Podcast appearances and mentions of victoria morgan

Megan and Wendy dive into the final movie in the "Signed, Sealed, Delivered" series in the latest episode of Girls Gone Hallmark. They review "Signed, Sealed, Delivered: A Tale of Three Letters" and take you on a journey through the world of the Postables, now featuring a married Shane and Oliver. Will this installment uphold the stellar ratings Megan and Wendy have awarded the series, or will it fall short of expectations?  See the Signed, Sealed, Delivered SUMMER schedule here Let's talk about "A Tale of Three Letters." Email us at girlsgonehallmark@gmail.com or let's talk about it in the Girls Gone Hallmark Facebook Group! We Need Your 5-STAR Ratings and Reviews Spotify Podcast listeners: Spotify allows listeners to rate podcast episodes. Once you listen to a podcast for at least 30 seconds, you get the option to rate it between one and five stars. Return to the podcast's main page and tap the star icon. Then, tap submit. About "Signed, Sealed, Delivered: The Tale of Three Letters" Linda Lisa Hayter returns to direct A Tale of Three Letters. Linda Lisa, or “LL” as Crystal Lowe calls her, is known for “Betty's Bad Luck in Love,” “Unexpected Grace,” and “Haunted Harmony Mysteries: Murder in G Major” among her 13 directing credits. She will also direct “Signed, Sealed, Delivered: To the Moon and Back” out in 2025. Martha Williamson and Brandi Harkonen wrote the script. Zak Santiago and Gregory Harrison return as Ramon and Joe. Rhiannon Fish returns as Charley. Ian Collins plays Marlon Carter. This appears to be Ian's 8th Hallmark movie and his 40th acting credit. Outside of Hallmark he is appearing on the sci-fi series “Snowpiercer.” Edward Ruttle plays Barry. Our favorite of Edward's 35 acting credits is his role as Beer Luge Guy in “Hot Tub Time Machine” - his very first credited role. He's previously been on Hallmark in “A Season for Family,” “Just one Kiss,” “When Calls the Heart” and several episodes of “The Good Witch.”  Jennifer Juniper Angeli plays Mrs Philpott. Jennifer has 49 acting credits and appeared in “Pumpkin Pie Wars” and “Making Spirits Bright” previously for Hallmark. She also had a role in the sci-fi book adaptation “Wayward Pines” as well as the Netflix series “Haters Back Off.” Victoria Morgan plays Maria Salinger. This is Victoria's first Hallmark movie and her 11th acting credit. She previous appeared in the TV series “Alert: Missing Persons Unit,” “Supernatural,” and “Surface.”  Watch the Trailer for "Signed, Sealed, Delivered: A Tale of Three Letters" Our Thoughts on "Signed, Sealed, Delivered: A Tale of Three Letters" Welcome back to another installment of Girls Gone Hallmark! This time, we covered the final installment of Science Seal Delivered Summer for 2024, diving into "Signed, Sealed, Delivered: A Tale of Three Letters". Here's a synopsis of the ideas and insights we discussed on our podcast. If you haven't tuned in yet, we'd love for you to join us and become a part of the conversation! What We Liked Norman's Character Development: We absolutely adored seeing Norman step up as the marital mentor to Oliver. His growth throughout the series has been remarkable, and his easy and sincere advice made those scenes shine. Normalization of Therapy: Both of us appreciated how the movie normalized therapy for healthy relationships. The depiction of Shane, Oliver, Rita, and Norman going through therapy sessions made it clear that seeking help is a healthy and necessary step for any relationship. Sweet, Small Moments: Several little moments made us smile—from Norman's adorable comment about the sonogram picture to Shane and Oliver's flirty interaction post-honeymoon. These touches gave the film warmth and humor. What We Wished For Character Consistency: There were a few moments that felt out of character, especially Oliver's unempathetic interaction with Charlie. It seemed like an entirely different writer had come in an...

Charlotte pays a visit to her fabulous mother-in-law, Victoria Morgan, to discuss the beauty of the Welsh language, their shared love of music, and bringing up young'uns. Charlotte Church hosts a series of intimate conversations about belonging, working class identity and the unbreakable bonds of family. A BBC Studios Audio production for BBC Sounds. Producer: Lynsey Martenstyn Executive producer: Paul Smith Music by Jonathan Powell & Charlotte Church Development executive is Emma Shaw Additional production and editing: Helen Brown Commissioning editor for BBC Sounds: Rhian Roberts

Macquarie Dictionary has announced its word of the year, with Ross Stevenson claiming they got it "100 per cent right". Managing director at Macquarie Dictionary, Victoria Morgan, said it's a slang term but a serious one. See omnystudio.com/listener for privacy information.

Ballet is a theatrical performance that tells a story using music, costumes, sets, and dance. Victoria Morgan, artistic director of the Cincinnati Ballet, talks with Naomi Lewin about ballet and ballet terms.

Today we have a good friend, Victoria Morgan, on the podcast to talk all things mental health!! From body image struggles and unrealistic societal standards, to opening up about depression and trusting the healing process, we dig deep in this episode. So grab a warm drink and snack, or take this one to go on a walk for some fresh air, because it's a goodie. tw: This episode will include topics of depression, exercise, food, sexual assault and body image. If you do not think this will be beneficial for you, please listen to another episode. Check out our instagram!! https://instagram.com/foodforthoughtpod?utm_medium=copy_link

Epilepsy is one of the most common causes of disability worldwide, but for many patients, treatment fails to be effective. Dr Victoria Morgan and her team from the Department of Radiology and Radiological Sciences at Vanderbilt University Medical Center are using functional connectivity mapping to find out why some patients respond better to treatment and what alternative ways there may be to tackle this debilitating disorder.

Macquarie Dictionary senior editor Victoria Morgan joins John to talk about the words of the year. The two talk words, talk about pronunciations and dialects between Aussie states between, reveals the people's choice award and the COVID word of 2020, and she may even have saved – or sundered – John's relationship!

Join Tracy Blom in this one-of-a-kind interview with Victoria Morgan, Artistic Director of the Cincinnati Ballet. Here they discuss the various ways that ballet transforms the soul, creates a place of peace, and instills valuable lessons. Website: https://cballet.org/staff/victoria-morgan/ VICTORIA MORGAN THE SUE & BILL FRIEDLANDER ARTISTIC DIRECTOR Sponsor: Barbara & Larry Kellar Over the past 23 years, Cincinnati Ballet has experienced tremendous growth and critical success under the leadership of Victoria Morgan. Today she is one of only four female Artistic Directors of U.S. ballet companies with an annual operating budget of $10 million or more. In 2008, Morgan took on the additional role of executive leader, serving as both the Artistic Director and CEO of Cincinnati Ballet. Under her leadership, after many years of growing deficits, the Company stabilized, built an $13 million endowment, a $1.5 million operating reserve, and created major artistic productions that redefined the caliber of repertoire for Cincinnati Ballet. Morgan’s vision to lead Cincinnati Ballet into a vibrant and confident future is famed by the Company’s tour to the Joyce Theater in New York and the tour to the Kennedy Center in D.C. During her tenure at Cincinnati Ballet, Morgan choreographed numerous one-act and full-length ballets. Her most widely acclaimed works include the world premieres of King Arthur’s Camelot in 2014 and the new Nutcracker in 2011. Her newly choreographed Cinderella premiered in February 2016. Prior to coming to Cincinnati Ballet, Morgan was resident choreographer for the San Francisco Opera for nearly a decade. She was a principal dancer for San Francisco Ballet (1978–1987) and Ballet West (1969–1978). She performed lead roles for television and film, and her choreography was featured in the PBS documentary The Creation of O.M.O. She served on the boards of Dance/USA, Dance Magazine, and the NEA evaluation panel. She has been presiding judge for the New York International Ballet Competition, the Benois de la Danse Awards Gala in Russia, and The Valentina Kozlova IBC this past summer. Morgan graduated Magna Cum Laude with an M.F.A. from University of Utah and was recognized as a Distinguished Alumna in 2009. She was honored as a YWCA Career Woman of Achievement in 2009, received recognition from Cincinnati USA Regional Chamber’s WE Celebrate Women’s Business Awards, and served as a member of Leadership Cincinnati USA Class 33. "Music: www.bensound.com" @copyright by Authors On the Air

Join Tracy Blom in this one-of-a-kind interview with Victoria Morgan, Artistic Director of the Cincinnati Ballet. Here they discuss the various ways that ballet transforms the soul, creates a place of peace, and instills valuable lessons. Website: https://cballet.org/staff/victoria-morgan/ VICTORIA MORGAN THE SUE & BILL FRIEDLANDER ARTISTIC DIRECTOR Sponsor: Barbara & Larry Kellar Over the past 23 years, Cincinnati Ballet has experienced tremendous growth and critical success under the leadership of Victoria Morgan. Today she is one of only four female Artistic Directors of U.S. ballet companies with an annual operating budget of $10 million or more. In 2008, Morgan took on the additional role of executive leader, serving as both the Artistic Director and CEO of Cincinnati Ballet. Under her leadership, after many years of growing deficits, the Company stabilized, built an $13 million endowment, a $1.5 million operating reserve, and created major artistic productions that redefined the caliber of repertoire for Cincinnati Ballet. Morgan's vision to lead Cincinnati Ballet into a vibrant and confident future is famed by the Company's tour to the Joyce Theater in New York and the tour to the Kennedy Center in D.C. During her tenure at Cincinnati Ballet, Morgan choreographed numerous one-act and full-length ballets. Her most widely acclaimed works include the world premieres of King Arthur's Camelot in 2014 and the new Nutcracker in 2011. Her newly choreographed Cinderella premiered in February 2016. Prior to coming to Cincinnati Ballet, Morgan was resident choreographer for the San Francisco Opera for nearly a decade. She was a principal dancer for San Francisco Ballet (1978–1987) and Ballet West (1969–1978). She performed lead roles for television and film, and her choreography was featured in the PBS documentary The Creation of O.M.O. She served on the boards of Dance/USA, Dance Magazine, and the NEA evaluation panel. She has been presiding judge for the New York International Ballet Competition, the Benois de la Danse Awards Gala in Russia, and The Valentina Kozlova IBC this past summer. Morgan graduated Magna Cum Laude with an M.F.A. from University of Utah and was recognized as a Distinguished Alumna in 2009. She was honored as a YWCA Career Woman of Achievement in 2009, received recognition from Cincinnati USA Regional Chamber's WE Celebrate Women's Business Awards, and served as a member of Leadership Cincinnati USA Class 33. "Music: www.bensound.com" @copyright by Authors On the Air

Join Tracy Blom in this one-of-a-kind interview with Victoria Morgan, Artistic Director of the Cincinnati Ballet. Here they discuss the various ways that ballet transforms the soul, creates a place of peace, and instills valuable lessons. Website: https://cballet.org/staff/victoria-morgan/ VICTORIA MORGAN THE SUE & BILL FRIEDLANDER ARTISTIC DIRECTOR Sponsor: Barbara & Larry Kellar Over the past 23 years, Cincinnati Ballet has experienced tremendous growth and critical success under the leadership of Victoria Morgan. Today she is one of only four female Artistic Directors of U.S. ballet companies with an annual operating budget of $10 million or more. In 2008, Morgan took on the additional role of executive leader, serving as both the Artistic Director and CEO of Cincinnati Ballet. Under her leadership, after many years of growing deficits, the Company stabilized, built an $13 million endowment, a $1.5 million operating reserve, and created major artistic productions that redefined the caliber of repertoire for Cincinnati Ballet. Morgan’s vision to lead Cincinnati Ballet into a vibrant and confident future is famed by the Company’s tour to the Joyce Theater in New York and the tour to the Kennedy Center in D.C. During her tenure at Cincinnati Ballet, Morgan choreographed numerous one-act and full-length ballets. Her most widely acclaimed works include the world premieres of King Arthur’s Camelot in 2014 and the new Nutcracker in 2011. Her newly choreographed Cinderella premiered in February 2016. Prior to coming to Cincinnati Ballet, Morgan was resident choreographer for the San Francisco Opera for nearly a decade. She was a principal dancer for San Francisco Ballet (1978–1987) and Ballet West (1969–1978). She performed lead roles for television and film, and her choreography was featured in the PBS documentary The Creation of O.M.O. She served on the boards of Dance/USA, Dance Magazine, and the NEA evaluation panel. She has been presiding judge for the New York International Ballet Competition, the Benois de la Danse Awards Gala in Russia, and The Valentina Kozlova IBC this past summer. Morgan graduated Magna Cum Laude with an M.F.A. from University of Utah and was recognized as a Distinguished Alumna in 2009. She was honored as a YWCA Career Woman of Achievement in 2009, received recognition from Cincinnati USA Regional Chamber’s WE Celebrate Women’s Business Awards, and served as a member of Leadership Cincinnati USA Class 33. "Music: www.bensound.com" @copyright by Authors On the Air

Macquarie Dictionary have announced their word of the year - but this year there's a COVID word and  non-COVID word. The Committee chose rona as Macquarie Dictionary's COVID word of the year for 2020. In true Australian fashion, we shortened coronavirus and made it a whole new word. Doomscrolling is this year's non-COVID word, with honourable mentions for Karen and pyrocumulonimbus.  Macquarie Dictionary's senior editor Victoria Morgan joins John Stanley with information on the best new words this year and voting options for the People's Choice award. See omnystudio.com/listener for privacy information.

On today's episode, you'll be tremendously blessed by a story of perseverance, faith and victory of Victoria Morgan. She was raised by her grandparents who taught her education was not an option. At age of 13, she migrated from Jamaica to Canada to live with her mother who she barely knew and turned out to be very abusive. Yet she believes it was God's grace that kept her. Caught up on the wrong side of the law, being a single mom and having to spend my nights in a strip-club to make ends meet, to being held at gun point, called good for nothing and worthless by my aunt and struggling with thoughts of suicide after her mom spat on her and wished her dead. Victoria transparently shares how she learned to forgive, kept going despite setbacks and now she's able to empower others with her story.  Victoria A. Morgan is currently a Lawyer, Author, Entrepreneur and PHD student. As a Prophetic voice to nations, she is called by God for such a time as this to transform and heal lives. Connect with Victoria Morgan at https://victoriaamorganministries.org/ __________ Download my FREE ebook- The BestSeller Cheatsheet: How To Write & Market Your Book So You Impact Lives. Get it at bit.ly/bestsellercheatsheet Stay connected: Follow me on Facebook & Instagram @crystalsdaye @dayelightpublishers Visit www.crystaldaye.com/ www.dayelightpublishers.com  Email: info@crystalsdaye  

The No-Filter Sisters, Alexandria and Victoria Morgan, are back to discuss, recap and roast the men of Clare Crawley's season premier episode of The Bachelorette in this heavily TMI episode. We'll also discuss embarrassing childhood stories, why we absolutely will always kink-shame foot fetishes, manscaping, and how Ben Affleck is the worst (sometimes). Explicit and 18+ because we did not hold back to give you an honest, and in depth analysis. SUPPORT: https://www.paypal.com/paypalme/alexandriamorgz SOCIAL: INSTA/TWITCH @alexandriatothemax TWITTER @alexandriamorgz youtube.com/alexandriamorgan contact: hereforagoodtimepodcast@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This podcast message is about business opportunities, and networking as well as how to be free from spiritual as well as natural bondages ⛓

HOT DOG! Third times the charm! This week we say hello to the most current iteration of the Wallcrawler. Listen as we discuss our thoughts on this new Spidey movie...and maybe other random topics as well. Who knows, we don't really have scripts for these episodes.

The Nutcracker isn't unique to Cincinnati. But Victoria Morgan's version of the ballet classic certainly is. Morgan's dog, Cammy, inspired the poodle character in Morgan's revamping of the Cincinnati Ballet's version of The Nutcracker in 2011. “I really wanted it to be fresh, and I really wanted it to feel new,” Morgan, the ballet's artistic director, said on That's So Cincinnati podcast. “And I wanted especially young people to get a kick out of it.” In the Cincinnati Ballet’s version, it’s the poodle that distracts the Mouse King so The Nutcracker can win the battle. “Our dogs, they protect and give us company and comfort,” Morgan said. Also on this week's episode, cohosts Jason Williams and Sharon Coolidge discuss watchdog journalism and the man who ate 1,000 cheese coneys.

Matt Pantelis, Jane Reilly, David Speirs, Phil coorey, Cathy Cashen, Victoria Morgan, Wohlers, Behind Closed Doors, Christmas Hams See acast.com/privacy for privacy and opt-out information.

In today's episode we have an epic guest named Victoria Morgan who is an awesome singer from Pittsburgh. This episode will be her explaining how she began and so much more! --- Support this podcast: https://anchor.fm/ambriek-creations/support

Ballet is a theatrical performance that tells a story using music, costumes, sets, and dance. Victoria Morgan, artistic director of the Cincinnati Ballet, talks with Naomi Lewin about ballet and ballet terms.

Dan is in China this month, so our student Ashley Van Fleet is in his chair giving the show a dose of youthful energy. We talk to Ryan Cragun about his work examining how the LDS church has changed the way it talks about LGBTQ folks in the past 40 years, and then William Bradshaw chats with us about his work on the factors that help explain which GBTQ men are more or less likely to have trouble reconciling their sexual and religious identities. And in One Last Thing, Ashley has been watching slam poetry and Tim is getting ready to watch a celestial show. Some of the things we talked about this month: Tim mentioned The Angel and the Beehive by Armond Mauss, and Dr. Cragun referenced the work of John Dehlin. Ashley mentioned the new Wonder Woman film, and also poetry by Haley Moseley, Victoria Morgan, Kayla Q, Olivia Gatwood, and Sarah Kay. And finally, Tim is, ironically, over the moon about the upcoming solar eclipse.   0:00-1:40: Opening 1:40-27:36: Cragun interview 27:41-38:23: Bradshaw interview 38:27-41:18: Van Fleet OLT 41:19-43:45: Hill OLT 43:45-45:02: Closing