Podcasts about reamping

Video: https://youtu.be/639HbyIO8Ok Topics discussed: Demoing how to get better sound out of your lav mic with placement and then processing, why I will use Reamping over Looper Pedals, discussing why I'm okay spending $1,000 on a mic when I'm not okay spending $8 for coffee, my theory on the real reason for social media apps rolling out community notes, and more.   Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Sennheiser ME2: https://geni.us/sennME2 Neumann KM185: https://geni.us/km185ii Universal Audio x8: https://sweetwater.sjv.io/uax8   As an affiliate I earn from qualifying purchases.    Ask Questions: https://www.askbandrew.com Merch: https://www.podcastage.com/store Discord: http://www.podcastage.com/discord   00:00 - Intro 00:24 - Improving a Lav Mic 07:05 - WIBT: Sennheiser ME2 / Neumann KM185 09:18 - WYHTS: Why Looper Pedals Don't Work For Me 11:50 - WYHTS: If You Buy Microphones, You Should Buy Coffee 20:37 - WYHTS: TLM49  Is Your Mic! 21:45 - Value for Value 22:40 - V4V: Different Reasons for Travel 26:30 - V4V: Real Reason for Community Notes 30:21 - V4V: Orwell Supports ContextCop 32:10 - WWA: Analysis Paralysis - Four Year Strong 34:40 - Conclusion   #AudioEducation #Frugal #Podcast

Season 2 - KEMPER PROFILER - Tones & Talks. In this episode, we have a hands-on discussion about the new USB Audio connectivity of the PROFILER, focussing on reamping. Do's and don'ts researched and performed by Thomas Dill.  ⁠www.kemper-amps.com⁠

I det här avsnittet pratar Niklas och Magnus om re-amping, dvs att skicka ut en redan inspelad signal från datorn till en förstärkare, och inte nödvändigtvis bara ljud som gitarr och bas. En hel del tricks och tankar om hur man gör, varför man gör det och inte minst får vi höra exempel på hur det låter. Hosted on Acast. See acast.com/privacy for more information.

This week the boys sit down and talk about: Mix Haze, Firestone, Cistrus Hazey, Reamping, New Album, GOT, The Bear, LOTR, Westworld, and much much more.

In dieser Episode ist Kristian Kohle vom Kohlekeller Studio zu Gast. Der erfahrene Engineer und Producer, der sich auf die Produktion von Metal & Rock spezialisiert hat, dokumentiert, wie sich sein Workflow bei Band-Recordings über die letzten 25 Jahre verändert hat. Dabei geht es nicht nur um den Aufnahmeprozess, sondern auch die Art und Weise, wie sich das Songwriting von Bands und auch die Musikproduktion generell entwickelt haben. Er stellt auch heraus, dass es heute, wo alle die gleichen Tools nutzen, schwierig ist, einen eigenen Signature-Sound zu erzielen, was früher einfacher war. Viel Spaß beim Hören! ➡️ (00:00:00) - Kristian Kohle ➡️ (00:11:45) - Songwriting früher und heute ➡️ (00:18:30) - Studioaufenthalte noch üblich? ➡️ (00:25:12) - Ablauf einer Band-Recording-Session ➡️ (00:30:26) - Erstes Recording-Setup ➡️ (00:36:26) - Frühere Technik heute im Einsatz ➡️ (00:39:56) - Stellenwert der Recallfähigkeit ➡️ (00:42:35) - Dankbar für digitale Entwicklungen ➡️ (00:44:21) - Workflow-Tipps: Drumsamples, Reamping & Mikrofone ➡️ (00:53:58) - Eigenen Sound erzeugen ➡️ (01:00:33) - Kreative Arbeitsweise vs. Technik ➡️ (01:04:11) - Band-Recording der Zukunft ➡️ (01:05:36) - Typfragen ➡️ (01:10:43) - Referenztrack-Empfehlungen ⚙️ (01:20:26) - Gear Corner - Musikmesse - Cubase Pro 12

This week's guest is London based producer, engineer, and mixer Guy Massey. Guy is a Grammy and Music Producer Guild award winner that came up through the legendary Abbey Road Studios. He's worked on projects for artists such as Ed Sheeran, Kylie Minogue, Ajimal, Ray Davies, Spiritualized, and The Beatles. He's also been involved in movie soundtracks such as "Yesterday" and "Rocket Man" as well as various other projects. We have a chat about the future of immersive audio, the importance of making mistakes on your own time, and why if you want to get great at something you have to enjoy it. In this episode, we'll dig in on... Being inspired to be the best you can by the history of the studio you're working in Locking up multiple tape machines for film sessions Working on Beatles Remasters Defining success as having a quiet confidence Coming up through the legendary Abbey Road U67s on everything! Reamping things in studio to use as ambience for 5.1 Surround mixes Dolby Atmos and the future of immersive audio Everything is in service to the song Learning to make things sound as good as possible with a limited palette Casting your influences wide and listen to A LOT of music. Comparing vintage mics and picking the best parts. Going freelance to work on the opportunities you are passionate about Learn More About Guy Massey... Website: http://www.guymmassey.co.uk/ (www.guymmassey.co.uk) Instagram: https://www.instagram.com/yugyessam/ (https://www.instagram.com/yugyessam/) Twitter: https://twitter.com/guy_massey (https://twitter.com/guy_massey) Our Sponsors: Sign Up for Complete Producer Network https://www.completeproducer.net/share/z_LJhc8M_GtKZ1OX?utm_source=manual (HERE)! Get on the Waitlist for The Beats Accelerator Process https://knowledge.completeproducer.pro/bapwaitlist (HERE)! Get on the Waitlist for The Mix Accelerator Process http://mixaccelerator.com/ (HERE)! Other Links: https://www.travisference.com/coffeecup (Give Me a Coffee Cup!) Support Progressions on https://www.patreon.com/progressionspod (Patreon)! Sign up for the https://mailchi.mp/87a95bbfe666/progressionspod (Progressions Mailing List) https://kit.co/travisference (Gear and Recommended Reading List) Instagram: https://www.instagram.com/progressionspod/ (https://www.instagram.com/progressionspod/) Facebook: https://www.facebook.com/ProgressionsPod/ (https://www.facebook.com/ProgressionsPod/) Twitter: https://twitter.com/progressionspod (https://twitter.com/progressionspod) Learn more about Travis: https://www.travisference.com/ (https://www.travisference.com/) Credits: Guest: Guy Massey Host: Travis Ference Editor: Travis Ference Theme Music: inter.ference

Welcome to Episode 9 of The Truth About Recording & Mixing. This week we take on the topic of impedances and interconnecting all the different formats of gear one finds in the recording studio. Ed Brooks of Resonant Mastering walks us through the different categories of gear, how their impedances and levels differ and how we most successfully interconnect them. We also get a visit from electronics engineer and Spectra Sonics wiz Timothy Herzog who explains the design parameters and uses of his 3301 Hi Impedance Instrument Amplifier.  03:15 - Welcome back Ed Brooks!05:30 - Let's start with speaker connectors08:30 - Instrument Cable! Wait - what is Impedance and how circuit designers moved from impedance matching to voltage matching.15:30 Instrument & high impedance unbalanced connections.19:30 How does a balanced connection work?27:15 What about RCA or other unbalanced connections?30:00 Back to instruments and hi impedance sources.35:00 How do we get a balanced mic level source into an instrument input?39:00 Instrument cable capacitance and what happens with long cable runs.41:35 Timothy Herzog describes his instrument preamp / buffer pedal.52:30 Connecting +4 balanced sources with instrument level devices - i.e. Reamping.58:00 What about connecting balanced and unbalanced sources?01:05:20 UAD Unison Mic Pre's - impedance switching? 01:06:15 Listener question about how to measure impedance01:08:50 What about the impedance switches on some mic preamps?01:11:30 How to get mic level signal off of a speaker out.01:14:30 Using headphones or a speaker as a microphone. NS10 kick drum mic! Our sponsor for this episode is iZotope. Submit your questions for Johnny by sending us a voice memo or email to podcast@fretboardjournal.com. The Truth About Recording & Mixing is a bi-weekly podcast produced by the Fretboard Journal magazine, loosely based on our Truth About Vintage Amps Q&A podcast. www.johnnysangster.com www.cracklepopstudio.com www.fretboardjournal.com www.instagram.com/recordingpodcast/ Gear mentioned: Mic to Instrument Impedance transformer, Herzog Electronics 3301 Hi Impedance Instrument Amplifier, Epiphone Firebird, Rickenbacher guitars, Telecaster, Radial Reamper, Aphex 124, Radial J+4 2 Channel Signal Level Transformers, Cloud Lifter preamplifier, Universal Audio OX, Hughes & Kettner Red Box, NS10 Kick Mic, The transformerless SM57!

In Episode 5, Matt and Douglas discuss reamping, using Direct Input (DI) devices, and reasons why this is a useful technique. The conversation shifts into the topic of producing and the gray area that it has become in modern music production.

Thanks for listening to this episode of Secret Sonics! I hope you enjoyed this episode :) Look out for new episodes weekly.Matt Clarke is music producer based out of Sydney, Australia specializing in heavy music.You can find out more about Matt here : https://www.mattclarkeaudio.com/Matt's Instagram: https://www.instagram.com/mattclarkeaudioMatt's Facebook: https://www.facebook.com/mattclarkeaudioMetallica - "Fuel" (Matt's eye-opening record): https://www.youtube.com/watch?v=G1cjHbXdU0s Six Figure Home Studio Facebook Community (where Matt and I met) - https://www.facebook.com/groups/TheSixFigureHomeStudio/Six Figure Home Studio Podcast (another podcast we both recommend) - https://www.thesixfigurehomestudio.com/podcast/You can find out more about Secret Sonics and subscribe on your favorite podcast app by visiting www.secretsonics.coFollow along via social media here:Facebook: www.facebook.com/SecretSonicsPodInstagram: www.instagram.com/secretsonics/Feel free to email me at secretsonics@gmail.com with any questions and feedback you might have. I'm open to learning about what topics you'd like to hear about and which people you'd like to hear from. In pursuit of making this podcast truly helpful to anybody looking to improve at music production, all suggestions are truly welcome!Have a great week and dig in!-Ben

Herzlich willkommen zu einer neuen Ausgabe von delamar Guitar Digital – Reamping ist das Thema in dieser Episode. Was ist Reamping? Ganz einfach: Die Neuvertonung einer »trockenen« Gitarrenaufnahme (ohne Amp und höchstens mit den für... Der Beitrag Reamping: Aufnahmen von Gitarren neuvertonen – DGD007 erschien zuerst auf delamar.FM.

Karsten hat viele Samples vorbereitet. Er hat ein aufgenommenes DI-Signal von einem Gitarren-Riff genommen und durch 3 Verstärker mit je 4 Boxen gejagt und das Ergebnis wieder aufgezeichnet -> Reamping. Dabei ist die Mikrofonposition natürlich gleichgeblieben. Wir hören uns die Samples an und vergleichen diese. In den Shownotes findet ihr die Links zum Downloaden und selber vergleichen.

Karsten erklärt uns was Reamping ist. Welche verschiedenen Varianten es gibt. Wie diese genau Funktionieren und welche Vor- und Nachteile das Reamping mit sich bringt. Zusätzlich quatschen wir über das neue Delamar Podcast Format und zum Schluss gibt es wie so oft die Hausmeisterei.

John Cuniberti is based in the Bay Area. He produces, engineers, mixes and masters records for many artists including most notably Joe Satriani, Sammy Hagar, The Dead Kennedys, and Chicken Foot. John is known for bringing the concept and name ReAmping into the main stream of recording with his ReAmp box he created and sold on his own for many years, but eventually sold the name and circuit patent to Radial Engineering. John is a veteran of the Bay Area recording world, who has spent most of his adult life in recording studios . John added mastering to his list of skills many years ago while working at The Plant in Sausalito, California and currently mixes and masters from his home for artists all over the world . For more information on John please visit his website www.johncuniberti.com

Bei delamar Guitar geht es heute noch einmal um Reamping. Mit Karsten Simon, Inhaber des Wiesenberg Studio Magdeburg, unterhalten wir über die separate Verstärkung des clean aufgenommenen Gitarrensignals und warum das so praktisch ist. Als... Der Beitrag Reamping reloaded – DG064 erschien zuerst auf delamar.FM.