Podcasts about Lohengrin

Avui hem sentit: "Lohengrin",

Sant Jordi, Lohengrin i les amants de l'emèrit

This Day in Legal History: Fair Housing ActOn this day in legal history, April 11, 1968, President Lyndon B. Johnson signed the Civil Rights Act of 1968 into law, a pivotal expansion of civil rights protections in the United States. Commonly referred to as the Fair Housing Act, the legislation was enacted just days after the assassination of Dr. Martin Luther King Jr., whose legacy of nonviolent activism heavily influenced its passage. The law made it illegal to discriminate in the sale, rental, financing, or advertising of housing based on race, color, religion, or national origin.It aimed to dismantle the systemic barriers that had long segregated American cities and suburbs, including redlining, racially restrictive covenants, and other discriminatory practices. Title VIII of the Act directly addressed these inequities and empowered the federal government to enforce fair housing standards for the first time. Though political resistance to housing integration had stalled similar legislation for years, the national mourning following Dr. King's death shifted public and congressional sentiment.Johnson, in a nationally televised address, described the signing as a tribute to Dr. King's life and a necessary step toward realizing the full promise of civil rights in America. Subsequent amendments expanded protections to include sex, disability, and familial status, making the Fair Housing Act one of the most comprehensive civil rights laws on the books. Enforcement mechanisms, however, remained a challenge, and litigation over housing discrimination has continued into the present day.The law has been central to major legal battles over zoning laws, gentrification, and access to affordable housing. It also laid the groundwork for subsequent legislation aimed at combating economic and racial segregation. While the Act did not instantly eliminate housing discrimination, it marked a legal turning point that recognized the home as a critical site of equality and opportunity.A small team from the Department of Government Efficiency (DGE), created under Elon Musk's initiative to reduce government spending and staffing, has arrived at the Federal Deposit Insurance Corp. (FDIC), according to an internal email from the agency. While the team is working with FDIC leadership to identify internal efficiencies, it does not have access to sensitive or confidential bank data, including resolution plans, deposit insurance records, or examination materials. The FDIC emphasized that the DGE operatives are full-time federal employees working under formal interagency agreements and have not sought access to confidential information.DGE has previously drawn concern from industry participants during its visit to the Consumer Financial Protection Bureau due to fears over data exposure. The FDIC oversees highly sensitive information about major U.S. banks and their failure plans, which regulators rely on during crises. The number and identity of DGE team members at the FDIC have not been disclosed, and the agency declined to comment further.The agency is also preparing for staff reductions, following the Trump administration's deferred resignation program that has already led to the loss of 500 FDIC employees. Additional buyouts and formal layoffs are expected soon. The timing of DGE's involvement comes as global markets react to new tariffs announced by President Trump, prompting concerns from former officials about weakening regulators' ability to respond to potential financial instability.DOGE Arrives at FDIC but Doesn't Have Access to Bank Data (2)At least three major law firms—Kirkland & Ellis, Latham & Watkins, and Simpson Thacher & Bartlett—are in talks with the Trump administration to reach a joint agreement that would commit over $300 million in pro bono services to causes favored by the White House. The potential deal is also intended to resolve federal investigations into the firms' diversity programs, which the administration has scrutinized for alleged discriminatory practices. If finalized, the arrangement would bring the total pledged in pro bono services from various firms to at least $640 million.President Trump, speaking at a Cabinet meeting, hinted that a handful of firms remain in negotiations, emphasizing that many firms have already paid significant sums or made concessions. He stated that he expects lawyers from participating firms to assist with policy efforts such as implementing tariffs and expanding coal mining.The administration has previously targeted several firms with executive orders for representing causes or clients viewed as oppositional to Trump's agenda. These orders have included punitive measures such as revoking security clearances and restricting federal access. Some firms—like Perkins Coie and Jenner & Block—have successfully blocked these actions in court, while others like Paul Weiss settled by agreeing to pro bono contributions. Firms such as Skadden and Milbank preemptively negotiated similar deals.Trump Talks Deal With Three Massive Law Firms as Others FightA U.S. immigration judge is set to rule today on whether Mahmoud Khalil, a Palestinian student activist at Columbia University, can be deported. Khalil, who holds Algerian citizenship and became a lawful U.S. permanent resident last year, was arrested last month at his New York City apartment and transferred to an immigration jail in rural Louisiana. Secretary of State Marco Rubio has called for Khalil's removal under the 1952 Immigration and Nationality Act, arguing that his presence in the U.S. poses foreign policy risks due to his role in pro-Palestinian campus protests.Rubio's letter to the court claims Khalil was involved in “antisemitic protests and disruptive activities” but does not accuse him of any crimes. Instead, Rubio argues the government can revoke legal status based solely on speech or associations if deemed harmful to U.S. interests. Khalil's attorneys say the case is an attempt to punish constitutionally protected speech and have called the letter politically motivated and authoritarian in tone.They are requesting to subpoena and depose Rubio as part of their defense. The immigration court hearing the case operates under the Department of Justice and is separate from the federal judiciary. Khalil is also suing in a New Jersey federal court, alleging that his arrest, detention, and transfer far from his legal team and family were unconstitutional.US immigration judge to decide whether Columbia student Mahmoud Khalil can be deported | ReutersPresident Trump signed a bill nullifying a revised IRS rule that would have broadened the definition of a “broker” to include decentralized cryptocurrency exchanges, or DeFi platforms. The rule, finalized in the final weeks of the Biden administration, was part of a broader IRS effort to tighten crypto tax enforcement and was rooted in the 2021 Infrastructure Investment and Jobs Act. It would have required DeFi platforms to report user transactions to both the IRS and the users themselves.The crypto industry strongly opposed the rule, arguing that DeFi platforms do not function like traditional brokers and lack access to user identities, making compliance impossible. Centralized exchanges like Coinbase and Kraken, by contrast, already meet these reporting requirements as intermediaries. Both the House and Senate voted in March to repeal the IRS rule through the Congressional Review Act, which allows Congress to overturn recent federal regulations with a majority vote.Trump, who has positioned himself as a pro-crypto candidate, had campaigned on promises to support digital asset innovation. Since taking office, he has formed a federal cryptocurrency working group and signed an executive order to establish a national bitcoin reserve.Trump signs bill to nullify expanded IRS crypto broker rule | ReutersThis week's closing theme takes us back to April 13, 1850, when Richard Wagner's opera Lohengrin premiered in Weimar under the baton of his friend and supporter, Franz Liszt. Wagner, one of the most influential and controversial figures in classical music, was then in political exile, and unable to attend the debut of what would become one of his most iconic works. Known for his revolutionary approach to opera—melding music, drama, and mythology—Wagner crafted Lohengrin as a sweeping, mystical tale of a knight of the Holy Grail who arrives in a swan-drawn boat to defend the innocent Elsa of Brabant. The opera's shimmering textures, leitmotif-driven score, and spiritual overtones would set the stage for his later monumental works like Tristan und Isolde and the Ring Cycle.Lohengrin remains best known for its third-act bridal chorus—“Here Comes the Bride”—but the opera's deeper themes of identity, trust, and the cost of forbidden questions give it lasting emotional and philosophical weight. Set in a quasi-medieval world laced with mystery, the opera tells of a hero who must depart the moment his name is asked, leaving love suspended in silence. Wagner's orchestration in Lohengrin is luminous and patient, often evoking shimmering water and distant prophecy, with long-breathed phrases that seem to float above time.As a closing theme for this week, Lohengrin invites reflection—on belief, on leadership, and on how history so often pivots on names, silence, and the tension between loyalty and doubt. Its premiere on April 13th marks not only a moment in Wagner's evolution as a composer but also a cultural point of departure, where German Romanticism began leaning toward something darker and more transcendental. We end the week, then, with the slow unfurling of Lohengrin's prelude: a gentle, ascending shimmer that begins almost imperceptibly, and rises—like the swan on the river—toward the unknown.This week, we close with the prelude to Lohengrin by Richard Wagner—music of undeniable beauty from a composer whose legacy includes both brilliance and deeply troubling beliefs. We share it for its artistry, not its ideology. Without further ado, Richard Wagner's Lohengrin, the prelude. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Parla el president del Club Wagner, Manel Bertran

La escritora reflexiona sobre los riesgos y abusos de un sistema cada vez más entregado a una tecnología que no controlamos. La actriz interpreta a una mujer libre e independiente, que desafía a una sociedad racista y conservadora que quiere encerrarla en un asilo. Katharina Wagner, la bisnieta del compositor, también empodera a las mujeres en 'Lohengrin'

En este programa entrevistamos a Lohengrin García de Yzaguirre que nos presenta su libro “En la órbita del espíritu”.Mi camino espiritual describió una órbita triangular en torno al Espíritu, cuyos lados son: la antroposofía, el nagualismo y el nuevo catarismo.En mis últimos dos libros, describo cómo he intentado redondear esta órbita. https://www.mandalaediciones.com/espiritualidad/espiritualidad/en-la-orbita-del-espiritu.aspGracias por apoyar este proyecto: https://palabraderudolfsteiner.com/donaciones/

Elsa von Brabant soll ihren Bruder ermordet haben, ein fremder Ritter verteidigt ihre Unschuld im Gerichtskampf und will sie heiraten – einzige Bedingung: nie darf Elsa ihn nach Namen und Herkunft befragen. Das kann nicht gutgehen! Richard Wagner entdeckt im Lohengrin die Klangfarbe und entwickelt seinen Konversationston. Doch steht seine romantische Oper nun am Ende der deutschen Operntradition oder weist sie weiter zum Tristan? Vor Publikum blind verkostet von Christine Lemke-Matwey, Kai Luehrs-Kaiser und Andreas Göbel. Moderiert von Christian Detig.

We pull back the curtain on the San Francisco Opera with Music Director Eun Sun Kim and General Director Matthew Shilvock, who joined us live on stage on Feb. 4 to talk about the artistry and passion that make this Bay Area institution beloved. On this rebroadcast, Kim shares behind-the-scenes footage of her recent production of Lohengrin from documentary filmmaker Elena Park and discusses how she interprets timeless works alongside live performances by the Opera's young resident artists, the Adler Fellows. Guests: Eun Sun Kim, music director, San Francisco Opera Matthew Shilvock, general director, San Francisco Opera Elena Park , documentary filmmaker and director, “Eun Sun Kim: A Journey Into Lohengrin”

Eigentlich sind die schweren Bariton-Partien von Richard Wagner seine Spezialität; als Telramund im Lohengrin oder als Kurwenal in Tristan und Isolde feierte Martin Gantner auf den grossen Bühnen der Welt Erfolge. Auch in Zürich ist er seit über 20 Jahren ein sehr gern gesehener Gast. Hier wird er nun erstmals als Graf Danilo in der Lustigen Witwe auftreten. Ob das Leichte auch für ihn zum Schwersten gehört und warum es Spass macht, auf der Bühne ein Bösewicht zu sein, darüber spricht Martin Gantner in unserem nächsten Podcast.

Sie hat eine Million Euro gesammelt, damit zum 150. Geburtstag der Festspiele im kommenden Jahr doch noch Richard Wagners populäre Werke "Tannhäuser" und "Lohengrin" aufgeführt werden können. Doch die finanzstarke Gesellschaft der Freunde von Bayreuth fühlt sich von Festspielchefin Katharina Wagner auf ruppige Art und Weise missverstanden.

Another classic from the vaults.  Original description:  This week, we're covering Part III of Charles Williams' supernatural thriller, War in Heaven, in which the good guys (The Archdeacon, Kenneth Mornington, and the Duke) steal the Graal back from Gregory Persimmons, who desires to use it for his own dark purposes.  They then must pray to prevent the Graal from being magically disintegrated from a long distance by Manasseh and Dmitri, two more advanced members of Gregory's shady organization.  We'll also witness a friendship blossoming between all three of our protagonists, talk about how holy and unholy detachment can help make for a very exciting* plot, throw a little shade at King Henry VIII, discuss pagan interpretations of the Graal, and speculate about how P.G. Wodehouse may have been the secret ingredient in Gregory's eventual redemption.  This conversation went well over an hour--if you simply can't get enough of Charles Williams, you're in for a treat.  And hang around (if you'd like) for some bonus material at the very end--should be worth a laugh or two.  I mean, we laugh, anyway.   Music from Lohengrin by Wagner, Mercury by Holst, Venus by Holst, and, of course, "Take the Land," by Don Potter.   We reference William Blake's poem, "And did those feet in ancient time," which speculates on the very strange legend that the boy Jesus may have been taken to England by Joseph of Arimathea at some point--presumably a pre-Graal excursion for Joseph (I don't think even Blake believed this, though).  "And did those feet" was set to music by Sir Hubert Parry as "Jerusalem," an anthem/hymn that helped revive the drooping nationalism of British troops during World War I and remains popular to this day.   If you haven't read any of P.G. Wodehouse's Jeeves and Wooster series, we encourage you to drop everything and do so as soon as possible.     Finally, this podcast will probably be more fun for you if you read along with us.  Feel free to pick up a copy of Charles Williams' War in Heaven!   If you're enjoying these episodes and have constructive feedback, we'd love to hear from you!  Our email is InklingsVarietyHour@gmail.com.  Feel free also to leave us a review on iTunes if you want to see more of this sort of thing.

Según una leyenda germana que nos llega desde la Edad Media, en la ciudad de Cleves, la duquesa Elsa había quedado viuda. Aparte de la inmensa tristeza por la muerte de su marido, la angustia se hizo dueña de ella al ver que, nada más enterrar el cuerpo de su esposo, ya había alguien dispuesto a reclamar el ducado. Y ese no era otro que uno de los vasallos del difunto duque, un sujeto llamado Telramund. Era tan grande su arrogancia y osadía que incluso llegó a pedir en matrimonio a la reciente viuda, alegando que sólo así podría seguir siendo duquesa.Elsa, la joven y hermosa viuda, rogó a los caballeros del ducado que la ayudaran a derrotar a aquellos que querían usurpar el lugar que había ocupado el ya fallecido duque.Solo uno se atrevió a ayudarla. Una pequeña barca apareció navegando sobre el río, arrastrada por un cisne blanco, y en ella un apuesto caballero de brillante armadura reluciente como la plata. Descubre el desenlace de esta interesante historia y si tienes alguna sugerencia de leyenda que deberíamos investigar, da click aquí. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:04:46 - "La Marche funèbre" de Chopin : de Colette Magny à Frank Zappa - par : Max Dozolme - Nos vies peuvent être rythmées par des airs classiques. La berceuse de Brahms nous invite à rêver dans l'enfance, la marche nuptiale de Lohengrin de Wagner ou du Songe d'une nuit d'été de Mendelssohn unissent deux êtres jusqu'à la fin de leurs jours et la marche funèbre de Chopin y met un terme.

Elsa: Johanni van Oostrum Ortrud: Martina Serafin Lohengrin: Michael Spyres Telramund: Josef Wagner Heinrich: Timo Riihonen Herald: Edwin Fardini Conductor: Aziz Shokhakimov Opéra National du Rhin, Strasbourg 10 March 2024 In-house recording

Thanks to all who have left reviews and feedback! Due to a very busy schedule, I can no longer afford to edit/publish this podcast more than twice a month. This may change if we pick up more listeners, so keep the positive reviews coming and share with your friends!   Joseph Weigel, of the Men with Chests podcast, joins Chris to talk about the fight between Ransom and the Un-man in Perelandra.   Maybe it's all the gimmicky '80s fight songs we feature in this episode, but Chris is feeling rather combative this podcast. He questions many of Lewis' premises in this portion, sending the two down a number of theological dark alleys. Among other things, we talk about: The realistic awkwardness of this fight Would it have been morally acceptable to kick the Un-man in the unmentionables? What about to shoot him? Is it morally (or theologically) lawful to take the course Ransom does, even in a hypothetical setting? Would it really have been gnostic to refuse to finish off a man who was begging for his life? Why wouldn't the Un-man have had superior strength like the demoniac in Acts? And why not exorcise him? Does it help us to hate the Devil? Is that the same thing as hating evil? And if we're meant to hate something, what does that say about our own origins? Realizing that humans aren't central to creation versus "The Empirical Bogey" Dante's damned and the false appeal to pity "The Rind" and John Askins; is the possibility that everything is meaningless harder to refute than Weston's original philosophy? Awe at the numinous, fear of tigers, loathing of bugs, and hatred of devils The disquieting idea that perhaps the Prelude to Act III of Wagner's Lohengrin would have made a better soundtrack than the many 80's anthems we feature here, including: "Eye of the Tiger," by Survivor "Gonna Fly Now," by Bill Conti "I Have Decided," by Don Potter "The Final Countdown," by Europe "Tonight," from West Side Story "You're the Best Around," by Joe Esposito Apologies for the extra week it took to edit this episode! If you'd like these to come out more frequently, please do leave a review and recommend the podcast to your friends. At this point, I can't justify publishing every week, but if I build up listenership, this will become more feasible. Until then, look for this podcast to come out every two weeks for the foreseeable future! We have plenty more podcasts in store for you.

American tenor, Bryan Register, has received great critical acclaim for his portrayal of roles including Tristan, Lohengrin and Enée, and has performed in many of the most prestigious theatres in Europe including, the Bavarian State Opera, the Semperoper Dresden, Festspielhaus Baden-Baden, The Opéra Bastille and La Monnaie. In the 2022/23 season he sang Verdi's Otello with the Taipei Symphony Orchestra under the baton of Marco Boemi, and returned to the roles of Florestan in Fidelio at the Nationale Reisopera in the Netherlands, as well as Tristan in the new production at Cottbus State Theater and in a concert performance with the Orquesta Sinfónica de Xalapa in Mexico. Also in the upcoming season 2023/24, he will be singing the male titular lead in Tristan und Isolde, this time at the Aalto Theater in Essen. Amongst others, he will also appear as Parsifal with the Orquesta y Coro Nacionales de España under the baton of David Afkham and as Erik in Der Fliegende Holländer at Pittsburgh Opera. My gratitude goes out to Hannah Boissonneault who edits our Masterclass episodes and to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from The Sybaritic Singer. Let your emerging professionals be part of the podcast! Invite Megan to your studio class for a taping of an episode. Your students ask questions and informative, fun conversation ensues. Special Guest: Bryan Register.

Gestern Abend hatte die Inszenierung der Salzburger Osterfestspiele von Richard Wagners „Lohengrin“ aus 2022 an der Wiener Staatsoper Premiere. radio klassik Stephansdom Opernexperte Richard Schmitz war dabei.

durée : 01:27:27 - En pistes ! du jeudi 21 mars 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin : la Rhapsodie n°1 en si mineur de Brahms, Lohengrin de Wagner, la Romance opus 21 de Clara Schumann, nous entendrons également un extrait des Suites françaises de Bach, des lieder d'Othmar Schoeck ainsi que les œuvres d'Aaron Copland. En pistes !

durée : 00:58:26 - Piotr Beczala, l'aisance de la voix et la richesse du timbre - par : Aurélie Moreau - Le ténor Piotr Beczała est l'invité des grandes scènes internationales. Récemment à l'Opéra de Paris, il était un magnifique interprète de Lohengrin. Le voici dans des airs de Massenet, Berlioz, Bizet… et des romances de Rachmaninov et Tchaïkovski.

Welcome to the Instant Trivia podcast episode 1039, where we ask the best trivia on the Internet. Round 1. Category: Wait Watchers 1: On Dec. 5, 2015 throngs began lining up for this J.J. Abrams "Star Wars" flick, 12 days before it opened. The Force Awakens. 2: U.K. fans braved frigid climes in 2015, hoping this E.L. James film adaptation would raise their temperature. Fifty Shades of Grey. 3: Tom Felton, AKA Draco Malfoy, brought pizza to some campers who came to see this final film in the Potter franchise. Harry Potter and the Deathly Hallows Part 2. 4: Fans queued in L.A. in 2008 not to see a movie but rather to catch a glimpse of stars R-Patz and K-Stew from this soon-to-be hit. Twilight. 5: Churches around America bought out entire screenings of this 2004 epic that opened on Ash Wednesday. Passion of the Christ. Round 2. Category: 1850s Hits 1: 1854 song Stephen Foster wrote for his wife Jane before their marriage became a nightmare. "I Dream of Jeanie". 2: "I gave my love a cherry that had no stone, I gave my love" one of these "that had no bone". chicken. 3: Wagner wrote it as part of Lohengrin which premiered in 1850, and brides have been walking to it ever since. "The Wedding March". 4: According to the song "Good Night Ladies", "Merrily we" do this "o'er the deep blue sea". roll along. 5: This gondolier favorite, written in 1850, glorifies Saint Lucy. "Santa Lucia". Round 3. Category: Black America 1: In 1996 People Magazine named this "Courage Under Fire" star "The Sexiest Man Alive". Denzel Washington. 2: When he retired from the Supreme Court in 1991, Clarence Thomas was appointed to his seat. Thurgood Marshall. 3: Duke Ellington first gained national attention while appearing at this famous Harlem nightclub. the Cotton Club. 4: His ragtime opera "Treemonisha" didn't have its first full performance until 1972. Scott Joplin. 5: This "Beloved" author was born Chloe Anthony Wofford in 1931. Toni Morrison. Round 4. Category: Dumb Answers 1: As the saying goes, do this to "me once, shame on you"; do this to "me twice, shame on me". fool me. 2: Opposite of keen, it's often found compared to "dishwater". dull. 3: This compound avian term says you don't have one single idea in your tiny mind. birdbrain. 4: It rhymes with a synonym for "fast", but describes a person empty of interest or originality. vapid. 5: Also a Jethro Tull album title, this 4-word rhyming phrase includes a building material. thick as a brick. Round 5. Category: Plastics 1: In July 1988 Soviet Olympic Committee head Yuri Titov was issued the 1st "Sovcard", one of these. credit card (Visa Card). 2: In 1868 John W. Hyatt created the 1st "celluloid" to replace ivory balls used in this sport. billiards. 3: In 1988 this Danish "city" made out of little plastic bricks celebrated its 20th anniversary. Legoland. 4: Groucho Marx once quipped that a woman "got her good looks from her father--he's" this kind of physician. a plastic surgeon. 5: The word plastic comes from the Greek "plastikos", meaning it has this quality. shapeable. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Friedrich, Uwewww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Richard Wagner nimmt in Dresden 1849 an der Mairevolution teil und flieht unter falschem Namen über Paris nach Zürich. Im Züricher Exil tritt eine abstoßende Seite Wagners hervor: Mit 37 Jahren schreibt er unter Pseudonym ein antisemitisches Pamphlet, das er 19 Jahre später in erweiterter Form unter eigenem Namen veröffentlichen wird. Währenddessen wird sein "Lohengrin" von seinem zukünftigen Schwiegervater Franz Liszt in Weimar uraufgeführt. Und es entsteht "Der Ring des Nibelungen". Von Jörg Handstein. Mit Udo Wachtveitl (ERZÄHLER), Götz Argus (RICHARD WAGNER), Viola von der Burg (COSIMA VON BÜLOW/WAGNER), Hemma Michel (MINNA WAGNER), Stefan Murr (LUDWIG II.), ZITATOR*INNEN: Horst Sachtleben, Christian Baumann, Ariane Payer. TON UND TECHNIK: Josuel Theegarten, Christian Schimmöller. REDAKTION UND REGIE: Bernhard Neuhoff. PRODUKTION: BR 2012

今年是理查德·瓦格纳诞辰210周年。作为德意志历史上最重要的音乐家，瓦格纳拥有着极为传奇的人生。他数次流亡，和当时的多位文化名人交恶，却又得到路德维希二世二世的宠爱。他建立了拜罗伊特的音乐节，创作出了《尼伯龙根的指环》，却又因为反犹的思想持续受到争议。瓦格纳是那种真正意义上的天才，他行事乖戾、自恋自私、怨天尤人、贪图享乐，成名后顾盼自豪、目空一切，经济上毫无信用，对待家庭、朋友也鲜有责任感……但，同样不可否认的是，他也有倾洒不尽的绝世才华，锐意求变的革新精神，只要他愿意就能随意施展的让人折服的社交魅力，有着将多重艺术门类熔炼一炉的艺境野心。本期播客我们就来聊一聊这位直到现在都饱受争议的天才理查德·瓦格纳。(理查德·瓦格纳)嘉宾：伯樵微博@伯樵Jr霄汉居士乐评人黄哲成有趣而无用的人做着有趣而无用的事豆瓣 @hzcneo时间轴：00:02:36 瓦格纳所生活动荡时代与他复杂坎坷的人生经历00:07:59 瓦格纳与李斯特的关系，从朋友到疏远、再到翁婿00:17:03 纳与尼采的关系，尼采为何接连写作《瓦格纳事件》和《反对瓦格纳》尼采的成长速度超乎想象，因为观念的不和快速与瓦格纳决裂00:26:03 瓦格纳的命中贵人——路德维希二世路德维希二世给瓦格纳还债，建造天鹅堡、支持拜罗伊特音乐节00:52:25 《尼伯龙根的指环》与《指环王/魔戒》有什么关系00:59:05 瓦格纳与希特勒之间的关系，格纳为何成了纳粹的图腾象征之一01:15:54 为什么影视作品中非常喜欢使用瓦格纳的音乐。01:23:56 聆听瓦格纳的入门推荐（尼伯龙根的指环）涉及作品：音乐瓦格纳：《仙女》Die Feen （1834）《爱情禁恋》DasLiebesverbot （1836）《漂泊的荷兰人》Der fliegendeHolländer（1841）《罗恩格林》Lohengrin （1848）《特里斯坦与伊索尔德》Tristanund Isolde （1859）《纽伦堡的名歌手》DieMeistersinger von Nürnberg （1867）《尼伯龙根的指环》Der Ring desNibelungen （1854—1874）《帕西法尔》Parsifal（1882）书籍：瓦格纳：《德国和他的侯爵们》 Deutschlandund seine Fursten （1848 ）《艺术与革命：未来的艺术品》Diekunnst und die Revolution；Das kunstwerk der Zukunft（1849）《什么是德国的吗？》Was istdeutsch （1865）《德国艺术与德国政治》Deutschekunst und deutsche Poltik （1867）《我的一生；宗教与艺术》MeinLeben；Religion und kunst (1880)影视：《加勒比海盗》（戈尔·维宾斯基，2003）《现代启示录》（弗朗西斯·福特·科波拉 ，1977）《指环王》（彼得·杰克逊 ，2001-2003）《行动目标希特勒》（布莱恩·辛格，2008）《忧郁症》（ 拉斯·冯·提尔，2011）《白色巨塔》（ 西谷弘，2003，剧集）《复仇者联盟》（乔斯·韦登 ，2012）《信条》（克里斯托弗·诺兰，2020）《敦刻尔克》（克里斯托弗·诺兰，2017）本期使用音乐：开场：Walkuerenritt -Richard Wagner中插：Wagner DasRheingold, WWV 86A Zweite Szene - Einleitung - Berliner Philharmoniker结尾：WagnerTristan und Isolde, WWV 90 - Prelude to Act 1 - Wiener Philharmoniker制作团队：监制：Peter Cat统筹：黄哲成策划：伯樵剪辑：黄哲成编辑：黄哲成

The opening orchestral strains of Wagner's opera Lohengrin with its high shimmering strings prompted the French poet Charles Baudelaire to observe that in Wagner's music he found "something rapt and enthralling, something aspiring to mount higher, something excessive and superlative". The ability of music to evoke a sense of the ethereal has a strange and powerful effect on listeners, something that composers have been aware of across the ages. Tom Service examines how this music creates its affect and to what ends. He draws on examples from Hldegard of Bingen, Gregorio Allegri, Wolfgang Mozart, James Horner, Einojuhani Rautavaara and George Crumb - among others - and of course Richard Wagner.

Season 3: Myths & LegendsSeries: The Story of LohengrinPart V: The Departure of Lohengrin The Junior Classics is a rescue operation to preserve the wisdom in the Classics before it is lost forever. Our goal is to inspire children with a love of good reading and a real and lasting interest in Western history, literature, and scholarship. My hope is to empower you, the parents, with a resource you can trust to enrich your child's mind and spirit. The most important thing you can do for us is to spread the message and tell others about these stories and what we are doing. Subscribe and give us a rating, five stars if you think it is worth it.If you want to donate we would love that as well - my promise is that 100% of donations will go to building the impact and quality of the Junior Classics.Send Sir Bradley a letter: P.O. Box 1153 Crown Point, IN 46308 and receive some awesome Junior Classic bookmarks in return.http://www.juniorclassicspodcast.comIf you have feedback and thoughts on how we can do things better please send an email to juniorclassicspodcast@gmail.com.Sir Bradley HasseBe brave, be loyal, and speak the TruthBecome a Patron and support a show for the good of your kids!Music: Thank you to Fantasy & World Music by the Fiechters for providing us the rights to use their excellent music. Support the showSupport the show

durée : 00:05:22 - Classic & Co - par : Anna Sigalevitch - Wagner au programme. L'opéra Lohengrin se donne à l'opéra Bastille jusqu'au 27 octobre dans une nouvelle production dirigée par Alexander Soddy et mise en scène par Kirill Serebrennikov… Avant une diffusion sur France Musique le 11 novembre. Anna Sigalevitch nous raconte...

"The violins, the deep tones of the basses, and especially the wind instruments at that time embodied for me all the power of that pre-nocturnal hour. I saw all my colors in my mind; they stood before my eyes. Wild, almost crazy lines were sketched in front of me” wrote Kandinsky after hearing Wagner's Lohengrin, a moment that changed his life and pushed him to desist from a promising career as a lawyer to become a Master of Modern Art. Believed to be a synesthete, Kandinsky might have experienced sound in the form of color, shape, and movement. Prof. Karen Schloss, a faculty member at University of Wisconsin–Madison is part of a group of scientists who conducted a series of studies that confirmed what we already sense but did not have scientific proof of: whereas caused or not by synesthesia, when we listen to music, people's emotional response can be translated into colors. Dare to accompany us in a knowledgeable interview by a committed researcher, who has devoted her professional life into studying color. Hear about her amazing findings regarding color concept association and color preference to understand how color influences our judgment and behavior. A passionate and lucid scientist, Karen Schloss's knowledge on color mesmerizes and turns the path of discovery into an exciting venture.

Season 3: Myths & LegendsSeries: The Story of LohengrinPart III: Lohengrin the Champion The Junior Classics is a rescue operation to preserve the wisdom in the Classics before it is lost forever. Our goal is to inspire children with a love of good reading and a real and lasting interest in Western history, literature, and scholarship. My hope is to empower you, the parents, with a resource you can trust to enrich your child's mind and spirit. The most important thing you can do for us is to spread the message and tell others about these stories and what we are doing. Subscribe and give us a rating, five stars if you think it is worth it.If you want to donate we would love that as well - my promise is that 100% of donations will go to building the impact and quality of the Junior Classics.Send Sir Bradley a letter: P.O. Box 1153 Crown Point, IN 46308 and receive some awesome Junior Classic bookmarks in return.http://www.juniorclassicspodcast.comIf you have feedback and thoughts on how we can do things better please send an email to juniorclassicspodcast@gmail.com.Sir Bradley HasseBe brave, be loyal, and speak the TruthBecome a Patron and support a show for the good of your kids!Music: Thank you to Fantasy & World Music by the Fiechters for providing us the rights to use their excellent music. Support the showSupport the show

With his last-minute stand-in in the acclaimed new production of Salome at the Berlin State Opera, Thomas Guggeis caused a sensation internationally.  As Staatskapellmeister of the Staatsoper Berlin since 2020/21 has conducted, or is due to conduct, Falstaff, Lohengrin, Samson et Dalila, Hansel and Gretel, Don Giovanni, Jenufa, The Merry Wives of Windsor and Elektra.  His debut at the Vienna State Opera were Salome and Die tote Stadt.  He will soon give symphony concerts around the world, including with members of the Berliner Philharmoniker.From 2018-2020, as Kapellmeister at the Stuttgart State Opera, he had already performed works such as La Bohème, Il barbiere di Siviglia, Madama Butterfly, Der Prinz von Homburg and Der Freischütz.

Episode: 2473 King Ludwig II and his castle at Neuschwanstein.  Today, a swan on a mountain.

We should be back on Thursday to bring you an interview with Michael Drout. But until then, enjoy Tolkien's "Mythopoeia," read by Anika Smith in Season One! We'll have a conversation with Jordan Duncan on "Religion and Rocketry" pretty soon as well, but I wasn't able to complete it quite in time for Tuesday this week. Here's the old description for "Mythopoeia": This week, we have J.R.R. Tolkien's "Mythopoeia," read by Anika Smith! You can find the text of the poem online if you want to read along, or you can buy this lovely book. Music in the background is Lohengrin, by Richard Wagner. Next week, we'll be back to discuss Tolkien's essay "On Fairy Stories," in which a part of "Mythopoeia" is quoted. If you're enjoying these podcasts, please share with a friend or drop us a line to tell us so (InklingsVarietyHour@gmail.com).  Constructive feedback and suggestions for future episodes are welcome.  We'd also very much appreciate reviews in iTunes, if you can spare the time.  

Wagner, Verdi, Dvorak, Korngold.

Jay concludes this episode with “Speak Low,” the Kurt Weill song (lyrics by Ogden Nash). Before that, you have any number of other interesting things. Well, a specific number: six. A very tasty menu of music. Handel, “The Harmonious Blacksmith” Strauss, “Malven” Boccherini-Berio, “Ritirata notturna di Madrid” García Lorca, “Sevillanas” Wagner, “Lohengrin,” Prelude to Act […]

Jay concludes this episode with “Speak Low,” the Kurt Weill song (lyrics by Ogden Nash). Before that, you have any number of other interesting things. Well, a specific number: six. A very tasty menu of music. Handel, “The Harmonious Blacksmith” Strauss, “Malven” Boccherini-Berio, “Ritirata notturna di Madrid” García Lorca, “Sevillanas” Wagner, “Lohengrin,” Prelude to Act III Wolf, “Die Spröde”... Source

Jay concludes this episode with “Speak Low,” the Kurt Weill song (lyrics by Ogden Nash). Before that, you have any number of other interesting things. Well, a specific number: six. A very tasty menu of music. Handel, “The Harmonious Blacksmith” Strauss, “Malven” Boccherini-Berio, “Ritirata notturna di Madrid” García Lorca, “Sevillanas” Wagner, “Lohengrin,” Prelude to Act III Wolf, “Die Spröde” Weill & Nash, “Speak Low”

[@ 4 min] In an act of true sportsmanship, we introduce you to a rival podcaster: Daniel Gundlach, host and producer of Countermelody. He may be our foe, but he deserves your compassion, all Ted Lasso-like… [@ 29 min] And then… PJ checks in from NYC, having taken his son to “Lohengrin”. Man, that guy has guts… [@ 37 min] Plus, in the ‘Two Minute Drill'… The Ring Cycle is going down under. Find out if Fasolt and Fafner will find gold inside their bloomin' onion… We're back with an all-new show next week when we go ‘Inside the Huddle' with Matthew Principe, Director of Livestreams at Boston Baroque... SHOW NOTES http://countermelodypodcast.com/ https://www.metopera.org/season/2022-23-season/lohengrin/ https://www.theguardian.com/music/2023/mar/30/an-epic-opera-in-bendigo-wagners-monumental-ring-cycle-takes-over-a-regional-town https://www.smithsonianmag.com/smithsonian-institution/the-forgotten-history-of-tsianina-redfeather-the-beloved-american-indian-opera-singer-180981902/ GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

Synopsis In the 19th century, much like today, New Yorkers looking for musical entertainment had a lot to choose from. For example, on today's date in 1871, the options included these three offerings: First: at Lina Edwin's Theater, a musical burlesque entitled “Pluto,” which The New York Times billed as an “Anglicized and condensed” version of Jacques Offenbach's racy operetta, “Orpheus in the Underworld,” with interpolated comic sketches and monologues by the show's star, the Jerry Seinfeld of the day, the ever-popular comedian Mr. Lingard . Second: for the more serious sort, the American staged premiere of Richard Wagner's opera, “Lohengrin,” at the Stadt Theater. The Times noted that Wagner's opera was (quote) “brought out in Germany some 20 years earlier but was unknown here in its entirety until now.” A large audience showed up for the “entirety” of “Lohengrin,” which lasted over four hours and ended around midnight. Finally: at Broadway's Minstrel Hall, directly from Japan, Satsuma's Circus offered the amazing Mr. Yadunochi, who first smoked a pipe, then ate it, then while playing on a flute expelled the pipe's smoke through his instrument; for his finale, Mr. Yadunochi reproduced, as the Times put it “the original pipe whole and unsullied.” Now, THAT'S entertainment! Music Played in Today's Program Offenbach (arr. Rosenthal) Cancan, from Gaite Parisienne Montréal Symphony; Charles Dutoit, cond. London 430 718 Richard Wagner (1813 – 1883) Act 3 Prelude, fr Lohengrin Berlin Philharmonic; Daniel Barenboim , cond. Teldec 81791 Kozaburo Hirai Sonata Kazue Frances Asawa, flute; Kazue Kudo, koto Crystal 316

On today's episode of The Metropolitan Opera Guild Podcast, we have the second of two episodes exploring the mythos and myths of Wagner's male characters, featuring Guild lecturer Desiree Mays. In this second episode, she will continue to explore the ideas of myth and mythos and how they are presented in Die Meistersinger von Nürnberg and Lohengrin.

Enjoy the view from Front Row Center as host Mike Bolton speaks with Dr. Margaret Devinny, Associate Professor of German emerita at Temple University, about the origins of the Lohengrin story; the Philadelphia Zoo's Curator of Birds Pete Bibeault gives the low down on all things swan related; author and lecturer William Berger helps us rethink the opera; and Met Opera Chorus member soprano Helena Brown discusses preparing Lohengrin for the new Met production (and those costumes). Then, soprano Christine Goerke discusses Ortrud from the music to the staging and everything in between. Don't forget to check out Serenades Choral Travel and the 6-day opera trip to Milan and Venice with Discover my Italy that Mike Bolton co-hosts.

Lohengrin is a pivotal work in Wagner's stylistic development, showcased by his tremendous ability to represent the psychology of his characters through music. Lohengrin returned to the Met stage this season, in a brand-new production by director François Girard, whose previous work includes the Met's stunning production of Parsifal in 2013. On today's episode of The Metropolitan Opera Guild Podcast, we are joined by Guild lecturer John J. H. Muller as he explores the history and music of this epic tale of the mysterious swan knight.

Katie checks in with dancer and performing artist (Broadway's Jagged Little Pill, Lohengrin and The Hours at the Metropolitan Opera, Vogue World for New York Fashion Week, and more), Runako Campbell.

Elsa: Pilar Lorengar Ortrud: Mignon Dunn Lohengrin: John Alexander Telramund: Eberhard Wächter Heinrich: Simon Estes Heerrufer: Lawrence Shadur Conductor: James Levine Cincinnati May Festival 25 May 1974 Broadcast

Elsa: Lucia Popp Ortrud: Anja Silja Lohengrin: Gösta Winbergh Telramund: Rolf Haunstein Heinrich: Matti Salminen Heerrufer: Rodney Gilfry Conductor: Ralf Weikert Zürich Opera 29 September 1991 In-house recording

Elsa: Soile Isokoski Ortrud: Dolora Zajick Lohengrin: Ben Heppner Telramund: James Johnson Heinrich: Kristinn Sigmundsson Heerrufer: Eike Wilm Schulte Conductor: James Conlon Los Angeles Opera November 2010 Broadcast

The penultimate story in "Legends of the Rhine", 'Lohengrin', is a tale that should be very familiar to opera lovers as well as fans of tales of chivalry. Host Dan Scholz Find out where to subscribe to The Folktale Project at http://folktaleproject.com/subscribe Help keep The Folktale Project going by becoming a supporter on Patreon at https://www.patreon.com/join/folktaleproject

Richard Wagner - Lohengrin: Treulich gefuhrt Bertalan Hock, organ More info about today's track: Naxos 8.503134 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon