Podcasts about UK Singles Chart

fWotD Episode 3305: Running Out of Time (song) Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Saturday, 23 May 2026, is Running Out of Time (song)."Running Out of Time" is a song by the American rock band Paramore. It was released on May 23, 2023, by Atlantic Records as the fourth single from the band's sixth studio album This Is Why (2023). Hayley Williams, Taylor York, and Zac Farro wrote the song in the early stages of the album's production, and Carlos de la Garza produced it. The band premiered the song at a concert at the Grand Ole Opry on February 7, 2023, and performed it on Jimmy Kimmel Live! on February 14.Described by critics as a pop-rock and dance-rock song, "Running Out of Time" deals with time management and comments on social anxieties over death, aging, and losing friends. Williams said the song was influenced by her personal struggle with punctuality and her friendship with Taylor Swift. Critics positively reviewed the song, praising its lyrics as playful and its composition as well-balanced. In 2023, the song peaked on the New Zealand Hot Singles chart, the UK Singles Chart, and the Billboard Hot Rock & Alternative Songs and Rock Airplay charts in the United States, and ranked on Billboard's year-end Alternative Airplay chart.Ivanna Borin directed a music video for "Running Out of Time" that Paramore released on February 16, 2023. In the video, Williams enters an Alice in Wonderland-themed world, where she confronts the anxieties addressed in the song. The video received praise for its costuming, including vintage Vivienne Westwood and contemporary Rodarte outfits.This recording reflects the Wikipedia text as of 00:48 UTC on Saturday, 23 May 2026.For the full current version of the article, see Running Out of Time (song) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Joanna.

Geoff Taylor in conversation with David Eastaugh  https://preciousrecordingsoflondon.bandcamp.com/album/prelp-8-age-of-chance-bbc-sessions-85-87 Age of Chance were a British alternative rock-dance crossover band from Leeds, England, active from 1983 to 1991. They were perhaps most known for their mutant metallic cover of Prince's "Kiss" which topped the UK Indie Chart in 1986, and peaked at No. 50 on the UK Singles Chart in January the following year. Despite signing for major label Virgin, and being favourites with the UK music press, they never enjoyed a major hit in the UK, although "Don't Get Mad… Get Even" reached No. 8 on the U.S. Billboard Hot Dance/Club Play chart Musically they were a mixture of punk, hip hop, industrial rock and Northern soul. Steven E provided a distinctive strident nasal vocal style, often employing a megaphone. Striking cover art visuals were a collaboration between the group and The Designers Republic, who would go on to graphic design fame. They were the first band to be remixed by Public Enemy - a.k.a. Hank Shocklee and Carl Ryder, who remixed "Take It" from 1000 Years of Trouble (1988). 

Send us Fan MailMe and Jackie rank the 14 UK Number One singles of 1970.

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠In this segment, Analytic Dreamz breaks down rising alt-pop artist Bella Kay and her standout track “iloveitiloveitiloveit.” Born Bella K. Williams in 2006 in Texas and now 19 years old, Bella Kay is based in Orlando, Florida. Her style blends alternative-pop and indie pop with a signature bedroom-pop aesthetic, acoustic grit, and intimate emotional vocals. Influenced by Olivia Rodrigo and Gracie Abrams, she gained early attention through raw, viral songs about heartbreak, identity, and toxic relationships. Her 2025 EP sick to my stomach featured the breakout track “The Sick,” which surpassed 115 million streams. She is currently signed to Atlantic Records.The song “iloveitiloveitiloveit,” released on January 11, 2026, runs 3 minutes and 3 seconds and serves as a track from her upcoming EP A Couple Minutes Out (February 2026). Written by Bella Kay and Alexis Kesselman and produced by Idarose, the track explores addiction to toxic relationships with a central theme of emotional dependency on chaos and drama, highlighted by the key lyric “I love it when we fight.” It acts as a spiritual sequel to her earlier hit “The Sick.”The rollout began with organic virality on TikTok in December 2025, generating over 100,000 user-created videos by February 2026. This fan-driven momentum produced 15 million global streams before any major radio push. Atlantic later amplified the release, leading to strong chart performance. In the United States, the song debuted at #66 on the Billboard Hot 100 and peaked at #18, while reaching #2 on Hot Rock & Alternative Songs. Globally, it peaked at #13 on the Billboard Global 200. In the United Kingdom it reached #2 on the UK Singles Chart, hit #1 in Ireland and Norway, #3 in Australia and New Zealand, and #10 in Canada. Certifications include UK Silver (200,000 units) and Australian Gold (35,000 units), achieved within roughly two to three months.Streaming metrics show approximately 144 million Spotify streams total, with the track charting on daily viral lists in 14 countries including the US and UK. U.S. on-demand streams grew from 1.46 million in week one to 3.75 million in week three, representing a 156% increase. Radio impact began with addition to U.S. CHR formats on March 10, 2026, boosting its pop crossover. Additional amplification came through fan-generated remixes, lyric videos, and multi-platform activity on YouTube and SoundCloud.Analytic Dreamz analyzes how “iloveitiloveitiloveit” exemplifies a successful organic-to-mainstream pipeline. The track's emotional relatability and TikTok-native structure drove early virality with minimal initial promotion, later scaled by Atlantic Records. This strategy enabled genre crossover from indie/alt roots into mainstream pop, delivering rapid certifications and international reach. The song positions Bella Kay as an emerging Gen Z alt-pop crossover star with proven streaming power and global appeal.This segment explores the key metrics, growth patterns, and strategic elements behind one of 2026's fastest-rising breakout hits.Privacy & Opt-Out: https://redcircle.com/privacy

Frumplátan hjá diskobólkinum Boney M. við løgum sum 'Daddy Cool' og 'Sunny', og føroyska hittinum 'No Woman No Cry'. Hetta fyrsta heildarverkið hjá Boney M., hvørs 50 ára útgávudagur er í 2026, hevði størstu søluna í Spania og Fraklandi, har 300.000 eintøk vórðu seld í hvørjum landi. Sølan á týska heimamarknaðinum var 250.000 útgávueintøk. Í Svøríki fóru 100.000 plátur og kassettubond um søludiskin, hvat roknað út eftir fólkatalinum gevur størstu undirtøkuna av øllum. Í Bretlandi knógvaði 'Take the Heat off Me' akkurát Top 40. 'Daddy Cool' var stóra singleplátuhittið. Tað var plettskot í londum sum Svøríki, Noregi og Belgia, men eisini á stóru plátumarknaðunum í Vesturtýsklandi, Fraklandi, og Spania, meðani tað rakk til nr. 6 á UK Singles Chart. Hinvegin varð onnur singleplátan frá útgávuni, lagið 'Sunny', nr. 3 í Bretlandi. Av stóru londunum var 'Sunny' plettskot í Vesturtýsklandi og Fraklandi. Í Føroyum spældi Útvarp Føroya løg frá sjálvari LP-plátuni. Millum annað hevði tað við sær, at endurinnspælingin hjá Boney M. av Bob Marley sanginum, 'No Woman No Cry', bleiv kend millum manna her á landi. Talan er um europeiskan diskotónleik við góðum ljóði og nógvum fiólum. Týskarin, Frank Farian, átti Boney M., og at hjálpa sær at leggja til rættis hevði hann annan týskan tónleikamann, Stefan Klinkhammer, ið eins og Frank Farian ikki livir meira. Teir dugdu sítt handverk, tí eisini við nútíðar oyrum ljóðar útgávan avbera væl. Eykaløg í sendingini eru: 'Love for Sale' (album: Love for Sale), 'King of the Road' (album: Nightflight to Venus), 'Two of Us' (album: Oceans of Fantasy). Plátubarrin 21. mars 2026  

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠Analytic Dreamz dives deep into the massive success of PinkPantheress and Zara Larsson's "Stateside + Zara Larsson" remix in this segment. Originally from PinkPantheress' 2025 mixtape Fancy That, the track blends big beat, drum & bass, and R&B with themes of early-crush longing and touring romance. The October 10, 2025 remix—part of the Fancy Some More? LP—reworked production for a bubblegum, Bratz-coded vibe, standing out among features from Kylie Minogue, Bladee, and Groove Armada.The January 2026 music video, directed by Charlotte Rutherford, delivered a creative "battle of aesthetics": PinkPantheress' tartan/red dream world vs. Larsson's sequin/glitter Midnight Sun style, with mannequins and a symbolic barrier collapse uniting their visions—racking up over 10 million views in under 10 days and 13+ million soon after.The real catalyst hit February 21, 2026, when Olympic gold medalist Alysa Liu (first American woman to win women's figure skating gold since 2002) performed to the remix at the 2026 Winter Olympics Exhibition Gala in Milan. Zara Larsson reacted on TikTok, sparking viral choreography recreations. Luminate data showed an 88% U.S. on-demand streaming surge to ~1.8 million daily streams by February 23.Chart dominance followed: Billboard Hot 100 peak at #30 (debut #100), #1 on US Hot Dance/Pop Songs and US Spotify (1.57M+ daily peak, dethroning Bad Bunny), top 10 on Apple Music US. UK Singles Chart #3 (PinkPantheress' 3rd top-20), plus strong peaks in Canada (#22), Sweden (#9), Australia (#11), and global Spotify #2–3 range.This ties into PinkPantheress' historic 2026 BRIT Producer of the Year win—the first woman and youngest ever—plus her first Grammy nods. For Zara Larsson, it fueled major U.S. resurgence alongside "Lush Life" revival.Analytic Dreamz breaks down the streaming-driven rise, Y2K nostalgia cycle, remix strategy impact, critical praise (NME, Rolling Stone, Pitchfork highlighting the UKG revival), and cultural significance of this viral worlds-collide moment.Tune in for the full analysis on Analytic Dreamz—unfiltered takes on pop's biggest breakthroughs.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/exclusive-contentPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠In this segment of Notorious Mass Effect, Analytic Dreamz explores the artist background of Tame Impala, the psychedelic rock/psych-pop project led by Australian multi-instrumentalist Kevin Parker. Since 2008, Parker has written, produced, and performed most material solo under the Tame Impala moniker.The sound evolution traces from garage-psych roots on Innerspeaker (2010), to polished pop-infused textures on Currents (2015), groove/pop hybridization on The Slow Rush (2020), and the latest genre blend of psychedelic, disco, house, and pop on Deadbeat, released October 17, 2025. Deadbeat debuted at #4 on Billboard 200, #4 on Official U.K. Albums Chart, and #2 on ARIA Chart.Tame Impala boasts numerous Grammys, ARIA, APRA Awards, and one BRIT Award, with massive streaming success—e.g., “The Less I Know the Better” exceeding 2.2B Spotify streams—yet waited nearly two decades for a first Hot 100 entry.Focus shifts to standout single “Dracula,” released September 26, 2025, as the third from Deadbeat. This third single delivers a bouncy, disco-leaning groove with a “party-until-dawn” narrative using vampire metaphors for nightlife embrace. Praised for its infectious groove, earworm chorus, and Halloween-adjacent energy, it drew mixed reviews (e.g., Medium 6.5/10) but strong community response in outlets like Atwood Magazine.“Dracula” marked Tame Impala's breakthrough: first Billboard Hot 100 entry debuting at #55 (October 2025), peaking at #30; #1 on Alternative Airplay (January 2026, returned #1 February 7 chart); #2 Adult Alternative Airplay; #23 Rock & Alternative Airplay. It ranked #3 in Triple J Hottest 100 (2025), amassed ~221M Spotify streams by February 2026, with debut week U.S. metrics of 6.5M streams, 1.7M radio impressions, and 1K digital sales. It peaked Top 40 on UK Singles Chart over 16 weeks.An early February 2026 remix featuring BLACKPINK's JENNIE added new vocal layers, verse content, and lyric nods to Parker, blending K-pop with psych-pop. Released post-Parker's JENNIE merch sighting at the February 1, 2026 Grammys—where Tame Impala won Best Dance/Electronic Recording for “End Of Summer” (second consecutive in category)—the remix boosted visibility, demographic reach, and chart momentum, sparking follow-up Hot 100 entries like “Loser” (#91) and “My Old Ways” (#56).Analytic Dreamz analyzes “Dracula” as a streaming-driven radio crossover, U.S. chart gateway, and cross-genre platform linking psych-pop and K-pop ecosystems, reinforcing Parker's hybrid legacy amid a 2026 European tour (April 4–May 13, covering major markets like Madrid, Paris, Berlin, London, Amsterdam, Stockholm, Dublin).Tune in for in-depth insights on Tame Impala's evolution, breakthrough success, and strategic significance in modern music.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/exclusive-contentPrivacy & Opt-Out: https://redcircle.com/privacy

Heitham in conversation with David Eastaugh https://www.senser.co.uk/ https://senser.bandcamp.com/album/sonic-dissidence-2 In 1993, Senser released two indie singles on Ultimate – "Eject" and "The Key". The latter would appear on NME Singles of the Week 1993 album. In March 1994, Senser released their third single, "Switch", which entered the UK Singles Chart at number 39. Senser's first album, Stacked Up, was released in May 1994, and entered the UK Albums Chart at number 4.    

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠ In this segment of Notorious Mass Effect, Analytic Dreamz provides an in-depth analytical breakdown of Sienna Spiro's breakout single “Die On This Hill,” released October 10, 2025, via Capitol Records—the defining hit from her debut EP Sink Now, Swim Later.Born September 25, 2005, in London, UK, the 20-year-old singer-songwriter boasts a deep alto voice influenced by Etta James, Amy Winehouse, Frank Sinatra, and early-2000s hip-hop. She began songwriting at age 10, went viral on TikTok in 2022 with covers and originals, dropped out of school at 16 to pursue music full-time, and built early momentum with singles like “Maybe” (#75 UK Singles Chart, 2024) and her 2025 EP.Co-written by Spiro with Omer Fedi, Michael Pollack, and Blake Slatkin, the piano-led ballad—sparked by a Bohemian Rhapsody-inspired piano mistake—features cinematic strings by Rob Moose and explores stubborn love, emotional entrapment, and toxic relationships with raw vulnerability and dramatic structure. Live-debuted at KOKO London (September 2025), it earned widespread praise for vocal control and emotional depth.As of January 2026, the track achieved her first UK Top 10 (#9 peak on Official Singles Chart), debuted at #69 on Billboard Hot 100 (week of January 10, climbing), hit Spotify US #23 and Global #47 peaks, amassed 145+ million global streams (over 16 million by November 2025), and contributed to Sink Now, Swim Later surpassing 122 million cumulative streams—driven by TikTok emotional-clip trends and organic virality.Television exposure accelerated crossover: UK debut on Later… with Jools Holland, U.S. performances on The Tonight Show Starring Jimmy Fallon (January 2026), TODAY, and prior The Late Show with Stephen Colbert (via “Maybe”). Support slots with Teddy Swims (North America) and Sam Smith boosted visibility.Her sold-out 2026 North American headline tour, The Visitor Tour, launches March 3–6 at Troubadour (Los Angeles, 2 dates), includes stops at Café Du Nord (San Francisco), Lincoln Hall (Chicago), The Great Hall (Toronto), The Atlantis (Washington, DC), The Foundry (Philadelphia), Brighton Music Hall (Boston), and concludes March 17–18 at Bowery Ballroom (New York, 2 dates)—all 100% sold out across 10 dates.Industry nods include BRIT Awards Critics' Choice shortlist (2026). Analytic Dreamz dissects how “Die On This Hill” transformed TikTok virality into chart success, streaming dominance, TV breakthroughs, and touring demand—positioning Spiro as a soulful, performance-driven rising star with organic, accelerated momentum entering 2026.Join Analytic Dreamz for this no-fluff, data-driven deep dive into one of 2025-2026's most compelling breakout stories. Stream “Die On This Hill” now and stay locked in for more Notorious Mass Effect.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

Story by Gail NoblesMusic Intro by Gail Nobles"Finally" is a popular song by Kings of Tomorrow, a project from the American house music scene. It features the talented vocals of Julie McKnight and was written by Jason Sealee and produced by Sandy Rivera. The song was released as a single in the UK in 2001, where it reached number 24 on the UK Singles Chart. In the US, it made its mark by hitting number 17 on the Billboard Dance Club Songs chart in 2002. The song even received a nomination for Record of the Year at the DanceStar USA Awards in 2002, showing how well it was received in the music community.The lyrics of "Finally" touch on themes of time and the passage of life. They convey a sense of reflection, with lines that express how time moves on, sometimes leaving us feeling like we have to catch up. Julie McKnight's unique voice brings a special quality to the song, making her words easy to understand and connect with listeners. Her powerful delivery compels you to pay attention to what she's singing, even while you're moving to the vibrant dance beats. This blend of meaningful lyrics and catchy music creates an experience that goes beyond just dancing—it's about feeling connected to the message and enjoying the moment. Overall, "Finally" is a memorable track that emotionally engages its audience while also getting them on the dance floor.I'm Gail Nobles. Thank You for Listening to ONE NOTE JAM.Music commentary news.

Elizabeth Westwood in conversation with David Eastaugh  https://www.theguntonarms.co.uk/new-years-eve-2025/ Named after the sci-fi film Westworld, it was formed in 1986 by former Generation X guitarist Bob "Derwood" Andrews and American vocalist Elizabeth Westwood. The line up was completed by drummer Nick Burton. Before the recording and release of their third and final album, Burton left the band and was replaced by Gary "Gaz" Young and Tracey "T.J." O'Conner, making them a quartet. Visually the band were styled in a way reminiscent of comic book art and musically they were a blend of classic 1950s rock and roll, glam and punk, updated with beatboxes and sequencer. They had an early success with their debut single "Sonic Boom Boy", which reached #11 in the UK Singles Chart in February 1987, and was used in Sony's advertisements. They had one more Top 40 hit, "Ba-Na-Na-Bam-Boo" which reached #37 in May the same year. They released three albums before moving to the Arizona desert in the US in 1992 to form the band Moondogg.

rWotD Episode 3142: Right Back Where We Started From Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Wednesday, 10 December 2025, is Right Back Where We Started From."Right Back Where We Started From" is a song written by Pierre Tubbs and J. Vincent Edwards, which was first recorded in the middle of 1975 by British singer Maxine Nightingale for whom it was an international hit. In 1989, a remake by British-American singer Sinitta reached No. 4 on the UK Singles Chart. The music features a significant repetitive sample from the song "Goodbye, Nothing to Say", written by Stephen Jameson and Marshall Doctores, which was recorded first by Jameson under the name of Nosmo King, and then by the Javells featuring Nosmo King (UK No. 26), both in 1974.This recording reflects the Wikipedia text as of 00:09 UTC on Wednesday, 10 December 2025.For the full current version of the article, see Right Back Where We Started From on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Raveena.

David Soul (born David Richard Solberg; August 28, 1943 – January 4, 2024) was an American-British actor and singer. With a career spanning five decades, he rose to prominence for portraying Detective Kenneth "Hutch" Hutchinson in the American television series Starsky & Hutch from 1975 to 1979. His other notable roles included Joshua Bolt on Here Come the Brides from 1968 to 1970 and as the lead actor in the 1979 American TV movie Salem's Lot. Soul also portrayed Officer John Davis in the 1973 movie Magnum Force.During his career, Soul also found success as a singer, achieving a number one single on the US Billboard Hot 100 in 1977 with "Don't Give Up on Us", which also peaked at number one in the United Kingdom and Canada. He achieved a further four top 10 entries and an additional number one single on the UK Singles Chart with "Silver Lady". In the 1990s, Soul moved to the UK and found renewed success on the West End stage. He also made cameo appearances in British TV shows, including Little Britain, Holby City, and Lewis.[1][2]PICTURE: By ABC Television - ebay: https://www.ebay.com/itm/155987178192 Archive: https://archive.ph/A5PNd, Public Domain, https://commons.wikimedia.org/w/index.php?curid=143987640

Sonny Roberts, a Jamaican carpenter, arrived in Britain in the 1950s. It was a time of racial disharmony, including the Notting Hill riots and the murder of Kelso Cochrane. In this tense atmosphere, black musicians struggled to make a name for themselves. Then in 1961, Roberts set up the UK's first black-owned music studio, Planetone, in a basement in Kilburn. The studio gave the Caribbean community a musical platform. In later years, Roberts produced Nigerian band Nkengas' album, Destruction - one of the earliest examples of Afrobeat in the UK. His 1987 production of Judy Boucher's Can't Be with You Tonight reached number two in the UK Singles Chart, beaten only by Madonna. Roberts laid the foundations for black British music. Ben Henderson speaks to his daughter, Cleon Roberts.This programme contains outdated and offensive language.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Sonny Roberts in 1982. Credit: David Corio/Redferns via Getty Images)

Zaine Griff in conversation with David Eastaugh https://www.zainegriff.com/#home In 1979 Griff started his solo career. He released two albums, Ashes and Diamonds (recorded in 1979, released in 1980), produced by Tony Visconti, and Figvres (1982), on which he collaborated with future successful film composer Hans Zimmer, and many colleagues from the new wave and new romantic era including Kate Bush, Warren Cann of Ultravox and Yukihiro Takahashi, of Japanese electronic band YMO. The single "Tonight" peaked at No. 54 in the UK Singles Chart in February 1980, whilst "Ashes and Diamonds" reached No. 68 in the same listing in June that year.

fWotD Episode 3080: Tragic Kingdom Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Friday, 10 October 2025, is Tragic Kingdom.Tragic Kingdom is the third studio album by American rock band No Doubt, released on October 10, 1995, by Trauma Records and Interscope Records. It was the final album to feature original keyboardist Eric Stefani, who left the band in 1994. The album was produced by Matthew Wilder and recorded in 11 studios in the Greater Los Angeles area between March 1993 and October 1995. Between 1995 and 1998, the album spawned seven singles, including "Just a Girl", which charted on the Billboard Hot 100 and the UK Singles Chart, and "Don't Speak", which topped the Billboard Hot 100 Airplay and reached the top five of many international charts.The album had mostly positive reviews by music critics and became the band's most commercially successful album, reaching number one on the Billboard 200 as well as topping the charts in Canada and New Zealand. At the 39th Annual Grammy Awards, No Doubt earned nominations for Best New Artist and Best Rock Album. The album has sold over 16 million copies globally, and was certified Diamond by the Recording Industry Association of America (RIAA) in the United States and Canada, platinum in the United Kingdom, and triple platinum in Australia. Tragic Kingdom helped facilitate the ska revival of the 1990s, increasing the visibility and commercial success of other ska bands. The album was ranked number 441 on Rolling Stone's 2003 list of the 500 greatest albums of all time.No Doubt embarked on a tour to promote the album. It was designed by Project X and lasted two and a half years. An early 1997 performance at the Arrowhead Pond of Anaheim was filmed and released as Live in the Tragic Kingdom on VHS and later DVD.This recording reflects the Wikipedia text as of 00:48 UTC on Friday, 10 October 2025.For the full current version of the article, see Tragic Kingdom on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Emma.

Lot's of talking about pu$$y's, c*nt's, labia minora's AND majora's, butthole's, and Hank Hill wants a 3-some after breaking up with Peggy.? ⁠FIND ALL THINGS STICKY DOLL HERE⁠(0:00) Show Intro(5:32) Moxee Correspondent P.A.L.™ call(30:17) Karla (Labia Minora) call(43:31) Hank Hill call(48:32) M.A.M.™ call★ STICKY DOLL is a Industrial Punk Band and Funny as Fuck Podcasters "If this video offends you please go to church after you watch it." -El Sancho, STICKY DOLL⁠FIND ALL THINGS STICKY DOLL HERE⁠⁠⁠⁠All STICKY DOLL Music is 100% BASS & DRUMS ONLY - No Guitar.★ ⁠Official Music and Merch⁠★ ⁠Youtube Channel⁠★ Follow Us on Facebook⁠ AND listen to our Podcast "In Bed w/ STICKY DOLL" on YouTube Music, Spotify, Apple, or wherever YOU listen!FEATURED STICKY DOLL SONG ⁠"⁠⁠⁠⁠Snotty Little Cunt⁠⁠"⁠ Billie Eilish Pirate Baird O'Connell (/ˈaɪlɪʃ/ EYE-lish;[1] born December 18, 2001) is an American singer-songwriter and musician. Eilish first gained public attention in 2015 with her debut single "Ocean Eyes", written and produced by her brother Finneas O'Connell. In 2017, she released her debut EP, Don't Smile at Me, which was commercially successful, in various countries, including the US, UK, and Australia. Eilish's debut studio album, When We All Fall Asleep, Where Do We Go? (2019), debuted atop the US Billboard 200 and UK Albums Chart and was one of the year's best-selling albums. Its single "Bad Guy" became the first by an artist born in the 21st century to top the US Billboard Hot 100 and be certified Diamond by the Recording Industry Association of America (RIAA). The next year, Eilish performed the theme song "No Time to Die" for the James Bond film No Time to Die, which topped the UK Singles Chart and won the Academy Award for Best Original Song in 2022. Eilish's second studio album, Happier Than Ever (2021), topped the charts in multiple countries. Its singles "My Future", "Therefore I Am", "Happier Than Ever", and "Your Power", each peaked within the top ten in the US and UK. She co-wrote and performed "What Was I Made For?" for the fantasy film Barbie (2023), which became her second number-one single in the UK and earned her a second Academy Award. ⁠FIND ALL THINGS STICKY DOLL HERE⁠#punk #comedy #podcast #cringe #cartoon #cringecomedy

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Join Analytic Dreamz on Notorious Mass Effect for a deep-dive segment on KPop Demon Hunters, Netflix's most-watched animated film, released June 20, 2025. Explore HUNTR/X's “Golden,” the first female-led K-pop song to top the Billboard Hot 100 and UK Singles Chart, surpassing Alex Warren's “Ordinary” and setting a UK streaming record with 18,631 sales. Analytic Dreamz breaks down the soundtrack's dominance, Saja Boys' rival hits, and the film's global theatrical sing-along expansion, cementing its status as a cultural phenomenon rivaling Disney's Frozen.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! «Riverdance» fue grabada originalmente en marzo de 1993 e interpretada por primera vez en el intermedio del Festival de Eurovisión de 1994. Es una composición principalmente instrumental interpretada por la Orquesta de Conciertos de RTÉ, con una introducción cantada por el conjunto coral Anúna. El acto recibió una respuesta tan positiva que Son Records y Raidió Teilifís Éireann (RTÉ) decidieron lanzar «Riverdance» como sencillo. En Irlanda, la canción permaneció 18 semanas en el número uno de la lista irlandesa de singles y es el segundo single más vendido de todos los tiempos. «Riverdance» también se situó entre los diez primeros en el Reino Unido, donde alcanzó el noveno puesto en la UK Singles Chart. El éxito de la canción inspiró a Whelan a utilizar «Riverdance» como trampolín para concebir un álbum de material similar y el espectáculo teatral del mismo nombre, que se estrenaría en febrero de 1995. Bill Whelan, Davy Spillane, Máirtín O'Connor, Milladoiro, Liam O'Flynn, Andy Irvine, Donal Lunny. 🎧 El playlist detallado: lostfrontier.org/t29.html#1059Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

Lovers Rock is a romantic subgenre of reggae that emerged in mid-1970s London, blending soulful melodies with reggae rhythms. It was pioneered by producers like Dennis Harris, Dennis Bovell, and John Kpiaye, who established the Lovers Rock label in 1977. The genre provided a softer, more melodic alternative to the politically charged roots reggae of the time, resonating deeply with the Black British community. Dennis Bovell played a pivotal role in shaping the Lovers Rock sound, producing hits like Janet Kay's "Silly Games," which reached number 2 on the UK Singles Chart in 1979. The genre's emphasis on love and emotional expression provided a platform for female artists, with figures such as Carroll Thompson and Louisa Mark gaining prominence. Lovers Rock became a staple at house parties and sound system events, fostering a sense of community and cultural identity. The impact of Lovers Rock extended beyond music, influencing fashion, dance, and social dynamics within the Black British community. It provided a space for emotional expression and connection during a time of racial tension and social upheaval. The genre's legacy continues to inspire artists and audiences, underscoring its significance in the tapestry of British musical and cultural history. Here's an interview with Dennis Bovell on PeckhamSoul.com (includes his Top 10 List of Lovers Rock, many of which appear here) PLAYLIST J.C. Lodge – Someone Loves You Honey Brown Sugar – I'm in Love With a Dreadlocks Sandra Reid – Ooh Boy Carroll Thompson – Simply in Love (2021 - Remaster) Janet Kay – Silly Games Claudette Miller, Errol Brown – Tonight Is the Night Louisa Mark – Caught You in a Lie Jean Adebambo – Paradise Carroll Thompson – Hopelessly in Love Webby Jay – In the Rain Trevor Walters – Stuck on You Marie Pierre – Choose Me Delroy Witter, Janet Kay – I Do Love You Claudia Fontaine – Natural High Paul Dawkins – Ready to Dance

Send us a textEpisode 138- Sandra St. Victor, an American singer-songwriter, is celebrated for her powerful voice and genre-defying artistry. Born Sandra Kay Matthews on May 28, 1963, in Dallas, Texas, she nurtured her musical talents at Booker T. Washington High School for the Performing and Visual Arts, an institution that also nurtured artists like Erykah Badu, Roy Hargrove, Norah Jones, and Edie Brickell. She furthered her studies with scholarships to Kansas University and Bishop College in Dallas but ultimately chose to learn through experience, joining a local band led by jazz guitarist Zachary Breaux and embarking on tours across Texas and Louisiana.In the early 1980s, St. Victor relocated to New York City, where she joined Roy Ayers' touring band, Ubiquity. Her dynamic performances caught the attention of Chaka Khan, leading to a tour with Khan throughout the 1980s. She also toured with Freddie Jackson and Glenn Jones and became a sought-after session vocalist, collaborating with artists like Lisa Fischer, Cindy Mizelle, Audrey Wheeler, Brenda White King, Tawatha Agee, and Curtis King. Her versatility and distinctive voice made her a prominent figure in the New York music scene.St. Victor, the lead singer of The Family Stand, a trio formed in the late 1980s with Peter Lord Moreland and Vernon Jeffrey Smith, achieved international success. Their hit song “Ghetto Heaven” reached #10 on the UK Singles Chart in 1990 and was remixed by Nellee Hooper and Jazzy B of Soul II Soul. The group also contributed to Paula Abdul's album Spellbound.In 1993, St. Victor embarked on a solo career and recorded the album Sanctuary for Elektra Records, though it remained unreleased. Several tracks from the album were later covered by artists like Prince, Chaka Khan, and Tina Turner. In 1996, she released Mack Diva Saves the World on Warner Bros., which received critical acclaim but lacked significant radio support.St. Victor continued her solo work with the independent release Gemini: Both Sides in 2001. In 2013, she released Oya's Daughter on Shanachie Entertainment, produced by Mark de Clive-Lowe. The album was praised for its fusion of soul, funk, jazz, and multicultural influences.In 2018, after 25 years of waiting, St. Victor independently released Sanctuary on Bandcamp, allowing fans to finally experience the album that had remained unreleased for decades. She also formed the touring ensemble Daughters of Soul, featuring talented artists like Nona Hendryx, Joyce Kennedy, Deniece Williams, Caron Wheeler, Lalah Hathaway, Indira Khan, Simone, and Leah McCrae. The group performed at prestigious festivals such as Nice Jazz, Pori Jazz, and Java Jazz in Jakarta.Currently based in the Netherlands with her husband and daughters, St. Victor continues to create and perform music that transcends genres and resonates with audiences worldwide.In this episode, Troy covers Sandra's musical journey while playing some of his favorite songs. Songs featured include:“I am Better” with Josh Milan“Tight Fit” Chaka Khan w/ Sandra on backgrounds“Sweet Liberation”“Shades Of Blue”“Come Over”“They're Cool”“Little Girl” -Lalah Hathway “What Have We Learned”“Dizzy”“Undiscovered CListen and subscribe to the BAAS Entertainment Podcast via the BAAS Entertainment website, www.baasentertainment.com, and all podcast platforms.

Sabrina Carpenter is turning heads again after sharing a bold and cheeky (see what I did there?) video teaser on social media. On Monday, May 2, the pop sensation previewed her upcoming single, titled “Manchild.” In the teaser clip, Carpenter is seen standing on the side of the road wearing a white crop blouse, short denim cutoffs, and silver stiletto heels. She captioned the post, “this one's about you!!” The single is set for release on Thursday at 8 p.m. ET and is produced by Grammy Award winner Jack Antonoff. The Bleaches member previously collaborated with Carpenter on her hit “Short n' Sweet.” As expected, the teaser sent fans into a frenzy. Comments poured in, with one user asking, “WHAT DOES IT MEAN,” and another declaring, “I'm home to pick you up babes, forget them.” One fan summed it up perfectly: “She's coming to save summer again

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 28ú lá de mí Bealtaine, liomsa Lauren Ní Loingsigh. I 1966 bhí 89 aighneas tionsclaíoch agus de bharr sin stop daoine ag obair agus d'ardaigh sé I gcomparáid leis na bliain roimhe. I 1976 bhí taidhleoirí ón Rúis in Éirinn chúisithe ó Mr Desmond O Malley go raibh siad ag obair faoi cheilt do KGB. I 1976 bhí an lóistín sna scoileanna sa chontae go dona an tseachtain sin. I 1993 tháinig an nuacht go mbeadh Aerfort na Sionainne chun infheistiú ó Aer Rianta de 10 milliún punt. Sin Frank Sinatra le Strangers In The Night – an t-amhrán is mó ar an lá seo I 1966. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 2015 bhí teach Michael Jackson, Neverland Ranch, ar dhíol ar feadh 100 milliún dollar. Bhí an rainse I gCalifornia agus bhí stáisiún traein ann, teach le 6 seomra leapa, pictiúrlann le 50 suíochán agus dhá loch. I 2021 bhí amhránaí Olivia Roderigo an t-amhránaí is óige chun a amhrán agus a albam chun a bheith ag uimhir a haon ag an am céanna. Chuaigh a amhrán Good 4 U chuig uimhir a haon sa Bhreatain agus bhí a chéad albam Sour ag uimhir a haon ag an am céanna. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh aisteoir Jake Johnson I Meiriceá I 1978 agus rugadh amhránaí Kylie Minogue san Astráil ar an lá seo I 1968 agus seo chuid de amhrán. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 28th of May, with me Lauren Ní Loingsigh 1966: a total of 89 industrial disputes resulting in stoppage of work took place last year, an increase of four over the previous years. 1976: leading russian diplomats in ireland were accused by former justice minister mr.desmond omalley of being undercover agents of KGB, the soviet spy organisation. 1976: the school accommodation crisis in some parts of co.clare was heightened this week. 1993: Shannon airport was in line for a £10 million investment by aer rianta. That was Frank Sinatra with Strangers In The Night – the biggest song on this day in 1966 Onto music news on this day In 2015 Michael Jackson's former home, Neverland Ranch, was listed for sale for one hundred million dollars. The 2,700-acre ranch in Santa Ynez Valley, California included a train station, a six-bedroom house, a 50-seat movie theater and two lakes. 2021 American singer Olivia Rodrigo became the youngest solo artist to achieve the coveted UK chart double at 18 years and 3 months old. Her single 'Good 4 U' climbed to No.1 in the UK Singles Chart after debuting at No.2 the previous week, while her debut album Sour entered the UK Albums Chart at No.1. And finally celebrity birthdays on this day – actor Jake Johnson was born in America in 1978 and singer Kylie Minogue was born in Australia on this day in 1968 and this is one of her songs. I'll be back with you tomorrow with another edition of Ar An Lá Seo.

Linktree: https://linktr.ee/AnalyticBecome A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: https://ow.ly/oPsc50VBOuHJoin Analytic Dreamz on the Notorious Mass Effect podcast for an in-depth Segment breaking down Sleep Token's monumental achievements with Even In Arcadia. Explore their first-ever No. 1 album on Australia's ARIA Charts, topping the UK Official Albums and Vinyl Charts, and the title track's UK Singles Chart debut. Analytic Dreamz dives into critical acclaim from Metal Hammer (8/10) and Kerrang! (4/5), plus fan theories on hidden messages and a potential double-album. Stay tuned for insights on their Download Festival 2025 headline slot and sold-out US tour.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticBecome A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: https://ow.ly/oPsc50VBOuHJoin Analytic Dreamz on Notorious Mass Effect for an in-depth segment on Leon Thomas' “Mutt.” This Brooklyn-born artist's 2024 hit blends R&B, rock, jazz, and soul, exploring love and vulnerability. With a Chris Brown remix driving its surge, “Mutt” hit No. 1 on Billboard's Hot R&B Songs, No. 5 on Hot R&B/Hip-Hop Songs, and No. 21 on the Hot 100. Boasting 51.5M+ Spotify streams, 14.7M radio impressions, and a UK Singles Chart peak at No. 19, Analytic Dreamz unpacks its organic success, cultural impact, and strategic collabs fueling Thomas' rise.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticBecome A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: https://ow.ly/oPsc50VBOuHDive into Analytic Dreamz's Notorious Mass Effect for an in-depth segment on Ravyn Lenae's “Love Me Not.” Explore the Chicago-born R&B artist's viral hit, blending dreamy vocals, groovy drums, and retro pop-soul vibes. Analytic Dreamz unpacks its May 2024 release, late 2024 TikTok surge with 320,000+ clips, and Rex Orange County's remix. With 81M+ Spotify streams, peaks on Billboard Hot 100 (#79), UK Singles Chart (#13), and a Coachella 2025 debut, Lenae's independence and Solange-inspired artistry shine. Join Analytic Dreamz to analyze chart stats, cultural impact, and Lenae's next moves, including her Sabrina Carpenter tour slot.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticBecome A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: https://ow.ly/oPsc50VBOuHJoin Analytic Dreamz on Notorious Mass Effect for an in-depth segment dissecting Artemas' “I Guess You Never Really Cared.” Released January 31, 2025, this darkwave/alt-pop ballad captures heartbreak with cinematic flair. Analytic Dreamz explores its Billboard Hot 100 peak at No. 62, UK Singles Chart run (No. 15), and 30M+ Spotify streams. With 100,000+ TikTok clips driving Gen Z appeal, discover how Artemas' viral strategy and playlist placements fuel global traction. Dive into detailed stats, cultural impact, and future potential in this comprehensive segment.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

rWotD Episode 2879: Jessie J discography Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Saturday, 22 March 2025 is Jessie J discography.English singer Jessie J has released five studio albums, one extended play (which was also her first live album), nineteen singles (including four as a featured artist), twenty-one music videos, and five promotional singles.Jessie J released her debut single, "Do It like a Dude", in the United Kingdom in November 2010, where it peaked at number two on the UK Singles Chart. It also reached number eight in New Zealand. Her follow-up single, "Price Tag", which featured B.o. B, was released in late January 2011, spending two weeks at number-one in the UK; selling over a million copies as of January 2012. The single also reached number 23 on the Billboard Hot 100 in the United States and peaked at number-one in France, Ireland, New Zealand, while reaching the top three in Australia, Germany and the Netherlands. Her debut album, Who You Are, was released in February 2011 and reached number two on the UK Albums Chart. It also reached the top 10 in Australia, Canada, Ireland and New Zealand, and number 11 in the US. The album's third single, "Nobody's Perfect", peaked at number nine in the UK, while its fourth single, "Who's Laughing Now", peaked at 16. The fifth single from the album, "Who You Are", earned Jessie a fourth top-ten hit in December 2011, when it peaked at number eight. A non-album single, "Domino", was released in some territories, peaking at number three in New Zealand, number five in Australia and became her first top ten single on the US Billboard Hot 100; peaking at number six. The track was later included on the repackaged edition of Who You Are in the UK and was released as the sixth single and became her second number-one single in the UK in January 2012. A seventh single, "LaserLight" taken from the platinum edition of the album it was released in May 2012; reaching the top 10 in the UK and Ireland. As a result of this, Cornish became the first British female to have six top-ten singles from the same album.The campaign for the second studio album Alive was launched in May 2013, with the worldwide release of "Wild". Featuring rappers Big Sean and Dizzee Rascal, the track reached number five in the United Kingdom and number six in Australia. A second single—"It's My Party"—preceded the release of the album on 15 September. "Alive" was released on 20 September 2013. The third and final single, Thunder, was released on 8 December 2013, and reached 18 in the UK and Ireland.Jessie J also appeared as a guest vocalist on James Morrison's single "Up" in November 2011. The single, released from the album The Awakening, reached number 30 in the United Kingdom. In December 2012, Jessie J featured on singer Daley's single "Remember Me"; a track which went on to reach number 24 in the UK. She also featured in "Calling All Hearts" with Robin Thicke and DJ Cassidy in spring 2014.Jessie J started the promotion of her third album with "Bang Bang", a collaboration with Ariana Grande and Nicki Minaj. The song debuted at number one in the UK and reached number three in the US. The next single, "Burnin Up" was a minor hit, peaking at number 86 on the US Billboard Hot 100 and number 100 on the Canadian Hot 100. The single peaked at number 73 in the UK. On 13 October 2014, Sweet Talker was released worldwide.In 2018 Jessie J released her fourth album R. O. S. E. in four parts, available as four separate EPs, titled Realisations, Obsessions, Sex, and Empowerment. The titles create an acronym for Rose, her mother's name and her favorite flower. The four EPs were released on 22, 23, 24, and 25 May.This recording reflects the Wikipedia text as of 00:09 UTC on Saturday, 22 March 2025.For the full current version of the article, see Jessie J discography on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Niamh.

Linktree: https://linktr.ee/AnalyticIn this segment of "Notorious Mass Effect," Analytic Dreamz dives into Artemas' "Southbound," released February 14, 2025. The Oxfordshire artist's lead single from Pretty blends dark pop and alt-R&B, hitting #4 on the UK Singles Chart and #29 on the Billboard Hot 100. With 25M Spotify streams by March 20, boosted by TikTok's 3M teaser views and a 20% Netflix spike from Dark Horizons, Analytic Dreamz analyzes its sales milestones, critical praise as a “moody masterpiece,” and global reach, solidifying Artemas' rising star status.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Formerly the frontman of the short-lived bands Kat Kool & the Kool Cats, Streetband and Q-Tips, he began his solo success in the 1980s. His hit singles include "Love of the Common People, 'Wherever I Lay My Hat," "Come Back and Stay," "Every Time You Go Away," and 'Everything Must Change, all reaching the top 10 of the UK Singles Chart. Released in 1983, his debut album, No Parlez was the first of three UK number one albums. His smooth yet soulful voice belongs to a genre known as "blue-eyed soul." He won a Brit Award for Best British Male in 1985, and his hit "Every Time You Go Away" reached number one on the Billboard Hot 100 and also won Best British Video at the 1986 Brit Awards. He performed on the 1984 charity single "Do They Know It's Christmas," which included singing the opening lines, and played Live Aid held at Wembley Stadium in London in July 1985. Since the mid-1990s, Young has performed with the band Los Pacaminos.

Linktree: https://linktr.ee/AnalyticIn this Notorious Mass Effect segment, Analytic Dreamz breaks down Alex Warren's 'Ordinary,' released February 7, 2025. From TikTok fame with 16M+ followers to a rising pop-folk artist under Atlantic Records, Warren's piano-driven track hit #7 on the UK Singles Chart. Analytic Dreamz explores its 2.9M Spotify streams on day one, TikTok-fueled hype, and themes of resilience. With a Joe Jonas remix teased and a 2025 tour ahead, Ordinary marks Warren's shift from internet star to music contender, poised for broader Billboard success.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, we explore Lady Gaga's latest single, "Abracadabra," which was released on February 3, 2025, and immediately made waves across the music industry. Analytic Dreamz delves into Gaga's storied career, highlighting her evolution from The Fame to her newest album, Mayhem. "Abracadabra" not only debuted at #2 on the Billboard Hot 100 and topped the UK Singles Chart but also dominated global streaming platforms, achieving over 40 million Spotify streams in just 48 hours. The song's commercial success is further evidenced by its first-week digital sales of 100,000 copies and a significant boost in vinyl sales among her fanbase, the Little Monsters. We discuss the song's thematic exploration of resilience and self-discovery, its strategic marketing through global brand collaborations, and how the music video set a new YouTube record for Gaga. Moreover, the segment covers the cultural impact, including its influence on fashion with a surge in red latex outfit sales and its representation of the LGBTQ+ community through featured artists. Analytic Dreamz also previews what to expect from Gaga's upcoming album, Mayhem, set for release on March 7, and her future performances at major events like Coachella. Join us for a comprehensive analysis of how "Abracadabra" is not just a song but a cultural phenomenon.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz dissects Bad Bunny's "EoO," a track from his latest album, "DeBÍ TiRAR MáS FOToS," released on January 5, 2025. Bad Bunny, a pivotal figure in reggaetón and Latin trap, has once again pushed the boundaries by paying tribute to the genre's roots while infusing contemporary beats, produced by Tainy with a sample from Héctor & Tito's classic "Perreo Baby." "EoO" not only captivated fans with its old-school vibe but also achieved significant commercial milestones, debuting at #2 on the Billboard Hot 100, dominating the Hot Latin Songs chart, and making a notable impact on the UK Singles Chart. The song's success is further evidenced by over 100 million Spotify streams in its first month, 50 million YouTube views within a week, and a strong digital sales performance. Analytic Dreamz explores how "EoO" has sparked a revival of interest in reggaetón's early days, influencing dance trends, nightclub playlists, and even discussions on cultural preservation. We delve into the track's social media impact, including TikTok's role in its viral spread, and how live performances have significantly boosted its streaming numbers. This segment is a deep dive into how "EoO" not only represents a cultural moment but also underscores Bad Bunny's enduring influence in the music industry.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz explores the meteoric rise of Canadian pop star Tate McRae with her latest single "Sports Car." Born on July 1, 2003, in Calgary, McRae first gained recognition placing third on 'So You Think You Can Dance' in 2016. Her music career took off with the debut EP 'All the Things I Never Said' in 2020, followed by hits like "You Broke Me First" and "r u ok." "Sports Car," released on January 24, 2025, marks a bold shift, introducing an edgier pop sound with introspective lyrics, co-written with Julia Michaels, Grant Boutin, and Ryan Tedder. The song is part of her upcoming third album, 'So Close to What'. "Sports Car" has not only received acclaim for its sultry sound reminiscent of early 2000s pop but also for its visually striking music video directed by Bardia Zeinali. The track debuted at #24 on Global Spotify with 3.248M streams, reaching #9 on US Spotify charts and securing a spot on "New Music Friday" playlists for over 1.5 million users. Despite no confirmed positions on the Billboard Hot 100 or UK Singles Chart, the song's cultural impact, including references to the Ying Yang Twins, has sparked significant online engagement.Analytic Dreamz also discusses McRae's 2025 'Miss Possessive Tour', which sold out all North American dates almost immediately. The tour, her first in arenas, kicks off on March 18 in Mexico City, covering 50 dates across multiple continents with Zara Larsson as a special guest for the U.S. and Canada leg. Ticket prices have varied, with some resale markets showing significant demand, such as Los Angeles tickets starting at $146 on Viagogo.This segment encapsulates McRae's journey from a dance competition to global music stardom, highlighting the success of "Sports Car" and the anticipation surrounding her upcoming tour.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/Analytic In this segment, Analytic Dreamz examines Central Cee's latest track, "5 Star (Aitch Diss)," released as a direct response to the 2023 BRIT Awards where Aitch was awarded over Central Cee. Born in Ladbroke Grove, Central Cee, or Oakley Neil H T Caesar-Su, has made a name with his blend of UK drill, hip-hop, and grime, reaching critical acclaim with projects like "Wild West" and "23." This diss track has stirred the UK rap scene, highlighting themes of authenticity and competition. Following its release, Aitch hit back with "A Guy Called?" on January 24, 2025, escalating the feud by questioning Central Cee's writing and motives. Central Cee's response was notably succinct, replying with just "fair enough" and laughing emojis on Instagram, leaving fans anticipating further exchanges. The track peaked in the lower Top 40 of the UK Singles Chart, with a noticeable streaming surge on platforms like Spotify and Apple Music, though it didn't make waves on the Billboard charts. Its music video quickly accumulated views on YouTube, and social media platforms buzzed with debates over the lyrical content and implications for UK rap culture. While physical sales were limited, the digital engagement was robust, reflecting current music consumption trends. Analytic Dreamz also discusses the potential impact of this feud on both artists' careers, especially with the upcoming 2025 BRIT Awards where Central Cee is nominated again, possibly reigniting their rivalry. This segment offers an in-depth look at how this single track has not only added to the narrative of UK rap beef but also shaped the discourse around loyalty, authenticity, and the competitive spirit in contemporary music.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

After finding success with Bone Thugs-n-Harmony, Krayzie Bone recorded his solo debut, Thug Mentality 1999, in 1999. The album was released as a double disc set, featuring a large selection of guest appearances, including Bone Thugs-n-Harmony, Mo Thugs, Mariah Carey, ThugLine, The Marley Brothers, Big Pun, Fat Joe, Cuban Link, Gangsta Boo, E-40, 8 Ball & MJG, Kurupt, Naughty By Nature and Snoop Dogg. The album was largely produced by multi instrumentalist Romeo Antonio and was certified platinum by the RIAA. In 2001, Krayzie Bone released Thug On Da Line, which received generally positive reviews from music critics and went gold. In 2005 Krayzie Bone was featured in the song "Ridin'" by Chamillionaire. "Ridin'" was awarded "Best Rap Performance by a Duo or Group" at the 49th Annual Grammy Awards. It was also nominated for Best Rap Song. It became number one in December on the Pop Chart 3 months after its physical release. The song also topped the Billboard Hot 100 and peaked at number 2 on the UK Singles Chart when it was released there. The song ranked #3 on Rolling Stone's "100 Best Songs of 2006" and #91 on VH1's "100 Greatest Songs of Hip Hop". It was the best selling ringtone in 2006, with 3.2 million sales, certified by the RIAA as the first multi-platinum Mastertone artist in history. It was also awarded the last Best Rap Video at the MTV Video Music Awards, which was awarded in 2006. Krayzie Bone comes from a fourth generation family of Jehovah's Witnesses, and as such does not celebrate Christmas. He believes many rappers are unintentionally following the agenda of the Illuminati.[9] On September 24, 2023, Krayzie Bone was admitted to a hospital in Los Angeles after coughing up blood in his sleep, what was later attributed to sarcoidosis. Doctors were unsuccessful in an emergency surgery. On September 26, he was sedated due to a main artery in his lung leaking. However, on October 3, he announced he had recovered from the ailment. Krayzie Bone also has a thriving foundation called "Spread The Love" that mentors and teaches at risk youth life skills and about the music business. Learn more about your ad choices. Visit megaphone.fm/adchoices

Linktree: https://linktr.ee/AnalyticIn this segment, Analytic Dreamz delves into the music and career of British singer-songwriter Lola Young, highlighting her journey from South London to international acclaim. Born on January 4, 2001, and educated at the BRIT School, Young's music fuses pop, soul, and R&B, focusing on themes of love, vulnerability, and personal growth. Her song "Messy," from the album "This Wasn't Meant For You Anyway," released in May 2024, has become a significant cultural touchstone, described as an "ADHD anthem" and exploring themes of relationship turmoil and self-identity. Analytic Dreamz discusses "Messy"'s critical acclaim, its viral dance trend on TikTok involving influencers Jake Shane and Sofia Richie, and its impact as an anthem for self-acceptance. The segment covers the song's commercial milestones, including peaking at #3 on the UK Singles Chart, reaching #25 on the Billboard Hot 100, and expected to hit the Top 5 on the Billboard Global 200. Further, Analytic Dreamz provides insights into the song's streaming success, with over 400% increase in streams post-TikTok virality, its presence on major Spotify playlists, and crossing 250,000 TikTok videos by January 2025. The discussion also includes physical and digital sales, radio airplay, and international chart performance. The segment concludes with recent highlights, such as "Messy" holding the #1 spot on the EE Official Big Top 40 for two weeks, Young's Australia tour, upcoming European tour, and her scheduled performance at Coachella 2025. Analytic Dreamz also touches on the cultural buzz around the song, media mentions, and upcoming chart competitors. This segment offers a comprehensive analysis of Lola Young's musical footprint and the significant impact of "Messy."Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

fWotD Episode 2805: Elvis Presley Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Wednesday, 8 January 2025 is Elvis Presley.Elvis Aaron Presley (January 8, 1935 – August 16, 1977), known mononymously as Elvis, was an American singer and actor. Known as the "King of Rock and Roll", he is regarded as one of the most significant cultural figures of the 20th century. Presley's energized performances and interpretations of songs, and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a transformative era in race relations, brought both great success and initial controversy.Presley was born in Tupelo, Mississippi; his family relocated to Memphis, Tennessee, when he was 13. His music career began there in 1954, at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Presley, on guitar and accompanied by lead guitarist Scotty Moore and bassist Bill Black, was a pioneer of rockabilly, an uptempo, backbeat-driven fusion of country music and rhythm and blues. In 1955, drummer D. J. Fontana joined to complete the lineup of Presley's classic quartet and RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who managed him for the rest of his career. Presley's first RCA Victor single, "Heartbreak Hotel", was released in January 1956 and became a number-one hit in the US. Within a year, RCA Victor would sell ten million Presley singles. With a series of successful television appearances and chart-topping records, Presley became the leading figure of the newly popular rock and roll; though his performative style and promotion of the then-marginalized sound of African Americans led to him being widely considered a threat to the moral well-being of white American youth.In November 1956, Presley made his film debut in Love Me Tender. Drafted into military service in 1958, he relaunched his recording career two years later with some of his most commercially successful work. Presley held few concerts, however, and guided by Parker, proceeded to devote much of the 1960s to making Hollywood films and soundtrack albums, most of them critically derided. Some of Presley's most famous films included Jailhouse Rock (1957), Blue Hawaii (1961), and Viva Las Vegas (1964). In 1968, he returned to the stage in the acclaimed NBC television comeback special Elvis, which led to an extended Las Vegas concert residency and a string of highly profitable tours. In 1973, Presley gave the first concert by a solo artist to be broadcast around the world, Aloha from Hawaii. However, years of prescription drug abuse and unhealthy eating severely compromised his health, and Presley died unexpectedly in August 1977 at his Graceland estate at the age of 42.Presley is one of the best-selling music artists of all time, with sale estimates ranging from 500 million records to over a billion worldwide. He was commercially successful in many genres, including pop, country, rock and roll, rockabilly, rhythm and blues, adult contemporary, and gospel. He won three Grammy Awards, received the Grammy Lifetime Achievement Award at age 36, and has been inducted into multiple music halls of fame. He holds several records, including the most RIAA-certified gold and platinum albums, the most albums charted on the Billboard 200, the most number-one albums by a solo artist on the UK Albums Chart, and the most number-one singles by any act on the UK Singles Chart. In 2018, Presley was posthumously awarded the Presidential Medal of Freedom.This recording reflects the Wikipedia text as of 00:58 UTC on Wednesday, 8 January 2025.For the full current version of the article, see Elvis Presley on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Niamh.

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, we explore the legacy of Dean Martin and his iconic rendition of "Let It Snow! Let It Snow! Let It Snow!" Artist Background:Dean Martin, born Dino Paul Crocetti on June 7, 1917, in Steubenville, Ohio, was not only a singer but also an actor, comedian, and a key member of the Rat Pack alongside Frank Sinatra and Sammy Davis Jr. Known for his smooth baritone voice and charismatic stage presence, Martin's work spanned across traditional pop, jazz, and country music, with his holiday albums becoming staples of festive celebrations.Song History:Penned by Sammy Cahn and Jule Styne during a Hollywood heatwave in 1945, "Let It Snow" was first recorded by Vaughn Monroe that same year, becoming an immediate Christmas hit. Dean Martin's versions, recorded in 1959 and 1966, are particularly celebrated for capturing his effortless, jovial style.Sales Milestones:Billboard Chart Success: The song saw a remarkable resurgence, entering the Hot 100 at No. 49 in December 2018 and peaking at No. 20 in January 2019, marking Martin's first Top 20 hit in nearly half a century.UK Chart Success: It has consistently appeared on the UK Singles Chart during the holiday season, underscoring its lasting appeal.Analytic Sales Facts:Physical vs. Digital Sales: While initially popular through physical sales, "Let It Snow" now enjoys significant digital sales and streaming boosts during the holiday period.Cover Versions Impact: Multiple covers by artists like Frank Sinatra and Rod Stewart have kept the song alive, with Stewart's version notably topping the Billboard Adult Contemporary chart in 2012.Media Exposure: The song's presence in films like "Die Hard 2" and "Lethal Weapon," as well as in TV shows like "The Simpsons," has perpetuated its cultural footprint.Christmas Album Sales: As a highlight of Dean Martin's holiday albums, it significantly drives album sales each Christmas season.Streaming Success: There's a notable increase in streams on platforms like Spotify and Apple Music during November and December.YouTube Impact: An official animated video released in 2019 has amassed millions of views, enhancing its digital presence.Cultural Staple: Played widely in public places like malls and on holiday radio, ensuring wide exposure.Licensing Revenue: Notable licensing events, such as Google's 2011 Easter Egg, contribute to its revenue stream.Chart Longevity: Its chart re-entries each year reflect a robust seasonal sales pattern.Global Appeal: Its international chart performance confirms its status as a global holiday anthem.Summary:Dean Martin's "Let It Snow" has seamlessly transitioned from a classic hit to a digital age favorite, maintaining relevance through chart success, media exposure, and streaming. Its enduring charm and commercial success illustrate its place as a holiday staple across generations. Join Analytic Dreamz in this segment to appreciate how this song has shaped holiday music traditions.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Mike Batt is probably best known as the singer/songwriter/producer of The Wombles music, having written the theme tune plus eight hit singles and four gold albums. Mike moved on to work with various artists as a songwriter and producer, most successfully with Steeleye Span and their most successful single and album All Around My Hat in 1975. He wrote the song "Bright Eyes" for the film Watership Down, sung by Art Garfunkel, which reached number 1 in the UK Singles Chart and five other countries. Mike wrote and produced three more UK Top Ten hits, "Please Don't Fall in Love" (for Cliff Richard), "A Winter's Tale" (for David Essex, with lyrics co-written by Tim Rice) and "I Feel Like Buddy Holly" (for Alvin Stardust). Mike composed and produced the four million-selling album, The Violin Player, which launched classical violinist Vanessa-Mae, and he discovered Katie Melua in 2002. Her album Call Off The Search (containing six of Mike's songs including "The Closest Thing to Crazy") was released in November 2003. It spent six weeks at number one in the UK Albums Chart, sold over 1.8 million copies, in the UK and three million copies in total, making Melua the biggest selling UK female artist of 2004. Mike now has an autobiography called The Closest Thing to Crazy, My Life of Musical Adventures, available in all bookshops or from here! .Mike Batt is our guest in episode 453 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Buy Mike Batt's autobiography, The Closest Thing to Crazy is available here - https://www.amazon.co.uk/Closest-Thing-Crazy-Musical-Adventures/dp/1785120840 .For everything else Mike Batt, visit - https://www.mikebatt.com .Follow Mike Batt on Twitter @Mike_Batt .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves into the remarkable journey and achievements of Wham!'s timeless classic, "Last Christmas." Released in 1984, the song has transcended time to become one of the most recognized Christmas anthems globally. Analytic Dreamz explores how "Last Christmas" achieved record-setting status on the UK Singles Chart, reaching No. 1 in both January 2021 and again in 2023, after a 36-year wait and a 39-year journey respectively, marking the longest ever to the top spot. The segment highlights the song's international acclaim, topping charts in 16 countries, and accumulating over 4 billion audio streams alongside 1 billion video views. Initially paired with "Everything She Wants" as a double A-side, its early success was significantly amplified. Analytic Dreamz also covers the song's performance in 2024, with "Last Christmas" hitting a new peak at No. 3 on the Billboard Hot 100 in the United States, surpassing its previous peak of No. 4. The discussion includes its dominance on streaming platforms, notably being the most streamed holiday song on Spotify globally on December 1, 2024, and ranking #3 overall with 8.63 million daily streams. Additionally, its ongoing popularity is evident with a chart position at #8 on the UK Singles Chart on November 29, 2024.Celebrating its 40th anniversary in 2024, Analytic Dreamz notes the release of special physical formats for fans, including CD and 12-inch vinyl in various designs, available for pre-order since October 24. The segment also touches on the documentary "WHAM!: Last Christmas Unwrapped," set to air on BBC Two and BBC iPlayer, offering insights into the song's creation and George Michael's genius.Through active legacy maintenance by George Michael's estate and Andrew Ridgeley, "Last Christmas" continues to resonate, proving Wham!'s enduring influence on holiday music. Join Analytic Dreamz for an in-depth exploration of how this song has not only captured the heart of the holiday season but has also secured its place in music history.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Something Good.On this episode we are joined by Utah Saints. Utah Saints are an English electronic music duo consisting of members Jez Willis and Tim Garbutt. The band had three top-ten and another five top-40 singles on the UK Singles Chart in the 1990s, as well as number-one dance tracks in the UK and USMark and Me is now on YouTube - Please subscribe here https://www.youtube.com/@markandmePlease support the Mark and Me Podcast via Patreon here: https://www.patreon.com/Markandme or you can buy me a coffee here: https://ko-fi.com/markandme.The Mark and Me podcast is proudly sponsored by Richer Sounds.Visit richersounds.com now to shop for all your hi-fi, home cinema and TV solutions. Also, don't forget to join their VIP club for FREE with just your email address to receive a great range of fantastic privileges.The Mark and Me podcast is also proudly sponsored by Vice-Press.If you are a fan of films and pop culture, check out Vice Press. All of their limited edition posters, art prints & collectibles are officially licensed & are made for fans like us to collect & display in their homes. Vice Press work directly with artists and licensors to create artwork and designs that are exclusive to them.This year, Vice Press also launched Vice Press Home Video, dedicated to releasing classic films on VHS. And yes, they play! Get 10% off of your first order using code MARKANDME10 or head to vice-press.com/discount/MARKANDME10Siren Craft Brew is offering Mark and Me listeners £10 off their next order over £50 at sirencraftbrew.com with code 10MARK just in time for the festive season (expires 31/12/2024). That's beers for a party, fridge fillers and gifts sorted! Based in Berkshire, Siren are an award winning, family-owned independent brewery with a wide range of beers to suit all tastes.  All artwork and designs are produced by Dead Good Tees - Dead Good Tee crafts graphic T-shirts for true horror and movie enthusiasts. Drawing inspiration from classic movies, iconic villains, and the darker side of cinema, their designs offer a subtle nod to the genre's most unforgettable moments. Visit www.deadgoodtees.co.uk

Linktree: https://linktr.ee/Analytic"Sailor Song" by Gigi PerezIn this segment of Notorious Mass Effect, Analytic Dreamz dives deep into the captivating world of "Sailor Song" by Gigi Perez. We'll explore the song's meteoric rise on the charts, the artist's journey from TikTok sensation to mainstream success, and the cultural impact of this powerful queer love ballad.From its debut at No. 11 on the UK Singles Chart to reaching No. 46 on the Billboard Hot 100, "Sailor Song" has captured the hearts of listeners worldwide. We'll break down the song's musical style, lyrical themes, and the production process behind this viral hit.Discover how Gigi Perez's unique blend of indie folk and emotional depth has resonated with audiences, sparking conversations about love, identity, and queer representation in music. As we delve into the song's cultural impact, we'll also examine its broader significance in the context of the evolving pop landscape.Join Analytic Dreamz as we explore the fascinating story behind "Sailor Song" and its enduring legacy.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

True es el tercer álbum de la banda inglesa Spandau Ballet. Publicado en 1983, los dos primeros trabajos que se basaban en el estilo new romantic le brindaron la popularidad en Europa, True en todo el mundo. Influenciado en el jazz, R&B y el soul alcanzó el número uno en el Reino Unido, el Top 20 en Estados Unidos y en numerosas listas del mundo. Con este LP el grupo convierte su estilo en pop, llegando a ser "True" una de las canciones más exitosas, #1 en la UK Singles Chart y #4 por América. 

Martin Jensen on the Virtual Session presented by The DJ Sessions 9/02/24   About Martin Jensen - The megahit "Solo Dance" catapulted Martin Jensen to the international charts. The single reached a position as no. 25 on Spotify's Global Top 50 chart, to no. 1 on the UK Singles Chart, and the Top 20 in 17 countries. At its peak, the track had over 1 million daily streams. The single has been certified platinum in countries like Canada, France, and Germany, 2x platinum in Italy and the UK, 3x platinum in Denmark, 4x platinum in Norway, and 8x platinum in Sweden. The combination of Martin Jensen's spectacular live shows, and his talent to create international hits was recognized by the world's biggest club music magazine, DJ Mag, where he entered the annual top 100 DJ ranking. He first appeared on the list in 2016 as number 83, in 2017 he was number 70, in 2018 number 54, and in 2019 he reached his highest position so far as number 45. Martin Jensen has released music with some of the biggest artists on the planet, such as Rita Ora, Ava Max, Sigala, Katy Perry, Cardi B, Jason Derulo, James Arthur, Timmy Trumpet, and Ed Sheeran. Martin's songs has surpassed 3 billion streams in total on Spotify. His popularity has led to performances at the world's biggest electronic festivals and clubs such as Tomorrowland, Belgium and Ushuaïa, Ibiza. With big international shows about to be announced, as well as a bunch of a-list collabs on upcoming releases, 2024 looks like another big year for the Danish superstar.   About The DJ Sessions - “The DJ Sessions” is a Twitch/Mixcloud "Featured Partner” live streaming/podcast series featuring electronic music DJ's/Producers via live mixes/interviews and streamed/distributed to a global audience. TheDJSessions.com The series constantly places in the “Top Ten” on Twitch Music and the “Top Five” in the “Electronic Music", “DJ", "Dance Music" categories. TDJS is rated in the Top 0.11% of live streaming shows on Twitch out of millions of live streamers. It has also been recognized by Apple twice as a "New and Noteworthy” podcast and featured three times in the Apple Music Store video podcast section. UStream and Livestream have also listed the series as a "Featured" stream on their platforms since its inception. The series is also streamed live to multiple other platforms and hosted on several podcast sites. It has a combined live streaming/podcast audience is over 125,000 viewers per week. With over 2,500 episodes produced over the last 15 years "The DJ Sessions" has featured international artists such as: BT, Youngr, Dr. Fresch, Ferry Corsten, Sevenn, Drove, Martin Trevy, Jacob Henry, Nathassia aka Goddess is a DJ, Wuki, DiscoKitty, Moon Beats, Barnacle Boi, Spag Heddy, Scott Slyter, Simply City, Rob Gee, Micke, Jerry Davila, SpeakerHoney, Sickotoy, Teenage Mutants, Wooli, Somna, Gamuel Sori, Curbi, Alex Whalen, Vintage & Morelli, Netsky, Rich DietZ, Stylust, Bexxie, Chuwe, Proff, Muzz, Raphaelle, Boris, MJ Cole, Flipside, Ross Harper, DJ S.K.T., Skeeter, Bissen, 2SOON, Kayzo, Sabat, Katie Chonacas, DJ Fabio, Homemade, Hollaphonic, Lady Waks, Dr. Ushuu, Arty/Alpha 9, Miri Ben-Ari, DJ Ruby, DJ Colette, Nima Gorji, Kaspar Tasane, Andy Caldwell, Party Shirt, Plastik Funk, ENDO, John Tejada, Hoss, Alejandro, DJ Sash U, Arkley, Bee Bee, Cozmic Cat, Superstar DJ Keoki, Crystal Waters, Swedish Egil, Martin Eyerer, Dezarate, Maddy O'Neal, Sonic Union, Lea Luna, Belle Humble, Marc Marzenit, Ricky Disco, AthenaLuv, Maximillian, Saeed Younan, Inkfish, Kidd Mike, Michael Anthony, They Kiss, Downupright, Harry “the Bigdog” Jamison, DJ Tiger, DJ Aleksandra, 22Bullets, Carlo Astuti, Mr Jammer, Kevin Krissen, Amir Sharara, Coke Beats, Danny Darko, DJ Platurn, Tyler Stone, Chris Coco, Purple Fly, Dan Marciano, Johan Blende, Amber Long, Robot Koch, Robert Babicz, KHAG3, Elohim, Hausman, Jaxx & Vega, Yves V, Ayokay, Leandro Da Silva, The Space Brothers, Jarod Glawe, Jens Lissat, Lotus, Beard-o-Bees, Luke the Knife, Alex Bau, Arroyo Low, Camo & Crooked, ANG, Amon Tobin, Voicians, Florian Kruse, Dave Summit, Bingo Players, Coke Beats, MiMOSA, Drasen, Yves LaRock, Ray Okpara, Lindsey Stirling, Mako, Distinct, Still Life, Saint Kidyaki, Brothers, Heiko Laux, Retroid, Piem, Tocadisco, Nakadia, Protoculture, Sebastian Bronk, Toronto is Broken, Teddy Cream, Mizeyesis, Simon Patterson, Morgan Page, Jes, Cut Chemist, The Him, Judge Jules, DubFX, Thievery Corporation, SNBRN, Bjorn Akesson, Alchimyst, Sander Van Dorn, Rudosa, Hollaphonic, DJs From Mars, GAWP, David Morales, Roxanne, JB & Scooba, Spektral, Kissy Sell Out, Massimo Vivona, Moullinex, Futuristic Polar Bears, ManyFew, Joe Stone, Reboot, Truncate, Scotty Boy, Doctor Nieman, Jody Wisternoff, Thousand Fingers, Benny Bennasi, Dance Loud, Christopher Lawrence, Oliver Twizt, Ricardo Torres, Patricia Baloge, Alex Harrington, 4 Strings, Sunshine Jones, Elite Force, Revolvr, Kenneth Thomas, Paul Oakenfold, George Acosta, Reid Speed, TyDi, Donald Glaude, Jimbo, Ricardo Torres, Hotel Garuda, Bryn Liedl, Rodg, Kems, Mr. Sam, Steve Aoki, Funtcase, Dirtyloud, Marco Bailey, Dirtmonkey, The Crystal Method, Beltek, Darin Epsilon, Kyau & Albert, Kutski, Vaski, Moguai, Blackliquid, Sunny Lax, Matt Darey, and many more. In addition to featuring international artists TDJS focuses on local talent based on the US West Coast. Hundreds of local DJ's have been featured on the show along with top industry professionals. We have recently launched v3.1 our website that now features our current live streams/past episodes in a much more user-friendly mobile/social environment. In addition to the new site, there is a mobile app (Apple/Android) and VR Nightclubs (VR Chat). About The DJ Sessions Event Services - TDJSES is a 501c3 Non-profit charitable organization that's main purpose is to provide music, art, fashion, dance, and entertainment to local and regional communities via events and video production programming distributed via live and archival viewing. For all press inquiries regarding “The DJ Sessions”, or to schedule an interview with Darran Bruce, please contact us at info@thedjsessions.com.

Phish's three-night run at Alpine ValleyLarry Mishkin features a Grateful Dead concert at a "funky" venue on July 29, 1994, at Buckeye Lake, Ohio.  The Grateful Dead opened with "Rain" by the Beatles, reflecting their admiration for the Beatles' music. "Rain," primarily written by John Lennon, was a song exploring themes of reality and illusion and was notable for its use of reverse audio effects. The Grateful Dead incorporated several Beatles songs into their performances, demonstrating their appreciation for the band.The conversation touches on the Grateful Dead's setlist, which included several opening songs like "Feel Like a Stranger" and "Bertha." The speakers recall personal experiences and the excitement of attending these concerts, sharing memories of Buckeye Lake as a vibrant venue despite unpredictable weather. The conversation transitions to "Wang Dang Doodle," a blues standard written by Willie Dixon and performed by artists like Howlin' Wolf and Koko Taylor. The Grateful Dead's affinity for blues music and their ability to blend various musical influences into their performances is highlighted. Larry changes his focus and shifts to a discussion about the band Phish, detailing a recent three-night run at Alpine Valley. He express his excitement and nostalgia for the venue, sharing experiences of attending concerts there over the years. The recap of Phish's performances includes a detailed analysis of the setlists, noting songs like "46 Days," "Moma Dance," "Cities," "Cavern," "Axilla," "Down with Disease," "Bathtub Gin," and a cover of Led Zeppelin's "Good Times Bad Times." Larry's enthusiasm is evident as he recount the energy and musicianship of Phish, highlighting the unique experience of attending their concerts and the connection it fosters among fans.  Grateful DeadJuly 29, 1994  (30 years ago)Buckeye Lake OhioGrateful Dead Live at Buckeye Lake Music Center on 1994-07-29 : Free Download, Borrow, and Streaming : Internet Archive  INTRO:                                 Rain                                                Track #1                                                :26 – 2:10 John Lennon wrote most of "Rain." It was his first song to get really deep, exploring themes of reality and illusion - after all, rain or shine is just a state of mind.Written by John “about people moaning about the weather all the time” as he was becoming more in tune with his role as a social leader – as is evidenced by the lines “I can show you” and “Can you hear me”Played 29 timesFirst:  December 2, 1992 at McNichols Sports Arena, Denver, CO, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA  SHOW No. 1:                    Wang Dang Doodle                                                Track #4                                                4:03 – 5:43 "Wang Dang Doodle" is a blues song written by Willie Dixon. Music critic Mike Rowe calls it a party song in an urban style with its massive, rolling, exciting beat.[1] It was first recorded by Howlin' Wolf in 1960 and released by Chess Records in 1961. In 1965, Dixon and Leonard Chess persuaded Koko Taylor to record it for Checker Records, a Chess subsidiary. Taylor's rendition quickly became a hit, reaching number thirteen on the Billboard R&B chart and number 58 on the pop chart.[2] "Wang Dang Doodle" became a blues standard[3] and has been recorded by various artists. Taylor's version was added to the United States National Recording Registry in 2023. In 1995, Taylor's rendition was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recording – Singles or Album Tracks" category.[17] The Foundation noted that the song was the last blues single produced by Dixon to reach the record charts, and "became Koko Taylor's signature crowdpleaser, inspiring singalongs to the 'all night long' refrain night after night".[17]Taylor's version of "Wang Dang Doodle" was selected by the Library of Congress for preservation in the National Recording Registry in 2023.[18]Chuck Berry, Bruce Hornsby, John Popper, Bob Weir of the Grateful Dead and Willie Dixon's daughter, Shirley Dixon, performed "Wang Dang Doodle" in tribute to Willie Dixon at the 1994 Rock & Roll Hall of Fame induction ceremony.In his autobiography, I Am The Blues, Willie Dixon says;Wang Dang Doodle meant a good time. Especially if a guy came in from the South. A wang dang meant having a ball and a lot of dancing, they called it a rocking style so that's what it meant to wang dang doodle. Wang Dang Doodle was first performed by the Grateful Dead in August 1983. The song was played only a few times each year through the rest of the 1980's. From 1991 onwards it was performed more often averaging about 15 performances a year through to 1995.  Played: 95 timesFirst:  August 26, 1983 at Portland Memorial Coliseum, Portland, OR, USALast:  July 8, 1995 at Soldier Field, Chicago, IL, USA  MUSIC NEWS: Phish shows, Friday and Saturday night at Alpine ValleyRIP – John Mayall  SHOW No. 2:                    Althea                                                Track #7                                                9:40 – end                                                 INTO                                                 Eternity                                                Track #8                                                0:00 – 1:39 Co-writing a song with one of your personal heroes—that seems like a dream come true.Willie Dixon (1915-1992) was one of the preeminent blues songwriters and performers of all time. The Grateful Dead covered a fairly lengthy list of his songs, attesting to his influence on the band: “Down in the Bottom,” “I Ain't Superstitious,” “I Just Want to Make Love To You,” “Little Red Rooster,” “The Same Thing,” “Spoonful,” and “Wang Dang Doodle.” Plus a couple they only played once, or only in soundcheck.The song was written during the sessions for Rob Wasserman's Trios album. “Guitar Player” magazine ran an interview with Weir in 1993:I had this chord progression and melody that I wanted to run by Willie to see if he liked it .... he did, so he started dashing off words. He wanted me to run a certain section by him again and stuff like that, and we started working on a bridge. Then he dashes off this sheet of lyrics and hands it to me. Now I'm really stoked to be working with the legendary Willie Dixon and I'm prepared for just about anything.He hands these lyrics to me and I'm reading through them. And they seem, you know, awfully simplistic. Like there wasn't a whole lot to them........Now he wants me to read through it and sing the melody I have and see if they fit. And so I started singing through these simplistic lyrics, and that simplicity takes on a whole other direction.By the time I had sung through them, it's like my head is suddenly eons wide. I can hear what's happening just sort of echoing around in there and I'm astounded by the simple grace of what he has just presented to me. I'm sitting there with my mouth open literally, and Willie's laughing. He's just sitting there laughing, saying, 'Now you see it. Now you see it. That's the wisdom of the bluesPlayed:  44 timesFirst:  February 21, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 3:                    I Want To Tell You                                                Track #11                                                0:00 – 1:35 "I Want to Tell You" is a song by the English rock band the Beatles from their 1966 album Revolver. It was written and sung by George Harrison, the band's lead guitarist. After "Taxman" and "Love You To", it was the third Harrison composition recorded for Revolver. Its inclusion on the LP marked the first time that he was allocated more than two songs on a Beatles album, a reflection of his continued growth as a songwriter beside John Lennon and Paul McCartney.When writing "I Want to Tell You", Harrison drew inspiration from his experimentation with the hallucinogenic drug LSD. The lyrics address what he later termed "the avalanche of thoughts that are so hard to write down or say or transmit".[1] In combination with the song's philosophical message, Harrison's stuttering guitar riff and the dissonance he employs in the melody reflect the difficulties of achieving meaningful communication. The recording marked the first time that McCartney played his bass guitar part after the band had completed the rhythm track for a song, a technique that became commonplace on the Beatles' subsequent recordings.George Harrison wrote "I Want to Tell You" in the early part of 1966, the year in which his songwriting matured in terms of subject matter and productivity.[2] As a secondary composer to John Lennon and Paul McCartney in the Beatles,[3] Harrison began to establish his own musical identity through his absorption in Indian culture,[4][5] as well as the perspective he gained through his experiences with the hallucinogenic drug LSD.[6] According to author Gary Tillery, the song resulted from a "creative surge" that Harrison experienced at the start of 1966. In his autobiography, I, Me, Mine, Harrison says that "I Want to Tell You" addresses "the avalanche of thoughts that are so hard to write down or say or transmit".[1][12] Authors Russell Reising and Jim LeBlanc cite the song, along with "Rain" and "Within You Without You", as an early example of the Beatles abandoning "coy" statements in their lyrics and instead "adopt[ing] an urgent tone, intent on channeling some essential knowledge, the psychological and/or philosophical epiphanies of LSD experience" to their listeners.[13] Writing in The Beatles Anthology, Harrison likened the outlook inspired by his taking the drug to that of "an astronaut on the moon, or in his spaceship, looking back at the Earth. I was looking back to the Earth from my awareness." Played: 7 timesFirst:  July 1, 1994 at Shoreline Amphitheatre, Mountain View, CA, USALast:  May 24, 1995 at Memorial Stadium, Seattle, WA, USA MJ NEWS  SHOW No. 4:                    Standing On The Moon                                                Track #19                                                7:23 – 9:00 Garcia/Hunter tune from Built To Last (1989) Played:  76 timesFirst:  February 5, 1989 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA  OUTRO:                               Quinn The Eskimo                                                Track #21                                                2:28 – 4:17 "Quinn the Eskimo (The Mighty Quinn)" is a folk-rock song written and first recorded by Bob Dylan in 1967 during the Basement Tapes sessions. The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann,[4] which became a great success. It has been recorded by a number of performers, often under the "Mighty Quinn" title.The subject of the song is the arrival of Quinn (an Eskimo), who prefers a more relaxed lifestyle [" jumping queues, and making haste just ain't my cup of meat"] and refuses hard work ["Just tell me where to put 'em and I'll tell you who to call"], but brings joy to the people.Dylan is widely believed to have derived the title character from actor Anthony Quinn's role as an Eskimo in the 1960 movie The Savage Innocents.[5] Dylan has also been quoted as saying that the song was nothing more than a "simple nursery rhyme". A 2004 Chicago Tribune article[6] said the song was named after Gordon Quinn, co-founder of Kartemquin Films, who had given Dylan and Howard Alk uncredited editing assistance on Eat the Document.Dylan first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years. Meanwhile, the song was picked up and recorded in December 1967 by the British band Manfred Mann,[7] who released it as a single in the US on 8 January 1968 under the title "Mighty Quinn".[8] A UK single followed within a week.[8] The Manfred Mann version reached No. 1 in the UK Singles Chart for the week of 14 February 1968, and remained there the following week.[9] It also charted on the American Billboard Hot 100 chart, peaking at No. 10, and reached No. 4 in Cash Box. Cash Box called it a "funky-rock track" with "a trace of calypso [to] add zest to a tremendous effort."  Played:  59 timesFirst: December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Remembering Bill Walton: Basketball Star and Grateful Dead SuperfanIn this episode of the Deadhead Cannabis Show, Larry Mishkin covers various topics, including a historic Grateful Dead show, personal concert experiences, and music news. Larry starts with a deep dive into the Grateful Dead's June 3, 1976, concert at the Paramount Theater in Portland, Oregon. This show marked the band's return after a year-long hiatus, featuring five new songs and a revived tune from a four-year break. He highlights the opening track, written by Jerry Garcia and Robert Hunter, which nostalgically reflects on the band's Festival Express tour, a legendary 1970 train journey across Canada with prominent rock bands.Larry then discusses the song "Lazy Lightning," introduced at the same 1976 concert. Written by Bobby and John Perry Barlow, it became a fan favorite for its melody and message of living in the moment, though it was retired from the Grateful Dead's repertoire by 1984. He transitions into music news by honoring Doug Ingle of Iron Butterfly, who recently passed away. Larry reminisces about the band's iconic 1968 track "In-A-Gadda-Da-Vida" and its influence on the late 60s music scene.The podcast also pays tribute to Bill Walton, the legendary basketball player and devoted Deadhead who passed away at 71. Larry shares stories of Walton's deep connection with the Grateful Dead, including his record of attending 869 concerts, significantly more than his total basketball games played. Larry recounts Walton's influence on fellow athletes and his unique presence at Dead shows.Finally, Larry describes his recent experience at a Dead & Company concert at the Sphere in Las Vegas. He marvels at the venue's immersive visual technology, which enhanced the concert experience, likening it to a planetarium. Despite the advanced visuals sometimes overshadowing the music, Larry enjoyed the performance and the unique atmosphere. He also mentions a mini-exhibition featuring Dave Lemieux's tape collection and the significance of tape trading in Grateful Dead fandom.In summary, this episode covers a blend of Grateful Dead history, personal concert experiences, tributes to influential music figures, and the latest in concert technology, providing a rich narrative for Deadheads and music enthusiasts alike.  Grateful DeadJune 3, 1976  (48 Years Ago)Paramount TheaterPortland, ORGrateful Dead Live at Paramount Theatre on 1976-06-03 : Free Borrow & Streaming : Internet Archive First show back after 1975 year offPrior show:  Sept. 28, 1975 – last of the four shows in 1975, this show is 9 months later.  Long wait for Deadheads. Dead did not disappoint with five new songs and a breakout after a 4 year hiatus.  INTRO:                                 Might As Well                                                Track #1                                                1:15 – 2:50 “Take that ride again”                 Might as Well” is a song written by Jerry Garcia with lyrics penned by Robert Hunter. Released on Garcia's 3d solo album, Reflections, in February, 1976.  It's one of the tracks from Garcia's solo career, showcasing his musical versatility and unique ability to transform personal experiences into joyful music.  The song takes a nostalgic look back at the Grateful Dead's time on the Festival Express Tour, a memorable rail trip that brought together prominent artists of the '60s for a raucous, whisky-fueled journey across America.                 Festival Express is the 1970 train tour of the same name across Canada taken by some of North America's most popular rock bands, including Grateful Dead, Janis Joplin, The Band, Buddy Guy, Flying Burrito Bros, Ian & Sylvia's Great Speckled Bird, Mountain and Delaney & Bonnie & Friends.  Later made into a movie             Festival Express was staged in three Canadian cities: Toronto, Winnipeg, and Calgary (Montreal and Vancouver were also originally scheduled but both dropped)  during the summer of 1970. Rather than flying into each city, the musicians traveled by chartered Canadian National Railwaystrain, in a total of 14 cars (two engines, one diner, five sleepers, two lounge cars, two flat cars, one baggage car, and one staff car).[5] The train journey between cities ultimately became a combination of non-stop jam sessions and partying fueled by alcohol. One highlight of the documentary is a drunken jam session featuring The Band's Rick Danko, the Grateful Dead's Jerry Garcia and Bob Weir, New Riders of the Purple Sage's John Dawson, as well as Janis Joplin.             Here, it is played as the show opener.  Ultimately, became more of a first set closer, a popular one along with Deal, another Garcia solo tune.                     Played 111 times                First:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW  19 times that year              Last:  March 23, 1994 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USA – only time played that year, 6 times in ‘91                 SHOW No. 1:                    Lazy Lightning                                                Track #6                                                0:00 – 1:46 Written by Bobby and John Perry Barlow, paired with Supplication in concert and released with Supplication as the opening tracks on the album, Kingfish, released in March, 1976. Lazy Lightning is often interpreted as a metaphorical representation of the pursuit of a carefree and leisurely lifestyle amidst the chaos and hardships of reality. The lyrics depict a whimsical scenario where the protagonist encounters a bolt of lightning that transforms into a woman, symbolizing the allure and transitory nature of fleeting pleasures. The song encourages listeners to embrace the present moment and let go of the rigid expectations and responsibilities that burden their lives. It is a celebration of spontaneity, freedom, and the pursuit of personal bliss. Lazy Lightning became a fan favorite due to its infectious melody, poetic lyrics, and the sense of liberation it evoked. Grateful Dead fans often resonated with the song's message of embracing the present moment and shedding societal expectations. It became a rallying cry for those seeking to live life on their own terms, igniting a sense of camaraderie and freedom among concert-goers. Usually, a late first set number.  Unfortunately, dropped from the repertoire in 1984.  I got to hear it three or four times.  A fun number. Played:  also played 111 timesFirst:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW!!Last:  October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA  MUSIC NEWS – Intro music:  In A Gadda Da Vida:  IRON BUTTERFLY - IN A GADDA DA VIDA - 1968 (ORIGINAL FULL VERSION) CD SOUND & 3D VIDEO (youtube.com)Start - :45 is a song recorded by Iron Butterfly, written by band member Doug Ingle and released on their 1968 album of the same name.At slightly over 17 minutes, it occupies the entire second side of the album. The lyrics, a love song from the biblical Adam to his mate Eve, are simple and are heard only at the beginning and the end. The middle of the song features a two-and-a-half-minute Ron Bushy drum solo.  Famously featured on a Simpson's episode when Bart switches the organist's regular music for this tune and hands out the words to the congregation who sing along.  The older organ player plays the entire organ solo (although they only feature a part of it) and then at the end promptly slumps over at the keyboard. Featured today as a tribute to Doug Ingle, songwriter, keyboard player and vocalist for the song, who passed away on May 24th at the age of 78.  He was the last surviving member of the original band lineup.Bill Walton passed away on last Monday, May 27th at the all too young age of 71.  Couldn't miss him at the shows, 7 foot redhead dancing away or else up on stage.Dead & Co. at the Sphere, saw the June 1st show.                SHOW No. 2:                    Supplication                                                Track #7                                                2:00 – 3:30 Written by Bobby and John Perry Barlow, paired with Lazy Lightning in concert and released with Lazy Lightning as the opening tracks on the album, Kingfish, released in March, 1976. The song delves into the universal theme of the human experience, specifically emphasizing the concept of surrender and humility. It explores the idea of surrendering oneself to a higher power, relinquishing control, and embracing the unknown. The lyrics touch upon the vulnerability and humility required to let go and trust in something beyond our comprehension. Supplication encourages listeners to reflect upon their own lives, urging them to question their beliefs, values, and the significance of surrendering to a greater force. Played:  111 times (a good number for the lottery, keeps coming up), always paired with Lazy LightningFirst:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW!!Last:  October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA SHOW No. 3:                    Dancin In the Streets                                                Track #11                                                0:00 – 1:42 "Dancing in the Street" is a song written by Marvin Gaye, William Stevenson, and Ivy Jo Hunter. It first became popular in 1964 when recorded by Martha and the Vandellas whose version was released on July 31, 1964 and reached No. 2 on the Billboard Hot 100 chart for two weeks, behind "Do Wah Diddy Diddy" by Manfred Mann and it also peaked at No. 4 on the UK Singles Chart. It is one of Motown's signature songs and is the group's premier signature song.A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100 reaching No. 73. In 1982, the rock group Van Halen took their cover of "Dancing in the Street" to No. 38 on the Hot 100 chart and No. 15 in Canada on the RPM chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including The Kinks, Tages, Black Oak Arkansas, Grateful Dead, Little Richard, Myra and Karen Carpenter. I saw it as the first night show opener on June 14, 1985 at the Greek Theater as part of the band's 20 Anniversary celebration.  A really fun concert tune.  The 1970's versions always had strong Donna support backing up Bobby's lead vocals. This show was the first time the band had played the song since Dec. 31, 1971 (203 shows) Played: 131 timesFirst:  July 3, 1966 at Fillmore Auditorium, San Francisco, CA, USALast:  April 6, 1987 at Brendan Byrne Arena, East Rutherford, NJ, USA MJ NEWS Blake Schneider passed away May 27th at 69.  Legendary cultivator who created the best strain of marijuana I ever smoked.  We just called it Blake weed and put it up against any other strain, anywhere, any time.  Folks would say they had the best weed until I let them smoke some of the Blake weed.  They never failed to concede.  Eccentric, temperamental, hospitable, mentor and good friend.  And self titled “best joint roller in the worlds.”  Was one of my Bulls season ticket partners during the Jordan era.  Every home game began with a pregame at Blake's loop residences including great wines, gourmet appetizers and snacks, top shelf liquor (on the way out the door we always did our “Go Bulls” shots) and more marijuana than anyone should ever smoke.  With four of us in the room, he would have 3 joints circulating at all times.  With his ever present life partner, Jeanne, an evening at Blakes was as much fun as the actual game itself.  Ran into a problem with the Green County Sheriff, but gave them the finger when the feds took the case over and Blake only had to serve 11 months at a fed minimum risk prison instead of the 20 years that Green County said was a done deal given the number of plants he was growing at his farm house in Argyle, WI.  They were not happy campers when the feds moved in to take over the case due to the value of the property they could sieve and force Blake to buy back from them.  Blake was a true party legend and will be sorely missed by those of us that knew him, loved him and tolerated him. 2.        Marijuana Terpenes Are ‘As Effective As Morphine' For Pain Relief And Have Fewer Side Effects, New Study Finds 3.        CBD Is Effective In Treating Anxiety, Depression And Poor Sleep, Study Finds4.        Marijuana And Hemp Businesses At Odds Over Consumable Cannabinoid Ban In House Farm Bill  SHOW No. 4:                    Samson and Delilah                                                Track #12                                                0:00 – 1:45 "Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with Bobby singing lead vocals and in the ‘70's with Donna joining in. It was frequently played on Sundays due to the biblical reference. Released by the band in 1977 on their album Terrapin Station. Although Weir learned the song from Reverend Gary Davis, several earlier versions had been recorded under various titles, including "If I Had My Way I'd Tear the Building Down"/"Oh Lord If I Had My Way" by Blind Willie Johnson in 1927.[1] The song has since been performed by a wide variety of artists ranging from Dave van Ronk, Bob Dylan, Charlie Parr, The Staple Singers, Ike and Tina Turner, Clara Ward, Dorothy Love Coates & The Gospel Harmonettes, to Peter, Paul and Mary, The Washington Squares, The Blasters, Willie Watson, Elizabeth Cook, Robert Randolph and the Family Band, and Bruce Springsteen and the Seeger Sessions Band (in Verona, Italy 2006). Guest star Simon Oakland sings the song with the drovers around a campfire in the Rawhide episode "Incident of the Travellin' Man", aired in season six on October 17, 1963. A long time favorite tune with a distinctive drummers intro that tipped off the song and got the crowd fired up. Settled into a set opener, more frequently a second set opener and often played on Sundays due to its biblical reference with Bobby's “This being Sunday . .”  Played:  365 timesFirst:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOWLast:  July 9, 1995 at Soldier Field OUTRO:                               The Wheel                                                Track #22                                                2:48 – 4:30                 One of their most beloved songs, “The Wheel,” holds a special place in the hearts of fans worldwide. Written by Jerry Garcia, Robert Hunter, and Bill Kreutzmann, this folk-rock anthem has captivated listeners with its enigmatic lyrics and catchy melody. The song's meaning has been widely debated among enthusiasts, and its cryptic nature has allowed for multiple interpretations.            “The Wheel” reflects the transient nature of life, offering a philosophical perspective on the cycles we all experience. The lyrics suggest that life is like a wheel, constantly turning and repeating itself. The song evokes a sense of impermanence and reminds us of the cyclical patterns we encounter throughout our existence. This theme resonates strongly with the band's philosophy and their connection to the spiritual and psychedelic culture of the late 1960s and early 1970s.                “The Wheel” was released on the Grateful Dead's album “Garcia” in 1972.             “The Wheel” is characterized by its infectious melody and intricate guitar work. The song showcases the Grateful Dead's ability to seamlessly blend folk, rock, and improvisational elements into a cohesive piece of music.            Normally, a second set tune, into or out of drums/space although it moved around a bit in the second set.  Here it is the encore which is more of a rarity.            Played 259 times           First: June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW            Last:  May 25, 1995 at Memorial Stadium, Seattle, WA                                         .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

This exciting Electronically Yours episode features Jez Willis, one half of the legendary  electronic music duo, Utah Saints. The band had three top-ten and another five top-40 singles on the UK Singles Chart in the 1990s, as well as number-one dance tracks in the UK and US. They pioneered the use of sampling technology, and in particular manipulating samples from mainstream pop, rock, R&B and soul songs, using the samples in a new creative context.  The band wrote, produced and mixed all of their own music. Ladies and gentlemen – meet  "the first true stadium house band" – Jez Willis and the Utah Saints... If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

What shall we talk about this week? Probably not really about this comic book. How about we talk about a specific organ that is explicitly talked about in this issue? Yes, I am talking about hair.....wait....no....that is not right......I am talking about the heart. But what heart are we talking about?  First of all, I will go ahead and give all credit to Wikipedia for what you are about to read. I am not that original. And I really do not want to be that creative. I think this is just more fun. Heart is an American rock band formed in 1973 in Seattle, Washington. The band evolved from previous projects led by founding members Roger Fisher (guitar) and Steve Fossen (bass guitar), including The Army (1967–1969), Hocus Pocus (1969–1970), and White Heart (1970–1973). Heart is a framework developed by Google to help the products and development teams to make decisions that serve business and user-centered. Heart is a framework for mobile design and metrics. It is an acronym that stands for happiness, engagement, adoption, retention and task success. Included by Gartner as a design approach that accommodates mobile interface issues such as partial user attention and interruption. Heart is a 1987 American sports drama film directed by James Lemmo (in his directorial debut), from a screenplay by Lemmo and Randy Jurgensen, who also produced the film. It stars Brad Davis, Jesse Doran, Steve Buscemi, Frank Adu, Sam Gray, Billy Costello, and Frances Fisher. A punch-drunk boxer is set up as an easy win for an up-and-coming young boxer in this melodrama. The highlight of the film is the performance of Steve Buscemi as the oily, mob-connected fight promoter Nicky. Eddie (Brad Davis) is the addle-brained boxer Nicky hangs out to dry for quick money. Heart of Midlothian Football Club, commonly known as Hearts, is a professional football club in Edinburgh, Scotland. The team competes in the Scottish Premiership, the top division of Scottish football. Hearts, the oldest and most successful football club in the Scottish capital, was formed in 1874, its name influenced by Walter Scott's novel The Heart of Midlothian. The club crest is based on the Heart of Midlothian mosaic on the city's Royal Mile; the team's colors are maroon and white. The Heart Nebula (also known as the Running dog nebula, IC 1805, Sharpless 2-190) is an emission nebula, 7500 light years away from Earth and located in the Perseus Arm of the Galaxy in the constellation Cassiopeia. It was discovered by William Herschel on 3 November 1787. It displays glowing ionized hydrogen gas and darker dust lanes. "Heart" is a song by English synth-pop duo Pet Shop Boys from their second studio album, Actually (1987). It was released as the album's fourth and final single on 21 March 1988 by Parlophone. The song topped the UK Singles Chart for three weeks in April 1988, becoming the duo's fourth and final chart-topper to date in the United Kingdom. Its music video was directed by Jack Bond and filmed in Yugoslavia. The group had initially written the song for Madonna, though they never asked her to record it, instead keeping it for themselves. Heart Peaks, originally known as the Heart Mountains, is a mountain massif in the Northern Interior of British Columbia, Canada. It is 90 km (56 mi) northwest of the small community of Telegraph Creek and just southwest of Callison Ranch. With a maximum elevation of 2,012 m (6,601 ft), it rises above the surrounding landscape on the Nahlin Plateau, which is part of the western Stikine Plateau. Heart Peaks has been an area of prospecting since the 1980s with the discovery of precious metals. The Heart is a 2014 realistic and medical fiction novel by the French author Maylis de Kerangal. It chronicles the events immediately following the death of 19-year-old Simon Limbres in a car accident. In particular, The Heart focuses on the transplantation of Simon's heart and how it affects those involved in the process, including Simon's parents, the physicians, the nurses, the organ transplant coordinators, the recipient, and the recipient's family, over the course of twenty-four hours.   Check out the pictures from this issue:  https://jeffandrickpresent.wordpress.com/2024/04/18/avengers-academy-33-what-the-heart-wants-part-2/   We also have some merchandise over at Redbubble. We have a couple of nifty shirts for sale. https://www.redbubble.com/people/jeffrickpresent/?asc=u   You can also subscribe and listen to us on YouTube!  Our show supports the Hero Initiative, Helping Comic Creators in Need.  http://www.heroinitiative.org/ Eighties Action by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3703-eighties-action License: http://creativecommons.org/licenses/by/4.0/ Clap Along With Me by Sascha Ende Free download: https://filmmusic.io/song/12234-clap-along-with-me License (CC BY 4.0): https://filmmusic.io/standard-license

Female artists dominated the 2023 music scene. New figures from the British Phonographic Institute reveal that Miley Cyrus, Taylor Swift, Billie Eilish, Olivia Rodrigo, Raye, Dua Lipa, Ellie Goulding and many more - spent a record-breaking 31 weeks in the number one spot in the UK Singles Chart. But that's not all... they had seven of the top 10 singles and even took the top vinyl album spot. Why was 2023 so good for female artists? And will it continue? We ask global music business lecturer and podcaster, Karlyn King, and music journalist Jo Kendall.Domestic Abuse Commissioner Nicole Jacobs says new Government plans to get rid of shorter jail sentences in England and Wales put women at risk. The new sentencing bill currently making its way through Parliament aims to give what are known as suspended sentences, where people may have instead been given jail terms of 12 months or less. Estimates from the Office for National Statistics show around 2.4 million people - 1.7 million of those being women - suffered from domestic abuse in the year to March 2022.Is farming getting easier for women? New research out today suggests that women working in agriculture are finding life worse now than they did 10 years ago. This comes as more women are showing an interest in pursuing farming as a career – with some agricultural colleges enrolling record numbers of girls onto their courses. Claire McDonnell speaks to Emily Norton, a female farmer and agricultural commentator, as well as Bridgette Baker, a young farmer who recently graduated, to find out their experiences in farming.Women's Health magazine is an iconic brand in the UK and read globally by millions of people monthly. Women's Health Editor-in-Chief Claire Sanderson has just made history as the first woman globally to also be appointed Editor-in-Chief of Men's Health. Claire joins Woman's Hour to discuss what it means to be a woman editing a men's magazine, whether there is a crossover with what women and men are reading and, in an age where we're worried about body image, are these magazines useful?Presenter: Clare McDonnell Producer: Kirsty Starkey Studio Manager: Duncan Hannant