Podcast appearances and mentions of ray eberle

La canción Always in My Heart (Siempre en mi corazón) nos sirve para introducir al protagonista de la quincena, Ernesto Lecuona, compositor, pianista y director de orquesta cubano. En 2023 se cumplieron 60 años de su muerte en la isla de Tenerife. Pocos compositores han sabido moverse, como él, en el territorio fronterizo entre lo culto y lo popular. Como pianista era conocido internacionalmente. Como compositor, compuso géneros muy diferentes, zarzuelas, boleros, ballets y música de cine. Playlist: Always In My Heart - Glenn Miller feat. Ray Eberle; White Christmas - Bing Crosby; Dearly Beloved - Fred Astaire; How About You - Judy Garland; (I've Got a Gal In) Kalamazoo - Glenn Miller; I've Heard That Song Before - Harry James; Always In My Heart - Dean Martin; Siboney - Ruben Gonzalez; Anat Cohen & The Anzic Orchestra - La Comparsa; Maria La O - Caetano Veloso; Como el arrullo de palma - Ibrahim Ferrer; Malagueña - Bria Skonberg; Yo te quiero siempre - Pink Martini feat. Ari Shapiro; Andalucía - Bebo Valdés & Javier Colina; Para vigo me voy - Michel Camilo, Lincoln Goines & Cliff Almond; Ni tú ni yo - Gonzalo Rubalcaba; Danza de los Ñañigos - Chucho Valdés, Afro-Cuban Messengers & Los Muñequitos de Matanzas.

Nowadays “The Nearness of You” often conjures a mental image of 21st century song stylist Norah Jones. And, indeed, Jones did release a gorgeous rendition of the song in 2001, leading some to think that she wrote it. Actually, though, the tune is twice Norah's age.Hoagy Carmichael wrote the song in 1938, originally intending it for an odd little movie project. In his Carmichael biography Stardust Melody, Richard H. Sudhalter reports that Hoagy dashed off the yet-unnamed melody for “a screen adaptation of Shakespeare's ‘A Midsummer Night's Dream,' featuring a 15-year-old Mickey Rooney as Puck,” but that production fell through.Then with lyrics from Ned Washington, the composition became “The Nearness of You” and was scheduled for inclusion in the feature film Romance in the Rough. However, that film, too, was never produced.Celluloid ConfusionThere is some celluloid confusion about the song's place in films. Sudhalter notes that despite accounts to the contrary, “The Nearness of You” was never scheduled to be included in the 1938 Paramount film, Romance in the Dark, starring John Boles, Gladys Swarthout and John Barrymore.Probably because of the similar titles — Romance in the Rough vs. Romance in the Dark — writers often have mistakenly credited the introduction of “The Nearness of You” to Swarthout in Romance in the Dark. That error is recorded in at least one reference book, numerous sheet music books and nowadays on hundreds of websites.ChartingIn reality, after the Hollywood false stops, the song had to wait for republication in 1940 to win its place as a beloved jazz standard. That was the year Glenn Miller and his Orchestra introduced a recording of “The Nearness of You” with vocals by Ray Eberle. The Bluebird label recording appeared on the pop charts at the end of June and remained there for 11 weeks, peaking at No. 5. In 1953 the song charted again, this time with Bob Manning singing with Monty Kelly and His Orchestra. His recording climb the charts to No. 16. Since then, the tune has been recorded dozens of times, by everyone from Ella Fitzgerald and Louis Armstrong to James Taylor, Barbra Streisand, Etta James and Seal.Dueling Pundits It's fun how the critics have differed wildly in their comments about this particular Carmichael creation. For instance, in his book American Popular Songs: The Great Innovators, 1900-1950, Alec Wilder called the song “simple and unclever,” adding that it is “the sort of song that an academic musical mind would sneer at.” As if to answer that challenge, Yale University music professor Allen Forte devoted no fewer than five pages to the song in his book Listening to Classic American Popular Songs. Forte called it “unusual,” “remarkable,” and “striking,” and even offering an effusive “Congratulations, Hoagy!” for Carmichael's slightly concealed replication of the refrain's opening phrase in the verse.Our Take on the TuneThis tune really hasn't made The Flood set list yet — we've only just started working with it — but it sure seems like it wants to settle down with us. Listen to everybody listening to everybody else. For instance, check out how midway through, Veezy's solo establishes a lovely mood that Danny beautifully echos when he takes his turn. Yeah, it's not a regular Floodified number yet, but stay tuned.More BalladsBy the way, if softer sounds are what your day is calling for, we've got the play list for you! Tune into the Ballads Channel of the free Radio Floodango music streaming service for the tunes for your mood. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

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The Ray Eberle band recorded off the air from ABC Radio. A remote from Philadelphia affiliate WFIL with staff announcer Neil Harvey. July 18, 1947.

You’ll hear: 1) Swinging On A Star [Pkd@#1 in Aug 1944 and was the #1 song for the year 1944] by Bing Crosby (with John Scott Trotter and His Orchestra and The Williams Brothers Quartet, backing vocals) 2) Rum And Coca-Cola [Pkd@#1 in Feb 1945 and was the #1 song for the year 1945] by The Andrews Sisters 3) I'm Beginning To See The Light [Pkd@#1 in Apr 1945] by Harry James & His Orchestra (with Kitty Kallen, vocal) 4) (Give Me) Five Minutes More [Pkd@#1 in Sep 1946] by Frank Sinatra (with Axel Stordahl Orchestra) 5) My Dreams Are Getting Better All the Time [Pkd@#1 in Apr 1945] by Les Brown & His Band Of Renown (with Doris Day, vocal) 6) That Lucky Old Sun [Pkd@#1 in Oct 1949] by Frankie Laine (with Judd Conlon's Rhythmaires, backing vocals) 7) Cruising Down the River [Pkd@#1 in Mar 1949] by Russ Morgan & His Orchestra (with The Skylarks) 8) You Call Everybody Darlin' [Pkd@#1 in Aug 1948] by Al Trace & His New Orchestra (with Bob Vincent, vocal) 9) Manana (Is Soon Enough For Me) [Pkd@#1 in Mar 1948] by Peggy Lee 10) On The Atchison, Topeka And The Santa Fe [Pkd@#1 in July 1945] by Johnny Mercer And The Pied Pipers 11) Elmer's Tune [Pkd@#1 in Dec 1941] by Glenn Miller & His Orchestra (with Ray Eberle & The Modernaires) 12) To Each His Own [Pkd@#1 in Sep 1946] by The Ink Spots 13) The G.I. Jive [Pkd@#1 in Aug 1944] by Louis Jordan & His Tympany Five (with Louis Jordan, vocal) 14) Chickery Chick [Pkd@#1 in Nov 1945] by Sammy Kaye & His Orchestra (with Nancy Norman & Billy Williams, and The Kaye Choir, vocals) 15) Green Eyes [Pkd@#1 in Aug 1941] by Jimmy Dorsey (with Bob Eberly and Helen O'Connell, vocals) 16) Managua, Nicaragua [Pkd@#1 in Feb 1947] by Freddy Martin & His Orchestra and Chorus (with Stuart Wade, vocal) 17) Make Believe Island [Pkd@#1 in Aug 1940] by Mitchell "Mitch" Ayres & His Fashions In Music (with Mary Ann Mercer, vocal) 18) Blues In The Night [Pkd@#1 in Feb 1942] by Woody Herman Orchestra (with Woody Herman, vocal) 19) The Anniversary Song [Pkd@#1 in Mar 1947] by Dinah Shore (with The Morris Stoloff Orchestra) 20) There! I've Said It Again [Pkd@#1 in May 1945] by Vaughn Monroe (with The Norton Sisters, vocals) 21) Frenesi [Pk@#1 in Dec '40] by Artie Shaw & His Orchestra

Glenn Miller was the best-selling recording artist from 1939 to 1942, leading one of the best-known big bands. Miller's recordings include "In the Mood", "Moonlight Serenade", "Pennsylvania 6-5000", "Chattanooga Choo Choo", "A String of Pearls", "At Last", "(I've Got a Gal In) Kalamazoo", "American Patrol", "Tuxedo Junction", "Elmer's Tune", and "Little Brown Jug". In just four years Glenn Miller scored 16 number-one records and 69 top ten hits. In 1942, Miller volunteered to join the U.S. military to entertain troops during World War II, ending up with the U.S. Army Air Forces. On December 15, 1944, while flying to Paris, Miller's aircraft disappeared in bad weather over the English Channel. R.I.P. Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712 or by email at dannymemorylane@gmail.com You’ll hear: 1) American Patrol by Glenn Miller & His Orchestra 2) Little Brown Jug by Glenn Miller & His Orchestra 3) Elmer's Tune by Glenn Miller & His Orchestra (with Ray Eberle & The Modernaires) 4) The Saint Louis Blues March by Captain Glenn Miller & The 418th Army Air Force Training Command Band" 5) People Like You And Me (from the 1943 film Orchestra Wives) by Glenn Miller & His Orchestra (with The Modernaires & Marion Hutton & Tex Beneke, vocals) 6) 7-0-5 by Glenn Miller & His Orchestra by The 418th Army Air Force Band under the direction of Sgt. Jerry Gray 7) When Johnny Comes Marching Home by Glenn Miller & His Orchestra (with Marion Hutton, Tex Beneke & The Modernaires, vocals) 8) Tuxedo Junction by Glenn Miller & His Orchestra 9) Chattanooga Choo Choo (From the film "Sun Valley Serenade") by Glenn Miller & His Orchestra (with Tex Beneke, Paula Kelly & The Modernaires, vocals) 10) Bugle Call Rag by Glenn Miller & His Orchestra (with Ray McKinley, drums) 11) Jukebox Saturday Night by Glenn Miller & His Orchestra (with Marion Hutton, Tex Beneke & The Modernaires, vocals) 12) Ciribiribin by Glenn Miller & His Orchestra (with Ray Eberle, vocal) 13) Boom Shot (from the 1943 film Orchestra Wives) by Glenn Miller & His Orchestra 14) Make Believe Ballroom Time by Glenn Miller & His Orchestra (with The Modernaires, vocal) 15) A String Of Pearls by Glenn Miller & His Orchestra (with Bobby Hackett, trumpet solo) 16) The G.I. Jive by Glenn Miller & The Army Air Force Band (with Ray McKinley & The Crew Chiefs, vocals) 17) Anchors Aweigh by Glenn Miller & His Orchestra 18) Pennsylvania 6-5000 by Glenn Miller & His Orchestra (with vocals by the band) 19) Moonlight Serenade by Glenn Miller & His Orchestra 20) I've Got A Gal In Kalamazoo (From "Orchestra Wives") by Glenn Miller & His Orchestra (with Marion Hutton, Tex Beneke & The Modernaires, vocals) 21) In The Mood [Reached #1 on February 10th 1940 & lasted 13 weeks at #1] by Glenn Miller & His Orchestra

From December 1939 to September 1942, Glenn Miller's band performed three times a week during a quarter-hour broadcast for Chesterfield cigarettes on CBS radio. The radio performances originated from such venues as The Roseland Ballroom in Boston MA, The Café Rouge in NYC, The Glen Island Casino in New Rochelle NY, and often from wherever they were in the United States doing their many road shows. In this episode you’ll hear: Chesterfield Broadcast of December 27, 1939 (The Inaugural Show) 1) Moonlight Serenade (Opening Theme) 2) Little Brown Jug 3) To You (w/ Ray Eberle, vocal) 4) Bei Mir Bist Du Schon (w/ The Andrews Sisters, vocals) 5) Danny Boy (Londonderry Air) 6) Ciribiribin (w/ The Andrews Sisters, vocals) 7) Medley: Star Dust (Something Old) Blue Orchids (Something New) Sunrise Serenade (Something Borrowed [Borrowed from Frankie Carle [his theme song]) Mood Indigo (Something Blue) (w/ Ray Eberle, vocal on Blue Orchids) 8) In The Mood 9) Moonlight Serenade (Closing Theme) Cafe Rouge Broadcast of December 21, 1940 1) Slumber Song (Opening Theme) 2) Daisy Mae 3) Helpless 4) Song Of The Volga Boatmen 5) Falling Leaves 6) Are You Jumpin' Jack 7) I Do, Do You? 8) Slumber Song (Closing Theme) Glenn Miller Broadcast from The Glen Island Casino on July 24, 1939 1) Moonlight Serenade (Opening Theme) 2) I Want To Be Happy 3) Oh! You Crazy Moon (w/ Ray Eberle, vocal) 4) Baby Me (w/ Kay Starr, vocal) 5) My Isle Of Golden Dreams 6) Moonlight Serenade (Closing Theme) Café Rouge Broadcast of 12/28/40 1) Slumber Song (Opening Theme) 2) Song Of The Volga Boatmen 3) You Walk By (Ray Eberle, vocal) 4) There I Go (Ray Eberle, vocal) 5) Oh! So Good 6) A Stone's Throw From Heaven (Ray Eberle, vocal) 7) I Dreamt I Dwelt In Harlem 8) Slumber Song (Closing Theme) Glenn Miller Civilian Band's Last Show of 9/27/42 Virtual Recreation 1) In the Mood [RARE 4 RIDE-OUTS VERSION] 2) Rhapsody in Blue 3) American Patrol 4) I've Got a Gal In Kalamazoo (w/ Tex Beneke, Marion Hutton & The Modernaires, vocals) 5) Jukebox Saturday Night (w/ Marion Hutton, Tex Beneke & The Modernaires, vocals) 6) At Last (w/ Ray Eberle, vocal) 7) Serenade In Blue (w/ Ray Eberle & The Modernaires, vocals) 8) It Must Be Jelly ('Cause Jam Don't Shake Like That) (w/ The Band & The Modernaires, vocals) 9) Moonlight Serenade (Closing Theme)

1 - Moment Musical by Franz Schubert - Raymond Scott Quintet – 19392 - Anitra's Dance by Edvard Grieg - Carmen Cavallaro And His Orchestra – 19483 - Anvil Chorus from Il Trovatore by Giuseppe Verdi - Glenn Miller and his Orchestra - 1948Les Brown and his Orchestra – 19414 - Meditation from Thais by Jules Massenet - Jackie Souders and His Orchestra - 1927Paul Whiteman & His Orchestra - 1924Carl Gay's Dance Orchestra – 19235 - Selections from the Nutcracker Suite by Peter Ilyich Tchaikovsky:March - Freddy Martin and his Orchestra - 1942Dance of the Sugar-Plum Fairies - Freddy Martin and his Orchestra - 1942Arab Dance - Larry Clinton and his Bluebird Orchestra - 1940Dance of the Reed Flutes - Freddy Martin and his Orchestra - 1942Waltz of the Flowers - Ambrose And His Orchestra – 19406 - Intermission features:Everybody's Making Money but Tchaikovsky - Betty Bonnie with Les Brown and his Orchestra - 1941As Brunnhilde's Battle Cry Might Be Sung by an American Crooner - Alec Templeton – 19407 - Flight of the Bumblebee by Nikolai Rimsky-Korsakov - Jack Fina with Freddy Martin and his Orchestra - 19468 - Nocturne In E Flat Major, Op. 9, No. 2 by Frederic Chopin - Ambrose And His Orchestra – 19429 - Selections from Carmen by Georges Bizet - Jan Savitt & his Top Hatters - 1941Raymond Scott Quintet – 194010 - Bella figlia dell'amore (Beautiful Daughter of Love) from Rigoletto by Giuseppe Verdi - Bert Ralton and His Havana Band - 1923Six Brown Brothers - 1916Raymond Scott Quintet – 194011 - The Tale of Peter and the Wolf by Sergei Prokofieff - Guy Lombardo And His Royal Canadians – 194212 - An Operatic Nightmare (A piano solo mash-up of the operas Lohengrin, Tanhauser, Samson, Faust, Pagliacci, and Rigoletto) - Felix Arndt - 191613 - Song of India from Sadko by Nikolai Rimsky-Korsakov - Tommy Dorsey and his Orchestra – 193714 - Symphony No. 6 "Pathétique” by Peter Ilyich Tchaikovsky - Glenn Miller and his Orchestra with Ray Eberle - 194215 - The Blue Danube by Johann Strauss - Spike Jones and his City Slickers – 194516 - Song of Momus to Mars by William Boyce – John Goss, baritone and Kathleen Markwell, piano – 192817 - Bolero by Maurice Ravel - Nat Shilkret and the Victor Orchestra – 193018 - Private Eye Test - Richard Diamond, Private Detective – 1950

Victor Herbert's modern, modest song of 1919 continues to enchant musicians to this day. WNYC's Sara Fishko tells the story in this archival edition of Fishko Files. (Produced in 2017) “Indian Summer”Lee Konitz, alto sax; Billy Bauer, guitarPrestige, 1956 "Indian Summer"Tommy Dorsey and his OrchestraJack Leonard, vocals1939 "Indian Summer"Glenn Miller OrchestraRay Eberle, vocalsBluebird, 1939 "Indian Summer"Sidney Bechet, soprano sax1940 "Indian Summer"Coleman Hawkins, tenor sax1945 "Indian Summer"Stan Getz, tenor saxPrestige, 1949 "Indian Summer"Chet Baker, tromboneFantasy, 1959 "Indian Summer"Barney Kessel, guitarContemporary, 1956 "Indian Summer"Joe Pass, guitarPablo, 1973 "Indian Summer"Jim Hall, guitarA&M, 1976 "Indian Summer"Frank Sinatra, vocals; Duke Ellington OrchestraFrank Sinatra Enterprises, 1967 "Indian Summer"Paul Desmond, saxSony, 1974 Fishko Files with Sara Fishko Assistant Producer: Olivia BrileyMix Engineer: Wayne ShulmisterEditor: Karen Frillmann

Como siempre que hay luna llena en fin de semana, dedicamos el programa a canciones sobre la luna. Empezamos con Eileen Farell y su extraordinaria versión de "Fly me to the moon", grabada hace justo medio siglo. Una de las más afectuosas canciones sobre la luna es "Moonlight cocktail" ("Cóctel a la luz de la luna"), que grabó en 1941 la orquesta de Glenn Miller con el cantante Ray Eberle y el grupo vocal The Modernaires. La cantante Lee Wiley grabó en 1945 su versión de "It's only a paper moon" ("Es sólo una luna de papel"), que había compuesto doce años antes Harold Arlen. En Voces con swing ya hemos puesto varias versiones de la canción italiana "Luna rossa". Esta vez la escuchamos cantada en inglés por Frank Sinatra, en un disco grabado en 1952 con el título de "Blushing moon" ("Luna ruborizada"). En 1945 Francisco Roviralta grabó un elegante fox titulado "Noche luminosa". Cuatro años más tarde, Antonio Machín grabó "Anoche hablé con la luna", del cubano Orlando de la Rosa. Al año siguiente Luis Mariano grabó otra canción cubana, pero cantada en francés, "Luna lunera". Y en 1955 Lolita Garrido grabó el fox de Agustín Lara "Luna, luna, luna". El director de cine Jesús Franco compuso en 1961 la canción que daba título a la película Luna de verano, que grabó en disco Juan Riquelme, acompañado al piano por el compositor. "Llanto de luna" es un gran bolero del cubano Julio Gutiérrez. Lo escuchamos en la poderosa voz de Elena Burke. Otro bolero, pero de estilo español, es "La luna enamorá", que escuchamos a ritmo de cha-cha-chá por el conjunto de Rudy Ventura. Terminamos con la irrespetuosa pero simpática versión de "Blue moon" que grabó el conjunto vocal The Marcels en el año 1960.Escuchar audio

Big Band Serenade continues our shows from remotes with Glenn Miller and His Orchestra. December 5, 1939.  A band remote from the Meadowbrook, Cedar Grove, New Jersey. The first tune is "Little Brown Jug." Ray Eberle sounds off key singing "Blue Rain." Glenn Miller and His Orchestra, Ray Eberle (vocal), Marion Hutton (vocal), Bill Abernathy (announcer).Online Meetings Made Easy with GoToMeeting Try it Free for 45 days use Promo Code Podcast  

Big Band Serenade continues our shows from remotes with Glenn Miller and His Orchestra. August 10, 1939.  A band remote from the Glen Island Casino, New Rochelle, New York. The first tune is, "The Lady's In Love With You." Ray Eberle sings a terible, "Twilight Interlude." Glenn Miller and His Orchestra, Ray Eberle (vocal), Tex Beneke (vocal), Marion Hutton (vocal).Online Meetings Made Easy with GoToMeeting Try it Free for 45 days use Promo Code Podcast  

Big Band Serenade continues our shows from remotes with Glenn Miller and His Orchestra. August 1, 1939.  A band remote from The Glen Island Casino, New Rochelle, New York. The first tune is, "The Lady's In Love With You." Glenn Miller and His Orchestra, Tex Beneke (vocal), Marion Hutton (vocal), Ray Eberle (vocal).Online Meetings Made Easy with GoToMeeting Try it Free for 45 days use Promo Code Podcast  

Big Band Serenade continues our shows from remotes with Glenn Miller and His Orchestra. August, 1939.  A band remote from The Glen Island Casino, New Rochelle, New York. Ray Eberle(vocal), Marion Hutton (vocal).Online Meetings Made Easy with GoToMeeting Try it Free for 45 days use Promo Code Podcast  

Big Band Serenade continues our shows from remotes with Glenn Miller and His Orchestra. June 13, 1939.  A band remote from The Glen Island Casino, New Rochelle, New York. The first tune is "At Sundown." Glenn Miller and His Orchestra, Ray Eberle (vocal), Marion Hutton (vocal).Online Meetings Made Easy with GoToMeeting Try it Free for 45 days use Promo Code Podcast  

Big Band Serenade continues our shows from remotes with Glenn Miller and His Orchestra. June 13, 1939.  A band remote from The Glen Island Casino, New Rochelle, New York. The first tune is "At Sundown." Glenn Miller and His Orchestra, Ray Eberle (vocal), Marion Hutton (vocal).Online Meetings Made Easy with GoToMeeting Try it Free for 45 days use Promo Code Podcast

Big Band Serenade continues our shows from remotes with Glenn Miller and His Orchestra. June 13, 1939.  A band remote from The Glen Island Casino, New Rochelle, New York. The first tune is "At Sundown." Glenn Miller and His Orchestra, Ray Eberle (vocal), Marion Hutton (vocal).Online Meetings Made Easy with GoToMeeting Try it Free for 45 days use Promo Code Podcast

Big Band Serenade continues our shows from remotes with Glenn Miller and His Orchestra. June 13, 1939.  A band remote from The Glen Island Casino, New Rochelle, New York. The first tune is "At Sundown." Glenn Miller and His Orchestra, Ray Eberle (vocal), Marion Hutton (vocal).Online Meetings Made Easy with GoToMeeting Try it Free for 45 days use Promo Code Podcast

Big Band Serenade presents Glenn Miller and His Orchestra. May 17, 1939.  An opening night band remote from The Glen Island Casino, New Rochelle, New York. The first tune is "At Sundown." "Swing" magazine reported that this matinee performance by the band had eighteen hundred people in attendance and had broken all daytime records for the casino!  Glenn Miller and His Orchestra, Ray Eberle (vocal), Marion Hutton (vocal), The Modernaires, Hugh James (announcer).

Big Band Serenade presents Glenn Miller and His Orchestra. April 4, 1939. Blue Network  A band remote from The Meadowbrook, Cedar Grove, New Jersey. The first tune is, "Blue Skies." Glenn Miller and His Orchestra, Ray Eberle (vocal), Marion Hutton (vocal).

Big Band Serenade presents Glenn Miller and His Orchestra. March 26, 1939 A band remote from The Meadowbrook, Cedar Grove, New Jersey. The first tune heard is, "The Moon Is A Silver Dollar." The last 12:33 of the program only. Glenn Miller and His Orchestra, Marion Hutton (vocal), Ray Eberle (vocal)

Big Band Serenade presents for your listening enjoyment Glenn Miller and His Orchestra. March 8, 1939 A band remote from The Meadowbrook, Cedar Grove, New Jersey. The first tune heard is, "Sold Americn." Glenn Miller and His Orchestra, Marion Hutton, Ray Eberle.

Big Band Serenade present Glenn Miller and His Orchestra On The Radio,January 6, 1939. A band remote from The Paradise Restaurant, New York City. The first tune is, "The Dipper Mouth Blues." Glenn Miller and His Orchestra, Marion Hutton (vocal), Ray Eberle (vocal), Tex Beneke (vocal), Howard Doyle (announcer)

Big Band Serenade presents Glenn Miller and His Orchestra. June 25, 1938.  A band remote from The Paradise Restaurant, New York City. The first tune is, "Why'd Ya Make Me Fall In Love" (announced inaccurately). The program's closing theme ("Moonlight Serenade") is announced as "having no name."  Glenn Miller and His Orchestra, Gail Reese (vocal), Ray Eberle (vocal)

Big Band Serenade presents Glenn Miller and His Orchestra. June 18, 1938. Blue Network. A band remote from the Paradise Restaurant, New York City. The first musical selection is, "The Butcher Boy."  Glenn Miller and His Orchestra, Gail Reese (vocal), Ray Eberle (vocal), Tex Beneke (vocal), Ben Grauer (announcer)

Big Band Serenade presents The Modernaires.  The songs played in this episode are in order of play; 1)"Make Believe Ballroom",2) "The Milkman's Matinee", 3) "It's Make Believe Ballroom Time" ,4) "Perfidia",5)"Elmer's Tune" w/ Ray Eberle ,6)"Chattanooga Choo Choo",7)"Juke Box Saturday Night"-1946, 8)"Don't Sit Under The Apple Tree (With Anyone Else But Me)" w/ Maron Hutton,9) "Serenade In Blue",with Ray Eberle,10)  I'v got a gal in "Kalamazoo" w/ Tex Beneke 1942,11)"Moonlight Cocktail" ,12)"That Old Black Magic"with Skip Nelsen,13)"I Know Why(And So Do You)", 14)"To Each His Own" w/ Ray Eberle