Podcasts about Camelot

LATE SUMMER/EARLY AUTUMN OF ARCADE CONTINUES!! Join the HG101 gang as they discuss and rank a light-gun shooter in which you protect your fantasy adventuring buddies from an onslaught of ghoulish monstrosities. Then stick around for Quest for Camelot, a Warner Bros. movie tie-in published by... Nintendo? This weekend's Patreon Bonus Get episode will be ALICE IN WONDERLAND (1992) — a whimsical CD-i remake of a Commodore 64 adventure game! Donate at Patreon to get this bonus content and much, much more! Follow the show on Bluesky to get the latest and straightest dope. Check out what games we've already ranked on the Big Damn List, then nominate a game of your own via five-star review on Apple Podcasts! Take a screenshot and show it to us on our Discord server! Intro music by NORM. 2026 © Hardcore Gaming 101, all rights reserved. No portion of this or any other Hardcore Gaming 101 ("HG101") content/data shall be included, referenced, or otherwise used in any model, resource, or collection of data.

Raye decides that Apophis ate the stars in Iron Lung. Charlie reminds us of that weird chicken from Quest for Camelot. A discussion is had about the ubiquitous "old people being bad" propaganda.Send us a message through the Duat at oftheeldestgodspod@gmail.com with your thoughts and theories going forward! We would love to hear from you. Make sure to subscribe so you know when our next episode drops and rate and review if you like what we are doing.IG: www.instagram.com/oftheeldestgodspod/Tumblr: https://www.tumblr.com/oftheeldestgodspodSUPPORT US ON PATREON: www.patreon.com/oftheeldestgodsBUY OUR MERCH, PLZ: https://www.redbubble.com/people/OfTheEldestGods/shopCharlie's IG:  www.instagram.com/greenpixie12/ and www.instagram.com/greenpixiedraws/ Charlie's Plug: Toy Story 5Raye's Plug: Harmonies (board game)

Can Qi stop a bullet? That question opens a much larger discussion about the Four Spheres and a common human mistake: trying to solve a problem with the wrong kind of tool. In this episode (1-196), Taoist Master Mikel Steenrod explores why physical force, social influence, intelligence, Qi practice, and other approaches each belong to different kinds of problems. The issue is not simply whether one sphere is “stronger” than another, but whether the method being used actually fits the situation. Along the way, Steenrod and Morgan look at Taoist martial skill, surgeons and swordsmen, negotiation, asymmetric warfare, intelligence networks, revolution, and why force often becomes most useful only after better options have already disappeared. And then there is Camelot: Arthur, the Round Table, Merlin, the dream of the perfect kingdom—and Steenrod's observation that he owns shirts that have apparently lasted longer. A practical discussion about timing, strategy, Qi, and why lasting change usually begins before the crisis does. Prefer to watch rather than listen? https://youtu.be/-6_6SYmIn8Q

La grande braderie de Lille commence ce soir ! En 1 weekend ce sont 8.000 exposants installés sur 80km d'étals ! Plus de 2,5 millions de visiteurs attendus ! Et pendant qu'ils s'installent, on est allé voir un brocanteur qui vend des artistes Nostalgie. On l'écoute, à vous de deviner qui il vend !

La grande braderie de Lille commence ce soir ! En 1 weekend ce sont 8.000 exposants installés sur 80km d'étals ! Plus de 2,5 millions de visiteurs attendus ! Et pendant qu'ils s'installent, on est allé voir un brocanteur qui vend des artistes Nostalgie. On l'écoute, à vous de deviner qui il vend !

On this episode of The Weekly Scroll Podcast, Ryan sits down with JAMZILLA to talk about their games CYST and Pentaguel, as well as discussing Heartseeker, Caves of QUD, and probably too much Camelot. Find Jamzilla here: https://jamzilla.itch.io/0:00 Start1:05 Who the heck is JAMZILLA?2:10 Camelot, Wythe, and Heartseeker10:55 What is CYST?15:20 Rules light and disc horse22:40 Collaging and style26:05 What got you into gaming?30:20 What is Pentagruel?35:15 Caves of Qud40:15 Dragonball Z and more CamelotAll our links here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/theweeklyscroll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@theweeklyscroll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.twitch.tv/theweeklyscroll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the.weekly.scroll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/theweeklyscroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/SQYEuebVab⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠At-Coast Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/the-weekly-scroll/⁠⁠

The WKXL NH Unscripted feast of Broadway shows we've loved continues!!!!  Most of the 60's Broadway shows were light entertainment. There were a few that veered into a more dramatic tone like “Fiddler”, “Camelot”, “Cabaret” and “Man of La Mancha”, but, overall the mood was upbeat and very often hilarious. We're continuing our series of bringing you songs from shows that got us into the theater and hope you find them as entertaining as we do! Our playlist:1)The Telephone Hour - Bye, Bye Birdie2) The Simple Joys of Maidenhood - Camelot3) How to Keep His Dinner Warm - How to Succeed in Business4) Free - A Funny Thing Happened…5) I Shall Scream - Oliver6) If I Were a Rich Man - Fiddler7) Put on Your Sunday Clothes - Hello Dolly

Most of the 60's Broadway shows were light entertainment. There were a few that veered into a more dramatic tone like “Fiddler”, “Camelot”, “Cabaret” and “Man of La Mancha”, but, overall the mood was upbeat and very often hilarious. We're continuing our series of bringing you songs from shows that got us into the theater and hope you find them as entertaining as we do!

Did King Arthur exist? Amy Jeffs isn't fussed. In this episode, the historian and artist behind Arthur: A New Life takes Dan Jones beyond Camelot and the search for a "real" Arthur, into a world of Welsh myth, Breton storytelling, medieval chronicles, haunted landscapes and hyperbolically violent kings. Together, they try to understand why one of Britain's most compelling legends has endured, and why centuries of writers, artists and dreamers keep remaking him. – If you want a deeper dive into the medieval world with Dan and Amy, grab their accompanying bonus episode at patreon.com/thisishistory. There, Amy shares her favourite absurd moments from medieval manuscripts, including the time when St Martin granted a woman's wish to see her husband covered all over in male genitalia. – A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices – Presented by Dan Jones Producer - Alan Weedon Senior Producer - Dominic Tyerman Junior Producer - Dulcie Whadcock Executive Producer - Louisa Field Executive Producer - Dan Jones Production Manager - Jen Mistri Production Coordinator - Eric Ryan Head of Content - Chris Skinner Learn more about your ad choices. Visit podcastchoices.com/adchoices

Recorded on Sunday, August 30, 2026Support the show

For this episode of Soundcheck, the rapper, singer, and author Dessa gets political, and Syrian-American rapper Omar Offendum gets historical. Minneapolis-raised singer and rapper known as Dessa has found a way to reflect modern society with scathing satire and wry humor, in both her songs and in her essays and poems. Her explicit commentary on the state of American politics, along with digressions on art, science, business, love, failure, and creativity fuel her latest songs, which she performs in-studio. Set list: 1. Camelot 2. Tough Call 3. What if I'm Not Ready And the Syrian-American rapper, poet, and peace activist Omar Offendum offers a musical history lesson of sorts, one with uncomfortable echoes of our own time, in “The Little Syria Show.”  It's about a remarkable immigrant neighborhood in New York that lasted from the 1880s to 1940 and was a center of music, poetry, and publishing – including a book you may well have on your shelf.  In a celebration of Arab-American cultural heritage, Omar Offendum shares insights on diasporic memory and performs some of the songs from The Little Syria Show, in-studio. Set list: 1. Peddling Dervish 2. Mojaddareh 3. Not Quite White Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Support my work on Patreon- https://patreon.com/realdavejackson Discord, Socials and more- https://linktr.ee/talesfromthebacklog It's not every day you revisit a favorite game from your teenage years, but today is that day as special guest Rebekah Valentine (Kotaku) joins me to discuss Golden Sun, one of the most beloved Game Boy Advance games. Camelot and Nintendo ended up splitting the game into two, and in this episode we focus on the first game, though we do discuss The Lost Age quite a bit as well. As always, no spoilers for a while- enjoy! Guest info: Rebekah Valentine (she/her) Check out her work at Kotaku https://kotaku.com/author/rvalentine Check out Reb's look back at Golden Sun https://kotaku.com/25-years-ago-golden-sun-video-game-adventure-2000721340 Check out Reb writing as if it were 2002 again https://kotaku.com/golden-sun-the-lost-age-sequel-warp-week-2000723015 Follow on Bluesky https://bsky.app/profile/duckvalentine.bsky.social TIMESTAMPS 0:00 Title Card 0:18 Introductions 5:30 Our Histories with Golden Sun 12:47 Top Level Thoughts 17:42 Acknowledging The Lost Age 25:31 Story Setup 33:50 Golden Sins and Silent Protagonists 44:29 Story Thoughts 52:25 Combat and Djinn System 1:09:18 Equipment, Resource Conservation, Puzzles 1:28:25 Soundtrack 1:38:22 Wrap-Up Thoughts and Who Should Play? 1:45:15 Reb's Work at Kotaku 1:50:06 Spoiler Wall and Patron Thank-Yous 1:52:27 Spoilers- Golden Sun's Story and The Lost Age Setup 2:12:42 Spoilers- Dave Might Play The Lost Age? Music used in the episode is credited to Motoi Sakuraba. Tracks used: Main Theme, World Map, Enemy Battle, Lighthouse Theme, Sol Sanctum, Main Menu, Battle With Saturos, Vale and Vault Cover art by Jack Allen- find him at https://linktr.ee/JackAllenCaricatures

To listen to a Kamelot record is to go on a journey. And their new record, "Dark Asylum," is a new approach to the storytelling that fans have come to love. We sat down with founding member Thomas Youngblood.For more information and to get your copy of "Dark Asylum," check out the band's website.

“Our language is valuable, and we've gotta hold on to that. That's the most human thing we have.” — Jeff Jarvis Last week, to celebrate episode 3,000 of the show, the New York Times' Sam Roberts articulated the art of the obituary. Borrowing from Citizen Kane, he described it as the Rosebud method. Obits are all about life (death only figuring as an afterthought), Roberts explained, so hunt for the moment which defines that life. Today's show is a kind of obituary of that type. Only it's about the life of a machine and the mass media that emerged in its wake. In Hot Type, tech historian Jeff Jarvis introduces us to the magnificent late 19th century machine that not only gave birth to industrial mass media, but also bankrupted Mark Twain. It's the history of the Linotype, the machine invented by Ottmar Mergenthaler that ended four hundred and fifty years of setting type, as Jarvis puts it, “one damn letter at a time.” It's an extraordinary story. Before the Linotype, American daily newspapers were limited to a 4,000 circulation. First installed at the New York Tribune on July 3, 1886, the Linotype scaled print, thereby enabling the age of mass circulation newspapers, magazines and books. It appeared so infinitely scalable that Mark Twain poured his entire family fortune into its doomed rival, the Paige Compositor. He lost all his money, of course, making it his Rosebud moment — Citizen Twain, so to speak. But for the rest of us, Mergenthaler's magnificent type machine was so hot that it revolutionized 20th century culture in the same way that AI is now revolutionizing 21st century reading and writing. The art of obituary. A description of life, not death. Five Takeaways •       One Damn Letter at a Time. For four hundred and fifty years after Gutenberg, virtually every word in every language was set by hand, one letter at a time — which is why the average American daily circulated just 4,000 copies, “a small Substack newsletter.” Steam-powered presses, cheap wood-pulp paper, stereotyping, and the telegraph had solved every other bottleneck; the typesetter with a composing stick was the last. More than 300 typesetting machines failed before Ottmar Mergenthaler — a Baltimore watchmaker who knew nothing about printing, prodded by James O. Clephane, once a stenographer in Lincoln's cabinet — had the eureka: stop imitating hand-setting and mold entire lines of type at once. Installed at the New York Tribune on July 3, 1886, the Linotype made type fresh for every edition, let print catch up with the telegraph, and gave birth to mass media.•       The Union That Didn't Smash the Machine. The book's great labor surprise: the typesetters didn't fight the typesetting machine. Having studied the Luddites' defeat, the International Typographical Union sent spies into the Tribune's composing room, concluded the Linotype was inevitable, and demanded to operate it — with Mergenthaler's blessing. Thirty thousand jobs disappeared, returned to full strength within five years, and grew for seventy-five more, making the ITU America's most powerful union. Then came wave two — paper tape, computers that could hyphenate and justify, cold type, PostScript — and this time the union fought: six of nine New York papers died in the strikes, Bert Powers traded automation for lifetime job guarantees (the last holder retired from the New York Times around 2012), and Murdoch's secret Wapping plant ended Fleet Street — a century, almost exactly, after machine number one. The two lessons: take charge of the technology if you can; if it will replace you outright, find something else to do.•       The Machine That Drove Twain Mad. Mark Twain wanted to be filthy rich and stop writing — so he poured his fortune, and his wife's family coal fortune, into the Paige Compositor, the Linotype's brilliant, doomed rival: only two ever built, the sole survivor sitting in the basement of Hartford's Mark Twain House looking like “a railroad with nowhere to go.” Bankruptcy followed — a far deeper shame in the nineteenth century — and Twain repaid every debtor. Jarvis reads the scars in the fiction: A Connecticut Yankee in King Arthur's Court ends with technology destroying technology in an Armageddon of Camelot; the unfinished No. 44, The Mysterious Stranger conjures strange beasts endlessly duplicating pages — scale itself as nightmare. He lost all his money, of course — his Rosebud moment, as Andrew puts it, borrowing from Sam Roberts' art of the obituary on episode 3,000. The machine robbed Twain not of his humor, Jarvis concludes, but of his love of technology. The biopic pitch: Citizen Twain.•       From One Gilded Age to Another. The Linotype era bridges Twain's Gilded Age — tycoons of steam, steel, and wire — to ours, with its barons of bits and AI. Whitelaw Reid, the book's villain and the first capitalist media mogul, used the machine against his own union and predicted newspapers would never exceed eight pages (completely wrong); Frank Munsey invented the attention economy at a dime a copy — content as honey, audience as product, a model that ruled mass media and infected the Internet. Today's moguls fare no better in Jarvis's telling: Altman selling “vending machines for intelligence” that actually dispense compute, Amodei “the paragon of safety” with a skewed definition of it, all chasing the Valhalla of AGI, “pure BS.” His hope: open-weight models to check the frontier companies. His warning against banning them: guardrails are a fool's errand — the printing press was a general machine, and nobody could tell Gutenberg to keep it from Martin Luther.•       Words Matter, Damn It. The through-line from Jarvis's blog post to the book: language is the most human thing we have. His objection to Anthropic's watermark isn't Keith Teare's shame argument — it's that a scheme treating “overcast” and “gray” as interchangeable declares all language fungible, “a cultural statement damaging to our craft.” His own AI practice is disclosed down to a confessional footnote in Hot Type for a single borrowed phrase: Gemini may pull facts (“don't write for me”), but what you express must be what you want to express. The typewriter shaped Nietzsche and made Hemingway; the newsroom computer made Jarvis an editor more than a writer; Quark made everyone typesetters — “in the end, it was all still me.” Against Kirschenbaum's gray goo, he holds up Pope Leo (work brings dignity; not a Luddite) and poetry itself. Hot type revolutionized 20th century culture the way AI is now revolutionizing 21st century reading and writing. The art of obituary: a description of life, not death — and the most human thing we have is the words. About the Guest Jeff Jarvis is the Emeritus Leonard Tow Professor of Journalism Innovation at CUNY's Craig Newmark Graduate School of Journalism. The creator and founding managing editor of Entertainment Weekly, he has been TV critic for TV Guide and People, Sunday editor of the New York Daily News, and a media columnist for The Guardian. His books include What Would Google Do?, The Gutenberg Parenthesis, Magazine, and The Web We Weave; he blogs at Buzzmachine...

Time for WKXL's NH Unscripted to continue our mini series about “Broadway Hits That Got Us Into the Theater”. We gave you the overtures and now we're dropping the needle on the first number in each of the 12 top shows from the 60's. We're spinning fun hits from “Camelot”, “Hello Dolly”, “The Fantastics”, “Bye Bye Birdie” "Oliver" and 8 more! Here's the official playlist:“An English Teacher” (Bye Bye Birdie)“I Wonder What the King Is Doing Tonight” (Camelot)“Mira” (Carnival)“How to Succeed” (How to Succeed in Business…)“Love, I Hear” (A Funny Thing…Forum)“Food, Glorious Food” (Oliver)“Tradition” (Fiddler)“It Takes a Woman” (Hello Dolly)“If a Girl Isn't Pretty” (Funny Girl)“Man of La Mancha (I, Don Quixote)” (…La Mancha)“Willkommen” (Cabaret)“It's Today!” (Mame)Bonus Track:“Try to Remember” (The Fantastics)*NH Unscripted is recognized as one of the Top 100 Acting Podcasts on the web and also featured in the Top 50 New Hampshire Podcasts list by Millionpodcasts.com*(If you enjoy these chats with NH artists, take 30 seconds to leave a rating on Apple or Spotify—it helps other theater lovers find us.)

Time to continue our mini series about “Broadway Hit's That Got Us Into the Theater”. We gave you the overtures and now we're dropping the needle on the first number in each of the 12 top shows from the 60's. We're spinning fun hits from “Camelot”, “Hello Dolly”, “The Fantastics”, “Bye Bye Birdie” and 8 more!

THE TABLE ROUND CHAP 14: HOW SIR BALAN CAME TO CAMELOT AND THE BRIDGE OF ILL CUSTOM Audio drama in the Age of Arthur.

We're heading back to Camelot to discuss Bridget and Gabe Are Not Okay by Lex Croucher! We loved Gwen & Art Are Not in Love, we had high hopes for this sequel, but did we really need another journey to Camelot? Thank you to NetGalley and Wednesday Books for providing advance copies in exchange for our honest review. About The Novel: Newly crowned King Gabriel is having panic attacks in cupboards in-between council meetings. He can't tell Arthur just how not okay he is – so he's set him free, to find love with someone who can get through the day without breaking down. Bridget has lost her spark for sparring, forfeiting again and again in the lists. When she's invited to join Gabriel's round table, she hopes it'll be the change she needs. But trying to navigate the post-happily-ever-after reality of a relationship with Gwen, when Bridget no longer feels like the dashing knight Gwen fell in love with, feels impossible. With the kingdom still reeling from an attempted uprising, and rumoured sightings of the holy grail, the questing beast and the green knight happening across the country, the gang depart on a PR tour destined for disaster. Can Gabriel be the king his country deserves? Can Bridget get her jousting groove back? And will they find their way back to the courtly love that once seemed fated? Wanna Find Our Other Socials? Then Click Here!

Hello Cromrades, and welcome to our latest season which takes place in storied Camelot! We will be reading and analyzing various stories featuring the one and only King Arthur and his various comrades. We begin today with the first half TH White's incomparable "The Sword in the Stone". Join us, won't you?    One Things! Luke: "Pressure" Starring Brendan Fraser as Dwight D. Eisenhower Josh: Final Fantasy Pixel Remaster Jonathan: Would I Lie to You?   Questions? Comments? Curses? Call us at (859) 429-CROM! Did you know that we're on Facebook? We're posting photos on the Instagrams! Or, check us out on Apple Podcasts! (or your podcast player of choice!) Legal Mumbo-Jumbo Our episode is freely available on archive.org and is licensed under Creative Commons: By Attribution 3.0. http://creativecommons.org/licenses/by/3.0/ 'Tyrant' theme by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0. Outro: "Merlin's Time" by Al Stewart. Music obtained legally; we hope our discussion of this content makes you want to go out and purchase the work! 

When Fiction Escaped the Screen The New Monsters – Story Three, Episode Two Every legend eventually reaches a moment when it no longer belongs to the person who created it. King Arthur escaped the poets who first imagined Camelot. Dracula grew far beyond Bram Stoker's novel. Frankenstein's creature became more famous than Victor Frankenstein himself. Stories survive because generations of strangers decide they're worth retelling. In this week's episode of The Devil Within, Branden Morgan explores the extraordinary moment when that same process unfolded before our eyes. Just days after Eric Knudsen introduced Slender Man to the internet, thousands of artists, writers, filmmakers, gamers, and ordinary people began adding pieces to the mythology. No studio coordinated the effort. No publisher managed the continuity. Instead, millions of strangers unknowingly collaborated on what became history's first truly open-source monster. The journey takes us from the Something Awful forums to Marble Hornets, the groundbreaking YouTube series that transformed viewers into investigators and proved that horror could thrive not through expensive special effects, but through participation. Along the way, we examine why the internet accelerated folklore in ways no civilization had ever experienced before, compressing a process that once required centuries into only a few months. But beneath the story of Slender Man lies a much larger question. What happens when technology allows millions of people to create the same myth together? Perhaps the internet didn't change human nature at all. Perhaps it simply became the newest campfire around which we gather to tell stories. Next week, the series reaches its devastating conclusion as fiction collides with reality in Waukesha, Wisconsin. Two twelve-year-old girls commit one of the most shocking crimes of the digital age after convincing themselves they must prove their loyalty to Slender Man. The case horrified the world and forced psychologists, investigators, journalists, and parents to confront a question that remains deeply unsettling: Can a fictional monster bear responsibility for real-world violence, or does the answer reveal something far more disturbing about ourselves? The Devil Within is written and hosted by Branden Morgan and produced by Evio Creative.

Was Queen Guinevere a traitorous adulteress who caused the tragic downfall of Camelot, or a complex political survivor? Was she even real? Dr. Eleanor Janega and Arthurian expert Dr. Mary Bateman explore the changing faces of King Arthur's legendary wife. They discuss her early mythological Welsh roots, scandalous 'affairs' with Lancelot and Mordred, and how medieval queens used this powerful romantic legend for their own real-world political influence.MOREKing Arthur with Dr. Mary BatemanListen on AppleListen on SpotifyKing Arthur's Sex LifeListen on AppleListen on SpotifyGone Medieval is presented by Dr. Eleanor Janega. Audio editor is Amy Haddow, the producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week PLUS early access, ad-free podcasts. Sign up at https://www.historyhit.com/subscribe Hosted on Acast. See acast.com/privacy for more information.

In The Patty Duke Show and the American Sixties: Hot Dogs and Crêpes Suzette (Oxford UP, 2026), the first ever published on The Patty Duke Show (1963-66), Caryl Flinn and Dana Polan examine the significance of this classic US sitcom within popular culture and within American society at the time. Child acting sensation Patty Duke plays the all-American Patty as well as her staid British counterpart Cathy, who comes to live with Patty's family in Brooklyn. Far from being a frivolous show, the show's use of twin girls--and their comic antics--offers glimpses into different identities and possibilities to try on, in keeping not only with girls' popular culture of the time but the optimism of John F. Kennedy's Camelot years.At the same time, the series plugged into many of the contradictions of the mid-1960s. It flirted, as much of the US did, with foreign cultures, such as Julia Child's mediation of Frenchness, only to return to and reaffirm core US values. Like Kennedy, who encouraged the country's youth to engage with the world at large, the show gestures towards a cosmopolitanism that, ultimately, retreats into an American-based perspective, as evidenced in the series' preferential treatment of Patty over Cathy--despite the two characters being played by one actor.Drawing on archival research, Flinn and Polan bring to light the show's production background, which has until now been largely lost to history, as well as considering the series's conception, reception, its many tie-in products, and its ongoing afterlife in the decades since its initial broadcast. In so doing, they reveal hidden and overt issues that shaped American culture and ideology of the 1960s. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Patty Duke Show and the American Sixties: Hot Dogs and Crêpes Suzette (Oxford UP, 2026), the first ever published on The Patty Duke Show (1963-66), Caryl Flinn and Dana Polan examine the significance of this classic US sitcom within popular culture and within American society at the time. Child acting sensation Patty Duke plays the all-American Patty as well as her staid British counterpart Cathy, who comes to live with Patty's family in Brooklyn. Far from being a frivolous show, the show's use of twin girls--and their comic antics--offers glimpses into different identities and possibilities to try on, in keeping not only with girls' popular culture of the time but the optimism of John F. Kennedy's Camelot years.At the same time, the series plugged into many of the contradictions of the mid-1960s. It flirted, as much of the US did, with foreign cultures, such as Julia Child's mediation of Frenchness, only to return to and reaffirm core US values. Like Kennedy, who encouraged the country's youth to engage with the world at large, the show gestures towards a cosmopolitanism that, ultimately, retreats into an American-based perspective, as evidenced in the series' preferential treatment of Patty over Cathy--despite the two characters being played by one actor.Drawing on archival research, Flinn and Polan bring to light the show's production background, which has until now been largely lost to history, as well as considering the series's conception, reception, its many tie-in products, and its ongoing afterlife in the decades since its initial broadcast. In so doing, they reveal hidden and overt issues that shaped American culture and ideology of the 1960s. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In The Patty Duke Show and the American Sixties: Hot Dogs and Crêpes Suzette (Oxford UP, 2026), the first ever published on The Patty Duke Show (1963-66), Caryl Flinn and Dana Polan examine the significance of this classic US sitcom within popular culture and within American society at the time. Child acting sensation Patty Duke plays the all-American Patty as well as her staid British counterpart Cathy, who comes to live with Patty's family in Brooklyn. Far from being a frivolous show, the show's use of twin girls--and their comic antics--offers glimpses into different identities and possibilities to try on, in keeping not only with girls' popular culture of the time but the optimism of John F. Kennedy's Camelot years.At the same time, the series plugged into many of the contradictions of the mid-1960s. It flirted, as much of the US did, with foreign cultures, such as Julia Child's mediation of Frenchness, only to return to and reaffirm core US values. Like Kennedy, who encouraged the country's youth to engage with the world at large, the show gestures towards a cosmopolitanism that, ultimately, retreats into an American-based perspective, as evidenced in the series' preferential treatment of Patty over Cathy--despite the two characters being played by one actor.Drawing on archival research, Flinn and Polan bring to light the show's production background, which has until now been largely lost to history, as well as considering the series's conception, reception, its many tie-in products, and its ongoing afterlife in the decades since its initial broadcast. In so doing, they reveal hidden and overt issues that shaped American culture and ideology of the 1960s. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In The Patty Duke Show and the American Sixties: Hot Dogs and Crêpes Suzette (Oxford UP, 2026), the first ever published on The Patty Duke Show (1963-66), Caryl Flinn and Dana Polan examine the significance of this classic US sitcom within popular culture and within American society at the time. Child acting sensation Patty Duke plays the all-American Patty as well as her staid British counterpart Cathy, who comes to live with Patty's family in Brooklyn. Far from being a frivolous show, the show's use of twin girls--and their comic antics--offers glimpses into different identities and possibilities to try on, in keeping not only with girls' popular culture of the time but the optimism of John F. Kennedy's Camelot years.At the same time, the series plugged into many of the contradictions of the mid-1960s. It flirted, as much of the US did, with foreign cultures, such as Julia Child's mediation of Frenchness, only to return to and reaffirm core US values. Like Kennedy, who encouraged the country's youth to engage with the world at large, the show gestures towards a cosmopolitanism that, ultimately, retreats into an American-based perspective, as evidenced in the series' preferential treatment of Patty over Cathy--despite the two characters being played by one actor.Drawing on archival research, Flinn and Polan bring to light the show's production background, which has until now been largely lost to history, as well as considering the series's conception, reception, its many tie-in products, and its ongoing afterlife in the decades since its initial broadcast. In so doing, they reveal hidden and overt issues that shaped American culture and ideology of the 1960s. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In The Patty Duke Show and the American Sixties: Hot Dogs and Crêpes Suzette (Oxford UP, 2026), the first ever published on The Patty Duke Show (1963-66), Caryl Flinn and Dana Polan examine the significance of this classic US sitcom within popular culture and within American society at the time. Child acting sensation Patty Duke plays the all-American Patty as well as her staid British counterpart Cathy, who comes to live with Patty's family in Brooklyn. Far from being a frivolous show, the show's use of twin girls--and their comic antics--offers glimpses into different identities and possibilities to try on, in keeping not only with girls' popular culture of the time but the optimism of John F. Kennedy's Camelot years.At the same time, the series plugged into many of the contradictions of the mid-1960s. It flirted, as much of the US did, with foreign cultures, such as Julia Child's mediation of Frenchness, only to return to and reaffirm core US values. Like Kennedy, who encouraged the country's youth to engage with the world at large, the show gestures towards a cosmopolitanism that, ultimately, retreats into an American-based perspective, as evidenced in the series' preferential treatment of Patty over Cathy--despite the two characters being played by one actor.Drawing on archival research, Flinn and Polan bring to light the show's production background, which has until now been largely lost to history, as well as considering the series's conception, reception, its many tie-in products, and its ongoing afterlife in the decades since its initial broadcast. In so doing, they reveal hidden and overt issues that shaped American culture and ideology of the 1960s. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

IT'S HERE! Pre-Order the 4th installment of the Ashtown Burial Series at ashtownburials.com.After Nate makes Nolan fanboys mad, the guys discuss all things Camelot, including key questions such as:why Camelot is basically the story of King David again,how cool Merlin is (whether baptized demon-spawn or not),how the French eventually ruined King Arthur,whether Galahad is the gayest of the Knights of the Round Table,why the courtly love ideal is Victorianized and effeminate,whether Malcolm Guite's new Arthurian Galahad epic is like eating 10 pounds of dark chocolate in one sitting,compare all of the above to Monty Python's Holy Grail and Disney's Sword in the Stone,why Edmund Spenser's Faerie Queene is better than Malory's Morte d'Arthur, and more.Plus, SASF's "Make me famous" segment returns with three pitches Nate does not like.

Hoy hablaremos de lluvias, viajes y leyendas. Comenzaremos con la historia del paraguas; después prepararemos una taza de té para recorrer su camino dese China hasta los salones británicos; más tarde entraremos en Camelot para recordar al Rey Arturo; y cerraremos con La Odisea de Christopher Nolan, donde los dioses se encuentran con la tecnología IMAX. See omnystudio.com/listener for privacy information.

I'm joined with musical theatre lovers, David LaFontaine and Christian Garcia to talk about queer themes in a selection of movie musicals. We discuss "Camelot," "Cabaret," "The Wiz," "Dreamgirls," "The Phantom of the Opera," and "Wicked." On YouTube, check out David's channel @LGBTQClassicLiterature⁩ and Christian's channel @ThatOlGayClassicCinema⁩ .

The classic Arthurian story is given a Pagan spin, where the adherents of the Goddess of the Old Religion--lead by Vivian, the Lady of the Lake, and her chosen successor Morgaine--are at odds with the growing Christian religion of Glastonbury and Camelot. Everyone hopes that Arthur will be the one true king to unite the two faiths into one nation, but, well, we all know how that turns out. This tv miniseries adaptation of Marion Zimmer-Bradley's extremely popular novel is lusciously designed for its time, but the story falls apart in the second half, not only skipping large portions of the book, but rewriting it in ways that I found frustrating. Starring Julianna Margulies, Anjelica Huston, Joan Allen, Samantha Mathis, Edward Atterton and Michael Vartan. Written by Gavin Scott from the book by Marion Zimmer Bradley. Directed by Uli Edel. CW: contains a brief discussion of the child sexual abuse allegations against Bradley and her ex-husband. This is a preview of the latest episode of our series Hollywood Avalon. To hear the entire episode, join the Mary Versus the Movies patreon for $3/month to hear this and the entire series Hollywood Avalon: https://www.patreon.com/maryvsmovies. 

After years of promising (threatening?) we bring you our bonus episode on Quest for Camelot. Join us as we discuss a lackluster female protagonist, annoying dragons, and a confusing mishmash of tones.  IG & FB: @boozeandbuffy Email: boozeandbuffy@gmail.com Art Credit: Mark David Corley  Music Credit: Grace Robertson

Terry Austin is an award-winning inker, known for his crisp, sharp lines and distinctive style. He has been in the industry for decades and has, most notably, illustrated Batman, the X-Men, Green Lantern, Camelot 300, X-Men/Teen Titans, and so many more. I'm not gonna even tell you more; go look him up. You'll be very, very impressed, I can tell you.

In this episode we have Shawn Shaw, founder and CEO of Camelot Energy Group, discussing energy storage and renewable energy development. Shawn explained how Camelot helps investors, asset owners, and project developers build reliable clean energy projects, highlighting challenges with community resistance to renewable energy installations including over 200 energy storage moratoria across the United States. The conversation covered technical aspects of energy storage safety, with Shawn sharing that commercial and utility-scale batteries experience fires at approximately 0.3% per year, similar to residential house fires, and discussing how safety standards have improved significantly since incidents like the Moss Landing fire. They also explored historical perspectives on energy storage, from medieval mill ponds to modern battery technology, and discussed how energy storage benefits extend beyond renewable energy integration to improving grid reliability regardless of energy source. Shawn mentioned his recent book publication on energy storage systems by the International Code Council and his work training professionals through Heat Spring platform, while both participants agreed to potentially collaborate on future podcast episodes covering the history of energy storage Topics Covered Camelot Energy Group www.camelotenergygroup.com Moss Landing Incident Thermal Runaway History of Energy Camelot Name Origin King Arthur Inspiration Medieval Energy Storage Mill Pond History Genghis Khan Energy Firefighter Training Project Development Investor Decision-Making Clean Energy Mission Big Bang Philosophy Electricity Bill Costs Grid Infrastructure Overbuilding BESS = Battery Energy Storage System AHJ = Authority Having Jurisdiction UL 9540A Reach out to Shawn Shaw here: LinkedIn: www.linkedin.com/in/shawnshawpe Website: www.camelotenergygroup.com Email: shawn.shaw@camelotenergygroup.com   Learn more at www.solarSEAN.com and be sure to get NABCEP certified by taking Sean's classes at www.heatspring.com/sean www.solarsean.com/esip

This episode we are joined by performer Matthew Curiano! Matthew is currently starring in Masquerade and was last seen off-Broadway in This is Not a Drill at the York Theatre. His regional and tour credits include Nine, Ragtime, Camelot, Something Rotten Les Miserables and Annie. Matt is also the co-creator of The Homo Sapien Experience, with The Theater Enthusiast Podcast alum Brandon Contreras, which an a Telly Awarding winning Queer sketch comedy platform that shares stories of the human experience with the emphasis on "Homo."We speak with Matt about what got him into performing, working on Masquerade and his journey with the show, co-creating The Homo Sapien Experience, and much more!

We at WKXL's NH Unscripted are always trying to find ways to entice our audience to go out and have dinner and see a show. Today we're going to introduce you (or re-introduce) to the shows and songs that got us all goosebumpily about seeing the shows live. And so we give you: “ The Shows That Got Us Off The Couch And Into The Theater”. First up is the overtures from the Broadway show during the years 1960-1969. Think “Camelot”, “How to Succeed in Business Without Really Trying”, “Fiddler on the Roof”, “My Fair Lady”, etc.(NH Unscripted airs M/W/F @ 9am on 1450AM/103.9FM Concord and 101.9FM Manchester)

Andria Vidler, the CEO of Allwyn UK - the operator of the National Lottery - has warned the British public risks losing it, unless it innovates. Allwyn took over the running of the National Lottery from Camelot in 2024, and it had pledged to double the amount if gives to good causes from 33 million pounds to 60 million pounds. But Vidler told Felicity Hannah that its future is at stake, if it doesn't continue to change and adapt at speed. Part of this is the UK launch of Powerball, the first time the American lottery has been offered outside the United States. Unlike EuroMillions, its jackpots are uncapped and can rise into the hundreds of millions. The interview also examines whether the National Lottery should be treated differently from other forms of gambling. Vidler rejected suggestions that draw-based games contribute significantly to gambling harm, arguing that waiting for a result removes the cycle of instant gratification associated with more addictive products. She also defended the lottery's £500 weekly online deposit limit, saying most players spend nowhere near that amount and fewer than 2 per cent show any indication of problematic play. Allwyn has introduced over 100 new games in the last year.Vidler has also called on the government to close a regulatory loophole which she says allows online prize draws to compete without paying lottery duty or contributing to good causes. Vidler claims that house raffles, car competitions and other online prize draws are “cloaking themselves in lottery disguise” and exploiting legislation intended for small society lotteries. “They will steal our lunch if we're not careful,” she warned, arguing that Britain should return to a model centred on one National Lottery in order to maximise returns to good causes.Presenter: Felicity Hannah Producer: Olie D'Albertanson Editor: Henry Jones00:00 Sean and Fliss introduce the pod 03:17 Andria joins BBI, discusses 2024 takeover 06:07 The Gambling Commission investigation 10:01 Good causes target and cost of living 14:42 Problem gambling and player protection 17:23 The shift to digital 21:17 Powerball launch 22:38 Prize draw competition and the loophole 26:02 Future of National Lottery is uncertain if it doesn't innovate 32:45 Career, AI, cyber security and women in leadership

In this episode of the podcast, Tali and Evi dig into a few pain points that have emerged for the community recently, along with the current "anti-parent M+" discourse, their experiences with 12.0.7, and the 12.1 story currently on the PTR.SPOILER ALERT: We discuss the 12.1 story in depth from 00:58:30 to 01:23:00, please avoid if you are spoiler-averse!

Candidates backed by New York Mayor Mamdani made a big statement in yesterday's primary. Could this pave the way for more Democratic Socialists? ... JFK's only grandson was one of the big losers in the NY primary. Where does that leave the legacy that a lot of people used to call Camelot?    Learn more about your ad choices. Visit podcastchoices.com/adchoices

Leak season has begun and we sink our teeth into the purported Blizzard product, 'Camelot' . Listen in as the Countdown crew disects the latest news and turns cope into dope.Buy Josh a beer & help keep Countdown on the airwaves over at Patreon here: https://www.patreon.com/joshcorbett Or if subscriptions aren't your thing, support Josh & Countdown by shouting him a one time beer here: https://ko-fi.com/countdowntoclassicCheck out Josh on YouTube for gameplay streams and live podcast recordings here:https://twitch.tv/countdownpodshttps://www.youtube.com/@countdowntoclassicJoin the Countdown To Classic discord here: https://discord.gg/83thqw2fBwListen To Josh & Jason's short lived rockumentary podcast, 'Best.Album.Ever' here: https://www.spreaker.com/podcast/best-album-ever--6195482Check out Josh's hilarious movie podcast here: https://open.spotify.com/show/469qUDnQHBkCogdjZyFUjb?si=jNgDTiEnSvKBbZuNz2xcxw

THE TABLE ROUND Chap 12 - Of The Questing Beast  Audio drama in the age of Arthur! In the 12th chapter of our saga, it is a still and misty morning at Camelot. As a luxuriating sun warms the horizon, most folk are still in their bed, heedless to the king hurrying silently through the castle, hand in hand with his queen; none suspecting quite what a fateful day it will turn out to be. 

This month on Magus we're discussing maybe the most influential wizard of all time, and a true original - it's only flippin' Merlin!We track his development through prehistory via the archetype of the "Lord of Ecstasy" - a deific entity who appears in mythologies from all over the world.In addition to exploring his British precedents in the form of the Northern and Scots Lowland wild man of the woods Lailoken and the Welsh version of that same character in the form of Myrddin Wyllt, we also marinade ourselves in the swell of "Arthurian" stories that rose and sloshed about across the Medieval era.After he's given the name 'Merlinus' by Geoffrey of Monmouth though, Merlin becomes central to not just tales of Camelot but the propaganda of a slew of European kings.We track how, across the British Isles, his identity continues to twist and mutate - befitting the Latin title of his forebears, homo silvaticus. Though at the same time, across the English Channel, the French and central European courts thought of Merlin as one of the great masters of 'Natural Magic.' Born of a demon and a virgin princess, to alchemists and occultists from Cornelius Agrippa to the Brotherhood of the Golden Dawn he was the first building block of an extensive and rigorous magical system which offered proponents God-like powers to shape reality.From Thomas Malory to Alfred Lord Tennyson, J.R.R. Tolkien to the Disney corporation, he is a cultural emblem whose meaning has only continued to shapeshift.Which is only appropriate really, when you think about it...Speak with you again on Thursday for another triple-bill of fairy tales and chats about them with The Ratcatcher and The True History of Little Golden Hood and The Three Dwarfs!Thumbnail cover art for this episode features "Volkhv" by Andrey Shishkin.Three Ravens is an English myth and folklore podcast hosted by Eleanor Conlon and Martin Vaux.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?REGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURVisit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

May 25, 2026 - This season, we dig into the investigation of the disappearance of Joann Katrinak and her infant son, Alex from Catasauqua, Pennsylvania on December 15, 1994. Become a patron by signing up at www.patreon.com/undisclosedpodLeave us a voice message at www.speakpipe.com/undisclosedSubscribe to our NEW YouTube channel @UndisclosedPodFollow us on Instagram/Facebook @undisclosedpodcastX @undisclosedpod#undisclosed #towardjustice #patriciarorrer #season8 #podcast

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 Worlds are about to collide as Winifred Bambera faces the greatest dilemma of her life. Her lost beloved husband Ancelyn is back - and all hell is about to break loose. Facing armies of darkness and the wrath of the mighty Queen Guinevere, can the course of true love run smooth - just this once? 4.1 Deep Water by Georgia Cook Ancelyn is back! But all is not well in the other-dimensional realm of Albion. Magical assassins have been sent across the cosmic rift to do the bidding of the paranoid Queen Guinevere. Can UNIT save their intended victims in time? And just how will Savarin and Rix survive Bambera's rocky reunion with her knight errant husband? 4.2 Storm Over Albion by Felicia Barker Bambera leads UNIT forces on a dangerous mission to face Guinevere in Camelot. But Ancelyn is declared a traitor to the crown, and the mad queen sees any challenge as an act of aggression. The fates of two worlds hang in the balance... 4.3 Shining Armour by Robert Valentine Sleeping dragons wake, knights and fae clash in the streets of London, and the countdown to the end of all worlds begins!

EXCALIBUR The magical sword Excalibur begins in the hands of Uther Pendragon, but years later, it finds its way to his bastard son Arthur, the knave destined to become king. With the help of the mysterious Merlin, Arthur rises to fulfill his fate, bringing together the Knights of the Round Table at Camelot and unifying the country. But even a legendary king is still a man, and Arthur must face love, betrayal, the search for the Holy Grail, and the fight to save the kingdom he was born to rule. Craig, Alan and Elisabeth talk about Arthurian Legend, the timeless Helen Mirren, panels at Comicpalooza and the movie “Excalibur” on this week's Matinee Heroes! Show Notes 1:00 Craig and Alan discuss all the panels they will be at for Comicpalooza 2026 13:02 Craig, Alan and Elisabeth discuss "Excalibur." 49:08 Recasting 1:15:03 Double Feature 1:18:30 Final Thoughts 1:25:18 A preview of next week's episode "The Last Duel." Next week, it's like three movies in one as we discuss "The Last Duel."

Nick is joined by Rishi Persad to look at today's racing headlines. Rishi is at York, where we are joined by rider Tom Marquand, who gives his thoughts on his key rides this week, which include Morshdi in the Dante, On the theme of Derby Trials, data and time expert James Willoughby runs the rule over the Derby Trials thus far, and articulates the case for Constitution River to run in France rather than at Epsom. Also today, Adrian Bott on the freak stingray injury that will keep Lady of Camelot away from Ascot, plus news of Sir Delius and a possible trip to Hong Kong. Back at York, Tattersalls' Jason Singh on 41 years of Musidora sponsorship, and Gavin Pattison on facilities upgrades for 2026. JA McGrath has the latest on the HK beat, while Nick and Rishi assess the latest pronouncements on affordability checks from the Gambling Commission's Tim Miller.

Nick is joined by Rishi Persad to look at today's racing headlines. Rishi is at York, where we are joined by rider Tom Marquand, who gives his thoughts on his key rides this week, which include Morshdi in the Dante, On the theme of Derby Trials, data and time expert James Willoughby runs the rule over the Derby Trials thus far, and articulates the case for Constitution River to run in France rather than at Epsom. Also today, Adrian Bott on the freak stingray injury that will keep Lady of Camelot away from Ascot, plus news of Sir Delius and a possible trip to Hong Kong. Back at York, Tattersalls' Jason Singh on 41 years of Musidora sponsorship, and Gavin Pattison on facilities upgrades for 2026. JA McGrath has the latest on the HK beat, while Nick and Rishi assess the latest pronouncements on affordability checks from the Gambling Commission's Tim Miller.

Welcome back to the final installment of my interview with John Glynn, author of the brand new novel “The Lost Book of Lancelot,” a queer retelling of the legend of Camelot–think Heated Rivalry set in King Arthur's court.John is also the author of “Out East: Memoir of a Montauk Summer” that oprah.com called "A moving account of the particular sort of loneliness that descends when you know you're unhappy but don't quite know why."In addition to being an author and freelance writer, John is the editorial director of Hanover Square Press, an imprint of HarperCollins.In today's episode we're talking about where John's throughline may be leading him next and we'll also talk about some lighter, yet still vitally important topics, like what he's been watching, reading, listening to, and fantasizing about eating lately.We covered:- Toying with two different ideas on what book to work on next- The memoir he reads a few pages of before he sits down to write- How he's navigating this really busy time of promoting a new book while also working full-time- Why he drinks iced coffee year round- The brand new memoir he stayed up too late to finishConnect with John on Instagram at @glynner85.For full show notes with links to everything we discuss, plus bonus photos!, visit katehanley.substack.com.Thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Richards (1953–) is a convicted murderer serving life without parole in California State Prison, SolanoWikipedia's W.svg at Vacaville, California.[1] He prefers to be known as "Captain" Richards, although he never served in the military. After graduating from high school in 1971, he attended the College of Marin and then graduated from Dominican College in San Rafael in 1976. He has spun multiple bizarre yarns about his service in the so-called "Secret Space Program" battling alien forces, in addition to his imaginary service in the US NavyInvestigation by a journalist from the Marin Independent Journal revealed a dimension to the murder that was literally incredible. The writer, Erik Ingram, reported that behind the Baldwin murder "may be a secret organization, called Pendragon, that appeared to be planning an armed takeover of Marin." Ingram reported that police detectives had retrieved from Richards' home maps, aerial photographs of Marin County, plans for a laser-gun, instructions for the construction of machine-guns, and "notebooks containing references to a new form of government." He wrote that behind the Baldwin murder "may be a secret organization, called Pendragon, that appeared to be planning an armed takeover of Marin."In the weeks that followed, a number of witnesses came forward with stories indicating that the Pendragon group in fact existed. Crossie Hoover told investigators that one of the inducements to the murder was Richards' promise to appoint him Duke of Angel's Island. It appears that Richards fantasized about converting Marin County into a version of King Arthur's Camelot, with himself as King. He allegedly promoted plans in meetings with his workers to take over Marin County by destroying the Golden Gate and Richmond-San Rafael bridges and placing a laser gun on top of Mount Tamalpais. Carl Shapiro, a San Anselmo attorney representing Richards, asserted that the documents found by the police were research materials for a science-fiction book (Imperial Marin) that Richards was writing. The prosecution countered that regardless of Richards's writing, he used the Pendragon material to manipulate Hoover into committing the murder. Starting in November 2013, Richards became a major source for conspiracy theorist Kerry Cassidy. On that date Cassidy conducted a 1h 18m video interview[2] at the prison in Vacaville. Cassidy regards Richards as an important whistleblower exposing the "Secret Space Program." She has said that he was framed for the Baldwin murder, and that he is imprisoned by the Illuminati-Draco run planetary government.[3][note 1] At the time of writing Cassidy says she has conducted nine interviews with Richards, for an aggregate time over 14 hours. Since recording devices are not allowed in the prison, the normal format of these videos is Cassidy speaking to camera recalling what was said immediately after her meeting with the convict. Her tenth Interview with Richards was released in March, 2019.Much of the material consists of tales of personal heroism, as Richards commands exotic space battleships fighting and defeating aliens. He commanded an Orion battleship at the asteroid Vesta in August 1979. Soon after that, he led an attack against aliens to reclaim a secret base at Dulce, New Mexico. The aliens had violated a treaty and abducted humans for experimentation.[4]Richards claims that he was on active duty at the age of 13, with a high security clearance. After graduating from high school, Richards said he became an Army officer flying helicopters in Vietnam and later became a Navy Captain. He also claims to be a Rhodes Scholar with several advanced degrees and to be a member at the highest levels of the Republican National Committee. Neither Cassidy or Richards have provided documentation to support his claims.[5]Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Meet my friends, Clay Travis and Buck Sexton! If you love Verdict, the Clay Travis and Buck Sexton Show might also be in your audio wheelhouse. Politics, news analysis, and some pop culture and comedy thrown in too. Here’s a sample episode recapping four takeaways. Give the guys a listen and then follow and subscribe wherever you get your podcasts. Preventable Crime Deaths Trump pauses the cabinet meeting to reference the killing of Sheridan Gorman, the 18‑year‑old college student murdered in Chicago by an illegal immigrant. Clay and Buck then detail another shocking case out of New York City involving 83‑year‑old Air Force veteran Richard Williams, who was shoved to his death on subway tracks by an illegal immigrant who had been deported multiple times and had an extensive criminal record. The hosts stress that both crimes were entirely preventable and argue that sanctuary policies are directly responsible. Buck explains that these incidents are not happening in high‑crime zones but in places traditionally considered safe—such as the Upper East Side of Manhattan—demonstrating how far the problem has spread. Clay and Buck argue Democrats refuse to cooperate with federal immigration authorities even when dealing with violent repeat offenders, choosing ideology over public safety. They stress that illegal immigrants who commit crimes should never be shielded from deportation and that the murder rate of Americans by illegal immigrants should be zero. Manipulating the System Investigative journalist Alex Berenson, who joins the program to discuss what Clay calls one of the most enraging crime stories of the year: a horrific Seattle case involving a repeat violent offender who allegedly murdered an elderly woman during a carjacking and then stabbed her dog to death, only to have his prosecution delayed indefinitely due to claims of mental incompetence. Berenson explains how the suspect, an eight‑time convicted felon with a long criminal record, is now repeatedly cycling between jail and a forensic psychiatric hospital, allegedly stopping his medication to claim incompetency and avoid trial. Berenson contrasts this with another highly publicized Seattle murder in which a man allegedly executed a pregnant woman in her car and was later allowed to plead not guilty by reason of insanity—potentially avoiding permanent incarceration altogether. The discussion highlights what Berenson and the hosts see as a broken system that fails to permanently remove clearly dangerous individuals from society, even when guilt is not meaningfully disputed. The Only Sane Democrat Clay and Buck play audio from a pro‑Iran and pro‑Hamas rally in Philadelphia, where speakers openly cheered the deaths of U.S. soldiers. They contrast that rhetoric with comments from Senator John Fetterman, who sharply criticizes his own party for being “held hostage by the far left,” condemns the DHS shutdown, and highlights the real‑world suffering of TSA agents who have gone six weeks without paychecks. The hosts discuss how devastating such a pay gap would be for most American families and argue that Democrats are deliberately inflicting airport chaos and financial pain on federal workers as leverage to block immigration enforcement. The conversation grows more urgent with breaking news that an improvised explosive device was discovered at MacDill Air Force Base, home to U.S. Central Command and Special Operations Command. Authorities link the incident to Iran‑inspired extremism, adding to a string of recent attempted terror attacks across the country. Clay and Buck argue that this makes the DHS shutdown—and weakened airport security—especially indefensible at a moment of elevated threat. Kennedy Murder/Suicide? Journalist and New York Times bestselling author Maureen Callahan dishes on the explosive popularity of the Ryan Murphy‑produced JFK Jr. and Carolyn Bessette Hulu series, questioning why the show has captured such a large audience—particularly women—and whether its depiction of the Kennedy legacy is fundamentally dishonest. Maureen Callahan, author of Ask Not and host of The Nerve, offers a blistering critique of the Kennedy mythology, arguing that the series whitewashes a deeply dysfunctional family history and obscures decades of documented abuses, narcissism, and media manipulation. She traces how the “Camelot” myth persists despite overwhelming evidence to the contrary and explains why Hollywood continues to rehabilitate the Kennedy brand. The conversation intensifies when Callahan lays out her controversial theory regarding the death of John F. Kennedy Jr., asserting—based on official investigation records and well‑documented circumstances—that the fatal plane crash may have been a murder‑suicide driven by personal collapse, recklessness, substance use, and untreated psychological distress. She details Kennedy’s lack of qualification for the flight, warnings from other pilots, his failure to follow aviation protocol, near‑collision with a commercial jet, and the broader context of his unraveling marriage, failing business, and collapsing relationships. Clay and Buck emphasize that, provocative as the theory may sound, Callahan’s claims rely on facts contained in official reports rather than speculation. From there, the hosts and Callahan explore why the show resonates so powerfully, pointing to ’90s nostalgia, pre‑internet media culture, and the enduring Cinderella fantasy. They argue that audiences are drawn to a mythologized version of elite romantic tragedy rather than the far darker and more unsettling reality. The discussion compares the Kennedy myth machine to the fascination Americans have with the British royal family, arguing that modern audiences crave comforting narratives even when they are demonstrably false. Make sure you never miss a second of the show by subscribing to the Clay Travis & Buck Sexton show podcast wherever you get your podcasts! ihr.fm/3InlkL8 For the latest updates from Clay and Buck: https://www.clayandbuck.com/ Connect with Clay Travis and Buck Sexton on Social Media: X - https://x.com/clayandbuck FB - https://www.facebook.com/ClayandBuck/ IG - https://www.instagram.com/clayandbuck/ YouTube - https://www.youtube.com/c/clayandbuck Rumble - https://rumble.com/c/ClayandBuck TikTok - https://www.tiktok.com/@clayandbuck YouTube: https://www.youtube.com/@VerdictwithTedCruzSee omnystudio.com/listener for privacy information.