Podcast appearances and mentions of Chet Baker

Finally, after 6 years, got to get Dark Tropics to Galway for show. Rio loves Chet Baker, so you're in for a treat. Gilla Band are back with a new single, and so are The Mary Wallopers. Shark School have a new single, an album at the end of the month and upcoming live shows including Beyond The Pale and Femme Fest at Róisín Dubh. Catch Sprints for two shows at Róisín Dubh in July! Æ Mak's new album is out! And check out Paddy Hanna's new single, a cover of Burt Bacharach's Walk On By, ahead of the debut performance of Paddy Hanna's Bacharach show at Beyond The Pale.

Sentim sons par

Sintonía: "Long Ago and Far Away" - Chet Baker Quartet 1.- The Lamp Is Low 2.- Maid In Mexico 3.- This Time The Dream´s On Me 4.- Russ Job 5.- Easy To Love 6.- Carson City Stage 7.- Batter Up 8.- No Ties 9.- Band Aid10.- Bea´s Flat11.- Happy Little Sunbeam12.- Winter Wonderland13.- But Not For Me14.- There Will Never Be Another You15.- Look For The Silver Lining16.- The Thrill Is GoneTodas las músicas extraídas de la compilación (1xCD) "Easy To Love" (Saga, 2006) del cuarteto de Chet Baker Escuchar audio

Qu'ont en commun Boris Vian, Claude Luter, Juliette Gréco, Miles Davis, Chet Baker, René Urtreger et Bud Powell ? Et bien tous ont fait swinguer le quartier de Saint-Germain-des-Prés à Paris au lendemain de la Seconde Guerre Mondiale, hantant des lieux devenus mythiques comme le Tabou, le Caméléon, les Lorientais et le Club Saint Germain, des lieux synonymes de jazz, d'existentialisme et du Paris qui swingue. Chaque soir, dans ces caves exiguës, la jeunesse se déhanchait sous le regard de Jean-Paul Sartre, Simone de Beauvoir et leurs amis. Dans ce premier épisode, David Koperhant vous emmène au Tabou et se demande comment le jazz a-t-il trouvé son chemin jusqu'aux caves germanopratines.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

​​​Continuamos con el relato sobre la vida y milagros musicales del trompetista Chet Baker. A finales de la década de los cincuenta todo se empieza a complicar para este particular músico, sobre todo debido a su pérdida de popularidad y al peligroso incremento en sus adicciones por todo tipo de sustancias. No obstante, mal que bien, continúa con su carrera, tocando en directo siempre que puede y grabando discos a mansalva. En este programa abordamos unos años en los que el jazz volvió a cambiar, con el auge del jazz modal que tanto practicaron Coltrane y Miles, el free de Ornette y la llegada del jazz-rock a finales de la década de los 60, con la correspondiente electrificación de algunos instrumentos. Todo esto cogió a Chet desprevenido pero, aún así, intentó hacer algunos discos basándose en algunas de estas nuevas variantes del jazz, llegando incluso a caer en el Muzak o música de "easy listening", también bastante de moda durante los años 60. Todo esto, y alguna curiosidad más, conforman esta segunda parte del monográfico dedicado a uno de los trompetistas más recordados de la historia del jazz: Chet Baker.

Sintonía: "Lady Be Good" (Gershwin) - Lee Konitz & The Gerry Mulligan Quartet 1.- Too Marvellous For Words 2.- I´ll Remember April 3.- All The Things You Are 4.- Almost Like Being In Love 5.- Sextet (Mulligan) 6.- Broadway 7.- I Can´t Believe That You´re In Love With MeTodas las músicas extraídas del álbum "Lee Konitz Plays With The Gerry Mulligan Quartet" (World Pacific Records, 1957) Todas las músicas interpretadas por Lee Konitz (saxo alto) y Gerry Mulligan (saxo barítono)  8.- Come Out Wherever You Are 9.- Five Brothers (Mulligan)10.- Love Me Or Leave Me11.- Walkin´ Shoes12.- The Lady Is A Tramp/Utter ChaosTodas las músicas extraídas del álbum "Paris Jazz Fair 1954 - The Pleyel Concert" (Pacific Jazz,1953)Todas las músicas interpretadas por Gerry Mulligan (saxo barítono) Relación de fechas de emisión de los 7 programas anteriores de este coleccionable dedicado al saxofonista estadounidense Gerry Mulligan: 1.- Mulligan Plays Mulligan + California Concerts, emitido el 14-08-20252.- Gerry Mulligan Meets Monk (1957) + Gerry Mulligan Quartet: Reunion with Chet Baker, emitido el 22-09-20253.- What Is There To Say (1959) + Gerry Mulligan Meets Stan Getz (1957), emitido el 03-11-20254.- The Gerry Mulligan Quartet (62) + Gerry Mulligan & The Concert Jazz Band On Tour, emitido el 31-12-20255.- Gerry Mulligan Meets Ben Webster (59) + Gerry Mulligan Meets Johnny Hodges (60), emitido el 14-01-20266.- Two Of A Mind (62) + Gerry Mulligan Meets Paul Desmond (58), emitido el 24-02-20267.- Gerry Mulligan Presents A Concert In Jazz (61) + Gerry Mulligan & The Concert Jazz Band At The Village Vanguard (61)Escuchar audio

Í nokkrar vikur hefur Lóa verið að ræða við fólk um ástina og ástarleit á stafrænum tímum, í innslögunum ástin á tímum Tinder. En hver voru lögmál ástarinnar í kringum aldarmótin 1900. Sigriður Kristín Þorgrímsdóttir sagnfræðingur, skrifaði bókina Piparmeyjar - Fröken Thora og saga einhleypra kvenna á Íslandi sem er að miklu leiti byggð á bréfaskriftum Thoru Friðriksson (1866 – 1958) til systur sinnar. Systirin Ida var gift og átti börn en Thora var yngsta systirin og hafði það hlutverk að annast aldraða foreldra sína, sem var algengt hlutskipti yngstu systra. Hennar draumar og þrár urðu að víkja fyrir hag stórfjölskyldunnar. Sigríður er gestur í 8. þætti af Ástinni á tímum Tinder, sem við gætum nú kallað Ástin fyrir tíma Tinder. Svo pælum við í tónlist og tímanum. Bjarni Daníel færir okkur innslag þar sem um eitt þekktasta lag bandaríska trompetleikarans og djassöngvarans Chet Baker og hvernig það hefur haft mótandi áhrif hann á þremur ólíkum augnablikum á ævinni. Og svo rifjum við upp goðsagnakennda tónleika Chets Baker í Reykjavík árið 1985. Við heyrum brot úr gömlum þætti eftir Vernharð Linnet þar sem hann ræðir við einn skipuleggjanda tónleikanna, Jónatan Garðarsson, og hljóðfæraleikarana þrjá sem léku með Baker: Kristján Magnússon, Svein Óla Jónsson og Tómas R. Einarsson.

Am Vorabend ist sie noch, auf Tour mit ihrem zweiten Soloalbum “You Heartbreaker, You”, auf der Bühne der Berghain Kantine zu sehen. Mit kurzem Rock und streng gegelten Haaren, ganz nah am oder gleich im Publikum. Sie und ihre Band spielen unter anderem ein Hardcore-eskes Cover von Björks “Army Of Me”. Elf Stunden später sitzt Jehnny Beth, die eigentlich Camille Berthomier heißt, bei Gastgeber Jan Schwarzkamp auf dem Wohnzimmersessel. Sie kommt an Heiligabend 1984 in Poitier zur Welt und wächst dort auf. Ihre Eltern sind Theaterregisseure, weshalb sie früh in Kontakt mit der Schauspielerei kommt, aber auch mit Jazz und klassischer Musik. Also singt die kleine Camille bald Chet Baker und hat irgendwann sogar eine Jazz-Girl-Band. Den größten Einfluss hat aber Nicolas Congé auf sie. Der ist Musiker und hat einen guten Geschmack. Mit ihm zieht sie, 22-jährig, nach London. Sie wird Jehnny Beth, er wird Johnny Hostile. Zusammen haben sie das Duo John & Jehn. Er produziert auch Savages, die Post-Punk-Band, in der Beth ab 2011 singt und mit der sie ihren internationalen Durchbruch feiert. Auch nach ihrem Alleingang und der Rückkehr nach Frankreich bleibt Hostile der treue Kreativpartner an Beths Seite. Die hat sich längst auch als Schauspielerin etabliert, als sexpositive, bisexuelle Feministin, die gern gesehener Gast ist auf Platten von Künstlern wie Trentemöller, Tindersticks, Gorillaz und Idles. Mit Bobby Gillespie von Primal Scream veröffentlicht sie 2021 gar ein komplettes Duett-Album. Quasi nebenbei moderiert sie für den deutsch-französischen Sender Arte die Sendung “Echoes”. In der spielen vornehmlich Indiebands und Künstler:innen Live-Shows, drumherum lädt Beth zum Interview. Außerdem hat sie über 132 Episoden lang eine Radiosendung für den Streaming-Dienst von Apple, “nur, damit ich alle meine Helden treffen kann.” Darunter: Geoff Barrow, Mike D, Peaches, Mike Patton, Henry Rollins… Im Gespräch zu “Der Soundtrack meines Lebens” erfahren wir unter anderem, dass Steve Albinis Band Shellac daran schuld sind, dass sie mit ca. 13 den Bass in die Hand nimmt. Und dass ein Freund ihr ab etwa dem zehnten Lebensjahr Bands und Künstler wie Pixies, Iggy Pop und Joy Division nahebringt. Hosted on Acast. See acast.com/privacy for more information.

Escucha el programa con Manuel Recio, Alfonso Cardenal y Lucía TaboadaTodos los episodios de los grandes clásicos del género.

Dans cet épisode de la Minute Crooner Attitude, Jean-Baptiste Tuzet nous présente un nouvel ami de la station : Jean-Michel Lamazou. Cet artiste originaire d'Aix-en-Provence insuffle une sophistication soyeuse et une élégance rare au répertoire de Cole Porter à travers son nouvel album, "The Cole Porter Songbook". Influencé par les légendes comme Nat King Cole, Chet Baker ou Diana Krall, Jean-Michel Lamazou mêle avec brio Middle Jazz et Bossa Nova. Découvrez son univers passionné et préparez-vous pour son concert au Sunset Sunside à Paris le 24 avril, pour lequel la station offre des places aux auditeurs.La Minute Crooner Attitude, le billet d'humeur de Jean-Baptiste Tuzet, tous les jours de la semaine, 9 h 15 et 19 h 15 sur Crooner Radio. Plus d'informations et podcasts www.croonerradio.frHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Louis sits down with Laufey, Grammy-award winning Icelandic singer and songwriter. Laufey tells Louis about her stratospheric rise to fame on TikTok, partying with Bill Murray, and why everyone can benefit from being a bit bored. Brace yourself for major music geekery.   Warnings: Strong language and adult themes.     Links/Attachments:    Album: A Matter of Time, Laufey (2025)  https://open.spotify.com/album/5rMOCuiWWbEBcHaKM69Hmv     Whiplash (2014)  https://www.imdb.com/title/tt2582802/     “The Great American Songbook”  https://thesongbook.org/about/what-is-the-songbook/     Singing in the Rain (1952)   https://www.imdb.com/title/tt0045152/     An American in Paris (1951)  https://www.imdb.com/title/tt0043278/     On the Town (1949)   https://www.imdb.com/title/tt0041716/     Ziegfeld Follies (1945)  https://www.imdb.com/title/tt0039116/     The Sound of Music (1965)   https://www.imdb.com/title/tt0059742/     Mary Poppins (1964)   https://www.imdb.com/title/tt0058331/     Shirley Temple (1928 – 2014)   https://www.imdb.com/name/nm0000073/     Song: ‘One Note Samba', Antônio Carlos Jobim (1960)  https://open.spotify.com/track/1UJQJz6ZP0qKGU55fRDcyI?si=ef59b3251c18423d     Album: Getz/Gilberto, Stan Getz and João Gilberto (1964)  https://open.spotify.com/album/73ZRKdD3Ds43IjHrhKgucY?si=a1Fe3WkdS7eFZpoH9IYufA     Album: Chet Baker Sings: It Could Happen to You (1958)  https://open.spotify.com/album/5CNRrD9O1kCaBvN1RyHRdt?si=gK_1vEjQQAmSBs3RWeOAKw     Let's Get Lost (1988)  https://www.imdb.com/title/tt0095515/     Song: ‘From The Start', Laufey (2023)  https://open.spotify.com/track/43iIQbw5hx986dUEZbr3eN?si=4f08726cd6fc4307     Song: ‘It Could Happen to You', Chet Baker (1958)  https://open.spotify.com/track/5J8ahRMQ9Y1lRcuAhpP5Fy?si=b55e1844542c44fb     Song: ‘James', Laufey (2021)  https://open.spotify.com/track/2y1NtQ2ZfIq0zBUP3tOlbX?si=15ac3bbfa0c74cf7     Song: ‘Mr. Eclectic', Laufey (2025)   https://open.spotify.com/track/5n934Lu8pAsAHLc155qzck?si=f9ed9e496ee847d7     Song: ‘Goddess', Laufey (2024)   https://open.spotify.com/track/2SEeyc2KS9DIjiJPCYtfgJ?si=a740ddd0858249d6    Song: ‘Creep', Radiohead (1993)  https://open.spotify.com/track/70LcF31zb1H0PyJoS1Sx1r?si=ddeef2a9f1e34bdf     Song: ‘Letter To My 13 Year Old Self', Laufey (2023)  https://open.spotify.com/track/59Y1f3y8FuLjadWY9Bx2LC?si=2a76c204cb644895     Song: ‘How Soon Is Now?', The Smiths (1984)   https://open.spotify.com/track/1YrnDTqvcnUKxAIeXyaEmU?si=05763f85a40041c3     Album: Ella Fitzgerald Sings The Rodgers And Hart Song Book, Ella Fitzgerald (1956)  https://open.spotify.com/album/3DXgUbJhOxidQC3l0tegY9?si=_42fBZG1SZ2WrNwYoL88VA     Song: ‘Miss Otis Regrets', Ella Fitzgerald (1956)   https://open.spotify.com/track/5dvh4M2Lo0aEXp5D0IJGH1?si=fd41d6fba27748df     ‘Santa Baby', Laufey Music Video feat. Bill Murray   https://www.youtube.com/watch?v=6_SsGMeJIHk     Song: ‘Too Little, Too Late', Laufey (2025)   https://open.spotify.com/track/1qJnr4Bm7OAauklV18Vdah?si=6fc52bba5b5f48f5     Song: ‘Hallelujah', Leonard Cohen (1984)  https://open.spotify.com/track/6s1mt6e0n8G7jcNhcxXKzq?si=400cab129f6d4083    Ballet: Giselle, Royal Ballet & Opera (2026)   https://www.rbo.org.uk/tickets-and-events/giselle-marius-petipa-details     Book: ‘How to Be an Artist', Jerry Saltz (2020)  https://www.waterstones.com/book/how-to-be-an-artist/jerry-saltz/9781781577820     Credits:  Producer: Millie Chu   Assistant Producer: Maan al-Yasiri  Production Manager: Francesca Bassett   Music: Miguel D'Oliveira   Audio Mixer: Tom Guest  Video Mixer: Scott Edwards   Shownotes compiled by Elly Young  Executive Producer: Arron Fellows       A Mindhouse Studios Production for Spotify   www.mindhouse.co.uk  Open a Moneybox Cash ISA at https://moneybox.onelink.me/Cqlx/y3xncge Learn more about your ad choices. Visit podcastchoices.com/adchoices

Die SWR Big Band wird 75 Jahre alt und feiert sich und ihre Erfolgsgeschichte. Jazzgrößen wie Miles Davis, Chick Corea oder Chet Baker musizierten einst mit dem Ensemble – auch wenn es Jahre gab, „da ist man überholt worden von der Zeit“, wie sich Bandmanager Hans-Peter Zachary erinnert. In SWR Kultur spricht er über die Historie und die Vielseitigkeit der Band, über die mangelnde Frauenpower in der Big-Band-Szene und die bevorstehende Jubiläumstour. „Big Band ist gar nicht so altmodisch“, meint er augenzwinkernd.

durée : 00:03:41 - Le coup de cœur, ici Orléans - Trompettiste et chanteur de jazz, Robin Mansanti sera en concert mercredi à La Chapelle-Saint-Mesmin pour un hommage à Chet Baker. Une figure majeure du jazz qui a profondément marqué son parcours. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

​​Comienza este viaje por la interesante obra y la tortuosa vida del trompetista Chet Baker Chet fue un músico lleno de luces y sombras, alguien tocado por una varita mágica que le permitió desarrollar una fascinante carrera musical, aunque sus debilidades como ser humano no le permitieron progresar debidamente y acabaron con su vida de forma trágica y temprana. Durante algunos programas voy a relataros la historia de Chet y, sobre todo, mostraros su música. En este primer capítulo me centraré en sus orígenes, por lo que también escucharemos a los músicos que le inspiraron desde su niñez, como el trompetista Bix Beiderbecke, y en su juventud, cuando el bebop nació con fuerza y Charlie Parker, junto a otros boppers, fascinaron a cierto sector de la juventud estadounidense ávida de sensaciones fuertes. Poco a poco llegaremos a sus propios discos con el cuarteto de Gerry Mulligan primero y como líder de sus propias formaciones algo más tarde, encuadradas ya en lo que se denominó cool jazz o west coast jazz. Dejaremos a Chet en un momento bastante crítico, ya enganchado a las drogas y de vuelta de su primera gira por Europa. Para el resto, y os aseguro que habrá acontecimientos y músicas más que interesantes, tendréis que esperar al próximo episodio.

A New-York, des agents des stups comme Jimmy Fletcher font tomber un à un les musiciens de jazz. Mais nos jazzmen et jazzwomen vont aussi faire parler d'eux loin de leurs bases. Sidney Bechet, Dexter Gordon, Chet Baker, Les McCann, Elvin Jones : tous vont connaitre les joies des geôles européennes et même japonaises ! On suivra aussi les exploits de Mezz Mezzrow, clarinettiste et dealer notoire, coffré à de nombreuses reprises, ou encore ceux de Lem Winchester, dont la trajectoire est peu commune : flic ou jazzman ? Il a choisi les deux ! Il en paiera le prix. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Qu'ont en commun Miles Davis, Louis Armstrong, Chet Baker, Sidney Bechet, Billie Holiday, Anita O'Day, Frank Sinatra, Thelonious Monk, Bud Powell, Dexter Gordon, Sonny Rollins, Art Blakey, Philly Joe Jones et Art Pepper ? Et bien oui, toutes ces légendes du jazz ont eu affaire à la police et toutes ont, un jour ou l'autre, dormi derrière les barreaux. Bagarres, agressions, règlements de comptes, violences domestiques, braquages, stupéfiants : les jazzmen furent impliqués dans toutes sortes d'affaires, des plus louches aux plus sordides. Mais ils furent aussi victimes de l'excès de zèle, voire de l'acharnement de la police. Dans tous les cas, les histoires que nous allons vous raconter en disent long sur le climat délétère dans lequel les artistes de jazz ont évolué, cette Amérique ségrégationniste et violente qui ne leur a pas fait de cadeau. Même Ella Fitzgerald, pourtant au-dessus de tout soupçon, a eu le droit à son séjour à l'ombre ! Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

CINEMA FALADO

El pasado 20 de Febrero este programa celebró 9 años de emisión. Este episodio, el 233, se lo dedicamos a la música de ascensor, un sonido que entra en nuestros oídos sin pedirlo: en el supermercado cuando cogemos el carro, en el banco mientras esperamos nuestro turno, en la sala de espera del médico, en la tienda de ropa y, por supuesto, en el ascensor. Y aunque parece que es una música para no ser escuchada conscientemente, sólo lo parece. Playlist: – Le Petit Bal (Take 1), Miles Davis; – Misty, Errol Garner; – The Girl from Ipanema (feat. Astrud Gilberto & Antônio Carlos Jobim), Stan Getz & João Gilberto; – My Funny Valentine, Chet Baker; – Moonlight in Vermont (feat. Stan Getz), The Johnny Smith Quintet; – Lush Life, Red Garland; – The Shadow of Your Smile, Tony Bennett; – Estate, João Gilberto; – Watch What Happens, Sérgio Mendes & Brasil '66; – Speak Low (Live At The London House), Sarah Vaughan; – Wave, Antônio Carlos Jobim; – Nature Boy, Nat "King" Cole; – Tenderly, Rosemary Clooney; – Água de Beber, Os Gatos; – Round Midnight; Oscar Peterson & Nelson Riddle; – Summer Samba (So Nice), Walter Wanderley; – I Get a Kick Out of You, Juan Garcia Esquivel; – Moon River Cha Cha, Henry Mancini.

Alex and Luke Talk Night City, Mainline Endings, and Never Having Dinner at Embers.Cyberpunk 2077, developed and published by CD Projekt Red, launched in December 2020 and has since completed one of the most dramatic redemption arcs in modern gaming. Set in the neon-drenched chaos of Night City, this open-world RPG blends cyberware upgrades, branching narratives, high-speed gunplay, and existential dread into one sprawling, synth-soaked package. Whether you came for Keanu Reeves, the hacking, or the moral ambiguity, this is a game that swings big and refuses to be subtle.At the time of recording, Cyberpunk 2077 holds a Metacritic score of 86 on PC and 87 on Xbox Series X. According to HowLongToBeat, the main story averages around 25 hours, with completionist runs easily stretching beyond 60+ hours depending on how deep you dive into side gigs and fixer drama. In true Low Five fashion: you can mainline it, but Night City really wants you to linger.Alex played on PC and rolled credits, seeing one of the game's endings through to completion. Luke played on Xbox Series X and is still roaming Night City — notably having never eaten at Embers. Together they unpack how the game feels post-redemption, where the writing shines, how the combat holds up, and whether the hype cycle ultimately helped or hurt the legacy.This episode is unofficially brought to you in part by fake patriotism for the Olympics.Audio Credits: “V” from Cyberpunk 2077 Original Soundtrack — composed by Marcin Przybyłowicz, P.T. Adamczyk, and Paul Leonard-Morgan — © CD Projekt Red. “You Don't Know What Love Is” by Chet Baker — featured on Cyberpunk 2077 91.9 Royal Blue Radio — © respective rights holders. Original theme music owned by Low Five Gaming.Send us a Text Message! We'll respond on our next episode!Support the show​​Visit us at LowFiveGaming.com.Join the Low Five Discord!Email us at hello@lowfivegaming.com.Low Five Gaming is a Studio Low Five Production.

In this month's music history spotlight, Ryan explores the 1937 jazz standard “My Funny Valentine,” written by Richard Rodgers and Lorenz Hart. From its Broadway origins in Babes in Arms to iconic interpretations by Frank Sinatra, Chet Baker, Ella Fitzgerald, and Miles Davis, this episode reflects on why a song about imperfect love has endured for nearly a century.

Billy Cobham; The George Duke Band – Earthlings – Live – 7:01 George Benson – You’re Never Too Far from Me – 6:44 Charles Bradley; Menahan Street Band – The World (Is Going Up in Flames) – 3:22 Chet Baker – If You Could See Me Now – 5:18 Herbie Hancock – Gentle Thoughts – […]

Episode 19: Pete Christlieb is a legendary saxophonist whose powerful sound and fearless improvisation continue to shape both jazz and commercial music. He rose to international prominence as a longtime featured soloist with the Doc Severinsen–led Tonight Show Band, where his commanding tenor voice and electrifying presence became instantly recognizable. Christlieb's recording legacy includes some of the most iconic saxophone moments in popular music, including his lyrical solo on “Deacon Blues” by Steely Dan and his elegant playing on “Unforgettable” by Natalie Cole. Equally respected in the jazz world for his collaborations with Warne Marsh and Chet Baker, Christlieb continues to perform and inspire, embodying a rare blend of virtuosity, soul, and authenticity that resonates across generations.►about Pete Christlieb: https://petechristlieb.com/?utm_source=chatgpt.com►Key Moments:0:00 - Introductions1:47: Drag racing, Valley College (Los Angeles), First road gig with Si Zentner6:00: The art of playing dance music9:01: Gerry Mulligan, Chet Baker, Ray Brown…16:50: Las Vegas, Jerry Gray, Tex Beneke, Peggy Lee, Lou Levy26:00: Cannonball Adderley30:30: Louie Bellson, Woody Herman31:50: Tom Scott, Glenn Campbell Show, and Marty Paich…34:24: “Play horn, get check”41:20: Snooky Young, The Tonight Show…, and Steely Dan44:45: “Deacon's Blues”51:13: Warne Marsh collaboration1:00: Violin to saxophone…1:05:35: Saxophone sounds…Stan Getz, Sonny Rollins, Sonny Stitt…1:13:35: The pinnacle is the next gig, payola, and back to the Warne Marsh collaboration, back to Johnny Carson and The Tonight Show…1:26:00 New chapter of life in Washington1:28:00 Stravinsky, Schoenberg, Michael Brecker, and woodwind doubling…1:37:00 Closing graitude►Follow John Daversa Online:Instagram: https://www.instagram.com/johndaversa/Facebook: https://www.facebook.com/JohnDaversaMusic/YouTube:  https://www.youtube.com/johndaversamusicWebsite: http://www.johndaversa.com  ►CreditsHost and Producer: John DaversaVideo Capture: Yang YangAudio Capture: Yang YangVideo and Audio Editing: Izzi GuzmanGraphic Design: Izzi GuzmanRecorded in Coral Gables, FL, November 18, 2024Support the show►CreditsHost and Producer: John DaversaVideo: Max Nierlich Audio: Dudley MerriamAdditional Audio: Jake SondermanVideo and Audio Editing: Yang YangIzzi Guzman: Graphic DesignRecorded in Miami, FL►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon" All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)

Chet Baker, with his natural talent, unique voice and beautiful looks was known as “the James Dean of Jazz.” He was also a savage junkie and part time criminal. A one of a kind musician, his soft singing style and romantic playing enraptured Hollywood, the jazz world, and Europe. However, violence, crime, and drugs led to numerous prison stints and to one of the most mysterious deaths in music. Who or what killed the great Chet Baker? This episode was originally published on September 29, 2020. To view the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠. To listen to Disgraceland ad free and get access to weekly bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠Instagram⁠⁠⁠ ⁠⁠⁠YouTube⁠⁠⁠ ⁠⁠⁠X⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠Facebook Fan Group⁠⁠⁠ ⁠⁠⁠TikTok⁠ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

durée : 01:57:57 - par : Thierry Jousse, Laurent Valero - Pour cette deuxième visite au royaume des crooners, nous aurons quelques invités de choix. Par exemple, Tony Bennett ou Chet Baker. Deux styles différents, presque à l'opposé, mais surtout deux chanteurs qui interprètent les standards avec la même élégance… - réalisation : Xavier Carrère Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:57:57 - Au royaume des crooners : Frank Sinatra, Mel Torme, Sammy Davis Jr et les autres… (2/2) - par : Thierry Jousse, Laurent Valero - Pour cette deuxième visite au royaume des crooners, nous aurons quelques invités de choix. Par exemple, Tony Bennett ou Chet Baker. Deux styles différents, presque à l'opposé, mais surtout deux chanteurs qui interprètent les standards avec la même élégance… - réalisé par : Arthur Rayrole Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

My friend and jazzman Steve Salerno returns to show me his major-league wood and talk about the gift of baseball, Chet Baker, getting canceled over Charlie Kirk, and my thoughts on John Leguizamo's new play The Other Americans. Check out my book, That Joke Isn't Funny Anymore: On the Death and Rebirth of Comedy https://amzn.to/3VhFa1r     Watch my sketch comedy streaming on Red Coral Universe: https://redcoraluniverse.com/en/series/the-lou-perez-comedy-68501a2fd369683d0f2a2a88?loopData=true&ccId=675bc891f78f658f73eaa46d  Rock XX-XY Athletics. You can get 20% off your purchase with promo code LOU20. https://www.xx-xyathletics.com/?sca_ref=7113152.ifIMaKpCG3ZfUHH4  Support me at www.substack.com/@louperez     Join my newsletter www.TheLouPerez.com   Apple: https://podcasts.apple.com/.../the-lou-perez.../id1535032081   Spotify: https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU   Amazon: https://music.amazon.com/.../2b7d4d.../the-lou-perez-podcast   YouTube: https://www.youtube.com/playlist?list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJ   Lou Perez is a comedian, producer, and the author of THAT JOKE ISN'T FUNNY ANYMORE: ON THE DEATH AND REBIRTH OF COMEDY. You may have seen him on Gutfeld! , FOX News Primetime, One Nation with Brian Kilmeade, and Open to Debate (with Michael Ian Black). Lou was the Head Writer and Producer of the Webby Award-winning comedy channel We the Internet TV. During his tenure at WTI, Lou made the kind of comedy that gets you put on lists and your words in the Wall Street Journal: “How I Became a ‘Far-Right Radical.'” As a stand-up comedian, Lou has opened for Rob Schneider, Rich Vos, Jimmy Dore, Dave Smith, and toured the US and Canada with Scott Thompson. Lou has also produced live shows with Colin Quinn, the Icarus Festival, and the Rutherford Comedy Festival. For years, Lou performed at the Upright Citizens Brigade Theater (both in NYC and L.A.) in sketch shows with the Hammerkatz and his comedy duo, Greg and Lou. Greg and Lou is best known for its sketch "Wolverine's Claws Suck," which has over 20 million views on YouTube alone. In addition to producing sketch comedy like Comedy Is Murder, performing stand-up across the country, and writing for The Blaze's Align, Lou is on the advisory board of Heresy Press, a FAIR-in-the-arts fellow, and host of the live debate series The Wrong Take and The Lou Perez Podcast (which is part of the Lions of Liberty Podcast Network). Learn more about your ad choices. Visit megaphone.fm/adchoices

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Elvis Costello. ABOUT ELVIS COSTELLOReleased between 1977 and 1979, Elvis Costello's first three albums—My Aim is True, This Year's Model, and Armed Forces—were all included in Rolling Stone magazine's list of the 500 Greatest Albums of All Time. That early period of his recording career yielded now-classic singles such as “Alison,” “Watching the Detectives,” “Pump it Up,” “Radio Radio,” “Oliver's Army,” “Accidents Will Happen,” and others.Though he established his career as a rock artist and reached commercial heights in the US with the pop hit “Everyday I Write the Book,” Costello's more than thirty studio albums cover a breathtaking range of stylistic ground, from Almost Blue, his early 1980s album of country covers, to The Juliet Letters, his 1993 collaboration with The Brodsky Quartet, to North, an album of ballads partially inspired by his wife Diana Krall that topped Billboard's Jazz chart in 2003, to Il Sogno, his first full-length orchestral work, which was performed by the London Symphony Orchestra, and topped Billboard's classical chart in 2004, to Wise Up Ghost, a 2013 collaboration with Questlove and The Roots. In between, he's continued to release albums both solo and with his bands The Attractions, The Imposters, and The Sugarcanes. Always an adventurous collaborator, Costello entered into a fruitful songwriting partnership with Paul McCartney that yielded more than a dozen songs, including Costello's Top 10 single “Veronica” and McCartney's “My Brave Face.” He went on to release entire collaborative albums with Richard Harvey, Burt Bacharach, Allen Toussaint, and others. He has written lyrics for compositions by Charles Mingus, Billy Strayhorn and Oscar Peterson, as well as musical settings for lyrics by Johnny Cash and Bob Dylan. His songs have been covered by a range of artists including George Jones, Chet Baker, Dusty Springfield, and Solomon Burke. Costello has been nominated for fourteen Grammy awards, two of which he won, as well as an Academy Award for co-writing “The Scarlet Tide” with T-Bone Burnett for the film Cold Mountain. He has received two Ivor Novello awards for Songwriting, the Americana Music Association's Lifetime Achievement in Songwriting award, and the ASCAP Founder's Award, which was presented by Burt Bacharach. He was inducted into both the Songwriters Hall of Fame and the Rock & Roll Hall of Fame, and was named one of the 100 Greatest Songwriters of All Time by Rolling Stone magazine. His genre-stretching new album, Hey Clockface, was recorded in Helsinki and Paris, and was released on October 30.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

My friend and jazzman Steve Salerno returns to show me his major-league wood and talk about the gift of baseball, Chet Baker, getting canceled over Charlie Kirk, and my thoughts on John Leguizamo's new play The Other Americans. Check out my book, That Joke Isn't Funny Anymore: On the Death and Rebirth of Comedy https://amzn.to/3VhFa1r     Watch my sketch comedy streaming on Red Coral Universe: https://redcoraluniverse.com/en/series/the-lou-perez-comedy-68501a2fd369683d0f2a2a88?loopData=true&ccId=675bc891f78f658f73eaa46d  Rock XX-XY Athletics. You can get 20% off your purchase with promo code LOU20. https://www.xx-xyathletics.com/?sca_ref=7113152.ifIMaKpCG3ZfUHH4  Support me at www.substack.com/@louperez     Join my newsletter www.TheLouPerez.com   Apple: https://podcasts.apple.com/.../the-lou-perez.../id1535032081   Spotify: https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU   Amazon: https://music.amazon.com/.../2b7d4d.../the-lou-perez-podcast   YouTube: https://www.youtube.com/playlist?list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJ   Lou Perez is a comedian, producer, and the author of THAT JOKE ISN'T FUNNY ANYMORE: ON THE DEATH AND REBIRTH OF COMEDY. You may have seen him on Gutfeld! , FOX News Primetime, One Nation with Brian Kilmeade, and Open to Debate (with Michael Ian Black). Lou was the Head Writer and Producer of the Webby Award-winning comedy channel We the Internet TV. During his tenure at WTI, Lou made the kind of comedy that gets you put on lists and your words in the Wall Street Journal: “How I Became a ‘Far-Right Radical.'” As a stand-up comedian, Lou has opened for Rob Schneider, Rich Vos, Jimmy Dore, Dave Smith, and toured the US and Canada with Scott Thompson. Lou has also produced live shows with Colin Quinn, the Icarus Festival, and the Rutherford Comedy Festival. For years, Lou performed at the Upright Citizens Brigade Theater (both in NYC and L.A.) in sketch shows with the Hammerkatz and his comedy duo, Greg and Lou. Greg and Lou is best known for its sketch "Wolverine's Claws Suck," which has over 20 million views on YouTube alone. In addition to producing sketch comedy like Comedy Is Murder, performing stand-up across the country, and writing for The Blaze's Align, Lou is on the advisory board of Heresy Press, a FAIR-in-the-arts fellow, and host of the live debate series The Wrong Take and The Lou Perez Podcast (which is part of the Lions of Liberty Podcast Network). Learn more about your ad choices. Visit megaphone.fm/adchoices

Kirk sits down with jazz piano legend Peter Martin to talk about Peter's musical background, his momentous early encounters with Wynton Marsalis and Kenny Kirkland, the jazz scene of the 1990s, how the Suzuki method works, and why jazz students today should be less shy about talking to their heroes. Check out Peter's online jazz education program Open Studio, as well as You'll Hear It, the music podcast he co-hosts with Adam Maness. DISCUSSED/REFERENCED:“Variations Sur ‘Le Carnaval de Venise” feat. Wynton Marsalis and the Eastman Wind Ensemble from Carnival, 1987“Path Adjacent” Peter Martin w/ Gregory Hutchinson, Sarah Hanahan & Reuben Rogers from Generation S, 2023“Bag's Groove” by Milt Jackson from Miles Davis, Bag's Groove, 1967“Tea For Two” by Youmans/Ceasar, played by Art Tatum from Piano Starts Here, 1968“Broad Way Blues” by Ornette Coleman from New York Is Now, 1968“Swingin' at the Haven” by Branford Marsalis from Royal Garden Blues, 1986“Now's The Time/Billie's Bounce” by Charlie Parker from Jamey Aebersold Vol. 6: All Bird“Naima's Love Song” by Betty Carter from I_t's Not About The Melody_, 1992“Mental Phrasing” by Roy Hargrove live w/ Joshua Redman, Ron Blake, Peter Martin, Rodney Whitaker, Greg Hutchinson“Turnaround” by Joshua Redman w/ Pat Metheny from Wish, 1993“Jig-A-Jug” by Joshua Redman and “St. Thomas” by Sonny Rollins” from Spirit of the Moment: Live at the Village Vanguard, 1995“Cat Battles” and “One Shining Soul” by Joshua Redman from Freedom in the Groove, 1996“The Loneliness of a Long Distance Runner” intro and “Mind and Body” from Solo, Live in New York, 2015“Why Approach Chords Matter” - Adam Maness for Open Studio on YouTube, 2025“2 Down & 2 Across,” “Sing a Song of Song,” “Before It's Time to Say Goodbye” by Kenny Garrett feat. Kenny Kirkland from Songbook, 1997“Phyrzzinian Man” by Wynton Marsalis from Black Codes from the Underground, 1985“Necessary Evil” by Elvin Jones and “Whatever Possessed Me” by Chet Baker feat. Pat LaBarbera (Tenor) and Kenny Kirkland from Brother John, 1982“Stella by Starlight” by Hoagy Carmichael, performed by the Miles Davis Quintet on My Funny Valentine: In Concert, 1965----LINKS-----

𝐓𝐡𝐞 𝐎𝐟𝐟𝐢𝐜𝐢𝐚𝐥 𝐒𝐦𝐨𝐨𝐭𝐡 𝐉𝐚𝐳𝐳 𝐒𝐢𝐧𝐠𝐥𝐞𝐬 𝐂𝐡𝐚𝐫𝐭 𝐅𝐨𝐫 𝐒𝐩𝐚𝐢𝐧 𝐋𝐚𝐓𝐚𝐦 𝐒𝐞𝐦𝐚𝐧𝐚 𝐝𝐞𝐥 𝟐𝟒 𝐃𝐄 𝐍𝐎𝐕𝐈𝐄𝐌𝐁𝐑𝐄 | 𝐍𝐎𝐕𝐄𝐌𝐁𝐄𝐑 𝟐𝟒𝐓𝐇 Congratulations 𝐏𝐀𝐔𝐋 𝐃𝐎𝐙𝐈𝐄𝐑 our new TOP 1 Congratulations to everyone that made it into this week’s Top 100 𝐓𝐎𝐏 𝟏 🔊 001.- OCEAN VIBE – Paul Dozier 𝐍𝐄𝐖 𝐓𝐎 𝐓𝐇𝐄 𝐓𝐎𝐏 𝟐𝟎 🔊 020.- MR. RIGHT – Kyle Schroeder 🔊 016.- REMEMBER THE TIME – Greg Manning 🔊 016.- SILKY SMOOTH – Jeff Logan 𝐍𝐄𝐖 𝐓𝐎 𝐓𝐇𝐄 𝐓𝐎𝐏 𝟏𝟎𝟎 🔊 100.- WHEN SHE SMILES – Darryl Williams 🔊 097.- LIVE N’ LEARN – Cal Harris Jr 🔊 096- DEJA GRUUV – Bryan Clay 🔊 090- GOODBYE – Michael Lington 🔊 087.- COLLABORATION – EJ Holmes Ft. Tony Exum Jr. 𝐒𝐌𝐎𝐎𝐓𝐇 𝐉𝐀𝐙𝐙 𝐒𝐈𝐌𝐌𝐄𝐑𝐈𝐍𝐆 💯 Michiyo - Red Sky 💯 Antonio Gómez - Moonlighting 💯 David P Stevens - Is This Real 💯 Vandell Andrew, Jah Born, Jordache Grant – Distances 💯 Julian Vaughn - The Cookout 💯 Jhavali - It’s Not Too Late 💯 Randy Sloan – Flow Motion 💯 Marco Papetti – Sambanova 💯 Blake Aaron – Dare To Fly (Brazilian Version) 💯 Velvet Lounge project – Endless Sun 💯 William Green – Choose To Love 💯 Jayson Tipp – It’s Your Horizon Too 💯 Lance Ferguson – Could Heaven Ever Be Like This 💯 Brownie – Come get It 💯 Dima Kosinsky – Soul Tale 💯 MT Jones – Gentle Reminder 💯 Paolo Rustichelli – Elise Dance 💯 Ella & The Bossa Beat – Italian Dream 💯 Luis Alas – Sax You Up 💯 David Crawford – Africa Nouveau 💯 Lars Taylor – Cruising Mind 💯 Lisa Addeo – Still Never Enough 💯 Jason Jackson – Drop The Needle 💯 Zuco 103 – Passa o Copo 💯 MF Robots – Glide 💯 Altone Dieux, Omar Soliman – Remember When I Found You 💯 Alex Stalart – Melody Of The Soul 💯 Nacho Valenciaga – Driving To My Home 💯 James Morgan – Live Love 💯 Carlos Camilo – Venomous Soul 💯 Johnny Britt – City Of Lights 💯 Fostina Dixon – Satellite House 💯 Shakatak – I’ve Got A Good Feeling 💯 Julian vaughn – Give & Go Ft. Adam Hawley 💯 Will Downing – Back To Us 💯 Dave McMurray – We Got By Ft. Kem 💯 Shelby Brown – Flight Line 💯 NW FRQNC – Are You Still Here? 💯 Deaddream – Sun Kissed 💯 Alfonso Gugliucci, Enrico Solazzo, Max Filosi – Still On The Road 💯 Blair Bryant – Silk And Suede 💯 Guillermo Rhyos – Entre Nubes 💯 Jjos, Manu López – Forbidden Love 💯 Brandon Marceal – From Pain To Power 💯 Ben Tankard – Can’t Get Enough 💯 Manu López, Siri Umann – We get Along 💯 Michael C. Lewis – Jack Of Hearts 💯 Dj Jazzy D – Always On Time 💯 Doug CT Thomas – A New Desert Flower Ft. Carlos Camilo 💯 Randy Brecker – Moonlight =========================== 𝐒𝐔𝐏𝐑𝐄𝐂𝐋𝐀𝐒𝐒𝐈𝐂𝐒 Chet Baker by Capitan Jazz 𝐌𝐔𝐒𝐈𝐂 𝐏𝐈𝐋𝐋𝐒 Nacho Valenciaga by Luz Bianchi

Radio Jazznoend, dedica su nuevo programa a la cantante brasileña Astrud Gilberto que nos dejó en el año 2023. Su imprevista intervención en el álbum de 1964, Getz/Gilberto, cantando la versión inglesa de los temas The Girl from Ipanema y Corcovado, junto a su esposo João Gilberto, el saxofonista Stan Getz y el compositor Antonio Carlos Jobim, la transformaron, de la noche a la mañana, en una artista profesional y erigiéndose, para el mundo entero, en la voz femenina de la bossa nova. Astrud Gilberto una hermosa e ingenua joven de 22 años, un ama de casa, como la denominaría Stan Getz, pasó en un instante del total anonimato, a encarnar en el imaginario colectivo el sueño idealizado de un país de sol, de playas desiertas y de hermosas melodías a la luz de la luna. La bossa nova hacía soñar a medio mundo y nadie quería abandonar aquel paraíso imaginado. De su rostro triste, de su voz frágil y susurrante, emanaba una sutil e irresistible sensualidad que cautivó a millones de oyentes en todo el orbe. Los discos grabados para Verve en la segunda mitad de los sesenta del pasado siglo, dan testimonio de la era dorada de su carrera. Con la llegada de los setenta, se produce un progresivo declive de su popularidad y de su actividad discográfica, paralelo a la propia decadencia del movimiento de la bossa nova con que había alcanzado el estrellato, aún cuando continuaría activa en los escenarios y clubes hasta su retirada definitiva en el año 2002. Su fama y su éxito le permitieron grabar al lado de algunos de los más grandes de la música pop y del jazz de la segunda mitad del siglo XX. Figuras tales como los arreglistas Claus Ogerman o Gil Evans, el compositor Antonio Carlos Jobim o el trompetista Chet Baker. Sin embargo, su carácter reservado y su timidez, mantuvieron ocultos al público, los pormenores de su vida privada. Nuestro nuevo programa será un viaje a través del agridulce camino de Astrud Gilberto por el mundo de la música en esa difícil convivencia entre su afán de intimidad y anonimato con el éxito y la popularidad que la consagraron como la verdadera Garota de Ipanema.

durée : 00:59:48 - Club Jazzafip - Une émission qui évoque les retrouvailles, d'un lieu que l'on aime, d'un ami, ou celles de Chet Baker et Gerry mulligan, de Jeanne Lee et Ras Blake ou encore la rencontre de Count Basie avec Duke Ellington. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:11:51 - Club Jazzafip - A l'occasion de la sortie du "Live In Bologna 1985", le club rend hommage au génial trompettiste et chanteur, mi-ange, mi-âme damnée, qui a marqué l'histoire du jazz. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Marco Molendini"Sotto il sole di Roma"minimum faxwww.minimumfax.comNegli anni Settanta il terrorismo ha impiombato le strade. La dolce vita è svanita anche nei ricordi, Chet Baker si aggira smarrito, a Fregene Flaiano e Fellini non ci sono più. Per avere fresco, la sera si fa su e giù in macchina a caccia di grattachecche e fette di cocomero. Poi, all'improvviso, si alza una nuvola di polvere e zanzare attorno al laghetto di Villa Ada ed esplode l'Estate romana, invenzione perfetta per una città dove le notti sono un invito a lasciar scorrere il tempo. Scocca la scintilla di quello che verrà chiamato riflusso. Guidata dalle avanguardie festaiole, Roma sfugge alla morsa del terrorismo proprio nell'anno peggiore, il 1977, e passa dal cinema che si accende a Massenzio a Dalla e De Gregori che si chiedono come fanno i marinai allo stadio Flaminio, dal delirio poetico di Castelporziano al fantastico carnevale brasiliano a Piazza Navona e alle notti infinite all'Hemingway e poi al bar della Pace.Dopo Pepito. Il principe del jazz, Marco Molendini aggiunge un nuovo, prezioso capitolo a una delle migliori storie di Roma dal dopoguerra a oggi, e lo fa raccontandola anche attraverso le vicende del Messaggero, che per decenni ne è stato lo specchio e l'osservatorio naturale: dagli anni del duchino Perrone fino alla baldoria della stagione Ferruzzi, tra cambi di proprietà e linea editoriale, scioperi e occupazioni, intromissioni della politica e grandi inchieste di cronaca. Pieno di aneddoti e popolato di personaggi bizzarri che si muovono in una città dove, come diceva Manganelli, «tutto è troppo», Sotto il sole di Roma è un congedo – ironico, esuberante, affettuoso, malinconico – da una lunga stagione di emozioni ed entusiasmi, nella quale musica, cultura e politica parlavano un'unica lingua, e un ritratto commovente della città delle illusioni e di tutti i sogni che non smette di inventare e custodire.Marco Molendini è giornalista e critico musicale, a lungo una delle firme di punta del Messaggero. È autore di diversi libri: una biografia di Frank Sinatra, una di Caetano Veloso, un doppio racconto sul rapporto fra Veloso e Gilberto Gil dal titolo Fratelli Brasile (Nuovi Equilibri 2004), il libro fotografico Le strade del cinema portano a Roma (Il Parnaso 2007) e Pepito. Il principe del jazz (minimum fax 2022).Nel corso della sua carriera è stato conduttore radiofonico di programmi Rai dedicati al jazz, collaboratore per programmi sul jazz di RaiSat e Rai 5 e autore del programma di Renzo Arbore Speciale per me andato in onda su Rai 1. Insegna al Master di critica giornalistica dell'Accademia d'arte Silvio D'Amico ed è consulente artistico di Umbria Jazz.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Halloween over Florence: THE MARKET OF GHOSTSSeverino lived in the bell tower on the hill — the one next to the ancient Basilica of San Miniato al Monte.Every evening, at sunset, he would lock the gate at the base of the entrance stairway and before climbing back up, he would pause to watch Florence color itself amber.And so he did today as well. The tourists had left. Time stopped and silence became sacred again.Through the rusted bars the city stood there motionless — perhaps since forever; with its red roofs, marble facades and the Arno flowing between its stones like a glittering silver ribbon.Domes and towers trembling with light, almost suspended in the air, as if everything and everyone were holding their breath waiting for twilight — and for the night that would cover it with shadows, stars and dreams.One more glance, then he turned on his transistor radio that he had found a few years ago and the notes of Duke Ellington's 'Don't Get Around Much Anymore' filled the autumn evening.Silence may be sacred for the monks, but for Severino music was more so. Seven, his raven, didn't need to be called and at the first notes launched himself from the cypresses of the cemetery above, circled in front of the imposing facade of the Basilica and suddenly glided down along the stairway, to land gently on his left shoulder."Hey Seven, had a good day?""Yes. Could have been worse — Let's settle for that."At which, Severino smiled, turned up the radio's volume and began climbing resolutely toward le Porte del Cielo, while Jazz music echoed among the ancient stones.Nine years ago, on this same day in the month of October, the Olivetan monks residing in the Abbey found a child on the steps of the Basilica.He was there, wrapped in fog, silent as the night, eyes curious as the wind, without name and without past. They called him Severino — I don't know why — and he grew up among prayers and silences. He played in ancient rooms and discovered his world, surrounded by books, tombs, art and mysteries never revealed. At night a raven and a black cat accompanied him, illuminated by the moon, in the Cimitero delle Porte Sante, wandering among imposing crypts and motionless statues that whispered memories and mysteries.But on Halloween nights the whispers transform into screams and endless laments. Secrets manifest themselves, legends become reality, and dreams disguised as nightmares knock on doors lit by candles. And that full moon night was precisely this night: October 31st — and remember, whether you believe in spirits or not, nothing changes: the ghosts will come.And Severino was up there, right there waiting for them to arrive. Leaning out the highest window of the bell tower, calm, looking at Florence from above. While Thelonious Monk's 'Round Midnight' played on his radio, he watched — tapping time with one foot and waited.At the second of the twelve strokes of the midnight bells, something began to happen. On the Arno formed a dense fog that pulsed with spectral green. It began to rise and slide slow but inexorable over the bridges like fingers of cold hands of impatient ghosts. It slid over the Ponte Vecchio and rolled through the streets of Oltrarno until reaching San Niccolò, where it climbed up the hill swallowing everything it found in its path.When it reached the gate of San Miniato, it slipped through the bars and climbed up the stairs until it covered, like a high luminous tide, the entire square in front of the church. It climbed up the marble facade and wrapped also the Cimitero delle Porte Sante, covering the entire hill in a cloak of mystery. Then slowly, as if by enchantment, the fog began to dissolve rising toward the sky and when the last cloud melted into the night air, the square was no longer empty.Small jack-o'-lanterns with flickering lights floated in the air smiling with teeth of fire. Black candles sprouted from nowhere, illuminating spectral stalls full of everything and nothing. Bats that seemed made of paper but were alive fluttered among the lights with wings of black velvet, while autumn leaves danced without wind, sparkling with gold and copper. Pumpkins of every shape filled the stands, some carved with funny faces, others covered with silver spiderwebs that shone like threads of moon. Witch hats swirled in the air like flying umbrellas rotating slow on themselves. Roasted chestnuts perfumed the air with cinnamon and mystery, while small dancing skeletons tinkled like ice bells.And finally in the Cimitero delle Porte Sante, the Portal opened. Like every Halloween, for centuries, spirits from all over the world congregated in Florence for their annual meeting. A spectral river of ghosts poured into the square, each heading toward their own stall, and each with their impossible merchandise to sell or trade. The spirits had arrived and Severino observed them from above. A carnival of other worlds, made of sounds, colors and unimaginable stories.The deserted square had transformed into the Market of Ghosts. Stalls kept materializing from nowhere, carved and glowing pumpkins told each other stories of Halloweens past, present and future laughing malicious among the perfumes of lost memories, past centuries, tomorrow's candles and fallen stardust. The sky above the Tuscan hills and above Florence was full of ghosts arriving from everywhere to search for the unfindable. But no human eye could see this spectacle. No one except Severino, who descended from the tower enchanted by that spectacle and immersed himself in the crowd pulsating with otherworldly life. Seven circled above him observing with attentive eyes and cawing a bit nervous. Some ghosts looked at him with curiosity and recognized him. Someone greeted him and many others whispered his name in forgotten languages."There he is," murmured a witch from Prague."The child of time," sighed a Norman knight."He's returned, I told you so." laughed a Caribbean pirate.But Severino paid them no attention because there were ghosts selling: dreams of sleeping dragons, laughter of northern gnomes, tears of mermaids in love, the last breath of dinosaurs, shadows of unicorns. And even fears from past Halloweens — two for the price of one, but only for tonight. The ghost of a pirate who died during a boarding gone not so well shouted: "Storm bottles! Lightning in jars!" A witch from Salem whispered: "Love potions that last three lifetimes…" A medieval knight showed swords that cut fear, A Chinese spirit waved kites that fly into the past.The spectral crowd grew and thickened, laughed and bargained, while Severino walked amazed and fascinated among the impossible stalls of the Halloween Market. Seven cawed restless from above and Eleven, the black cat with orange eyes, jumped from one tent to another not losing sight of a single movement of Severino and the hundreds of souls circling around him.A ghost monk from an era that never existed saw him and smiled at him from behind a stall full of ancient radios adorned with mysterious symbols. Severino approached, fascinated."How wonderful! Do they all work?""Oh yes, certainly" replied the monk. "These transmit on the waves of past, present, and future time. But you don't need to buy one."The other ghosts stopped. They ceased selling, buying and bartering. They looked at Severino with respect and listened to what the collector of frequencies told him."The transistor radio you already have is more special than you think. But to discover its true secrets, you'll have to search in the ancient crypts where everything began."And suddenly the first lights of dawn began to illuminate the sky behind San Miniato with pink. In rush and hurry the ghosts said goodbye flying away in the wind. "Until next Halloween!" They told each other crossing in the sky. The stalls vanished. Lanterns and candles went out. The Market of Ghosts dissolved like a dream.Severino found himself alone in the empty square, Seven on his shoulder and Eleven sitting on the low wallLooking at Florence illuminating itself in the day of All Saints. He observed his old radio with new eyes and from the ancient crypts of San Miniato, something seemed to call him. He turned it on, turned up the volume and descended the stairway in time to Chet Baker's version of 'Autumn Leaves'.It was time to throw open the gate of the Basilica of San Miniato al Monte.___________________We will continue this story.... For now a Happy Halloween to all of you, may you always believe in magic!Story written by Marco Ciappelli for "Stories Under The Stars" Halloween 2025___________________Listen to Severino's Playlist for the songs that accompany this story and subscribe to discover new music with every adventure.

Halloween over Florence: THE MARKET OF GHOSTSSeverino lived in the bell tower on the hill — the one next to the ancient Basilica of San Miniato al Monte.Every evening, at sunset, he would lock the gate at the base of the entrance stairway and before climbing back up, he would pause to watch Florence color itself amber.And so he did today as well. The tourists had left. Time stopped and silence became sacred again.Through the rusted bars the city stood there motionless — perhaps since forever; with its red roofs, marble facades and the Arno flowing between its stones like a glittering silver ribbon.Domes and towers trembling with light, almost suspended in the air, as if everything and everyone were holding their breath waiting for twilight — and for the night that would cover it with shadows, stars and dreams.One more glance, then he turned on his transistor radio that he had found a few years ago and the notes of Duke Ellington's 'Don't Get Around Much Anymore' filled the autumn evening.Silence may be sacred for the monks, but for Severino music was more so. Seven, his raven, didn't need to be called and at the first notes launched himself from the cypresses of the cemetery above, circled in front of the imposing facade of the Basilica and suddenly glided down along the stairway, to land gently on his left shoulder."Hey Seven, had a good day?""Yes. Could have been worse — Let's settle for that."At which, Severino smiled, turned up the radio's volume and began climbing resolutely toward le Porte del Cielo, while Jazz music echoed among the ancient stones.Nine years ago, on this same day in the month of October, the Olivetan monks residing in the Abbey found a child on the steps of the Basilica.He was there, wrapped in fog, silent as the night, eyes curious as the wind, without name and without past. They called him Severino — I don't know why — and he grew up among prayers and silences. He played in ancient rooms and discovered his world, surrounded by books, tombs, art and mysteries never revealed. At night a raven and a black cat accompanied him, illuminated by the moon, in the Cimitero delle Porte Sante, wandering among imposing crypts and motionless statues that whispered memories and mysteries.But on Halloween nights the whispers transform into screams and endless laments. Secrets manifest themselves, legends become reality, and dreams disguised as nightmares knock on doors lit by candles. And that full moon night was precisely this night: October 31st — and remember, whether you believe in spirits or not, nothing changes: the ghosts will come.And Severino was up there, right there waiting for them to arrive. Leaning out the highest window of the bell tower, calm, looking at Florence from above. While Thelonious Monk's 'Round Midnight' played on his radio, he watched — tapping time with one foot and waited.At the second of the twelve strokes of the midnight bells, something began to happen. On the Arno formed a dense fog that pulsed with spectral green. It began to rise and slide slow but inexorable over the bridges like fingers of cold hands of impatient ghosts. It slid over the Ponte Vecchio and rolled through the streets of Oltrarno until reaching San Niccolò, where it climbed up the hill swallowing everything it found in its path.When it reached the gate of San Miniato, it slipped through the bars and climbed up the stairs until it covered, like a high luminous tide, the entire square in front of the church. It climbed up the marble facade and wrapped also the Cimitero delle Porte Sante, covering the entire hill in a cloak of mystery. Then slowly, as if by enchantment, the fog began to dissolve rising toward the sky and when the last cloud melted into the night air, the square was no longer empty.Small jack-o'-lanterns with flickering lights floated in the air smiling with teeth of fire. Black candles sprouted from nowhere, illuminating spectral stalls full of everything and nothing. Bats that seemed made of paper but were alive fluttered among the lights with wings of black velvet, while autumn leaves danced without wind, sparkling with gold and copper. Pumpkins of every shape filled the stands, some carved with funny faces, others covered with silver spiderwebs that shone like threads of moon. Witch hats swirled in the air like flying umbrellas rotating slow on themselves. Roasted chestnuts perfumed the air with cinnamon and mystery, while small dancing skeletons tinkled like ice bells.And finally in the Cimitero delle Porte Sante, the Portal opened. Like every Halloween, for centuries, spirits from all over the world congregated in Florence for their annual meeting. A spectral river of ghosts poured into the square, each heading toward their own stall, and each with their impossible merchandise to sell or trade. The spirits had arrived and Severino observed them from above. A carnival of other worlds, made of sounds, colors and unimaginable stories.The deserted square had transformed into the Market of Ghosts. Stalls kept materializing from nowhere, carved and glowing pumpkins told each other stories of Halloweens past, present and future laughing malicious among the perfumes of lost memories, past centuries, tomorrow's candles and fallen stardust. The sky above the Tuscan hills and above Florence was full of ghosts arriving from everywhere to search for the unfindable. But no human eye could see this spectacle. No one except Severino, who descended from the tower enchanted by that spectacle and immersed himself in the crowd pulsating with otherworldly life. Seven circled above him observing with attentive eyes and cawing a bit nervous. Some ghosts looked at him with curiosity and recognized him. Someone greeted him and many others whispered his name in forgotten languages."There he is," murmured a witch from Prague."The child of time," sighed a Norman knight."He's returned, I told you so." laughed a Caribbean pirate.But Severino paid them no attention because there were ghosts selling: dreams of sleeping dragons, laughter of northern gnomes, tears of mermaids in love, the last breath of dinosaurs, shadows of unicorns. And even fears from past Halloweens — two for the price of one, but only for tonight. The ghost of a pirate who died during a boarding gone not so well shouted: "Storm bottles! Lightning in jars!" A witch from Salem whispered: "Love potions that last three lifetimes…" A medieval knight showed swords that cut fear, A Chinese spirit waved kites that fly into the past.The spectral crowd grew and thickened, laughed and bargained, while Severino walked amazed and fascinated among the impossible stalls of the Halloween Market. Seven cawed restless from above and Eleven, the black cat with orange eyes, jumped from one tent to another not losing sight of a single movement of Severino and the hundreds of souls circling around him.A ghost monk from an era that never existed saw him and smiled at him from behind a stall full of ancient radios adorned with mysterious symbols. Severino approached, fascinated."How wonderful! Do they all work?""Oh yes, certainly" replied the monk. "These transmit on the waves of past, present, and future time. But you don't need to buy one."The other ghosts stopped. They ceased selling, buying and bartering. They looked at Severino with respect and listened to what the collector of frequencies told him."The transistor radio you already have is more special than you think. But to discover its true secrets, you'll have to search in the ancient crypts where everything began."And suddenly the first lights of dawn began to illuminate the sky behind San Miniato with pink. In rush and hurry the ghosts said goodbye flying away in the wind. "Until next Halloween!" They told each other crossing in the sky. The stalls vanished. Lanterns and candles went out. The Market of Ghosts dissolved like a dream.Severino found himself alone in the empty square, Seven on his shoulder and Eleven sitting on the low wallLooking at Florence illuminating itself in the day of All Saints. He observed his old radio with new eyes and from the ancient crypts of San Miniato, something seemed to call him. He turned it on, turned up the volume and descended the stairway in time to Chet Baker's version of 'Autumn Leaves'.It was time to throw open the gate of the Basilica of San Miniato al Monte.___________________We will continue this story.... For now a Happy Halloween to all of you, may you always believe in magic!Story written by Marco Ciappelli for "Stories Under The Stars" Halloween 2025___________________Listen to Severino's Playlist for the songs that accompany this story and subscribe to discover new music with every adventure.

Halloween sopra Firenze: IL MERCATO DEI FANTASMISeverino viveva nel campanile sulla collina — quello accanto all'antica Basilica di San Miniato al Monte.Ogni sera, al tramonto, chiudeva a chiave il cancello alla base della scalinata d'ingresso e prima di risalire su, si soffermava ad osservare Firenze colorarsi d'ambra.E così fece anche oggi. I turisti se ne erano andati. Il tempo si fermò e il silenzio tornò sacro.Attraverso le sbarre arrugginite la città stava là immobile — forse da sempre; con i suoi tetti rossi, le facciate di marmo e l'Arno che scorreva fra le sue pietre come uno scintillante nastro argentato. Cupole e torri tremolanti di luce, quasi sospese nell'aria, come se tutto e tutti stessero trattenendo il respiro in attesa del crepuscolo — e della notte che l'avrebbe coperta di ombre, stelle e sogni.Ancora uno sguardo, poi accese la sua radio a transistor che aveva trovato qualche anno fa e le note di 'Don't Get Around Much Anymore' di Duke Ellington riempirono la serata autunnale.Il silenzio sarà sacro per i monaci, ma per Severino la musica lo era di più.Seven, il suo corvo, non si fece chiamare ed alle prime note si lanciò dai cipressi del cimitero sovrastante, volteggiò davanti alla facciata imponente della Basilica e d'improvviso planò in basso lungo la scalinata, per posarsi gentilmente sulla sua spalla sinistra. “Ciao Seven, passata una buona giornata?”“Sì. Poteva andare peggio — Accontentiamoci.” Al che, Severino sorrise, alzò il volume della radio e iniziò a risalire deciso verso le Porte del Cielo, mentre la musica Jazz echeggiava tra le pietre millenarie.Nove anni fa, in questo stesso giorno del mese d'Ottobre, i monaci Olivetani residenti nell'Abbazia trovarono un bambino sui gradini della Basilica.Stava lì, avvolto nella nebbia, silenzioso come la notte, occhi curiosi come il vento — senza nome e senza passato. Lo chiamarono Severino — non so il perché — e crebbe tra preghiere e silenzi. Giocava in stanze antiche e scopriva il suo mondo, circondato da libri, tombe, arte e misteri mai svelati.Di notte un corvo ed un gatto nero lo accompagnavano, illuminati dalla luna,  nel Cimitero Delle Porte Sante, vagando fra cripte imponenti e statue immobili che sussurravano memorie e misteri.Ma nelle notti di Halloween i sussurri si trasformano in grida e lamenti senza fine. Segreti si manifestano, leggende diventano realtà, e sogni mascherati da incubi bussano a porte illuminate da candele. E quella notte di luna piena era proprio questa notte: il 31 d'Ottobre — e ricordati, che tu creda agli spiriti o no, niente cambia: i fantasmi arriveranno.E Severino era lassù, proprio ad aspettare che arrivassero. Affacciato alla finestra più alta del campanile, tranquillo, guardando Firenze dall'alto. Mentre 'Round Midnight' di Thelonious Monk suonava nella sua radio, lui guardava — batteva il tempo con un piede ed aspettava.Al secondo dei dodici rintocchi delle campane di mezzanotte, qualcosa cominciò a succedere. Sull'Arno si formò una nebbia densa che pulsava di verde spettrale. Iniziò a salire e scivolare lenta ma inesorabile sui ponti come dita di mani fredde di fantasmi impazienti.  Scivolava sul Ponte Vecchio e rotolava per le vie d'Oltrarno fino a raggiungere San Niccolò, dove si arrampicava sulla collina inghiottendo tutto ciò che trovava sulla sua strada.Quando raggiunse il cancello di San Miniato, scivolò fra le sbarre e salì lungo le scale fino a coprire, come un'alta marea luminosa, tutto il piazzale antistante la chiesa. Si arrampicò sulla sua facciata di marmo e avvolse anche il cimitero delle Porte Sante, coprendo tutta la collina in un mantello di mistero. Poi lentamente, come per incanto, la nebbia iniziò a dissolversi salendo verso il cielo e quando l'ultima nuvola si sciolse nell'aria notturna, il piazzale non era più vuoto.Piccole jack-o'-lanterns con luci tremolanti galleggiavano nell'aria sorridendo con denti di fuoco. Candele nere spuntavano dal nulla, illuminando bancarelle spettrali colme di tutto e niente. Pipistrelli che sembravano di carta ma che erano vivi volteggiavano tra le luci con ali di velluto nero, mentre foglie d'autunno danzavano senza vento, scintillando d'oro e rame. Zucche di ogni forma riempivano i banchi, alcune intagliate con facce buffe, altre coperte di ragnatele argentate che brillavano come fili di luna. Cappelli da strega volteggiavano nell'aria come ombrelli volanti ruotando lenti su se stessi. Castagne arrostite profumavano l'aria di cannella e mistero, mentre piccoli scheletri danzanti tintinnavano come campanelli di ghiaccio.E finalmente nel cimitero delle Porte Sante, il Portale si aprì. Come ogni Halloween, da secoli, spiriti da tutto il mondo si congregavano a Firenze per il loro incontro annuale. Un fiume spettrale di fantasmi si riversò nel piazzale, ognuno dirigendosi verso la propria bancarella, ed ognuno con le sue mercanzie impossibili da vendere o scambiare.Gli spiriti erano arrivati e Severino li osservava dall'alto. Un carnevale di altri mondi, fatto di suoni, colori e storie inimmaginabili.Il piazzale deserto si era trasformato nel Mercato dei Fantasmi. Bancarelle continuavano a materializzarsi dal nulla, zucche intagliate e lucenti si raccontavano storie di Halloween passati, presenti e futuri ridendo maligne fra i profumi di memorie perdute, secoli passati, candele di domani e polvere di stelle cadute.Il cielo sopra le colline toscane e sopra Firenze era pieno di fantasmi che arrivavano da ogni dove per cercare l'introvabile. Ma nessun occhio umano poteva vedere questo spettacolo. Nessuno eccetto Severino, che scese dalla torre incantato da quello spettacolo e si immerse nella folla pulsante di vita ultraterrena. Seven gli volteggiava sopra osservando con occhi attenti e gracchiando un po' nervoso. Alcuni fantasmi lo guardavano con curiosità e lo riconoscevano. Qualcuno lo salutava e molti altri sussurravano il suo nome in lingue dimenticate."Eccolo," mormorava una strega di Praga. "Il bambino del tempo," sospirava un cavaliere normanno. "È tornato, ve lo dicevo io.” rideva un pirata dei Caraibi.Ma Severino non ci faceva attenzione perché c'erano fantasmi che vendevano: sogni di draghi addormentati, risate di gnomi del nord, lacrime di sirene innamorate, l'ultimo respiro dei dinosauri, ombre di unicorni. E perfino paure di Halloween passati — due al prezzo di uno, ma solo per stanotte. Il fantasma di un pirata morto durante un abbordaggio andato poco bene gridava:"Bottiglie di tempesta! Fulmini in barattolo!"Una strega di Salem sussurrava: “Pozioni d'amore che durano tre vite…”Un cavaliere medievale mostrava spade che tagliano la paura,Uno spirito cinese sventolava aquiloni che volano nel passato.La folla spettrale cresceva e si addensava, rideva e contrattava, mentre Severino camminava stupito e affascinato tra i banchi impossibili del Mercato di Halloween.Seven gracchiava inquieto dall'alto e Eleven, il gatto nero dagli occhi arancioni, saltava da una tenda all'altra non perdendo di vista un singolo movimento di Severino e delle centinaia d'anime che gli giravano intorno.Un monaco fantasma di un'epoca mai esistita lo vide e gli sorrise da dietro una bancarella piena di radio antiche ornate di simboli misteriosi. Severino si avvicinò, affascinato. "Che meraviglia! Funzionano tutte?""Oh sì, certamente" rispose il monaco, ”Queste trasmettono sulle onde del tempo passato, presente, e futuro. Ma tu non hai bisogno di comprarne una."Gli altri fantasmi si fermarono. Smisero di vendere, comprare e barattare. Guardarono Severino con rispetto e ascoltavano quello che gli diceva il collezionista di frequenze."La radio a transistor che hai già è più speciale di quanto credi. Ma per scoprire i suoi veri segreti, dovrai cercare nelle cripte antiche dove tutto ebbe inizio."E all'improvviso le prime luci dell'alba iniziarono a illuminare di rosa il cielo dietro San Miniato. In fretta e furia i fantasmi si salutarono volando via nel vento."Fino al prossimo Halloween!” Si dicevano incrociandosi in cielo.Le bancarelle svanirono. Lanterne e candele si spensero. Il Mercato dei Fantasmi si dissolse come un sogno.Severino si ritrovò solo nel piazzale vuoto, Seven sulla sua spalla e Eleven seduto sul muretto a guardare Firenze che si illuminava nel giorno di OgniSanti. Osservò la sua vecchia radio con occhi nuovi e dalle cripte antiche di San Miniato, qualcosa sembrava chiamarlo. L'accese, alzò il volume e scese la scalinata a tempo di 'Autumn Leaves' nella versione di Chet Baker.Era giunta l'ora di spalancare il cancello della Basilica di San Miniato al Monte.Continueremo questa storia. Per adesso un Buon Halloween a tutti voi, che possiate sempre credere nella magia! Storia scritta da Marco Ciappelli per "Storie Sotto Le Stelle" Halloween 2025Ascolta Severino's Playlist per le canzoni che accompagnano questa storia e iscriviti per scoprire nuove musiche ad ogni avventura.

"Nieuwe Oogst" van onder andere Boz Scaggs, Harry Allen, Samara Joy en Cory Weed en eentje uit de oude doos van Chet Baker en Philip Catherine in dit tweede uur All That Jazzz @1Twente Enschede.

Songs include: All the Things You Are by Artie Shaw, The Last Time I Saw Paris by Kate Smith, Pick Yourself Up by Fred Astaire, Smoke Gets In Your Eyes by Jo Staffored and Look For the Silver Lining by Chet Baker. 

Painting With John (New Opening) — JOHN LURIE, Painting with JohnRitual — CANBERK ULAŞ, ARVE HENRIKSEN, Echoes of BecomingSoftly as in a Morning Sunrise — FRED HERSCH, Silent Listening'Round Midnight — CHARLIE HADEN, CHET BAKER, ENRICO PIERANUNZI, BILLY HIGGINS, SilenceThe World Begins Today — TIGRAN HAMASYAN, OLIVIER BOGÉ, SAM MINAIE, JEFF BALLARD, The World Begins TodayDo Not Go Gentle Into That Good Night — JOHN ZORN, BILL FRISELL, JULIAN LAGE, GYAN RILEY, LamentationsNessun Dorma — ADAM NEELY, LAU NOAH, The Way UnderLove for Sale — AHMAD JAMAL, Black BeautyJasmine — BUD SHANK, SHORTY ROGERS, BILL PERKINS, NoctambulismEscuchar audio

Almoço foi servido com fome de ouvir.A mesa serve frequentemente como símbolo de união social e familiar, pode também ser confundida com religião, recebendo tanto o alimento físico quanto o espiritual.Nesse episódio, Júlio Adler e Bruno Bocayuva tem sede pelas histórias do Tito e sorvem cada vírgula com atenção e embriaguez.Celebramos as vidas extraordinárias do Bruxo, Hermeto Pascoal, e do Robert Redford, galã dos galãs.A trilha traz Raindrops Keep Falling On My Head(Burt Bacharach and Hal David), da trilha do Classico do cinema, Butch Cassidy and the Sundance Kid, na voz do B.J. Thomas, Almost Blue, orginalmente escrita por Elvis Costello, cantada por Chet Baker e Hermeto Pascoal, com Airto Moreira e Flora Purim com uma música chamada Velório.

Jacob Jay and Dalton Sharp from the Jay/Sharptet visited the Flamingo Lounge on July 30, 2025. Based in Buffalo, NY, the Jay/Sharptet performs music with a focus on original compositions and arrangements. Founded by musicians Jacob Jay and Dalton Sharp, this versatile ensemble can perform as a trio, quartet, quintet, or even a big band. Drawing inspiration from iconic artists like the Miles Davis Quintets, Chet Baker, and Roy Hargrove, they strive to make every performance a unique musical statement that is engaging for their audience. Past performances include the Northwest Lewiston Jazz Festival, Queen City Jazz Festival, CMC Jazz Festival, and Pappy Martin Legacy Jazz Festival, as well as renowned venues like the Palmetto Theatre and Pausa Art House.

Aron! is only 22, but his music seems to exist outside of time. A singer, songwriter, and multi-instrumentalist from North Carolina, he studied classical guitar, jazz voice, and film scoring—playing everything from indie rock in a college band to Nat King Cole covers in retirement homes—before landing on a sound that feels both old school and strikingly fresh. (He calls his sound “vintage pop”.) His debut EP cozy you (and other nice songs) began as a self-produced student project, recorded in a college studio with friends. It was completed before he signed with Verve Records—one of the most iconic jazz labels in the world—and showcases his gift for timeless songwriting, intimate performance, and warm, sophisticated arrangements. He first gained attention online through casual videos of himself playing standards and originals, quietly amassing a loyal audience. Among his early champions was Ryan Lerman (Scary Pockets), who helped connect Aron! with a wider musical community. Here he reflects on his musical roots, his love of old songs, the strange path from Instagram to Verve, and the challenge of staying grounded in a moment of rapid change. The songs may sound old, but the feeling is immediate. The muse, it seems, doesn't care what year it is. www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story

durée : 00:25:15 - Riccardo Del Fra (5/5) - par : Arnaud Merlin - De Rome à Paris, Riccardo Del Fra trace un chemin singulier entre jazz, écriture contemporaine et cinéma. Contrebassiste de Chet Baker, compositeur pour l'Ensemble Intercontemporain, il façonne une œuvre où l'improvisation dialogue avec la forme et la mémoire. - réalisé par : Arnaud Chappatte

durée : 00:25:05 - Riccardo Del Fra, contrebassiste (1/5) - par : Arnaud Merlin - De Rome à Paris, Riccardo Del Fra trace un chemin singulier entre jazz, écriture contemporaine et cinéma. Contrebassiste de Chet Baker, compositeur pour l'Ensemble Intercontemporain, il façonne une œuvre où l'improvisation dialogue avec la forme et la mémoire. - réalisé par : Arnaud Chappatte

durée : 00:25:12 - Riccardo Del Fra, contrebassiste (2/5) - par : Arnaud Merlin - De Rome à Paris, Riccardo Del Fra trace un chemin singulier entre jazz, écriture contemporaine et cinéma. Contrebassiste de Chet Baker, compositeur pour l'Ensemble Intercontemporain, il façonne une œuvre où l'improvisation dialogue avec la forme et la mémoire. - réalisé par : Arnaud Chappatte

durée : 00:25:16 - Riccardo Del Fra, contrebassiste (3/5) - par : Arnaud Merlin - De Rome à Paris, Riccardo Del Fra trace un chemin singulier entre jazz, écriture contemporaine et cinéma. Contrebassiste de Chet Baker, compositeur pour l'Ensemble Intercontemporain, il façonne une œuvre où l'improvisation dialogue avec la forme et la mémoire. - réalisé par : Arnaud Chappatte

durée : 00:25:15 - Riccardo Del Fra, contrebassiste (4/5) - par : Arnaud Merlin - De Rome à Paris, Riccardo Del Fra trace un chemin singulier entre jazz, écriture contemporaine et cinéma. Contrebassiste de Chet Baker, compositeur pour l'Ensemble Intercontemporain, il façonne une œuvre où l'improvisation dialogue avec la forme et la mémoire. - réalisé par : Arnaud Chappatte

La Venganza Será Terrible: todo el año festejando los 40 años Chacarerean Teatre, Palermo Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:01:27 Segmento Inicial • Viajar a Marte0:06:46 Segmento Dispositivo • Carpinteros y artesanos a lo largo de la historia0:41:15 • "Norwegian Wood (This Bird Has Flown)" ♫ (Toca el TSN) The Beatles, Rubber Soul. Segmento Humorístico • Cosas que pueden matarte Sordo Gancé / Trío Sin Nombre • Presentación • "Mañana Campestre" ♫ (Arco Iris) • "La Vieja Serenata" ♫ (Teófilo Ibáñez/Sandalio Gómez) • "Fields of Gold" ♫ (Sting) • "" ♫ () • "Seguir Viviendo Sin tu Amor" ♫ (Luis Alberto Spinetta) • "Tenderly" ♫ (Walter Gross/Lawrence) Chet Baker • "Hit The Road Jack" ♫ (Percy Mayfield)