Podcasts about Serenade

Tom Williams of the Velvet Serenade has a rich background. While he is on to talk about the Velvet Serenade, Tom shares his background as an urban planner. His influence and vision over the Austin and San Antonio metroplex will amaze. Onto the music, hear the sultry sound of his singing partner Quita delivering a song titled Too Hot. Enjoy Tom and Quita on Saturday at Carosel Lounge, Austin's oldest (and finest) venue for the most entertaining experience. www.carousellounge.com Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

Tim & JB sit down and once again whip up a comedic storm of endless nonsense. There was a brief technical snag mid way through the episode. We did however overcome the problem and reward you patiences with an additional hour of our twisted humor. Stop by for a laugh as we are here to offend your fragile senses. 

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

In Episode 23 of The Choral Director's Toolbox, host Dr. William Baker dives into The Naming of Voices, examining the history, assumptions, and consequences behind labeling singers as sopranos, altos, tenors, or basses. Learn why misassigned voice parts can lead to tension, poor intonation, and ensemble imbalance—and how thoughtful, flexible assignments can unlock freedom and blend. This week's listener question explores the expressive and musical benefits of singing from memory. Today's inspiration is R. Douglas Helvering's radiant Serenade to Music, performed by The William Baker Festival Singers. Tune in for an honest, insightful, and empowering episode for choral directors and singers alike.

Gepresenteerd door: Saskia Voorbach In de maanden juni, juli en augustus klinken op zondag tussen 11:02 en 12:15 uur mooie opnamen uit het rijke archief van Het Zondagochtend Concert. Het nieuwe seizoen begint op zondag 7 september a.s. Antonín Dvořák - Serenade voor houtblazers, 3 hoorns, cello en contrabas Nederlands Blazers Ensemble (opname van 20 januari 2002) Ludwig van Beethoven - Strijkkwartet nr.11 op.95 Concertgebouw Kamerorkest Marco Boni, dirigent (opname van 22 november 1998) Joseph Rheinberger - Mis 109 in Es Groot Omroepkoor Uwe Gronostay, dirigent (opname van 29 april 2001) Nicola Matteis - Ayres for the Violin book 1 Charlotte Spruit & Friends (opname van 23 maart 2025)

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

Recorded Apr, 2024.Australian soprano Morgan Balfour made her San Francisco Symphony solo debut in 2023 with Bach's Magnificat, conducted by Dame Jane Glover. In the same year, she made her European debut with Internationale Bachakademie Stuttgart's JSB Ensemble under the baton of Hans-Christoph Rademann and received praise for her "crystal clear tone (that) conveyed a broad palette of emotional and vocal colors."During the 2024/25 season, Morgan will perform in Purcell's The Fairy Queen with Pinchgut Opera, appear as Susanna in Le nozze di Figaro with Pocket Opera, sing the soprano solo in Carmina Burana with Schola Cantorum and join Sacramento Baroque Soloists in Masterpieces from France.With a strong affinity for early music and the concert stage, Morgan has performed as a soloist with numerous companies, including Australian Brandenburg Orchestra, American Bach Soloists, Sydney Philharmonia, Canberra Symphony Orchestra and Cantata Collective. In 2022 she was a Virginia Best Adams Fellow at the Carmel Bach Festival.Some of her concert repertoire includes Vaughan William's Serenade to Music (Sydney Philharmonia), Bach's Mass in B Minor (San Francisco Bach Choir), Handel's Messiah (Chora Nova), Mozart's Requiem (Sydney University Graduate Choir), Haydn's Missa brevis (Masterworks Chorale), Bach's Missa Divi Xaverii (California Bach Society), Bach's Actus tragicus (Central Coast Chamber Choir), Whitbourn's Annalies (UC Berkeley Chamber Chorus) and numerous other Bach cantatas with Cantata Collective.Morgan has performed the role of Cephise in Rameau's Pigmalion with both Pinchgut Opera and American Bach Soloists. She also appeared as Honour in Purcell's King Arthur with the Brisbane Baroque Festival. As a Resident Artist with the Lyric Opera of Kansas City, Morgan spent the 2019 - 2020 season covering the roles of Blondchen in Die Entführung aus dem Serail, Musetta in La bohème and was scheduled to perform Mrs Grady in The Shining (covid19).Other operatic credits include Pamina in Die Zauberflöte, the titular role in Rodelinda, Frasquita in Carmen, Younger Alice in Glory Denied, Meleagro in Handel's Atalanta, Governess in The Turn of the Screw, and Annina in La traviata. Alongside her work as a soloist, Morgan is an AGMA member of the San Francisco Symphony Chorus, and has participated in numerous projects including the GRAMMY Award-winning recording of Kaija Saariaho's Adriana Mater. Morgan has also performed as a member of the San Francisco Opera Chorus and regularly appears with American Bach Soloists Cantorei. Morgan has numerous awards from appearing in the international competition circuit. She was the 2019 Handel Aria Competition First Prize Winner, 2022 Lyndon Woodside Oratorio - Solo Oratorio Competition Esther Korshin Award Winner, 2021 Colorado Bach Ensemble Second Prize Winner and 2021 Kentucky Bach Audrey Rooney Vocal Competition Encouragement Award Winner. In addition to her work as a classical vocalist, Morgan can be heard on the game soundtrack of The Lord of the Rings: Return to Moria.https://morganbalfour.com/--Hosted by Jessica Harper (soprano) & Jeremy Boulton (baritone), 'So You Think You Can Belto?' was created to empower emerging operatic practitioners across Australia and the world with access to the direct knowledge and relayed experiences of professionals.BUY JESSICA A COFFEE: ⁠⁠⁠https://www.paypal.com/ncp/payment/32TKWJ6EQ7G8N⁠⁠⁠TWITTER: ⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/sytycanbelto⁠⁠⁠⁠⁠⁠⁠⁠⁠FACEBOOK: ⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/soyouthinkyoucanbelto⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM: ⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/soyouthinkyoucanbelto⁠⁠⁠⁠⁠⁠⁠⁠⁠HASHTAG: #SoYouThinkYouCanBeltoJESSICA: ⁠⁠⁠⁠⁠⁠⁠⁠⁠jessicaharpersoprano.com⁠⁠⁠⁠⁠⁠⁠⁠⁠JEREMY : ⁠⁠⁠⁠⁠⁠⁠⁠⁠jeremyboulton.com.au⁠⁠⁠⁠⁠⁠⁠⁠⁠DISCLAIMER: The views and opinions expressed are solely those of the individuals that appear on the program, not the views of the organisations that they are employed by, nor who they represent in other capacities.

Follow the show!Twitter - @loneactingnomsLetterboxd - @loneactingnomsInstagram - @theloneactingnomineesMusic Licensing:Bad Ideas - Silent Film Dark by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489Artist: http://incompetech.com/

Fluent Fiction - Hungarian: Melodies of Váci Utca: A Serenade of Reunion Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2025-05-19-22-34-01-hu Story Transcript:Hu: A Váci utca zsibongása mindig különleges hangulatot árasztott tavasszal.En: The bustling of Váci utca always exuded a special atmosphere in spring.Hu: A virágok ragyogóan nyíltak az ablakokban, az üzlettulajdonosok pedig színes kirakatokkal csábították a járókelőket.En: The flowers bloomed radiantly in the windows, and the shop owners lured passersby with colorful displays.Hu: Az utcát kellemes napsütés ragyogta be, és a levegő tele volt friss illatokkal.En: The street was bathed in pleasant sunshine, and the air was full of fresh scents.Hu: Levente, a fiatal utcazenész, szokásos helyén ült csellójával.En: Levente, the young street musician, sat at his usual spot with his cello.Hu: Minden egyes nap azon dolgozott, hogy muzsikájával megérintse az embereket.En: Every day he worked to touch people with his music.Hu: Bár sokan jártak arra, figyelmük mégsem őt kötötte le teljesen.En: Although many passed by, their attention was not completely captivated by him.Hu: Az emberek rohangáltak, fényképeztek, vásároltak a nevezetes Váci utca hangulatában.En: People hurried, took photos, and shopped in the renowned atmosphere of Váci utca.Hu: Eközben nem messze tőle, egy anyuka, Katalin, kétségbeesetten keresett valamit — vagy valakit.En: Meanwhile, not far from him, a mother, Katalin, was desperately searching for something—or someone.Hu: Fiatal fia, Ádám, kíváncsian bóklászott az utcán, elveszítve édesanyját a tömegben.En: Her young son, Ádám, was curiously wandering the street, having lost his mother in the crowd.Hu: Míg Katalin kétségbeesve szólongatta fiát, Ádámot elbűvölte az emberek sokszínű forgataga.En: While Katalin desperately called for her son, Ádám was enchanted by the colorful bustle of people.Hu: Levente épp egy jól ismert dallamot játszott, amikor észrevette a zavart a tömegben.En: Levente was playing a well-known tune when he noticed the confusion in the crowd.Hu: Katalin közelében állt meg pár pillanatra.En: He paused near Katalin for a few moments.Hu: Látta az asszony arcán az aggodalmat, és hallotta a könnyekkel küszködő kérlelést: "Ádám, hol vagy?En: He saw the worry on her face and heard her tearful pleading: "Ádám, where are you?"Hu: "Bár számos járókelő figyelt fel a káoszra, senki sem tudta, hogyan segíthetne.En: Although many passersby noticed the chaos, no one knew how they could help.Hu: Leventének ekkor támadt egy ötlete.En: Levente then had an idea.Hu: Abbahagyta a szokásos repertorárod, és elkezdett játszani egy dallamot, amit szerinte épp Ádám ismerhetett.En: He stopped his usual repertoire and began playing a tune he thought Ádám might know.Hu: A dallam lágy, otthonos volt, hasonlított arra a dalra, amit az anyja sokszor dúdolt neki.En: The melody was soft and homely, resembling the song his mother often hummed to him.Hu: Ádám a zaj kellős közepén hallotta meg a dallamot.En: Ádám heard the tune in the midst of the noise.Hu: Megállt és visszafordult a muzsika irányába.En: He stopped and turned back towards the music.Hu: A dallam emlékeztette az otthon biztonságára és édesanyja meleg ölelésére.En: The melody reminded him of the safety of home and his mother's warm embrace.Hu: Katalin nemsokára megpillantotta Ádámot Levente közelében állni, aki még mindig a dallamot játszotta.En: Soon, Katalin spotted Ádám standing near Levente, who was still playing the tune.Hu: Katalin odaszaladt, könnyes szemmel átölelte fiát.En: Katalin ran over and tearfully embraced her son.Hu: Nagyon hálás volt Leventének, akin keresztül annak muzsikája újra egyesítette őket.En: She was very grateful to Levente, through whom his music reunited them.Hu: Levente, bár korábban sosem gondolta, hogy a zenéjével ilyen hatást érhet el, most ragyogó tekintettel nézett végig a tömegen, akik most már őt is tapsolták.En: Levente, although he had never previously thought he could achieve such an impact with his music, now gazed with shining eyes at the crowd, who were now applauding him.Hu: Nemcsak figyelmet, de elismerést és szeretetet is kapott.En: He received not only attention but also recognition and love.Hu: A nap végén mindannyian hagyták, hogy a jövő reményteljesebb legyen.En: By the end of the day, they all allowed the future to be more hopeful.Hu: Katalin emlékeztetőül megtanulta, hogy figyelmesebben ügyeljen Ádámra, Ádám pedig megérezte, milyen fontos fenntartani a kapcsolatot édesanyjával.En: Katalin was reminded to pay more careful attention to Ádám, and Ádám realized how important it is to maintain a connection with his mother.Hu: Levente pedig látta, hogy muzsikája nemcsak szórakoztat, hanem segíthet is másokon.En: Levente saw that his music not only entertains but can also help others.Hu: A Váci utca lüktetett tovább, de mindhárom szereplő szívében valami megváltozott, és ez a változás mindnyájuk életét gazdagította.En: Váci utca continued to pulse, but in the hearts of all three characters, something had changed, and this change enriched their lives. Vocabulary Words:bustling: zsibongásexuded: árasztottradiantly: ragyogóanpassersby: járókelőkcello: csellócaptivated: lekötöttrenowned: nevezetesdesperately: kétségbeesettenwandering: bóklászottenchanted: elbűvöltebustle: forgatagconfusion: zavartearful: könnyekkel küszködőpleading: kérlelésrepertoire: repertorárodsoft: lágyhomely: otthonosembrace: ölelésspotted: megpillantottatearfully: könnyes szemmelreunited: egyesítetteachievement: hatásshining: ragyogórecognition: elismerésmaintain: fenntartaniconnection: kapcsolatentertain: szórakoztatpulse: lüktetenriched: gazdagította

Del disco 'Embracing dawn', del pianista Christian Sands, 'Divergent journeys', 'Ain´t that the same', 'Serenade of an angel' y 'MMC'; del disco 'Blues blood', del saxofonista Immanuel Wilkins, 'Motion', 'Dark eyes smile', 'After residence time', 'Blues blood' y 'Moshpit'.Escuchar audio

When you're in a UNESCO City of Music, you expect to hear some great sounds, which we did when we found our way to the Duncairn Centre for Culture & Arts to hear the Belfast singer, songwriter, performer, and musical explorer Suzanne Savage.Hooked at age seven by an Ulster Orchestra concert, she picked up a violin at age eight. Within a few years, she was practicing classical music by day and gigging with Belfast bands by night.Suzanne talks about her deep connections with Belfast and its music scene, her varied musical influences, and how she balances her artistic endeavors with practical considerations. Suzanne tells of her jazz influences, international experiences, noteworthy performances, and the important community initiatives she supports in Belfast.In the Duncairn concert, she was backed by her Savage Five string ensemble for an evening of her contemporary art songs, a reminder that there's more than Trad to be had in the first UNESCO City of Music on the island of Ireland.Join us for a journey through the marvelous musical landscape of the stellar Suzanne Savage!And thanks to the Belfast Music Society for their warm welcome.LinksSuzanne SavageFacebookInstagramLinkedInTwitter/XBandcampYouTubePerformance: Singing Leonard Cohen with RTÉ Concert Orchestra Savage FiveWebsiteFacebookSeamus Plug - The People's Kitchen, BelfastFacebookAlbum: Kindness on the StreetsThe Duncairn Centre for Arts & CultureWebsiteFacebookEpisode Details: Season 7, Episode 17; Total Episode Count: 120

Olivia Book, is a professional ballet dancer in Ballet West's second company in Salt Lake City, Utah. Olivia grew up in a small town in Ontario, Canada and was born with a right arm limb deficiency. She has always been a natural performer and began ballet classes at a local dance studio at the young age of four, she later became a member of a competitive dance team from the age of nine until fifteen, competing in many different styles of dance. Olivia attended The Royal Danish Ballet summer school in 2018 and 2021. In 2019 at the age of 15, she attended the Youth American Grand Prix, placed in the top 12 in both the classical ballet and contemporary categories, and was awarded two of the most prestigious awards, Outstanding Performance and Special Commendation from the Jury at the Youth America Grand Prix and was also personally invited to the Ballet West summer intensive by Adam Sklute, BW Director. During that summer she was selected to join Ballet West Academy's Professional Training Division at the young age of 16 and made the tough decision to move away from home to live in Salt Lake City, Utah. In 2021, she was promoted to the Trainee program and most recently to the second company in 2023. While at the BW Academy, Olivia was awarded the Adam Sklute scholarship in 2020 and 2022, for her exceptional artistry and has appeared in the TV show, The Next Step, season 8. She is studying Plant Based nutrition and is working on writing her memoir, capturing her dance journey from the very beginning, co-authored with her Mom. In her first two professional seasons with Ballet West she has performed in Dracula, Stars & Stripes,The Nutcracker and Swan Lake, Jekyll & Hyde, Serenade and Cinderella. Olivia has been featured in Pointe magazine(2020), Front Row Magazine(2024) and interviewed by KSL news reporter Carole Mikita (2023) and Cassidy Wixom, for KSL online(2024). Olivia can be found at: Instagram: @olivia_book_ Youtube: https://www.youtube.com/@oliviabook Ballet West website: https://www.balletwest.org/dancers/detail/olivia-book

You pause beside the river, watching sunlight play on the rapids. Above the rush of the water, you hear the excitable snickering of common sandpipers – a pair are flying in wide circles, low over the water, their wingtips skimming the surface in a daring courtship flight. BBC Countryfile Magazine's Sound Escapes are a weekly audio postcard from the countryside to help you relax and transport you somewhere beautiful, wherever you happen to be. Recorded by Fergus Collins, introduced by Hannah Tribe. Email the Plodcast team – and send your sound recordings of the countryside – to: theplodcast@countryfile.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob reports on the immediate aftermath of the Canadian election, which has taken on an unusual level of global significance. Meantime Theo is still worrying about his tadpoles, and reflecting on the comforting familiarity of snooker. Can they also gain further ground in their attempt to level the crossword scores?Play along:https://www.theguardian.com/crosswords/quick/17154 Contact us:twoacrosspod@gmail.com

Looking for transcripts? Click here!Where did the old episodes go?Follow us on Blue Sky! @hoteldayradioCredits and Attributions:Hotel Daydream is licensed under a ⁠Creative Commons Attribution-ShareAlike 4.0⁠ International License.Music and respective CC licenses:CC-BY-SA-3.021 Hungarian Dances (Orchestra), WoO 1 by Johannes Brahms, perf. by Fulda Symphonic Orchestra (edited)CC-BY-4.0Choro das Terras Baixas, written & performed by Bert Alink Requiem a voce sola, written & performed by Carlotta Ferrari (edited)CC-BY-3.0Impromptu in G♭ major by Schubert, per. Chiara Bertoglio (edited)Serenade for String Orchestra, Op. 16 ny Emanuel Moór, perf. Steve's Bedroom Band  (edited)De buen humor, written and performed by Bert Alink (edited)EFF Open Audio License 1.0.1 which is compatible with CC-BY-SA-2.0(O) Concerto grosso in D major, Op.6 No.4, by Arcangelo Corelli, perf. by Advent Chamber Orchestra (edited)

When critics hinted Maurice Prendergast was getting a little repetitive as he approached 50, he could've hung up his brushes. After all, he'd been pretty successful. Instead, he headed back to where it all began--Paris--and came away reinvigorated with “a new impulse,” as he called it.   Today's episode takes us to the Hirshhorn Museum and Sculpture Garden in Washington DC. We'll find out how an idea that started with Congress just before the Depression led to an official modern art museum on the National Mall!   SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/   Episode music “Scenes from Childhood, Op. 15 - IX. King of the Hobbyhorse” by Robert Schumman Performed by Donald Betts.   “Children's Corner, L. 113 - III. Serenade of the doll” by Claude Debussy Performed by Edward Rosser Both courtesy of musopen.org   “Loopster” by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License https://creativecommons.org/licenses/by/3.0/   Artwork information  Beach at Saint-Malo https://iiif.si.edu/mirador/?manifest=https%3A%2F%2Fids.si.edu%2Fids%2Fmanifest%2FHMSG-HMSG-66.4131 (mirador zoom-in view)   https://hirshhorn.si.edu/collection/artwork/?edanUrl=edanmdm%3Ahmsg_66.4131   Prendergast info https://www.theartstory.org/artist/prendergast-maurice/   https://www.nga.gov/collection/artist-info.5270.html   Maurice Prendergast. Wattenmaker, Richard J, and National Museum of American Art. New York: H.N. Abrams, 1994.  https://archive.org/details/mauriceprenderga0000watt/page/n5/mode/2up    Maurice Prendergast : By the Sea. Homann, Joachim. Brunswick, Maine: Bowdoin college Museum of Art, 2013.   “The Early Art Education of Maurice Prendergast.” Glavin, Ellen. Archives of American Art Journal 33, no. 1 (1993): 2–12. https://www.jstor.org/stable/1557569. (JSTOR)   Hirshhorn info https://hirshhorn.si.edu/explore/the-founding-donor/   https://hirshhorn.si.edu/about-us/   https://siarchives.si.edu/history/hirshhorn-museum-and-sculpture-garden Hirshhorn Museum and Sculpture Garden : The Collection. Brunet, Briana Feston, and Romare Bearden. Edited by Stéphane Aquin, Anne Reeve, and Sandy Guttman. New York: DelMonico Books, 2022.   Transcript available at https://alonglookpodcast.com/saint-malo/

Hosts Brent Reaves, Clay Newcomb, and Mark Kenyon crash the Bozeman HQ to chat episodes v. films, hear Reed Barganier's (@ReedsPianoNews) latest turkey jam, play 1-Minute Fishing with Trout Unlimited's Tanner Belknap, and show & tell of some prized possessions. Watch the live stream on the MeatEater Podcast Network YouTube channel. Connect with The MeatEater Podcast Network MeatEater on Instagram, Facebook, Twitter, and YouTubeSee omnystudio.com/listener for privacy information.

This week, Donald Macleod charts the highs and lows of the composer's last five years, from veneration to humiliation and back again. We hear how Mozart coped with all that life threw at him and somehow managed to compose many of the works he's most loved for today.Music featured:Requiem Ein musikalischer Spass (4th mvt, Presto) Symphony No 38 “Prague” (3rd mvt, Presto) Canon: Ach zu kurz ist unsers Lebenslauf String Quintet in G minor, K515 (2nd mvt. Adagio, arr. for piano) Serenade in G, K525 "Eine Kleine Nachtmusik" (1st and 2nd mvts) Don Giovanni, Act I, Madamina (Catalogue aria) Contredance in C major “La Bataille” Symphony No 40 (3rd mvt, Menuetto) Divertimento in E flat major, K 563 (1st mvt, Allegro) Piano Sonata No 16 in C major, K545 “Facile” (2nd mvt, Andante) Symphony No 41 “Jupiter” (1st and 2nd mvts) Kleine Gigue in G minor, K574 Vado, ma dove? Oh dei! K583 Piano Concerto No 26 "Coronation" (2nd mvt) Cosi fan tutte, Act 1, Un' aura amorosa “Prussian” String Quartet No 1 in D, K575 (2nd mvt) Clarinet Quintet in A, K581 (1st and 2nd mvts) Cosi fan tutte Overture Cosi fan tutte, Act II, Una donna Adagio and Allegro in F minor (originally for organ), K594 String Quintet in D, K593 (1st and 2nd mvts) La clemenza di Tito (Marcia) The Magic Flute Overture Piano Concerto in B flat, K595 (2nd mvt, Largo) Ave verum corpus, K618 Adagio for Glass Harmonica, K617a The Magic Flute, Act II, Scene 5, Ein Mädchen oder Weibchen Clarinet Concerto in A, K622 (1st mvt)Presented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Mozart's Last Years https://www.bbc.co.uk/programmes/m0029psw And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Director and producer Kriv Stenders is a true Australian film legend, and has directed films like Red Dog and his new one, political thriller The Correspondent. He's also a The Last Video Store fan, so it's only natural he finally graced the halls of our fine establishment! Kriv lives and breathes film, especially Australian cinema, and has picked out some absolute classics to mull over with Alexei. His film The Correspondent is in cinemas now! BOOK TICKETS for Alexei’s comedy fest show REFUSED CLASSIFICATION with Zach Ruane in MELBOURNE, SYDNEY, PERTH and BRISBANE Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. Follow Kriv on Letterboxd. GUEST PICKS: The Correspondent (Drama), Dogs In Space (Cult), Love Serenade (Cult)STAFF PICKS: Out Of The Blue (Cult)See omnystudio.com/listener for privacy information.

(00:00-18:19) Bernie Federko joins the show talking about the Blues losing a tough one in Edmonton last night. Missed opportunity for at least one point last night. The team's psyche after dropping two in a row. Parayko and Holloway's injury situations. The final push for the playoffs.(18:27-55:22) Doug is Danish shaming this morning. Jackson snuck in some NBA grooming. Nuggets firing Michael Malone right before the playoffs. Doug's taking a private jet to Southern California. The Athletic talking the Blues reason for hope in the playoffs. Best record in the league since February 1st. Holloway's injury is cause for concern. They want us to talk ladies of the night in Jamaica. It's almost playoff time when Binnington is losing his mind. Martin wants to hear from the people. Pestus is first. Keith is next. John in the three hole. Martin's Dangly Bits in the cleanup spot. (55:32-1:08:51) Serenade me, Dad. Testing Tim's memory of Masters winners. So impressive. Martin's filing a protest. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(00:00-18:19) Bernie Federko joins the show talking about the Blues losing a tough one in Edmonton last night. Missed opportunity for at least one point last night. The team's psyche after dropping two in a row. Parayko and Holloway's injury situations. The final push for the playoffs. (18:27-55:22) Doug is Danish shaming this morning. Jackson snuck in some NBA grooming. Nuggets firing Michael Malone right before the playoffs. Doug's taking a private jet to Southern California. The Athletic talking the Blues reason for hope in the playoffs. Best record in the league since February 1st. Holloway's injury is cause for concern. They want us to talk ladies of the night in Jamaica. It's almost playoff time when Binnington is losing his mind. Martin wants to hear from the people. Pestus is first. Keith is next. John in the three hole. Martin's Dangly Bits in the cleanup spot. (55:32-1:08:51) Serenade me, Dad. Testing Tim's memory of Masters winners. So impressive. Martin's filing a protest. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Fluent Fiction - French: Springtime Serenade: Finding Inspiration in Unexpected Harmony Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2025-04-06-22-34-02-fr Story Transcript:Fr: Au cœur du printemps, les Jardins du Luxembourg resplendissaient de couleurs.En: In the heart of spring, the Jardins du Luxembourg were resplendent with colors.Fr: Les cerisiers en fleurs parsemaient le sol de délicats pétales roses.En: The cherry blossoms scattered the ground with delicate pink petals.Fr: L'air était doux, empreint des effluves de la nature renaissante et du chocolat de Pâques acheté par les enfants.En: The air was mild, imbued with the scents of the reborn nature and the Pâques chocolates bought by the children.Fr: Élodie, une étudiante en art, déambulait lentement sur les sentiers, ses pas presque silencieux.En: Élodie, an art student, wandered slowly along the paths, her steps almost silent.Fr: Elle espérait trouver l'inspiration pour sa prochaine toile.En: She hoped to find inspiration for her next painting.Fr: Chaque buisson, chaque fleur était une possible muse, mais aujourd'hui, elle se sentait un peu perdue dans sa quête.En: Every bush, every flower was a potential muse, but today, she felt a bit lost in her quest.Fr: Depuis quelques mois, elle avait du mal à se reconnecter à son imagination.En: For a few months, she had struggled to reconnect with her imagination.Fr: Ses pinceaux restaient secs et sa toile blanche, vide.En: Her brushes remained dry and her blank canvas, empty.Fr: Elle était accompagnée de Léa, son amie d'enfance, venue en visite pour Pâques.En: She was accompanied by Léa, her childhood friend, visiting for Pâques.Fr: Léa, toujours joyeuse, racontait les histoires de sa vie loin de Paris.En: Léa, always cheerful, shared stories of her life far from Paris.Fr: Sa voix était comme une musique réconfortante pour Élodie.En: Her voice was like comforting music to Élodie.Fr: "Pourquoi ne pas essayer quelque chose de nouveau aujourd'hui?"En: "Why not try something new today?"Fr: suggéra Léa avec un sourire.En: suggested Léa with a smile.Fr: Alors qu'elles s'approchaient du grand bassin, le son d'une guitare flottait dans l'air.En: As they approached the large basin, the sound of a guitar floated in the air.Fr: Un jeune homme, Mathis, jouait une mélodie douce et ensorcelante.En: A young man, Mathis, played a gentle and enchanting melody.Fr: Son sourire était aussi lumineux que le ciel de printemps.En: His smile was as bright as the spring sky.Fr: Il était évident, même pour un œil inexpérimenté, qu'il ne s'agissait pas d'un musicien ordinaire.En: It was evident, even to an inexperienced eye, that he was not an ordinary musician.Fr: Mathis, observant les deux jeunes femmes, leur fit un signe de la main.En: Mathis, observing the two young women, waved at them.Fr: "Salut les filles!En: "Hi girls!Fr: Vous appréciez la musique?"En: Are you enjoying the music?"Fr: demanda-t-il d'un ton amical.En: he asked in a friendly tone.Fr: Élodie et Léa s'approchèrent, curieuses et enchantées par la mélodie.En: Élodie and Léa approached, curious and charmed by the melody.Fr: Mathis leur expliqua qu'il était lui aussi en quête d'inspiration.En: Mathis explained that he too was in search of inspiration.Fr: Le hasard voulait qu'ils se soient tous retrouvés dans le même jardin, à la recherche de quelque chose de simple et beau.En: It was a coincidence that they all found themselves in the same garden, seeking something simple and beautiful.Fr: Élodie, touchée par ses notes et son charme, sentit peu à peu ses idées se clarifier.En: Élodie, touched by his notes and his charm, began to feel her ideas gradually clarifying.Fr: Autour d'eux, le jardin était plein de vie.En: Around them, the garden was full of life.Fr: Les couples se promenaient, les enfants jouaient, et les touristes prenaient des photos des magnifiques fontaines et statues.En: Couples strolled, children played, and tourists took photos of the magnificent fountains and statues.Fr: Cet environnement était plus qu'une simple toile de fond; c'était une source d'énergie, de couleur et de sons.En: This environment was more than just a backdrop; it was a source of energy, colors, and sounds.Fr: Élodie, prenant un carnet de son sac, commença à dessiner au rythme de la guitare de Mathis.En: Élodie, taking a notebook from her bag, started to draw to the rhythm of Mathis's guitar.Fr: Elle esquissa le jardin verdoyant, les sourires des passants, et même Mathis, concentré sur sa musique.En: She sketched the verdant garden, the smiles of passers-by, and even Mathis, focused on his music.Fr: Chaque trait de crayon était une étape vers la liberté, un saut hors de sa routine habituelle.En: Each stroke of the pencil was a step towards freedom, a leap out of her usual routine.Fr: À mesure que le soleil déclinait, les derniers rayons éclairant doucement les jardins, Élodie sentit une légèreté nouvelle.En: As the sun set, the last rays gently illuminating the gardens, Élodie felt a new lightness.Fr: Elle échangea un regard complice avec Léa et Mathis.En: She exchanged a knowing glance with Léa and Mathis.Fr: Ensemble, ils avaient créé un moment unique, une harmonie parfaite.En: Together, they had created a unique moment, a perfect harmony.Fr: Finalement, Élodie se rendit compte que l'inspiration qu'elle cherchait n'était pas cachée dans un coin secret des jardins.En: Finally, Élodie realized that the inspiration she was looking for wasn't hidden in a secret corner of the gardens.Fr: Elle était partout autour d'elle, dans les sons, les amis, et les petits moments de spontanéité.En: It was all around her, in the sounds, the friends, and the small moments of spontaneity.Fr: Son cœur, tout comme le printemps, avait trouvé un nouveau souffle.En: Her heart, like the spring, had found a new breath.Fr: Ce jour-là, entre les cerisiers en fleurs et la musique des jardins, Élodie comprit qu'ouvrir son esprit aux rencontres et à l'imprévu pouvait l'emmener vers des horizons créatifs insoupçonnés.En: That day, between the cherry blossoms and the music of the gardens, Élodie understood that opening her mind to encounters and the unexpected could lead her to unsuspected creative horizons.Fr: Elle quitta les Jardins du Luxembourg, non seulement avec des dessins pleins de vie, mais surtout avec une nouvelle vision du monde qui l'entourait.En: She left the Jardins du Luxembourg, not only with drawings full of life, but above all with a new vision of the world around her. Vocabulary Words:resplendent: resplendissantsthe cherry blossoms: les cerisiers en fleursdelicate: délicatsscents: effluvesto wander: déambulersilent: silencieuxquest: quêteimagination: imaginationblank: videchildhood: d'enfancecheerful: joyeuseto suggest: suggérerto approach: s'approchergentle: douxenchanting: ensorcelanteto wave: faire un signe de la maineven: mêmeinexperienced: inexpérimentébush: buissonpotential: possibleto sketch: esquissernotebook: carnetto draw: dessinerpencil: crayonas the sun set: à mesure que le soleil déclinaitto illuminate: éclairera knowing glance: un regard compliceto understand: comprendreunexpected: imprévucreative horizons: horizons créatifs

For the first time in its history, Fort Wayne Ballet is performing a work by the great choreographer George Balanchine. As we anticipate the upcoming part two of our Ballet Russe Reimagined series, Jim Sparrow and Karen Gibbons-Brown discuss the iconic ballet Serenade.Fort Wayne Ballet's second of a three-part series, Ballet Russe Reimagined, will be performed on April 11 and 12 at the Pearl Street Arts Center. This performance features Rite of Spring and Serenade.Purchase tickets at:   https://tickets.artstix.org/TheatreManager/6/login?event=0&search=P_SEQ%20in(4250,4251,4252)

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Serenade in C Major, K. 648 "A Very Little Night Music" I: March by Wolfgang Amadeus Mozart, recorded by Gewandhausorchester & Herbert BlomstedtSong 1: Funky Situation by The Commodores (1977)Song 2: You Know You're Right by Nirvana (2002)Song 3: Making Cash Money by Busy Bee (1982)Song 4: Another Day in the Sun by La La Land Cast (2016)Song 5: One by Bee Gees (1989)Song 6: I Miss Those Days by Bleachers (2017)Song 7: Lay It Down by Al Green (2008)Song 8: That Was Then, This is Now by The Monkees (1986)Song 9: Cinnamon Girl by Neil Young & Crazy Horse (1969)Song 10: Shooting Stars by Bag Raiders (2008)

Fluent Fiction - Italian: A Surprise Spring Soiree: Lorenzo's Sweet College Serenade Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2025-03-31-22-34-01-it Story Transcript:It: Lorenzo cammina nervosamente lungo il corridoio del dormitorio del college.En: Lorenzo walks nervously down the corridor of the college dormitory.It: È primavera, e l'aria fuori è fresca e profumata.En: It is spring, and the air outside is fresh and fragrant.It: Ma Lorenzo ha un'altra missione.En: But Lorenzo has another mission.It: Sta organizzando una festa a sorpresa per i suoi amici, Marco e Giulia.En: He is organizing a surprise party for his friends, Marco and Giulia.It: Lorenzo sorride pensando a quanto i suoi amici apprezzeranno la sorpresa.En: Lorenzo smiles thinking about how much his friends will appreciate the surprise.It: Hanno lavorato duramente per gli esami e hanno bisogno di una pausa.En: They have worked hard for their exams and need a break.It: Nel suo piccolo dormitorio, Lorenzo ha un piano.En: In his small dorm room, Lorenzo has a plan.It: Ha nascosto decorazioni pasquali sotto il letto e snack nell'armadio.En: He has hidden Easter decorations under the bed and snacks in the closet.It: Uova di cioccolato, coniglietti e ghirlande primaverili sono dappertutto.En: Chocolate eggs, bunnies, and spring garlands are everywhere.It: Deve fare shopping per il resto delle cose senza che Marco e Giulia se ne accorgano.En: He needs to go shopping for the rest of the things without Marco and Giulia noticing.It: L'ha detto ai vicini di stanza e hanno accettato di aiutare con la logistica.En: He told the roommate neighbors, and they agreed to help with the logistics.It: "Devo andare al supermercato," mormora Lorenzo mentre controlla la lista.En: "I need to go to the supermarket," Lorenzo murmurs while checking the list.It: Farfugliando tra le monete nella sua tasca, pensa a come riuscire a comprare tutto con il suo piccolo budget.En: Fumbling through the coins in his pocket, he thinks about how to buy everything with his small budget.It: "Sarà una festa semplice ma speciale," si convince.En: "It will be a simple but special party," he convinces himself.It: Al supermercato, Lorenzo cerca attentamente tra gli scaffali.En: At the supermarket, Lorenzo carefully searches the shelves.It: Prende delle patatine, un po' di succo di frutta e alcune candele colorate.En: He picks up some chips, a bit of fruit juice, and a few colorful candles.It: Tenta di non spendere troppo.En: He tries not to spend too much.It: Ogni oggetto che mette nel carrello rappresenta un passo verso il successo del suo piano.En: Every item he puts in the cart represents a step towards the success of his plan.It: Di ritorno nel dormitorio, incontra Marco nel corridoio.En: Back at the dormitory, he runs into Marco in the hallway.It: "Ciao, Lorenzo!En: "Hi, Lorenzo!It: Cosa hai lì?"En: What do you have there?"It: chiede curioso Marco, cercando di sbirciare nel sacchetto.En: asks Marco curiously, trying to peek into the bag.It: Lorenzo trattiene il respiro.En: Lorenzo holds his breath.It: "Oh, solo spuntini per studiare," risponde, alzando le spalle casualmente.En: "Oh, just snacks for studying," he responds, shrugging casually.It: La tensione cresce quella sera, mentre sistemano tutto.En: The tension rises that evening as they set everything up.It: Lorenzo posiziona silenziosamente le decorazioni quando sente Giulia passare davanti alla sua porta.En: Lorenzo quietly places the decorations when he hears Giulia walk past his door.It: Il cuore gli batte forte, ma continua senza farsi vedere.En: His heart beats fast, but he continues without being seen.It: Finalmente arriva il giorno della festa.En: Finally, the day of the party arrives.It: Con l'aiuto dei suoi amici del dormitorio, Lorenzo allestisce la stanza comune con ghirlande e coniglietti di peluche.En: With the help of his dorm friends, Lorenzo decorates the common room with garlands and stuffed bunnies.It: L'atmosfera è gioiosa e piena di colori.En: The atmosphere is joyful and full of colors.It: Quando Marco e Giulia arrivano, sono sorpresi.En: When Marco and Giulia arrive, they are surprised.It: "Sorpresa!"En: "Surprise!"It: gridano tutti insieme.En: everyone shouts together.It: Giulia mette le mani sul viso, meravigliata, mentre Marco ride incredulo.En: Giulia puts her hands on her face, astonished, while Marco laughs incredulously.It: "Non ci posso credere, Lorenzo!"En: "I can't believe it, Lorenzo!"It: esclamano entrambi.En: they both exclaim.It: La tensione degli esami svanisce per un momento, sostituita dalle risate e dai sorrisi.En: The tension of exams vanishes for a moment, replaced by laughter and smiles.It: La festa è semplice ma perfetta.En: The party is simple but perfect.It: Mentre cantano, ballano e mangiano cioccolato, Lorenzo osserva i suoi amici felici.En: As they sing, dance, and eat chocolate, Lorenzo watches his happy friends.It: Si sente grato.En: He feels grateful.It: Ha organizzato tutto per loro, e il loro apprezzamento è il miglior regalo che potesse ricevere.En: He organized everything for them, and their appreciation is the best gift he could receive.It: Alla fine della serata, Marco e Giulia lo abbracciano fortemente.En: At the end of the evening, Marco and Giulia hug him tightly.It: "Grazie, Lorenzo.En: "Thank you, Lorenzo.It: Non sai quanto ci serviva questo," dice Giulia.En: You have no idea how much we needed this," says Giulia.It: Lorenzo sorride, sapendo di avere fatto qualcosa di speciale per le persone che ama.En: Lorenzo smiles, knowing he did something special for the people he loves.It: Il giorno dopo, con energia rinnovata, Marco e Giulia tornano a studiare con un'energia rinnovata e una motivazione che solo una sorpresa così allegra poteva portare.En: The next day, with renewed energy, Marco and Giulia return to studying with an energy and motivation that only such a cheerful surprise could bring.It: E Lorenzo, osservandoli, si sente felice e soddisfatto, consapevole di avere fatto un regalo prezioso ai suoi amici.En: And Lorenzo, watching them, feels happy and satisfied, aware that he gave a precious gift to his friends. Vocabulary Words:the corridor: il corridoionervously: nervosamentethe dormitory: il dormitoriofragrant: profumatathe mission: la missionethe surprise party: la festa a sorpresathe exams: gli esamithe break: la pausathe Easter decorations: le decorazioni pasqualithe closet: l'armadiothe chocolate eggs: le uova di cioccolatothe bunnies: i conigliettithe garlands: le ghirlandethe supermarket: il supermercatothe coins: le monetethe budget: il budgetto fumble: farfugliarethe shelves: gli scaffalithe chips: le patatinethe fruit juice: il succo di fruttathe candles: le candelethe cart: il carrellocasually: casualmentethe tension: la tensionethe heart: il cuorethe common room: la stanza comuneastonished: meravigliataincredulously: increduloto vanish: svanireto hug: abbracciare

Fluent Fiction - Hungarian: Spring Serenade: A Journey Through Hősök tere's Magical Moments Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2025-03-29-22-34-02-hu Story Transcript:Hu: A Hősök terének ünnepi zsongása tavasszal mindig különleges.En: The festive buzz of Hősök tere (Heroes' Square) in spring is always special.Hu: Színes virágok szegélyezik a teret, a szobrok hosszú árnyékot vetnek a nap melegétől, és húsvéti dallamok szűrődnek át a levegőn.En: Colorful flowers line the square, the statues cast long shadows from the warmth of the sun, and Easter melodies drift through the air.Hu: Áron, egy lelkes fotós, erre a különleges napra érkezett, hogy megörökítse a tavasz megújulását Budapest szívében.En: Áron, an enthusiastic photographer, arrived on this special day to capture the renewal of spring in the heart of Budapest.Hu: Áron szeme a tömeg felett barangolt, keresve a megfelelő pillanatot egy képkocka megörökítésére.En: Áron's eyes wandered over the crowd, searching for the perfect moment to capture in a frame.Hu: Ekkor megpillantotta Zoltánt, a tér zenészét, aki gitárjára hangolta az emberek szívét.En: He then spotted Zoltán, the square's musician, tuning the hearts of the people with his guitar.Hu: Áron megállt, hogy belemerüljön a dallamok szépségébe.En: Áron stopped to immerse himself in the beauty of the melodies.Hu: Zenéjének hatása alatt fényképezőgépét leeresztette, úgy döntött, hagyja, hogy a zene vezesse.En: Under the influence of the music, he lowered his camera, deciding to let the music guide him.Hu: Eközben Réka, aki a hely történelmét tanulmányozta, elmerült az elbeszélésekben és a téren található szobrok történeteiben.En: Meanwhile, Réka, who was studying the place's history, was engrossed in the narratives and the stories of the statues in the square.Hu: A zenészek hangulata azonban őt is megérintette.En: However, the musicians' atmosphere touched her as well.Hu: Ahogy fölnézett, észrevette Áront, aki valamit fényképezett, ami őt is érdekelte.En: As she looked up, she noticed Áron, who was photographing something that also interested her.Hu: Réka elsétált Áronhoz.En: Réka walked over to Áron.Hu: "Nagyon szép ez a zene, nem?En: "This music is very beautiful, isn't it?"Hu: " szólította meg mosolyogva.En: she said with a smile.Hu: Áron bólintott, szemeiben érdeklődés csillant.En: Áron nodded, a sparkle of interest in his eyes.Hu: "Igen, valóban különleges pillanat," válaszolta, és visszanézett Zoltán felé, majd Réka felé fordult.En: "Yes, it's indeed a special moment," he replied, looking back toward Zoltán, then turning to Réka.Hu: "Te is itt készülsz valami felfedezni?En: "Are you also here to discover something?"Hu: "Réka elmosolyodott, és egy lépéssel közelebb lépett.En: Réka smiled and took a step closer.Hu: "Igen, a hely történelmi jelentősége mindig lenyűgöz.En: "Yes, the historical significance of the place always fascinates me.Hu: És te miért fényképezel itt?En: And why are you photographing here?"Hu: " Áron elmagyarázta neki szenvedélyét az élet megörökítése iránt, azt, hogy szereti megmutatni a pillanat varázsát másoknak is.En: Áron explained his passion for capturing life, and how he loves sharing the magic of the moment with others.Hu: Miközben beszélgettek, Zoltán gitárjára finoman zongorált, a háttérben közös dallamtérré varázsolva őket.En: As they talked, Zoltán gently played on his guitar, transforming the background into a shared melody space for them.Hu: A zene és az érdeklődés köréjük szőtte történetüket, megnyitva az új ismeretség kapuját.En: The music and their mutual interest wove their story, opening the gate to a new acquaintance.Hu: Ahogy a délután a végéhez közeledett, Áron és Réka együtt hagyták el a Hősök terét.En: As the afternoon drew to a close, Áron and Réka left Hősök tere together.Hu: Közösen fedezték fel, hogy nem csak a fotózás vagy a történelem köthet össze két embert, hanem az apró, megosztott pillanatok is.En: They discovered together that it's not only photography or history that can connect two people, but also the small, shared moments.Hu: Most, az új, közös út elején, látták, hogy Budapest sokkal többet rejtett számukra, mint azt valaha is képzelték volna.En: At the beginning of their new, shared path, they realized that Budapest held much more for them than they had ever imagined.Hu: Így Áron megtanulta becsülni a környezetével való mélyebb kapcsolatot, Réka pedig rájött, hogy a történelem tanulmányozását a személyes tapasztalatokkal is gazdagíthatja.En: Thus, Áron learned to appreciate a deeper connection with his surroundings, and Réka realized that studying history can be enriched by personal experiences.Hu: Új kaland kezdődött számukra, amely nemcsak a város, hanem egymás világát is új fényben láttatta.En: A new adventure began for them, shedding new light not only on the city but also on each other's worlds. Vocabulary Words:festive: ünnepibuzz: zsongáscast: vetrenewal: megújuláswandered: barangoltimmerse: belemerülengrossed: elmerültnarratives: elbeszéléseksignificance: jelentőségfascinates: lenyűgöztransforming: varázsolvamutual: közösacquaintance: ismeretségdiscovered: felfedeztékappreciate: becsülnished: láttattastatues: szobrokmelodies: dallamoktuning: hangoltasparkle: csillantcapturing: megörökítésepassion: szenvedélybackground: háttérpath: útrealized: rájöttenriched: gazdagíthatjaadventure: kalandconnection: kapcsolatexperiences: tapasztalatokmoment: pillanat

Hugo Wolf - Italian SerenadeNew Zealand String QuartetMore info about today's track: Naxos 8.557374Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Interpreten: Mozarteumorchester Salzburg, Reinhard GoebelLabel: Berlin ClassicsEAN: 885470030227Im August 2023 hat das Mozarteumorchester Salzburg eine neue CD Edition bei Berlin Classics begonnen. Chefdirigent Roberto González-Monjas dirigierte damals Serenaden von Wolfgang Amadeus Mozart. Nach Bruckner, Henze und Richard Strauss kehrt das Mozarteumorchester Salzburg auf seiner jüngsten CD nun unter Reinhard Goebel wieder zurück zu Mozart. Die Mozartkugel rollt wieder, und das bereits zum fünften Mal. Gemeint ist damit natürlich die stilisierte Mozartkugel in buntem Stanniolpapier, diesmal im Farbton Apricot, auf dem Cover der aktuellen CD-Reihe des Mozarteumorchesters Salzburg. Die sogenannte Posthornserenade von Wolfgang Amadeus Mozart, also die Serenade in D-Dur KV 320, hat Reinhard Goebel mit den Musikerinnen und Musikern des Mozarteumorchesters in den Mittelpunkt der gemeinsamen Arbeit gestellt. Umrahmt von den zwei Märschen in D-Dur KV335.  Schon die ersten Klänge des ersten Marsches verheißen Großes. Hier wird Mozart nicht als klassische Pflichtübung gesehen.Das wäre aber unter der fundierten Leitung von Reinhard Goebel auch gar nicht möglich. Zu sehr brennt der alte Musik Spezialist für alles, was er macht. Sei es Veracini, Bach, Telemann oder, wie hier, Mozart. Historisch informiertes Musizieren bedeutet für Goebel in erster Linie Musizieren! Und dann kommen seine wissenschaftlichen und spielpraktischen Erfahrungen und Ansätze dazu. Und das merkt man auch hier bei Mozart. Schön frisch und knackig spielt das Mozarteumorchester, man spürt nach den ersten Einleitungstakten, wenn das Allegro con spirito Fahrt aufnimmt, wie die Musikerinnen und Musiker sich mit Goebel einschwingen. Dass diese Serenade genauso gut Oboen-, Flöten- oder Fagottserenade heißen könnte, zeigen die Sätze drei und vier, in denen sich die angesprochenen Instrumente bzw. deren Spielerinnen und Spieler in Höchstform zeigen. Den Ehrenplatz mit dem Titel hat sich aber das Posthorn mit seinem Solo im zweiten Trio des zweiten Menuetts verdient. Auch sehr schön. (mg)

On tonight's show: Bix Beiderbecke, Copenhagen Glenn Miller, Adios Benny Goodman, Rose Room Benny Goodman, Big John's Special Frank Sinatra with Tommy Dorsey & His Orchestra, Fools Rush In Doris Day and Les Brown, Sentimental Journey Billie Holiday, What A Little Moonlight Can Do Ella Fitzgerald, You're the Top Eddie "Lockjaw" Davis, Serenade in Blue Annie Ross & Gerry Mulligan, I Guess I'll Have to Change My Plan Nat "King" Cole, Nature Boy Kenny Burrell Octet, A String of Pearls Dave Brubeck, Upstage Rumba Clark Terry and Paul Gonsalves, Funky Clark Terry & Chico O'Farrill, Macarena Clark Terry, Jam Session with Oscar Peterson, Misty Dianne Reeves (with Clark Terry), I Hadn't Anyone ‘til You

MILT JACKSON “+ COUNT BASIE + THE BIG BAND VOL 2” Hollywood, Ca, January 16, 17 & 18, 1978 Moonlight becomes you, Blues for Joe Turner (1), On the sunny side of the street Waymon Reed, Lin Biviano, Sonny Cohn, Pete Minger (tp) Bill Hughes, Mel Wanzo, Fred Wesley, Dennis Wilson (tb) Danny Turner, Bobby Plater (as) Eric Dixon (ts,fl) Kenny Hing (ts) Charlie Fowlkes (bar) Milt Jackson (vib) Count Basie (p) Freddie Green (g) John Clayton (b) Butch Miles (d) ROB GARCIA “NATURAL BOUNCE” Astoria, NY, April 13, 2022Dark blue horse power, Gary song, Fades to blue, Sweet JoeNoah Preminger (ts) Leo Genovese (p) Kim Cass (b) Rob Garcia (d,comp) HORACE SILVER “SERENADE TO A SOUL SISTER” Englewood Cliffs, NJ:February 23, 1968Psychedelic Sally (1), Serenade to a soul sisterCharles Tolliver (tp) Stanley Turrentine (ts) Horace Silver (p) Bob Cranshaw (b,el-b-1) Mickey Roker (d) March 29, 1968Kindred spiritsCharles Tolliver (tp) Bennie Maupin (fl,ts) Horace Silver (p) Johnny Williams (b) Billy Cobham (d) Continue reading Puro Jazz 17 de marzo, 2025 at PuroJazz.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

San Diego-based metal band Fraxures is set to unleash their latestsingle, “Blackheart Serenade” featuring the powerhouse vocals ofTravis Neal (formerly of Divine Heresy) and the thunderous drumming ofFred Aching (Kings of Thrash / Powerflo / Bulletboys). With a lineupthat blends raw intensity and technical precision, Fraxures continuesto carve its own path in the modern metal scene, delivering crushinghooks and sinister melodies.Following the success of their 2022 EP Firewater Sessions, produced byBilly Graziadei of Biohazard, Fraxures solidified their reputation forseamlessly blending aggression and melody. The EP showcased the band'sdynamic range, setting the stage for their next evolution. FirewaterSessions was a statement of intent that the band is now ready toexpand upon.Blackheart Serenade, mixed by Joel Wanasek (Ice Nine Kills / MachineHead) and mastered by Maor Appelbaum (Faith No More / Cynic /Sepultura), offers a new glimpse into the haunting energy that definesFraxures. The song's punishing riffs and catchy melodies signal a newchapter for the band, both dark and electrifying. Fraxures is in thestudio finalizing its upcoming full-length album, Hexes, whichpromises to push its sound to even greater depths.To accompany the release, Fraxures will debut the official music videofor “Blackheart Serenade” produced by Holly West (Dead Groove /Zepparella) on BraveWords on February 6. The band will bring theirferocious live energy to Brick By Brick in San Diego on February 8th.Fraxures is ready to stake their claim as a rising force in modernmetal.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Aujourd'hui nous sommes le lundi 17 février.Au cours de cette semaine qui commence, je cherche une paix intérieure qui va me permettre d'aller à la rencontre du Seigneur. Je ferme les yeux, je respire lentement et je me mets en sa présence. Je demande la grâce de la connaissance intérieure du Seigneur pour l'aimer et le servir... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Signes par milliers de Ensemble Vocal l'Alliance interprété par Ensemble Vocal l'Alliance - Les plus célèbres chants d'Eglise (vol 5) © ADF-Bayard Musique ; Serenade de Megan Wofford interprété par Megan Wofford - Epidemic Sound © Diffusé avec autorisation.

San Diego-based metal band Fraxures is set to unleash their latestsingle, “Blackheart Serenade” featuring the powerhouse vocals ofTravis Neal (formerly of Divine Heresy) and the thunderous drumming ofFred Aching (Kings of Thrash / Powerflo / Bulletboys). With a lineupthat blends raw intensity and technical precision, Fraxures continuesto carve its own path in the modern metal scene, delivering crushinghooks and sinister melodies.Following the success of their 2022 EP Firewater Sessions, produced byBilly Graziadei of Biohazard, Fraxures solidified their reputation forseamlessly blending aggression and melody. The EP showcased the band'sdynamic range, setting the stage for their next evolution. FirewaterSessions was a statement of intent that the band is now ready toexpand upon.Blackheart Serenade, mixed by Joel Wanasek (Ice Nine Kills / MachineHead) and mastered by Maor Appelbaum (Faith No More / Cynic /Sepultura), offers a new glimpse into the haunting energy that definesFraxures. The song's punishing riffs and catchy melodies signal a newchapter for the band, both dark and electrifying. Fraxures is in thestudio finalizing its upcoming full-length album, Hexes, whichpromises to push its sound to even greater depths.To accompany the release, Fraxures will debut the official music videofor “Blackheart Serenade” produced by Holly West (Dead Groove /Zepparella) on BraveWords on February 6. The band will bring theirferocious live energy to Brick By Brick in San Diego on February 8th.Fraxures is ready to stake their claim as a rising foBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Wolfgang Amadeus Mozart - Serenade No. 10 “Gran Partita”: AdagioGerman Wind Soloists Richard Edlinger, conductorMore info about today's track: Naxos 8.553226Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Fluent Fiction - Catalan: Barcelona Serenade: Art, Tech, and Unexpected Connections Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2025-02-11-23-34-01-ca Story Transcript:Ca: L'aire fred de l'hivern embolcallava Barcelona.En: The cold winter air enveloped Barcelona.Ca: Al Born Cultural Center, les parets antigues i la llum suau creaven un ambient màgic.En: At the Born Cultural Center, the ancient walls and soft lighting created a magical atmosphere.Ca: Les obres d'art contemporànies compartien espai amb restes històriques.En: Contemporary artworks shared space with historical remains.Ca: Núria, una jove artista, caminava pel centre.En: Núria, a young artist, walked through the center.Ca: Sentia una barreja d'emocions.En: She felt a mix of emotions.Ca: L'art l'apassionava, però el dubte la perseguia.En: Art was her passion, but doubt haunted her.Ca: "El meu art serà mai reconegut?En: "Will my art ever be recognized?"Ca: " es preguntava en silenci.En: she wondered silently.Ca: Aquest dia, havia decidit enfrontar les seves pors i buscar inspiració.En: On this day, she had decided to confront her fears and seek inspiration.Ca: En un altre racó de la sala, Oriol, un emprenedor tecnològic, buscava pausa.En: In another corner of the room, Oriol, a tech entrepreneur, was looking for a break.Ca: La seva feina l'absorbia i necessitava alliberar-se.En: His work consumed him, and he needed to let go.Ca: L'art era un món nou per a ell, i alguna cosa en aquell lloc el feia voler connectar.En: Art was a new world for him, and something about that place made him want to connect.Ca: Laia, una amiga comuna i curadora de l'exposició, notà la presència de tots dos.En: Laia, a mutual friend and the exhibition's curator, noticed both their presences.Ca: Amb un somriure, s'acostà a Núria.En: With a smile, she approached Núria.Ca: "T'he de presentar algú", li digué.En: "I have to introduce you to someone," she said.Ca: Junts es van dirigir cap a Oriol, que mirava un gran mural abstracte.En: Together, they walked towards Oriol, who was gazing at a large abstract mural.Ca: "Hola, Oriol!En: "Hi, Oriol!Ca: Aquesta és Núria, una artista com tu", presentà Laia.En: This is Núria, an artist like you," introduced Laia.Ca: Núria aixecà la mirada i somrigué tímidament.En: Núria lifted her gaze and smiled shyly.Ca: Oriol li retornà el gest amb calidesa.En: Oriol returned the gesture warmly.Ca: "Encantat, Núria", va dir.En: "Pleased to meet you, Núria," he said.Ca: Van passar moments de faena, comentant l'art i compartint pensaments.En: They spent moments talking, discussing art, and sharing thoughts.Ca: Oriol escoltà amb atenció, descobrint en Núria una persona amb les mateixes inquietuds.En: Oriol listened intently, discovering in Núria a person with similar concerns.Ca: "A vegades em pregunto si la meva carrera és realment el que vull", confessà Oriol.En: "Sometimes I wonder if my career is really what I want," Oriol confessed.Ca: El moment clau arribà quan van topar amb una instal·lació interactiva.En: The key moment arrived when they came across an interactive installation.Ca: Les llums canviaven i creaven formes sobre les ruïnes romanes.En: The lights changed and created shapes over the Roman ruins.Ca: Allà, en aquell espai gairebé íntim, les seves paraules van fluir amb franquesa.En: There, in that almost intimate space, their words flowed candidly.Ca: Núria parlà de les seves inseguretats, i Oriol se sentí comprès.En: Núria spoke of her insecurities, and Oriol felt understood.Ca: La seva conversa es tornà inesperadament personal.En: Their conversation turned unexpectedly personal.Ca: "Ens cal paus, com aquest lloc, per trobar el que realment volem", reflexionà Núria amb un somriure renovat.En: "We need pauses, like this place, to find what we truly want," reflected Núria with a renewed smile.Ca: Oriol percebé una claredat nova en el caos de la seva rutina diària.En: Oriol perceived new clarity amidst the chaos of his daily routine.Ca: Amb cada paraula, Núria trobà la força que necessitava.En: With each word, Núria found the strength she needed.Ca: Decidí enviar les seves obres a una galeria local.En: She decided to submit her works to a local gallery.Ca: Oriol, d'altra banda, començà a veure més enllà de la seva feina, apreciant la bellesa que de vegades es perdia en l'estrès.En: Oriol, on the other hand, began to see beyond his work, appreciating the beauty sometimes lost in stress.Ca: Quan l'exposició tancava, amb el sol ponent-se sobre la ciutat, Núria i Oriol sortien del Born amb la sensació d'haver descobert alguna cosa important.En: As the exhibition closed, with the sun setting over the city, Núria and Oriol left the Born with a sense of having discovered something important.Ca: Les seves vides, abans paral·leles, començaven a intersectar-se d'una manera inesperada, amb nous camins per explorar.En: Their lives, once parallel, began to intersect in an unexpected way, with new paths to explore. Vocabulary Words:winter: l'hivernair: l'aireto envelope: embolcallarwall: la paretsoft: suaulighting: la llummood: l'ambientartwork: l'obra d'artremains: les restesemotion: l'emociódoubt: el dubteto haunt: perseguirto wonder: preguntar-seentrepreneur: l'emprenedorbreak: la pausato let go: alliberar-seexhibition: l'exposiciócurator: el/la curador/agaze: la miradato confess: confessarcareer: la carrerainstallation: la instal·lacióruins: les ruïnesintimate: íntimto flow: fluirinsecurities: les inseguretatsclarity: la claredatroutine: la rutinastrength: la forçaunexpected: inesperat

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

American conductor Marin Alsop was the first woman to lead major orchestras in the UK, South America and in the United States, becoming principal conductor of the Baltimore Symphony Orchestra in 2007. Nominated for Grammy Awards five times, in 2013 she became the first ever woman to lead the Last Night Of The Proms, and is now regarded as one of the greatest conductors in the world. She talks to John Wilson about her professional musician parents who nurtured her love of music and supported her career choice from the age of 9 when she first revealed she wanted to be a conductor. Marin also talks about Leonard Bernstein, the great American composer and conductor, who inspired her ambitions and later became a mentor to her. She also chooses Carl Jung's work The Archetypes and the Collective Unconscious, and explains how his theories have helped her in leading orchestras around the world.Producer: Edwina PitmanMusic and archive used: Serenade in C major for String Orchestra, Op. 48; Valse, Pyotr Ilyich Tchaikovsky, New York City Ballet Orchestra, 1986 Irish Spring commercial: "Clean as a Whistle" 1980 Leonard Bernstein, Young People's Concerts: "What is Classical Music?", CBS Television, 24 January 1959 Omnibus: Leonard Bernstein's West Side Story, BBC2, 10 May 1985 Archive of Leonard Bernstein and Marin Alsop at the Schleswig-Holstein Musik Festival, 1987 Leonard Bernstein, Young People's Concerts: "What Does Music Mean?", CBS Television, 18 January 1958 Archive of OrchKids concert, Baltimore Symphony Orchestra Woman's Hour, BBC Radio 4, 26 July, 2005 Rhapsody in Blue, George Gershwin, Jean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop Last Night of the Proms, BBC1, 7 September 2013 Symphony No. 2 in C Minor, "Resurrection", Gustav Mahler, Polish National Radio Symphony Orchestra, Marin Alsop

In this interview with Tom Morris, a veteran of orchestra management whose career included leadership roles with the Boston Symphony and the Cleveland Orchestra, conductor Devin Patrick Hughes provides a comprehensive look at the inner workings of orchestral institutions, the evolution of their management, and the crucial role of music in their success. Morris's journey from a percussionist to a top-level administrator offers a unique perspective, and his reflections provide valuable lessons for anyone interested in the performing arts. One of the most compelling aspects of the interview is Morris's discussion of how his musical background shaped his management philosophy. He emphasizes his deep understanding of musicians' lives, having experienced firsthand the challenges and demands of performing in an orchestra. This empathy enabled him to build trust with musicians and approach labor negotiations with a unique perspective. Morris's belief that "ultimately these institutions are about the music" underscores the importance of passion and artistic integrity in organizational leadership. The episode also explores the historical evolution of orchestra management, particularly the Boston Symphony Orchestra. Morris recounts how, before the 1970s, the orchestra relied on simple postcards for subscription renewals. He explains that over the seventies and eighties, the percentage of the budget earned from ticket sales gradually fell. This shift necessitated the development of marketing and fundraising departments, leading to a significant increase in administrative staff.  Morris shares fascinating insights about the Boston Pops, emphasizing that it was founded in 1885, before Arthur Fiedler became its 17th conductor in 1929. The Boston Symphony created the Pops to provide more employment for musicians and to perform lighter music for a broader audience. He discusses how the Boston Symphony transformed Symphony Hall into a "beer hall" to accommodate a more informal setting for the Pops concerts. He explains that in the early days the Pops sold blocks of tickets to community groups and did not have to focus on individual ticket sales. He also recounts how the popularity of Arthur Fiedler was enhanced even further by the "Evening at Pops" television series. Morris details the process of selecting John Williams as Fiedler's successor, explaining that Williams was chosen for his musical integrity and knowledge of the symphony orchestra. Furthermore, the interview addresses the crucial dynamic between management, the music director, and the board of directors, which Morris refers to as the "Bermuda Triangle.” Morris suggests that this structure can function perfectly if the right people are in those roles and are bound by a common vision. He also emphasizes that having a collaborative culture is essential, but that collaborative decision-making should be avoided. Morris stresses the importance of clear lines of authority and not settling for "good enough" when hiring. He also shares that when hiring he uses Jim Collins' three C's: competence, character, and chemistry. These points underscore the need for strong leadership and a shared vision in any successful organization. Morris also touches on the importance of thoughtful programming. He humorously mentions his collection of "dumb programs" and emphasizes the importance of carefully considering the combination of pieces in a concert. He contrasts examples of bad programming with one of his favorites, a concert he organized with Christoph von Dohnányi, which combined pieces by Ligeti, Wagner, and Bruckner. This conversation highlights that thoughtful artistic direction is an essential element in the success of an orchestra. Thank you for joining us on One Symphony. Special thanks to Thomas Morris for sharing his life and leadership. You can pick up a copy of Always the Music: How a Lifelong Passion Framed a Future for Orchestras wherever you get your books. For a list of recordings played on today's episode, please check out our show notes. You can always find more info at OneSymphony.podbean.com or DevinPatrickHughes.com, including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the podcast! Until next time, thank you for being part of the music. https://www.alwaysthemusic.com Featured Music All music selections for this episode feature the Boston Pops.  Tchaikovsky's Serenade for Strings in C Major, Op. 48: Waltz. Conducted by Arthur Fiedler, from the album Fiedler: Greatest Hits.  L'Arlésienne Suite No. 2: Farandole. Composed by Georges Bizet. Conducted by Arthur Fielder, from the album Fiedler: Greatest Hits. “Manhattan Skyline.” From the album Disco Inferno / Manhattan Skyline. Conducted by Arthur Fiedler.  “I Got Rhythm, Embraceable You.” From the album Boston Pops Salutes Astaire, Kelly, Garland. Composed by George and Ira Gershwin. Conducted by John Williams.  “Flying Theme” from E. T. Composed by John Williams. Performed live by John Williams conducting the Boston Pops in 2002.  “America Medley: America.” From the album Salute to America. Composed by Leonard Bernstein. Lyrics by Stephen Sondheim. Conducted by John Williams.  “None But The Lonely Heart.” From the album Pops a la Russe. Composed by Pyotr Ilyich Tchaikovsky. Conducted by John Williams.  The Snow Maiden - Suite - Danse des Bouffons. Composed by Nikolai Rimsky-Korsakov. From the album Pops a la Russe. Conducted by John Williams.  Holst: The Planets, op.32: 3. Mercury, The Winged Messenger. From the album Boston Pops Orchestra: John Williams. Conducted by John Williams. Overture from The Merry Wives of Windsor. From the album Fiedler: Greatest Hits. Conducted by Arthur Fiedler.  “Pizzicato Polka.” From the album 100 Fiedler Favorites. Conducted by Arthur Fiedler.  “Funeral March of a Marionette.” From the album 100 Fiedler Favorites. Conducted by Arthur Fiedler.  

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Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

Send us a textHello, passionate cruisers! This is Paul. I am delighted to welcome this week on The Joy of Cruising Podcast, Brandee and Shannon Lake, a couple of special guests who were recently sailors, roommates on Royal Caribbean's Ultimate World Cruise on Serenade of the Seas. We want to get their reflections about the special cruise which left Miami December 10, 2023, and disembarked in Miami on September 10, 2024. Shortly after embarkation Ultimate World Cruise became a social media sensation, and for several passengers it became a social media obsession. One of the best known of those passengers was Brandee Lake, and The Joy of Cruising Podcast was fortunate to have her on the show earlier in the year Ep. 115 . In addition to being cabin mates for nine months, Brandee and Shannon host a podcast together, Brannon Files, and they did publish a couple of episodes from Serenade of the Seas. I enjoyed immensely when Brandee joined the podcast. It is now my pleasure to bring Brandee back to the show and welcome her sister Shannon and hear the highlights of their Ultimate World Cruise, learn about its aftermath—and its path forward, and talk to Brandee and Shannon about their cruising plans. Relying on ship wifi is slow, unsecure, sometimes not available & at foreign ports travelers don't want to pay their carriers' high fees. Save $ with GigSky! Get a data package usable on the ship & in ports. Link to GigSky: https://gigsky.pxf.io/nloxor. For a 10% discount use code: joyofcruisingSupport the showSupport thejoyofcruisingpodcast https://www.buzzsprout.com/2113608/supporters/newSupport Me https://www.buymeacoffee.com/drpaulthContact Me https://www.thejoyofcruising.net/contact-me.htmlBook Cruises https://bit.ly/TheJoyOfCruisingPodcast-BookACruiseUS Orders (coupon code joyofcruisingpodcast)The Joy of Cruising https://bit.ly/TheJoyOfCruisingCruising Interrupted https://bit.ly/CruisingInterruptedThe Joy of Cruising Again https://bit.ly/TheJoyOfCruisingAgainIntl Orders via Amazon

Send us a textINTRODUCTION:In this episode of the Sex, Drugs, and Jesus podcast, host De'Vannon Seráphino welcomes Rick DellaRatta, founder of Jazz for Peace. The conversation revolves around the transformative power of music, particularly jazz, in fostering peace and positive change. Rick shares his journey of founding Jazz for Peace, highlighted by its inception on the day of 9/11, and how it's grown to help over 850 causes worldwide. The discussion touches on the challenges of maintaining autonomy in nonprofit work and the importance of focusing on the mission and the people being helped. Rick reflects on the deep messages within music, while De'Vannon emphasizes the spiritual dimensions of different life experiences.Playlists: https://music.apple.com/profile/DeVannonSeraphinoWebsite: https://www.SexDrugsAndJesus.comWebsite: https://www.DownUnderApparel.com   INCLUDED IN THIS EPISODE (But not limited to):·      The Holy Ghost in House Music.·      Sandman Revelations.·      Psychedelics & Music.·      A Serenade with Music Played @ Duplex in West Village.·      Racial Barriers Broken by Music.·      Civilization Has Already Ended.·      The Deception of Comfort & Convenience. ·      Fasting Has Great Benefits!·      Excellent Donor Advice For Non-profits.·      The Importance of Autonomy in the Non-profit ArenaCONNECT WITH RICK DELLARATTA:Website: https://jazzforpeace.orgBook @ Amazon: https://shorturl.at/vGjN4YouTube: https://www.youtube.com/@jazzmgmtEmail: info@jazzforpeace.orgCONNECT WITH DE'VANNON SERÁPHINO:TikTok: https://shorturl.at/nqyJ4YouTube: https://bit.ly/3daTqCMLinkedIn: https://www.linkedin.com/in/devannonEmail: SDJPodcastNewYork@Gmail.comThanks for listening!!! Please follow us on YouTube + TikTok @SexDrugsAndJesusPodcast

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

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In this week's Big Up, Let Down segment, we've got some real talk and wild stories. First, an unsung hero in Boulder, Colorado, swapped out typical traffic signs for some blunt advice, like one reminding drivers to “Get Off Your Damn Phone” and another that says, “Don't Kill Any Kids Today.” Then, the Royal Caribbean cruise ship Explorer of the Seas got a little too adventurous while sailing from Barcelona to Miami. After hitting a sudden storm off Tenerife, the ship tilted 14 degrees, sending furniture sliding and glass shattering—while Celine Dion's My Heart Will Go On blared through the speakers, adding an eerie soundtrack to the chaos. See omnystudio.com/listener for privacy information.

SPRINGTIME NEAR FOR THE KOALA SERENADE: 1/4: Koala: A Natural History and an Uncertain Future by  Danielle Clode  (Author) https://www.amazon.com/Koala-Natural-History-Uncertain-Future/dp/1324036834 Koalas regularly appeared in Australian biologist Danielle Clode's backyard, but it was only when a bushfire threatened that she truly paid them attention. She soon realized how much she had to learn about these complex and mysterious animals. In vivid, descriptive prose, Clode embarks on a delightful and surprising journey through evolutionary biology, natural history, and ecology to understand where these enigmatic animals came from and what their future may hold. She begins her search with the fossils of ancient giant koalas, delving into why the modern koala has become the lone survivor of a once-diverse family of uniquely Australian marsupials. Koala investigates the remarkable physiology of these charismatic creatures. Born the size of tiny “jellybeans,” joeys face an uphill battle, from crawling into their mother's pouch to being weaned onto a toxic diet of gum-tree leaves, the koalas' single source of food. Clode explores the complex relationship and unexpected connections between this endearing species and humans. She explains how koalas are simultaneously threatened with extinction in some areas due to disease, climate change, and increasing wildfires, while overpopulating forests in other parts of the country. Deeply researched and filled with wonder, Koala is both a tender and inquisitive paean to a species unlike any other and a call to ensure its surviva1. 1954