mouth, smile.” Composing ritual: A very specific, solitary tea ritual involving the Harney & Sons Soho blend. A modern/technological tool that’s extremely helpful to your practice? iPad. It was so game-changing that Reena celebrates the anniversary of getting her iPad (July 17, 2017). A failure that turned out for the best? Failing to be a pianist Something besides music that you’re obsessed with right now? Hardcore math and data sets. A piece of art that changed your life? The chandelier at Mandarin Oriental by Dale Chihuly on 59th and Broadway in New York City. Find Reena Esmail online: Website / Facebook / Instagram / Twitter Something Old: “Call Me a Rainbow” by The Mummers (YouTube) Something New: “String Quartet No. 9” by Georg Friedrich Haas (YouTube) Something Borrowed: Bye Bye Beethoven Concert by Patricia Kopatchinskaja (YouTube) Something Blue: “Aquarium” by Nosaj Thing (iTunes / Spotify) Credits: Hosts: Chrysanthe Tan and Thomas Kotcheff Guest: Reena Esmail Script: Chrysanthe Tan Recording engineer: Mark Hatwan Produced by: Chrysanthe Tan Editing: Mark Hatwan Underscore is an extension of the Classical KUSC family Podcast theme: "Playground Day" by Chrysanthe Tan (iTunes / Spotify) Social Media: Facebook: /underscorefm Twitter: @underscorefm Instagram: @underscorefm Thomas is @thomaskotcheff on Twitter and Instagram. Chrysanthe is @chrysanthetan on Facebook, Twitter, and Instagram. Facebook group: Join our Facebook group, Underscore Society, to give us your thoughts, request future topics, and connect with other podcast listeners! Newsletter: Sign up for our mailing list to receive Underscore updates, offers, and opportunities to connect with other music aficionados. Email: Thoughts, questions, suggestions? We’re at info@underscore.fm

On this episode of SPx, Ashley and Joe welcome Joanna Sikes to the studio. Sikes is the Executive Director of the Imagine Museum, which opened in St. Pete in January 2018. Sikes boasts a long career in art curation and deep involvement in the American Studio Glass movement. The Imagine Museum is her fourth museum endeavor. Sikes spent 30 years working with visionary glass artist Dale Chihuly and now acts as a consultant on projects of many genres. Most recently, she helped launch a marine wildlife rescue with billionaire philanthropist Paul Allen.

Toots Zynsky’s heat-formed filet-de-verre vessels, acclaimed for their remarkable exploration of color and form, interweave the traditions of painting, sculpture, and the decorative arts. By co-inventing a thread-pulling machine that uses electronic software to create glass thread, Zynsky made possible her rhythmic, gracefully spiraling shapes that defy their own fragility. Her signature work reflects a similar strong and beautiful image to that of its maker. Mary Ann “Toots” Zynsky, born in 1951 and raised in Massachusetts, received her BFA in 1973 at the Rhode Island School of Design (RISD) in Providence. There, as one of a group of pioneering artists studying with Dale Chihuly, she helped make studio glass a worldwide phenomenon and assisted in founding Pilchuck Glass School. From 1980 to 1983, Zynsky was key in the rebuilding and development of the second New York Experimental Glass Workshop (NYEGW), now UrbanGlass. While living in Europe in the late ‘80s and ‘90s, Zynsky collaborated with Mathijs Teunissen Van Manen to create a glass thread-pulling machine. It was during these years that she developed her filet-de-verre technique and took the art world by storm with her uniquely stunning sculptures.  Among numerous awards, Zynsky has been the recipient of two National Endowment for the Arts grants and the Pell Award for Excellence in the Arts in 2006. With work represented in more than 70 museum collections around the world, the artist was presented with the 2015 Visionary Award by the Smithsonian Institution.Making the announcement, co-chair of the event Susan Labovich, said: “Toots Zynsky’s work epitomizes greatness in her field. Her glass sculptural pieces, which are found in major museums around the world, demonstrate creativity, vision, and innovation, which are the founding criteria for the Visionary Award. Her work is the finest of American studio glass.” Zynsky was also characterized as "one of the few women of her generation to break the glass ceiling."  

From Sundance, I sit down with Nicolas Cage who gets real and tells about the creation of the film, Mandy, with awesome director, Panos Cosmatos, and fellow actor, Linus Roache. The respect and camaraderie are palpable and yes, Nicolas Cage is exactly as you would imagine him! Plus, Nicolas and I talk about his famous art collection and legendary encounter with Dale Chihuly. Check it! Listen in! For more information, visit http://TheDinnerParty.tv/ .

For over 50 years, James Carpenter has combined art, engineering, and design, using natural light and glass as key elements of his work. His major projects include the Fulton Transportation Center in New York City and the Israel Museum in Jerusalem. Jamie earned a degree from Rhode Island School of Design, where he studied architecture while also working on projects in glass with Dale Chihuly. He is a MacArthur Foundation fellow and the recipient of an Academy Award in Architecture from the American Academy of Arts and Letters. Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of craftschools.us. Major funding is provided by the Windgate Charitable Foundation.

On Cultivating Place this week we talk with Mary Pat Matheson and George DeMan, the current president and founding president of the Atlanta Botanical Gardens respectively. In April of this year, the Atlanta Botanical Gardens are reprising one of their most popular exhibits of all time: fine art glass sculptures by artist Dale Chihuly throughout the garden. Both of our guests, as well as the artist Dale Chihuly, bring different — and not particularly plant-based — perspectives on how art in gardens and gardening can bring meaning and enjoyment to those who experience them. If there is one plant group all three people have in common, it might be the bright spring woodland color of native Rhododendrons and azaleas.

This fall, experience a stunning outdoor exhibition featuring the work of artist Dale Chihuly. Presented for the first time in an Ozark woods, it’s a world of wonder, waiting to be explored, only at Crystal Bridges.

    It’s interesting to contemplate the many obstacles to liberty - past, present, and future. Walking through the glass gallery of the National Liberty Museum (NLM), home to Maurice Gareau’s biblical glass scenes in stained glass, one remembers the colonists who came to America seeking religious freedom. Having escaped persecution in Europe, their challenge then became how to live in peace with others who did not share their beliefs. The NLM’s glass chess set by Gianni Toso includes flameworked pieces arranged in groups, as if conspiring to find answers to the complicated dilemmas that the search for liberty generates. Located in the heart of historic Philadelphia, the National Liberty Museum is dedicated to preserving America’s heritage of freedom by encouraging people to find their own place in the story of liberty. Visitors to the Museum enjoy an inspiring and entertaining experience, as they interact with incredible stories of heroes and a collection of contemporary glass art including a 20-foot tall glass art sculpture entitled Flame of Liberty by Dale Chihuly.  The National Liberty Museum first opened its doors to the public in January 2000. An independent learning and exhibit center, the museum is supported by visitors, community leaders, and foundations. Core themes include leadership and good character, diversity and inclusion, peaceful conflict resolution, and civic engagement. In the Spring of 2017, the NLM sponsored a temporary exhibit titled The Treachery of Images: A Glass Art Exhibition. This exhibit pushed the limits of artistic respectability by showcasing the work of pipe makers and embracing the challenges they face in their efforts to be accepted within the art world. Later in the podcast, you’ll hear from pipemaker Jeremy Grant Levine, also known as Germ. The NLM’s current GlassAccess Temporary Exhibit, Transparency: An LGBT+Q Glass Art Exhibition began in June runs through August 6, 2017. To celebrate Pride 2017, the National Liberty Museum hosted the nation’s first museum exhibit of studio glass works produced exclusively by artists of the LGBTQ community. Later in the podcast you’ll hear from participating artists Tim Tate, Jenny Pohlman and Sabrina Knowles. We begin our podcast tour of the National Liberty Museum's history, goals, and exhibitions with glass department manager, Meegan Coll.          

In which we welcome graphic designer, comic artist, and blogger Anthony Blair-Borders to the studio; he and his wife become T-Town virgins; we hear of big parades in the Castro; tech bros edging people out of the Bay Area; Anthony wears a Murakami Zelda shirt; Tacoma has a soul; Tacomans like their pets, especially if they're at zoos; octopuses can pick locks; Dale Chihuly isn't that bad; we talk zines; Anthony tells of his childhood; Vietnam and schizophrenia happened; boy makes small warnings; Anthony draws monsters; 1000 yards of staring; Mom's life was like a Philip K. Dick novel; Anthony gets an award; Anthony's wife is funny af; Anthony draws Iron Maiden album covers; Anthony felt like a secret monster; Anthony gushes about his kids; we share our writing and talk about it; KC can't say Galifanakis; and more!   Closing Song: "Saw Her Standing There" - The Beatles

We have visual artist Katie Kurkjy on the podcast today. We got to know Katie and her art, we learned about her time at Cornish College of the Arts, her work as a glass artist, working for Dale Chihuly, her first successful piece of re-purposing a musical instrument. We also learned when Katie knew she was going to be an artist, her plans to collaborate with other local artists and musicians, and so much more. I hope you enjoy this conversation as much as I did.Featured music:"Seaside" by Duke Evers off Handful of Pennies"Like Dreaming" by the HollersYou can find the podcast on iTunes for iOS, Stitcher Radio for Android, and Spreaker.Please support the Go Fund Me campaign for the podcast https://www.gofundme.com/wotspodcast

On  this weeks episode we’re talking about all you can do in Wichita for a weekend. My recent trip to Wichita included a visit to WAM, the Wichita Art Museum where we enjoyed the Dale Chihuly installation, Confetti chandelier; the Gordon Parks exhibit,  Back to Fort Scott; and the many beautiful paintings that are part […] The post Girl Camper #29 A Weekend in Wichita, Kansas appeared first on Girl Camper.

This week marks the 150th anniversary of the assassination of Abraham Lincoln. Today we'll look back at the remarkable life and times of our 16th President with the curator of The Chrysler Museum's two Lincoln exhibits.Segment B: Music, Light and Glass Local patrons of the arts will be no stranger to the dazzling artwork of master glassblower, Dale Chihuly. The artist's incredible glass sculptures will take new life this weekend as set pieces for the Virginia Symphony Orchestra's performance of Bartok's Bluebeard's Castle. We're joined today by the Chihuly Studio's Head of Exhibition's for a closer look at how seven of the artist's most stunning sculptures brought new life to the classic opera.

Toots Zynsky was born Mary Ann, but was called Toots almost from birth. She earned her BFA at the Rhode Island School of Design then went to Seattle to study with Dale Chihuly at the Pilchuck Glass School. Since then, she has returned to Pilchuck as a teacher. In the mid-1980s, she spent six months in Ghana, on a special research project, recording Ghanaian music. In 1995, her work was shown at special exhibitions in Tokyo, Zurich, Italy, Philadelphia, and Chicago.

Director of Curatorial David Houston explains the appeal that many artists felt towards neon in the 1960’s, including Dale Chihuly.

If you don't know Tom Philabaum, you should! And here's your chance! This is an artist who's life story reads like an adventure novel….He studied with Harvey Littleton, has worked with Dale Chihuly, and has created immense public installations, including glass waterfalls and flying carpets! Now involved exploring the architectural limits of Dalle de Verre, he's a man of many talents. Have you ever enjoyed a Flame Off? You can thank Tom for that! He's the force behind the Sonoran Glass School in Tucson, where the Flame Off style of team competition originated. He has also given unselfishly over decades with the Glass Art Society. So pull up a chair and have a listen. This talented and laid-back artist is more influential than you ever dreamed!  Be on the lookout for excerpts of this interview to appear in the 1/2013 issue of Glashaus Magazine…. Interview recorded at the 2012 Glass Art Society Conference.

Episode 4.5, 7/21/2011. Guest hosts: Andrew, Randy, and Renee. C-Sides include cut material that didn't make it into the last episode of Cam-Fu and Friends. Running time: 12 mins.http://www.archive.org/download/Cam-FuandFriendsC-Sides-Episode4.5/camfuandfriendscsidesepisode4.5.mp3How to listen to Cam-Fu and Friends:You can right-click the above .mp3 link and download it. Then, play it from your favorite media player (e.g. Windows Media Player, iTunes, Winamp, Zune, VLC Player, etc.).We are officially on iTunes now. Simply search for "Cam-Fu and Friends" and our show should pop up. Subscribe there to get our latest episodes automatically.Another way to get our latest episodes is by using this RSS feed here: http://feeds.feedburner.com/camfuandfriends. You can copy/paste that URL into your preferred application or click on it and choose your favorite option.And finally, if you don't have a mobile audio device to listen to the show on, you can stream it right here below.This episode's topics include:00:16 - Behind the Audio - Getting Ready01:02 - Behind the Audio - Smelly Feet02:10 - Magnolia 2, Tom Cruise, Fred Meyer05:13 - Dale Chihuly, Bodhi Speaks07:18 - Behind the Audio - Randy Preparing, English Accents08:32 - Behind the Audio - No More Beer for Andrew09:36 - Obscure Anime Time - Hidan no Aria (Aria: The Scarlet Ammo)A couple items to note:The Obscure Anime Time bumper was created by Levi. The character is Yuiko Hawatari from the 2005 anime for Loveless. What she says translates to "Why’d you start running all of a sudden? What’s wrong?" which makes no sense at all in context to the bumper, just like this segment.Thanks again to Ryan for helping with a lot of the mixing and leveling of the show.Please feel free to leave comments here. Tell us what we can do better and what we're already doing right. We're counting on the listeners to help shape this show to something we can all enjoy. 'Like' our Facebook page here and/or follow us on Twitter here for behind-the-scenes information on when new episodes will be available and other news. Thanks for listening!