Beatles60

Before the stadiums, the screaming fans, and the American invasion, there was a much shakier story. How the Beatles almost didn't happen looks back at the uncertain early years — 1960 to 1963 — when the band nearly fell apart more than once.Through conversation and storytelling, we trace the small decisions, setbacks, and lucky turns that helped them keep going. It wasn't destiny. It wasn't smooth. But somehow, it worked.Beatles60https://beatles60.group/Synthesizing The Beatleshttps://synthesizingthebeatles.com/It was 60 years ago today (Beatles Daily)https://www.facebook.com/groups/beatles60

This episode explores Beatles '65 and Beatles for Sale, two albums that captured a pivotal moment in The Beatles' journey. These recordings showcase their creative growth, the challenges of Beatlemania, and the ways record companies shaped the music people heard. https://beatles60.group/ We reflect on how Capitol Records reworked Beatles for Sale for the U.S. market, creating Beatles '65. Six tracks were cut, new ones like “I Feel Fine” were added, and the sound was altered with added reverb. These changes weren't just technical decisions—they shaped the album's reception and reveal the industry's influence on how music was marketed. Beyond the industry's impact, the albums themselves mark The Beatles' evolution as artists. From the raw honesty of “I'm a Loser” to the bittersweet harmonies of “Baby's in Black,” these tracks delve into introspective themes that contrast with earlier love songs. The use of African drums, organ, and other unconventional instruments adds a rich depth to the music. Looking back, these albums aren't just relics of the 1960s—they continue to resonate. Songs like “I'll Follow the Sun” and “No Reply” evoke both nostalgia and fresh appreciation, serving as a soundtrack for moments of reflection and rediscovery. This episode combines historical context, personal memories, and thoughtful analysis to celebrate the enduring legacy of Beatles '65 and Beatles for Sale. Join us as we explore the music, the stories behind it, and what it means to us today.

Connect with us on Bluesky: Beatles60 ⁠https://bsky.app/profile/beatles60.bsky.social⁠ Synthesizing The Beatles https://bsky.app/profile/synthbeatles.bsky.social About Bluesky https://youtu.be/gibMpahhHOI

The Beatles' rise to fame (1962-63): The podcast covers their signing to EMI, recording their first single, and early TV appearances. https://youtu.be/Go4X-3aZDv0 Context matters: Early 1960s Britain shaped The Beatles' development, with the podcast highlighting the social and cultural factors at play. Personality & charisma: The Beatles' humor and charm were as crucial as their music in winning over fans and the industry. Collaboration: Brian Epstein, George Martin, and others were instrumental in The Beatles' success, which the podcast examines in detail. Historical accuracy: The podcast stresses credible sources and distinguishes facts from myths when exploring The Beatles' history. The Beatles' Early Days Hamburg's influence: Their time in Hamburg was transformative, improving their music and stage presence. Quote: “Hamburg very much unlike Liverpool… they don't know how to do Beatles tourism.” The podcast contrasts Hamburg's handling of Beatles history with Liverpool's. Early rejections: The podcast recounts labels like Decca and EMI turning them down, showcasing their uncertain early career. The Decca Audition: It analyzes the audition's recordings, providing insight into their pre-fame sound. Brian Epstein's role: As their manager, he refined their image and secured a record deal, remaining honest even under pressure. The Beatles and EMI George Martin's initial reaction: Martin was initially skeptical but grew interested after meeting the band. Quote: “Martin didn't know it, but he was as lucky as The Beatles were.” This reflects the chance nature of their collaboration. June 6th recording session: A pivotal moment in Martin's perception, marking a turning point in the band's journey. Recording dynamics: The podcast explores how The Beatles and Martin created a shared vision and changed industry practices. Methods of Historical Research Primary sources: The podcast relies on interviews, letters, and news articles for authenticity. Fact vs. fiction: It emphasizes being critical of sources and separating myths from reality. Avoiding presentism: The podcast warns against modern interpretations of past events, stressing historical context. Quotes of Note • “The interwebs are full of empty infotainment in the same old, same old about Beatles trivia. You deserve the real story.” - Ariana Grande • “The Beatles didn't quite achieve their stylistic target. It was their failure that made them succeed.” • “They wanted their live and studio set of songs to sound something like American Pop R&B… but they failed. They sort of created their own genre.” • “Think of Jed Clampett out shooting at some food… He missed what he was aiming at… but up from the ground, he found oil under his land to make him very rich.” • “There would be no Beatles without R&B. In fact, there would have been no rock and roll at all.” - John Lennon • “Black music is my life. The Beatles and Sergeant Pepper and all that jazz—it doesn't mean a thing. All I talk about is 1958 when I heard Little Richard's ‘Long Tall Sally' and when I heard Chuck Berry's ‘Johnny B. Goode' and when I heard Bo Diddley. That changed my life completely.” - John Lennon • “The Beatles are like rock and soul men singing their pop with boy-man energy that matches girl-group energy.” • “They weren't whitening the music like a bunch of Pat Boons. It becomes a thing of its own but it remains soulful.” • “For us in the group, all that matters is that we try to get it right. If we make an error, we don't dig in. It's really just the opposite. We love to get corrections.” • “We treat ourselves and each other as knowers who might know something, to have something to offer, have some insight that's worth hearing potentially. We're all students… there are no teachers. We're all fallible. We're all students.” • “So much of Britain was black and white and bleak until The Beatles came along.”

In this episode, we take a deep dive into The Beatles' lesser-known track "I Call Your Name" and explore its fascinating backstory. From its roots as an early John Lennon composition to its surprising ska influence, we uncover the hidden layers of this song. Along the way, we delve into the vibrant 1960s music scene and the intriguing story of Brigitte Bond, a figure deeply connected to ska and mod culture, whose resilience and trailblazing career provide a unique lens through which to view the era. Join us as we journey through music history, uncovering stories that go far beyond the surface. Full Brigitte Bond documentary at https://www.youtube.com/@MissUpsetterDesigns/videos After that, the Deep Dive hosts delve deeper into 1964, continuing the immersive experience that followers of (and participants in) the "Beatles 60" Facebook group experience. The group takes followers beyond the randomness found in typical fan spaces, offering a structured, day-by-day exploration of The Beatles' journey. This time, they focus on the rise of Blue Beat (ska) music and how it influenced the cultural backdrop of The Beatles' evolving sound. https://beatles60.group/group The episode highlights how the group's chronological approach allows followers to experience history as it unfolded, creating a connection to the band's story that is deeper and more immersive than what most other platforms offer. Key moments, such as The Beatles' return to London or the behind-the-scenes challenges faced by Brian Epstein and George Martin, are brought to life with an attention to buildup and context, offering insights that make even familiar stories feel fresh. Listeners who are already fans of the daily dives will appreciate how the "Beatles 60" group brings history to life in a way that balances both structure and discovery. The Beatles60 Facebook group stands out due to its highly structured, day-by-day approach to exploring the Beatles' journey in 1964. Each day, the group focuses on what the Beatles were doing 60 years prior, creating a "daily soap opera" experience for members. This sequential approach allows for a deeper understanding of how events unfolded and influenced each other. In contrast, most Facebook groups have a more random, less structured approach to content sharing. Beatles60 leverages this chronological framework to create a sense of "living in the history" with the band. By experiencing the events as they happened 60 years ago, members can immerse themselves in the era and gain a unique perspective on the band's journey. This immersive experience is further enhanced by the group's use of historical media, such as photos, articles, and interviews from 1964. The project goes beyond simply presenting facts and employs an "interpretive approach" to Beatles research. This means that the group encourages members to analyze the events, consider the broader context, and explore the motivations and emotions of those involved. The goal is to offer a deeper understanding of the band's journey, going beyond a simple recounting of facts. This interpretive approach, which involves drawing conclusions based on available evidence, is central to the Beatles60 project and distinguishes it from groups that may simply present information without offering analysis or interpretation. Beatles60 cultivates a strong sense of community among its members. Participants are encouraged to share their own memories, perspectives, and insights on the events of 1964. This collective engagement creates a shared experience of "living in the history" together, fostering a deeper connection between fans and the band's legacy. In essence, the Beatles60 Facebook group offers a unique and immersive way to explore the Beatles' story. By combining a structured chronological approach with an interpretive lens and a strong sense of community, the project allows fans to engage with the band's history in a way that goes beyond typical fan groups.

Prepare yourself for this. The exposition is neither sequential nor linear. BUT FUN! (we hope.) This was compiled for the audio podcast from material that had only appeared on YouTube previously. Join us on Facebook: https://beatles60.group/hidden Follow the Beatles60 podcast: https://link.chtbl.com/B60 “It was 60 years ago today, Beatles Daily,” a Facebook group affiliated with the Beatles 60 podcast, offers a unique and immersive experience maintained by members for members. The group meticulously notes the specific daily activities of the Beatles as a lens through which to explore the broader unfolding of youth culture in the 1960s. This is the essence of documenting history, recording the past, engaging in historical analysis, and interpreting events with a keen eye for contextual understanding and meaningful insights. The Beatles 60 project captures the essence of the era in real time, allowing the audience to understand the emotions, challenges, and triumphs of the youth culture of the 1960s as if they were part of that extraordinary journey. The group juxtaposes vintage media photos, firsthand experiences, and biographies related to the same day, to give rise to insights into the Beatles' journey and the wider cultural movements of 1964. This passive way of learning allows listeners to gain context in sequence, similar to how we gain insight into culture in our everyday lives. The podcast features interviews with experts and people who were there, discussing both big and small moments in the rise of 1960s youth culture. The Facebook group is for history buffs to discuss all things 1964. The podcast provides insights into the unfolding of the 1960s, allowing listeners to appreciate the context and significance of each event. As a concrete example of acquiring awe and insights from this daily sequence in context, this particular episode also highlights the influence of Blue Beat, a popular dance style, on mods across Britain and the music industry, with articles and advertisements from labels promoting the trend. The podcast provides a rich and rewarding experience of reliving the 1960s. It's a unique, immersive experience that allows daily followers/participants to relive the events and cultural shifts of the 1960s in real time. The Facebook group “It was 60 years ago today, Beatles Daily” is a community of like-minded individuals who share a passion for this history. They come together to share insights, discuss daily developments, and immerse themselves in the cultural world of the 1960s, with the Beatles serving as a central focus due to their prominence. The podcast features interviews with people who wrote about the decade, the Beatles, or were there when they and other British bands hit it big. This episode also refers back to our debunking of the false story that Ed Sullivan first noticed Beatlemania at London airport in 1963, and reveals that the connection was almost inevitable.

Beatles60 https://beatles60.group/hidden Billy J. Kramer https://billyjkramermusic.com/ Larry https://bio.site/wrence Beatledrama https://beatledrama.com/ In an unusual departure from our usual format, this episode of the Beatles60 Project, titled “Little Children,” ventures into the deeply personal terrain of our host's own past. More than just a nod to the Billy J. Kramer hit, the title reflects a dual significance: it's a rare glimpse into the formative record-fueled memories that shaped a preschooler's world in 1964 and an homage to the song that echoes through Beatles60 host Larry's recollections. These vivid memories, intertwined with the lives of icons like Billy J Kramer, the Beatles, and Dionne Warwick, may seem extraordinary, but they are as real and intricate as the grooves on a vinyl. While the Beatles60 Project typically serves as a historical society, dissecting the 1960s through the lens of media, music, and fandom, “Little Children” stands out as a testament to the peculiar coincidences that have trailed our host since those early days of vinyl obsession. It's not every day that we turn the spotlight inward, examining the quirks of fate that connect us to the era's luminaries. Join us as we unravel the mysteries of childhood memory, pondering why certain moments outlast others. And in a special treat, we'll hear directly from Billy J. Kramer himself, offering a unique perspective on the song that shares our episode's title, and our host's sister, who, as a teenager in the swinging sixties, offers another layer of authenticity to this nostalgic journey. --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

This special mini-episode previews the upcoming Beatles60 podcast series: Early 1964. Also, a fond farewell to the informative and witty podcasts ‘Nothing Is Real' and ‘I Am The Eggpod.' Their archives remain evergreen, and will be there to enrich our 60s knowledge as our timeline progresses. The upcoming four-part series delves into the Beatles' early 1964 experiences, from their American triumph to their stunningly great first film. The series culminates in a candid look at how the Beatles handled their newfound celebrity, a journey documented through photos and films. Join us as we revisit these moments, drawing from the rich insights provided by past podcasts and the enduring legacy of the Beatles' early days. Join Beatles60 on Facebook  https://beatles60.group/hidden The persona of Adrian Adam Anderson is Larry's creation, voiced by Larry. https://bio.site/wrence --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

The Beatles got on the Ed Sullivan Show through the efforts of Peter Prichard, a London-based journalist and friend of Brian Epstein. Prichard, who had a connection with Ed Sullivan's talent scout Jack Babb, suggested to Epstein that he could get the Beatles on the show. Despite some initial doubts from Babb, Prichard persisted and arranged a meeting between Epstein and Sullivan. In November 1963, Epstein and Sullivan met at the Hotel Delmonico in New York, where they agreed to schedule the Beatles for three shows on the Ed Sullivan Show. The deal was made before the Beatles had achieved any success in the US market, but their popularity quickly grew after the handshake agreement. The Beatles' appearance on the Ed Sullivan Show in February 1964 helped launch their career in America. Discuss on Facebook: https://www.facebook.com/groups/beatles60 --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

In this episode of Beatle60 Live, our guest interviewer — historiographer Rob Geurtsen — and guest expert, Dr. Kenneth Womack discuss Ken's upcoming book Living The Beatles Legend: The Untold Story of Mal Evans. Available for pre-order now, it's scheduled for release on Tuesday. This discussion will be presented in three parts. This is episode one. Episode two will be out in a few days, and episode three by the end of the week.  In 1963, we find that without George Martin, Brian Epstein and Dick James facilitating and pushing the Fabs' records, performances and songs, respectively, the Beatles probably would've remained in Merseyside, performing round and round the same local ballroom circuit.  Artists need support and facilitation. Mal and Neil (Aspinall), were both employed directly by the Beatles and played significant support roles.   Despite being compensated better than most laborers in similar positions, Mal was grossly underpaid. And yet his dedication to his work with the Beatles left a lasting impact on the group's legacy. An often overlooked factor in the Beatles' success story was their willingness to take enormous risks. In this sense, Mal fit right in. It's a mindset that can take you to the toppermost or can do you in. The book aims to provide significant glimpses into Mal's life, including the moments when he could no longer steer away from his collision with his own history.  More information and links: https://beatles60.group/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

New season starts in October. Meanwhile: https://beatles60.group/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

He phones in. We never expected that Beatles60 would have this kind of reach. Very surprising. And Andy interrogates Larry about research terminology -- longitudinal, phenomenological, historiographic... Fun ensues!! Hey, this is just half an hour. Give it a listen. There's a surprise ending. Beatles60.group https://beatles60.group/ A Day In THEIR Life https://beatledrama.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

This episode is only on Mixcloud: https://www.mixcloud.com/lawrence-laferla/beatles-first-lp-fails-brilliantly/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

This Sunday Larry will be interviewing Dafydd Rees, author of THE BEATLES 1963. Anyone and everyone is welcome to listen to the live stream. Full event information is now up, here: https://beatles60.group/live/february-talk We ask members to register a name and email so that we can notify you once a month. Please opt in. Membership is free. Your email address is safe with Andy and me. No ads. No spam. No Nonsense. We're a community, not a business. Once you access the LiVE TALK event page you'll see a link to the start/end times in world time zones. And you'll see a link to join live as an audience member. Audience members remain private and muted. You can hear us, though! And it's nice to know you're there! If you can't listen live on Sunday, you can listen to the archived audio once we upload it (maybe next week). Our LiVE TALK this Sunday promises to be a great one. For Britons of a certain age, it was an unforgettable year. For the rest of the world, this is like a prequel! --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

1962 was clearly an important year for the Beatles. They got signed, finalized their line-up, and even released their first single. But it was still prologue. 1963 would be the year that UK Beatlemania would explode. The Beatles would tour, get significant radio and TV exposure, and reach #1 on the UK Singles Chart, EP Chart, and Album Chart. November would bring the Royal Command Performance, and they would soon be looking to 1964, Ed Sullivan, and Worldwide Beatlemania. **************************** NOTE: Be sure to check out the extensive compilation of LINKS that accompany every episode. Find the episode pages at https://beatles60.group/ **************************** In this episode of The Beatles60 Podcast, which we're calling 'From Indra to Ed,' Andy and Larry look all the way back to Hamburg in 1960 and move forward to 1962 and just beyond, previewing the rise of Beatlemania. We talk about shows, tours, crowd levels and the press as we press through seven segments (intervals within 1963) we've identified as important in tracking The Beatles' rise to the top of entertainment pages and then to the front page. In Britain, 1963 will become known as 'the year of the Beatles.' We offer a way to remember how the year 1963 progressed with the exponential growth of 'mania.' --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

In this episode we talk about some of the confident eccentrics who influenced the Beatles, fellow travelers who marched to the beats of different drummers. The Beatles were quite busy in the winter of 1962/63, as we've talked about before. A Pair of two-week stints in Hamburg, radio and television appearances, recording sessions, ‘Love Me Do' rising in the charts. And as the winter turned into the Big Freeze, called the worst winter weather since 1739, there was more than just the beginnings of ‘Beatlemania' happening in the UK. The other side of the Big Freeze would bring with it a flowering of modern culture. Women wore shorter skirts and mod hairstyles. The Profumo Affair scandalized an already weak establishment. A decade-plus of Tory government would be ending. Fashion, scandal, and the pill were turning the UK into something different. The Beatles would be a large part of the transition. NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

At the end of 1962 we look ahead to an historic winter freeze that immobilized most Britons for three months. But it was a great time to be the Beatles. ‘Love Me Do' had been released on 5 October 1962. It had quite a ride on the UK Singles Chart, moving up and down and ultimately topping out at #17. The impressive fact about the Beatles' first release was that it remained on the charts for 18 weeks. That was longer than most top ten or even top five singles stayed on. During those eighteen weeks, our boys and Brian Epstein remained as busy as ever. In this episode, we'll talk about some more pieces of the puzzle during the ‘proto-mania' days — the period before UK Beatlemania took hold. There was a change in music publishers in hopes that the Beatles would get some better promotion. As ‘Love Me Do' remained on the charts, there were more and more radio and television appearances for the group. We talk about those things as well as give a brief introduction to the next periods in Beatles development, leading all the way up to February of 1964. Guest: Rob Geurtsen. NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

Before the Beatles' rise to national and then international fame, just how cool was the UK? There was The Goon Show, Hammer Horror, and others (tell us what you remember!). But did it come close to reaching the level of cool in the US? Didn't the cooler UK musicians strive to be more like American artists? Weren't the coolest of films and their stars coming mainly from the US? What could make that change? 'Love Me Do,' the Beatles' first single, was released on 5 October 1962. Interestingly, Dr. No, the first 'Bond film' was released the same day. Music and film from the UK was about to start having a huge impact in the UK, in the US, and worldwide. At this point starts a period of 'proto-mania,' the very beginning of the UK becoming the coolest of the cool. 'Please Please Me,' the Beatles' second single would have its time on/atop the UK charts between January and March of 1963. So in this episode, we're talking about the six-month period that preceded nationwide 'mania' in Britain. And we call it the 'Between the Singles' period. The title of this episode was adapted from a hit song from 1975. 'A bullet, in record-chart parlance, refers to a song selling strongly and/or moving up the charts.' (Wikipedia) The lyrics are pretty clever. You can hear the song and read along here: https://beatles60.group/eighteen-with-a-bullet (Recommended!!) NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

It's September 1962. Ringo had been put in place as the final member in the Beatles' lineup. Recording sessions had been done and the first single had been chosen. Before long, George Martin was to become very happy with the progress made by his funny-named band from the north. Welcome to Season 2, Episode 1 of the Beatles60 Podcast. In this episode we talk about the convoluted path ‘Love Me Do' followed to become the first Beatles single to be released (5 October). It wasn't without drama, so we talk about just what Ringo must have felt like when it seemed that he might be left off the recording. The conversation moves to how the working relationship was building between the Beatles and Parlophone's studio team, led by George Martin. We also have a little discussion with author Jude Southerland Kessler about John's mother, Julia. An episode packed with insights. Don't miss it! NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

The Casbah Coffee Club was closed. Pete was leaving the group. It was like the end of the introduction of the book of The Beatles. Stress was coming from Parlophone and George Martin, who had not yet accepted that The Beatles should be recording originals. He wanted “How Do You Do It?”, written by Mitch Murray. Meanwhile, Cynthia had some big news for John. The Old World was coming to an end. In the New World, Ringo would join the group and on August 18, 1962, The Beatles were complete. George Martin gave in to The Beatles' musical decisions, mainly because, well, he just really found them to be charismatic and got along with them so well. Brian Epstein took care of John and Cyn's sudden wedding and even let them live rent-free in a flat that he owned. Did they know that unimaginable fame was on the horizon? Of course not. But the pieces were starting to be put into place. Join Larry and me for a discussion of The Beatles in the summer of 1962 in this episode of the Beatles60 podcast. NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

How did everything come together to make the Beatles not just so popular, but so influential? You've read some of the books, you've seen some of the movies. Now Eric Howell's audio drama, “A Day in THEIR Life,” at Beatledrama.com, takes you through the Beatles' story. Like Beatles60, it's a chronological excavation. His painstakingly researched audio drama gives listeners more than just the details of the narrative. You get a feel for what it was like to live in the music culture of the late 1950s with the early 1960s on the horizon. You may have heard Eric in our podcast series where he reads the Beatles' and other voices when we quote them. This episode of The Beatles60 Podcast is a little bit different from our usual. Eric joins Andy to talk about “A Day in THEIR Life,” how it was conceived, how it's produced, what to expect in the future, and how it works like a prequel to the 60-year timeline that we follow. And for good measure, Andy and Eric talk a bit about Andy's recent trip to Hamburg, and how it helped him imagine what it was like to be there between 1960 and 1962. Listen and dig along with us. NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

Our members page has the details to listen live on August 7th. Denise gives full details. Very easy signup. Beatles60.group Contact Andy Follow on Apple Follow on Spotify Podcasts 101: What's a podcast, where to find them, & how to start listening today How Do I Listen to Podcasts? HOW People Listen To Podcasts? Listening Habits. --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

We've talked before about the circumstances surrounding the signing of The Beatles. But what is even more important is how their relationship with George Martin blossomed. Martin cared little about The Beatles and didn't care that much for their music. He was happy to pass on the responsibility of recording our boys to his assistant, Ron Richards. But something else happened. In this episode of The Beatles60 podcast we're talking about how Martin was won over by the charisma of The Beatles. Also, how he came to see that the fact that they wrote their own songs, something that was almost unheard of at the time, would work hand in hand with his own desire to experiment with music. And finally, the serendipity of a situation that would bring together this particular pop group and this particular producer to create the story that we still talk about sixty years later. NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

One of the earliest told stories of the signing of The Beatles to EMI's Parlophone Records division in May of 1962 goes like this: While Brian Epstein was having the Decca audition tapes transferred to acetate for easier distribution to labels, the songs were heard by Sid Colman, who ran EMI's Ardmore and Beechwood Publishing division. He was interested in obtaining the publishing rights to The Beatles' original songs. And that's where the story seems to split into different tellings. Brian Epstein would relate that Colman took the recordings to George Martin, who liked them very much and would be willing to give them an audition. Martin remembered it differently. He said he “wasn't knocked out at all.” So how did The Beatles eventually get signed? In this episode we talk about the fairy tale version and the version that is closer to what really happened. NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

Be part of our first live online audience. Start here---> https://beatles60.group/ If you have trouble, contact Andy https://barmybeatleblog.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

Members of The Beatles, John and Paul especially, had experienced loss in their young lives. Both had lost their mothers while they were teenagers. John had also lost his Uncle George, who was more like a father to him than his actual father. But as a unit, The Beatles had never had to deal with the level of tragedy that would come in April of 1962. Stuart Sutcliffe's influence on The Beatles started as soon as he joined the group in January of 1960. He helped come up with the band's name and was the first to try on different clothes and hair styles. Not to mention he was John's closest friend. Though he left the band to stay in Hamburg with his fiancée, Astrid Kirchherr, he would be remembered by The Beatles in such ways as a reference in John's “In My Life” as well as being on the cover of the Sgt. Pepper album. Had he lived he would certainly have contributed, if not musically, through his art. After being extremely ill for several months, Stu died on April 10, 1962 in Hamburg just as The Beatles were returning for a residency at The Star Club. That's where this episode of The Beatles60 podcast begins… NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

Decca Records famously rejected The Beatles a few weeks after their January 1, 1962 audition. Dick Rowe, the head of the company, reportedly told Brian Epstein that “groups of guitarists are on their way out.” Rowe would deny that he ever said that, but nevertheless, Decca did not end up signing The Beatles and Epstein had the sad duty of relaying the bad news to the boys. But was it really all that bad of a thing? Imagine The Beatles being labelmates with Cliff Richard and never working with George Martin! How different would the story have been? Would we even be talking about The Beatles right now if Decca had signed them? We're talking about all this and more in this episode of The Beatles60 broadcast! We also catch up with Stuart Sutcliffe, who's still living with Astrid Kirchherr and studying with Sir Eduardo Paolozzi. Ringo Starr returns from Hamburg after the flood in early 1962. Today's episode is called “Beatles Rejected.” NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

Small scale history such as that of a pop group is inevitably filled with incredible coincidences, randomness, quirks, strangeness and charm. To revisit the lifeworlds of young adults in 1962 as they climbed their way to the toppermost is by nature a kind of hermeneutical study. Sounds fancy? It's just another word for interpretation/understanding. ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ We have a HUGE set of links to accompany this episode. Please see the illustrated page. You'll laugh. You'll cry. You'll wet your pants. Share with friends: https://beatles60.group/history-links ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ Every time we get a new Fab story from 1962, every new single that is released that year, every new 1962 trend, all the tv shows, all the stories we get in comments from people who were at the Cavern or the Top Ten or Star-Club in 1962, it builds our understanding every day. We're not just deducing facts from artifacts, we're making sense of the story's development, how the people in the daily story experienced their path, their evolution together as a pop cultural phenomenon. A lot of it is as mundane as remembering or reimagining the ordinary lifeworlds of young adults in 1962. You don't need a doctoral degree in philosophy to understand the hermeneutic circle. Just experience our daily info drops and think about how this interpretive dance is what we actually do if we're paying attention. This isn't just for egg heads. It's for everyone who follows daily. NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

The Beatles first played at the Oasis Club on February 2, 1962. Six days later they were at The Playhouse Theatre to audition for a BBC radio performance. They passed the audition, so on March 7 they were back at the same theatre to record three songs for the BBC radio show, “Teenager's Turn – Here We Go.” It was the first time they wore suits in front of an audience. The show was aired the next day. What do all of these things have in common? They all took place in Manchester! Note: on a special page we've compiled 43 informative and entertaining links that'll take you on a deep dive into all that's discussed in this episode. See: https://barmyoldcodger.com/beatles60-podcast The Beatles wisely chose Manchester as their first opening to the nation. In retrospect, it makes good sense to include Manchester among "Beatles cities" that would propel the group to the toppermost (alongside Liverpool, Hamburg, New York and London). Located about 35 miles east of Liverpool, Manchester was in 1962 (and still is) the prime gateway for all media in the North of England. Radio appearances recorded in Manchester and their first television appearance filmed by Manchester's Granada TV would give The Beatles their first national exposure. It could be said that Manchester wasn't just a random stop along the way to London. It was the main route that had to be taken. In this episode of the Beatles60 podcast, we have some special guests! Beatles historian Steve Bradley and radio presenter Phil Salter are area natives. They're the voices behind the mics on the Arrive Without Travelling podcast. It's an information-packed discussion, and our guests make it perfectly clear that the Beatles' path to nationwide fame would begin in Manchester, the north's media centre. Listen or Share via YouTube: https://youtu.be/K_56fuTuP0o Arrive Without Travelling (radio show & podcast) https://arrivewithouttravelling.com/radio-%26-podcast Lots of Manchester links! https://www.facebook.com/113527093818469/posts/497399238764584/ NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

January of 1962 was the beginning of Brian Epstein managing The Beatles. He got to work right away. He started by convincing Deutsche Grammophon's Polydor Records division to release 'My Bonnie,' the song that they had recorded in Hamburg in June of 1961 backing Tony Sheridan, as a single in the UK. That would happen on January 5, 1962. Added bonus, instead of crediting the group as Tony Sheridan and The Beat Brothers, Epstein convinced them to call them Tony Sheridan and The Beatles. It's success was minimal to non-existent. But Epstein wasn't done. He also needed to formalize a management contract with The Beatles. He looked at sample of such contracts and found them lacking, specifically in their treatment of the musical artists. What he wanted was a fair contract, one that would treat The Beatles with the respect they deserved as well as one that the group could get out of if necessary. This episode of the Beatles60 podcast looks into what was going on in The Mind of Brian. NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

2022 is the Year of the Tiger in the Chinese Zodiac, as was 1962. And that year was a huge one for The Beatles. It started with an audition with Decca Records, on New Year's Day. Four days later they would technically have their first UK single release, when Germany's Polydor Records released the version of “My Bonnie” that they had recorded in June of 1961. It would go out under the name Tony Sheridan and The Beatles. Neither of those two events ended up amounting to much, but at least things were getting started. Starting with EMI and Decca, the rejections from London-based record labels started coming in. Something would have to change. Brian Epstein put The Beatles in suits and the inevitable line-up change would happen in August. A lot has been made about how and why Pete Best was replaced by Ringo Starr, sometimes revolving around the idea that George Martin wasn't going to let Pete play on their recordings. But it was actually a completely commonplace practice for studio drummers to play on recordings regardless of the live line-up of any group. There must be more to the story… Guest appearances by Eric Howell and Tim Sommer. Also a secret VIP (known to everyone) contributes his famous voice, briefly. (We signed a "no-promo agreement" with the third guest. It's a low-key but almost unbelievable contribution. Just listen for him. You'll know.) NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

In December of 1961, Sam Leach tried to get The Beatles a show in London. The results were disastrous. Meanwhile, Brian Epstein was setting up an official photo session for December 17 arranging an audition for The Beatles with Decca Records for January 1. We talk about it all in this week's Beatles60 podcast, Calling London. Merseyside promoter Sam Leach wasn't having much luck. He thought that it was about time for The Beatles to start playing shows in London, so he booked them to play at The Palais Ballroom in Aldershot, about 40 miles southwest of the city, on December 9, 1961. Everything went wrong. Their flyers had been torn down, a newspaper ad didn't appear in the paper, and no one showed up, not even Ivor Jay and the Jaywalkers, who were also supposed to play that night. It would be a rough one. Brian Epstein was having a bit more success in planning the career of The Beatles. He would set up the first official photo session for the group on December 17. Now there would be plenty of great promotional materials for him to give to promoters, agents, fans, and record labels. One of those labels, Decca Records, scheduled The Beatles to come to London for an audition on January 1, 1962. Big things were finally on the horizon… NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

The Beatles met with Brian Epstein once or twice around the end of November or beginning of December of 1961. Brian hoped to convince the group that he should become their manager, despite his lack of experience in that type of position. The meetings may have come just in time. The Beatles had become more and more frustrated at playing the same venues around Liverpool over and over again with no prospect of gaining a larger UK audience. They were popular in Hamburg as well, but the prospect of just playing in dive bars forever wasn't particularly appealing. The prospect of having a real manager was intriguing. Epstein had contacts, knowledge of the music industry, and very importantly, money. In this week's podcast, we talk about Brian Epstein's journey to become the manager of The Beatles! NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

We all have an idea of the importance of George Martin to the history of The Beatles. But he didn't just come out of nowhere. At age 24, he got a job with EMI. In 1955, at the age of 29, he became the head of Parlophone Records and found a great deal of success, especially with comedy records, featuring Peter Sellers, Spike Milligan, and more. His success allowed him the freedom to experiment with film scores, electronic music, and anything else he could think of. But the one thing that he really wanted was a huge, hit-producing pop artist. In this week's podcast we talk about George Martin's road to success! NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

We've heard the story for years. A young Beatles fan named Raymond Jones walked into the record department at Brian Epstein's store, Nems (North End Music Store). He asked for “My Bonnie” by The Beatles. As the disc was a German release, Nems had no copies. But Epstein had a policy to find any disc a customer asked for, and that was what started the search that would result in Epstein finding The Beatles playing a lunchtime show at The Cavern Club on November 9, 1961. On that date, what many consider the most important manager/client relationship in rock music history began. But did it really happen exactly that way? Alternate stories have surfaced over the years that there really was no Raymond Jones, that it was just a tidy story that sounded good. In addition, there are those who would say that Brian Epstein had actually seen and even talked to The Beatles before that afternoon in November of 1961. Can the truth actually be sorted? Is it even possible to know for sure what happened sixty years ago? This episode of the Beatles60 podcast will looks into these questions and more. In 1965, both Paul McCartney and George Harrison, on being awarded their M.B.E.s by the Queen, said "M.B.E. stands for Mr. Brian Epstein." NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message