Podcasts about Etta James

Hanorah is a singer-songwriter from Montreal who's opened for Mavis Staples, and grew up listening to Etta James and Joss Stone. On her latest EP “Closer Than Hell,” Hanorah moves beyond her early soul influences and explores a new voice. Hanorah tells Tom about surprising herself when she began songwriting, why she's happy she didn't win “La Voix” (the Quebec version of “The Voice”), and shares what inspired her new song “Barbed Wire.”

Etta James staat ook wel bekend als 'The Matriarch of the Blues' of 'one of the greatest voices of het century'. In de film 'Cadillac records' werd zij gespeeld door Beyoncé. In deze podcast haar beginjaren, waarin ze op jonge leeftijd ingezet werd om nogal scrabreuze liedjes te vertolken, maar ook al die prachtige nummers als 'At Last', 'Tell Mama' en 'I'd Rather Go Blind'. Dit is het aangrijpende verhaal van Etta James.

Episode Notes S6E16 - Join us as we sit down with Justine Yildiz & Jeffrey Sitcov from Doors of Change. They will be talking about breaking the cycle of our homeless youths and more. Justine Yildiz, who was homeless from 12 to 16, is the most recent youth to beat the odds having survived a life of physical abuse and dealing with severe depression on the streets. Justine has herself become a true life "ROCKY STORY,” bringing hope to other homeless youth, as she graduates this past week from the College of Law in Santa Barbara as an attorney. Jeffrey Sitcov, Founder & President of Doors fo Change, remarked “We are so proud of her. With help from the community, more homeless youth can achieve their own goals and become role model's for many other teens, as proof that the cycle can be broken." HELPFUL LINKS: VETERANS: https://www.va.gov/.../mental-health/suicide-prevention/ ADDICTION: https://lp.recoverycentersofamerica.com/.../continuum-of.../ Due you know someone that has lost their lives due to addiction? Or even someone that has made a full recovery? Reach out to Johnny Whitaker so they can help to celebrate the lives lost/ lives recovered at overdoseawareness0831@gmail.com Follow our guest https://doorsofchange.org/ https://www.youtube.com/watch?v=k51MapGILQA Toking with the Dead: https://www.stilltoking.com/ ————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 ————————————— Produced by Leo Pond and The Dorkening Podcast Network MORE ABOUT THE GUEST: As the numbers only appear to be growing, we ask you to consider speaking with Founder and President of DOORS OF CHANGE, Jeffrey Sitcov, who has done amazing job raising 5.9 million for homeless youth and securing support from members of the entertainment community. In addition to the enlisting the charities celebrity spokespersons, Lucie Arnaz (The Lucy Show / Here's Lucy) and Anson Williams (Happy Days), Sitcov has received support (Past and present) from music legends, including Elton John, Billy Joel, Aretha Franklin, Ringo Starr, Shania Twain, Bruce Springsteen, Eric Clapton, James Taylor, Willie Nelson, Diana Crawl, Elvis Costello, Chris Isaak, Joe Cocker, Carlos Santana, Etta James, Tony Bennett, BB King, Ziggy Marley, Doobie Brothers, Los Lobos, The Who, The Rolling Stones, Fleetwood Mac, and Three Dog Night, as well as comedians such as Billy Crystal, Steve Martin, Jerry Seinfeld, and the late Robin Williams, to seven of TV's most Iconic moms, including Marion Ross (Happy Days), Jane Kaczmarek (Malcom in the Middle, Karen Grassle (Little House on the Prairie), June Lockhart, Lassie/Lost In Space), Ilene Graff (Mr Belvedere), Dee Wallace (ET/The New Lassie) and Michael Learned (The Waltons), as well as former San Diego Homeless youth turned Miss Universe/Attorney, Nikki Johnson-Huston, Esq. Tens of thousands more youth in the U.S. were homeless in 2023 compared with 2022 as high costs of living pushed some of the most vulnerable into shelters and the street. Homelessness shot up by more than 12% in the last year. The numbers represent the sharpest increase and largest unhoused population since the federal government began tallying totals in 2007. The population of American youth experiencing unsheltered homelessness, who are particularly at risk of violence and criminalization increased, as well as the number of people living in shelters. � New to streaming or looking to level up? Check out StreamYard and get $10 discount! � Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/9db3a1b9-8e05-4c57-b1eb-a8f2fa85dbbc

Hoy os dejamos en La Gran Travesía, con motivo del 75º Aniversario del nacimiento de Chess Records en Chicago (1950 - cerró en 1975-), un programa especial dedicado a su memoria y a su infinito legado con gente como Muddy Waters, Howlin´Wolf, Little Walter, Chuck Berry, Etta James, Willie Dixon, Albert King, Bo Diddley, Buddy Guy, Jimmy Rodgers, Koko Taylor y muchos más. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas... https://www.ivoox.com/gran-travesia-del-rock-capitulos-del-libro_bk_list_10998115_1.html Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas webs, en todostuslibros.com Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Poncho C, Don T, Francisco Quintana, Gastón Nicora, Con, Piri, Dotakon, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Poncho C, Nacho, Javito, Alberto, Pilar Escudero, Blas, Moy, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Flor, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

For this episode we're joined – all the way from L.A. – by special guest Bob Merlis. The former head of publicity at Warner-Reprise Records in Burbank talks us through his musical odyssey from his Brooklyn childhood to his continuing PR work for the likes of ZZ Top and Carlene Carter. We hear about Bob's start at Record World in late '60s New York and the early '70s pieces he wrote for that trade publication and for Warners' short-lived Words & Music. Our guest then talks about his brief stints at RCA and Albert Grossman's Bearsville Records before touching on key acts and moments in the nearly three decades he spent in Burbank: Little Feat's Lowell George, Jerry Wexler producing Etta James and Warners president Joe Smith roasting the infamous Morris Levy. Clips from Dave Zimmer's 1988 audio interview with Neil Young prompt discussion of that quintessential Reprise artist (and his comrades in CSNY). After Mark quotes from pieces about Elektra Records dropping the MC5 and free-improv guitarist Derek Bailey, Jasper talks us out with reflections on the musical passions of footballer Rio Ferdinand and Houston rapper Chamillionaire. Many thanks to special guest Bob Merlis. For info on Bob's PR work, visit https://mfhpr.com/m-f-h-at-20. Pieces discussed: R&B is B(l)ack and Involved, Jerry Wexler Crosses Tracks for Tony Joe, Todd Rundgren Warps Time, Lowell George Talks About Little Feat, Little Feat Keeps On Truckin', Little Feat: How To Construct a "Critics' Band", Neil Young audio, Elektra Records Kicks Out MC5, Derek Bailey: Themes on Improvisation, The Record Doctor: Rio Ferdinand and Chamillionaire: Change.

What a Little Moonlight Can Do + Good Morning Heartache Cassandra Wilson Coming Forth by DayLegacy RecordingsSe Telefonando Gregoire Maret, Romain Collin, Cassandra Wilson, Gregory Porter Ennio ACT MusicI'd Rather Go Blind Etta James Tell Mama GeffenAlone With My Thoughts Norah Jones Autumn Jones UME - Global Clearing HouseBring Back My Heart (con Rufus Wainwright) +These Flowers Martha Wainwright Martha Wainwright (20th Anniversary Edition) Report Card Music Inc.If You Could See Me Now Zara McFarlane Sweet Whispers: Celebrating Sarah Vaughan Eternal Source Of LightLove Meshell Ndegeocello No More Water: The Gospel Of James Baldwin Blue Note RecordsRun Run + Drive Alessia Cara Love & Hyperbole EP Entertainment, LLC / Def JamEl humo y azul + Habana Rita Donte Ritual Ansonia RecordsEscuchar audio

Phil and Emily continue their Beyoncé in the Movies Mini-Series with a deep dive into the 2008 musical biopic Cadillac Records, and they're joined by writer and film critic Mike Natale to help unpack this rich (and underrated) chapter in Queen Bey's acting career.Beyoncé stars as the legendary Etta James in this chronicle of Chess Records and the rise of American blues and rock 'n' roll. The trio explores her powerful performance, the film's incredible music, and its blend of historical drama and star-studded musical storytelling.They also discuss the film's place in the biopic boom of the 2000s, Beyoncé's evolution as both a dramatic actress and executive producer, and why Cadillac Records deserves more attention as a key turning point in her screen career.

If you're a business leader, creative director, entrepreneur—or someone curious (or even a little anxious) about how AI fits into your work—this episode is for you. In this conversation, Justin Ahrens talks with Scott Meyer, co-founder of Chipp.ai, about designing AI tools that don't just automate—but amplify creativity, strategy, and human connection. Scott's journey—from studying peace and conflict in Norway to building tech startups—has always centered on clarity, access, and community. Together, they explore what it means to make AI more human, more useful, and more aligned with how we actually think, lead, and create.

Etta James was voted Number 22 in the top Greatest Singers Of All Time. She sang various genres including gospel, blues, jazz, R &B and even rock n roll. Her... LEARN MORE The post Let's Remember: Etta James and Hot Chocolate appeared first on Yesterday Once More.

On the April 18 edition of Music History Today podcast, Etta gets a star, Ariana & Taylor release songs, John Lennon covers & Dick Clark passes away.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayResources for mental health issues - https://en.wikipedia.org/wiki/List_of_suicide_crisis_lineshttps://findahelpline.com

In this first of a two part episode of LEGENDS: Podcast by All Day Vinyl, host Scott Dudelson sits down with Don Stevenson, the vocalist, songwriter, drummer and co-founder of the iconic Moby Grape — one of the most dynamic, underrated bands to emerge from the 1960s San Francisco rock scene. From smoky late-night clubs in the Pacific Northwest to the chaos of Monterey Pop, Don takes us on a deeply personal journey through rock history. He opens up about first meeting Jerry Miller (his Moby Grape co-founder), backing up Etta James in after-hours joints, and the wild ride that led to forming Moby Grape alongside Skip Spence, Bob Mosley, and Peter Lewis. You'll hear the story of their audition, the creative fire that birthed classics like Hey Grandma, 805, and Murder in My Heart for the Judge — and what it was like recording their genre-defining debut album in just seven days. ** Don shares behind-the-scenes stories about: The infamous middle finger album cover that became a collector's grail How poor management cost the band a place in the Monterey Pop Festival documentary What it felt like to be touted as “the next Beatles”… and how it all unraveled Recording new solo work with Jerry Miller and Omar Spence, son of Skip Spence

Pittsburgh, Pennsylvania's Lady of the Blues, Miss Freddye joins host Jim Ervin this week for a discussion about life as a Blues musician, Mother, Nurse, and cancer survivor. Miss Freddye also talks about her influences, which include Koko Taylor, Etta James, and Big Momma Thornton, and getting started as a Blues/ R&B Musician with not one, but TWO bands. Please take some time to check this interview out. She is not known the world over, but she is one of MANY Blues musicians that work hard and have attained a level of respect and appreciation among their local and regional fans. I, for one, am a new fan of Miss Freddye Stover….and I think you will be, too! Website: https://missfreddye.com/ Facebook: https://www.facebook.com/freddyes1Spotify: https://open.spotify.com/artist/6SaKuRHm7ApYa5moW2PN9m YouTube: https://www.youtube.com/@missfreddye6847 Bluesky: @missfreddye.bsky.social _________________________Facebook: Time SignaturesYouTube: Time SignaturesFacebook: Capital Area Blues SocietyWebsite: Capital Area Blues SocietyFriends of Time Signatures _______Website: University of Mississippi Libraries Blues ArchiveWebsite: Killer Blues Headstone ProjectWebsite: Blues Society Radio NetworkWebsite: Keeping the Blues Alive Foundation

We've got some new finds rescued from a dusty forgotten bin of mistreated 45s, plus some old favorites from our DJ boxes. We've got tunes from the Raelets, Barbara Lynn, Fontella Bass, The Mighty Hannibal, Ann Sexton, Arthur Alexander, Etta James, and even an unusually 1960s Mod sound from the Everly Brothers! -Originally broadcast March 30, 2025- Willie Mitchell - That Driving BeatJimmy Robins - I Can't Please YouCookie Jackson - Uptown JerkJackie Day - Before It's Too LateRuby Johnson - Why Do You Want to Leave MeRaelets - One Room ParadiseRamona King - It's In His KissMike Williams - If This Isn't LoveBarbara Lynn - Club A-Go-GoBarbara Lynn - You Left the Water RunningMarv Martin - Don't Misjudge MeEverly Brothers - Somebody Help MeThe McCoys - Up and DownFontella Bass - Safe And SoundThe Exciters - Do-Wah-DiddyKris Peterson - Mama's Little Baby Is a Big Girl NowThe Masqueraders - I Ain't Gonna StopOscar Toney, Jr. - Person To PersonBarbara Mason - Don't Ever Want To Lose Your LoveThe Mighty Hannibal - Fishin' PoleLee Andrews & The Hearts - The Girl Around the CornerAnn Sexton and the Soul Masters - You've Been Gone Too LongJackie Wilson - Higher And HigherThe Elgins - Heaven Must Have Sent YouSugar & The Spices - Bye Bye BabyJohnnie Taylor - You Can't Get Away From ItArthur Alexander - Soldier Of LoveThe Caravans - No Coward SoldierJimmy Holiday - You Won't Get AwayEtta James - I Prefer YouThe Marvelettes - Strange I KnowIke & Tina Turner - You Can't Miss Nothing That You Never HadLou Johnson - UnsatisfiedThe Kelly Brothers - I'd Rather Have YouBilly Stewart - Sugar And SpiceJerry Butler - Give It Up Hosted on Acast. See acast.com/privacy for more information.

Air Week: March 31-April 6, 2025 Early Etta James Producer Jerry Wexler called Etta James, “The greatest of all modern blues singers.”  That's great praise coming from a guy who worked with the greatest of the greats for 50 years.  Etta had an amazing talent for mixing a bit of tenderness and heartbreak into her […]

Con Brian D'Addario, the Monkees, Arthur Alexander, Dr. Hook, Glen Miller, Etta James, Marion Montgomery, Frank Sinatra, Limelighters, Mary Hopkin, The Stylistics, Dionne Warwick & Elton John, Gladys Knight, Stevie Wonder, Buffalongo, King Harvest, Robert Hazard, Cyindi Lauper y Alfa con Roberto Vecchioni.

 We had a great time talking with Lauren about music as the constant in her life, wearing every single hat as a working musician, and females with huge voices who don't hold back (likeLauren!). We also geek out over arts and crafts!    This soulful rocker, originally from Chicago, has had a passion for singing throughout her entirelife. Growing up in a household that was rich in music, her influences were widely varied from artists such as Susan Tedeschi, Bonnie Raitt, The Pointer Sisters, Eva Cassidy, Etta James, Joss Stone, Kelly Clarkson, and many more.   Despite these modern musical influences, Lauren was classically trained throughout most of her early life. She began classical piano lessons at the age of 8, was an active member of several choirs and began taking classical voice lessons when she began high school. She eventually took her love of singing to the Quad Cities and obtained a Bachelor's degree in music with an emphasis on voice at Augustana College. During her college years she spent a summer living inNovafeltria, Italy, learning the language and touring and studying opera. Initially she planned on becoming an opera singer, but quickly realized that rock and soul music were more her style.    Since moving to Nashville, Lauren has continued to tour and release new music. Her album, “Love on the Rocks” that was released in the summer of 2021 debuted at #14 on the BillboardBlues Chart, #4 on Roots Music Report & #21 on the NACC Blues Charts. Anderson has opened for bands such as Beth Hart, Ana Popovic and Mike Zito. Zito was also a featured artist on her sophomore album, on the tune "Back to Chicago". She just released her third full-length album, “Burn it all Down”, which features Albert Castiglia on the track “Zombie Blues” and JohnSalaway on “Hit The Spot.”   Check her out here:  Website: laurenandersonmusic.com  IG: laurenandersonmusic  FB: Lauren Anderson     

On this extra large edition Of The Music History In Depth Podcast, there's Etta James getting whitewashed, an historic moment in rap music (sort of), and a lot of important birthdays, including the Queen of Christmas. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Nos sumergimos en las carreras de dos artistas legendarios, que encontraron su esencia en esta inesperada fábrica de éxitos: la penetrante Etta James y el explosivo Wilson Pickett.

Inspirados en el trabajo musical de Roberta Flack seleccionamos en este episodio de En Tierra de Nadie medios tiempos con ese aire íntimo y emotivo en torno al soul, R&B, jazz o pop clásico con la atmósfera elegante y profunda que practicó Flack. Desde Lori Lieberman (la autora folk del clásico Killing Me Softly With His Song) pasando por Harold Melvin, Aretha Franklin, Sarah Vaughan, Etta James, John Legend o George Michael entre otros. En todos ellos disfrutaremos del tono melancólico similar al que Roberta Flack imprimió a su piano. Un programa de melómanos sin remedio.

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Nick Lane, commercial trombonist from Los Angeles.   About Nick: Nick Lane is a free lance trombonist, arranger & composer who's been a fixture on the Los Angeles music scene for many years. Born and raised in Marshalltown Iowa, he attended Drake University on a euphonium scholarship after high school. More excited by performance and jazz, he transferred to Boston's Berklee College of Music to pursue trombone and music composition. Soon after graduating he joined Maynard Ferguson's band and spent the next 4 years honing his skills, recording 5 albums and 17 of his arrangements and/or compositions with Maynard. After moving to L.A. Lane formed his own band resulting in the “Bone in the USA” album in 1985. By that time he'd been asked to do several long tours with Rod Stewart and then Tom Petty & the Heartbreakers. So his band leader days transitioned into side man days, touring extensively with Stewart and later the Who (Quadraphenia) Neil Diamond, Etta James, among others. For the past 20+ years, he's often filled in with the group Chicago. When NOT traveling, Lane has found his way onto over 500 CD recordings as well as hundreds of TV shows & movies. His arrangements & compositions have been featured in all mediums. He has released 2 more CD's of his music….Alias Smith & Lane with baritone sax pal Greg Smith and a B-3 organ trio and Songs of the Heartland….a CD of music Lane composed for the Central Iowa Music Festival featuring full orchestra and chorus. It's Nick's fascination with melody and harmony that has inspired his continuing song writing and composing efforts. In more classical settings he has written extensively for brass: large ensemble, brass quintet, trombone quartet & trio plus numerous commissions for various groups and individuals. With writing partner Doc Kupka, several songs have found their way onto recent Tower of Power CD's as well as projects with vocalists Ray Greene and Ellis Hall. (Available on Strokeland Records website) Lane continues to write, record & produce horn sections in the pop, rock & R&B genres. Still not afraid to “shake it” on stage, these days he's more often found in a recording studio, trying to capture the moment.

We got to get out digging 45s again, and turned up some northern soul by Dee Dee Warwick, wild rhythm & blues from Don Gardner & Dee Dee Ford, funk from Etta James and Fontella Bass, one from Kentucky's own Magnificent 7, a motorcycle tune for the Rockers, and much more soul, popcorn, garage rock, and more!Don't clean your records with Windex! -Originally broadcast March 2, 2025- Willie Mitchell / That Driving BeatOtis Redding / I Can't Turn You LooseThe Manhattans / Manhattan StompDee Dee Warwick / Don't You Ever Give Up On MeAlexander Patton / I Knew I Was WrongEddie Miller / Sophisticated WalkDon Gardner & Dee Dee Ford / You Upset My SoulThe Right Kind / I've Been ChangedEtta James / Out On the Street AgainFontella Bass / It's Hard to Get Back InIke & Tina Turner / Betcha Can't Kiss Me (Just One Time Baby)The Mad Lads / Tear-MakerVaretta Dillard / Mercy Mr PercyWillie Tee / You Better Say YesJunior Wells / Up in HeahIrene and the Scotts / Why Do You Treat Me Like You DoThe Sweets / Mama Saw MeMary Wells / Me And My BabyJeanette Williams / A Friend Of MineMargaret & Carol / LarryDinah Shore / Thirteen MenFloyd Robinson / Motorcycle ManThe Battalion Tweed / But It's AlrightThe Hard Times / They Said NoThe Coastliners / Wonderful YouDonnie Elbert / I Can't Help Myself (Sugar Pie, Honey Bunch)The Magnificent 7 / Never Will I (Make My Baby Cry)Jesse Gee / Baby, I Need YouBobby Jones and the Para-Monts / Beware A StrangerFrankie Ford / Saturday Night Fish FryDonald Wilson / Find SomebodyJames Brown & The Famous Flames / Shhhhhhhh (For A Little While)Shep and the Limelites / The MonkeyJackie Wilson / I'm So LonelyThe Ex-Cel Five / Dancing GirlLeroy Jones / Do You Love MeThe Marvelettes / Locking Up My Heart Hosted on Acast. See acast.com/privacy for more information.

Soul Safari heads into the wild with rousing soul by Etta James and Rance Allen, reggae stylings from Gold Connection, French rap by Alliance Ethnik and surprise versions from Flipout and Deejay Irie. Plus peak indie goodness from Encore and Lightheaded, dusty grooves from French Chilean marvel Medline and supercharged funk reworks from U-Tern and Professor Groove. View the full playlist for this show at https://www.wefunkradio.com/show/1239 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

Evan and Amanda bring you the story of "At Last!" by Etta James. Listen today to learn how her debut album not only made James a crossover success, but set the stage for the title track to become a romantic staple at weddings 60 some years later. Find us on Facebook: The Worst Podcast on MarsFind us on Instagram: worstpodonmarsSend us an email!: worstpodonmars@gmail.com

Happy Birthday Fats Domino!Pacific St Blues & AmericanaSpotlight on Fats DominoSupport our Show and get the word out by wearin' our gear Enjoy all our Spotlights Shows including Stevie Ray Vaughan, Johnny Cash, Johnny Winter, Jeff Beck, Muddy Waters, The Folk & Blues Roots of Led Zeppelin, Hank Williams, Elmore James, Etta James, John Hiatt, The Allman Brothers, Jimi Hendrix, and more...If you like music and trivia, try...What's the Common Thread, The Music Trivia Game1. Van Morrison / Domino2. Fats Domino / Lady Madonna3. Louis Jordan / Saturday Night Fish Fry4. Hank Ballard & the Midnighters / Let's Go, Let's Go (Thrill Upon the Hill) 5. Louis Armstrong / Blueberry Hill 6. Louis Prima & Phil Harris / I Wanna Be Like You (OST The Jungle Book) 7. Jelly Roll Morton / New Orleans Blues (the Spanish tinge) 8. Fats Domino / Blue MondayEarly Influences on Fats Domino9. Amos Milburn / Chicken Shack Boogie (Christine Perfect nee' McVie w/ 10. Charles Brown / Trouble Blues 11. Ella Fitzgerald / A Tisket, A Tasket12. Meade Lux Lewis / Doll House Boogie 13. Lloyd Price / Lawdy Miss Clawdy Hit Parade - 194914. Wynonie Harris / Good Rockin' Tonight (1948)15. Babe Ruth retires from baseball (1947) 16. Count Basie / Did You See Jackie Robinson Hit That Ball (Buddy Johnson Orchestra, 1949) 17. Sister Rosetta Tharpe / Up Above My Head (1949)16. Fats Domina / The Fat Man 17. John Lee Hooker / Boogie ChillenNew Orleans and The Big Beat (Earl Palmer & Dave Bartholomew) 18. Archibald / Stack-a-Lee (Stagger Lee)19. Little Richard / Long Tall Sally 20. Smiley Lewis / I Hear You Knocking21. Roy Brown / Let the Four Winds Blow22. Earl King /Trick Bag

Rob had the pleasure of interviewing Courtney Hadwin on Tuesday, Feb 17th. You might remember Courtney from 2018's America's Got Talent?   She has since released some singles and a Christmas song (in 2024) and now she's releasing the first single "spellbound" off her debut album!   No word on when her full length album (of all new material) will be out but Rob did try to get some info out of her.. lol  If you've never heard of her you have to check her out.  She's a powerhouse on vocals and at the age of 14 she got the golden buzzer from Howie Mandel on AGT!   Her audition video got over 310 million views on YouTube! ***** A LITTLE BIT ABOUT COURTNEY HADWIN Courtney is a British pop singer and songwriter who first captured international attention as a breakout star on NBC's America's Got Talent at only 13 years old. Her unforgettable audition went globally viral, racking up over 310 million views and instantly establishing her as a powerful new voice in music. At 20, Courtney continues to astound audiences with her extraordinary vocals and unforgettably soulful performances, often prompting comparisons to the legendary Janis Joplin. Courtney's musical journey began early; as a self-taught artist, she spent countless hours emulating idols such as Tina Turner, Etta James, and James Brown while developing a unique musical personality. In recent years, Courtney has embraced independence as an artist, releasing several singles, including “Breakable,” “That Girl Don't Live Here,” “Call Me Back” and “Monsters”, each showcasing the evolution of her sound. Working closely alongside Kevin Bowe, a renowned producer from Minneapolis, Courtney has forged a creative partnership that has empowered her to express herself with authenticity. Currently, Courtney is in the final stages of recording her debut album. This highly anticipated project promises to blend a diverse set of genres, from pop and soul to blues and rock, all brought together by Courtney's show-stopping vocal presence.  ************ KNOW GOOD MUSIC can be found almost anywhere you listen to podcasts including Podbean (host site), Spotify , Apple Podcasts, Iheart Radio, Pandora and YOUTUBE Links to more sources at Link Tree - www.linktr.ee/knowgoodmusic  Help support our Podcast by purchasing some cool merch: https://www.teepublic.com/user/knowgoodmusic Visit our YouTube Channel where you can see video segments from all of our interviews.  Just search "know good music".   All AUDIO versions are also available on YOUTUBE! COPYRIGHT CLAIM: The songs "Spellbound", "Breakable" and "The Girl Don't Live Here" used with permission from Courtney Hadwin.

Born and raised in south London, Cynthia Erivo made her name with musical theatre in London, starring in shows including The Umbrellas Of Cherbourg and Sister Act. In 2015 she became a Broadway star and won Tony, Emmy and Grammy awards for her role in The Color Purple, the musical adaptation of the Alice Walker novel which had transferred from London. Her screen acting credits include the title role in Harriet, about the 19th century abolitionist and campaigner Harriet Tubman, a film which earned her two Academy Award nominations, including for Best Actress. Oscar nominated again for her lead role in the musical film Wicked, she became the first black British woman to receive multiple Academy award nominations for acting. An acclaimed singer, she performed a solo show of songs made famous by female artists including Aretha Franklin, Etta James and Barbra Streisand at the 2022 BBC Proms.Cynthia Erivo tells John Wilson about the influence of her Nigerian born mother, who raised her as a single mum. She remembers two mentors who encouraged her to perform at at young age; school music teacher Helen Rycroft, and Rae McKen who ran a local drama club. Cynthia recalls winning a place at the prestigious drama school RADA, and returning to become Vice President of the institution last year. She talks about the emotional pressures she underwent on playing Celie in The Color Purple, a story of abuse and survival, and how the themes of prejudice and acceptance explored in the musical Wicked, resonated so strongly with her. Cynthia also chooses the 2015 Alexander McQueen exhibition Savage Beauty at the V&A as a inspiring creative moment, and discusses her love of glamorous fashion.Producer: Edwina Pitman

Episode 310: It would be hard to name any songwriter in Nashville's long history whose work has been recorded by more stars across more genres of music than Gary Nicholson. The Texas native came to Nashville in 1980 after stints in Ft. Worth and Los Angeles, and not only did he amass an impressive string of country music hits with Vince Gill, Patty Loveless, and more, he became Music City's go-to soul and R&B man, conjuring songs for Bonnie Raitt, Etta James, BB King, The Fabulous Thunderbirds and even Ringo Starr. Now at 74 the Nashville Songwriters Hall of Famer has turned his own performing/recording life to songs of conscience and social protest, as on his new album Common Sense.

Born and raised in south London, Cynthia Erivo made her name with musical theatre in London, starring in shows including The Umbrellas Of Cherbourg and Sister Act. In 2015 she became a Broadway star and won Tony, Emmy and Grammy awards for her role in The Color Purple, the musical adaptation of the Alice Walker novel which had transferred from London. Her screen acting credits include the title role in Harriet, about the 19th century abolitionist and campaigner Harriet Tubman, a film which earned her two Academy Award nominations, including for Best Actress. Oscar nominated again for her lead role in the musical film Wicked, she became the first black British woman to receive multiple Academy award nominations for acting. An acclaimed singer, she performed a solo show of songs made famous by female artists including Aretha Franklin, Etta James and Barbra Streisand at the 2022 BBC Proms. Cynthia Erivo tells John Wilson about the influence of her Nigerian born mother, who raised her as a single mum. She remembers two mentors who encouraged her to perform at at young age; school music teacher Helen Rycroft, and Rae McKen who ran a local drama club. Cynthia recalls winning a place at the prestigious drama school RADA, and returning to become Vice President of the institution last year. She talks about the emotional pressures she underwent on playing Celie in The Color Purple, a story of abuse and survival, and how the themes of prejudice and acceptance explored in the musical Wicked, resonated so strongly with her. Cynthia also chooses the 2015 Alexander McQueen exhibition Savage Beauty at the V&A as a inspiring creative moment, and discusses her love of glamorous fashion. Producer: Edwina Pitman

I've got a hot one for you this week! On this episode I'm talking to none other than the legend himself, Mr. Brian Ray. Brian is best known for playing guitar with the absolute powerhouse that is Sir Paul McCartney for the last 20 years. But his credits don't stop there! Brian also played with the fabulous Etta James for 14 years and shared the stage or collaborated with the likes of Keith Richards, Carlos Santana, Bonnie Rait, Smokey Robinson, Peter Frampton and many, many more. On this episode, Brian gives us a bit of an inside scoop on his career, gives advice to up and coming musicians, shares some incredible stories and a whole lot more. Enjoy it folks! Get more info on Brian from his website HERE https://www.brianray.com/music Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from Tonemob.com/reverb Tonemob.com/sweetwater or grabbing your guitar/bass strings from Tonemob.com/stringjoy Release your music via DistroKid and save 30% by going to Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

Tab Benoit performs live at the 2024 Boca Blues Festival on Edition 679 of Blues Radio International, with Etta James and Eric Lindell.Find more at BluesRadioInternational.net

durée : 00:59:31 - Roll with Us - par : Nathalie Piolé -

National opposite day. National Irish Coffee day. Entertainment from 1962. 1st ship sunk by a torpedo, Nike formed, word Robot used for 1st time1st Winter Olympics - Todays birthdays - Dean Jones, Etta James, Dinah Manoff, Jennifer Lewis, Alicia Keys. Mary Tyler Moore died.Intro - Pour some sugar on me - Def Leppard     http://defleppard.com/Opposites song - Learning StationOpposites attract - Paula AbdulThe Twist - Chubby CheckerWalk on by - Leeroy Van DykeBirthdays - In da club - 50 Cent     http://50cent.com/All I could do was cry - Etta JamesGirl on fire - Alicia KeysExit - In my dreams - Dokken    https://www.dokken.net/

On the January 25 edition of the Music History Today podcast, we have McCartney, D'Angelo, & Prince For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Interview with Ollee Owens.   Canadian soul/blues powerhouse singer Ollee Owens announces the release of her new album, Nowhere to Hide, on October 25th through her Ollee Owens Music label imprint. The first single from Nowhere to Hide, “Some Days,” was released on August 30. Produced by Bobby Blazier, the music on Nowhere to Hide is also graced by the presence of Muscle Shoals all-star guitarist Will McFarlane on eight of the album's eleven tracks. “The writing of ‘Some Days' came out of a desire to acknowledge the ups and downs of our day-to-day experiences and at the same time call out the resilience of the human spirit no matter what we come up against,” Owens says. “Sonically, we imagined it as a blues-infused song that leaves the listener feeling happy. It was recorded in Nashville with some of the best session musicians in Music City: Chris Rodriguez, Craig Young, Bobby Blazier, and DeMarco Johnson. The energy in the room that day was palpable as the song began to take shape, capturing exactly what I heard in my head when we wrote the song, resulting in a soulful and hope-filled anthem.” After returning to music a decade ago and releasing 2022's Cannot Be Unheard, the Calgary-based blues/rock singer is better than ever with her latest dazzling, down-to-earth studio album Nowhere to Hide. It's one teeming with stylish, sophisticated jewels mined from blues, rock, and soul. Nowhere to Hide features eight co-writing credits by Owens and a few covers, including Bob Dylan's "Lord Protect My Child." Whether it's Owens' confident delivery fueling the driving title track, the infectious "Some Days," or the deliciously well-crafted "Shivers and Butterflies," Owens is as dynamic as the eleven-track album is flawless. "I learned so much," Owens says of the creative process, "especially, vocally, as there was real opportunity to dig deeper and embody the lyrics." Nowhere to Hide, recorded at Nashville's Sweetbriar Studio and Gnome Studios, shines with help from a who's who of acclaimed Nashville session musicians Blazier brought to the album. "Bobby has an incredible ability to bring people together," Owens says of Blazier. "We all got in the studio together, gave it everything we got, and made some great music." That great music derives from Owens' backstory in the farming community of New Bothwell, Manitoba. As a teen, she gravitated toward Dylan, Delta Blues, The Staple Singers, and Etta James. "When I came back to creating music, I really realized the depth and influence that particular style of music had on me," Owens says of her early listening habits. Owens and her husband started their family early and had three daughters, one of whom has a cognitive disability. After some soul-searching, and realizing her daughter had exceptional needs, she took a hiatus from music. "I focused on being present and engaged for my daughters," she says. As a result, "Lord Protect My Child" strikes an emotional chord as Owens pours her soul into it. "That song has really become close to my heart," she says. "My daughter is twenty-three now, but there's still a lot of vulnerability there. The desire for protecting and taking care of her will never go away." Owens will be playing a Canadian concert in October celebrating the release of Nowhere to Hide and has plans for further touring in the spring. She's also performed at the Roots Blues and BBQ Festival in Drumheller, Alberta, and Calgary's National Music Centre, among several other venues. Now with Nowhere to Hide, Owens will have a larger fan base thanks to an amazing album you would be wise to experience wherever you get your music.    Ollee's Info /https://olleeowens.com/  

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Over My Head (Cable Car) by The Fray (2005)Outro song: The Star Spangled Banner (Live) by Whitney Houston (1997)Song 1: Ice Cream (Freedom Sessions) by Sarah McLachlan (1994)Song 2: Eliza by Summers Baker (2022)Song 3: Heaven is a Place on Earth by Belinda Carlisle (1987)Song 4: Broken Hearted Savior by Big Head Todd & the Monsters (1993)Song 5: I'd Rather Go Blind by Etta James (1967)Song 6: Love by Newcomers Home (2005)Song 7: Don't Let Go (Love) by En Vogue (1996)Song 8: Weight of the World by The Samples (1994)Song 9: You've Ruined Me Now by Norah Jones (2009)Song 10: Rocky Mountain High by John Denver (1972)

Label: Cadet 5594Year: 1968Condition: MPrice: $30.00Another terrific Muscle Shoals, Fame-studio production... not to be missed! Note: This like-new copy has a drillhole on otherwise Mint labels. The vinyl looks untouched, and it has pristine Mint sound. (This scan is a representative image from our archives.)

Chuck Edwards - "Downtown Soulville" - 45 [0:00:00] Music behind DJ: Chick Keeney Orchestra - "Black Eyes" - 45 [0:02:16] Knight Brothers - "Love" - 45 [0:04:28] Charles Brown - "Regardless" - 45 [0:07:07] Jimmy Ruffin - "Don't Feel Sorry for Me" - 45 [0:09:33] The Five Jets - "Down Slow" - 45 [0:12:00] The Jewels - "Goin' Goin' Gone" - 45 [0:14:13] Music behind DJ: The Classmen - "Ping Pong" - 45 [0:16:52] Sugar Pie DeSanto - "Good Timin'" - 45 [0:19:53] Sugarpie Di Santo - "Do the Whoopie" - 45 [0:21:38] Sugar Pie De Santo - "I Don't Wanna Fuss" - 45 [0:24:06] Sugar Pie De Santo - "Slip-In Mules (No High Heel Sneakers)" - 45 [0:26:51] Sugar Pie DeSanto - "Go Go Power" - 45 [0:29:41] Music behind DJ: Hank Marr - "Smothered Soul" - 45 [0:33:52] Etta James and Sugar Pie DeSanto - "In the Basement (Pt. 1)" - 45 [0:34:45] Chuck Bernard - "Funny Changes" - 45 [0:36:37] Sandi Sheldon - "You're Gonna Make Me Love You" - 45 [0:38:57] The Olympics - "Mine Exclusively" - 45 [0:41:59] Toni Washington - "Good Things" - 45 [0:44:13] Music behind DJ: Eddie C. Campbell - "Soup Bone" - 45 [0:46:33] Phil Flowers - "One More Hurt" - 45 [0:48:33] La Shawn Collins - "Girl Chooses the Boy" - 45 [0:51:15] The Showstopping Super Sonics - "Ear Action (And You Better Quit It)" - 45 [0:53:37] Oscar Perry - "Face Reality" - 45 [0:55:51] Music behind DJ: Cozy Cole - "Drum Fever" - 45 [0:57:56] https://www.wfmu.org/playlists/shows/147773

Similar to Season 2, Episode 1 when I sat down with Doug “Pops” Smith, who I like to refer to as a “Wise Old Owl”, in this episode I have the pleasure of connecting with a friend that I consider in the same first-class league, Mr. Tom White.  Tom and I met when I first called on the five-generation Italian food products company, Pastene & Co, soliciting their label business back in the early 2000's, and although he was a client for the next 15+ years, first and foremost Tom remains a friend and confidante.  We share common bonds that include our love of our wives and daughters, our mutual love-hate relationship with the game of golf, and shared interest in food & cold craft beer, and our appreciation for what really matters in life… family.Tom enlightens me with tales of his love of Traffic's classic album, John Barley Corn Must Die and 70's classic rock band, Savoy Brown's hit Tell Mama.  We debate a bit over whether Tell Mama is in fact an Etta James song or a Savoy Brown song.  And Tom shares the story how he serenades his 6-month old granddaughter, Bailey (who arrived on his 71st birthday) to the likes of James Taylor and the Beatles' lullaby, I Will.  Clearly, grandparenting agrees with Tom, and I am lucky to consider this Wise Old Owl a friend.  In fact, we BOTH consider ourselves to be two of the luckiest men on the face of the earth.Join us, and let's see where the energy takes us!Isn't She Lovely / Stevie Wonderhttps://music.apple.com/us/album/isnt-she-lovely/1625371876?i=1625372484I Will / Beatleshttps://music.apple.com/us/album/i-will/1441133180?i=1441133910Midnight Flier / The Eagleshttps://music.apple.com/us/album/midnight-flyer-remastered/1440199153?i=1440199974Tell Mama / Savoy Brownhttps://music.apple.com/us/album/tell-mama/1443639908?i=1443640153Tell Mama / Grateful Dead w/ Etta James https://youtu.be/G_zKuqHzYks?si=VqqoV_ENBl0Q6aWZ

Today on another encore edition of the Rarified Heir Podcast, we are talking to Lisa Sutton, daughter of singer Lynn Anderson & music producer Glenn Sutton. Lisa grew up in Nashville, home to her parents and their ‘Countrypolitan sound'  they helped make famous. What's countrypolitan you ask? Good question. It's definitely country music but typically with lush string arrangements, an orchestra and a more stylized sound than what country music is known for prior. It's a sound her Nashville Songwriter Hall of Fame father and her mother Lynn made famous with the massive Joe South penned hit  “I Never Promised You a Rose Garden.” We also talk to Lisa about her perhaps lesser known but perhaps more influential grandparents Casey Anderson and Liz Anderson whose roots in country music as songwriters, performers and connectors led them to a fortuitus meeting with the poet of the common man, Merle Haggard. He gave them their start. Of course we talk roses – it's a theme in Lisa's life that connects back to her mom's massive hit, horses, the National Enquirer and how her father's songs were recorded by everyone from The Louvin Brothers to Etta James. Fans of country music rejoice, we have a winner on this episode of the Rarified Heir Podcast with Lisa Sutten. Take a listen.

Soul music's roots come from the urbanization and commercialization of rhythm and blues in the late fifties and early sixties. Young black musicians, often nurtured in black churches, enjoyed and listened to R&B sounds and began a fusion of R&B, blues and gospel that would later take on the moniker “soul music”. The term “soul” had been used in African American culture, particularly among musicians, to emphasize the feelings of power, spirit and creativity found in its culture. Regional acts and labels took this genre into different directions that included, among other things, vocal interplay, gospel rhythms and themes that were translated from the sacred to the secular, all with mix heavy on standard rock or brass rhythm sections. The blend and variety brought out the contrasting tones of grit and pop-infused sounds. From Sam Cooke to James Brown and Etta James to Brenda Holloway…we'll take a journey through the rise of soul music.

Uwe had a long weekend away and did some record digging in unfamiliar territory while James hit up a couple of the usual fruitful record spots in Louisville. They both added some great 45s to their collections from the likes of The Ikettes, Gino Washington, Percy Sledge, the Soul Brothers Six, OV Wright, Etta James, Marva Whitney, some raw early Motown from Sherri Taylor and "Singin" Sammy Ward, and more!For more info and tracklisting, visit: https://thefaceradio.com/that-driving-beat/Tune into new broadcasts of That Driving Beat, Tuesdays from 8- 10 PM EST / 1 - 3 AM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Uwe had a long weekend away and did some record digging in unfamiliar territory while James hit up a couple of the usual fruitful record spots in Louisville. They both added some great 45s to their collections from the likes of The Ikettes, Gino Washington, Percy Sledge, the Soul Brothers Six, OV Wright, Etta James, Marva Whitney, some raw early Motown from Sherri Taylor and "Singin" Sammy Ward, and more! -Originally broadcast December 1, 2024- Willie Mitchell / That Driving BeatLloyd Price / Every NightFrankie Valli / (You're Gonna) Hurt YourselfThe Ikettes / Troubles On My MindO.V. Wright / What Did you Tell This Girl Of MineThe Royalettes / It's A Big MistakeGino Washington / Come Monkey With MeSoul, Inc. / Midnight HourThe Wildweeds / Someday MorningThe Electric Flag / Over-Lovin' YouThe Quotations / ImaginationPercy Sledge / Baby, Help MeTommy & Cleve / Boo-Ga-Loo BabySoul Brothers Six / You Better Check YourselfSherri Taylor & "Singin" Sammy Ward / LoverOtis Redding / SatisfactionSandra Lynn / I Can't EscapeArthur Alexander / Pretty Girls EverywhereThe Five Knights / Times Are Getting HarderBrian Auger & The Trinity / Bumpin' On SunsetStone Foundation / Ordinary JoeDee Dee Warwick / Next Time (You Fall in Love)Etta James / Street Of TearsIrene Reid / One For My Baby (And One More For The Road)Nella Dodds / Maybe BabyRay Pollard / WanderlustSam Baker / I'm Number OneJohnny Preston / All Around The WorldSugar Pie DeSanto / Soulful DressTommy Tucker / Hi-Heel SneakersMarva Whitney / Ball Of FireBetty Everett / What Is It?Emorise Kelley / The Biggest FoolDee Dee Sharp / There Ain't Nothin' I Wouldn't Do for YouSusan King / You Got Me In A FixLittle Anthony & The Imperials / Better Use Your HeadSteve Alaimo / I Told You SoFreddy Scott and the Seven Steps / The Thing Hosted on Acast. See acast.com/privacy for more information.

#hiphop #rap #bluesguitar #snoopdogg #pimp While cruising and performing on the Legendary Rhythm and Blues Cruise, Mark sits down with Fillmore Slim the legendary bluesman, and grandfather of HIP HOP. He has toured the greatest blues, soul, R&B, and jazz artists including Sly and the Family Stone, BB.King, Dinah Washington, Ike and Tina Turner, T-Bone Walker, Holly Maxwell, Sista Monica, Guitar Shorty, Etta James, Frankie Lee, J.J. Malone, Johnny Guitar Watson, Joe Louis Walker, Rick Estrin, Bonnie Rait, the Allman Brothers Band, and Chris Cain. Rappers such as Snoop Dogg, Too Short, Ice Cube, Ice-T, and Frank Stickemz pay homage to him in the lyrics their songs. He has influenced an entire generation of young artists with his music & lyrics, and trend setting fashionable style. In 2017 he was crowned the Godfather of Hip Hop at the West Coast Hip Hop Awards, Oakland, CA. and inducted into the Black Music Hall of Fame as a music icon.

Episodio en directo desde el Auditorio Itsas Etxea de Hondarribia en el marco del festival Amua. Un encuentro dedicado a la música Soul donde charlamos con Alex Subinas de la disquera Soul4Real y Lalo López (Fundación Tony Manero, Nación Funk, etc…). Acabamos con la actuación en directo de Rob Picazo, joven artista de Soul que ofrece aquí su primer concierto en España.Playlist;ETTA JAMES “Can’t shake it”PRINCE PHILIP MITCHELL “Something new to do”THE MASQUERADERS “Prophet of love”ARETHA FRANKLIN “So soon”TITO RAMIREZ “El solitario”LALO LÓPEZ LIMITED ORCHESTRA “Volar”FUNDACIÓN TONY MANERO “Don’t leave me this way”THE VALENTINOS “I’ve got love for you”Escuchar audio

Vanessa Racci, the beloved jazzy Italian, takes center stage as we paint vivid portraits of Italian American music icons Bobby Darin and Connie Francis. Our heart beats with excitement as Vanessa unveils her latest passion project, "Forbidden Love," a mini musical poised to captivate audiences with its debut at Yorktown Stage in Westchester, New York. She shares her journey and collaboration with the talented Charlie Romo, all while nestled in the historical backdrop of Little Italy, thanks to the encouragement of Dr. Joseph Schelsa. Together, they breathe new life into the compelling and overlooked love story of Darin and Francis, adding depth to their legacies. Our conversation celebrates the indomitable spirit of Connie Francis, exploring her touching embrace of her Italian roots through music, even as she navigated personal trials and the challenging dynamics of fame. Her father's insistence on her mastering the accordion and the resulting success of "Who's Sorry Now?" serve as testament to her resilience and talent. We reflect on her extraordinary journey and ponder her mysterious exclusion from the Rock and Roll Hall of Fame. Vanessa and I weave personal anecdotes that underscore the lasting impact of these musical greats, as we announce the ambitious plans to elevate their story from a mini musical to a grand Broadway spectacle. Music becomes the powerful thread connecting past and present, as we reminisce about the resonant beauty of Italian songs like "Non pensare a me" and "Al di là." These melodies carry the weight of family memories, driven by the emotive power of the Neapolitan cry and the unique vocal qualities that define Italian music. We further explore the nurturing of future Italian American talents, celebrating figures like Charlie Romo who is staring in this production with Vanessa, and discuss the discipline and talent required to excel as a singer. As we traverse through genres, with nods to jazz and R&B legends like Alicia Keys and Etta James, this episode becomes a rich tapestry of music's enduring influence on our lives and the vibrant legacy of Italian American contributions to the musical landscape. To find out about the performance see the links below! Get tickets at: https://www.yorktownstage.org/forbidden-love-the-love-story-of-bobby-darin-and-connie-francis/ Vaness's Website: https://vanessaracci.com/ Vanessa's socials Youtube:  @vanessaracci  Instagram: @vanessaracci X: @vanessaracci --- Support this podcast: https://podcasters.spotify.com/pod/show/italianamerican/support

Christine McVie - one of only two British girl rock musicians in the ‘60s and part of the greatest pop soap opera of all time. Neither in the backline or the frontline but occupying a unique middle ground. Packed it in for 16 years then returned to the fold. Lesley-Ann Jones' fresh and emotional memoir Songbird follows “the trajectory of a male rock star played by a woman”, the home she was keen to escape, the outer limits of life in Fleetwood Mac's “toxic Camelot” and the rigours of holding her ground in a man's world. We cover all sorts here including … … the lasting effect of not having “an ordinary mother”.   … the night in Sunderland that made her think again. … when your best friend sleeps with your fiancée. … supporting the Shadows when she was 15 at the 2I's in Soho.   … Etta James, Chicken Shack and playing the Reeperbahn. … why rock stars can never be part of a village community. … Fleetwood Mac's West Coast Elysium: “they were all as bad as each other”. … “cute and dangerous” meets “lifeline and anchor”: the love affair with Dennis Wilson. … why she and John McVie both needed a wife. … and her lifelong connection with the blues, “a sadness you can't cure”. Order Songbird here:https://www.amazon.co.uk/Songbird-Intimate-Biography-Christine-McVie/dp/1789467217Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Exploring the Grateful Dead's LegacyIn this episode of the Deadhead Cannabis Show, Larry Mishkin takes listeners on a nostalgic journey through the Grateful Dead's music, focusing on a concert from September 30, 1993, at the Boston Garden. He discusses various songs, including 'Here Comes Sunshine' and 'Spoonful,' while also touching on the band's history and the contributions of key figures like Vince Wellnick and Candace Brightman. The episode also delves into current music news, including a review of Lake Street Dive's performance and updates on marijuana legislation in Ukraine and the U.S.Chapters00:00 Welcome to the Deadhead Cannabis Show03:39 Here Comes Sunshine: A Grateful Dead Classic09:47 Spoonful: The Blues Influence14:00 Music News: Rich Girl and Lake Street Dive24:09 Candace Brightman: The Unsung Hero of Lighting38:01 Broken Arrow: Phil Lesh's Moment to Shine42:19 Lucy in the Sky with Diamonds: A Beatles Classic48:26 Marijuana News: Ukraine's Medical Cannabis Legislation54:32 Bipartisan Support for Clean Slate Act01:00:11 Pennsylvania's Push for Marijuana Legalization01:04:25 CBD as a Natural Insecticide01:10:26 Wave to the Wind: A Phil Lesh Tune01:13:18 The Other One: A Grateful Dead Epic Boston GardenSeptember 30, 1993  (31 years ago)Grateful Dead Live at Boston Garden on 1993-09-30 : Free Borrow & Streaming : Internet ArchiveINTRO:                                 Here Comes Sunshine                                                Track #1                                                0:08 – 1:48 Released on Wake of the Flood, October 15, 1973, the first album on the band's own “Grateful Dead Records” label. The song was first performed by the Grateful Dead in February 1973. It was played about 30 times through to February 1974 and then dropped from the repertoire. The song returned to the repertoire in December 1992, at the instigation of Vince Welnick, and was then played a few times each year until 1995. Played:  66 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA But here's the thing:                         Played 32 times in 1973                        Played 1 time in 1974                        Not played again until December 6, 1992 at Compton Terrace in Chandler, AZ  - 18 years                        Then played a “few” more times in 1993, 94 and 95, never more than 11 times in any one year. I finally caught one in 1993 at the Rosemont Horizon in Chicago with good buddies Marc and Alex. My favorite version is Feb. 15, 1973 at the Dane County Coliseum in Madison, WI SHOW No. 1:                     Spoonful                                                Track #2                                                :50 – 2:35 "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Released in June, 1960 by Chess Records in Chicago.  Called "a stark and haunting work",[1] it is one of Dixon's best known and most interpreted songs.[2]Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton.[3] Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927).The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs. The Rock and Roll Hall of Fame listed Howlin' Wolf's "Spoonful" as one of the "500 Songs that Shaped Rock and Roll".[9] It is ranked number 154 on Rolling Stone magazine's 2021 list of the "500 Greatest Songs of All Time",[10] up from number 221 on its 2004 list. In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category.[12] In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with Etta James".[12] James' recording with Harvey Fuqua as "Etta & Harvey" reached number 12 on Billboard magazine's Hot R&B Sides chart and number 78 on its Hot 100 singles chart.[13] However, Wolf's original "was the one that inspired so many blues and rock bands in the years to come". The British rock group Cream recorded "Spoonful" for their 1966 UK debut album, Fresh Cream. They were part of a trend in the mid-1960s by rock artists to record a Willie Dixon song for their debut albums. Sung by Bob Weir, normally followed Truckin' in the second set.  This version is rare because it is the second song of the show and does not have a lead in.  Ended Here Comes Sunshine, stopped, and then went into this.  When it follows Truckin', just flows right into Spoonful. Played:  52 timesFirst:  October 15, 1981 at Melkweg, Amsterdam, NetherlandsLast:  December 8, 1994 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USA  MUSIC NEWS:                              Lead In Music                                                Rich Girl                                                Lake Street Dive                                                Lake Street Dive: Rich Girl [4K] 2018-05-09 - College Street Music Hall; New Haven, CT (youtube.com)                                                0:00 – 1:13 "Rich Girl" is a song by Daryl Hall & John Oates. It debuted on the Billboard Top 40 on February 5, 1977, at number 38 and on March 26, 1977, it became their first of six number-one singles on the BillboardHot 100. The single originally appeared on the 1976 album Bigger Than Both of Us. At the end of 1977, Billboard ranked it as the 23rd biggest hit of the year. The song was rumored to be about the then-scandalous newspaper heiress Patty Hearst. In fact, the title character in the song is based on a spoiled heir to a fast-food chain who was an ex-boyfriend of Daryl Hall's girlfriend, Sara Allen. "But you can't write, 'You're a rich boy' in a song, so I changed it to a girl," Hall told Rolling Stone. Hall elaborated on the song in an interview with American Songwriter: "Rich Girl" was written about an old boyfriend of Sara [Allen]'s from college that she was still friends with at the time. His name is Victor Walker. He came to our apartment, and he was acting sort of strange. His father was quite rich. I think he was involved with some kind of a fast-food chain. I said, "This guy is out of his mind, but he doesn't have to worry about it because his father's gonna bail him out of any problems he gets in." So I sat down and wrote that chorus. [Sings] "He can rely on the old man's money/he can rely on the old man's money/he's a rich guy." I thought that didn't sound right, so I changed it to "Rich Girl". He knows the song was written about him.  Lake Street Dive at Salt Shed Lake Street Dive is an American multi-genre band that was formed in 2004 at the New England Conservatory of Music in Boston.[1] The band's founding members are Rachael Price, Mike "McDuck" Olson, Bridget Kearney, and Mike Calabrese. Keyboardist Akie Bermiss joined the band on tour in 2017 and was first credited on their 2018 album Free Yourself Up; guitarist James Cornelison joined in 2021 after Olson left the band. The band is based in Brooklyn and frequently tours in North America, Australia, and Europe. The group was formed in 2004 as a "free country band"; they intended to play country music in an improvised, avant-garde style.[3] This concept was abandoned in favor of something that "actually sounded good", according to Mike Olson.[4] The band's name was inspired by the Bryant Lake Bowl, a frequent hang out in the band's early years, located on Lake Street in Minneapolis. Great show last Thursday night my wife and I went with good friends JT and Marni and Rick and Ben. Sitting in the back near the top of the bleachers with a killer view of the Chicago Sky line looking west to southeast and right along the north branch of the Chicago River.  Beautiful weather and a great night overall.  My first time seeing the band although good buddies Alex, Andy and Mike had seen the at Redrocks in July and all spoke very highly of the band which is a good enough endorsement for me. I don't know any of their songs, but they were very good and one of their encores was Rich Girl which made me smile because that too is a song from my high school and college days, that's basically 40+ years ago.  Combined with Goose's cover of the 1970's hit “Hollywood Nights” by Bob Seger and the Silver Bullet Band it was a trip down memory lane. I would recommend seeing this band to any fan of fun music.  They were all clearly having a great time. Katie Pruitt opened and came out to sing a song with LSD. In 2017, Pruitt was awarded the Buddy Holly Prize from the Songwriters Hall of Fame[4] and signed with Round Hill Records.[5] Her EP, OurVinyl Live Session EP was released in March 2018.[6] She was named by Rolling Stone as one of 10 new country artists you need to know[7] and by NPR as one of the 20 artists to watch, highlighting Pruitt as someone who "possesses a soaring, nuanced and expressive voice, and writes with devastating honesty".[8] On September 13, 2019, Pruitt released "Expectations", the title track from her full-length debut. Additional singles from this project were subsequently released: "Loving Her" on October 21, 2019,[9] and "Out of the Blue" on November 15, 2019.[10] On February 21, 2020, Pruitt's debut album, Expectations, was released by Rounder Records.[11][12] She earned a nomination for Emerging Act of the Year at the 2020 Americana Music Honors & Awards.[13] In the same year, she duetted with Canadian singer-songwriter Donovan Woods on "She Waits for Me to Come Back Down", a track from his album Without People.[14] In 2021 the artist was inter alia part of the Newport Folk Festival in July. Recommend her as well.  2.     Move Me Brightly: Grateful Dead Lighting Director Candace Brightman Candace Brightman (born 1944)[1] is an American lighting engineer, known for her longtime association with the Grateful Dead. She is the sister of author Carol Brightman. Brightman grew up in Illinois and studied set design at St John's College, Annapolis, Maryland.[1] She began working as a lighting technician in the Anderson Theater, New York City, and was recruited by Bill Graham to operate lighting at the Fillmore East.[3] In 1970, she operated the house lights at the Chicago Coliseum with Norol Tretiv.[4] She has also worked for Janis Joplin, Joe Cocker and Van Morrison. After serving as house lighting engineer for several Grateful Dead shows, including their 1971 residency at the Capitol Theatre, Port Chester, she was recruited by the band's Jerry Garcia to work for them full-time.[1] She started working regularly for the Dead on their 1972 tour of Europe (which was recorded and released as Europe 72), and remained their in-house lighting engineer for the remainder of their career.[1] One particular challenge that Brightman faced was having to alter lighting setups immediately in response to the Dead's improvisational style. By the band's final tours in the mid-1990s, she was operating a computer-controlled lighting system and managing a team of technicians.[5] Her work inspired Phish's resident lighting engineer Chris Kuroda, who regularly studied techniques in order to keep up with her standards. Brightman continued working in related spin-off projects until 2005.[1][7] She returned to direct the lighting for the Fare Thee Well concerts in 2015, where she used over 500 fixtures. Now facing significant financial and health related issues. 3.    Neil Young and New Band, The Chrome Hearts, Deliver 13-Minute “Down By The River” on Night One at The Capitol Theatre My buddies and I still can't believe Neil with Crazy Horse did not play their Chicago show back in May this year.  Thank god he's ok and still playing but we are bummed out at missing the shared experience opportunity that only comes along when seeing a rock legend like Neil and there aren't many.   SHOW No. 2:                     Broken Arrow                                                Track #5                                                1:10 – 3:00 Written by Robbie Robertson and released on his album Robbie Robertson released on October 27, 1987.  It reached number 29 on the RPM CanCon charts in 1988.[23]Rod Stewart recorded a version of "Broken Arrow" in 1991 for his album Vagabond Heart.[24] Stewart's version of the song was released as a single on August 26, 1991,[25] with an accompanying music video, reaching number 20 on the US Billboard Hot 100 chart and number two in Canada. This ballad is not to be confused either with Chuck Berry's 1959 single or Buffalo Springfield's 1967 song of the same name, written by Neil Young. "Broken Arrow" was also performed live by the Grateful Dead from 1993 to 1995 with Phil Lesh on vocals.[28] Grateful Dead spinoff groups The Dead, Phil Lesh and Friends, and The Other Ones have also performed the song, each time with Lesh on vocals.[29] Played:  35 timesFirst:  February 23, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  SHOW No. 3:         Lucy In The Sky With Diamonds                                    Track #9                                    2:46 – 4:13 "Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their May, 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartneysongwriting partnership.[2] Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide.[3] Lennon repeatedly denied that he had intended it as a drug song,[3][4] and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.[3] The Beatles recorded "Lucy in the Sky with Diamonds" in March 1967. Adding to the song's ethereal qualities, the musical arrangement includes a Lowrey organ part heavily treated with studio effects, and a drone provided by an Indian tambura. The song has been recognised as a key work in the psychedelic genre. Among its many cover versions, a 1974 recording by Elton John – with a guest appearance by Lennon – was a number 1 hit in the US and Canada. John Lennon said that his inspiration for the song came when his three-year-old son Julian showed him a nursery school drawing that he called "Lucy – in the Sky with Diamonds",[4] depicting his classmate Lucy O'Donnell.[5] Julian later recalled: "I don't know why I called it that or why it stood out from all my other drawings, but I obviously had an affection for Lucy at that age. I used to show Dad everything I'd built or painted at school, and this one sparked off the idea."[5][6][7]Ringo Starr witnessed the moment and said that Julian first uttered the song's title on returning home from nursery school.[4][8][9] Lennon later said, "I thought that's beautiful. I immediately wrote a song about it." According to Lennon, the lyrics were largely derived from the literary style of Lewis Carroll's novel Alice in Wonderland.[3][10] Lennon had read and admired Carroll's works, and the title of Julian's drawing reminded him of the "Which Dreamed It?" chapter of Through the Looking Glass, in which Alice floats in a "boat beneath a sunny sky".[11] Lennon recalled in a 1980 interview: It was Alice in the boat. She is buying an egg and it turns into Humpty-Dumpty. The woman serving in the shop turns into a sheep and the next minute they are rowing in a rowing boat somewhere and I was visualizing that.[3] Paul McCartney remembered of the song's composition, "We did the whole thing like an Alice in Wonderland idea, being in a boat on the river ... Every so often it broke off and you saw Lucy in the sky with diamonds all over the sky. This Lucy was God, the Big Figure, the White Rabbit."[10] He later recalled helping Lennon finish the song at Lennon's Kenwood home, specifically claiming he contributed the "newspaper taxis" and "cellophane flowers" lyrics.[8][12] Lennon's 1968 interview with Rolling Stone magazine confirmed McCartney's contribution.[13] Lucy O'Donnell Vodden, who lived in Surbiton, Surrey, died 28 September 2009 of complications of lupus at the age of 46. Julian had been informed of her illness and renewed their friendship before her death. Rumours of the connection between the title of "Lucy in the Sky with Diamonds" and the initialism "LSD" began circulating shortly after the release of the Sgt. Pepper's Lonely Hearts Club Band LP in June 1967.[24][25] McCartney gave two interviews in June admitting to having taken the drug.[26][27] Lennon later said he was surprised at the idea the title was a hidden reference to LSD,[3] countering that the song "wasn't about that at all,"[4] and it "was purely unconscious that it came out to be LSD. Until someone pointed it out, I never even thought of it. I mean, who would ever bother to look at initials of a title? ... It's not an acid song."[3] McCartney confirmed Lennon's claim on several occasions.[8][12] In 1968 he said: When you write a song and you mean it one way, and someone comes up and says something about it that you didn't think of – you can't deny it. Like "Lucy in the Sky with Diamonds," people came up and said, cunningly, "Right, I get it. L-S-D," and it was when [news]papers were talking about LSD, but we never thought about it.[10] In a 2004 interview with Uncut magazine, McCartney confirmed it was "pretty obvious" drugs did influence some of the group's compositions at that time, including "Lucy in the Sky with Diamonds", though he tempered this statement by adding, "[I]t's easy to overestimate the influence of drugs on the Beatles' music." In 2009 Julian with James Scott Cook and Todd Meagher released "Lucy", a song that is a quasi-follow-up to the Beatles song. The cover of the EP showed four-year-old Julian's original drawing, that now is owned by David Gilmour from Pink Floyd.[59] Lennon's original handwritten lyrics sold at auction in 2011 for $230,000. A lot of fun to see this tune live.  Love that Jerry does the singing even though his voice is very rough and he stumble through some of the lyrics.  It is a Beatles tune, a legendary rock tune, and Jerry sings it like he wrote it at his kitchen table. Phil and Friends with the Quintent cover the tune as well and I believe Warren Haynes does the primary singing on that version.  Warren, Jimmy Herring and Phil really rock that tune like the rock veterans they are. The version is fun because it opens the second set, a place of real prominence even after having played it for six months by this point.  Gotta keep the Deadheads guessing. Played:  19 timesFirst:  March 17, 1993 at Capital Centre, Landover, MD, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA  MJ NEWS: Ukrainian Officials Approve List Of Medical Marijuana Qualifying Conditions Under Country's New Legalization Law2.      Federal Marijuana And Drug Convictions Would Be Automatically Sealed Under New Bipartisan Senate Bill3.      Pennsylvania Police Arrest An Average Of 32 People For Marijuana Possession Every Day, New Data Shows As Lawmakers Weigh Legalization4.      CBD-Rich Hemp Extract Is An Effective Natural Insecticide Against Mosquitoes, New Research Shows   SHOW No. 4:         Wave To The Wind                                    Track #10                                    5:00 – 6:40 Hunter/Lesh tune that was never released.  In fact, the Dead archives say that there is no studio recording of the song.  Not a great song.  I have no real memory of it other than it shows up in song lists for a couple of shows I attended.  Even this version of the tune is really kind of flat and uninspiring but there are not a lot of Phil tunes to feature and you can only discuss Box of Rain so many times.  Just something different to talk about. Played:  21 timesFirst:  February 22, 1992 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  December 9, 1993 at Los Angeles Sports Arena, Los Angeles, CA, USA  OUTRO:                   The Other One                                    Track #16                                    2:30 – 4:22 "That's It for the Other One" is a song by American band the Grateful Dead. Released on the band's second studio album Anthem of the Sun (released on July 18, 1968) it is made up of four sections—"Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get", and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day"  - one of my favorite Grateful Dead lyrics  - refers to a time Weir was arrested for throwing a water balloon at a cop from the upstairs of 710 Ashbury, the Dead's communal home during the ‘60's and early ‘70's before the band moved its headquarters, and the band members moved, to Marin County just past the Golden Gate Bridge when driving out of the City. In my experience, almost always a second set tune.  Back in the late ‘60's and early ‘70's either a full That's It For The Other One suite or just The Other One, would be jammed out as long as Dark Star and sometimes longer.  During the Europe '72 tour, Dark Star and the full Other One Suite traded off every show as the second set psychedelic rock long jam piece.  Often preceded by a Phil bass bomb to bring the independent noodling into a full and tight jam with an energy all of its own. The Other One got its name because it was being written at the same time as Alligator, one of the Dead's very first tunes.  When discussing the tunes, there was Alligator and this other one. I always loved the Other One and was lucky enough to see the full That's It For The Other One suite twice in 1985 during its too brief comeback to celebrate the Dead's 20th anniversary. Played:  550 timesFirst:  October 31, 1967 at Winterland Arena, San Francisco, CA, USALast:  July 8, 1995 at Soldier Field in Chicago Birthday shout out: Nephew, Jacob Mishkin, star collegiate baseball player, turns 21and all I can say is “no effing way!”  Happy birthday dude! And a Happy and healthy New Year to those celebrating Rosh Hashanah which begins this week. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

We're starting the work week with a pleasing Monday crossword by Freddie Cheng, his 17th for the NYTimes. It had a straightforward, cute theme, and quite a few musicians in the grid, including 35D, "At Last" jazz singer, ETTAJAMES; 28D, Pop star Gomez, SELENA; 15D, Piaf who sang "La Vie en Rose", EDITH; and the ubiquitous (at least in the NYTimes crossword) 7D, Brian of ambient music, ENO. We almost had a fifth, but 67A, Practices boxing, was SPARS, so close to SPEARS

Today's guest makes me feel a little bit country AND a little bit rock and roll. Welcome singer/songwriter Pamela McNeill to the podcast. She has accomplished so much in her career. But it all started in Winona, MN. She talks to me about the music scene there and what event set her mind on being a musician. She talks about some unusual things about her like being a massive fan of Rush, working as a clown at the Ground Round restaurant and how that led to her first real musical job. Soon enough she was playing cover bands, which led to a gig with the legendary Lamont Cranston, where she got a real education in the music business. That led to a gig opening for the one and only Etta James! But a serious relationship led her to the UK where she entered the orbit of the man himself…Rick Astley, back in his first heyday. That led to a bit of karmic retribution for one particular member of Bananarama.  And all the while, she's writing her own music. She wrote Yanni's first lyrical song, wrote for Wynonna Judd, wrote with Pam Tillis, and many others. And when she finally made her own albums, she blew it out of the water. She has been releasing music steadily since 1998 and has a new EP out called Wave After Wave on Farm To Label records. Think Fleetwood Mac playing country music and you start to get a feel for it. Check it out wherever you get music. Go buy it and follow her on socials @pamelamcneillmusic. Check out pamelamcneill.com for tour and music info. Follow us @PerformanceAnx on socials. Pick up merch at performanceanx.threadless.com including our new Spinal Tap inspired logo. Pay for our coffee at ko-fi.com/performanceanxiety. So get ready for a story with so many twists and turns with Pamela McNeill on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode #217 SLASH is out on the road with the S.E.R.P.E.N.T. Fest tour, in support of his star studded Blues album 'Orgy of the Damned', with a stop in Boston on 8/1/2024. He checked in with Mistress Carrie to talk about the soaking wet GnR performance at Fenway Park last Fall, the making of his new album, his first guitar, Halloween babysitting, Jeff Beck, Beth Hart, Axl Rose, Etta James, BB King, and so much more. (this interview was recorded before the passing of his beloved step-daughter Lucy-Bleu Knight, everyone here on The Mistress Carrie Podcast sends our love to Slash and his family). Episode Notes Check out the custom playlist for Episode #217 here! Hear Slash on Episode #88 of The Mistress Carrie Podcast See Slash at the Leader Bank Pavilion on 8/1/2024 Find Slash online: OFFICIAL SITE Instagram Twitter Youtube FACEBOOK TikTok Find Mistress Carrie Online: Official Website The Mistress Carrie Backstage Pass on Patreon X Facebook Instagram Threads YouTube Cameo Pantheon Podcast Network Find The Mistress Carrie Podcast online: Instagram Threads Learn more about your ad choices. Visit megaphone.fm/adchoices