Podcast appearances and mentions of King Arthur

A new week means new questions! Hope you have fun with these!Which Great Lake shares its name with a Canadian Province?In the legend of King Arthur, which of Arthur's knights accepts a challenge from the "Green Knight"?What is unique physically about Manx cats?Which state has the shortest coastline?What is the longest passenger railway train in the world?Uketsu, the mysterious Japanese author and Youtube Star, has had two popular books released that start with the word "Strange", name both of them, 5 points each.What Canadian band composed "The History of Everything" also known as "The theme song for The Big Bang Theory"?Daniel Peter, was able to use condensed milk, which was recently created by his friend Henri Nestle, along with a few other ingredients to produce the first solidified version of what?Which musical, that involves the production of a musical version of William Shakespeare's The Taming of the Shrew, had a production in 2000 that set the record for most tony nominations for a musical revival?Who was the first baseball player in MLB history to record 50 home runs and 50 stolen bases in a season and was unanimously named the 2024 National League MVP?This disco queen Works Hard for the Money to get this airy combination of egg whites and sugar that forms the outer layer of a Baked Alaska.Which model and hostess has become well known for her over the top halloween costumes, including being a giant worm, Fiona from Shrek, and Jessica Rabbit?James Lipton, the host of Inside the Actors Studio, was married to Kedakai Turner Lipton, who was the model for which character on the cover of the boardgame Clue?What is the only sea without any coasts, meaning it has no land boundaries?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

Live from the Comixology booth at New York Comic Con, Jace chats with writer Neil Kleid about his upcoming Comixology Originals series Medieval. Blending the timeless love of baseball with the mythic world of Camelot, Kleid describes the book as "a New York baseball fan in King Arthur's Court." Inspired by Mark Twain's classic tale, Medieval follows Danny Landau, a blue-collar fan who finds himself transported back to the sixth century, armed with little more than his modern sensibilities and a love of the game. Neil shares how the story evolved from his lifelong passion for baseball, what it was like collaborating with artist Alex Cormack, and why this bloody, emotional, and often hilarious adventure marks a fun departure from his more grounded previous work like The Panic and Nice Jewish Boys. The first issue of Medieval launches November 11 on Comixology, and Neil gives listeners all the details on how to preorder and follow the series' five-issue run.

CHAUCER'S DEAD. So dead. Dead. Dead. Dead. Dr. Gillespie and Dr Echard discuss this, plus John of Gaunt's decaying phallus, Gower's poseur tomb, King Arthur's butterfly bishop, and more.

The sixth most voted for topic for Block 2025 is King Arthur - man or legend? We find out the truth behind the man at the head of the Round Table (except there is no head at a round table ...) This is a comedy/history podcast, the report begins at approximately 5:00 (though as always, we go off on tangents throughout the report).For all our important links: https://linktr.ee/dogoonpod Check out our other podcasts:Book Cheat: https://play.acast.com/s/book-cheatPrime Mates: https://play.acast.com/s/prime-mates/Listen Now: https://play.acast.com/s/listen-now/Who Knew It with Matt Stewart: https://play.acast.com/s/who-knew-it-with-matt-stewart/Jess Writes A Rom-Com: https://shows.acast.com/jess-writes-a-rom-comOur awesome theme song by Evan Munro-Smith and logo by Peader ThomasDo Go On acknowledges the traditional owners of the land we record on, the Wurundjeri people, in the Kulin nation. We pay our respects to elders, past and present. REFERENCES AND FURTHER READING:https://www.smithsonianmag.com/history/king-arthur-real-person-180980466/https://www.caerleon.net/history/arthur/page2.htmhttps://www.bbc.co.uk/history/ancient/anglo_saxons/arthur_01.shtmlhttps://en.wikipedia.org/wiki/King_Arthurhttps://en.wikipedia.org/wiki/Historicity_of_King_Arthurhttps://www.youtube.com/watch?v=Cv7UDGkFUl8 Hosted on Acast. See acast.com/privacy for more information.

This conversation with Peter delves into the rich history and culture of Britain, exploring the interplay between myth and reality, particularly through the lens of Arthurian legends and the influence of Christianity. We also delve into the exploration of ancient civilizations, focusing on archaeological finds, the Neolithic period, and the connections between zodiac symbols and historical narratives. We discuss the significance of cultural exchanges, the influence of geography on ancient societies, and the legacy of figures like Arthur in the context of myth and history. Peter also touches on the idea of secret knowledge being passed down through generations, highlighting the intertwining of history and mythology in understanding our past. We look for connections between the Holy Grail, the Bronze and Iron Ages, and the historical context of King Arthur. Join our Patreon, support the show, get extra content and early access!https://www.patreon.com/brothersoftheserpentSupport the show with a paypal donation:https://paypal.me/snakebros

Remember the twist ending of the Arthurian romances when Bruce Lee appears at Camlann to kick Mordred's ass? Me neither. This week on the Vintage RPG Podcast, we check out The Future King, a stand-alone adventure/system by Tom Moldvay. It spins somewhat out of his earlier bat-shit RPG Lords of Creation and sees the players trying to wake King Arthur from his slumber, because the hour of need is at hand. That isn't too crazy, but the pregens are. They include Bruce Lee, Cyrano and Nostradamus! * * * Instagram? Old news. Join the Vintage RPG Newsletter! That's where all the cool kids are now! Stu's book, Monsters, Aliens, and Holes in the Ground is for sale now! Buy it! Patreon? Discord? Cool RPG things to buy? All the Vintage RPG links you need are right here in one place! Like, Rate, Subscribe and Review the Vintage RPG Podcast! Edited by the one and only R. Alex Murray. Send questions, comments or corrections to info@vintagerpg.com. Available on iTunes, Google Podcasts, iHeartRadio, Spotify, YouTube and your favorite podcast clients. The Vintage RPG illustration is by Shafer Brown. Follow him on Twitter. Tune in next week for the next episode. Until then, may the dice always roll in your favor!

This week, we're reviewing another rendition of the King Arthur legend, but told from Merlin's perspective instead. Sam Neill plays the infamous wizard, alongside a stacked cast that features Helena Bonham Carter, Rutger Hauer, Martin Short, Isabella Rossellini, and Miranda Richardson. This is also a two-part TV movie, so we're really breaking all the rules with this episode.Join our Patreon for our bonus episodes! https://www.patreon.com/oldiebutagoodiepodFollow the show!Instagram: https://www.instagram.com/oldiebutagoodiepod/Facebook: https://fb.me/oldiebutagoodiepodPodcast Platforms: https://linktr.ee/oldiebutagoodiepodGot feedback? Send us an email at oldiebutagoodiepod@gmail.comFollow the hosts!Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/- Twitter: https://twitter.com/sandrofalce- Letterboxd: https://letterboxd.com/SandroFalce/- Twitch: https://www.twitch.tv/SandroFeltChairZach Adams - Instagram: https://www.instagram.com/zach4dams/- Twitter: https://twitter.com/ZackoCaveWizard- Letterboxd: https://letterboxd.com/zach4dams- Twitch: https://www.twitch.tv/zackocavewizardWatch our editor, Starkie, on Twitch! https://www.twitch.tv/sstarkieeOldie But A Goodie's theme tune is written and produced by Josh Cake. Check out his work here: https://www.joshcake.com/Check out other shows from our network 'That's Not Canon'! https://thatsnotcanon.com/ Hosted on Acast. See acast.com/privacy for more information.

Nathaniel Heutmaker of the Grail Sciences Podcast and James Bleckley of the Oldest Stories podcast sat down to discuss Mesopotamian myth from an occult perspective. But they ended up sitting for hours and hours over multiple days and got off track more than once. Because I find a bunch of it interesting, I cut the most interesting clips together for you today, so hear you can hear Nathaniel's take on the oldest archeological findings, King Arthur, Josephus, and more!The Grail Sciences Podcast covers the deeper meaning of the Holy Grail and a variety of occult topics. Nathaniel is deeply read in a variety of world traditions, and expertly weaves it all together over at grailsciences.com/The Oldest Stories Podcast covers the history, myth, and culture of ancient Mesopotamia, from the invention of writing until the fall of Nabonidas. James has been filling out the story of the oldest civilization for over 6 years at oldeststories.net

Nick Jeffery and John Granger continue their Q&A conversations about Rowling-Galbraith's Hallmarked Man (if you missed the first discussion, click here to catch up). As usual, the pair promised to send links and notes along with their recorded back and forth for anyone wanting to read more about the subjects they discussed. Scroll down for their seven plus one questions and a bevy of bonus material they trust will add to your appreciation of Rowling's Strike 8 artistry and meaning. Cheers!Q1: What is the meaning of or artistry involved with Pat Chauncey's three fish in the Agency's fish tank, ‘Robin,' ‘Cormoran,' and ‘Travolta/Elton'?Mise en Abyme (Wikipedia)In Western art history, mise en abyme (French pronunciation: [miz ɑ̃n‿abim]; also mise en abîme) is the technique of placing a copy of an image within itself, often in a way that suggests an infinitely recurring sequence. In film theory and literary theory, it refers to the story within a story technique.The term is derived from heraldry, and means placed into abyss (exact middle of a shield). It was first appropriated for modern criticism by the French author André Gide. A common sense of the phrase is the visual experience of standing between two mirrors and seeing an infinite reproduction of one's image. Another is the Droste effect, in which a picture appears within itself, in a place where a similar picture would realistically be expected to appearSnargaloff pods (Harry Potter Wiki)“It sprang to life at once; long, prickly, bramble-like vines flew out of the top and whipped through the air... Harry succeeded in trapping a couple of vines and knotting them together; a hole opened in the middle of all the tentacle-like branches... Hermione snatched her arm free, clutching in her fingers a pod... At once, the prickly vines shot back inside and the gnarled stump sat there looking like an innocently dead lump of wood“— The trio dealing with the Snargaluff plant in sixth year Herbology classSnargaluff was a magical plant with the appearance of a gnarled stump, but had dangerous hidden thorn-covered vines that attacked when provoked, and was usually best handled by more than one person.Juliana's Question about the Oranda Goldfish:did anyone else notice - I confess to only noticing this on my second re-read of THM- that Travolta, Pat's third fish, dies?What do we think about this? Could this mean Mr. Ryan F. Murphy dies…? Or could it just be foreshadowing of the fact that him and Robin don't end up together? I think the fish symbolism was quite humorous and delightful paralleling such a deep and intricate plot. Just wanted to know if anyone noticed this tinge of humor towards the end of the book… As for the fish theory, Pat's three fish in the tank: Strike, Robin and the third, she calls, Travolta — ironically, named after a “handsome” man. I'm thinking JKR meant Travolta, the fish to symbolize Murphy…What I was referring to in my original comment: the three fish = the love triangle between Ellacott/Murphy/Strike. I was asking: since Travolta died in Chapter 113, do we think this foreshadows Murphy either dying physically, or just that Robin and Murphy do not end up together?John's ‘Fish and Peas' Response:It's a relief to learn that Travolta's most famous role wasn't a character named Ryan Murphy that everyone in the world except myself knows very well. Thank you for this explanation!There's more to your idea, though, I think, then you have shared. Forgive me if you were already aware of this textual argument that suggests very strongly that these Oranda goldfish have been an important part of Rowling's plan from the series from the start. In brief, it's about the peas.In Part 2, Chapter 3, of ‘Cuckoo's Calling,' Robin and Matt are having their first fight about Strike and the Agency. The chapter ends with an odd note that this disagreement has blemished the Cunliffe couple's engagement.“She waited until he had walked away into the sitting room before turning off the tap. There was, she noticed, a fragment of frozen pea caught in the setting of her engagement ring.” (73)Your theory that the fish bowl is an embedded picture of the state of Robin's feelings for Murphy and Strike, a Mise en abyme of sorts, is given credibility in the eyes of this reader by the appearance of frozen peas as the cure for the dying Cormoran goldfish. It is hard for a Rowling Reader to believe that these two mentions of frozen pea fragments were coincidental or unrelated, which means that (a) Rowling had the office Oranda goldfish scene-within-the-scene in Strike 8 foreshadowed by the Strike 1 tiff, and (b) therefore of real significance.There is another pea bit, of course, in ‘Troubled Blood' at Skegness, a passage that links Robin's heart or essence with peas.Strike was still watching the starlings when Robin set down two polystyrene trays, two small wooden forks and two cans of Coke on the table.“Mushy peas,” said Strike, looking at Robin's tray, where a hefty dollop of what looked like green porridge sat alongside her fish and chips.“Yorkshire caviar,” said Robin, sitting down. “I didn't think you'd want any.”“You were right,” said Strike, picking up a sachet of tomato sauce while watching with something like revulsion as Robin dipped a chip into the green sludge and ate it.“Soft Southerner, you are,” she said, and Strike laughed. (807-808)If you tie this in with the fish symbolism embedded in Rowling's favorite paintings and the meaning of ‘Oranda,' this is quite a bit of depth in that fish bowl -- and in your argument that the death of Travolta signifies Murphy is out of consideration.You're probably to young to remember this but Travolta's most famous role will always be Tony Manero in ‘Saturday Night Fever,' the breakout event of his acting career. Manero longs for a woman way out of his league, attempts to rape her after they win a dance contest, she naturally rejects him, but they wind up as friends.Or in a book so heavy in the cultish beliefs and practices of Freemasonry, especially with respect to policemen that are also “on the square,” maybe the Travolta-Murphy link is just that the actor is, with Tom Cruise, as famous (well...) for his beliefs in Scientology as for his acting ability.So, yes, it's fun, your ‘Peas and Fish' theory, but there's something to it.Check out this note on ‘Peas' in the Strike novels from Renee over at the weblog: https://www.hogwartsprofessor.com/hallmarked-man-placeholder-post-index/comment-page-1/#comment-1699017 The fish symbolism embedded in Rowling's favorite painting: https://hogwartsprofessor.substack.com/p/rowlings-favorite-painting-and-what And the meaning of ‘Oranda:' https://www.hogwartsprofessor.com/rowling-twixter-fish-and-strike-update/Follow-Up by Julianna:I'm not sure what exact chapter this is in, but let's also not forget that on Sark, Strike procures a bag of frozen peas to soothe the spade to his face injury. I also want to add that he has used frozen peas before, to soothe his aching leg too, but I could be wrong about that…I cant remember where I've read that, so it might not be true….Lastly, after reading Renee's comment, I have to say, that now I do believe that the peas might have been an ongoing symbol for Strike (a la…the pea in the engagement ring) and…stay with me here….peas are potentially, what save Cormoran, the goldfish, from dying.“The black fish called Cormoran was again flailing helplessly at the top of the tank. ‘Stupid a*****e, you've done it to your f*cking self'.” And the very last line of the book being: “Then pushed himself into a standing position ear and knee both throbbing. In the absence of anything else he could do to improve his present situation, he set off for the attic to fetch the empty margerine tub…and some peas.” (Chapter 127).My point being: this could be a way of Rowling saying, that Strike saves himself from himself…another psychological undertone in her stories. (Lake reference: Rowling has pulled herself up out of poverty ‘by her own bootstraps' we say.) Thoughts? Thanks for induldging me here, John! I am enjoying this conversation. Apologies for the grammar and potentially confusing train of thoughts.And from Vicky:Loving the theories and symbolism around the peas and fish! Just had a thought too re John quoting the Troubled blood scene. Robin calls mushy peas by a familiar term “Yorkshire caviar”. Caviar is of course fish eggs, and poor Robin, Yorkshire born, spends much of THM agonising over the thought and pressure of freezing her eggs. Giuliana mentioned the frozen peas Strike puts on his swollen face after the spade hit...maybe this is foreshadowing to their intimate and honest dinner conversation later with Robin baring her heart to Strike about her ectopic pregnancy griefQ2: Why didn't the Strike-Ellacott Agency or the Metropolitan Police figure out how the murderer entered the Ramsay Silver vault to kill William Wright the first time they saw the grainy surveillance film of the auction house crate deliveries?Tweet UrlFrom ‘The Locked Room Lecture' (John Dickson Carr) It's silly to be disappointed in a border-line absurd Locked Room Mystery such as Hallmarked Man because improbability is close to a requirement in such stories:“But this point must be made, because a few people who do not like the slightly lurid insist on treating their preferences as rules. They use, as a stamp of condemnation, the word ‘improbable.' And thereby they gull the unwary into their own belief that ‘improbable' simply means ‘bad.'“Now, it seems reasonable to point out that the word improbable is the very last which should ever be used to curse detective fiction in any case. A great part of our liking fofr detective fiction is based on a liking for improbability. When A is murdered, and B and C are under strong suspicion, it is improbably that the innocent-looking D can be guilty. But he is. If G has a perfect alibi, sworn to at every point by every other letter in the alphabet, it is improbable that G can have committed the crime. But he has. When the detective picks up a fleck of coal dust at the seashore, it is improbable that such an insignificant thing can have any importance. But it will. In short, you come to a point where the word improbable grows meaningless as a jeer. There can be no such thing as any probability until the end of the story. And then, if you wish the murder to be fastened on an unlikely person (as some of us old fogies do), you can hardly complain because he acted from motives less likely or necessarily less apparent than those of the person first suspected.“When the cry of ‘This-sort-of-thing-wouldn't-happen!' goes up, when you complain about half-faced fiends and hooded phantoms and blond hypnotic sirens, you are merely saying, ‘I don't like this sort of story.' That's fair enough. If you do not like it, you are howlingly right to say so. But when you twist this matter of taste into a rule for judging the merit or even the probability of the story, you are merely saying, ‘This series of events couldn't happen, because I shouldn't enjoy it if it did.'“What would seem to be the truth of the matter? We might test it out by taking the hermetically sealed chamber as an example, because this situation has been under a hotter fire than any other on the grounds of being unconvincing.“Most people, I am delighted to say, are fond of the locked room. But – here's the damned rub – even its friends are often dubious. I cheerfully admit that I frequently am. So, for the moment, we'll all side together on this score and see what we can discover. Why are we dubious when we hear the explanation of the locked room? Not in the least because we are incredulous, but simply because in some vague way we are disappointed. And from that feeling it is only natural to take an unfair step farther, and call the whole business incredible or impossible or flatly ridiculous.” (reprinted in The Art of the Mystery Story [Howard Haycraft] 273-286)Q3: Hallmarked Man is all about silver and Freemasonry. What is the historical connection between South American silver (‘Argentina' means ‘Land of Silver'), the end of European feudalism, and the secret brotherhood of the Masons?How Silver Flooded the World: And how that Replaced Feudalism and the Church with Capitalism and Nation-States (‘Uncharted Territories,' Tomas Pueyo) In Europe, silver also triggered the discovery of America, a technological explosion, and a runaway chain of events that replaced feudalism with capitalism and nation-states. If you understand this, you'll be able to understand why nation-states are threatened by cryptocurrencies today, and how their inevitable success will weaken nation-states. In this premium article, we're going to explore how Europe starved for silver, and how the reaction to this flooded the world with silver. ,See also Never Bet Against America and Argentina Could be a Superpower, both by Pueyo.‘Conspiracy Theories associated with Freemasonry' (Wikipedia)* That Freemasonry is a Jewish front for world domination or is at least controlled by Jews for this goal. An example of this is the anti-Semitic literary forgery The Protocols of the Elders of Zion. Adolf Hitler believed that Freemasonry was a tool of Jewish influence,[12] and outlawed Freemasonry and persecuted Freemasons partially for this reason.[13] The covenant of the Palestinian Islamist movement Hamas claims that Freemasonry is a “secret society” founded as part of a Zionist plot to control the world.[14] Hilaire Belloc thought Jews had “inaugurated” freemasonry “as a bridge between themselves and their hosts”[15]* That Freemasonry is tied to or behind Communism. The Spanish dictator Francisco Franco had often associated his opposition with both Freemasonry and Communism, and saw the latter as a conspiracy of the former; as he put it, “The whole secret of the campaigns unleashed against Spain can be explained in two words: masonry and communism”.[16] In 1950, Irish Roman Catholic priest Denis Fahey republished a work by George F. Dillon under the title Grand Orient Freemasonry Unmasked as the Secret Power Behind Communism. Modern conspiracy theorists such as Henry Makow have also claimed that Freemasonry intends the triumph of Communism[17]* That Freemasons are behind income taxes in the US. One convicted tax protester has charged that law enforcement officials who surrounded his property in a standoff over his refusal to surrender after his conviction were part of a “Zionist, Illuminati, Free Mason [sic] movement”.[18] The New Hampshire Union Leader also reported that “the Browns believe the IRS and the federal income tax are part of a deliberate plot perpetrated by Freemasons to control the American people and eventually the world”[19]Umberto Eco's The Prague Cemetery, a Freemasonry Novel (Wikipedia)So much for the link between Freemasonry and Baphomet worship!‘The Desacralization of Work' (Roger Sworder, Mining, Metallurgy, and the Meaning of Life)Q4: Ian Griffiths is the Bad Guy of Hallmarked Man. His name has definite Christian overtones (a ‘Griffin,' being half-eagle, half-lion, King of Heaven and Earth, is a symbol of Christ); could it also be another pointer to Rowling's mysterious ‘Back Door Man,' Harry Bingham, author of the Fiona Griffiths series?Troubled Blood: The Acknowledgments (Nick Jeffery, November 2020)In both Silkworm and Career Rowling/Galbraith's military advisors are thanked as SOBE (Sean Harris OBE?) Deeby (Di Brookes?) and the Back Door Man. Professor Granger has identified the Back Door Man as a southern US slang term for a man having an illicit relationship, but beyond this is so far unidentified.Any thoughts on her dedications or acknowledgements? Any new leads for the elusive Back Door Man? Please comment down below.Harry Bingham's website, June 2012“My path into TALKING TO THE DEAD was a curious one. I was approached by a well-known figure who was contemplating working with a ghostwriter on a crime thriller. I hadn't read any crime for a long time, but was intrigued by the project. So I went out and bought about two dozen crime novels, then read them back-to-back over about two weeks.”Could Rowling have hired a (gasp) “ghost writer”? Or was it just “expert editorial assistance” she was looking for, what Bingham offers today?Author's Notes in The Strange Death of Fiona Grifiths (Publication date 29th January 2015, before Career of Evil):“If you want to buy a voice activated bugging device that looks like (and is) an ordinary power socket, it'll set you back about fifty pounds (about eighty bucks).”This is the same surveillance device used in Lethal White, but interestingly is not used in Bingham's book. (Nick Jeffery)Moderators Backchannel List of Correspondences between Cormoran Strike series and Bingham's Fiona Griffiths mystery-thrillers (John Granger):(1) A series that has an overarching mystery about which we get clues in every story, one linked to a secret involving a parent who is well known but whose real life is a mystery even to their families;(2) A series that is preoccupied with psychological issues, especially those of the brilliant woman protagonist who suffers from a mental illness and who is a student of psychology;(3) A series that is absorbed with death and populated by the dead who have not yet passed on and who influence the direction of the investigation more or less covertly (”I think we have just one world, a continuum, one populated by living and dead alike,” 92, This Thing of Darkness), a psychic and spiritual realm book that rarely touches on formal religion (Dead House and Deepest Grave excepted, sort of);(4) A series that, while being a police procedural because the detective is a police officer, is largely about how said sergeant works around, even against the hierarchy of department authority and decision makers, “with police help but largely as an independent agent;”(5) A series that makes glancing references to texts that will jar Rowling Readers: “All shall be well” (284, Love Story with Murders), she drives a high heel into a creepy guy's foot when he comes up to her from behind (75, This Thing of Darkness), Clerkenwell! (103, The Dead House), a cave opening cathedral-like onto a lake, the heroine enters with a mentor, blood spilled at the entrance, and featuring a remarkable escape (chapter 34, The Dead House), etc, especially the Robin-Fiona parallels....(6) A series starring a female protagonist who works brilliantly undercover, whose story is about recovery from a trauma experienced when she was a college student, who struggles mostly with her romantic relationships with men, a struggle that is a combination of her mental health-recovery progress (or lack of same) and her vocation as a detective, who is skilled in the martial art of self-defense, and who is from a world outside London, an ethnicity and home fostering, of all things, a love of sheep;(7) A series with a love of the mythological or at least the non-modern (King Arthur! Anchorites!)Q5: Can you help us out with some UK inside jokes or cultural references of which we colonists can only guess the meaning? Start with Gateshead, Pit Ponies, and Council Flats and Bed-Sits!* Gateshead (Wikipedia)J. B. Priestley, writing of Gateshead in his 1934 travelogue English Journey, said that “no true civilisation could have produced such a town”, adding that it appeared to have been designed “by an enemy of the human race”.* Pit Ponies (Wikipedia)Larger horses, such as varieties of Cleveland Bay, could be used on higher underground roadways, but on many duties small ponies no more than 12 hands (48 inches, 122 cm) high were needed. Shetlands were a breed commonly used because of their small size, but Welsh, Russian, Devonshire (Dartmoor) and Cornish ponies also saw extensive use in England.[2] In the interwar period, ponies were imported into Britain from the Faroe Islands, Iceland and the United States. Geldings and stallions only were used. Donkeys were also used in the late 19th century, and in the United States, large numbers of mules were used.[6] Regardless of breed, typical mining ponies were low set, heavy bodied and heavy limbed with plenty of bone and substance, low-headed and sure-footed. Under the British Coal Mines Act 1911 (1 & 2 Geo. 5. c. 50), ponies had to be four years old and work ready (shod and vet checked) before going underground.[15] They could work until their twenties.At the peak of this practice in 1913, there were 70,000 ponies underground in Britain.In shaft mines, ponies were normally stabled underground[16] and fed on a diet with a high proportion of chopped hay and maize, coming to the surface only during the colliery's annual holiday.* Council Flats (Wikipedia)Q6: What are Rowling Readers to think of Robin's dream in chapter 22 (174 )when she's sleeping next to Murphy but dreaming of being at Ramsay's Silver with Strike and the showroom is filled with “cuddly toys instead of masonic swords and aprons”?* ‘Harry's Dreams:' Steve Vander Ark, Harry Potter LexiconQ7: The first bad news phone call that Robin takes from her mother Linda in Hallmarked Man is about the death of Rowntree. What is the connection between Robin's beloved Chocolate Labrador, Quakers, and Rowling's Golden Thread about ‘What is Real'?‘Troubled Blood: Poisoned Chocolates' (John Granger, 2021)‘Troubled Blood: The Secret of Rowntree' (John Granger, 2021)I explained in ‘Deathly Hallows and Penn's Fruits of Solitude‘ why Penn's quotation is a key to the Hogwarts Saga finale, how, in brief, the “inner light” doctrines of the Quakers and of non-conformist esoteric Christianity in general inform the story of Harry's ultimate victory in Dobby's grave over doubt and his subsequent ‘win' in his battle against death and the Dark Lord. I urge you to read that long post, one of the most important, I think, ever posted at HogwartsProfessor, for an idea of how central to Rowling's Christian faith the tenets of Quakerism really are as well as how this shows itself in Deathly Hallows.What makes the historical chocolate connection with the Quakers, one strongly affirmed in naming the Ellacott dog ‘Rowntree,' that much more interesting then is the easy segue from the “inner light” beliefs of the Christian non-conformists to the effect of chocolate on characters in Rowling and Galbraith novels. The conscience of man per the Quakers are our logos within that is continuous with the Logos fabric of reality, the Word that brings all things into existence and the light that is in every man (cf., the Prologue to St John's Gospel). Our inner peace and fellowship, in this view, depend on our identification with this transpersonal “inner light” rather than our ephemeral ego concerns.What is the sure way to recover from a Dementor attack, in which your worst nightmares are revisited? How does Robin deal with stress and the blues? Eat some chocolate, preferably a huge bar from Honeydukes or a chocolate brownie if you cannot get to Hogsmead.Access, in other words, the Quaker spiritual magic, the “inner light” peace of communion with what is Absolute and transcendent, a psychological effect exteriorized in story form by Rowling as the good feeling we have in eating chocolate. Or in the companionship and unconditional love of a beloved Labrador, preferably a chocolate Lab.Christmas Pig: The Blue Bunny' (John Granger, 2021)“Do you just want to live in nice houses?” asked Blue Bunny. “Or is there another reason you want to get in?”“Yes,” said Jack, before the Christmas Pig could stop him. “Somebody I need's in there. He's called DP and he's my favorite cuddly toy.”For a long moment, Jack and Blue Bunny stared into each other's eyes and then Blue Bunny let out a long sigh of amazement.“You're a boy,” he whispered. “You're real.”“He isn't,” said the panic-stricken Christmas Pig. “He's an action figure called—”“It's all right, Pig,” said Blue Bunny, “I won't tell anybody, I promise. You really came all the way into the Land of the Lost to find your favorite toy?” he asked Jack, who nodded.“Then I'll be your decoy,” said Blue Bunny. “It would be an honor” (169).The Bunny's recognition here of Jack as a messiah, sacrificial love incarnate, having descended into existence as a Thing himself from Up There where he was a source of the love that “alivens” objects, is one of, if not the most moving event in Christmas Pig. Note the words he uses: “You're real.”Rowling has used the word “real” twice before as a marker of reality transcending what we experience in conventional time and space, the sensible world. The first was in what she described as the “key” to the Harry Potter series, “lines I waited seventeen years to write” (Cruz), the end of the Potter-Dumbledore dialogue at King's Cross….In a Troubled Blood passage meant to echo that dialogue, with “head” and “backside” reflecting the characters inverted grasp of “reality,” Robin and Strike talk astrology:“You're being affected!” she said. “Everyone knows their star sign. Don't pretend to be above it.”Strike grinned reluctantly, took a large drag on his cigarette, exhaled, then said, “Sagittarius, Scorpio rising, with the sun in the first house.”“You're –” Robin began to laugh. “Did you just pull that out of your backside, or is it real?”“Of course, it's not f*****g real,” said Strike. “None of it's real, is it?” (Blood 242, highlighting in original).The Bunny's simple declaration, “You're real,” i.e., “from Up There,” the greater reality of the Land of the Living in which Things have their awakening in the love of their owners, clarifies these other usages. Dumbledore shares his wisdom with Harry that the maternal love which saved him, first at Godric's Hollow and then in the Forest, is the metaphysical sub-stance beneath, behind, and within all other reality. Strike gives Robin a dose of his skeptical ignorance and nominalist first principle that nothing is real but surface appearance subject to measurement and physical sensation, mental grasp of all things being consequent to that.Christmas Pig‘s “real” moment acts as a key to these others, one evident in the Bunny's response to the revelation of Jack's greater ontological status. He does a Dobby, offering to die for Jack as Jack has done in his descent into the Land of the Lost for DP, a surrender of self to near certain death in being given to the Loser he considers an “honor.” He acts spontaneously and selflessly as a “decoy,” a saving replacement in other words, for the “living boy” as Dobby did for the “Boy Who Lived.” The pathetic distraction that saved the DP rescue mission in Mislaid despite himself, crying out in desperation for his own existence, has metamorphized consequent to his experience with Broken Angel and in Jack's example, into a heroic decoy that allows Jack and CP to enter the City of the Missed.The Blue Bunny makes out better than the House-elf, too, and this is the key event of the book and the best evidence since the death of Lily Potter, Harry's defeat of Quirrell, and the demise of the Dark Lord that mother's love is Rowling's default symbolism for Christian love in her writing. The Bunny's choice to act as decoy, his decision to die to his ego-self, generates the life saving appearance of maternal love and its equivalent in the transference attachment a child feels for a beloved toy. The Johannine quality of the light that shines down on him from the Finding Hole and his Elijah-esque elevation nails down the Logos­-love correspondence.EC: All through Hallmarked Man Robin is saying to herself, “I think I love Ryan, no, really, I know I love him…,” which of course is Rowling's way of signaling the conflict this character has in her feelings for Strike and for Murphy. What is that about?* See ‘The Hallmarked Man's Mythological Template' for discussion of the Anteros/Eros distinction in the myth of Cupid and Psyche as well as the Strike-Ellacott novels Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

Happy Thoughts – Sleep Story for Grownups – What Beaumains Asked of the King    Thank you for joining us on this episode of the Positive Affirmations And Audio Stories podcast. For this episode's sleep story, we've got part 4 - What Beaumains Asked of the King- of our lovely relaxing mystical storybook about King Arthur-“Tales of King Arthur and the Round Table”.   Coffee fuels us up ... donations keep us going... please pop over to ko-fi for a coffee donation if you'd like to financially support our work. If you would like to get more inspiration and motivation, there are lots of inspirational positive videos, messages and artwork over there. https://ko-fi.com/happythoughts Many thanks, your listens, likes, subscribes and support mean the world to us.This podcast is available on Spreaker, iTunes, Spotify, Amazon, iHeartRadio and most podcast platforms and apps. If you like what you hear please feel free to share and to leave a review on your site of choice.   Our Supporters Club members can get access to extra episodes created just for them!  Our Supporters Club via Spreaker: www.spreaker.com/podcast/positive-affirmations-and-audio-stories--1338752/support           Visit my Bandcamp page for more inspiration affirmations, meditations and stories for purchase and sample. Helping you live the positive lifestyle that you deserve.https://stefanialintonbon.bandcamp.com__________And for the children, do check out our other podcast "The Classic Children's Story Podcast ". It's filled with regular episodes of classic sleep stories, and playtime anytime uplifting, fun tales: www.spreaker.com/show/4219679         Also, have a look at our YouTube channel of stories, affirmations, songs and more for kids:https://www.youtube.com/@SleepStoriesandFairyTales4U  Wait … There's more! The website to accompany the you tube channel is here – www.sleepstoriesandfairytales4kids.com

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This conversation with Peter delves into the rich history and culture of Britain, exploring the interplay between myth and reality, particularly through the lens of Arthurian legends and the influence of Christianity. We also delve into the exploration of ancient civilizations, focusing on archaeological finds, the Neolithic period, and the connections between zodiac symbols and historical narratives. We discuss the significance of cultural exchanges, the influence of geography on ancient societies, and the legacy of figures like Arthur in the context of myth and history. Peter also touches on the idea of secret knowledge being passed down through generations, highlighting the intertwining of history and mythology in understanding our past. We look for connections between the Holy Grail, the Bronze and Iron Ages, and the historical context of King Arthur.   Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros   Chapters 00:00 Introduction to the Brothers of the Serpent Podcast 04:43 The Legends of Lud and His Sons 12:04 Historical and Mythological Figures in Welsh Tradition 16:29 The National vs. Regional Arthur 18:12 The Significance of Memorials and Inscriptions 20:59 Discussion on Archaeological Findings 25:36 The Significance of Burial Practices 27:26 Christianity's Arrival in Britain 30:11 Joseph of Arimathea's Role in Early Christianity 33:07 Cultural Interactions and Language Barriers 36:01 Legends of Jesus' Missing Years 38:33 Neolithic Monuments and Their Mysteries 43:00 The Zodiac and Ancient Mapping 47:16 Exploring the Legacy of Arthurian Legends 47:45 Exploring Ancient Monuments and Zodiacs 49:12 The Transition from Neolithic to Bronze Age 51:17 The Story of Queen Albine and Her Legacy 52:39 Cultural Exchanges and Influences in Ancient Britain 56:20 The Role of Adventurers in Knowledge Exchange 01:01:25 Connecting Myths: The Epic of Gilgamesh and Welsh Traditions 01:07:23 The Significance of Mapping and Surveying in Ancient Cultures 01:12:16 Hidden Knowledge and Ancient Traditions 01:15:25 The Glastonbury Zodiac and Its Significance 01:19:10 Arthurian Legends and Secret Knowledge 01:22:38 The Ark of the Covenant and the Holy Grail 01:24:45 The Bronze Age and Trade Routes 01:32:39 Hillforts and Their Historical Context 01:38:40 Political Upheaval and Innovation 01:40:59 Chariots: A Historical Perspective 01:42:58 The Continuation of Ancient Traditions 01:44:06 The Etruscans and the Fall of Troy 01:44:57 The Legend of King Arthur 01:48:09 Mythologizing Historical Figures 01:52:00 The Role of Oral Tradition 02:00:00 Druidism and Its Evolution 02:10:00 Cultural Interactions and Historical Contexts

For centuries, the legend of King Arthur has ignited imaginations, blurring the line between history and myth while sparking endless fascination and debate. Now, join us for an exclusive conversation with Mark Olly, a world-renowned historian and archaeologist whose 45 years of research into Arthurian lore reveal groundbreaking insights that challenge long-held assumptions about Britain's most enduring hero. As the acclaimed author of The Polychronicon of Merlin, Joseph, and Arthur, Mark presents compelling evidence suggesting the legend may be rooted in truth. An internationally celebrated author, TV producer, and presenter of the hit series Lost Treasures, he also lectures at Wilmslow Guild and the University of Chester, leads his own archaeological unit, and heads MythCo, a company specializing in DVD production and historical props. Based in Cheshire, UK, this multifaceted scholar, broadcaster, musician, and artist brings his passion and expertise to offer a fresh, captivating perspective on the timeless saga of Merlin, Joseph, and King Arthur—a riveting exploration of one of history's greatest and most enduring legends.The Polychronicon Of Merlin, Joseph & Arthur:  https://amzn.eu/d/8sauzmDWe are thrilled to announce the official launch of Let's Get Freaky merchandise! Our collection includes hoodies, t-shirts, mugs, stickers, and more. Explore the full range at http://tee.pub/lic/aQprv54kktw. Do you have a paranormal or extraordinary experience to share? We'd love to hear from you! Contact us to be a guest on the Let's Get Freaky podcast. Email us at letsgetfreakypodcast@mail.com or reach out via social media on Facebook, Instagram, X, TikTok, or YouTube at @tcletsgetfreakypodcast. Connect with us at https://linktr.ee/letsgetfreaky.

Bernard Cornwell's best (and shortest) historical fiction series.  The Warlord Chronicles By: Bernard Cornwell The Winter King Published: 1996 431 Pages Enemy of God Published: 1998 397 Pages Excalibur Published: 1999 436 Pages Briefly, what is this series about?  The Arthurian Legends turned into historical fiction. All the tales are related retrospectively by Derfel, a Saxon boy raised by Merlin who eventually becomes Arthur's right hand man. Who should read this series? If you've read anything by Cornwell, but haven't read this, you should. Not only is this Cornwell's personal favorite of his series, it's only three books, unlike the Sharpe series which is apparently up to 24 books?!? Even if you don't know who Cornwell is, if you like historical fiction at all this is a great series. Specific thoughts: A realistic Arthur

You've probably heard a version of the story of King Arthur, his Knights of the Round Table, and his special sword Excalibur... But you've never seen it portrayed like this before! Unless you're like us and have watched John Boorman's 1981 film, of course. In our review of this movie, hear how shocked we are at how much of the Arthurian legend they fit in, all the strange twists they've added in, and that there are appearances from a very young Liam Neeson and an early middle-aged Patrick Stewart (with hair)!Join our Patreon for our bonus episodes! https://www.patreon.com/oldiebutagoodiepodFollow the show!Instagram: https://www.instagram.com/oldiebutagoodiepod/Facebook: https://fb.me/oldiebutagoodiepodPodcast Platforms: https://linktr.ee/oldiebutagoodiepodGot feedback? Send us an email at oldiebutagoodiepod@gmail.comFollow the hosts!Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/- Twitter: https://twitter.com/sandrofalce- Letterboxd: https://letterboxd.com/SandroFalce/- Twitch: https://www.twitch.tv/SandroFeltChairZach Adams - Instagram: https://www.instagram.com/zach4dams/- Twitter: https://twitter.com/ZackoCaveWizard- Letterboxd: https://letterboxd.com/zach4dams- Twitch: https://www.twitch.tv/zackocavewizardWatch our editor, Starkie, on Twitch! https://www.twitch.tv/sstarkieeOldie But A Goodie's theme tune is written and produced by Josh Cake. Check out his work here: https://www.joshcake.com/Check out other shows from our network 'That's Not Canon'! https://thatsnotcanon.com/ Hosted on Acast. See acast.com/privacy for more information.

A Sermon for the Sixteenth Sunday after Trinity Ephesians 3:13-21 & St. Luke 7:11-17 by William Klock “The next day,” says St. Luke in our Gospel lesson, “Jesus went to a town called Nain.”  No doubt to preach the good news that, in him, the God of Israel had finally come to his people to fulfil his promises to them.  No doubt to heal the sick or the blind or the deaf or whoever else came to him to be healed.  No doubt to cast our demons.  Not just to tell them that God's kingdom was breaking into darkness of the world, but to show them.  To make the sad things untrue, as Sam Gamgee put it so eloquently.  But I expect that Jesus was frustrated.  Sure, crowds were following him wherever he went, but they didn't get it.  They wanted their own personal miracle worker and, like the people in Nazareth, they got angry with him when he wouldn't stay.  They knew—because it was impossible to miss—that in Jesus light had come into the darkness.  They knew hope for the first time.  But their vision of God's light and life was just so, so, so small.  And then there were people like the scribes and Pharisees who were angry because, if he was the Messiah, he was doing it all wrong.  They couldn't see past their rules and boundaries.  They had no grasp of the great height and width and length and depth of the love of God.  They were thrilled to have Jesus wipe away their tears and make the sad things of their lives untrue, but they were still committed to, still doing the very things that made the sadness in the first place. Luke says here, in 7:11, that this happened on the “next day”.  It was the day before that Jesus had been met by the friends of a Roman centurion with a sick slave.  He got word that Jesus was on his way to his house to heal his slave and sent words to say, “No, don't come to my house.”  He knew that as a gentile he wasn't part of Jesus' mission.  “No, Jesus, just say the word and my slave will be healed.  I know you've got authority to do it.”  And Jesus stopped and marvelled.  He healed the centurion's slave, but he also turned and rebuked the crowd that was following him: “How is it that I've found more faith in this gentile than in you lot, in God's own people?” And now, it's the next day, and he's on his way to Nain and the crowd has followed him from Capernaum.  It's about five miles.  And all the way he's been teaching his disciples and anyone else within earshot who will listen.  I expect Jesus was trying to broaden their vision of the kingdom and what it all meant.  And then they arrived at the city gate.  Luke writes, “As he got near the gate of the city, a young man was being carried out dead.  He was the only son of his mother, and she was a widow.  There was a substantial crowd of townspeople with her.” From a distance Jesus noticed that the town gate was unusually quiet and now he sees why.  Or maybe he heard it before he could see it, because as they got to Nain they met a burial procession coming through the gate.  There was the stretcher being carried by pallbearers and on it was the body of a young man.  Following behind was his mother, crying her eyes out and wailing loudly.  I wonder if Jesus knew them.  Nain wasn't far from Capernaum or from Nazareth, so it's entirely possible that Jesus knew these people or, at least, knew who they were.  Luke knew enough about them to report that the woman was a widow and that the young man was her only son.  Her husband was dead and now so was her only son and that meant that she was destitute.  That meant that she was without hope. The whole town was gathered and they wept and they wailed loudly so that she could weep without embarrassment.  They were on their way to the burial plot outside town.  There would have been a little cave.  Sort of a family plot, with the bones of her husband's ancestors.  Some time before she'd made this trip with her son by her side as the mourners carried her husband to that little cave and laid him to rest.  Eventually, she had gone and put his bare bones in a box, leaving the burial shelf empty.  And today she would put her son there.  And then what?  Come harvest time, she'd have to join the poor, gleaning in the fields and the vineyards, collecting whatever was left behind by the harvesters.  And she prayed no one would come to seize her house and turn her out into the street. And seeing her, Jesus knew her grief.  He knew her hopelessness.  And I wonder what went through his head.  Did he recognise an opportunity here to make a point about the bigger, deeper, wider meaning of the kingdom for the crowd following him?  I suspect it occurred to him.  But I think, more than anything, Jesus saw in this woman the pain and the sorrow and the tears of this fallen and broken world and he was overcome with love—because that's who he was.  The widow and the orphan have always had a special place in God's heart.  How they were treated was always—and still is—emblematic of whether or not the people had the heart of God themselves.  And so I think it was simply the most natural thing in the world for the heart of Jesus to be overwhelmed with love and pity for this woman and he simply did what came naturally to him. Luke writes, “And when the Lord saw her, he was very sorry for her.  ‘Don't cry,' he said to her.  Then he went up and touched the stretcher and the people carrying it stood still.” That would have been bad form for anyone else, but not for Jesus.  I still expect people were shocked.  You didn't get in the way of a funeral procession then any more than you do now.  But to touch the stretcher—that would render him unclean.  So the crowd watched in surprise or shock as Jesus stopped the procession.  And they heard him say to the woman, “Don't cry.”  And I can only imagine what they were thinking when he then went to the dead boy and said, “Young man, I say to you, ‘Get up!'”  They'd seen Jesus do some amazing things.  They'd seen him heal the sick and the blind and the lame, but could he actually raise the dead?  That was kind of over the top, even for Jesus.  And yet…there were stories from the old days.  Could the things in those old stories happen again? These people were deeply steeped in the scriptures and some of them must have recognised that what Jesus was doing had echoes of the stories they knew so well.  I say that because Luke recognised the parallels and makes a point of reporting this story very deliberately so that it echoes the stories of the prophets Elijah and Elisha—particularly Elijah in 1 Kings 17. Nine hundred years before, King Ahab had ruled Israel.  He was the latest in a line of wicked kings who did what was evil in the sight of the Lord.  Ahab built an altar to the Canaanite fertility god Baal in the Lord's temple and he led the people into idolatry and all sorts of unspeakable evils.  First Kings says that Ahab did more to provoke the Lord, the God of Israel, to anger than all the kings of Israel before him.  And so the Lord visited his people with a drought and the drought brought with it a famine.  And the Lord announced that drought and famine through the Prophet Elijah, whom he sent to the king.  Of course, that made Elijah rather unpopular with the king, so the Lord first led him to a hiding place in the wilderness, where he sent ravens to bring him bread and meat each morning and evening and where he could drink from a creek.  But when the creek dried up, the Lord sent him to the home of a widow and her only son. The widow had nothing left but enough flour and oil to make a small loaf of bread.  When Elijah met her, she was planning to bake the bread for herself and for her son as a last meal.  Then they would die.  But the Prophet told her to bake the bread for him in faith.  If she did that, he said, the Lord would keep her jars of flour and oil full as long as the famine lasted.  And so, in faith, she did as he told her and, in response, the Lord provided.  All through the famine the Lord took care of her.  Neither the flour nor the oil ran out. And then one day that poor widow's son became ill and died.  And she forgot all that the Lord had done through Elijah to keep her and her son alive and she berated the Prophet for bringing this on her.  And so Elijah took the boy and laid him on his bed, and stretching himself over the boy three times, he pleaded with the Lord to restore his life.  And the Lord heard and the boy rose up and Elijah took him to his mother.  When she saw her boy alive, she declared, “Now I know that you are a man of God, and that the word of the Lord in your mouth is truth.” That, of course, wasn't the end of the story.  This was all to spare Elijah from the wrath of King Ahab and eventually the Lord would send the Prophet back to the King to announce an end to the drought.  But it wasn't quite that simple.  The Lord told Elijah to challenge Ahab's pagan priests to a showdown.  Elijah would give them a chance to build and alter, offer a sacrifice, and to pray to Baal to end the drought, before building his own altar, offering a sacrifice, and praying to the Lord.  On the mountain, Baal's priests proved their god's impotence, while the Lord visited his people: sending down fire to consume Elijah's offering and then causing it finally to rain, while his priests slaughtered the priests of Baal who had led the people of Israel into idolatry. The story of Elijah and the widow of Zeraphath, situated in that bigger story of the God of Israel and the defeat of Ahab and his false god, it was a story about the Lord's love.  About the Lord's love for his people—a love so great that he would not let an evil king lead them off forever into idolatry and evil.  It was about the Lord's love for the poor and destitute.  And it was a story of hope.  The Lord will not let his people languish forever in sin and darkness and hopelessness.  When the time is right, he will visit his people, he will deal with sin and death, he will wipe away the tears, and he will set the world to rights. And it was that vision of the love of God that the people around Jesus—most of them, at any rate—it was that great vision of the love of God and the restoration of all things that they lacked.  When the Messiah came, they struggled to see him as anything more than their personal miracle-worker.  When it came to setting things to rights, they had trouble seeing any further than their desire for the Messiah to rain down fire and brimstone on the Romans and their pagan allies.  There were all these interest groups in Israel, from the Pharisees to the Sadducees, from the Essenes to the Zealots (well, the Zealots would come a few decades later, but their spiritual fathers were there in Jesus' day).  And they all had their own vision of what the Messiah would be and what he would do and what it would look like when the Lord finally came to visit his people.  And their visions of all of that were just so incredibly small and self-centred and lacking in grace and with no real grasp of how truly deep and wide the love of God is.  The crude idolatry that Israel had known in Elijah's day was long gone from Israel, but a more subtle idolatry had taken its place and it blinded people to who Jesus really was and what God was doing through him. But this day the God of those old “fairy tales” was going to burst into the present—like King Arthur returned to rescue Britain in its darkest hour.  That day at the gate of Nain, Jesus—like Elijah and like Elisha (that's another story Luke echoes, but we don't have time for this morning)—Jesus stopped the pallbearers, put his hands on the stretcher, and said to the dead boy, “Get up!”.  And instead of uncleanness passing from the dead boy to Jesus, the life of the living God passed from Jesus to the dead boy and, Luke tells us, “The dead boy sat up and began to speak, and he gave him to his mother.”  And her tears of sorrow turned in tears of joy.  Jesus not only raised her son, but he also gave the womam back her own life.  But the bigger thing, at least for Luke, was the response of the crowd.  “Fear”—or maybe better great awe—“came over all of them.  They praised God.  ‘A great prophet has risen amongst us!' they said.  ‘God has visited his people!'  And this report went out about him in the whole of Judaea and the surrounding countryside.” Many wondered if the God of those old stories was real.  They hadn't heard a prophet speak in centuries.  The same went for the raising of the dead.  And the glory cloud, God's presence in the temple, had been gone for five hundred years—if it had ever been there at all.  But now they knew.  The God of Israel was real and alive and he was working through Jesus.  But did they really get it now?  Yes and no, I think.  Even the disciples wouldn't really and fully get it until after they'd encountered Jesus risen from death.  And even then, they wouldn't really, really get it until Pentecost and the sending of the Spirit.  But Luke does seem to be saying that the people “got it” more than they had before.  They stood in awe because they knew they were somehow and in some way either in the presence of the God of Israel or in the presence of this representative and one who had his power and authority.  They knew they had seen God at work and so they praised him.  And when they proclaimed that a great prophet had risen up amongst them and that God has visited his people, they were exuberantly proclaiming that they now knew that God had once again come into the darkness to set things to rights like he had done back in the days of Elijah, because only the living God has such power over death.  And so they cheered even if they didn't understand or even if they still had messed up ideas about what it all meant or how it would play out.  They knew that in Jesus God had come to fulfil his promises: to right the wrongs, to wipe away the tears, and I think with this latest miracle, the hope dawned in some—maybe even many—that Jesus had come to defeat even death itself. It's important that in telling the story, Luke doesn't just look backward to Elijah.  The story echoes back into Israel's past, but it also looks forward.  Because Luke also deliberate tells this story in a way that anticipates the story we know so well, the story to which all of this is leading.  We meet Jesus at the cross, where sin and death did their worst, where Mary wept as he died.  And then, three days later as Jesus burst from the tomb alive again, having conquered both sin and death; as he wipes away the tears of another Mary, who mistook him for the groundskeeper because he was there tending the garden, like Adam restored to Eden. Brothers and Sisters, it's the final story, the climax of the Gospels, the story to which all these others lead us, it's there that we're confronted once and for all by the love of God made manifest in Jesus.  God gives his son to die in order to set the world to rights, in order to defeat sin and death, and he does it for the very people who broke his creation and brought sin and death into it when they rebelled against him.  That's love—and grace and mercy and patience and so much more—but above all it's love.  And Brothers and Sisters, it's love that overwhelms absolutely everything it encounters.  It's the love that finally opened the eyes of Jesus' disciples to understand that the Messiah wasn't their personal miracle worker or that he belonged to Israel alone—to set them on the top of the heap while raining down fire and brimstone on the gentiles.  No, the love of God made manifest in the crucified and risen Jesus is the love that reveals a plan to redeem not only Israel, but the nations and even creation itself.  And a love that will spare nothing to do so.  It was that love, encountered in the risen Jesus, that opened the eyes of Paul and turned him from being a persecutor of Jesus' people to being an evangelist, an apostle, a gospeller of the gospel—proclaiming the good news of this love made manifest in the death and resurrection of Jesus to the nations. Paul knew that this love that is already in the process of setting the world to rights, is the same love that will—if we can only begin to grasp its depths—this love will set us to rights.  This love will realign our affections and purge us of our idolatries and our sins.  This love will reveal the values and systems and plans and things of this old evil age to be the worthless garbage they are and will set our hearts and minds on God and on his kingdom.  But for that to happen we have to truly encounter God's love in Jesus.  This is why Paul, in our Epistle today from Ephesians, wrote to struggling Christians to say, “This is my prayer: that [God] will lay out all the riches of his glory to give you strength and power, through his Spirit, in your inner being; that the Messiah may make his home in your hearts, through faith; that love may be your root, your firm foundation; and that you may be strong enough (with all God's saints) to grasp the breadth and length and height and depth, and to know the Messiah's love—though actually it's so deep that nobody can really know it!  So may God will you with all his fullness.” Brothers and Sisters, if we are still invested in sin, if we are still invested in ourselves, if we are still invested in the things of this age, if we are still looking for philosophy or science or politics or economics to set this broken world to rights, we need instead to focus all the more on Jesus and the cross and to plumb the depths of God's love revealed there until our hearts are aligned with him and with his new creation. We need to steep ourselves in the love of God that we might know the riches of his glory—riches so great, a vision of new creation so glorious, of all the sad things of this world made untrue—that we fall in love with it and let go all our idols.  A pearl of great price so beautiful that we give up everything to have it.  But Brother and Sisters, instead we too often lose sight of that vision as we're overcome by the sadness and the pain and the darkness around us.  Our faith stumbles and we stop being the on-earth-as-in-heaven people that Jesus and the Spirit have made us.  We let the idols creep back in, and we start looking to them—to the things of this fallen world—as the way out and as our hope.  And we align ourselves with the very things that have corrupted God's creation, with the very things that hurt our relationships, and that keep us and the people around us from flourishing in God's goodness.  In the face of greater evils, we accept the lesser and we do it over and over and over until we've embraced idolatry, lost our vision of God's new creation, and forgotten the true power of the good news of God's love in Jesus. The solution, Brothers and Sisters, as St. Paul says so often, is to keep our eyes on Jesus and on his kingdom.  To daily plumb the depths of the love of God made manifest in Jesus, crucified and risen.  If you struggle with sin, if you struggle with selfishness, if you struggle with idolatry, if you struggle to keep God's new creation at the centre of your vision, if your hope is not in Jesus and Jesus alone, hear Paul's words today: let the love of God in Jesus be your root and your firm foundation. Let's pray: O Lord, let your continual pity cleanse and defend your church; and because it cannot continue in safety without your aid, protect it by your help and goodness for ever, through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen.

Thank you for joining us on this episode of the Positive Affirmations And Audio Stories podcast. For this episode's sleep story, we've got part 3 - The Story of Sir Balin - of our lovely relaxing mystical storybook about King Arthur-“Tales of King Arthur and the Round Table”.   Coffee fuels us up ... donations keep us going... please pop over to ko-fi for a coffee donation ifyou'd like to financially support our work. If you would like to get more inspiration and motivation, there are lots of inspirational positive videos, messages and artwork over there. https://ko-fi.com/happythoughts Many thanks, your listens, likes, subscribes and support mean the world to us.This podcast is available on Spreaker, iTunes, Spotify, Amazon, iHeartRadio and most podcast platforms and apps. If you like what you hear please feel free to share and to leave a review on your site of choice.   Our Supporters Club members can get access to extra episodes created just for them!  Our Supporters Club via Spreaker: www.spreaker.com/podcast/positive-affirmations-and-audio-stories--1338752/support           Visit my Bandcamp page for more inspiration affirmations, meditations and stories for purchase and sample. Helping you live the positive lifestyle that you deserve.https://stefanialintonbon.bandcamp.com__________And for the children, do check out our other podcast "The Classic Children's Story Podcast ". It's filled with regular episodes of classic sleep stories, and playtime anytime uplifting, fun tales: www.spreaker.com/show/4219679         Also, have a look at our YouTube channel of stories, affirmations, songs and more for kids:https://www.youtube.com/@SleepStoriesandFairyTales4U   Wait … There's more! The website to accompany the you tube channel is here – www.sleepstoriesandfairytales4kids.com

For our second County Episode of Series 7, we're off to North Wales to talk about the history and folklore of Denbighshire!In terms of the county's history, there's a lot - and it's absolutely fascinating. From the centuries when it was a domain controlled by the Marcher Lords to the recent severing of Wrexham away from Denbighshire to rebel princes including Owain Glendwyr, it's a meaty one, and a landscape filled with rugged coasts, sweeping valleys, forested uplands, and a bonkers array of castles and scheduled monuments.After that, aided by some excerpts from our full Local Legends interview with Chris Baglin, we dig into the county's folklore, from ghostly centurions to horse-stealing sprites, King Arthur in drag to a pretty strange variation on The Sleeping King story, there's tonnes to chat about, and we aren't in a rush to move on!This leads into the main event: Martin's story "A Howl of Wind in the Castle of Crows" - a take on the legendary yet ill-fated love of Hywel ab Einion and Myfanwy Fychan, including a pretty grisly conclusion...After that, we had some microphone issues, but nonetheless discuss the story's symbolism, share some news of ancient Chilean mummies and Viking vulva statues, while also talking about Haunting Season 2025, which will begin on Thursday!We really hope you enjoy the episode and will speak to you again on Wednesday for our 'October Update' all before our Three Ravens Guide to Halloween comes out on Thursday, followed by the full interview with Chris on Saturday!The Three Ravens is a Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on a historic county, exploring the heritage, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcastProud members of the Dark Cast Network.CLICK HERE TO COMPLETE THE THREE RAVENS ACAST SURVEY - PLEASE DO! IT'LL HELP!!!Visit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

How have tales of King Arthur evolved over centuries and why have they exerted such an enduring cultural appeal on countless generations?Matt Lewis delves into the legend of King Arthur, guided by Dr. Mary Bateman. Together they explore the evolution of Arthur's myth from ancient folklore to the romanticised figure and a robust literary tradition, engaging the imagination across successive eras.More:Legend of William TellLegends of Robin HoodGone Medieval is presented by Matt Lewis. Audio editor is Amy Haddow, the producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.

A KID IN KING ARTHUR'S COURT gives Camelot a healthy dose of '90s attitude with a cast of nostalgic faves and future A-listers. Listen to us tilt at hazy memories in an episode that's certifiably baaaad (meaning good).

We're subjected to a reboot of the Hellboy franchise, which amps up the Arthurian content–Hellboy doesn't just battle a reanimated Vivian/Nimue, the sorceress who traditionally imprisoned Merlin, but it turns out Hellboy is descended of King Arthur and the only person who can wield Excalibur. But if Hellboy does so, he might give over to his demonic nature and initiate the apocalypse.  Sounds pretty cool, right? Well, this movie absolutely sucks. Just a real turd. Flat, dull, and incoherent. So much wasted potential. Starring David Harbour, Milla Jovovich, Ian McShane, Sasha Lane, and Danie Dae Kim . Written by Andrew Cosby. Directed by Neil Marshall.   This is a preview of the latest episode of our series Hollywood Avalon. To hear the entire episode, join the Mary Versus the Movies patreon for $3/month to hear this and the entire series Hollywood Avalon: https://www.patreon.com/maryvsmovies. 

Tonight, for our monthly Snoozecast+ Deluxe bonus sleep story, we'll read the opening to Mark Twain's “A Connecticut Yankee in King Arthur's Court” published in 1889. While we at Snoozecast adore ALL our listeners equally, our monthly bonus episodes like this one are specifically made for our Snoozecast+ Deluxe premium subscribers. If you are not a Deluxe subscriber, you will here a trimmed version of the story. To learn more about our 2 premium subscription options, go to snoozecast.com/plus. As a non-Deluxe listener, Tonight's satirical novel tells the story of Hank Morgan, a 19th-century engineer from Hartford, Connecticut, who, after a blow to the head, finds himself transported back in time to the England of King Arthur. The book was one of the earliest major works of time-travel fiction, predating H. G. Wells' The Time Machine by six years. At the same time, it sat firmly in Twain's style: humorous, biting, and rooted in American sensibilities. Though filled with fantastical elements like knights, castles, and magic, the story is just as much a sharp social commentary as it is an adventure. When first published, the novel stirred controversy for its irreverent treatment of Arthurian legend, but over time it has come to be recognized as a clever and influential blend of satire, science fiction, and historical fantasy. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

#1 New York Times bestselling author, Lev Grossman, spoke to me about his tenure at Time magazine, how The Magicians poked holes in Narnia and Potter, and reimagining a legend with THE BRIGHT SWORD: A Novel of King Arthur. Lev Grossman is the author of the #1 New York Times bestselling Magicians trilogy—The Magicians, The Magician King, and The Magician's Land—which has been published in 30 countries and adapted as a TV show that ran for five seasons on SYFY. His latest novel is THE BRIGHT SWORD: A Novel of King Arthur, named a Best Summer Read by The New York Times, Los Angeles Times, Time, Vulture, Esquire, Boston Globe, Elle, Town & Country, Seattle Times, New York Post, Lit Hub, and many others. George R. R. Martin, #1 New York Times bestselling author of A Game of Thrones said of the book, “If you love King Arthur as much as I do, you'll love Lev Grossman's The Bright Sword, a fresh and engrossing take on the Matter of Britain featuring a colorful cast of Round Table knights who don't often get as much story time as they deserve. The creator of The Magicians has woven another spell.” Lev has written two critically acclaimed novels for children, and the screenplay for the movie The Map of Tiny Perfect Things, a finalist for the Critic's Choice awards (based on his short story). He also worked as a staff writer at Time magazine, and has written essays and articles for Vanity Fair, the Believer, the Village Voice, the Wall Street Journal, the New York Times, Salon, Slate, Wired, Entertainment Weekly, Buzzfeed, NPR, and many others.  [Discover ⁠The Writer Files Extra⁠: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at ⁠writerfiles.fm⁠] [If you're a fan of The Writer Files, please ⁠click FOLLOW to automatically see new interviews⁠. And drop us a rating or a review wherever you listen] In this file Lev Grossman and I discussed:  How he talked his way into writing for Time magazine The evolution of his career from journalist to novelist Breaking through with middle-grade fantasy and The Magicians How he “got into the weeds” with his latest Arthurian tome World-building for streaming vs. collaborating on the graphic novel And a lot more! Show Notes: ⁠levgrossman.com⁠ ⁠The Bright Sword: A Novel of King Arthur⁠ by Lev Grossman (Amazon) ⁠Lev Grossman Amazon Author Page⁠ ⁠Lev Grossman on Facebook⁠ ⁠Lev Grossman on Instagram⁠ ⁠Lev Grossman on Twitter⁠ ⁠Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Get in touch with us!Step into the world of Arthurian legend through Pendragon, the RPG that masterfully captures the essence of knightly virtue, tragedy, and legacy spanning generations. Unlike traditional fantasy games, Pendragon isn't about magical powers or ever-increasing abilities—it's about creating meaningful stories where your knight's personality traits, passions, and family lineage take center stage.We talk about what makes Pendragon unique: its revolutionary personality trait system, it's  approach to mortality and legacy, and the infamous "Winter Phase".Join us as we reminise about this wonderful game, and Jason laments the sad tale of his poor knight who never found love.Contact us at:EMAIL: roll.to.save.pod@gmail.comFACEBOOK: https://www.facebook.com/rolltosavepodWEBSITE: https://rolltosave.blogHOSTS: Iain Wilson, Steve McGarrity, Jason DowneyBACKGROUND MUSIC: David Renada (Find him at: davidrendamusic@gmail.com or on his web page).TITLE, BREAK & CLOSEOUT MUSIC: Xylo-Ziko (Find them on their web page).

During the summer break, the 15-Minute History podcast team are republishing some of their favorite episodes. This episode originally aired on October 10, 2022. Season 9 begins Monday, October 7!___Familiar to millions as the author of The Hobbit and The Lord of the Rings, John Ronald Reuel Tolkien believed that myths used stories of heroes to inspire generations of readers. He began his writing career with a children's book, and when his publisher asked for a sequel, Tolkien had to give it some thought. For much of his life, he had lamented the fact that much of English mythology had been destroyed by invading armies or imported from abroad. (For example, the most famous English myth, that of King Arthur, was a blend of Scottish and French stories.) On putting pen to paper for the first time on his magnum opus, The Lord of the Rings, Tolkien began to craft an alternate mythology for his homeland that would tell heroic tales that, he believed, were lacking in modern Britain.Join us as we teach you about heroism through the eyes of J.R.R. Tolkien, how he incorporated heroism into stories, and how history influenced his view of heroes in fiction and real life. 

The long-heralded first County Episode of Three Ravens Series 7 is finally here and is a bumper-length installment all about the historic county of Cardiganshire on the west coast of Wales!Unable to resist discussing a local saint, Eleanor begins by introducing us to Carantoc, a dragon-slaying local hero who lost a special altar, apparently. Though luckily King Arthur was about to find it for him. Despite maybe having stolen it in the first place...After that, we whip through Cardiganshire's history, including its mythical ancient king Ceredig - from whom the county gets its Welsh name of 'Ceredigion' - to its conquering by gold-hungry Romans, resistance to the Normans, and the devastation wrought upon it by Cromwell's New Model Army.Sparsely populated and extremely rural, Cardiganshire is rich with mythology, such as the drowned lands of Cantre'r Gwaelod, an astonishing number of ghost animals (including an overly-affectionate spectral pig), giants with toothache, child-stealing fairies, and the 'Beast of Bont.' Yet, there's one tale that stands head and shoulders above the others. As discussed with this week's Local Legends guest, storyteller Milly Jackdaw, this story is that of the birth of Taliesin, the legendary Dark Age Brythonic poet who has since come to define key aspects of Welsh national character.Consequently, despite this week's 'Treasure of Wales' being the Holy Grail, the chewed-up remnants of which are currently located at the National Library of Wales in Aberystwyth, and a plethora of other legends from Devilish goings-on to portentous Corpse Candles that augur doom, what choice did Eleanor have but to tell her take on that very story?Her version, entitled "The Cauldron of Awen," is a wild and poetic ride that bridges land and sea, vast spans of time, and transformations from human to animal and back again. After she's told it, we then discuss the legend's symbolism, share some news of an exciting archaeological discovery from just over the border in England, and dig into the Three Ravens mailbag, which is bursting at the seams from a long summer of correspondence!We really hope you enjoy the episode and are already exciting to speak to you again on Thursday in our Forgotten Melodies bonus episode all about Harvest Songs, all before the full interview with Milly comes out on Saturday!The Three Ravens is a Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on a historic county, exploring the heritage, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcastProud members of the Dark Cast Network.CLICK HERE TO COMPLETE THE THREE RAVENS ACAST SURVEY - PLEASE DO! IT'LL HELP!!!Visit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

Welcome to Quest & Chorus, where songs remember what history forgets. I'm your bard, and today, we climb a legendary cliff—where myth and memory blur. To Tintagel. Some say King Arthur was born here. Others say he died here. And whether that's true or not doesn't really matter… Because this place feels like the kind of place where someone says goodbye. Today, we raise a glass—to stories that fade, and the people who carry them. This is Quest & Chorus #307 0:30 - Heather Dale “Mordred's Lullaby” from The Trial of Lancelot and The Secret World of Celtic Rock 3:41 - WELCOME TO QUEST & CHORUS Where every place has a story, every story has a song, and every song is a step in the quest. I'm your bard, Marc Gunn, also host of the Irish & Celtic Music Podcast, and typically host of this show as Folk Songs & Stories, but today, we call it Quest & Chorus. Quest & Chorus is a 6-part podcast series. I fuse my love of music, science fiction and fantasy, and travel into a podcast with a quest. In each episode, you will get a clue to unlock a secret reward. And at the end of the season, you will combine all of those clues to unlock an even bigger amazing reward. If you're new to the show, please follow us. You can do that PubSong.com or Just send me an email to follow@celtfather. UPCOMING SHOWS SEP 24-28: ALEP 6, Harrodsburg, KY OCT 11: The Lost Druid Brewery, Avondale Estates, GA OCT 17-19: MultiVerse, Peachtree City, GA NOV 1: Georgia Renaissance Festival Fall Festival, Fairburn, GA NOV 8: IrishFest Atlanta, Roswell, GA with Inara Please leave a comment on the podcast show notes at pubsong.com or wherever you listen. Email pictures of where you're listening to follow@celtfather . I'll send you a free gift and you can learn more about how to follow this podcast. News October Patreon Membership Drive. Get a free album: Field of Drams: Kilted Drinking Songs Flash Sale on MageRecords.com Guess the Secret Word to Unlock a reward. A big thanks to my… GUNN RUNNERS ON PATREON If you enjoy this podcast or you love listening to my music, please follow my Celtfather Patreon page. You can sign up for free and get updates on what's new and you can get an ad-free edition of this podcast before public listeners. But you get so much more when you become a Patron of the Arts. Patreon is one of the ways modern musicians and podcasters make a living. For just $5 per month, you'll get exclusive, unreleased songs, podcasts, video concerts, bootleg concerts, and so much more. Email follow@celtfather to get more details! 7:55 - Brobdingnagian Bards “Do Virgins Tast Better Medley” from A Faire To Remember 12:43 - TODAY'S SHOW IS BROUGHT TO BY CELTIC INVASION VACATIONS Every year, I take a small group of people on a relaxing adventure to one of the Celtic nations. We don't see everything. Instead we stay in one area. We get to know the region through its culture, history, and legends. You can join me with an auditory and visual adventure through podcasts, blogs, videos, and photos. In 2026, you can join me for a Celtic Invasion of Galicia in Spain. Sign to the Celtic Invasion Vacations mailing list at CelticInvasion.com. Let's begin the… QUEST & CHORUS of TINTAGEL, CORNWALL - History & Myth Tintagel is carved into the coast of Cornwall — cliffs like the broken edge of a sword, sea spray rising like breath. Ruins cling to the stone. A castle? Maybe. A dream? Definitely. But before we step into the realm of Arthur and Avalon, let's talk about what Tintagel really is.

We examine how our priorities reveal our true values and explore what Scripture teaches about family responsibility, proper church conduct, and care for others.• Are your actions aligned with your stated priorities?• If your life had a bar chart showing where you spend time and energy, what would it reveal?• Scripture from 1 Corinthians 14 on women's roles in church challenges modern interpretations• 1 Timothy 5 emphasizes our responsibility to care for family members before looking outward• We have a responsibility to care for our American family before addressing global concerns• Historical parallels between pre-WWII Europe and today's America reveal concerning patterns• Medal of Honor recipient George Francis Berg honored for rescuing wounded under enemy fire• The legend of King Arthur defending Britain against invaders offers historical perspectiveIf you enjoyed this episode, please check out my family-friendly, middle-grade fantasy novel series "Countryside" - similar to Narnia, Harry Potter, or The Hobbit. Leave a review if you like it!Support the showThe American Soul Podcasthttps://www.buzzsprout.com/1791934/subscribe

Sorry for the late evening episode, it's been a long week here at C+C HQ! We're kicking off the spookiest season with some witchy, pagan style celebrations and we couldn't be more excited! Or hungry, by the end of the recording. Applesauce and pork and root veggies, hell yeah! So once we go over some of the sausage and symbols of the autumn fest, Kelsey gives us some other ways to get your Mabon on. Yes, there is lots of red, orange and gold so the fall vibes are strong with this one!Then we dive into some origin stories like the Welsh fable from which it gets its name. It's full of unpronouncable names like Culhwch, sage old Salmon, the questing beast, and even a name drop of King Arthur! He's low-key like that's my cuz, man. So grab a snack, say Son-of-a-mother! and tune in to Mabon Fests and Feasts!Darkcast Promo of the Week: Scottish Murders! All about crimes in Scotland and involving Scots. Such a good show!

Hey Everybody!This week we all cancelled Hulu and Disney Plus!But, as a show, we had NO GINA on board so we met up with Retro Andy and talked about his suggestion of King Arthur and the Knights of Justice!I don't think this show was very good.Do the lads agree? Let's find out!Enjoy!MERCH STORE - www.teepublic.com/stores/knowing-is-half-the-podcastPatreon - Patreon.com/KnowingIsHalfThePodcastFacebook - Facebook.com/KnowingIsHalfThePodcastTwitter - @GijoePodcastPresident Serpentor - @PrezSerpentorSupport this podcast at — https://redcircle.com/knowing-is-half-the-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we're heading to Avalon High to see what all the hype is about! When Allie transfers to Avalon High, she soon realises that her new classmates are reincarnations of King Arthur and his court, and she must defeat traitor Mordred. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

 John Isaac Jones's new biographical novel on Samuel Langhorne Clemens, A/K/A Mark Twain, brings the fascinating life of America's most famous humorist to you in vivid, captivating detail. His time - 1840s-1910 America. Wagon trains moving west; California gold rush; telegraph invented; War between the States; Lincoln assassinated; the golden spike; Custer massacred; the trail of tears; invention of electric light, the telephone, and the automobile; the Spanish-American War; political events leading to WWI. His loves - His strait-laced, highly-religious mother Jane who vowed he was "born to be hanged!"; Laura Hawkins, his childhood sweetheart to whom he was unable to commit; Ina Coolbrith, the beautiful California poetess and lover who vowed to hold him; his beloved wife Olivia who urged him to become “a serious writer;” his oldest daughter Susan whom he worshipped from the day she was born until the day of her death.His genius – Samuel Langhorne Clemens, news reporter, steamboat pilot, gold miner, lecturer, world-traveler, adventurer, author of the classic Tom Sawyer and Huckleberry Finn books; the first man to circumnavigate the world on a steamship; singlehandedly invented the travelogue genre when he wrote Innocents Abroad; later books, including A Connecticut Yankee in King Arthur's Court, Roughing it, Life of the Mississippi and the short story, The Celebrated Jumping Frog of Calaveras County, earned him the title “The father of American literature.”https://johnisaacjones.com/#content http://www.yourlotandparcel.org

King Arthur's Wild West Show!Support the show and gain access to over three dozen bonus episodes by becoming a patron on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rate and review the show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to help us reach more readers and listeners.Not enough science-fiction and fantasy in your life? Join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Gene Wolfe Literary Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Love Star Trek? Come find us on the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lower Decks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Neil Gaiman fan? Love comics? Join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hanging Out With the Dream King: A Neil Gaiman Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Check out Glenn's medieval history podcast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Agnus⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Find out how you can commission a special bonus episode ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Join the conversation on the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Claytemple Forum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow Claytemple Media on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and sign up for our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow Glenn on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Check out Glenn's weird fiction story ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Goodbye to All That" on the Tales to Terrify Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Next time: Music: http://www.purple-planet.com

For Shakespeare and his contemporaries, the line between history and myth was often delightfully blurred. Legends of King Arthur and the fabled Holy Grail captured the imaginations of 16th-century England, weaving their way into royal propaganda, courtly entertainments, and even the education of young scholars. Elizabeth I herself was likened to the Grail Maiden, and stories of sacred relics mingled with Renaissance curiosity and Protestant skepticism. While Shakespeare doesn't mention the Grail directly in his plays, the ideas and imagery surrounding it would have been well known to his audiences. In a world shifting from medieval tradition to early modern innovation, what did the Holy Grail mean in Shakespeare's England? To help us explore this fascinating blend of myth, politics, and early modern belief, we're joined today by historian and author Sean Munger. Hosted on Acast. See acast.com/privacy for more information.

King Arthur, horse racing and an acclaimed Aussie movie....all this and plenty more in today's episode of Car Trip Trivia. Enjoy. Facebook PatreonSee omnystudio.com/listener for privacy information.

Have you ever heard of the legendary English king, Arthur? An iconic figure in history, he led a defense of his country against Saxon invaders around 1,500 years ago. He has also been immortalized in literature.Only one problem: we don't know if he actually existed.We certainly don't know where he's buried.And it's a sure thing that King Arthur, if he lived, wasn't history's greatest ruler.1 Timothy 1:17, “All honor and glory to God forever and ever! He is the eternal King, the unseen one who never dies; he alone is God. Amen.”The Bible tells us that the Creator God is the ruler overall. He is the great King, seen on Earth as Jesus Christ, who will come again one day as a conquering King.Although other kings achieved legendary status, Jesus is no myth. The most documented figure in history, He waits for the right time to restore righteousness and perfection to our world.We long to see Him!Let's pray.Lord, you are indeed our great King, righteous and perfect in all your ways. Amen. Change your shirt, and you can change the world! Save 15% Off your entire purchase of faith-based apparel + gifts at Kerusso.com with code KDD15.

King Arthur stands astride the intersection of history, myth, legend, and politics.  In every age of the history of Britain, he is reinterpreted for new audiences and new purposes.  When composer Henry Purcell and poet-librettist John Dryden set out to write their opera about Arthur, they did so following a century in which England had seen monarchs rise, fall, be beheaded, exiled, returned in triumph, and driven out in disgrace.  King Arthur takes place not in Camelot, but in a world of clashing cultures and ideals.  Arthur finds his Britons beset by Saxon invaders, but after his victory, he is able to lead as both peoples transition from fighting one another, to become a stronger people together. Join us for a close look at this fascinating work or art, and enjoy (in English, of course!) Dryden's poetry and Purcell's rich and tuneful music. Hosted by Pat with guest co-host Gerald Malone. Gerald Malone's website, TheRestIsOpera.com is brimming with commentary on opera productions that he has seen around the world, and “scuttlebutt” about opera from a suspiciously well-informed little dog. Gerald Malone is also the Opera Critic of ReactionLife, a UK-based online current affairs and cultural publication.

Get in touch with us!What makes a tabletop RPG truly perfect? Not just popular or commercially successful, but flawlessly designed where every element fits together so seamlessly you can't imagine it any other way? Greg Stafford's King Arthur Pendragon stands as one of those rare masterpieces – a game that transcended traditional RPG design to create something genuinely literary and transformative.Ready to experience the holy grail of RPGs? Join us as we explore how this revolutionary game changed what roleplaying could achieve and why, decades later, it remains utterly transformative for those who discover it.Contact us at:EMAIL: roll.to.save.pod@gmail.comFACEBOOK: https://www.facebook.com/rolltosavepodWEBSITE: https://rolltosave.blogHOSTS: Iain Wilson, Steve McGarrity, Jason DowneyBACKGROUND MUSIC: David Renada (Find him at: davidrendamusic@gmail.com or on his web page).TITLE, BREAK & CLOSEOUT MUSIC: Xylo-Ziko (Find them on their web page).

Today's episode covers Uncanny X-Men #30, where the team has the misfortune to meet a villain known as the Warlock. He's got ties to ancient Egypt, King Arthur, and Thor. And he's a real creep about Jean.Issues covered: Journey into Mystery #96, Uncanny X-Men #30Follow the podcast on Instagram @xmenunraveled

When we think about folklore, we often think about the characters involved: King Arthur, Queen Mab, Lady Godiva, and more. Yet folklore has an intrinsic link with place, too.  Even the most throwaway comment about a place can reveal stories linked with them. Such stories can reveal how we feel about places, especially when human activity moves away. They're also stories that get easily lost when people move on, so I asked the wonderful listeners of Fabulous Folklore if they wanted to share any stories they'd been told about places - and they did! I wanted ghosts at a person's school, houses they ran past because someone in the neighbourhood said they were haunted, local legends of grey ladies, creepy back roads people avoided at night because of a local cryptid - that kind of thing!  I didn't want personal experiences this time around, which I've collected before, because I wanted the focus to be on the place, not someone's experience of it. Let's see what people came up with in this week's episode of Fabulous Folklore! Find the blog post with the images and the references here: https://www.icysedgwick.com/tales-of-space-and-place/ Get your free guide to home protection the folklore way here: https://www.icysedgwick.com/fab-folklore/ Become a member of the Fabulous Folklore Family for bonus episodes and articles at https://patreon.com/bePatron?u=2380595 Fabulous Folklore Bookshop: https://uk.bookshop.org/shop/fabulous_folklore Enjoyed this episode and want to show your appreciation? Buy Icy a coffee to say 'thanks' at: https://ko-fi.com/icysedgwick Pre-recorded illustrated talks: https://ko-fi.com/icysedgwick/shop Request an episode: https://forms.gle/gqG7xQNLfbMg1mDv7 Get extra snippets of folklore on Instagram at https://instagram.com/icysedgwick 'Like' Fabulous Folklore on Facebook: https://www.facebook.com/fabulousfolklore/ Find Icy on BlueSky: https://bsky.app/profile/icysedgwick.bsky.social Tweet Icy at https://twitter.com/IcySedgwick

Milo, Phoebe and Patrick tackle the Clive Owen and Keira Knightley attempt at King Arthur which somehow manages to be historically inaccurate about a myth? Anyway, expect thrills, spills, west-country Picts and Mads Mikkelsen. Join the Patreon for twice as much good content like this, from just $5 a month: https://www.patreon.com/posts/137099909 Milo is on tour in the UK - tickets here: http://miloedwards.co.uk/liveshows

Peter Chesbrough joins us to discuss his research into the pervasive legends of King Arthur. Is this person a true historical figure? What is the basis for the myths and stories? It is a complex and interesting subject, and Peter delivers on both primary sources and in explaining the cultural and political context in which many of the Arthurian legends are based. You can find more of Peter's research on the channel "Britan's Hidden History" https://www.youtube.com/ ⁨@BritainsHiddenHistoryRoss⁩  More research into the topic of Arthur and the history of Britain can be found at these channels as well: https://www.youtube.com/ ⁨@orgolwg⁩  https://www.youtube.com/@paulsmith-esotericexplorer   Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros   Chapters 00:00 Introduction to the Podcast and Guests 02:04 Exploring Arthurian Legends and Their Significance 06:03 The Influence of Textual Analysis on Historical Understanding 10:04 The Role of John Dee in British History 14:02 Celtic vs. Brythonic: Understanding Historical Terminology 17:59 The Roman Influence on Britain and Its Legacy 22:03 The Archaeological Evidence of Arthur's Time 25:58 Christianity in Britain: A Historical Perspective 29:56 The Debate Over Arthur's Historical Existence 36:10 The Unpublished Works and Conspiracies Surrounding Arthur 39:39 Ambrosius vs. Arthur: Historical Perspectives 41:08 Prehistoric Records and the Dark Ages 46:47 The Controversy of Arthurian History 47:39 The Story of Arthur: Early Sources and Battles 01:01:10 Arthur's European Campaigns and Legacy 01:10:49 The Mythology of Technology and Storytelling 01:11:41 Exploring Welsh Legends and the Mabinogion 01:14:25 The Intertwining of Arthurian Legends and Historical Figures 01:19:11 The Cosmic Elements of Arthurian Mythology 01:24:20 The Academic Dismissal of Arthurian History 01:28:02 Political Influences on Arthurian Narratives 01:38:24 The Grail Legends and Their Origins 01:41:37 The Creative Force of Arwen 01:44:44 Welsh Bardic Traditions and Necromancy 01:47:42 The Complex Brithonic Tradition 01:49:19 Flood Myths and Their Connections 01:50:45 Prince Maddock and the Discovery of America 01:52:20 The Sword in the Lake and Excalibur 01:56:40 The Significance of Swords in Mythology 02:01:34 The Art of Sword Making and Its Secrets 02:07:46 The Importance of Modern Technology in Historical Research