Podcasts about QuickTime

0:00 - Perfect Yogurt vs Fro-Yo vs Ice Cream.5:00 - REVIEW - “Spider-Man: Brand New Day” (2026). No spoilers yet! Just our general thoughts and reactions to the movie!33:00 - SPOILER TIME! We're talking about plot details, secret characters, the ending, and the future of this franchise, the future of the MCU, Doomsday, and Endgame Encore as well.1:17:47 - The future of the Spider-Man franchise.1:34:25 - We're done talking Spidey, now I want to talk about how the alleged X-Men movie fits into the upcoming slate of Marvel films. Is it one of the Untitled releases in 2027?1:46:33 - We talk about “Avengers: Doomsday” looming over us in December.2:08:21 - “Endgame Encore” and what exactly in the absolute hell they're thinking by doing this. Who is this for?? What if people don't see it? Are they out of the loop? You wanna take that risk?-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Conner would like to explain himself. We make pledges, and we intend to keep them, but life happens.8:30 - DISCUSSION - “Willow” (1988). I recently saw this movie for the first time, and as an adult man. We discuss why life experience and cultural context matters when you are first exposed to a movie, and how to have tempered expectations based on its intended audience.32:08 - Hey, did you see most of the cast of “The Sandlot” is coming back together for this “Dugout Dads” show?m We're excited.33:45 - RECOMMENDATION - “Hacks” (5 Seasons, HBO Max). No spoilers.40:44 - LIGHT RECOMMENDATION - “Fargo” (5 Seasons, FX/Hulu). No spoilers.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Dimenticatevi la puntualità: anche oggi Alex Raccuglia trasforma il tragitto in ufficio in un laboratorio di idee, tra clacson, parolacce e un'intuizione geniale. In questo episodio di *The Morning Run*, si parte da un banale (ma rocambolesco) problema di export video per un cliente in Ungheria e si arriva a sfornare un'applicazione desktop completa, professionale e visivamente pazzesca in puro stile *Vibe Coding*.Scopri come un intoppo sul downmix audio da 8 a 2 canali e una mezza figuraccia sui LUFS (che in Italia sono a -24 e all'estero sono precisi al millimetro) hanno acceso la scintilla. Alex ci porta dietro le quinte del suo workflow di programmazione agentica, spiegando come ha orchestrato Claude Opus, Gemini e ChatGPT per creare in poche ore un tool che fa analisi dei file, controlla le forme d'onda, adatta i parametri broadcast per ogni nazione e, soprattutto, fa una scena incredibile con vettorscopi e waveform che non servono a nulla, ma sono bellissimi da vedere. Un racconto che è un inno al “fare”, dove un prototipo diventa un prodotto vendibile prima ancora di arrivare in ufficio.**Tech Radar: brand, tool e servizi citati nella puntata**Ecco tutti i protagonisti tecnologici di questo episodio, smontati e spiegati:*   **

0:00 - Hey, our 600th episode is going to be Spider-Man!2:15 - Cats and John Cleese.4:15 - Conner pledges to watch “Avatar: The Last Airbender”, the original series. 12:10 - REVIEW - “Good Luck, Have Fun, Don't Die” (2026). No spoilers yet. This is equal parts complaining about Hulu.25:40 - SPOILERS for the film, but we want to talk about the ending.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - For some reason, we decide to discuss superpowers.11:00 - REVIEW - “The Odyssey” (2026). The hype, the filmmaking, the literary history, the “authenticity” conversation, and the recommendation.46:40 - SPOILERS for the film (and this centuries-old story).1:18:00 - What should Christopher Nolan do next?-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Original text by Dan Littman, Tom Moran, and Charles Piller. Apologies for my rough voice in this one. It's been a difficult year. “Apple and IBM will work together on architecture-independent multimedia products and license them to other vendors.” IBM never so much as bothered to license QuickTime, and allegedly stopped distributing its multimedia tools to discourage people from using AIX for multimedia delivery. The stupefyingly vague and dull Apple/IBM/Motorola alliance press conference. Warning: do not consume while driving or operating heavy machinery. Get to know your new IBM RS/6000 system! David Barnes talking about Taligent and Workplace/OS, because why not transplant your current computing environment on top of an environment that runs all environments that will be shipping Real Soon Now for … reasons? WWDC 1997 Q&A: What's holding back CHRP? Is Apple afraid of (gasp) being undercut by Macintosh clone makers? clabretro: RS/6000 startup sequence and 1990s GeoCities animé fan page font in the System Management Services console. Installing and running CorelDraw, Netscape 1.0, and Quake on an RS/6000. Remnants of CHRP in the AIX netinstall configuration assistant. Running Windows NT on a G3? More likely than you think. Cameron Kaiser's extremely detailed look at Netware Server on a Power Mac 6100. How about that artwork? That weird point in time where the highest performance AppleShare solution was a giant Apple box running AIX. Get a load of the chonky Motorola PowerStack systems.

Looking for a quick fix? In this episode, I'm sharing seven quick and simple techniques you can start using today to boost your productivity. But here's the honest truth: these hacks alone won't fix your overwhelm. I reveal what actually will, and how to build the real foundation that makes every hack you try finally stick.    Apply for a free time management coaching session: freetimecall.com.  Full shownotes: abouttimepodcast.com/331  

0:00 - Conner learned about “Red Door, Yellow Door” and is now dealing with preteen hypnotism.10:37 - REVIEW - “Good Boy” (2025)24:35 - SPOILERS begin.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Baseball Shirts!2:00 - Update on Dustin's Leg!4:50 - How was your 4th of July?6:00 - REVIEW - “Supergirl” (2026). No spoilers yet, but Dustin gives his thoughts on this film, and on the source material it draws from. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Dan Sullivan and Joe Polish go live in front of a live audience in the Zoom room for this 10x Talk, joined by Babs Smith and Dean Jackson and hosted by Paul Colligan. Dan compares AI to the invention of zero, a cognitive shift that took Europe roughly 300 years to absorb, and reveals the daily scoring system he has run for 217 straight days. Joe explains why the $2 million marketing archive sitting in his rented house has generated over $3 billion in tracked sales, and why no version of AI will ever replace a hug. Here's what you're about to discover in this conversation: Why Dan Sullivan says AI is the biggest cognitive disruption since the invention of zero, and how a concept dreamed up by philosophers in India took 300 years to reach Europe once it did. The $2 million marketing archive sitting inside Joe Polish's rented house, why it looks like hoarding from the outside, and how it has generated over $3 billion in tracked sales for his Members and Clients. Why Dan has scored every single day for 217 days straight on a scale of 1, 5, and 10, and what his highest day (250 points) actually looked like hour by hour. The direct mail letter Joe wrote for Bill Phillips back in 1998 that got reposted on Facebook decades later and pulled in $20,000 in sales in under an hour. Dr. Ned Hallowell's "right difficult" framework, and why finding yours might matter more than any AI tool on this list. If you'd like to join world-renowned Entrepreneurs at the next Genius Network® Event, apply today for your invitation to attend at geniusnetwork.com.   Show Notes:  AI as a Cognitive Disruption: The Invention of Zero Dan compares AI's arrival to the introduction of zero into mathematics, invented in India but not adopted in Europe until around 1200 AD, once Arab traders carried it west. Once zero arrived, it made double-entry bookkeeping possible and let European commerce and science take off. Dan's takeaway: it took 300 years for zero to become widely accepted, and nobody actually knows how fast AI adoption will play out. "It's all guesses and bets." The $2 Million Swipe File Living in a Rented House Joe describes the marketing library and swipe file he has collected over decades, roughly $2 million in courses, books, and direct mail archives housed in a rented property. Properly organized and applied, that archive has generated over $3 billion in tracked sales for Joe's Members and Clients. He compares it to a goldmine that, until AI came along, was nearly impossible to organize and distribute at scale. Digitizing Decades of Marketing History Joe used Claude to convert old Flip Video files from the early 2000s that would not open in QuickTime. He interviewed Mark Rukavina of iMemories, a media digitization company later sold to Ancestry.com, about digitizing consumer photos, film, and tape at scale. How a 1998 direct mail letter Joe wrote for Bill Phillips (Body For Life) generated $20,000 in sales in under an hour on Facebook. The Ocean Metaphor: You Cannot Get to All the Water Dan's analogy: you step out of the ocean, someone asks how the water was, and you realize you only touched a fraction of it. AI opportunity works the same way. It is vast, and no one will ever capture all of it. The real skill now is deciding which part of the water actually matters to you, instead of chasing every possible use case. Working Wiser: Quarterly Books and Claude 4.6 Dan has written a new small book every quarter since he started at age 70. This conversation covers book number 47. Structuring a book idea used to take about three weeks. With AI, the same process now takes about three hours. He started with Perplexity, then switched to Claude 4.6 for the quality of language it produces. The Hospitality Business: Humans for Hugs, AI for Thinking Joe's operating philosophy for Genius Network: let AI absorb everything that can be done with AI, finance, marketing, and calculations, so the Team is freed up to do only what humans can do. "Until I can figure out how to have AI give somebody a hug, I want a human that's actually caring to give somebody a hug." Handwritten Thank You Cards and the Return to Real Connection At recent Genius Network meetings, Members were asked to hand-write three thank you cards, no AI, and mail them from a mailbox outside the office. One Member in his mid-30s did not know how to address an envelope. Joe's point: as AI-generated content becomes ubiquitous, genuine human touch points become an unfair advantage. Yesterday Creates Tomorrow: The 217 Day Scoring System Dan's daily practice: score every activity 1, 5, or 10 points, built around one morning question. What can I do today so that tomorrow, looking back, this was a great yesterday? He has done this 217 days straight. His highest day scored 250 points. He credits it with reduced anxiety about the future and a near total elimination of what he describes as ADD-like scattering, chasing 20 imagined future outcomes that compete for today's attention. The idea anchors his next quarterly book, Yesterday Creates Tomorrow, due out the first week of September. Finding Your "Right Difficult" Joe reads Dr. Ned Hallowell's concept of a "right difficult," a creative outlet challenging enough to hold your attention and exciting enough that you actually want to return to it. Genius Network Team Members share their own: woodworking, oil painting, and sculpting with heavy equipment. Dean connects this to Steven Kotler's flow research: the activity has to sit just above your current skill level to produce real flow. The Jobs AI Will Not Replace Writing and communication is reportedly one of the hottest jobs in tech right now, with companies like Netflix paying up to $775,000 for people who are genuinely good with words. Robin Farmanfarmaian points to live events and in-person gatherings as a growing counterweight to screen time, and warns that over-reliance on AI is already measurably affecting cognitive skills people no longer exercise. Sales, influence, persuasion, and work requiring real empathy (a surgical practice is cited as one example) are flagged as durable, human-only domains. DOS: Dangers, Opportunities, and Strengths Joe revisits Dan's long-standing DOS framework: every market, community, or industry has its Dangers, Opportunities, and Strengths. The job of an Entrepreneur is to use their strengths to convert dangers into opportunities. Applied to AI: fear and disruption in a given space is often a signal pointing straight at the opportunity. Closing Wisdom: One Sentence Each Dan's closing tip for working wiser: "Focus on buyers and subscribers when it comes to making money." His final piece of advice for the group: "It's better to have happy days than unhappy days." Dean shares his own "1,000 minutes a day" time budget, built on the same idea that time is a currency you either spend proactively or lose by default.   Resources: Zero Was Just the Beginning  |  Dan Sullivan's Strategic Coach article comparing AI's rise to the historical adoption of zero. The Hottest Job in Tech Is Writing Words  |  Amanda Hoover's Business Insider piece on six-figure writing salaries in the AI era. Mark Rukavina, iMemories Interview  |  Joe's conversation with the founder of iMemories, the media digitization company later sold to Ancestry.com. Body For Life  |  The fitness brand Joe helped scale from $60 million to $200 million in an 18-month period. Genius Network Annual Event  |  Apply to attend the event where Dan, Babs, Dean, and Robin will all be speaking this year. I Love Marketing Live  |  Joe and Dean's mid-year Wins and Roadblocks session. Strategic Coach Starter Kit  |  A complimentary starter kit for anyone wanting to learn more about Strategic Coach. 10x Talk Subscribe  |  Subscribe to future 10x Talk live episodes.  

0:00 - Conner has one cat, then a kitten, finds two more kittens, then finds acceptance. Why don't people want to adopt cats? 5:35 - RECOMMENDATION - “Flow” (2024). 13:54 - CRITIQUE - “Greenland 2: Migration (2026).37:02 - RECOMMENDATION - “Keeper” (2025).-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Dustin's Physical Therapy adventures.8:30 - REVIEW - “Toy Story 5” (2026). We give some quick thoughts on the 4th film, for context, and then our spoiler-free thoughts on this movie.26:00 - BEGIN SPOILERS. We discuss the plot in detail. 43:00 - We decide to write the 6th film…and boy do we. First, we get out all our bad ideas.59:40 - But seriously, here we go. Anything short of this idea is simply not good enough. We're cooking now.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

REVIEW - “Masters of the Universe” (2026)-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Loud Noises and Alien Trap Music.3:45 - REVIEW - “Disclosure Day” (2026). No spoilers, don't worry.45:50 - The movie fails to go all-in on what could have been its big theme. Here's what we would have done instead. How do you think humanity would respond if presented with proof of alien life? How do you think people of faith would react to this?-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Conner's AC is fixed and I stopped myself from getting scammed! Jump to the next timecode if you'd like to not hear home repair stories.6:05 - Dustin had a great fall. (Not that kind. It's June).26:28 - RECOMMENDATION - “Man on the Run” (2025).48:30 - Conner has brief complaints about Amazon.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

En este episodio Víctor cuenta cómo ha llegado a la conclusión de que ninguna herramienta de grabación de podcast en remoto le funciona del todo bien, y lo que ha hecho al respecto: construir la suya propia. Se llama Red Panda Club y hoy sale al mundo. Quince años de podcast, de Skype con grabación en local, de Zencastr perdiendo episodios enteros, de Riverside complicándose hasta el punto de necesitar 26 clics para bajarte un archivo. Y la solución más sencilla: separar la llamada de la grabación, y dejar cada parte en manos de quien mejor la hace. ¿Quieres saber cómo Víctor construye herramientas como esta por su cuenta? En el episodio Premium de esta semana entramos en los detalles técnicos y de negocio que no caben aquí. → Apúntate al Premium Lo que vas a escuchar La historia completa de grabación en remoto de Víctor: de Skype y QuickTime a Zencastr, de Zencastr a Riverside, y de Riverside a nada de lo anterior. Por qué Riverside se ha convertido en un problema: demasiadas funciones, demasiados clics, grabaciones que se pierden. La idea que Víctor llevaba años queriendo ejecutar: separar la herramienta de llamada de la herramienta de grabación. Red Panda Club: cómo funciona, para qué sirve y por qué Víctor ya lo usa en lugar de Riverside y Zencastr. El flujo completo: sesión, link al invitado, grabación en local en los dos ordenadores, subida al servidor, mezcla y descarga. El episodio Premium de esta semana Este episodio en abierto es la presentación pública de Red Panda Club. En el episodio Premium de esta semana Víctor va más a fondo en cosas que no caben aquí: Las decisiones técnicas y de producto que hay detrás de cómo está construida la herramienta. Cómo vibe-codear un proyecto así desde cero sin ser desarrollador. Los primeros pasos reales del lanzamiento y qué está pidiendo la gente en el beta. → Apúntate a No es Asunto Vuestro Premium para escuchar el episodio completo. Transcripción del episodio [00:00] Los primeros años grabando podcast en remoto Cuando comencé a hacer los primeros podcast, hace ya unos quince años, los primeros que hice fueron con Adrià Cuatracasas y hablábamos de cine documental. Era todo a distancia, y los problemas que teníamos para grabar eran increíbles. En aquella época empezamos con Skype y cada uno se grababa en local en su ordenador, con QuickTime o lo que tuviese a mano. Luego uno de los dos tenía que enviarle el archivo al otro. Ya sabéis cómo iba esto. Al cabo de dos o tres años empezaron a salir las primeras herramientas que hacían lo que ahora hace Zencastr o Riverside. Creo que la primera que usamos se llamaba Ringer, y iba fatal. Y ya en 2015, más o menos, salió Zencastr. La idea era buenísima y nos solucionaba mucho trabajo, pero daba un montón de problemas: se perdían grabaciones, estaban desincronizadas, te tenías que bajar los archivos por separado y volver a sincronizarlos tú. Era el mismo trabajo que haberlo hecho con Skype. Había ecos raros, problemas en Chrome, etcétera. Problemas toda la vida. [01:38] De Zencastr a Riverside, y de Riverside a nada Hasta el año pasado estuve con Zencastr y tenía problemas. Me pasé a Riverside, y en Riverside también tengo problemas. Hay gente a quien le va muy bien, hay gente que Riverside le parece lo mejor del mundo, pero lo que no me podréis negar es que se ha complicado de una manera increíble. Los últimos podcast que grabé la semana pasada, no podía ni bajarme los archivos: tenía que usar Edge porque en Chrome se quedaba tonto. Han añadido tantas cosas, vídeo, transcripciones, inteligencia artificial… que para bajarte un archivo tienes que hacer 26 clics sin exagerar. Una auténtica chapuza. Son herramientas que uso un par de veces a la semana y no deberían ser tan complicadas. Por eso llevo tiempo cagándome en Riverside y en Zencastr. Y entonces he hecho lo mío: he hecho yo un Zencastr bien, un Riverside bien. Como siempre había deseado hacerlo. [02:25] La idea que llevaba años en el cajón Esta es una idea que he tenido desde hace mucho tiempo y de hecho la he probado un par de veces, intentando desarrollarla subcontratando a desarrolladores. El razonamiento era muy sencillo: si hay herramientas que ya hacen muy bien el tema de la llamada, si Google Meet es de Google y funciona de maravilla, si Zoom funciona estupendamente… ¿por qué no hacer un sistema de grabación tipo Zencastr o Riverside que sea paralelo a esa otra herramienta y funcione por encima? Tú la llamada la haces con la herramienta que ya sabes que funciona y que funcionará siempre. Y con esta otra herramienta de grabación de podcast en local consigues lo que realmente quieres: que el sonido sea bueno, que se grabe en los dos ordenadores y que se haga la mezcla automática. Lo había intentado en un par de ocasiones y no salía bien, porque hace dos meses las cosas eran mucho más complicadas de implementar. Hoy, ya no. [03:27] Red Panda Club: así funciona Hoy nace, atención: Red Panda Club. Se llama así porque estoy reaprovechando un dominio que tenía, y además me gustan los pandas rojos. Red Panda Club. ¿Qué hace? Es un servicio web que funciona tanto en navegador de escritorio como en móvil. Tiene dos versiones: la del host (yo, en este caso) y la del invitado, la persona a quien le envío el link. El flujo es este: creo una sesión, en Google Meet, en Zoom, en Discord, en WhatsApp, donde quieras. Pones el link ahí, pones el email del invitado, le das a continuar. Cuando el invitado abre el link, tú recibes una notificación. Le das a grabar y empieza la grabación en local en los dos ordenadores. El audio se sube al servidor, se hace la mezcla, y puedes descargarlo todo junto o por pistas separadas. Listo. Funciona siempre porque la parte de la llamada, que es la complicada, ya la gestiona Google Meet. Y ese es exactamente el problema que Zencastr y Riverside nunca resolvieron del todo: mezclar la llamada y la grabación en la misma herramienta genera demasiados puntos de fallo. [04:27] Beta, primeras peticiones y lo que viene Además de bajarte el archivo, ya puedes añadirle una música de entrada y una música de salida, y hay muchas otras cosas que me están pidiendo los primeros beta testers y que voy a ir añadiendo. Estoy contentísimo. Ya está, me he olvidado de Riverside, me he olvidado de Zencastr. Tengo esta herramienta que además voy a hacer crecer con el feedback de toda la gente que sigue No es Asunto Vuestro. Si queréis probarlo: redpandaclub.com. Menciones y recursos del episodio Red Panda Club: la nueva herramienta de grabación de podcast en remoto de Víctor. redpandaclub.com Riverside: plataforma de grabación de podcast en remoto. Zencastr: plataforma de grabación de podcast en remoto. Google Meet: herramienta de videollamada usada como base para las sesiones de Red Panda Club. Zoom: alternativa de videollamada compatible con Red Panda Club. Discord: alternativa de llamada compatible con Red Panda Club. Ringer: primera herramienta de grabación en remoto que mencionó Víctor (ya desaparecida). Skype: herramienta usada en los inicios del podcast. Adrià Cuatracasas: co-conductor del primer podcast de cine documental de Víctor. QuickTime: software de grabación en local usado en los primeros tiempos. ¿Quieres saber cómo se construye algo así? En el episodio Premium de esta semana Víctor entra en los detalles reales: las decisiones de producto, cómo lo ha desarrollado y qué está aprendiendo en los primeros días del beta. Todo lo que no cabe en cinco minutos de audio. → Apúntate a No es Asunto Vuestro Premium Noesasuntovuestro.com

0:00 - Conner's hellish life without air conditioning in Alabama.5:30 - Dustin's one-sentence summary of the film, before we recklessly address spoilers.6:30 - CRITIQUE - “The Mandalorian and Grogu” (2026). We discuss why this film wasn't simply made into a season of the existing television show, why talented people can still produce garbage, and as always, we come up with a much better story on the fucking spot.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

We don't do this as much anymore, but here's several things in one episode!1:00 - We're getting older, so today's chatter is about calories! Also we seemingly look down on accountants?7:41 - THOUGHTS - “Daredevil: Born Again, Season 2” (2026).12:55 - THOUGHTS - “Punisher: One Last Kill” (2026). It's odd to have a bottle episode of Marvel inside of this MCU, but maybe they're just open to experimenting these days.23:27 - THOUGHTS - “Gary” (2026). The surprise drop of a bottle episode of “The Bear”.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

1:00 - I think it's fun when books are adapted into documentaries.3:30 - REVIEW - “Mercy” (2026). 31:22 - Chris Pratt's team's choices lately.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

REVIEW - “Tuner” (2026). The reason many films feel familiar after a while, it's just the way art is. It's supposed to feel familiar enough while also feeling new.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Conner's trip to Gatlinburg. 15:00 - REVIEW: “Apex” (2026). -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Man, 90s Nickelodeon, TOny Hawk, Skate Cultre, Hobie Da Cat.12:09 - First we quickly discuss the first film, (“Ready or Not” (2019)) which we have both seen. 20:45 - SPOILERS for Film 127:09 - REVIEW - “Ready or Not 2: Here I Come” (2026)40:35  - Get your shit together, Hulu.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Are we the video game-to-film-adaptation apologists now?3:47 - This title, like what the fuck?7:30 - REVIEW: “The Super Mario Galaxy Movie” (2026). We get into why a simple story is fine, the difference between Memberberries and Adapting the Source Material.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Discover how vibe coding with Claude is reshaping accessibility for non-programmers. Steven Scott shares real-world projects, from a simple NVDA Item Chooser add-on to early prototypes of accessible media players and editors. In this episode, Steven Scott and Shaun Preece explore the practical side of vibe coding, showing how anyone—even without coding experience—can create functional and accessible apps with AI. Steven walks through prompts he used to build a basic NVDA add-on, a QuickTime-style audio/video player for Windows, and even an early-stage accessible media editor. The discussion covers Claude's strengths for non-coders, accessibility challenges on Mac vs PC, terminal vs chatbot approaches, and how vibe coding could democratise software creation for the blind community. Along the way, they highlight key insights, real prompts, and lessons learned from debugging with AI. Relevant Links NVDA Screen Reader: https://www.nvaccess.org Claude AI: https://www.anthropic.com/claude ----Follow on:YouTube: https://www.doubletaponair.com/youtubeX (formerly Twitter): https://www.doubletaponair.com/xInstagram: https://www.doubletaponair.com/instagramTikTok: https://www.doubletaponair.com/tiktokThreads: https://www.doubletaponair.com/threadsFacebook: https://www.doubletaponair.com/facebookLinkedIn: https://www.doubletaponair.com/linkedinSubscribe to the Podcast:Apple: https://www.doubletaponair.com/appleSpotify: https://www.doubletaponair.com/spotifyRSS: https://www.doubletaponair.com/podcastiHeadRadio: https://www.doubletaponair.com/iheartAbout Double TapHosted by the insightful duo, Steven Scott and Shaun Preece, Double Tap is a treasure trove of information for anyone who's blind or partially sighted and has a passion for tech. Steven and Shaun not only demystify tech, but they also regularly feature interviews and welcome guests from the community, fostering an interactive and engaging environment. Tune in every day of the week, and you'll discover how technology can seamlessly integrate into your life, enhancing daily tasks and experiences, even if your sight is limited."Double Tap" is a registered trademark of Double Tap Productions Inc. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

0:00 - REVIEW - “Normal” (2026). 11:20 -  SPOILERS and DISCUSSION - things that should have been done differently.30:34 - We get into the muddy subject of why there are so many “passable but not memorable” films out there, the ethics of choosing not to support independent films that aren't appealing, and at what point in life we begin to not finish movies we aren't enjoying.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Tattoo ink is rebelling against Conner, and we discuss our very very strange clothing habits.13:23 - Did anyone see any of the Oscars? I know it was like 2 months ago, bite me. 21:00 - REVIEW/DEFENSE: “Gran Turismo” (2023). Conner has little to say about the film, but plenty to say to opportunistic critics.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - “Thundercats” outtakes, plus will Kellan die during this recording? Stay tuned to find out!1:30 - Saving your beard is always a mistake.3:08 - REVIEW - “Project Hail Mary” (2026). We give our general thoughts on the movie, but quickly veer into discussions about the book as well, and we get into spoilers..somewhere. I'll try to mark the timecode. 48:55 - SPOILERS BEGIN - I think I've decided this is the point at which we start spoiling major plot elements.1:18:13 - The review is over at this point. Stick around for jokes and silliness, because it was very late at night at this point.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

We love a ranking here on The Vergecast, and it's time for the hardest one yet: David and Nilay compare notes on the 50 best products Apple has ever made, and see how their answers stack up to the many, many voters on The Verge this week. Before that, though, it's time for a bit of AI news — surprise, it's enterprise software! — and the comeback of the Hype Desk. After all that, and after the rankings, we do a round of Brendan Carr is a Dummy, talk about the fediverse, and repurpose our old iMacs. Vote for The Vergecast in the Webby Awards! A vote for The Vergecast is a vote that Brendan Carr is a dummy, that buttons are good, and that party speakers rule the world. Voting is open until April 16.  ⁠https://vote.webbyawards.com/PublicVoting#/2026/podcasts/shows/technology⁠ Further reading: ⁠OpenAI's big numbers: $122 billion funding round, 900 million weekly ChatGPT users. ⁠ ⁠Why OpenAI killed Sora ⁠ ⁠I think Google is taking a couple digs at OpenAI about Sora. ⁠ ⁠Apple's third-party Siri Extensions could lead to an AI App Store. ⁠ ⁠Microsoft's new ‘superintelligence' game plan is all about business⁠ ⁠OpenAI acquires TBPN | OpenAI⁠ ⁠Apple turns 50: celebrating five decades of the tech giant ⁠ ⁠Everything is iPhone now ⁠ ⁠Steve Jobs and the greatest run of products in tech history ⁠ ⁠How the invention of QuickTime changed computers forever ⁠ ⁠The triumphs and failures of Apple without Steve Jobs ⁠ ⁠The Apple product that really changed the industry: the MacBook Air ⁠ ⁠Apple at 50: a visual history ⁠ ⁠The origin story of Apple's long-running relationship with Foxconn ⁠ ⁠Apple's long, bitter App Store antitrust war ⁠ ⁠Snazzy Labs' iMac - Studio Display Mod Guide⁠ ⁠Flipboard Surf launches social websites combining Bluesky, Mastodon, RSS, and more⁠ ⁠These Raspberry Pi price hikes are no joke ⁠ ⁠Today is the final day to save up to $150 on a PS5 before the price goes up ⁠ ⁠Sony temporarily suspends memory card sales due to shortages ⁠ ⁠The White House has an app now, and Trump wants you to report people to ICE on it ⁠ ⁠What's inside the White House app? ⁠ Subscribe to The Verge for unlimited access to theverge.com, subscriber-exclusive newsletters, and our ad-free podcast feed.We love hearing from you! Email your questions and thoughts to vergecast@theverge.com or call us at 866-VERGE11. Learn more about your ad choices. Visit podcastchoices.com/adchoices

1:30 - Conner Boiled his hand.4:38 - Conner's Seaside Trip.9:00 - Dustin saw “Project Hail Mary” quite a while ago, and would like to give it a recommendation before we review it on an upcoming episode.13:13 - REVIEW - “Wake Up Dead Man”(2025). 31:52 - SPOILERS BEGIN!!!!Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - We back!13:00 - The concept of a multi-film series having an “entry point”, and we get into why it's much harder for older people to quit social media and streaming.43:47 - WE ARE reviewing a film this week!44:00 - But first, “Dresser Dreams”47:00 - RECOMMENDATION - “Train Dreams” (2025)56:04 - SPOILERS BEGIN.=====-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

1:15 - We make fun of the poster for this show while we get ready to start the discussion.4:00 - DISCUSSION - “Alien: Earth” (1 season)34:00 - We go on video eventually to discuss what would make a better Alien story and why Fox is so bad at making them.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:45 - Reacher review13:25 - We go into why television is the best medium for novel IPs. Yes, there have been film successes, but those are the exception, not the rule.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

1:15 - HIGH RECOMMENDATION - “Hacks” (4 seasons)-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

1:15 - HIGH RECOMMENDATION - “The Handmaid's Tale” (six seasons). -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

1:15 - LIGHT RECOMMENDATION - “Ironheart” (one season).-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Just be an adult. Be a grown-up.5:25 - RECOMMENDATION? - “Friendship” (2025).-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

1:15 - RECOMMENDATION - “Shrinking”. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

1:15 - RECOMMENDATION - “Presumed Innocent”-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Original text from Maclopedia. While I wasn't looking, Frank Casanova parted ways with Apple in 2024. Whoops. John Buck's book on Apple's Advanced Technology Group, Inventing the Future, is worth your while. John is also on the fediverse. Stick around and you might pick up some extra dirt. Unedited versions of the Macintosh Quadra 700/900 launch, the Macintosh IIfx launch, and the WWDC 2004 announcement of QuickTime 7's support for H.264.

0:00 - A quick reminder that Homestarrunner.com is STILL A THING! Makes us feel old as all fuck. 6:45 - Welcome to the Best Movies of 2005. Here is my annual disclaimer and bulwark against stupid complaints about what isn't on my subjective list. 10:45 - #14 The Island 12:30 - #13 The Longest Yard 14:13 - #12 Corpse Bride16:40- - #11 The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe 19:10 - #10 Pride and Prejudice 24:20 - #9 Munich 26:07 - #8 A History of Violence 27:30 - #7 Wedding Crashers 31:10 - #6 The Exorcism of Emily Rose 33:27 - #5 War of the Worlds 36:30 - #4 Capote 39:03 - #3 Kiss Kiss Bang Bang 40:37 - #2 Good Night and Good Luck 44:54 - #1 Walk the Line! 49:43 - Dustin's Honorable Mentions -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - It's amazing that people can watch and enjoy art while totally missing its message, don't you think? 8:00 - RECOMMENDATION - “Don't Look Up” (2021)-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - It's Black Friday, and I hope you have somethings to be thankful for in this sea of garbage was live in. 6:45 - NON-RECOMMENDATION - “Relay” (2025)-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - In the same weekend, Conner watched two films directed by Steven Spielberg about crimes against the Jewish people. Not intentional. But Conner saw “Munich” and “Schindler's List” for the first time and had feelings about both as they relate to recent world events. 8:00 - We stumble into a conversation about PureFlix, CleanFlix, VidAngel, all the “clean edited” film services.17:00 - LIGHT RECOMMENDATION - “Jurassic World: Rebirth” (2025). Spoiler-free.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Who's more likely to be dead by the end of the year, Conner or Dustin?2:50 - RECOMMENDATION - (“Conan O'Brien Must Go”)------Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - I treated myself and bought a new audio mixer and fun video accouterments. I deserve it and I'm glad to be getting them! 6:00 - A quick conversation about canned water, which we love. 9:13 - LIGHT RECOMMENDATION - “Predator: Killer of Killers” (2025) 25:38 - We end up discussing franchise films that are developed all at once, which we're fans of.  -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Intro and thoughts on Halloween. 2:00 - RECOMMENDATION - “Death of a Unicorn” (2025). 14:00 - Just make art, and don't worry about anyone's approval. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Cat mud butt. 4:00 - LIGHT RECOMMENDATIONS - “The Accountant”, “The Accountant 2”-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Intro and direct shaming of Disney.1:50 - REVIEW - “Lilo & Stitch” (2025). -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - This is our last scheduled recording before our winter hiatus. Enjoy our previously recorded, unreleased backlog while we're away doing other stuff until the spring! Keep us in your feeds because there will still be new episodes out for a while before we run out of reviews! 2:45 - REVIEW - “One Battle After Another” (2025). Our overall thoughts on the film and the level of recommendation we give it.28:55 - SPOILERS BEGIN - Favorite moments.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Original text by Konstantin Othmer and Bruce Leak for Apple's develop! magazine, May 1992 and June 1994. “These problems are supposed to be tough. If you don't get a high score, at least you'll learn interesting Macintosh trivia.” More about Bruce Leak's time on the original QuickTime team. Gary Davidian PRAM stories from his CHM oral history (video, transcript). See also: Debugging Macintosh Software with Macsbug by Konstantin Othmer and Jim Straus.