Podcasts about Aphex

Peter Freedman AM is the Founder and Chairman of RØDE and The Freedman Group. He received Australia's highest national honor, the Order of Australia (denoted by AM) in 2016 for his efforts to Australian and global society.Established in 1991 as a brand under Freedman Electronics – the sound installation company started by his parents in 1967 – Peter has grown RØDE into the world's leading creator technology brand. RØDE's microphones and audio products are the number one in a range of categories, including content creation, podcasting, studio recording and broadcast.Today, RØDE is a global company with offices across the world, including the US, UK, Germany, China and Japan. Its headquarters are in Sydney, Australia, where it designs and manufactures its products, exporting to 118 countries globally. Peter established The Freedman Group as a parent company to RØDE, which has since acquired several legendary audio companies, including APHEX, SoundField, EVENT and, most recently, iconic American pro audio brand Mackie.Hosted by Vidit Agarwal, Founder of Curiosity Center and The High Flyers Podcast.It's now time to explore your curiosity.    ***If you're keen to discuss sponsorship and partnering with us, email us at vidit@thehighflyerspodcast.com today! -> Find out more about Vanta's special $1,000 offer exclusively for you at http://vanta.com/high and get your compliance superpower for your business today.***CLICK HERE to read show notes from this conversation. Please enjoy!***Follow us on Instagram, LinkedIn or TwitterGet in touch with our Founder and Host, Vidit Agarwal directly hereContact us via our website to discuss sponsorship opportunities, recommend future guests or share feedback, we love hearing how to improve! Thank you for rating / reviewing this podcast on Apple Podcasts and Spotify, it helps others find us and convince guests to come on the show! ***The High Flyers Podcast re-imagines the traditional notion of a "high flyer" and is a premier product of the Curiosity Center. The podcast showcases the journeys of relatable role models from their sunrise (childhood) to today. Listeners love the unique and direct inside access to these relatable role models, companies and industries in every walk of life to help us all be 1% better everyday, together.190+ guests have joined Vidit Agarwal on the show from around the world including Heads of state, Olympians, Business and cultural leaders, Social Advocates, Investors, Entrepreneurs and more. Past guests include: Anil Sabharwal, Mark Suster, Ahmed Fahour, Holly Ransom, Daniel Petre, Paul Bassat, Simon Holmes a Court, Michael Traill, Osher Gunsberg, Ed Cowan, Carol Schwartz, Wyatt Roy, Jack Zhang, Martijn Wilder, Holly Kramer, Dom Price, Sam Kroonenburg, Mike Schneider, Rod Hamilton and more.The Curiosity Center is your on-demand intelligence hub for knowledge, connections and growth to achieve your potential, everyday. Join 200,000+ Investors, Founders, Decision Makers and Emerging Leaders. Learn with the world's best at www.curiositycenter.xyz***

We got all up close and geeky about Aphex Twin in company with Disco Pogo's Jim Butler, the editor of the new book: Aphex Twin - A Disco Pogo Tribute. We talked about our favourite Aphex myths, Richard James' enduring appeal, Wolfgang Tillmans and the power of the Jockey Slut archive. Line Noise comes to you with the support of Cupra.

We got all up close and geeky about Aphex Twin in company with Disco Pogo's Jim Butler, the editor of the new book: Aphex Twin - A Disco Pogo Tribute. We talked about our favourite Aphex myths, Richard James' enduring appeal, Wolfgang Tillmans and the power of the Jockey Slut archive. Line Noise comes to you with the support of Cupra.

durée : 01:00:07 - Actualités : Sélection musicale du GRM et de Joseph Ghosn - par : François Bonnet - Le GRM, et avec la complicité de Joseph Ghosn, proposent une sélection musicale expérimentale liée à l'actualité des nouveautés discographiques internationales. - réalisé par : Alexandre Bazin

https://randycantrell.com/inside-the-yellow-studio/ The link above is a comprehensive list of the gear inside The Yellow Studio. Assume every link is an affiliate link. Ironically, I chose to make this an audio, not a video. Yes, that was intentional. I hope you'll click PLAY. It started in 1997. This podcast. It was a handheld Olympus digital recorder. No SD card. Just built-in memory. It was less than $100 and I'd been using it for a while to dictate work notes and ideas. Audio was easy. And cheap. Well, recording it was easy. Getting it online was a bit more cumbersome. Getting it off the Internet to listen was infinitely more difficult because we knew nothing of MP3, today's defacto standard audio file format. My digital recorder used some funky format, but it was still possible to hear it from a website with a domain name a foot long, comprised of a bunch of letters and numbers (a free web page that came with my Internet service provider - ISP - Flashnet). Somebody other than my family found it because my first email came from somebody in Sweden. It blew my mind. It was all done with a digital recorder, a dail-up modem, and an Internet connection. Add in a bit of rudimentary HTML skills, so I could build an ugly website, and you had the first iteration of Leaning Toward Wisdom. I dubbed it that because it was what I was trying to do - lean more toward wisdom and away from foolishness. I was 40 years old and that was 27 years ago. Within a few years, I got serious. I registered LeaningTowardWisdom.com and invested a few thousand dollars (okay, probably closer to three thousand) for a rack of equipment and a couple of Heil PR40 mics (an amateur radio operator friend recommended them). That was The Yellow Studio for many years, recording into a Mac computer using software I can't remember until I found Twisted Wave, a Mac audio recording/editing software recommended by a voiceover actor friend. I bumbled along for a few more years. My audio quality was a point of pride and I was regularly complimented for it thanks mostly to good room acoustics thanks to a ton of books AND to Aphex 230 voice processors (one for each mic, I had two). My broadcast workflow meant that whether I was on Skype (later Zoom) or recording, my audio quality was always the same. I went for years without investing anything more. That rack of gear and those two Heil microphones were stapmles inside The Yellow Studio for years. Audio was easy. And after that initial investment, cheap. The ongoing costs were maintaining domain names and website hosting (I hosted my own audio files for years before learning I should get a media host). Eventually, I found MapleGrove Partners thanks to a buddy, Jim Collison. They would host my site and my media files because they're podcast-friendly like that. But beyond that, I had no real costs. People entered podcasting trying to figure out how to do it as cheaply as possible and I never understood it. I don't hunt. Or fish. Or bowl. Or golf. I don't collect anything (well, I once collected books...but only to read). I had no hobbies except this. That's still the case. Buddies who were into all of those things (and more) would regularly spend hundreds or thousands of dollars every year. Most of them weren't wealthy. They were just ordinary guys who enjoyed whatever they were in to. They didn't think twice about investing in hobbies they loved. I loved podcasting and I had saved for a good while before buying my initial setup. Admittedly, I made a sizeable investment, but it was calculated, planned and well thought out. It stood the test of time, too. I produced untold podcast episodes with that rig. Then Rode, an Australian company, bought Aphex, the makers of my favorite vocal strips, responsible for how my podcast sounded. It didn't affect me...until it did. Around 2019, Rode introduced a mixer with Aphex technology built in. Wait a minute, what?

Die Resterampe und die Beschaffungskriminalität. ## Mai 2024 (#2) 1. Alligatoah — Musik und so (Schlaftabletten: Rotwein II — 2007 — Trailerpark) 2. Milan Dölberg, Ferdinand Dölberg, Moritz Schmolke, Fabian Hub, Jonas Heyn — Drehzahlbegrenzer (Bildende Künstler * Innen versuchen Musik zu machen Vol.3 — 7. Februar 2024 — Billo) 3. Hong Kong Fuck You — Kill a Commie (1978-1981 — 13. Mai 2024 – 8888 Records) 4. Melo Börner, Marten Schech — Das Ohoho-Gerät (Bildende Künstler * Innen versuchen Musik zu machen Vol.3 — 7. Februar 2024 — Billo) 5. Annie-Claude Deschênes — Les Manières De Table (Les Manières De Table — 5. April 2024 — Italians Do It Better) 6. ClockDVA — Syndrome (Noesis — 20. Februar 2023 — Rizosfera / Armcomm Europe) 7. DMX Krew — Uncertain Calculation (Unlikely Seeming — 3. Mai 2024 — Byrd Out) 8. Aphex Twin — 23DOUdour-trk3-jungle&synth.flac (Aphex live singles 2023 — 18. Mai 2024 — Not On Label) 9. Neutral Zone — A Prima Canza (Nine / Nine — 10. Mai 2024 — Dala Produkte) 10. John Carpenter, Cody Carpenter & Daniel Davies — My Name is Death (Lost Themes IV: Noir — 3. Mai 2004 — Sacred Bones Records) 11. Lonnie Donegan — I'm Alabammy Bound (Traditionals — 3. Mai 2024 — Transatlantica) 12. Arnika — Ballroom Blitz (Live 1975 — 2010 — Not On Label) 13. Trabants — Mantra (Mantra — 31. Mai 2024 — Hypnotic Bridge) 14. Chrizzi Heinen — Lotterie (Bildende Künstler * Innen versuchen Musik zu machen Vol.3 — 7. Februar 2024 — Billo) 15. Big Black — Passing Complexion (The Last Time Alive 87 — 3. April 2022 — Nowhere Now Records) 16. Aphex Twin — 23FIElondon-trk1-novation-axf-station.flac (Aphex live singles 2023 — 18. Mai 2024 — Not On Label) 17. Fred again.. — BerwynGesaffNeighbours (USB — 6. September 2022 — Atlantic Records UK) 18. DM Schmitt — Zu Viele Kerne (Bildende Künstler * Innen versuchen Musik zu machen Vol.3 — 7. Februar 2024 — Billo) 19. inuiit — A5 (rhvm_I — 12. Mai 2024 — SOMA Labs Music) 20. Arnika — Весна (Live 1975 — 2010 — Not On Label) 21. The Crystal Teardrop — Après Jeudi (Running Out Of Time — 25. Mai 2024 — Rogue Records) 22. Flowers Must Die — Källa Till Ovisshet (Kompost – 28. April 2017 — Rocket Recordings) 23. Marcus Christiansen — Sir Trancelot (A Retro Futuristic Collage: Vol. 2 — 9. Mai 2024 — Club Mackan) 24. Die Letzten Ecken — Rasender Stillstand (Talisman — 22. Mai 2023 – Static Age Musik) 25. Big Special — Black Country Gothic (Postindustrial Hometown Blues — 10. Mai 2024 — So Recordings) 26. The Avant-Gardeners – Where Are My Hormones? (Moving Away From The Pulsebeat: Post-Punk Britain 1977-1981 — 29. März 2024 — Cherry Red) 27. Billy Butcher — Draw Dead (Penny Dreadful — 1. Juli 2004 — Art Beat Records) 28. Lisa Bella Donna – Moog Spextravox (Sooperbooth 2024 — 16. Mai 2024 — Not On Label) ### Informationen * Junisendung auf Pi Radio: 31. Juni 2024 um 1:00 Uhr * Junisendung auf den Freien Radios Berlin Brandenburg: 31. Juni 2024 um 1:00 Uhr * Junisendung auf dem Nachtprogramm der Freien Radios (z.Z. Radio Corax, Radio Blau, Freies Radio Neumünster u.a.): 7. Juni 2024 und 10. Juni 2024 um 0:00 Uhr (Wenn alles gut geht) # Subtracks Neuste Errungenschafften und ungespielte Neuveröffentlichungen. Das was von einer Hitparade übrigbleibt, trocken wiederverwendet, um die Datenhalden abzubauen. * https://subtracks.funkwelle.org

Deadbeat Club S04E02 2ème partie Avec Simon Raket Nous avons le plaisir de recevoir the one and only Simon Raket qui inverse le cours des choses. Pour sa venue, George nous a proposé "Year Two" de Doodeskader et Kante nous a proposé "to the APhEX" de Dorian Dumont. Grand pétage des adducteurs, mais dans le respect de chacun. #TDBC The Deadbeat Club, le podcast qui parle de mauvaise musique avec bonne foi et de bonne musique avec mauvaise foi. Tous nos chapitres, épisodes, recos, articles & gifs sont sur ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thedeadbeatclub.be/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ On est aussi sur tes plateformes de podcasts préférées et sur les réseaux sociaux : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/deadbeatclub⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ N'hésite pas à mettre 5 ÉTOILES sur , sur Spotify (Tu peux même laisser des commentaires !), et à partager. AH ET SURTOUT A T'ABONNER ! Bisou à toute la famille ! L'ambiance musicale est fournie par Vincent Claus et Trupp Beats, qu'ils en soient remerciés --- Send in a voice message: https://podcasters.spotify.com/pod/show/fr351d351ric-bodarw351/message

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Employed at Ferrovial, working on the Thames Tideway Tunnel; the largest infrastructure project ever undertaken by the UK water industry. Winner of Ferrovial UK&I VGA Graduate of the Year 2023 award. Professional member: Institution of Civil Engineers (ICE) – GMICE Registered STEM Ambassador with Go Construct actively influencing the community through career fairs, lectures, workshops, and providing mentoring to students who seek involvement within the science, technology, engineering, and math (STEM) sector. Also involved in environmental development and restoration projects to improve sustainability and aid in community wellbeing. Strong education professional having completed an accredited Master's (MEng) degree in Civil Engineering at City, University of London. Skilled in Computer-Aided Design (CAD), Autodesk AutoCAD, Primavera P6, SureTrak, Aphex, MATLAB, StaadPro, Databases, Microsoft Access, and a plethora of Engineering and IT-based infrastructures. Experienced Tutor with a demonstrated history of working in the education management industry. In this episode you will discover:  Young gun approved professional practices for high achievement What it means to go above and beyond in a graduate role The correlation between performance and ambition  Principles of young guns success to always stay ahead How to maximise your efforts in community engagement And so much more! Show notes If you enjoyed this episode, and you've learnt something or it inspired you in some way, I'd love to hear about it and know your biggest takeaway. Take a screenshot of you listening on your device, and post it to your Instagram Stories, and tag me, @elinormoshe_ or Elinor Moshe on LinkedIn.   Don't forget you can also join the free facebook community to discuss your journey in the building industry; https://www.facebook.com/groups/constructingyou/   Get a copy of my book: https://amzn.to/31ILAdv

תרבות יום א', פודקאסט התרבות של "הארץ" עם גילי איזיקוביץ וניב הדס: גילי קיבלה הצצה ל"טבריה – מתחת לקו האדום", דוקו חדש מבית "כאן 11" שסוקר את חמש השנים האחרונות בטבריה, עיר מתחרדת שמלחמת האזרחים שהחלה באופן לא רשמי בישראל ביום שני שעבר, עם ביטול עילת הסבירות, מתגלמת בה כבר שנים. האם גורלה של טבריה יהיה סמן לגורל המדינה כולה? האורח שלנו השבוע הוא נטוע וינר, זמר, משורר, כוריאוגרף ויוצר בעוד שלל תחומים, שיצירתו "יאמא" תעלה השבוע על בימת פסטיבל ישראל. וינר, שיוצר בעברית, אנגלית, ערבית ויידיש, מספר על חוויית ההתבגרות ביפו – אולי העיר הכי מעורבת בארץ – והחשיפה למאבקי ההישרדות הכלכליים והתרבותיים של שכניו היהודים והערבים. בסיבוב המהיר: העונה השנייה של "בשורות טובות" (אמזון פריים) ; העונה השלישית של "משפחת ג'מסטון" (HBO); "הסודות של הילסונג" (דיסני +) שיר לסיום: Aphex twin: Blackbox Life Recorder 21fSee omnystudio.com/listener for privacy information.

Today I'm talking about how I made 35% more than a host read ad. The POWER of feedback, and I'm playing with a new microphone that really lets me dial in a great sound.  Join the School of Podcasting Community Risk-Free Are you looking to start your own podcast but don't know where to begin? Look no further than the School of Podcasting. Our comprehensive online courses and one-on-one coaching will teach you everything you need to know, from equipment and editing to marketing and monetization. With our proven methods and unlimited one-on-one consulting, you'll be creating high-quality, engaging content in no time. Say goodbye to the frustration and uncertainty and hello to a successful podcasting career with the School of Podcasting. Use the coupon code schoolofpodcasting.com/listener to save 20% Thanks for listening to episode 887 of the School of Podcasting. Your feedback is always appreciated. The Knee Jerk Reaction to Podcast Ads May Be Missing Other Opportunities I've heard the average host-read ad in a podcast pays about $25 per 1000 downloads. Less than 10% have the needed 10,000 downloads per episode to get a "big sponsor." In some cases, they may have enough for ads that pay anywhere from $3.85 - $7 CPM (boo!).  On Ask the Podcast Coach, I mentioned Switchy ( A link tracker and more) from App Summo (where it's a one-time payment for life). I earned $17.20. Obviously, I'm not going to retire on that, but the show doesn't have a huge audience. When I calculated the CPM, it was $34. So, if you're getting $5 CPM with your programmatic ads, you might want to mix in an affiliate that truly fits your audience. (and buy my book Profit From Your Podcast: Proven Strategies That Turn Listeners into a Livelihood )  For People Looking to Guest On Podcasts (and not start a show), the new Rode PodMic USB is a great choice. The mic is both USB and XLR, so if you later want to plug it into an interface like a Rodecaster Duo, you can.  It comes with a sturdy pop filter (the original PodMic was east to "pop." Its all-back design is cool.  You can use software that has Aphex processing and tweak the sound of your microphone and then SAVE THAT SOUND into the microphone. So when you plug it in via USB, you're sound is right where you left it.  It works with Rode's Capture app, so if you want to record directly to your phone, you can. (I had to use a USB C to Lightning Cable). Likewise, if your computer doesn't have a USB C input, you'll need a USB to USB C Connector.  The bottom line is for around $200 you end up with a single-channel roadcaster.  The Negatives While this microphone is obviously meant to be on a stand, when I had it on a boom arm it was very sensitive to any kind of tapping on the desk, etc. So, don't touch the mic or anything when recording.  At $200, it is more than double something like a Samson Q2u or ATR2100X, but those don't have the Aphex processing.   Don't Fear the Feedback I recently created a video sales for the School of Podcasting. I went to my newsletter and asked them to "Talk about it like I wasn't in the room." As I started implementing the suggestions, more came in (so looking back, you might want to wait or give a deadline) as I ended up making seven different versions before I loaded on the final (for now) version.  It all was great feedback, and I see people time and time again release their first episode without getting any feedback. What is the point of releasing something that is not going to impact the audience the way you want them to? Join the Newsletter For More Podcast Tips Want more podcast insights, tips, tricks, and strategies? Sign up for my newsletter at  www.podcastingobservations.com    Mentioned In This Episode Join the School of Podcasting Community Profit From Your Podcast Book Power of Podcasting Network Dave's YouTube Channel Podcast Rodeo Show Ask the Podcast Coach Rode PodMic USB Rode Wireless Go II Big Podcast with David Hooper Dave's Podcasting Newsletter Buy Dave a Coffee Put Dave In Your Pocket Where Will Dave Be? Question of the Month   Follow the Show and Never Miss an Episode on: Apple - Google - Spotify - Amazon Check out New Podcast Apps for apps to stream Bitcoin to podcasters. Did You Get Value From This Episode? Enjoy the Show? Buy Dave a Coffee and give some of that value back.     

We've got new music from Bristol-based SSSLIP as he presents the debut release on his self-titled imprint. The UK producer supplies a deconstructed look into quivering jazz-influenced electronica on his track ‘Eyes For Three'. SSSLIP is one of many interesting and forward-thinking producers stemming from Bristol right now. Harnassing a sheer flair for dissected rhythms, he floats in and out of club tool bangers right through to disentangled IDM. An avid music digger and lover, SSSLIP's eclectic taste seeps through into his productions. Inspired by the weird and wonderful the Bristol-based producer delves into obscure soundscapes while maintaining a club influnced canvas of off-kilter. Ranging from garage to intricate slow-burning IDM SSSLIP harnesses a unique flair for blending unconventional sounds. SSSLIP's latest release kicks of his new imprint designed to release his music in an uncompromising form. SSSLIP remains militant in his artitstic vision and he demonstarates this on ‘Eyes For Three' as scatters off-centre jazz-influenced drum beats, skidding in & out of wobbling bass stabs and washed-out swells. Shades of Aphex from a unqiue talent. SSSLIP --------- SC: https://soundcloud.com/ssslip IG: https://www.instagram.com/ssslip___/ Four Four Magazine --------------------------- FB: www.facebook.com/FOURFOURDANCE/ IG: www.instagram.com/fourfourmagazine/ Web: www.fourfourmag.com/

As with all past ‘Reflection' year-end mixes, I start with a collection of music I have enjoyed over the past year. Through the process of compiling a mix, songs are whittled down and selected from this collection. This means many of my favorite tracks and albums are often omitted in this process, due to the need for them to fit in a mix that comes together as organically as possible. As I say every year, this isn't a definitive ‘best-of' list, but a selection of just *some* of my favorite music from the year in one easily listenable format. It's the most enjoyable way for me to boil down the music I've loved from the year using these self-imposed restrictions, for you to then enjoy and hopefully discover more. I encourage you to use the mix to jump off and explore each artist, listen to the album in full and see what else is on the label (and check the Buy Music Club list at the bottom). Of course, releases or aliases that are a part of our own label/s are not considered for this mix (head over here for our label-specific 2022 showcase!), and if you want to see the majority of what I've been supporting, head over to my Bandcamp collection.~Mixes paint a memory, and in many ways better than a photo. That's half the reason I do these year-end mixes. Listening back to some of the past ten ‘Reflection on' editions, each one still does the job of invoking specific memories for me. From the time I made the mix or tracks that trigger a time and place, maybe a gig I went to, an album that soundtracked a special moment, or just a record that didn't leave my turntable. All of these things influence what tracks go into my year-end mix. It makes it challenging to try and capture, but also rewarding when I come out of the other side with something to listen back to that really shaped my year in listening. Despite this feature taking many, many hours, it's much easier than doing a list, because not only do I dislike ranking music, but I really enjoy putting together mixes (so any excuse really!).I haven't written in-depth track notes for the past few Reflection mixes, mostly due to the sheer high number of track inclusions, but I want to go into depth on the inclusions this time around. I miss writing about music here, and it's been a few years now since I've even posted a review. So hit play below, keep scrolling for the track notes, and link to a BuyMusicClub list to support all the featured music. astrangelyisolatedplace · ASIP - Reflection on 2022 Listen on Soundcloud, or the ASIP Podcast.Download MP3~Firstly, let's sweep it under the rug; I've broken the biggest rule of the mix and included a track that wasn't from 2022 (in fact, a couple aren't strictly, but more on that later). The first track (and album), by maarja nut and ruum was such a lovely discovery for me this year that I missed in 2018, it accidentally slipped into my 2022 playlist due to being on high rotation. Of course, it was the very first track in the mix that set the tone- a hard one to undo when you've completed the set. So, because I have no one to answer to but myself, it stays! And I doubt you will regret this decision either if this album is new to you. Malibu made an appearance in 2020's mix, and she's perhaps a good reason for igniting a stronghold in female vocal led-ambient music recently. But few attempts are as ethereal as Malibu's latest, going full-on Salt Tank (as a fellow Trance lover nicely put it once).Ecovillage have made some gorgeous music over the years, and their latest album was a work of collaborations with some impressive producers such as Fennesz and harpist Nailah Hunter. My favorite track of the bunch was Memories of Spring featuring Japanese vibraphone player Masayoshi Fujita (the Erased Tapes stalwart). Raum, a collaborative project by Jefre Cantu-Ledesma and Liz Harris (Grouper) released a long-awaited follow-up to their 2013 album, and it didn't disappoint. Whilst used more as a texture/segue in this mix, I encourage you to explore the full album. And, in a nod to Liz Harris' involvement in the artwork for one of our releases this year, it felt fitting to include her project in this mix (thanks Liz!).I've admired GiGi FM's DJ'ing abilities for a few years now (check out her isolatedmix) but only last year did she debut her production chops with Kiwi Synthesis Diary 21k. I didn't get around to listening to the album until this year (along with her latest, Magnetite EP) and so it didn't make last year's mix which was already out in the world. So here's another little cheat, albeit a very short inclusion. You can't say "In Every Dream Home A Heartache” without reading it like the Roxy Music intro, and Romance and Dean Hurley's similarly named album is just as memorable for me in many ways. Whilst this track is not my favorite from the album, it reminds me of the church bells and distant music playing from across the farm fields in my hometown back in England.Fallen, aka Lorenzo Bracaloni seems to have released quite a few albums this year, but I was introduced to Moonlight Romance by Noah M (who creates many of our own artworks and was behind the art for this one). It's like a new-new-age album, full of life and color, and a really pleasant listen from front to back.One thing I find hard with this annual mix is whether to include tracks that have appeared in some other mixes of mine this year. Ultimately, I want to try and present new listening experiences with each mix, but then again, I am sure it's very few of you who actually listen to all of them!… . Steve Roach's What Remains appeared in a previous mix of mine this year, but this track is him at his very best. Refined, patient, bellowing, and glistening - a master of the style.Pretty sure nthng has appeared in the last two Reflection mixes, but what can I say… whether he is releasing pounding atmospheric techno or soaring trance-inducing textures like this one, he somehow manages to draw me in with each of his releases. (I think, secretly, he's a trance head and there's a subconscious/ telepathic attraction going on between us).At this point I got lost in the bellows of the last few tracks, so decided to find a way out of this musical chapter, and IKSRE provided a nice euphoric bridge with her vocals. Released on the ‘Healing Together' compilation curated by Cynthia Bernard / Marine Eyes, plenty of tracks from this comp could've made it onto this mix, so you know what to do after...There was no doubt I was going to try and include a Norm Chambers track in here somewhere, both due to his unfortunate passing this year and his undeniable contribution to the ambient and experimental community. I seeked out a jolt in the mix at this point, so his music didn't go unnoticed. As someone I follow recently said, you could make five mixes from his library of music and each one would sound different. Thank you for the music Norm - RIP.Chicago artists Purelink seems to be at the front of this new 'jungle/beat infused choppy ambience™, that I've seen becoming quite popular lately (how old do I sound). And one member of this trio features a bit later under a different alias. There is lots to explore in this world - whether it be following each of the member artists, their labels, or some of their own self-released music on Bandcamp. This track fits my dreamy chill-out world perfectly and was a much-needed segue into a more beat-driven chapter of the mix. Spoiler alert, Mikkel Rev will be making an appearance in the ASIP fam in 2023, so until he does, he's OK to be included in this mix (!) As part of the Ute Collective hailing from Norway, it's another rabbit hole of amazing young talent should you be into the more trance-infused sound of ambient music (or indeed, full-on trance music - plenty of that there). He makes some superb atmospheric chugging downtempo that ranges from the delicate to the beat-driven.Whenever a new Biosphere album drops, it's met with slight trepidation on my end. Not least because his albums take forever to reach the US on vinyl, but, how do you live up to the classics you created that helped define a genre? But that feeling is always short-lived and none so short as 2022's effort. In what is a direct throwback to some of his earlier electronic styles, Shortwave Memories is one of his best in the past 10 years - at least. The N-Plants vibe in this particular track is the show-stopper. ReKaB was a new discovery for me this year, and the Móatún 7 label that homes this release, is a goldmine for electro-leaning music (even featuring a Yagya 10” recently). I think I played this ReKaB album front to back more than five times in the car one day. It's such an enjoyable listen - not too pretentious, just enough old-school vibe, and energy to keep things present as opposed to wallpaper. OK, a couple more records were not strictly new in 2022 but I've always debated including reissues in this mix, and finally come around to the idea given the proliferation recently. After all, there was never a Reflection on 1993 was there?! Spacetime Continuum and the always-on-point Musique Por La Danse label provide the 90's throwback. (The similar-era Detroit Escalator reissue would have also made it in here, but I had to stop somewhere). Daniel Avery's album is a monolith. Throwbacks to Aphex on a SAW tip, mixed in with wall-shuddering bass and cave-mentality breakdowns. Any electronic fan that spent time in a dimly lit rave is going to enjoy his latest, just as much as the IDM/Electronica fan in all of us. I'm not sure if the track in the mix is my fave of the album yet, but the bigger tracks on the album would have sent this mix into a whole new dimension. Seeing James Devane pop up this year was weird. Back in my blog days (they still exist today but this specific instance was 13 years ago), I uploaded a cover of Aphex Twin's Rhubarb by James Devane to Soundcloud to host on the blog (remember those days) - it has 26k plays and the majority of us I'm sure really had no idea who he was until this year. With just one prior release on Discogs, I thought he dropped off radar. I guess he kind of did. This album was therefore a surprise to see, and its Gas-like fringed-techno a pleasant reintroduction. Prior to Covid, I was due to DJ at an Astral Industries gig in London, and Transcendence Orchestra was on the bill for the second night I was there (when I'd get to relax and enjoy the full night!) It didn't happen, unfortunately, but I always keep an ear out for their output and regret not being able to see them live. Back to the mix though, I didn't go too hard on the modular synth-heavy tracks this year, but as with all Reflection mixes, I try and cover the variety of music I've been listening to. Whilst the full Transcendence Orchestra album ‘Dreams, Waking Thoughts and Incidents' is a dark trance-inducing affair that might have felt like a rabbit hole at this point in the mix, this track formed a nice segue into the next with a similar sound…This was the year Abul Mogard no longer hid behind his “old man steel factory worker” story and came out of the shadows on Houndstooth alongside COH (Gone is my idea for an “I AM THEREFORE I AM (ABUL MOGARD)” t-shirt). I've always wondered what Abul Mogard's (real name Guido Zen) music would sound like if you added some fizz and more obvious structure, and this track can still be found bouncing around in my head somewhere. Another track not ‘new' in 2022, but once again, there are no rules when you're documenting someone so profound. And to lose Low's Mimi Parker was a shock to everyone this year. I was late to the Low party given how long they have been around, but Mimi's vocals on this track from one of their most recent albums (Double Negative) are purely angelic. I took liberties with the layering in the mix here, respectfully, so I hope it pays off in the listen as a moment of true reflection. It's not often you get treated to some of this early 90's music for the very first time, but stumbling across Bowery Electric is like finding a long-lost favorite. Originally released in 1996, this is an example of why Kranky is so legendary all those years later, playing host to gems like this. Nosaj Thing isn't normally the type of music that stays in my periphery, but my colleagues were sharing the news of this new album, existing on the fringes of hip-hop and electronica, and when Julianna Barwick is involved, I tend to put it at the top of the pile. Whilst the beat closely reminded me of Massive Attack's Teardrop, there's no hiding the track's beauty in totality. Add to this, I took a friend to see Nosaj Thing at The Greek Theater in LA, and we drank way too many Caipirinha's before stumbling up the hill to the venue and missed Nosaj playing altogether… We did catch Toro Y Moi after though, so it's a perfect memory captured for 2022. I'm glad Synkro returned with music this year, and it's an amazing little EP on R&S to boot. Maybe even more atmospheric than his previous work, the beats are a little more smudged across this EP, but everything he touches has a considered, unique touch that can be heard strongly throughout his work and within collaborations (such as Kiyoko). There's a substantial amount of music to discover from Neglect on Bandcamp, someone I've admired from afar for a while now. This track, taken from his latest album is amongst a beautiful bunch of nostalgic electronica that cries quality. It's always hard to single out an Astral Industries release. The consistency of releases are faultless, so my shortlist this year with AI releases to include, was, well… not very short. Mystic AM, however, is the first release by Astral label boss Ario, alongside none other than Rod Modell, so it quickly became top of the pile by reason of a special moment in 2022, not least because of the beauty found in its original Iranian field recordings. Perhaps one of the most extensive releases of the year comes from the always intriguing Stroom label, and Voice Actor. 109 pieces of music and a surprising quality found throughout. It's more collage than music when listened to as one, but you'll find some lovely moments hidden amongst the 8(?) hours. “Will it be available on vinyl” I hear you jest? I've seen this popping up in lots of EOY lists already too. There's talk within my small circles that Music For Animals is Nils Frahm's best album yet. I'm not sticking by that just yet, as Spaces is probably in my top 10 of all time so far, but it certainly represents a stunning (d)evolution? Not a piano in sight you say? I immediately disbelieved it. But alas. It's like Nils kept getting put into Ambient playlists on Spotify and was like "OK, I'll give you what you really want…”.I'm not quite sure how I stumbled across Ben Bondy. I think a friend might've recommended an album of his (Hadi, was that you?!) but It was enough for me to stalk his many Bandcamp releases and find some lovey instances. This track reminds me of a classic chill-out room track in its swirling laid-back mystery and vocal. I wouldn't have come across the All India Radio track if it wasn't for the great compilation it was presented on this year by Mystic and Quantum (a label responsible for some lovely releases over the years). New to me, it looks like they have quite the discography I'm yet to dig into, but this was a lovely moment that flowed nicely after the previous. Time to do some digging.Concave Reflection (see Purelink reference above) is another artist in the fringes of my frequent listens but one I'm fully dipping my toes in right now. The full-length album 'The Best People Are Like Water' is a really interesting listen - kind of metallic, chopped-up ambiance that the Spheric label are becoming known for (and seems to be all the hype right now). Whilst the next track was originally from an album released a few years back, you've probably learned by now I'm bending the rules a little. However, this version of Hania Rani's track Leaving, is a live recording released in 2022. After watching her live performance on KEXP, (shout to Alex Ruder!) I was truly mind-blown at her talent. It's easy to make comparisons to Nils of course, but Hania has that vocal element which adds a whole new dimension. If I had to be pushed, my favorite non-ambient album this year might have come from Mike Paradinas / µ-Ziq. Magic Pony Ride is just pure fun. And you need that in your listening repertoire nowadays, right? The bank of melodies and creativity this guy has amassed over the years must be unbelievable. To think, only some of it makes itself out into the world as a record. He followed this album up with another similar stunner too - spoiled!I've already given Wardown his superlatives for the year in his isolatedmix feature, but in summary, Wardown II followed up his nostalgic DnB/Jungle debut under this alias in style. Will there be a third that can keep the standard this high??I could've launched into a complete Jungle/DnB hour at this point, but being 2hrs in, I really had to start winding this beast down and get all the end-of-the-night feels going. Bot1500's latest EP stepped in nicely here - a lovely collection of melodic IDM and the track Chartreuse 8 felt rather emotional. Royksopp really don't do things by halves, and whether the entirety of their music is enjoyed or not when it crosses into the Pop realm, they still manage to conjure up some magic moments. I wanted to try and include a track out of the 3(!) albums they released this year but really couldn't find one that fit outside of this weird sample here. It worked on a few levels for me here though, “Press R to continue” …Rose Riebl…With three compilations curated by Headphone Commute, the quality found amongst the ‘For Ukraine' comps should go down as monumental and unmissable. I knew I had to get a track in this mix from the many on display, and this one felt like a perfect near-conclusion to the mix. Don't miss out on supporting a great cause and listening to some of the best artists creating modern classical music right now. The final track of the mix comes from EXM. While I normally try and end these mixes with a closer that is potentially surprising or off-genre (maybe a glance at other weird music I listen to) this one just somehow felt right. Uplifting and melodic, you can't help but mirror its gradual progression with your volume-up button. ~The art for this mix might feel a little unflattering at first, but I wanted to capture the mass AI hysteria as part of this year's memory and mix. So, fittingly, this is what I got back with the creative input of ‘A Strangely Isolated Place'. Why so literal, bot?Tracklist + Buy Music Club:01. maarja nuut & ruum - Mahe (Fat Cat Records)02. Malibu - Iliad (UNO NYC)03. Ecovillage - Memories of Spring feat. Masayoshi Fujita (LAAPS)04. Raum - Daughter (Self)05. GiGi FM - Rosé (Louise) (Self)06. Romance & Dean Hurley - The Flesh Is Weak (Ecstatic)07. Fallen - Under A Glass Moon Of Wonder (Aural Canyon)08. Steve Roach - What Remains (Self)09. nthng - Some Clouds Are Destined To Break (Transatlantic)10. IKSRE - You Will Find (PITP)11. Norm Chambers - Resonant Foam (Self)12. Purelink - Butterfly Jam (uWu Dust Bath)13. Mikkel Rev - Ende (Translusid)14. Biosphere - Night Shift (Biophon Records)15. ReKaB - The Lightest Touch (Móatún 7)16. Spacetime Continuum - Drift (Musique Pour La Danse)17. Daniel Avery - Lone Swordsman (Mute)18. James Devane - Orange and Tan (Umeboshi)19. Transcendence Orchestra - The Hills Are Alive (Old Technology)20. COH meets Abul Mogard - Traverse Within (Houndstooth)21. Low - Fly (Subpop)22. Bowery Electric - Postscript (Kranky)23. Nosaj Thing feat. Julianna Barwick - Blue Hour (Lucky Me)24. Synkro - Last Breath (R&S Records)25. Neglect - In The Bondage of Your Identity (Unsilent Desert Press)26. Mystic AM - This Spoke Zarathustra (Astral Industries)27. Voice Actor - Hurt With Me (STROOM)28. Nils Frahm - Right Right Right (Leiter)29. Ben Bondy - Spring (Self)30. All India Radio - Ancient Invocations (Mystic & Quantum)31. Concave Reflection -Daylight Portrait (Theory Therapy)32. Hania Rani - Leaving (Live from Studio S2) (Gondwana)33. µ-Ziq - Turquoise Hyperfizz (Planet Mu)34. Wardown - Stimulus Progression Pattern (Blu Mar Ten)35. Bot1500 - Chartreuse 8 (Lith Dolina)36. Royksopp - Press (Self)37. Rose Riebl - Near Dark (Headphone Commute)38. EXM - Autumn is Coming (Dyadik) ~Buy Music Club list >>

This week on Apple Juice For 2 the boys convene in the late dark hours of night time to bring you truly astonishing entertainment. First Cam presents some wacky and sad stuff he's seen on social media recently, and also reveals an Aphex Twin Easter egg with science. But that's just getting started. Isaiah presents his least favorite and most repulsive side of the food related TikTok trends. Also the boys reopen the case of the Corn Kid for an incredibly important development. Thanks for listening!! Instagram - https://www.instagram.com/ajf2.podcast/ TikTok - https://vm.tiktok.com/TTPdjVG1wj/ Spotify - https://open.spotify.com/show/6M4bUEaiwQsODfTPrKhKmb?si=21925be462684310 Apple Podcasts - https://podcasts.apple.com/us/podcast/apple-juice-for-2/id1560069051 Amazon Podcasts - https://music.amazon.com/podcasts/4cf44b69-8d81-4581-8333-8f98f1bcee7f/apple-juice-for-2 MERCH - https://www.sunroomstudiosllc.com/merch About Us - https://www.sunroomstudiosllc.com/apple-juice-for-2

In this episode, Dale speaks with Jason Lancini about why construction software sucks! Jason chooses a very provocative title to make his case for user-centric software development in construction project management. Jason is COO and leads the product team and operations at Aphex. As a former construction project manager and engineer, and a former, former construction labourer he is passionate about building construction software that is actually great to use for the end user. The main topics we discussed on the podcast were as follows: Software should be able to help us churn information faster, pull information together quicker and turning data into meaningful information that can be used to make decisions Software is usually procured top down which means it is mandated on end users rather than being tailored to their needs The best time to try new software is at the start of a project when the procedural documents are being written Planning software may have the official project plan but it may not have all the unofficial plans e.g. the engineering lookahead. Consider if you are seeing the full picture Augmented Reality / Virtual Reality is more likely to be adopted on consumer products before it is used on construction products Tune in next time when we're joined by Alan Mosca to discuss whether AI & Machine Learning really makes a difference? For more information, blogs or to support our charities visit www.projectchatterpodcast.com If you'd like to sponsor the podcast get in touch via our website. You can also leave us a voice message via our anchor page and let us know if there's something or someone specific that you would like on the podcast. Proudly sponsored by: JustDo - https://www.justdo.com/ InEight - https://ineight.com/ Stay safe, be disruptive and have fun doing it! #ProjectManagementSoftware #Planning #ProjectControls --- Send in a voice message: https://anchor.fm/project-chatter-podcast/message

The Rodecaster Pro II is the new device from Rode. Today I compare it to the Rodecaster Pro I along with some other devices. This device is $700 and (IMHO) not for someone who is just doing some casual interviews via zoom. Feel free to follow/subscribe, and check out any of the other 833 episodes I have.  SPONSOR: Focusrite The Vocaster Series Made For Podcasters AutoGain - Easily set your levels with the click of a button, with more than enough gain on tap (70dB) – no booster is needed Enhance - Four podcaster-approved voice presets bring out the best in any voice Mute - Silence the mic with the touch of a button - don't let unexpected interruptions get in the way of recording Connect your phone - Record phone calls, high-quality music, or other audio from your device, seamlessly  Record to a camera - Plug in your camera and record directly to its memory card  Loopback - Stream calls or any other audio you can think of from your computer with two sets of stereo loopback Included software - Hindenburg Lite to record, three months of SquadCast Pro + Video to bring in your guests, and six months of Acast Influencer to publish, you're ready to get your show out there Learn more at: Focusrite.com/Vocaster  Things I Like About the Rodcaster II It is an interface, recorder, headphone amplifier, and jingle palet all on one They make updating the firmware (and there WILL BE UPDATEs) INSANELY Easy. Super QUiet Preamps Automatic Monitor Muting Smartpads now play sounds, control midi devices, and add effects Only record the channels you need (FINALLY!) No More Polywave Ability to put the unit on a stand and get it off your desk USB C Electric input which makes it easy to run on batteries. Flexible input assignments and color coding In addition to Aphex processing, new 3-band EQ THINGS THAT ANNOY ME Multiple outputs are confusing and seem to change without me doing anything. I need the ability to turn on and off mix-minus. This is available on USB2, but if I am using (only) that option when I fire up the software on my computer, it won't connect to the unit because I'm not on USB 1. If I want to tie this into my DAW, tracks 1 and 2 are the stereo mix. This means my first slider is #3. The fader features fades out for X amount of seconds and keeps everything faded out. After the X amount of time it should unfade everything. This is an easy one to trip over. Set the Lights Brightness level sounds great, but I couldn't tell a channel was muted because the lights were so dim. This is (again) operator error, but frustrating. Loss of count down number is replaced with a pie chart. Those with older eyesight prefer large numbers.  I am required to take the cover off to turn the unit off. I use to be able to press the on off button twice and leave the cover on. Loss way to have a CONNECTED phone call. ON the ROdecaster 1, I could plug in a TRRS cable and the phone did everything like usual. Now if I want to make a phone call, I HAVE to use Bluetooth. When I plugged in the SC19 cable, the Rodecaster rebooted and the sound out of my phone was unusable. I was somewhat bummed after spending $30 on a cable, that I can't use it to make phone calls on my podcast without using Bluetooth. I need to remember to turn off Bluetooth on the unit as my phone keeps connecting to it.  Comparing it to Some of the Competition Zoom Podtrak P4 I refer to this as the swiss army of podcasting. It does everything. It is an interface and a recorder, headphone amp, and jingle player, and it comes in at $200ish. Yes the preamps won't be as steller, but as you heard today the hiss is minimal in some cases.  Focusrite Vocaster This unit is NOT a recorder, but setting it up and recording into software is super easy. You can send the main outs to a recorder, connect via blue tooth or WIRED TRRS cable. The "2" has blue tooth and output to go to your camera. This one wins the "I need something easy" conversation. Rodecaster Pro II This is for live streamers who want that audio processing to go out on the video as they record it (no post-production). They want to play sounds/music and have flexible configurations. Final Thoughts While the Rodecaster Pro II currently drives me a little nuts, I'm not worried. Rod has done a great job communicating with their users and has already made videos on future updates (to calm any fears). So while this current unit has me scratching my head, Rode has demonstrated they listen (the stand attachment on the back of the unit screams "We heard you want your desk back").  Don't Buy This If Nobody is telling you your podcast sounds bad You think this will solve plosives (it won't that is mic technique) "I don't know, it sounds cool" (unless you have $700 in your couch cushion).  You think this will help you grow your audience (again unless you have REALLY bad audio, it's the CONTENT that helps grow the audience).  Join the School of Podcasting When you join the School of Podcasting you can quit worrying about: Are people going to listen to me? (Yes, cause I'll show you how to see what they want). Am I going to sound stupid? (No, as I'll show you the magic of editing) It will cost a million dollars (No, I'll have you sounding like a million bucks without spending a million bucks).  I don't anything about this technology (You said the same thing about driving).  Get access to: Step-by-step tutorials, live group coaching, a mastermind group filled with brilliant podcasting minds,  and the ability (via a free app) to text me, send me video, audio, etc. It's unlimited time-shifted one-on-one consulting. It's like having a podcast consultant in your pocket. Still unsure? The membership comes with a 30-day money-back guarantee  Go to www.schoolofpodcasting.com/start Mentioned In This Episode Rode Rodecaster Pro II Rode Rodecaster Pro I Zoom Podtrak P4 Focsurite Vocaster Sweet Water Podcast Equipment Rode SC-15 Cable School of Podcasting Podcast Studio Pro This is episode 834 which originates at www.schoolofpodcasting.com/834

Dear Richard D. James, Thanks for all the nightmares. Here is a bedroom beat inspired by the goodness of Aphex Twin. Yours, LMSolfeggio

Content is a word that gets thrown around a lot, and the truth is, today it is easier than ever before to create content. A big reason for that is thanks to companies such as Røde Microphones, which create budget-minded products that constantly push the industry forward. For Røde, innovation is the name of the game and no one knows that better than Damien Wilson, the CEO of Røde Microphones. Damien has been with the company since its early days, growing into his leadership role and scaling the business in a rapid timeframe. But even for him, despite the success, the last decade has been a wild ride.“I'm a kid from the Western suburbs, which is not necessarily a nice area and I never thought I'd be sitting in New York doing business, or sitting on a couch with Guns and Roses. When I walk into Guitar Center on Sunset Boulevard and I see a Røde product, I get excited because I listened to that music of the eighties where Sunset Boulevard was the place to be.”The transformation of the audio industry has been accelerated because of the way companies such as Rode have democratized audio equipment. It no longer takes a fortune and an entire studio build-out, to get professional-sounding content. On Marketing Trends, Damien took me through how Rode has muscled it to the top to compete with legacy brands within the space. He also touches on the unique hiring challenges that Røde has been facing in Australia during the past 18 months, and how the company has been able to pivot through innovating in their use of manufacturing equipment. He also discusses how Røde handles customer feedback to ideate its product line, and how influencers can push your products further. I'm excited for you to enjoy and hopefully learn from this conversation with Damien up next on Marketing Trends. Main TakeawaysThe Secret Sauce: Innovating with Product Manufacturing Equipment: More than ever, supply chain management and sourcing are critical to the success of any business that sells products. Finding the best, most cost-effective tools to build your products might not be created for your industry. You may have to think creatively about what other industries use similar manufacturing equipment that can be modified to build your goods.It Takes Educational Background to Create Great Content: Having an education-focused mindset is a foundational part of good content creation. When you create materials that educate the consumer on products, even if they are not your own, you're building trust with the consumer. This kind of content helps build a community which helps to further push consumers down the funnel.Where to Look for New Product Inspiration: Assess all the other products, aside from your own, that your customer also uses to see where to expand product offerings. Other tools and tech they use to create their finished product could also be an area for you to cross over into. Key Quotes“One of the things that I brought immediately to the company was that style of video-based education, style marketing. Because one of the things that I thought was the big problem with audio brands, especially anything music-related, you needed to sort of teach people how to use the product and that gave them the ability to purchase.”“We have a machine that is specked for making parts for watches. Every high-end Swiss watch manufacturer will have one of these machines. It's the same machine made by Citizen, but we use it to make backplates for the microphones because the precision and the tolerance is so insane. They're making a hundred thousand dollar Rolex's, but this is for a $200 microphone. Other mic manufacturers are not thinking in that regard; they're not thinking about how we can take that machine out of that industry, put it into our version and then create a product around it. That's really the secret sauce.” “One of the things that we did a few years ago was look at our ERP system and look at how we were running the business end-to-end, and sit there and go, ‘Okay, what are the improvements? What process improvements do we need to put in place right now?' And before we didn't have a mature supply chain team in house, but we grew that super quick. And it was just at the right time, because then COVID hit [and] we started to see some interruption in supply chains. We had the ability to be able to pivot into making things that were completely available to us onshore in Australia. That meant you needed to have the right amount of raw material and all those bits and pieces, which was a testament to the supply chain team getting an AI pay system up and running quickly.”“What we're looking at now is adjacencies that we can move into. We look at our customer and say, ‘What is our customer's workflow? What are they doing?' They're podcasters; they're content creators. ‘What sort of equipment are they using?' Oh, they're wearing headphones, and those headphones don't say Røde. So maybe we need to work into that adjacency.” “Where Røde has risen to the top in terms of customer sentiment has been the fact that we deliver a product and we keep on enhancing it. And it becomes a schedule of, every three months, let's add something else to this particular product. So the customer goes, ‘Wow, you've done it again.' And it also shows that we're listening to feedback.”“I'm a kid from the Western suburbs, which is not necessarily a nice area and I never thought I'd be sitting in New York doing business, or sitting on a couch with Guns and Roses. When I walk into Guitar Center on Sunset Boulevard and I see a Røde product, I get excited because I listened to that music of the eighties where Sunset Boulevard was the place to be.”“When you get big it's like the mistakes are just amplified, right? In the past, if we made a mistake in a launch and maybe there was a component wrong, or the testing was incorrect, you may be thinking about 5,000 units. Now you're talking about, you know, 500,000. We can't afford that. So we need to have everything upstream and downstream sorted. So we know that we're not going to replicate any of those issues.”BioDamien Wilson is the CEO of The Freedman Group, home to RØDE Microphones, Aphex, Event Electronics, and SoundField. He is a multi-talented senior executive with over 25 years' experience in advertising, sales, marketing, and business development.  Prior to the Freedman Group, Wilson was Creative Director of boutique advertising agencies The Shop and Peer Group. He joined the Freedman Electronics/RØDE team in 2007 as Marketing Manager and within a year was made Global Sales and Marketing Director. He acted as General Manager of RØDE Microphones, LLC in the USA until 2013 before returning home to Australia as the new CEO of the Freedman Group in 2016.---Marketing Trends podcast is brought to you by Salesforce. Discover marketing built on the world's number one CRM: Salesforce. Put your customer at the center of every interaction. Automate engagement with each customer. And build your marketing strategy around the entire customer journey. Salesforce. We bring marketing and engagement together. Learn more at salesforce.com/marketing.

In this episode of See Through Design we Interview Paul Nicholson aka Number 3. Paul has worked with brands such as Manga, Ministry of Sound, Orbital, Aphex Twin and Skrillex to name but a few! We discuss his background, process, idea generation and lots more! https://see-through-design.simplecast.com/episodes/paul-nicholson-graphic-design-for-the-music-industry

Welcome to Episode 9 of The Truth About Recording & Mixing. This week we take on the topic of impedances and interconnecting all the different formats of gear one finds in the recording studio. Ed Brooks of Resonant Mastering walks us through the different categories of gear, how their impedances and levels differ and how we most successfully interconnect them. We also get a visit from electronics engineer and Spectra Sonics wiz Timothy Herzog who explains the design parameters and uses of his 3301 Hi Impedance Instrument Amplifier.  03:15 - Welcome back Ed Brooks!05:30 - Let's start with speaker connectors08:30 - Instrument Cable! Wait - what is Impedance and how circuit designers moved from impedance matching to voltage matching.15:30 Instrument & high impedance unbalanced connections.19:30 How does a balanced connection work?27:15 What about RCA or other unbalanced connections?30:00 Back to instruments and hi impedance sources.35:00 How do we get a balanced mic level source into an instrument input?39:00 Instrument cable capacitance and what happens with long cable runs.41:35 Timothy Herzog describes his instrument preamp / buffer pedal.52:30 Connecting +4 balanced sources with instrument level devices - i.e. Reamping.58:00 What about connecting balanced and unbalanced sources?01:05:20 UAD Unison Mic Pre's - impedance switching? 01:06:15 Listener question about how to measure impedance01:08:50 What about the impedance switches on some mic preamps?01:11:30 How to get mic level signal off of a speaker out.01:14:30 Using headphones or a speaker as a microphone. NS10 kick drum mic! Our sponsor for this episode is iZotope. Submit your questions for Johnny by sending us a voice memo or email to podcast@fretboardjournal.com. The Truth About Recording & Mixing is a bi-weekly podcast produced by the Fretboard Journal magazine, loosely based on our Truth About Vintage Amps Q&A podcast. www.johnnysangster.com www.cracklepopstudio.com www.fretboardjournal.com www.instagram.com/recordingpodcast/ Gear mentioned: Mic to Instrument Impedance transformer, Herzog Electronics 3301 Hi Impedance Instrument Amplifier, Epiphone Firebird, Rickenbacher guitars, Telecaster, Radial Reamper, Aphex 124, Radial J+4 2 Channel Signal Level Transformers, Cloud Lifter preamplifier, Universal Audio OX, Hughes & Kettner Red Box, NS10 Kick Mic, The transformerless SM57!

Inventor and engineer David Weaver started out at Kodak some 40 years ago cleaning optical equipment by hand. Today, he's at the helm of his own eco-friendly cleaning product company — Aphex BioCleanse Systems. Its water-based active ingredient, Hy-IQ Water, contains no phosphates, surfactants, toxins or pesticides... it's just water. And it kills bacteria quicker without polluting our waters or hurting aquatic plants and animals. How? Hydrogen ions traveling at the speed of light; they breach the cell walls of exoskeleton germs, and — so far — have proven more effective in killing pathogens than alcohol-based solutions. Aphex's method can be used in various products: hand sanitizers, produce cleansers and hard-surface disinfectants. You can also use it in swimming pools instead of chlorine tablets. It's even safe for human consumption! (David proves it). Tune in as Tony Noto and Jonas Donnenfield get a physics lesson they'll never forget.

Featuring tracks from Fatum, Tale Of Us, Rafael Osmo, Sunny Lax, Activa & Shannon Hurley, Alan Morris, Cold Blue, Paul Denton, Jak Aggas, Aphex Twin, Alex Di Stefano, Tasso, Zach Zlov, Smith & Pledger and many more. Visit www.albatrancesessions.com for full tracklistings.

Mantis Radio 329 + Warcrimes Introducing US industrial duo Warcrimes, this week's guests. Their showcase is nestled alongside a selection of electro, IDM, and high tempo breakbeat that includes tracks by Acre Recordings and C Mantle, an Aphex alias, Qnete, Arno Vancolen and Bryan Chapman, Madonna, SWARMM, w/ some darkside heaviness from PRSPCT Recordings, Agressor Bunx, DJ Hidden, and Current Value. playlist → show archives. support the show, get exclusive content → become a patron.

The Rodecaster Pro is used and beloved by some of the podcasters out there. It’s a mixer and so much more. But can it be used for live streaming? In this episode, Ian goes through the pros and cons and the best settings of the Rodecaster Pro for live streaming. The Rodecaster Pro allows you to bring in extra sounds and music on to your live streams with the sound buttons, and from your smartphone. It has Aphex effects to make your voice sound amazing. It’s also a mixer, with 4 microphone inputs. It’s perfect for live podcasting and perfect for live streaming. It’s not cheap though. So is it the best gear for all? Let’s find out! Download my live video confidence guide and get notified when I next go live → https://confident.live/subscribe (https://confident.live/subscribe) (

Kieran Hebden is one of the most uniquely talented UK electronic artists working today. He's produced a wonderful stack of LPS and a remixed some of the best, from Aphex to Radiohead to Jamie Lidell. He's walked an unconventional path but the seemingly strange choices of gear and methods he's landed on are all very much considered. He is literally building a physical line of records that will stand as his legacy and that's at the forefront of his thinking. There's this drive to be finishing music and finding ways to keep inspired and making the whole thing feel free and live. He finds an amazing balance in his work between meticulousness and chaos. The collaborations with Jazz legend Steve Reid in particular showed how live electronics could be just that. LIVE! Messy, ever changing and satisfyingly intense. Unsurprisingly, he works best outside the traditional music making spaces, favouring his home and small, manageable setups over the monster rooms. Minimal amount of gear but huge amounts of vinyl!!!! We toured the states in 2005. I was opening for Kieran and it was a hell of a run. I've very fond memories of that time. He's a super smart and warm man that is the only person I know that plays cool edit like a violin. Please welcome onto hanging out with audiophiles Four Tet! ______________ Music on the show comes from Colin Fry. Find his music here. Kams on Metr music. Find the goodies here! METR MUSIC Website  |  Soundcloud  |  Bandcamp ______________ In the nitty I delve in the beautifully noisy needlescape that can be made with the Gakken toy record maker ! Lots of fun but I fried mine somehow though power issues. This nitty was the last time it shall be heard. Shame. I was just getting the hang of it. Here's a link if you fancy building one (instructions in Japanese ______________ Special thanks to Jake Aron for this tremendous help getting the interview sounding good and building a new vocal chain. I love the changes. Love Jake! If you need mix/production work he's your guy. So talented and great to work with Find him here jakearon.net ______________ Thank you also to the show sponsors Spectrasonics Makers of SERIOUS soft synth magic! Check them out! https://www.spectrasonics.net Check these ace YouTube sessions to see the quality and the sheer playing! It's wild KEYSCAPE TRILIAN 1.5 So good! HAPPY HOLS TO ALL OF YOU!!    

Velvets to Bowie to Aphex to Hecker To Etherea and Beyond is a cross-genre radio show, showcasing music with ethereal, atmospheric, and often sublime qualities. The show aims to calm and thrill the listener in equal measure, whilst enjoying some well known and perhaps less familiar music. If you are a fan of tones, drones, tremolos, and soaring guitars, this show is for you. With a life long love of atmospheric and ethereal music, Simon presents the ‘To Etherea and Beyond' show. From psychedelic pop songs, through minimal electronica, to soaring film scores, it's all in there. Not restricted by genres, he showcases beautiful music to new and familiar ears. This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

David Weaver, CEO of Aphex™ BioCleanse Systems, Inc. discusses the world’s first proprietary non-alcohol, non-toxic, and hydrogen-based cleaning technology. The technology, called Hy-IQ® Water, has a unique method of action that uses hydrogen ions traveling at nearly the speed of light to breach the cell walls of exoskeleton germs. The company has filed to be the first FDA cleared non-alcohol hand sanitizer. Aphex has created other products that are safe for pets, can be used on vegetables and fruits, and in industrial and clinical settings. David Weaver holds over 40 years of experience in engineering and design and is responsible for the creation of much of Aphex’s proprietary formulas. Previously, he spent over two decades as an optical engineer for Eastman Kodak, where he earned a name for himself by streamlining the company’s technology and operations, training its team around the world and innovating for the photography industry. Following his role with Eastman Kodak, Weaver went on to found his own digital camera company, where he led the company to sell over $100 million within the first year through his innovations. He also helped Motorola launch the first-ever camera phone. At Aphex, Weaver brings his innovative mindset, passion for disrupting the status quo and entrepreneurial spirit to the team.

Chiacchierata libera e semi-delirante sul concetto di "realtà simulata" e tre film che lo affrontano in modi differenti: "Matrix" (Wachowskis, 1999), "eXistenZ" (D. Cronenberg, 1999) e "Tag" (S. Sono, 2015). Partiamo dal Simulation Argument del filosofo Nick Bostrom, una versione "tecnologica" del paradosso scettico, secondo il quale è probabile che viviamo in una realtà simulata da un super-computer, e esploriamo le implicazioni che i tre film rappresentano, in merito a distinzione tra reale e virtuale ed estetica videoludica. Bibliografia: Sul paradosso scettico: A. Coliva, "Scetticismo. Dubbio paradosso conoscenza", Laterza, 2012 D. Sgaravatti, "Paradossi scettici" in APheX, 7/2013 Trilemma di Bostrom: N. Bostrom, "Are you living in a computer simulation?", Philosophical Quarterly (2003) Vol. 53 No. 211, pp. 243-255 J. Birch, "On the Simulation Argument and Selective Scepticism", Erkenntnis, 78(1), 95–107 Sui temi filosofici di Matrix: Diocaretz and Herbrechter, "Matrix in the theory", Rodopi, 2006 Partecipanti: Dario Denta Simone Malaspina Logo creato da: Massimo Valenti Sigla e post-produzione a cura di: Alessandro Valenti Per il jingle della sigla si ringraziano: Alessandro Corti e Gianluca Nardo

Your Podcast is A Steam Train I often say that when you start out, your show is rolling slow. As it keeps moving, it gets faster and faster. It just takes time, consistency (of schedule, and value). Kim Krajci of Toastmasters 101 pointed me toward this YouTube video from Box Angeles. This video shows Mellisa Hunter who has a hilarious series of Adult Wednesday Adams and how one video in that series went viral and her back episodes starting taking off with the original video.  More Cool Podcast Gear For Podcasters One of the great things about podcasting getting more and more popular, is more and more products are coming to the marketing Specifically for podcasters. Zoom Recently came out with the Podtrak P4 (for me this is THE go-to piece of equipment). Now they've come out with the Podtrak P8 which is a direct competitor of the Rodecaster Pro from Rode. Neither one of these units is a bad purchase. They both make it easier to create great sounding podcasts. Who Is This For? The Zoom Podtrak P8 (and the Rodecaster Pro) allow you to: Record up to six people in the same room. Report a remote interview via SB Connect and record a smartphone Play live sounds via touch buttons. Comparing Different Features of the Units. For me, I am always connected to my computer via a USB cable. This is for zoom calls, or recording directing into software. Keep this in mind when I talk about different tests. I do one live show on Saturday morning where I record to the internal card, or if I'm doing an interview (I use it as a back up).  Power Both the Zoom and Rode can be operated via batteries (The Rodecaster has an optional DC-USB-1 cable that enables you to plug in a USB battery). The Zoom P8 uses double-A batteries or can be powered via a USB cable. So with the Rode, you will have a USB and a power cable. With the Zoom P8, you can power it with just your USB cable. Advantage Zoom P8 Price The Rodecaster Pro currently lists for $599. USB Power Cable for RODECaster Pro $20 Total: $619 The Zoom P8 is listing for $499. Zoom BTA-2 Bluetooth Adapter $49 Total: $548 Advantage Zoom P8 Input Channels ZOOM P8 This is an interesting one, as the Zoom P8 has six XLR inputs. It has a dedicated channel to the phone input. This means you have a total of seven inputs. The USB interface on the zoom is used in place of one of the XLR inputs. You could have five XLR inputs, one USB, and One phone. Rodcaster Pro The rodecaster pro has four XLR inputs. Then it has a dedicated channel for a phone. It has a dedicated channel for the USB interface. It has another channel for Bluetooth. This means you have a total of seven inputs. You could have four XLR, one USB, One Phone and one bluetooth. Comments: The blue tooth is built into the Rodecaster, and the P8 has the ability to have one more XLR input. Advantage? Tie. Number of Outputs The Zoom has six headphone outputs, and a stereo output. The Rodecaster has four headphone outputs and a stereo output. The plugs are on the back of the Rodecaster where the inputs on the Zoom are on the face. Advantage: Zoom. Marker Feature Both units have the ability to add markers. Advantage? Tie Normalization While there is no normalization in the hardware of the Rodecaster, using the additional software on your computer you can have the files normalized with multiple settings with presets for Apple, Audible. The P8 has a normalizing feature built into the unit. There are no details on if this is peak normalization or loudness normalization. It appeared to be peak. Advantage Rodecaster Recording Mode Both units provide each individual tracks along with a stereo mixdown of the whole recording. The Rodecaster provides the ability to turn off the individual track recording and just provide the stereo mixdown. This enables you to not have a ton of extra tracks when you don't want them, which doesn't take up as much storage on your storage card. Advantage: Rodecaster Effects Both units provide effects for each track. Zoom P8: The Zoom provides bass and treble controls. It was one combination compressor/De-esser. There is also a limiter and low cut. Rodecaster: Each track has Aphex effects built-in. This includes a de-esser, compressor, big bottom (bass), and aurel exciter (treble), high pass filter (low cut), reverb, and what my favorite feature - a noise gate. Neither unit provides the full slate of effects to the USB channel (which is frustrating). Advantage: Rodecaster (by far much more control). File Management Zoom: The zoom uses an SD Card and allows you to delete and rename files on the unit. Both units have a card slot on the back of the unit. The Rodecaster uses a microSD card. In my case, I have to put the microSD card into an adapter to insert it into my computer. Advantage (due to ease of use): Zoom P8 Sample Rate The Rodecaster Pro has a sample rate of 48 khz The Zoom P8 has a sample rate of 44.1kHz For me, this is no big deal, but if you're doing video it probably is (video people love a sample rate of 48 khz) Advantage: Rodecaster Transfer Speed I took a wave file and put it on both cards. It was 557M and then copied and pasted it to my computer. The Rodecaster tool one minute 14 seconds, the Zoom P8 took one minute two seconds so it appears to be slightly faster. One thing I do like more on the Zoom is when you put it into transfer mode, it doesn't make you confirm. I do not understand this on the Rodecaster as you have to somewhat hunt to get to it, so why do I have to confirm it (both on and off). Advantage: Zoom P8 PreAmps The specs show that: Rodecaster: 0dB – 55dB Zoom P8: 0 – +70 dB I recorded on both units and found the difference in noise was almost nonexistent. If you have to listen that hard to see if there is noise, you're fine. Advantage: Footprint (Dimensions) Rodecaster Pro: 350 x 275 x 82 mm (13.8 X 10.8 X 3.2 inches) Zoom P8: 295 × 248  × 61 mm  MM ( 11.6 X 9.7 X 2.4 inches) The big difference here is the XLR inputs are on the face of the Zoom P8 and on the back of the Roadcaster. This extends the height to by 2.5" (64 mm). Likewise all the headphone/output jacks also on the back s0 the Rodecaster does take up more space on my desk. Sound Pads With the Rodecaster you have to use the free additional software to bring your files on to the Rodecaster. With the Zoom P8 you can drag them on to the card and bring them into the unit. It even converts the files if needed. The Zoom had 9 pads where the Rodecaster has 8. Both allow you to scroll through the screen to switch between multiple pages. Advantage: Zoom P8 Quality of Outputs/Headphones In going back and forth between the two units, I did notice more noise in the headphones when using the Zoom P8. This noise wasn't on the recording, but a bit of a bummer when what you're hearing is not what you're recording. Advantage Rodcaster Noise Gate Vs Noise Reduction One of the KEY features of the Rodecaster is the ability to add a noise gate to channels (sadly not the USB). The Zoom has a feature called, "Noise Reduction" When multiple mics are being used to record sound, the noise reduction function of the P8 suppresses background noise to a constant level by automatically reducing the levels of the mic inputs not being used by people. Sadly, I tried to test this, but living alone, I couldn't really put the Noise Reduction into practice and Zoom doesn't talk about it much in their videos. Advantage: Rodecaster (as a gate is better than reduction) Mic Modeling This is a feature only available on the Rodcaster. For example, you can use presets for the Rode Podmic, EV RE20, and with a push of a button, your channel is set to your microphone (video). Combining Files / Editing You can combine files into one, you can trim files, add fade-ins and out. (Basic editing without a computer). This is only available on the Zoom P8 Summary: When you look at the features I covered: Power: Zoom P8 Price: Zoom P8 Input Channels: Tie Number of Outputs: Zoom P8 Quality of Outputs: Rodecaster Marker: Tie Normalization: Rodecaster Recording Mode: Rodecaster Effects: Rodecaster File Management: Zoom P8 Sample Rate: Rodecaster Transfer Speed: Zoom P8 PreAmps: Zoom P8 Sound Pads: Zoom P8 Noise Gate/Reduction: Rodecaster Mic Modeling: Rodecaster Combining/Editing: Zoom P8 There are 17 items and the Zoom Podtrak P8 had eight of these, with two ties and the Rodecaster having an advantage in seven of them. You can see that its very close, but for some, they may argue as the areas where the Rodecaster comes out on top is on boosting the sound (the Aphex Processing) and in that area, the Rodecaster is much better. HOWEVER, keep in mind that you can use something like the Schepps Omni Channel plugin on sale for $69 (and sometimes even less) and you can all this processing in post-production. So Again, It Depends So if you're doing a ton of live streaming, you may want the extra processing (and noise gate) to keep things sounding great as you go live. However, if you have large fingers and hate having to take out that tiny MicroSD card and having to deal with adapters and confirmation prompts, the ease of use of the Zoom Podtrack P8 may provide you a better experience than the Rodecaster. Conclusion: As I said at the beginning if you are having (Let's pretend there is no COVID) multiple people in the studio with you, both of these machines make it easy. The P8 gives you two more mic inputs (which, for me is a lot of guests for one podcast). If you like ease of use, and are not going to obsess about your sound then the Zoom P8 is a good fit for you. If you don't mind having to do a bit more searching through menus to find what you are looking for (to enable you to sound better) then the Rodecaster might be the way to go. Mentioned In This Episode Join the School of Podcasting Rodcaster Pro from Rode Zoom Podtrak P8 Zoom Podtrak P4 Electrovoice RE20

Böker Plus ist ja bekannt für gute Messer von bekannten Designern zu einen fairen Preis. Was ist anders beim Böker Plus Aphex und warum hat es zum ersten Mal ein Böker Plus Modell auf das Titel Cover des Böker Katalogs geschafft?

The Zoom Podtrack P4 is coming out next month (from what I hear) and this appears to be a game-changer for those podcasting on a budget. Here are some of the features of the Zoom Podtrack P4: Zoom Podtrack P4 Podcast Recorder Four mic inputs with XLR connectors Four headphone outputs with individual volume control Gain control knobs and mute buttons for each input Phantom power for all XLR inputs Automatically prevent feedback from call audio using the Mix-Minus function Easily connect your phone using the TRRS connection Trigger sound effects using four assignable Sound Pads with 11preset sounds All input sources can be recorded on separate tracks 16-bit /44.1kHz audio WAV Records directly to SD, SDHC and SDXC cards up to 512 GB 2-input, 2-output USB audio interface Class-compliant mode for iOS compatibility Up to four hours of use with just two AA batteries or a USB power supply Can be powered via 2 AA Batteries Can be powered via USB or Zoom AD-17 AC Adapter Comparing the Podtrack P4 to the Rodecaster Pro Zoom P4 VS Rodercaster Pro Zoom Podtrack P4 Manual (pdf), Price: Zoom Podtrack P4 is $199 Rodecaster is $599 Audio Processing: The Rodecaster has built-in APHEX audio processing and mic modeling. There is a "big bottom," an aural exciter, a compressor, and noise gate. The P4 has a low cut (to cut out unnecessary frequencies) and a limiter (to make sure you don't peak and distort). ThePodtrack P4 does have very powerful preamps that are very quiet. The Rodecaster also features a built-in ducking option so if the host is in channel 1, and someone tries to talk at the same time this feature (which can be turned on and off) will ensure the host (mic 1) is heard. Sound Pads: The Rodecaster has 8 pads for sound effects vs the 4 on the P4. If you're doing things live and want the ability to play sounds with a press of a button. As both the Rodecaster and the P4 have the ability to plug a phone in and you could use an app like Backpack studio which enables you to have a ton of sound pads. Slider Vs Knobs The Rodecaster has sliders vs the knobs on the P4 Storage: The P4 has a SD card, the Rodecaster has a micro SD Card. On their website, the Rodecaster mentions Micro SD up to 256 Gigs. The Podtrack P4 mentions card up to 512 Gigs. Both of those sizes are huge. Bluetooth: The Rodecaster has built-in Blue Tooth, the P4 has an optional BTA-2 Bluetooth option ($49) Recording Sample Rate: The Rodecaster records in 48khz/24-bit, the P4 is 44.1khz/16 bit. While I don't feel this makes that much of a difference (as in the end your podcast is listened to in earbuds, car speakers, and portable speakers). However, if you're doing anything with video, your video editor will be happy you have the ability to record in 48khz. Number of Tracks: The Rodecaster can record up to 8 tracks, the P4 records up to 4 Both units provide a stereo mixdown, and in addition to the mic inputs, they provide tracks for the pads. The Rodecaster has the ability to turn off the multi-track recording. Recording Into Your Computer Both send a stereo mix to the computer (great for live streaming), but the Rodecaster can also send map individual tracks to channels. Interface The Rodecaster has a touch screen. The P4 has a simple to use menu system. Markers The Rodecaster has the ability to add markers (which can be very useful for editing) While other room recorders have this feature the P4 does not ) Outputs The Rodecaster has 4 headphones out in addition to a stereo out. The Zoom P4 has four headphones out. Footprint:The Rodecaster is 14" X 11" the P4  4.1" X6.1.' This might be important for those with smaller desktops. The P4 is  1/4th smaller than the Rodecaster. For my friends across the pond the Rodecaster is 350 mm x 275 mm the Podtrack P4 is 112 mm x 155 mm Warranty: RodecasterPro: Limited 1-Year Warranty with 1 Additional Year upon Registration. (source BNH). Podtrack P4: Limited 1-Year Warranty (source BNH). If you're looking for a great sounding unit, and never need to record more than four sources, this is a great unit. Audio snobs will complain about the lack of ability to record in 48khz/24hz but 44.1/16 will be fine for something that is heard in-car speakers and earbuds. Some will complain about sliders vs knobs. The knobs help cut the footprint which gives you your desk back. If you want to achieve the tone of the rodecaster you will need to invest in some plugins. If you're on a budget and want an easy way to record separate tracks including the phone, this is worth checking out. Just don't drop it. Check out the Zoom Podtrack P4 The Zoom ZDM-1 Dynamic Microphone I must confess that the Electrovoice RE320 has been my mic for many years. It's also close to $300. The ZDM-1 comes with a pop filter, "stand" a cable, and headphones for $120. I didn't think it was fair to compare it to the RE320 so I pulled out the Rode Podmic (another microphone designed for podcasters for around $99). Both microphones are very well built, and when I kid about using them as a weapon, I'm not kidding. You need a sturdy stand to hold these up. The ZDM-1 has a great mount that screws into the bottom and just seems solid. The Rode Podmic also is well built. The Zoom ZMD-1 has 50 Hz to 18 kHz frequency response with tight bass and smooth highs enhance vocal tone for radio, podcasting, and more The Rode Podmic has a frequency response of 20 Hz to 20 kHz. In specs, it should pick up a bit more bass and a bit more high end. While neither one of these microphones sound bad, I thought I heard a little more high end and sibilance on the Zoom ZMD-1. The one thing that Audio Technica, Zoom, and other microphone companies need to quit doing is giving us microphone stands that are 100% completely worthless. While the TPS-4 stand that comes with the ZDM-1 is sturdier than the other worthless microphone stands, They are so short that you have to do a bizarre yoga pose to lean over to use it. Either invent a new mic stand as an accessory, or just include the clip/mount and lower the price. Nobody in their right mind is using the TPS-4 microphone stand. The Zoom ZHP-1 Headphones were amazingly clear. The high end was crystal clear to an almost alarming point. The somewhat self-adjusting headphones fit nice and snug and really cut out the outside world. I used other "included" headphones with other microphones and they were typically uncomfortable and had the fidelity of a record cut out of a cereal box (you have to be over 50 to get that). These had a nice sound, and I love that the cable can be disconnected at the headphones (great for those of us who are always tangled in or headphone cable. For $199 this a good value with a solid mic, nice pop filter, study mount and comfortable headphones to boot. Just pick up a nice boom arm (are strong desk stand as it is heavy). August Question of the Month: What Keeps You Going? This month the question was, "What has kept you going with your podcast when others have stopped?" Kris and Kristine from the Kris and Kristine Show Kris and Kristine are engaged and this is just another great way of spending time together. (everyone together  - awww....). Kristine said, " I'm big on trying to constantly strengthen our relationship. And there's a lot of research that says, for a woman, when she invests in the hobbies and the interests of her partner, then it really helps to build that bond. And so Kris could have loved going to golf or you could have had all these hobbies that take you out of the house and away from me, but instead, you choose to build and grow a hobby with me. What woman wouldn't want that from her significant other that you want to spend dedicated time with me? These are super nice peeps and I wish them the best when they get married in November. Check out their show at www.krisandkristine.com Curtis Longellow from the Rerozest Podcast Curtis Longfellow from the Retrozest podcast needed an outlet. He wanted to talk about all things retro (70's and 80's) and by starting a podcast he attracted other people who are just like him. It turns out it's really paid off. Diane Franklin, the actress who portrayed Monique Juno in the classic 80s dark comedy film Better Off Dead, granted me an interview in celebration of the 30 fifth anniversary of the film. In fact, it just posted yesterday. The other thing that keeps me going is the power of podcasting network shows. In fact, via Episode Number 678 of the School of podcasting, you really prepared me for the aforementioned interview with Diane Franklin. What was supposed to only be a 45-minute interview ballooned into an hour and 15 minutes. This was largely because the tips you shared on Episode Number 678 really prepared me and helped me to frame and ask some very unique questions, which kept the stories from Diane flowing. Additionally, you recently did a short review of my AC DC Back in Black 40th anniversary episode on your Podcast Rodeo Show. You shared several tips which helped me to plan for future episodes. And also you pointed out a glaring typo on my podcast description to which I immediately responded and corrected. Thank you for all you do. Dave. I suspect that your contribution to teaching about podcasting is really keeping a bunch of podcasters going, keep up the good work, and check out the retros s podcasts at retro zest.com forward slash podcast. Civilla Morgan from the Childless, Not By Choice (and Not Just Another Religion and politics Podcast) Here is what Civilla from the Childless, Not by Choice had this to say, "I believe I believe in the power of podcasting, I believe podcasting is a Message carrier. And I can see the results of it because of the response that I get. I may not be at a million downloads. But I'm hearing from people whose lives are literally being changed when they listen to the Childless, not by choice podcast episodes. They're writing into me.  One woman just called me about a week ago from Holland on speakpipe on my website, and she left a message because she was so excited to find thes podcast, she couldn't believe it. And she had to tell me all about what episode she was on and how the podcast has completely absolutely helped her and that she just recently joined the Facebook group. I've got to keep going. I've got to keep getting the word out. Slowly but surely it can be tedious. There can be deep valley moments where you just want to throw everything across the room and just walk away from it all. And then those awesome mountain top moments where you get that awesome interview, like when I got that interview with you, Dave Jackson. And so you have to take the good with the bad when it comes to podcasting and I just love that I can get the message out whether it's the Childless, not by choice podcast, or the Not just another religion and politics podcast where I get to say my part as to how the Christian community is behaving (or misbehaving right now), in some instances. It's just a way to get the word out to get your message out. It's truly a message carrier. And that's why I'm still podcasting. Craig Wealand from Ingles Podcast Here are the reason Craig keeps podcasting: I podcast with a co-host, who I've known for many years. He's a very good friend. And it's a lot of fun to get together with him. once every three weeks, batch record some episodes, then have a nice lunch together and just hang out, just be with someone who I really like. We have a laugh, we have fun together. So one big element of the fun I get from podcasting is getting together with my friend and colleague. I think we're helping people with our product when I know we're helping people, we get feedback, voice messages, emails, telling us that because of the podcasts, we've helped people, get promotions, find a job pass an exam in English, so we know that we're doing some good out there and then keeps us going the feedback from our community.  I really like the podcasting community. They're a great bunch of people. And I enjoy hanging out with podcasters. I feel very comfortable when I'm with podcasters. And, and over the years, I've made some really good friends in the podcasting community going to events and conferences, and meeting people online. So I really like being part of the community. And it's much easier to be part of the community if you have a podcast. I think I really like creating something that wasn't in the world before. Hopefully, that's a good thing. It might be a bad thing. But I like the idea that we've put something out there that might be of use to people and it didn't exist before we turned on the microphones.  I like the idea that I've created something. Check out Craig at Ingles Podcast Dave Jackson from the School of Podcasting I've always said that podcasting scratches every itch I have. It is somewhat technical, and I'm somewhat of a geek. You are in 100% control and you can do anything you want. As a creative person, I love that. I get to help people. As someone with a teaching background, that puts a lot of "Gas in my tank." As someone who spent myself into bankruptcy trying to have children (and failed), this is somehow my "Legacy." Check out all of Dave's shows at www.powerofpodcasting.com September Question of the Month Right now, I'm obsessed with the word, Interesting. When you hear the word interesting, what comes to your mind. If someone who spoke another language and asked you to explain what Interesting mean, how would you describe it. Feel free to "riff" on your thoughts of interesting, and explain any examples of content you feel is interesting. I need your answer by September 25th, 2020.  Go to www.schoolofpodcasting.com/question Ready to Start Your Podcast? I love helping people plan, launch, and grow their podcast. I have multiple plans and scenarios to meet any budget. Let's work together.

sellkern dekode adapter legion laraaji aphex twin with over the edge converter coil return to the acid planet yeht mae NIN schloss tegal jean luc ponty m'lumbo and page hamilton george harrison juan esquivel with furchick people like us jody reynolds and the orb larvae milligramme nurse with wound panda bear M83 jesu kernschatten the promise I made steps to the sun premordial meditation (face of the earth excerpt) offering the spider now takes his victim to undress him punk motherfucker the hard core eraser (reelization) black dahlia for electric violin strawberry fields forever on the bed it had to be pancakes casiocavello black tarantula montagne d'or redline verson pulp 1:36pm search for delicious 0078h never there for you

On this week's episode of the Juicy Lounge, Jio educates the group on why Eric Sparrow from Tony Hawk Underground is an a-hole, brief talks about the EA Play and Smash Character reveal and Luis talks about his recent tournament hosted by UYU's Aphex and him. Also Jio once again gushes about Currents(Please dear GOD listen to them they're soo good!-Jio) Follow Juicy Game Night on: Twitter: https://twitter.com/JuicyGameNight Facebook: https://www.facebook.com/JuicyGameNight

kraftwerk pcm angelo badalamenti alienpig gridlock sparks elo william s burroughs mc 900 ft jesus chrome the weirdos morgan and pressler the fall test dept. hirsuit pursuit daevid allen lagowski aphex twin and caetano veloso vlad arapasu the sentinel S.E.E.L.E. S.E.T.I. and psi com autechre austin steinbart psychphysicist coil hassan hakmoun frank zappa flash ruckzuck hypnostep twin peaks baby moonface scratch moon over kentucky ticket to the moon the last words of dutch schultz spaceman angel of joy weird world you're gonna watch me what about us a lifetime of knowledge boys keep swinging money doesn't make it get a handle alberto balsalm (dias dias dias volta) bluebirds toulepleu oranienstrasse warp tapes 2 transistion state the dark truth psychological astrology remotely hamadiyi ship ahoy psychosync Farewell Florian Schneider

Howdy folks, Hope you bought your chlorox wipes and hand sanitizer because you can't buy them anymore. DJ Gower joins via skype and we bring you tracks about cleaning. If your sheltered in place like us, you pretty much just have your house to hang out at, so clean it. This is your cleaning sound track people. So get out those wipes and stay clean and safe listeners. Sanitize, MATADOR Artist include: Steely Dan, Paul Simon, Outkast, Carcass, Slayer, Frenzyl Rhomb, Ebe Sneezer, Gang Starr, DJ Khalid, Aphex twin, Millencollin, The Pears, Vietnam corona hand washing song, Rocky 4 training montage and many more.

Zentral Rebel #RadioPodcast 19
 Hosts: Pablo Pailles & Jocan Dekä
 Special Guest: Me & Myself aka Dzyan (Ensamble) 
@dzyandmyselfmusic Alfredo Rmz (a.k.a Me & Myself) es la mente en estos proyectos. Influenciado por su padre en el rock, blues , R&B y la música clásica y de varios años a la fecha por otros tantos como el Ambient, Techno , House , Dub , Future Garage y artisats tales como Autechre, Squarepusher, Iydes , Aphex twin y muchos otros mas
Su música evoluciona se transforma todo el tiempo en cosas nuevas y por esto esta aquí en ZR. Tracklist: 
1.-Boards of Canada 
2.-Bibio 
3.- 
4.-Me&Myself 5.-Me&Myself -
 6.-Dzyan 7.-Dzyan & - #MusicTalkShow #MúsicaElectronica #CiudadDeMexico #ZentralRebel

Durée : 57:56 - VIRUS by COVID-19 - ( Noise / Ambiant / Indus / Tribal / Underground ) COVID 19 envoie ici un mix/remède puissant et d'actualité comme un ANTIVIRUS MUSICAL face à la psychose hexagonale et mondialisée du moment ! Un trip progressif au scalpel, à la kalachnikov, au masque à gaz, et au bonnet presque phrygien ! Du bois industriel, du lourd harmonique dans une ambiance de fin du monde, du chêne sous oxygène, mais toujours en douceur ! EN JOIE ! Playlist : 1 Virus Sirene / 2 Nils Frahm - Hammers / 3 AS Crust - Virus / 4 Overmono - 16 steps / 5 Max Cooper - Repetition / 6 Andy Stott - New Romantic / 7 Kutmah feat Gonjsufi - Bury me by the river / 8 Sumach - Disintegration / 9 Step Brothers feat Evidence & Alchemist - Burnt tree / 10 Evan Caminti - Arc / 11 Aphex twin -Diskat - All prepared1mixed 13 / 12 Seckar - the box and whisker plot ( colossal squid rmx ) / 13 Boreal massif - low forties pessimist / 14 Oval - Kasino / 15 Scratcha DVA - Baka / 16 Weval - Someday

Durée : 57:56 - VIRUS by COVID-19 - ( Noise / Ambiant / Indus / Tribal / Underground ) COVID 19 envoie ici un mix/remède puissant et d'actualité comme un ANTIVIRUS MUSICAL face à la psychose hexagonale et mondialisée du moment ! Un trip progressif au scalpel, à la kalachnikov, au masque à gaz, et au bonnet presque phrygien ! Du bois industriel, du lourd harmonique dans une ambiance de fin du monde, du chêne sous oxygène, mais toujours en douceur ! EN JOIE ! Playlist : 1 Virus Sirene / 2 Nils Frahm - Hammers / 3 AS Crust - Virus / 4 Overmono - 16 steps / 5 Max Cooper - Repetition / 6 Andy Stott - New Romantic / 7 Kutmah feat Gonjsufi - Bury me by the river / 8 Sumach - Disintegration / 9 Step Brothers feat Evidence & Alchemist - Burnt tree / 10 Evan Caminti - Arc / 11 Aphex twin -Diskat - All prepared1mixed 13 / 12 Seckar - the box and whisker plot ( colossal squid rmx ) / 13 Boreal massif - low forties pessimist / 14 Oval - Kasino / 15 Scratcha DVA - Baka / 16 Weval - Someday

Chillbeats. Barbarella – Barbarella (The Irresistible Force rmx) Aphex Twin – I B12 – Scriptures The Higher Intelligence Agency – Selinite Sven Väth – Harlequin Plays Bells (Harlequin Plays Hells Bells-rmx) FSOL – Pulse State Sven Väth – The Birth of Robby (Aural Float rmx) Aphex twin – Xtal Mark franklin – Release to the … Læs videre "#13: Artificial Inchilligence"

Here's what I have in store for our first 101 Dimensions outing of 2020:1. Aphex Twin – 54 Cymru Beats (6:06); Meltphace 6 (6:24); and Ziggomatic 17 (8:35) (from the album DrukQs, 2001)2. Emmett Elvin – Butterfly in the Labyrinth (7:08); No Wonder (5:36); and The End Of Music (4:54) (from the album The End Of Music, 2019)3. Larry Fast/Synergy– Electric Blue (6:20); Ancestors (5:26); and After the Earthquake (3:29) (from the album Audion, 1981)4. Klaus Schulze – The Martial Law (31:23) (from the album Jubilee Edition, 1997)5. Robert John Godfrey – Cogenhoe Gallivant (8:20); English Rhapsody (7:17); and The Mirror of Love (6:24) (from the album The Art of Melody, 2013)

The Recorders If you are looking for capturing REALLY GOOD sound, with the Aphex processing, the Rodecaster Pro is a great choice. The ability to have a noise gate can be great when you're in a noisy environment. The Roadcaster Pro is so popular many peop

R T R Radio Techno Resistance presents CAUSTIC TECHNO APHEX TWIN Techno & Industrial tracks selected and mixed by Gian Mario Avena TECHNO FRIDAY + Techno News inside the Live trasmission

APHEX TWINTechno Ambient Works 1985 - 2018 Mixed and selected by Gian Mario Avena forRTRRadio Techno Resistance

APHEX WEEDNESDAY2000's Aphex Twin tracks selected and mixed by Gian Mario Avena

TECHNO SATURDAY TECHNO NEWSRTR Radio Techno Resistance presenting the special week dedicated to Richard D.James aka APHEX TWIN .... Speacking about the artist life of AFX and sharing some good vinyls from my personal collection , focusing on the 2000's years of his Techno Music productionNext week 3 days specials episodes about APHEX TWIN More info inside the Radio Trasmission and on the cover Art of this special episodeINSIDE + Techno News of the Techno Events in Italy

WELCOME NACK TO THE ONLINE LIVE OF RTR RADIO TECHNO RESISTANCE Resistenza Techno Culturale

Lestin leggur af stað 17:03. Hraðlest á föstudegi, við sögu í þættinum koma meðal annars Sigtryggur Ari Jóhannsson og Aphex Twin, kvikmyndirnar Útey 22. júlí og Marta Sigríður Pétursdóttir, Andi, Guðjón Bjarnason og stytturnar á Indlandi, Arnar Eggert Thorodden og Spirit of Eden, kvikmyndin Sorry to bother you og Boots Riley, Tómas Ævar Ólafsson, Friedrich Nietzsche og Lína Langsokkur, og Snorri Páll Jónsson Úlfhildarson og Guðmundar- og Geirfinnsmálið. Umsjón: Kristján Guðjónsson og Eiríkur Guðmundsson

Taken from the live set on 5/9/2014Beyonce feat. Jay-Z - Drunk In Love (CJay Swayne All Night Remix)Stacy Kidd - Street JazzDaft Punk - Burnin' (Slam Mix)Claptone - Cream (Original Mix)Oliver $ & Jimi Jules - Pushing On (Original Mix)Aphex Twin - Windowlicker (Renaissance Man Bootcut)Hannah Wants & Chris Lorenzo - Kneadin' (TRIPMASTAZ Remix)Jay Lumen - Drop That (Original Mix) oliver $ sqim - hoes Jess and Crabbe - Big Booya (Original Mix)DJ Sneak - Show Me The Way Jaques Le Noir - Cocaina My Digital Enemy Edit Reverend Mitton - Gimme Something Thomas Schumacher - Hush (Catz 'n Dogz 2013 Remix)Cajmere - Percolator (Jamie Jones Vault Remix)Saints & Sinners - Pushin' Too Hard (Nic Fanciulli Remix)Armand Van Helden - You Don't Even Know Me Michael Jackson - P.Y.T. (Bixel Boys' VIP Edit) Oliver $ - Granulated Soul Respect To Detroit MixDj Sneak - U Can't Hide From Your Bud 2010 RemixCZR - Chicago Southside (Paul Johnson's Dancin Up a Storm Remix)CZR & ITO - Bringin' The Funk Hatiras - Spaced Invader (Hatiras 2010 Instrumental Remix)Mike Polo - Pasilda (Benny Royal & Robbie Taylor Remix)Lego - When I'm With You Trumpet MixLissat and Voltaxx - The Sunken Bells Of Ibiza (Original) Johnny Corporate - Sunday Shoutin (Harry Choo Club Mix)

On the heals of the last mix, which was sort of modern classical, comes another neo-classical type mix. I started collecting tunes for this mix after I heard Alva Noto's "Argonaut Version" in a Quiet Sounds mix.  I like that song & wanted it to find a home in a mix. Speaking of Quiet Sounds, there are some excellent mixes available for download there.  I wish Brian would crank them out more often. I stole the title for this mix from a song by The Tumbled Sea, which is next to last in the mix.  It just sounded like a good title & it fit with the crappy weather we've been having here. The mix ends with a sort syrupy tune from Anthony Phillips.  It may be a bit too sweet but it's one of those tunes that I have always liked, goes back to college days.  i don't know if I was hearing it for the first time now, whether I would like it as much.  I'm sure a big part of the song's attraction is it's nostalgic significance.  Anthony Phillips is the original guitarist for Genesis and back in high school & college I was a HUGE Genesis fan.  Actually I still am, but that was how I came to Phillips' music back then.  It was nice to sneak that track into a mix. Make some tea or coffee & enjoy "songs for staying in". T R A C K L I S T : 00:00    Anthony Phillips - Wind-Tales 00:35    Ben Frost - Extortion 02:37    Alva Noto - Argonaut Version 09:20    Rave Degolith - Orchestrated version of Aphex twin's Xtal 13:50    Jan Garbarek & Eleni Karaindrou - Fairytale 15:25    Deaf Center - The day I would neer have 18:00    Julia Kent - Seul, pendant un instant 22:10    Philip Glass - Islands 24:45    Brian McBride - toil theme part 1 26:55    Field Rotation - Acoustic Tale 2 29:25    The Notwist - Jonas 30:50    Akira Kosemura - Hicari 32:30    Dustin O' Halloran - A Great Divide 37:45    David Darling - Darkwood IV 42:25    Antonymes - a heart filled with emptiness 45:00    The Tumbled Sea - A Song for Staying In 49:48    Anthony Phillips - Sleepfall, the geese fly west 54:22    end