Podcasts about The Ed Sullivan Show

Thu, 26 Feb 2026 17:15:00 GMT http://relay.fm/conduit/122 http://relay.fm/conduit/122 Kathy Campbell and Jay Miller Jay is gone again, so Kathy brings back Merlin Mann to discuss productivity porn as well as a ton of other topics of import. Jay is gone again, so Kathy brings back Merlin Mann to discuss productivity porn as well as a ton of other topics of import. clean 5583 Jay is gone again, so Kathy brings back Merlin Mann to discuss productivity porn as well as a ton of other topics of import. Guest Starring: Merlin Mann Links and Show Notes: Checked Connections - Merlin ✅ - Working on collecting the old sites and Fives list - Kathy ✅ - Get ready for unicorning cowork Keep sending those MyConduit Connections to us on Discord and through Feedback! New Connections - Merlin - Keep working on the site thing - Kathy - Take things to the post office For Our Super Conductors: Pre-Show: LIDar on iOS. How do you know if you're ladder is against the right wall? Post-Show: Embracing the chaos Credits Music: When You Smile Executive Producers: Relay FM Discord Community Conduit e122 Links Merlin's One Good Things Where Everybody Knows Your Name: Judy Greer (Ted Danson, Conan O'Brien Network) -- "I went in thinking, oh, this looks really good, and I ended up liking it probably twice as much as I expected." Judy Greer -- Cheryl/Carol on Archer, Kitty Sanchez on Arrested Development. "It was neat to hear her talk about how important it was for her to get better at acting." Typora -- WYSIWYG Markdown editor ($15). "A really nice balance of what I'm looking for" -- discovered through the 5ives redesign work with Claude. Judi Dench speech on The Graham Norton Show -- "Made me cry." Kathy's One Good Thing Flavor Flav sponsoring the US women's hockey team -- Vegas celebration for the gold-medal team. Merlin responded by rapping "Bring the Noise" from memory. Merlin's Shows Do By Friday (with Alex Cox) Reconcilable Differences (with John Siracusa) Roderick on the Line (with John Roderick) Productivity / Publishing Inbox Zero -- "I'm the inbox zero guy." Merlin originated the concept; the world turned it into a marketing term. 43folders.com -- "In 2004, there were not a lot of websites about how to deal with your productivity problems as a Mac user." Back to Work (5by5) -- former podcast David Allen / Getting Things Done -- "He claims he's the laziest man in the world, and I've always admired that he says that." Danny O'Brien and the 2005 ETech "Life Hacks" talk -- "Danny and I are both so addled and odd and different... his energy was just incandescent to be around." The conference where Merlin's laptop had Wi-Fi for the first time. Site Meter -- "There's your life before site meter and your life after site meter." The little GIF badge that counted page loads and launched a million blog vanity spirals. 5ives & Typography 5ives -- Merlin's list site (2002), 450 lists, being revived. "I'm pleased with myself. I like that I made four hundred and fifty lists that some people thought were funny in the 2000s." Matthew Butterick -- fonts, Practical Typography. "One of those people where I'm just interested in your deal," like Simon Willison or Edgar Wright. Merlin bought the entire font set during a bout of situational depression and is finally using them for the 5ives redesign. Movies & TV The Hollow Crown (BBC) -- Trailer. "Look at that stacked cast." Ben Whishaw, Tom Hiddleston, Sophie Okonedo, Rory Kinnear. Merlin told Kathy to buy it on Apple TV "or I can pirate it for you." Kenneth Branagh's Henry V (1989) -- "My number one movie that I recommend." "You don't even need to understand what they're saying. It'll still give you shivers." Mark Rylance: St. Crispin's Day speech at the Globe -- "It gives you a different kind of shivers, like a different part of your neck and your back." Merlin recited part of the speech from memory. The Death of Stalin (2017) -- "A very dark, very funny film" by Armando Iannucci. Veep / The Thick of It -- "It's gonna be difficult difficult lemon difficult." Both Iannucci. Led to Merlin imagining Matthew Butterick as a Veep restaurant reservation alias. Women Talking (2022) / Men (2022) -- Merlin's suggested double feature for mom's night. "Start with Women Talking, back with Men." Jessie Buckley, Rory Kinnear. Our Flag Means Death -- Merlin named his Mac Studio "Buttons" after Ewen Bremner's Mr. Buttons ("the guy from Trainspotting"). Rhys Darby, Kristian Nairn ("Hodor's on there. He's a big fella."). Fantastic Mr. Fox (2009) -- "Just to be available." Merlin's favorite line, from Mr. Kylie the possum wanting to know his job in the big plan. Music Vikingur Olafsson: Goldberg Variations (Deutsche Grammophon, 2023) -- Merlin's current obsession. "I care so intensely about that." Discovered after years of only knowing Glenn Gould. Glenn Gould: 1955 vs. 1981 Goldberg Variations -- The famous pair: 38 minutes of youthful showmanship vs. 51 minutes of deliberate structure. Public Enemy -- "Bring the Noise" -- Merlin rapped the full opening verse from memory when Kathy mentioned Flavor Flav. "Bass, how low can you go?" Poetry Gwendolyn Brooks -- "We Real Cool" (video of her 1983 Guggenheim reading) -- "We real cool. We jazz June. We die soon." Merlin on hearing poetry "in the air" vs. on the page. Sylvia Plath -- "Daddy" (her 1962 BBC recording) -- "You do not do, you do not do... you really hear something you didn't see on the page." Books & Podcasts Bessel van der Kolk on The Ezra Klein Show -- "One of my all-time favorite podcast episodes. It changed my life. Everything you know about trauma is screwing you up." Off Menu -- celebrities describe their dream meal. The Amanda Seyfried episode taught Merlin about a kind of olive he now puts on Brussels sprouts. Mr. Show with Bob and David -- source of the "hey everybody" drum bit Merlin does throughout. "I'm very, very, very specifically stealing it from a bit about the new Ku Klux Klan." Blank Check (Griffin Newman) -- source of "the great ___" bit. "I'll credit Griffin Newman for that bit." People James Thompson (PCalc, Dice by PCalc) -- "What if twenty-sided dice fell on your head?" Merlin on how James finds delight in close-to-the-metal Apple tech. Armando Iannucci -- "If you like English nerd comedy, he's really something." Simon Willison, Matt Webb, danah boyd -- people Merlin follows because "I'm just interested in your deal." Edgar Wright -- "I will just show up because I'm interested in what he's up to. I don't even care if I like his movie." Ecamm Live -- streaming app Kathy uses for her unicorn co-working sessions. Pre-Show (Superconductors only) LiDAR accessibility features on iPhone -- Merlin fiddled with it on the street, "pointing his phone at people for a very long time." Apple's breathing sleep LED -- the MacBook pulsing light. Kathy: "So relaxing, so unnecessary and delightful." Apple researched sleeping respiratory rates and chose the calmest end of the spectrum. Erich Brenn, plate spinner, on The Ed Sullivan Show -- the origin of "spinning plates" as a metaphor. 8 appearances in the 1950s-60s. Support Conduit with a Relay Membership

Thu, 26 Feb 2026 17:15:00 GMT http://relay.fm/conduit/122 http://relay.fm/conduit/122 There is No One True Anything with Merlin Mann 122 Kathy Campbell and Jay Miller Jay is gone again, so Kathy brings back Merlin Mann to discuss productivity porn as well as a ton of other topics of import. Jay is gone again, so Kathy brings back Merlin Mann to discuss productivity porn as well as a ton of other topics of import. clean 5583 Jay is gone again, so Kathy brings back Merlin Mann to discuss productivity porn as well as a ton of other topics of import. Guest Starring: Merlin Mann Links and Show Notes: Checked Connections - Merlin ✅ - Working on collecting the old sites and Fives list - Kathy ✅ - Get ready for unicorning cowork Keep sending those MyConduit Connections to us on Discord and through Feedback! New Connections - Merlin - Keep working on the site thing - Kathy - Take things to the post office For Our Super Conductors: Pre-Show: LIDar on iOS. How do you know if you're ladder is against the right wall? Post-Show: Embracing the chaos Credits Music: When You Smile Executive Producers: Relay FM Discord Community Conduit e122 Links Merlin's One Good Things Where Everybody Knows Your Name: Judy Greer (Ted Danson, Conan O'Brien Network) -- "I went in thinking, oh, this looks really good, and I ended up liking it probably twice as much as I expected." Judy Greer -- Cheryl/Carol on Archer, Kitty Sanchez on Arrested Development. "It was neat to hear her talk about how important it was for her to get better at acting." Typora -- WYSIWYG Markdown editor ($15). "A really nice balance of what I'm looking for" -- discovered through the 5ives redesign work with Claude. Judi Dench speech on The Graham Norton Show -- "Made me cry." Kathy's One Good Thing Flavor Flav sponsoring the US women's hockey team -- Vegas celebration for the gold-medal team. Merlin responded by rapping "Bring the Noise" from memory. Merlin's Shows Do By Friday (with Alex Cox) Reconcilable Differences (with John Siracusa) Roderick on the Line (with John Roderick) Productivity / Publishing Inbox Zero -- "I'm the inbox zero guy." Merlin originated the concept; the world turned it into a marketing term. 43folders.com -- "In 2004, there were not a lot of websites about how to deal with your productivity problems as a Mac user." Back to Work (5by5) -- former podcast David Allen / Getting Things Done -- "He claims he's the laziest man in the world, and I've always admired that he says that." Danny O'Brien and the 2005 ETech "Life Hacks" talk -- "Danny and I are both so addled and odd and different... his energy was just incandescent to be around." The conference where Merlin's laptop had Wi-Fi for the first time. Site Meter -- "There's your life before site meter and your life after site meter." The little GIF badge that counted page loads and launched a million blog vanity spirals. 5ives & Typography 5ives -- Merlin's list site (2002), 450 lists, being revived. "I'm pleased with myself. I like that I made four hundred and fifty lists that some people thought were funny in the 2000s." Matthew Butterick -- fonts, Practical Typography. "One of those people where I'm just interested in your deal," like Simon Willison or Edgar Wright. Merlin bought the entire font set during a bout of situational depression and is finally using them for the 5ives redesign. Movies & TV The Hollow Crown (BBC) -- Trailer. "Look at that stacked cast." Ben Whishaw, Tom Hiddleston, Sophie Okonedo, Rory Kinnear. Merlin told Kathy to buy it on Apple TV "or I can pirate it for you." Kenneth Branagh's Henry V (1989) -- "My number one movie that I recommend." "You don't even need to understand what they're saying. It'll still give you shivers." Mark Rylance: St. Crispin's Day speech at the Globe -- "It gives you a different kind of shivers, like a different part of your neck and your back." Merlin recited part of the speech from memory. The Death of Stalin (2017) -- "A very dark, very funny film" by Armando Iannucci. Veep / The Thick of It -- "It's gonna be difficult difficult lemon difficult." Both Iannucci. Led to Merlin imagining Matthew Butterick as a Veep restaurant reservation alias. Women Talking (2022) / Men (2022) -- Merlin's suggested double feature for mom's night. "Start with Women Talking, back with Men." Jessie Buckley, Rory Kinnear. Our Flag Means Death -- Merlin named his Mac Studio "Buttons" after Ewen Bremner's Mr. Buttons ("the guy from Trainspotting"). Rhys Darby, Kristian Nairn ("Hodor's on there. He's a big fella."). Fantastic Mr. Fox (2009) -- "Just to be available." Merlin's favorite line, from Mr. Kylie the possum wanting to know his job in the big plan. Music Vikingur Olafsson: Goldberg Variations (Deutsche Grammophon, 2023) -- Merlin's current obsession. "I care so intensely about that." Discovered after years of only knowing Glenn Gould. Glenn Gould: 1955 vs. 1981 Goldberg Variations -- The famous pair: 38 minutes of youthful showmanship vs. 51 minutes of deliberate structure. Public Enemy -- "Bring the Noise" -- Merlin rapped the full opening verse from memory when Kathy mentioned Flavor Flav. "Bass, how low can you go?" Poetry Gwendolyn Brooks -- "We Real Cool" (video of her 1983 Guggenheim reading) -- "We real cool. We jazz June. We die soon." Merlin on hearing poetry "in the air" vs. on the page. Sylvia Plath -- "Daddy" (her 1962 BBC recording) -- "You do not do, you do not do... you really hear something you didn't see on the page." Books & Podcasts Bessel van der Kolk on The Ezra Klein Show -- "One of my all-time favorite podcast episodes. It changed my life. Everything you know about trauma is screwing you up." Off Menu -- celebrities describe their dream meal. The Amanda Seyfried episode taught Merlin about a kind of olive he now puts on Brussels sprouts. Mr. Show with Bob and David -- source of the "hey everybody" drum bit Merlin does throughout. "I'm very, very, very specifically stealing it from a bit about the new Ku Klux Klan." Blank Check (Griffin Newman) -- source of "the great ___" bit. "I'll credit Griffin Newman for that bit." People James Thompson (PCalc, Dice by PCalc) -- "What if twenty-sided dice fell on your head?" Merlin on how James finds delight in close-to-the-metal Apple tech. Armando Iannucci -- "If you like English nerd comedy, he's really something." Simon Willison, Matt Webb, danah boyd -- people Merlin follows because "I'm just interested in your deal." Edgar Wright -- "I will just show up because I'm interested in what he's up to. I don't even care if I like his movie." Ecamm Live -- streaming app Kathy uses for her unicorn co-working sessions. Pre-Show (Superconductors only) LiDAR accessibility features on iPhone -- Merlin fiddled with it on the street, "pointing his phone at people for a very long time." Apple's breathing sleep LED -- the MacBook pulsing light. Kathy: "So relaxing, so unnecessary and delightful." Apple researched sleeping respiratory rates and chose the calmest end of the spectrum. Erich Brenn, plate spinner, on The Ed Sullivan Show -- the origin of "spinning plates" as a metaphor. 8 appearances in the 1950s-60s. Support Conduit with a Relay Membership

Mercredi soir dans Pop-Rock Station, Marjorie Hache navigue entre éclectisme assumé et actualité brûlante. Au programme : Björk, Simon & Garfunkel, Pantera, mais aussi des nouveautés signées Mitski, Dry Cleaning et White Denim. Événement du jour : la sortie surprise de l'EP "Days Of Ash" de U2. Le titre d'ouverture, "American Obituary", évoque des faits récents survenus dans le Minnesota. Retour en 1962 avec The Everly Brothers sur le plateau du The Ed Sullivan Show, puis cap sur Prince, Travis ou encore The Cult. L'album de la semaine, "Wuthering Heights", est signé Charli XCX. Pour cette B.O. sombre, elle s'entoure notamment de John Cale et Sky Ferreira sur "Eyes Of The World". La cover du soir revisite "Why D'ya Do It" de Marianne Faithfull, disparue l'an dernier, via Peaches et Shirley Manson. La suite alterne classiques et nouveautés : Linkin Park, The Who, Dynamite Shakers, Goldfrapp ou encore White Denim avec "(God Created) Lock and Key". U2 - American Obituary The Hives - Hate To Say I Told You So The Everly Brothers - Jezebel Björk - Human Behaviour Prince - Raspberry Beret Yeah Yeah Yeahs - Burning The Cult - Brother Wolf Sister Moon Charlie XCX - Eyes of the World Simon & Garfunkel - The Sound Of Silence Travis - Re-Offender Cream - White Room Mitski - Where's My Phone ? Shirley Manson & Peaches - Why d'Ya Do It Linkin Park - Breaking The Habit Dry Cleaning - Joy The Who - Behind Blue Eyes Suicidal Tendencies - How Will I Laugh Tomorrow Dynamite Shakers - Nightclub The Black Keys - Lonely Boy Rose Tattoo - Rock N Roll Outlaw White Denim - (God Created) Lock And Key The Guess Who - American Woman Pantera - Walk Goldfrapp - Utopia Air - Cherry Blossom Girl Type O Negative - Love You To DeathHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Connect The Dots with Tom Edison Ascension, Hidden History, and the Shift to 5D Consciousness Host Tom Edison explores the intersection of cultural milestones, extraterrestrial influence, and spiritual evolution. This episode bridges the gap between historical events like the 1964 "Beatlemania" and the modern-day struggle for planetary ascension against "New World Order" control. Historical Milestones and Cultural Shifts The program opens with a reflection on Valentine's Day, tracing its origins from Roman times and the martyrdom of Saint Valentine to its modern commercial evolution. However, the host identifies February 1964 as a more pivotal turning point for humanity. The Beatles' three appearances on The Ed Sullivan Show are credited with fundamentally altering the social fabric, promoting kindness over violence and redefining masculinity through their "long hair" and creative independence. This cultural explosion is framed as the beginning of an irreversible change in the human dynamic. Extraterrestrial Presence and Suppressed Technology A significant portion of the discussion focuses on humanity's interaction with galactic entities, specifically the Pleiadians, who are said to be assisting in DNA upgrades during human sleep. The host alleges that advanced technologies, such as Tesla's free energy and "Med Beds" capable of age reversal and total healing, are being suppressed by the New World Order and energy companies to maintain control. These "Med Beds" are reportedly already in use by the military for secret space programs but remain hidden from the general public. The Architecture of Control and Fake History The narrative challenges mainstream history, suggesting that slavery did not originate in human history but was introduced by negative ET races (like the Dracos and Annunaki) hundreds of thousands of years ago. Modern institutions, including the pharmaceutical industry and the education system, are described as tools for "brainwashing" and creating "obedient slave workers." The host warns that science fiction media, such as Star Trek and Stargate SG-1, often acts as a form of "soft disclosure" for truths that governments refuse to officially acknowledge. Spiritual Ascension and the Path Forward The conclusion of the broadcast emphasizes the transition from the 3rd dimension to the 5th dimension. This "planetary ascension" involves global meditations where participants visualize white light from a central sun to dissolve low-frequency darkness. The host encourages listeners to reconnect with their "Higher Self" (sourced from the 12th dimension) and practice manifestation through a three-step process of decision, invocation, and physical/mental action. He proposes a "Referendum Government" as a solution to current political corruption, where all major decisions are approved by popular vote rather than bribed officials. The broadcast serves as a call to action for humanity to "rebel from suppression" by raising individual and collective frequencies. By looking past "fake history" and embracing their identity as an "angelic human race," the host believes listeners can successfully navigate the ongoing spiritual battle and transition into a higher state of existence.

Connect The Dots with Tom Edison Ascension, Hidden History, and the Shift to 5D Consciousness Host Tom Edison explores the intersection of cultural milestones, extraterrestrial influence, and spiritual evolution. This episode bridges the gap between historical events like the 1964 "Beatlemania" and the modern-day struggle for planetary ascension against "New World Order" control. Historical Milestones and Cultural Shifts The program opens with a reflection on Valentine's Day, tracing its origins from Roman times and the martyrdom of Saint Valentine to its modern commercial evolution. However, the host identifies February 1964 as a more pivotal turning point for humanity. The Beatles' three appearances on The Ed Sullivan Show are credited with fundamentally altering the social fabric, promoting kindness over violence and redefining masculinity through their "long hair" and creative independence. This cultural explosion is framed as the beginning of an irreversible change in the human dynamic. Extraterrestrial Presence and Suppressed Technology A significant portion of the discussion focuses on humanity's interaction with galactic entities, specifically the Pleiadians, who are said to be assisting in DNA upgrades during human sleep. The host alleges that advanced technologies, such as Tesla's free energy and "Med Beds" capable of age reversal and total healing, are being suppressed by the New World Order and energy companies to maintain control. These "Med Beds" are reportedly already in use by the military for secret space programs but remain hidden from the general public. The Architecture of Control and Fake History The narrative challenges mainstream history, suggesting that slavery did not originate in human history but was introduced by negative ET races (like the Dracos and Annunaki) hundreds of thousands of years ago. Modern institutions, including the pharmaceutical industry and the education system, are described as tools for "brainwashing" and creating "obedient slave workers." The host warns that science fiction media, such as Star Trek and Stargate SG-1, often acts as a form of "soft disclosure" for truths that governments refuse to officially acknowledge. Spiritual Ascension and the Path Forward The conclusion of the broadcast emphasizes the transition from the 3rd dimension to the 5th dimension. This "planetary ascension" involves global meditations where participants visualize white light from a central sun to dissolve low-frequency darkness. The host encourages listeners to reconnect with their "Higher Self" (sourced from the 12th dimension) and practice manifestation through a three-step process of decision, invocation, and physical/mental action. He proposes a "Referendum Government" as a solution to current political corruption, where all major decisions are approved by popular vote rather than bribed officials. The broadcast serves as a call to action for humanity to "rebel from suppression" by raising individual and collective frequencies. By looking past "fake history" and embracing their identity as an "angelic human race," the host believes listeners can successfully navigate the ongoing spiritual battle and transition into a higher state of existence.

Bradley Jay Fills in On NightSide February is a big month for fans of The Beatles and music historians alike. It was on February 9, 1964, that The Beatles first appeared in front of an American audience of 73 million viewers on The Ed Sullivan Show, kicking off the cultural phenomenon known as Beatlemania. It was also in February that The Beatles performed their first U.S. concert at the Washington Coliseum! Needless to say, the month of February is widely recognized by many Beatles fans. Beatles historian/expert ChaChi Loprete stopped by to celebrate The Beatles! See omnystudio.com/listener for privacy information.

Bradley Jay Fills in On NightSide Continued conversation with Beatles historian/expert ChaChi Loprete. February is a big month for fans of The Beatles and music historians alike. It was on February 9, 1964, that The Beatles first appeared in front of an American audience of 73 million viewers on The Ed Sullivan Show, kicking off the cultural phenomenon known as Beatlemania. It was also in February that The Beatles performed their first U.S. concert at the Washington Coliseum! Needless to say, the month of February is widely recognized by many Beatles fans! See omnystudio.com/listener for privacy information.

Back on this day in 1964, The Beatles perform on the Ed Sullivan show.  KTAR Timeline is brought to you by Beatitudes Campus. 

It was this day in 1964 that the Beatles appeared on the Ed Sullivan Show and turned pop culture in America inside out

On today's show, ladies & gentlemen, the Beatles!! The Beatles play the Ed Sullivan TV Show & they also play the Cavern Club for the first time.Beatles On the Ed Sullivan Show: https://youtu.be/a1c3C8HNYjQFor more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:32 What happened on this date in music history04:05 Albums released on this date in music history 04:58 Singles released on this date in music history 05:39 Birthdays of music artists on this date in music history 06:31 Passings of music artists on this date in music history 08:13 What's on tomorrow's episode

WGN Radio's Dave Plier shares his conversation with Emmy and Grammy award-winning, producer, director, writer and documentary filmmaker Andrew Solt to talk about the most valued television libraries of all time which he owns: The Ed Sullivan Show and The Beatles first appearance on American television. The collection includes over 10,000 performances including The Beatles, The Rolling […]

On the February 7 edition of the Music History Today podcast, The Beatles start the British Invasion and The Wall gets performed for the first time.Beatles On the Ed Sullivan Show: https://youtu.be/a1c3C8HNYjQFor more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:32 What happened on this date in music history03:53 Music award ceremonies that were held on this date in music history04:21 Albums released on this date in music history 06:08 Singles released on this date in music history 06:54 Birthdays of music artists on this date in music history 07:54 Passings of music artists on this date in music history 10:02 What's on tomorrow's episode

Today on an another encore edition of the Rarified heir Podcast, we bring you part one of our conversation with Patricia Weidenfeld, daughter of 'The Outrage Comic', Pat Cooper. Known for his explosive (but funny) temper on stage and his somewhat rogue temperament in the business, Cooper's humor revolved around his Italian heritage and calling out things that bothered him, his album cover parody, his seemingly endless Vegas showroom shows, a well-known Seinfeld episode and in later life, his time on The Howard Stern Show. We spoke to Patti about growing up with a father she loved dearly and a mother who seemed to smooth everything over when things went a little awry. We talk about Pat's years growing up in Coney Island, how he got his start in comedy, his early years making his bones on The Ed Sullivan Show, an appearance on the Tom Snyder's Tomorrow show that froze his career in limbo after he called out an show business injustice and more. We also get into their move to Las Vegas in the 1970s, numerous dates in Atlantic City, guest hosting shows like The Merv Griffin Show and other gigs that took him on the road. Life in the Cooper household seemed perfectly as it should be. Until it wasn't. Some things she heard from her parents didn't add up. It seemingly boiled over during a visit to New York City outside a Broadway Theater when her family was confronted by a person claiming to be Pat's son, hijacking their family outing. Who was that person and why hadn't Patti ever heard of or seen him before? And why here and why now? Take a listen to part one of our interview with Patricia Weidenfeld to hear what turns out to be the first out-of-nowhere moment that in many ways turned her idyllic life upside down. This is the Rarified Heir Podcast and everyone has a story. Take a listen.

Throughout the late 1950's and 60's, the comedy duo of (Marty) Allen & (Steve) Rossi performed to sold-out Vegas crowds, recorded best-selling comedy albums and made hundreds of TV appearances (44 of them on “The Ed Sullivan Show"). Sadly, Steve Rossi had passed away earlier in 2014, but Gilbert and Frank tracked down the other half of the legendary team, 92-year-old Marty Allen, to talk about his 60+ years in the business, his brushes with Elvis and the Beatles and the origin of the his signature catch phrase, “Hello Dere!" Learn more about your ad choices. Visit megaphone.fm/adchoices

Musician, comedian, actor and composer Paul Shaffer was heavily influenced by the musical (and comedy) acts he grew up watching on “The Ed Sullivan Show,” so it was only fitting that we interviewed him in the “Ed Sullivan Room” of the famed New York Friars Club. Not many people can say they worked with James Brown, John Belushi, Sammy Davis, Jr., Jerry Lewis, Brian Wilson, Mickey Rooney AND the infamous Phil Spector, but Paul has — and he shares memorable anecdotes about every one of them. Also, Gilbert and Paul discuss their mutual obsession with a certain Cindy Crawford/Valerie Bertinelli infomercial. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we step back in time to an era of sock hops, chrome diners, and the golden age of variety shows….and meet the man who made the accordion the coolest instrument in America. Dick Contino burst onto the scene in the late 40s and 50s with lightning-fast fingers, movie-star looks, and a charisma that sent audiences swooning coast to coast. Whether it was on the "Ed Sullivan Show," in a packed theater, or playing for our troops overseas, Dick's music captured the spirit of postwar America – energetic, hopeful, and full of swing. Today, we'll revisit the incredible heights, the hurdles, and the unforgettable moments of a career that defined a generation. So, polish up your saddle shoes and pull up a booth at the malt shop. It's time to welcome squeezebox sensation…Dick Contino.

Denise Nicholas joined me to discuss watching the Ed Sullivan Show; living on the same block as Hitsville, USA; not fitting in with her family; joining the Free Southern Theater and performing Waiting for Godot; Roscoe Orman; her part in the Civil Rights Movement; Negro Ensemble Company leads to It Takes a Thief with Robert Wagner; loving 2 1/2 Men; Room 222, the first "dramedy"; James L. Brooks; episodes were taken from the headlines; going on game shows with Karen Valentine; Hollywood Squares; injuring herself on Battle of the Network Stars; singing on The Tonight Show starring Johnny Carson in 1971; being the mystery guest on What's My Line; Match Game; Dinah Shore Show; having to prove herself to Sidney Poitier to cast her in Let's Do it Again; fighting to play Carroll O'Connor's girlfriend on In the Heat of the Night; asking for black writers; Redd Foxx; Baby, I'm Back; guesting on Diff'rent Strokes; her sisters gruesome murder; being in the pilot for Masquerade; guesting on Magnum, PI; getting an NAACP nomination for telefilm Mother's Day; joining the cast and writing staff of In the Heat of the Night; Ghost Dad; Richard Roundtree; her novel Freshwater Road; her second novel turning into her memoir deciding whether to work or not; 23 and me saying she is 64% European and 34% Nigerian; going to Nigeria and no one there believing she's Nigerian; Blacula; too much television shows

Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all. First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.Drawing on archival footage, press clippings, and Jean Carroll's personal scrapbook, First Lady of Laughs restores Jean Carroll's remarkable story to its rightful place in the lineage of comedy history and Jewish American performance. Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all. First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.Drawing on archival footage, press clippings, and Jean Carroll's personal scrapbook, First Lady of Laughs restores Jean Carroll's remarkable story to its rightful place in the lineage of comedy history and Jewish American performance. Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all. First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.Drawing on archival footage, press clippings, and Jean Carroll's personal scrapbook, First Lady of Laughs restores Jean Carroll's remarkable story to its rightful place in the lineage of comedy history and Jewish American performance. Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all. First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.Drawing on archival footage, press clippings, and Jean Carroll's personal scrapbook, First Lady of Laughs restores Jean Carroll's remarkable story to its rightful place in the lineage of comedy history and Jewish American performance. Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all. First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.Drawing on archival footage, press clippings, and Jean Carroll's personal scrapbook, First Lady of Laughs restores Jean Carroll's remarkable story to its rightful place in the lineage of comedy history and Jewish American performance. Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This week out we salute Jackie Mason who took comedy from the Temple and brought it to Broadway -- with a few roadblocks thrown in his path. Jackie started out his career as a rabbi -- and when he noticed that the funnier he made his sermons the larger the crowd he would draw Jackie connected the dots and made the leap to becoming a full-time comedian. A feud based on a misunderstanding led to a ban from the Ed Sullivan Show and two decades in the comedy wilderness for Jackie, but in the mid-1980s he made a spectacular comeback with The World According to Me, a one-man Broadway show in which Jackie really let the Jewish comedy fly. More shows followed and Jackie scored the highest pop culture tribute of our age when he was featured on The Simpsons as Rabbi Hyman Krustofsky, the father of Krusty the Clown. Find additional clips below and thanks for sharing our shows Want more Jackie? From the start, Jackie was different from other comics, particularly in his willingness to spar a bit with a tough crowd. This clip from the Hollywood Palace back in 1964 shows his skill. https://youtu.be/hPlbXs18kDE?si=jlaYcU8Oi5f88n1N Jackie's career hit it's peak when he returned from a long stint in comedy purgatory to create The World According to Me, a one-man Broadway Shows that in the words of The NY Times "Turn(ed) kvetching into comedy gold." https://youtu.be/5V4zYe23QLg?si=H3KT_GcO5FKisle- Being featured on the Simpsons has become a career highlight for many entertainers and Jackie made the grade when he was featured as Rabbi Hyman Krustofsky, the father of Krusty the Clown. Whatever the name it was unmistakably Jackie. https://youtu.be/-jR2LnD3Jms?si=wgN9M1nV91JAuQIu

In this episode, we dive into the story of Dennis Tufano, the unmistakable voice that brought The Buckinghams to the top of the charts during one of the most exciting eras in American pop and rock music.Dennis Tufano's journey began in Chicago, a city whose vibrant music scene gave rise to countless legends. Long before he was singing “Kind of a Drag” on national television, Dennis was fronting local Chicago bands like The Pulsations, performing in small clubs and perfecting the soulful vocal style that would soon make him famous. When The Pulsations won a TV talent contest and rebranded as The Buckinghams, everything changed—almost overnight.The Buckinghams burst onto the charts in 1967 with “Kind of a Drag,” a song that captured the hearts of fans and climbed straight to number one on the Billboard Hot 100. With Dennis Tufano's velvety voice leading the way, the band followed up with a string of unforgettable hits: “Don't You Care,” “Mercy, Mercy, Mercy,” “Susan,” and “Hey Baby (They're Playing Our Song).”At the height of their success, The Buckinghams were one of the most played American groups on radio, performing on The Ed Sullivan Show, American Bandstand, and countless other programs that defined 1960s pop culture. Their fusion of brass-driven rock and soul-infused pop set them apart from both their British contemporaries and the emerging psychedelic rock sound of the time.But Tufano's story didn't end when the hits stopped coming. After The Buckinghams disbanded, Dennis formed the duo Tufano & Giammarese with his former bandmate Carl Giammarese, recording several critically acclaimed albums in the 1970s. The duo showcased a more intimate, singer-songwriter vibe that highlighted Tufano's range and songwriting depth.From there, Dennis moved into solo work, writing and recording for film and television—most notably contributing the theme song to Grease 2. He also worked as a voice actor and composer, keeping his creative spirit alive in new ways.Today, Dennis Tufano remains a beloved performer on the classic rock and oldies circuit, delighting fans with heartfelt performances that revisit The Buckinghams' timeless hits while celebrating his own musical evolution. His live shows remind audiences why his voice was, and still is, one of the most distinctive in American pop music.In this episode, we talk about his early Chicago days, the meteoric rise of The Buckinghams, and how Dennis carved out a remarkable solo career that's still going strong decades later.If you're a fan of 1960s rock, Chicago music history, or the golden age of pop, this episode is a must-listen.

durée : 00:25:07 - Itzhak Perlman, violoniste (2/5) - par : Judith Chaine - Prodige en son pays, Itzhak Perlman nous raconte la naissance de son rêve américain. Invité de l'émission Ed Sullivan Show alors qu'il n'a que treize ans, le violoniste est révélé aux yeux de millions d'américains, qu'il va rejoindre dès sa majorité pour entrer à la Juilliard School. - réalisé par : Adrien Roch Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The Secret Service tried to block journalists from filming the demolition of the East Wing of the White House, President Trump angered America's cattle ranchers with a plan to buy more meat from Argentina, and Amazon is trying to put a good spin on news that robots will replace a large percentage of the company's human workers. Actor, writer and director Ben Stiller talks about visiting “The Ed Sullivan Show” as a kid and the many things he discovered as he went through his parents' belongings in preparation for a new documentary that chronicles their show business careers. Watch “Stiller & Meara: Nothing Is Lost” on AppleTV. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

"Regretting You" is a drama about romance, infidelity and grief based on a popular novel by Colleen Hoover. A teenage girl played by McKenna Grace discovers dark secrets after some family members are lost in a tragic accident. She navigates the tragedy while experiencing a big high school crush. Grace is terrific, as is Allison Williams as her troubled mom. The story is very soapy, contrived and manipulative, so many viewers will feel like they've been jerked around. However, fans of Colleen Hoover, known as "Cohorts," will get exactly what they want in “Regretting You.” Everyone else, beware. The Hulu entry "The Hand That Rocks the Cradle" is a remake and update of a hit thriller from 1992. Mary Elizabeth Winstead plays a wealthy suburban mom who hires a nanny, played by Maika Monroe, who lies about her past and, as it turns out, has a long-standing grudge against the mom. Slowly but surely, all heck breaks loose. You can't blame the talented cast, but this awkward version is saddled with implausible twists and is just a shadow of the original. The Apple TV+ documentary "Stiller & Meara: Nothing is Lost" is a comprehensive, warts-and-all look at the late comedy duo directed by their son, Ben Stiller. The duo achieved fame with their appearances on the “Ed Sullivan Show,” and worked their own marital angst into their routines. As it turns out, Jerry Stiller taped and saved everything in both his public and private life, giving Ben a mountain of material to sort through. Ben discovers some uncomfortable parallels between his parents' struggles and his own. It's a thoughtful showbiz time capsule.

National Horror Movie Day is October 23rd! Anna and Raven talk about the Top 5 Scary Movies and what they think is Slasher vs. Horror! Men are Afraid of the Dark! Yes! And it's Normal! So, Anna wanted to put that to the test! She locked her husband, Paul, in a dark room and see how he would react! Are you up to date on this week's biggest news story? Anna and Raven will get you caught up on the trending news including gas prices are actually low! Raven shares his secrets to finding low gas prices! And news for Thanksgiving! Turkey shortages are at an all time low for the holiday!  Researchers say you're most alert when you hear creepy sounds! Anna plays some of the scariest sounds to see what Raven thinks about them! Gen Z admits that sometimes they go on dates just to get a free meal, fill in the blank: I once dated a person just because ______________. Halloween Headlines continue for this horrifying season!  Anna and Raven share what haunted house character they would be! And where the most haunted house is in America!  Raven's leaves around his house are up for debate! His wife, Alicia, believes they should stick to their lawn! Raven believes they should be pushed into the street! Who do you agree with?! Does the “Red Nail Theory” actually work?! Anna and Raven called back 2 contestants who got red nail manicures to see how society reacted! Janelle Monáe, Singer and Actress, says that she “traveled” back to the 70s to see the Legendary David Bowie play “Ziggy Stardust”! Anna wishes she was the interviewer to ask more questions about her experience! They also talk about iconic performances from Elvis Presley on “The Ed Sullivan Show” and Johnny Cash! Sandra and David have been dating for six months, and they just moved in together.  They are already off on the wrong foot because he is not used to living with someone besides his parents. He leaves his dishes everywhere, laundry on the floor, etc. She has told him to pick them up and he has gotten a little better at it, but he still needs to improve a lot. David says that he's a mess, it's how he's always been, she saw his room at his home, he's willing to help with cleaning, but this is how he is. He's not asking her to be less messy, and it doesn't bother him when she cleans up for him. He says she's welcome to keep doing that. What do you think? Sean has a chance to win $1700! All he has to do is answer pop culture questions than Raven in Can't Beat Raven!

Welcome to today's podcast. Our guest is a master of the well-timed….pause, the raised eyebrow, and the story that sneaks up on you with a punchline you didn't see coming. He's a man who could tell a joke so good you'd swear you'd heard it in your own family, but somehow, it's funnier when he tells it. From the Catskills to the “Ed Sullivan Show,” he entertained America with wit, warmth and a knack for finding humor in everyday life. He's the legendary storyteller and comedian, Myron Cohen.

Paul Myers joined me to discuss seeing The Beatles on the Ed Sullivan Show; death of JFK; seeing John Candy for the first time on Coming up Rosie; Second City Television; writing this book at same time doc is coming out; Candy's humanity; his idols Laughton & Gleason; death of dad at 5 changed him profoundly; KITH and their dads; Del Close finding him and shaping him; going to enlist in Vietnam to lose weight, similar to Stripes; mud wrestling scene in Stripes; three orange whips; John Candy was picked as a topic because everyone knows him; couldn't get Bill Murray or Rick Moranis; hosting Jim Belushi's first SNL as a cast member and having him on set of Only the Lonely; his twenty plus year friendship with Dan Aykroyd; Splash; Summer Rental; Tracy J. Morgan; Valri Bromfield; Planes, Trains & Automobiles; Uncle Buck; coaching Macaulay Culkin; Chris Columbus; Maureen O'Hara; no scandals; anxiety and weight two biggest problems; Paul liking Canadian Bacon and me liking Delirious; Paul's mom on SNL Mothers Day; Don Pardo flirting with his mom; his brother Mike Myers' character Lothar

It's Warrior Wednesday on The Other Side of Midnight! Lynn Shaw of Lynn's Warriors joins Lionel to expose the overlooked truth: America is failing its boys. Lionel dives deep into the toxic culture surrounding young men, examining the dangers of "toxic masculinity" and the rise of online rage groups. Lynn details how Big Tech prioritizes profit over children and discusses key legislative efforts like the Kids Online Safety Act (KOSA). Get essential, actionable advice on becoming a "warrior" in your own home and inoculating children against this destruction. Lynn's Warriors is committed to raising awareness and ending exploitation by grassroots mobilization, advocacy, and education. Lionel critiques the current political landscape, arguing that Republicans "don't know how to fight" and often rely on "WWE politics" instead of effective messaging. He aims to be the "psychologist general" in charge of propaganda, exposing how "narrowcasting" obscures the truth about the "shadow government" the real force running the show, controlling image and mood. Topics range from Hollywood's output to fundamental Constitutional issues like the separation of church and state. Lionel argues that the current political climate suggests America is headed for a "civil war" of an internal nature, fueled by those who view white Americans and patriots as the enemy.  Lionel delivers an intellectual "complete and total reset" for listeners, often referring to his methodology as a form of "fecal transplantation" for the mind. Lionel provides strategies for winning the intellectual war, including the necessity to weaponize humor, spotlight the rot of systems with style, and flood the zone with truth. Lionel urges his listeners to move on and not waste time arguing with those who don't know the facts, emphasizing that the goal is to win  Pop culture nostalgia and unpredictable conversations, beginning with the colossal legacy of The Ed Sullivan Show. Discover how the "stiff" host introduced everyone from Elvis (forced to be filmed waist-up) to the Beatles. The show also features hilarious and detailed anecdotes about bizarre Catholic rituals and unexpected calls about cryptic nicknames and the enduring fear of clowns. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pop culture nostalgia and unpredictable conversations, beginning with the colossal legacy of The Ed Sullivan Show. Discover how the "stiff" host introduced everyone from Elvis (forced to be filmed waist-up) to the Beatles. The show also features hilarious and detailed anecdotes about bizarre Catholic rituals and unexpected calls about cryptic nicknames and the enduring fear of clowns. Learn more about your ad choices. Visit megaphone.fm/adchoices

Louis Henry Mitchell is so much more than the Creative Director of Character Design for Sesame Workshop... he is a living, breathing example of finding your calling and creating your own destiny. Louis didn't step right into his dream job, he made small steps in the direction of his passion until one day he found himself there. How did he get to Sesame Street? The spark that started his creative journey began when he was just six years old, and saw Jim Henson on the Ed Sullivan Show. It was in that moment he realized that a person was behind creating his favorite characters, and if they could do it, why couldn't he? Today, Louis directs and oversees all aspects of character art for Sesame Workshop, the non-profit organization behind Sesame Street. He's designed Macy's Thanksgiving Day Parade balloons and floats, directed Sesame Street Muppet photo shoots, and created iconic characters we've come to love. In this interview we discuss his amazing career and his debut book, QREATIVE EVOLUTION: How to Question Everything to Find Your Creative Fulfillment. (Out Now!) To buy the book https://www.amazon.com/dp/B0DJFYVDSX?ref=cm_sw_r_ffobk_cp_ud_dp_ZNBE089W6YQ1V4ZGABF0&ref_=cm_sw_r_ffobk_cp_ud_dp_ZNBE089W6YQ1V4ZGABF0&social_share=cm_sw_r_ffobk_cp_ud_dp_ZNBE089W6YQ1V4ZGABF0&bestFormat=true&previewDoh=1 To learn more about Louis: https://qreativeevolution.com/about-louis/ Photo Credit Julian Waas

Brad Zerbo and Jaytriot dive headfirst into the 1960s British Invasion, tracing how the Beatles' 1964 debut on The Ed Sullivan Show sparked a cultural explosion. They explore how the mop-top Beatles injected post-JFK-assassination America with joy and charisma, setting the stage for a flood of UK acts. From the Stones' bluesy swagger and the Who's proto-punk chaos to the Kinks' distorted riffs and the Zombies' haunting grooves, the hosts highlight how British bands reshaped American music while borrowing from U.S. blues and R&B. They dig into stories of staged hysteria, covers that outshone originals, and fights that got the Kinks banned from touring America. Along the way, they spin tracks from the Animals, Manfred Mann, the Yardbirds, and the Spencer Davis Group, tying it all to the seismic shifts in rock history. With personal anecdotes, humor, and even a nod to the “Paul is dead” rabbit hole, this episode captures how the British Invasion forever altered music, culture, and youth identity.

“We did one for Mercedes, which again was very unique and very simple. It was about this guy Raymond who had never tried ice cream before. And it was a great commercial, and it talked about Raymond never having ice cream, and he waited, and he would watch other people have ice cream, and then one day Raymond decided to have ice cream. And then all of a sudden it cuts to a Mercedes logo. And then the last ten seconds, it was for Mercedes, but it was so well done and so unique, and the score was very, very, very unique.” – Ted “Theo” Rosnick This episode's guest returned to Toronto from Boston in 1974 after attending Berklee College of Music. He soon began working as a studio drummer, but his passion for audio production quickly led him to start his own jingle production company, Rosnick Productions, in 1975. Through hard work and dedication, he quickly established himself as Canada's top audio producer and audio director for commercials. He went on to partner with Steve McKinnon in 1990, forming RMW Music, and the company remained the top music production company in Canada for decades before being sold to Vapor Music in 2016. Since that sale, he's remained with Vapor as a Creative Director, continuing to bring his expertise and passion to many projects and to the industry. His work is recognized not just in Canada but globally, having shaped the sound of major brands like IKEA, Molson, Subaru, Mercedes, Peroni, and Heinz, among many others. Over his five-decade career, he's earned hundreds of advertising awards for his music and sound design, always pushing creative boundaries with fresh ideas and meticulous attention to detail – all of which are things we definitely appreciate here.Beyond advertising, he's made his mark in sound design and music for feature films and documentaries, and he's the executive producer and audio director of the well-known advertising podcast IOFA with Aaron Starkman. He's also mentored countless emerging talents over the years, a role that he takes great pride in. Just this past February, he decided to retire from the advertising industry after an illustrious fifty-year career, and he now enjoys spending time at his cottage in northern Ontario with family and friends, playing the drums, and catching Raptors games.His name is Ted, or “Theo,” Rosnick, and getting the opportunity to speak with someone who has such a rich knowledge of the advertising industry and how it's evolved over the years – not to mention how much sound has played a part in that – is a real treat. If you want to know where advertising's been, where it is now, and where it might be heading, this is a discussion you won't want to miss. As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that. (0:00:00) - Legendary Marketing and Music MemoriesOur conversation starts off with Ted's early memories of sound, and it's one a few guests have shared: The Beatles' unforgettable performance on The Ed Sullivan Show. “I had never heard that kind of music before,” Ted tells us....

Don sits down with Kerry Gordy, music executive, producer, and son of Motown founder Berry Gordy, for an in-depth conversation about his life, career, and the legacy of Motown. Kerry shares stories from behind the scenes of the music industry, the lessons he's carried from his legendary family, and his perspective on where music and culture are headed today. They also dive into Kerry's new documentary, Sunday's Best, which explores the groundbreaking role of The Ed Sullivan Show in bringing Black artists into America's living rooms and changing the course of music history. Gordy also gives us a break down of the six degrees of separation between Ed Sullivan and Barack Obama. It's a candid, insightful conversation you won't want to miss. This episode is brought to you by ZBiotics. Go to https://zbiotics.com/LEMONDROPS and use LEMONDROPS at checkout for 15% off any first time orders of ZBiotics probiotics. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lee Shapiro's story is one of those great Jersey tales — a local kid with a gift for music who ends up on the world stage, shaping the soundtrack of an era. Born in 1953, Lee was a piano prodigy from the start. By the time he was a teenager, he wasn't just playing other people's songs — he was arranging, orchestrating, and leading his own big band. That early love for music, especially jazz and swing, gave him a strong foundation that would later carry him into pop history.The turning point came in '73, when Lee was only 19. The Four Seasons were looking for a new keyboard player. Bob Gaudio, the original keyboardist and songwriter for the band, was stepping away from performing. Lee auditioned, armed with raw talent and a fearless energy. Frankie Valli was impressed, and just like that, this Jersey kid found himself as the new keyboardist and musical director for one of America's most iconic groups.It was a dream come true. Lee had actually seen The Four Seasons years earlier on The Ed Sullivan Show and thought to himself, “They've got a piano player. That could be me.” And suddenly, it was.Joining Frankie Valli and The Four Seasons in the '70s meant stepping into a band that was ready for a reinvention. Rock and pop were changing fast, and the group needed a fresh sound to connect with younger audiences. Lee brought that spark. He wasn't just playing keys — he was arranging, conducting, and helping shape the new sound of the Seasons.His fingerprints are all over some of the band's most beloved hits of the decade. From “Who Loves You.” or “December, 1963 (Oh, What a Night).” For seven years, Lee toured the world with Frankie Valli, playing to sold-out crowds, recording in top studios, and keeping the band's sound tight as their musical director. He was living the dream.But Lee's story doesn't end with the Four Seasons. In '81, he stepped off the road to focus on other creative ventures. He wrote songs with some of the industry's best. He orchestrated for Barry Manilow's Copacabana, The Musical in '91. In the late '90s, Lee co-created the Rock 'n' Roll Elmo doll for Fisher-Price. The toy became a runaway hit, selling millions and proving that Lee's creativity extended far beyond the stage and the studio.But music always called him back. In 2010, with Jersey Boys shining a fresh spotlight on the Four Seasons' legacy, Lee put together a new project: The Hit Men. This was a supergroup made up of musicians who had actually played with some of the biggest names in music. Alongside former Four Seasons bandmates, Lee and The Hit Men performed the songs they had lived and breathed. Audiences loved it.In 2014 Lee was diagnosed with multiple sclerosis but kept going. He performed for years after his diagnosis. Eventually, when performing became more difficult, he shifted into managing the band, ensuring that The Hit Men could keep bringing classic rock and pop to audiences across the country.In 2018, Lee released a special project close to his heart — a solo piano tribute album called Lee Shapiro Plays the Greatest Hits of Frankie Valli. It was his way of revisiting the music that had shaped his life, this time in a more intimate, cocktail-style format.Over the years, Lee and The Hit Men earned recognition from the music world too. In 2019, they received an award from the Musicians Hall of Fame in Nashville, and in 2020, Lee was nominated as a Legend Musician by the East Coast Music Hall of Fame.Looking back, Lee Shapiro's career feels like a tapestry woven from different threads of creativity — the Jersey boy with a big band, the young keyboardist who helped shape the sound of the Four Seasons, the songwriter and arranger who explored Broadway and commercials, the inventor who made kids smile with Elmo, and the bandleader who kept the music alive with The Hit Men.Lee joins us as our special guest this week to recount his incredible story. I'd love your feedback https://www.abreathoffreshair.com.au

TVC 701.3: From August 2016: Steve Binder, Emmy Award-winning producer and director and the co-author, along with Mary Beth Leidman, of Fade Up 26: The Movers and Shakers of Variety Television, talks to Ed about the controversy involving Petula Clark and Harry Belafonte behind the scenes of Clark's 1968 special for NBC, and why both The Ed Sullivan Show and The Smothers Brothers Comedy Hour really shaped the genre of variety television as we know it today.

K-Pop Demon Hunters K-Pop Demon Hunters sounds like a joke title, but this action packed adventure/romance/musical/ martial arts action film… is really something different! The surprise animated hit of the year which has been not only smashing streaming video records (thats Netflix for ya), but also demolishing the music charts (Golden hitting no. 1 on Spotify!) is something nobody saw coming, but now that it’s here we may never be the same! Its a heady mix of Korean mythology, flying swords-person action, heartbreaking romance, radical self acceptance and all with a K-Pop soundtrack that lets be clear… absolutely slaps. We have a special guest for this show, with our beloved Ardella (Bec) chiming in to profess her undying love of this unexpected gem! Dion may have his demonic grump on, but Jill and Quinny both are singing from the hymn-book of hon-moon creation. Synopsis K-Pop Demon Hunters” tells the story of a K-pop girl group, Huntrix, who are also demon hunters, tasked with protecting the world from demons and their king, Gwi-Ma. They use their music to maintain a magical barrier called the Honmoon and work towards strengthening it into the Golden Honmoon, which would permanently banish demons. Their mission is complicated when a rival demon boy band, the Saja Boys, emerges, stealing their fans and weakening the Honmoon. https://youtu.be/gsMp_Oq-_mY As always, a musical magical thank-you to the K-popping demon hunting divas who join in with the conversation on the Twitch stream, live each Tuesday night at 7:30pm AEDT. And an especially huge thanks to any of the glow stick waving uber fans who are kind enough to support us by programming a tip in our jar via Ko-Fi, or subscribing on twitch… every bit helps us to keep the honmoon strong and if not golden, a bit bronzed… If you feel so inclined drop us a sub we really love them, The more subby mc-sub-faces we get, the more Emotes You get! https://youtu.be/3JTVQTk36R8?si=CPEwLl_mx84YG1Iw https://youtu.be/yebNIHKAC4A?si=ImoyGFkIO-pC3a99 https://youtu.be/983bBbJx0Mk?si=_B-EAl_rChUeZ8c0 WE WANT YOUR FEEDBACK! Send in voicemails or emails with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We're on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/ Full text transcript Dion  Ohh hello and welcome to the periodic Table of awesome. Well, we’re getting on to this Tuesday night, going down the good old road of something Netflix. Are you related? Hello. Yes.  Quinny  Hello, we’re going down. And we’re going down, down, down.  Speaker 3  I know.  Quinny  What, John, why aren’t?  Dion  You singing. I don’t understand the concept. What the **** is happening? This is not a regular. Hi. My name is Dion. I’m joined tonight by Queenie and I’m joined by Jill. And I’m joined by Beck. Pop. Hello, pop. It’s been a while. Thanks for joining us. This one.  Quinny  Hey, welcome back.  Dion  Because yeah, for your viewing pleasure, you’re helping us talk about K pop.  Ardella  I am. I am this cultural phenomenon has been on repeat in my household for the last month, so I’m thrilled to talk about it.  Speaker  Hi.  Jill  Oh.  Dion  Oh.  Ardella  On the Internet.  Dion  A month.  Quinny  Yeah, yeah.  Ardella  OK, we are late to this party.  Dion  I am but I I’m 100% late to this party only because. Yeah, sorry.  Quinny  All right.  Dion  Good to you.  Quinny  No, no, no. I like I said, I actually talked about it. I don’t know the weekend it came out or the like. I watched it because I had nothing else on. I was sitting on the couch and I was like, that looks entertaining. I’ll just put that on in the background. And was then kind of like this is ******* cool. And then when in the next episode, I’m like Jill, Jill, Jill, you gotta you gotta check it out. You gotta check it. And she’s like.  Jill  Like, leave me alone. Otherwise I won’t watch.  Speaker 4  Yeah, yeah. And then the.  Quinny  It was like Jill, Jill, Penny, Penny, Penny, Penny, Penny, and she’s like, leave me alone.  Jill  Next, let’s do yeah. Sorry, it’s it’s the Aries. You can’t tell me what to do.  Quinny  Yeah, the license.  Ardella  Can I just say though, despite being one of the longest bloody trailers in the world, I. I’m so impressed by how little it manages to give away, and I wonder if we can manage to give away a similar level of not spoilers.  Jill  Yeah.  Quinny  Yeah, we can. We can. I mean we can. We also do a. Spoilery bit after we’ve done the thing, but.  Ardella  I remember how this works.  Quinny  OK, OK.  Ardella  I also remember that we often suck it, not giving too many spoilers in the free spoiler bit.  Quinny  This is a good point. Well made.  Jill  OK, we’re going to be as vague as.  Quinny  Possible. Yeah. So how did your come to it? Did you just find it on Netflix? Did did somebody recommend?  Jill  It to you. I know. Yeah. Somebody annoyed. Me to watch it, yeah.  Dion  No, Quinn. He made me watch it.  Ardella  Yes. Yeah. Did he tape your eyelids open and struck you to the chair? Yeah.  Dion  Yeah, it’s 100% Clockwork Orange, me. For this but but I’ve got this.  Speaker 1  Yep.  Quinny  And I’m not sad. I’m not. I’m not. Embarrassed about that?  Dion  I’ve got this weird. Sort of tick now that I have to keep kind of doing this and I feel like I need to do choreographed dances every now and again. So I don’t know what’s happening. I don’t know anything about.  Jill  Can teach you.  Quinny  See, I don’t think we were fully aware that Beck was as into this as not as until like you you posted a video to us. You’re like look at.  Dion  Excellent.  Speaker 4  This did you dance?  Dion  Like ohh OK, you know, we’re gonna talk about stuff that, like quite blatantly. I have absolutely no ******* idea what’s going on.  Jill  I mean.  Dion  We might as well open the floor up to people who do know what the **** is.  Ardella  Going on, but have you watched it dear?  Dion  Yes, I watched it from the start to the last song.  Ardella  Great. How? How the **** do you still? Have no idea what is going on then.  Dion  Have you seen the film?  Ardella  It’s a very cromulent storyline.  Speaker 2  No wonder.  Dion  Here’s what’s going on. They’re just doing things on screen and singing songs and going. This is good. Yeah. And you’re watching it.  Jill  Yeah, pop music is a part of Concepto dialog. OK, yeah.  Dion  Sure.  Ardella  Dion should never go and see a.  Jill  Thank you.  Speaker 13  Musical is what?  Ardella  We’re hearing this is an even musical.  Quinny  No, no.  Speaker 13  Devil story.  Dion  No, this isn’t far off though.  Speaker 13  Season.  Dion  This is it. Musical level storytelling and I watched it. And I’m not saying like things are bad or weird or out of my comfort zone. It’s just it’s not really for me.  Speaker 3  Dion  And that’s OK, you know.  Ardella  You’re allowed to be wrong.  Jill  He often is.  Quinny  Also I I will point out that that Dean had had a very, very long bad day by the time that this came onto his screen and I kind of get the feeling that it was like.  Speaker 4  Oh.  Quinny  Is that a reasonably accurate description deal?  Dion  Look, you know I’m not. I’m able to separate church and state here. I can understand the value of something even though my personal opinions may have coloured it slightly. That being said, I still don’t really know what’s going on in Capot demon.  Jill  Would you? Would you like this is not.  Speaker 4  Let’s let’s have us.  Dion  I mean, sure, if you think I’ve got it, I wonder if I’ve got any music somewhere. Hang on a second.  Quinny  Yeah. Yeah. OK. K pop. Hang on. What voice am I doing?  Speaker 13  Nothing, right?  Quinny  Well, that’s it. Somebody else better do.  Dion  Ohh no.  Quinny  OK, K pop demon hunters tells the story of A K pop girl group called Hunt Tricks, who are also demon hunters tasked with protecting the world from demons from for their king Guimar. They use their music to maintain a magical barrier called the honeymoon, and work towards strengthening. Hit into the golden Hon moon. Which would permanently vanish.  Ardella  Day and age of Tik toking. And if you’re my age, Instagram, reeling a week after it’s appeared on TikTok. We’ve basically have a a huge collection of people who’ve basically seen half the movie through real. Or tick tocks and then go. OK, I may as well go and watch this movie now. So I think that a lot of people have had that experience when Quinny mentioned it. I then was like, let’s watch the trailer for this and was on board after watching the trailer and.  Speaker 1  Mm-hmm.  Ardella  My partner and I sat down and. Watched it over Friday night. We were amazed by the number of layers that this movie has that you do not get from the trailer, and I was on board just with what that surface level stuff was already.  Quinny  Yeah, yeah, yeah. And that was the thing that surprised me. It was just the the like from a trailer, like or because I didn’t even see a trailer. I just saw it pop up on Netflix, as you know, the the, The little preview that starts playing. And I was like.  Ardella  Yeah, that’s the trailer.  Quinny  Well, but it I didn’t even watch the whole thing like it was just sort of there in the background and I was. I don’t know what that is. But **** it looks cool.  Dion  Did you just hit it like a fricking pokie machine button? As soon as it popped up, you were like chin, let’s do this.  Quinny  My good addition. Yeah, sorry, Jill. You’re gonna.  Jill  Say something. Yeah, I think at the time, quinny, when you said. Hey, Jill, have you watched K pop demon hunters yet? I think my best friend had also watched it and had, like. Posted a story about it and all I heard all over Instagram was the the main song from it Golden. It was on everything and not just like animated clips of the movie, but like just people’s reels. They’re using that song. And so I was like, oh, no.  Speaker 4  Hmm.  Jill  This is the hype zone. Jill doesn’t like being.  Speaker 4  5th.  Jill  In the hype zone. Jill wants to avoid ever watching stuff that gets into the hype zone. I still have not watched Everything Everywhere, all at once because it got too hyped, so this was heading in that direction and went. Queenie, when you said to me, have you watched it yet? I was like, I’ll get to it.  Ardella  Was interesting that you mentioned that Jill, because there are theme crossovers.  Jill  Yeah. So I don’t push me. But then I. Kept hearing the bloody music. I’m like ****, this is a catchy song and then I think it got to like the following weekend and I’m like, I’m not gonna talk to anybody about this, but I’m gonna watch.  Speaker  It.  Jill  And I was like, oh, that’s great.  Quinny  Because I’ve seen so many people who, like, have watched it, and then it’s just become their whole personality.  Jill  Ohh yeah, I mean that was on heavy rotation like the album it was. It became a hyper fixation for a.  Quinny  Yes.  Jill  Week.  Dion  Wait, so can I just get this one like coming into this just a little bit blind, you know, from this whole stuff. So you’re telling me that there are real people in the real world that saw the small part of this and it’s become a hyper fixed?  Speaker 4  Yeah.  Dion  Which is mirroring the fact that the fans of this band in the fake world have a hyper fixation problem.  Ardella  So interestingly, interestingly, the soda pop song by the Demon Boy Band for a very long time there took over the charts from the actual you know, K pop boy band of the moment BTS.  Quinny  You say?  Speaker 4  Oh yes.  Dion  The soju boys. I love the soju boys, they’re great.  Speaker 4  Ohh I love some soju.  Quinny  Beck, how do you feel about this? Pineapple surgery.  Speaker 1  What?  Dion  Soulja boys.  Jill  I like the lemon one, it’s.  Dion  Delicious.  Jill  Kind of funky, but it’s good.  Dion  Yeah, yeah, yeah. I like the one with the six pack.  Ardella  But what’s what’s really interesting about the soundtrack to this as compared to a traditional musical, is in a traditional musical, you’ve always got that one song that everyone skips or tunes out goes to the bathroom during it’s usually the one that the token old man sings.  Jill  Ohh OK.  Speaker 13  But.  Ardella  If you think about it, is.  Quinny  It’s the talk singing 1. You give it to the guy who can barely sing.  Jill  Ohh yeah yeah. Jeff Goldblum. Number in wicked. Yeah, exactly.  Ardella  There are no low points in this soundtrack and.  Quinny  In new tiles.  Ardella  I think even. The one song that when I was watching the movie for the first time I was like, this is kind of my bathroom breaks on. When I went back and listened to the soundtrack.  Speaker 13  Through by.  Ardella  Wolf it was still a banger. I was still singing along. I was still fully on board. I was finding all the hidden messages in the lyrics. I don’t think there is a a dud on this soundtrack.  Quinny  Nope. And as of 2 days ago, Golden went to literal #1 on the Billboard chart like it’s ******* stupid.  Ardella  Something that’s really cool about the creatives behind this entire movie is that the movie has so many authentic South Korean cultural elements to it that it has become huge in South Korea as well. And many, many people there.  Speaker 3  Hmm.  Ardella  Absolutely love it, which is so wonderful because there have has been a lot of outcry in the past about South Korean culture being misrepresented. And this is a wonderful example of cultural appreciation rather than appropriation, and one of the reasons behind that is that they have actually included many South Korean genuine K pop stars and producers, writers, and the singing voice of. The main main individual from home tricks. She was a K pop star in training who went away to go to school and stopped Kpop training. And when she came back to try and be a K pop star they told her she was too old and couldn’t do it. Anymore. And so she became a writer and a producer. Of K pop music instead, and now is singing on this and has gone to the top of the charts so incredibly hard. And I think that that lends this incredible authenticity to it, but also is kind of like a stuff you to the industry at the same time, which is amazing.  Dion  Because it’s look, it’s a curious thing about the the making of it, because actually, yes, I did. I watched the whole thing and then I even watched the credits where they showed all the behind the scenes bits of the people in there. And I thought that was really interesting. And then reading more about it and trying to find out more about it. I was like, oh, that’s interesting that they have. A bunch of Korean American. Others. Doing the voice work, but then a bunch of South Korean singers doing the song work and I was just a little bit like oh, oh, OK like why, why the need for the split like?  Ardella  They’re two different skill sets. Yeah, yeah, yeah.  Quinny  You you don’t find that many actors who can sing that ******* well. Like who can sing to the level that is required of.  Ardella  Yeah. The vocal range in golden is outstanding. That is like 3 octaves of belting. That’s insanity.  Dion  I’m asking the question to not because I’m attacking the I’m not asking the question because I might. Why? They have to get more. You know, why is it a whole bunch of different sort of people in there?  Jill  Deon, Every Disney musical movie had a talking voice actress and a singing voice actress as well. It was.  Dion  I’m pretty sure John Oliver did all the singing for his parts as Zazu, right?  Ardella  Not all. Yeah, not all of them. I think the more recent ones like Moana, the.  Dion  Of course I know.  Jill  Yeah. The more, yeah, I mean, the classic ones, I mean the ones from the.  Ardella  Voice actor sings as well.  Jill  90s when we were kids.  Ardella  Yeah. Speaking of which.  Dion  Sure.  Jill  Yes, the travesty of casting Leah Salonga in this movie.  Ardella  Yeah. And then giving her 30 seconds of background vocals to do. Leah Salonga was the singing voice of Jasmine and Mulan, and is an incredible musical theatre.  Jill  Yeah, crazy.  Ardella  Actress and amazing singer and is in there as like the the main mentor character for the Huntress Girls. And has no real singing. It’s so background that I didn’t even notice when it happened.  Jill  It’s devastating, but.  Quinny  Yeah. Yeah. Like, like putting, I don’t know. One of the. Yeah. Mariah Carey is a background character.  Speaker 3  Yeah, yeah. Like what?  Ardella  Mariah would never let that happen.  Quinny  No, no, absolutely not. So what was it about it that that sort of caught your eye? Immediately because I know what put me on the back foot straight away and made me go. That’s different. But I’d love to. Know what you guys thought?  Dion  What? What? Yeah. So there’s two. There’s two parts in that which which caught your eye. And there was a bit that caught you on the back foot which.  Quinny  Was your question what? What caught your what? One you were talking about excited you, really. Grabbed you. What?  Dion  Was that what put you? What put you on the front foot? Linked you into this show?  Quinny  The. What? Yeah, yeah.  Jill  The music I think, like I I enjoy the odd K pop. I’m. I’m not a die hard. I’m not a I don’t have a bias. I’m not like fully into the K pop culture. But I do enjoy the music peripherally, and so I thought like the songs were so catchy. And then when I saw, like, some of the animated stuff, I’m like, ohh, that’s very reminiscent of the spider verse animation. And then I realized it was a Sony thing. And then I’m like, OK. Well, this is probably going to be good.  Ardella  Yeah. I think the thing that put me off was the time.  Speaker 4  Well.  Ardella  What the hell is that? Title K pop Demon Hunters makes me think that this is trash and it is trash, but the best kind of crack trash. It’s amazing.  Jill  Quinny  MHM.  Jill  OK, you know what? It’s 100% tapped into for me was the female power story, but based in music like. I was one of those kids that was like ohh yeah, I wanna be in a girl band like that was like one of my fantasy things when I was. A child, but. Also, like yeah, being a superhero too. And like Sailor Moon. Is so intrinsic for me. It really had those kind of vibes of like, you know, magical girls that can save the planet.  Quinny  Yeah. Yeah, that’s one of the first things I why I was like, ohh you would love it. Just for the magical girl factor. Like the the costume changes the.  Speaker 4  What’s this?  Quinny  The that that very Sailor Moon kind of vibe.  Ardella  What’s so interesting for me about? The introduction, just the opening sequence was that.  Speaker 2  Hmm.  Speaker  That.  Ardella  Funky kind of intro music. The the K pop music that it starts with reminds me a lot of earlier K pop when I was into it and some of my South Korean friends just roll their eyes at me because I think that my idea of K pop is like someone. These days, being like my favorite band is the Backstreet Boys. You know, it’s like ohh sweetie.  Jill  OK. Ardella  There we go. Yeah, you’re you’re the the shush now, grandma. Everything’s fine. Because my my favourites were like the Wonder Girls. And you know quite quite early K pop. I think, you know, compared to what’s in today, but.  Dion  You can.  Ardella  It’s just so funky and fun, and the fact that. It immediately started with the classic K pop mixing of Korean lyrics in with English lyrics, and then the flip to rap in there as well, and the rap being in both Korean and English, it really grabbed me in that I was like, OK, this is. Actually K pop it, it’s not just in the name, they are actually going with it and I found it really interesting learning afterwards that the K pop element was the last thing to be added into this storyline.  Dion  Yeah.  Ardella  Interesting. Yeah, that that was the last kind of piece of the puzzle when they were developing this movie was creating it as a K pop story.  Dion  Which is very strange because I think the thing that made me. Sort of get on board a bit with it. Like a bit more was the fact that it was self aware enough to understand some of? The. Insanity behind massive mass market fandom? Not that anyone is immune to it, like it’s all around when you go looking hard and you know the West. The West has borrowed from the that that world very heavily in the past. Our last Spice Girls etcetera, etcetera.  Quinny  Not that hard.  Dion  Was the ability for it to just to be self aware take a bit of fun, have a bit of fun with it, and then continue on go like, yeah, we acknowledge that there’s this there is there is some weird **** that happens in that world and we’re just going to lean into it and understand that it’s part of it. And then move. For with the rest of it, you know, apart from the animation is great and the characters were somewhat likeable.  Quinny  There, there, there are two things that got me straight up. So initially looking at it, I thought oh, wow, this reminds me of what, KD A yeah, which, you know, is the the League of Legends K Pop group. And I was like, OK, we’re obviously kind of gonna. Yes. That’s the thing there.  Dion  Thank you. You’re not like you’re saying things like Katie and I’m like, wait, is it three letter acronym? Should I know? What the **** is going on here? Kill. Kill, death, aggression.  Quinny  K/BA.  Dion  Right, OK. So just just help me with. This it’s a foreign territory.  Quinny  They they are a a AK pop group that was done by the animation company that did League of Legends. So they’ve they’ve got a couple of songs that I actually have no idea how many songs they have about that. And I looked at that and I thought, OK, there’s a touch point. But the thing that and I have the same thing. Hip hop demon hunters. What a stupid ******* name. But watching it, I got to about 5 minutes in and the moment that they’re on the plane and. And they allowed their characters to be ugly and to do stupid faces. And they’re beautiful characters who are fully, you know, gorgeous and made-up, and everything are burping and, like, eating ramen and fighting like ******* demons. But at the same time, they are. Very, very comedic and and I was like oh. ****, this is really kind of like as as soon as I watch it. I was like, this is gonna play to a a female crowd so. Well because it’s not saying look at these perfect, you know, pristine things. These are people who just want to have snacks and lie on the couch and you know relax and be ******* normal. Humans, but at the same time, they want to be super powerful. You know, warlocks that are protecting the world from demons and **** like that. Like this is every little girl’s ******* dream combined and. I was like, holy ****.  Jill  Yeah, like women can be multifaceted. They’re not just put into one box.  Quinny  The power of that.  Jill  As one thing.  Ardella  They can, but there’s absolutely no way an actual K pop band would be allowed to pig out on.  Speaker 4  Junk. Yeah, that’s the thing. It’s.  Ardella  That’s not happening in the real life world, I’m sorry to say. That is. I mean, when we think about.  Dion  But but but. The dropping in out of a plane? Sure.  Speaker 4  Just.  Ardella  Kind of disbelief there. Day on. Yeah, carries through. It carries through. But I do think that it’s interesting having that acknowledgement of. I mean it, it’s it’s an an issue, an underlying issue. I think the treatment of pop stars and this isn’t just a problem in South Korea with K pop or in Japan with J Pop, although it’s a very similar kind of culture from my understanding, yeah, in the their K pop J pop. Machines that churn out these bands that are designed and kind of almost bread to create hype and money and. All of this, we see it in like Dan was saying in. The Spice Girls.  Quinny  Yep.  Ardella  As well, we see it in these manufactured bands that have been created to take our love and to take our money, OK.  Quinny  The eagles.  Jill  There’s literally another program on Netflix right now called building the band.  Ardella  Yeah, exactly. Exactly. And I think it’s really interesting then to look at our K pop demon band. And see that they are. They’re they’re saying the quiet part out loud with with the demon boy band here. But the reality is that that is what all K pop bands are. They are there to take the love to take the energy and to take the money of their fans. And they’ve been created. Expressly to do that. And so I I just find that really interesting to have. That kind of duality on display where we’re saying no hunt tricks are the the good guys when the reality is that. All K pop bands are there to do exactly what the Demon Boy band are doing.  Dion  Yes.  Quinny  And that duality is also encompassed in the lead character as well that, yeah, there are so many elements of things that she is not comfortable with. There’s elements of her public perception that she’s not comfortable with and. You kind of like the stories of the three characters. You know that that one of them is the bad girl who doesn’t get on with her family. The other ones come from, you know, America and is is a a rapper, but she’s also really sweet. All of these things are. Prepackaged they’re made to make them assailable, you know, definable feature.  Ardella  A personality.  Quinny  Yeah, yeah, that people can latch on to, but then you’re also watching and going. Yeah, they’re really funny. And they’re really cool. And I like them. And, you know, they’re they’re little horn dogs. And they, they, they just turn into popcorn and.  Dion  Thank, thankfully. Yeah, I mean, thankfully, you know, they they expressed all those lessons and of course that was the end of it. And this is all we have when. There’s one. Oh, no. That’s why there’s going to be sequels and a TV show and a live stage show. And it’s like, oh, oh, no, the demons won. Ohh no.  Jill  That’s one thing that I I would like to talk about a bit more is like the actual structure of the story. I know we’re not gonna give anything away, but I was interested that it was a movie. TV and not a TV series because I felt like there could have been a lot more character development actually happened throughout a TV series. I wanted more about the back story of the girl’s mentor. I wanted a little bit more time with the Saga boys in the demon. From in general, yeah, just a little bit more fleshing out of story I thought would be great.  Ardella  Apparently it was originally 3 hours long and I. Saw. Someone, I think it might have been tally in the in the chat mentioned that earlier.  Jill  I’d watch 3 hours of this.  Quinny  Yeah, I’m there for, I mean.  Speaker 3  Actually really.  Ardella  Joined a 90 minute movie though.  Speaker 4  We have so many long.  Speaker 3  Yeah, yeah.  Ardella  *** films coming out these days and the pacing in this felt great. I would much rather be left wanting more than be left sitting on my couch, scrolling Instagram halfway through because I’m like, this is a this is a.  Speaker  I wanted.  Jill  Sure.  Ardella  Dull bed.  Quinny  Yeah, yeah, this is the song that I’m not into. And that’s the reprise of the song. I’m not. Into.  Speaker 13  It’s the old man song again.  Speaker  Ohh.  Quinny  It’s something I did like though is is while I was watching it. I you know the first number I was like ohh yeah, this is pretty cool. And then within the 1st 13 minutes, there were three, you know, musical numbers, completely different songs. Like I was watching, and I was like, oh ****, this is a secret musical. It’s not that secret, but it’s a proper musical and that, I mean, for me, for my, my taste, that was ******* great sick. Amazing and like to your point, Dion, I immediately then go totally see. This is a stage. And to your point, Beck. Ohh one of you. I’m not sure who was. Yes, I could see it working as a series because there’s a lot more to explore, and while Dion, I know that you’re like the capitalist pigs, they’re just trying to make money out of the kids sometimes. That’s OK. Because this is a ******* cool story.  Speaker 4  Yeah, I I mean.  Ardella  If you do like everyone wants our money, it is a we live in a society.  Speaker  Oh.  Jill  Here at the in the high points of the capitalism, my friend.  Ardella  Yeah, but I think that there is a a way that feel feels friendly and genuine to do that and this is hitting that nail for me. And there’s a way that feels inauthentic and.  Speaker  Hmm.  Ardella  Cash grabby and that’s not this at the moment. We’ll see how many spin offs they try and squeeze out of this and when it tips that line.  Speaker  Sure.  Ardella  But I think at the moment it still feels.  Dion  And in 15 years, when Netflix rolls back around and makes a live action version of the K pop Demon Hunters franchise, we will know hey. Yeah, now.  Ardella  Warm and flat.  Quinny  Ohh, so he said. They’re not doing it.  Dion  If you’re talking about.  Quinny  They they they got, they got absolutely ******* pilloried on the Internet when the initial run of things that they announced was live action. Make stage show and ongoing series. Everyone said do not ******* do this live action they.  Dion  Quinny. Went OK. Producers don’t care. It’s just that now there’s a lot of complaints. They’ll wait till they’re less complaints and then they’ll do it anyway for a tax break. That’s how the system works, quinny.  Speaker 4  That.  Quinny  So you’ve got another K pop.  Dion  People.  Speaker 6  Exactly.  Speaker 3  For me.  Speaker  You know like.  Dion  Stuff will happen that way, unfortunately and sometimes, fortunately, anyway, philosophically.  Ardella  Well, the sequel has already been greenlit by Netflix, which is unsurprising given that this is apparently in the couple of months that it’s been out a month and 1/2 that it’s been out. It has already topped all other animated movies on Netflix for the most watched.  Dion  Yeah. And we’re a good time behind as we have already. Explain like in in terms of the pickup of this is that came out in June, you know and it’s now **** me, August.  Quinny  Yes.  Speaker  Yeah.  Quinny  That’s the official date.  Dion  Yeah, yeah. Every time I look at the calendar these days.  Ardella  It is now **** me.  Dion  I’m like ****. Anyway.  Quinny  I’m Jill. I want to know on your your new rating system, how many? How many tips have you got less after this?  Speaker 4  ****. No. I think that’s a good.  Jill  2 tips off.  Dion  Ohh no **** left.  Speaker 4  Yeah, yeah, I it it. Yeah, it. Put my ****.  Jill  Off I enjoyed it a lot more than I.  Dion  Jill is Jill is untited.  Jill  Was expecting to because like. I know Queenie loves animation and so his glowing review was like Oh well, it’s gotta be good. And then also my friend who loves K pop and and animation as well and even her husband who enjoys animation like both raved about it. So I’m like, OK well. This has got to be good. That kind of got me in to watch it, but it’s so strange that like. I then convinced my other friend group to watch it and they were all like, oh, this is very kiddy and every everybody else thought it was. It was quite junior, but I didn’t really. Get that read.  Quinny  No.  Jill  They were like ohh it seems like a bit of a teen bop kind of thing and I’m like, well, I am 15 years old. Guys like, that’s why I like it.  Speaker 4  I think this.  Ardella  Is very Shrek adjacent in the figure. Pitch the kid. TV like category if you want to put.  Jill  Yeah, but there’s.  Ardella  It there, but it’s so grown up.  Jill  This was the stuff for the horn bag older women like.  Speaker 4  Is that what you say, Shrek? Yes.  Quinny  She’s not.  Dion  Shrek can get it.  Speaker  I mean.  Dion  Shrek can’t get. I mean, sorry. Before we go into the ratings, which we should do soon to try.  Speaker 4  Yeah.  Quinny  No, no. We need to talk about so.  Dion  And keep in time.  Quinny  Many more things.  Dion  Yeah, there are many things to talk about. The the Quinny, you did raise a point to me the other day talking about K pop demon hunters, which is going. Yes, it’s an interesting comparison, like an interesting comparison film to perfect blue, which we talked about recently too and.  Speaker 2  Yeah.  Dion  I was like. You may have a point.  Jill  Maybe not a companion piece.  Dion  There.  Quinny  I don’t know. I think I think they’re a fantastic companion faced 11 after the other and just.  Dion  Thematically. Thematically, it’s it’s somewhat similar in in in certain ways, not not the same way, like let’s they’re too.  Jill  Ones are very dark and twisted version.  Dion  Exactly, but they both.  Quinny  Yeah, what’s when’s the demons we met. Along the way.  Dion  But they both talk about fandoms. They both talk about the some of the crushing nature of conformity and having to represent yourself as something you may not be, and the damage that that could do. And. And let’s be honest, yeah, it diverges. Very, very different. But there are interesting themes and it’s really interesting to me to think about that. That film made back in the 90s was like working out these problems then and how far we’ve come and how we relate to it. Now, how creatives are relating to that now in this space with, you know, capable demon hunters is like, yeah, look at all these. Things that are still pretty much a problem, but we’re going to acknowledge that they have been a problem and that, you know, these are the things and but we still keep going because we have good messages that we want to try to put out. And if we could all make some money, that’s. Great. But if we have competition, we will crush. It that’s one take away I got from from like K Pop bands is they crush each other.  Speaker 1  Also.  Dion  As they can.  Jill  In the charts in the.  Dion  Yeah, it’s in the chat, but literally.  Quinny  Charts that I think you know differentiate some really very differently is that in perfect blue fandom is seen as being toxic and dangerous and bad. In this one fandom is is the beautiful glowing. Power of house that will save the world and die on your face. Is telling me that you ain’t buying any of this.  Dion  I think that’s a stretch.  Ardella  Ship, haven’t we all been in a a stadium watching a band that you love and just all singing along at once and just felt that that vibe? I mean, it’s what gets people into cult. So you know that it can be used for good or for ill.  Quinny  I was we we we both watched 11,000 with 11,000 other people. People rolled dice.  Speaker 14  Yeah.  Speaker 1  Yeah.  Dion  I mean I.  Speaker 3  Yeah, it’s.  Dion  Went I went to the Jared Leto 1 and that was fine. I’m normal.  Ardella  It’s a powerful thing, is what I’m getting at, yeah.  Quinny  Yeah.  Dion  I get.  Speaker  Quinny  You and in the chat a couple of people mentioned that there’s a comparison with the Puss in Boots, the last Wish, same automotive.  Ardella  I thought his favorite movie of all time.  Dion  I still haven’t. I still haven’t watched it. Even though you keep telling me I. I know. I know get that ***** kids. You know, like there’s only so many.  Quinny  Fine.  Ardella  Come here. We will. Clockwork Orange you again.  Dion  Alright, time to go to my friend’s house and be forced. Watched it or something.  Quinny  Yeah.  Ardella  That’s how I feel about the drunk DC. Watches that we’ve.  Dion  Oh yeah, we still gonna. Do that one.  Quinny  Hmm.  Dion  I still haven’t seen Aquaman 2. Can we bookend it? Which? One should go first, is it?  Speaker 2  Oh.  Speaker 13  I didn’t even know.  Ardella  There was an Aquaman. Ohh yeah.  Speaker 4  Yes, ******* all.  Dion  Yeah. Anyway, OK, think of your think of your ratings. Yes, rate, rate and rate and spoil.  Speaker 4  Should we right and then spoil? Yeah, yes, yes, yes.  Quinny  And if you have seen it in the chat, drop me some numbers so that I can put them into the thing I love. I love keeping an eye out for them.  Dion  Look, OK, I’ll look. I’ll start. Cause Get Me Out of the way. Why? Not. RIP the Band-Aid. Off, yeah, I look, I had a fun time because it was quite poppy and exciting and the animation is actually quite flawless. I like the characters all had a bit of humanity in them. They weren’t that way. U. Kind of. Everyone kind of worked. There’s definitely a saleable marketable thing going because that blue cat is why is that not a plushy already?  Speaker 4  Oh yes.  Quinny  Going to tell you about the blue cat.  Ardella  Derpy is his name.  Dion  Derpy is great. Yeah. OK, all the like. It’s good. I can see the the bit of the franchise there. And I can also see.  Speaker  He loves derpy.  Dion  Me having to scream when I hear the song again after the yeah, yeah. Yeah. 100% not for me, but I will give it 75. Because yeah, like, I think it’s good. Like if someone said, hey, you know, should I watch K pop diamonds? I’m like, yeah, like, you know, I recommend it to people with small kids. I don’t recommend all the way up to people who are 75. Yeah. I was the whole gamut. You can get something out of it. There is a good message in there.  Ardella  75 yeah.  Dion  And I think it’s quite a little hidden gem or. Unreleased jam, even if you don’t particularly like K Pop.  Quinny  Fair, Jill. Sorry.  Jill  Yeah. Look, I’m so excited to say that I have no tips after this film. It’s been a while. It’s been a while, but I am going to give it a 90.  Speaker  Off.  Quinny  We yellow.  Jill  Been a while since we’ve hit the nines for me, but I love that animation. There were just some moments where I was like. What am I watching like? This is just like the textures and everything were so ******* beautiful. There were moments where I’m like Christ, that looks almost realistic.  Speaker 1  Mm-hmm.  Jill  Loved how everybody had a personality. Everyone was like, different. Had their clerks had their faults, like had their beautiful moments. The only reason why it’s not getting more is because there were just some like small unresolved story things that I wish had been explored a little bit more, but. Other than that. We loved it.  Quinny  Heck, do you want to drop a number?  Ardella  Quinny  Nice.  Ardella  I’m a harsh marker, but what can I say? It’s interesting that you mentioned the animation, Jill, because one of the beautiful things that I’ve learned is that the hunt tricks characters our protagonists are animated in a very traditional way, which means that every second frame they move. Whereas our demon Boy band animated differently where they move every single frame and there are certain times at where it’s poignant in the movie where they swim.  Speaker  Which?  Ardella  Ohh and so there’s there’s lots of super cool things that happen behind the scenes that we don’t consciously recognise, but it’s doing stuff to our brains and I think it’s really, really cool. So yeah, I think the more that I learn about this movie and the work that’s gone in behind the scenes, the more I love it. And that’s why it’s really reaching those top numbers.  Quinny  Oh.  Dion  You gotta respect a bit of filmmaking.  Quinny  Yeah.  Dion  Bit of craft work in there.  Ardella  Exactly.  Quinny  And and that’s very much like the first spider verse. Yes, where like they were animating different characters on different frame rates and you know the the attention to detail. And one of the things that gets me about this is the. The absolute love for Korean culture, but also Korean mythology, and it’s also going to be very, very interesting down the track. Seeing people cosplay from it because already there have been people who have gone to do cosplays of the Soulja Boys and so forth and have had to. That that question of appropriation or appreciation. Is very difficult around certain parts of costumes because the hats are an actual part of a very specific part of Korean culture that you really can’t **** with. Yeah. So like the fact.  Ardella  Historical Korean culture, not even current really Korean culture as far as I’m aware as well.  Quinny  Yeah. Hmm. So yeah, whipping one up out of warbler is is kind of not. Not cool, not kosher. And that kind of.  Ardella  Derpy is my next cosplay. Yeah.  Quinny  Thing. And when we come back from the the and everything, I will talk about Derpy because that’s another piece of amazing Korean history and culture right there. My rating is 95. I ******* watched the **** out of it and love the **** out of it. The like the music aspect of it, I I’m not a big K pop fan or anything like that. I I don’t listen to a lot of that music, but I didn’t care because it was super catchy. The vocals were insane. I love that mix of of like the three different voices and the three different styles. Of the girls like that, you know, one will drop into really American style rap, but they’re all capable of rapping. They’ll all take, you know, high parts, low parts. But at the same time, then mix it with a bunch of really cool choreography and and martial arts. Mix in some extra mythology, add some cute characters. I love the fact that you know secondary characters are given a bit of love to like. The band’s manager is. Not a ********. You know how ******* lovely is it that that you know, you’re not just going? Yeah. The traditional ******** band manager? No, he ******* loves.  Dion  Them. Did you not learn anything from Jersey and the Pussycats? What the? ****.  Speaker  Yeah.  Quinny  Yeah, I I just, I mean, as I was watching, I just kept thinking, Oh my God, this is this is a thing for a generation of of girls to watch and. And relate to and want to be and emulate and I suddenly understood that whole thing that all the girls in primary school would go off and learn dances. And then to tie that whole thing that that you know, people want to do of of singing and dancing with, like, spiritual power and empowerment and protectiveness. I was just like, **** me. So yeah, I got a little love for it. I really don’t have much bad to say about it, which is, I mean, I don’t want to give it 100 because that would be ridiculous, but ****** really enjoyed.  Dion  It you can give it a.  Speaker 13  100 and that’s just the surface story.  Quinny  I know we haven’t even talked about what it all means.  Dion  Can’t wait for you to review the stage musical 350,000 out of.  Quinny  Review it, I’m going. To direct the. *******.  Dion  Which would you like to go? Would you like to meet the? Boys or yeah. With that one, we see who, who we. Talking about here, who are the Sargent boys? Sounds weird?  Speaker  Yeah.  Speaker 3  Look normal.  Speaker 5  Ohh yeah.  Speaker 6  Come on. Take your time. Yeah.  Speaker 14  Just like.  Speaker  Yeah.  Speaker 2  Ohh hot.  Speaker 3  You guys are so gross.  Speaker 6  No, yet you go hot. Then we’ll go. He.  Dion  Ohh that is just harsh. No helping hand there whatsoever. So the Sarja boys are a bit of * ****, really, aren’t they? They’re just *****. Hot *****.  Speaker  Yes.  Jill  Yeah, but they’re hot. They’re hot.  Speaker 4  Hot *****.  Dion  Yeah. Yeah, Jesus.  Jill  I’m going to tell you like we went to smash. What was it like 3 weeks ago? The artist Alley was chocolate block of K pop demon hunters. Art anything? Right with that tiger on, it was sold.  Quinny  Oh.  Dion  Right.  Jill  Out. Yeah, right. Good. There were. There’s a scene in the film where the both of the bands are Hunter Eggs and the Sergeant Boys are doing a meet and greet with fans.  Quinny  Oh my God. So.  Jill  And Abby, the gentleman with the. Tabs instead of signing a piece of paper with his name, he runs like pencil against a piece of paper on his ABS, and that’s his signature. There were drawings of that in the artist Alley for sale. The insanity.  Dion  I love Jesus. Yeah. I mean, OK question here. I don’t understand why I have questions now and spoil the logo is up and we’ll talk about spoil everythings if you like. Yeah, it’s been a month. It’s been out for quite a long time. I get derpy the thing.  Jill  Of this movie.  Speaker 14  Yes.  Dion  But what was with the strange Game of Thrones crossover with the Three Eyed Raven?  Speaker  Quinny  Do you want the?  Speaker 4  It’s not a Game of Thrones crossover deal on.  Dion  Everything’s a Game of Thrones crossover.  Ardella  It’s.  Quinny  Heck, do you wanna take it?  Ardella  Quinty no quinny you take this, you are so keen.  Quinny  No, I was so keen. But I I mean, I’m guessing we’ve probably watched the same explainer videos and stuff.  Speaker 13  No, I I read I don’t. Watch.  Quinny  Ohh God, within you actually.  Jill  Jesus, she’s an intellectual.  Speaker 13  Exactly. Where’s my glasses?  Quinny  Just need to take these things off and becomes derpy. The ******* yeah, well.  Dion  You’re on. You’re on.  Jill  Stick your tongue out.  Dion  New media now not only this traditional lofi media that you may try.  Speaker 2  Oh.  Quinny  Yeah. So OK, it’s not a Raven, it’s a magpie. And in Korean culture, the A, this is a it’s a historical joke. So the, the, the, the tiger and the magpie is the punchline of a historical joke. That tigers were traditionally shown as being the representative of the upper class and of rich culture, and specifically the governing class, and the magpie was the symbol of the lower class, the worker. Pass whatever and the hat which I’ve got to remember the name of. Thank you. If somebody wants to look it up for me, that’d be great. The hat is essentially a symbol of power. And so there’s a joke, or there’s a moment in there where the sorry.  Dion  It’s called a gap. It’s called a get, yeah.  Speaker 4  Yeah.  Jill  Yeah, ginu ginu.  Quinny  So.  Jill  Said he made it for the tiger.  Quinny  So yeah, that’s the joke is that it’s a symbol of power that was meant for the tiger, but the magpie keeps stealing it.  Speaker  Ah.  Quinny  And so it’s the it’s a symbol that the lower class will always get one up on the upper class because the upper class is ******* stupid and that’s why he’s derpy. And you’ll see in a lot of Korean art, tigers are always drawn slightly cross eyed or just a little bit dumb looking.  Jill  Quinny  And it’s because essentially, they’re just going upper class. The stupid look at the smart magpie with three eyes, you can see everything.  Dion  So this is exactly like parasite.  Ardella  Yeah, that’s what we’re saying.  Speaker 4  Yeah.  Dion  No, just that that character representation of the blue cat and the magpie is just parasite as a metaphor.  Quinny  Yeah.  Jill  Yeah. Yep, yeah.  Quinny  And and it makes that sequence where where Derpy comes out and knocks over the plant and then just can’t get it to stand up way too long. Like ohh you stupid.  Speaker  Yes. Thank you.  Dion  But it’s good to know, you know, like, I like those little trivia bits. It’s fun. It’s fun to.  Ardella  Learn. Feel like I I was so. Impressed that for the first time I think ever.  Speaker  Hmm.  Ardella  A Netflix trailer. Managed to intrigue and make me want to watch more and actually get me invested in the story without giving away the actual plot. Yeah, there is. There is a very surface level plot being shown out there and I think now that people are, you know, watching more of the clips on TikTok and Instagram and that sort of thing and watching even the golden video clip, they’ll, you might get spoiled.  Quinny  Hmm.  Ardella  Before watching the movie, if you’ve seen all of that, but for me my first tip popped off in the opening in.  Quinny  In the you’re missing how many sticks are you missing?  Ardella  Well, I have lost the second hit for me when the pattern reveal.  Speaker 7  Hmm.  Ardella  Happened in the.  Speaker  Ah.  Ardella  There was. It is very rare that any movie, a movie directed for adults with high levels of intelligence, they rarely get me with the whoa. What happened there was seeing that coming. This movie did that, I gasped. At that reveal, there were. There was nothing in me that thought that that was coming and that is so rare these days. I am so impressed that this movie called K Pop Demon. And so kind of surface level, you know, just fun on top, managed to have this flip. It had this beautiful level of depth to it. I just really loved that so much. I would have enjoyed, I think, a movie where it was just a, you know, magical girl. Banned fighting demons. I would have enjoyed that anyway, but this went a step further.  Speaker  Hmm.  Quinny  So in when we’re talking about the patterns and we’re talking about that, that reveal and that question about Rumi. What are the? Different like so I think that there are so many different layers of what it could mean. And I think one of the things that’s really smart about the film is that. It. Doesn’t specifically say it means any one thing. But what? What did you guys?  Ardella  Because they’re they’re waiting for the sequel or the spin offs or.  Jill  Yeah. So we’re gonna get the story that gives you the back story about, like who roomie’s father was and what happened to her mother and the the what were they called the Sunshine Sisters or whatever.  Quinny  Yeah.  Speaker  Yeah.  Jill  The.  Quinny  Yeah.  Jill  Band. Was and then we also need to have Gino come back because that was unfair how he went. Out. I know it was a beautiful sacrifice, but no, I want Ginyu back.  Ardella  He’s now in the blade, though. If you if you watch the sequence, you can see his spirit get pulled into the blade, which is an actual thing in Korean.  Quinny  Oh no.  Ardella  Mythology. Spirit blades. I believe. I believe I’m not Korean. Please correct me if I’m wrong.  Jill  OK, well I love. I love me as sexy anthropomorphize spirit coming out. Of the sword. So I’ll take. Yeah.  Speaker 3  And then the grade.  Ardella  Changes once his spirit is absorbed into it, so you can see the two different forms of the the blades are.  Jill  I need to ******* watch this movie again. Don’t.  Ardella  Very, very cool.  Speaker 13  I let’s go right now.  Quinny  Yeah, yeah.  Dion  Let’s see. We’re doing a watch along right now.  Speaker 4  It’s.  Jill  Now become a live stream.  Quinny  So damn, what was your you? You had some different takes on on what, some of that meaning may have? Been.  Dion  Which what do you mean the the meaning of which the whole?  Quinny  Thing of the past.  Dion  There’s a lot going on me was there? Did I say something that I’ve I’ve undoubtedly forgotten since yesterday?  Quinny  On. Yeah, well, quite possibly. So, I mean there there’s, there’s that whole thing of like being, you know, intergenerational trauma, like of this is the Korean trauma. Of what? Their history is the split of the country, North and South Korea, which you can read into that. You could also read into it an LGBT thing of this thing that you have to keep hidden about. Yourself. And whether or not she’s allowed to be, especially in K pop, the idea that is she allowed to be who she actually is. Because that is not appropriate like that whole thing of you wearing marks on your. That. You have to keep hidden. I think it has a lot of meaning for a lot of different people for probably a lot of different reasons.  Speaker 1  MHM.  Ardella  Yes, I would agree. I would hesitate to say that this is implying that Ruby is LGBTQIA plus at all, but I have 100% think that people who are LGBTQ a.  Quinny  No, not necessarily.  Ardella  Us could find a lot of parallels there.  Quinny  Yeah, I think that that’s sort of like that X-Men kind of thing. It’s like, yeah, no, we’re not saying that these characters are gay or whatever, but they are a fantastic.  Ardella  Except the ones that.  Quinny  Are. Yeah. So my my best X-Men guy.  Ardella  I think it’s really interesting. We’re seeing a lot of this storyline coming out in a lot of Asian and Asian American stories over the last decade especially, I’ve noticed a a real through line in a lot of the media that I’ve seen, at least. Where these cultures seem to be very much from an outsider perspective. Very much about conforming and not rocking the boat and being being part of a whole community that works well together because everyone kind of assimilates and and doesn’t step outside of the mold or make anyone uncomfortable. And I think yeah, exactly. I think that there is a lot of media coming out these days.  Jill  Yeah, homogeneous.  Ardella  And it’s interesting, Jill, that you mentioned Everything Everywhere all at once earlier, because that’s definitely part of the story behind that movie and and a real message in that movie is. Is that we need to allow the newer generations to be a little bit more unique and individual and celebrate that as something that is wonderful and and adds colour to our cultures and our societies, rather than being something that we should squash. Or avoid and to me, that’s what the patterns were and that’s what you know, was a a real underlying message behind this story is it’s not about conforming, it’s about celebrating what’s unique and individual about each of us.  Jill  Yeah.  Quinny  Yeah, I I did just check and and the reason I brought it up is because of the writer did say that the the intent was that it was a. Bit like coming. Out to your parents? Ohh, so she was. She was. It was a very deliberate piece to say hey, it’s like that. She’s not saying that Remy is, you know.  Dion  So coming out.  Ardella  I mean, could be you go off in your head cannons out there.  Dion  To your friends. Also coming coming out to your friends who have literally been trained to murder. You.  Speaker 13  Your your partner.  Quinny  Yeah.  Dion  For the whole thing.  Speaker 4  Yes.  Dion  Look, I like the little bit of the sort of Buffy the Vampire Slayer chosen. Ones. You know, how do we do this? We just kind of go and kill these faithless demons which there are thousands and thousands and thousands of them, apart from the very special one.  Quinny  Yeah, very.  Dion  That ohh wait. Yes. Yes. So you know I got that sort of storyline.  Ardella  Although I do think that there is a pot, I mean obviously we see Janus. Progression where he was genuinely villainous. He was * ****. Wow, what * **** we learned.  Dion  Sure. What is it again with? Absolutely ancient men and young women.  Jill  That’s like type.  Speaker 4  Being like can.  Ardella  You I I just want to be rich and wealthy at the expense of my family. What a ******* nightmare, human. But then.  Speaker  And.  Ardella  Obviously evolves and become someone who we can genuinely sympathise with, I think, but I feel like we also, especially in that scene, I think Jill, you mentioned the the signing scene, we see a lot of the other members of the Demon Boy Band of the Sargent Boys.  Speaker 4  Yeah, yeah.  Ardella  Have a little bit more personality and a little bit more empathy, I think, than I was expecting and I I would be interested to see that explored a bit more. As well, yeah.  Speaker 1  Hmm.  Quinny  One thing I do love is also the the historical mythological context of it too, that the the idea of the the Singing priestess is is quite a a long history in Korean culture. So the moon or mudang not mudang. Are a an offshoot of of Korean shamanism who their their whole thing was, you know, singing to keep their people safe and, you know, reach out and and bridge the world between gods and humans and so forth. And you see that at the at the very start, like there’s the flashback to the original ones. They’re they’re all traditional like priestess outfits. But then the fact that they’re, you know, really latching into the the Korean singing group thing. You know that there was another group in the 50s and the 60s called the the Kim Sisters. Who group of three well known all around the world, appeared on the Ed Sullivan Show. Did like 22 shows over the years on Ed Sullivan. Like that kind of thing. We’re going. Yes, we’re gonna do it. I love the idea that we could have, you know, stories told in different time frames.  Ardella  Yeah. And before the Kim’s sisters, there was the Jair Gory sisters. I think it’s pronounced and they were also a three piece girl band who we assume is kind of being referenced in that introduction as well.  Dion  Can can we just make sure that we even if we go across different time periods they still kill demo? That’s right. Yes, as long as there’s still some demon hunting and killing going on in there. I’m fine. I’m on board with it.  Ardella  Like.  Quinny  100%.  Speaker 4  Absolutely.  Ardella  100 percent, 100% yeah. I also need to mention I’m sure many of us already know this, but Saja as the name of the Saja boys also has multiple meanings. It means lion.  Dion  Yeah, yeah.  Ardella  But it is also a kind of slang term for the grim Reaper. So there’s that duality there. So that’s that’s why they have the lion like logo. That’s what they’re saying. That’s the that’s the loud part. They’re like, we’re the Lion Boys essentially, but.  Speaker 2  Oh.  Quinny  I didn’t know.  Dion  That, and also dark and mysterious.  Quinny  And.  Ardella  It’s also. Through. Yeah, slang for the grim Reaper in South Korea.  Quinny  And I don’t think I would have understood or appreciated this film if I hadn’t for the past couple of years had an awful lot to do with idol culture like, yeah, but I I’ve learned a lot in the past few years of working for idol festivals and, you know. The whole idol scene and. And. Something that I find fascinating and is really like key to the film, but it’s sort of unless you’ve seen the crowds doing their thing in person. The relationship between crowd and band. Is incredibly intense. Like and the crowds at these events are not. Just, you know, observers, they’re part of the show and they see their role really importantly, you know, all of the glow glowing sticks that they’re holding up all of the colours that they choose to wear, the fact that they, you know, stand a particular singer or whatever and will then change the.  Ardella  They’re bias.  Quinny  Yeah, yeah. You know, they will do all these things and like, you’ll see them during songs. Like I watch them at smash people climbing up on each other’s shoulders just so that they can. Performatively go. You know, I’m not actually singing at you. I’m just showing you how much I appreciate what you’re doing. Is like if you don’t know about it, you’re gonna think it’s ******* weird as ****, which I did for a while, but then when you see it, you go ohh. OK, I get it. And now I watch this film and you realize why so much time is spent with the fandom as well, like. They they spend a lot of time, you know, looking at the the kinds of fans who have latched on to these people. Is it the the sex starved older ladies? Is it the preteen girls who are just utterly, you know, smitten? Is it the big boofy guys who will cry at the drop of a hat? You know, all of that is.  Ardella  I think it’s interesting, though, to suggest that it’s just a AK pop thing or a J pop thing or something like that where you have these biases when you think about, you know, kiss people would wear their specific band members makeup style to go to a kiss concert. It’s it’s a similar.  Quinny  Oh, not at all.  Speaker 4  Yeah, it’s just all.  Jill  About finding community and the things that. You love, yeah.  Quinny  Yeah. Really. And. And it’s also like I remember I wanted to write a ******* paper on this at one point. It’s the the concept of avatar rism that you wear the thing that you want to take on the, the, the, the feeling of you know, so.  Jill  Dude, I’ve done it for 20 years doing cosplay.  Speaker 13  Exactly. Hello cosplay? Yeah.  Quinny  And cosplay is cosplay is like the the the doing it out loud and doing it at the biggest possible way. But for other people it’s that whole thing of wearing your favorite band T-shirt or wearing a Superman T-shirt or wearing, you know something. It’s that thing of.  Jill  Yeah.  Quinny  This gives me all these feelings. And I want to then wear it so that I can try and, you know.  Jill  Yeah. Now, name five of their. Songs.  Ardella  Jesus.  Speaker 4  Yeah.  Ardella  And when you bring that all together, it really is. Powerful and I.  Quinny  Hmm.  Ardella  Think that that’s what they’re they’re tapping into on both sides here where you know that it can be used for good or for evil.  Quinny  Yeah. And. And the idea that a golden home moon only comes when, like, everybody’s actually being true about who they are, you know, that’s a it’s a pretty powerful ******* feeling. Yeah.  Speaker  Beautiful.  Dion  Yeah, beautiful. Speaking of powerful feelings. What are we doing for the rest of? The month, I don’t know. You don’t. You don’t know. Even though you you know exactly what it is. We’ve got a few things. There’s a lot going on in the month of the Merry, Merry month of August. We’ve got lots of movies that are out there. Things like nobody too.  Quinny  I do have a do in front of.  Dion  And one that we’re gonna see tomorrow night, which is. Weapons.  Quinny  Yeah.  Dion  You need the weapon. Give me the yeah. OK.  Ardella  I saw an ad for weapon the other night which just said 100% on Rotten Tomatoes and it was a print ad and I was like that. That’s a that’s a strong choice.  Dion  Yeah.  Speaker 1  Hmm.  Jill  From the team that brought us barbarian.  Dion  Yeah.  Jill  He ******* loves barbarian.  Dion  Yeah, that was. That was one that came out of left field w

Eddington is the fourth feature film written and directed by Ari Aster. It’s a neo-Western comedy set in the fictional and titular New Mexico town during May, 2020. Eddington was nominated for the Palme d’Or at this year’s Cannes Film Festival, and it’s one of three Pedro Pascal movies that are currently in the top 20 at the domestic box office. And: Sunday Best is a new Netflix documentary directed by, and in memory of, the late journalist, musician, and filmmaker Sacha Jenkins. It’s about the cultural importance of The Ed Sullivan Show and Sullivan’s “legacy of equality.” GUESTS: RS Benedict: A writer and bureaucrat whose fiction and non-fiction has been published in the New Haven Review, Fangoria, Current Affairs, and a bunch of other places Shawn Murray: A stand-up comedian, writer, and the host of the Fantasy Filmballpodcast Bill Yousman: Professor of media studies at Sacred Heart University The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Dylan Reyes contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Join us for an incredible opportunity to hear from Kerry Gordy, son of the legendary Berry Gordy! Kerry will be sharing insights from his documentary, “Sunday Best,” now streaming on Netflix. This captivating film takes you behind the scenes of the iconic Ed Sullivan Show, showcasing unforgettable performances by Motown artists. Kerry will also share fascinating stories from the Motown era and discuss his vital work in securing funding for artists who have faced financial challenges in the music industry. But that’s not all! We will kick off the morning with insights from cryptocurrency expert Ceasar Korvinus, and former NY lawmaker Charles Barron, who will tackle the pressing issue of gentrification affecting our cities.See omnystudio.com/listener for privacy information.

This week, Paul kicks off a special month-long series delving into British guitar music, decade by decade. In this episode, the focus is on the iconic 1960s British Invasion — exploring how UK bands like The Beatles, Rolling Stones, The Kinks, and The Who reshaped the guitar world, and what beginner guitarists can take from their classic styles and songs.What's Inside Series Preview: All of July, Paul is exploring the evolution of British guitar music:July 4: 1960s British Invasion (this episode!)July 11: 1970s Rock Legends & British MetalJuly 18: 1980s British Punk & New WaveJuly 25: 1990s/2000s Brit Pop & Indie RevivalSpotify Decade Playlists: Check the show notes or visit bgapodcast.com/241 for the accompanying playlist and blog post for this episode.Academy Updates:Live Q&A recording from last weekend is now available for members (video & audio formats).This month's Academy Show covers all new June content, member shout-outs, and what's coming in July.Mark celebrated his three-year “guitarversary”!

Victor Garber is a prolific actor and singer who seamlessly traverses theater, film, and television. He originated roles in iconic musicals such as “Sweeney Todd”, “Godspell”, “Noises Off”, and “Assassins”. Garber also appeared in Oscar award-winning films such as “Titanic”, “Argo”, and “Milk”. You may also recognize him as Jack Bristow from the long-standing ABC series “Alias”. A six-time Emmy award nominee and recent recipient of the Forest City Film Festival Lifetime Achievement Award, Victor Garber has done everything from perform on the Ed Sullivan Show with his 1960’s band “The Sugar Shoppe” to defend a murder trial in “Legally Blonde”.See omnystudio.com/listener for privacy information.

“I said, ‘Well, uh, my team and I would love to see the video,' and the woman at Lost Highway said, ‘All right, let me pop a VHS in FedEx, it'll be there tomorrow morning.' So, we watched the Johnny Cash Hurt music video and once we'd wiped a tear out of our eyes, I got on the phone. I said, ‘Retta, put us in, coach. We want to play.' And the rest is history. It was and remains still the most iconic music video of an artist doing a cover to date.” – Andy Gesner This episode's guest is the owner and president of HIP, one of the most trusted names in music marketing. He's been releasing records since 1979, giving him firsthand insight into the complexities of the music industry, and he's channeled his expertise and passion for music into uplifting fellow artists over the past twenty-four years. He and his team have promoted over 4,800 music videos, championing some of the most renowned artists and best indie talent from all corners of the globe.His name is Andy Gesner, and if you're a musician, this is a conversation you don't want to miss. I know how hard it can be these days to make a living from your art, and it can be even harder if you don't pay attention to marketing. If you're creative, you have to wear a lot of hats, and if you're looking for tips, Andy has some great ones to share in this two-part discussion.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that. (0:00:00) - From Sound to PromotionOur conversation starts off with Andy's very first memory of sound, which just happens to be the Beatles' historic performance on The Ed Sullivan Show. “Well, my sister starts screaming like a banshee and she starts twirling around like a whirling dervish,” he recalls. “And I look over at my brother, and his jaw hits the floor. And I look at this little black and white TV and there are these four guys with what at the time was considerably long hair.” He tells us about how his career shifted from performance to promotion, and what his work on Johnny Cash's classic “Hurt” video taught him about taking creative risks. “It was like, ‘We can't play a Johnny Cash video on MTV, no way,'" he remembers producers saying at the time. “People thought Johnny's version of Hurt was a bit too out there. But you and I both know, as a marketing person, you present, and the public decides.”(0:19:46) - The Importance of Music VideosOur discussion turns to how the digital era has reshaped music promotion and how the music videos of the ‘80s paved the way for today's influencer culture. “Now more than ever,” he explains, “artists, independent creatives, are public figures, and you can't just sit on the couch and say, ‘Hey, I'm not going to do any of that public figure stuff, I just want the world to love me for my music.' Those days are over.” We talk about the bands that, starting around the turn of the 21st century, have had to rely on video and online marketing instead of radio airplay, and he shares a memorable example. “I remember in 2007,” Andy says, “sending...

5pm: The Mariners Rough Weekend // Nate gives an update on I-90 shutdown // New video shows pursuit of armed suspect who shot at deputies in Tenino // Today in History //  1963 - Bob Dylan walks out on “The Ed Sullivan Show” // What was the John Birch Society? // Letters 

Send us a textJoin former child actor Moosie Drier, and author Jonathan Rosen, as they chat with legendary comedian John Byner!John discusses getting his start on The Ed Sullivan Show, appearing in films such as What's Up Doc and The Black Cauldron, helping launch Bob Einstein's Super Dave Osborne, his memoir Five Minutes, Mr. Byner!: A Lifetime of Laughter, & much more!Support the show

Live television is all about high risk, high reward. Whether it's musical performances, awards ceremonies, sports events, or comedy shows, there's an electric charge to watching something as it's happening. Today, we're debating the greatest moments of live television in pop culture - including a viral news blooper, John Travolta's "Adele Dazeem" flub at the Oscars, Kanye stating "George Bush doesn't care about Black people", and The Beatles making their debut on The Ed Sullivan Show.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Bianca Censori dumps Ye, Jimmy Butler pooped his pants, JP Morgan v. Gen Z, Sly Stone's Hulu documentary, USA Today's Best of SNL lists, mad Maz, a new Bonerline, and Jim's (one week late) Picks: Super Bowl Halftime songs.  Vince Neil's drunk private jet crashed into a parked plane on the runway. Vince did not comment as he is still celebrating his birthday week on the beach. JP Morgan CEO Jamie Dimon RIPS people working from home. Gen Z continues to boggle Drew's boomer mind. They're taking mini-retirements to prioritize their boring social lives and gain more experiences. Drew is about to get some implants. Check out Sly Lives on HULU, the new documentary about extremely underrated Sly Stone. Also, don't forget to enjoy Sly on The Ed Sullivan Show. USA Today put out a DEI dominated Top 50 list worse than any of Jim's lists...The Top 50 SNL Cast Members.Let's see if this Top 50 SNL Characters is any better. Didn't you know you're not supposed to wear white after Labor Day? Golden State Warrior Jimmy Butler didn't get the message and pooped his white shorts. Zach Bryan is doing an intimate, private show for "The Cult" in Ann Arbor. They're hoping to break a record. We make our own window to call Maz. We get into Alex Bregman to the Red Sox. Professional athletes that pooped themselves. Is Myles Garrett coming to the Lions? Matt Patricia to Ohio State. GM Tom is convinced he knows where Matt Stafford will be traded and why. Kanye West and Bianca Censori are going to be together forever. Right? WRONG! They're getting divorced... unless we're being trolled. Johnny Manziel & Josie Canseco split because, despite being younger & Jose Canseco's daughter, she is more mature. Seth Rogen & James Franco have also broken up. Will there be a re-tap in their future? Where has Catherine Heigl been? Apparently, all she's doing is selling diapers because babies ruin "down there." Bonerline. 209-66-BONER. Jim's Picks rule! Radar Online picked up on our interview with Paul Soliz's mother in law. Slow down, Radar Online. Still pretty cool, though. Britney Spears is selling her house. She clearly finally has her life together. Jim's Picks: Top 10 Super Bowl Halftime Performances. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Guest host Rich Berra and music historian Harvey Kubernik celebrate the anniversary of the Beatles' historic performance on the Ed Sullivan Show that ushered in the rock music era, how many classic rock bands are still winning Grammy Awards today, and the renewed interest in vinyl records with music fans.See omnystudio.com/listener for privacy information.

Tom and Julie attempt to watch a clip from the "Virtual Ed Sullivan Show" from 1998. https://www.youtube.com/watch?v=2noh93PHpIg You are listening to this week's Patreon bonus clip FOR FREE! If you like what you hear subscribe now for a bonus clip every single week only at https://www.patreon.com/DoubleThreatPod Learn more about your ad choices. Visit megaphone.fm/adchoices