Podcasts about QuickTime

What if one unsolicited demo, sent to an artist you had never met, set the direction of your entire career? In this episode, John Petrocelli, founder and CEO of Bulldog DM, shares how encrypting a copy of Purple Rain and sending it to Prince's organization led to building the first direct-to-consumer music service for a major artist, and eventually to one of the most experienced livestream studios in the world. John has powered livestreams for Coachella, the Masters, the Royal Wedding, the Grammys, and the Oscars. He has been in the industry for 20 years, almost as long as it has existed. This conversation covers the mentors who shaped that path, including Prince and Mark Cuban, and why he believes there has never been a better time to enter the space. [00:04:13] What He Does and Who He Serves Founder of Bulldog DM, the world's most experienced livestream studio Provides turnkey services and strategy for clients mastering live video Clients range from AT&T and Coca-Cola to ad agencies, social platforms, and sports teams Just celebrated 14 years in business [00:05:39] Why Live Video Exploded The pandemic made live video a globally adopted behavior almost overnight Grandparents used Zoom, students took distance learning, trade shows went virtual The market corrected coming out of the pandemic Netflix has since gone heavily into live with NFL games, the Home Run Derby, and WWE [00:07:12] Where the Industry Is Now Netflix reports roughly 250 million people consuming ad-based video Amazon, YouTube, and Hulu are all cranking out live content Paramount announced a seven-year, seven billion dollar UFC deal days after the Skydance acquisition Every major platform now has live capability built in [00:08:43] The AEG and YouTube Years Sold his boutique livestreaming company into AEG AEG owns Coachella, a third of the Lakers, the Kings, and venues worldwide Pitched YouTube on entering live and ran a proof of concept with Alicia Keys in Times Square American Express sponsored it and the results opened the door [00:10:00] Starting Bulldog DM Too Early Powered Coachella, Bonnaroo, Rock in Rio, product launches, and movie premieres on YouTube Spun out believing this was clearly the future Without the AEG and YouTube anchors he had to start over Realizes now he started the business a little early [00:10:21] What Being Early Actually Gave Him Sat down with brands and agencies on Madison Avenue and just listened Kept hearing the same challenges: cord-cutting, brand safety, and ad blocking Brands also needed to reach a generation that values experiences over possessions He built the business specifically to address those problems [00:11:00] Why Watch Time Matters So Much Advertising is one of the most disintermediated industries there is Done properly, they can unlock 5 to 30 minutes of watch time for a brand Human attention span has fallen from about 12 seconds to below eight this century Live, collaborative, participatory experience is what counteracts that [00:12:22] How He Got Into Streaming Entered during the format wars between Windows Media, QuickTime, and RealPlayer Worked in content delivery, supporting every format as neutral ground His LA clients were broadcasters, studios, record labels, and sports entities That vantage point gave him an early look at where things were headed [00:13:00] The Call from Apple Apple approached him about their happiness with his QuickTime work in music An artist wanted to do direct distribution themselves That artist was Prince, and John was a massive fan He was already thinking about how content would need to be monetized and protected [00:13:45] The Purple Rain Demo Pulled a copy of Purple Rain off a file sharing network Had an engineer encrypt it so playback required authorization Non-members paid 99 cents; fan club members paid 77 cents Prince replied in the middle of the night: this is exactly what I want to do [00:14:27] Building for Prince Built the first direct-to-consumer music service for a major artist Prince filled it with audio, video, unreleased material, and live footage He then asked for a ticketing platform so fan club members got the best seats Fans signed up for both the content and premium access to the comeback tour [00:15:15] The Night the Light Bulb Went On Saw two back-to-back warm-up shows at the House of Blues in Las Vegas at 2am Both nights had completely different set lists Realized there would come a day when this became a shared experience An amplified audience tuning in together alongside the people in the room [00:16:04] Surviving the Industry's Early Failures The industry was remembered more for failures than successes early on The Victoria's Secret Fashion Show famously crashed the internet An Oprah livestream faced the same problem The industry only rose once bandwidth became ubiquitous [00:17:39] The First Mentors: Rob Hale and Tim Leiweke Worked for Rob Hale at a Boston telecommunications company in his twenties Hale is now a self-made billionaire and minority owner of the Boston Celtics He famously gives graduates two stacks of cash, one to keep and one to give away Tim Leiweke at AEG was the other major leadership influence [00:18:33] What Prince Taught Him Fearless in trying, always wanting something new and different Wrote two songs a day and left a vault of roughly 4,000 unreleased pieces Played 23 instruments and produced hits for many other artists Was a major philanthropist who deliberately kept it private [00:19:30] Why Mark Cuban Is the Godfather of Streaming Wanted to hear his college basketball games from out of market in Dallas Friends would hold phones up to radios on speakerphone so he could listen He worked out how to encode and distribute that audio feed AudioNet became Broadcast.com, which Yahoo bought for $5.7 billion [00:20:38] The Lessons He Took from Cuban Read everything Cuban wrote and followed every interview Sales cures all, whether you are starting a company or running one No customers means no company Watched a Delta in-flight masterclass twice and emailed him afterwards [00:22:38] Client Impact: Winning AT&T Called on AT&T repeatedly before finally getting a meeting Won the chance to livestream the Masters through AT&T's sponsorship Delivered multiple camera feeds including Amen Corner plus a layered leaderboard Persistence was the Mark Cuban voice in his head [00:24:00] Assertive, Not Aggressive Aggressive puts people off and passive gets you put off Assertive sits in the middle and leads with value and information AT&T came back asking how to tell their 5G story away from market noise [00:24:30] The 5G Fan Zone AT&T signed major partnerships with the NBA and NCAA Tentpole events have multiple brand nights leading up to the main event Built a 5G fan zone streaming performances over a pop-up network at the venue Viewers could switch camera perspectives, including cams that were Samsung Galaxy phones [00:26:20] Twenty-Two Executions and Counting Deployed across NBA All-Star concerts, the Final Four, and college football playoffs Streamed audio in stereo when most social platforms were mono The digital audience was far larger than the in-room audience Roughly 22 executions across the AT&T portfolio with strong results [00:28:30] Final Word: There Has Never Been a Better Time Livestream e-commerce is roughly a $500 billion business in China TikTok Shop launched in the US in September 2023 It is predicted to do about $26 billion this year, more than Target, Lowe's, and Best Buy combined Live shopping has lowered return rates by about 40% because buyers can ask questions   KEY QUOTES "The general human attention span at the beginning of the century was about 12 seconds, and now it's fallen to below eight." - John Petrocelli "If you're aggressive, you're gonna put people off. If you're passive, they're gonna put you off. But if you're assertive, and you're providing value, that can lead to success." - John Petrocelli CONNECT WITH JOHN PETROCELLI Website: https://www.bulldogdm.com LinkedIn: https://www.linkedin.com/in/johnpetrocelli Instagram: https://www.instagram.com/jjpetrocelli Thanks for tuning in! If you liked my show, please LEAVE A 5-STAR REVIEW, like, and subscribe! Find me on: Apple Podcasts | Spotify | iHeart Radio | Stitcher

0:00 - How would Indy handle Crohn's Disease?9:15 - But other than that, this is just a freewheeling discussion about what the Indy films mean to us personally, what they did for moviemaking, for pop culture, and why they remain unique, even from their lesser-quality sequels.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Gear is the hardware; tools are the stack. You need a host, because a podcast is something people can get anywhere — that means an RSS feed that reaches Apple, Spotify, Overcast, Pocket Casts and the rest, not just a YouTube upload. I recommend RSS.com, and the disclosure is that I'm their evangelist; the reason I'm comfortable doing that is the free plan, which has no cap on how much audio you upload. Record with QuickTime or Windows Recorder, edit in GarageBand or Audacity for nothing, or step up to transcript-based editing with Gling, Descript, or Riverside. All in, you can be publishing for under two hundred dollars a year.Resources & LinksDescript (affiliate link) — go.streamlined.fm/descriptRiverside (affiliate link) — joec.pro/riversideMy full tools list — streamlinedsolopreneur.com/toolsJoin my newsletter for solo business owners: streamlined.fm/joinPodcast hosting by RSS.com (affiliate link): rss.comDisclosure: this episode description was generated with AI.Have feedback? Send a voice note to the show!

0:00 - Some quick housekeeping: one one annual staple, I QUIT.3:50 -  RECOMMENDATION - “Obsession” (2026)15:07 - “Obsession is also a cologne. A quick discussion regarding cologne.16:47 - RECOMMENDATION - “Nirvanna the Band the Show the Movie” (2026).27:35 - We're in favor of these YouTubers making movies.29:12 - RECOMMENDATION - “How to Train Your Dragon” (2025).49:41 - Fun story about Chris Sanders and ice cream.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

The thing I keep landing on when I ask why my show did well is that I was stubborn about audio at a time when most shows weren't. Guests recorded their own side — I wrote instructions for QuickTime and for Windows, sent a Dropbox link so they didn't have to figure out hosting, and always kept a backup on my end. The story that proves how far I'd take it: I once interviewed Troy Dean with my headphone monitors off, and only afterward realized I'd recorded my entire side on the built-in Mac mic. There was no AI cleanup to fall back on, so I transcribed the whole conversation and re-read every one of my questions between his answers. Back then, sounding good was enough to be good. That is not true anymore, which is where the back half of this series is headed. Resources & Links Join my newsletter for solo business owners: streamlined.fm/join Podcast hosting by RSS.com (affiliate link): rss.com Disclosure: this episode description was generated with AI. Have feedback? Send a voice note to the show!

0:00 - Remember our Toy Story 6 pitch? Pepperidge Farm remembers.5:30 - REVIEW - “Coyote vs. Acme” (2026). The long-awaited, nearly-erased film is finally in theaters, and we done saw it.24:24 - Financially, was Warner Brothers right to shelf this film? Take a look at the box office.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

The 2016 stack, as best I remember it: Skype for the call with video on so I could read body language, Ecamm Call Recorder capturing the Skype audio, and QuickTime recording my side locally — with a guest notes page asking every guest to do the same. I edited in Audacity, later GarageBand, and my first mic was the Blue Yeti, which sounds bad mostly because people talk into the top of it instead of the front. I was going to host the files on my own site until my friend Jackie Delia talked me out of it, which is how I ended up on Libsyn. Were they the best tools? No. Were they the ones I had? Absolutely. Resources & Links Ecamm (affiliate link) — joec.pro/ecamm Also mentioned: Skype, QuickTime, Audacity, GarageBand, Blue Yeti, Libsyn Join my newsletter for solo business owners: streamlined.fm/join Podcast hosting by RSS.com (affiliate link): rss.com Disclosure: this episode description was generated with AI.Have feedback? Send a voice note to the show!

0:00 - I did something! I took my kids to the beach!2:40 - REVIEW - “Remarkably Bright Creatures” (2026). Popular book adaptation for Netflix, one of many.18:00 - What are our thoughts on baby-friendly screenings? This kicks off a big discussion about the variety of offerings that perhaps should or should not be available to the moviegoing audience. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Send us Fan MailMusic is no longer confined to a recording, a screen or even a physical stage. It is becoming a living, visual and increasingly interactive experience. One that can travel across arenas, phones, homes, cars, livestreams, virtual worlds and, perhaps soon, the boundary between the living and the legendary.Music is no longer simply something we hear; it is increasingly becoming a living, visual and increasingly interactive experience. One that can travel across arenas, phones, homes, cars, livestreams, virtual worlds and, perhaps soon, the boundary between the living and the legendary. In this special episode of Money Majlis with Suvo Sarkar, recorded in New Delhi, Suvo speaks with Ty Roberts, one of the most influential creative technologists behind the evolution of digital music, immersive entertainment and fan experiences. Ty's extraordinary journey spans the earliest days of computer gaming, the development of QuickTime, interactive albums with artists including David Bowie and Todd Rundgren, and the creation of Gracenote, the metadata engine that helped transform how music is discovered across streaming platforms, cars and connected devices. He later became the first Chief Technology Officer of Universal Music Group and now leads FanTracks Digital, building new possibilities for live, hybrid and visually rich music experiences.The conversation begins with ABBA Voyage, the remarkable London production that blends avatars, live musicians, immersive visuals and emotional storytelling into a true time-machine experience. Ty explains why technology alone is never enough: authenticity rests on extraordinary attention to the smallest human details, from facial expression and body language to the precise movement of a guitarist's hands.Suvo and Ty then explore how AI could make sophisticated immersive experiences radically more accessible, allowing more artists to create compelling visual worlds without the vast budgets traditionally associated with motion capture and visual effects. They discuss the changing economics of live music, the unexpected commercial power of merchandise during livestreams, the importance of high-quality sound and the challenge of creating a richer, more connected fan journey.The episode also takes us inside Ty's collaborations with visionary artists. He recalls David Bowie and Brian Eno's ambition to create generative albums that could change with every listen, and reflects on how technology is finally catching up with many ideas that once seemed impossibly futuristic.At its heart, this is a conversation about creativity, reinvention and the human connection that must remain at the centre of every technological advance. From AI-powered visuals and avatar performances to data ownership, artist rights and the concert experience of 2035, Ty Roberts offers a thought-provoking glimpse into music's next great transformation.Produced by : PoddsterGiving partner : GoodworldVisit moneymajlis.com to join our giving movement and get your USD 50 complimentary GiveCard. 

0:00 - REPRIMAND - “Beware the Slenderman” (2017). On a rewatch of this doc, plus a reading of Kathleen Hale's book, I now believe this doc is just as slimy and opportunistic as the narrative horror films produced around the time of the stabbing, even though it acted as if it were above such things.16:51 - RECOMMENDATION - “An Innocent Man” (2018). Get ready to be enraged.25:51 - RECOMMENDATION - “Churchill at War” (2024). More extended re-enactments in documentaries, please!36:22 - RECOMMENDATION - “Secret Mall Apartment” (2024).-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - The new airport and the MCU's hack writing as of late.3:00 - Dustin and I both went antiquing over the weekend!14:45 - REVIEW - “The End of Oak Street” (2026). Non-spoilers! Should you see this in theaters?36:30 - SPOILERS BEGIN - Let's get deeper into the story, the ending, the character conflict, and the mechanics of what they tried to accomplish with this plot. (This is also the fun part where we write a better version of this movie, get your popcorn and your notepads!)-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

1403. QuickTime y podcasting puede sonar a una combinación un poco extraña a estas alturas, pero precisamente por eso me apetecía dedicarle la Q de esta nueva entrega del Glosario Podcastero. No llegué a completar todo el abecedario durante la temporada pasada, así que en lugar de volver a empezar desde la A, retomo el recorrido justo donde lo dejé: en una aplicación que lleva con nosotros desde 1991 y que durante muchos años tuvo bastante más importancia de la que quizá recordamos ahora.Hoy en día estamos acostumbrados a reproducir prácticamente cualquier archivo de audio o vídeo en casi cualquier dispositivo. Móvil, ordenador, televisión, tablet, coche… en fin, no pensamos demasiado en formatos, códecs o compatibilidades. Pero hace años la historia era otra. Para abrir determinados archivos necesitabas una aplicación compatible y, en muchas ocasiones, también los códecs adecuados. QuickTime apareció precisamente en ese contexto como una arquitectura multimedia de Apple que después también llegó a Windows.Y aquí es donde me interesa llevarlo al terreno del podcasting. QuickTime no fue solamente un reproductor. Durante mucho tiempo venía instalado en los ordenadores de Apple y permitía grabar audio o vídeo de una manera muy sencilla. Nada de multipista, edición compleja o virguerías, claro, pero oye, si querías sentarte delante del ordenador y grabar una pista de voz sin complicarte demasiado la vida, ahí tenías una opción perfectamente válida.También tenía una función que utilicé bastante y que hoy parece de lo más normal: extraer el audio de un vídeo. Ahora existen mil herramientas para hacerlo, pero hubo una época en la que tener delante un archivo de vídeo y convertirlo en una pista de audio no era algo tan inmediato. QuickTime te permitía exportarlo y continuar después con la producción de tu episodio.Podría haber elegido GarageBand para hablar de grabación en Mac, porque evidentemente es una herramienta mucho más completa para producir un podcast. También podría dedicar horas a iTunes por todo lo que significó para la distribución y el consumo de podcasts. Pero hoy tocaba la letra Q y, seamos sinceros, tampoco es que me sobrasen candidatos.Además me llevo una pequeña anécdota personal. Durante mis años como técnico informático tuve que instalar QuickTime en bastantes equipos Windows porque era la manera más sencilla de reproducir correctamente determinados archivos MOV. Eso sí, tanto QuickTime como iTunes en Windows tenían un sistema de actualizaciones que recuerdo con bastante menos cariño. Pero bueno, esa ya es otra historia y se aleja un poquito del podcasting.Al final, esta entrada del glosario va precisamente de eso: de recordar que muchas herramientas que hoy parecen básicas fueron importantes para que grabar, reproducir y mover archivos multimedia fuese cada vez más sencillo. QuickTime quizá ya no sea protagonista cuando pensamos en podcasting, pero durante años estuvo ahí, haciendo bastante trabajo silencioso.Te invito a descubrir un poco más sobre la historia de Quicktime a través de la web Eclectic Light https://eclecticlight.co/2024/09/14/a-brief-history-of-quicktime/ _____________ ¡Gracias por pasarte 'Al otro lado del micrófono' un día más para seguir aprendiendo sobre podcasting! Si quieres descubrir cómo puedes unirte a la comunidad o a los diferentes canales donde está presente este podcast, te invito a visitar https://alotroladodelmicrofono.com/unete Además, puedes apoyar el proyecto mediante un pequeño impulso mensual, desde un granito de café mensual hasta un brunch digital. Descubre las diferentes opciones entrando en: https://alotroladodelmicrofono.com/cafe. También puedes apoyar el proyecto a través de tus compras en Amazon mediante mi enlace de afiliados https://alotroladodelmicrofono.com/amazon La voz que puedes escuchar en la intro del podcast es de Juan Navarro Torelló (PoniendoVoces) y el diseño visual es de Antonio Poveda. La dirección, grabación y locución corre a cargo de Jorge Marín. La sintonía que puedes escuchar en cada capítulo ha sido creada por Jason Show y se titula: 2 Above Zero.  'Al otro lado del micrófono' es una creación de EOVE Productora.

0:00 - REVIEW - “The Goonies” (1985). I finally watched The goddamn Goonies, now please leave me alone.14:23 - The people who read spoilers instead of watching stuff.https://okayzoomer.substack.com/p/the-people-who-love-having-tv-and-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - “The Rescuers Down Under” remains one of the best of all movies.1:40 - REVIEW - “Avatar Aang: The Last Airbender” (2026). No spoilers!-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Perfect Yogurt vs Fro-Yo vs Ice Cream.5:00 - REVIEW - “Spider-Man: Brand New Day” (2026). No spoilers yet! Just our general thoughts and reactions to the movie!33:00 - SPOILER TIME! We're talking about plot details, secret characters, the ending, and the future of this franchise, the future of the MCU, Doomsday, and Endgame Encore as well.1:17:47 - The future of the Spider-Man franchise.1:34:25 - We're done talking Spidey, now I want to talk about how the alleged X-Men movie fits into the upcoming slate of Marvel films. Is it one of the Untitled releases in 2027?1:46:33 - We talk about “Avengers: Doomsday” looming over us in December.2:08:21 - “Endgame Encore” and what exactly in the absolute hell they're thinking by doing this. Who is this for?? What if people don't see it? Are they out of the loop? You wanna take that risk?-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Conner would like to explain himself. We make pledges, and we intend to keep them, but life happens.8:30 - DISCUSSION - “Willow” (1988). I recently saw this movie for the first time, and as an adult man. We discuss why life experience and cultural context matters when you are first exposed to a movie, and how to have tempered expectations based on its intended audience.32:08 - Hey, did you see most of the cast of “The Sandlot” is coming back together for this “Dugout Dads” show?m We're excited.33:45 - RECOMMENDATION - “Hacks” (5 Seasons, HBO Max). No spoilers.40:44 - LIGHT RECOMMENDATION - “Fargo” (5 Seasons, FX/Hulu). No spoilers.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Dimenticatevi la puntualità: anche oggi Alex Raccuglia trasforma il tragitto in ufficio in un laboratorio di idee, tra clacson, parolacce e un'intuizione geniale. In questo episodio di *The Morning Run*, si parte da un banale (ma rocambolesco) problema di export video per un cliente in Ungheria e si arriva a sfornare un'applicazione desktop completa, professionale e visivamente pazzesca in puro stile *Vibe Coding*.Scopri come un intoppo sul downmix audio da 8 a 2 canali e una mezza figuraccia sui LUFS (che in Italia sono a -24 e all'estero sono precisi al millimetro) hanno acceso la scintilla. Alex ci porta dietro le quinte del suo workflow di programmazione agentica, spiegando come ha orchestrato Claude Opus, Gemini e ChatGPT per creare in poche ore un tool che fa analisi dei file, controlla le forme d'onda, adatta i parametri broadcast per ogni nazione e, soprattutto, fa una scena incredibile con vettorscopi e waveform che non servono a nulla, ma sono bellissimi da vedere. Un racconto che è un inno al “fare”, dove un prototipo diventa un prodotto vendibile prima ancora di arrivare in ufficio.**Tech Radar: brand, tool e servizi citati nella puntata**Ecco tutti i protagonisti tecnologici di questo episodio, smontati e spiegati:*   **

0:00 - Hey, our 600th episode is going to be Spider-Man!2:15 - Cats and John Cleese.4:15 - Conner pledges to watch “Avatar: The Last Airbender”, the original series. 12:10 - REVIEW - “Good Luck, Have Fun, Don't Die” (2026). No spoilers yet. This is equal parts complaining about Hulu.25:40 - SPOILERS for the film, but we want to talk about the ending.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - For some reason, we decide to discuss superpowers.11:00 - REVIEW - “The Odyssey” (2026). The hype, the filmmaking, the literary history, the “authenticity” conversation, and the recommendation.46:40 - SPOILERS for the film (and this centuries-old story).1:18:00 - What should Christopher Nolan do next?-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Original text by Dan Littman, Tom Moran, and Charles Piller. Apologies for my rough voice in this one. It's been a difficult year. “Apple and IBM will work together on architecture-independent multimedia products and license them to other vendors.” IBM never so much as bothered to license QuickTime, and allegedly stopped distributing its multimedia tools to discourage people from using AIX for multimedia delivery. The stupefyingly vague and dull Apple/IBM/Motorola alliance press conference. Warning: do not consume while driving or operating heavy machinery. Get to know your new IBM RS/6000 system! David Barnes talking about Taligent and Workplace/OS, because why not transplant your current computing environment on top of an environment that runs all environments that will be shipping Real Soon Now for … reasons? WWDC 1997 Q&A: What's holding back CHRP? Is Apple afraid of (gasp) being undercut by Macintosh clone makers? clabretro: RS/6000 startup sequence and 1990s GeoCities animé fan page font in the System Management Services console. Installing and running CorelDraw, Netscape 1.0, and Quake on an RS/6000. Remnants of CHRP in the AIX netinstall configuration assistant. Running Windows NT on a G3? More likely than you think. Cameron Kaiser's extremely detailed look at Netware Server on a Power Mac 6100. How about that artwork? That weird point in time where the highest performance AppleShare solution was a giant Apple box running AIX. Get a load of the chonky Motorola PowerStack systems.

Looking for a quick fix? In this episode, I'm sharing seven quick and simple techniques you can start using today to boost your productivity. But here's the honest truth: these hacks alone won't fix your overwhelm. I reveal what actually will, and how to build the real foundation that makes every hack you try finally stick.    Apply for a free time management coaching session: freetimecall.com.  Full shownotes: abouttimepodcast.com/331  

0:00 - Conner learned about “Red Door, Yellow Door” and is now dealing with preteen hypnotism.10:37 - REVIEW - “Good Boy” (2025)24:35 - SPOILERS begin.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Baseball Shirts!2:00 - Update on Dustin's Leg!4:50 - How was your 4th of July?6:00 - REVIEW - “Supergirl” (2026). No spoilers yet, but Dustin gives his thoughts on this film, and on the source material it draws from. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Dan Sullivan and Joe Polish go live in front of a live audience in the Zoom room for this 10x Talk, joined by Babs Smith and Dean Jackson and hosted by Paul Colligan. Dan compares AI to the invention of zero, a cognitive shift that took Europe roughly 300 years to absorb, and reveals the daily scoring system he has run for 217 straight days. Joe explains why the $2 million marketing archive sitting in his rented house has generated over $3 billion in tracked sales, and why no version of AI will ever replace a hug. Here's what you're about to discover in this conversation: Why Dan Sullivan says AI is the biggest cognitive disruption since the invention of zero, and how a concept dreamed up by philosophers in India took 300 years to reach Europe once it did. The $2 million marketing archive sitting inside Joe Polish's rented house, why it looks like hoarding from the outside, and how it has generated over $3 billion in tracked sales for his Members and Clients. Why Dan has scored every single day for 217 days straight on a scale of 1, 5, and 10, and what his highest day (250 points) actually looked like hour by hour. The direct mail letter Joe wrote for Bill Phillips back in 1998 that got reposted on Facebook decades later and pulled in $20,000 in sales in under an hour. Dr. Ned Hallowell's "right difficult" framework, and why finding yours might matter more than any AI tool on this list. If you'd like to join world-renowned Entrepreneurs at the next Genius Network® Event, apply today for your invitation to attend at geniusnetwork.com.   Show Notes:  AI as a Cognitive Disruption: The Invention of Zero Dan compares AI's arrival to the introduction of zero into mathematics, invented in India but not adopted in Europe until around 1200 AD, once Arab traders carried it west. Once zero arrived, it made double-entry bookkeeping possible and let European commerce and science take off. Dan's takeaway: it took 300 years for zero to become widely accepted, and nobody actually knows how fast AI adoption will play out. "It's all guesses and bets." The $2 Million Swipe File Living in a Rented House Joe describes the marketing library and swipe file he has collected over decades, roughly $2 million in courses, books, and direct mail archives housed in a rented property. Properly organized and applied, that archive has generated over $3 billion in tracked sales for Joe's Members and Clients. He compares it to a goldmine that, until AI came along, was nearly impossible to organize and distribute at scale. Digitizing Decades of Marketing History Joe used Claude to convert old Flip Video files from the early 2000s that would not open in QuickTime. He interviewed Mark Rukavina of iMemories, a media digitization company later sold to Ancestry.com, about digitizing consumer photos, film, and tape at scale. How a 1998 direct mail letter Joe wrote for Bill Phillips (Body For Life) generated $20,000 in sales in under an hour on Facebook. The Ocean Metaphor: You Cannot Get to All the Water Dan's analogy: you step out of the ocean, someone asks how the water was, and you realize you only touched a fraction of it. AI opportunity works the same way. It is vast, and no one will ever capture all of it. The real skill now is deciding which part of the water actually matters to you, instead of chasing every possible use case. Working Wiser: Quarterly Books and Claude 4.6 Dan has written a new small book every quarter since he started at age 70. This conversation covers book number 47. Structuring a book idea used to take about three weeks. With AI, the same process now takes about three hours. He started with Perplexity, then switched to Claude 4.6 for the quality of language it produces. The Hospitality Business: Humans for Hugs, AI for Thinking Joe's operating philosophy for Genius Network: let AI absorb everything that can be done with AI, finance, marketing, and calculations, so the Team is freed up to do only what humans can do. "Until I can figure out how to have AI give somebody a hug, I want a human that's actually caring to give somebody a hug." Handwritten Thank You Cards and the Return to Real Connection At recent Genius Network meetings, Members were asked to hand-write three thank you cards, no AI, and mail them from a mailbox outside the office. One Member in his mid-30s did not know how to address an envelope. Joe's point: as AI-generated content becomes ubiquitous, genuine human touch points become an unfair advantage. Yesterday Creates Tomorrow: The 217 Day Scoring System Dan's daily practice: score every activity 1, 5, or 10 points, built around one morning question. What can I do today so that tomorrow, looking back, this was a great yesterday? He has done this 217 days straight. His highest day scored 250 points. He credits it with reduced anxiety about the future and a near total elimination of what he describes as ADD-like scattering, chasing 20 imagined future outcomes that compete for today's attention. The idea anchors his next quarterly book, Yesterday Creates Tomorrow, due out the first week of September. Finding Your "Right Difficult" Joe reads Dr. Ned Hallowell's concept of a "right difficult," a creative outlet challenging enough to hold your attention and exciting enough that you actually want to return to it. Genius Network Team Members share their own: woodworking, oil painting, and sculpting with heavy equipment. Dean connects this to Steven Kotler's flow research: the activity has to sit just above your current skill level to produce real flow. The Jobs AI Will Not Replace Writing and communication is reportedly one of the hottest jobs in tech right now, with companies like Netflix paying up to $775,000 for people who are genuinely good with words. Robin Farmanfarmaian points to live events and in-person gatherings as a growing counterweight to screen time, and warns that over-reliance on AI is already measurably affecting cognitive skills people no longer exercise. Sales, influence, persuasion, and work requiring real empathy (a surgical practice is cited as one example) are flagged as durable, human-only domains. DOS: Dangers, Opportunities, and Strengths Joe revisits Dan's long-standing DOS framework: every market, community, or industry has its Dangers, Opportunities, and Strengths. The job of an Entrepreneur is to use their strengths to convert dangers into opportunities. Applied to AI: fear and disruption in a given space is often a signal pointing straight at the opportunity. Closing Wisdom: One Sentence Each Dan's closing tip for working wiser: "Focus on buyers and subscribers when it comes to making money." His final piece of advice for the group: "It's better to have happy days than unhappy days." Dean shares his own "1,000 minutes a day" time budget, built on the same idea that time is a currency you either spend proactively or lose by default.   Resources: Zero Was Just the Beginning  |  Dan Sullivan's Strategic Coach article comparing AI's rise to the historical adoption of zero. The Hottest Job in Tech Is Writing Words  |  Amanda Hoover's Business Insider piece on six-figure writing salaries in the AI era. Mark Rukavina, iMemories Interview  |  Joe's conversation with the founder of iMemories, the media digitization company later sold to Ancestry.com. Body For Life  |  The fitness brand Joe helped scale from $60 million to $200 million in an 18-month period. Genius Network Annual Event  |  Apply to attend the event where Dan, Babs, Dean, and Robin will all be speaking this year. I Love Marketing Live  |  Joe and Dean's mid-year Wins and Roadblocks session. Strategic Coach Starter Kit  |  A complimentary starter kit for anyone wanting to learn more about Strategic Coach. 10x Talk Subscribe  |  Subscribe to future 10x Talk live episodes.  

0:00 - Conner has one cat, then a kitten, finds two more kittens, then finds acceptance. Why don't people want to adopt cats? 5:35 - RECOMMENDATION - “Flow” (2024). 13:54 - CRITIQUE - “Greenland 2: Migration (2026).37:02 - RECOMMENDATION - “Keeper” (2025).-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Dustin's Physical Therapy adventures.8:30 - REVIEW - “Toy Story 5” (2026). We give some quick thoughts on the 4th film, for context, and then our spoiler-free thoughts on this movie.26:00 - BEGIN SPOILERS. We discuss the plot in detail. 43:00 - We decide to write the 6th film…and boy do we. First, we get out all our bad ideas.59:40 - But seriously, here we go. Anything short of this idea is simply not good enough. We're cooking now.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

REVIEW - “Masters of the Universe” (2026)-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Loud Noises and Alien Trap Music.3:45 - REVIEW - “Disclosure Day” (2026). No spoilers, don't worry.45:50 - The movie fails to go all-in on what could have been its big theme. Here's what we would have done instead. How do you think humanity would respond if presented with proof of alien life? How do you think people of faith would react to this?-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Conner's AC is fixed and I stopped myself from getting scammed! Jump to the next timecode if you'd like to not hear home repair stories.6:05 - Dustin had a great fall. (Not that kind. It's June).26:28 - RECOMMENDATION - “Man on the Run” (2025).48:30 - Conner has brief complaints about Amazon.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

En este episodio Víctor cuenta cómo ha llegado a la conclusión de que ninguna herramienta de grabación de podcast en remoto le funciona del todo bien, y lo que ha hecho al respecto: construir la suya propia. Se llama Red Panda Club y hoy sale al mundo. Quince años de podcast, de Skype con grabación en local, de Zencastr perdiendo episodios enteros, de Riverside complicándose hasta el punto de necesitar 26 clics para bajarte un archivo. Y la solución más sencilla: separar la llamada de la grabación, y dejar cada parte en manos de quien mejor la hace. ¿Quieres saber cómo Víctor construye herramientas como esta por su cuenta? En el episodio Premium de esta semana entramos en los detalles técnicos y de negocio que no caben aquí. → Apúntate al Premium Lo que vas a escuchar La historia completa de grabación en remoto de Víctor: de Skype y QuickTime a Zencastr, de Zencastr a Riverside, y de Riverside a nada de lo anterior. Por qué Riverside se ha convertido en un problema: demasiadas funciones, demasiados clics, grabaciones que se pierden. La idea que Víctor llevaba años queriendo ejecutar: separar la herramienta de llamada de la herramienta de grabación. Red Panda Club: cómo funciona, para qué sirve y por qué Víctor ya lo usa en lugar de Riverside y Zencastr. El flujo completo: sesión, link al invitado, grabación en local en los dos ordenadores, subida al servidor, mezcla y descarga. El episodio Premium de esta semana Este episodio en abierto es la presentación pública de Red Panda Club. En el episodio Premium de esta semana Víctor va más a fondo en cosas que no caben aquí: Las decisiones técnicas y de producto que hay detrás de cómo está construida la herramienta. Cómo vibe-codear un proyecto así desde cero sin ser desarrollador. Los primeros pasos reales del lanzamiento y qué está pidiendo la gente en el beta. → Apúntate a No es Asunto Vuestro Premium para escuchar el episodio completo. Transcripción del episodio [00:00] Los primeros años grabando podcast en remoto Cuando comencé a hacer los primeros podcast, hace ya unos quince años, los primeros que hice fueron con Adrià Cuatracasas y hablábamos de cine documental. Era todo a distancia, y los problemas que teníamos para grabar eran increíbles. En aquella época empezamos con Skype y cada uno se grababa en local en su ordenador, con QuickTime o lo que tuviese a mano. Luego uno de los dos tenía que enviarle el archivo al otro. Ya sabéis cómo iba esto. Al cabo de dos o tres años empezaron a salir las primeras herramientas que hacían lo que ahora hace Zencastr o Riverside. Creo que la primera que usamos se llamaba Ringer, y iba fatal. Y ya en 2015, más o menos, salió Zencastr. La idea era buenísima y nos solucionaba mucho trabajo, pero daba un montón de problemas: se perdían grabaciones, estaban desincronizadas, te tenías que bajar los archivos por separado y volver a sincronizarlos tú. Era el mismo trabajo que haberlo hecho con Skype. Había ecos raros, problemas en Chrome, etcétera. Problemas toda la vida. [01:38] De Zencastr a Riverside, y de Riverside a nada Hasta el año pasado estuve con Zencastr y tenía problemas. Me pasé a Riverside, y en Riverside también tengo problemas. Hay gente a quien le va muy bien, hay gente que Riverside le parece lo mejor del mundo, pero lo que no me podréis negar es que se ha complicado de una manera increíble. Los últimos podcast que grabé la semana pasada, no podía ni bajarme los archivos: tenía que usar Edge porque en Chrome se quedaba tonto. Han añadido tantas cosas, vídeo, transcripciones, inteligencia artificial… que para bajarte un archivo tienes que hacer 26 clics sin exagerar. Una auténtica chapuza. Son herramientas que uso un par de veces a la semana y no deberían ser tan complicadas. Por eso llevo tiempo cagándome en Riverside y en Zencastr. Y entonces he hecho lo mío: he hecho yo un Zencastr bien, un Riverside bien. Como siempre había deseado hacerlo. [02:25] La idea que llevaba años en el cajón Esta es una idea que he tenido desde hace mucho tiempo y de hecho la he probado un par de veces, intentando desarrollarla subcontratando a desarrolladores. El razonamiento era muy sencillo: si hay herramientas que ya hacen muy bien el tema de la llamada, si Google Meet es de Google y funciona de maravilla, si Zoom funciona estupendamente… ¿por qué no hacer un sistema de grabación tipo Zencastr o Riverside que sea paralelo a esa otra herramienta y funcione por encima? Tú la llamada la haces con la herramienta que ya sabes que funciona y que funcionará siempre. Y con esta otra herramienta de grabación de podcast en local consigues lo que realmente quieres: que el sonido sea bueno, que se grabe en los dos ordenadores y que se haga la mezcla automática. Lo había intentado en un par de ocasiones y no salía bien, porque hace dos meses las cosas eran mucho más complicadas de implementar. Hoy, ya no. [03:27] Red Panda Club: así funciona Hoy nace, atención: Red Panda Club. Se llama así porque estoy reaprovechando un dominio que tenía, y además me gustan los pandas rojos. Red Panda Club. ¿Qué hace? Es un servicio web que funciona tanto en navegador de escritorio como en móvil. Tiene dos versiones: la del host (yo, en este caso) y la del invitado, la persona a quien le envío el link. El flujo es este: creo una sesión, en Google Meet, en Zoom, en Discord, en WhatsApp, donde quieras. Pones el link ahí, pones el email del invitado, le das a continuar. Cuando el invitado abre el link, tú recibes una notificación. Le das a grabar y empieza la grabación en local en los dos ordenadores. El audio se sube al servidor, se hace la mezcla, y puedes descargarlo todo junto o por pistas separadas. Listo. Funciona siempre porque la parte de la llamada, que es la complicada, ya la gestiona Google Meet. Y ese es exactamente el problema que Zencastr y Riverside nunca resolvieron del todo: mezclar la llamada y la grabación en la misma herramienta genera demasiados puntos de fallo. [04:27] Beta, primeras peticiones y lo que viene Además de bajarte el archivo, ya puedes añadirle una música de entrada y una música de salida, y hay muchas otras cosas que me están pidiendo los primeros beta testers y que voy a ir añadiendo. Estoy contentísimo. Ya está, me he olvidado de Riverside, me he olvidado de Zencastr. Tengo esta herramienta que además voy a hacer crecer con el feedback de toda la gente que sigue No es Asunto Vuestro. Si queréis probarlo: redpandaclub.com. Menciones y recursos del episodio Red Panda Club: la nueva herramienta de grabación de podcast en remoto de Víctor. redpandaclub.com Riverside: plataforma de grabación de podcast en remoto. Zencastr: plataforma de grabación de podcast en remoto. Google Meet: herramienta de videollamada usada como base para las sesiones de Red Panda Club. Zoom: alternativa de videollamada compatible con Red Panda Club. Discord: alternativa de llamada compatible con Red Panda Club. Ringer: primera herramienta de grabación en remoto que mencionó Víctor (ya desaparecida). Skype: herramienta usada en los inicios del podcast. Adrià Cuatracasas: co-conductor del primer podcast de cine documental de Víctor. QuickTime: software de grabación en local usado en los primeros tiempos. ¿Quieres saber cómo se construye algo así? En el episodio Premium de esta semana Víctor entra en los detalles reales: las decisiones de producto, cómo lo ha desarrollado y qué está aprendiendo en los primeros días del beta. Todo lo que no cabe en cinco minutos de audio. → Apúntate a No es Asunto Vuestro Premium Noesasuntovuestro.com

0:00 - Conner's hellish life without air conditioning in Alabama.5:30 - Dustin's one-sentence summary of the film, before we recklessly address spoilers.6:30 - CRITIQUE - “The Mandalorian and Grogu” (2026). We discuss why this film wasn't simply made into a season of the existing television show, why talented people can still produce garbage, and as always, we come up with a much better story on the fucking spot.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

We don't do this as much anymore, but here's several things in one episode!1:00 - We're getting older, so today's chatter is about calories! Also we seemingly look down on accountants?7:41 - THOUGHTS - “Daredevil: Born Again, Season 2” (2026).12:55 - THOUGHTS - “Punisher: One Last Kill” (2026). It's odd to have a bottle episode of Marvel inside of this MCU, but maybe they're just open to experimenting these days.23:27 - THOUGHTS - “Gary” (2026). The surprise drop of a bottle episode of “The Bear”.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

1:00 - I think it's fun when books are adapted into documentaries.3:30 - REVIEW - “Mercy” (2026). 31:22 - Chris Pratt's team's choices lately.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

REVIEW - “Tuner” (2026). The reason many films feel familiar after a while, it's just the way art is. It's supposed to feel familiar enough while also feeling new.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Conner's trip to Gatlinburg. 15:00 - REVIEW: “Apex” (2026). -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Man, 90s Nickelodeon, TOny Hawk, Skate Cultre, Hobie Da Cat.12:09 - First we quickly discuss the first film, (“Ready or Not” (2019)) which we have both seen. 20:45 - SPOILERS for Film 127:09 - REVIEW - “Ready or Not 2: Here I Come” (2026)40:35  - Get your shit together, Hulu.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Are we the video game-to-film-adaptation apologists now?3:47 - This title, like what the fuck?7:30 - REVIEW: “The Super Mario Galaxy Movie” (2026). We get into why a simple story is fine, the difference between Memberberries and Adapting the Source Material.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Discover how vibe coding with Claude is reshaping accessibility for non-programmers. Steven Scott shares real-world projects, from a simple NVDA Item Chooser add-on to early prototypes of accessible media players and editors. In this episode, Steven Scott and Shaun Preece explore the practical side of vibe coding, showing how anyone—even without coding experience—can create functional and accessible apps with AI. Steven walks through prompts he used to build a basic NVDA add-on, a QuickTime-style audio/video player for Windows, and even an early-stage accessible media editor. The discussion covers Claude's strengths for non-coders, accessibility challenges on Mac vs PC, terminal vs chatbot approaches, and how vibe coding could democratise software creation for the blind community. Along the way, they highlight key insights, real prompts, and lessons learned from debugging with AI. Relevant Links NVDA Screen Reader: https://www.nvaccess.org Claude AI: https://www.anthropic.com/claude ----Follow on:YouTube: https://www.doubletaponair.com/youtubeX (formerly Twitter): https://www.doubletaponair.com/xInstagram: https://www.doubletaponair.com/instagramTikTok: https://www.doubletaponair.com/tiktokThreads: https://www.doubletaponair.com/threadsFacebook: https://www.doubletaponair.com/facebookLinkedIn: https://www.doubletaponair.com/linkedinSubscribe to the Podcast:Apple: https://www.doubletaponair.com/appleSpotify: https://www.doubletaponair.com/spotifyRSS: https://www.doubletaponair.com/podcastiHeadRadio: https://www.doubletaponair.com/iheartAbout Double TapHosted by the insightful duo, Steven Scott and Shaun Preece, Double Tap is a treasure trove of information for anyone who's blind or partially sighted and has a passion for tech. Steven and Shaun not only demystify tech, but they also regularly feature interviews and welcome guests from the community, fostering an interactive and engaging environment. Tune in every day of the week, and you'll discover how technology can seamlessly integrate into your life, enhancing daily tasks and experiences, even if your sight is limited."Double Tap" is a registered trademark of Double Tap Productions Inc. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

0:00 - REVIEW - “Normal” (2026). 11:20 -  SPOILERS and DISCUSSION - things that should have been done differently.30:34 - We get into the muddy subject of why there are so many “passable but not memorable” films out there, the ethics of choosing not to support independent films that aren't appealing, and at what point in life we begin to not finish movies we aren't enjoying.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - Tattoo ink is rebelling against Conner, and we discuss our very very strange clothing habits.13:23 - Did anyone see any of the Oscars? I know it was like 2 months ago, bite me. 21:00 - REVIEW/DEFENSE: “Gran Turismo” (2023). Conner has little to say about the film, but plenty to say to opportunistic critics.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - “Thundercats” outtakes, plus will Kellan die during this recording? Stay tuned to find out!1:30 - Saving your beard is always a mistake.3:08 - REVIEW - “Project Hail Mary” (2026). We give our general thoughts on the movie, but quickly veer into discussions about the book as well, and we get into spoilers..somewhere. I'll try to mark the timecode. 48:55 - SPOILERS BEGIN - I think I've decided this is the point at which we start spoiling major plot elements.1:18:13 - The review is over at this point. Stick around for jokes and silliness, because it was very late at night at this point.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

We love a ranking here on The Vergecast, and it's time for the hardest one yet: David and Nilay compare notes on the 50 best products Apple has ever made, and see how their answers stack up to the many, many voters on The Verge this week. Before that, though, it's time for a bit of AI news — surprise, it's enterprise software! — and the comeback of the Hype Desk. After all that, and after the rankings, we do a round of Brendan Carr is a Dummy, talk about the fediverse, and repurpose our old iMacs. Vote for The Vergecast in the Webby Awards! A vote for The Vergecast is a vote that Brendan Carr is a dummy, that buttons are good, and that party speakers rule the world. Voting is open until April 16.  ⁠https://vote.webbyawards.com/PublicVoting#/2026/podcasts/shows/technology⁠ Further reading: ⁠OpenAI's big numbers: $122 billion funding round, 900 million weekly ChatGPT users. ⁠ ⁠Why OpenAI killed Sora ⁠ ⁠I think Google is taking a couple digs at OpenAI about Sora. ⁠ ⁠Apple's third-party Siri Extensions could lead to an AI App Store. ⁠ ⁠Microsoft's new ‘superintelligence' game plan is all about business⁠ ⁠OpenAI acquires TBPN | OpenAI⁠ ⁠Apple turns 50: celebrating five decades of the tech giant ⁠ ⁠Everything is iPhone now ⁠ ⁠Steve Jobs and the greatest run of products in tech history ⁠ ⁠How the invention of QuickTime changed computers forever ⁠ ⁠The triumphs and failures of Apple without Steve Jobs ⁠ ⁠The Apple product that really changed the industry: the MacBook Air ⁠ ⁠Apple at 50: a visual history ⁠ ⁠The origin story of Apple's long-running relationship with Foxconn ⁠ ⁠Apple's long, bitter App Store antitrust war ⁠ ⁠Snazzy Labs' iMac - Studio Display Mod Guide⁠ ⁠Flipboard Surf launches social websites combining Bluesky, Mastodon, RSS, and more⁠ ⁠These Raspberry Pi price hikes are no joke ⁠ ⁠Today is the final day to save up to $150 on a PS5 before the price goes up ⁠ ⁠Sony temporarily suspends memory card sales due to shortages ⁠ ⁠The White House has an app now, and Trump wants you to report people to ICE on it ⁠ ⁠What's inside the White House app? ⁠ Subscribe to The Verge for unlimited access to theverge.com, subscriber-exclusive newsletters, and our ad-free podcast feed.We love hearing from you! Email your questions and thoughts to vergecast@theverge.com or call us at 866-VERGE11. Learn more about your ad choices. Visit podcastchoices.com/adchoices

1:30 - Conner Boiled his hand.4:38 - Conner's Seaside Trip.9:00 - Dustin saw “Project Hail Mary” quite a while ago, and would like to give it a recommendation before we review it on an upcoming episode.13:13 - REVIEW - “Wake Up Dead Man”(2025). 31:52 - SPOILERS BEGIN!!!!Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:00 - We back!13:00 - The concept of a multi-film series having an “entry point”, and we get into why it's much harder for older people to quit social media and streaming.43:47 - WE ARE reviewing a film this week!44:00 - But first, “Dresser Dreams”47:00 - RECOMMENDATION - “Train Dreams” (2025)56:04 - SPOILERS BEGIN.=====-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

1:15 - We make fun of the poster for this show while we get ready to start the discussion.4:00 - DISCUSSION - “Alien: Earth” (1 season)34:00 - We go on video eventually to discuss what would make a better Alien story and why Fox is so bad at making them.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

0:45 - Reacher review13:25 - We go into why television is the best medium for novel IPs. Yes, there have been film successes, but those are the exception, not the rule.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

1:15 - HIGH RECOMMENDATION - “Hacks” (4 seasons)-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

1:15 - HIGH RECOMMENDATION - “The Handmaid's Tale” (six seasons). -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

1:15 - LIGHT RECOMMENDATION - “Ironheart” (one season).-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Original text from Maclopedia. While I wasn't looking, Frank Casanova parted ways with Apple in 2024. Whoops. John Buck's book on Apple's Advanced Technology Group, Inventing the Future, is worth your while. John is also on the fediverse. Stick around and you might pick up some extra dirt. Unedited versions of the Macintosh Quadra 700/900 launch, the Macintosh IIfx launch, and the WWDC 2004 announcement of QuickTime 7's support for H.264.