Podcasts about Peter Sellers

Movie reviews #57-1 (Pied Piper 1972) This be a rated G movie about the Black Death with an obviously stoned looking Donovan as the Pied Piper. surprising that Donovan never wrote a song called “get the cash up front”.2 (Watch out we're Mad 1974) Your decade under the influence crew has watched several Italian 70's films that had some good political and even queer representation, but they all also had horrible sexual assault of women scenes. Enter this film that does not have horrid assault, just two guys spending all their time together being frenemies and wanting 2 dune buggy's, that's it, annnnd we found it quite refreshing.
3 (Murder by death 1976) Peter Sellers and many other talented people star in this zany whodunnit, but Sellers plays an extremely racist character, soooooo just watch Clue!
4 (Amityville Horror 1979) The older brother from Goonies, Dad has great hair in this movie, in the beginning. As his demonic possession marches on his hair care routine goes right out the window. Better reporter, and superman's girlfriend is here too, and the whole thing would be fine if the damned priest she asked to cleanse their new house knew what he was doing.
5 (Strangers, the story of a mother and daughter 1979) Bette Davis and Gena Rowlands star in this serious but also campy rad made for tv movie about A Mother who don wanna talk and a Daughter who does, who will win.
6 (Brubaker 1980) Wow this has a great top four, Robert Redford, Yaphet Kotto, Jane Alexander, and the mighty Morgan Freeman in one of 2 movies he did that year where he is stuck in prison. This film is great and is about prison reform which it still desperately needs. Reform hmmmmm maybe revolution.
folks that's this batch of films and we will see ya next time. Please drop us a review, and thanks for listening.

Celebrate the new year with a movie at the New Bev, where it's always on film! Throughout January we showcase a cinematic slate from towering classics & crowd-pleasing favorites to thrilling rediscoveries, highlight Claudette Colbert in two sparkling Ernst Lubitsch comedies and Peter Sellers in a pair of legendary political satires, plus shaggy '70s neo-noir, a gut-busting Jackass double bill, midnights, matinees, and much more! This time, Phil and Brian are joined by Comedian Dana Gould to talk about it all! Check out Dana's podcast the Dana Gould Hour! and Hangin' with Doctor Z! Check out all things New Beverly here: https://thenewbev.com/ Have A look at what's Happening at The Vista Here: https://ticketing.uswest.veezi.com/sessions/?siteToken=20xhpa3yt2hhkwt4zjvfcwsaww If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts The show is now on BlueSky: https://bsky.app/profile/purecinemapod.bsky.social As are Brian: https://bsky.app/profile/bobfreelander.bsky.social Elric: https://bsky.app/profile/elrickane.bsky.social and the New Beverly: https://bsky.app/profile/newbeverly.bsky.social

This week, for Christmas, a heart-warming festive treat full of joy, goodwill and Peter Sellers at his cuddliest. ONLY JOKING.Actually, it's Carol for Another Christmas, Rod Serling's bleak, angry, Cold War reworking of A Christmas Carol . Conceived as the opening salvo in a run of UN-friendly TV specials, the film is a full-throated warning against isolationism, nuclear brinkmanship and the idea that minding your own business ever ends well. Xerox paid for it, ABC aired it ad-free on 28 December 1964, viewers and critics were divided about it, and it then disappeared for nearly 50 years.Directed by Joseph L. Mankiewicz (Cleopatra) in his only television outing, the film stars Sterling Hayden as Daniel Grudge, a wealthy American industrialist who hates foreign aid, diplomacy and the United Nations in equal measure. On Christmas Eve he clashes with his liberal nephew Fred (Ben Gazzara) and is hauled through a series of visions featuring war dead, nuclear devastation and, most memorably, Peter Sellers as “Imperial Me” – a cowboy-Santa demagogue preaching radical individualism. It was Sellers' first screen appearance after his near-fatal heart attack earlier that year.Also featuring Eva Marie Saint, Robert Shaw, Steve Lawrence, Pat Hingle, Britt Ekland and music by Henry Mancini, the film is verbose, didactic and relentlessly grim – and all the more fascinating for it.Joining Tyler is Tilt Araiza (The Sitcom Club / Jaffa Cakes for Proust), drawing parallels with Planet of the Apes, The Prisoner and unpacking Serling and the social and political climate just one year after after the assassination of JFK... looking at how things came together to produce this Christmas curio.

Jack Arnold  (1916-1992), who died at the age of 75 in 1992, was the 1950s master of the science fiction film. Among the films he directed were It Came From Outer Space, The Creature from the Black Lagoon, Revenge of the Creature, Tarantula, and The Incredible Shrinking Man. The Probabilities crew – Richard A. Lupoff, Lawrence Davidson and Richard Wolinsky – received a small stipend from a science fiction convention and flew to Los Angeles to interview Jack Arnold in his office at Universal Studios. The interview is undated but was recorded in around 1980, give or take a year. Arnold's memory was fuzzy on when films were released. IMDb lists It Came from Outer Space, along with two film noirs  in 1953, Creature from the Black Lagoon in 1954 and Revenge of the Creature in 1955. The first western, The Man from Bitter Ridge along with Tarantula and his work on This Island Earth also came from 1955. The rest of the westerns, along with The Incredible Shrinking Man and the Peter Sellers classic The Mouse That Roared, came between 1956 and 1959. After that, he directed a couple more A pictures, as he called them, but his primary work moved to television, and from then until his retirement in 1984, he was constantly working on projects for the small screen, interspersed with the occasional film. At the end of the interview, he discusses a remake of Conan Doyle's The Lost World, complete with storyboards. That project never did get off the ground, though it's possible later versions used some of Arnold's pre-planning. And, not to forget, he helped turn Gilligan's Island into a cultural (for better or worse) icon. Digitized, remastered and edited by Richard Wolinsky in July 2021, and originally posted on August 1, 2021. The post The Probabilities Archive: Jack Arnold (1916-1992), film director, “Creature from the Black Lagoon” and others, 1980ish appeared first on KPFA.

What happens when curiosity, resilience, and storytelling collide over a lifetime of building something meaningful? In this episode, I welcome Nick Francis, founder and CEO of Casual Films, for a thoughtful conversation about leadership, presence, and what it takes to keep going when the work gets heavy. Nick's journey began with a stint at BBC News and a bold 9,000-mile rally from London to Mongolia in a Mini Cooper, a spirit of adventure that still fuels how he approaches business and life today. We talk about how that early experience shaped Casual into a global branded storytelling company with studios across five continents, and what it really means to lead a creative organization at scale. Nick shares insights from growing the company internationally, expanding into Southeast Asia, and staying grounded while producing hundreds of projects each year. Along the way, we explore why emotionally resonant storytelling matters, how trust and preparation beat panic, and why presence with family, health, and purpose keeps leaders steady in uncertain times. This conversation is about building an Unstoppable life by focusing on what matters most, using creativity to connect people, and choosing clarity and resilience in a world full of noise. Highlights: 00:01:30 – Learn how early challenges shape resilience and long-term drive. 00:06:20 – Discover why focusing on your role creates calm under pressure. 00:10:50 – Learn how to protect attention in a nonstop world. 00:18:25 – Understand what global growth teaches about leadership. 00:26:00 – Learn why leading with trust changes relationships. 00:45:55 – Discover how movement and presence restore clarity. About the Guest: Nick Francis is the founder and CEO of Casual, a global production group that blends human storytelling, business know-how, and creativity turbo-charged by AI. Named the UK's number one brand video production company for five years, Casual delivers nearly 1,000 projects annually for world-class brands like Adobe, Amazon, BMW, Hilton, HSBC, and P&G. The adventurous spirit behind its first production – a 9,000-mile journey from London to Mongolia in an old Mini – continues to drive Casual's growth across offices in London, New York, LA, San Francisco, Amsterdam, Barcelona, Sydney, Singapore, Hong Kong and Greater China. Nick previously worked for BBC News and is widely recognised for his expertise in video storytelling, brand building, and corporate communications. He is the founding director of the Casual Films Academy, a charity helping young filmmakers develop skills by producing films for charitable organisations. He is also the author of ‘The New Fire: Harness the Power of Video for Your Business' and a passionate advocate for emotionally resonant, behaviorally grounded storytelling. Nick lives in San Francisco, California, with his family. Ways to connect with Nick**:** Website: https://www.casualfilms.com/ YouTube: https://www.youtube.com/@casual_global  Instagram: https://www.instagram.com/casualglobal/  Facebook: https://www.facebook.com/CasualFilms/  Nick's LinkedIn: https://www.linkedin.com/in/nickfrancisfilm/  Casual's LinkedIn: https://www.linkedin.com/company/casual-films-international/  Beyond Casual - LinkedIn Newsletter: https://www.linkedin.com/build-relation/newsletter-follow?entityUrn=6924458968031395840 About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hello everyone. I am your host, Mike hingson, that's kind of funny. We'll talk about that in a second, but this is unstoppable mindset. And our guest today is Nick Francis, and what we're going to talk about is the fact that people used to always ask me, well, they would call me Mr. Kingston, and it took me, as I just told Nick a master's degree in physics in 10 years to realize that if I said Mike hingson, that's why they said Mr. Kingston. So was either say Mike hingson or Michael hingson. Well, Michael hingson is a lot easier to say than Mike hingson, but I don't really care Mike or Michael, as long as it's not late for dinner. Whatever works. Yeah. Well, Nick, welcome to unstoppable mindset. We're glad you're Nick Francis  02:04 here. Thanks, Mike. It's great to be here. Michael Hingson  02:08 So Nick is a marketing kind of guy. He's got a company called casual that we'll hear about. Originally from England, I believe, and now lives in San Francisco. We were talking about the weather in San Francisco, as opposed to down here in Victorville. A little bit earlier. We're going to have a heat wave today and and he doesn't have that up there, but you know, well, things, things change over time. But anyway, we're glad you're here. And thanks, Mike. Really looking forward to it. Tell us about the early Nick growing up and all that sort of stuff, just to get us started. Nick Francis  02:43 That's a good question. I grew up in London, in in Richmond, which is southwest London. It's a at the time, it wasn't anything like as kind of, it's become quite kind of shishi, I think back in the day, because it's on the west of London. The pollution from the city used to flow east and so, like all the kind of well to do people, in fact, there used to be a, there used to be a palace in Richmond. It's where Queen Elizabeth died, the first Queen Elizabeth, that is. And, yeah, you know, I grew up it was, you know, there's a lot of rugby played around there. I played rugby for my local rugby club from a very young age, and we went sailing on the south coast. It was, it was great, really. And then, you know, unfortunately, when I was 10 years old, my my dad died. He had had a very powerful job at the BBC, and then he ran the British Council, which is the overseas wing of the Arts Council, so promoting, I guess, British soft power around the world, going and opening art galleries and going to ballet in Moscow and all sorts. So he had an incredible life and worked incredibly hard. And you know, that has brought me all sorts of privileges, I think, when I was a kid. But, you know, unfortunately, age 10 that all ended. And you know, losing a parent at that age is such a sort of fundamental, kind of shaking of your foundations. You know, you when you're a kid, you feel like a, you're going to live forever, and B, the things that are happening around you are going to last forever. And so, you know, you know, my mom was amazing, of course, and, you know, and in time, I got a new stepdad, and all the rest of it. But you know, that kind of shaped a lot of my a lot of my youth, really. And, yeah, I mean, Grief is a funny thing, and it's funny the way it manifests itself as you grow. But yeah. So I grew up there. I went to school in the Midlands, near where my stepdad lived, and then University of Newcastle, which is up in the north of England, where it rains a lot. It's where it's where Newcastle Football Club is based. And you know is that is absolutely at the center of the city. So. So the city really comes alive there. And it was during that time that I discovered photography, and I wanted to be a war photographer, because I believe that was where life was lived at the kind of the real cutting edge. You know, you see the you see humanity in its in its most visceral and vivid color in terrible situations. And I kind of that seemed like an interesting thing to go to go and do. Michael Hingson  05:27 Well, what? So what did you major in in college in Newcastle? So I did Nick Francis  05:31 history and politics, and then I went did a course in television journalism, and ended up working at BBC News as a initially running on the floor. So I used to deliver the papers that you know, when you see people shuffling or not, they do it anymore, actually, because everything, everything's digital now digital, yeah, but when they were worried about the the auto cues going down, they we always had to make sure that they had the up to date script. And so I would be printing in, obviously, the, you know, because it's a three hour news show, the scripts constantly evolving, and so, you know, I was making sure they had the most up to date version in their hands. And it's, I don't know if you have spent any time around live TV Mike, but it's an incredibly humbling experience, like the power of it. You know, there's sort of two or 3 million people watching these two people who are sitting five feet in front of me, and the, you know, the sort of slightly kind of, there was an element of me that just wanted to jump in front of them and kind of go, ah. And, you know, never, ever work in live TV, ever again. But you know, anyway, I did that and ended up working as a producer, writing and developing, developing packets that would go out on the show, producing interviews and things. And, you know, I absolutely loved it. It was, it was a great time. But then I left to go and set up my company. Michael Hingson  06:56 I am amazed, even today, with with watching people on the news, and I've and I've been in a number of studios during live broadcasts and so on. But I'm amazed at how well, mostly, at least, I've been fortunate. Mostly, the people are able to read because they do have to read everything. It isn't like you're doing a lot of bad living in a studio. Obviously, if you are out with a story, out in the field, if you will, there, there may be more where you don't have a printed script to go by, but I'm amazed at the people in the studio, how much they are able to do by by reading it all completely. Nick Francis  07:37 It's, I mean, the whole experience is kind of, it's awe inspiring, really. And you know, when you first go into a Live, a live broadcast studio, and you see the complexity, and you know, they've got feeds coming in from all over the world, and you know, there's upwards of 100 people all working together to make it happen. And I remember talking to one of the directors at the time, and I was like, How on earth does this work? And he said, You know, it's simple. You everyone has a very specific job, and you know that as long as you do your bit of the job when it comes in front of you, then the show will go out. He said, where it falls over is when people start worrying about whether other people are going to are going to deliver on time or, you know, and so if you start worrying about what other people are doing, rather than just focusing on the thing you have to do, that's where it potentially falls over, Michael Hingson  08:29 which is a great object lesson anyway, to worry about and control and don't worry about the rest Nick Francis  08:36 for sure. Yeah, yeah, for sure. You know, it's almost a lesson for life. I mean, sorry, it is a lesson for life, and Michael Hingson  08:43 it's something that I talk a lot about in dealing with the World Trade Center and so on, and because it was a message I received, but I've been really preaching that for a long time. Don't worry about what you can't control, because all you're going to do is create fear and drive yourself Nick Francis  08:58 crazy, completely, completely. You know. You know what is it? Give me the, give me this. Give me the strength to change the things I can. Give me the give me the ability to let the things that I can't change slide but and the wisdom to know the difference. I'm absolutely mangling that, that saying, but, yeah, it's, it's true, you know. And I think, you know, it's so easy for us to in this kind of modern world where everything's so media, and we're constantly served up things that, you know, shock us, sadness, enrage us, you know, just to be able to step back and say, actually, you know what? These are things I can't really change. I'd have to just let them wash over me. Yeah, and just focus on the things that you really can change. Michael Hingson  09:46 It's okay to be aware of things, but you've got to separate the things you can control from the things that you can and we, unfortunately aren't taught that. Our parents don't teach us that because they were never taught it, and it's something. That, just as you say, slides by, and it's so unfortunate, because it helps to create such a level of fear about so many things in our in our psyche and in our world that we really shouldn't have to do Nick Francis  10:13 completely well. I think, you know, obviously, but you know, we've, we've spent hundreds, if not millions of years evolving to become humans, and then, you know, actually being aware of things beyond our own village has only been an evolution of the last, you know what, five, 600 years, yeah. And so we are just absolutely, fundamentally not able to cope with a world of such incredible stimulus that we live in now. Michael Hingson  10:43 Yeah, and it's only getting worse with all the social media, with all the different things that are happening and of course, and we're only working to develop more and more things to inundate us with more and more kinds of inputs. It's really unfortunate we just don't learn to separate ourselves very easily from all of that. Nick Francis  11:04 Yeah, well, you know, it's so interesting when you look at the development of VR headsets, and, you know, are we going to have, like, lenses in our eyes that kind of enable us to see computer screens while we're just walking down the road, you know? And you look at that and you think, well, actually, just a cell phone. I mean, cell phones are going to be gone fairly soon. I would imagine, you know, as a format, it's not something that's going to abide but the idea that we're going to create technology that's going to be more, that's going to take us away from being in the moment more rather than less, is kind of terrifying. Because, I would say already, even with, you know, the most basic technology that we have now, which is, you know, mind bending, compared to where we were even 20 years ago, you know, to think that we're only going to become more immersive is, you know, we really, really as a species, have to work out how we are going to be far better at stepping away from this stuff. And I, you know, I do, I wonder, with AI and technology whether there is, you know, there's a real backlash coming of people who do want to just unplug, yeah, Michael Hingson  12:13 well, it'll be interesting to see, and I hope that people will learn to do it. I know when I started hearing about AI, and one of the first things I heard was how kids would use it to write their papers, and it was a horrible thing, and they were trying to figure out ways so that teachers could tell us something was written by AI, as opposed to a student. And I almost immediately developed this opinion, no, let AI write the papers for students, but when the students turn in their paper, then take a day to in your class where you have every student come up and defend their paper, see who really knows it, you know. And what a great teaching opportunity and teaching moment to to get students also to learn to do public speaking and other things a little bit more than they do, but we haven't. That hasn't caught on, but I continue to preach it. Nick Francis  13:08 I think that's really smart, you know, as like aI exists, and I think to to pretend somehow that, you know, we can work without it is, you know, it's, it's, it's, yeah, I mean, it's like, well, saying, you know, we're just going to go back to Word processors or typewriters, which, you know, in which it weirdly, in their own time, people looked at and said, this is, you know, these, these are going to completely rot our minds. In fact, yeah, I think Plato said that was very against writing, because he believed it would mean no one could remember anything after that, you know. So it's, you know, it's just, it's an endless, endless evolution. But I think, you know, we have to work out how we incorporate into it, into our education system, for sure. Michael Hingson  13:57 Well, I remember being in in college and studying physics and so on. And one of the things that we were constantly told is, on tests, you can't bring calculators in, can't use calculators in class. Well, why not? Well, because you could cheat with that. Well, the reality is that the smart physicists realized that it's all about really learning the concepts more than the numbers. And yeah, that's great to to know how to do the math. But the the real issue is, do you know the physics, not just the math completely? Nick Francis  14:34 Yeah. And then how you know? How are the challenges that are being set such that you know, they really test your ability to use the calculator effectively, right? So how you know? How are you lifting the bar? And in a way, I think that's kind of what we have to do, what we have to do now, Michael Hingson  14:50 agreed, agreed. So you were in the news business and so on, and then, as you said, you left to start your own company. Why did you decide to do that? Nick Francis  14:59 Well, a friend of. Ryan and I from University had always talked about doing this rally from London to Mongolia. So, and you do it in an old car that you sort of look at, and you go, well, that's a bit rubbish. It has to have under a one liter engine. So it's tiny, it's cheap. The idea is it breaks down you have an adventure. And it was something we kind of talked about in passing and decided that would be a good thing to do. And then over time, you know, we started sending off. We you know, we applied, and then we started sending off for visas and things. And then before we knew it, we were like, gosh, so it looks like we're actually going to do this thing. But by then, you know, my job at the BBC was really taking off. And so I said, you know, let's do this, but let's make a documentary of it. So long story short, we ended up making a series of diary films for Expedia, which we uploaded onto their website. It was, you know, we were kind of pitching this around about 2005 we kind of did it in 2006 so it was kind of, you know, nobody had really heard of YouTube. The idea of making videos to go online was kind of unheard of because, you know, broadband was just kind of getting sorry. It wasn't unheard of, but it was, it was very, it was a very nascent industry. And so, yeah, we went and drove 9000 miles over five weeks. We spent a week sitting in various different repair yards and kind of break his yards in everywhere from Turkey to Siberia. And when we came back, it became clear that the internet was opening up as this incredible medium for video, and video is such a powerful way to share emotion with a dispersed audience. You know, not that I would have necessarily talked about it in that in those terms back then, but it really seemed like, you know, every every web page, every piece of corporate content, could have a video aspect to it. And so we came back and had a few fits and starts and did some, I mean, we, you know, we made a series of hotel videos where we were paid 50 quid a day to go and film hotels. And it was hot and it was hard work. And anyway, it was rough. But over time, you know, we started to win some more lucrative work. And, you know, really, the company grew from there. We won some awards, which helped us to kind of make a bit of a name for ourselves. And this was, there's been a real explosion in technology, kind of shortly after when we did this. So digital SLRs, so, you know, old kind of SLR cameras, you know, turned into digital cameras, which could then start to shoot video. And so it, there was a real explosion in high quality video produced by very small teams of people using the latest technology creatively. And that just felt like a good kind of kick off point for our business. But we just kind of because we got in in kind of 2006 we just sort of beat a wave that kind of started with digital SLRs, and then was kind of absolutely exploded when video cell phones came on the market, video smartphones. And yeah, you know, because we had these awards and we had some kind of fairly blue chip clients from a relatively early, early stage, we were able to grow the company. We then expanded to the US in kind of 2011 20 between 2011 2014 and then we were working with a lot of the big tech companies in California, so it felt like we should maybe kind of really invest in that. And so I moved out here with some of our team in 2018 at the beginning of 2018 and I've been here ever since, wow. Michael Hingson  18:44 So what is it? What was it like starting a business here, or bringing the business here, as opposed to what it was in England? Nick Francis  18:53 It's really interesting, because the creatively the UK is so strong, you know, like so many, you know, from the Beatles to Led Zeppelin to the Rolling Stones to, you know, and then on through, like all the kind of, you know, film and TV, you know, Brits are very good at kind of Creating, like, high level creative, but not necessarily always the best at kind of monetizing it, you know. I mean, some of those obviously have been fantastic successes, right? And so I think in the UK, we we take a lot longer over getting, getting to, like, the perfect creative output, whereas the US is far more focused on, you know, okay, we need this to to perform a task, and frankly, if we get it 80% done, then we're good, right? And so I think a lot of creative businesses in the UK look at the US and they go, gosh. Firstly, the streets are paved with gold. Like the commercial opportunity seems incredible, but actually creating. Tracking it is incredibly difficult, and I think it's because we sort of see the outputs in the wrong way. I think they're just the energy and the dynamism of the US economy is just, it's kind of awe inspiring. But you know, so many businesses try to expand here and kind of fall over themselves. And I think the number one thing is just, you have to have a founder who's willing to move to the US. Because I think Churchill said that we're two two countries divided by the same language. And I never fully understood what that meant until I moved here. I think what it what he really means by that is that we're so culturally different in the US versus the UK. And I think lots of Brits look at America and think, Well, you know, it's just the same. It's just a bit kind of bigger and a bit Brasher, you know, and it and actually, I think if people in the US spoke a completely different language, we would approach it as a different culture, which would then help us to understand it better. Yeah. So, yeah. I mean, it's been, it's been the most fabulous adventure to move here and to, you know, it's, it's hard sometimes, and California is a long way from home, but the energy and the optimism and the entrepreneurialism of it, coupled with just the natural beauty is just staggering. So we've made some of our closest friends in California, it's been absolutely fantastic. And across the US, it's been a fantastic adventure for us and our family. Michael Hingson  21:30 Yeah, I've had the opportunity to travel all over the US, and I hear negative comments about one place or another, like West Virginia, people eat nothing but fried food and all that. But the reality is, if you really take an overall look at it, the country has so much to offer, and I have yet to find a place that I didn't enjoy going to, and people I never enjoyed meeting, I really enjoy all of that, and it's great to meet people, and it's great to experience so much of this country. And I've taken that same posture to other places. I finally got to visit England last October, for the first time. You mentioned rugby earlier, the first time I was exposed to rugby was when I traveled to New Zealand in 2003 and found it pretty fascinating. And then also, I was listening to some rugby, rugby, rugby broadcast, and I tuned across the radio and suddenly found a cricket game that was a little bit slow for me. Yeah, cricket to be it's slow. Nick Francis  22:41 Yeah, fair enough. It's funny. Actually, we know what you're saying about travel. Like one of the amazing things about our Well, I kind of learned two sort of quite fundamentally philosophical things, I think, you know, or things about the about humans and the human condition. Firstly, like, you know, traveling across, you know, we left from London. We, like, drove down. We went through Belgium and France and Poland and Slovenia, Slovakia, Slovenia, like, all the way down Bulgaria, across Turkey into Georgia and Azerbaijan and across the Caspian Sea, and through Turkmenistan, Uzbekistan, Kyrgyzstan, Kazakhstan, into Russia, and then down into Mongolia. When we finished, we were due north of Jakarta, right? So we drove, we drove a third of the way around the world. And the two things that taught me were, firstly that human people are good. You know, everywhere we went, people would invite us in to have meals, or they'd like fix our car for not unit for free. I mean, people were so kind everywhere we went. Yeah. And the other thing was, just, when we get on a plane and you fly from here to or you fly from London, say to we, frankly, you fly from London to Turkey, it feels unbelievably different. You know, you fly from London to China, and it's, you know, complete different culture. But what our journey towards us, because we drove, was that, you know, while we might not like to admit it, we're actually quite, you know, Brits are quite similar to the French, and the French actually are quite similar to the Belgians, and Belgians quite similar to the Germans. And, you know, and all the way through, actually, like we just saw a sort of slowly changing gradient of all the different cultures. And it really, you know, we are just one people, you know. So as much as we might feel that, you know, we're all we're all different, actually, when you see it, when you when you do a drive like that, you really, you really get to see how slowly the cultures shift and change. Another thing that's quite funny, actually, was just like, everywhere we went, we would be like, you know, we're driving to Turkey. They'd be like, Oh, God, you just drove through Bulgaria, you know, how is like, everything on your car not been stolen, you know, they're so dodgy that you Bulgarians are so dodgy. And then, you know, we'd get drive through the country, and they'd be like, you know, oh, you're going into Georgia, you know, gosh, what you go. Make, make sure everything's tied down on your car. They're so dodgy. And then you get into Georgia, and they're like, Oh my God, you've just very driven through Turkey this, like, everyone sort of had these, like, weird, yeah, kind of perceptions of their neighbors. And it was all nonsense, yeah, you know. Michael Hingson  25:15 And the reality is that, as you pointed out, people are good, you know, I think, I think politicians are the ones who so often mess it up for everyone, just because they've got agendas. And unfortunately, they teach everyone else to be suspicious of of each other, because, oh, this person clearly has a hidden agenda when it normally isn't necessarily true at all. Nick Francis  25:42 No, no, no, certainly not in my experience, anyway, not in my experience. But, you know, well, oh, go ahead. No, no. It's just, you know, it's, it is. It's, it is weird the way that happens, you know, well, they say, you know, if, if politicians fought wars rather than, rather than our young men and women, then there'd be a lot less of them. Yeah, so Well, Michael Hingson  26:06 there would be, well as I tell people, you know, I I've learned a lot from working with eight guy dogs and my wife's service dog, who we had for, oh, gosh, 14 years almost, and one of the things that I tell people is I absolutely do believe what people say, that dogs love unconditionally, unless they're just totally traumatized by something, but they don't trust unconditionally. The difference between dogs and people is that dogs are more open to trust because we've taught ourselves and have been taught by others, that everyone has their own hidden agenda. So we don't trust. We're not open to trust, which is so unfortunate because it affects the psyche of so many people in such a negative way. We get too suspicious of people, so it's a lot harder to earn trust. Nick Francis  27:02 Yeah, I mean, I've, I don't know, you know, like I've been, I've been very fortunate in my life, and I kind of always try to be, you know, open and trusting. And frankly, you know, I think if you're open and trusting with people, in my experience, you kind of, it comes back to you, you know, and maybe kind of looking for the best in everyone. You know, there are times where that's not ideal, but you know, I think you know, in the overwhelming majority of cases, you know, actually, you know, you treat people right? And you know what goes what goes around, comes around, absolutely. Michael Hingson  27:35 And I think that's so very true. There are some people who just are going to be different than that, but I think for the most part, if you show that you're open to trust people will want to trust you, as long as you're also willing to trust Nick Francis  27:51 them completely. Yeah, completely. Michael Hingson  27:54 So I think that that's the big thing we have to deal with. And I don't know, I hope that we, we will learn it. But I think that politicians are really the most guilty about teaching us. Why not to trust but that too, hopefully, will be something we deal with. Nick Francis  28:12 I think, you know, I think we have to, you know, it's, it's one of the tragedies of our age, I think, is that the, you know, we spent the 20th century, thinking that sex was the kind of ultimate sales tool. And then it took algorithms to for us to realize that actually anger and resentment are the most powerful sales tools, which is, you know, it's a it's something which, in time, we will work out, right? And I think the problem is that, at the minute, these tech businesses are in such insane ascendancy, and they're so wealthy that it's very hard to regulate them. And I think in time, what will happen is, you know, they'll start to lose some of that luster and some of that insane scale and that power, and then, you know, then regulation will come in. But you know whether or not, we'll see maybe, hopefully our civilization will still be around to see that. Michael Hingson  29:04 No, there is that, or maybe the Vulcans will show up and show us a better way. But you know, Nick Francis  29:11 oh, you know, I'm, I'm kind of endlessly optimistic. I think, you know, we are. We're building towards a very positive future. I think so. Yeah, it's just, you know, get always bumps along the way, yeah. Michael Hingson  29:24 So you named your company casual. Why did you do that? Or how did that come about? Nick Francis  29:30 It's a slightly weird name for something, you know, we work with, kind of, you know, global blue chip businesses. And, you know, casual is kind of the last thing that you would want to associate with, a, with a, with any kind of services business that works in that sphere. I think, you know, we, the completely honest answer is that the journalism course I did was television, current affairs journalism, so it's called TV cadge, and so we, when we made a film for a local charity as part of that course. Course, we were asked to name our company, and we just said, well, cash, cash casual, casual films. So we called it casual films. And then when my friend and I set the company up, kind of formally, to do the Mongol Rally, we, you know, we had this name, you know, the company, the film that we'd made for the charity, had gone down really well. It had been played at BAFTA in London. And so we thought, well, you know, we should just, you know, hang on to that name. And it didn't, you know, at the time, it didn't really seem too much of an issue. It was only funny. It was coming to the US, where I think people are a bit more literal, and they were a bit like, well, casual. Like, why casual, you know. And I remember being on a shoot once. And, you know, obviously, kind of some filmmakers can be a little casual themselves, not necessarily in the work, but in the way they present themselves, right? And I remember sitting down, we were interviewing this CEO, and he said, who, you know, who are you? Oh, we're casual films. He's like, Oh, is that why that guy's got ripped jeans? Is it? And I just thought, Damn, you know, we really left ourselves open to that. There was also, there was a time one of our early competitors was called Agile films. And so, you know, I remember talking to one of our clients who said, you know, it's casual, you know, when I have to put together a little document to say, you know, which, which supplier we should choose, and when I lay it on my boss's desk, and one says casual films, and one says agile films, it's like those guys are landing the first punch. But anyway, we, you know, we, what we say now is like, you know, we take a complex process and make it casual. You know, filmmaking, particularly for like, large, complex organizations where you've got lots of different stakeholders, can be very complicated. And so, yeah, we sort of say, you know, we'll take a lot of that stress off, off our clients. So that's kind of the rationale, you know, that we've arrived with, arrived at having spoken to lots of our clients about the role that we play for them. So, you know, there's a kind of positive spin on it, I guess, but I don't know. I don't know whether I'd necessarily call it casual again. I don't know if I'm supposed to say that or not, but, oh, Michael Hingson  32:00 it's unique, you know? So, yeah, I think there's a lot of merit to it. It's a unique name, and it interests people. I know, for me, one of the things that I do is I have a way of doing this. I put all of my business cards in Braille, so the printed business cards have Braille on them, right? Same thing. It's unique completely. Nick Francis  32:22 And you listen, you know what look your name is an empty box that you fill with your identity. They say, right? And casual is actually, it's something we've grown into. And you know it's we've been going for nearly 20 years. In fact, funny enough for the end of this year is the 20th anniversary of that first film we made for the for the charity. And then next summer will be our 20th anniversary, which is, you know, it's, it's both been incredibly short and incredibly long, you know, I think, like any kind of experience in life, and it's been some of the hardest kind of times of my entire life, and some of the best as well. So, you know, it's, it is what it is, but you know, casual is who we are, right? I would never check, you know? I'd never change it. Michael Hingson  33:09 Now, no, of course not, yeah. So is the actual name casual films, or just casual? Nick Francis  33:13 So it was casual films, but then everyone calls us casual anyway, and I think, like as an organization, we probably need to be a bit more agnostic about the outcome. Michael Hingson  33:22 Well, the reason I asked, in part was, is there really any filming going on anymore? Nick Francis  33:28 Well, that's a very that's a very good question. But have we actually ever made a celluloid film? And I think the answer is probably no. We used to, back in the day, we used to make, like, super eight films, which were films, I think, you know, video, you know, ultimately, if you're going to be really pedantic about it, it's like, well, video is a digital, digital delivery. And so basically, every film we make is, is a video. But there is a certain cachet to the you know, because our films are loved and crafted, you know, for good or ill, you know, I think to call them, you know, they are films because, because of the, you know, the care that's put into them. But it's not, it's, it's not celluloid. No, that's okay, yeah, well, Michael Hingson  34:16 and I know that, like with vinyl records, there is a lot of work being done to preserve and capture what's on cellular film. And so there's a lot of work that I'm sure that's being done to digitize a lot of the old films. And when you do that, then you can also go back and remaster and hopefully in a positive way, and I'm not sure if that always happens, but in a positive way, enhance them Nick Francis  34:44 completely, completely and, you know, it's, you know, it's interesting talking about, like, you know, people wanting to step back. You know, obviously vinyl is having an absolute as having a moment right now. In fact, I just, I just bought a new stylist for my for my record. Play yesterday. It sounded incredible as a joy. This gave me the sound quality of this new style. It's fantastic. You know, beyond that, you know, running a company, you know, we're in nine offices all over the world. We produce nearly 1000 projects a year. So, you know, it's a company. It's an incredibly complicated company. It's a very fun and exciting company. I love the fact that we make these beautifully creative films. But, you know, it's a bit, I wouldn't say it's like, I don't know, you don't get many MBAs coming out of business school saying, hey, I want to set up a video production company. But, you know, it's been, it's been wonderful, but it's also been stressful. And so, you know, I've, I've always been interested in pottery and ceramics and making stuff with my hands. When I was a kid, I used to make jewelry, and I used to go and sell it in nightclubs, which is kind of weird, but, you know, it paid for my beers. And then whatever works, I say kid. I was 18. I was, I was of age, but of age in the UK anyway. But now, you know, over the last few 18 months or so, I've started make, doing my own ceramics. So, you know, I make vases and and pictures and kind of all sorts of stuff out of clay. And it's just, it's just to be to unplug and just to go and, you know, make things with mud with your hands. It's just the most unbelievably kind of grounding experience. Michael Hingson  36:26 Yeah, I hear you, yeah. One of the things that I like to do is, and I don't get to do it as much as I would like, but I am involved with organizations like the radio enthusiasts of Puget Sound, which, every year, does recreations of old radio shows. And so we get the scripts we we we have several blind people who are involved in we actually go off and recreate some of the old shows, which is really a lot of fun, Nick Francis  36:54 I bet, yeah, yeah, sort of you know that connection to the past is, is, yeah, it's great radio. Radio is amazing. Michael Hingson  37:03 Anyway, what we have to do is to train some of the people who have not had exposure to old radio. We need to train them as to how to really use their voices to convey like the people who performed in radio, whatever they're doing, because too many people don't really necessarily know how to do that well. And it is, it is something that we're going to work on trying to find ways to get people really trained. And one of the ways, of course, is you got to listen to the old show. So one of the things we're getting more and more people to do when we do recreations is to go back and listen to the original show. Well, they say, Well, but, but that's just the way they did it. That's not necessarily the way it should be done. And the response is, no, that's not really true. The way they did it sounded natural, and the way you are doing it doesn't and there's reality that you need to really learn how to to use your voice to convey well, and the only way to do it is to listen to the experts who did it. Nick Francis  38:06 Yeah, well, it's, you know, it's amazing. The, you know, when the BBC was founded, all the news readers and anyone who appeared on on the radio to to present or perform, had to wear like black tie, like a tuxedo, because it was, you know, they're broadcasting to the nation, so they had to, you know, they had to be dressed appropriately, right, which is kind of amazing. And, you know, it's interesting how you know, when you, when you change your dress, when you change the way you're sitting, it does completely change the way that you project yourself, yeah, Michael Hingson  38:43 it makes sense, yeah, well, and I always enjoyed some of the old BBC radio shows, like the Goon Show, and completely some of those are so much fun. Nick Francis  38:54 Oh, great, yeah, I don't think they were wearing tuxedo. It's tuxedos. They would Michael Hingson  38:59 have been embarrassed. Yeah, right, right. Can you imagine Peter Sellers in a in a tux? It just isn't going to happen. Nick Francis  39:06 No, right, right. But yeah, no, it's so powerful. You know, they say radio is better than TV because the pictures are better. Michael Hingson  39:15 I agree. Yeah, sure, yeah. Well, you know, I I don't think this is quite the way he said it, but Fred Allen, the old radio comedian, once said they call television the new medium, because that's as good as it's ever going Nick Francis  39:28 to get. Yeah, right, right, yeah. Michael Hingson  39:32 I think there's truth to it. Whether that's exactly the way he said it or not, there's truth to that, yeah, but there's also a lot of good stuff on TV, so it's okay. Nick Francis  39:41 Well, it's so interesting. Because, you know, when you look at the it's never been more easy to create your own content, yeah, and so, you know, and like, in a way, TV, you know, he's not wrong in that, because it suddenly opened up this, this huge medium for people just to just create. Right? And, you know, and I think, like so many people, create without thinking, and, you know, and certainly in our kind of, in the in the world that we're living in now with AI production, making production so much more accessible, actually taking the time as a human being just to really think about, you know, who are the audience, what are the things that are going to what are going to kind of resonate with them? You know? Actually, I think one of the risks with AI, and not just AI, but just like production being so accessible, is that you can kind of shoot first and kind of think about it afterwards, and, you know, and that's never good. That's always going to be medium. It's medium at best, frankly. Yeah, so yeah, to create really great stuff takes time, you know, yeah, to think about it. Yeah, for sure, yeah. Michael Hingson  40:50 Well, you know, our podcast is called unstoppable mindset. What do you think that unstoppable mindset really means to you as a practical thing and not just a buzzword. Because so many people talk about the kinds of buzzwords I hear all the time are amazing. That's unstoppable, but it's really a lot more than a buzzword. It goes back to what you think, I think. But what do you think? Nick Francis  41:15 I think it's something that is is buried deep inside you. You know, I'd say the simple answer is, is just resilience. You know, it's, it's been rough. I write anyone running a small business or a medium sized business at the minute, you know, there's been some tough times over the last, kind of 1824, months or so. And, you know, I was talking to a friend of mine who she sold out of her business. And she's like, you know, how are things? I was like, you know, it's, it's, it's tough, you know, we're getting through it, you know, we're changing a lot of things, you know, we're like, we're definitely making the business better, but it's hard. And she's like, Listen, you know, when three years before I sold my company, I was at rock bottom. It was, I genuinely thought it was so stressful. I was crushed by it, but I just kept going. And she's just like, just keep going. And the only difference between success and failure is that resilience and just getting up every day and you just keep, keep throwing stuff at the wall, keep trying new things, keep working and trying to be better. I think, you know, it's funny when you look at entrepreneurs, I'm a member of a mentoring group, and I hope I'm not talking out of school here, but you know, there's 15 entrepreneurs, you know, varying sizes of business, doing all sorts, you know, across all sorts of different industries. And if you sat on the wall, if you were fly on the wall, and you sit and look at these people on a kind of week, month to month basis, and they all present on how their businesses are going. You go, this is this being an entrepreneur does not look like a uniformly fun thing, you know, the sort of the stress and just, you know, people crying and stuff, and you're like, gosh, you know, it's so it's, it's, it's hard, and yet, you know, it's people just keep coming back to it. And yet, I think it's because of that struggle that you have to kind of have something in built in you, that you're sort of, you're there to prove something. And I, you know, I've thought a lot about this, and I wonder whether, kind of, the death of my father at such a young age kind of gave me this incredible fire to seek His affirmation, you know. And unfortunately, obviously, the tragedy of that is like, you know, the one person who would never give me affirmation is my dad. And yet, you know, I get up every day, you know, to have early morning calls with the UK or with Singapore or wherever. And you know, you just just keep on, keeping on. And I think that's probably what and knowing I will never quit, you know, like, even from the earliest days of casual, when we were just, like a couple of people, and we were just, you know, kids doing our very best, I always knew the company was going to be a success act. Like, just a core belief that I was like, this is going to work. This is going to be a success. I didn't necessarily know what that success would look like. I just but I did know that, like, whatever it took, we would map, we'd map our way towards that figure it out. We'd figure it out. And I think, you know, there's probably something unstoppable. I don't know, I don't want to sound immodest, but I think there's probably something in that that you're just like, I am just gonna keep keep on, keeping on. Michael Hingson  44:22 Do you think that resilience and unstoppability are things that can be taught, or is it just something that's built into you, and either you have it or you don't? Nick Francis  44:31 I think it's something that probably, it's definitely something that can be learned, for sure, you know. And there are obviously ways that it can there's obviously ways it can be taught. You know, I was, I spent some time in the reserve, like the Army Reserve in the UK, and I just, you know, a lot of that is about teaching you just how much further you can go. I think what it taught me was it was so. So hard. I mean, honestly, some of the stuff we did in our training was, like, you know, it's just raining and raining and raining and, like, because all your kits soaking wet is weighs twice what it did before, and you just, you know, sleeping maybe, you know, an hour or two a night, and, you know, and there wasn't even anyone shooting at us, right? So, you know, like the worst bit wasn't even happening. But like, and like, in a sense, I think, you know, that's what they're trying to do, that, you know, they say, you know, train hard and fight easy. But I remember sort of sitting there, and I was just exhausted, and I just genuinely, I was just thought, you know, what if they tell me to go now, I just, I can't. I literally, I can't, I can't do it. Can't do it. And then they're like, right, lads, put your packs on. Let's go and just put your pack on. Off you go, you know, like, this sort of, the idea of not, like, I was never going to quit, just never, never, ever, you know, and like I'd physically, if I physically, like, literally, my physical being couldn't stand up, you know, I then that was be, that would be, you know, if I was kind of, like literally incapacitated. And I think what that taught me actually, was that, you know, you have what you believe you can do, like you have your sort of, you have your sort of physical envelope, but like that is only a third or a quarter of what you can actually achieve, right, you know. And I think what that, what the that kind of training is about, and you know, you can do it in marathon training. You can do it in all sorts of different, you know, even, frankly, meditate. You know, you train your mind to meditate for, you know, an hour, 90 minutes plus. You know, you're still doing the same. You know, there's a, there's an elasticity within your brain where you can teach yourself that your envelope is so much larger. Yeah. So, yeah, you know, like, is casual going to be a success? Like, I'm good, you know, I'm literally, I won't I won't stop until it is Michael Hingson  46:52 right, and then why stop? Exactly, exactly you continue to progress and move forward. Well, you know, when everything feels uncertain, whether it's the markets or whatever, what do you do or what's your process for finding clarity? Nick Francis  47:10 I think a lot of it is in having structured time away. I say structured. You build it into your calendar, but like, but it's unstructured. So, you know, I take a lot of solace in being physically fit. You know, I think if you're, if you feel physically fit, then you feel mentally far more able to deal with things. I certainly when I'm if I'm unfit and if I've been working too much and I haven't been finding the time to exercise. You know, I feel like the problems we have to face just loom so much larger. So, you know, I, I'll book out. I, you know, I work with a fan. I'm lucky enough to have a fantastic assistant who, you know, we book in my my exercise for each week, and it's almost the first thing that goes in the calendar. I do that because I can't be the business my my I can't be the leader my business requires. And it finally happened. It was a few years ago I kind of, like, the whole thing just got really big on me, and it just, you know, and I'm kind of, like, being crushed by it. And I just thought, you know what? Like, I can't, I can't fit other people's face mask, without my face mask being fit, fitted first. Like, in order to be the business my business, I keep saying that to be the lead in my business requires I have to be physically fit. So I have to look after myself first. And so consequently, like, you know, your exercise shouldn't be something just get squeezed in when you find when you have time, because, you know, if you've got family and you know, other things happening, like, you know, just will be squeezed out. So anyway, that goes in. First, I'll go for a bike ride on a Friday afternoon, you know, I'll often listen to a business book and just kind of process things. And it's amazing how often, you know, I'll just go for a run and, like, these things that have been kind of nagging away in the back of my mind, just suddenly I find clarity in them. So I try to exercise, like, five times a week. I mean, that's obviously more than most people can can manage, but you know that that really helps. And then kind of things, like the ceramics is very useful. And then, you know, I'm lucky. I think it's also just so important just to appreciate the things that you already have. You know, I think one of the most important lessons I learned last year was this idea that, you know, here is the only there. You know, everyone's working towards this kind of, like, big, you know, it's like, oh, you know, when I get to there, then everything's going to be okay, you know. And actually, you know, if you think about like, you know, and what did you want to achieve when you left college? Like, what was the salary band that you want? That you wanted to achieve? Right? A lot of people, you know, by the time you hit 4050, you've blown way through that, right? And yet you're still chasing the receding Summit, yeah, you know. And so actually, like, wherever we're trying to head to, we're already there, because once you get there, there's going to be another there that you're trying to. Head to right? So, so, you know, it's just taking a moment to be like, you know, God, I'm so lucky to have what I have. And, you know, I'm living in, we're living in the good old days, like right now, right? Michael Hingson  50:11 And the reality is that we're doing the same things and having the same discussions, to a large degree, that people did 50, 100 200 years ago. As you pointed out earlier, the fact is that we're, we're just having the same discussions about whether this works, or whether that works, or anything else. But it's all the same, Nick Francis  50:33 right, you know. And you kind of think, oh, you know, if I just, just, like, you know, if we just open up these new offices, or if we can just, you know, I think, like, look, if I, if I'd looked at casual when we started it as it is now, I would have just been like, absolute. My mind would have exploded, right? You know, if you look at what we've achieved, and yet, I kind of, you know, it's quite hard sometimes to look at it and just be like, Oh yeah, but we're only just starting. Like, there's so much more to go. I can see so much further work, that we need so many more things, that we need to do, so many more things that we could do. And actually, you know, they say, you know, I'm lucky enough to have two healthy, wonderful little girls. And you know, I think a lot of bread winners Look at, look at love being provision, and the idea that, you know, you have to be there to provide for them. And actually, the the truest form of love is presence, right? And just being there for them, and like, you know, not being distracted and kind of putting putting things aside, you know, not jumping on your emails or your Slack messages or whatever first thing in the morning, you know. And I, you know, I'm not. I'm guilty, like, I'm not, you know, I'm not one of these people who have this kind of crazy kind of morning routine where, like, you know, I'm incredibly disciplined about that because, you know, and I should be more. But like, you know, this stuff, one of the, one of the things about having a 24 hour business with people working all over the world is there's always things that I need to respond to. There's always kind of interesting things happening. And so just like making sure that I catch myself every so often to be like, I'm just going to be here now and I'm going to be with them, and I'm going to listen to what they're saying, and I'm going to respond appropriately, and, you know, I'm going to play a game with them, or whatever. That's true love. You know? Michael Hingson  52:14 Well, there's a lot of merit to the whole concept of unplugging and taking time and living in the moment. One of the things that we talked about in my book live like a guide dog, that we published last year, and it's all about lessons I've learned about leadership and teamwork and preparedness from eight guide dogs and my wife's service dog. One of the things that I learned along the way is the whole concept of living in the moment when I was in the World Trade Center with my fifth guide dog, Roselle. We got home, and I was going to take her outside to go visit the bathroom, but as soon as I took the harness off, she shot off, grabbed her favorite tug bone and started playing tug of war with my retired guide dog. Asked the veterinarians about him the next day, the people at Guide Dogs for the Blind, and they said, Well, did anything threaten her? And I said, No. And they said, there's your answer. The reality is, dogs live in the moment when it was over. It was over. And yeah, right lesson to learn. Nick Francis  53:15 I mean, amazing, absolutely amazing. You must have taken a lot of strength from that. Michael Hingson  53:20 Oh, I think it was, it was great. It, you know, I can look back at my life and look at so many things that have happened, things that I did. I never thought that I would become a public speaker, but I learned in so many ways the art of speaking and being relaxed at speaking in a in a public setting, that when suddenly I was confronted with the opportunity to do it, it just seemed like the natural thing to do. Nick Francis  53:46 Yeah, it's funny, because I think isn't public speaking the number one fear. It is. It's the most fit. It's the most feared thing for the most people. Michael Hingson  53:57 And the reality is going back to something that we talked about before. The reality is, audiences want you to succeed, unless you're a jerk and you project that, audiences want to hear what you have to say. They want you to be successful. There's really nothing to be afraid of but, but you're right. It is the number one fear, and I've never understood that. I mean, I guess I can intellectually understand it, but internally, I don't. The first time I was asked to speak after the World Trade Center attacks, a pastor called me up and he said, we're going to we're going to have a service outside for all the people who we lost in New Jersey and and that we would like you to come and speak. Take a few minutes. And I said, Sure. And then I asked him, How many people many people were going to be at the service? He said, 6000 that was, that was my first speech. Nick Francis  54:49 Yeah, wow. But it didn't bother me, you know, no, I bet Michael Hingson  54:54 you do the best you can, and you try to improve, and so on. But, but it is true that so many people. Are public speaking, and there's no reason to what Nick Francis  55:03 did that whole experience teach you? Michael Hingson  55:06 Well, one of the things that taught me was, don't worry about the things that you can't control. It also taught me that, in reality, any of us can be confronted with unexpected things at any time, and the question is, how well do we prepare to deal with it? So for me, for example, and it took me years after September 11 to recognize this, but one of the things that that happened when the building was hit, and Neither I, nor anyone on my side of the building really knew what happened. People say all the time, well, you didn't know because you couldn't see it. Well, excuse me, it hit 18 floors above us on the other side of the building. And the last time I checked X ray vision was fictitious, so nobody knew. But did the building shake? Oh, it tipped. Because tall buildings like that are flexible. And if you go to any tall building, in reality, they're made to buffet in wind storms and so on, and in fact, they're made to possibly be struck by an airplane, although no one ever expected that somebody would deliberately take a fully loaded jet aircraft and crash it into a tower, because it wasn't the plane hitting the tower as such that destroyed both of them. It was the exploding jet fuel that destroyed so much more infrastructure caused the buildings to collapse. But in reality, for me, I had done a lot of preparation ahead of time, not even thinking that there would be an emergency, but thinking about I need to really know all I can about the building, because I've got to be the leader of my office, and I should know all of that. I should know what to do in an emergency. I should know how to take people to lunch and where to go and all that. And by learning all of that, as I learned many and discovered many years later, it created a mindset that kicked in when the World Trade Center was struck, and in fact, we didn't know until after both towers had collapsed, and I called my wife. We I talked with her just before we evacuated, and the media hadn't even gotten the story yet, but I never got a chance to talk with her until after both buildings had collapsed, and then I was able to get through and she's the first one that told us how the two buildings had been hit by hijacked aircraft. But the mindset had kicked in that said, You know what to do, do it and that. And again, I didn't really think about that until much later, but that's something that is a lesson we all could learn. We shouldn't rely on just watching signs to know what to do, no to go in an emergency. We should really know it, because the knowledge, rather than just having information, the true intellectual knowledge that we internalize, makes such a big difference. Nick Francis  57:46 Do you think it was the fact that you were blind that made you so much more keen to know the way out that kind of that really helped you to understand that at the time? Michael Hingson  57:56 Well, what I think is being blind and growing up in an environment where so many things could be unexpected, for me, it was important to know so, for example, when I would go somewhere to meet a customer, I would spend time, ahead of time, learning how to get around, learning how to get to where they were and and learning what what the process was, because we didn't have Google Maps and we didn't have all the intellectual and and technological things that we have today. Well intellectual we did with the technology we didn't have. So today it's easier, but still, I want to know what to do. I want to really have the answers, and then I can can more easily and more effectively deal with what I need to deal with and react. So I'm sure that blindness played a part in all of that, because if I hadn't learned how to do the things that I did and know the things that I knew, then it would have been a totally different ball game, and so sure, I'm sure, I'm certain that blindness had something to do with it, but I also know that, that the fact is, what I learned is the same kinds of things that everyone should learn, and we shouldn't rely on just the signs, because what if the building were full of smoke, then what would you do? Right? And I've had examples of that since I was at a safety council meeting once where there was somebody from an electric company in Missouri who said, you know, we've wondered for years, what do we do if there's a fire in the generator room, in the basement, In the generator room, how do people get out? And he and I actually worked on it, and they developed a way where people could have a path that they could follow with their feet to get them out. But the but the reality is that what people first need to learn is eyesight is not the only game in town. Yeah, right. Mean, it's so important to really learn that, but people, people don't, and we take too many things for granted, which is, which is really so unfortunate, because we really should do a li

Join Chris and Susan for a very special holiday episode honoring director Peter Medak whose prolific career included working with directors Alfred Hitchcock and David Lean and film industry icons Peter O'Toole and Peter Sellers, to directing six episodes of 'Homicide: Life on the Street' over the course of four seasons. We're also excited to offer a very special holiday treat for our listeners. Enjoy! And have a great holiday season! And if you'd like to contribute to the podcast, you can "Buy us a coffee," at https://buymeacoffee.com/homicidepoq Thanks for listening! Connect with us on Social Media BlueSky https://bsky.app/profile/homicidepod.bsky.social Instagram https://www.instagram.com/homicidepod/ Threads https://www.threads.net/@homicidepod X

“You call this a life?”This week we dip into the big red book and examine Spike Milligan's two famously chaotic appearances on This Is Your Life — first in 1973 at an army reunion in Bexhill and again in 1995 in the wake of Spike's infamous crack at Prince Charles at the British Comedy Awards. From bungled surveillance operations and surprise reunions to war memories, old squeezes, secret sons and unresolved tensions, these programmes offer an occasionally revealing — and sometimes unsettling — portrait of Spike at two very different points in his life.Joining Tyler this week is co-host of World Of Telly John Williams and the pair try to navigate the uneasy compression of a vast, contradictory life into television-friendly fare.Along the way we encounter Peter Sellers in Nazi garb, Robert Graves refusing retakes because “the milkman is part of life”, Harry Secombe on VT, Eric Sykes restoring some semblance of order to proceedings, Michael Bentine getting a warm reception, Roger McGough falling a bit flat and a surprise appearance from a reclusive billionaire. We also examine the differing styles of Eamonn Andrews and Michael Aspel – the former being all awkward and lacking spontaneity; the latter oozing affable charm and keeping the show on the rails. These two programmes, separated by 22 years, chart not just Spike Milligan's public career but his private fractures — family divisions, emotional debts, and the limits of nostalgia. They also expose the clumsy mechanics of This Is Your Life itself: a format built for uplift struggling to contain a life defined by contradiction, pain, brilliance and refusal to behave.

On this episode of More Rosebud we meet the celebrated biographer, journalist and writer Roger Lewis, "a bundle of nerves and rage and disappointment". Roger is the author of several acclaimed biographies, including Erotic Vagrancy, about Richard Burton and Elizabeth Taylor, and The Life and Death of Peter Sellers. In this extremely funny and fascinating episode, Roger tells Gyles about his childhood in South Wales, he was the precocious eldest son of an affluent family of butchers and farmers. He talks about his university days, how he studied under John Bayley, and how he became a writer. Woven through this life story are interesting discussions of memory and recollection, and of the self and identity, and of what it means to reconstruct someone's life into a biography. This episode is well worth your time, and Roger's unstinting honesty as he talks about himself and others will stop you in your tracks and make you laugh. Enjoy this.At the end of this episode Gyles and Harriet have an exciting announcement about the Rosebud Family, the new subscription service we're launching in the new year 2026. More details coming soon! Hosted on Acast. See acast.com/privacy for more information.

En ny plade er blevet hevet ud af The White Albums toploader. Det sorte inner sleeve klæder det hvide cove. Der står side 3 på det grønne æble-label. Og nu skal der rockes. The White Album tager mange spændende drejninger, og på den tredje side skal der  spilles igennem. Med to undtagelser er det rock-bandet The Beatles der er på tallerknen. Nikolaj Muldkær har fortsat sin Martin guitar på skødet og klaveret i nærheden og tager lytteren i hånden gennem sangene, en for en, som Toppermost formatet foreskriver. Der tales om mange interessante temaer undervejs: Hørte The Beatles Cliff Richard? Kan fætter Eskild spille Blues? Er der en anden del af "The Fool On The Hill"? Burde man forbyde brandklokker i studiet? Var The Beatles for gavmilde med Peter Sellers? Kan man være for skråsikker når man omskriver mange års enighed om hvem der spiller bas på et nummer? Kan man gemme en smuk, smuk sang for langt væk? Episoden starter dog med et kærligt livtag med "Hey Jude". Gigant-singlen der blev indspillet undervejs i 1968.   Lyt med. Vi er på vej mod revolutionen – men side 3 ligger klar, hvis man vil blæses igennem.   ELSKER THE BEATLES BOGEN KAN ERHVERVES HER: https://hakon-holm.dk/shop/elsker-the-beatles/

Harry Secombe could have had reasonable grounds for claiming to be the hardest working man in showbusiness in January 1958: panto (Puss In Boots), TV (Sunday Night At The London Palladium), the Goons, a movie (Davy) and goodness knows what else. Likewise, his colleague Peter Sellers was feeling the pressure of work and his doctor advised a rest on what would have been a scheduled Goon Show recording day. As a result – and much to the chagrin of Spike Milligan – on Sunday 19th January two Goon Shows were recorded, including the one we're discussing this week, freeing up the following Sunday for Sellers to spend some time with his cameras. The Curse of Frankenstein, as the title suggests, concerns a dying Laird intending to leave his entire fortune to the first Scotsman to play the bagpipes at the South Pole. Joining Tyler this week is returning guest Chas Early and as well as breaking down the episode they chat Morecambe & Wise, Aussie politicians, a waxwork Welshman, the Quarrymen and Spike the balladeer!

To coincide with this week's long-awaited "Fun For All Ages" Jackie Martling-Billy West reunion, GGACP turns back the clock to 2019, when the boys made their first joint appearance on the "Amazing Colossal Podcast." In this episode, Jackie and Billy talk about the cinema of George Pal, the versatility of Paul Frees, the uniqueness of Peter Sellers and the enduring legend of Joe Franklin. Also, Jonathan Winters disses Don Adams, Jack Carter guests on “Ren & Stimpy,” Billy meets The Man from Uncle and Jackie weighs in on the Gilbert-Shecky Greene clash. PLUS: “7 Faces of Dr. Lao”! The Jackie puppet returns! Curly Howard takes a bullet! And George Jessel duets with…George Jessel?  Learn more about your ad choices. Visit megaphone.fm/adchoices

tapecase radio | episode two twenty seven | peter sellers | touch touch publishing presents tapecase radio. featuring sound and music by rhan small ernst, the…

Viva la resistance! Over the next four episodes we'll be looking at how Old Hollywood talks about politics, independence and democracy and we jump into the Cold War 1960s with this Stanley Kubrick satire.  Dr. Strangelove is the de facto movie about the Cold War, though it's presented alongside a spate of movies specifically in 1964 looking at nuclear fears. Film critic Jeff Ewing joins Kristen and Emily to discuss America's fascination with nuclear weapons, Kubrick hate, and whether there's ever enough Peter Sellers. Looking to read the JSTOR article Kristen keeps citing? You can do it here. Be sure to follow us via social media at @ticklish_biz on X and @ticklishbiz everywhere else. Also like and subscribe to us on all podcast apps and, if you love us, leave us a review. Find Kristen and Emily's books wherever you buy books. Kristen's latest, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Popcorn Disabilities⁠⁠⁠⁠⁠⁠⁠⁠⁠, is available to pre-order now before it releases on November 13th!     •    Love T shirts, pins, and other merch? ⁠⁠⁠⁠⁠⁠⁠⁠⁠The merch shop is live⁠⁠⁠⁠⁠⁠⁠⁠⁠!      •    ICMYI, the best way to support Ticklish Biz is to ⁠⁠⁠⁠⁠⁠⁠⁠⁠become a Patron⁠⁠⁠⁠⁠⁠⁠⁠⁠:     •    ⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Emily's Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠    •    ⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Kristen's Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠ This episode was created thanks to our Patrons: Ali Moore Danny David Floyd Gates mcf Shawn Goodreau A Button Called Smalls Chris McKay Jacob Haller Peter Blitstein Peter Bryant Reyna Moya-James Bridget M. Hester Cat Cooper Daniel Tafoya David Baxter Diana Madden Harry Holland Jamie Carter Karen Yoder Lucy Soles Nick Weerts Patrick Seals Richard Silver Rosa Learn more about your ad choices. Visit megaphone.fm/adchoices

From 1995 to 2002 Heroes Of Comedy on Channel 4 showcased and celebrated some of the finest comic talents Britain has ever produced and this week, with returning guest Chris Diamond, we're taking a look at the series with particular emphasis on three editions: The Goons, Terry-Thomas & Tommy Cooper. It's a sprawling and highly entertaining chat which covers lot of ground including:Max Wall - Spike in Peter Sellers' car boot - Denis Healey as Bloodnok - kicking Bob Todd up the arse - Tommy Cooper's death on stage - Vault of Horror - Dick Lester - The Obituary Show - WHY Nigel Havers? - The Mouse That Roared TV pilot - Tarby's TT theft - Harry's hoary stories - airing dead comics' dirty laundry in public - Richard Briers - Jack Benny - Fierce Creatures - Frank Muir's TV Heaven - the decline of Terry-Thomas - Julia Breck - Victor Lewis-Smith - Liberace with TT & Richard Wattis - Danny Baker & Tommy Cooper - Clive James - Telly Addicts - Ruxton Hayward - Max Miller's creepy animatronic doll - Hannibal Lecter does Terry Cooper - Michael Bentine: clever or funny? - Spike hates the BBC - YouTube has spoiled us - Fantabulosa! - producer John Fisher - Jonathan Miller - bored with The Last Goon Show of All - Terry Pratchett - Pat Dixon - The Naked Truth - "Hard Cheese!"

"It is seldom enough that I can recommend any record - let alone an LP - without strict reservations of one kind or another. But here, for once, go in and buy the thing - with my blessing. If you have any feeling for the past, the present or the future, you won't regret it."- Pete Murray, 19th May 1962. This week we're exploring one of George Martin's most inventive pre-Beatles productions — Michael Bentine's 1962 LP It's A Square World. The record was an aural distillation of Bentine's award-winning BBC television show of the same name, which was by this point into its third series. Across twelve sketches we're exposed to dozens of characters (all performed by Bentine), surreal sound effects and the kind of sonic experimentation that would later define Martin's production style. Even the silences between sketches are filled with mock commercials and absurd announcements – nothing is wasted, everything is packed, dense with invention… even if not all of it comes off! Joining Tyler is host of Producing The Beatles, Jason Kruppa, who talks about where Martin was in his career at the point of the LP's release – ‘Time Beat' had come out the month before and he was a month off meeting the Beatles - plus how he augmented Bentine's ideas in the studio, ably assisted by engineer Stuart Eltham. There is plenty to like about It's A Square World, such as ‘The Shrdlu', ‘French For Beginners' and ‘The Film Extra Of The Year Award' (originally written for the Yes, It's The Cathode Ray Show for Peter Sellers) and even those sketches that haven't dated as well still have points of interest – even if Tyler missed the point of a couple of them first time round! Producing The Beatles can be found here: https://www.producingthebeatles.com/

Welcome to the podcast. Thanks for listening. If you're enjoying these memories, please subscribe to our channel or Google the Wisconsin Broadcast Association Museum. Today we're stepping into the glittering world of 1960s Hollywood with a guest who lit up both the Silver Screen and the international stage. Born in Germany and discovered while vacationing in Italy, Elke Sommer became one of the most recognizable European stars to conquer Hollywood, starring alongside legends like Peter Sellers, Paul Newman, and Bob Hope. Known for her striking beauty, quick wit, and undeniable charm, she brought a unique blend of sophistication and playfulness to every role, from comedies to thrillers. Beyond acting, Elke is a talented painter, writer, and a woman whose life is as fascinating as her film career.

"It's the only time Sellers had to duplicate himself, at least physically." - Roger Lewis on The Prisoner Of Zenda. This 1979 film is an adaptation of the classic Anthony Hope adventure yarn with a screenplay by Dick Clement & Ian La Frenais. Peter Sellers plays both Rudolf V, the bumbling King of Ruritania, and his English look-alike, Sydney Frewin, who must impersonate the monarch after Rudolf is kidnapped by his villainous half-brother, Duke Michael (Jeremy Kemp). As Frewin struggles with royal duties and falls for Princess Flavia (Lynne Frederick) the hunt is on for the imprisoned King, with his trusted subordinates General Sapt (Lionel Jeffries) and Fritz (Simon Williams) anxious to restore order to Ruritania. The film suffers from a rather lacklustre screenplay containing a paucity of jokes yet somehow Sellers manages to wring comedy out of the lumpen script, particularly with his characterisation of Frewin. Tensions were high on the set and Sellers' increasing manic behaviour and demands impacted not just Jeffries and Williams but the film's director Richard Quine. Famously they had to repaint an entire train to accommodate Sellers' bizarre superstitions!Joining Tyler to discuss the film is writer & performer John Hewer, who also has some exciting news for Spike Milligan fans!

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: In which year was Amélie first released in the cinema? Question 2: Who is the Greek equivalent of the Roman god Discordia? Question 3: Which actor played the role of Terry Malloy in On the Waterfront? Question 4: Which actor played the role of William 'Bill the Butcher' Cutting in Gangs of New York? Question 5: What is the name of the Islamic practice of charity? Question 6: Which character, played by Peter Sellers, famously mispronounces words like 'room', 'phone', and 'monkey'? Question 7: Which film contains the character 'Stanley Kowalski'? Question 8: What is the name of the villain in Pinocchio? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Originally released March 16, 2021Sometimes, all it takes to write a signature song is...quitting your band. During a sabbatical from the tense White Album sessions of 1968, a trip on Peter Sellers' boat gave Ringo the inspiration for "Octopus's Garden." With a little help from his friends, George in particular, he was able to put together something that's incredibly charming and fun, and the last example of the band all pulling together to support their beloved drummer; it's a stellar performance all around, and a sonic gem, along with the rest of Abbey Road. As childlike and saccharine as it may be though, is it possible this is a much deeper song, where Ringo's really seeking out some shelter from the storm around him? Could this be his "Help"?We're joined this week by Liz Stokes and Jonathan Pearce, 1/2 of the New Zealand-based rock band The Beths. Their latest album Jump Rope Gazers, out now on Carpark Records, was in our top 3 albums of 2020, a literal constant quarantine companion. It's linked in our Linktree above. Over the last few years, their blend of propulsive, sing-along choruses, four-part vocal arrangements, and wry, introspective lyrics has earned them fans around the world, as well as opening slots for indie rock titans like The Breeders, Pixies, Weezer, and Death Cab for Cutie. We chatted on Mardi Gras day about all sorts of things, from very different Beatle-fan perspectives, and, in a podcast first, Jonathan admits that he maybe got his ranking wrong on this one.What do you think about "Octopus' Garden" at #178? Too high? Too low? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠find us now on Bluesky!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, some of our new Revolver-themed merch, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

Now here's a man with a whole bunch of stories. Malcolm McDowell joins the Film Stories podcast for a special episode, where we go through his stories. The conversation takes us from ITV's Crossroads to his latest release - The Partisan - which is in cinemas now (and on digital from 27th October.) We find out where Burscough comes into his life, there are stories about Peter Sellers, a bit of Michael Caine, and his work on The Partisan too... Learn more about your ad choices. Visit megaphone.fm/adchoices

My conversation with Roger Lewis, author of "The Life and Death of Peter Sellers"

Sam Leith's guest in this week's Book Club podcast is Roger Lewis, whose book The Life and Death of Peter Sellers has been republished to mark 100 years since the comedian's birth. Roger tells Sam about the difference between Sellers's public persona and private life, plus his influence on comedy today. They also discuss how Roger reinvented the way biographies were written, and whether the view he had of Sellers as a teenager changed through writing the book.Produced by James Lewis. Hosted on Acast. See acast.com/privacy for more information.

Visit: RadioLawTalk.com for information & full episodes! Follow us on Facebook: bit.ly/RLTFacebook Follow us on Twitter: bit.ly/RLTTwitter Follow us on Instagram: bit.ly/RLTInstagram Subscribe to our YouTube channel: www.youtube.com/channel/UC3Owf1BEB-klmtD_92-uqzg Your Radio Law Talk hosts are exceptional attorneys and love what they do! They take breaks from their day jobs and make time for Radio Law Talk so that the rest of the country can enjoy the law like they do. Follow Radio Law Talk on Youtube, Facebook, Twitter & Instagram!

Sam Leith's guest in this week's Book Club podcast is Roger Lewis, whose book The Life and Death of Peter Sellers has been republished to mark 100 years since the comedian's birth. Roger tells Sam about the difference between Sellers's public persona and private life, plus his influence on comedy today. They also discuss how Roger reinvented the way biographies were written, and whether the view he had of Sellers as a teenager changed through writing the book.Produced by James Lewis.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!This week the dads step into glamorous 1960s Europe with Blake Edwards' The Pink Panther (1963) — the first outing for Peter Sellers' bumbling Inspector Clouseau.For many of us, this was like watching it for the first time. Sure, we'd caught bits on Sunday TV over the years, but sitting down start-to-finish was a new experience — and a surprising one. Despite being branded a Clouseau movie, Sellers actually takes a back seat to David Niven's dashing jewel thief Sir Charles Lytton and Robert Wagner's playboy nephew George.We dig into:The film's mix of heist caper and sixties sex comedy — sometimes charming, sometimes painfully long.Sellers' scene-stealing slapstick: globes, violins, and his endless (and fruitless) attempts to seduce his wife.David Niven's unlikely role as a 50-something ladies' man — suave or just icky in hindsight?The technicolour glamour of Cortina ski resorts, high society parties, and that unforgettable animated title sequence.Whether The Pink Panther works better as a star vehicle for Niven/Wagner or as a platform for Sellers' Clouseau — and why the sequels got the balance right.It's long, it's dated, it's occasionally hilarious — and it launched one of cinema's most iconic comedy characters.

Over the course of his relatively short film career Peter Sellers appeared in a lot of movies but this week we are looking at those film projects that he was at one stage attached to and were either never made or made withouthis involvement. Joining Tyler is actor Patrick Strain and the two of them consider such 'might have beens' as The Alien, God Ha Ha, Arigato, I'm All Right Jack 2 and The Phantom Vs The Fourth Reich. They also wonder how different 10, Topkapi and The Private Life of Sherlock Holmes - among many others - might have been had Sellers starred in them.

Carlos Boyero comenta el estreno: "EL CAUTIVO", de una que esté en los cines: "MISTERIOSO ASESINATO EN LA MONTAÑA" y habla de los  100 años del nacimiento de Peter Sellers. En el Club de la Escucha Eugenio Vinas nos descubre el podcast MNEMÓSINE, que cuenta la historia de una neuróloga que investiga el papel de la música y el sonido en la formación de los recuerdos. Nieves Concostrina sigue con El gran carajal de la guerra de Marruecos. Esta entrega: La Semana Trágica de Barcelona. Terminamos con 'Lo que queda del día' de Isaías Lafuetne

The (former) Deputy Prime Minister resigns literally two minutes before we press “record”. Regulars Rafael Behr and Andrew Harrison plus special guest Steve Richards of the Rock'n'Roll Politics podcast rage at the brutal destruction of Angela Rayner and the uncontrolled power of the far-right press – and ask if there's any place for flawed humans or the working class in politics at all. Plus: As Steve publishes Tony Blair a razor-sharp analysis of Britain's last great Prime Minister, we look at the long reign of the leader they once called “Bambi” and ask whether Labour will ever get over it.  • Buy Tony Blair [through our affiliate bookshop and you'll help fund OGWN by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too. • Get our exclusive NordVPN deal here. It's risk-free with Nord's 30-day money back guarantee!  ESCAPE ROUTES  • Steve has been watching classic Michael Parkinson interviews on YouTube, especially this one with Peter Sellers.  • Raf has been playing folk-style live shows with a bit of blues with Theo Bard.  • Andrew recommends the scorching Swedish rock'n'roll of The Hives. • Advertisers! Want to reach smart, engaged, influential people with money to spend? (Yes, they do exist). Some 3.5 MILLION people download and watch our podcasts every month – and they love our shows. Why not get YOUR brand in front of our influential listeners with podcast advertising? Contact ads@podmasters.co.uk to find out more • Back us on Patreon or ad-free listening, bonus materials and more.  Written and presented by Andrew Harrison with Rafael Behr. Audio production by Robin Leeburn. Theme music by Cornershop. Art direction: James Parrett. Produced by Chris Jones. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production. www.podmasters.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

GGACP celebrates the birthday (September 9) of recurring guest and friend of the podcast, Emmy-winning writer-director-producer Bill Persky by presenting this ENCORE of his very first appearance back in 2014. In this episode, Bill talks about his working relationship with the late, great Carl Reiner, creating “That Girl” with partner Sam Denoff, directing episodes of "Kate & Allie" and "Welcome Back Kotter" and working with virtually EVERYONE in show business — including Julie Andrews, Tim Conway, Bob Hope, Gene Kelly, Mary Tyler Moore, Peter Sellers and Orson Welles (to name but a few). Learn more about your ad choices. Visit megaphone.fm/adchoices

Mit einem Trick schafft Sellers (geb. am 8.9.1925) es ins Radio, als Pink-Panther-Inspektor Clouseau nach Hollywood. Er ist ein Meister der Imitation, dem der Ruhm zusetzt. Von Axel Naumer.

Tido por alguns como o melhor ator de comédia de sempre, o eterno Pantera Cor-de-Rosa nasceu faz hoje 100 anos. Sabia que ele entrou num 007 de rir? Ele e o Woody Allen. E o Orson Welles.

Buchmann, Anja www.deutschlandfunk.de, Corso

A pause, a charity appeal, bad backs and massages, reviews, Armani, Peter Sellers, and The Beatles.We've been outspoken about mental health Now we're backing Stay Tuned - a podcast-powered campaign to smash the stigma surrounding suicide and raise money for CALM. The support we've had from the TFTM community has meant a lot, and we're hoping you'll back CALM in the same way. If you can, sling a few quid their way and help them save lives. https://tiltify.com/@sam-delaney/stay-tuned-2025-top-flight-time-machines-fundraiser-for-calm Hosted on Acast. See acast.com/privacy for more information.

In connection with the latest "Fun For All Ages" tribute to "The Love Boat," GGACP revisits this 2019 interview with Captain Stubing himself, actor Gavin MacLeod. In this memorable episode, Gavin joins Gilbert and Frank for a candid conversation about paying dues, playing bad guys, crushing on Marilyn Monroe, acting with (and without) a hairpiece and sharing a decades-long friendship with the late, great Ted Knight. Also, Gavin praises Cary Grant, ad-libs with Peter Sellers, cuts the rug with Bing Crosby and breaks into the business with Martin Balsam, Martin Landau and Jack Warden. PLUS: Big Chicken! “Chuckles Bites the Dust”! The brilliance of Blake Edwards! A surprise caller chimes in! And Gavin and Tony Curtis share a donut!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Phaea brings the case against her husband, Justin. Phaea says the 2006 James Bond movie CASINO ROYALE is a remake of the CASINO ROYALE from 1967. But Justin says Phaea is wrong! Both CASINOS ROYALE are adaptations of the Ian Fleming novel from 1953. Justin says that aside from the source material, the two movies are completely unrelated. Phaea is not just shaken. Phaea's stirred… to prove her husband wrong in internet court!With Expert Witness Matt Gourley (Conan O'Brien Needs a Friend, With Gourley and Rust, James Bonding) Who's right? Who's wrong?Unrelated to CASINO ROYALE, Phaea is a kid lit author with a new book out NOW! Get PRINCESS BATTLE ROYALE wherever you get your books!Please consider donating to Al Otro Lado. Al Otro Lado provides legal assistance and humanitarian aid to refugees, deportees, and other migrants trapped at the US-MX border. Donate at alotrolado.org/letsdosomething.We are on TikTok and YouTube! Follow us on both @judgejohnhodgmanpod! Follow us on Instagram @judgejohnhodgman!Thanks to reddit user u/Ok_Constant946 for naming this week's case! To suggest a title for a future episode, keep an eye on the Maximum Fun subreddit at reddit.com/r/maximumfun! Judge John Hodgman is member-supported! Join at $5 a month at maximumfun.org/join!

"You meet someone who's never seen a single movie in their life… what three films do you show them first?"That's the wild question at the heart of this hilarious and thought-provoking episode of The Ben and Skin Show, featuring your favorite hosts: Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray.From Inception to Step Brothers, the crew dives into a cinematic rabbit hole, debating which films would best introduce a movie-less adult to the magic, madness, and emotional rollercoaster of cinema. The conversation is packed with laughs, deep cuts, and curveballs—like Peter Sellers' “Being There”, a film about a man who's never experienced the real world… eerily mirroring the hypothetical viewer.

What's myth and what's fact in the story of Charles Manson? What were the true motives behind the murders and who was really involved? There are many books covering this topic, yet very few have broken through the 'official' tale told by the trial's prosecutors and the news media at the time. This book includes hundreds of hours of research into court and police documents, witness statements, media reports and interviews with those involved. This book examines the current theories surrounding the case and appraises their likelihood against a timeline of events and the words of Manson himself. The prosecution case promoted by Vincent, Bugliosi, the Process Church influence as endorsed by Ed Sanders and David McGowan, the robbery scenario as spoken of by Nikolas Shreck and William Scanlon Murphy and the possibility of MK Ultra mind control as discussed by Adam Gorightly are all examined and tested.How do Terry Melcher, Elvis Presley, the Beach Boys, Jane Fonda, the Mamas and the Papas, Michael Caine, Dean Martin, Angela Lansbury, Peter Sellers, Warren Beatty, Yul Brynner, Peter Falk, Cary Grant, Steve McQueen, Neil Young, Frank Zappa, Nancy Sinatra, Ronald Reagan and Debbie Harry fit into the tale? What Hollywood secrets did the industry, the police and the prosecution strive to keep hidden? Were the victims really chosen at random by a crazed cult of serial killers, high on a mix of LSD, Satanism and the music of the Beatles? Read on to uncover the secrets of the Manson family, their trial, the main players in the case and the murky world of Hollywood.The book contains 564 pages, 200,000+ words containing a complete history of the life of Charles Manson.A detailed examination of the Hinman, Shea, Tate and LaBianca murders, appraisal of all the most prominent theories surrounding the case, explanations of the coded confessions revealed in interviews with Manson.Stories of celebrity encounters, facts about Manson's relationship with the music industry, details of organised crime connections, faults with the prosecution's case, troubling indications about the motives and character of Vincent Bugliosi, examinations of further murders and other criminal activity possibly connected to Manson.Revelations about the main players involved in the case, embarrassing secrets of the Hollywood elite, suggestions of police ineptitude, signs of a cover-up, bizarre coincidences, strange occurrences, salacious gossip, radical political movements, riots, the Black Panthers, The Beatles, The Beach Boys, cults, religion, sex, drugs and murder.This book has been read, enjoyed, praised and promoted by friends of Charlies and members of ATWA. https://amzn.to/4naItmKBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

This week, our two former puppeteers revisit the delightfully bizarre—and terribly provocative—Peter Sellers episode of The Muppet Show. Sellers arrives not as himself, but as every outrageously caricatured persona you can imagine: a fiddle-playing Romani, an overbearing German masseuse channeling Dr. Strangelove, a regal (and bearded) Queen Victoria, and a cryptic cameo as Inspector Clouseau himself.We celebrate Sellers' chameleon-like genius—but we also confront the problematic stereotypes. Many sketches now come with legitimate cultural baggage. The torqued-up massage gag, for example, walks a fine line between homage and grotesque parody. All the while, Sellers' famous existential quip—"There is no me… I had it surgically removed"—adds an unsettling and surreal layer to the slapstick.Making this episode even more a mixed bag, we find a legendary performance from Kermit that is equal parts beautiful and empowering. Join us as we unpack the comedy, the controversy, and the poetry of this episode; and why revisiting it forces us to laugh, cringe, and reflect—all at once.Join the discussion on our discord! https://discord.gg/JDtWJrhPF6Follow us on twitter @PMoNPodcast and on Instagram and Threads @puppetmastersofnoneFind out more about the puppet masters on our website: https://puppetmastersofnone.wixsite.com/puppetmastersofnoneOriginal Music Composed by Taetro. @Taetro  https://www.taetro.com/Send us a text

What's myth and what's fact in the story of Charles Manson? What were the true motives behind the murders and who was really involved? There are many books covering this topic, yet very few have broken through the 'official' tale told by the trial's prosecutors and the news media at the time. This book includes hundreds of hours of research into court and police documents, witness statements, media reports and interviews with those involved.How do Terry Melcher, Elvis Presley, the Beach Boys, Jane Fonda, the Mamas and the Papas, Michael Caine, Dean Martin, Angela Lansbury, Peter Sellers, Warren Beatty, Yul Brynner, Peter Falk, Cary Grant, Steve McQueen, Neil Young, Frank Zappa, Nancy Sinatra, Ronald Reagan and Debbie Harry fit into the tale? What Hollywood secrets did the industry, the police and the prosecution strive to keep hidden? Were the victims really chosen at random by a crazed cult of serial killers, high on a mix of LSD, Satanism and the music of the Beatles? Read on to uncover the secrets of the Manson family, their trial, the main players in the case and the murky world of Hollywood.The book contains 564 pages, 200,000+ words containing a complete history of the life of Charles Manson.A detailed examination of the Hinman, Shea, Tate and LaBianca murders, appraisal of all the most prominent theories surrounding the case, explanations of the coded confessions revealed in interviews with Manson.Stories of celebrity encounters, facts about Manson's relationship with the music industry, details of organised crime connections, faults with the prosecution's case, troubling indications about the motives and character of Vincent Bugliosi, examinations of further murders and other criminal activity possibly connected to Manson.Revelations about the main players involved in the case, embarrassing secrets of the Hollywood elite, suggestions of police ineptitude, signs of a cover-up, bizarre coincidences, strange occurrences, salacious gossip, radical political movements, riots, the Black Panthers, The Beatles, The Beach Boys, cults, religion, sex, drugs and murder.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Maybe he never went away. But Dr Strangelove is back now at the heart of America's new military-industrial-digital complex. And Strangelove 2.0 might offer an even more existential threat than Kubrick's original cigar-chewing model played with such absurdist aplomb by the great Peter Sellers. While the first Strangelove was just dumb, today's powers-that-be at the Pentagon are both stupid and corrupt. That, at least, is the worrying view of Ben Freeman, the director of Democratizing Foreign Policy at the Quincy Institute for Responsible Statecraft and the co-author of the upcoming The Trillion Dollar War Machine. Freeman sees companies like Peter Thiel's Palantir—which just secured a historic $10 billion contract—as the new face of a military establishment that has grown exponentially more dangerous since Eisenhower's bipartisan warning. Today's war profiteers (in both political parties) wield AI, deepfakes, and automated kill chains while maintaining the same reckless nuclear thinking that nearly ended the world in 1962 Cuba. The result? A trillion-dollar budget that enriches contractors while making America infinitely less safe in an infinitely more dangerous world. What we're really missing is a Kubrick 2.0 to restore Strangelove to our digital screens. 1. The Military-Industrial Complex Has Gone Digital Companies like Palantir represent a new evolution - the "military-industrial-digital complex" - where Silicon Valley tech firms are now central players in defense contracting, with Palantir recently securing a historic $10 billion contract.2. It's a Bipartisan Problem, Not Just Trump Freeman emphasizes this spans party lines: Obama (despite his Nobel Peace Prize) oversaw record military spending, Biden sold arms at record levels, and the system perpetuates itself regardless of who's in the White House because defense contractors strategically place jobs in congressional districts.3. More Weapons = Less Security America just hit a trillion-dollar military budget for the first time, yet remains ineffective at solving major global conflicts (Ukraine, Gaza, Korea). Meanwhile, diplomatic tools like the State Department are being gutted, creating a dangerous imbalance.4. AI and Automation Pose New Existential Risks Beyond traditional nuclear threats, we now face "automated kill chains" where AI makes lethal decisions without human oversight, plus deepfakes that could trigger conflicts based on false information - combining old Dr. Strangelove logic with new technological capabilities.5. The Revolving Door Ensures System Perpetuation Pentagon officials stay quiet about waste and corruption because they know defense contractors like Boeing and Lockheed Martin will hire them post-retirement for lucrative positions, creating a self-perpetuating cycle that prioritizes profit over actual security.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

The Life & Death of Peter Sellers caused something of a stir upon original publication in 1994. Rather than being a dispassionate account of the actor's life and work it leaned in quite heavily on his failings as a man and the author himself wasn't afraid to offer his personal views. That author, Roger Lewis, joins Tyler this week as the book is out in a brand new edition to coincide with Sellers' centenary this year. Roger has written a new afterword: The Centennial Sellers and Steve Coogan supplied a foreword. They discussed Sellers' strengths and weaknesses, his films, the Goon Show, people he worked with and fell in and out with and tried to nail down what it was about his self-destructive melancholy private personality that so absorbed Roger early on in the writing of the book. Alexander Walker comes in for a bit of a kicking too! There's also quite a bit about the film of the book and speculations about what Sellers might have done had he lived beyond 1980. Added to this, Roger talks about his previous book on Charles Hawtrey which is being reissued next year and the book he is currently engaged upon: Victoria Wood, and the women in comedy who influenced and shaped her unique talent.

On this episode, we welcome back Roger Lewis, whose deeply researched and gleefully idiosyncratic biographies of British performing artists have come to constitute a genre all their own. Our subject is the book that began it all: his classic The Life and Death of Peter Sellers, newly reissued in a hardback edition with a foreword by Steve Coogan. In its pages, Lewis makes the case that Sellers was, alongside Olivier, perhaps the finest British actor of the twentieth century — even as he remained one of the most impossible. In our conversation, he conjures Sellers as a man without a core, a figure of astonishing mimicry in whom there was no enduring sense of self. From The Goon Show to The Ladykillers, from The Pink Panther to Dr. Strangelove and Being There, the magnificence of the performances remains undeniable. But so, too, is the destruction he left in his wake.  Hosted by Ryan Edgington. 

Peter Sellers was a comic genius who changed British comedy forever. With this year marking his centenary, Samira is joined by Dick Fiddy, curator of an new season of his films at the BFI, and comedy historian Robert Ross to discuss his films and legacy.The Edinburgh International Book Festival got underway at the weekend. The theme is repair, but the festival has to navigate a fractious cultural landscape. Festival director Jenny Niven speaks to Samira. A new novel from Nicola Barker is always an event. Her latest, Tony Interruptor, is set in a world that some Front Row listeners will recognise. That of live performance and what can happen when a member of the audience stands up and disrupts it. The BAFTA Award-winning composer Jessica Curry talks about her new album of choral works, Shielding Songs. Presenter: Samira Ahmed Producer: Harry Graham

Jerzy Kosinski's "Being There" satirizes American democracy and the influence of electronic media on society. The video reviews the novel's initial chapters, which inspired a film featuring Peter Sellers and Shirley MacLaine. Additional resources include the Maurin Academy's podcasts and social media for updates on classes and events. … More Victim or Boss? Depends on Your Perspective (Being There, Part 2)

GGACP celebrates the centenary of comedy icon Peter Sellers (born 1925) by revisiting this 2015 conversation about (arguably) Sellers' most admired film (and performance), 1979's "Being There." ALSO in this episode: Marcus Welby joins the Nazi party! The inspiration of Stan Laurel! The tortured genius of Hal Ashby! And "The Fiendish Plot of Dr. Fu Manchu"! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hollywood promised him meaning. Instead, it handed him neurosis, vanity, and burnout disguised as success. But what Peter Samuelson built after walking away from that illusion? That's the story no one tells—and the one that might just change your life. In Part 2 of this unfiltered conversation, Peter takes us beyond the glamour into the gritty truth of the film industry's collapse, the mirage of fame, and why true happiness lives in the unexpected places most of us avoid. This isn't just a masterclass in storytelling— It's a wake-up call to every creator, leader, and soul searcher who's tired of chasing the spotlight and ready to build something real.

Actor and comedian Jerry Minor (Abbott Elementary, Mr. Show, SNL) joins Matt to discuss the 1979 Hal Ashby film, Being There, starring Peter Sellers. Jack Warden plays President "Bobby." For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jerry's YT and Twitch: @jerryminorjr Email questions to: secondincommandatc@gmail.com

Adam kicks off the show by reminiscing about his co-starring role in Wreck-It Ralph and the surprising reaction it still gets from fans. He then unveils yet another classic Al Pacino scene, this time with Jay Mohr putting his own spin on the character—proving once again that Pacino impressions never get old. From there, Adam riffs on coaster weight, the gnarly side effects of Niacin, Biden's cancer diagnosis, the sheer brilliance of pit crews, and the fine line between first and last place—not just in racing, but in life. Next, Jay Chandrasekhar joins the show and dives into:The universal boyhood obsession with foot speed (because being the fastest kid on the playground is basically royalty).His journey through comedy as an Indian kid in grade school, dealing with stereotypes and British influence over India.The decision to cast himself in movies and TV shows instead of waiting for Hollywood (considering the only Indian "stars" he saw were Fisher Stevens and Peter Sellers in brownface).The hilariously awkward story of wearing his wife's underpants (sometimes you just gotta improvise).Why comedy films should be communal experiences—because laughing alone just isn't the same.Jay and Adam also break down the realities of directing low-budget movies vs. TV shows, and Jay introduces his new app, VouchVault, which he swears will revolutionize review sites and help him finally get revenge on Rotten Tomatoes. They wrap up their chat by agreeing that seeing Phish live is overrated, and Jay shares his comedic influences: John Landis, Eddie Murphy, and Richard Pryor. Naturally, both Jay and Adam declare Spinal Tap the greatest comedy of all time. Jason "Mayhem" Miller joins the show and kicks off the news with a must-see clip of Adam singing "Big Bottoms" with John Popper. From there, the trio dives into the top stories of the day, including:Joe Biden's cancer diagnosis.NYC's most notorious repeat offender—a guy who's been caught 134 times for stealing and still hasn't stopped.And finally, the mind-blowing possibility of science turning lead into gold.Get it on!FOR MORE WITH JAY CHANDRASEKHAR:INSTAGRAM: @jaychandrasekharTWITTER: @jaychandrasekhaAPP: https://www.vouchvault.com/FOR MORE WITH JASON “MAYHEM” MILLER:INSTAGRAM: @mayhemmillerTWITTER: @mayhemmillerWEBSITE: magnvs.io/pages/summit?via=mayhemThank you for supporting our sponsors:BetOnlineCalderaLab.com/ADAMGo to https://hometitlelock.com/adamcarolla and use promo code ADAM to get a FREE title history report so you can find out if you're already a victim AND 14 days of protection for FREE! And make sure to check out the Million Dollar TripleLock protection details when you get there! Exclusions apply. For details visit https://hometitlelock.com/warrantyoreillyauto.com/ADAMGo to https://OmahaSteaks.com to shop delicious Father's Day gift packages. And use Promo Code ADAM at checkout for an extra $35 off. Minimum purchase may apply. See site for details. A big thanks to our advertiser, Omaha Steaks!Pluto.tvSIMPLISAFE.COM/ADAMLIVE SHOWS: May 24 - Bellflower, CA (2 shows)May 30 - Tacoma, WA (2 shows)May 31 - Tacoma, WA (2 shows)June 1 - Spokane, WA (2 shows)June 11 - Palm Springs, CAJune 13 - Salt Lake City, UT (2 shows)June 14 - Salt Lake City, UT (2 shows)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

GGACP salutes National Humor Month AND celebrates the birthday of voice actor Billy West (b. April 16) by revisiting this fan favorite interview with Billy and comedian -- and former "Howard Stern Show" colleague -- Jackie Martling. In this episode, the boys discuss the cinema of George Pal, the versatility of Paul Frees, the uniqueness of Peter Sellers and the enduring legend of Joe Franklin. Also, Jonathan Winters disses Don Adams, Jack Carter guests on “Ren & Stimpy,” Billy meets The Man from Uncle and Jackie weighs in on the Gilbert-Shecky Greene clash. PLUS: “Shock Theater”! “7 Faces of Dr. Lao”! The return of the Jackie puppet! Curly Howard takes a bullet! And George Jessel duets with…George Jessel? Learn more about your ad choices. Visit megaphone.fm/adchoices