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A (relatively) in-depth analysis of the single Rip It Up by Orange Juice (as well as some other general stuff) in just under thirty minutes.After releasing a series of singles on the independent Postcard label, the debut album by Orange Juice 'You Can't Hide Your Love Forever', was realeased by Polydor in February 1982. The album received mixed reviews. Retrospectively, however, it is often regarded as a classic of the era and a key influence on the C86 generation. The group's second album 'Rip It Up', issued in November 1982 featured the single of the same name, which reached number 8 on the UK Singles Chart in February 1983. Referencing both Chic and the Buzzcocks, the record galvanised Orange Juice's reputation as one of the brightest bands in the 'new pop' scene. In this episode I am in discussion with Dr. Andrew Webber.I do hope you enjoy this episode.Mathew Woodallhttps://buymeacoffee.com/lownoiseWhy buy me a coffee?Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.
Linktree: https://linktr.ee/AnalyticBecome A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: https://ow.ly/oPsc50VBOuHJoin Analytic Dreamz on Notorious Mass Effect for an in-depth segment dissecting Artemas' “I Guess You Never Really Cared.” Released January 31, 2025, this darkwave/alt-pop ballad captures heartbreak with cinematic flair. Analytic Dreamz explores its Billboard Hot 100 peak at No. 62, UK Singles Chart run (No. 15), and 30M+ Spotify streams. With 100,000+ TikTok clips driving Gen Z appeal, discover how Artemas' viral strategy and playlist placements fuel global traction. Dive into detailed stats, cultural impact, and future potential in this comprehensive segment.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticBecome A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: https://ow.ly/oPsc50VBOuHDive into Analytic Dreamz's Notorious Mass Effect for an in-depth segment on Ravyn Lenae's “Love Me Not.” Explore the Chicago-born R&B artist's viral hit, blending dreamy vocals, groovy drums, and retro pop-soul vibes. Analytic Dreamz unpacks its May 2024 release, late 2024 TikTok surge with 320,000+ clips, and Rex Orange County's remix. With 81M+ Spotify streams, peaks on Billboard Hot 100 (#79), UK Singles Chart (#13), and a Coachella 2025 debut, Lenae's independence and Solange-inspired artistry shine. Join Analytic Dreamz to analyze chart stats, cultural impact, and Lenae's next moves, including her Sabrina Carpenter tour slot.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticBecome A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: https://ow.ly/oPsc50VBOuHJoin Analytic Dreamz on Notorious Mass Effect for an in-depth segment on Leon Thomas' “Mutt.” This Brooklyn-born artist's 2024 hit blends R&B, rock, jazz, and soul, exploring love and vulnerability. With a Chris Brown remix driving its surge, “Mutt” hit No. 1 on Billboard's Hot R&B Songs, No. 5 on Hot R&B/Hip-Hop Songs, and No. 21 on the Hot 100. Boasting 51.5M+ Spotify streams, 14.7M radio impressions, and a UK Singles Chart peak at No. 19, Analytic Dreamz unpacks its organic success, cultural impact, and strategic collabs fueling Thomas' rise.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
A (relatively) in-depth analysis of the single Down in the Tube Station at Midnight by the Jam (as well as some other stuff) in just under thirty minutes.Released in October 1978, Down in the Tube Station at Midnight was the second single from the Jam's third album, All Mod Cons. It reached No. 15 on the UK Singles Chart.This episode is dedicated to Paul Richard Buckler (1955 – 2025) and I am in discussion with Dr. Andrew Webber.Mathew Woodallhttps://buymeacoffee.com/lownoiseWhy buy me a coffee?Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.
Photo: Steven Collazo - Own workUsage: Wikipedia CC BY-SA 3.0We're diving into the world of the ‘80s with a song that can light up any dance floor! I'm talking about “Inside Out” by the sensational Odyssey! This classic hit from 1982 is a song of emotions that captures love and longing!Can you feel that beat? The rhythm just sweeps you off your feet and pulls you right in! Written during an era of transition, when disco was making waves and synth-pop was just around the corner, Odyssey took that infectious sound and crafted something truly unforgettable.The lyrics connect like a smooth caress. “When you're sittin' on your own / And you feel the city life surround you,” it's like the soundtrack to every heart that's ever waited for that special someone to call. The sweet echo of “don't give up, darlin'” is a rallying cry – encouraging us to pursue those dreams and desires! Oh, and let's not forget the hook! This is where the magic happens—“inside out, oh, darlin' / I wanna be so deep that you'll be leavin' me!” It's all about that yearning. Isn't that what love is? A beautiful tangle of feelings, sometimes leaving us turned inside out, yet craving more!This sensational track didn't just sit pretty! It soared to number three on the UK Singles Chart, landing itself a dazzling spot in the hearts of fans!So, let your spirit be lifted and your feet move to the pulse of “Inside Out.” It's a reminder that love has its layers, and it's our job to peel them back, bravely facing the unexpected twists and turns. Whether it's the infectious groove or the heartfelt lyrics, this is a song that speaks to the very core of what it means to be human. So let's keep dancing, keep dreaming, and never forget: love always finds a way, inside out!I'm Gail Nobles. Thank you for listening to the Cat Bear.
My wife Jackie and I run down the UK singles chart for the week beginning 19th January 1975.
rWotD Episode 2879: Jessie J discography Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Saturday, 22 March 2025 is Jessie J discography.English singer Jessie J has released five studio albums, one extended play (which was also her first live album), nineteen singles (including four as a featured artist), twenty-one music videos, and five promotional singles.Jessie J released her debut single, "Do It like a Dude", in the United Kingdom in November 2010, where it peaked at number two on the UK Singles Chart. It also reached number eight in New Zealand. Her follow-up single, "Price Tag", which featured B.o. B, was released in late January 2011, spending two weeks at number-one in the UK; selling over a million copies as of January 2012. The single also reached number 23 on the Billboard Hot 100 in the United States and peaked at number-one in France, Ireland, New Zealand, while reaching the top three in Australia, Germany and the Netherlands. Her debut album, Who You Are, was released in February 2011 and reached number two on the UK Albums Chart. It also reached the top 10 in Australia, Canada, Ireland and New Zealand, and number 11 in the US. The album's third single, "Nobody's Perfect", peaked at number nine in the UK, while its fourth single, "Who's Laughing Now", peaked at 16. The fifth single from the album, "Who You Are", earned Jessie a fourth top-ten hit in December 2011, when it peaked at number eight. A non-album single, "Domino", was released in some territories, peaking at number three in New Zealand, number five in Australia and became her first top ten single on the US Billboard Hot 100; peaking at number six. The track was later included on the repackaged edition of Who You Are in the UK and was released as the sixth single and became her second number-one single in the UK in January 2012. A seventh single, "LaserLight" taken from the platinum edition of the album it was released in May 2012; reaching the top 10 in the UK and Ireland. As a result of this, Cornish became the first British female to have six top-ten singles from the same album.The campaign for the second studio album Alive was launched in May 2013, with the worldwide release of "Wild". Featuring rappers Big Sean and Dizzee Rascal, the track reached number five in the United Kingdom and number six in Australia. A second single—"It's My Party"—preceded the release of the album on 15 September. "Alive" was released on 20 September 2013. The third and final single, Thunder, was released on 8 December 2013, and reached 18 in the UK and Ireland.Jessie J also appeared as a guest vocalist on James Morrison's single "Up" in November 2011. The single, released from the album The Awakening, reached number 30 in the United Kingdom. In December 2012, Jessie J featured on singer Daley's single "Remember Me"; a track which went on to reach number 24 in the UK. She also featured in "Calling All Hearts" with Robin Thicke and DJ Cassidy in spring 2014.Jessie J started the promotion of her third album with "Bang Bang", a collaboration with Ariana Grande and Nicki Minaj. The song debuted at number one in the UK and reached number three in the US. The next single, "Burnin Up" was a minor hit, peaking at number 86 on the US Billboard Hot 100 and number 100 on the Canadian Hot 100. The single peaked at number 73 in the UK. On 13 October 2014, Sweet Talker was released worldwide.In 2018 Jessie J released her fourth album R. O. S. E. in four parts, available as four separate EPs, titled Realisations, Obsessions, Sex, and Empowerment. The titles create an acronym for Rose, her mother's name and her favorite flower. The four EPs were released on 22, 23, 24, and 25 May.This recording reflects the Wikipedia text as of 00:09 UTC on Saturday, 22 March 2025.For the full current version of the article, see Jessie J discography on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Niamh.
Linktree: https://linktr.ee/AnalyticIn this segment of "Notorious Mass Effect," Analytic Dreamz dives into Artemas' "Southbound," released February 14, 2025. The Oxfordshire artist's lead single from Pretty blends dark pop and alt-R&B, hitting #4 on the UK Singles Chart and #29 on the Billboard Hot 100. With 25M Spotify streams by March 20, boosted by TikTok's 3M teaser views and a 20% Netflix spike from Dark Horizons, Analytic Dreamz analyzes its sales milestones, critical praise as a “moody masterpiece,” and global reach, solidifying Artemas' rising star status.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Formerly the frontman of the short-lived bands Kat Kool & the Kool Cats, Streetband and Q-Tips, he began his solo success in the 1980s. His hit singles include "Love of the Common People, 'Wherever I Lay My Hat," "Come Back and Stay," "Every Time You Go Away," and 'Everything Must Change, all reaching the top 10 of the UK Singles Chart. Released in 1983, his debut album, No Parlez was the first of three UK number one albums. His smooth yet soulful voice belongs to a genre known as "blue-eyed soul." He won a Brit Award for Best British Male in 1985, and his hit "Every Time You Go Away" reached number one on the Billboard Hot 100 and also won Best British Video at the 1986 Brit Awards. He performed on the 1984 charity single "Do They Know It's Christmas," which included singing the opening lines, and played Live Aid held at Wembley Stadium in London in July 1985. Since the mid-1990s, Young has performed with the band Los Pacaminos.
Linktree: https://linktr.ee/AnalyticIn this Notorious Mass Effect segment, Analytic Dreamz breaks down Alex Warren's 'Ordinary,' released February 7, 2025. From TikTok fame with 16M+ followers to a rising pop-folk artist under Atlantic Records, Warren's piano-driven track hit #7 on the UK Singles Chart. Analytic Dreamz explores its 2.9M Spotify streams on day one, TikTok-fueled hype, and themes of resilience. With a Joe Jonas remix teased and a 2025 tour ahead, Ordinary marks Warren's shift from internet star to music contender, poised for broader Billboard success.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz dissects Bad Bunny's "EoO," a track from his latest album, "DeBÍ TiRAR MáS FOToS," released on January 5, 2025. Bad Bunny, a pivotal figure in reggaetón and Latin trap, has once again pushed the boundaries by paying tribute to the genre's roots while infusing contemporary beats, produced by Tainy with a sample from Héctor & Tito's classic "Perreo Baby." "EoO" not only captivated fans with its old-school vibe but also achieved significant commercial milestones, debuting at #2 on the Billboard Hot 100, dominating the Hot Latin Songs chart, and making a notable impact on the UK Singles Chart. The song's success is further evidenced by over 100 million Spotify streams in its first month, 50 million YouTube views within a week, and a strong digital sales performance. Analytic Dreamz explores how "EoO" has sparked a revival of interest in reggaetón's early days, influencing dance trends, nightclub playlists, and even discussions on cultural preservation. We delve into the track's social media impact, including TikTok's role in its viral spread, and how live performances have significantly boosted its streaming numbers. This segment is a deep dive into how "EoO" not only represents a cultural moment but also underscores Bad Bunny's enduring influence in the music industry.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, we explore Lady Gaga's latest single, "Abracadabra," which was released on February 3, 2025, and immediately made waves across the music industry. Analytic Dreamz delves into Gaga's storied career, highlighting her evolution from The Fame to her newest album, Mayhem. "Abracadabra" not only debuted at #2 on the Billboard Hot 100 and topped the UK Singles Chart but also dominated global streaming platforms, achieving over 40 million Spotify streams in just 48 hours. The song's commercial success is further evidenced by its first-week digital sales of 100,000 copies and a significant boost in vinyl sales among her fanbase, the Little Monsters. We discuss the song's thematic exploration of resilience and self-discovery, its strategic marketing through global brand collaborations, and how the music video set a new YouTube record for Gaga. Moreover, the segment covers the cultural impact, including its influence on fashion with a surge in red latex outfit sales and its representation of the LGBTQ+ community through featured artists. Analytic Dreamz also previews what to expect from Gaga's upcoming album, Mayhem, set for release on March 7, and her future performances at major events like Coachella. Join us for a comprehensive analysis of how "Abracadabra" is not just a song but a cultural phenomenon.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz explores the meteoric rise of Canadian pop star Tate McRae with her latest single "Sports Car." Born on July 1, 2003, in Calgary, McRae first gained recognition placing third on 'So You Think You Can Dance' in 2016. Her music career took off with the debut EP 'All the Things I Never Said' in 2020, followed by hits like "You Broke Me First" and "r u ok." "Sports Car," released on January 24, 2025, marks a bold shift, introducing an edgier pop sound with introspective lyrics, co-written with Julia Michaels, Grant Boutin, and Ryan Tedder. The song is part of her upcoming third album, 'So Close to What'. "Sports Car" has not only received acclaim for its sultry sound reminiscent of early 2000s pop but also for its visually striking music video directed by Bardia Zeinali. The track debuted at #24 on Global Spotify with 3.248M streams, reaching #9 on US Spotify charts and securing a spot on "New Music Friday" playlists for over 1.5 million users. Despite no confirmed positions on the Billboard Hot 100 or UK Singles Chart, the song's cultural impact, including references to the Ying Yang Twins, has sparked significant online engagement.Analytic Dreamz also discusses McRae's 2025 'Miss Possessive Tour', which sold out all North American dates almost immediately. The tour, her first in arenas, kicks off on March 18 in Mexico City, covering 50 dates across multiple continents with Zara Larsson as a special guest for the U.S. and Canada leg. Ticket prices have varied, with some resale markets showing significant demand, such as Los Angeles tickets starting at $146 on Viagogo.This segment encapsulates McRae's journey from a dance competition to global music stardom, highlighting the success of "Sports Car" and the anticipation surrounding her upcoming tour.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/Analytic In this segment, Analytic Dreamz examines Central Cee's latest track, "5 Star (Aitch Diss)," released as a direct response to the 2023 BRIT Awards where Aitch was awarded over Central Cee. Born in Ladbroke Grove, Central Cee, or Oakley Neil H T Caesar-Su, has made a name with his blend of UK drill, hip-hop, and grime, reaching critical acclaim with projects like "Wild West" and "23." This diss track has stirred the UK rap scene, highlighting themes of authenticity and competition. Following its release, Aitch hit back with "A Guy Called?" on January 24, 2025, escalating the feud by questioning Central Cee's writing and motives. Central Cee's response was notably succinct, replying with just "fair enough" and laughing emojis on Instagram, leaving fans anticipating further exchanges. The track peaked in the lower Top 40 of the UK Singles Chart, with a noticeable streaming surge on platforms like Spotify and Apple Music, though it didn't make waves on the Billboard charts. Its music video quickly accumulated views on YouTube, and social media platforms buzzed with debates over the lyrical content and implications for UK rap culture. While physical sales were limited, the digital engagement was robust, reflecting current music consumption trends. Analytic Dreamz also discusses the potential impact of this feud on both artists' careers, especially with the upcoming 2025 BRIT Awards where Central Cee is nominated again, possibly reigniting their rivalry. This segment offers an in-depth look at how this single track has not only added to the narrative of UK rap beef but also shaped the discourse around loyalty, authenticity, and the competitive spirit in contemporary music.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
After finding success with Bone Thugs-n-Harmony, Krayzie Bone recorded his solo debut, Thug Mentality 1999, in 1999. The album was released as a double disc set, featuring a large selection of guest appearances, including Bone Thugs-n-Harmony, Mo Thugs, Mariah Carey, ThugLine, The Marley Brothers, Big Pun, Fat Joe, Cuban Link, Gangsta Boo, E-40, 8 Ball & MJG, Kurupt, Naughty By Nature and Snoop Dogg. The album was largely produced by multi instrumentalist Romeo Antonio and was certified platinum by the RIAA. In 2001, Krayzie Bone released Thug On Da Line, which received generally positive reviews from music critics and went gold. In 2005 Krayzie Bone was featured in the song "Ridin'" by Chamillionaire. "Ridin'" was awarded "Best Rap Performance by a Duo or Group" at the 49th Annual Grammy Awards. It was also nominated for Best Rap Song. It became number one in December on the Pop Chart 3 months after its physical release. The song also topped the Billboard Hot 100 and peaked at number 2 on the UK Singles Chart when it was released there. The song ranked #3 on Rolling Stone's "100 Best Songs of 2006" and #91 on VH1's "100 Greatest Songs of Hip Hop". It was the best selling ringtone in 2006, with 3.2 million sales, certified by the RIAA as the first multi-platinum Mastertone artist in history. It was also awarded the last Best Rap Video at the MTV Video Music Awards, which was awarded in 2006. Krayzie Bone comes from a fourth generation family of Jehovah's Witnesses, and as such does not celebrate Christmas. He believes many rappers are unintentionally following the agenda of the Illuminati.[9] On September 24, 2023, Krayzie Bone was admitted to a hospital in Los Angeles after coughing up blood in his sleep, what was later attributed to sarcoidosis. Doctors were unsuccessful in an emergency surgery. On September 26, he was sedated due to a main artery in his lung leaking. However, on October 3, he announced he had recovered from the ailment. Krayzie Bone also has a thriving foundation called "Spread The Love" that mentors and teaches at risk youth life skills and about the music business. Learn more about your ad choices. Visit megaphone.fm/adchoices
Linktree: https://linktr.ee/AnalyticIn this segment, Analytic Dreamz delves into the music and career of British singer-songwriter Lola Young, highlighting her journey from South London to international acclaim. Born on January 4, 2001, and educated at the BRIT School, Young's music fuses pop, soul, and R&B, focusing on themes of love, vulnerability, and personal growth. Her song "Messy," from the album "This Wasn't Meant For You Anyway," released in May 2024, has become a significant cultural touchstone, described as an "ADHD anthem" and exploring themes of relationship turmoil and self-identity. Analytic Dreamz discusses "Messy"'s critical acclaim, its viral dance trend on TikTok involving influencers Jake Shane and Sofia Richie, and its impact as an anthem for self-acceptance. The segment covers the song's commercial milestones, including peaking at #3 on the UK Singles Chart, reaching #25 on the Billboard Hot 100, and expected to hit the Top 5 on the Billboard Global 200. Further, Analytic Dreamz provides insights into the song's streaming success, with over 400% increase in streams post-TikTok virality, its presence on major Spotify playlists, and crossing 250,000 TikTok videos by January 2025. The discussion also includes physical and digital sales, radio airplay, and international chart performance. The segment concludes with recent highlights, such as "Messy" holding the #1 spot on the EE Official Big Top 40 for two weeks, Young's Australia tour, upcoming European tour, and her scheduled performance at Coachella 2025. Analytic Dreamz also touches on the cultural buzz around the song, media mentions, and upcoming chart competitors. This segment offers a comprehensive analysis of Lola Young's musical footprint and the significant impact of "Messy."Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
fWotD Episode 2805: Elvis Presley Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Wednesday, 8 January 2025 is Elvis Presley.Elvis Aaron Presley (January 8, 1935 – August 16, 1977), known mononymously as Elvis, was an American singer and actor. Known as the "King of Rock and Roll", he is regarded as one of the most significant cultural figures of the 20th century. Presley's energized performances and interpretations of songs, and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a transformative era in race relations, brought both great success and initial controversy.Presley was born in Tupelo, Mississippi; his family relocated to Memphis, Tennessee, when he was 13. His music career began there in 1954, at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Presley, on guitar and accompanied by lead guitarist Scotty Moore and bassist Bill Black, was a pioneer of rockabilly, an uptempo, backbeat-driven fusion of country music and rhythm and blues. In 1955, drummer D. J. Fontana joined to complete the lineup of Presley's classic quartet and RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who managed him for the rest of his career. Presley's first RCA Victor single, "Heartbreak Hotel", was released in January 1956 and became a number-one hit in the US. Within a year, RCA Victor would sell ten million Presley singles. With a series of successful television appearances and chart-topping records, Presley became the leading figure of the newly popular rock and roll; though his performative style and promotion of the then-marginalized sound of African Americans led to him being widely considered a threat to the moral well-being of white American youth.In November 1956, Presley made his film debut in Love Me Tender. Drafted into military service in 1958, he relaunched his recording career two years later with some of his most commercially successful work. Presley held few concerts, however, and guided by Parker, proceeded to devote much of the 1960s to making Hollywood films and soundtrack albums, most of them critically derided. Some of Presley's most famous films included Jailhouse Rock (1957), Blue Hawaii (1961), and Viva Las Vegas (1964). In 1968, he returned to the stage in the acclaimed NBC television comeback special Elvis, which led to an extended Las Vegas concert residency and a string of highly profitable tours. In 1973, Presley gave the first concert by a solo artist to be broadcast around the world, Aloha from Hawaii. However, years of prescription drug abuse and unhealthy eating severely compromised his health, and Presley died unexpectedly in August 1977 at his Graceland estate at the age of 42.Presley is one of the best-selling music artists of all time, with sale estimates ranging from 500 million records to over a billion worldwide. He was commercially successful in many genres, including pop, country, rock and roll, rockabilly, rhythm and blues, adult contemporary, and gospel. He won three Grammy Awards, received the Grammy Lifetime Achievement Award at age 36, and has been inducted into multiple music halls of fame. He holds several records, including the most RIAA-certified gold and platinum albums, the most albums charted on the Billboard 200, the most number-one albums by a solo artist on the UK Albums Chart, and the most number-one singles by any act on the UK Singles Chart. In 2018, Presley was posthumously awarded the Presidential Medal of Freedom.This recording reflects the Wikipedia text as of 00:58 UTC on Wednesday, 8 January 2025.For the full current version of the article, see Elvis Presley on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Niamh.
Il Festival di Sanremo ha prodotto numerosi brani che hanno ottenuto successo internazionale. Fra questi, alcuni si distinguono per la loro popolarità globale: Nel blu, dipinto di blu (Volare) – Domenico Modugno Presentata al Festival di Sanremo nel 1958, questa canzone ha raggiunto la vetta della classifica Billboard Hot 100 negli Stati Uniti, rimanendo al primo posto per 5 settimane non consecutive. Ha inoltre vinto i primi Grammy Awards come Record of the Year e Song of the Year nel 1959. Piove (Ciao, ciao bambina) – Domenico Modugno Interpretata al Festival di Sanremo nel 1959, ha consolidato il successo internazionale di Modugno, diventando popolare in diversi paesi. Io che non vivo (senza te) – Pino Donaggio Presentata al Festival di Sanremo nel 1965, è stata successivamente registrata in inglese da Dusty Springfield con il titolo You Don't Have to Say You Love Me, raggiungendo la prima posizione nella UK Singles Chart e la 4a nella Billboard Hot 100. Anche Elvis Presley ne ha realizzato una versione di successo nel 1970. Non amarmi – Aleandro Baldi e Francesca Alotta Vincitrice della sezione Nuove Proposte nel 1992, è stata reinterpretata da Jennifer Lopez e Marc Anthony come No Me Ames, raggiungendo la prima posizione nella Billboard Hot Latin Songs chart e ottenendo una candidatura ai Latin Grammy Awards. Che sarà – Ricchi e Poveri e José Feliciano Presentata al Festival di Sanremo nel 1971, la versione spagnola ha raggiunto la prima posizione in Spagna e in America Latina, diventando un successo internazionale. Fra questi brani sanremesi, Nel blu, dipinto di blu di Domenico Modugno è probabilmente il brano di Sanremo più ascoltato e riconosciuto a livello mondiale, grazie alle sue vendite, ai premi ricevuti e alla sua presenza nelle classifiche internazionali.
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, we explore the legacy of Dean Martin and his iconic rendition of "Let It Snow! Let It Snow! Let It Snow!" Artist Background:Dean Martin, born Dino Paul Crocetti on June 7, 1917, in Steubenville, Ohio, was not only a singer but also an actor, comedian, and a key member of the Rat Pack alongside Frank Sinatra and Sammy Davis Jr. Known for his smooth baritone voice and charismatic stage presence, Martin's work spanned across traditional pop, jazz, and country music, with his holiday albums becoming staples of festive celebrations.Song History:Penned by Sammy Cahn and Jule Styne during a Hollywood heatwave in 1945, "Let It Snow" was first recorded by Vaughn Monroe that same year, becoming an immediate Christmas hit. Dean Martin's versions, recorded in 1959 and 1966, are particularly celebrated for capturing his effortless, jovial style.Sales Milestones:Billboard Chart Success: The song saw a remarkable resurgence, entering the Hot 100 at No. 49 in December 2018 and peaking at No. 20 in January 2019, marking Martin's first Top 20 hit in nearly half a century.UK Chart Success: It has consistently appeared on the UK Singles Chart during the holiday season, underscoring its lasting appeal.Analytic Sales Facts:Physical vs. Digital Sales: While initially popular through physical sales, "Let It Snow" now enjoys significant digital sales and streaming boosts during the holiday period.Cover Versions Impact: Multiple covers by artists like Frank Sinatra and Rod Stewart have kept the song alive, with Stewart's version notably topping the Billboard Adult Contemporary chart in 2012.Media Exposure: The song's presence in films like "Die Hard 2" and "Lethal Weapon," as well as in TV shows like "The Simpsons," has perpetuated its cultural footprint.Christmas Album Sales: As a highlight of Dean Martin's holiday albums, it significantly drives album sales each Christmas season.Streaming Success: There's a notable increase in streams on platforms like Spotify and Apple Music during November and December.YouTube Impact: An official animated video released in 2019 has amassed millions of views, enhancing its digital presence.Cultural Staple: Played widely in public places like malls and on holiday radio, ensuring wide exposure.Licensing Revenue: Notable licensing events, such as Google's 2011 Easter Egg, contribute to its revenue stream.Chart Longevity: Its chart re-entries each year reflect a robust seasonal sales pattern.Global Appeal: Its international chart performance confirms its status as a global holiday anthem.Summary:Dean Martin's "Let It Snow" has seamlessly transitioned from a classic hit to a digital age favorite, maintaining relevance through chart success, media exposure, and streaming. Its enduring charm and commercial success illustrate its place as a holiday staple across generations. Join Analytic Dreamz in this segment to appreciate how this song has shaped holiday music traditions.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mike Batt is probably best known as the singer/songwriter/producer of The Wombles music, having written the theme tune plus eight hit singles and four gold albums. Mike moved on to work with various artists as a songwriter and producer, most successfully with Steeleye Span and their most successful single and album All Around My Hat in 1975. He wrote the song "Bright Eyes" for the film Watership Down, sung by Art Garfunkel, which reached number 1 in the UK Singles Chart and five other countries. Mike wrote and produced three more UK Top Ten hits, "Please Don't Fall in Love" (for Cliff Richard), "A Winter's Tale" (for David Essex, with lyrics co-written by Tim Rice) and "I Feel Like Buddy Holly" (for Alvin Stardust). Mike composed and produced the four million-selling album, The Violin Player, which launched classical violinist Vanessa-Mae, and he discovered Katie Melua in 2002. Her album Call Off The Search (containing six of Mike's songs including "The Closest Thing to Crazy") was released in November 2003. It spent six weeks at number one in the UK Albums Chart, sold over 1.8 million copies, in the UK and three million copies in total, making Melua the biggest selling UK female artist of 2004. Mike now has an autobiography called The Closest Thing to Crazy, My Life of Musical Adventures, available in all bookshops or from here! .Mike Batt is our guest in episode 453 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Buy Mike Batt's autobiography, The Closest Thing to Crazy is available here - https://www.amazon.co.uk/Closest-Thing-Crazy-Musical-Adventures/dp/1785120840 .For everything else Mike Batt, visit - https://www.mikebatt.com .Follow Mike Batt on Twitter @Mike_Batt .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves into the remarkable journey and achievements of Wham!'s timeless classic, "Last Christmas." Released in 1984, the song has transcended time to become one of the most recognized Christmas anthems globally. Analytic Dreamz explores how "Last Christmas" achieved record-setting status on the UK Singles Chart, reaching No. 1 in both January 2021 and again in 2023, after a 36-year wait and a 39-year journey respectively, marking the longest ever to the top spot. The segment highlights the song's international acclaim, topping charts in 16 countries, and accumulating over 4 billion audio streams alongside 1 billion video views. Initially paired with "Everything She Wants" as a double A-side, its early success was significantly amplified. Analytic Dreamz also covers the song's performance in 2024, with "Last Christmas" hitting a new peak at No. 3 on the Billboard Hot 100 in the United States, surpassing its previous peak of No. 4. The discussion includes its dominance on streaming platforms, notably being the most streamed holiday song on Spotify globally on December 1, 2024, and ranking #3 overall with 8.63 million daily streams. Additionally, its ongoing popularity is evident with a chart position at #8 on the UK Singles Chart on November 29, 2024.Celebrating its 40th anniversary in 2024, Analytic Dreamz notes the release of special physical formats for fans, including CD and 12-inch vinyl in various designs, available for pre-order since October 24. The segment also touches on the documentary "WHAM!: Last Christmas Unwrapped," set to air on BBC Two and BBC iPlayer, offering insights into the song's creation and George Michael's genius.Through active legacy maintenance by George Michael's estate and Andrew Ridgeley, "Last Christmas" continues to resonate, proving Wham!'s enduring influence on holiday music. Join Analytic Dreamz for an in-depth exploration of how this song has not only captured the heart of the holiday season but has also secured its place in music history.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Something Good.On this episode we are joined by Utah Saints. Utah Saints are an English electronic music duo consisting of members Jez Willis and Tim Garbutt. The band had three top-ten and another five top-40 singles on the UK Singles Chart in the 1990s, as well as number-one dance tracks in the UK and USMark and Me is now on YouTube - Please subscribe here https://www.youtube.com/@markandmePlease support the Mark and Me Podcast via Patreon here: https://www.patreon.com/Markandme or you can buy me a coffee here: https://ko-fi.com/markandme.The Mark and Me podcast is proudly sponsored by Richer Sounds.Visit richersounds.com now to shop for all your hi-fi, home cinema and TV solutions. Also, don't forget to join their VIP club for FREE with just your email address to receive a great range of fantastic privileges.The Mark and Me podcast is also proudly sponsored by Vice-Press.If you are a fan of films and pop culture, check out Vice Press. All of their limited edition posters, art prints & collectibles are officially licensed & are made for fans like us to collect & display in their homes. Vice Press work directly with artists and licensors to create artwork and designs that are exclusive to them.This year, Vice Press also launched Vice Press Home Video, dedicated to releasing classic films on VHS. And yes, they play! Get 10% off of your first order using code MARKANDME10 or head to vice-press.com/discount/MARKANDME10Siren Craft Brew is offering Mark and Me listeners £10 off their next order over £50 at sirencraftbrew.com with code 10MARK just in time for the festive season (expires 31/12/2024). That's beers for a party, fridge fillers and gifts sorted! Based in Berkshire, Siren are an award winning, family-owned independent brewery with a wide range of beers to suit all tastes. All artwork and designs are produced by Dead Good Tees - Dead Good Tee crafts graphic T-shirts for true horror and movie enthusiasts. Drawing inspiration from classic movies, iconic villains, and the darker side of cinema, their designs offer a subtle nod to the genre's most unforgettable moments. Visit www.deadgoodtees.co.uk
pWotD Episode 2725: Cheryl (singer) Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 1,014,654 views on Thursday, 17 October 2024 our article of the day is Cheryl (singer).Cheryl Ann Tweedy (born 30 June 1983) is an English singer and television personality. She rose to fame as a member of Girls Aloud, a pop girl group created through ITV's reality competition show Popstars: The Rivals in 2002. Named the United Kingdom's best-selling girl group of the 21st century in 2012, Girls Aloud amassed a string of 20 consecutive UK top ten singles (including four number ones), two UK number one albums, five consecutive platinum-selling studio albums, and five Brit Award nominations, winning Best Single for "The Promise" in 2009. The group went on an indefinite hiatus in 2013, before reuniting for a tour in 2024.While still in Girls Aloud, Cheryl began a solo career in April 2009, and between then and 2014, she released four studio albums – 3 Words (2009), Messy Little Raindrops (2010), A Million Lights (2012) and Only Human (2014). Collectively, the albums spawned ten singles, five of which – "Fight for This Love", "Promise This", "Call My Name", "Crazy Stupid Love" and "I Don't Care" – reached the top position on the UK Singles Chart. Cheryl was the first British female solo artist to have five number-one singles in the UK, and she held the record until Jess Glynne overtook her in 2018.Cheryl became a judge on the UK show of the television talent show The X Factor in 2008. She mentored two of the eventual winners of the competition (Alexandra Burke in series five and Joe McElderry in series six), before resigning in 2011 after series seven and joining the panel of the US version of the series, which she left during the auditions stage. She returned to judge series eleven and twelve of the UK series in 2014 and 2015. Cheryl next served as a judge on the television dance competition The Greatest Dancer from 2019 to 2020, and made her stage debut in the West End play 2:22 A Ghost Story in 2023.Cheryl has become a recognised and photographed style icon, being referred to as a "fashionista" by the press. She has been photographed for the covers of British Vogue, Elle and Harper's Bazaar, and fronted cosmetic company L'Oréal from 2009 to 2018.This recording reflects the Wikipedia text as of 02:04 UTC on Friday, 18 October 2024.For the full current version of the article, see Cheryl (singer) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Amy.
pWotD Episode 2724: Liam Payne Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 2,439,358 views on Wednesday, 16 October 2024 our article of the day is Liam Payne.Liam James Payne (29 August 1993 – 16 October 2024) was an English singer who rose to fame as a member of the pop boy band One Direction. Payne made his debut as a singer in 2008 when he auditioned for the British television series The X Factor. After being eliminated in the competition, he auditioned again in 2010 and was put into a group with four other boys to form One Direction, which went on to become one of the best-selling boy bands of all time. Payne worked with other producers under the monikers "Big Payno" and "Payno", creating remixes for songs by his group and Cheryl.After One Direction went into hiatus in 2015, Payne signed a recording contract with Republic Records in North America. In May 2017, Payne released "Strip That Down" as the lead single from his debut solo studio album. It peaked at number three on the UK Singles Chart and number ten on the US Billboard Hot 100, being certified platinum in both countries. His debut studio album, LP1, was released in December 2019. He sold over 18 million singles in under three years after One Direction's hiatus, and accumulated over 3.9 billion career streams in that span. Payne died on 16 October 2024, after falling from a third-floor balcony of a hotel in the Palermo neighbourhood of Buenos Aires, Argentina, at the age of 31.This recording reflects the Wikipedia text as of 04:41 UTC on Thursday, 17 October 2024.For the full current version of the article, see Liam Payne on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Emma.
Linktree: https://linktr.ee/Analytic"Sailor Song" by Gigi PerezIn this segment of Notorious Mass Effect, Analytic Dreamz dives deep into the captivating world of "Sailor Song" by Gigi Perez. We'll explore the song's meteoric rise on the charts, the artist's journey from TikTok sensation to mainstream success, and the cultural impact of this powerful queer love ballad.From its debut at No. 11 on the UK Singles Chart to reaching No. 46 on the Billboard Hot 100, "Sailor Song" has captured the hearts of listeners worldwide. We'll break down the song's musical style, lyrical themes, and the production process behind this viral hit.Discover how Gigi Perez's unique blend of indie folk and emotional depth has resonated with audiences, sparking conversations about love, identity, and queer representation in music. As we delve into the song's cultural impact, we'll also examine its broader significance in the context of the evolving pop landscape.Join Analytic Dreamz as we explore the fascinating story behind "Sailor Song" and its enduring legacy.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
True es el tercer álbum de la banda inglesa Spandau Ballet. Publicado en 1983, los dos primeros trabajos que se basaban en el estilo new romantic le brindaron la popularidad en Europa, True en todo el mundo. Influenciado en el jazz, R&B y el soul alcanzó el número uno en el Reino Unido, el Top 20 en Estados Unidos y en numerosas listas del mundo. Con este LP el grupo convierte su estilo en pop, llegando a ser "True" una de las canciones más exitosas, #1 en la UK Singles Chart y #4 por América.
Martin Jensen on the Virtual Session presented by The DJ Sessions 9/02/24 About Martin Jensen - The megahit "Solo Dance" catapulted Martin Jensen to the international charts. The single reached a position as no. 25 on Spotify's Global Top 50 chart, to no. 1 on the UK Singles Chart, and the Top 20 in 17 countries. At its peak, the track had over 1 million daily streams. The single has been certified platinum in countries like Canada, France, and Germany, 2x platinum in Italy and the UK, 3x platinum in Denmark, 4x platinum in Norway, and 8x platinum in Sweden. The combination of Martin Jensen's spectacular live shows, and his talent to create international hits was recognized by the world's biggest club music magazine, DJ Mag, where he entered the annual top 100 DJ ranking. He first appeared on the list in 2016 as number 83, in 2017 he was number 70, in 2018 number 54, and in 2019 he reached his highest position so far as number 45. Martin Jensen has released music with some of the biggest artists on the planet, such as Rita Ora, Ava Max, Sigala, Katy Perry, Cardi B, Jason Derulo, James Arthur, Timmy Trumpet, and Ed Sheeran. Martin's songs has surpassed 3 billion streams in total on Spotify. His popularity has led to performances at the world's biggest electronic festivals and clubs such as Tomorrowland, Belgium and Ushuaïa, Ibiza. With big international shows about to be announced, as well as a bunch of a-list collabs on upcoming releases, 2024 looks like another big year for the Danish superstar. About The DJ Sessions - “The DJ Sessions” is a Twitch/Mixcloud "Featured Partner” live streaming/podcast series featuring electronic music DJ's/Producers via live mixes/interviews and streamed/distributed to a global audience. TheDJSessions.com The series constantly places in the “Top Ten” on Twitch Music and the “Top Five” in the “Electronic Music", “DJ", "Dance Music" categories. TDJS is rated in the Top 0.11% of live streaming shows on Twitch out of millions of live streamers. It has also been recognized by Apple twice as a "New and Noteworthy” podcast and featured three times in the Apple Music Store video podcast section. UStream and Livestream have also listed the series as a "Featured" stream on their platforms since its inception. The series is also streamed live to multiple other platforms and hosted on several podcast sites. It has a combined live streaming/podcast audience is over 125,000 viewers per week. With over 2,500 episodes produced over the last 15 years "The DJ Sessions" has featured international artists such as: BT, Youngr, Dr. Fresch, Ferry Corsten, Sevenn, Drove, Martin Trevy, Jacob Henry, Nathassia aka Goddess is a DJ, Wuki, DiscoKitty, Moon Beats, Barnacle Boi, Spag Heddy, Scott Slyter, Simply City, Rob Gee, Micke, Jerry Davila, SpeakerHoney, Sickotoy, Teenage Mutants, Wooli, Somna, Gamuel Sori, Curbi, Alex Whalen, Vintage & Morelli, Netsky, Rich DietZ, Stylust, Bexxie, Chuwe, Proff, Muzz, Raphaelle, Boris, MJ Cole, Flipside, Ross Harper, DJ S.K.T., Skeeter, Bissen, 2SOON, Kayzo, Sabat, Katie Chonacas, DJ Fabio, Homemade, Hollaphonic, Lady Waks, Dr. Ushuu, Arty/Alpha 9, Miri Ben-Ari, DJ Ruby, DJ Colette, Nima Gorji, Kaspar Tasane, Andy Caldwell, Party Shirt, Plastik Funk, ENDO, John Tejada, Hoss, Alejandro, DJ Sash U, Arkley, Bee Bee, Cozmic Cat, Superstar DJ Keoki, Crystal Waters, Swedish Egil, Martin Eyerer, Dezarate, Maddy O'Neal, Sonic Union, Lea Luna, Belle Humble, Marc Marzenit, Ricky Disco, AthenaLuv, Maximillian, Saeed Younan, Inkfish, Kidd Mike, Michael Anthony, They Kiss, Downupright, Harry “the Bigdog” Jamison, DJ Tiger, DJ Aleksandra, 22Bullets, Carlo Astuti, Mr Jammer, Kevin Krissen, Amir Sharara, Coke Beats, Danny Darko, DJ Platurn, Tyler Stone, Chris Coco, Purple Fly, Dan Marciano, Johan Blende, Amber Long, Robot Koch, Robert Babicz, KHAG3, Elohim, Hausman, Jaxx & Vega, Yves V, Ayokay, Leandro Da Silva, The Space Brothers, Jarod Glawe, Jens Lissat, Lotus, Beard-o-Bees, Luke the Knife, Alex Bau, Arroyo Low, Camo & Crooked, ANG, Amon Tobin, Voicians, Florian Kruse, Dave Summit, Bingo Players, Coke Beats, MiMOSA, Drasen, Yves LaRock, Ray Okpara, Lindsey Stirling, Mako, Distinct, Still Life, Saint Kidyaki, Brothers, Heiko Laux, Retroid, Piem, Tocadisco, Nakadia, Protoculture, Sebastian Bronk, Toronto is Broken, Teddy Cream, Mizeyesis, Simon Patterson, Morgan Page, Jes, Cut Chemist, The Him, Judge Jules, DubFX, Thievery Corporation, SNBRN, Bjorn Akesson, Alchimyst, Sander Van Dorn, Rudosa, Hollaphonic, DJs From Mars, GAWP, David Morales, Roxanne, JB & Scooba, Spektral, Kissy Sell Out, Massimo Vivona, Moullinex, Futuristic Polar Bears, ManyFew, Joe Stone, Reboot, Truncate, Scotty Boy, Doctor Nieman, Jody Wisternoff, Thousand Fingers, Benny Bennasi, Dance Loud, Christopher Lawrence, Oliver Twizt, Ricardo Torres, Patricia Baloge, Alex Harrington, 4 Strings, Sunshine Jones, Elite Force, Revolvr, Kenneth Thomas, Paul Oakenfold, George Acosta, Reid Speed, TyDi, Donald Glaude, Jimbo, Ricardo Torres, Hotel Garuda, Bryn Liedl, Rodg, Kems, Mr. Sam, Steve Aoki, Funtcase, Dirtyloud, Marco Bailey, Dirtmonkey, The Crystal Method, Beltek, Darin Epsilon, Kyau & Albert, Kutski, Vaski, Moguai, Blackliquid, Sunny Lax, Matt Darey, and many more. In addition to featuring international artists TDJS focuses on local talent based on the US West Coast. Hundreds of local DJ's have been featured on the show along with top industry professionals. We have recently launched v3.1 our website that now features our current live streams/past episodes in a much more user-friendly mobile/social environment. In addition to the new site, there is a mobile app (Apple/Android) and VR Nightclubs (VR Chat). About The DJ Sessions Event Services - TDJSES is a 501c3 Non-profit charitable organization that's main purpose is to provide music, art, fashion, dance, and entertainment to local and regional communities via events and video production programming distributed via live and archival viewing. For all press inquiries regarding “The DJ Sessions”, or to schedule an interview with Darran Bruce, please contact us at info@thedjsessions.com.
pWotD Episode 2674: Oasis (band) Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 515,435 views on Tuesday, 27 August 2024 our article of the day is Oasis (band).Oasis are an English rock band formed in Manchester in 1991. The group initially consisted of Liam Gallagher (lead vocals), Paul Arthurs (guitar), Paul McGuigan (bass guitar) and Tony McCarroll (drums), with Liam asking his older brother Noel Gallagher (lead guitar, vocals) to join as a fifth member a few months later to finalise their formation. Noel became the de facto leader of the group and took over the songwriting duties for the band's first four albums. They are characterised as one of the defining and most globally successful groups of the Britpop genre. Oasis signed to independent record label Creation Records in 1993 and released their record-setting debut album Definitely Maybe (1994), which topped the UK Albums Chart and quickly became the fastest-selling debut album in British history at the time. The following year they released (What's the Story) Morning Glory? (1995) with new drummer Alan White, in the midst of a highly publicised chart rivalry with peers Blur. Spending ten weeks at number one on the British charts, (What's the Story) Morning Glory? was also an international chart success and became one of the best-selling albums of all time, the fifth-best-selling album in the UK and the biggest-selling album in the UK of the 1990s. The Gallagher brothers featured regularly in tabloid newspapers throughout the 1990s for their public disputes and wild lifestyles. In 1996, Oasis performed two nights at Knebworth for an audience of 125,000 each time, the largest outdoor concerts in UK history at the time. In 1997, Oasis released their highly anticipated third studio album, Be Here Now, which became the fastest-selling album in UK chart history.Founder members Arthurs and McGuigan left in 1999 during the recording of the band's fourth studio album Standing on the Shoulder of Giants (2000). They were replaced by former Heavy Stereo guitarist Gem Archer on guitar and former Ride guitarist Andy Bell on bass. White departed in 2004, replaced by guest drummer Zak Starkey, and later by Chris Sharrock. Oasis released three more studio albums in the 2000s: Heathen Chemistry (2002), Don't Believe the Truth (2005) and Dig Out Your Soul (2008). The group abruptly disbanded in 2009 after the sudden departure of Noel Gallagher. The remaining members of the band continued under the name Beady Eye until their disbandment in 2014. Both Gallagher brothers have continued on to have successful solo careers. On 27 August 2024, Oasis announced that they would reform for performances in the UK and Ireland in the summer of 2025 during their Live '25 Tour.As of 2024, Oasis have sold over 75 million records worldwide, making them one of the best-selling music artists of all time. They are among the most successful acts in the history of the UK Singles Chart and the UK Albums Chart, with eight UK number-one singles and eight UK number-one albums. The band also achieved three Platinum albums in the US. They won 17 NME Awards, nine Q Awards, four MTV Europe Music Awards and six Brit Awards, including one in 2007 for Outstanding Contribution to Music and one for the "Best Album of the Last 30 Years" for (What's the Story) Morning Glory?. They were also nominated for two Grammy Awards.This recording reflects the Wikipedia text as of 01:56 UTC on Wednesday, 28 August 2024.For the full current version of the article, see Oasis (band) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Amy.
Oh my goodness, what a hilarious and heartwarming episode! Joe is SO FUNNY and has such a fantastic perspective. We chat about where Joe's at now after X Factor and his decade in the spotlight, staying grounded up North and moving to running all of his own concerts himself. And how Grandma Hilda has taken over TikTok and become a sensation in her own right!! Joe McElderry is an English singer and songwriter. Hailing from in South Shields, Tyne and Wear, he gained fame by winning the sixth series of The X Factor in 2009. His debut single, “The Climb,” topped both the UK Singles Chart and the Irish Singles Charts. McElderry has also won the shows 'Popstar to Operastar' and 'The Jump'. He played the lead role of Joseph in the touring production of Joseph and the Amazing Technicolour Dreamcoat, coming back soon as Pharaoh. To date, he has released five top 20 albums, with two reaching the UK top three. McElderry was the first X Factor contestant to release a fourth album, and he has sold over two million records worldwide. Follow Faye on Instagram https://instagram.com/faye_brookes Subscribe to the podcast on YouTube https://www.youtube.com/@notfazedwithfaye #NotFazed #NotFazedWithFaye
Phish's three-night run at Alpine ValleyLarry Mishkin features a Grateful Dead concert at a "funky" venue on July 29, 1994, at Buckeye Lake, Ohio. The Grateful Dead opened with "Rain" by the Beatles, reflecting their admiration for the Beatles' music. "Rain," primarily written by John Lennon, was a song exploring themes of reality and illusion and was notable for its use of reverse audio effects. The Grateful Dead incorporated several Beatles songs into their performances, demonstrating their appreciation for the band.The conversation touches on the Grateful Dead's setlist, which included several opening songs like "Feel Like a Stranger" and "Bertha." The speakers recall personal experiences and the excitement of attending these concerts, sharing memories of Buckeye Lake as a vibrant venue despite unpredictable weather. The conversation transitions to "Wang Dang Doodle," a blues standard written by Willie Dixon and performed by artists like Howlin' Wolf and Koko Taylor. The Grateful Dead's affinity for blues music and their ability to blend various musical influences into their performances is highlighted. Larry changes his focus and shifts to a discussion about the band Phish, detailing a recent three-night run at Alpine Valley. He express his excitement and nostalgia for the venue, sharing experiences of attending concerts there over the years. The recap of Phish's performances includes a detailed analysis of the setlists, noting songs like "46 Days," "Moma Dance," "Cities," "Cavern," "Axilla," "Down with Disease," "Bathtub Gin," and a cover of Led Zeppelin's "Good Times Bad Times." Larry's enthusiasm is evident as he recount the energy and musicianship of Phish, highlighting the unique experience of attending their concerts and the connection it fosters among fans. Grateful DeadJuly 29, 1994 (30 years ago)Buckeye Lake OhioGrateful Dead Live at Buckeye Lake Music Center on 1994-07-29 : Free Download, Borrow, and Streaming : Internet Archive INTRO: Rain Track #1 :26 – 2:10 John Lennon wrote most of "Rain." It was his first song to get really deep, exploring themes of reality and illusion - after all, rain or shine is just a state of mind.Written by John “about people moaning about the weather all the time” as he was becoming more in tune with his role as a social leader – as is evidenced by the lines “I can show you” and “Can you hear me”Played 29 timesFirst: December 2, 1992 at McNichols Sports Arena, Denver, CO, USALast: June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA SHOW No. 1: Wang Dang Doodle Track #4 4:03 – 5:43 "Wang Dang Doodle" is a blues song written by Willie Dixon. Music critic Mike Rowe calls it a party song in an urban style with its massive, rolling, exciting beat.[1] It was first recorded by Howlin' Wolf in 1960 and released by Chess Records in 1961. In 1965, Dixon and Leonard Chess persuaded Koko Taylor to record it for Checker Records, a Chess subsidiary. Taylor's rendition quickly became a hit, reaching number thirteen on the Billboard R&B chart and number 58 on the pop chart.[2] "Wang Dang Doodle" became a blues standard[3] and has been recorded by various artists. Taylor's version was added to the United States National Recording Registry in 2023. In 1995, Taylor's rendition was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recording – Singles or Album Tracks" category.[17] The Foundation noted that the song was the last blues single produced by Dixon to reach the record charts, and "became Koko Taylor's signature crowdpleaser, inspiring singalongs to the 'all night long' refrain night after night".[17]Taylor's version of "Wang Dang Doodle" was selected by the Library of Congress for preservation in the National Recording Registry in 2023.[18]Chuck Berry, Bruce Hornsby, John Popper, Bob Weir of the Grateful Dead and Willie Dixon's daughter, Shirley Dixon, performed "Wang Dang Doodle" in tribute to Willie Dixon at the 1994 Rock & Roll Hall of Fame induction ceremony.In his autobiography, I Am The Blues, Willie Dixon says;Wang Dang Doodle meant a good time. Especially if a guy came in from the South. A wang dang meant having a ball and a lot of dancing, they called it a rocking style so that's what it meant to wang dang doodle. Wang Dang Doodle was first performed by the Grateful Dead in August 1983. The song was played only a few times each year through the rest of the 1980's. From 1991 onwards it was performed more often averaging about 15 performances a year through to 1995. Played: 95 timesFirst: August 26, 1983 at Portland Memorial Coliseum, Portland, OR, USALast: July 8, 1995 at Soldier Field, Chicago, IL, USA MUSIC NEWS: Phish shows, Friday and Saturday night at Alpine ValleyRIP – John Mayall SHOW No. 2: Althea Track #7 9:40 – end INTO Eternity Track #8 0:00 – 1:39 Co-writing a song with one of your personal heroes—that seems like a dream come true.Willie Dixon (1915-1992) was one of the preeminent blues songwriters and performers of all time. The Grateful Dead covered a fairly lengthy list of his songs, attesting to his influence on the band: “Down in the Bottom,” “I Ain't Superstitious,” “I Just Want to Make Love To You,” “Little Red Rooster,” “The Same Thing,” “Spoonful,” and “Wang Dang Doodle.” Plus a couple they only played once, or only in soundcheck.The song was written during the sessions for Rob Wasserman's Trios album. “Guitar Player” magazine ran an interview with Weir in 1993:I had this chord progression and melody that I wanted to run by Willie to see if he liked it .... he did, so he started dashing off words. He wanted me to run a certain section by him again and stuff like that, and we started working on a bridge. Then he dashes off this sheet of lyrics and hands it to me. Now I'm really stoked to be working with the legendary Willie Dixon and I'm prepared for just about anything.He hands these lyrics to me and I'm reading through them. And they seem, you know, awfully simplistic. Like there wasn't a whole lot to them........Now he wants me to read through it and sing the melody I have and see if they fit. And so I started singing through these simplistic lyrics, and that simplicity takes on a whole other direction.By the time I had sung through them, it's like my head is suddenly eons wide. I can hear what's happening just sort of echoing around in there and I'm astounded by the simple grace of what he has just presented to me. I'm sitting there with my mouth open literally, and Willie's laughing. He's just sitting there laughing, saying, 'Now you see it. Now you see it. That's the wisdom of the bluesPlayed: 44 timesFirst: February 21, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast: July 8, 1995 at Soldier Field, Chicago, IL, USA SHOW No. 3: I Want To Tell You Track #11 0:00 – 1:35 "I Want to Tell You" is a song by the English rock band the Beatles from their 1966 album Revolver. It was written and sung by George Harrison, the band's lead guitarist. After "Taxman" and "Love You To", it was the third Harrison composition recorded for Revolver. Its inclusion on the LP marked the first time that he was allocated more than two songs on a Beatles album, a reflection of his continued growth as a songwriter beside John Lennon and Paul McCartney.When writing "I Want to Tell You", Harrison drew inspiration from his experimentation with the hallucinogenic drug LSD. The lyrics address what he later termed "the avalanche of thoughts that are so hard to write down or say or transmit".[1] In combination with the song's philosophical message, Harrison's stuttering guitar riff and the dissonance he employs in the melody reflect the difficulties of achieving meaningful communication. The recording marked the first time that McCartney played his bass guitar part after the band had completed the rhythm track for a song, a technique that became commonplace on the Beatles' subsequent recordings.George Harrison wrote "I Want to Tell You" in the early part of 1966, the year in which his songwriting matured in terms of subject matter and productivity.[2] As a secondary composer to John Lennon and Paul McCartney in the Beatles,[3] Harrison began to establish his own musical identity through his absorption in Indian culture,[4][5] as well as the perspective he gained through his experiences with the hallucinogenic drug LSD.[6] According to author Gary Tillery, the song resulted from a "creative surge" that Harrison experienced at the start of 1966. In his autobiography, I, Me, Mine, Harrison says that "I Want to Tell You" addresses "the avalanche of thoughts that are so hard to write down or say or transmit".[1][12] Authors Russell Reising and Jim LeBlanc cite the song, along with "Rain" and "Within You Without You", as an early example of the Beatles abandoning "coy" statements in their lyrics and instead "adopt[ing] an urgent tone, intent on channeling some essential knowledge, the psychological and/or philosophical epiphanies of LSD experience" to their listeners.[13] Writing in The Beatles Anthology, Harrison likened the outlook inspired by his taking the drug to that of "an astronaut on the moon, or in his spaceship, looking back at the Earth. I was looking back to the Earth from my awareness." Played: 7 timesFirst: July 1, 1994 at Shoreline Amphitheatre, Mountain View, CA, USALast: May 24, 1995 at Memorial Stadium, Seattle, WA, USA MJ NEWS SHOW No. 4: Standing On The Moon Track #19 7:23 – 9:00 Garcia/Hunter tune from Built To Last (1989) Played: 76 timesFirst: February 5, 1989 at Henry J. Kaiser Convention Center, Oakland, CA, USALast: June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA OUTRO: Quinn The Eskimo Track #21 2:28 – 4:17 "Quinn the Eskimo (The Mighty Quinn)" is a folk-rock song written and first recorded by Bob Dylan in 1967 during the Basement Tapes sessions. The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann,[4] which became a great success. It has been recorded by a number of performers, often under the "Mighty Quinn" title.The subject of the song is the arrival of Quinn (an Eskimo), who prefers a more relaxed lifestyle [" jumping queues, and making haste just ain't my cup of meat"] and refuses hard work ["Just tell me where to put 'em and I'll tell you who to call"], but brings joy to the people.Dylan is widely believed to have derived the title character from actor Anthony Quinn's role as an Eskimo in the 1960 movie The Savage Innocents.[5] Dylan has also been quoted as saying that the song was nothing more than a "simple nursery rhyme". A 2004 Chicago Tribune article[6] said the song was named after Gordon Quinn, co-founder of Kartemquin Films, who had given Dylan and Howard Alk uncredited editing assistance on Eat the Document.Dylan first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years. Meanwhile, the song was picked up and recorded in December 1967 by the British band Manfred Mann,[7] who released it as a single in the US on 8 January 1968 under the title "Mighty Quinn".[8] A UK single followed within a week.[8] The Manfred Mann version reached No. 1 in the UK Singles Chart for the week of 14 February 1968, and remained there the following week.[9] It also charted on the American Billboard Hot 100 chart, peaking at No. 10, and reached No. 4 in Cash Box. Cash Box called it a "funky-rock track" with "a trace of calypso [to] add zest to a tremendous effort." Played: 59 timesFirst: December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast: July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Remembering Bill Walton: Basketball Star and Grateful Dead SuperfanIn this episode of the Deadhead Cannabis Show, Larry Mishkin covers various topics, including a historic Grateful Dead show, personal concert experiences, and music news. Larry starts with a deep dive into the Grateful Dead's June 3, 1976, concert at the Paramount Theater in Portland, Oregon. This show marked the band's return after a year-long hiatus, featuring five new songs and a revived tune from a four-year break. He highlights the opening track, written by Jerry Garcia and Robert Hunter, which nostalgically reflects on the band's Festival Express tour, a legendary 1970 train journey across Canada with prominent rock bands.Larry then discusses the song "Lazy Lightning," introduced at the same 1976 concert. Written by Bobby and John Perry Barlow, it became a fan favorite for its melody and message of living in the moment, though it was retired from the Grateful Dead's repertoire by 1984. He transitions into music news by honoring Doug Ingle of Iron Butterfly, who recently passed away. Larry reminisces about the band's iconic 1968 track "In-A-Gadda-Da-Vida" and its influence on the late 60s music scene.The podcast also pays tribute to Bill Walton, the legendary basketball player and devoted Deadhead who passed away at 71. Larry shares stories of Walton's deep connection with the Grateful Dead, including his record of attending 869 concerts, significantly more than his total basketball games played. Larry recounts Walton's influence on fellow athletes and his unique presence at Dead shows.Finally, Larry describes his recent experience at a Dead & Company concert at the Sphere in Las Vegas. He marvels at the venue's immersive visual technology, which enhanced the concert experience, likening it to a planetarium. Despite the advanced visuals sometimes overshadowing the music, Larry enjoyed the performance and the unique atmosphere. He also mentions a mini-exhibition featuring Dave Lemieux's tape collection and the significance of tape trading in Grateful Dead fandom.In summary, this episode covers a blend of Grateful Dead history, personal concert experiences, tributes to influential music figures, and the latest in concert technology, providing a rich narrative for Deadheads and music enthusiasts alike. Grateful DeadJune 3, 1976 (48 Years Ago)Paramount TheaterPortland, ORGrateful Dead Live at Paramount Theatre on 1976-06-03 : Free Borrow & Streaming : Internet Archive First show back after 1975 year offPrior show: Sept. 28, 1975 – last of the four shows in 1975, this show is 9 months later. Long wait for Deadheads. Dead did not disappoint with five new songs and a breakout after a 4 year hiatus. INTRO: Might As Well Track #1 1:15 – 2:50 “Take that ride again” Might as Well” is a song written by Jerry Garcia with lyrics penned by Robert Hunter. Released on Garcia's 3d solo album, Reflections, in February, 1976. It's one of the tracks from Garcia's solo career, showcasing his musical versatility and unique ability to transform personal experiences into joyful music. The song takes a nostalgic look back at the Grateful Dead's time on the Festival Express Tour, a memorable rail trip that brought together prominent artists of the '60s for a raucous, whisky-fueled journey across America. Festival Express is the 1970 train tour of the same name across Canada taken by some of North America's most popular rock bands, including Grateful Dead, Janis Joplin, The Band, Buddy Guy, Flying Burrito Bros, Ian & Sylvia's Great Speckled Bird, Mountain and Delaney & Bonnie & Friends. Later made into a movie Festival Express was staged in three Canadian cities: Toronto, Winnipeg, and Calgary (Montreal and Vancouver were also originally scheduled but both dropped) during the summer of 1970. Rather than flying into each city, the musicians traveled by chartered Canadian National Railwaystrain, in a total of 14 cars (two engines, one diner, five sleepers, two lounge cars, two flat cars, one baggage car, and one staff car).[5] The train journey between cities ultimately became a combination of non-stop jam sessions and partying fueled by alcohol. One highlight of the documentary is a drunken jam session featuring The Band's Rick Danko, the Grateful Dead's Jerry Garcia and Bob Weir, New Riders of the Purple Sage's John Dawson, as well as Janis Joplin. Here, it is played as the show opener. Ultimately, became more of a first set closer, a popular one along with Deal, another Garcia solo tune. Played 111 times First: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW 19 times that year Last: March 23, 1994 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USA – only time played that year, 6 times in ‘91 SHOW No. 1: Lazy Lightning Track #6 0:00 – 1:46 Written by Bobby and John Perry Barlow, paired with Supplication in concert and released with Supplication as the opening tracks on the album, Kingfish, released in March, 1976. Lazy Lightning is often interpreted as a metaphorical representation of the pursuit of a carefree and leisurely lifestyle amidst the chaos and hardships of reality. The lyrics depict a whimsical scenario where the protagonist encounters a bolt of lightning that transforms into a woman, symbolizing the allure and transitory nature of fleeting pleasures. The song encourages listeners to embrace the present moment and let go of the rigid expectations and responsibilities that burden their lives. It is a celebration of spontaneity, freedom, and the pursuit of personal bliss. Lazy Lightning became a fan favorite due to its infectious melody, poetic lyrics, and the sense of liberation it evoked. Grateful Dead fans often resonated with the song's message of embracing the present moment and shedding societal expectations. It became a rallying cry for those seeking to live life on their own terms, igniting a sense of camaraderie and freedom among concert-goers. Usually, a late first set number. Unfortunately, dropped from the repertoire in 1984. I got to hear it three or four times. A fun number. Played: also played 111 timesFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW!!Last: October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA MUSIC NEWS – Intro music: In A Gadda Da Vida: IRON BUTTERFLY - IN A GADDA DA VIDA - 1968 (ORIGINAL FULL VERSION) CD SOUND & 3D VIDEO (youtube.com)Start - :45 is a song recorded by Iron Butterfly, written by band member Doug Ingle and released on their 1968 album of the same name.At slightly over 17 minutes, it occupies the entire second side of the album. The lyrics, a love song from the biblical Adam to his mate Eve, are simple and are heard only at the beginning and the end. The middle of the song features a two-and-a-half-minute Ron Bushy drum solo. Famously featured on a Simpson's episode when Bart switches the organist's regular music for this tune and hands out the words to the congregation who sing along. The older organ player plays the entire organ solo (although they only feature a part of it) and then at the end promptly slumps over at the keyboard. Featured today as a tribute to Doug Ingle, songwriter, keyboard player and vocalist for the song, who passed away on May 24th at the age of 78. He was the last surviving member of the original band lineup.Bill Walton passed away on last Monday, May 27th at the all too young age of 71. Couldn't miss him at the shows, 7 foot redhead dancing away or else up on stage.Dead & Co. at the Sphere, saw the June 1st show. SHOW No. 2: Supplication Track #7 2:00 – 3:30 Written by Bobby and John Perry Barlow, paired with Lazy Lightning in concert and released with Lazy Lightning as the opening tracks on the album, Kingfish, released in March, 1976. The song delves into the universal theme of the human experience, specifically emphasizing the concept of surrender and humility. It explores the idea of surrendering oneself to a higher power, relinquishing control, and embracing the unknown. The lyrics touch upon the vulnerability and humility required to let go and trust in something beyond our comprehension. Supplication encourages listeners to reflect upon their own lives, urging them to question their beliefs, values, and the significance of surrendering to a greater force. Played: 111 times (a good number for the lottery, keeps coming up), always paired with Lazy LightningFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW!!Last: October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA SHOW No. 3: Dancin In the Streets Track #11 0:00 – 1:42 "Dancing in the Street" is a song written by Marvin Gaye, William Stevenson, and Ivy Jo Hunter. It first became popular in 1964 when recorded by Martha and the Vandellas whose version was released on July 31, 1964 and reached No. 2 on the Billboard Hot 100 chart for two weeks, behind "Do Wah Diddy Diddy" by Manfred Mann and it also peaked at No. 4 on the UK Singles Chart. It is one of Motown's signature songs and is the group's premier signature song.A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100 reaching No. 73. In 1982, the rock group Van Halen took their cover of "Dancing in the Street" to No. 38 on the Hot 100 chart and No. 15 in Canada on the RPM chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including The Kinks, Tages, Black Oak Arkansas, Grateful Dead, Little Richard, Myra and Karen Carpenter. I saw it as the first night show opener on June 14, 1985 at the Greek Theater as part of the band's 20 Anniversary celebration. A really fun concert tune. The 1970's versions always had strong Donna support backing up Bobby's lead vocals. This show was the first time the band had played the song since Dec. 31, 1971 (203 shows) Played: 131 timesFirst: July 3, 1966 at Fillmore Auditorium, San Francisco, CA, USALast: April 6, 1987 at Brendan Byrne Arena, East Rutherford, NJ, USA MJ NEWS Blake Schneider passed away May 27th at 69. Legendary cultivator who created the best strain of marijuana I ever smoked. We just called it Blake weed and put it up against any other strain, anywhere, any time. Folks would say they had the best weed until I let them smoke some of the Blake weed. They never failed to concede. Eccentric, temperamental, hospitable, mentor and good friend. And self titled “best joint roller in the worlds.” Was one of my Bulls season ticket partners during the Jordan era. Every home game began with a pregame at Blake's loop residences including great wines, gourmet appetizers and snacks, top shelf liquor (on the way out the door we always did our “Go Bulls” shots) and more marijuana than anyone should ever smoke. With four of us in the room, he would have 3 joints circulating at all times. With his ever present life partner, Jeanne, an evening at Blakes was as much fun as the actual game itself. Ran into a problem with the Green County Sheriff, but gave them the finger when the feds took the case over and Blake only had to serve 11 months at a fed minimum risk prison instead of the 20 years that Green County said was a done deal given the number of plants he was growing at his farm house in Argyle, WI. They were not happy campers when the feds moved in to take over the case due to the value of the property they could sieve and force Blake to buy back from them. Blake was a true party legend and will be sorely missed by those of us that knew him, loved him and tolerated him. 2. Marijuana Terpenes Are ‘As Effective As Morphine' For Pain Relief And Have Fewer Side Effects, New Study Finds 3. CBD Is Effective In Treating Anxiety, Depression And Poor Sleep, Study Finds4. Marijuana And Hemp Businesses At Odds Over Consumable Cannabinoid Ban In House Farm Bill SHOW No. 4: Samson and Delilah Track #12 0:00 – 1:45 "Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with Bobby singing lead vocals and in the ‘70's with Donna joining in. It was frequently played on Sundays due to the biblical reference. Released by the band in 1977 on their album Terrapin Station. Although Weir learned the song from Reverend Gary Davis, several earlier versions had been recorded under various titles, including "If I Had My Way I'd Tear the Building Down"/"Oh Lord If I Had My Way" by Blind Willie Johnson in 1927.[1] The song has since been performed by a wide variety of artists ranging from Dave van Ronk, Bob Dylan, Charlie Parr, The Staple Singers, Ike and Tina Turner, Clara Ward, Dorothy Love Coates & The Gospel Harmonettes, to Peter, Paul and Mary, The Washington Squares, The Blasters, Willie Watson, Elizabeth Cook, Robert Randolph and the Family Band, and Bruce Springsteen and the Seeger Sessions Band (in Verona, Italy 2006). Guest star Simon Oakland sings the song with the drovers around a campfire in the Rawhide episode "Incident of the Travellin' Man", aired in season six on October 17, 1963. A long time favorite tune with a distinctive drummers intro that tipped off the song and got the crowd fired up. Settled into a set opener, more frequently a second set opener and often played on Sundays due to its biblical reference with Bobby's “This being Sunday . .” Played: 365 timesFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOWLast: July 9, 1995 at Soldier Field OUTRO: The Wheel Track #22 2:48 – 4:30 One of their most beloved songs, “The Wheel,” holds a special place in the hearts of fans worldwide. Written by Jerry Garcia, Robert Hunter, and Bill Kreutzmann, this folk-rock anthem has captivated listeners with its enigmatic lyrics and catchy melody. The song's meaning has been widely debated among enthusiasts, and its cryptic nature has allowed for multiple interpretations. “The Wheel” reflects the transient nature of life, offering a philosophical perspective on the cycles we all experience. The lyrics suggest that life is like a wheel, constantly turning and repeating itself. The song evokes a sense of impermanence and reminds us of the cyclical patterns we encounter throughout our existence. This theme resonates strongly with the band's philosophy and their connection to the spiritual and psychedelic culture of the late 1960s and early 1970s. “The Wheel” was released on the Grateful Dead's album “Garcia” in 1972. “The Wheel” is characterized by its infectious melody and intricate guitar work. The song showcases the Grateful Dead's ability to seamlessly blend folk, rock, and improvisational elements into a cohesive piece of music. Normally, a second set tune, into or out of drums/space although it moved around a bit in the second set. Here it is the encore which is more of a rarity. Played 259 times First: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW Last: May 25, 1995 at Memorial Stadium, Seattle, WA .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
This exciting Electronically Yours episode features Jez Willis, one half of the legendary electronic music duo, Utah Saints. The band had three top-ten and another five top-40 singles on the UK Singles Chart in the 1990s, as well as number-one dance tracks in the UK and US. They pioneered the use of sampling technology, and in particular manipulating samples from mainstream pop, rock, R&B and soul songs, using the samples in a new creative context. The band wrote, produced and mixed all of their own music. Ladies and gentlemen – meet "the first true stadium house band" – Jez Willis and the Utah Saints... If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours
Man Parrish in conversation with David Eastaugh https://www.manparrish.com Parrish's early live shows at Bronx hip-hop clubs were spectacles of lights, glitter, and pyrotechnics, which drew as much from the Warhol mystique as the Cold Crush Brothers. His first release was "Hip Hop, Be Bop (Don't Stop)" issued in 1982, which Parrish said faced a racial backlash from the African-American hip hop community: "I was making the music that they played, and then they found out I was white and gay they pulled it. It didn't hurt sales but it was shocking." The song was featured in the film Shaun of the Dead, the video game Grand Theft Auto: Vice City which sold millions of copies. It was sampled in Sway & King Tech's 1991 song "Follow 4 Now", from their second album, Concrete Jungle. His biggest chart success in the UK was his recording of "Male Stripper" with Man 2 Man, which peaked at No. 4 in the UK Singles Chart
What shall we talk about this week? Probably not really about this comic book. How about we talk about a specific organ that is explicitly talked about in this issue? Yes, I am talking about hair.....wait....no....that is not right......I am talking about the heart. But what heart are we talking about? First of all, I will go ahead and give all credit to Wikipedia for what you are about to read. I am not that original. And I really do not want to be that creative. I think this is just more fun. Heart is an American rock band formed in 1973 in Seattle, Washington. The band evolved from previous projects led by founding members Roger Fisher (guitar) and Steve Fossen (bass guitar), including The Army (1967–1969), Hocus Pocus (1969–1970), and White Heart (1970–1973). Heart is a framework developed by Google to help the products and development teams to make decisions that serve business and user-centered. Heart is a framework for mobile design and metrics. It is an acronym that stands for happiness, engagement, adoption, retention and task success. Included by Gartner as a design approach that accommodates mobile interface issues such as partial user attention and interruption. Heart is a 1987 American sports drama film directed by James Lemmo (in his directorial debut), from a screenplay by Lemmo and Randy Jurgensen, who also produced the film. It stars Brad Davis, Jesse Doran, Steve Buscemi, Frank Adu, Sam Gray, Billy Costello, and Frances Fisher. A punch-drunk boxer is set up as an easy win for an up-and-coming young boxer in this melodrama. The highlight of the film is the performance of Steve Buscemi as the oily, mob-connected fight promoter Nicky. Eddie (Brad Davis) is the addle-brained boxer Nicky hangs out to dry for quick money. Heart of Midlothian Football Club, commonly known as Hearts, is a professional football club in Edinburgh, Scotland. The team competes in the Scottish Premiership, the top division of Scottish football. Hearts, the oldest and most successful football club in the Scottish capital, was formed in 1874, its name influenced by Walter Scott's novel The Heart of Midlothian. The club crest is based on the Heart of Midlothian mosaic on the city's Royal Mile; the team's colors are maroon and white. The Heart Nebula (also known as the Running dog nebula, IC 1805, Sharpless 2-190) is an emission nebula, 7500 light years away from Earth and located in the Perseus Arm of the Galaxy in the constellation Cassiopeia. It was discovered by William Herschel on 3 November 1787. It displays glowing ionized hydrogen gas and darker dust lanes. "Heart" is a song by English synth-pop duo Pet Shop Boys from their second studio album, Actually (1987). It was released as the album's fourth and final single on 21 March 1988 by Parlophone. The song topped the UK Singles Chart for three weeks in April 1988, becoming the duo's fourth and final chart-topper to date in the United Kingdom. Its music video was directed by Jack Bond and filmed in Yugoslavia. The group had initially written the song for Madonna, though they never asked her to record it, instead keeping it for themselves. Heart Peaks, originally known as the Heart Mountains, is a mountain massif in the Northern Interior of British Columbia, Canada. It is 90 km (56 mi) northwest of the small community of Telegraph Creek and just southwest of Callison Ranch. With a maximum elevation of 2,012 m (6,601 ft), it rises above the surrounding landscape on the Nahlin Plateau, which is part of the western Stikine Plateau. Heart Peaks has been an area of prospecting since the 1980s with the discovery of precious metals. The Heart is a 2014 realistic and medical fiction novel by the French author Maylis de Kerangal. It chronicles the events immediately following the death of 19-year-old Simon Limbres in a car accident. In particular, The Heart focuses on the transplantation of Simon's heart and how it affects those involved in the process, including Simon's parents, the physicians, the nurses, the organ transplant coordinators, the recipient, and the recipient's family, over the course of twenty-four hours. Check out the pictures from this issue: https://jeffandrickpresent.wordpress.com/2024/04/18/avengers-academy-33-what-the-heart-wants-part-2/ We also have some merchandise over at Redbubble. We have a couple of nifty shirts for sale. https://www.redbubble.com/people/jeffrickpresent/?asc=u You can also subscribe and listen to us on YouTube! Our show supports the Hero Initiative, Helping Comic Creators in Need. http://www.heroinitiative.org/ Eighties Action by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3703-eighties-action License: http://creativecommons.org/licenses/by/4.0/ Clap Along With Me by Sascha Ende Free download: https://filmmusic.io/song/12234-clap-along-with-me License (CC BY 4.0): https://filmmusic.io/standard-license
Ten Good Reasons is the debut album by Australian pop star and actor Jason Donovan. It was released on 2 May 1989 by PWL (UK) and Mushroom Records (Australia). It became the biggest selling album in the UK that year, and yielded two solo number-one singles ("Too Many Broken Hearts" and "Sealed with a Kiss") and also features a duet with Kylie Minogue, "Especially for You", which had reached number one in January 1989. The album entered the UK Albums Chart at number two, and then reached number one, staying there for four weeks. When his cover of Brian Hyland's "Sealed with a Kiss" entered the UK Singles Chart at number one, Donovan became the first Australian male to hold both UK single and UK album chart number-one positions simultaneously. In Australia, the album peaked at number five on its debut on the ARIA albums chart in June 1989, and became the 53rd highest selling album in Australia for 1989.[2] The album was reissued in 2010 as an expanded deluxe edition featuring B-sides and remixes. In 2016, the first CD of the 2010 reissue was reissued again as part of promotion for Donovan's Ten Good Reasons live shows. The title of the album is taken from a line in its opening track, "Too Many Broken Hearts": "You give me one good reason to leave me, I'll give you ten good reasons to stay."
Phil Lesh's Triumphant Return: A Musical Journey 25 Years Ago TodayLarry Mishkin provides a retrospective analysis of a significant musical event from April 15th, 1999, focusing on Phil Lesh's return to the stage after surgery, marking the first Phil and Friends show. He discusses the lineup, including Trey Anastasio and Paige McConnell from Phish, and highlights their performance of various songs, notably "Viola Lee Blues" and "Hello Old Friend." The discussion also touches on recent music news, including the cancellation of the Skull and Roses festival and a tribute event for Jimmy Buffett featuring Paul McCartney and the Eagles. Additionally, it anticipates Fish's upcoming performances at the Las Vegas Sphere venue. Phil Lesh & FriendsApril 15, 1999 (25 years ago)Warfield Theater, S.F.Phil Lesh and Friends Live at Warfield Theater on 1999-04-15 : Free Download, Borrow, and Streaming : Internet Archive Lineup:Phil Lesh - BassSteve Kimock - GuitarsJohn Molo - DrumsTrey Anastasio - GuitarPage McConnell – Keys INTRO: Hello Old Friend Track # 1 0:10 – 1:47 25 years ago, Phil Lesh & Friends featuring guitarist Trey Anastasio and keyboardist Page McConnell of Phish kicked off their landmark three-night run at The Warfield in San Francisco on this date in 1999. Guitarist Steve Kimock and drummer John Molo rounded out the lineup of one of the most memorable collaborations the jam world has seen.This was the first ever performance of Phil & Friends and quite a memorable group of Friends to be playing with at a storied S.F. music venue.The shows also marked Lesh's return after undergoing liver transplant surgery at the age of 58 due to chronic hepatitis C infection. The April 15 concert kicked off with Phil and his sons Brian (??) And Grahame Lesh (12), backed by guitarist Steve Kimmock, in front of the curtain, performing Eric Clapton's “Hello Old Friend” as a fitting first song back for Phil. Both boys are strong musicians and Grahame, who graduated from Stanford in 2010 with a music degree, is a regular touring member of Phil and Friends in addition to playing with his own band, Midnight North.Phil Lesh's surgery took place at the Mayo Clinic in Jacksonville, Florida on December 17, 1998, barely 4 months earlier. Lesh, who was 58 at the time, had been suffering from internal bleeding caused by hepatitis C, which he was diagnosed with in 1992. He received the liver of a young man named Cody and his since started encores of his concerts by preaching the importance of becoming an organ donor."Hello Old Friend" is a country rock song, written and recorded by the British rock musician Eric Clapton. The track was released in October 1976 as the first of two singles from Clapton's 1976 studio album entitled No Reason to Cry. the AllMusic critic William Ruhlmann notes, "Hello Old Friend" is the best pop/rock song on the album. He goes on describe the title as a "identifiable" Clapton piece of music.[2]Rolling Stone journalist Dave Marsh called the song "a whimsical and silly slice of attempted innocence".[3]Billboard said that it has a reggae feel similar to that of "I Shot the Sheriff."[4]Record World called it "a midtempo number constructed around a network of acoustic and slide guitars.” The Grateful Dead never played the song in concert. The five-piece then showed off its firepower with a 34-minute “Viola Lee Blues.” SHOW No. 1: Viola Lee Blues Track # 2 31:30 – 33:01 In a 1999 interview with Jambands.com, Lesh revealed that it was Anastasio's idea to do “Viola Lee” and talked about how he started listening to Phish and also how the collaboration came about. Read an excerpt below:“[Phish's music]…was absolutely entrancing, it was just gorgeous…but I couldn't hear the piano well on the live tapes, so I went back to the CD's and started listening to Page and what he was doing, and so I said “Well…” and my wife said “Come on, Come on, give them a call.” Somehow I got their phone numbers, and I gave them both a call. We talked about it, and they said we'd love to do it, and so we set a date, and we started calling back and forth, and like I said earlier they brought in a dozen Grateful Dead tunes I never would have thought of doing, but they wanted to [do] them. And we got together at rehearsal and the first thing we did together was “Viola Lee Blues,” and from there on out it was like now let's do this one, and let's do this one. It was real rehearsal in the sense that the Grateful Dead rarely was. Grateful Dead rehearsals were kind of comical. We believed in public rehearsals.” A long time favorite of Phil's, he picked it as one of the live tunes for the GD album, Fallout From The Phil Zone – a collection of some of Phil's favorite live tracks of various Dead tunes released on June 17, 1997. In the liner notes he said this of the song: “The definitive early Grateful Dead jammin' tune, the first one we ever really stretched out beyond all recognition, by using what we called then “shifting gears” – which is really nothing but a twenty minute accelerando, influenced by the North Indian music that we were listening to a lot at that time.” Played only 44 times by the BandFirst: March 19, 1966 at Carthay Studios, Los Angeles, CA,Last: October 31, 1970 at Stony Brook Gymnasium in Stony Brook, NY Also played June 27, 2015 at Levi's Stadium, Santa Clara, CA, USA 50th Anniversary shows MUSIC NEWS:Skull and Roses called off, no refunds After the exploratory, bar-setting, “Viola Lee,” the quintet would run through more material from the Dead canon with Trey and Page harmonizing on “Big Railroad Blues,” Phil singing “Jack-a-Roe” and Phil, Trey and Page harmonizing on “Cosmic Charley” SHOW No. 2: Cosmic Charlie Track #5 3:25 – 5:12 Old Time Music and Hope Barnett: Grateful Dead was known for their unique and poetic songwriting style, and “Cosmic Charlie” is no exception. Released in 1969 on their album “Aoxomoxoa,” this song has captivated fans for decades with its enigmatic lyrics and psychedelic sound. Exploring themes of spirituality, love, and the human experience, “Cosmic Charlie” takes listeners on a sonic journey unlike any other. The meaning behind “Cosmic Charlie” is open to interpretation, as with many of the band's songs. Some believe it was inspired by the vision of a fictional character named Cosmic Charlie, who travels through different dimensions, spreading joy and love. Others see it as a metaphor for the human longing for connection and transcendence. The lyrics, although cryptic at times, convey a sense of wonder and mystery that invites listeners to delve deeper into their own consciousness. The overall message of “Cosmic Charlie” seems to be one of embracing the cosmic and spiritual aspects of life. It encourages listeners to let go of their inhibitions, explore the unknown, and seek connection with the universe. The song invites individuals to tap into their inner selves and discover the hidden realms of existence. While “Cosmic Charlie” was never released as a single and did not enjoy mainstream success, it holds a special place in the Grateful Dead's discography and the hearts of their fans. Its eclectic and unique style showcased the band's experimental tendencies and cemented their reputation as pioneers of the psychedelic rock genre. Love hearing Trey and Page singing along on this old timey Dead gem. Played 45 times by the Dead (38 in 1969 and 1970, 1 in 1971 and, inexplicably, 6 in 1976.First: January 17, 1969 at Robertson Gymnasium, University of California Santa Barbara Campus, CA, USALast: September 25, 1976 at Capital Centre, Landover, MD, USA 1984 Deadheads would pass around a petition asking the band to play the song again and also pass out cards before the show with the lyrics just in case they played it. Finally, for the Phish fans in the crowded Warfield, the first Phish tune of the run (and only one that night), “Wolfman's Brother.” SHOW No. 3: Wolfman's Brother Track # 6 1:30 – 2:58 On this one, writing credit goes to the entire band plus long time Phish lyricist, Tom Marshall.Released on Hoist (stylized as (HOIST)) is the fifth studio album by the American rock band Phish, released on March 29, 1994, by Elektra Records. At the time of its release, Hoist was Phish's best selling album to date, peaking at No. 34 on the Billboard 200 albums chart. The album was certified gold by the RIAA on August 19, 1996, and remains the band's best-selling studio release, outsold in their discography only by the platinum-certified A Live One.Old Time Music: Mike WellsMusic has a unique way of connecting with our emotions, memories, and experiences. It has the power to transport us to a different time and place, evoking feelings we may have long forgotten. One song that has always resonated deeply with me is “Wolfman's Brother” by Phish. This track, featured in their 1994 album “Hoist,” holds a special meaning and significance for both the band and their dedicated fanbase. the lyrics of “Wolfman's Brother” have a universal appeal. They invite listeners to reflect upon their own encounters with enigmatic figures or forces that have left a lasting impact. It encourages us to confront the demons that haunt us and search for understanding and resolution.Listening to “Wolfman's Brother” live is an entirely different experience. The band's extended jams and improvisations add a new layer of depth and intensity to the song. It becomes a collective experience, with the audience joining in as the lyrics are chanted by thousands of voices.Phil spoke with Jambands.com about wadding into the Phish catalog:I had thought maybe we would do this tune or that tune, and in the end, we only ended up doing one tune that I thought we would do, and that was “Prince Caspian,” and then they brought up those other three, “Wolfman's Brother,” which I had never heard, and “Down With Disease” and “Chalkdust Torture,” which I hadn't heard either until we played them at the rehearsal, and then I went and got the CD's and checked them out. But then I started listening to their other stuff, their other stuff is real interesting, but you can tell by listening to that that they need their forty hour weeks, because they really need to get that shit down. Never played by the Dead. MJ NEWS – One Toke Over The Line!!! STRAINS: Strawberry Shortcake – a wonderful nighttime indica strain that that has a tart strawberry taste and leaves you with a good face melt and some couch lock. Wait until you get home before diving in. No great if you are with a group of people who are looking for your active participation in whatever they are doing! But wonderful to relax and get ready for a good night's sleep. Blue Dream – every now and then I swing back to one of the all time greats. Nice for daytime and early evening use. Just have to be sure that whatever they are calling Blue Dream is really Blue Dream. It does have a fairly distinctive taste and smell so if you are familiar with the strain, you should be able to tell if you have the real stuff. Tang – a wonderful sativa that is energetic without providing the standard “sativa crash” as it wears off. Also nice because of it's ability to “cut through” any buzz you may already have and provide a new uplifting effect. After a first set-closing “Uncle John's Band,” the second frame got underway with Lesh leading on “Alabama Getaway” and “Sugaree,” the latter of which featured the band taking things out again and stretching the song to over 20 minutes. Phil once again stepped to the mic for a cover of the Bob Dylan classic “Like A Rolling Stone” that saw Trey and Page joining him on the chorus – I love that tune, the first Phil & Friends show I ever saw, featuring the Quintet, at the Riviera Theater in Chicago with good buddy Jimmy they opened with a 15 minute version of this tune into a 30 minutes cover of Low Spark of High Heeled Boys, just too many other good tunes from this show - and led into a spirited “I Know You Rider.” Anastasio then fronted the quintet on a sweet version of “Row Jimmy” SHOW No. 4: Row Jimmy Track #12 2:10 – 3:55 Garcia/Huner tune, Wake of the Flood is the sixth studio album (and tenth album overall) by the rock band the Grateful Dead. Released on October 15, 1973, it was the first album on the band's own Grateful Dead Recordslabel. Their first studio album in nearly three years, it was also the first without founding member Ron "Pigpen" McKernan, who had recently died. His absence and keyboardist Keith Godchaux's penchants for bebop and modal jazz (rather than McKernan's tendencies toward the blues and rhythm and blues) contributed to the band's musical evolution. Godchaux's wife, vocalist Donna Jean Godchaux, also joined the group and appears on the album.[8]The release fared better on the pop charts than their previous studio album (1970's American Beauty), reaching No. 18. After three live albums in a row, the Grateful Dead wanted to record studio versions of songs written since Keith Godchaux had joined the band. At the time of recording, five of the songs on the album (and part of a 6th) had been in live rotation for up to a year and a half, as arrangements were road-tested and finalized. Referring to this period, bassist Phil Lesh explained, "We'd learned to break in the material at shows (under fire, as it were), rather than try to work it out at rehearsals, or in the studio at tremendous expense." Describing Godchaux's influence, drummer Bill Kreutzmann characterized the album as "Keith's coming out party." Remarking on the evolution in style, he remembered:Jerry brought "Row Jimmy" into us one day, and it was really difficult to get a grip on it at first. It has a slow tempo, which makes it seem like it would be easy, but it calls for a slight reggae groove layered over a ballad. Rhythmically, the lengths aren't traditional. They're not just twos and fours. It's deceiving. Basically, you have to play the song in half-time with a double-time bounce on top. It's trickier than it sounds. But once I locked into it, "Row Jimmy" became one of the best songs in our repertoire. Played 274 timesFirst: February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USA, a show we featured earlier this year.Last: June 21, 1991 at Knickerbocker Arena in Albany Cannot say enough about Trey's strong vocals on this tune. This is 16 years before the 50th reunion shows where Trey would play lead guitar for all five shows (2 in Santa Clara and 3 at Soldier Field). And at this point, Phish had only covered one Dead tune in concert: Terraping Station on August 9, 1998 at the Virginia Beach Amphitheater on the third anniversary of Jerry's death. Since that point, it is still the only time Phish has covered a Dead tune in concert. Why only that one? Who knows. Trey is certainly more than qualified to cover any Dead tune and the other guys have all played with various Dead members from time to time. One of the great mysteries of the Phish world (at least for me). This was followed by a crowd-pleasing “Shakedown Street” which saw the band stretching their legs once again for a nearly 20-minute excursion. Next, “The Wheel” led into a 15 minute version of the classic closer “Not Fadeaway” to bring set two to a conclusion. After Phil's donor rap and band intros, Phil & Phriends closed out Night One of the run with Phil singing lead Dylan's “Mr. Tambourine Man,” which they did in the style of The Byrds. OUTRO: Mr. Tambourine Man Track #18 0:00 – 1:28 Leave you with one of my favorite Bob Dylan tunes. "Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.The song has been performed and recorded by many artists, including the Byrds, Judy Collins, Melanie, Odetta, and Stevie Wonder among others. The Byrds' version was released in April 1965 as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success. Dylan himself was partly influenced to record with electric instrumentation after hearing the Byrds' reworking of his song. The song has been in Dylan's live concert repertoire since it was written,[10] usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, perhaps the song's live debut, recorded at London's Royal Festival Hall on May 17, 1964. Great version, again with Trey and Page joining in. I think Phil surprised them with pace of the tune right at the start, but everyone catches up and it's a fun song to hear in concert. Great way to close out night 1 of this 3 night return to the stage run for Phil. Best part is that 25 years later he is still going strong at 84! Phil and Friends have covered it 6 timesFirst: at this show!Most recent: October 5, 2000 at Orpheum Theatre, Boston, MA, USA (doesn't seem correct to me because I'm fairly certain I've seen Phil perform this live since 2000, but so far cannot seem to come up with the place, date or folks he was playing with. Happens sometimes! Finally, this show marks the first instance of Phil's famed “Donor Rap” that precedes the encores of all of his shows .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Chesney Hawkes is an English singer, songwriter, and occasional actor. Hawkes started his career at the age of 19 when he appeared in the 1991 film Buddy's Song, which featured his best-known single 'The One and Only' on the soundtrack. It topped the UK Singles Chart for five weeks and reached the top 10 in the United States.His sixth album will likely be released later this year. Watch this episode here: https://www.youtube.com/watch?v=5eOeU9Gn784&t=1817sShow theme by Bis.Want more? Join The James McMahon Music Podcast Patreon. https://www.youtube.com/watch?v=U5jY33R9cXAThankyou to our Patreon members! John Foley.Wilfreda Beehive.Joe Frost.Conor McNicholas.John Earls.Laura Norton.Mike Clewley.Ricky Murray.Danielle Walker.Claire Harris.Dana Landman. Laura Kelly Dunlop. Michael Woods.Billy Reeves.Eric Meredith.Caitlin Moran.Eve Barlow.Nige Tassell. Twitter - @jamesjammcmahon Substack - https://spoook.substack.com YouTube - www.youtube.com/channel/UC8Vf_1E1Sza2GUyFNn2zFMA Reddit - https://www.reddit.com/r/jamesmcmahonmusicpod/
"Exploring the Sweetness of 'Candyman': A Grateful Dead Classic"Larry Mishkin reflects on a Grateful Dead show from 44 years ago on April 1st, 1980, where the band played a prank on April Fool's Day, starting with a Chuck Berry tune and then transitioning to their usual instruments to perform the song again. Larry also talks about the significance of the song "Candyman" and its role in the Grateful Dead's repertoire, as well as Billy Joel's milestone 100th residency concert at Madison Square Garden. Larry also talks about "Friend of the Devil" and its origins, penned by lyricist Robert Hunter in collaboration with Jerry Garcia and John Dawson. Grateful DeadApril 1, 1980 (44 years ago)Capitol TheaterPassaic, NJGrateful Dead Live at Capitol Theater on 1980-04-01 : Free Download, Borrow, and Streaming : Internet Archive April Fool's DayOpener that's keeping with the theme INTRO: The Promised Land Track # 2 1:14 – 3:18 Chuck Berry tune with the Boys having a bit of fun to celebrate April Fool's Day: Jerry and Brent on DrumsBobby on keyboardBilly on bass and background vocalsMickey on rhythm guitar and singing lead vocalsPhil on lead guitar Kind of plodded through the song, but the fans loved the idea and the effortThey then went back to normal instruments, played the tune again and killed it! A fun opener with a good reality check for the dosed fans in the crowd. SHOW No. 1: Candyman Track #4 4:56 – 6:30 Garcia/Hunter masterpieceThe song Candyman is part of the album American Beauty, which found its way into the world in November 1970. American Beauty is an album that is cherished by many, as it brings stories and emotions that feel both personal and universal. Candyman, with its blend of sweetness and shadow, invites listeners to delve into a world that is rich, complex, and thoughtfully spun. The album, with its varied tales and emotions, continues to be a friend to listeners, offering stories that explore the many sides and shades of life's journey.The thought-provoking words of Candyman were penned by Robert Hunter, and the compelling music was created by Jerry Garcia. These two artists worked together to create many of the Grateful Dead's memorable songs. Their collaboration in Candyman offers a rich story that allows listeners to explore and imagine a world that is sweet, slightly shadowed, and full of interesting adventures. The images and tales spun by the words and music invite people to think, feel, and maybe even find bits of their own stories within the tale of the Candyman.Played a total of 273 times. Almost always a Jerry first set tune alternated with Loser, West LA, and a few othersFirst played on April 3, 1970 (10 years earlier than today's show) at Armory Fieldhouse in Cincinnati, OHLast played on June 30, 1995 at Three Rivers Stadium in Pittsburgh. SHOW No. 3: Friend of the Devil Track #8 3:36 – 5:20 Grateful Dead lyricist Robert Hunter told Relix that "Friend of the Devil" was the closest that the Grateful Dead ever came to creating "what may be called a classic song." Many Deadheads may disagree, but it's an interesting perspective from the man who penned the words for the majority of the Dead's most iconic pieces.Whether or not "Friend of the Devil" is the sole "classic" Dead tune, it's hard to argue that the band tapped into the outlaw's zeitgeist to find a timeless song with this one. Dead chronicler extraordinaire David Dodd, for one, agrees. "No other Dead tune gets played quite so often," Dodd writes in Greatest Stories Ever Told.Jerry Garcia and John Dawson of New Riders of the Purple Sage (NRPS) wrote the music for "Friend of the Devil." Hunter wrote the lyrics, but Dawson played a critical part in that area, as well.In his online journal, Robert Hunter recounted writing the lyrics for "Friend of the Devil" in a single afternoon in Madrone Canyon. He actually created the song with the intent of playing it with NRPS, after the band had asked him to be their bassist. This is why he first unveiled the song to David Nelson and John Dawson in their home in Kentfield. At that point, Hunter explains, "The 'Sweet Anne Marie' verse which was later to become a bridge was only one of the verses, not yet a bridge."Where things get really interesting in this story is where Hunter tells us that the chorus originally went:I set out running but I take my timeIt looks like water but it tastes like wineIf I get home before daylightI just might get some sleep tonightNotice how the line "A friend of the devil is a friend of mine" doesn't play into that chorus? This is where Dawson comes in.After showing the guys the song, Hunter explains, the band went down to the kitchen for espresso. "We got to talking about the tune and John said the verses were nifty except for 'it looks like water but it tastes like wine,' which I had to admit fell flat. Suddenly Dawson's eyes lit up and he crowed "How about 'a friend of the devil is a friend of mine.' Bingo, not only the right line but a memorable title as well!We ran back upstairs to Nelson's room and recorded the tune. I took the tape home and left it on the kitchen table. Next morning I heard earlybird Garcia (who hadn't been at the rehearsal - had a gig, you know) wanging away something familiar sounding on the peddle [sic] steel. Danged if it wasn't 'Friend of the Devil.' With a dandy bridge on the 'sweet Anne Marie' verse. He was not in the least apologetic about it. He'd played the tape, liked it, and faster than you can say dog my cats it was in the Grateful Dead repertoire."It's interesting to wonder whether or not the song would still have become a staple if Dawson hadn't popped those lyrics. The line, "a friend of the devil is a friend of mine" isn't the only great thing about the song, but it's definitely a critical part.Hunter dipped out of NRPS almost as fast he dipped in, and so the song became a Dead tune. Certainly a popular tune with the band and the Deadheads. Played 310X, almost always a first set tune.First – March 20, 1970 at the Capitol Theatre in Port ChesterLast – June 2, 1995 at RFK Stadium in D.C. SHOW No. 4: I Used To Love Her But It's All Over Now Track # 9 3:15 – 5:00 "It's All Over Now" is a song written by Bobby Womack and his sister-in-law Shirley Womack.[1] It was first released by The Valentinos, featuring Bobby Womack, in 1964. The Rolling Stones heard it on its release and quickly recorded a cover version, which became their first number-one hit in the United Kingdom, in July 1964. The Valentinos recorded the song at United Recording in Hollywood on March 24, 1964,[2] and released it two months later.[3] It entered the Billboard Hot 100 on June 27, 1964, and stayed on the chart for two weeks, peaking at number 94. The Rolling Stones landed in New York on June 1, 1964, for their first North American tour, around the time the Valentinos' recording was released. New York radio DJMurray the K played the song to the Rolling Stones. He also played the Stones' "King Bee" (their Slim Harpo cover) the same night and remarked on their ability to achieve an authentic blues sound. After hearing "It's All Over Now" on that WINS show, the band recorded their version nine days later at Chess Studios in Chicago. Years later, Bobby Womack said in an interview that he had told Sam Cooke he did not want the Rolling Stones to record their version of the song, and that he had told Mick Jagger to get his own song. Cooke convinced him to let the Rolling Stones record the song. Six months later on, after receiving the royalty check for the song, Womack told Cooke that Mick Jagger could have any song he wanted.The Rolling Stones' version of "It's All Over Now" is the most famous version of the song. It was first released as a single in the UK, where it peaked at number 1 on the UK Singles Chart, giving the Rolling Stones their first number one hit.[5] It was the band's third single released in America, and stayed in the Billboard Hot 100 for ten weeks, peaking at number 26. Months later it appeared on their second American album 12 X 5. The song was a big hit in Europe and was part of the band's live set in the 1960s. Cash Box described it as a "contagious cover of the Valentinos' click" and "an infectious thumper that should head right for chartsville." Dead played it 160 times, always a first set Bobby tune.First on Sept. 6, 1969 at Family Dog At The Great Highway in S.F.Last on July 2, 1995 at Deer Creek in Indy/ This version is great with the Brent solo leading into the Jerry solo. Check out the entire clip. SHOW No. 4: Shakedown Street Track #19 4:30 – 5:57 When people think of the Grateful Dead, they often think of free-flowing improvisational music. However, the band was known for many things, including their ability to construct incredibly catchy songs with deep meanings. This is exemplified in one of their most iconic songs, “Shakedown Street.” Shakedown Street, the title track of the Grateful Dead's tenth studio album, released in 1978, has been interpreted in countless ways over the years. According to Hunter in an interview with Rolling Stone magazine, “Shakedown Street” was a place where the underbelly of society came out and did its trading. “It was a place for freaks, weirdos, and people who didn't fit in anywhere else. It was one of the only places where they could socialize and be themselves without fear of persecution.” The lyrics of “Shakedown Street” talk about this place where everybody is welcome, regardless of who they are or where they come from. As the song says, “Don't tell me this town ain't got no heart. Just gotta poke around.”The song is a reflection of the band's values and the alternative society that they represented. It highlights the idea that people should be treated equally, without judgment, and that everyone should be able to express themselves.Played 164XPopular show opener, second set opener and occasionally, as here, an encore. Great way to end a show rocking out hard for 10+ minutes and then going home.First: August 31, 1978 Red RocksLast: July 9, 1995 Soldier Field – played it right up until the end! .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
rWotD Episode 2520: Move Away Welcome to random Wiki of the Day where we read the summary of a random Wikipedia page every day.The random article for Thursday, 28 March 2024 is Move Away."Move Away" is a song by British band Culture Club, issued as the lead single from their fourth album, From Luxury to Heartache (1986). The song was produced by Lew Hahn and Arif Mardin. Released in March 1986, it became the group's eighth top-10 hit on the UK Singles Chart, peaking at number seven. In the United States, it reached number 12 on the Billboard Hot 100, becoming their last top-40 hit in the US. It also reached the top 10 in various other countries, including Denmark, where it peaked at number three.This recording reflects the Wikipedia text as of 00:04 UTC on Thursday, 28 March 2024.For the full current version of the article, see Move Away on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Joanna Standard.
John Fiddler in conversation with David Eastaugh https://medicinehead.rocks/ Fiddler and Hope-Evans met while attending Wednesfield Grammar School, and later Stafford Art School and began performing together on an informal basis. In or around 1968, they began performing the blues and rock and roll songs in pubs and clubs in and around Birmingham. Radio DJ John Peel saw Fiddler and Hope-Evans perform at the Lafayette Club and later shared their music with John Lennon, Eric Clapton and Pete Townshend. At Lennon's insistence, the duo was signed by Dandelion Records. The demo recording of "His Guiding Hand" was released as a single, Peel describing it as "the cheapest single ever made and one of the classic records of all time" and keeping the single in his box of most treasured records. The duo's first album, New Bottles Old Medicine, was recorded in a single two-hour session, and they toured with Peel at many of his gigs, Peel paying them out of his own fee. Their second album, Heavy on the Drum, was recorded with Keith Relf, formerly of The Yardbirds, as producer. The single "(And The) Pictures in the Sky" rose to number 22 on the UK Singles Chart in 1971. This was not included on Heavy on the Drum, but was added to CD reissues of their debut, New Bottles Old Medicine. "(And The) Pictures in the Sky" was the first hit on the Dandelion label.
Step into the time machine with us—Scott McLean with Mark Smith, and Lou Calichio from the Music Relish Show—as we rewind to the electric year of 1983. Our trip revisits the melodies and movie magic that have withstood the test of time, from Michael Jackson's moonwalk to the silver screen glow of box office hits. Even as we laugh off technical hiccups and Lou's antics from a 'borrowed' Airbnb, the shared passion for this bygone era rings true. It's a blend of personal tales, historical musings, and a game of vinyl record poker that will have you longing for the days of 45 rpm singles and the thrill of discovering a classic track.Picture this: a game where your hand is dealt in vinyl, and the stakes are pure nostalgia. We unearth musical treasures from Smokey Robinson to Three Dog Night, reveling in the excitement and unpredictability each new pull from the box brings. Meanwhile, the backdrop of 1983 unfolds through our laughter-lines—with ZTT Records' birth, Michael Jackson's "Billie Jean," and the transformative UK Singles Chart's electronic leap. Personal whereabouts become waypoints in our journey, as the music milestones of '83 echo the bittersweet symphony of Karen Carpenter's untimely departure and the soulful heights of Marvin Gaye's national anthem at the NBA All-Star Game.Culminating in a crescendo of memories, our episode is a homage to the icons who shaped our musical landscapes. From David Bowie's chameleonic mastery to Michael Jackson's epochal dance moves, the year's soundtrack is as diverse as the stories we share. We touch on triumphs and tribulations: the glory of Toto's Grammy sweep and the darker moments of the music industry. And as we wrap up, anecdotes of rock 'n' roll valor, like bar brawls over honor, intermingle with reflections on the lasting impact of albums like 'Synchronicity' and 'Kill 'Em All'. Join us for this joyous, jam-packed jaunt through 1983—where music history and personal narratives collide, and every listener leaves with a piece of the past.
Female artists dominated the 2023 music scene. New figures from the British Phonographic Institute reveal that Miley Cyrus, Taylor Swift, Billie Eilish, Olivia Rodrigo, Raye, Dua Lipa, Ellie Goulding and many more - spent a record-breaking 31 weeks in the number one spot in the UK Singles Chart. But that's not all... they had seven of the top 10 singles and even took the top vinyl album spot. Why was 2023 so good for female artists? And will it continue? We ask global music business lecturer and podcaster, Karlyn King, and music journalist Jo Kendall.Domestic Abuse Commissioner Nicole Jacobs says new Government plans to get rid of shorter jail sentences in England and Wales put women at risk. The new sentencing bill currently making its way through Parliament aims to give what are known as suspended sentences, where people may have instead been given jail terms of 12 months or less. Estimates from the Office for National Statistics show around 2.4 million people - 1.7 million of those being women - suffered from domestic abuse in the year to March 2022.Is farming getting easier for women? New research out today suggests that women working in agriculture are finding life worse now than they did 10 years ago. This comes as more women are showing an interest in pursuing farming as a career – with some agricultural colleges enrolling record numbers of girls onto their courses. Claire McDonnell speaks to Emily Norton, a female farmer and agricultural commentator, as well as Bridgette Baker, a young farmer who recently graduated, to find out their experiences in farming.Women's Health magazine is an iconic brand in the UK and read globally by millions of people monthly. Women's Health Editor-in-Chief Claire Sanderson has just made history as the first woman globally to also be appointed Editor-in-Chief of Men's Health. Claire joins Woman's Hour to discuss what it means to be a woman editing a men's magazine, whether there is a crossover with what women and men are reading and, in an age where we're worried about body image, are these magazines useful?Presenter: Clare McDonnell Producer: Kirsty Starkey Studio Manager: Duncan Hannant
Dr. Hook & the Medicine Show was an American rock band formed in New Jersey in 1968. They enjoyed huge commercial success in the 1970s with hit singles including "Sylvia's Mother", "The Cover of 'Rolling Stone'", "Only Sixteen" and "A Little Bit More." Dr. Hook and the Medicine Show owes much of their success to poet Shel Silverstein. The band had 8 years of regular chart hits. Their music spanned several genres, mostly novelty songs and acoustic ballads in the early years but then with their later material that consisted of disco-influenced soft rock. The band was then known as Dr. Hook. Founded by Southerners, George Cummings, Ray Sawyer and Billy Francis, Dennis Locorriere joined the band as vocalist. The "Hook" in their name was inspired by Sawyer's eyepatch and a reference to Captain Hook of the Peter Pan fairy tale. Ray Sawyer had lost his right eye in a car crash in 1967, and thereafter always wore an eyepatch. For a while the group found it difficult to crack the bigtime. Luckily, in 1970 a musical director on an upcoming movie heard their tapes. Cartoonist, poet/songwriter Shel Silverstein decided Dr. Hook was the ideal group for the soundtrack. That movie helped Dr. Hook secure their first recording contract. Clive Davis signed the band and they went on to international success. Silverstein wrote all the songs for their 1972 debut album. The single "Sylvia's Mother" flopped on first release, but eventually became the band's first million-seller. Silverstein continued to write songs for Dr. Hook, including their entire second album, Sloppy Seconds.The band's second single, Silverstein's "The Cover of 'Rolling Stone'" (1972), was another million-selling disc, poking fun at the idea that a musician had "made it" if they had been pictured on the cover of Rolling Stone. In the United Kingdom, the BBC Radio network refused to play "The Cover of 'Rolling Stone'", because it considered doing so would be advertising a trademark name, which was against the BBC's policy (previously, the Kinks had to change "Coca-Cola" to "Cherry Cola" in their song "Lola" to get around the rule). Dr. Hook became just as famed for their crazed stage antics, which ranged from surreal banter to impersonating their own opening acts, but it was the group's nonchalance about business matters that led to bankruptcy. The group's line-up changed a few times over the years. And in 1975 the band shortened its name to Dr. Hook. They signed with Capitol Records in 1975 and released a reworked version of Sam Cooke's "Only Sixteen" which revitalised their career and charted in the top ten the following year. When they released a song called "A Little Bit More" soon after, it charted at number 11 on the US Billboard Hot 100 and spent two weeks at number nine on the Cash Box Top 100. It also reached number two on the UK Singles Chart and became Dr. Hook's joint second-best UK chart placing, matching "Sylvia's Mother". Follow-ups to "A Little Bit More" included "Sharing the Night Together", "When You're in Love with a Beautiful Woman", "Better Love Next Time", and "Sexy Eyes" which featured prominent female backup singers. Each single became a certified million-seller. Ray Sawyer left the band in 1983 to pursue a solo career, while the band continued to tour successfully for another couple of years, ending with Dr. Hook's One and Only Farewell Tour in 1985, with Locorriere as the sole front man. Dennis retained ownership of the Dr. Hook name and continued to tour and release his own solo albums. Ray Sawyer did not perform publicly after his last tour in 2015. Sawyer died in 2018. This week Dennis Locorriere is our special guest. During our chat he speaks openly and honestly about his career and his affection for Ray Sawyer as well as his admiration for Shel Silverstein, without whom he'd still be playing the New Jersey club scene. For more information about Dennis Locorrierre https://www.dennislocorriere.com/
Andy McCluskey is a founding member and lead vocalist of OMD (aka Orchestral Manoeuvres In The Dark). His band has sold over 40 million records worldwide. They are electronic synth pioneers and one of Britains' best-loved pop groups. OMD conquered the United States with their 1986 hit, "If You Leave" from the Pretty In Pink soundtrack. They have also achieved 12 top 20 hits on the UK Singles Chart and three top 20 hits on the US Billboard Hot 100. Following the celebration of their 40th anniversary last year, OMD have released their first new studio album since the 2017 release of The Punishment Of Luxury, a record entitled Bauhaus Staircase. The new album dropped on October 27th, 2023. The press release says Bauhaus Staircase is OMD's most explicitly political record; however Andy tells me that art and politics have always been at the forefront of their songwriting themes. Like many artists, Andy rediscovered his creativity, thanks to the boredom of lockdown. We talk about this, plus their new album, the band's stunning new music videos, memories of the first OMD gig, art, politics, OMD's participation in the forthcoming Dark Waves Festival, Liverpool F.C., and the longevity of his voice. It was a great pleasure speaking with Andy. Our time went too fast, but what can we do. He's very busy with interviews, concerts and various media projects. Find the new album and all things OMD at omd.uk.com. Please enjoy my conversation with Andy McCluskey of OMD. Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support. This episode was powered by Music Marketing Method, a program for independent musicians looking to grow their music career. Music Marketing Method was created by my good friend Lynz Crichton. I'm in the program and I'm learning tons! I'm growing my fan base and learning about many ways that I'll be earning money in the new year. It's also helping me grow this podcast. How cool is that? To lean more and find out if Music Marketing Method can help your music career, visit UnstarvingMusician.com/MusicMarketing. This episode of the was powered by Liner Notes. Learn from the hundreds of musicians and industry pros I've spoken with for the Unstarving Musician on topics such as marketing, songwriting, touring, sync licensing and much more. Sign up for Liner Notes. Liner Notes is an email newsletter from yours truly, in which I share some of the best knowledge gems garnered from the many conversations featured on the Unstarving Musician. You'll also be privy to the latest podcast episodes and Liner Notes subscriber exclusives. Sign up at UnstarvingMusician.com. It's free and you can unsubscribe at anytime. Mentions and Related Episodes OMD.UK.com Darker Wave Festival Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Music Marketing Method – The program that helps musicians find fans, grow an audience and make consistent income Bandzoogle – The all-in-one platform that makes it easy to build a beautiful website for your music Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process. More Resources for musicians Pardon the Interruption (Disclosure) Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Visit UnstarvingMusician.com to sign up for Liner Notes to learn what I'm learning from the best indie musicians and music industry professionals. Stay in touch! @RobonzoDrummer on Twitter and Instagram @UnstarvingMusician on Facebook and YouTube
Jjoining me this episode to discuss their travel and holiday stories is the brilliant singer/song-writer - Mae Muller. BIO: Holly Mae Muller (born 26 August 1997) is an English singer and songwriter. She first received mainstream recognition after releasing the single "Better Days" in 2021, a collaboration with Swedish music collective Neiked and American rapper Polo G, which went on to chart in the top 40 in both the United Kingdom and United States. She represented the United Kingdom in the Eurovision Song Contest 2023 in Liverpool, with the song "I Wrote a Song", which became the first UK Eurovision entry in over a decade to debut in the UK Singles Chart's top 40, later becoming her first single to reach the top 10. In the competition final, the song finished in 25th place with 24 points. She released her debut studio album Sorry I'm Late in September 2023. Please subscribe and review. ‘Life's A Beach' everyone's favourite travel podcast is here to give you all the vitamin D you need. More celebrity passengers unpack their travel suitcases dishing the dirt on their holiday high-jinks. Buckle up, sit back and enjoy the inflight entertainment!! A 'Keep It Light Media' Production Sales, advertising, and general enquiries: hello@keepitlightmedia.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
In 1976 school friends Mike Barson and Lee Thompson formed a band called the North London Invaders, roping in other friends of theirs Chris Foreman, John Hasler and Cathal Smyth to play rock n roll and soul songs. The line-up was a tumultuous one and only solidified two years later when Hasler was eventually replaced on drums by Daniel Woodgate, Mark Bedford replacing Smyth on bass with Smyth becoming a brass player, dancer and singer and lead singer Graham McPherson aka Suggs finally decided to commit rather than watch Chelsea play football. They also adopted a new name, Madness, after a song by ska/reggae legend Prince Buster. Thus was born a band that became one of the most prominent bands of the late 1970s and early 1980s two-tone ska revival. Madness have had 16 singles reach the UK top ten and between 1980 to 1986, the band's songs spent a total of 214 weeks on the UK Singles Chart. Their music videos showcased them as a fun gang that kids and adults alike wanted to be a part of with flying saxophonists and nutty trains. But, behind the scenes in-fighting and constantly butting up against their label boss, as well as incredible success, put pressure on the band which caused rifts and breakups over the years. This episode of Banned Biographies deals with this heady first decade and the rise and fall of one of the most beloved British bands to ever strut their stuff. Merch: https://my-store-cfdac5.creator-spring.com Contact Twitter: @BannedBiogs Facebook: @BannedBiographies Instagram: @bannedbiographies E-mail: bannedbiographies@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
In 1976 school friends Mike Barson and Lee Thompson formed a band called the North London Invaders, roping in other friends of theirs Chris Foreman, John Hasler and Cathal Smyth to play rock n roll and soul songs. The line-up was a tumultuous one and only solidified two years later when Hasler was eventually replaced on drums by Daniel Woodgate, Mark Bedford replacing Smyth on bass with Smyth becoming a brass player, dancer and singer and lead singer Graham McPherson aka Suggs finally decided to commit rather than watch Chelsea play football. They also adopted a new name, Madness, after a song by ska/reggae legend Prince Buster. Thus was born a band that became one of the most prominent bands of the late 1970s and early 1980s two-tone ska revival. Madness have had 16 singles reach the UK top ten and between 1980 to 1986, the band's songs spent a total of 214 weeks on the UK Singles Chart. Their music videos showcased them as a fun gang that kids and adults alike wanted to be a part of with flying saxophonists and nutty trains. But, behind the scenes in-fighting and constantly butting up against their label boss, as well as incredible success, put pressure on the band which caused rifts and breakups over the years. This episode of Banned Biographies deals with this heady first decade and the rise and fall of one of the most beloved British bands to ever strut their stuff. Merch: https://my-store-cfdac5.creator-spring.com Contact Twitter: @BannedBiogs Facebook: @BannedBiographies Instagram: @bannedbiographies E-mail: bannedbiographies@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Grateful Dead's 1982 Show Highlights and Unpopular TunesLarry Mishkin, introduces a Grateful Dead show from August 28th, 1982, featuring an opener where Jerry Garcia stumbles over lyrics. Larry shares insights into the band's performance, suggesting they might have been dosed that day. He discusses the history of the Grateful Dead at Woodstock, why they were omitted from the film, and a song called "Keep Your Day Job," disliked by fans and dropped from their repertoire. Larry contrasts it with the successful breakout of "West LA Fadeaway" that night, highlighting the unique way the Grateful Dead introduced and refined songs in their concerts.Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast INTRO: Bertha Track No. 1 3:16 – 4:46 Great opener, as always. One month after my first show and Jerry still can't remember the words. So instead we focus on the jam. He may fall short in lyrics but his playing is electric. Story is that the band was supposedly dosed that day and the comments reflect that the band was “ON”. SHOW #1: I Used To Love Her But It's All Over Now Track No. 7 1:05 – 2:22 It's All Over Now" is a song written by Bobby Womack and his sister-in-law Shirley Womack.[1] It was first released by The Valentinos, featuring Bobby Womack, in 1964. The Rolling Stones heard it on its release and quickly recorded a cover version, which became their first number-one hit in the United Kingdom, in July 1964. The Rolling Stones' version of "It's All Over Now" is the most famous version of the song. It was first released as a single in the UK, where it peaked at number 1 on the UK Singles Chart, giving the Rolling Stones their first number one hit.[5] It was the band's third single released in America, and stayed in the Billboard Hot 100 for ten weeks, peaking at number 26. Months later it appeared on their second American album 12 X 5. The song was a big hit in Europe and was part of the band's live set in the 1960s. Cash Box described it as a "contagious cover of the Valentinos' click" and "an infectious thumper that should head right for chartsville.” Covered by almost everybody in the music industry from the Stones to Ry Cooder to Nils Lofgren, Wide Spread Panic, Tom Petty & the Heartbreakers and even Molly Hatchet (Flirtin With Disaster) Covered by the Dead 154 times with Bobby singing. Frist on September 6, 1969 - Family Dog at the Great Hightway Last on July 2, 2995 – Deer Creek SHOW #2: Day Job Track No. 10 2:52 – 4:05 First time played in concert. Second set openerEventually played 57 times Last time on April 4, 1986 at Hartford Civic Center Per Robert Hunter in “A Box of Rain” collection of his lyrics, “this song was dropped from the Grateful Dead repertoire at the request of the fans. Seriously” First song ever ‘rejected' by the Deadheads! And the band listened to them and stopped playing it! But WHY was it so universally unpoplular? “a lot of people thought it was the band making fun of/scolding deadheads who spent all their time following around the band. Hunter kind of hinted at that at one point in an interview I think.” “Hippies don't work” “It sucks” There are a few fans who liked the jamming or could relate to the song, but overall, NOPE. SHOW #3: West LA Fadeaway Track No. 12 1:08 – 2:35 Breakout version of this song, along with Day Job. Five years later In The Dark was released with Wet LA on there, but Day Job did not make the cut. Dead would play this song 141 times in concert Last was June 30, 1995 at Three Rivers Stadium in Pittsburgh Always a fan favorite, great music, fun lyrics (only Hunter could work “copasetic” into song lyrics) SHOW #4: Playin' In The Band Track No. 14 1:50 – 3:10 Great version, very upbeat (a dosed band?) and sharp, Bobby right there with his inflection on PPPPLyaing in the BAAAnd, very sharp. I like this clip because it shows the transition from the hard charging opening of the song into a more mellow sound that signifies the jumping off point for the band into a Playin jam that could go anywhere. In this case, almost 20 minutes before segueing into Drums>Space>The Wheel>The Other One>Truckin'>Black Peter>Playin Reprise. What an amazing run of music. Great tunes, great jamming, outside in Oregon, what else could a Head ask for? Some clean Orange Sunshine or whatever the band was on! OUTRO: Dupree's Diamond Blues Track No. 20 1:05 – 2:24 This song was written by Hunter/GarciaIt appeared on the Dead's third album, Aoxomaxoa (released June 20, 1969). First played on January 24, 1969 at the Avalon Ballroom Last played on October 13, 1994 at MSG Played a total of 83 times. "Dupree's Diamond Blues" is based on an American folk song titled "Frankie Dupree," which was based on a real historical figure named Frank Dupree.According to In The Pine: Selected Kentucky Folksongs, Dupree tried robbing a diamond wedding ring from a jewelry store in Atlanta, Georgia, in 1921. He intended to give the ring to his girlfriend Betty. When a police officer showed up, Dupree shot him dead. He then fled to Chicago where he killed another officer and wounded others.Authorities eventually apprehended Dupree while he was getting his mail. They shipped him back to Atlanta where he was executed on September 1, 1922. Giggles: The term "jelly roll" was once common African American slang for a woman's genitalia. The great ragtime pianist Jelly Roll Morton took his name from that very meaning. In 1924, Morton recorded an influential jazz song titled "Jelly Roll Blues," which is most likely what Hunter is referencing here. In the late ‘60's and early ‘70's the band played it more frequently. Although more in the Americana style adopted by the Dead at the beginning of the ‘70's than the primal Dead from the ‘60's. But it became linked with primal Dead by being part of so many shows from that period. On the Fillmore West complete recordings for Feb. 27, 28 and March 1,2 on both the first and third night the band opened the second set with this song into Mountains of the Moon before launching in the Dark Star>St. Stephen>The Eleven>Lovelight suite made famous on Live Dead. But after that it just kind of fell off the band's radar except for certain tours where it would show up for three or four shows before again getting pushed to the side. Very enduring.
The Catching A Wave Time Machine returns again this hour and we cross the pond to hear some songs on the UK Singles Chart for the week ending October 11th, 1962 (including the DEBUT single from the Fab Four, a Twang master guitar legend and a tornadic UK band at the top!). We hear a track from an album by Jerry Cole (listed as "Jerry Kole") in our Good Time segment that is celebrating it's 60th anniversary this year! Beth Riley has a great tune from The Beach Boys in her Surf's Up: Beth's Beach Boys Break and we'll drop a coin in the Jammin' James Jukebox to hear our selection of the week (Charlie Daniel's early surf/instrumental band). Plus, we've got tracks from Los Tiki Phantoms, The Barnestormers, Robin Taylor Zander, Cheap Trick, Halibears, Los Vaccine, Guitarmy Of One, The Midnight Callers, Shaun Young, Pollo Del Mar, The Babalooneys and Rangers! Intro music bed: "Catch A Wave"- The Beach Boys The Babalooneys- "False Start" Shaun Young- "Coasting" Pollo Del Mar- "Surfacing" Robin Taylor Zander- "Golden Rule" Cheap Trick- "The Summer Looks Good On You" (Radio edit with guitar intro) "Good Time" segment: Jerry Kole (Cole) and The Strokers 60th Anniversary of Hot Rod Alley (1963) Jerry Kole and The Strokers- "Pealin' Out" Halibears- "Haliquake Strikes" Los Tiki Phantoms- "Mar de Fuego" Surf's Up: Beth's Beach Boys Break: The Beach Boys- "Hushabye" Follow "Surf's Up: Beth's Beach Boys Break" HERE The Barnestormers- "Dear Dad" The Midnight Callers- "Closer" Guitarmy Of One- "Top Secret Agent Man On A Wire Tapped Phone At Sea" Catching A Wave Time Machine: Week ending October 11th, 1962 UK Singles Chart #49 The Beatles- "Love Me Do" (DEBUT single) #29 Duane Eddy- "The Ballad Of Paladin" #1 The Tornados- "Telstar" Jammin' James Jukebox selection of the week: The Jaguars- "Exit 6" Los Vaccine- "Vabank" Rangers- "Black Sand Beach" Outro music bed: Eddie Angel- "Deuces Wild"
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