Podcasts about Peter Sellers

The continuing podcast journey of a boy becoming a young man one iconic movie at a time. James had never seen Stanley Kubrick's comic Cold War masterpiece, Dr. Strangelove so he watched it with Dan and they recorded a podcast about it.In this episode, they discuss how Kubrick transformed a serious nuclear-war thriller into one of the greatest comedies ever made, explore Peter Sellers' remarkable triple performance, and examine the iconic War Room designed by Ken Adam. They also compare their top five Stanley Kubrick films and debate the director's extraordinary career, with James making the case for Eyes Wide Shut as Kubrick's finest achievement. Stay Connected:X: @talkinfilmBluesky: @talkinfilm.bsky.socialTikTok: @talkin_filmFacebook: You Talkin' to Me? Film PodcastSubscribe: Available on all major podcast platforms Enjoy our podcast? Share it with friends and leave a review on Apple Podcasts or Spotify

“I don't find myself funny… it came as a surprise to me that I didn't really learn anything by watching myself.”In June 1969 BBC2 broadcast a documentary in which comedian and writer Marty Feldman tried to discover the essence of comedy by speaking with some of its leading lights such as Eric Morecambe, Dudley Moore, Denis Norden and... Peter Sellers. According to a critic on The Daily Mirror: “Given the low state of comedy on the box right now – well, there's Father, Dear Father and The Gnomes of Dulwich to name triers; but no Till Death and no Steptoe – a high-flyer like Marty might have chosen to show us how it's done. He could have played a few bad jokes off against his writing partner Mr Barry Took (who was present and correct), batted them about, and come up with an extemporary routine or two. But no. Marty was sold on contradiction.”Ignore that grump. The programme was a thoughtful, leisurely exercise in getting to the nub of of a very knotty topic where Marty philosophised and sometimes agonised while smoking a seemingly endless chain of cigarettes. From a bleak fairground in Margate via a kids' Punch & Judy show, a textile factory run by an ex-radio ventriloquist and a smoky jazz bar to a railway station in Henley where Peter Sellers was filming The Magic Christian, Marty never faltered in his pursuit of the truth: What is comedy? Joining Tyler to talk about the programme and in particular the very revealing bits with Sellers is returning guest and podcaster Jon Auty. They also look at the early career of Marty Feldman and a couple of Spike Milligan TV appearances. You can watch the programme on YT here: https://www.youtube.com/watch?v=S0it6iARj64&t=1907sBehind The Stunts: https://www.youtube.com/@behindthestunts

Off with her head! Welcome to pcmc, your one-stop shop for non-toxic fandom. On today's all-new episode, host Mike Bongiorno got together with good friend of the show Nadia Kader to discuss the 1966 BBC version of Alice in Wonderland. This version features British acting legends like Peter Sellers, Peter Cook, and Sir John Gielgud in the classic roles we all know and love, but with a twist, none of the actors are costumed to appear like the animals they are portraying. And that is just one of the many fascinating novelties in this mad and melancholic version of the classic tale. If you enjoy hearing Mike and Nadia discuss Alice in Wonderland, go back to the podcast feed and check out episode 256: Alice (1988). Don't forget to hit that subscribe button so you get all our content when it drops.follow us everywhere @PCMCpod

Peter Sellers was one of the most famous men on the planet.He was also one of the most genuinely, deeply paranormal figures of the 20th century, and almost nobody knows the full story.This week Yvette Fielding investigates the extraordinary and haunting truth behind the legend.A clairvoyant so powerful that Hollywood producers bribed him to influence Sellers' decisions.A near-death experience that left him convinced he'd made a personal deal with death itself. A Victorian ghost who allegedly guided his greatest performances from beyond the grave.And a desperate, decades-long search through séances and mediums to find his dead mother.This isn't a story about a celebrity with quirky superstitions.This is a story about a man who handed his entire life over to the paranormal and what it cost him.The séances were real. The obsession was real. And the tragedy was inevitable.A Create Podcast Hosted on Acast. See acast.com/privacy for more information.

Explicit Content: Authorized Eyes OnlyAgent Codenames: Old Dude; Diabolu FrankAssignment: Father & Son Spy-Fi PodcastMission: Discuss the off-brand “Jimmy” Bond Climax! teleplay with Barry Nelson & Peter Lorre; as well as the non-Eon James Bond 007 film starring David Niven, Peter Sellers, Ursula Andress, Woody Allen, Orson Welles, and a great many more.See Also:

This week we're discussing Peter Sellers' only directorial feature, Mr Topaze from 1961. Sellers plays Albert Topaze, an earnest, impoverished schoolteacher in provincial France whose rigid honesty ultimately proves his undoing. He teaches under the status-obsessed headmaster Muche (Leo McKern) and is in love with Muche's daughter Ernestine (Billie Whitelaw). Living modestly with his colleague and friend Tamise (Michael Gough), Topaze supplements his income through private tutoring.His integrity leads to his dismissal when he refuses to falsify a report, leaving him vulnerable to manipulation. He is soon drawn into the orbit of the glamorous Suzy Courtois (Nadia Gray) and her corrupt associate Castel Benac (Herbert Lom), who install him as the front for their fraudulent business dealings. Initially oblivious, Topaze is horrified when he learns the truth, but agrees to continue in order to protect Suzy.Joining Tyler this week to chat about the film's background, themes and ultimate re-evaluation after decades languishing in obscurity is Vic Pratt of the BFI https://www.bfi.org.uk/profile/vic-pratt

Such a lovely chat with used bookstore owner and music venue proprietor Peter Sellers. Since 2015, he's been running Toronto's most interesting spot for catching live music, Sellers & Newel. We get into where the idea came from, and what's he's learned along the way. Get into it!

Nicotine Myths - Yowies - Woodruff     00:00:00 Introduction Richard Saunders     00:07:48 Woo Watch! With Kate Thomas Like any other chemical, nicotine has its good points and bad points. This week Kate looks at some of the myths and quackery from the wellness industry regarding nicotine and its uses. Medication Consultation Services https://medicationclarity.com.au Kate Thomas on TikTok and Instagram https://linktr.ee/PrescribeorPass     00:17:56 You Can Count on Adrienne. With Adrienne Hill. Adrienne rides the Banff gondola with her husband/chauffeur, Greg and with Drs Christopher Labos and Angela Matke. It is the first event of the Western Canadian Reason Conference! https://www.bodyofevidence.ca/ https://www.dragoncon.org/     00:27:40 The Australian Cousin of Bigfoot, the Yowie. We look at some of the differences and similarities between the Bigfoot of North America and its lesser known cousin, hiding in Australia, called the Yowie. It's huge, hairy and hides in the bush https://trove.nla.gov.au/newspaper/page/4786071     00:40:40 The TROVE Archives A wander through the decades of digitised newspapers to look for references to Maurice Woodruff (1916 – 1973) an English clairvoyant and astrologer. He presented his predictions to the public via newspapers and also via stage, cabaret and television appearances. He was also a major influence on comedian Peter Sellers.     1966.04.10 - Sunday Mirror Sydney     1964.08.05 - The Australian Women's Weekly www.trove.nla.gov.au

pWotD Episode 3286: Stanley Tucci Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 78,840 views on Friday, 1 May 2026 our article of the day is Stanley Tucci.Stanley Tucci Jr. ( TOO-chee Italian pronunciation: [ˈtuttʃi]; born November 11, 1960) is an American actor. Known as a character actor, he has played a wide variety of roles, earning numerous accolades for his work.Tucci made his film debut in John Huston's Prizzi's Honor (1985), before taking supporting roles in films such as Deconstructing Harry (1997), Road to Perdition (2002), and The Terminal (2004). He was nominated for the Academy Award for Best Supporting Actor for playing a sinister neighbor in The Lovely Bones (2009). He also acted in The Devil Wears Prada (2006), Julie & Julia (2009), Burlesque (2010), Easy A (2010), Captain America: The First Avenger (2011), Margin Call (2011), The Hunger Games film series (2012–2015), Transformers films (2014–2017), Spotlight (2015), Supernova (2020), Worth (2021), and Conclave (2024). He made his directorial debut with the comedy Big Night (1996), which he also co-wrote and starred in.He has starred in numerous television series such as the legal drama Murder One (1995–1997), the medical drama 3 lbs (2006), Ryan Murphy's limited series Feud: Bette & Joan (2017), and the drama Limetown (2018). He played Stanley Kubrick in the HBO film The Life and Death of Peter Sellers (2004). For his portrayal of Walter Winchell in the HBO film Winchell (1998) he received the Primetime Emmy Award for Outstanding Lead Actor in a Miniseries or Movie. From 2020 to 2022, Tucci voiced Bitsy Brandenham in the Apple TV+ animated series Central Park.From 2021 to 2022, he hosted the CNN food and travel documentary series Stanley Tucci: Searching for Italy for which he won two consecutive Primetime Emmy Awards for Outstanding Hosted Nonfiction Series. He was nominated for a Tony Award for Best Actor in a Play for his role in Frankie and Johnny in the Clair de Lune (2003), and a Grammy Award for narrating the audiobook The One and Only Shrek! (2008).This recording reflects the Wikipedia text as of 02:41 UTC on Saturday, 2 May 2026.For the full current version of the article, see Stanley Tucci on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Kajal.

We're winding down our monthe of "Cream of the Crop" films with Hal Ashby's comedic gem, Being There, a film about cinema's first TV casualty played by the idelible Peter Sellers. Join us as we touch on his career, as well as Hal Ashby's filmography, while on a cinematic journey to discover if the white man really does have a God complex. 

“Their gags are paralysing. Sometimes the director has to let everybody have five minutes' rest, so that we can laugh the laughs out.” (Pamela Thomas, supporting cast)In 1956 a short film was released which with hindsight was probably the most successful Goon Show celluloid transfer, despite only featuring two-thirds of the team. Ironically, it wasn't even intended for theatre release but a lack of interest by US television networks nixed any further forays so it ended up as a cinematic supporting feature. The Case of the Mukkinese Battle-Horn (an early working title was The Yard Has Three Feet) starred Peter Sellers as Superintendent Quilt and Spike Milligan as Sgt Brown plus honorary Goon Dick Emery as Nodule, a museum curator. All three appear in multiple guises, including Sellers as Henry Crun, Milligan as Eccles and Emery as Maurice Ponque. Joining Tyler this week to talk about the background to the film, including the revelation that it sprang from The Adventures of Robin Hood on television and that Harry Secombe's absence could at least be partly laid at the door of Jimmy Grafton, is returning guest Chris Diamond.

Join Sandra and discover how Sir Arthur Conan Doyle questioned the nature of reality, explore Peter Sellers' compelling NDE evidence for consciousness beyond the brain, and discover a private investigator’s three stages of afterlife evidence.See omnystudio.com/listener for privacy information.

Join Sandra and discover how Sir Arthur Conan Doyle questioned the nature of reality, explore Peter Sellers' compelling NDE evidence for consciousness beyond the brain, and discover a private investigator’s three stages of afterlife evidence.See omnystudio.com/listener for privacy information.

Although at first glance this obscure low-budget film –Michael Winner's feature-length directorial debut – may not appear to have a Goon connection. Oh, but it does. Radio and TV personality Jack Jackson introduces a selection of sketches and musical items, linked by his demonstration of a fantastical computer with display screen. Acts include Glen Mason, Cherry Wainer, Craig Douglas, Russ Conway and archive footage including Michael Bentine, Harry Secombe and Peter Sellers. The film also features location shooting of London nightlife and was described in one sympathetic review as “Just the thing for the Espresso coffee bar trade”Joining Tyler this week is returning guest Adrian Smith.

A seasonal egg-hunt in the rock and roll backyard finds the following conversational confectionary … .. Wild Bill Hickok? Valentino? Bob Dylan's bizarre new media manoeuvre … Liza Minnelli, Peter Sellers, Harrison Ford, Aaron Paul: people born to play one part … how to spot writers using AI … “dried-up old prune”? Trump's pot-kettle war against Springsteen … what BBC DJs must think when they see ‘Woo' Gary Davies in reception … “Neil Young looks like an unmade bed” … when invincible ignorance meets invincible confidence: the stupidest thing we've ever done … do most rock stars eventually get ‘work' done? … plus the Jungle Brothers, De La Soul, the Roots, Daisy Age hip-hop and our link with the Hatton Garden heist.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A seasonal egg-hunt in the rock and roll backyard finds the following conversational confectionary … .. Wild Bill Hickok? Valentino? Bob Dylan's bizarre new media manoeuvre … Liza Minnelli, Peter Sellers, Harrison Ford, Aaron Paul: people born to play one part … how to spot writers using AI … “dried-up old prune”? Trump's pot-kettle war against Springsteen … what BBC DJs must think when they see ‘Woo' Gary Davies in reception … “Neil Young looks like an unmade bed” … when invincible ignorance meets invincible confidence: the stupidest thing we've ever done … do most rock stars eventually get ‘work' done? … plus the Jungle Brothers, De La Soul, the Roots, Daisy Age hip-hop and our link with the Hatton Garden heist.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A seasonal egg-hunt in the rock and roll backyard finds the following conversational confectionary … .. Wild Bill Hickok? Valentino? Bob Dylan's bizarre new media manoeuvre … Liza Minnelli, Peter Sellers, Harrison Ford, Aaron Paul: people born to play one part … how to spot writers using AI … “dried-up old prune”? Trump's pot-kettle war against Springsteen … what BBC DJs must think when they see ‘Woo' Gary Davies in reception … “Neil Young looks like an unmade bed” … when invincible ignorance meets invincible confidence: the stupidest thing we've ever done … do most rock stars eventually get ‘work' done? … plus the Jungle Brothers, De La Soul, the Roots, Daisy Age hip-hop and our link with the Hatton Garden heist.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Goon Pod kicks off a new series for 2026 by looking back at a film which is unbelievably fifty years old but when released was hailed as a modern masterpiece of comedy cinema, and which lifted Peter Sellers from an extended period of career inertia: The Return of the Pink Panther, directed by Blake Edwards. Sellers plays Inspector Clouseau once again, back on the trail of the mysterious Phantom – aka Sir Charles Litton (Christopher Plummer) – who apparently has stolen the famed Pink Panther diamond again. Along the way the hapless ‘tec nearly gets shot, gets blown up by a bomb, drives into a swimming pool, is outwitted by a parrot, assists a bank robbery, gets squashed in a revolving door and is the victim of countless other indignities. Joining Tyler is Sitcom Club co-host Gary Rodger and the conversation, rather like Clouseau on the waxy museum floor, goes in all directions:How Lew Grade came to the rescueWho might have been cast in the mooted Pink Panther television seriesPrince Charles moistening a lady in MontrealWhat happened to Niven?We love John BluthalZwamm?Douglas Fairbanks Jr as an early casting choiceHow Sellers' career may have panned out had this film not happenedCheering Lodge & StarkPan & Scan technologyLast of the Summer Wine Catherine Schell corpses, Victor Spinetti fumes, Mike Grady shines and Carole Cleveland makes a splashDid Dreyfuss overreact? And much much more. It's all here folks! As mentioned, Gary is going to run the London Marathon this year (or kill himself trying) on behalf of Alzheimer's Society – please show your support here: https://www.justgiving.com/page/gary-rodger

Sir George Martin was the Beatles' extraordinary producer and the most acclaimed and celebrated music producer of the rock era. No one comes close to Sir George for the innovation and sheer perfection of his body of work. It's almost an accident that he worked with the Beatles. Before meeting them he was in charge of EMI's Parlophone label where he produced comedy and novelty acts like Peter Sellers and Spike Milligan. His introduction to the Beatles only came about after they were rejected by 17 other record labels. When he brought them in for an audition he was not very impressed, but he was intrigued by their energy and charisma. Sir George has said that in the beginning he was the master and they were the students, but in time this role reversed and they became the masters and he the student. This transformation was due to the genius of Lennon and McCartney and their constant pushing him to create more and different sounds and effects. It's beyond discussion that the Beatles would not have been the Beatles without George Martin. From convincing Paul to use a string quartet on “Yesterday”, to his slowed down then sped up piano solo on “In My Life”, to his creation of a circus swirl on “Being For The Benefit Of Mr Kite”, to his seamless combination of two takes at different speeds and different keys on “Strawberry Fields” - he truly was the 5th Beatle. He went on to produce a host of other artists and hits including Jeff Beck, the Mahavishnu Orchestra, America and Gerry and the Pacemakers. In his career, he produced 30 number-one hit singles in the UK and 23 number-one hits in the United States, winning six Grammys. Think about how lucky we were that fate brought together the Beatles and Sir George Martin. Together they changed the world. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's recent release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

This week in physical media, Erik Childress and Peter Sobczynski guide you through a week that includes a pair of lesser Peter Sellers efforts as well as a Southern melodrama known more for the way Marlon Brando is beaten up. There is also some Billy Dee Williams and River Phoenix and a little Bunuel. Cult audiences have a lot to cheer this week from the horror of the late 70s to romance of the early 80s. Keanu Reeves squares off against Al Pacino's devil and there is a lot of love for Kenneth Branagh's Hitchcockian mystery that may still remain his best and most entertaining film.1:24 - Criterion (Viridiana (4K))6:18 - Alliance (The Chase)13:38 - Synapse (Blue Sunshine (4K))19:30 - Shout (Devil's Advocate (4K))29:39 - Kino (Scott Joplin, The Return of the Pink Panther (4K), The Prisoner of Zenda, Somewhere in Time (4K), A Night in the Life of Jimmy Reardon, Dead Again (4K))1:20:46 - New TV & Theatrical Titles On Blu-ray (Resident Alien (The Complete Series), Little Amelie or the Character of Rain, Little Trouble Girls)1:21:42 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Five-time Emmy winner Bill Persky led a charmed life in show business. Handpicked by comedy legend Carl Reiner to write (and eventually produce) "The Dick Van Dyke Show," Bill and partner Sam Denoff scripted many of the series' most memorable episodes, including "Coast to Coast Big Mouth" and "That's My Boy." Later, the duo would create the groundbreaking sitcom "That Girl" and write comedy specials for Bill Cosby and Mary Tyler Moore and Bill (flying solo) would go on to produce and direct hit shows like "Kate & Allie" "Welcome Back, Kotter" and "Who's the Boss?". Bill sat down with Gilbert and Frank to talk about his journey through the golden age of TV comedy and about working with EVERYONE, including Steve Allen, Bob Hope, Julie Andrews, Gene Kelly, Peter Sellers, and Orson Welles (to name but a few!). Learn more about your ad choices. Visit megaphone.fm/adchoices

Rebecca and Tori chat about Blake Edwards' 1963 classic, 'The Pink Panther,' and its follow-up, the 1964, 'A Shot in the Dark.' In our most spoiler-free episode to date, we discuss Peter Sellers' life, scenes that made us laugh the most, what didn't age well, and what was ludicrous. We kind of sing too.MusicApache Rock Instrumental | by Sound Atelier; licensed from JamendoShining Star Flourish: Sound Effect by u_it78ck90s3 from PixabaySpotlight Flourish: Sound Effect by StudioKolomna from PixabayPodcast Jazz Bossa Nova Acoustic Guitar Good Mood Music by Denis-Pavlov-Music on PixabayMovie Clipctpatant | A Shot in the Dark | 27 Jan 2012 | YouTubeSourcesLa Roquette Prisons - WikipediaPeter Sellers - The Genius who was Chief Inspector Clouseau | British HeritagePeter Sellers - The Genius who was Chief Inspector Clouseau | British HeritageThe unsettled soul behind the comic facade: Peter Sellers - America Magazine

Adam Steiner discusses with Ivan six things which should be better known. Adam Steiner is a swim-teacher, freelance journalist and author. When not saving lives he sits dreaming about all the books he will never write.  He has written several books of music criticism: Into The Never: Nine Inch Nails And The Creation Of The Downward Spiral, Silhouettes And Shadows: The Secret History of David Bowie's Scary Monsters (And Super Creeps) and Darker With The Dawn: Nick Cave's Songs Of Love And Death. He runs the Disappear Here poetry film project – 27 x collaborative poetry-films about Coventry Ringroad – and now curates the Living With Buildings poetry film series, screening experimental films about people, poetry and place. For more information, go to https://adamsteiner.uk/. Being There, Jerzy Kozinski: movie and book – so this is a great example of late/last great art - Peter Sellers was very attached to the story and was determined to make the movie, so he had do more pink panthers for the studio to back him. Lifeguards / Swim Teachers - under-appreciated, under-sexed, underpaid its one of the hardest jobs out there - sitting in a chair dreaming, not doing anything, but people always take it for granted. 40 - So we're always told that 40 is the new 30 etc - but it's a dangerous, difficult age. When Biographies Become Biopics: Will Self said writers reading biographies of other writers is basically lit-porn – so we get caught up in a life narrative that often informs the work but steers us away from the original. Real Dictators podcast - This is my go to 'easy' listening podcast, particularly when really ill I can just leave it on in the background and absorb. Charity shops... the ultimate form of social progression. In London charity shops are a mecca for the undiscerning buyer. This podcast is powered by ZenCast.fm

How did Stanley Kubrick turn nuclear annihilation into a comedy? John, Matt, and Westy get into the Cold War satire that somehow made mutually assured destruction hilarious. We're talking Peter Sellers playing three roles (he was meant to do four, but pulled a sickie), George C. Scott being tricked into giving maybe the performance of his career, and a pie fight ending that never was. Plus, the realistic events that were so absurd Kubrick figured he might as well lean into the lunacy. One of cinema's greatest pivots from drama to dark comedy - we tell you how it happened.Telling the story of Hollywood one film at a time.Connect with ATRM: To join our fantastic community of film fans, support what we do, access our archive, listen to exclusive episodes, and a whole lot more, become an ATRM patron:⁠⁠⁠⁠⁠Join the ATRM Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We're available on any podcast platform:Listen on ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠Listen on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our channel⁠⁠⁠⁠⁠⁠⁠⁠We're across all major social channels too:Twitter: ⁠⁠⁠⁠⁠⁠⁠@ATRightMovies⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠@allthe_rightmovies ⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠Join our movie group⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠@alltherightmovies.com⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠@alltherightmovies⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠alltherightmovies.com⁠⁠

This week, we review Dr. Strangelove (1964), Stanley Kubrick's pitch-black Cold War satire that turns global annihilation into biting comedy gold. Peter Sellers shines in multiple roles in this razor-sharp political farce where a deranged general sets off an unstoppable chain of events leading to nuclear catastrophe. Blending absurdity with alarming realism, the film skewers military logic, political paranoia, and the madness of mutually assured destruction.Is war a matter of strategy… or just one big Freudian slip? Listen on to find out!Join Colin & Niall as we embrace the weird, the wonderful, and the downright awful of cinema!Contact us: itwasamoviepodcast@gmail.comSpotify: It was a movie..Spotify pageFollow, rate & review us here:https://linktr.ee/itwasamovieYoutube: It was a movie channel...Facebook: https://www.facebook.com/itwasamovieInstagram: https://www.instagram.com/itwasamoviepodcast/X: https://x.com/itwasamoviepodTikTok clips & highlights: https://www.tiktok.com/@itwasamoviepodSee all our ratings & reviews: Google SpreadsheetIMDb List: IMDb | Letterboxd: Letterboxd

This week's guest is Elizabeth Gonzales James, screenwriter and bestselling author of the novels, “The Bullet Swallower” and “Mona at Sea,” as well as the chapbook, “Five Conversations About Peter Sellers.”“The Bullet Swallower” is based on mostly true events from her own family lore, a magical realism Western that was named a best book of 2024 by NPR and Esquire.“Mona at Sea,” is a darkly funny coming of age story set against the backdrop of the Great Recession that was inspired by her own experience of long-term unemployment.And “Five Conversations About Peter Sellers” is the result of Elizabeth attempting to sit down and write a reported piece on how the actor Peter Sellers derailed the production of a 1960s movie, “Casino Royale.” That's when the book spins into its own chaos as five different narrators share their point of view about what the original essay is really about.We covered:- How she went from MBA graduate prepping for a career in finance to an unemployed stay at home mom living in her in-law's basement- The one, unfleshed-out idea for a short story that set her on the writing path (with a nudge from the creator of The Perfect Push-up, a made for TV fitness product)- How writing books is like dating- A detailed accounting of the financials for each of her book–and how she knew “The Bullet Swallower” would be her “put-my-kids-through-college” book- Making the jump from writing books to writing screenplays- Why, sometimes, all the tips in the world can't help you write more–and how to give yourself grace during those times- Knowing when to push and be disciplined, and when to back off- Her current productivity hack that involves handicraftsConnect with Elizabeth on Instagram @unefemmejames.For full show notes with links to everything we discuss, plus bonus photos!, visit katehanley.substack.com.Thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

The fourth and last of the immeasurables of Buddhism is translated as "equanimity" — in Sanskrit, upekkha. Has the ring of authenticity, doesn't it? Equanimity, not so much. Too familiar, too ordinary. Besides, nobody really knows what it means. Note how much more authoritative it sounds when we use the Sanskrit. Brings to mind the Peter Sellers scene in The Naked Truth where, trying to pass for Irish in a pub in order to buy a bomb from the IRA says, “Well, we always have the Gaelic…” and after launching into a monologue, is immediately punched in the nose and thrown out of the bar. Fake accent of an Englishman — a dead giveaway. This tendency — to rely heavily on jargon-speak — has a similar deleterious effect in any category of discourse, and can be especially disingenuous in dharma dialog. For one thing, it sets up an “us and them” dichotomy, whether intended or not. It tends to imply that the speaker possesses greater knowledge, moreexpertise — at least in her or his own estimation — and therefore, presumably, the listener is rendered lesser inthat regard. It leverages the faux asymmetry of the relationship. Zen is, or should be, the great equalizer. Boldly brandishing the Zen vernacular implies that I must have mastered its deeper meaning. This is whywe have to keep reminding ourselves that we do not master Zen — in any language — it masters us. Far betterto de-mystify any discussion, eliminating jargon wherever possible, and to rely on our own, direct experience — and plain language — to explore the true meaning of these ancient teachings. We teach each other Buddhism, as Matsuoka Roshi often said. Equanimity brings to mind other terms derived from the same root, such as equipoise, and equilibrium. The good thing about these terms is that they imply something physical, rather than strictly emotional, or mental. The first two syllables derive from “equal,” and the dictionary definitions all refer to balance. So all three would have some connection to the Sanskrit samadhi, one of the more frequently mentioned jargon terms in Buddhism, which loosely means "centered" or "balance." In zazen, if we sit still enough for long enough — and straight enough — we begin to experience equipoise in our upright seated posture, coming into perfect alignment with gravity. All forces of mass and weight come to center around the spine, like the cables supporting a digital cell tower. When we hit that sweet spot in the middle of our stomach, it is as if we are floating off the cushion — free-falling. Equilibrium ensues, profoundly affecting our mental clarity and emotional composure; which leads to equanimity. Eventuallyequanimity manifests even in the social sphere, where relationships with others benefit from less friction and conflict, more harmony. If we regard equanimity — along with loving kindness, compassion, and empathy — as essentially immeasurable, they connect to Master Dogen's closing lines in Jijuyu Zammai (Self-fulfilling Samadhi): Hundreds of things all manifest original practice from the original faceIt is impossible to measureKnow that even if all the buddhas of the ten directionsAs innumerable as the sands of the GangesExert their strength and with the Buddha's wisdomTry to measure the merit of one person's zazenThey will not be able to fully comprehend it So what is truly immeasurable is the whole of the effect — the merit — of zazen. Zen claims to transmitBuddha's meditation, bringing about the very same process that took place that night under the Bodhi tree some two-and-a-half millennia ago. We all have the same equipment to work with that he had, after all — the toolkit comes with birth as a human being. We also enjoy relatively supportive causes and conditions — the circumstances of contemporary life —including exposure to the buddha-dharma, and access to training in meditation. As Hakuin Zenji asks toward the end of Zazen Wasan (Song of Zazen), “What is there outside us? What is there we lack?” He goes on to claim that “Nirvana is openly shown to our eyes. This earth where we stand is the pureLotus Land and this very body the body of buddha.” A bit hard to swallow, in the light of our self-effacingself-doubt, which at its worse becomes the life sentence of self-loathing. Nobody said this would be easy. Bringing our focus back to zazen, I think it is critical to recognize and accept that the immeasurablesof this excellent method are also the most important aspects. It matters less how regularly we sit inmeditation, how frequently, how long we sit, et cetera. Whatever measurable parameters we may put around it,the most important is that we simply never give up, as Matsuoka Roshi always reminded us. The downside to setting up strict regimens around zazen — as we are prone to do around working out, aerobics, and other activities that we expect to show results — is that the results of zazen are not so obvious. And, just as with any goal-oriented activity, if and when we do not live up to our own expectations, we are naturally disappointed, may become discouraged, and tend to reaffirm our own self-criticizing proclivity, proving that we are the failure we always suspected we were. Better to sit without expectations, but without abandoning our aspiration to something that cannot be sosimply expressed as a measurable goal. This does not mean that we do not set reasonable benchmarks to assure enough depth of experience that we give zazen a legitimate chance to work its magic. But the immeasurable of the qualitative dimension of the experience takes precedence and priority over any quantifiable dimension. Which brings us back to the old cliché, “Just sit.” This overworked expression is not a cavalier or flip comment meant to dismiss any consideration of the serious issues that we face, including actual mental disorders and chemical imbalances that we may be dealing with, but to suggest that when we do sit, we just sit,rather than engaging in daydreaming, planning, ruminating over the past, et cetera. If we turn up the intensity knob, sitting “more” in the qualitative sense — when we are actually sitting —then we begin to manifest the true meaning of “just sit.” Would it were so simple. But of course we find that "just sitting" includes the full panoply of monkey-mind machinations, the impertinent imprecations of negative thinking on steroids, as well as the more trivial but distracting push-you-pull-me of everyday tedium, those mundane but persistent weasels of samsara ripping our flesh. It is difficult to feel equanimous on the Titanic. The ship is definitely going down, and it doesn't matter that the lifeboats are made in Japan. Zen is American as apple pie. Just not as sweet. The gateway drug to equanimity is patience. If we can come to practice patience on the cushion — patience with our situation in this imperfect world, and patience with the monkey's inept attempts to cope with it — we may find our way clear to the equilibrium, the equipoise, the equanimity that is at the heart of all the clamor, clutter, and seeming chaos. It is all floating in samadhi. Time to release our grip on our imagined reality, so as to float in the equanimity of Zen. In the next segment, we are taking a new direction for 2026. Stay tuned.

Today on another encore episode of the Rarified Heir Podcast, we speak to James Tomlinson, the son of actor David Tomlinson. It's not every day we talk to a guest who was on the set of Mary Poppins(cough) he wasn't that impressed), met Walt Disney, received Christmas gifts from the Walt Disney Company each year because it's not everyone whose father was Mary's employer, Mr. Banks in one of Disney's most beloved hit movies of all-time. While we do speak about James' father's career on the London stage and in films like Bedknobs and Brooksticks, Up The Creek & Warning for Warriors we also speak about his father's time in WWII which was beyond difficult, it was also tragic for him and his family. And when we discuss his grandfather who led a very, unconventional life, or lives, it's not your typical stiff upper lip British stereotype at all. We get into it, believe me. Along the way we discuss Tominlson's friends like comedian Peter Sellers, horror movie icon Vincent Price as well as a co-star who made an impression on him that wasn't quite….good. That's all we will say for now. We also discuss boats, sailing, California in the 60s, what it was like to fly on Walt Disney's private plane and much more. This is the Rarified Heir Podcast and this is one of our favorite episodes….. Why? Because it's "Practically perfect in every way".

Sit back, relax, and pack snacks for the War Room for Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Stanley Kubrick's 1964 political satire starring Peter Sellers (x3) and George C. Scott. After a brief New Years break, in this episode of the Nuclear Movie Club, NukeTalk producer Rebecka Green and Ploughshares Roger L. Hale Fellow Scott Strgacich discuss Dr. Strangelove's unique satirical approach to depicting nuclear threat, war rooms, and...Chess: The Musical?  Follow NukeTalk on Instagram and X @nuke_talk and Ploughshares on Instagram and X @plough_shares to be the first in the know about the movie of the week. Questions, comments, or movie trivia? Email podcast@ploughshares.org—we'll do our best to read it on the air! See you at the movies!

Om man inte kan svara på frågan "hur känner jag just nu" kan man inte heller svara på frågan "vad behöver jag just nu". Och för det gäller det att ha bra koll på vad som pågår i kroppen. Veckans avsnitt handlar om så kallad "body literacy".Klipp:05:36 Peter Sellers as Inspector Jacques Clouseau in A Shot in the Dark (1964)23:10 BruceLee - Longstreet29:04 DraculaRedigering: Peter MalmqvistKontakta oss på dummamanniskor@gmail.com. Hosted on Acast. See acast.com/privacy for more information.

Les Ciné-Buddies Ali Ster et Jean accueillent à nouveau avec joie le cinéaste Francis Veber pour parler de l'art de la comédie autour de la panthère rose, réalisé par Blake Edwards, starring le génial Peter Sellers. La nouvelle fantastique vidéo de Romain Lehnhoff maintenant disponible sur YouTube. Assisté de Diana Mosafir. Son Katia Lazareva. Likez et souscrivez à la chaine.

On this episode of Joe's Shelf, Joe curates a double feature of films inspired by our recent YouTube clip show on Rich Little's Christmas Carol. Kicking things off is the 1976 ensemble mystery parody Murder by Death, penned by Neil Simon and boasting an all-star cast including Peter Sellers, David Niven, Maggie Smith, Peter Falk, Alec Guinness, Elsa Lanchester, Eileen Brennan, James Coco, Truman Capote, and many more! For the second film, we watched Woody Allen's Play it Again, Sam (1972). You can listen to that discussion along with 50+ other bonus episodes only on our Patreon: https://www.patreon.com/posts/patreon-joes-it-148049853 Check out our YouTube channel for additional video episodes and more: https://www.youtube.com/@sidetrackspod You can also find us on X: Joe: https://twitter.com/joeramoni Ryan: https://twitter.com/ryanlancello And don't forget to check out our website and merch store: https://www.almostcultclassics.com

Hindsight is Horrifying steps into the garden with Being There (1979)!Peter Sellers delivers one of his most iconic performances as Chance the gardener, a man raised on TV who accidentally becomes a political sage just by watching and repeating what he sees.Darth, Adam, and Jason unpack the genius, the vibes, the amazing performances, and why this film's ending still leaves everyone debating. Hosted on Acast. See acast.com/privacy for more information.

durée : 01:59:49 - par : Thierry Jousse, Laurent Valero - Né le 3 janvier 1926 à Londres, George Martin fut un producteur, arrangeur et compositeur de très haut niveau. Sa fameuse collaboration avec les Beatles a profondément marqué les esprits mais elle ne doit pas faire oublier son travail avec, entre autres, Peter Sellers, Cilla Black... - réalisation : Xavier Carrère Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:59:49 - par : Thierry Jousse, Laurent Valero - Né le 3 janvier 1926 à Londres, George Martin fut un producteur, arrangeur et compositeur de très haut niveau. Sa fameuse collaboration avec les Beatles a profondément marqué les esprits mais elle ne doit pas faire oublier son travail avec, entre autres, Peter Sellers, Cilla Black... - réalisation : Xavier Carrère Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

EPISODE 121 -  “RICHARD BASEHART: CLASSIC STAR OF THE MONTH” - 1/05/2026  RICHARD BASEHART wasn't the flashiest of actors, but he certainly was one of the most versatile. He always brought such haunting depth and emotional intensity to his roles, often portraying characters teetering on the edge of psychological turmoil. With his piercing blue eyes and floppy blonde hair, his sensitive, brooding presence gave him the appearance of an erudite or a poet. And that voice! He had a fantastic baritone voice that could convey both vulnerability and menace. He really excelled at playing sensitive, troubled men—sometimes deeply introspective, other times psychotic or dangerously unhinged. From his chilling portrayal of the deranged killer in “He Walked by Night” (1948) to the tormented clown in FEDERICO FELLINI's “La Strada” (1954), Basehart always infused each performance with a profound humanity, sensitivity, and quiet strength, making him one of the most compelling and underrated actors of his generation. This week we honor him as our January Star of the Month. SHOW NOTES:  Sources: ActorsandOthers.com ClassicMovieHub.com WalkofFame.com Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Repeat Performance (1947), starring Joan Leslie, Louis Hayward, Richard Basehart, Tom Conway, and Virginia Field; Cry Wolf (1947), starring Errol Flynn, Barbara Stanwyck, Richard Basehart & Geraldine Brooks; He Walked By Night (1948), starring Scott Brady & Richard Basehart; Rosanna McCoy (1949), starring Farley Granger & Joan Evans; Tension (1949), starring Richard Basehart, Audrey Totter, Barry Sullivan, & Cyd Charisse; Fourteen Hours (1951), starring Richard Basehart, Paul Douglas, Barbara Bel Geddes, Agnes Moorhead, Jeffrey Hunter, Debra Paget, & Grace Kelly; The House on Telegraph Hill (1951), starring Richard Basehart & Valentina Cortese; Decision Before Dawn (1951), starring Oskar Werner & Richard Basehart; Titanic (1953), starring Barbara Stanwyck & Clifton Webb; La Strada (1954), starring Anthony Quinn & Richard Basehart; Il Bidone (1955), starring Richard Basehart & Broderick Crawford; Moby Dick (1956), starring Gregory Peck, Richard Basehart & Orson Welles; The Brothers Karamazov (1958), starring Yul Brynner & Richard Basehart; Portrait in Black (1960), starring Lana Turner & Anthoy Quinn; The Savage Guns (1961), starring Richard Basehart & Alex Nicol; Hitler (1962); The City Beneath The Sea (1971), starring Stuart Whitman & Rosemary Forsyth; The Island of Dr. Moreau (1977), starring Burt Lancaster & Michael York; Being There (1979), starring Peter Sellers & Shirley MacLaine; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bob Illes and I discuss his early years; starting a radio comedy show at USC; Digby Wolfe; winning a contest to write for Tennesse Ernie Ford; Mike Ovitz; writing monologues for Bill Cosby; meeting Groucho Marx and Peter Sellers; writing for the Lily Tomlin special and winning an Emmy; The Super Emmy; writing the Sanford & Son episode, "Lamont, Is That You", The Smothers Brothers NBC reboot; Mickey Rose; Chevy Chase; Don Novello; Joe & Sons, One Day at a Time, getting dressed down by Norman Lear and his mea culpa; What's Happening!!, Captain and Tenille Show, Fernwood Tonight, winning another Emmy for the last year of The Carol Burnett Show, America 2-Night; Peeping Times; The Mary Tyler Moore Hour;       Steve Allen Comedy Hour; Catherine O'Hara, Flo, Private Benjamin, No Soap, Radio; Silver Spoons; Jason Bateman, John Houseman; The Cracker Brothers; Milton Berle; Double Trouble, Sylvan in Paradise, Jim Nabors; Courtney Cox; Jackie Bison Show; Harry Shearer, Stan Freberg; Amen; Sherman Hemsley; favorite episode; getting cancelled by NBC because Johnny Carson retired; age ranges in sitcoms

Movie reviews #57-1 (Pied Piper 1972) This be a rated G movie about the Black Death with an obviously stoned looking Donovan as the Pied Piper. surprising that Donovan never wrote a song called “get the cash up front”.2 (Watch out we're Mad 1974) Your decade under the influence crew has watched several Italian 70's films that had some good political and even queer representation, but they all also had horrible sexual assault of women scenes. Enter this film that does not have horrid assault, just two guys spending all their time together being frenemies and wanting 2 dune buggy's, that's it, annnnd we found it quite refreshing.
3 (Murder by death 1976) Peter Sellers and many other talented people star in this zany whodunnit, but Sellers plays an extremely racist character, soooooo just watch Clue!
4 (Amityville Horror 1979) The older brother from Goonies, Dad has great hair in this movie, in the beginning. As his demonic possession marches on his hair care routine goes right out the window. Better reporter, and superman's girlfriend is here too, and the whole thing would be fine if the damned priest she asked to cleanse their new house knew what he was doing.
5 (Strangers, the story of a mother and daughter 1979) Bette Davis and Gena Rowlands star in this serious but also campy rad made for tv movie about A Mother who don wanna talk and a Daughter who does, who will win.
6 (Brubaker 1980) Wow this has a great top four, Robert Redford, Yaphet Kotto, Jane Alexander, and the mighty Morgan Freeman in one of 2 movies he did that year where he is stuck in prison. This film is great and is about prison reform which it still desperately needs. Reform hmmmmm maybe revolution.
folks that's this batch of films and we will see ya next time. Please drop us a review, and thanks for listening.

Celebrate the new year with a movie at the New Bev, where it's always on film! Throughout January we showcase a cinematic slate from towering classics & crowd-pleasing favorites to thrilling rediscoveries, highlight Claudette Colbert in two sparkling Ernst Lubitsch comedies and Peter Sellers in a pair of legendary political satires, plus shaggy '70s neo-noir, a gut-busting Jackass double bill, midnights, matinees, and much more! This time, Phil and Brian are joined by Comedian Dana Gould to talk about it all! Check out Dana's podcast the Dana Gould Hour! and Hangin' with Doctor Z! Check out all things New Beverly here: https://thenewbev.com/ Have A look at what's Happening at The Vista Here: https://ticketing.uswest.veezi.com/sessions/?siteToken=20xhpa3yt2hhkwt4zjvfcwsaww If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts The show is now on BlueSky: https://bsky.app/profile/purecinemapod.bsky.social As are Brian: https://bsky.app/profile/bobfreelander.bsky.social Elric: https://bsky.app/profile/elrickane.bsky.social and the New Beverly: https://bsky.app/profile/newbeverly.bsky.social

This week, for Christmas, a heart-warming festive treat full of joy, goodwill and Peter Sellers at his cuddliest. ONLY JOKING.Actually, it's Carol for Another Christmas, Rod Serling's bleak, angry, Cold War reworking of A Christmas Carol . Conceived as the opening salvo in a run of UN-friendly TV specials, the film is a full-throated warning against isolationism, nuclear brinkmanship and the idea that minding your own business ever ends well. Xerox paid for it, ABC aired it ad-free on 28 December 1964, viewers and critics were divided about it, and it then disappeared for nearly 50 years.Directed by Joseph L. Mankiewicz (Cleopatra) in his only television outing, the film stars Sterling Hayden as Daniel Grudge, a wealthy American industrialist who hates foreign aid, diplomacy and the United Nations in equal measure. On Christmas Eve he clashes with his liberal nephew Fred (Ben Gazzara) and is hauled through a series of visions featuring war dead, nuclear devastation and, most memorably, Peter Sellers as “Imperial Me” – a cowboy-Santa demagogue preaching radical individualism. It was Sellers' first screen appearance after his near-fatal heart attack earlier that year.Also featuring Eva Marie Saint, Robert Shaw, Steve Lawrence, Pat Hingle, Britt Ekland and music by Henry Mancini, the film is verbose, didactic and relentlessly grim – and all the more fascinating for it.Joining Tyler is Tilt Araiza (The Sitcom Club / Jaffa Cakes for Proust), drawing parallels with Planet of the Apes, The Prisoner and unpacking Serling and the social and political climate just one year after after the assassination of JFK... looking at how things came together to produce this Christmas curio.

What happens when curiosity, resilience, and storytelling collide over a lifetime of building something meaningful? In this episode, I welcome Nick Francis, founder and CEO of Casual Films, for a thoughtful conversation about leadership, presence, and what it takes to keep going when the work gets heavy. Nick's journey began with a stint at BBC News and a bold 9,000-mile rally from London to Mongolia in a Mini Cooper, a spirit of adventure that still fuels how he approaches business and life today. We talk about how that early experience shaped Casual into a global branded storytelling company with studios across five continents, and what it really means to lead a creative organization at scale. Nick shares insights from growing the company internationally, expanding into Southeast Asia, and staying grounded while producing hundreds of projects each year. Along the way, we explore why emotionally resonant storytelling matters, how trust and preparation beat panic, and why presence with family, health, and purpose keeps leaders steady in uncertain times. This conversation is about building an Unstoppable life by focusing on what matters most, using creativity to connect people, and choosing clarity and resilience in a world full of noise. Highlights: 00:01:30 – Learn how early challenges shape resilience and long-term drive. 00:06:20 – Discover why focusing on your role creates calm under pressure. 00:10:50 – Learn how to protect attention in a nonstop world. 00:18:25 – Understand what global growth teaches about leadership. 00:26:00 – Learn why leading with trust changes relationships. 00:45:55 – Discover how movement and presence restore clarity. About the Guest: Nick Francis is the founder and CEO of Casual, a global production group that blends human storytelling, business know-how, and creativity turbo-charged by AI. Named the UK's number one brand video production company for five years, Casual delivers nearly 1,000 projects annually for world-class brands like Adobe, Amazon, BMW, Hilton, HSBC, and P&G. The adventurous spirit behind its first production – a 9,000-mile journey from London to Mongolia in an old Mini – continues to drive Casual's growth across offices in London, New York, LA, San Francisco, Amsterdam, Barcelona, Sydney, Singapore, Hong Kong and Greater China. Nick previously worked for BBC News and is widely recognised for his expertise in video storytelling, brand building, and corporate communications. He is the founding director of the Casual Films Academy, a charity helping young filmmakers develop skills by producing films for charitable organisations. He is also the author of ‘The New Fire: Harness the Power of Video for Your Business' and a passionate advocate for emotionally resonant, behaviorally grounded storytelling. Nick lives in San Francisco, California, with his family. Ways to connect with Nick**:** Website: https://www.casualfilms.com/ YouTube: https://www.youtube.com/@casual_global  Instagram: https://www.instagram.com/casualglobal/  Facebook: https://www.facebook.com/CasualFilms/  Nick's LinkedIn: https://www.linkedin.com/in/nickfrancisfilm/  Casual's LinkedIn: https://www.linkedin.com/company/casual-films-international/  Beyond Casual - LinkedIn Newsletter: https://www.linkedin.com/build-relation/newsletter-follow?entityUrn=6924458968031395840 About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hello everyone. I am your host, Mike hingson, that's kind of funny. We'll talk about that in a second, but this is unstoppable mindset. And our guest today is Nick Francis, and what we're going to talk about is the fact that people used to always ask me, well, they would call me Mr. Kingston, and it took me, as I just told Nick a master's degree in physics in 10 years to realize that if I said Mike hingson, that's why they said Mr. Kingston. So was either say Mike hingson or Michael hingson. Well, Michael hingson is a lot easier to say than Mike hingson, but I don't really care Mike or Michael, as long as it's not late for dinner. Whatever works. Yeah. Well, Nick, welcome to unstoppable mindset. We're glad you're Nick Francis  02:04 here. Thanks, Mike. It's great to be here. Michael Hingson  02:08 So Nick is a marketing kind of guy. He's got a company called casual that we'll hear about. Originally from England, I believe, and now lives in San Francisco. We were talking about the weather in San Francisco, as opposed to down here in Victorville. A little bit earlier. We're going to have a heat wave today and and he doesn't have that up there, but you know, well, things, things change over time. But anyway, we're glad you're here. And thanks, Mike. Really looking forward to it. Tell us about the early Nick growing up and all that sort of stuff, just to get us started. Nick Francis  02:43 That's a good question. I grew up in London, in in Richmond, which is southwest London. It's a at the time, it wasn't anything like as kind of, it's become quite kind of shishi, I think back in the day, because it's on the west of London. The pollution from the city used to flow east and so, like all the kind of well to do people, in fact, there used to be a, there used to be a palace in Richmond. It's where Queen Elizabeth died, the first Queen Elizabeth, that is. And, yeah, you know, I grew up it was, you know, there's a lot of rugby played around there. I played rugby for my local rugby club from a very young age, and we went sailing on the south coast. It was, it was great, really. And then, you know, unfortunately, when I was 10 years old, my my dad died. He had had a very powerful job at the BBC, and then he ran the British Council, which is the overseas wing of the Arts Council, so promoting, I guess, British soft power around the world, going and opening art galleries and going to ballet in Moscow and all sorts. So he had an incredible life and worked incredibly hard. And you know, that has brought me all sorts of privileges, I think, when I was a kid. But, you know, unfortunately, age 10 that all ended. And you know, losing a parent at that age is such a sort of fundamental, kind of shaking of your foundations. You know, you when you're a kid, you feel like a, you're going to live forever, and B, the things that are happening around you are going to last forever. And so, you know, you know, my mom was amazing, of course, and, you know, and in time, I got a new stepdad, and all the rest of it. But you know, that kind of shaped a lot of my a lot of my youth, really. And, yeah, I mean, Grief is a funny thing, and it's funny the way it manifests itself as you grow. But yeah. So I grew up there. I went to school in the Midlands, near where my stepdad lived, and then University of Newcastle, which is up in the north of England, where it rains a lot. It's where it's where Newcastle Football Club is based. And you know is that is absolutely at the center of the city. So. So the city really comes alive there. And it was during that time that I discovered photography, and I wanted to be a war photographer, because I believe that was where life was lived at the kind of the real cutting edge. You know, you see the you see humanity in its in its most visceral and vivid color in terrible situations. And I kind of that seemed like an interesting thing to go to go and do. Michael Hingson  05:27 Well, what? So what did you major in in college in Newcastle? So I did Nick Francis  05:31 history and politics, and then I went did a course in television journalism, and ended up working at BBC News as a initially running on the floor. So I used to deliver the papers that you know, when you see people shuffling or not, they do it anymore, actually, because everything, everything's digital now digital, yeah, but when they were worried about the the auto cues going down, they we always had to make sure that they had the up to date script. And so I would be printing in, obviously, the, you know, because it's a three hour news show, the scripts constantly evolving, and so, you know, I was making sure they had the most up to date version in their hands. And it's, I don't know if you have spent any time around live TV Mike, but it's an incredibly humbling experience, like the power of it. You know, there's sort of two or 3 million people watching these two people who are sitting five feet in front of me, and the, you know, the sort of slightly kind of, there was an element of me that just wanted to jump in front of them and kind of go, ah. And, you know, never, ever work in live TV, ever again. But you know, anyway, I did that and ended up working as a producer, writing and developing, developing packets that would go out on the show, producing interviews and things. And, you know, I absolutely loved it. It was, it was a great time. But then I left to go and set up my company. Michael Hingson  06:56 I am amazed, even today, with with watching people on the news, and I've and I've been in a number of studios during live broadcasts and so on. But I'm amazed at how well, mostly, at least, I've been fortunate. Mostly, the people are able to read because they do have to read everything. It isn't like you're doing a lot of bad living in a studio. Obviously, if you are out with a story, out in the field, if you will, there, there may be more where you don't have a printed script to go by, but I'm amazed at the people in the studio, how much they are able to do by by reading it all completely. Nick Francis  07:37 It's, I mean, the whole experience is kind of, it's awe inspiring, really. And you know, when you first go into a Live, a live broadcast studio, and you see the complexity, and you know, they've got feeds coming in from all over the world, and you know, there's upwards of 100 people all working together to make it happen. And I remember talking to one of the directors at the time, and I was like, How on earth does this work? And he said, You know, it's simple. You everyone has a very specific job, and you know that as long as you do your bit of the job when it comes in front of you, then the show will go out. He said, where it falls over is when people start worrying about whether other people are going to are going to deliver on time or, you know, and so if you start worrying about what other people are doing, rather than just focusing on the thing you have to do, that's where it potentially falls over, Michael Hingson  08:29 which is a great object lesson anyway, to worry about and control and don't worry about the rest Nick Francis  08:36 for sure. Yeah, yeah, for sure. You know, it's almost a lesson for life. I mean, sorry, it is a lesson for life, and Michael Hingson  08:43 it's something that I talk a lot about in dealing with the World Trade Center and so on, and because it was a message I received, but I've been really preaching that for a long time. Don't worry about what you can't control, because all you're going to do is create fear and drive yourself Nick Francis  08:58 crazy, completely, completely. You know. You know what is it? Give me the, give me this. Give me the strength to change the things I can. Give me the give me the ability to let the things that I can't change slide but and the wisdom to know the difference. I'm absolutely mangling that, that saying, but, yeah, it's, it's true, you know. And I think, you know, it's so easy for us to in this kind of modern world where everything's so media, and we're constantly served up things that, you know, shock us, sadness, enrage us, you know, just to be able to step back and say, actually, you know what? These are things I can't really change. I'd have to just let them wash over me. Yeah, and just focus on the things that you really can change. Michael Hingson  09:46 It's okay to be aware of things, but you've got to separate the things you can control from the things that you can and we, unfortunately aren't taught that. Our parents don't teach us that because they were never taught it, and it's something. That, just as you say, slides by, and it's so unfortunate, because it helps to create such a level of fear about so many things in our in our psyche and in our world that we really shouldn't have to do Nick Francis  10:13 completely well. I think, you know, obviously, but you know, we've, we've spent hundreds, if not millions of years evolving to become humans, and then, you know, actually being aware of things beyond our own village has only been an evolution of the last, you know what, five, 600 years, yeah. And so we are just absolutely, fundamentally not able to cope with a world of such incredible stimulus that we live in now. Michael Hingson  10:43 Yeah, and it's only getting worse with all the social media, with all the different things that are happening and of course, and we're only working to develop more and more things to inundate us with more and more kinds of inputs. It's really unfortunate we just don't learn to separate ourselves very easily from all of that. Nick Francis  11:04 Yeah, well, you know, it's so interesting when you look at the development of VR headsets, and, you know, are we going to have, like, lenses in our eyes that kind of enable us to see computer screens while we're just walking down the road, you know? And you look at that and you think, well, actually, just a cell phone. I mean, cell phones are going to be gone fairly soon. I would imagine, you know, as a format, it's not something that's going to abide but the idea that we're going to create technology that's going to be more, that's going to take us away from being in the moment more rather than less, is kind of terrifying. Because, I would say already, even with, you know, the most basic technology that we have now, which is, you know, mind bending, compared to where we were even 20 years ago, you know, to think that we're only going to become more immersive is, you know, we really, really as a species, have to work out how we are going to be far better at stepping away from this stuff. And I, you know, I do, I wonder, with AI and technology whether there is, you know, there's a real backlash coming of people who do want to just unplug, yeah, Michael Hingson  12:13 well, it'll be interesting to see, and I hope that people will learn to do it. I know when I started hearing about AI, and one of the first things I heard was how kids would use it to write their papers, and it was a horrible thing, and they were trying to figure out ways so that teachers could tell us something was written by AI, as opposed to a student. And I almost immediately developed this opinion, no, let AI write the papers for students, but when the students turn in their paper, then take a day to in your class where you have every student come up and defend their paper, see who really knows it, you know. And what a great teaching opportunity and teaching moment to to get students also to learn to do public speaking and other things a little bit more than they do, but we haven't. That hasn't caught on, but I continue to preach it. Nick Francis  13:08 I think that's really smart, you know, as like aI exists, and I think to to pretend somehow that, you know, we can work without it is, you know, it's, it's, it's, yeah, I mean, it's like, well, saying, you know, we're just going to go back to Word processors or typewriters, which, you know, in which it weirdly, in their own time, people looked at and said, this is, you know, these, these are going to completely rot our minds. In fact, yeah, I think Plato said that was very against writing, because he believed it would mean no one could remember anything after that, you know. So it's, you know, it's just, it's an endless, endless evolution. But I think, you know, we have to work out how we incorporate into it, into our education system, for sure. Michael Hingson  13:57 Well, I remember being in in college and studying physics and so on. And one of the things that we were constantly told is, on tests, you can't bring calculators in, can't use calculators in class. Well, why not? Well, because you could cheat with that. Well, the reality is that the smart physicists realized that it's all about really learning the concepts more than the numbers. And yeah, that's great to to know how to do the math. But the the real issue is, do you know the physics, not just the math completely? Nick Francis  14:34 Yeah. And then how you know? How are the challenges that are being set such that you know, they really test your ability to use the calculator effectively, right? So how you know? How are you lifting the bar? And in a way, I think that's kind of what we have to do, what we have to do now, Michael Hingson  14:50 agreed, agreed. So you were in the news business and so on, and then, as you said, you left to start your own company. Why did you decide to do that? Nick Francis  14:59 Well, a friend of. Ryan and I from University had always talked about doing this rally from London to Mongolia. So, and you do it in an old car that you sort of look at, and you go, well, that's a bit rubbish. It has to have under a one liter engine. So it's tiny, it's cheap. The idea is it breaks down you have an adventure. And it was something we kind of talked about in passing and decided that would be a good thing to do. And then over time, you know, we started sending off. We you know, we applied, and then we started sending off for visas and things. And then before we knew it, we were like, gosh, so it looks like we're actually going to do this thing. But by then, you know, my job at the BBC was really taking off. And so I said, you know, let's do this, but let's make a documentary of it. So long story short, we ended up making a series of diary films for Expedia, which we uploaded onto their website. It was, you know, we were kind of pitching this around about 2005 we kind of did it in 2006 so it was kind of, you know, nobody had really heard of YouTube. The idea of making videos to go online was kind of unheard of because, you know, broadband was just kind of getting sorry. It wasn't unheard of, but it was, it was very, it was a very nascent industry. And so, yeah, we went and drove 9000 miles over five weeks. We spent a week sitting in various different repair yards and kind of break his yards in everywhere from Turkey to Siberia. And when we came back, it became clear that the internet was opening up as this incredible medium for video, and video is such a powerful way to share emotion with a dispersed audience. You know, not that I would have necessarily talked about it in that in those terms back then, but it really seemed like, you know, every every web page, every piece of corporate content, could have a video aspect to it. And so we came back and had a few fits and starts and did some, I mean, we, you know, we made a series of hotel videos where we were paid 50 quid a day to go and film hotels. And it was hot and it was hard work. And anyway, it was rough. But over time, you know, we started to win some more lucrative work. And, you know, really, the company grew from there. We won some awards, which helped us to kind of make a bit of a name for ourselves. And this was, there's been a real explosion in technology, kind of shortly after when we did this. So digital SLRs, so, you know, old kind of SLR cameras, you know, turned into digital cameras, which could then start to shoot video. And so it, there was a real explosion in high quality video produced by very small teams of people using the latest technology creatively. And that just felt like a good kind of kick off point for our business. But we just kind of because we got in in kind of 2006 we just sort of beat a wave that kind of started with digital SLRs, and then was kind of absolutely exploded when video cell phones came on the market, video smartphones. And yeah, you know, because we had these awards and we had some kind of fairly blue chip clients from a relatively early, early stage, we were able to grow the company. We then expanded to the US in kind of 2011 20 between 2011 2014 and then we were working with a lot of the big tech companies in California, so it felt like we should maybe kind of really invest in that. And so I moved out here with some of our team in 2018 at the beginning of 2018 and I've been here ever since, wow. Michael Hingson  18:44 So what is it? What was it like starting a business here, or bringing the business here, as opposed to what it was in England? Nick Francis  18:53 It's really interesting, because the creatively the UK is so strong, you know, like so many, you know, from the Beatles to Led Zeppelin to the Rolling Stones to, you know, and then on through, like all the kind of, you know, film and TV, you know, Brits are very good at kind of Creating, like, high level creative, but not necessarily always the best at kind of monetizing it, you know. I mean, some of those obviously have been fantastic successes, right? And so I think in the UK, we we take a lot longer over getting, getting to, like, the perfect creative output, whereas the US is far more focused on, you know, okay, we need this to to perform a task, and frankly, if we get it 80% done, then we're good, right? And so I think a lot of creative businesses in the UK look at the US and they go, gosh. Firstly, the streets are paved with gold. Like the commercial opportunity seems incredible, but actually creating. Tracking it is incredibly difficult, and I think it's because we sort of see the outputs in the wrong way. I think they're just the energy and the dynamism of the US economy is just, it's kind of awe inspiring. But you know, so many businesses try to expand here and kind of fall over themselves. And I think the number one thing is just, you have to have a founder who's willing to move to the US. Because I think Churchill said that we're two two countries divided by the same language. And I never fully understood what that meant until I moved here. I think what it what he really means by that is that we're so culturally different in the US versus the UK. And I think lots of Brits look at America and think, Well, you know, it's just the same. It's just a bit kind of bigger and a bit Brasher, you know, and it and actually, I think if people in the US spoke a completely different language, we would approach it as a different culture, which would then help us to understand it better. Yeah. So, yeah. I mean, it's been, it's been the most fabulous adventure to move here and to, you know, it's, it's hard sometimes, and California is a long way from home, but the energy and the optimism and the entrepreneurialism of it, coupled with just the natural beauty is just staggering. So we've made some of our closest friends in California, it's been absolutely fantastic. And across the US, it's been a fantastic adventure for us and our family. Michael Hingson  21:30 Yeah, I've had the opportunity to travel all over the US, and I hear negative comments about one place or another, like West Virginia, people eat nothing but fried food and all that. But the reality is, if you really take an overall look at it, the country has so much to offer, and I have yet to find a place that I didn't enjoy going to, and people I never enjoyed meeting, I really enjoy all of that, and it's great to meet people, and it's great to experience so much of this country. And I've taken that same posture to other places. I finally got to visit England last October, for the first time. You mentioned rugby earlier, the first time I was exposed to rugby was when I traveled to New Zealand in 2003 and found it pretty fascinating. And then also, I was listening to some rugby, rugby, rugby broadcast, and I tuned across the radio and suddenly found a cricket game that was a little bit slow for me. Yeah, cricket to be it's slow. Nick Francis  22:41 Yeah, fair enough. It's funny. Actually, we know what you're saying about travel. Like one of the amazing things about our Well, I kind of learned two sort of quite fundamentally philosophical things, I think, you know, or things about the about humans and the human condition. Firstly, like, you know, traveling across, you know, we left from London. We, like, drove down. We went through Belgium and France and Poland and Slovenia, Slovakia, Slovenia, like, all the way down Bulgaria, across Turkey into Georgia and Azerbaijan and across the Caspian Sea, and through Turkmenistan, Uzbekistan, Kyrgyzstan, Kazakhstan, into Russia, and then down into Mongolia. When we finished, we were due north of Jakarta, right? So we drove, we drove a third of the way around the world. And the two things that taught me were, firstly that human people are good. You know, everywhere we went, people would invite us in to have meals, or they'd like fix our car for not unit for free. I mean, people were so kind everywhere we went. Yeah. And the other thing was, just, when we get on a plane and you fly from here to or you fly from London, say to we, frankly, you fly from London to Turkey, it feels unbelievably different. You know, you fly from London to China, and it's, you know, complete different culture. But what our journey towards us, because we drove, was that, you know, while we might not like to admit it, we're actually quite, you know, Brits are quite similar to the French, and the French actually are quite similar to the Belgians, and Belgians quite similar to the Germans. And, you know, and all the way through, actually, like we just saw a sort of slowly changing gradient of all the different cultures. And it really, you know, we are just one people, you know. So as much as we might feel that, you know, we're all we're all different, actually, when you see it, when you when you do a drive like that, you really, you really get to see how slowly the cultures shift and change. Another thing that's quite funny, actually, was just like, everywhere we went, we would be like, you know, we're driving to Turkey. They'd be like, Oh, God, you just drove through Bulgaria, you know, how is like, everything on your car not been stolen, you know, they're so dodgy that you Bulgarians are so dodgy. And then, you know, we'd get drive through the country, and they'd be like, you know, oh, you're going into Georgia, you know, gosh, what you go. Make, make sure everything's tied down on your car. They're so dodgy. And then you get into Georgia, and they're like, Oh my God, you've just very driven through Turkey this, like, everyone sort of had these, like, weird, yeah, kind of perceptions of their neighbors. And it was all nonsense, yeah, you know. Michael Hingson  25:15 And the reality is that, as you pointed out, people are good, you know, I think, I think politicians are the ones who so often mess it up for everyone, just because they've got agendas. And unfortunately, they teach everyone else to be suspicious of of each other, because, oh, this person clearly has a hidden agenda when it normally isn't necessarily true at all. Nick Francis  25:42 No, no, no, certainly not in my experience, anyway, not in my experience. But, you know, well, oh, go ahead. No, no. It's just, you know, it's, it is. It's, it is weird the way that happens, you know, well, they say, you know, if, if politicians fought wars rather than, rather than our young men and women, then there'd be a lot less of them. Yeah, so Well, Michael Hingson  26:06 there would be, well as I tell people, you know, I I've learned a lot from working with eight guy dogs and my wife's service dog, who we had for, oh, gosh, 14 years almost, and one of the things that I tell people is I absolutely do believe what people say, that dogs love unconditionally, unless they're just totally traumatized by something, but they don't trust unconditionally. The difference between dogs and people is that dogs are more open to trust because we've taught ourselves and have been taught by others, that everyone has their own hidden agenda. So we don't trust. We're not open to trust, which is so unfortunate because it affects the psyche of so many people in such a negative way. We get too suspicious of people, so it's a lot harder to earn trust. Nick Francis  27:02 Yeah, I mean, I've, I don't know, you know, like I've been, I've been very fortunate in my life, and I kind of always try to be, you know, open and trusting. And frankly, you know, I think if you're open and trusting with people, in my experience, you kind of, it comes back to you, you know, and maybe kind of looking for the best in everyone. You know, there are times where that's not ideal, but you know, I think you know, in the overwhelming majority of cases, you know, actually, you know, you treat people right? And you know what goes what goes around, comes around, absolutely. Michael Hingson  27:35 And I think that's so very true. There are some people who just are going to be different than that, but I think for the most part, if you show that you're open to trust people will want to trust you, as long as you're also willing to trust Nick Francis  27:51 them completely. Yeah, completely. Michael Hingson  27:54 So I think that that's the big thing we have to deal with. And I don't know, I hope that we, we will learn it. But I think that politicians are really the most guilty about teaching us. Why not to trust but that too, hopefully, will be something we deal with. Nick Francis  28:12 I think, you know, I think we have to, you know, it's, it's one of the tragedies of our age, I think, is that the, you know, we spent the 20th century, thinking that sex was the kind of ultimate sales tool. And then it took algorithms to for us to realize that actually anger and resentment are the most powerful sales tools, which is, you know, it's a it's something which, in time, we will work out, right? And I think the problem is that, at the minute, these tech businesses are in such insane ascendancy, and they're so wealthy that it's very hard to regulate them. And I think in time, what will happen is, you know, they'll start to lose some of that luster and some of that insane scale and that power, and then, you know, then regulation will come in. But you know whether or not, we'll see maybe, hopefully our civilization will still be around to see that. Michael Hingson  29:04 No, there is that, or maybe the Vulcans will show up and show us a better way. But you know, Nick Francis  29:11 oh, you know, I'm, I'm kind of endlessly optimistic. I think, you know, we are. We're building towards a very positive future. I think so. Yeah, it's just, you know, get always bumps along the way, yeah. Michael Hingson  29:24 So you named your company casual. Why did you do that? Or how did that come about? Nick Francis  29:30 It's a slightly weird name for something, you know, we work with, kind of, you know, global blue chip businesses. And, you know, casual is kind of the last thing that you would want to associate with, a, with a, with any kind of services business that works in that sphere. I think, you know, we, the completely honest answer is that the journalism course I did was television, current affairs journalism, so it's called TV cadge, and so we, when we made a film for a local charity as part of that course. Course, we were asked to name our company, and we just said, well, cash, cash casual, casual films. So we called it casual films. And then when my friend and I set the company up, kind of formally, to do the Mongol Rally, we, you know, we had this name, you know, the company, the film that we'd made for the charity, had gone down really well. It had been played at BAFTA in London. And so we thought, well, you know, we should just, you know, hang on to that name. And it didn't, you know, at the time, it didn't really seem too much of an issue. It was only funny. It was coming to the US, where I think people are a bit more literal, and they were a bit like, well, casual. Like, why casual, you know. And I remember being on a shoot once. And, you know, obviously, kind of some filmmakers can be a little casual themselves, not necessarily in the work, but in the way they present themselves, right? And I remember sitting down, we were interviewing this CEO, and he said, who, you know, who are you? Oh, we're casual films. He's like, Oh, is that why that guy's got ripped jeans? Is it? And I just thought, Damn, you know, we really left ourselves open to that. There was also, there was a time one of our early competitors was called Agile films. And so, you know, I remember talking to one of our clients who said, you know, it's casual, you know, when I have to put together a little document to say, you know, which, which supplier we should choose, and when I lay it on my boss's desk, and one says casual films, and one says agile films, it's like those guys are landing the first punch. But anyway, we, you know, we, what we say now is like, you know, we take a complex process and make it casual. You know, filmmaking, particularly for like, large, complex organizations where you've got lots of different stakeholders, can be very complicated. And so, yeah, we sort of say, you know, we'll take a lot of that stress off, off our clients. So that's kind of the rationale, you know, that we've arrived with, arrived at having spoken to lots of our clients about the role that we play for them. So, you know, there's a kind of positive spin on it, I guess, but I don't know. I don't know whether I'd necessarily call it casual again. I don't know if I'm supposed to say that or not, but, oh, Michael Hingson  32:00 it's unique, you know? So, yeah, I think there's a lot of merit to it. It's a unique name, and it interests people. I know, for me, one of the things that I do is I have a way of doing this. I put all of my business cards in Braille, so the printed business cards have Braille on them, right? Same thing. It's unique completely. Nick Francis  32:22 And you listen, you know what look your name is an empty box that you fill with your identity. They say, right? And casual is actually, it's something we've grown into. And you know it's we've been going for nearly 20 years. In fact, funny enough for the end of this year is the 20th anniversary of that first film we made for the for the charity. And then next summer will be our 20th anniversary, which is, you know, it's, it's both been incredibly short and incredibly long, you know, I think, like any kind of experience in life, and it's been some of the hardest kind of times of my entire life, and some of the best as well. So, you know, it's, it is what it is, but you know, casual is who we are, right? I would never check, you know? I'd never change it. Michael Hingson  33:09 Now, no, of course not, yeah. So is the actual name casual films, or just casual? Nick Francis  33:13 So it was casual films, but then everyone calls us casual anyway, and I think, like as an organization, we probably need to be a bit more agnostic about the outcome. Michael Hingson  33:22 Well, the reason I asked, in part was, is there really any filming going on anymore? Nick Francis  33:28 Well, that's a very that's a very good question. But have we actually ever made a celluloid film? And I think the answer is probably no. We used to, back in the day, we used to make, like, super eight films, which were films, I think, you know, video, you know, ultimately, if you're going to be really pedantic about it, it's like, well, video is a digital, digital delivery. And so basically, every film we make is, is a video. But there is a certain cachet to the you know, because our films are loved and crafted, you know, for good or ill, you know, I think to call them, you know, they are films because, because of the, you know, the care that's put into them. But it's not, it's, it's not celluloid. No, that's okay, yeah, well, Michael Hingson  34:16 and I know that, like with vinyl records, there is a lot of work being done to preserve and capture what's on cellular film. And so there's a lot of work that I'm sure that's being done to digitize a lot of the old films. And when you do that, then you can also go back and remaster and hopefully in a positive way, and I'm not sure if that always happens, but in a positive way, enhance them Nick Francis  34:44 completely, completely and, you know, it's, you know, it's interesting talking about, like, you know, people wanting to step back. You know, obviously vinyl is having an absolute as having a moment right now. In fact, I just, I just bought a new stylist for my for my record. Play yesterday. It sounded incredible as a joy. This gave me the sound quality of this new style. It's fantastic. You know, beyond that, you know, running a company, you know, we're in nine offices all over the world. We produce nearly 1000 projects a year. So, you know, it's a company. It's an incredibly complicated company. It's a very fun and exciting company. I love the fact that we make these beautifully creative films. But, you know, it's a bit, I wouldn't say it's like, I don't know, you don't get many MBAs coming out of business school saying, hey, I want to set up a video production company. But, you know, it's been, it's been wonderful, but it's also been stressful. And so, you know, I've, I've always been interested in pottery and ceramics and making stuff with my hands. When I was a kid, I used to make jewelry, and I used to go and sell it in nightclubs, which is kind of weird, but, you know, it paid for my beers. And then whatever works, I say kid. I was 18. I was, I was of age, but of age in the UK anyway. But now, you know, over the last few 18 months or so, I've started make, doing my own ceramics. So, you know, I make vases and and pictures and kind of all sorts of stuff out of clay. And it's just, it's just to be to unplug and just to go and, you know, make things with mud with your hands. It's just the most unbelievably kind of grounding experience. Michael Hingson  36:26 Yeah, I hear you, yeah. One of the things that I like to do is, and I don't get to do it as much as I would like, but I am involved with organizations like the radio enthusiasts of Puget Sound, which, every year, does recreations of old radio shows. And so we get the scripts we we we have several blind people who are involved in we actually go off and recreate some of the old shows, which is really a lot of fun, Nick Francis  36:54 I bet, yeah, yeah, sort of you know that connection to the past is, is, yeah, it's great radio. Radio is amazing. Michael Hingson  37:03 Anyway, what we have to do is to train some of the people who have not had exposure to old radio. We need to train them as to how to really use their voices to convey like the people who performed in radio, whatever they're doing, because too many people don't really necessarily know how to do that well. And it is, it is something that we're going to work on trying to find ways to get people really trained. And one of the ways, of course, is you got to listen to the old show. So one of the things we're getting more and more people to do when we do recreations is to go back and listen to the original show. Well, they say, Well, but, but that's just the way they did it. That's not necessarily the way it should be done. And the response is, no, that's not really true. The way they did it sounded natural, and the way you are doing it doesn't and there's reality that you need to really learn how to to use your voice to convey well, and the only way to do it is to listen to the experts who did it. Nick Francis  38:06 Yeah, well, it's, you know, it's amazing. The, you know, when the BBC was founded, all the news readers and anyone who appeared on on the radio to to present or perform, had to wear like black tie, like a tuxedo, because it was, you know, they're broadcasting to the nation, so they had to, you know, they had to be dressed appropriately, right, which is kind of amazing. And, you know, it's interesting how you know, when you, when you change your dress, when you change the way you're sitting, it does completely change the way that you project yourself, yeah, Michael Hingson  38:43 it makes sense, yeah, well, and I always enjoyed some of the old BBC radio shows, like the Goon Show, and completely some of those are so much fun. Nick Francis  38:54 Oh, great, yeah, I don't think they were wearing tuxedo. It's tuxedos. They would Michael Hingson  38:59 have been embarrassed. Yeah, right, right. Can you imagine Peter Sellers in a in a tux? It just isn't going to happen. Nick Francis  39:06 No, right, right. But yeah, no, it's so powerful. You know, they say radio is better than TV because the pictures are better. Michael Hingson  39:15 I agree. Yeah, sure, yeah. Well, you know, I I don't think this is quite the way he said it, but Fred Allen, the old radio comedian, once said they call television the new medium, because that's as good as it's ever going Nick Francis  39:28 to get. Yeah, right, right, yeah. Michael Hingson  39:32 I think there's truth to it. Whether that's exactly the way he said it or not, there's truth to that, yeah, but there's also a lot of good stuff on TV, so it's okay. Nick Francis  39:41 Well, it's so interesting. Because, you know, when you look at the it's never been more easy to create your own content, yeah, and so, you know, and like, in a way, TV, you know, he's not wrong in that, because it suddenly opened up this, this huge medium for people just to just create. Right? And, you know, and I think, like so many people, create without thinking, and, you know, and certainly in our kind of, in the in the world that we're living in now with AI production, making production so much more accessible, actually taking the time as a human being just to really think about, you know, who are the audience, what are the things that are going to what are going to kind of resonate with them? You know? Actually, I think one of the risks with AI, and not just AI, but just like production being so accessible, is that you can kind of shoot first and kind of think about it afterwards, and, you know, and that's never good. That's always going to be medium. It's medium at best, frankly. Yeah, so yeah, to create really great stuff takes time, you know, yeah, to think about it. Yeah, for sure, yeah. Michael Hingson  40:50 Well, you know, our podcast is called unstoppable mindset. What do you think that unstoppable mindset really means to you as a practical thing and not just a buzzword. Because so many people talk about the kinds of buzzwords I hear all the time are amazing. That's unstoppable, but it's really a lot more than a buzzword. It goes back to what you think, I think. But what do you think? Nick Francis  41:15 I think it's something that is is buried deep inside you. You know, I'd say the simple answer is, is just resilience. You know, it's, it's been rough. I write anyone running a small business or a medium sized business at the minute, you know, there's been some tough times over the last, kind of 1824, months or so. And, you know, I was talking to a friend of mine who she sold out of her business. And she's like, you know, how are things? I was like, you know, it's, it's, it's tough, you know, we're getting through it, you know, we're changing a lot of things, you know, we're like, we're definitely making the business better, but it's hard. And she's like, Listen, you know, when three years before I sold my company, I was at rock bottom. It was, I genuinely thought it was so stressful. I was crushed by it, but I just kept going. And she's just like, just keep going. And the only difference between success and failure is that resilience and just getting up every day and you just keep, keep throwing stuff at the wall, keep trying new things, keep working and trying to be better. I think, you know, it's funny when you look at entrepreneurs, I'm a member of a mentoring group, and I hope I'm not talking out of school here, but you know, there's 15 entrepreneurs, you know, varying sizes of business, doing all sorts, you know, across all sorts of different industries. And if you sat on the wall, if you were fly on the wall, and you sit and look at these people on a kind of week, month to month basis, and they all present on how their businesses are going. You go, this is this being an entrepreneur does not look like a uniformly fun thing, you know, the sort of the stress and just, you know, people crying and stuff, and you're like, gosh, you know, it's so it's, it's, it's hard, and yet, you know, it's people just keep coming back to it. And yet, I think it's because of that struggle that you have to kind of have something in built in you, that you're sort of, you're there to prove something. And I, you know, I've thought a lot about this, and I wonder whether, kind of, the death of my father at such a young age kind of gave me this incredible fire to seek His affirmation, you know. And unfortunately, obviously, the tragedy of that is like, you know, the one person who would never give me affirmation is my dad. And yet, you know, I get up every day, you know, to have early morning calls with the UK or with Singapore or wherever. And you know, you just just keep on, keeping on. And I think that's probably what and knowing I will never quit, you know, like, even from the earliest days of casual, when we were just, like a couple of people, and we were just, you know, kids doing our very best, I always knew the company was going to be a success act. Like, just a core belief that I was like, this is going to work. This is going to be a success. I didn't necessarily know what that success would look like. I just but I did know that, like, whatever it took, we would map, we'd map our way towards that figure it out. We'd figure it out. And I think, you know, there's probably something unstoppable. I don't know, I don't want to sound immodest, but I think there's probably something in that that you're just like, I am just gonna keep keep on, keeping on. Michael Hingson  44:22 Do you think that resilience and unstoppability are things that can be taught, or is it just something that's built into you, and either you have it or you don't? Nick Francis  44:31 I think it's something that probably, it's definitely something that can be learned, for sure, you know. And there are obviously ways that it can there's obviously ways it can be taught. You know, I was, I spent some time in the reserve, like the Army Reserve in the UK, and I just, you know, a lot of that is about teaching you just how much further you can go. I think what it taught me was it was so. So hard. I mean, honestly, some of the stuff we did in our training was, like, you know, it's just raining and raining and raining and, like, because all your kits soaking wet is weighs twice what it did before, and you just, you know, sleeping maybe, you know, an hour or two a night, and, you know, and there wasn't even anyone shooting at us, right? So, you know, like the worst bit wasn't even happening. But like, and like, in a sense, I think, you know, that's what they're trying to do, that, you know, they say, you know, train hard and fight easy. But I remember sort of sitting there, and I was just exhausted, and I just genuinely, I was just thought, you know, what if they tell me to go now, I just, I can't. I literally, I can't, I can't do it. Can't do it. And then they're like, right, lads, put your packs on. Let's go and just put your pack on. Off you go, you know, like, this sort of, the idea of not, like, I was never going to quit, just never, never, ever, you know, and like I'd physically, if I physically, like, literally, my physical being couldn't stand up, you know, I then that was be, that would be, you know, if I was kind of, like literally incapacitated. And I think what that taught me actually, was that, you know, you have what you believe you can do, like you have your sort of, you have your sort of physical envelope, but like that is only a third or a quarter of what you can actually achieve, right, you know. And I think what that, what the that kind of training is about, and you know, you can do it in marathon training. You can do it in all sorts of different, you know, even, frankly, meditate. You know, you train your mind to meditate for, you know, an hour, 90 minutes plus. You know, you're still doing the same. You know, there's a, there's an elasticity within your brain where you can teach yourself that your envelope is so much larger. Yeah. So, yeah, you know, like, is casual going to be a success? Like, I'm good, you know, I'm literally, I won't I won't stop until it is Michael Hingson  46:52 right, and then why stop? Exactly, exactly you continue to progress and move forward. Well, you know, when everything feels uncertain, whether it's the markets or whatever, what do you do or what's your process for finding clarity? Nick Francis  47:10 I think a lot of it is in having structured time away. I say structured. You build it into your calendar, but like, but it's unstructured. So, you know, I take a lot of solace in being physically fit. You know, I think if you're, if you feel physically fit, then you feel mentally far more able to deal with things. I certainly when I'm if I'm unfit and if I've been working too much and I haven't been finding the time to exercise. You know, I feel like the problems we have to face just loom so much larger. So, you know, I, I'll book out. I, you know, I work with a fan. I'm lucky enough to have a fantastic assistant who, you know, we book in my my exercise for each week, and it's almost the first thing that goes in the calendar. I do that because I can't be the business my my I can't be the leader my business requires. And it finally happened. It was a few years ago I kind of, like, the whole thing just got really big on me, and it just, you know, and I'm kind of, like, being crushed by it. And I just thought, you know what? Like, I can't, I can't fit other people's face mask, without my face mask being fit, fitted first. Like, in order to be the business my business, I keep saying that to be the lead in my business requires I have to be physically fit. So I have to look after myself first. And so consequently, like, you know, your exercise shouldn't be something just get squeezed in when you find when you have time, because, you know, if you've got family and you know, other things happening, like, you know, just will be squeezed out. So anyway, that goes in. First, I'll go for a bike ride on a Friday afternoon, you know, I'll often listen to a business book and just kind of process things. And it's amazing how often, you know, I'll just go for a run and, like, these things that have been kind of nagging away in the back of my mind, just suddenly I find clarity in them. So I try to exercise, like, five times a week. I mean, that's obviously more than most people can can manage, but you know that that really helps. And then kind of things, like the ceramics is very useful. And then, you know, I'm lucky. I think it's also just so important just to appreciate the things that you already have. You know, I think one of the most important lessons I learned last year was this idea that, you know, here is the only there. You know, everyone's working towards this kind of, like, big, you know, it's like, oh, you know, when I get to there, then everything's going to be okay, you know. And actually, you know, if you think about like, you know, and what did you want to achieve when you left college? Like, what was the salary band that you want? That you wanted to achieve? Right? A lot of people, you know, by the time you hit 4050, you've blown way through that, right? And yet you're still chasing the receding Summit, yeah, you know. And so actually, like, wherever we're trying to head to, we're already there, because once you get there, there's going to be another there that you're trying to. Head to right? So, so, you know, it's just taking a moment to be like, you know, God, I'm so lucky to have what I have. And, you know, I'm living in, we're living in the good old days, like right now, right? Michael Hingson  50:11 And the reality is that we're doing the same things and having the same discussions, to a large degree, that people did 50, 100 200 years ago. As you pointed out earlier, the fact is that we're, we're just having the same discussions about whether this works, or whether that works, or anything else. But it's all the same, Nick Francis  50:33 right, you know. And you kind of think, oh, you know, if I just, just, like, you know, if we just open up these new offices, or if we can just, you know, I think, like, look, if I, if I'd looked at casual when we started it as it is now, I would have just been like, absolute. My mind would have exploded, right? You know, if you look at what we've achieved, and yet, I kind of, you know, it's quite hard sometimes to look at it and just be like, Oh yeah, but we're only just starting. Like, there's so much more to go. I can see so much further work, that we need so many more things, that we need to do, so many more things that we could do. And actually, you know, they say, you know, I'm lucky enough to have two healthy, wonderful little girls. And you know, I think a lot of bread winners Look at, look at love being provision, and the idea that, you know, you have to be there to provide for them. And actually, the the truest form of love is presence, right? And just being there for them, and like, you know, not being distracted and kind of putting putting things aside, you know, not jumping on your emails or your Slack messages or whatever first thing in the morning, you know. And I, you know, I'm not. I'm guilty, like, I'm not, you know, I'm not one of these people who have this kind of crazy kind of morning routine where, like, you know, I'm incredibly disciplined about that because, you know, and I should be more. But like, you know, this stuff, one of the, one of the things about having a 24 hour business with people working all over the world is there's always things that I need to respond to. There's always kind of interesting things happening. And so just like making sure that I catch myself every so often to be like, I'm just going to be here now and I'm going to be with them, and I'm going to listen to what they're saying, and I'm going to respond appropriately, and, you know, I'm going to play a game with them, or whatever. That's true love. You know? Michael Hingson  52:14 Well, there's a lot of merit to the whole concept of unplugging and taking time and living in the moment. One of the things that we talked about in my book live like a guide dog, that we published last year, and it's all about lessons I've learned about leadership and teamwork and preparedness from eight guide dogs and my wife's service dog. One of the things that I learned along the way is the whole concept of living in the moment when I was in the World Trade Center with my fifth guide dog, Roselle. We got home, and I was going to take her outside to go visit the bathroom, but as soon as I took the harness off, she shot off, grabbed her favorite tug bone and started playing tug of war with my retired guide dog. Asked the veterinarians about him the next day, the people at Guide Dogs for the Blind, and they said, Well, did anything threaten her? And I said, No. And they said, there's your answer. The reality is, dogs live in the moment when it was over. It was over. And yeah, right lesson to learn. Nick Francis  53:15 I mean, amazing, absolutely amazing. You must have taken a lot of strength from that. Michael Hingson  53:20 Oh, I think it was, it was great. It, you know, I can look back at my life and look at so many things that have happened, things that I did. I never thought that I would become a public speaker, but I learned in so many ways the art of speaking and being relaxed at speaking in a in a public setting, that when suddenly I was confronted with the opportunity to do it, it just seemed like the natural thing to do. Nick Francis  53:46 Yeah, it's funny, because I think isn't public speaking the number one fear. It is. It's the most fit. It's the most feared thing for the most people. Michael Hingson  53:57 And the reality is going back to something that we talked about before. The reality is, audiences want you to succeed, unless you're a jerk and you project that, audiences want to hear what you have to say. They want you to be successful. There's really nothing to be afraid of but, but you're right. It is the number one fear, and I've never understood that. I mean, I guess I can intellectually understand it, but internally, I don't. The first time I was asked to speak after the World Trade Center attacks, a pastor called me up and he said, we're going to we're going to have a service outside for all the people who we lost in New Jersey and and that we would like you to come and speak. Take a few minutes. And I said, Sure. And then I asked him, How many people many people were going to be at the service? He said, 6000 that was, that was my first speech. Nick Francis  54:49 Yeah, wow. But it didn't bother me, you know, no, I bet Michael Hingson  54:54 you do the best you can, and you try to improve, and so on. But, but it is true that so many people. Are public speaking, and there's no reason to what Nick Francis  55:03 did that whole experience teach you? Michael Hingson  55:06 Well, one of the things that taught me was, don't worry about the things that you can't control. It also taught me that, in reality, any of us can be confronted with unexpected things at any time, and the question is, how well do we prepare to deal with it? So for me, for example, and it took me years after September 11 to recognize this, but one of the things that that happened when the building was hit, and Neither I, nor anyone on my side of the building really knew what happened. People say all the time, well, you didn't know because you couldn't see it. Well, excuse me, it hit 18 floors above us on the other side of the building. And the last time I checked X ray vision was fictitious, so nobody knew. But did the building shake? Oh, it tipped. Because tall buildings like that are flexible. And if you go to any tall building, in reality, they're made to buffet in wind storms and so on, and in fact, they're made to possibly be struck by an airplane, although no one ever expected that somebody would deliberately take a fully loaded jet aircraft and crash it into a tower, because it wasn't the plane hitting the tower as such that destroyed both of them. It was the exploding jet fuel that destroyed so much more infrastructure caused the buildings to collapse. But in reality, for me, I had done a lot of preparation ahead of time, not even thinking that there would be an emergency, but thinking about I need to really know all I can about the building, because I've got to be the leader of my office, and I should know all of that. I should know what to do in an emergency. I should know how to take people to lunch and where to go and all that. And by learning all of that, as I learned many and discovered many years later, it created a mindset that kicked in when the World Trade Center was struck, and in fact, we didn't know until after both towers had collapsed, and I called my wife. We I talked with her just before we evacuated, and the media hadn't even gotten the story yet, but I never got a chance to talk with her until after both buildings had collapsed, and then I was able to get through and she's the first one that told us how the two buildings had been hit by hijacked aircraft. But the mindset had kicked in that said, You know what to do, do it and that. And again, I didn't really think about that until much later, but that's something that is a lesson we all could learn. We shouldn't rely on just watching signs to know what to do, no to go in an emergency. We should really know it, because the knowledge, rather than just having information, the true intellectual knowledge that we internalize, makes such a big difference. Nick Francis  57:46 Do you think it was the fact that you were blind that made you so much more keen to know the way out that kind of that really helped you to understand that at the time? Michael Hingson  57:56 Well, what I think is being blind and growing up in an environment where so many things could be unexpected, for me, it was important to know so, for example, when I would go somewhere to meet a customer, I would spend time, ahead of time, learning how to get around, learning how to get to where they were and and learning what what the process was, because we didn't have Google Maps and we didn't have all the intellectual and and technological things that we have today. Well intellectual we did with the technology we didn't have. So today it's easier, but still, I want to know what to do. I want to really have the answers, and then I can can more easily and more effectively deal with what I need to deal with and react. So I'm sure that blindness played a part in all of that, because if I hadn't learned how to do the things that I did and know the things that I knew, then it would have been a totally different ball game, and so sure, I'm sure, I'm certain that blindness had something to do with it, but I also know that, that the fact is, what I learned is the same kinds of things that everyone should learn, and we shouldn't rely on just the signs, because what if the building were full of smoke, then what would you do? Right? And I've had examples of that since I was at a safety council meeting once where there was somebody from an electric company in Missouri who said, you know, we've wondered for years, what do we do if there's a fire in the generator room, in the basement, In the generator room, how do people get out? And he and I actually worked on it, and they developed a way where people could have a path that they could follow with their feet to get them out. But the but the reality is that what people first need to learn is eyesight is not the only game in town. Yeah, right. Mean, it's so important to really learn that, but people, people don't, and we take too many things for granted, which is, which is really so unfortunate, because we really should do a li

Join Chris and Susan for a very special holiday episode honoring director Peter Medak whose prolific career included working with directors Alfred Hitchcock and David Lean and film industry icons Peter O'Toole and Peter Sellers, to directing six episodes of 'Homicide: Life on the Street' over the course of four seasons. We're also excited to offer a very special holiday treat for our listeners. Enjoy! And have a great holiday season! And if you'd like to contribute to the podcast, you can "Buy us a coffee," at https://buymeacoffee.com/homicidepoq Thanks for listening! Connect with us on Social Media BlueSky https://bsky.app/profile/homicidepod.bsky.social Instagram https://www.instagram.com/homicidepod/ Threads https://www.threads.net/@homicidepod X

“You call this a life?”This week we dip into the big red book and examine Spike Milligan's two famously chaotic appearances on This Is Your Life — first in 1973 at an army reunion in Bexhill and again in 1995 in the wake of Spike's infamous crack at Prince Charles at the British Comedy Awards. From bungled surveillance operations and surprise reunions to war memories, old squeezes, secret sons and unresolved tensions, these programmes offer an occasionally revealing — and sometimes unsettling — portrait of Spike at two very different points in his life.Joining Tyler this week is co-host of World Of Telly John Williams and the pair try to navigate the uneasy compression of a vast, contradictory life into television-friendly fare.Along the way we encounter Peter Sellers in Nazi garb, Robert Graves refusing retakes because “the milkman is part of life”, Harry Secombe on VT, Eric Sykes restoring some semblance of order to proceedings, Michael Bentine getting a warm reception, Roger McGough falling a bit flat and a surprise appearance from a reclusive billionaire. We also examine the differing styles of Eamonn Andrews and Michael Aspel – the former being all awkward and lacking spontaneity; the latter oozing affable charm and keeping the show on the rails. These two programmes, separated by 22 years, chart not just Spike Milligan's public career but his private fractures — family divisions, emotional debts, and the limits of nostalgia. They also expose the clumsy mechanics of This Is Your Life itself: a format built for uplift struggling to contain a life defined by contradiction, pain, brilliance and refusal to behave.

On this episode of More Rosebud we meet the celebrated biographer, journalist and writer Roger Lewis, "a bundle of nerves and rage and disappointment". Roger is the author of several acclaimed biographies, including Erotic Vagrancy, about Richard Burton and Elizabeth Taylor, and The Life and Death of Peter Sellers. In this extremely funny and fascinating episode, Roger tells Gyles about his childhood in South Wales, he was the precocious eldest son of an affluent family of butchers and farmers. He talks about his university days, how he studied under John Bayley, and how he became a writer. Woven through this life story are interesting discussions of memory and recollection, and of the self and identity, and of what it means to reconstruct someone's life into a biography. This episode is well worth your time, and Roger's unstinting honesty as he talks about himself and others will stop you in your tracks and make you laugh. Enjoy this.At the end of this episode Gyles and Harriet have an exciting announcement about the Rosebud Family, the new subscription service we're launching in the new year 2026. More details coming soon! Hosted on Acast. See acast.com/privacy for more information.

To coincide with this week's long-awaited "Fun For All Ages" Jackie Martling-Billy West reunion, GGACP turns back the clock to 2019, when the boys made their first joint appearance on the "Amazing Colossal Podcast." In this episode, Jackie and Billy talk about the cinema of George Pal, the versatility of Paul Frees, the uniqueness of Peter Sellers and the enduring legend of Joe Franklin. Also, Jonathan Winters disses Don Adams, Jack Carter guests on “Ren & Stimpy,” Billy meets The Man from Uncle and Jackie weighs in on the Gilbert-Shecky Greene clash. PLUS: “7 Faces of Dr. Lao”! The Jackie puppet returns! Curly Howard takes a bullet! And George Jessel duets with…George Jessel?  Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the birthday (September 9) of recurring guest and friend of the podcast, Emmy-winning writer-director-producer Bill Persky by presenting this ENCORE of his very first appearance back in 2014. In this episode, Bill talks about his working relationship with the late, great Carl Reiner, creating “That Girl” with partner Sam Denoff, directing episodes of "Kate & Allie" and "Welcome Back Kotter" and working with virtually EVERYONE in show business — including Julie Andrews, Tim Conway, Bob Hope, Gene Kelly, Mary Tyler Moore, Peter Sellers and Orson Welles (to name but a few). Learn more about your ad choices. Visit megaphone.fm/adchoices

In connection with the latest "Fun For All Ages" tribute to "The Love Boat," GGACP revisits this 2019 interview with Captain Stubing himself, actor Gavin MacLeod. In this memorable episode, Gavin joins Gilbert and Frank for a candid conversation about paying dues, playing bad guys, crushing on Marilyn Monroe, acting with (and without) a hairpiece and sharing a decades-long friendship with the late, great Ted Knight. Also, Gavin praises Cary Grant, ad-libs with Peter Sellers, cuts the rug with Bing Crosby and breaks into the business with Martin Balsam, Martin Landau and Jack Warden. PLUS: Big Chicken! “Chuckles Bites the Dust”! The brilliance of Blake Edwards! A surprise caller chimes in! And Gavin and Tony Curtis share a donut!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Phaea brings the case against her husband, Justin. Phaea says the 2006 James Bond movie CASINO ROYALE is a remake of the CASINO ROYALE from 1967. But Justin says Phaea is wrong! Both CASINOS ROYALE are adaptations of the Ian Fleming novel from 1953. Justin says that aside from the source material, the two movies are completely unrelated. Phaea is not just shaken. Phaea's stirred… to prove her husband wrong in internet court!With Expert Witness Matt Gourley (Conan O'Brien Needs a Friend, With Gourley and Rust, James Bonding) Who's right? Who's wrong?Unrelated to CASINO ROYALE, Phaea is a kid lit author with a new book out NOW! Get PRINCESS BATTLE ROYALE wherever you get your books!Please consider donating to Al Otro Lado. Al Otro Lado provides legal assistance and humanitarian aid to refugees, deportees, and other migrants trapped at the US-MX border. Donate at alotrolado.org/letsdosomething.We are on TikTok and YouTube! Follow us on both @judgejohnhodgmanpod! Follow us on Instagram @judgejohnhodgman!Thanks to reddit user u/Ok_Constant946 for naming this week's case! To suggest a title for a future episode, keep an eye on the Maximum Fun subreddit at reddit.com/r/maximumfun! Judge John Hodgman is member-supported! Join at $5 a month at maximumfun.org/join!

GGACP celebrates the centenary of comedy icon Peter Sellers (born 1925) by revisiting this 2015 conversation about (arguably) Sellers' most admired film (and performance), 1979's "Being There." ALSO in this episode: Marcus Welby joins the Nazi party! The inspiration of Stan Laurel! The tortured genius of Hal Ashby! And "The Fiendish Plot of Dr. Fu Manchu"! Learn more about your ad choices. Visit megaphone.fm/adchoices

Adam kicks off the show by reminiscing about his co-starring role in Wreck-It Ralph and the surprising reaction it still gets from fans. He then unveils yet another classic Al Pacino scene, this time with Jay Mohr putting his own spin on the character—proving once again that Pacino impressions never get old. From there, Adam riffs on coaster weight, the gnarly side effects of Niacin, Biden's cancer diagnosis, the sheer brilliance of pit crews, and the fine line between first and last place—not just in racing, but in life. Next, Jay Chandrasekhar joins the show and dives into:The universal boyhood obsession with foot speed (because being the fastest kid on the playground is basically royalty).His journey through comedy as an Indian kid in grade school, dealing with stereotypes and British influence over India.The decision to cast himself in movies and TV shows instead of waiting for Hollywood (considering the only Indian "stars" he saw were Fisher Stevens and Peter Sellers in brownface).The hilariously awkward story of wearing his wife's underpants (sometimes you just gotta improvise).Why comedy films should be communal experiences—because laughing alone just isn't the same.Jay and Adam also break down the realities of directing low-budget movies vs. TV shows, and Jay introduces his new app, VouchVault, which he swears will revolutionize review sites and help him finally get revenge on Rotten Tomatoes. They wrap up their chat by agreeing that seeing Phish live is overrated, and Jay shares his comedic influences: John Landis, Eddie Murphy, and Richard Pryor. Naturally, both Jay and Adam declare Spinal Tap the greatest comedy of all time. Jason "Mayhem" Miller joins the show and kicks off the news with a must-see clip of Adam singing "Big Bottoms" with John Popper. From there, the trio dives into the top stories of the day, including:Joe Biden's cancer diagnosis.NYC's most notorious repeat offender—a guy who's been caught 134 times for stealing and still hasn't stopped.And finally, the mind-blowing possibility of science turning lead into gold.Get it on!FOR MORE WITH JAY CHANDRASEKHAR:INSTAGRAM: @jaychandrasekharTWITTER: @jaychandrasekhaAPP: https://www.vouchvault.com/FOR MORE WITH JASON “MAYHEM” MILLER:INSTAGRAM: @mayhemmillerTWITTER: @mayhemmillerWEBSITE: magnvs.io/pages/summit?via=mayhemThank you for supporting our sponsors:BetOnlineCalderaLab.com/ADAMGo to https://hometitlelock.com/adamcarolla and use promo code ADAM to get a FREE title history report so you can find out if you're already a victim AND 14 days of protection for FREE! And make sure to check out the Million Dollar TripleLock protection details when you get there! Exclusions apply. For details visit https://hometitlelock.com/warrantyoreillyauto.com/ADAMGo to https://OmahaSteaks.com to shop delicious Father's Day gift packages. And use Promo Code ADAM at checkout for an extra $35 off. Minimum purchase may apply. See site for details. A big thanks to our advertiser, Omaha Steaks!Pluto.tvSIMPLISAFE.COM/ADAMLIVE SHOWS: May 24 - Bellflower, CA (2 shows)May 30 - Tacoma, WA (2 shows)May 31 - Tacoma, WA (2 shows)June 1 - Spokane, WA (2 shows)June 11 - Palm Springs, CAJune 13 - Salt Lake City, UT (2 shows)June 14 - Salt Lake City, UT (2 shows)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.