Podcast appearances and mentions of King Arthur

British actor Tim Curry died on August 26th at the age of 80. Celebrated for his infamous portrayal of Frank-N-Furter in the musical The Rocky Horror Picture Show, his decades-long career included many other roles on stage and screen. Among them, Mozart in Amadeus; King Arthur in the Monty Python musical Spamalot; and the evil clown, Pennywise, in a television adaptation of Stephen King's It. In a generous obituary, the BBC shared tributes from many friends and admirers in the arts. One was from comedienne Carol Burnett, who wrote on social media that "nobody could play lovable villains better than he could". And that is the Curry we are pleased to share with you in this special bonus podcast, in his deliciously chilling and seductive reading of Stephen O'Connor's "Ziggurat." Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Fifth-time guest Lisa Harper is back — fresh off a whirlwind trip through England, Wales, the Netherlands, and Scotland, and still nursing the jet lag. Between hug-ministry theology, Levi's 75-day merino wool shorts experiment (Lisa remains skeptical), and a surprise moment praying with a stranger in a London store, the conversation turns to Lisa's new book on the Song of Songs — unpacking how the Bible's most intimate book taught her that God delights in her, brokenness and all. Connect with us on social! Lisa: @lisadharper Levi: @levilusko Jennie: @jennielusko Fresh Life Church: @freshlife [Links] Get Lisa's book, Song of Songs: The Love We Long For: https://bit.ly/4xQn2MY Visit Lisa's website: https://bit.ly/3UAIS8W Get the 5 Gallon Bucket: https://bit.ly/sdl4sHY Get the Lusketeer Sticker: https://bit.ly/sdl4sHY Subscribe for more exclusive content: https://levilusko.com/hitl-subscribe Time Stamps: 00:00:00 – Lisa's fifth visit and the great HITL guest rankings 00:01:37 – Confessions of a hug-ministry professional 00:08:28 – Levi's 75-day merino wool shorts experiment 00:11:19 – Praying with a stranger in a London store 00:14:09 – King Arthur's Seat and an accidental royal garden party 00:19:46 – Introducing her new book, Song of Songs: The Love We Long For 00:24:53 – Why the bride's voice matters more than we think 00:36:47 – Favorite vignettes and the Song of Songs sequel jokes 00:46:17 – Closing thoughts on intimacy, bruises, and redemption

Happy feast of St. Bernard of Clairvaux! On today’s show, Matt Swaim and Anna Mitchell welcome Kris McGregor to share wisdom from St. Bernard that shows up in the Office of Readings. Other guests include Gary Michuta with more Messianic prophecies, pastoral counselor Kevin Prendergast, and Rita Heikenfeld with Bible Foods. Plus news, weather, sports, and more… ***** The Memorare of St. Bernard of Clairvaux Remember, O most gracious Virgin Mary,that never was it knownthat any one who fled to thy protection,implored thy help,and sought thy intercession,was left unaided. Inspired with this confidence,I fly unto thee,O Virgin of virgins, my Mother,to thee I come,before thee I stand sinful and sorrowful. O Mother of the Word Incarnate!despise not my petitions,but, in thy mercy, hear and answer me. Amen. ***** RECIPES FROM RITA: ZUCCHINI BREAD Double chocolate zucchini bread/cake Ingredients:1 -1/2 cups shredded zucchini1 cup all purpose flour – I use King Arthur unbleached1/2 cup unsweetened cocoa powder, sifted1 teaspoon baking soda1/4 teaspoon baking powder1/4 teaspoon salt1/2 to 3/4 teaspoon cinnamon1/4 teaspoon allspice1/2 cup canola oil1/2 cup sugar1/2 cup light brown sugar2 large eggs1 teaspoon vanilla3/4 cup semi- sweet chocolate chips Instructions:Preheat oven to 350. Spray 9 x 5 loaf pan. Set aside shredded zucchini. Whisk together flour, cocoa, baking soda, baking powder, salt, cinnamon, and allspice. Set aside. Beat oil, sugars, eggs, and vanilla until well blended and fold in zucchini. Add flour mixture, mixing just until combined. Fold in chips. Bake until toothpick inserted in center comes out clean, about 55 to 65 minutes. Place on wire rack to cool 10 minutes, then remove and finish cooling. Large Batch moist and marvelous zucchini bread with Chai essence Ingredients:3 cups grated unpeeled zucchini (squeeze moisture out before measuring and pack zucchini firmly into measuring cups)3 cups sugar1-1/2 cups vegetable oil – I used canola4 large eggs2 teaspoons vanilla3-1/4 cups all purpose flour1 teaspoon cinnamon2-3 teaspoons dry Chai tea blend – 2 will give a mild taste; 3 a more robust taste2 teaspoons baking powder1 teaspoon baking soda1/2 teaspoon salt1-1/4 cups chopped nuts – optional – I used toasted pecans InstructionsPreheat oven to 350.Spray 2 large loaf or 3 regular loaf pans.Mix zucchini, sugar, oil, eggs and vanilla. Beat on medium speed 2 minutes.Combine flour, cinnamon, Chai blend, baking powder, baking soda, salt and nuts together. Add to zucchini mixture and blend well.Pour into prepared pans. Bake on middle rack 45 minutes to one hour or until done. A toothpick inserted deep into center will come out clean. My 2 large loaf pans took 55 minutes to bake. Tips:Ball bat sized zucchini works great If you grow zucchini, you know it can go from slender to ball bat size seemingly overnight. Overgrown zucchini has good flavor and shreds up just fine. Can you peel zucchini? I don’t, but Cheryl Bullis, a professional baker from Clermont County, does peel her zucchini before measuring. Squeeze hard to get moisture out. Zucchini is notorious for a high moisture content which can make batter too runny. Add nuts to dry ingredients; This insures that the nuts stay suspended throughout the bread and prevents them from sinking to the bottom of the loaf. ***** Full list of guestsSupport the show: https://www.sacredheartradio.com/donate-now/See omnystudio.com/listener for privacy information.

We welcome back guest Tim (@terrificbroth.bsky.social) to talk about Chainsaw Man The Movie - Reze Arc. We also talk about Japanese fashion words, Army of Darkness, A Connecticut Yankee in King Arthur's Court, Hellsing, zoetropes, and expensive purchasing habits. | Follow us on Apple Podcasts | Support us on Patreon | Follow us on BlueSky | We're on Threads/Instagram | Subscribe to us on YouTube | Join the fan Discord

Margrave Juro's mission takes him and Kara to Binbin while Nawaam prepares to unleash his super weapon on the galaxy in the second episode of The Ninth Jedi.   In this fully armed and operational episode of Podcast Stardust, we discuss: Our overall non-spoiler thoughts on "A Secret Weapon," How Margrave Juro's quest to recruit allies is a bit like King Arthur and the Knights of the Round Table, Similarities between this episode of The Ninth Jedi and Lord of the Rings (plus a *shocking* confession from Jay), The "incident" that lead to Lah Zhima's banishment from Binbin, Our thoughts on what Lah Zhima's motivation might be, Who Nawaam is and how he reminds us of other Star Wars villains, and Nawaam's Kyber Crystal Cannon. For more discussion of The Ninth Jedi, check out episode 1069.   Thanks for joining us for another episode and our brand of Star Wars discussion! Subscribe to Podcast Stardust for all your Star Wars news, reviews, and discussion wherever you get your podcasts. And please leave us a five star review on Apple Podcasts.   Find Jay and her cosplay adventures on J.Snips Cosplay on Instagram. Follow us on social media: Twitter | Facebook | Instagram | Pinterest | YouTube. T-shirts, hoodies, stickers, masks, and posters are available on TeePublic. Find all episodes on RetroZap.com.

Hello Cromrades, and welcome to our latest season which takes place in storied Camelot! We will be reading and analyzing various stories featuring the one and only King Arthur and his various comrades. We begin today with the first half TH White's incomparable "The Sword in the Stone". Join us, won't you?    One Things! Luke: "Pressure" Starring Brendan Fraser as Dwight D. Eisenhower Josh: Final Fantasy Pixel Remaster Jonathan: Would I Lie to You?   Questions? Comments? Curses? Call us at (859) 429-CROM! Did you know that we're on Facebook? We're posting photos on the Instagrams! Or, check us out on Apple Podcasts! (or your podcast player of choice!) Legal Mumbo-Jumbo Our episode is freely available on archive.org and is licensed under Creative Commons: By Attribution 3.0. http://creativecommons.org/licenses/by/3.0/ 'Tyrant' theme by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0. Outro: "Merlin's Time" by Al Stewart. Music obtained legally; we hope our discussion of this content makes you want to go out and purchase the work! 

Kelsey Lee, owner of Potluck Kitchenware Store in Ely, Minnesota, shares how her business navigated the challenges of wildfires, the unique culinary traditions of the Northwoods, and the importance of community and learning. Discover her insights on store curation, local culture, and must-have kitchen tools.A few items mentioned in the Podcast available at POTLUCKPierogi Love and The Elements of BakingVisit Ely, Minnesota for fun things to do year-round! Whether you are looking for a place to stay, a delicious meal, a hiking trail, or an immersion experience, we have businesses ready to meet your needs.Original Transcript Follows:Stephanie Hansen (00:01.176)Hello everybody, welcome to Dishing with Stephanie's Dish, the podcast where we talk to people in the food space. And today I'm with Kelsey Lee. She is the owner of Potluck Kitchenware Store. And Potluck is in Ely, Minnesota, which is my second home. And I've been doing a little mini-series to help people get familiar with some of the businesses that have been impacted by the wildfires this summer. The wildfires, as we currently stand, are in a high form of containment.Smoke in the town has been virtually non existent and people are coming back to Ely, but it has been a dramatic turn in what was looking to be a great summer. Welcome to the program, Kelsey.Kelsey Lee (00:41.088)Thank you so much for having me on.Stephanie Hansen (00:44.2)What does it feel like when, you know, you're starting out on your summer and July fourth has just happened and something that you couldn't have predicted as a business owner, like a wildfire comes into town?Kelsey Lee (00:50.389)it feels like such a jolt and especially with wildfire there's a there's this sense of kind of unknown danger known but unknown danger and i this was the first summer of wildfires that were quite close to town during my time of owning the business the last time we had any a wildfire anywhere near potluck or elite largeI was an employee of Potluck. I wasn't the owner. So I was making, I was sort of executing on decisions as opposed to making them myself. So, you know, your first thought is about air quality and evacuation zones and all of that. And then sort of secondarily you wonder if it means the end of the season. And for me this year, that was an especially weighty question because what I've seen over the last couple of years is that our what whatis commonly known as our summer season, actually extends quite far into the fall. I've seen growing sales numbers in September and October over the last couple of years. And so you really don't want to see your season kind of come to a close when really it's like just getting started. But I'm really happy to say that what I've seen is very much to the contrary. This so two weekends ago on what would have been our blueberry art festivalI saw huge numbers of people in town. I had amazing sales. I've talked to other business owners who had a similar experience. So it feels like our kind of recurring visitors and also our seasonal residents have really rallied to support Ely. and I personally am just so grateful for all of the messaging around Ely is open for business, like conditions here are safe, we welcome you, we encourage you to do your Christmas shopping. all of thatfor in my case and the case of many of the retailers I've spoken to has just been incredibly successful.Stephanie Hansen (02:59.584)It's kind of funny because I am a person that does a reverse commute. I my husband lives in Ely in the summer and I usually head there on Saturday in the afternoon and come home on like a Monday or a Tuesday. And the air quality in the Twin Cities has actually been worse than in Ely. So it's it's been a kind of a strange summer.How hard is it? So you have a great selection of cookbooks. You really do a great job of curating. You've got all the cast iron things that one would expect at a kitchen store in the Northwoods, but you've also got beautiful dishware, some small appliances, all the cute funny towels and napkins and cocktail and entertaining things that you might use at the cabin. How do you curate the store?With such a big percentage of folks being summer residents, does it change?Think it's a really interesting challenge. I actually love doing the buying for the store. I do it all myself because my market really exists as like three segments. And over the years of working here and then being an owner-operator, I've really gotten to know those segments by their general characteristics, but also individuals, right? So I'm getting feedback and product requests and things all the time. and so I think of my customer market as being comprised of seasonal residents. So people who come up for the summer, like you you have a s you have a second home, you have a second kitchen, you're hosting, you're cooking, you are really looking for anything you would be looking for at your main home in your kitchen, right? So like I'm I'm stocking a lot of the supplies that series cooks and bakers need on a regular basis. And then my second market are what I would say what I would call are are kind of like pass-through visitors orAre guests of the seasonal residents. So these people, they're looking for souvenirs, they're looking for hostess gifts. For those folks, the size and weight of items is very, very important. People are looking for something to tuck into their luggage, or they're looking for like a last-minute gadget or something to use on a boundary waters trip. So that's maybe the most varied kind of use case scenario in that second group.and then my third segment are my year-round residents. and their needs vary quite a bit as well. they comprise just a huge percentage of my holiday market, which has been great that we've brought in more holiday specific things, both decor, but really mainly all of the specialty holiday baking over the last few years. and the local market has just grown and grown as I've learned what people are making. and what they need in the kitchen around that time of year.Stephanie Hansen (05:55.673)What do you find are people making? Is it different than what you expected? Like are you, you know, is it bunt pans and cast iron or is it sourdough accessories andKelsey Lee (06:09.55)Yeah, huge. I sell huge numbers of Benettons and LOMS and proofing containers and all of that for sourdough. Sourdough is big year-round, I think is really exciting to say. but what I find most exciting is that especially around the holidays, the cultural culinary traditions of this area really come alive. So people are asking for things for lefsa orSandbuckles or I'm sure I didn't say that quite right. or petitsa, of course. and so it's fun to try to as I'm accommodating those requests, learn about which families have which culinary heritage, you know, and over time you sort of learn like, yes, this family, they make leftsa on Black Friday or the Saturday or whatever. So we really have a surprisingrange of not only wants, but really needs, you know, because many people in this area are making all of their bread from scratch. They're making all of their yogurt. They are participating in, you know, a CSA or they're taking like a butchering class at the folk school. And so the needs really vary, which just makes it exciting from a buying standpoint.Stephanie Hansen (07:24.78)I've been going to Ely for 35 years. and I can say that the culinary world there has expanded and changed, with the folk school certainly offering more classes, but also I think during COVID, a whole new type of person moved into Ely, younger folks, more families.I have seen a lot more people coming from either coasts and coming for the water, the nature, and just the lovely changing of the seasons in Ely. Has that changed things for you or made it more interesting?Kelsey Lee (08:03.153)Yes, much more interesting.And over the last year I've really solidified a partnership with the folk school in terms of not only sponsoring all of their nourishment program areas, but just increased communication with them about upcoming cooking classes. and this last spring we collaborated on a pie dough making workshop at one of the like spring women's retreats at YMCA Camp du Nord up here. so I II see the folk school as being really a critical kind of partner for people, for me to grow awareness of my business, but also as far as preserving and sharing the culinary traditions of this area.Stephanie Hansen (08:52.471)The director of the folk school, Lucy, is my daughter's WIDJI sister. They went on a a long camping adventure together and have been friends ever since, you know, when you are in the Arctic for 30 some days with someone, you really form a bond. And it's been fun to watch Lucy and that folk school grow. And also the Duluth folk school is also growing. So just getting that awareness of, you know, that there's a lot of things to do in the North Woods, even if you're not a paddler necessarily.Kelsey Lee (09:23.896)Yes. Yes, absolutely. And I see the folk school as being like, you know, if if you're gonna connect with one touch point for activities and and even community events in the Northwoods, I think the folk school is it. Absolutely. Yeah.Stephanie Hansen (09:38.325)It's interesting too. You know, I'm part of the pickleball club in Ely that's fairly new. There's also the folk school. There are a ton of events that are happening through Ely Connect, which is geared more towards new residents. I really am impressed and excited about the future of Ely just for myself as I spend more time there. And maybe, you know, at some point I'llI don't know, am I ever gonna retire? Probably not, but the ideas in my mind that I could and that there is a place that has such a rich learning path is really kind of fun.Kelsey Lee (10:11.699)Yes. my friends and collaborators at Boundary Waters Connect do a bunch of things. They connect with perspective and new residents. They host the Tuesday group series in town and theyvery accurately characterize Ely as a super curious community. This is a place where people are very skilled. They're sometimes quiet about the skills that they hold. But if you show genuine interest, people are more than happy to share with you the skills that they have acquired on their own, skills they learned through their family. It's a place that is very fertile ground for non-competitive and intergenerational learning, which is really beautiful.Stephanie Hansen (11:03.747)There's also a lot of diverse political beliefs in Ely that seem to exist side by side in a way that I've never seen anywhere else. You have people that have very intense passions about the boundary waters and wanting to prevent mining from going into the boundary waters. And then you also have a very robust community of people that believe that the prosperity of the town historically and potentially in the future is based on mining. And these two things seem to be able to coexist in this really small town of mutual respect and understanding for the most part. it it makes I think Ely so unique in that, you know, you could go and learn how to build a birch bark canoe next to someone that might be completely different than you ideologically.But yet also your neighbor. And I love that that is how this community is fostering growth in learning and growth in how the town is growing. Are you have you experienced that as new people have come in?Kelsey Lee (12:10.818)Yes, absolutely. and I think that comes from it feels a little a little like old-fashioned neighborliness, which can sometimes swing in sort of a gossipy direction when we think about, you know, that small town living. And there's always gonna be an element of that there. But really it comes in my experience, the respect and tolerance comes from a deep understanding that we all need each other.Because of where we live, because of the seasonality of our economy, because our winters and even our summers can be very harsh in certain ways. we have a reliance on our neighbors. And we need those relationships, you know, to look out for not only ourselves but also our community. yeah.Stephanie Hansen (13:00.373)Yeah. I you do get that sense of, you know, like I've been there w in the wintertime when, you know, you get a foot and a half of snow and you need your neighbor to plow you out and you're standing at the end of the driveway as someone comes by with a plow and you're like, Hey, can you help me out? Or your car gets stranded orKelsey Lee (13:17.949)Yeah. Yeah. Yeah. And people are more than willing to help. It is this is the first place I have lived with that kind ofthat kind of neighborliness and it is I'll be honest it can be a little foreign and a little like suspicious at first. so a story I like to tell is when my husband and I moved to Ely as we were and I don't know how this came about at all. To this day I have no idea. But I have a lovely neighbor named Alana. She somehow found out not onlythe day that we were arriving, like moving into our house, but also roughly the time that we were arriving. And as we pulled into our garage, she was standing in the yard with the neighbor from the other side and they were there ready to greet us. and if you're moving from a big city or you've never experienced that before, it feels really odd and it feels like people are surveilling you or you're you know whatever. but really it comes from that kind of old fashioned spirit of like we want to welcome you, we want to know who you are, because we want to immediately have this sort of neighborly relationship with you. so that that stories like that prevail all over town.Stephanie Hansen (14:40.599)Yeah, I would agree with that. All right. So since you're the kitchen expert, I have to ask you some kitchenware things. could you tell me three things that you're excited about in the store for cooks?Kelsey Lee (14:55.008)Yes, absolutely. I actually have I have a little cart here of products that I really want to show. so the first and this one is geared a little towards people who like are in a cabin, are on the go, you know, s have are space limited in their house. I'm really proud to say that as of a couple of months ago, Potla Kitchenware is a retailer for Vitamix, which is a fantastic brand, of course.This is their five-speed immersion blender. What I love about this is this will blend ice for you. This will do anything that a normal blender will do. It's not just for soups, it's not just for mashed potatoes. this is a workhorse in the kitchen and it it weighs quite a bit for an immersion blender, but it takes up virtually no room compared to your standard kind of countertop blender. so the the larger point I want to make with this is that.to get the power that you need, you don't always need the appliance with the biggest footprint. Especially when you're when you're looking at a quality brand like Vitamix. So this one I love. Absolutely, yes. And that's part of my something I'm managing always is either somebody is in one of the many houses in Ely with teeny tiny kitchens or they're in a cabin or they're in a travel trailer or whatever. So space is always at a premium for my customers here at the store. Yeah, and in a small space.Stephanie Hansen (16:21.251)Right, so that's a great recommendation. I didn't even know they had an immersion blender.Kelsey Lee (16:24.988)It's fantastic. Yes, yes, yes. another thing that I love is this, which is a really odd. This is an odd looking thing. this is one of many high-functioning, colorful, bizarre looking tools from a company called Dream Farm. They are based in Australia. They are next level when it comes to the functionality of kitchen tools.They all have weird names and they all look really weird, but they're fantastic. So this is their chopping spatula. The flexibility here is wonderful. This is what you want to use to get under eggs, under pancakes. it's designed to sit on the counter like this, so it's never gonna get your counter dirty. simplifies cleanup, and then this offset chopping edge you can use for like chopping ground beef in a skillet as you're cooking.it's designed to give you that kind of cutting edge as well. so this is just one of many just fantastic designs from Dream Farm. so if you're if you're looking for something that's not only like beautiful to look at in the kitchen, but also gonna give you added functionality, Dream Farm is a a brand that I love.Stephanie Hansen (17:41.131)It almost looks too like you could use it as like a what is that thing called when you're making sourdough and you're trying to get in and underneath the bread?Kelsey Lee (17:49.165)yeah yeah like a bench a bench scraper maybe. Yeah yeah it's it's flexible enough but also firm enough. I think you totally could. Yeah, yeah. Just kind of get get your dough started. Yeah, absolutely. yeah. And then you asked about things for cooks. So I am gonna show you this. So this is from Dubouillet, which is a French cookware manufacturer.This is carbon steel, but this is kind of carbon steel meant for the every person. This is lower maintenance carbon steel. carbon steel is very much like cast iron in the sense that you typically have to establish and then maintain a layer of seasoning on carbon steel cookware. This one is from their blue carbon line. This one they heat treat at the factory. so you don't have that seasoning maintenance for this. This you exactly.Stephanie Hansen (18:45.539)People will love that.Kelsey Lee (18:47.007)You use this right away. lower maintenance. And my favorite thing about this line, given where we're located, is this you can use over a campfire. And it's comparatively much lighter than carbon steel pans typically are. So this is great for a canoe trip. You just get one of the larger pans, it's like you cook everything in it, safe to use over a campfire, cleans up super well. So I've been really thrilled to bring inStephanie Hansen (19:06.262)Love it.Kelsey Lee (19:16.094)Not only the standard carbon steel, but also the blue from WA. Yeah.Stephanie Hansen (19:20.941)Okay, I like that and I'm always looking for the best nonstick pans because I do use my cast iron as a nonstick pan, but sometimes when you're doing eggs you want something a little different.Kelsey Lee (19:31.421)Yes, yes, yes. And carbon steel, we're predominantly a cast iron household, simply because cast iron lasts forever and we haven't had a reason to upgrade to carbon steel, but carbon steel is just it's it's a smoothness that like you really don't find with most modern cast iron. it's just a fantastic cooking surface. Yeah.Stephanie Hansen (19:52.601)Okay, since I know you have a cart there, let's do two more. Do you have two more things?Kelsey Lee (19:56.559)Yes, do you want things for cooks or do you want things for the home? Okay, perfect. so let's see. one so one little thing that I want to share as like a shout out to bakers. so this is the Danish dough whisk from King Arthur Baking. It's a triple loop, which some people look for. There's a whole debate out there about how many loops you want in your dough whisk. this one I want to showcase becauseI have been just thrilled that King Arthur is once again offering their their baking products, not their flowers, not their baking mixes, but their actual baking tools. They've recently made those available at wholesale. And that's a big deal because they had a huge wholesale program prior to COVID, and then they suspended wholesale operations during COVID, and it's been several years without.that we haven't been able to obtain these baking tools here at the store. So when I saw that they were available once again, I was just just so so happy. Yes. So King Arthur makes a fantastic cookie scoop and dough whisk and pastry brush and just a lot of those baking essentials. in addition to wonderful, wonderful cookbooks as well. They're a go-to resource there too. yes. So that one I'm happy to showcase. And thenStephanie Hansen (21:14.253)Great.Kelsey Lee (21:18.25)I also want to show the very trendy, but appropriately so. These are geometry towels. these are made from entirely from recycled plastic water bottles. so a very sustainable choice. This is their, I'm gonna show you dimensionally. This is their kitchen towel. It's it's huge. It's 18 by 30. It isStephanie Hansen (21:40.333)Yeah, it's huge.Kelsey Lee (21:44.328)incredibly absorbent of both liquid and dust. I use these here at the store to dust, just incredibly grippy no matter what you're trying to clean up with them. and Geometry continues to partner with artists and designers. So they always have new capsule collections coming out and they are just so design forward. They're light years ahead of all any other textile brand on the market. yes. So I love it. You've given me some things to come in and check out next week.Kelsey Lee (22:15.817)yes, yes, yes, yes. And they they have seasonal collections too, so they make great gifts. and they've recently unveiled table linens as well. table runners, placemats, all of those. Yes, yes.Stephanie Hansen (22:27.188)cute. Okay, before we leave, I'm gonna ask you for two cookbooks that you're excited about because I know you've curated a lot of great cookbooks in the store.Kelsey Lee (22:38.448)Yeah. you'll have to forgive me. I'm gonna turn around a little and just take a look. ooh, yes, so the first one is a very easy choice. This one is called The Elements of Baking by Katerina Sirmelsch. I'm sure I booked that. Apologies. Apologies, apologies. So this gives you for bakers, you know, bakers are likeThat's a very formula and sort of accuracy driven endeavor. And this gives you the formulas and tables that you need to make any recipe gluten-free, dairy-free, egg-free, or vegan. It is, yes. It is, it's a bit of a tome. I mean it's like it is a thick for sure. But this is just a page of photos of breaking down lumpy versus smooth pancake pattern.Stephanie Hansen (23:20.877)Wow. Okay. That's helpful.Stephanie Hansen (23:27.681)Yeah, it's a resource book.Kelsey Lee (23:36.43)You can see they give you a side-by-side. so if you're somebody who is a trying to accommodate, trying to get away from recipes while accommodating gluten-free, dairy-free, egg-free, or or vegan eaters in your household or you yourself, I think this is a great resource to build that knowledge base to then be able to adapt any recipe yourself moving forward.Stephanie Hansen (23:58.337)I love it. All right, let's go for one more cookbook and then we'll wrap it up.Kelsey Lee (24:03.287)Perfect. what I want to go for here. So this maybe seems like an odd choice. so it's pierogi love. Getting back to like you know culinary traditions. This one I brought into the store just to kind of round out my hand pie dumpling offering. And just this summer I think I've probably sold almost two dozen copies. People just love there's something about a pierogi.so I love this one because it's not gonna take up a lot of space on your shelf, but you just get such a range of recipes in here. you have a photo for every recipe. and I just love the idea of like putting a ruben in a in a pierobi. You just you know you you take something, something large, something unexpected, put it in one of these, it's just a delight. SoStephanie Hansen (24:58.381)The more diversity I've explored in the kitchen through the television show that I'm working on, I've realized like every culture has a hand pie, every culture has like a flatbread of something. It's it's very interesting when you start to just meet with people and how they all make their specialties from their heritage, but that how they're all sort of linked also.Kelsey Lee (25:06.238)Yes. Yeah, for sure. Yeah. I l I love that something as delightful as a flatbread or a hand pie is like truly a thread that unites all of us.Stephanie Hansen (25:32.259)For sure. And that sort of wraps up what we've been talking about, which is community and learning about your neighbors and supporting your neighbors. Kelsey, are you online for people to shop your store?Kelsey Lee (25:45.063)We are online. We're not yet doing sales online. we actually just yesterday launched a a very beta version of our website, so you can find us at potluckkitchenware.com. our hope is to have at least gift card sales online in time for this upcoming holiday season. so you can find us online there. We are also on Facebook and on TikTok.Stephanie Hansen (26:10.677)Okay, we will make sure to follow you. Thanks for spending time with me today. You guys, please visit Ely. You can find a lot of information about Ely businesses at visitealiemn.org. they've got a whole list of all the businesses in town, events and Harvest Moon Festival is coming up in September. That's a big event for the retailers and for folks to come to town in September. I'll be looking forward to that. Kelsey, thanks for your time today.Kelsey Lee (26:37.283)Yes. Thank you so much, Stephanie. It was great to be with.Stephanie Hansen (26:41.197)All right, we'll talk soon. Okay, bye bye.Thanks for reading Stephanie Hansen's @StephaniesDish Newsletter! This post is public so feel free to share it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit stephaniehansen.substack.com/subscribe

Today it's a battle of iconic British folk heroes! One is a King who loves justice, peace and a little bit of magic. And on the other a hero who steals from the rich and gives to the poor. It's King Arthur vs Robin Hood! Swinging his sword for Team King Arthur, is the host and creator of Greeking Out and History Snacks, Kenny Curtis! And bringing a quiver full of good arguments for Team Robin Hood is Greeking Out writer and History Snacks host, Jillian Hughes! Which side will live happily ever after? Listen and then head to smashboom.org and vote for whichever side you think won! Click here to read a transcript of this episode. Want to support the show? Join Smarty Pass to listen to ad-free episodes or donate!

"We hated your books." That's what a European competitor once admitted to Ivan Misner — years after trying to build a rival networking organization and watching his own members ask, "How come we don't have books like BNI's?" It's a story that gets at the heart of this conversation: sometimes the most competitive thing you can do is give your best thinking away. Bill Sherman sits down with Dr. Ivan Misner, founder and Chief Visionary Officer of BNI (Business Network International), to explore how a mindset of generosity — not scarcity — fueled BNI's growth into 11,000+ chapters, 355,000+ members, and 41 consecutive years of growth. Misner walks through the origin of his 32 books, why he calls his approach "law of abundance," and why he'd rather teach the world how to network than protect BNI's playbook. The conversation goes deeper than tactics. Misner unpacks his VCP process (visibility, credibility, profitability) as a model for how trust — and thought leadership — actually gets built over time. He talks candidly about being a lifelong introvert who built an empire on relationships, the mindset shift from "hunting" to "farming" in networking, and why he now describes himself as having gone from King Arthur to Colonel Sanders as he handed off day-to-day leadership. There's also real vulnerability here: a childhood report card that said he talked too much in class, an honest reckoning with imposter syndrome, and a tribute to the late Mark Goulston, whose "if you always try, you could eventually win" philosophy still guides how Misner thinks about leadership. Whether you're building a personal brand, leading a team, or wondering whether your story has already been told by someone else, this episode offers a grounded, generous perspective on what it actually takes to build something that outlasts you — and how to stay in your flame while doing it. Three Key Takeaways: • Generosity builds competitive advantage, not just goodwill. Misner's "law of abundance" mindset — publishing 32 books that teach networking skills for free — created more credibility and media access than protecting BNI's methods ever could have. Competitors who withheld their own playbooks couldn't keep pace. • The VCP process explains why most networking fails. Visibility, credibility, and profitability build in sequence — but most people skip straight to asking for business before they've earned trust. Misner calls jumping all three stages "invisibility," and it's the single biggest mistake he sees at networking events. • You can reinvent your role without abandoning your purpose. After 12 years as CEO, Misner shifted to Chief Visionary Officer — going, in his words, "from King Arthur to Colonel Sanders." Staying in your flame over decades sometimes means changing the job, not the mission. This episode is a live case study of the book. The story that opened today's conversation — a rival founder admitting "we hated your books" because Ivan's own members had already read them — comes straight from The Thought Leadership Handbook, which draws on 700+ conversations from this podcast to map how thinkers build lasting influence. If today's episode resonated, The Thought Leadership Handbook by Bill Sherman, Peter Winick, and Naren Aryal gives you the frameworks behind what you just heard — including the five thought leadership avatars that help you figure out which one describes you. Free chapter & quiz: thoughtleadershiphandbook.com Get your copy: • Amazon • Barnes & Noble • Bookshop.org • Amplify Publishing • Apple Books

When Fiction Escaped the Screen The New Monsters – Story Three, Episode Two Every legend eventually reaches a moment when it no longer belongs to the person who created it. King Arthur escaped the poets who first imagined Camelot. Dracula grew far beyond Bram Stoker's novel. Frankenstein's creature became more famous than Victor Frankenstein himself. Stories survive because generations of strangers decide they're worth retelling. In this week's episode of The Devil Within, Branden Morgan explores the extraordinary moment when that same process unfolded before our eyes. Just days after Eric Knudsen introduced Slender Man to the internet, thousands of artists, writers, filmmakers, gamers, and ordinary people began adding pieces to the mythology. No studio coordinated the effort. No publisher managed the continuity. Instead, millions of strangers unknowingly collaborated on what became history's first truly open-source monster. The journey takes us from the Something Awful forums to Marble Hornets, the groundbreaking YouTube series that transformed viewers into investigators and proved that horror could thrive not through expensive special effects, but through participation. Along the way, we examine why the internet accelerated folklore in ways no civilization had ever experienced before, compressing a process that once required centuries into only a few months. But beneath the story of Slender Man lies a much larger question. What happens when technology allows millions of people to create the same myth together? Perhaps the internet didn't change human nature at all. Perhaps it simply became the newest campfire around which we gather to tell stories. Next week, the series reaches its devastating conclusion as fiction collides with reality in Waukesha, Wisconsin. Two twelve-year-old girls commit one of the most shocking crimes of the digital age after convincing themselves they must prove their loyalty to Slender Man. The case horrified the world and forced psychologists, investigators, journalists, and parents to confront a question that remains deeply unsettling: Can a fictional monster bear responsibility for real-world violence, or does the answer reveal something far more disturbing about ourselves? The Devil Within is written and hosted by Branden Morgan and produced by Evio Creative.

As Dan and Becky are on vacation, the original cast of A24 Rocks comes back to review one of the most beloved A24 films of all time in The Green Knight. Directed by David Lowery, and starring Dev Patel, The Green Knight is about a nephew of King Arthur playing a Christmas game with a fantasy creature called The Green Knight. The Green Knight challenges someone in King Arthur's court to give him a blow, and in return, the Green Knight will give them blow back to them next Christmas. Gawain answers this challenge by chopping off his head. And as next Christmas approaches, Gawain sets off on an arduous journey to complete the Christmas game and find the courage to receive what he gave the Green Knight. Caution: movie spoilers.Buy us a coffee- https://buymeacoffee.com/a24otrIntro- 0:00 to 2:44.Film Discussion- 2:44 to 1:32:52.Film Review/Outro- 1:32:52 to End.

Was Queen Guinevere a traitorous adulteress who caused the tragic downfall of Camelot, or a complex political survivor? Was she even real? Dr. Eleanor Janega and Arthurian expert Dr. Mary Bateman explore the changing faces of King Arthur's legendary wife. They discuss her early mythological Welsh roots, scandalous 'affairs' with Lancelot and Mordred, and how medieval queens used this powerful romantic legend for their own real-world political influence.MOREKing Arthur with Dr. Mary BatemanListen on AppleListen on SpotifyKing Arthur's Sex LifeListen on AppleListen on SpotifyGone Medieval is presented by Dr. Eleanor Janega. Audio editor is Amy Haddow, the producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week PLUS early access, ad-free podcasts. Sign up at https://www.historyhit.com/subscribe Hosted on Acast. See acast.com/privacy for more information.

Don't be dissuaded by our rather dour Sgt. Rock first half - the time travel and robots at the end make up for it! It's right here in Our Army at  War #180 and Strange Adventures #199! Chapters (00:00:00) - Oh, My!(00:00:17) - Our Army at War(00:02:54) - When You Can't Get a Song Out of Your Head(00:04:14) - The Little Mermaid Guest Star Jen George(00:04:59) - A Taste of the New River Gorge National Park(00:06:04) - Sergeant Rock on His Dog's Aging(00:11:12) - Sergeant Rock(00:14:23) - Sergeant Rock vs. General in the Desert(00:18:49) - Sergeant Rock vs a Nazi General(00:22:44) - We Can't Do This Any More(00:23:54) - Strange Adventures: Vacation Planning(00:26:06) - Knights of the Round Table(00:28:49) - When You're in a Time Machine(00:29:13) - Time Switch: The Story of King Arthur(00:32:59) - Sir Lancelot(00:37:30) - Giant Robot Colossus At King Arthur's Court(00:39:04) - The Robots in King Arthur's Castle(00:43:10) - The Return of King Arthur to DC Comics(00:48:18) - The Semi-Quicentennial of America

IT'S HERE! Pre-Order the 4th installment of the Ashtown Burial Series at ashtownburials.com.After Nate makes Nolan fanboys mad, the guys discuss all things Camelot, including key questions such as:why Camelot is basically the story of King David again,how cool Merlin is (whether baptized demon-spawn or not),how the French eventually ruined King Arthur,whether Galahad is the gayest of the Knights of the Round Table,why the courtly love ideal is Victorianized and effeminate,whether Malcolm Guite's new Arthurian Galahad epic is like eating 10 pounds of dark chocolate in one sitting,compare all of the above to Monty Python's Holy Grail and Disney's Sword in the Stone,why Edmund Spenser's Faerie Queene is better than Malory's Morte d'Arthur, and more.Plus, SASF's "Make me famous" segment returns with three pitches Nate does not like.

At the court of a French princess in the middle of the 12th century, an obscure poet named Chrétien de Troyes would begin to write and distribute fanciful stories of the Knights of the Round Table. In doing so, he would propel the figure of King Arthur to an unforeseen level of fame and create the medium of fiction as we know it. Following the previous discussion of earlier lore surrounding Arthur, and his potential historic basis, this episode of Gladio Free Europe explores the literary development and legacy of the Arthurian Romance. Liam and Russian Sam pick up with the release of Britain's first bestseller, Geoffrey of Monmouth's fanciful Homeric pseudo-history, Historia Regnum Britanniae. As this book and its account of King Arthur spread across Europe, many derivative texts would be composed in prose and verse, sometimes elaborating further on King Arthur and his court. During the reign of King Henry II of England and Eleanor of Aquitaine, whose vast territories included England and half of France, the brilliant court poet Chrétien de Troyes would synthesize the matter previously chronicled by Geoffrey and his predecessors with the poetic and heroic traditions of France. In Chrétien's five Arthurian stories, the tone and themes of the older Song of Roland would be applied to the deeds of Arthur and his knights to create a genre of literature entirely its own. The works of Chrétien and his followers would illustrate the chivalric values idealized by the aristocrats of the high and late Middle Ages. King Arthur's knights are valiant fighters, but also passionate lovers, merciful Christians, and fully-realized humans, exhibiting an interiority not seen in any European literature since classical antiquity. The chivalric romance would spread out of the French-speaking courts of England and France into popular circles across Europe, leaving a mark on the literature of Norway, Italy, Islamic Andalusia, and the Jewish diaspora. Chivalric romance, and Arthurian stories in particular, would become Europe's first tradition of popular fiction and remain eminently popular until the end of the chivalric age itself. These stories were read not only for entertainment, but also for moral instruction. For good or ill, chivalric ideals such as courtly love and the knightly quest would impact the real behavior of the medieval warrior elite.  By the later Middle Ages, Arthurian stories would become more solemn and meditative, particular in Arthur's own land of Britain. After the carnage of the Wars of the Roses, a knight and prisoner named Thomas Malory would compose Le Morte Darthur, a sprawling biography that would become the most famous Arthurian work of all time. Written without any of the whit and whimsy as earlier French stories, this text would effectively conclude the chivalric romance tradition and define the legacy of King Arthur for centuries. Following a long period of neglect, artists and aesthetes in the Victorian age began to reappraise the works and values of the Middle Ages, with particular attention to the mournful chronicle of Thomas Malory. Writers such as Walter Scott and Alfred Tennyson would create new works in the chivalric tradition. Arthurian and medieval scenes would be of sudden interest to the painters of the 19th century, in particular the Pre-Raphaelite brotherhood that included John William Waterhouse. This Victorian medievalism took many forms, and was at times associates with earnest progressive politics as well as deeply reactionary yearning for an imagined period of innocent morality and unquestioned hierarchy. Although Chrétien may not be a household name (unless your household is the French royal court) his contributions are everywhere. In all popular division, but in particular the modern genre of medieval fantasy, the images and themes first popularized by Chrétien de Troyes would rise again, as was prophesied of King Arthur himself.

Greg Jenner is joined in ancient Greece by historian Dr Emily Hauser and comedian and actor Kiell Smith-Bynoe to learn about the epic poems the Iliad and Odyssey. Traditionally attributed to the poet Homer, these works tell parts of a legend that has fascinated us for centuries: the story of the Trojan War. Featuring a cast of unforgettable characters – Achilles, Odysseus, Paris, Helen, Hector and Agamemnon – the war between ancient Greece and Troy has inspired writers, artists and filmmakers for over a millennium. But the Iliad and Odyssey only recount episodes of this much bigger story. The Iliad, focusing on the hero Achilles, takes place in the closing stretches of the war. And the Odyssey tells the tale of Odysseus's perilous voyage home after the Greeks have triumphed. In this episode, we trace the origins of the poems in the 8th century BCE, looking at whether Homer really wrote them and how these originally oral tales came to be written down, before exploring the fantastical tales they tell. Along the way, we also look at whether or not the Trojan war really happened, how the ancient Greeks defined heroism, and examine the role of gods and monsters in the poems and the lives of their heroes.If you're a fan of fantastical myths and legends, heroes behaving badly, and ancient Greek culture, you'll love our episode on the Iliad and Odyssey.If you want more from Kiell Smith-Bynoe, listen to our episode on Viking explorer Leif Erikson. And for more historical epics, check out our episodes on the Legends of King Arthur, and the Mesopotamian Epic of Gilgamesh.You're Dead To Me is the comedy podcast that takes history seriously. Every episode, Greg Jenner brings together the best names in history and comedy to learn and laugh about the past.Hosted by: Greg Jenner Research by: Auréliane Perrin Written by: Dr Emmie Rose Price-Goodfellow, Dr Emma Nagouse, and Greg Jenner Produced by: Dr Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Gill Huggett Senior Producer: Dr Emma Nagouse Executive Editor: Philip Sellars

Red, White & Blues FC | £117m for Morgan Rogers and a Rumor Mill Gone FeralChelsea break the Premier League transfer record, ship Garnacho off to Villa, and get linked to roughly half of Europe — and we're cynical about most of it.Transfer season is here, and Daniel opened the show by torturing Jason all day with an all-caps text promising a “big surprise announcement” that had nothing to do with transfers. The payoff: bald fraud Anthony Taylor is retiring, and we will never have to watch him officiate a Chelsea match again. From there it's a genuinely wild 48–72 hours of business — one record signing, one loan exit, and a rumor list long enough to need its own spreadsheet. We're happy, we're skeptical, and we're bracing for the moment BlueCo inevitably breaks our hearts again.Anthony Taylor Rides Off — and No, We're Not “Delusional”We saw The Athletic's framing coming: fans piling on Taylor at retirement supposedly proves how “delusional” supporters are about referees. We push back hard. We're not anti-referee — we know it's a brutal job, the gear, the whining twenty-somethings surrounding you every match. We're anti-Premier League referees, and we are 1,000% anti-Anthony Taylor specifically. The only bittersweet part is we'll never get to hear that Chelsea terrace chant about him again.Morgan Rogers for £117m — Record Signing, Familiar DoubtsThe big one: Morgan Rogers joins from Aston Villa for a reported £117m, a new Premier League record, on a six-plus-one. The Xabi Alonso “pull” narrative is everywhere — a phone call, Cole Palmer's friendship, Chelsea being Chelsea — and this is where Daniel and Jason go back and forth. Daniel refuses to swallow the “Chubby wanted him so Chubby got him” line whole, pointing out we heard the exact same thing about Maresca and Pochettino. Yes, a serious manager helps recruitment; no, it doesn't explain everything, and the round-table “Knights of Chelsea” mythology (with Eghbali cast as King Arthur) is media hype. Both of us land in the same place: Rogers is a good player, 23, on sensible wages, fitting the buy-young-sell-high model — but we overpaid, and we don't actually know where he fits. Double tens? Wing? Wing-back under Alonso? Nobody's sure.The Money Doesn't Add Up — and the Defense Pays for ItWe dig into the We Ain't Got No History math floating around: the Rogers fee roughly equals what Chelsea banked from Cucurella, Andrey Santos, Tyrique George, Jimmy-Jay Morgan, and the Maresca compensation. We both flag the same flaw — those are gross numbers, and we were still paying wages on most of them, so the “we basically got Rogers for free” spin doesn't hold. What's undeniable is Chelsea sell better than anyone (£400m+ shifted, largely pure-profit academy kids), which is how the spending happens. But Jason's frustration is the through-line of the whole episode: for the same £117m, Chelsea could have had a center back and a goalkeeper. Instead it's another attacker, and the back line is in the lurch again. And, oh yeah — still no front-of-shirt sponsor, four years running, £200m+ left on the table.Garnacho Out, and the Great Rumor AvalancheGarnacho heads to Villa on loan with a soft, appearance-based option around £43m — meaning Chelsea might somehow turn a profit on a player nobody wanted. Good riddance and good luck; Villa's own subreddit is bracing for another reclamation project (”if Unai Emery can't fix him, no one can”). Then we speed-run the rumor mill: Maxence Lacroix inching closer (but don't get fooled, we've seen Chelsea put all their marbles in one basket before), Nico possibly reuniting with Emery, Bruno Guimarães as a possible Arsenal hijack, Enzo Fernández linked to Atlético and quietly to City, and the one that actually excites us — Cristian Romero from Spurs in a swap that offloads Neto. We've begged for years for a proper asshole in this squad; Romero, red cards and all, might finally be our asshole. Add Alex Scott, Adam Wharton, Illia Zabarnyi, Eduardo Camavinga, and a Bosnian teenage winger (Kerim Alajbegović) to the pile, and Fabrizio Romano is teasing a “Da Bomba” midfield transfer that's almost certainly just a name we've already heard. We close on Morgan Rogers one more time, on our own cynicism, and on the quiet hope — dangerous as it is — that this time it actually works. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit redwhitebluesfc.substack.com

Hilaritas host Mike Gathers interviews King Arthur Pendragon, fearless campaigner, defender of the sacred, folk hero, and self-declared reincarnation of King Arthur. • • • Links: The Trials of Arthur: https://www.hilaritaspress.com/podcasts/the-trials-of-arthur-the-biker-who-would-be-king Arthur Pendragon dot org: https://www.arthurpendragon.org Arthur's Wikipedia page: https://en.wikipedia.org/wiki/Arthur_Uther_Pendragon • • • Host Mike Gathers: https://linktr.ee/mgathers23 Producer/Engineer Richard Rasa: http://www.pelorian.com/rasa.html  

THE TABLE ROUND Chapter 13: The Knight With Two Swords  All Camelot is in the grasp of what the simple folk call Arthur's Peace. The harvests are good and the people are content. Justice and order has been secured by King Arthur, through might, wisdom, and the aid of the sword of power he wears on his side, Excalibur, a gift given by the mysterious Lady of the Lake. 

The battle that built Arthur's legend may never have matteredWas the Battle of Badon really the decisive moment that saved Britain from the Anglo-Saxons — or has history given it far more importance than it deserves?In this episode of History Rage, host Paul Bavill is joined by leading early medieval historian Professor Nick Higham to challenge one of the most persistent myths in British history. The popular narrative tells us that Badon was a crushing British victory that halted Anglo-Saxon expansion for generations — often linked to the legendary figure of King Arthur. But when you dig into the sources, archaeology, and timeline, that story begins to unravel.Drawing on early texts, including the writings of Gildas, Professor Higham explains how the earliest reference to Badon describes a siege rather than a dramatic battlefield clash. More importantly, the event seems to have been used mainly as a chronological marker rather than as evidence of a decisive national victory. Later writers transformed this brief reference into a heroic turning point, laying the foundations for the Arthurian tradition that still shapes popular history today.This episode explores how archaeology challenges the idea of a long pause in Anglo-Saxon expansion after Badon. Instead of retreat, the material record shows continued settlement growth and cultural spread across southern Britain. Rather than one defining battle, the fall of Roman Britain and rise of Anglo-Saxon England appears to have been a long, complex transition shaped by migration, shifting power, and cultural change.If you enjoy myth-busting history and want to understand how legends are created — and why they endure — this episode delivers a powerful rethink of one of Britain's most famous early medieval events.About the Guest — Professor Nick HighamProfessor Nick Higham is Emeritus Professor of Early Medieval History at the University of Manchester and one of the UK's leading experts on the transition from Roman Britain to Anglo-Saxon England. His research focuses on the origins of England, early medieval warfare, and the development of historical traditions.Buy the Book Featured in This Episode:How England Began: From Roman Britain to the Anglo-SaxonsSupport the podcast and the author by purchasing here:https://uk.bookshop.org/a/10120/9780300254921Find out more about Professor Nick Higham's work through his academic publications and public history contributions. Explore More History Rage EpisodesIf you enjoyed this episode, you may also like:Episode 201 — The Anglo-Saxons Were No Better Than the VikingsEpisode 148 — Vikings Are Not Just Mass SlaughterersThese episodes expand on the realities behind popular myths about early medieval Britain.Follow and Contact History RageGot a historical myth you'd like to see challenged? Get in touch:

The One where Dave fantasizes about cosplaying as Lobo 24/7 and taking his HOOK everywhere. And Marvel rings in the CHANGES! WE LOVE L.A! Please support the show on Patreon! Every dollar helps the show! https://www.patreon.com/SignalofDoom Follow us on Twitter: @signalofdoom Dredd or Dead: @OrDredd Legion Outpost: @legionoutpost

✏️Gaṅgâdhara's astrologer dad has some bad news for his boy: he's going to die.Well, first he'll spend a decade in prison, and then die. Then things will get better? It's the story of the Soothsayer's Son.

How much Arthurian art have you seen? Chances are, it's more than you think. From medieval illuminated manuscripts to seemingly vague romantic paintings of knights on horseback wooing maidens with flowing hair, join the hosts for an exploration of visual depictions of Arthurian legends across the centuries.

Everywhere Rome fell, civilization transformed. In Britain, it stopped.That's not a myth. That's what actually happened. Everywhere else the empire fell — Gaul, Hispania, Italy, North Africa — the barbarian successor kingdoms absorbed Roman administration and kept the machine running. The Franks kept Roman law. The Visigoths kept the Christian church. The Ostrogoths kept the Senate and the aqueducts. Even the Vandals in North Africa kept Roman urban life going.In Britain, none of that happened. The Roman garrisons pulled out in 407. The emperor told the Britons to defend themselves in 410. And when the Anglo-Saxons arrived, they didn't do what every other post-Roman successor group did. They didn't inherit. They built wooden halls next to abandoned Roman villas and let the villas fall down. Latin didn't evolve into a Romance language the way it did in Gaul and Hispania — it just vanished. Christianity didn't survive the transition — Pope Gregory the Great had to send Augustine of Canterbury in 597 to start over from pagan ground. Cities didn't get built on top of the old Roman ones — they got built somewhere else while Colchester sat empty for centuries.This is Episode 4 of the "Life After the Fall of Rome" series. Britain is the comparison case for the whole thesis. Everywhere else Rome fell, it transformed. Britain is the exception that proves the rule — the one place where the Hollywood version of the fall (villas abandoned, libraries lost, languages disappeared, lights actually going out) turned out to be true. And the reason it happened is quieter and more dangerous than any invasion narrative: successors who chose not to inherit.The barbarians didn't destroy Roman Britain. Roman Britain was already failing on its own. What the Anglo-Saxons did was build something entirely different on top of it — a new culture with no interest in preserving what came before. That indifference, more than any battle, is what real collapse actually looks like.If you're new to the series, start with Episode 1 ("Rome Didn't Fall — Here's What Actually Happened") linked below.

For more than a thousand years, the legends of King Arthur have been retold, expanded, and reinvented. In this episode, we trace the remarkable evolution of the Arthurian legends from the shadowy origins in post-Roman Britain through Saxon England and the French courts, up through Victorian writers and into the modern day.    Along the way, we explore how each generation reshaped the legend and why Arthur remains one of the most enduring figures in Western literature. More than the story of a single king, Arthur's journey is the story of how great myths survive: by continually adapting while remaining unmistakably themselves.

A Note from James:This is a very special episode for me.There have only been a few times in the history of this podcast when I've had the chance to sit down with one of my heroes. This is one of those times.Frank Miller is one of the most important storytellers of my life. When I first picked up Batman: The Dark Knight Returns in 1986, it completely changed what I thought comics could be. This wasn't just another Batman story. It was a revolution. Frank took Batman out of the colorful, campy world I grew up with and turned him into something darker, mythic, terrifying, and psychologically real.There is a comic book industry before The Dark Knight Returns, and there is a comic book industry after The Dark Knight Returns. Every Batman movie since then carries Frank's fingerprints in some way. But it wasn't just Batman. Frank changed Daredevil. He created Ronin. He created Sin City. He showed that comics could handle adult stories, painful arcs, crime, tragedy, mythology, obsession, and moral ambiguity.But what matters most to me is that Frank is a master storyteller. And I love storytelling. Whether it's books, podcasts, articles, comics, or just how we make sense of our lives, story is everything.So getting to sit down with Frank Miller and talk about Batman, myth, creativity, mentorship, discipline, and his new book, Push the Wall: My Life, Writing, Drawing, and the Art of Storytelling, was a dream come true.This was my first in-person podcast in years. Jay drove up from Atlanta. I flew into the city. And yes, I brought my copy of The Dark Knight Returns for Frank to sign.Episode Description:Frank Miller didn't just write and draw some of the most influential comics of the modern era. He changed the grammar of comics.In this conversation, James sits down with Miller to talk about Batman: The Dark Knight Returns, Daredevil, Ronin, Sin City, and Miller's new book, Push the Wall. The conversation begins with Batman, but quickly becomes a larger discussion about how characters become myths.For Miller, Batman was never just a rich detective in a costume. The material was already there from the beginning: a child witnessing the murder of his parents, growing up without powers, building himself into a force through discipline, intelligence, and obsession. Miller's goal was to pull that core truth out and make Batman stand beside older pulp and mythic figures like Zorro, The Shadow, and the hard-edged heroes of crime cinema.James and Frank also talk about how myths are built around simple central values. Superman is hope. Batman is justice, vengeance, effort, and fear. The art is not in making those ideas complicated. The art is in placing them inside a human context so they feel emotionally true.The discussion moves into the craft of comics itself: page layouts, panel borders, visual rhythm, and how the pictures carry most of the story. Miller reflects on the influence of Jack Kirby, Neal Adams, Denny O'Neil, Japanese samurai films, martial arts movies, Greek tragedy, Jean Giraud/Moebius, Lone Wolf and Cub, and the creative power of combining worlds that do not obviously belong together.They also talk about mentorship. Miller describes calling Neal Adams from the phone book, bringing him drawings, and enduring brutally honest criticism. That toughness, he says, was part of the training. To survive as an artist, you need egoism without egotism: enough belief to keep coming back, but enough humility to keep learning.The episode closes with practical advice for young artists today: go to conventions, build the strongest portfolio you can, seek out hard criticism, don't chase only the biggest titles, protect your original ideas, and look for “losers” you can make great.What You'll Learn:Why Frank Miller wanted Batman to become a myth, not just another superhero.How The Dark Knight Returns helped move comics toward darker, more adult storytelling.Why Batman's lack of superpowers is exactly what makes him compelling.How mythic characters are built around simple core themes like hope, vengeance, justice, or discipline.Why comics are not just written stories with pictures, but a visual storytelling machine.How Miller learned from Jack Kirby, Neal Adams, Denny O'Neil, samurai films, noir, Greek tragedy, and European comics.Why creativity often comes from combining unrelated influences.What Miller means by “egoism, but not egotism.”Why young artists should seek out hard lessons instead of easy praise.How to enter comics today without giving away original work too early.Why determination, stamina, and a lack of Plan B shaped Miller's career.What Miller is working on next, including a new Western-style Sin City story.Timestamped Chapters:[03:41] Meeting Frank MillerJames begins by holding up Batman: The Dark Knight Returns and asking what it means to be known through one defining work.[04:00] Before and After The Dark Knight ReturnsWhy James sees Miller's Batman as a dividing line in comic book history.[05:07] Turning Batman Into a Psychological ConditionJames asks how Miller transformed Batman from a campy hero into something darker, mythic, and terrifying.[05:49] Batman as MythFrank explains that his first impulse was to make Batman stand with figures like The Shadow, Zorro, and the hard-edged heroes of crime cinema.[06:37] Pulling Comics Out of ChildhoodMiller describes his desire to push comics into adolescence and beyond the conventions of disposable monthly stories.[06:59] The Origin Was Always ThereWhy Batman's trauma, lack of powers, and self-made discipline were already embedded in the character from the beginning.[07:50] Superman Descends, Batman RisesFrank contrasts Superman as a figure of light with Batman as something that comes up from the darkness.[08:44] What Makes a Character Mythic?Miller explains that great characters usually have a simple central theme: hope, justice, vengeance, effort, or fear.[10:30] King Arthur, Luke Skywalker, and the Power of ObjectsThe conversation turns to swords, lightsabers, utility belts, and how mythic symbols carry stories across generations.[11:54] Breaking the PageJames and Frank discuss how Kirby, Neal Adams, and others shattered conventional panel layouts before Miller pushed those techniques further.[12:35] A Tradition of RevolutionFrank explains why creativity means breaking a few eggs while still working inside a lineage.[13:00] When the Page Tells the StoryHow panel size, shape, and visual composition can carry emotional meaning without words.[14:10] What Would Frank Do With Batman Now?Miller says the point is not to reinvent Batman for novelty's sake, but to find a good story.[15:00] Moving Daredevil Into Hell's KitchenJames asks how Miller brought his own New York experience into Daredevil's world.[15:45] Fear, Editors, and Media ConglomeratesFrank reflects on how creative fear moves through artists, editors, bosses, and corporate structures.[16:17] Are New Comic Stories Still Possible?Miller argues that the talent and creative energy are still there, even if it does not always come from predictable places.[17:40] How Comics Survived Their Own DeathsFrank traces comic books from the attacks of the 1950s to Marvel, underground comics, and the direct market.[19:30] What Young Artists Need TodayWhen James asks what skill matters beyond drawing and storytelling, Miller answers: determination.[20:01] No Plan BFrank explains that he never had a concept of failure because comics were what he had wanted to do since his earliest memories.[20:47] Writing vs. StorytellingWhy, in comics, most of the storytelling happens in the pictures.[21:00] Neal Adams and the Hard LessonsMiller remembers calling Neal Adams from the phone book and receiving tough critiques that tested his character.[22:34] Egoism, Not EgotismFrank explains the balance an artist needs: enough ego to return after criticism, but not so much that they stop learning.[22:51] Stealing From the GreatsWhy artists must study and learn from earlier practitioners rather than pretending genius arrives fully formed.[23:47] Batman Is Possessed, Not ObsessedFrank corrects James's description of Batman and explains that Batman is filled with an eternal force.[24:50] Daredevil, Samurai, Crime, and Greek TragedyHow Miller fused martial arts films, ninja stories, crime movies, and Greek tragedy into his Daredevil run.[27:01] Stick, Elektra, and the Sensei ArchetypeJames and Frank trace the mentor-student relationship through Daredevil, samurai stories, and mythic training narratives.[27:47] Lone Wolf and Cub, Moebius, and RoninHow Forbidden Planet exposed Miller to Japanese and European comics, leading to the hybrid world of Ronin.[28:35] The Power of IntersectionsWhy combining Westerns, samurai stories, science fiction, noir, and mythology can create something new.[30:08] Discipline vs. ChaosJames identifies a recurring theme in Miller's work: taking chaos and molding it into purpose.[30:40] Batman Becomes the FatherFrank explains the final image of The Dark Knight Returns: the orphan becoming the father.[31:24] Why So Many Heroes Are OrphansMiller says the lone child against the elements is at the heart of heroic storytelling.[32:36] Guilt, Control, and Batman's Unhealed WoundJames and Frank discuss whether Batman is driven by guilt or by the need to take control after childhood trauma.[33:43] Pushing Batman to the ExtremeWhy Miller made the Batmobile a tank and amplified the character's core qualities.[33:50] How Frank Would Start TodayMiller advises young artists to attend conventions, show their work, use the internet, and seek honest feedback.[34:36] Seek Hard CriticismWhy young creators should avoid people who only make them feel good.[34:59] Don't Chase the Biggest TitlesMiller advises artists to look for overlooked characters—or better yet, create something themselves.[35:21] Find a Loser and Do It RightA practical creative strategy: identify something bad, understand why it fails, and build the better version.[35:41] Gatekeepers and New AvenuesFrank weighs the traditional obstacles against new channels for artists to get discovered.[36:27] Protect Your Original IdeasWhy young artists should be careful about handing over original material too early.[37:00] Humility, Listening, and Surviving the BusinessMiller adds that determination must be paired with humility and a willingness to learn how the industry works.[37:58] Batman at 55—and What Comes NextJames reflects on Batman's age in The Dark Knight Returns, and Frank jokes that next time Batman may be 80.[38:36] A New Western Sin CityFrank talks about working on a new Sin City story with a Western angle.[38:52] Push the Wall and the Art of CreativityJames closes by describing Miller's new book as a guide to creativity and inspiration.[39:20] A Dream Interview Comes Full CircleJames thanks Frank, explains the personal significance of the episode, and asks him to sign The Dark Knight Returns.Additional Resources:Push the Wall by Frank Miller — Miller's memoir and guide to writing, drawing, and storytelling.Batman: The Dark Knight Returns — Miller's landmark Batman story.Batman: Year One — Written by Frank Miller with art by David Mazzucchelli.Frank Miller's Sin City Deluxe Editions — Dark Horse's deluxe editions of the noir series.Lone Wolf and Cub — The samurai manga series Miller discusses as a major influence.Moebius / Jean Giraud — The European comics artist whose visual world influenced Ronin and modern science-fiction imagery.Joseph Campbell Foundation — Background on the mythic storytelling ideas referenced in the conversation.Neal Adams — DC's remembrance of the artist and mentor Miller discusses.Jack Kirby Museum — Archive and background on one of Miller's central comics influences.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Gary Wayne is back in the basement, and this time he is tracing blood. Royal blood. He lays out the case that the most powerful families on earth have spent thousands of years tracking a single genetic line all the way back to the giants of Genesis 6. The Rh-negative mystery. The O-negative blood of the Windsors. Coats of arms that hide Nephilim genealogies in plain sight. King Charles claimed descent from Vlad the Impaler. It is a game of thrones playing out across the whole of human history.From there, it only goes deeper. The fairy and dragon bloodlines. The Gene of Isis. King Arthur, Dracula, and the Tuatha De Danann are all branches of the same buried family tree. Gary connects the coded heraldry of the royals and the seed wars of the Old Testament to a counterfeit pedigree being built for the Antichrist, and argues that every empire from Rome to China guards the same occult secret. This episode is sponsored by: https://shopremi.com — Get 55% off your new night guard from now until the end of August with Remi Club Subscribe and Save using code BLURRY! https://rocketmoney.com/blurry — Let Rocket Money help you reach your financial goals faster! https://preborn.com/blurry — Visit the PreBorn! website or dial #250 and use keyword BABY to donate today. - Learn more about your ad choices. Visit megaphone.fm/adchoices

The French hard right leader Marine Le Pen says she'll still be a candidate in next year's presidential election, despite losing an appeal against her conviction for misusing EU funds.Also in the programme, we speak to Andrew Giuliani, the executive director of the presidential task force for the World Cup, on one of the most controversial moments in the tournament's history; and, a 700 year-old book telling the story of King Arthur and his court.(Photo :French far-right leader Marine Le Pen, member of parliament for the Rassemblement National (National Rally - RN) party, poses prior to an interview on the evening news broadcast of French TV channel TF1, following the verdict in her appeal trial over misuse of EU funds, in Boulogne-Billancourt, near Paris, France, July 7, 2026. REUTERS/Christian Hartmann/Pool TPX IMAGES OF THE DAY)

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When Drew Lachey (98 Degrees) and Lea Lachey (Choreographer) asked their students to anonymously write down the ways they didn't feel seen, they had no idea it would change the course of their lives. Those handwritten stories became the foundation for Label•less, the moving new Off-Broadway theatrical experience encouraging audiences to look beyond labels and reconnect through empathy. In this special The Art of Kindness conversation, Drew and Lea join Robert Peterpaul to discuss how kindness shapes every aspect of their work—from directing and teaching to parenting and creating safe spaces where artists can thrive. This podcast podcast episode covers: How their new show Label•less was born out of classroom Redefining labels from educator to parent to pop star and what they really mean Building rehearsal rooms with love instead of fear How kind leaders are better leaders Why they can't shake an interaction with one random security guard, plus more. Label•less is a groundbreaking new 90-minute musical experience that gets real about the challenges we all face in today's world. Created by Drew Lachey (98 Degrees & “Dancing With the Stars”) and choreographer Lea Lachey, Label•less features a wildly talented cast of young adults sharing real-life experiences and taking audiences on an emotional journey packed with soaring vocals and electric dancing. With an original score spanning rock, pop, and R&B, plus hit songs like “Born This Way” and “Rise Up,” Label•less is on a mission to break down barriers, remind us of our shared humanity, and envision life beyond labels. Learn more: labellessmusical.com DREW LACHEY (Creator, Co-Director, Writer, Producer), a proud Cincinnatian, is best known for his multiplatinum pop group 98 Degrees, selling more than 10 million records worldwide and achieving eight top 40 singles in the United States. He also appeared on ABC's “Dancing with the Stars” and was crowned Season 2 Champion. A Broadway veteran, he starred as Mark Cohen in Jonathan Larson's Pulitzer Prize–winning musical Rent and as King Arthur's right-hand man, Patsy, in Mike Nichols' Tony Award–winning production of Monty Python's Spamalot. Additional onstage work includes Corny Collins in Hairspray, Charlie in Kinky Boots, and Zach in A Chorus Line. Drew also hosted ABC's “Dance War: Bruno vs. Carrie Ann,” HGTV's “$250,000 Dollar Challenge,” Design Network's “Date My House,” “America Sings,” “The Price Is Right Live,” “Let's Make a Deal Live,” and the Miss USA Pageant. He currently lives in Cincinnati, where he, along with his wife, Lea, created and run Lachey Arts, a performing arts nonprofit.    LEA LACHEY (Creator, Co-Director, Choreographer, Producer) a native of Cincinnati, has worked professionally in many different areas of the entertainment industry. Whether creating for stage or film, theater or concerts, she believes in the power of storytelling. Over the years, she has worked with organizations and artists including the Radio City Rockettes, 98 Degrees, Missy Elliott, Walt Disney, the NBA, and the NFL. Her work has been seen on “Good Morning America,” the “Today” show, Miss America, Miss Teen USA, MTV, and VH1. Over the last several years, she has had the honor of working as choreographer and dance consultant on multiple films, including Carol, starring Academy Award–winning actress Cate Blanchett and Kyle Chandler; Miles Ahead, starring Golden Globe Award–winning actor Don Cheadle and Emayatzy Corinealdi; and “A Christmas Melody,” directed by and starring Grammy Award winner Mariah Carey and starring Lacey Chabert. Lea is currently the Co-Artistic Director of Lachey Arts, a performing arts nonprofit based in Cincinnati.  Follow us: ⁠⁠⁠@artofkindnesspod⁠⁠⁠ / ⁠⁠⁠@robpeterpaul⁠⁠⁠ Support the show! (⁠⁠⁠https://www.buymeacoffee.com/theaok⁠⁠⁠) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Honour. Loyalty. Chivalry. All qualities that would be great to have as we explore the facts and fictions of Arthurian legend!Follow us on Instagram!Submit your topics and vote on others on our subreddit!Get even more content from us on Patreon!Proudly part of The Sonar Network! Hosted on Acast. See acast.com/privacy for more information.

Support us on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠---In the sixth century, the island of Britain was quite possibly the most miserable place on earth. A decades-long combination of civil war, imperial neglect, seaborne savagery, and the great freeze of 536 contributed to a level of deprivation beyond all living memory. But although the Britons had lost their paved roads, well-oiled trade networks, Latin school system, and even their land, they still held onto their hope. They called this hope Arthur. This episode of Gladio Free Europe is the first in a series on the Arthurian cycle, the body of legends and literature that would become medieval Europe's most significant popular culture. Starting with the unanswerable question of the historic Arthur of the sixth century, Liam and Russian Sam explore the emergence of Britain's most recognizable literary icon and most valiant king. This episode of Gladio Free Europe situates Arthurian literature in its various contexts, from Welsh and Breton oral traditions deeply rooted in the stories of the ancient Celts to the French-language courtly literature of High Middle Ages. Together, these various ancient and medieval influences combined to create the most iconic genre of medieval literature, and one which contributes exert a profound influence on fiction today — the chivalric romance. From the time of Geoffrey of Monmouth in the middle 12th century to the publication of Thomas Malory's Le Morte Darthur at the close of the 15th, the romance was the defining vernacular literature of medieval Europe. These stories, produced to entertain and to pacify a violent aristocratic class, are both a fascinating look at the values of their time and some of the most amusing and exciting works of fiction produced before the printing press. The first part of this series connects the earliest known references of the legendary Romano-British Arthur to the literary King Arthur of the High Middles. Listen to this episode to learn how the Angevin Empire of Henry II was essential for the development and proliferation of the Arthurian romance, as well as the dark, smelly secret behind Merlin's name.

“On this day!”… we have a new episode covering one of many attempts at adapting King Arthur.This is the one is the 2004 one starring Clive Owen and alot of actors who've gone on to do much better things.Josh chose this one but could it be underrated, under seen or both? Or could there be more at play here? A twist in the tale?Give it a listen!Links to the pod and our social media can be found here. Just select your link of choice!https://linktr.ee/justfilmsandthatpodIf you'd like to get in touch for anything or even suggest a film for us to look at, the email is filmsandthatpod@gmail.comWe're on all the usual social media platforms if just search for Just Films and that and you should find us. Alternatively, all out social media is also linked above!Give us a follow on Letterboxd!https://letterboxd.com/justfilms_that/If you want to support us then you can do so via our Kofi page which is linked below:https://ko-fi.com/justfilmsthatAnything you donate to us will be massively appreciated and will go straight back into the cost of running and growing the podcast!Thank you to Dan and Tom who did our artwork and music! Click the links below to check out more of their fantastic work!Tom (Music)https://www.thomasgeorgemusic.com/Dan (Artwork)https://www.instagram.com/dan_vanguardcomic/Josh on Social Media:Twitter: @JoshieMcsquashyJamie on Social Media:Twitter: @JayAllerton Instagram: @allertonjamie Jamie's other Podcast: Twitter: @bestmovie2pod Instagram @bestmovie2pod Available wherever you get your podcasts. Give it a listen!Cheers!The Just Films & That team Hosted on Acast. See acast.com/privacy for more information.

The Daily Quiz - Art and Literature Today's Questions: Question 1: Which author wrote 'The Return of the Condor Heroes'? Question 2: Which author wrote 'Mumu'? Question 3: Which author wrote 'The Silver Chair'? Question 4: Which author wrote 'A Connecticut Yankee in King Arthur's Court'? Question 5: Which artist painted "Creation of Adam" Question 6: Which piece of written work starts with the line 'The family of Dashwood had been long settled in Sussex.'? Question 7: Which novel, intended to "induce kindness, sympathy and an understanding treatment of horses", was written by Anna Sewell? Question 8: In one of Donald Horne's novels, which was "the lucky country"? Question 9: According To "The Hitchhikers Guide To The Galaxy" what number is the answer to everything? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Day 2891 of Wisdom-Trek, and thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom – Theology Thursday – When Myth Remembers: The Case for the Supernatural in History. Wisdom-Trek Podcast Script - Day 2891 Welcome to Wisdom-Trek with Gramps!   I am Guthrie Chamberlain, and we are on Day 2891 of our Trek.   The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. Our current series of Theology Thursday lessons is written by theologian and teacher John Daniels. I have found that his lessons are short, easy to understand, doctrinally sound, and applicable to all who desire to learn more of God's Word. John's lessons can be found on his website   theologyinfive.com.   Today's lesson is titled:  When Myth Remembers: The Case for the Supernatural in History. Modern thinking often treats myths as primitive fiction, old stories made up to explain what ancient people didn't understand. This is a shallow and deeply flawed view. A myth, in its original form, was never just a tale. It was a framework for understanding reality. Myths carried the collective memory, theology, morality, and worldview of a people group. They encoded truth, not always literal in every detail, but meaningful, historical, and often rooted in real events, places, and supernatural encounters. To dismiss myths because they involve divine beings or miracles is to miss their purpose. Ancient people did not separate the sacred from the secular. Their myths reflected how they understood the world and how they encountered powers beyond it. The first segment is: Historical Memory Preserved in Myth Some myths are poetic versions of real events. The story of the Trojan War, once thought to be legend, gained new weight when archaeological discoveries confirmed the existence of a city that fits Homer's description of Troy. Likewise, while the legends of King Arthur are wrapped in fantasy, they are likely based on a real post-Roman warlord who resisted Saxon invaders. Even in Scripture, the events that modern critics label “mythic” often show clear signs of historical anchoring. The global flood, the destruction of Sodom, the Tower of Babel, and the conquest of Canaan are presented not as metaphors but as real acts of God in human history. These accounts, though cosmic in scope, are rooted in geography, time, and national memory. The second segment is: Myth as Cultural Lens Myths also reveal what mattered most to a people. Norse mythology, shaped by harsh winters and unrelenting violence, emphasizes cold, fate, and struggle. Mesopotamian myths center on divine kingship and cycles of fertility, reflecting the importance of rivers, temples, and crops. These stories do not just preserve events; they preserve the lens through which cultures viewed divine activity. In the Bible, this same pattern holds. Its creation narrative, flood story, and judgments are not recycled myths but deliberate responses to the surrounding pagan world. Scripture confronts and corrects the worldview embedded in other myths. It does not borrow their gods. It defeats them. The third segment is: The Modern Turn Against the Supernatural The rejection of mythic material as a source of truth is not ancient. It is modern. It was not the biblical writers or the early Church who dismissed the supernatural. That rejection began in earnest during the eighteenth and nineteenth centuries, when Western intellectual culture began shifting under the influence of the Enlightenment. The Enlightenment exalted reason, skepticism, and empirical science. Thinkers like David Hume and Immanuel Kant argued that miracles violated the laws of nature and were therefore unreliable as historical events. Supernatural claims were relegated to the realm of fiction or psychological projection. This created a new definition of truth, one that excluded divine intervention, spiritual beings, and cosmic conflict. In the nineteenth century, these assumptions were applied to the Bible through the historical-critical method. Scholars such as Julius Wellhausen dissected Scripture not as divine revelation but as a collection of evolving mythologies shaped by human communities. The creation narrative, the flood, the Tower of Babel, and the miracles of Jesus were no longer treated as actual events but as religious poetry or borrowed legends. In this model, myth was not something to be trusted. It was something to be deconstructed. Even movements that sought to preserve the value of myth, such as Romanticism, did so by redefining it. Myths were not allowed to speak about divine realities. Instead, they were reduced to metaphors for the human condition. Their theological and historical weight was stripped away in favor of psychological interpretation. The fourth segment is: Augustine's Overcorrection: From Mysticism to Minimalism But the groundwork for this modern rejection of mythic material was laid even earlier. Augustine of Hippo, one of the most influential theologians in Christian history, had once been deeply involved in Manichaeism, a mystical cult that emphasized a cosmic struggle between light and darkness. After leaving the cult and converting to Christianity, Augustine understandably sought to distance himself from the elaborate supernatural systems he had once embraced. However, in doing so, he overcorrected. He rejected many established supernatural interpretations of Scripture, favoring more allegorical and philosophical approaches. Influenced by Neoplatonism, Augustine prioritized abstract spiritual realities over tangible supernatural beings. He reinterpreted Genesis 6, for example, not as a rebellion of divine beings, but as a moral tale about the intermarriage of the godly and ungodly. Though Augustine never denied God's power or the reality of miracles, his discomfort with mythic material and his desire for theological respectability led him to downplay or spiritualize the cosmic conflict found in much of the Bible. His influence steered much of Western theology away from the ancient worldview that accepted divine councils, rebellious spirits, and supernatural intervention as real components of history. This theological shift made it easier for Enlightenment thinkers to later dismiss myth outright. The supernatural had already been contained and abstracted. In many ways, the modern rejection of myth did not begin with science. It began with Augustine's reaction against his own past. The fifth segment is: The Myth That Was True and the Myths That Remembered Not all myths are lies. Many are distorted memories of real events, echoes of a spiritual history that the nations once knew but later twisted. The flood, the divine rebellion, the rise of giants, the war among the gods, these appear in cultures across the globe not because they were invented out of thin air, but because they preserve fragments of true events. The nations remembered the rebellion of the sons of God, but they passed it down in corrupted form. They remembered divine judgments, but attached them to false deities. Their stories are not false because they are myth. They are flawed because they lost the context of Yahweh's supremacy. In the twentieth century, this idea was captured powerfully in a conversation between J.R.R. Tolkien and C.S. Lewis. At the time, Lewis still considered myths to be beautiful lies, moving, meaningful, but ultimately untrue. Tolkien challenged that view. He explained that myths resonate because they point to something real. Humanity tells stories of gods and sacrifice and resurrection because it dimly remembers. Made in the image of a Creator who speaks through story, we carry within us a longing for the true version of the story all nations once knew. Tolkien told Lewis, “The story of Christ is a myth working on us in the same way as the others, but with this tremendous difference: it really happened.” The point was not that the other myths were worthless, but that they were shadows. The gospel is the fulfillment of what all the others pointed toward. It is not myth in the modern sense of fiction, but myth in the ancient sense of divine reality revealed in story. Where the nations preserved pieces of divine truth wrapped in confusion, Scripture restores the original pattern. Where paganism elevates rebel gods and obscures justice, the Bible reorients the mythic structure around Yahweh, the Most High. It does not erase the mythic imagination. It redeems it. The sixth segment  is: Yahweh Is Not Bound by the System He Created A major reason people reject mythic material is the presence of supernatural events. Miracles, divine appearances, and acts of judgment are written off as fabrications because they do not conform to natural law. But that objection is built on a misunderstanding of who Yahweh is. If we believe that Yahweh is...

For more than 700 years, the Clermont-Tonnerre Grail—one of the oldest and most richly illustrated manuscripts of the King Arthur and Holy Grail legends—remained hidden in private hands. In this episode, host Joey Quigley speaks with Eugenio Donadoni, International Specialist, Medieval & Renaissance Manuscripts, about this extraordinary 13th-century masterpiece, its dazzling gold-leaf illuminations, unique Arthurian text, and the significance of its upcoming sale at Christie's. Discover why scholars, collectors, and institutions around the world are watching this auction so closely.

A lonely Massachusetts crossroads has been claiming the lives of lawmen for over two hundred years—each one stabbed in the back in a spot so open no killer could possibly reach him, while the only sound in the dark is a woman's cold laughter.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Talking Women” (February 06, 1978) ***WD00:47:04.966 = 2000 Plus, “The Giant Walks” (November 08, 1950) ***WD01:15:57.050 = The Unexpected, “Nightmare” (October 31, 1948)01:29:30.334 = Unsolved Mysteries, “Writing On The Wall” (October 05, 1949) ***WD01:44:12.246 = Dark Venture, “Hideout” (January 07, 1947) ***WD02:09:03.788 = The Weird Circle, “Dr. Jekyll and Mr. Hyde” (1945)02:36:35.446 = The Whistler, “Danger Is a Beautiful Blonde” (March 05, 1945)03:07:19.667 = Strange Wills, “Madman's Diary” (August 17, 1946)03:37:02.993 = Witch's Tale, “Haunted Crossroads” (October 17, 1932) ***WD04:01:39.046 = X Minus One, “Hostess” (December 12, 1956)04:29:47.425 = ABC Mystery Time, “Four Fatal Jugglers” (1957) ***WD04:53:37.561 = Strange Adventure, “Diamonds In The Desert” 04:56:54.720 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0692This installment of #RetroRadio — old-time radio in the dark — gathers twelve vintage broadcasts spanning crime, science fiction, the supernatural, and the just plain strange, drawn from CBS Radio Mystery Theater, 2000 Plus, The Unexpected, Unsolved Mysteries, Dark Venture, The Weird Circle, The Whistler, Strange Wills, The Witch's Tale, X Minus One, Masters of Mystery, and Strange Adventure.CBS Radio Mystery Theater opens the night with "The Talking Women," written by Sam Dan and starring Ed Ames, as host E.G. Marshall introduces wealthy executive Robert Bayswell, a man whose endless "business trips" to New York have quietly covered a five-year affair with his mistress, Lolly "Dolores" Harbison. When Bayswell decides to end the relationship and return to his wife Martha, a struggle over a loaded .38 revolver sets a chain of events in motion — one that draws in nightclub photographer Julie Palmer and homicide detective Sergeant DeLuca, both circling a death no one can quite explain.2000 Plus delivers the science-gone-wrong terror of "The Giant Walks," in which the obsessed Dr. Ellsworth, having used a pituitary revitalizer to breed giant rats four feet long, sets his sights on the next logical subject — a human being. His powerfully built test subject Barstow is grown to thirty feet of muscle and bone, while uneasy assistant Weston watches the experiment spiral past anything Ellsworth can hope to control.The Unexpected stars radio's Lurene Tuttle in "Nightmare," the tale of understudy actress Jenny, who answers her door to a hideous, dwarf-like old peddler selling two dolls — one that cries and one that laughs. Against the peddler's strange warning, she chooses the laughing doll, and its contagious, mocking laughter begins to follow her everywhere she goes, into the theater, the subway, and her sleepless nights.Unsolved Mysteries presents a true-style ghost story told by foreign correspondent Jackson, who recalls a visit to a centuries-old medieval castle in Northumberland, England, complete with drawbridge, moat, and turrets — and its resident phantom, the Lady Evelyn, said to warn the family of any impending disaster. Sleeping in the haunted wing, Jackson is roused by a figure who writes a message in letters of fire across the stone wall, a warning tied to the RMS Titanic.Dark Venture stars William Conrad in "Hideout," the confession of small-time gambler Sam, who sits in on one of Phil Collins's famous high-stakes poker games, wins and loses a fortune, and ends the night shooting political big shot Mike Barnes. Fleeing to Chicago and a rooming house run by Dave Jordan, Sam stumbles into a carnival fortune teller, Madame Zara, who reads the cards and tells him he will die within three days at the hands of a man with white hair — just as hired killer Whitey Burke begins closing in.The Weird Circle summons its bellkeeper for the immortal Robert Louis Stevenson tale "Dr. Jekyll and Mr. Hyde," in which Dr. Henry Jekyll brews a potion meant to separate the good and evil halves of a single man. The draught gives life to the stooped, deformed, and wholly malevolent Edward Hyde, who terrorizes the streets of London while lawyer Mr. Utterson, Dr. Lanyon, and the faithful butler Poole try to understand what their friend has unleashed.The Whistler brings the Signal-sponsored noir "Danger Is a Beautiful Blonde," as bored construction engineer Van Stevens, killing time in a small coast city on a Saturday night, is picked up on the street by a beautiful young blonde in a slick convertible. She drives him to a seaside mansion full of priceless art, and the flirtation turns to ice the moment she asks him to look under her bed — where a dead man lies hidden.Strange Wills stars distinguished Hollywood actor Warren William as attorney John Francis O'Connell in "Madman's Diary," a probate-court reading of the last testament of the late Professor Lucifer Nicolai. The diary records the professor's decade-long obsession: an electromagnetic experiment to separate the human mind from the body and hurl it backward along light waves into the past. His subject, a young orphan named Alice, is sent first to the age of King Arthur and Guinevere, then far deeper — a quarter-million years before Christ.The Witch's Tale, narrated by 122-year-old Nancy, the Witch of Salem, and her wise black cat Satan, tells "The Haunted Crossroads," where state troopers keep dying at a barren Massachusetts intersection — each one stabbed in the back in a spot so open no killer could possibly reach him and flee unseen. After young Trooper Tom Fallon falls beside his uncle Sergeant Pat McGee and friend Gene Hardy, the only clue is a woman's cold laughter in the dark and a curse reaching back to 1721 and a hanged woman named Goody Fairfax.X Minus One, hosted by Isaac Asimov, presents "Hostess," the story of biologist Rose Smollett, who brings home a guest from another world — the Hawkinsite physician Dr. Harg Tolan, a six-limbed being who breathes cyanide from a cylinder at his mouth. Tolan has come to Earth to study the dreaded "inhibition death," the wasting illness that kills his people, and his quiet questions about the missing persons bureau begin to unsettle Rose's policeman husband, Drake.Masters of Mystery offers the island thriller "Four Fatal Jugglers," in which business partners Gordon Penrose and Dave Copeland — tangled together by Gordon's wife Lydia and her demands for a divorce — head off for a weekend of duck hunting on a tiny, isolated island in the middle of a lake. Lydia's protective brother Bob is drawn in too, and with old grudges, suspicions of murder-by-hunting-accident, and a hunting knife in play, the trip becomes a deadly game of who can be trusted.Strange Adventure closes the night with a desert tale of two weather-beaten prospectors, gangling Slim Sandstone and his stocky partner Geordie Gaines, who walk into the bank of George Alden and deposit a canvas sack half-filled with uncut diamonds. Their secret field out on the desert is rich beyond belief, and the greedy banker schemes to maneuver the pair out of their claim — never suspecting what a salted diamond strike can teach a smart financial tycoon.

RTB's sister podcast, Novel Dialogue, spoke recently with Aaron Gwyn. He is the author of four novels: The World Beneath, Wynne's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism), we learn that Robert Lemmons is a real historical figure and so is Levi English. One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In NOvel Dialogue's "signature question," we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in this episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner, Absalom, Absalom! Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Read transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices

RTB's sister podcast, Novel Dialogue, spoke recently with Aaron Gwyn. He is the author of four novels: The World Beneath, Wynne's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism), we learn that Robert Lemmons is a real historical figure and so is Levi English. One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In NOvel Dialogue's "signature question," we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in this episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner, Absalom, Absalom! Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Read transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In today's episode of the Atheist Experience, The Cross Examiner and JMike tackle the subtle "little things" of Christian nationalism and the liberating reality of secular mental health! From the Pentagon's reclassification of Mormonism to a personal struggle with depression, the hosts dismantle the idea that faith is a viable substitute for evidence or professional care. Can we find a better grounding for reality than ancient forgeries and emotional placeholders?Levi in LA questions why he shouldn't believe in a higher power if it provides comfort, such as a positive outlook during illness. The hosts use the "diamond in the backyard" analogy to explore the high cost of religious tithing and emotional energy spent on unsupported claims. They emphasize that a lack of evidence should lead to agnosticism rather than conviction. What happens to your resources when the promise of a diamond never materializes?Michel in NY asks if the fame of the Gospels proves Jesus was a historical figure rather than a myth. The hosts compare this reasoning to the popularity of King Arthur or Robin Hood, noting that legendary status doesn't establish physical reality. The conversation briefly touches on apocryphal texts and modern gender commentary before being identified as potential trolling for its lack of substance. Can the popularity of a story ever serve as a reliable yardstick for historical truth?Marcos in New Zealand presents a trilemma regarding children and free will on Judgment Day. He also cites documented witnesses of Ellen White as proof for his theism. The hosts challenge this "hearsay of hearsay" by comparing it to the modern "James River Church toes" miracle, which lacked independent verification despite multiple claims of witnessing the divine. They urge applying a consistent standard of evidence to all extraordinary stories. Why do ancient legends receive a special pass from skepticism?Thank you for joining us this week! We will see you next time!Become a supporter of this podcast: https://www.spreaker.com/podcast/the-atheist-experience--3254896/support.

What really went on at the court of King William Rufus?William the Conqueror's son and successor was fierce and ruthless. He taxed heavily, refused to conform to the ideals of kingship, and reportedly presided over a court of extravagant young men and sexual licentiousness. But how much of Rufus's reputation was shaped by the monks that despised him?Matt Lewis is joined by Professor Tom Licence, to explore the life, reign and shocking death of a king, whose reputation remains as provocative today as it was nearly a thousand years ago.More:King Arthur's Sex LifeListen on AppleListen on SpotifyEdward II: King of IncompetenceListen on AppleListen on SpotifyGone Medieval is presented by Matt Lewis. Audio editor is Natasha Hughes, the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week, PLUS early access, ad-free podcasts. Sign up at https://www.historyhit.com/subscribe Hosted on Acast. See acast.com/privacy for more information.

Pull up a chair at the Round Table as we discuss the centerpiece of King Arthur's court! How many knights sat there (more than you'd think!), what did it look like, and what did it represent to these knights that swore fealty and chivalry? Content Warning: This episode contains conversations about or mentions of death, violence, and abduction. Housekeeping- Books: Check out our previous book recommendations, guests' books, and more at spiritspodcast.com/books- Call to Action: Send in those urban legend emails!- Submit Your Urban Legends Audio: Call us! 617-420-2344Minneapolis SpotlightIf you are a podcaster and want to join us in this effort, please go to bit.ly/mnpodcastads- Café Margeurite - Accepting online gift cards to provide hot drinks and food to staff and community members. Select “Solidarity with Staff & Community” at the bottom of the Order Online page.Find Us Online- Website & Transcripts: spiritspodcast.com- Patreon: patreon.com/spiritspodcast- Merch: spiritspodcast.com/merch- Instagram: instagram.com/spiritspodcast- Bluesky: bsky.app/profile/spiritspodcast.com- Twitter: twitter.com/spiritspodcast- Tumblr: spiritspodcast.tumblr.comCast & Crew- Co-Hosts: Julia Schifini and Amanda McLoughlin- Editor: Bren Frederick- Music: Brandon Grugle, based on "Danger Storm" by Kevin MacLeod- Artwork: Allyson Wakeman- Multitude: multitude.productionsAbout UsSpirits is a boozy podcast about mythology, legends, and folklore. Every episode, co-hosts Julia and Amanda mix a drink and discuss a new story or character from a wide range of places, eras, and cultures. Learn brand-new stories and enjoy retellings of your favorite myths, served over ice every week, on Spirits.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

At the outbreak of First World War airplanes were still a novelty on the battlefield. Originally planes were used for reconnaissance and the pilots were usually unarmed. This quickly changed and soon airplanes were being outfitted with machine guns and tasked specifically with destroying enemy aircraft. Fighter pilots were a new type of warrior, but ironically they started to be described in medieval terms. Stories began to appear in the wartime press about acts of courtesy between enemy pilots. Soon propagandists were claiming that airmen were "knights of the air" bound by an unwritten code of chivalry. The image of the daring and gentlemanly "flying ace" proved to be an incredibly effective recruitment tool. Were the stories of gallantry in the sky little more than wartime propaganda, or was there something to the image of the gentleman-pilot? Tune-in and find out how King Arthur, Ernest Hemmingway, and the "Fokker Scourge" all play role in the story.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What Can Lead a Weary Soul to the Divine in a Post-Christian World?   Malcolm Guite is back for part two of our chat with him, and this time we go from atheism to awe, from the Psalms to the Holy Grail, and from Keats to King Arthur. Malcolm tells the wild story of how poetry cracked open his imagination and shattered his unbelief, leading him into the living presence of God — then shows why Galahad and the Grail might be the ancient, weird, luminous story our burned-out, disenchanted world needs now.   Listen to Malcolm Guite pt. 1: Does Theology Need an Imaginative Spark to Grasp God's Mystery?   Sign up for The After Party Informational Webinars   Mentioned In This Episode: Malcolm Guite's Galahad in the Grail Malcolm Guite's Epiphany 1 The magi Malcolm Guite's Sounding the Seasons C.S. Lewis's Surprised by Joy John Keats' Ode to a Nightingale Saint Augustine, Bishop of Hippo's The Confessions Of Saint Augustine   Scriptures Referenced In This Episode: Psalm 145 (1928 BCP) The Psalms (Coverdale edition) PDF version   More from Malcolm Guite: Malcolm Guite's website and blog Malcolm Guite's Youtube channel Malcolm Guite's books   Follow Us: Good Faith on Instagram Good Faith on X (formerly Twitter) Good Faith on Facebook   The Good Faith Podcast is a production of a 501(c)(3) nonpartisan organization that does not engage in any political campaign activity to support or oppose any candidate for public office. Any views and opinions expressed by any guests on this program are solely those of the individuals and do not necessarily reflect the views or positions of Good Faith.  

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⛰️When the unthinkable happens, Doña must become something she doesn't even recognize to bring justiceBut, once she travels so far from herself, can she find her way home? This is the story of Doña Josefa Ramirez y Marmolejo.