Podcasts about additions

In the early twentieth century, as variety shows flooded Canadian stages, new forms of blackface, inspired by modern forms of amusements, changed the theatre. In this era marked by progressive social reforms, the stage embodied the modern ethos of imitation, mimicry, and change. Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919 (Wilfrid Laurier Press, 2026) covers a moment when Canadians did not produce professional theatre, but they built amusement parks, wrote songs, and produced records. As the stage (drama), and its variants (burlesque, light opera) adapted elements from the new stages (amusement parks, social dance, and film), the modern culture popularized forms of blackface that impacted white, Anglo-Protestant, and English-speaking audiences, and drew theatrical criticism. This book explores a twenty-year period in Canada's history when there was no media regulation, and no mandate to promote Canadian culture. Through an examination of theatrical reviews, images, and textual records, Staging Blackface in Canada locates how the Canadian stage became a playground for ethnic jokes, racial caricature, and women's emancipation. It also locates some of the first Black musicals and operas to appear on Canadian stages. This episode also mentions a previous Additions to the Archive episode with assistant curator of New York City's Poster House museum, Es-pranza Humphrey, and her exhibition “Act Black: Posters From Black American Stage & Screen.” You can find Cheryl at her website, on Instagram, and on LinkedIn And check out her previous appearances on the Additions to the Archive podcast and Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On today's Weekend Roundup Episode of The Pod At The Palace with Curtis Wilkerson: - Arkansas at goal line with Russian big man - Shah Hall still on the board? - Could Caleb Ourigou be Arkansas' And-1? - One portal, one waiver and international name of note OFFICIAL MERCH: https://insidearkansas.myshopify.com/ #arkansas #razorbacks #football #basketball #baseball #sampittman #johncalipari SHOUTOUT TO OUR SPONSORS: BET SARACEN Arkansas' #1 Sports Betting App! Click link below & use code INSIDEAR250 so when you bet $25, get $250 BONUS! https://sportsbook.betsaracen.com/en-us/sports/mma?referrer=singular_click_id%3Dbc1b71ae-56d0-4f58-9775-c5bd8f6676e9 ----------------------------------------------------------------------------- VICI AESTHETICS AND WELLNESS This episode is brought to you by Vici Aesthetics and Wellness—your go-to destination for looking better, feeling better, and performing at your best. Looking for a personalized longevity protocol?   At Vici they specialize in the latest peptide therapies. Cognitive support, neuro-optimization, skin vitality, & anti aging…they have a range of peptides to target your specific goals. Whatever you may be looking for…peptide therapies will help support tissue repair & athletic recovery! They also have advanced aesthetic treatments like Botox, fillers, laser services, and body contouring—all designed to enhance your natural look with real, lasting results.  But they don't stop there—they also specialize in total wellness, with services like medical weight loss, testosterone replacement therapy, vitamin B megaburn, and more! All the services to help you optimize your energy, health, and confidence! Ready to look, feel, and perform at your best? Hit up Vici Aesthetics and Wellness today and tell them the fellas from Inside Arkansas sent you! Visit viciaestheticsandwellness.com! OZK INSURANCE One thing that really sets OZK Insurance apart is this — they're an independent insurance agency. That means they're not tied to just one company. They shop a multitude of A-rated carriers to find the best coverage and price for you — and now, they've paired that with something you don't usually see from an independent agency… a full-service mobile app. With the OZK Insurance App, you can see all your policies under one roof — home, auto, whatever you have — plus pay bills, request roadside assistance, file claims, request policy changes, or even get new quotes, all from your phone. So you get the best part of an independent agent — choice, flexibility, real people — and the convenience of modern tech. If you're tired of being stuck with one carrier or chasing down paperwork, go to OZKInsurance.com or search OZK Insurance in the App Store or Google Play. Local agency. National-level options. One powerful app. That's OZK Insurance. BLUE EMBER SMOKEHOUSE Blue Ember Smokehouse is a family owned smokehouse specializing in handcrafted BBQ!  From tender brisket to home cooked sides, you'll find a hearty meal for every member of the family. They operate the Blue Ember way, buying only the highest quality meats, applying their signature blend of spices and slowly smoking in their wood-only pits.  They allow the meats to rest to ensure optimal tenderness and cut in front of the customer to provide transparency and satisfaction in every bite! Blue Ember also caters any events! Weddings, parties, business meetings, any gathering where a group of people need to be fed amazing BBQ, Blue Ember has you covered! Please contact individual stores for more info and specific pricing.  INSIDE ARKANSAS WILL BE LIVE AT ROGERS LOCATION THE 1st WEDNESDAY OF EVERY MONTH! https://www.blueembersmokehouse.com/ West Little Rock-(501) 448-2886 Hot Springs-(501) 431-0574 Jonesboro-(870) 933-7058 Fort Smith-(479) 551-2999 Rogers-(479) 335-2170 Texarkana-(903) 832-1937 Thank you for supporting your local Blue Ember Smokehouse! Learn more about your ad choices. Visit megaphone.fm/adchoices

McMaster and Schaefer break down the new additions to Nebraska football this year.

Penn State football added two commitments this week while a pair of prospects left the recruiting class. What stands out about those developments and who are the names to know entering another official visit weekend? Plus, future Nittany Lions soar in 247Sports prospect rankings. Enjoy complete Penn State coverage anytime at Lions247.com. Follow the team on X: @Lions247 @TDsTake @tyler_calvaruso @danieljtgallen @MarkXBrennan. Follow or subscribe to the Lions247 Podcast on Spotify, Apple Podcasts, Stitcher, or wherever you get your podcasts. And watch every episode on YouTube.

If we wanna win big we need a great team for that

In 1945, Charlie Trammell steps off a cross-country train into the vibrant tapestry of Los Angeles. Lured by his cousin Marguerite's invitation to the esteemed West Adams Heights, Charlie is immediately captivated by the Black opulence of L.A.'s newly rechristened “Sugar Hill.”Settling in at a local actress's energetic boarding house, Charlie discovers a different way of life—one brimming with opportunity—from a promising career at a Black-owned insurance firm, the absence of Jim Crow, to the potential of an unforgettable romance. But nothing dazzles quite like James “Reaper” Mann.Reaper's extravagant parties, attended by luminaries like Lena Horne and Hattie McDaniel, draw Charlie in, bringing the milieu of wealth and excess within his reach. But as Charlie's unusual bond with Reaper deepens, so does the tension in the neighborhood as white neighbors, frustrated by their own dwindling fortunes, ignite a landmark court case that threatens the community's well-being with promises of retribution.Told from the unique perspective of a young man who has just returned from a grueling, segregated war, The Great Mann (Crown, 2025) is a poignant reimagining of F. Scott Fitzgerald's The Great Gatsby set amongst L.A.'s Black elite weaves a compelling narrative of wealth and class, illuminating the complexities of Black identity and education in post-war America. You can find Kyra on Instagram, Threads, and TikTok. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1945, Charlie Trammell steps off a cross-country train into the vibrant tapestry of Los Angeles. Lured by his cousin Marguerite's invitation to the esteemed West Adams Heights, Charlie is immediately captivated by the Black opulence of L.A.'s newly rechristened “Sugar Hill.”Settling in at a local actress's energetic boarding house, Charlie discovers a different way of life—one brimming with opportunity—from a promising career at a Black-owned insurance firm, the absence of Jim Crow, to the potential of an unforgettable romance. But nothing dazzles quite like James “Reaper” Mann.Reaper's extravagant parties, attended by luminaries like Lena Horne and Hattie McDaniel, draw Charlie in, bringing the milieu of wealth and excess within his reach. But as Charlie's unusual bond with Reaper deepens, so does the tension in the neighborhood as white neighbors, frustrated by their own dwindling fortunes, ignite a landmark court case that threatens the community's well-being with promises of retribution.Told from the unique perspective of a young man who has just returned from a grueling, segregated war, The Great Mann (Crown, 2025) is a poignant reimagining of F. Scott Fitzgerald's The Great Gatsby set amongst L.A.'s Black elite weaves a compelling narrative of wealth and class, illuminating the complexities of Black identity and education in post-war America. You can find Kyra on Instagram, Threads, and TikTok. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Ben Cherington spoke about potentially adding to the bullpen. Poni and Mullsy break down the GM's comments. Ken Rosenthal said that the Pirates are one of the busier teams trying to add a bullpen arm. What would it take for the Pirates to reunite with former closer Aroldis Chapman? Did the World Baseball Classic change how Paul Skenes prepped this season? It was a dismissed thought last week. Now, Ben Cherington said that the WBC threw Skenes off, which could explain why Skenes has not been as dominant this year. The Donny Football Debrief: Mullsy brings up hockey and not me. Pens fans are very protective of Ben Kindel. Mike Babcock will be Connor McDavid's next head coach even though Columbus fired him for going through his players' phones. Brendan Sorsby is back in the NCAA.

Rich Oris takes listener calls on planning a ranch-house addition with vaulted ceilings, troubleshooting a 1950s tub faucet that won't shut off, and solving foundation water problems through better gutters, downspouts, grading, drain lines, and exterior maintenance.

(0:00) The second hour of the show begins with caller additions to Mazz' Tiers.(15:20) Reactions from the Knicks winning Game 1 of the NBA Finals on Wednesday night.(24:36) The guys continue taking calls on Mazz' Tiers.(33:27) The hour closes with reactions to the Red Sox struggles and more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It's a word that Elizabeth Pryor has not only contemplated, it's one that she has taught and observed up close.When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor's worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn't thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.A braided narrative that seamlessly integrates the history of the N-word with Elizabeth's own story of growing up the Black Jewish daughter of Richard Pryor, Something We Said: Richard Pryor, a Notorious Word and Me (37 Ink, 2026) follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map. You can find Elizabeth on her website, Instagram, and TikTok. Her viral Ted talk, “Why it's so hard to talk about the N-word,” is here. And Richard Pryor: Live in Concern (1979) can be streamed on YouTube.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Sponsored by thegalindocollective.com - Keff Ciardello breaks down the big announcement from Texas State on Monday that the Bobcats will add women's gymnastics to its athletics department starting in 2028, making Texas State University the only Division I gymnastics program in Texas. Plus, baseball season ends in the College Station Regional and football continues to add JUCO linemen for the 2026 season.

Welcome to a long-awaited episode of Fratello On Air! Well, at least we're excited to be back. It's been a while, meaning we'll cover some recent news from the watch industry, sneaker landscape, television, and even our personal lives. We look forward to catching up with you!It's been nearly two months since we last published an episode of Fratello On Air. Yes, that's too long, but life has gotten in the way. It's mainly Mike who has had a crazy travel schedule, with just 36 hours spent in the UK in April. Balazs has been at the ready, but just seven weeks ago, he became a father as his daughter was born (on RJ's birthday, no less!). But here we are, with a full hour to catch up and a plan to visit the airwaves regularly.HandgelenkskontrolleWe actually end our show with the Handgelenkskontrolle, but tradition requires it to open our written recap. At the beginning of the show, we cover a multitude of topics. Of course, we mention travel with Mike doing the lion's share of flying. Multiple trips to the United States, a stop in Switzerland for Watches and Wonders 2026, Germany, and Italy have made the flight plan over the last two months. But don't worry, we've been watching television during flights or sleepless newborn nights. From, Euphoria, Succession, and IT: Welcome to Derry are some of the shows we've been viewing. Regarding shoes, Balazs mentioned the Nike Tennis Classic PRM, a sneaker with surfaces inspired by watch straps. Meanwhile, Mike has purchased a lively pair of New Balance 992s for the summer. For the Handgelenkskontrolle, Mike is wearing his modern, dark blue 42mm Breitling SuperOcean. Balazs is wearing the watch he had on during his daughter's birth, his beloved Rolex GMT-Master 1675.Catching up on the newsOf course, we discuss the Audemars Piguet × Swatch Royal Pop. While he's not in love with the watch, he feels that it's one of the most significant happenings in watch history. That's a bold take! We also spend time talking about the new and pre-owned watch market in general. Balazs also mentions a recently auctioned Cartier-signed Piaget dual time, which sold for a wild amount of money. Mike's longtime favorite, the Cartier Tank Normale, also makes an appearance. Regarding recent acquisitions, Balazs has a new Grand Seiko waiting for him in the UK. Mike has gone in a very different direction with a vintage Bulova Accutron Spaceview. Despite numerous concerns about the reliability of these pieces, the watch has run perfectly for nearly two months. It even visited Watches and Wonders! This watch prompts a lovely story about Roger Smith, who owns a cantankerous version of the watch.We hope you enjoyed this episode of Fratello On Air. We promise to be back much sooner next time. Thanks for listening and, as always, if you have ideas for future shows, let us know!

The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It's a word that Elizabeth Pryor has not only contemplated, it's one that she has taught and observed up close.When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor's worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn't thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.A braided narrative that seamlessly integrates the history of the N-word with Elizabeth's own story of growing up the Black Jewish daughter of Richard Pryor, Something We Said: Richard Pryor, a Notorious Word and Me (37 Ink, 2026) follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map. You can find Elizabeth on her website, Instagram, and TikTok. Her viral Ted talk, “Why it's so hard to talk about the N-word,” is here. And Richard Pryor: Live in Concern (1979) can be streamed on YouTube.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It's a word that Elizabeth Pryor has not only contemplated, it's one that she has taught and observed up close.When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor's worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn't thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.A braided narrative that seamlessly integrates the history of the N-word with Elizabeth's own story of growing up the Black Jewish daughter of Richard Pryor, Something We Said: Richard Pryor, a Notorious Word and Me (37 Ink, 2026) follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map. You can find Elizabeth on her website, Instagram, and TikTok. Her viral Ted talk, “Why it's so hard to talk about the N-word,” is here. And Richard Pryor: Live in Concern (1979) can be streamed on YouTube.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It's a word that Elizabeth Pryor has not only contemplated, it's one that she has taught and observed up close.When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor's worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn't thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.A braided narrative that seamlessly integrates the history of the N-word with Elizabeth's own story of growing up the Black Jewish daughter of Richard Pryor, Something We Said: Richard Pryor, a Notorious Word and Me (37 Ink, 2026) follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map. You can find Elizabeth on her website, Instagram, and TikTok. Her viral Ted talk, “Why it's so hard to talk about the N-word,” is here. And Richard Pryor: Live in Concern (1979) can be streamed on YouTube.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It's a word that Elizabeth Pryor has not only contemplated, it's one that she has taught and observed up close.When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor's worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn't thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.A braided narrative that seamlessly integrates the history of the N-word with Elizabeth's own story of growing up the Black Jewish daughter of Richard Pryor, Something We Said: Richard Pryor, a Notorious Word and Me (37 Ink, 2026) follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map. You can find Elizabeth on her website, Instagram, and TikTok. Her viral Ted talk, “Why it's so hard to talk about the N-word,” is here. And Richard Pryor: Live in Concern (1979) can be streamed on YouTube.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It's a word that Elizabeth Pryor has not only contemplated, it's one that she has taught and observed up close.When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor's worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn't thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.A braided narrative that seamlessly integrates the history of the N-word with Elizabeth's own story of growing up the Black Jewish daughter of Richard Pryor, Something We Said: Richard Pryor, a Notorious Word and Me (37 Ink, 2026) follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map. You can find Elizabeth on her website, Instagram, and TikTok. Her viral Ted talk, “Why it's so hard to talk about the N-word,” is here. And Richard Pryor: Live in Concern (1979) can be streamed on YouTube.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It's a word that Elizabeth Pryor has not only contemplated, it's one that she has taught and observed up close.When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor's worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn't thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.A braided narrative that seamlessly integrates the history of the N-word with Elizabeth's own story of growing up the Black Jewish daughter of Richard Pryor, Something We Said: Richard Pryor, a Notorious Word and Me (37 Ink, 2026) follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map. You can find Elizabeth on her website, Instagram, and TikTok. Her viral Ted talk, “Why it's so hard to talk about the N-word,” is here. And Richard Pryor: Live in Concern (1979) can be streamed on YouTube.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It's a word that Elizabeth Pryor has not only contemplated, it's one that she has taught and observed up close.When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor's worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn't thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.A braided narrative that seamlessly integrates the history of the N-word with Elizabeth's own story of growing up the Black Jewish daughter of Richard Pryor, Something We Said: Richard Pryor, a Notorious Word and Me (37 Ink, 2026) follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map. You can find Elizabeth on her website, Instagram, and TikTok. Her viral Ted talk, “Why it's so hard to talk about the N-word,” is here. And Richard Pryor: Live in Concern (1979) can be streamed on YouTube.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Silver and Kruegs dive into the possibility of Joey Bosa joining the 49ers and whether he's a good fit for the team. The hosts also discuss the 49ers' young players, including Jacob Cowing and Kaelon Black, who are making a strong impression in OTAs. The conversation touches on the 49ers' offense, which is looking promising with the addition of new receivers and a healthier Brock Purdy. See omnystudio.com/listener for privacy information.

Silver and Kruegs dive into the possibility of Joey Bosa joining the 49ers and whether he's a good fit for the team. The hosts also discuss the 49ers' young players, including Jacob Cowing and Kaelon Black, who are making a strong impression in OTAs. The conversation touches on the 49ers' offense, which is looking promising with the addition of new receivers and a healthier Brock Purdy. See omnystudio.com/listener for privacy information.

Mike is not excited about any of these names.

In his first work of nonfiction, poet chaun webster blends memoir, archival research, visual poetics, and cultural criticism to trace the ways structural anti-Black violence has shaped his inheritance, and grapples with the question of how to know—and mourn—the kin he was never able to meet.webster is particularly drawn to his grandfather Reginald, who worked for years as a Pullman porter, who was denied rest while his labor enabled rest for others, and who died without receiving a pension before webster was born. Returning to the figures of Reginald and the train, webster explores the relationship between comportment and confinement, speaking in tongues in the Pentecostal church, the ancestral meeting place of dreams, his fraught relationship with his mother, and moments with his own child. Throughout, webster also reflects on nonbiological kinship, tethering his and his predecessors' lives to those of several historical Black figures—Harriet Jacobs, John Henry, Henry “Box” Brown, and Henry Dumas, a writer who was killed by New York City police while riding the subway.Attempting to exhaust the possibilities of the sentence and the grammar of anti-Blackness, webster riffs and rails on the debris within reach. Part elegy, part archival detective story, and part visual poem, Without Terminus: untraining an archive (Greywolf, 2026) is a philosophically rigorous and deeply moving text that takes us beyond the archive of loss. You can find the works chaun references during our conversation, as well as a further discussion about literary form, at the Additions to the Archive Substack. Follow chaun webster on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In his first work of nonfiction, poet chaun webster blends memoir, archival research, visual poetics, and cultural criticism to trace the ways structural anti-Black violence has shaped his inheritance, and grapples with the question of how to know—and mourn—the kin he was never able to meet.webster is particularly drawn to his grandfather Reginald, who worked for years as a Pullman porter, who was denied rest while his labor enabled rest for others, and who died without receiving a pension before webster was born. Returning to the figures of Reginald and the train, webster explores the relationship between comportment and confinement, speaking in tongues in the Pentecostal church, the ancestral meeting place of dreams, his fraught relationship with his mother, and moments with his own child. Throughout, webster also reflects on nonbiological kinship, tethering his and his predecessors' lives to those of several historical Black figures—Harriet Jacobs, John Henry, Henry “Box” Brown, and Henry Dumas, a writer who was killed by New York City police while riding the subway.Attempting to exhaust the possibilities of the sentence and the grammar of anti-Blackness, webster riffs and rails on the debris within reach. Part elegy, part archival detective story, and part visual poem, Without Terminus: untraining an archive (Greywolf, 2026) is a philosophically rigorous and deeply moving text that takes us beyond the archive of loss. You can find the works chaun references during our conversation, as well as a further discussion about literary form, at the Additions to the Archive Substack. Follow chaun webster on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his first work of nonfiction, poet chaun webster blends memoir, archival research, visual poetics, and cultural criticism to trace the ways structural anti-Black violence has shaped his inheritance, and grapples with the question of how to know—and mourn—the kin he was never able to meet.webster is particularly drawn to his grandfather Reginald, who worked for years as a Pullman porter, who was denied rest while his labor enabled rest for others, and who died without receiving a pension before webster was born. Returning to the figures of Reginald and the train, webster explores the relationship between comportment and confinement, speaking in tongues in the Pentecostal church, the ancestral meeting place of dreams, his fraught relationship with his mother, and moments with his own child. Throughout, webster also reflects on nonbiological kinship, tethering his and his predecessors' lives to those of several historical Black figures—Harriet Jacobs, John Henry, Henry “Box” Brown, and Henry Dumas, a writer who was killed by New York City police while riding the subway.Attempting to exhaust the possibilities of the sentence and the grammar of anti-Blackness, webster riffs and rails on the debris within reach. Part elegy, part archival detective story, and part visual poem, Without Terminus: untraining an archive (Greywolf, 2026) is a philosophically rigorous and deeply moving text that takes us beyond the archive of loss. You can find the works chaun references during our conversation, as well as a further discussion about literary form, at the Additions to the Archive Substack. Follow chaun webster on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In his first work of nonfiction, poet chaun webster blends memoir, archival research, visual poetics, and cultural criticism to trace the ways structural anti-Black violence has shaped his inheritance, and grapples with the question of how to know—and mourn—the kin he was never able to meet.webster is particularly drawn to his grandfather Reginald, who worked for years as a Pullman porter, who was denied rest while his labor enabled rest for others, and who died without receiving a pension before webster was born. Returning to the figures of Reginald and the train, webster explores the relationship between comportment and confinement, speaking in tongues in the Pentecostal church, the ancestral meeting place of dreams, his fraught relationship with his mother, and moments with his own child. Throughout, webster also reflects on nonbiological kinship, tethering his and his predecessors' lives to those of several historical Black figures—Harriet Jacobs, John Henry, Henry “Box” Brown, and Henry Dumas, a writer who was killed by New York City police while riding the subway.Attempting to exhaust the possibilities of the sentence and the grammar of anti-Blackness, webster riffs and rails on the debris within reach. Part elegy, part archival detective story, and part visual poem, Without Terminus: untraining an archive (Greywolf, 2026) is a philosophically rigorous and deeply moving text that takes us beyond the archive of loss. You can find the works chaun references during our conversation, as well as a further discussion about literary form, at the Additions to the Archive Substack. Follow chaun webster on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Glenn Consor, of Wizards Radio, taps in to talk about the direction of the franchise going forward with the #1 overall pick. Then, the guys enter a discussion surrounding Anthony Davis & Trae Young as well as how they fit into this young Wizards lineup. Finally we hit a discussion on Memorial Day plated before sending you on your way.

“The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn't. ‘If you must call a cop,' we said in those days, ‘for God's sake, make sure it's a white one.' We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, because the black cop had to work so much harder—on your head—to prove to himself and his colleagues that he was not like all the other n******.” James Baldwin (1967) Professor and journalist Steven Thrasher, author of the critically acclaimed The Viral Underclass (one of Kirkus Reviews best books of 2022), explores in The Overseer Class: A Manifesto (Amistad, 2026) what happens when members of historically minoritized groups are selected for high-visibility positions of power within existing institutions—law enforcement, academia, the military, for profit and not-for-profit corporations, and government—under the conditions of a kind of Faustian bargain. This is a conversation, and a book, not to be missed. You can find author Steven Thrasher on Bluesky and Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

“The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn't. ‘If you must call a cop,' we said in those days, ‘for God's sake, make sure it's a white one.' We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, because the black cop had to work so much harder—on your head—to prove to himself and his colleagues that he was not like all the other n******.” James Baldwin (1967) Professor and journalist Steven Thrasher, author of the critically acclaimed The Viral Underclass (one of Kirkus Reviews best books of 2022), explores in The Overseer Class: A Manifesto (Amistad, 2026) what happens when members of historically minoritized groups are selected for high-visibility positions of power within existing institutions—law enforcement, academia, the military, for profit and not-for-profit corporations, and government—under the conditions of a kind of Faustian bargain. This is a conversation, and a book, not to be missed. You can find author Steven Thrasher on Bluesky and Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In hour two of 3 Man Front Sean Fox with Sports Talk 977 joined the show to discuss LSU vs Ole Miss this fall and more. Plus, we continued to break down Will Wade's newest additions, the Super Bowl is headed to Nashville, and read more of your texts! See omnystudio.com/listener for privacy information.

“The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn't. ‘If you must call a cop,' we said in those days, ‘for God's sake, make sure it's a white one.' We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, because the black cop had to work so much harder—on your head—to prove to himself and his colleagues that he was not like all the other n******.” James Baldwin (1967) Professor and journalist Steven Thrasher, author of the critically acclaimed The Viral Underclass (one of Kirkus Reviews best books of 2022), explores in The Overseer Class: A Manifesto (Amistad, 2026) what happens when members of historically minoritized groups are selected for high-visibility positions of power within existing institutions—law enforcement, academia, the military, for profit and not-for-profit corporations, and government—under the conditions of a kind of Faustian bargain. This is a conversation, and a book, not to be missed. You can find author Steven Thrasher on Bluesky and Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Sign up now to access the daily Notre Dame news and recruiting scoop on the Four Horsemen Lounge and all of the premium Notre Dame stories on IrishIllustrated.com!Get your first month for only $1.00 -- sign up today. What's on your mind?Talk about it at the Four Horseman Lounge Sign up for our FREE Notre Dame Newsletter Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Bleav in Celtics host breaks down three potential targets for the the Celtics offseason, including 2 Mid Level Exception and a trade possibility. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

ITB's Eagles beat reporter Andrew DiCecco gives his insights from covering the #Eagles on a daily basis.In this episode, he looks back on the best offseason additions for the #Eagles so far and the impact they should make.► Subscribe to our Patreon Channel for exclusive information not seen or heard anywhere else and become among smartest Birds fans out there (just ask our members!!) + get all of our shows commercial free!!https://www.patreon.com/insidethebirds► Sign up for our newsletter! • Visit http://eepurl.com/hZU4_n.►Support our sponsors!!► Camden Apothecary: https://camdenapothecary.com/► Take Cheers Restore after your last drink or before going to bed and wake up feeling at least 50% better—or your money back. For a limited time get 20% off at CheersHealth.com/BIRDS.Follow the Hosts!► Follow our Podcast on Twitter: https://twitter.com/InsideBirds► Follow Geoff Mosher on Twitter: https://twitter.com/geoffpmosher► Follow Adam Caplan on Twitter: https://twitter.com/caplannfl► Follow Andrew DiCecco on Twitter: https://twitter.com/andrewdiceccoNFL insider veterans take an in-depth look that no other show can offer! Be sure to subscribe to stay up to date with the latest news, rumors, and discussions.For more, be sure to check out our official website: https://www.insidethebirds.com.

In this episode Patrick Broe and Benji Naesen recap stage 9 of the 2026 Giro d'Italia.*Exclusive deals from our trusted partners*

The crew opens with something Indiana fans haven't had in a while during May: actual basketball stuff to look forward to. Between the Peru trip, summer practices, and a roster that finally looks balanced on paper, there's a real sense of momentum around the program.Why the Peru trip could end up being way more important than just “extra games”The hidden value of IU adding “practice body” depth pieces late in the portal cycleHow Darian DeVries may have quietly overachieved in the transfer portalWhy this roster feels fundamentally different from some recent IU teamsThe discussion turns into a surprisingly optimistic conversation about fit, shooting, and actual roster constructionThere's also some fun reflection on the current state of IU athletics overall — from football momentum to the feeling that Indiana is finally showing up in national conversations for positive reasons again.And yes… the guys briefly spiral into memories of the 1992 Final Four loss to Duke, because some wounds apparently never heal.Segment 2: The Big Ten Schedule Is Out… and IU Might've Actually Caught a BreakThe conference opponents are officially set, and the panel wastes no time dissecting what's good, what's dangerous, and what could become sneaky problem spots.A few major themes emerge quickly:Not having to visit Illinois, Michigan, and Michigan State feels enormousWhy this schedule may set up well for a first-year roster still learning how to play togetherThe road games everyone says are “winnable”… but somehow never feel comfortableAn unfortunate amount of skepticism about beating Northwestern despite their roster turnoverWisconsin in Madison somehow turns into its own emotional subplotThe conversation eventually drifts into way-too-early Big Ten record predictions, and suddenly the panel is casually throwing around numbers that would represent Indiana's best conference season in years.Some restraint is attempted. It does not last long.Segment 3: NCAA Tournament Expansion, College Basketball Chaos, and Coach Wants Golf PartnersThe final segment tackles the looming NCAA Tournament expansion debate, and the conversation gets surprisingly thoughtful about what the tournament should actually represent.Topics include:Why expanding the field feels inevitable whether fans like it or notThe biggest issue with the current “First Four” setupA genuinely interesting idea for helping mid-major teams and preserving tournament magicWhy the NCAA still doesn't know how to properly treat smaller schools that earn tournament bidsThe guys accidentally workshop better tournament formats than the NCAA itselfAnd in true offseason fashion, the episode closes with:Indy 500 talksummer basketball planspodcast updatesretirement excitementand Coach Tonsoni openly recruiting Assembly Call listeners to play golf with him around IndianaWhich honestly feels exactly right for a mid-May IU basketball show.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the third hour, Matt Spiegel shared a list of stories that Laurence Holmes missed while he was out on vacation. After that, ABC-7 reporter Mark Schanowski joined the show to discuss the newest additions to the Bulls' front office and what the team will do with the No. 4 overall pick in the NBA Draft.

Matt Spiegel and Laurence Holmes were joined by ABC-7 anchor/reporter Mark Schanowski to discuss the newest additions to the Bulls' front office and what the team will do with the No. 4 overall pick in the NBA Draft.

Sponsored by thegalindocollective.com - The bad blood between Texas State and UTSA spilled onto the diamond this week with the Bobcats getting run-ruled and then shoved by Roadrunners coach Pat Halmark in the post game handshake line. Plus, TXST football keeps adding new players, while men's and women's basketball have a whole new look for 2026 thanks to the transfer portal. Host Keff Ciardello is here to give the rundown.

Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed, and even overly prejudiced, they represented a significant form of Black American cultural development and expression. Since theatrical performances were rarely recorded, and many of the movies that featured all Black casts are now considered “lost films,” films for which no copy is known to survive, advertising posters often provide the only remaining evidence of the most important productions featuring Black performers between the 1870s and 1940s. These posters, and the historic innovations of playwrights, composers, directors, producers, and the Black performers behind them, are the subjects of the exhibition, Act Black: Posters From Black American Stage and Screen, curated by our guest for this episode, Assistant Curator of Collections at New York City's Poster House museum, Es-pranza Humphrey. Act Black: Posters from Black American Stage & Screen is on view at Poster House through September 6, 2026. Exhibition resources are also available via the Bloomberg Connects app until September 6, and at the Poster House online exhibition archive thereafter. Es-pranza's recommended reading list is available at the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed, and even overly prejudiced, they represented a significant form of Black American cultural development and expression. Since theatrical performances were rarely recorded, and many of the movies that featured all Black casts are now considered “lost films,” films for which no copy is known to survive, advertising posters often provide the only remaining evidence of the most important productions featuring Black performers between the 1870s and 1940s. These posters, and the historic innovations of playwrights, composers, directors, producers, and the Black performers behind them, are the subjects of the exhibition, Act Black: Posters From Black American Stage and Screen, curated by our guest for this episode, Assistant Curator of Collections at New York City's Poster House museum, Es-pranza Humphrey. Act Black: Posters from Black American Stage & Screen is on view at Poster House through September 6, 2026. Exhibition resources are also available via the Bloomberg Connects app until September 6, and at the Poster House online exhibition archive thereafter. Es-pranza's recommended reading list is available at the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed, and even overly prejudiced, they represented a significant form of Black American cultural development and expression. Since theatrical performances were rarely recorded, and many of the movies that featured all Black casts are now considered “lost films,” films for which no copy is known to survive, advertising posters often provide the only remaining evidence of the most important productions featuring Black performers between the 1870s and 1940s. These posters, and the historic innovations of playwrights, composers, directors, producers, and the Black performers behind them, are the subjects of the exhibition, Act Black: Posters From Black American Stage and Screen, curated by our guest for this episode, Assistant Curator of Collections at New York City's Poster House museum, Es-pranza Humphrey. Act Black: Posters from Black American Stage & Screen is on view at Poster House through September 6, 2026. Exhibition resources are also available via the Bloomberg Connects app until September 6, and at the Poster House online exhibition archive thereafter. Es-pranza's recommended reading list is available at the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Charlie Burris and Zach Ragan talk about Tennessee basketball and the ceiling of this 2026 team, after some big additions in the transfer portal, including Juke Harris and Terrence Hill. *Do The UT Vols Have A Championship-Caliber Team, After The Transfer Portal Additions?* For more VOLS coverage: https://atozsports.com/nashville/volunteers/ Facebook: https://www.facebook.com/volforlifetn Twitter: https://x.com/BigOrangePod Instagram: https://www.instagram.com/atozsportsvols TikTok: https://www.tiktok.com/@atozsportsvols #tennesseevols #tennesseevolunteers #secfootball Learn more about your ad choices. Visit megaphone.fm/adchoices

Full Show: Bobby Witt Could be MVP, Kansas City Chiefs Possible Additions, Over Reaction Monday, Ned Yost Joins, Josh Vernier Talks Royals full 10178 Mon, 11 May 2026 14:59:57 +0000 8ch26OGqfAcLa23AwUYRUMhtOTwX8yBc nfl,mlb,nba,kansas city chiefs,kansas city royals,sports Fescoe & Dusty nfl,mlb,nba,kansas city chiefs,kansas city royals,sports Full Show: Bobby Witt Could be MVP, Kansas City Chiefs Possible Additions, Over Reaction Monday, Ned Yost Joins, Josh Vernier Talks Royals Fescoe in the Morning. One guy is a KU grad.   The other is on the KU football broadcast team,  but their loyalty doesn't stop there as these guys  are huge fans of Kansas City sports and the people  of Kansas City who make it the great city it is.   Start your morning with us at 5:58am!   2024 © 2021 Audacy, Inc. Sports

Hour 2: Chiefs Possible Additions, Bobby Witt MVP, One Word, Ned Yost Royals Manager full 2878 Mon, 11 May 2026 14:03:08 +0000 A9qyi8632Fg4uhm7CNDqXsj6OdQ0BQh6 mlb,kansas city chiefs,mvp,kansas city royals,bobby witt,ned yost,sports Fescoe & Dusty mlb,kansas city chiefs,mvp,kansas city royals,bobby witt,ned yost,sports Hour 2: Chiefs Possible Additions, Bobby Witt MVP, One Word, Ned Yost Royals Manager Fescoe in the Morning. One guy is a KU grad.   The other is on the KU football broadcast team,  but their loyalty doesn't stop there as these guys  are huge fans of Kansas City sports and the people  of Kansas City who make it the great city it is.   Start your morning with us at 5:58am!   2024 © 2021 Audacy, Inc. Sports False https://

Rich ranks the NFL's most impactful offseason additions including CB Trent McDuffie to the Los Angeles Rams, WR Mike Evans to the San Francisco 49ers, RB Kenneth Walker to the Kansas City Chiefs, and more.   Comedian Jay Pharoah joins Rich in-studio to promote the new season of FOX's ‘The Quiz with Balls,' his LeBron James and Lakers fandom, and shows off his expert impressions including Kevin Hart, Dwayne “The Rock” Johnson, Stephen A. Smith, Jason Statham, Shaq, and Eddie Murphy.   Jets fan Rich reacts to New York giving RB Breece Hall a 3-year extension. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Shannon Drayer is joined by Mariners catchers Cal Raleigh to discuss what he’s seen from Emerson Hancock this season, some new additions to the Mariners bullpen, and Randy Johnson’s jersey retirement ceremony, Bob and Dave look at how Brendan Donovan’s return will affect the Mariners’ lineup, they break down whether the Mariners’ series win over the best team in baseball changed their opinion of this team,  and they wrap up the show by finding out what we learned today! 

CBS Sports' director of basketball scouting Adam Finkelstein joins Illini Inquirer's Jeremy Werner to discuss Illinois basketball's retention and highly-rated additions and Keaton Wagler's NBA Draft stock. Finkelstein discusses the importance of the Illini's retention and what Providence transfer guard Stefan Vaaks and top-50 Class of 2026 prospects Quentin Coleman and Lucas Morillo bring to the Illini. Then Finkelstein breaks down how Wagler stacks up in the 2026 NBA Draft class, Kylan Boswell's NBA chances and whether Andrej Stojakovic could make the NBA leap now. SUPPORT OUR SPONSORS Columbia Street Roastery: Head to ⁠⁠CSRcoffee.com⁠ and use code IlliniAllTheWay to get 10 percent off your first order and get free shipping on orders of over $45. Tushy: If you're not Team TUSHY, you're not Team Clean. For a limited time, our listeners get 10% off their first bidet order when you use code ILLINI at checkout. That's 10% off your first bidet order at HelloTUSHY.com with promo code ILLINI. Follow the Illini Inquirer Podcast on: Apple: https://apple.co/3oMt0NP Spotify: https://spoti.fi/2Xan2L8  Other: https://bit.ly/36gn7Ct   Go VIP for just 50% OFF: https://tinyurl.com/2fkhmjdz  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices