Podcasts about hammer horror

Lainey Schooltree is a musician, comedian, streamer, and former half of the musical comedy duo The Steamy Bohemians. She then formed the solo art rock project Schooltree. When the pandemic hit, she began performing on Twitch and found that live-streaming offered the interdisciplinary playground she'd been after. What began as a temporary pivot became a long-term transformation and these days she captains a spaceship on Lainey Schooltree TV - a live show where she’s an “astro-streamer” assigned to deliver packages while improvising music with analog synthesizers, electronic drums, and layered vocals in a show that blends surreal comedy, retro-futurist visuals, and themes of corporate absurdity and creative resistance. SONG 1: Kashmir by Led Zeppelin from their 1975 album Physical Graffiti.https://www.youtube.com/watch?v=tzVJPgCn-Z8 SONG 2: Bartók: Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto performed by the Chicago Symphony Orchestra in 1993.https://www.youtube.com/watch?v=kUZ83BzCQNM SONG 3: Hammer Horror by Kate Bush off her album Lionheart released in 1978.https://www.youtube.com/watch?v=XR4KnfcgLm0 PARTING TUNE: Cat Centipede by Schooltree from the album Heterotopia released in 2017.https://www.youtube.com/watch?v=PF14v_qeVu8See omnystudio.com/listener for privacy information.

In this episode of General Witchfinders, we take a close look at The Creeping Flesh (1973), a British horror film from cult studio Tigon British Film Productions. Best known for low-budget horror that ran alongside the likes of Hammer Horror and Amicus, Tigon was founded in 1966 by Tony Tenser and operated out of Hammer House on Wardour Street in London. This marks our first dive into their back catalogue—and what a place to start.The Creeping Flesh stars Peter Cushing and Christopher Lee (#BigChrisLee) as brothers on opposing ends of a bizarre scientific discovery involving an ancient skeleton, reanimation, and some very shaky ideas about inherited evil. Lorna Heilbron plays opposite them as the increasingly disturbed Penelope.The film was directed by Freddie Francis, a key figure in British horror cinema. Francis replaced Don Sharp at the last minute and brought his usual visual flair, having previously directed Paranoiac, The Evil of Frankenstein, Dracula Has Risen from the Grave, and Tales from the Crypt. He's also better known in wider circles for his cinematography—earning two Academy Awards and five BAFTAs for work on Sons and Lovers, The Elephant Man, The Innocents, Return to Oz, and Glory. He also worked on Dune, Cape Fear, and even music videos for All Saints and Jimmy Nail. Cinematographer Norman Warwick handled the visuals on The Creeping Flesh. Warwick was also behind the camera for The Abominable Dr. Phibes (see Episode 10), Dr. Jekyll and Sister Hyde, and Confessions of a Window Cleaner. The film was shot at Shepperton Studios and Thorpe House in Surrey.We believe The Creeping Flesh was the 20th film pairing Cushing and Lee, likely falling between Horror Express (Episode 7) and Nothing but the Night (Episode 42). We're happy to be corrected—find us on BlueSky @generalwitch.Subscribe, listen, and join us as we explore the world of British cult horror, Tigon films, and everything in between. Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

(00:00:00) Introduction & Plot Synopsis (00:07:25) The Round Table (01:20:13) Masked Balls (01:27:42) Vampire Rules OK? (01:34:33) Top 5 Rubber Bats! In this episode, the lads happen across a couple of newlyweds stranded in deepest, darkest Hammerland at the turn of the century and the AA can't help them there. Maybe the inhabitants at the castle on the hill can assist?What could possibly go wrong?All the links you think you'll need & more! HERECev's the dusty receptionist at the local inn while Philip goes to the ball, Smokey hits the books and Adam goes a bit batty...“The House Of Hammer Theme” and incidental music - written and produced by Cev MooreArtwork by Richard Wells 

This week, we have a special guest--actor, producer, and writer, Allison Claye! First we talk about recent viewings like HELL OF A SUMMER, CANNIBAL MUKBANG, and THE RULE OF JENNY PENN, and then.....STOP! It's hammer Time! No, not that kind of Hammer, I mean the iconic series of Gothic horror films produced by the British film company Hammer Film Productions from the mid-1950s to the 1970s! These classics are still influencing directors and studios today. These movies are simply too legit to quit!

276 Hammerama Ep. 27: The Legend of the 7 Golden Vampires w/Michael WorthWelcome to Hammerama! Hammerama is a subsidiary series of the DieCastMovie Podcast. Please join Alistair Hughes and Steven Turek as they analyze the wonderful movies of Hammer Films, from opposite ends of the world! On this episode, we are joined by Filmmaker, Actor, and Martial Artist - Michael Worth!Please send feedback to DieCastMoviePodcast@gmail.com.Al is the author of Infogothic: An Unauthorized Graphic Guide to Hammer Horror. A special thanks to Reber Clark for allowing us to use his music! You can purchase Mr. Clark's music at reberclark.bandcamp.com.

We're off to the circus, and dipping into the magical, as we look at Hammer's penultimate non-Dracula vampire film.

Aaron and Darlene watch some classic sci-fi from the 1950s and '60s, good and bad. They talk about what makes these films memorable and fun, and if you should take a trip back in time and enjoy these films as well.Feedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.bsky.socialSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqWebsite: https://www.thisweekingeek.net

The Horror 101 crew finally spotlights a Hammer film.  A Terence Fisher film by a Richard Matheson script from a Dennis Wheatley novel.  This is a rare time Christopher Lee is the hero in a Hammer Horror.,  We hope you enjoy our coverage of The Devil Rides Out.  Show Highlights:01:00 Prelude to Terror...05:00 The Life and Deaths of Christopher Lee...06:00 Our First Rated G film...07:30 Favourite Lee films...13:30  Where's Simon?17:00  A Most Dangerous Game...21:15  Don't Look at the Eyes...24:24  Pursuing Tanith...29:00  The Goat of Mended...38:10  Mocata's Visit...45:00  The Circle of Protection...52:00  Scarcely in the Name of God...54:15  Zero Consequences...58:30  Scoring the film...70:00  Conclusion!  Thanks for Listening!

In this final installment of our March podcast villain series, we decided to end with a character who has been interpreted in more ways than almost any other: Count Dracula.Meaghan and Arthur dove into this rich, multifaceted figure who has stood the test of time, appearing in literature, theater, film, television, comics, and even ballet. While Dracula is far from the first fictional villain, his enduring presence makes him one of the most iconic.Across generations, the character has been portrayed in so many forms that it almost becomes impossible to count. So we took on the challenge of tracing Dracula's origins, his evolution across media, and our own personal favorites from his cinematic portrayals.The Roots of DraculaWe began by introducing listeners to the original story of Dracula, the novel published in 1897 by Irish author Bram Stoker. The novel is set up in an epistolary format, meaning it's told through letters, journal entries, telegrams, and various documents — a storytelling method that adds a documentary-like authenticity to the supernatural tale.Much of it was written while Stoker stayed in Whitby, England, a location that eventually inspired part of the book's setting. In the story, Jonathan Harker travels to Transylvania to help a mysterious count named Dracula purchase property in England. Things spiral into horror as Dracula makes his way to London, bringing with him death and chaos.As we discussed, there's a longstanding debate about Dracula's real-life inspiration. The common theory connects him to Vlad the Impaler, a ruthless 15th-century ruler known for his violent methods. There's also speculation around Hungarian countess Elizabeth Bathory, infamous for allegedly bathing in the blood of young girls. However, newer scholarship suggests Stoker might have chosen the name "Dracula" simply because he misunderstood it to mean “devil” in Romanian.We also touched on the thematic weight of Dracula's character - how, especially during the Victorian era, he symbolized temptation, corruption, foreignness, and disease. His ability to lure women into his power and feed on them while they remained semi-willing created a metaphorical blend of sexuality, danger, and the fear of the “other” that resonated with readers of the time.Dracula on the Screen: From Shadows to SoundWe explored how Dracula's story was first visualized in cinema, starting with the silent film Nosferatu (1922), a German adaptation that changed character names to avoid copyright issues.Despite efforts by Stoker's widow to have all copies destroyed, a few prints survived, and the film became a cult classic. Nosferatu laid the groundwork for what would become the Dracula visual standard — looming figures, haunting silhouettes, and unsettling stillness.We then examined the 1931 Dracula film starring Bela Lugosi, the first officially licensed screen adaptation. Lugosi's performance shaped the image of Dracula in popular culture: the accent, the cape, the stare.We learned that Lugosi performed the role phonetically, not speaking English fluently, which added to the eerie stillness of his portrayal. Interestingly, a Spanish-language version was filmed simultaneously using the same sets, which many critics consider to be superior in certain technical aspects.Dracula became the foundation for Universal Studios' “monster movie” identity, alongside Frankenstein, The Mummy, and The Wolfman. These films established a shared aesthetic that would be drawn upon for decades.Waves of Interpretation: Gothic Horror to Sexy VampiresFrom the 1950s through the 1970s, we saw a gothic revival of Dracula through Hammer Horror films, most prominently featuring Christopher Lee. We both appreciated Lee's version — a charismatic, regal Dracula — and talked about how he portrayed the character in seven different Hammer films. In some of those, he even refused to speak if he found the lines poorly written, creating a more silent, menacing figure.The 1970s also brought in more playful and unconventional interpretations, like Blacula, a Blaxploitation reimagining. We highlighted how William Marshall's portrayal introduced a sophisticated, socially aware Dracula figure who challenged racial themes head-on. There was also Frank Langella's Dracula, which leaned heavily into romantic seduction, further evolving the character from monster to tragic anti-hero.Then came the 1992 film Bram Stoker's Dracula by Francis Ford Coppola, starring Gary Oldman, Keanu Reeves, and Winona Ryder. While visually rich and ambitious in scope, we felt it was uneven — a mix of great performances and questionable choices, particularly with casting and pacing.Modern Spins and ReinventionWe also explored how Dracula has fared in the 21st century. In the 2000s, the character began to be molded in more experimental or comedic directions. We discussed Dracula 2000, which offered a wildly original origin story — portraying Dracula as Judas Iscariot, cursed with immortality for betraying Jesus. Despite the film's overall mediocrity, we admired the creativity of that take.Then, there was Dracula Untold (2014), a more action-oriented approach that reconnected Dracula to Vlad the Impaler. While not universally loved, we found it entertaining and appreciated its attempt to craft a distinct backstory. Meanwhile, the 2020 BBC/Netflix miniseries Dracula starring Claes Bang impressed both of us deeply. We praised it as one of the most creative and engaging portrayals in recent memory, successfully blending horror, humor, and charisma.We also talked about recent comedic takes like Renfield (2023), with Nicolas Cage going full camp as Dracula. Cage's performance stood out despite the film's weaknesses — we both agreed he injected new life into a familiar character. Additionally, animated versions like Hotel Transylvania took Dracula in a fully comedic, family-friendly direction.Cultural Impact and CuriositiesBeyond film, Dracula has appeared across multiple mediums. We were fascinated to learn that he had a run in Marvel comics in the 1970s in Tomb of Dracula, which also introduced Blade. There were radio adaptations, most notably one with Orson Welles, and even ballet productions like Dracula: Pages from a Virgin's Diary, combining gothic horror with Canadian ballet.We included several TV portrayals in our honorable mentions, such as the Buffy the Vampire Slayer episode “Buffy vs. Dracula,” and a Supernatural episode featuring a Dracula-inspired shapeshifter. These versions brought humor and novelty to the character, continuing his evolution into satire and pastiche.And, of course, we couldn't forget the Count from Sesame Street — likely the only Dracula interpretation who's never been evil, only educational.Our Personal Rankings and Final ThoughtsWe each compiled a top-five ranking of our favorite portrayals of Dracula. While our picks varied in the lower ranks — with shoutouts to Nosferatu, Blacula, Dracula Untold, Nicolas Cage's Renfield Dracula, and the 1931 Bela Lugosi version — we both agreed that Claes Bang's portrayal in the 2020 miniseries was number one. His performance captured a blend of menace, charm, and unpredictability that felt refreshing and memorable.As we wrapped up the episode, we reflected on how Dracula, as a character, has endured through decades because of his adaptability. Whether terrifying, seductive, tragic, or hilarious, Dracula continues to evolve with the times. From Victorian fears to modern humor, he offers creators endless possibilities to reimagine what a vampire — and a villain — can be.We're wrapping up villain month with this tribute, but we're excited to start a brand new theme next week. Dracula might be going back to his coffin for now, but he'll certainly rise again.

Aaron and Darlene watch some classic sci-fi from the 1950s and '60s, good and bad. They talk about what makes these films memorable and fun, and if you should take a trip back in time and enjoy these films as well.Feedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.bsky.socialSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqWebsite: https://www.thisweekingeek.net

As part two of our accidental Pierce Brosnan double feature, we get to "enjoy" Death Train! (aka, Detonator). If you ever asked the powers that be for a movie with an all star cast (Brosnan, Patrick Stewart, Christopher Lee, Ted Levine), but you wanted them in a ridiculous plot, and made for TV, well, all aboard! DISCLAIMER: Language and Spoilers!!DEATH TRAIN (DETONATOR)dir. David Jacksonstarring: Pierce Brosnan; Patrick Stewart; Ted Levine

Brace yourself, Robert Campbell is back for one last (probably) round of industry wisdom, outrageous stories and brutally honest predictions. If you haven't taken notes yet, now's your chance before your boss pretends they invented everything he says. This time, we dive into getting sued by Sir Martin Sorrell, ageism, Hammer Horror, Nils Leonard and... The Wombles? (Yes, really.)

In episode 488, the "survival experts" go out for a nice get away too the woods, only to be ambushed by a spooky wolfman! Chris has not eaten dinner and Jack wants to know the difference between a werewolf and a wolfman. E-mail your survival suggestions to us at wecouldsurvivethat@gmail.com or Twitter @WeCouldSurvive or find older episode on Youtube at: https://www.youtube.com/channel/UCXAa8-wNqv1G14ts_DHenkg/feed

On this episode we revisit the Hammer Horror Universe - The movie we chose was Curse of the Werewolf - The only Werewolf movie Hammer produced and the first werewolf movie to be filmed in colour. Released in 1961 it stars a young and may we say very hot, Oliver Reed. In his movie debut. Track: "1980S" Music supplied by https://slip.stream Download / Stream for free: https://get.slip.stream/9HRYCP Follow us on Bluesky (@crystalmythpodcast.bsky.social), X (@podcast_myth), or Facebook. Please leave us a review on your podcast platform, subscribe, and help share the Crystal Myth! Hosted on Acast. See acast.com/privacy for more information.

In the second episode of our new monthly spinoff series, Patrick Stratford is joined by our friend and sponsor Mark Bennett of Vanguard Comics, who shares his top Sgt. Bob Cryer episodes in a podcast jam-packed with love for Sun Hill. Please enjoy the first few minute of the podcast and join us for the full 50-minute Obbo for just £2.99 on patreon.com/thebillpodcast where you will also instantly unlock hundreds of Reaction videos, Reunion highlights and sample episodes of The Evidence Room 1999. In this clip, Mark Bennett tells us about working with several "The Bill" stars at Gosport Comic Con 2024 and looks ahead to this year's event, taking place place at St Vincent College Gosport on Sunday 13th April 2025, where special guests include "Doctor Who" legends Peter Davison and Janet Fielding, James Bond and Hammer Horror icons Caroline Munro and Madeline Smith and "Red Dwarf" and "The Brittas Empire" star Chris Barrie! Find out more and book your tickets at vanguardcomics.co.uk The Bill Podcast is brought to you in proud association with georgefairbrother.com shop.saturdaymorningpress.co.uk vanguardcomics.co.uk gibconsultancy.co.uk and mcr-seo.com

In a 1963 thriller that takes in rape, murder, asbestos and France, you'll probably not be so surprised that the lads focus on welding and not much more. This is normally the bit where there's a look ahead to what's on the way, but it's just welding.“The House Of Hammer Theme” and incidental music - written and produced by Cev MooreArtwork by Richard Wells"Car horn = corpse"

Black leather, Britain's Area 51, a dinosaur, a Ferrari, witch trails, the Black Death and Keith Moon. What could all these possibly have in common?Well dear listener, prepare to be baffled by The Damned. Possibly the most adventurous outing yet, but is it any good?Listen on, but beware: there be spoilers ahead!Weymouth in all it's glory: https://youtu.be/8MBxu0VAAWE?si=Z1f-aLpjFaDACdBa“The House Of Hammer Theme” and incidental music - written and produced by Cev MooreArtwork by Richard Wells

STEVIE AND JO ARE BACK! Sally Rogers returns to The Bill Podcast with her good friend, the mighty Lucy Speed (DS Stevie Moss), a bona fide legend of screen and stage. Interviewing the legends is one of our own: TV historian and The Bill Podcast executive producer Patrick Stratford, who does a fantastic job in his first-ever podcast recording! This is the first of a two-part interview where the legends take a fond look back at their time at Sun Hill, plus discuss some of their recent work. The Bill Podcast is brought to you in proud association with georgefairbrother.com shop.saturdaymorningpress.co.uk vanguardcomics.co.uk gibconsultancy.co.uk and mcr-seo.com Vanguard Comics are proud to present Gosport Comic Con 2025 Special guests include Doctor Who legends Peter Davison and Janet Fielding, James Bond and Hammer Horror icons Caroline Munro and Madeline Smith and Red Dwarf and The Brittas Empire star Chris Barrie Gosport Comic Con takes place at St Vincent College Gosport on Sunday 13th April 2025. Find out more and book your tickets at vanguardcomics.co.uk

"To the Devil a Daughter" Hammer Horror Movie Review with Natassja Kinski Birthday Tribute In this episode of the Scary Spirits podcast, Greg continues his epic journey through the Hammer Horror filmography with a deep dive into the 1976 cult classic, "To the Devil a Daughter." Starring the legendary Sir Christopher Lee, this episode celebrates the upcoming birthday of the film's captivating star costar, Natassja Kinski (January 24th). Enjoy a "Morphine Drip" cocktail with our hosts as they dissect this chilling tale of Satanism and explore its place within the iconic Hammer Films legacy.

Church Of Mabus Bruce G Hallenbeck The Kinderhook Creature And Beyond & Hammer Horror Films

What's up, revellers and weirdos! This episode we discuss not one, but two Hammer Horror movies, THE CURSE OF FRANKENSTEIN (1957) and THE HORROR OF DRACULA (1958), both directed by Terence Fisher. Did these movies forever convince Americans us Brits have bad teeth? Please rate and review us, it's always appreciated. And of course... stay safe out there tonight. follow us: @scaringsampod

We try to avoid rumors. We have no issues talking about speculation from unnamed sources, but just straight up gossip and fan casting isn't really our thing. That is what the internet and social media is for. But if it involves a couple of our favorites, we have not choice but to chime in.There are a number of criminally overlooked characters in Hollywood. The most underused may be the Universal monsters. Everyone knows who they are - Dracula, Frankenstein, the Wolf Man - but they never seem to get their just due. This is especially true of the Mummy. Are things about to change?Heist movies tend to be a lot of fun. Unfortunately, we have not covered many bank robbery movies on our humble little podcast. And this year's attempts at Christmas horror have frankly fallen flat. To end the year, we found something that checks off both boxes.There are a lot of shocking things about 1961's Cash on Demand. And the fact it was made by the renowned Hammer Film Productions may be the least. The story of a cold bank manager who has to deal with a charming bank robber does not sound all that original. Cash on Demand makes it work with strong performances, wit, and great characters. Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.Music in the background from https://www.FesliyanStudios.com

256 - Hammerama Ep. 26: The Abominable Snowman Welcome to Hammerama! Hammerama is a subsidiary series of the DieCastMovie Podcast. Please join Alistair Hughes and Steven Turek as they analyze the wonderful movies of Hammer Films, from opposite ends of the world! Please send feedback to DieCastMoviePodcast@gmail.com. Al is the author of Infogothic: An Unauthorized Graphic Guide to Hammer Horror. A special thanks to Reber Clark for allowing us to use his music! You can purchase Mr. Clark's music at reberclark.bandcamp.com.

Join Justin as he chats with actor Cam Clarke about growing up in a family of entertainers, Hammer Horror, his new book, Tales from the Crypt, Ninja Turtles, Metal Gear, and more!Buy Cam Clarke's new book here!Cam Clarke bio:“Cam Clarke is an American voice actor, known for his work in animation, video games and commercials. Among his notable roles are Leonardo and Rocksteady in the 1987 Teenage Mutant Ninja Turtles animated series, Shotaro Kaneda in the 1989 original Streamline Pictures English dub of Akira, and Liquid Snake in the Metal Gear series. He often serves as a voice double for Matthew Broderick and served as Broderick's singing voice of Simba in The Lion King II: Simba's Pride.”Monsters, Madness and Magic Official Website. Monsters, Madness and Magic on Linktree.Monsters, Madness and Magic on Instagram.Monsters, Madness and Magic on Facebook.Monsters, Madness and Magic on Twitter.Monsters, Madness and Magic on YouTube.

This time around Philip is the friendlier phantom, here to guide you through the sewers to room 84 whilst Adam practices his arias, Cev plays with organs and Smokey becomes Madame Smutterfly for one night only.Elsewhere there's all kinds of Phantoms Of Operas and a look into why there were only 3 Hammer Films released in 1962...“The House Of Hammer Theme” and incidental music - written and produced by Cev MooreArtwork by Richard WellsAll the links you think you'll need & more!https://linktr.ee/househammerpod

Welcome back to Winter of the Wolf, the Hound of the Baskervilles adaptation showdown tournament we made up and committed to! On this episode, Rachael and Ansel are joined by returning guest Brian Watson Jones to cover the 1983 Hound of the Baskervilles TV Film and pit it against the Hammer Horror 1959 version.This version is purported to have the scariest version of the hound that was ever put to film! Does it live up to that hype? Listen to find out! (the answer is no)Content warning (STRONG): Onscreen rape, sexual assault, and domestic abuse, violence both to and by animalsCheck out Brian's podcast Ghost Wax!Also check out his Rocky Horror show Transvestite Soup if you're a Twin Cities listener!Contact the pod! Linktree at: https://linktr.ee/sherlocksayspod?fbclid=PAAaalIOau9IFlX3ixKFo3lsvmq6U1pYn8m3cf7N6aOqkqUGCljCO0R00KZ3E

It's just a great month for Aussie writers on the pod! We had the best chat with the lovely Lisa Tirreno ⁠@lisatirrenoauthor⁠ about her gorgeous debut PRINCE OF FORTUNE

Jeremy Selenfriend and Brian Spears return to talk about working on the prosthetic FX on the 2024 horror hit Smile 2! Eric Yoder joins us to talk about his upcoming 70's Hammer Horror style The Abomination of Frankenstein! https://www.indiegogo.com/projects/the-abomination-of-frankenstein-finishing-funds --- Support this podcast: https://podcasters.spotify.com/pod/show/withoutyourhead/support

Yo ho ho and a bottle of rum! Or is that a coffin full? Along with all the rest of the gin, snuff, cigarettes, them weird stuffed donkeys with the big eyes and tulips from Amsterdam, you could count on Captain Clegg and his cohorts to sneak them under the noses of the taxman.Has he met his match with the King's best busies? Let's find out!Cev's cockahoop about everything, Philip's gone poetic, Adam's all about a paddlin' and Smokey's sniffing something in this feature length adventure!“The House Of Hammer Theme” and incidental music - written and produced by Cev Moore Artwork by Richard Wells All the links you think you'll need & more! https://linktr.ee/househammerpod

253 - Hammerama Ep. 25: She Welcome to Hammerama! Hammerama is a subsidiary series of the DieCastMovie Podcast. Please join Alistair Hughes and Steven Turek as they analyze the wonderful movies of Hammer Films, from opposite ends of the world! Please send feedback to DieCastMoviePodcast@gmail.com. Al is the author of Infogothic: An Unauthorized Graphic Guide to Hammer Horror. A special thanks to Reber Clarke for allowing us to use his music! You can purchase Mr. Clark's music at ⁠⁠reberclark.bandcamp.com.

Celebrate 54 Years of Hammer Horror with a “Bat Blood” Themed Review of “Scars of Dracula“ On November 8th, 1970, Hammer Films released the classic horror film “Scars of Dracula.” To commemorate this milestone, we're dedicating this week's episode to a special review of this cult classic. Join your hosts Karen and Greg as they delve into the depths of Dracula's lair, discussing the film's enduring legacy and its impact on the horror genre. But that's not all! To enhance the experience, they'll be downing a “Bat Blood” themed shot while they chat. So, grab your favorite vampire-inspired beverage and join us for a chilling journey through the world of Hammer horror. Here's what you can expect in this episode: A detailed analysis of “Scars of Dracula,” exploring its themes, characters, and visual style. A discussion of Sir Christopher Lee's amount of screen time in the film. A lively conversation about our personal experiences with the film and the Hammer horror franchise. A special “Bat Blood” cocktail recipe to enjoy while you listen. Whether you're a fan of classic horror or just looking for a fun and spooky way to spend an evening, this episode is sure to be a treat. So, tune in and join us as we raise a glass to the 54th anniversary of “Scars of Dracula.”

Hello! And welcome to the 81st and last regular episode of Hammer House of Podcast, where Paul Cornell (Doctor Who, Elementary) and L.M. Myles (Verity!) discuss, in order of UK release, every horror movie made by Hammer Film Productions from The Quatermass Xperiment through to Doctor Jekyll. This month, we review the last Hammer Horror movie to date, Doctor Jekyll (2023).

 Qapla'! It's time for Sherlock Says! This week, your hosts Ansel and Rachael are joined by Minneapolis writer and composer Angela Fox to discuss the 1959 Hammer Horror adaptation of Hound of the Baskervilles starring Peter Goddamn Cushing and Christopher Goddamn Lee.What are you still doing here? Why aren't you already watching it based on those names alone?Come see I'll Be Home for Kahless! https://illbehomeforkahless.com/Content warning: violence to and violence by animals, domestic abuse, satanic imageryContact the pod! Linktree at: https://linktr.ee/sherlocksayspod?fbclid=PAAaalIOau9IFlX3ixKFo3lsvmq6U1pYn8m3cf7N6aOqkqUGCljCO0R00KZ3E

Adam's your guide through The Terror Of The Tongs, a wild and blood soaked adventure from 1961 that bears a few similarities with a previous Hammer film. Will this be wild and blood soaked enough to stand on its own? Only a level headed roundtable discussion will get to the bottom of that.Elsewhere Philip's love for all things Yvonne sends him multilingual, Smokey gets ganged up on and Cev gets plastered...“The House Of Hammer Theme” and incidental music - written and produced by Cev MooreArtwork by Richard WellsAll the links you think you'll need & more!https://linktr.ee/househammerpod

It's time for one of those huge episodes. Well, it's a three parter anyways. 1965 was a low rent year for horror movies on the whole but some younger hot shot directors were beginning to change things. A modern flavour was evident in a few of the picks. But, what do I think was the very greatest horror movie that came out during 1965? Well, here we have the top 10. The worst 10. A slew of also rans. Some awesome mates. Some special guests. Several shots of whisky and a 4+ hour running time split over 3 episodes. This is 1965, A Year In Horror. You can now support A Year in Horror via the Patreon.Theme Music by Max Newton& Lucy Foster.Email the podcast at ayearinhorror@gmail.comDon't bother following the podcast on Facebook. But feel free to...Follow me on Twitter.Follow me on Instagram.Follow me on Letterboxd.Below are the time codes for all the different segments and my guest links. Feel free to let me know where you think I got it wrong or right and of course stay safe out there and I'll see you next month.0.34 - Also Rans (Continued)1.11 - Nightmare Castle (w/ Louise Patricia Crane)1.01.25 - Night Caller From Outer Space1.05.34 - Planet of the Vampires1.11.00 - The Nanny1.18.02 - The Collector1.26.54 - Repulsion1.31.54 - Outro

It's time for one of those huge episodes. Well, it's a three parter anyways. 1965 was a low rent year for horror movies on the whole but some younger hot shot directors were beginning to change things. A modern flavour was evident in a few of the picks. But, what do I think was the very greatest horror movie that came out during 1965? Well, here we have the top 10. The worst 10. A slew of also rans. Some awesome mates. Some special guests. Several shots of whisky and a 4+ hour running time split over 3 episodes. This is 1965, A Year In Horror. You can now support A Year in Horror via the Patreon.Theme Music by Max Newton& Lucy Foster.Email the podcast at ayearinhorror@gmail.comDon't bother following the podcast on Facebook. But feel free to...Follow me on Twitter.Follow me on Instagram.Follow me on Letterboxd.Below are the timecodes for all the different segments and my guest links. Feel free to let me know where you think I got it wrong or right and of course stay safe out there and I'll see you next month.0.00 - Intro15.24 - Sci-fi Corner16.45 - Juliet of the Spirits (Ansel Feraj)46.25 - Doctor Who and the Daleks (w/ Kevin Lyons)

Concluding our October spooooooky month of films, we have the 1968 classic Hammer Horror film The Devil Rides Out, starring one half of everyone's favorite horror duo: Christopher Lee!  Evidently Peter Cushing was away on holiday or something? Don't know.  Anyway, here's our review!

Welcome to a special Halloween edition of THE ARCHIVE on the CINEMATIC SOUND RADIO PODCAST Today's show focuses on the music of the house of horror, HAMMER FILMS. Yes, all of the music comes from the studio best known for a series of Gothic horror and fantasy films made between the mid-1950s and the 1970s. Many of these feature classic horror characters like Baron Victor Frankenstein, Count Dracula, and the Mummy, whom Hammer reintroduced to audiences by filming them in vibrant colour for the first time. Composers featured include David Whittaker, Harry Robinson, Laurie Johnson, Franz Reizenstein and the great James Bernard. The show is scripted by acclaimed film music journalist Jon Mansell, who, with the help of your host Jason Drury, will take you on a journey through the best music this renowned studio has ever produced. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

SCREAM Drafts 2024 comes to a shocking conclusion as Screen Drafts Legend Bryan Cogman (Game of Thrones) is joined by B.J. Colangelo (This Ends at Prom) and Chris Hewitt (Empire Magazine) to rank the 13 (oooo scary) best HORROR films made by HAMMER studios in the CLASSIC era!

250 - Roger Corman's Frankenstein Unbound Discussion w/ Alistair Hughes Welcome to the 250th episode of the show! We felt that the best way to celebrate this was to discuss Roger Corman's Frankenstein Unbound with the amazing talented and insightful Alistair Hughes! Al is the author of Infogothic: An Unauthorized Graphic Guide to Hammer Horror. Please send feedback to DieCastMoviePodcast@gmail.com or leave us message on our Facebook page. Thanks for listening!

OctJOEber continues with Joe up to his ol' hijinks in 1967's “This Night I'll Possess Your Corpse”, moving him from Universal Monster territory to Hammer Horror territory. If you wondered what José Mojica Marins would do with a bigger budget and longer running time, wonder no longer. Torture dungeons, secret laboratories, hunchbacked assistants, scantily clad ladies, even more tarantulas, this ain't your daddies Coffin Joe!

With Halloween only 21 days away, folk horror blogger Rowan Lee joins us to discuss a pair of offbeat Brit horror movies with totally loaded casts. First, Peter Cushing discovers that the humanoid fossil he discovered in New Guinea transforms into the slimy embodiment of pure evil when you just add water in THE CREEPING FLESH (1973). In a film with f--d-up family dynamics, Cushing almost immediately injects cells from his creepy skeleton's newly formed flesh into his young daughter (Lorna Heilbron) in a hair-brained attempt to inoculate her against evil. Christopher Lee is Cushing's hyper-competitive half-brother who mismanages a mental hospital and decides that stealing the fossil during a rainstorm is a great idea. What could go wrong? Directed by Hammer veteran Freddie Francis (DRACULA HAS RISEN FROM THE GRAVE), who went on to late-career success as the director of photography of three David Lynch movies (ELEPHANT MAN, DUNE, THE STRAIGHT STORY) and Scorsese's remake of CAPE FEAR. Next, Christopher Lee teams up with the great Boris Karloff and 60s scream queen Barbara Steele in THE CRIMSON CULT aka CURSE OF THE CRIMSON ALTAR (1968). This one starts off with a bang with psychedelic sex parties and pagan sacrifices, so as Greg suggests, get high quick because the movie soon gives way too much screen time to Mark Eden as a dense antiques dealer looking for his brother where everyone is losing their minds (and articles of clothing) over anniversary of the burning of the witch Lavinia (Steele). I mean, um, Christopher Lee is right there! Also starring Michael Gough who played Alfred in the Tim Burton BATMAN movies. Both of our films today are from Tigon British Film Releasing Productions, the studio that released two folk horror classics: THE WITCHFINDER GENERAL (1968) and THE BLOOD ON SATAN'S CLAW (1971) along with some sex comedies. We also discuss folk horror and the pandemic with Rowan Lee and Bob saw MEGALOPOLIS! Check out Rowan's blog at https://theharvestmaidsrevenge.com/ Hosts: Greg Franklin, Philena Franklin and Bob Calhoun Cory Sklar is on assignment OMFYS theme, "Funky Frankenstein," and "Bigfoot Bonanza" by Chaki the Funk Wizard used with permission. "Pelagic" by Density and Time; "Black Mass" by Brian Bolger; and "Apocalyptic Echoes" by Jimena Contreras courtesy of YouTube Audio Library Trailer audio courtesy of Archive.org Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): @OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com NEXT EPISODE: AP Mike aka Mike Lisk joins us for a pair of Bogart classics with THE BIG SLEEP (1946) and IN A LONELY PLACE (1950).

In this episode, I sat down with Jon Spira to dive deep into the making of his latest documentary, The Life and Deaths of Christopher Lee. If you're a regular listener, you know Jon's been on the podcast a couple of times before, and it's always a treat to hear him talk about his work.This time around, he takes us through the journey of bringing Christopher Lee's story to life—literally.Jon kicked things off by sharing what drew him to this project in the first place. Inspired by a mix of fascination and intrigue, he became captivated by Lee's enigmatic presence, especially after rewatching a rather unusual "This Is Your Life episode" featuring Lee. Jon's documentary doesn't just skim over Lee's storied career, from Hammer Horror to The Lord of the Rings, but it digs into the emotional layers of a man who, despite his towering on-screen persona, was often plagued by self-doubt and a desire to control how the world perceived him.We spent a good amount of time talking about the challenges Jon faced in portraying someone as multifaceted as Christopher Lee. It's no small feat to condense a career that spanned over six decades into a single film. Jon wanted to avoid the usual biographical pitfalls—just ticking off achievements and movie titles—and instead aimed for something more intimate and emotionally resonant. He wanted viewers to come away with a sense of who Christopher Lee really was, beyond just the roles he played.One of the more fascinating parts of our conversation was Jon's decision to use a marionette puppet to represent Lee. It was an unconventional choice, but as Jon explained, it made perfect sense for a subject who was so concerned with how his story was told. He originally toyed with the idea of CGI but felt that it lacked the emotional warmth he was looking for. So, he collaborated with Andy Gent, known for his work with Wes Anderson and Tim Burton, to create a beautifully crafted puppet of Lee. And who better to provide the voice than Peter Serafinowicz, whose deep, rich tones helped bring that puppet to life. Jon's approach allowed Lee to narrate his own story, with other voices occasionally chiming in to add a touch of warmth and gentle contradiction. It's this kind of creative storytelling that sets Jon's work apart—finding new ways to tell familiar stories.Jon and I also delved into some of the broader challenges facing filmmakers today. The industry is in a strange place right now, with budgets tightening, streamers changing their strategies, and the rise of new technologies like AI reshaping the landscape. We had a lively discussion about the role of AI in filmmaking. For one specific sequence in the film—recounting a moment when Christopher Lee witnessed the last public execution by guillotine in France—Jon's team used AI-assisted animation to breathe life into archival photos. It's a decision that has sparked some controversy, especially from certain corners of the American press, but Jon sees it as just another tool in the creative toolkit. He acknowledges the fears around AI and the impact it might have on jobs, but he also believes that, when used thoughtfully, it can elevate storytelling in new and exciting ways.Throughout our conversation, a recurring theme was empathy—something that Jon clearly values in his approach to documentary storytelling. He talked about how he always aims to create a sense of connection between the audience and his subjects, to show their humanity in all its complexity. For Jon, it's not just about documenting facts; it's about exploring how those facts feel, and how they shape the person behind the public image. In The Life and Deaths of Christopher Lee, this approach results in a film that isn't just a tribute to a cinematic legend but also a portrait of a man grappling with his own insecurities, just like the rest of us.We also touched on the state of cinema today—how trends are shifting, the uncertain future of theatrical releases, and what that means for filmmakers who, like Jon, are passionate about telling unique, challenging stories. It's clear that Jon sees the current moment as both a challenge and an opportunity—a chance to push boundaries and keep audiences engaged in new ways, even if it means embracing some unconventional methods along the way.All in all, our chat was a rich, multi-layered conversation, touching on everything from the intricacies of puppetry to the big questions about where the film industry is headed. It's a must-listen for anyone interested in the art of documentary filmmaking, the evolving landscape of cinema, and the enduring allure of a complex, larger-than-life figure like Christopher Lee.

SPOILER ALERT! This is not your only warning. 1961's 'mini Hitchcock' Taste of Fear has a memorable ending that warrants an equally memorable episode for one reason or another...For maximum thrills, the House of Hammer earnestly urge you to listen from the start to the finish!“The House Of Hammer Theme” and incidental music - written and produced by Cev Moore Artwork by Richard Wells All the links you think you'll need & more! https://linktr.ee/househammerpod

HALLOWEEN HUMPFEST has officially begun and last year we tackled some Hammer Horror starring ( mostly) Christopher Lee. This year, every Wednesday, we're rocking even more Hammer Horror movies with another actor that will (mostly) appear. We're talking about Mr. Funtimes himself, Oliver Reed. Today we discuss an emotional Oliver Reed performance in the 1961 film “THE CURSE OF THE WEREWOLF” directed by the prolific Terence Fisher and also starring Clifford Evans, Yvonne Roman & Catherine Feller. A young boy, whose conception is from a sexual assault, is born on Christmas Day. Apparently anybody who is born on this day, that isn't Jesus, is cursed. If that's not sad enough his mother dies after going through labor. A kind man and his housekeeper raise the boy as his own. A good kid is given a chance but fate says “fuck them kids” because the man's feral curse is bigger than any kindness. Actual wolves are easier to tame than this poor Werewolf who becomes a serial killer every full moon by no fault of the man inside. Our first of three werewolf features this month and they're all pretty much tragedies. We found a link to this one right here: https://archive.org/details/the-curse-of-the-werewolf Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

246 - Hammerama Ep. 24: X the Unknown Welcome to Hammerama! Hammerama is a subsidiary series of the DieCastMovie Podcast. Please join Alistair Hughes and Steven Turek as they analyze the wonderful movies of Hammer Films, from opposite ends of the world! Please send feedback to DieCastMoviePodcast@gmail.com. Al is the author of Infogothic: An Unauthorized Graphic Guide to Hammer Horror. A special thanks to Reber Clarke for allowing us to use his music! You can purchase Mr. Clark's music at ⁠reberclark.bandcamp.com.

“And that, ladies and gentlemen, is how we deal with vampires in old London Town,'.    - Ben Aaronovitch in Rivers of LondonWe start this episode in the London neighborhood of Highgate. It's famous cemetery, exuding Victorian design and extravagance, is the setting for our first story, about a potential paranormal experience and the long term metaphysical feud that resulted.We'll delve into mainstream horror cinema of the 1950s and 60s from London's own Hammer Films, with special emphasis on its vampiric offerings. In Dracula, Bram Stoker's count moved far and wide around the city. We'll trace his footsteps and learn hidden coding to the novel's London locations.What's a modern vampire to do in the city?  We highlight some haunts for those interested in exploring the city as a creature of the night. And, as intro, we share a brief memorial to our late, beloved pod-pup, Boo. Photos, links and more at our SHOW NOTES here. 

Screenwriter Stuart Wright talks with MARK HART about starting E17 Rock'n'Roll Book Club founder and how it led to the Music Maps Podcast co-host and "3 Films That Have Impacted Everything In Your Adult Life" For the latest E17 Rock'n'Roll Book Club events follow them on EVENTBRITE at https://www.eventbrite.co.uk/o/walthamstow-rock-n-roll-book-club-8617400486For the MUSIC MAPS PODCAST see https://rocknrollbookclub.co.uk/musicmaps/  HAMMER HORROR, DRACULA (1958)EVIL ROY SLADE (1972)FIRST VIDEO RECORDED, A SANYO BETAMAX (1981)"3 FILMS THAT HAVE IMPACTED EVERYTHING IN YOUR ADULT LIFE" is a podcast by screenwriter Stuart Wright that explores the transformative power of cinema. From emotional masterpieces to thought-provoking classics, each episode delves into the films that have had a profound impact on our personal growth and perspective. Through engaging storytelling, critical analysis, and cultural commentary, Stuart aims to uncover the lasting influence that movies have had on his guests. Please join him on an emotional journey through the world of film and discover how just three movies can change the direction of a life, cement memories you will never forget or sometimes change how you see the world."CreditsIntro/Outro music is Rocking The Stew by Tokyo Dragons (www.instagram.com/slomaxster/)Podcast for www.britflicks.com https://www.britflicks.com/britflicks-podcast/Written, produced and hosted by Stuart WrightSupport this podcast at — https://redcircle.com/britflicks-com-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Since hitting the screens in April 1961, The Curse Of The Werewolf's reputation has become the stuff of legend. Adam has been looking forward to hosting this, but is it truly a magnificent beast or an absolute howler?Join the lads as they look at all things lupine to find out…“The House Of Hammer Theme” and incidental music - written and produced by Cev MooreArtwork by Richard Wells All the links you think you'll need & more! https://linktr.ee/househammerpod

Legend of the 7 Golden Vampires review starts at 1:04:50 Movie Recap: Sasquatch Sunset (2024) Vahalla Rising (2009) Oppenheimer (2024) Indiana Jones and the Last Crusade (1989) Support: patereon.com/notforeveryone Drink more coffee: https://www.foxnsons.com/  PROMOCODE: NFE