Podcasts about Polydor Records

MK-Ultra digs deep into his vinyl stash for a gritty dose of 1970s Funk and Soul, inspired by Blaxploitation classics like Shaft, Foxy Brown and Superfly. Written by Thomas Oakland and featuring narration by TJ Trueh, who returns after his unforgettable performance in Raunchy Radio. A visceral and cinematic lo-fi journey through the seedy side of life on the mean streets.This podcast episode features content created or published by Armando Curcio Editore, Atlantic Records, Because Music, Blue Note Records, Flying Dutchman Records, Numbero, Parlophone Records, Polydor Records, Rhino, Sleeve Records, Tamla, Warner Music Group and others.Thomas Oakland & TJ Trueh - Welcome To The Game [Skit #1]Bobby Womack - Across 110th StreetDonny Hathaway - Little Ghetto BoyKool & The Gang - Father, FatherThe Jimmy Castor Bunch - What's Best?Johnson, Hawkins, Tatum & Durr - You Can't Blame MeThomas Oakland & TJ Trueh - The Illusion [Skit #2]Sisters Love - Give Me Your LoveJeremy Steig - Come With MeMandrill - Mango MeatThe Hygrades - Keep On MovingThomas Oakland & TJ Trueh - The Bigger They Are [Skit #3]Jackie Moore - IfMarvin Gaye - Right OnGil Scott-Heron - Pieces Of A ManCurtis Mayfield - PushermanDonald Byrd - Black ByrdThomas Oakland & TJ Trueh - Walk Away Clean [Skit #4]

Today we're joined Merseyside's very own, Crawlers, an incredible band that you will no doubt have seen playing sold out shows and festivals all across the world and who's music has captured the hearts and minds of a generation.While you might already know that they're signed to Polydor Records and no strangers to sharing stages with bands like My Chemical Romance and Jane's Addiction, it might come as a surprise as to how much Retro Gaming has played an important part in their lives growing up, and how it continues to provide inspiration both on and off the tour bus.I sat down with Holly, Liv, and Harry to talk about all things Zelda, speedrunning classic resident evil games, taking Pokémon Nuzlocking rules to the next level, how video game music influences the writing process, and much more.

Roy Edward Ayers Jr. (September 10, 1940 – March 4, 2025) was an American vibraphonist, record producer and composer.Ayers began his career as a post-bop jazz artist, releasing several studio albums with Atlantic Records, before his tenure at Polydor Records beginning in the 1970s, during which he helped to pioneer jazz-funk. He was a key figure in the acid jazz movement, and has been described as "The Godfather of Neo Soul". He was best known for his compositions "Everybody Loves the Sunshine", "Running Away", and "Freaky Deaky" and others that charted in the 1970s. At one time Ayers was listed among the performers whose music was most often sampled by rappers.

Hey Hey beautiful people here is this weeks Radio Rewind in High Definition Sounds The paradise sessions - Discos Revenge returns this Sunday with @markymmp on @cruise_fm 10 am - 12 pm UK cruise FM. So in Sundays's program I will paying tribute to Roy Ayers the “Vibes Master” who we sadly lost on the 4th March. His music inspired me to play more Jazz Funk in my sets and his amazing journey across 6 decades of amazing music gave us the soundtrack to our lives. The Who? Roy Edward Ayers Jr. (September 10, 1940 – March 4, 2025) was an American vibraphonist, record producer, and composer. Ayers began his career as a post-bop jazz artist, releasing several studio albums with Atlantic Records, before his tenure at Polydor Records beginning in the 1970s, during which he helped pioneer jazz-funk. He is a key figure in the acid jazz movement, and has been described as "The Godfather of Neo Soul". He is best known for his compositions "Everybody Loves the Sunshine", "Lifeline", and "No Stranger to Love" and others that charted in the 1970s. At one time Ayers was listed among the performers whose music was most often sampled by rappers. Tracks Roy Ayers - Everybody Loves the Sunshine Roy Ayers - Hey Uh What You Say Come On Ethel Beatty - I Know You Care Roy Ayers Feat Merry Clayton - Oh What a Lonely Feeling Roy Ayers - Poo Poo La La Roy Ayers - Goree Island Roy Ayers - Blast the Box Roy Ayers - Don't Stop the Feeling Roy Ayers - Can't You See Me (Dr Packer Remix - Extended) The Vision - Wasting (feat. Ben Westbeech & Roy Ayers) Ferry Ultra, Roy Ayers, Emmaculate - Dangerous Vibes (Emmaculate Remix) Roy Ayers - Holiday Kenny Dope Main Pass SUGAR [THE REFLEX REVISION] 24 - 44 final master Belezamusica - Running Away (Seamus Haji Remix) Roy Ayers - Get On Up, Get On Down (Joey Negro Revibe) Elements Of Life - You Came Into My Life (Louie Vega Roots NYC Mix) GooDisco - Love Taste (Original Mix) Louise Spiteri, DJ Spen - Thinkin' About You (DJ Spen Remix) Luis Radio - The EWF Theme (Original Mix) DJ Wady, First Class Funk - Hey Girl (Original Mix) Followed in the second hour with DJ Allan's Awesome 4Some Much Love Marky MMP Cruise FM, and hope you can join me on this special weekly journey delivered with love..

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Grease es la banda sonora original de la película Grease de 1978. Fue lanzado originalmente por RSO Records y posteriormente reeditado por Polydor Records en 1984 y 1991. La canción "You're the One That I Want" fue el número 1 de los Estados Unidos y el Reino Unido para las estrellas John Travolta y Olivia Newton-John. Ha vendido aproximadamente 22 millones de copias en todo el mundo,1​ lo que lo convierte en uno de los álbumes más vendidos de todos los tiempos, y también se encuentra entre los álbumes de bandas sonoras más vendidos de todos los tiempos. Además de los intérpretes John Travolta y Olivia Newton-John, el álbum también presentó canciones del grupo de rock n roll Sha Na Na, así como la exitosa canción "Grease", una canción escrita por Barry Gibb (de los Bee Gees) y cantada por Frankie Valli (de The Four Seasons) que fue un número uno adicional de Estados Unidos. Lista de canciones: 1. Grease - Frankie Valli 2. Summer Nights - John Travolta & Olivia Newton-John 3. Hopelessly Devoted To You - Olivia Newton-John 4. You're The One I Want - John Travolta & Olivia Newton-John 5. Sandy - John Travolta 6. Beauty School Dropout - Frankie Avalon 7. Look At Me, I'm Sandra Dee - Stockard Channing 8. Greased Lightning - John Travolta 9. It's Raining On Prom Night - Cindy Bullens 10. Alone At The Drive-In Movie (Instrumental) - Jim Jacobs/Warren Casey 11. Blue Moon - Sha-Na-Na 12. Rock 'N' Roll Is Here To Stay - Sha-Na-Na 13. Those Magic Changes - Sha-Na-Na 14. Hound Dog - Sha-Na-Na 15. Born To Hand Jive - Sha-Na-Na 16. Tears On My Pillow - Sha-Na-Na 17. Mooning - Louis St. Louis & Cindy Bullens 18. Freddy My Love - Cindy Bullens 19. Rock 'N' Roll Party Queen - Louis St. Louis 20. There Are Worse Things I Could Do - Stockard Channing 21. Look At Me, I'm Sandra Dee (Reprise) - Olivia Newton-John 22. We Go Together - John Travolta, Olivia Newton-John, & Cast 23. Love Is A Many Splendored Thing (Instrumental) - Sammy Fein/Paul Francis Webster 24. Grease - Frankie Valli Escucha este episodio completo y accede a todo el contenido exclusivo de EDITORIAL GCO. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/2313218

Milonga del Melón Sabroso Sandra Carrasco con David de Arahal Recordando a Marchena Sandra CarrascoNoche de Amor Ondatrópica con Juancho Vargas Noche de Amor Selva RecordsEl cosechero Mélanie Dahan, Giovanni Mirabassi, Marc-Michel Le Bévillon, Lukmil Perez, Storycordes Latine BACKSTAGE PRODUCTIONLa Più Bella Del Mondo Anna Ghetti, Paolo Ghetti, Gabriele Mirabassi Swinging Memories Irma RecordsMa L'Amore No Anna Ghetti, Paolo Ghetti Swinging Memories Irma RecordsSmall Changes Michael Kiwanuka Small Changes Polydor RecordsHome The Magic Lantern To Everything a Season The Magic LanternThe End of the Journey (To Debra) Marina Albero, serenasounds A Nomad of Sound Marina AlberoEl Noi de la Mare Sílvia Pérez Cruz, Juan Falú El Noi de la Mare Silvia Pérez CruzHechizo Las Áñez Cien Años Las ÁñezFLAG Ichiko Aoba FLAG hermineEscuchar audio

This book covers the mental and physical health problems research suggests musicians might come up against and offers lots of tools and techniques to help aid prevention. You'll also find information about the structure of the industry, money management, and how to improve your skills as a performer, creator, and CEO of your career.Expect original interviews with leading researchers, health experts, business execs and a host of artists including Laura Mvula, Will Young, Imogen Heap, Wayne Hector, MNEK, Nina Nesbitt, Lauren Aquilina, Ella Eyre, Jonathan Higgs, Lady Leshurr, and many others. You'll also find quotes and advice from a long list of established artists like Ed Sheeran, Lily Allen, Amanda Palmer, Matty Healy, Gary Numan, Billie Eilish, James Blake, Taylor Swift, Justin Bieber, George Ezra, Loyle Carner, Alicia Keys, Dave, and Mabel. Widely supported by some of the biggest companies in the music business, Sound Advice is the ultimate industry-backed guide for both seasoned professionals and those just starting their career. It has been produced with the generous support of Live Nation, Universal Music UK, Sony Music UK, Warner Music UK, IFPI, Spotify, Hipgnosis Songs, Vevo, PRS for Music, Polydor Records, and PPL.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Robbie Williams a dévoilé "Forbidden Road", un nouveau single qui apparaitra dans son prochain biopic ‘'A Better Man'', dans lequel il incarnera un singe. Pour marquer le 20e anniversaire de l'album ‘'How To Dismantle An Atomic Bomb'', U2 a sorti un album parallèle intitulé ‘'How To Re-Assemble An Atomic Bomb'' qui contient de nouvelles chansons inédites dont "Luckiest Man In The World". Un nouveau documentaire sort ce 29 novembre à propos du Yacht Rock, mélange de rock, de jazz et de rhythm and blues (type de musique destiné à être apprécié "en sirotant un verre sur un bateau de luxe"). Sade Adu a dévoilé le nouveau clip vidéo de "Young Lion", son single récemment sorti, disponible depuis vendredi sur la compilation ‘'TRAИƧA''. Sean Ono Lennon se souvient qu'il a commencé à faire de la musique pour "combler le vide" laissé par la mort de son père, John Lennon. Une guitare Resonet Futurama, utilisée par George Harrison au début de l'aventure des Beatles, est partie à 1,27 million de dollars lors d'une vente aux enchères à Nashville. Mots-Clés : Intitulé, titre, film, vie, artiste, enfance, aventure, boys band, Take That, succès, solo, vidéo, fans, images inédites, mélodie, acoustique, épurée, paroles, parcours, découverte, archives, sessions d'enregistrement, original, Country Mile, Happiness, réédition, terme, populaire, radio, 1970, 1980, réalisé, Garret Price, essor, soft-rock, décennie, artiste, Michael McDonald, Steely Dan, Kenny Loggins, Toto, Christopher Cross, exemple précis, Sailing, quintessence du genre, hommage, Izaak, fils, transgenre, clip, image, jeune, actuel, ensemble, abattu, Mark David Chapman, nouvelle, interview, People, conséquence, tragédie, échappatoire, offert, combler, vide, apprendre, guitare, surmonter, connecter, parent, motive, impression, connaître, prix exorbitant, Beatles, 1959, magasin de musique, Liverpool, utilisé, concert, groupe, Polydor Records, son particulier, My Bonnie, single, Tony Sheridan, 1961, Paul McCartney, Cry for a Shadow, enregistré. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

Chi è chiIn sottofondo "I will survive" cantata da Gloria Gaynor (autori Freddie Perren e Dino Fekaris, etichetta Polydor Records, 1978 all rights reserved)

"Guidance around health and wellbeing can often be overwhelming but Sound Advice does an excellent job of cutting through the noise on this vitally important subject as well as demystifying the fundamentals of our industry. Simply put, this is a must-read for anyone starting out in music today."- David Joseph, former Chairman and CEO of Universal Music UK Are you interested in learning how to cultivate sustainable success in the popular music industry whilst prioritizing your health? If so, this book is for you. Inside you'll find research-informed advice and information that aims to help musicians, as well as those that work with them, navigate their way through what can be a challenging and demanding industry. This book covers the mental and physical health problems research suggests musicians might come up against and offers lots of tools and techniques to help aid prevention. You'll also find information about the structure of the industry, money management, and how to improve your skills as a performer, creator, and CEO of your career.Expect original interviews with leading researchers, health experts, business execs and a host of artists including Laura Mvula, Will Young, Imogen Heap, Wayne Hector, MNEK, Nina Nesbitt, Lauren Aquilina, Ella Eyre, Jonathan Higgs, Lady Leshurr, and many others. You'll also find quotes and advice from a long list of established artists like Ed Sheeran, Lily Allen, Amanda Palmer, Matty Healy, Gary Numan, Billie Eilish, James Blake, Taylor Swift, Justin Bieber, George Ezra, Loyle Carner, Alicia Keys, Dave, and Mabel. Widely supported by some of the biggest companies in the music business, Sound Advice is the ultimate industry-backed guide for both seasoned professionals and those just starting their career. It has been produced with the generous support of Live Nation, Universal Music UK, Sony Music UK, Warner Music UK, IFPI, Spotify, Hipgnosis Songs, Vevo, PRS for Music, Polydor Records, and PPL.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Stance is back with singer and dancer Moonchild Sanelley as we approach our 8th year on air! In Season 4, Chrystal Genesis explores the people, places, stories, and ideas shaping our creative world. And with that, we head to South Africa to hear about Full Moon, the upcoming album from Port Elizabeth-born, Jo'burg-based singer, dancer and businesswoman Moonchild Sanelly. Born Sanelisiwe Twisha, she was raised on dance routines and church choirs and has since created a sound that's entirely her own, which she calls Future Ghetto Funk—an eclectic fusion of hip hop, punk rock, house, and dance-pop with South African gqom and kwaito. She has also collaborated with artists like Beyoncé, Self Esteem, Nile Rodgers, Ezra Collective, and Gorillaz. Chrystal sat down with her to discuss her third studio album, Full Moon, her patented teal Moonmop hairstyle, and the inspiration behind her new record's themes of sexuality, reclaiming power, motherhood, vulnerability and forgiveness. If you like what you heard, please write us a review and check out more of our work at stancepodcast.com and all podcasting apps @stancepodcast This podcast was produced by Etay Zwick with additional support from Zara Martin. Music used in this podcast: Scrambled Eggs by Moonchild Sanelly with thanks to Transgressive Records Do My Dance by Moonchild Sanelly with thanks to  Transgressive Records Big Booty by Moonchild Sanelly with thanks to  Transgressive Records Gwara Gwara by Moonchild Sanelly with thanks to  Transgressive Records Demon by Moonchild Sanelly & Sad Night Dynamite with thanks to Transgressive Records With Love To An Ex by Gorillaz featuring Moonchild Sanelly with thanks to Parlophone Records  Big Man by Moonchild Sanelly and Self Esteem with thanks to  Polydor Records  

Hello and welcome to The Stress Factor Drum and Bass Podcast episode 315, featuring the highly anticipated return of DJ B-12. This episode presents an extraordinary 100 Track super mix that encapsulates the essence of contemporary drum and bass, showcasing the genre's most exhilarating and cutting edge tracks. Listeners can expect a rich tapestry of sound, characterized by stunning vocals, emotive breakdowns, and a blend of darker, edgier elements that add depth to the mix. The infusion of trancey and electro influences further elevates the listening experience, making this episode a must listen for enthusiasts of high energy music. We invite you to immerse yourself in this remarkable auditory journey and share the excitement with fellow music lovers. This episode includes tunes and remixes from the following artists and labels DC Breaks, Viper Recordings, Metrik, Insomniac Music Group, Houndeye, Delta Heavy, Grafix, Hospital Records, Lexurus, Polygon, Liquicity, ShockOne, Dark Machine Recs, SiLi, Lauren Laimant, Dualistic, Koven, A.M.C, UKF, Aktive, Maduk, Crooked Bangs, Fred V, 1991, Alex Hosking, Chaos, Madface, Dawn Wall, Anni, Bungle, Scientific, Itro, Slippy, Josh Rubin, NCS, Sola, Pyxis, Dirtbox Recordings, Zero T, The North Quarter, Hazey, Ponz, Hiraeth, Prospex, Audio Overload Jungle Records, Fourward, Elevate Record, High Contrast, Highly Contrasting, Seba, Phil Tangent, Secret Operations, Wyld Dogz, Sharlene Hector, Nero, Create Music Group, Andy C, Becky Hill, Polydor Records, Andromedik, Nu-La, Malaky, Galacy Records, DJ Phantasy, Nicky Blackmarket, Lords Of Rave, Sweet Female Attitude, Lords of Moondance, L-Side, NUFORM, Low Steppa, Kelli-Leigh, Shapes, Armada Music, Polaris, Innerground Records, Bastion, Fade Black, Leo Law, Pilot., Skepsis, Brodie, FFRR, Critical Music, Jon Void, Kastuvas, Gas Pedal, Leony, Sigma, Kontor Records, Voicians, Krakota, Lee Mvtthews, Sleepless Music Ltd., Minos, Fokuz Recordings, Drumsound & Bassline Smith, Technique Recordings, Neuron, Celsius Recordings, 3Beat, Sub Focus, Pola & Bryson, EMI, McLean, Camo & Krooked, Asylum Records, Disciples, Delilah, MONSS, Ministry of Sound Recordings, Georgie Riot, Spaven, Riot Record, Hiraeth, Grum, Natalie Shay, Grafix, Anjunabeats, Eviya, Sonny Fodera, blythe, SOLOTOKO, Dogzone Records, Outerbass, Fokuz Recordings, ZeroZero, Riya, Flexout Audio, Virtue, xJAK Audio, Brookes Brothers, Mia Kirkland, The Prototypes, Lowes, Danny Byrd, S.P.Y., CmdCtrl, DnB Allstars, Jazmine Johnson, James Hiraeth, Insanity Records, Iklektix, Beta Recordings, Cauzer, Matrix, Futurebound, Blaine Stranger, Tom Cane, Rex Hooligan, Chrissie Huntley, Camelphat, Sony Music Entertainment UK, Artificial Intelligence, Artino, Flux Pavilion, Matthew Koma, Circus, Oliver Tree, Atlantic Records, Arielle Free, GHSTGHSTGHST, Flava D, Telomic, Dimension, Alison Wonderland, SOLR, GEST, Shogun Audio, Moore Kismet, Rameses B, Monstercat, Rhode, Chicane, Bryan Adams, Monika, Spearhead Records, AR CO, ARTY, Etherwood, Jay Sorrow, Aluna, Picard Brothers, Kaleena Zanders, DRIIA, Mad Decent, SACHI, Kanine, Casablanca Records, Republic Records. Tracklist 01. DC Breaks - Exoplanet [Viper Recordings] 02. Metrik - Immortal [Insomniac Music Group] 03. Houndeye - Falling Awake [Viper Recordings] 04. Delta Heavy - Midnight Forever [Delta Heavy] 05. Grafix - Skyline (ft. Metrik) [Hospital Records] 06. Lexurus and Polygon - Waveline [Liquicity] 07. Polygon - Feel This Good [Liquicity] 08. ShockOne - Follow Me [Dark Machine Recs] 09. SiLi - TRONCE [Liquicity] 10. Delta Heavy - Sanctuary (ft. Lauren Laimant) [Delta Heavy] 11. Dualistic - Cluster Patrol [Liquicity] 12. Koven and A.M.C - Hooked [UKF] 13. Aktive - Loko [UKF] 14. Maduk and Lexurus - Follow My Heart (ft. Crooked Bangs) [UKF] 15. Fred V - Luminous [Hospital Records] 16. 1991 - Jungle (ft. Alex Hosking) [Chaos] 17. Madface - Paralyzed [Viper Recordings] 18. Dawn Wall - Sinner (ft. Anni)[UKF] 19. Bungle - Arise [Scientific] 20. Itro - Promises [Liquicity] 21. Slippy and Josh Rubin - Crash (Extended) [NCS] 22. Sola and Pyxis - Time Lost [Dirtbox Recordings] 23. Zero T - Don't Know [The North Quarter] 24. Hazey and Ponz - Go Under [Liquicity] 25. Hiraeth - Deep Blue [Liquicity] 26. Prospex - Without You [Audio Overload Jungle Records] 27. Fourward - Show Me Love [Elevate Records] 28. High Contrast - Remember Me [Highly Contrasting] 29. Seba - Eztli (Phil Tangent remix) [Secret Operations] 30. Wyld Dogz - Lola's Theme (feat. Sharlene Hector) (Extended Mix) [Dogzone Records] 31. Nero - The Unknown [Create Music Group] 32. Andy C x Becky Hill - Indestructible (Extended Mix) [Polydor Records] 33. Andromedik and Lexurus - Adrenaline (feat. Nu-La) [Liquicity] 34. Malaky and pyxis - Nimbus [Galacy Records] 35. Delta Heavy - No Gravity [Delta Heavy] 36. DJ Phantasy x Nicky Blackmarket x Lords Of Rave - Say Yes (feat. Sweet Female Attitude)[Lords of Moondance] 37. L-Side - Regret [NUFORM] 38. Low Steppa - Runnin' feat. Kelli-Leigh (Shapes Extended Remix) [Armada Music] 39. Polaris - One More Time [Innerground Records] 40. Bastion and Fade Black - Blood and Gold (ft. Leo Law) [Pilot.] 41. Skepsis and Brodie - Double Vision (Extended) [FFRR] 42. Fade Black - Elysium [Critical Music] 43. Jon Void - LFG [Liquicity] 44. Kastuvas - Tell Me Why [Gas Pedal] 45. Leony - Remedy (Sigma Extended Remix) [Kontor Records] 46. Voicians - Lost At Sea [Liquicity Records] 47. Krakota and Lee Mvtthews - Feel Good [Sleepless Music Ltd.] 48. Minos - Mystic Vibez [Fokuz Recordings] 49. 1991 Ft. Mugatu - Cyclone [Chaos] 50. Drumsound and Bassline Smith - One More Time [Technique Recordings] 51. Neuron - Always Together [Celsius Recordings] 52. Sigma - That Feeling [3Beat] 53. Sub Focus and Pola and Bryson - Waiting VIP (ft. Kelli Leigh) [EMI] 54. McLean - Finally In Love (Camo and Krooked Remix) [Asylum Records] 55. Lexurus - Take Me Away [Liquicity] 56. Disciples x Delilah - If I Stay (MONSS Remix) [Ministry of Sound Recordings] 57. Georgie Riot and Spaven - Out Of My Mind [Riot Records] 58. Hiraeth - Origins (SiLi Remix) [Liquicity] 59. Grum ft. Natalie Shay - Don't Look Down (Grafix Remix) [Anjunabeats] 60. Lexurus and Itro - Letting Go (feat. Eviya) [Liquicity] 61. Sonny Fodera - Mind Still (feat. blythe) (1991 Remix) [SOLOTOKO] 62. Wyld Dogz - Spaceman [Dogzone Records] 63. Outerbass - Radical [Fokuz Recordings] 64. ZeroZero and Riya - Thinking Over It [Flexout Audio] 65. Virtue - Second Guessing [xJAK Audio] 66. Brookes Brothers, Mia Kirkland - Enemies [UKF] 67. The Prototypes - Reason (feat. Lowes) (Danny Byrd Extended Remix) [The Prototypes] 68. Danny Byrd, S.P.Y. and Cmd Ctrl - Pink Champagne [DnB Allstars] 69. Delta Heavy - Chasing Gold (ft. Jazmine Johnson) [Delta Heavy] 70. James Hiraeth - Chasing Highs (Slow Motion) (Extended) [Insanity Records] 71. Iklektix - How I Like It [Beta Recordings] 72. Fade Black - Condemned (Cauzer Remix) [Critical Music] 73. Matrix and Futurebound and Blaine Stranger - New Energy (ft. Tom Cane) [Viper Recordings] 74. Rex Hooligan - Save Me (feat. Chrissie Huntley) [Liquicity] 75. Camelphat - Easier ft. LOWES (Sub Focus Remix) [Sony Music Entertainment UK] 76. Voicians - Keep Me Under [Liquicity] 77. Artificial Intelligence - Even Though [Liquicity] 78. Neuron - No More [Celsius Recordings] 79. Artino - What I Want [Liquicity] 80. Flux Pavilion x Matthew Koma - Emotional (James Hiraeth Remix) [Circus] 81. Outer Bass - Stardrop [Fokuz Recordings] 82. Oliver Tree - Miss You (Georgie Riot Remix) [Atlantic Records] 83. Arielle Free and GHSTGHSTGHST - Blow My Mind (Flava D Extended Remix) [Armada Music] 84. Voicians and Telomic - Eternalize [Liquicity] 85. Dimension and Alison Wonderland - Satellite [Dimension] 86. Neuron - Searching [Celsius Recordings] 87. Fade Black - Far Gone [Critical Music] 88. SOLR - Your Love [Celsius Recordings] 89. Delta Heavy - High On You [Delta Heavy] 90. GEST - Brutalis [Shogun Audio] 91. Moore Kismet - Overthinking Out Loud [UKF] 92. Rameses B - Children [Monstercat] 93. Voicians and Rhode - Never Go Back [Liquicity] 94. Fade Black - Sane feat. Leo Law [Critical Music] 95. Chicane - Don't Give Up feat. Bryan Adams (Grafix Extended Remix) [Armada Music] 96. Monika - Death Blinding [Spearhead Records] 97. Sub Focus - Vibration (One More Time) (Visualiser) ft. AR/CO [EMI] 98. ARTY and Etherwood - In My Head feat. Jay Sorrow (Extended Mix) [Armada Music] 99. Aluna, Picard Brothers and Kaleena Zanders - Supernova (DRIIA Remix) [Mad Decent] 100.SACHI - Take Me Back (Kanine Remix) [Casablanca Records (Republic Records)]

Siamo noi la libertà                                                                              La prima clip è un estratto di "California", brano scritto e cantato da Gianna Nannini (dall'album "Perle", etichetta Polydor Records, 2004 all rights reserved). L'ultima clip è il trailer del film "Il presidente del mondo" (scritto e diretto da Michele Cogo e Francesco Merini, prodotto da Mammut Film, 2016 all rights reserved)

On the show this time, it's the timeless freedom and fearlessness of Feist. Feist is the moniker of Canadian singer-songwriter and guitarist Leslie Feist. She's been making music since she was a teenager, her first punk rock band winning a battle of the bands back in 1993.  She toured with that band, until she was forced to take a 6 month break from singing due to losing her voice.  She became the bassist for a friend's band.  She became the guitarist in another band.  She wrote songs and when she was ready, released her debut solo record in 1999. Her latest album released in 2023 is called “Multitudes” and is available on Polydor Records. Recorded 05/24/2024. The Circle Married The Line Forever Before Century Hiding Out in the Open Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, it's the timeless freedom and fearlessness of Feist. Feist is the moniker of Canadian singer-songwriter and guitarist Leslie Feist. She's been making music since she was a teenager, her first punk rock band winning a battle of the bands back in 1993.  She toured with that band, until she was forced to take a 6 month break from singing due to losing her voice.  She became the bassist for a friend's band.  She became the guitarist in another band.  She wrote songs and when she was ready, released her debut solo record in 1999. Her latest album released in 2023 is called “Multitudes” and is available on Polydor Records. Recorded 05/24/2024. The Circle Married The Line Forever Before Century Hiding Out in the Open Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Show #1060 Summer Variety: Harmonica Fantastica 01. Cuban Heels - So Unfair (4:21) (Gutbucket Music, Cool Buzz Records, 2005) 02. Jerry McCain - Midnight Beat [1967] (Midnight Beat, Charly Records, 1987) 03. Li'l Ronnie & the Grand Dukes - Mellow Chick (5:18) (Got It 'Live' From '05, EllerSoul Records, 2023) 04. Andrew Alli - Walter's Sun (2:07) (Hard Workin' Man, EllerSoul Records, 2020) 05. John Mayall - Room To Move (4:46) (The Turning Point, Polidor Records, 1969) 06. Aki Kumar - The Mumbai Express (2:52) (Don't Hold Back, self-release, 2014) 07. Sonny Boy Williamson II - Stop Crying [1951] (2:56) (Down And Out Blues, Not Now Music, 2010) 08. Tim Gonzalez - Straight From The Heart (3:47) (Straight From The Heart, Timbo Records, 2003) 09. Larry Adler - St. Louis Blues (2:40) 10. Paul Butterfield - I Don't Wanna Go (4:30) (Put It In Your Ear, Bearsville Records, 1975) 11. Phil Berkowitz - Tonka T (3:41) (All Night Party, Dirty Cat Records, 2009) 12. Steve Guyger - Cool In The Evening (5:34) (Radio Blues, Severn Records, 2008) 13. Rick Estrin - Harlem Nocturne (3:06) (On The Harp Side, self-release, 2008) 14. Charlie Musselwhite - No (4:50) (Continental Drifter, Virgin Records, 1999) 15. Livin' Blues (John Lagrand & Pete Wingfield) - Empty Glasses (1:51) (Ram Jam Josey, Ariola Records, 1973) 16. Lee Sankey - Shout It On Out (5:06) (My Day Is Just Beginning, A Ten Year Noose, 2001) 17. John Mayall - Harmonica Free Form (11:25) (Ten Years Are Gone, Polydor Records, 1973) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Show #1054 Vinyl Grooves 01. Paul Weeden/Herbert Noord Quintet - So This Is The Blues (9:27) (Clear Sight, Timeless Records, 1987) 02. Elvin Bishop Band - Rock My Soul (2:46) (Rock My Soul, Epic Records, 1972) 03. Delaney & Bonnie - Don't Deceive Me (Please Don't Go) (3:54) (Motel Shot, Atco Records, 1971) 04. Linda Hopkins - I'm Hungry (4:49) (How Blue Can You Get, Palo Alto Records, 1983) 05. Charley Musselwhite - Early In The Morning (4:34) (Stand Back!, Vanguard Records, 1967) 06. John Mayall - Night Flyer (5:34) (USA Union, Polydor Records, 1970) 07. Barry Goldberg - Mess 'a da' Blues (8:38) (Barry Goldberg And Friends, Record Man, 1972) 08. Mike Bloomfield & Al Kooper - Don't Throw Your Love On Me So Strong (10:57) (The Live Adventures Of Mike Bloomfield & Al Kooper, Columbia Records, 1969) 09. Bloomfield-Hammond-Dr John - Cha-Dooky-Doo (3:40) (Triumvirate, Columbia Records, 1973) 10. Electric Flag - Talkin' Won't Get It (4:10) (The Band Kept Playing, Atlantic Records, 1974) 11. Arnett Cobb - Cobb's Blues (9:05) (Again With Milt Buckner, Black And Blue Records, 1973) 12. George Smith - Going Down Slow (3:36) (Boogie'n With George, Murray Brothers Records, 1982) 13. Fabulous Thunderbirds - Tip On In (3:37) (Butt Rockin', Chrysalis Records, 1981) 14. Anson Funderburgh & the Rockets - Rack 'Em Up (2:19) (Rack 'Em Up, Black Top Records, 1989) 15. Jimmy McGriff - Down Home On The Moon (10:05) (A Thing To Come By, Solid State Records, 1970) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

We've been having a look back through the Tape Notes archive to bring back some of our favourite early episodes that you may have missed. This selection is our conversation with Matty and George of The 1975, recorded back in March 2019. EPISODE NOTES John ventures up to Spitfire Audio to meet with Matty and George from The 1975 to talk about how the album 'A Brief Inquiry Into Online Relationships' was recorded and produced. Somewhat bleary eyed after a massive night at the Brits (scooping two awards), the boys reveal the inner workings of The 1975's production methods and writing techniques. We're treated to demo versions and extensive track breakdowns from their award winning album, showing what it takes to create a 1975 hit. We get to hear why Matty scats to write lyrics, how George uses a Barry White bass trick for creating lush vocals, and hear THE definitive explanation of side-chain compression. Tracks discussed: I Like America & America Likes Me, How To Draw / Petrichor, It's Not Living (If It's Not With You) TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 50% off. MUSIVERSAL Skip the waitlist and get your 25% discount HERE LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Listen to ‘A Brief Inquiry Into Online Relationships' here  Dirty Hit, Polydor Records, Interscope Records Intro Music - Sunshine Buddy, Laurel Collective GEAR MENTIONS Arturia Synth Emulators Izotope Vocal Synth Korg Legacy Collection Moog Shure SM58 Teenage Engineering OP1 Waves CLA Vocal Plugin Yamaha DX7 Yamaha Reface DX Logic Pro Cubase OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM Will Brown  Tim Adam-Smith  Will Lyons  Nico Varanese  Guy Nicholls  Jessica Clucas Katie-Louise Buxton  Seb Brunner-Stolovitzky  Jonathon Coughlin Learn more about your ad choices. Visit megaphone.fm/adchoices

Show #1048 With Some Side Steppin' Kind of regular, but Spinner also does some side steppin' to pay tribute to Duane Eddie who passed away on April 30. 01. Bart Bryant - Whiskey Beer And Wine (4:53) (Backstage II, Horizon Music Group, 2024) 02. JC Covey - Brothers First Not Last (3:41) (Strumcussion Blues, self-release, 2024) 03. Judy Sings The Blues  - Tricks (6:59) (Backstage Pass Live, self-release, 2024) 04. Rick Estrin & The Nightcats - I Finally Hit The Bottom (5:09) (The Hits Keep Coming, Alligator Records, 2024) 05. Muddy Husky Duo - I Can't Be Satisfied (3:22) (Single, Luppa Records, 2024) 06. Billy Price - Change Your Mind (5:31) (Person of Interest, Little Village Records, 2024) 07. Roy Buchanan - Rodney's Song (4:29) (That's What I Am Here For, Polydor Records, 1973) 08. Canned Heat - One Last Boogie (3:58) (Finyl Vinyl, Ruf Records, 2024) 09. Val Starr & The Blues Rocket - The Blues That Move Me (4:21) (To The Blues and Back Again, Sandwich Factory Records, 2024) 10. Robert Jon & the Wreck - Give Love (4:57) (Red Moon Rising, Journeyman Records, 2024) 11. Matthew Chaffey - Waiting On You (2:56) (Hotel Texas, Gypsy Soul Records, 2024) 12. Bastards Of Soul - Woman Of Hell (6:46) (Give It Right Back, Skylark Soul Co., 2024) 13. Anthony Geraci - Owl's Nest (3:05) (Tears In My Eyes, Blue Heart Records, 2024) 14. The B. Christopher Band - Everybody Needs Somebody To Love (3:51) (106 Miles To Chicago, Guitar One Records, 2024) 15. Solomon Burke - Everybody Needs Somebody To Love (2:50) (45 RPM Single, Atlantic Records, 1964) 16. Rolling Stones - Everybody Needs Somebody To Love (3:00) (The Rolling Stones No. 2, Decca Records, 1965) 17. Wilson Pickett - Everybody Needs Somebody To Love (2:20) (45 RPM Single, Atlantic Records, 1967) 18. Small Faces - Whatcha Gonna Do About It (2:00) (45 RPM Single, Decca Records, 1965) 19. The Blues Brothers Band - Peter Gunn Theme (3:48) (The Blues Brothers Soundtrack, Atlantic Records, 1980) 20. Henry Mancini - Peter Gunn (2:05) (45 RPM Single, RCA Victor, 1959) 21. Duane Eddie - Peter Gunn (2:30) (Especially For You, Jamie Records, 1959) 22. Duane Eddie - Movin' 'n' Groovin' (2:06) (Have 'Twangy' Guitar Will Travel, Jamie Records, 1958) 23. Duane Eddie - Rebel-'Rouser (2:21) (Have 'Twangy' Guitar Will Travel, Jamie Records, 1958) 24. Duane Eddie - Because They're Young (2:08) (45 RPM Single, Jamie Records, 1960) 25. Karate Boogaloo - Incredible Wonderful (3:10) (Hold Your Horses, Colemine Records, 2024) 26. The Blues Brothers Band - Closing - I Can't Turn You Loose (0:32) (Briefcase Full Of Blues, Atlantic Records, 1978) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Meglio il tempo delle mele                                                                   La clip finale è un estratto di "Your eyes" dalla colonna sonora del film "Il tempo delle mele 2" cantata dai Cook da Books (autore e produttote Vladimir Cosma, etichetta Polydor Records, all rights reserved)

We welcome our good friend "Jazzy The Gee" for another wonderful show.1. Yassushi Ide. - A Place In The Sun. Kaoru Inoue Remix. Love Injection Records.2. Masaru Imada. - Nauin.3. Indigo Jam Unit. - Switch. Basis Records.4. Naoya Matsuoka & Wesing. - Rap Out Oye Baila Ma Son. Warner Bros Records.5. Masayoshi Takanaka. - Sundrops. Universal Music.6. Himiko Kikuchi. - Stiff Vamp.7. Ryo Kawasaki. - Mirror Of My Mind.8. Kinokuniya Band. - 4.00 AM. Polydor Records.9. Yoshiaki Masuo. - Living The High Life. Electric Bird Records.10. Izumi Kobayashi & Mimi Band. - Concrete Wave. Philips Records.11. Nobuyuki Shimizu. - Silver Spot.12. Surprise Chef. - Crayfish Caper. Nuyorican Broken Mix.13. Shuya Okino. - Still In Love. Kyodai Rework.14. United Future Organisation Ft Monday Michiru. - My Foolish Dream.15. Tsuruoka Ryu. - Wagamama.16. Hiroshi Fukamura & Sadao Watanabe. - Captain Caribe.17. Quasimode. - Ipe Amarelo. Spiritual South Remix.18. Kyoto Jazz Massive. - The Mask.19. Shunzo Ohno. - In The Sky.20. Jabberloop Ft Soft Lipa. - We Got Jazz.21. Nobukazu Takemura. - Lore.22. Takuya Kuroda. - Fade. Kearl Remix.23. Yosuke Onuma. - Jungle. T5 Jazz Records.

Show #1026 Once More It May All Be Mayall Celebrating John Mayall's 90th birthday this week on November 29. 01. John Mayall - Got To Find A Better Way (5:00) (The Sun Is Shining Down, Forty Below Records, 2022) 02. John Mayall - Don't Hang Me Up (4:14) (Ten Years Are Gone, Polydor Records, 1973) 03. John Mayall - Groupie Girl (3:50) (Back To The Roots, Polydor Records, 1971) 04. John Mayall - Dream About The Blues (5:59) (Chicago Line, Island Records, 1988) 05. John Mayall - One Of The Few (2:42) (The Latest Edition, Polydor Records, 1974) 06. John Mayall - Double Crossing Time (3:03) (Blues Breakers With Eric Clapton, Decca Records, 1966) 07. Eric Clapton - When You Got A Good Friend (3:20) (Me And Mr. Johnson, Reprise Records, 2004) 08. John Mayall - It's Over (2:50) (A Hard Road, Decca Records, 1967) 09. John Mayall - Out Of Reach [1967] (4:40) (A Hard Road (reissue), Decca Records, 2006) 10. Fleetwood Mac - No Place To Go (3:24) (Fleetwood Mac, Blue Horizon Records, 1968) 11. Peter Green - A Fool No More (7:43) (In The Skies, PVK Records, 1979) 12. John Mayall - Long Gone Midnight (3:29) (Blues From Laurel Canyon, Decca Records, 1968) 13. Mick Taylor - Blind Willie McTell (8:33) (A Stone's Throw, Cannonball Records, 2000) 14. John Mayall - Taxman Blues (3:08) (New Year New Band New Company, ABC Records, 1975) 15. John Mayall - Loaded Dice (4:27) (Wake Up Call, Silvertone Records, 1993) 16. Coco Montoya - I Was Wrong (3:49) (Writing On The Wall, Alligator Records, 2023) 17. John Mayall - The Mists Of Time (7:56) (Stories, Eagle Records, 2002) 18. Buddy Whittington - Deadwood And Wire (4:17) (Six String Svengali, Manhaton Records, 2011) 19. John Mayall - So Many Roads (8:47) (Live At Montreux Jazz Festival 2008, YouTube) 20. John Mayall - War We Wage (4:14) (Find A Way To Care, Forty Below Records, 2015) 21. Rocky Athas' Lightning - I Will Love Again (3:35) (Lightning Strikes Twice, Armadillo Records, 2007) 22. John Mayall - That's What Love Will Make You Do (3:54) (Nobody Told Me, Forty Below Records, 2019) 23. John Mayall - Snowy Wood (3:32) (Crusade, Decca Records, 1967) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Chris Barty is back in the co-host chair to preview the 2023 ODI World Cup in India! Featuring previews for Pakistan, England, South Africa and Australia from Adam Hassan, TK Hawkey, Chris Goodrick and Alex Spinks. The episode was produced by Patrick Cullen at Ginger Snap Productions and edited by Mike Wilcox at Midnight Creative. Featured clips and music this episode included Substitute by the Who 1968 Polydor Records, Too Long by Daft Punk 2001 WMG, 500 Miles by the Proclaimers 1988 WMG and 7Cricket 2023. All clips and music used in conjunction with APRA AMCOS online mini licence, contact apra.com.au for details. 

Thanks to Audiomovers for supporting this episode. Their Listento Plugin has been a gamechanger for us and we use it across all of our remote interviews and recordings. To see their full range of plugins, visit audiomovers.com and use the promo code TAPENOTES1 at checkout to get your free month (usually only two days). In this episode, John is joined by James Blake to talk about how he wrote, recorded and produced the album ‘Playing Robots Into Heaven'. With the idea of simplifying his solo work primarily with synths and drums, James shares his process of crafting an album with the purpose of getting away from the computer, reflecting on the impact it had on his creativity and mental health. A true master of modular synths, he talks us through the long journey learning to create ‘listenable' music with them, discussing the ways in which they are able to create sounds that he couldn't have imagined.  Listen to discover the enlightening advice James received from Universal's Head A&R, how to best record your voice if you plan to pitch it, and how to adopt the mindset of making music for fun. Tracks discussed: Loading, Big Hammer, Playing Robots Into Heaven LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Listen to ‘Playing Robots Into Heaven' here. Republic Records, Polydor Records, UMG Recordings Intro Music - Sunshine Buddy, Laurel Collective GEAR MENTIONS Thermionic Culture Fat Bustard Sequential Prophet 8 Native Instruments Massive Intellijel Metropolis Make Noise MATHS Make Noise Black and Gold Soma Pulsar-23 Roland SH-101 Roland TR-8S Roland TR-909 Erica Synths LX-02 OEK Sound Soothe FXpansion Geist Valhalla Reverbs Valhalla Vintage Verb API Desk Logic Pro OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Andy Tindall - Videographer Guy Nicholls - Production Assistant Learn more about your ad choices. Visit megaphone.fm/adchoices

After a very brief TL;DR of this whole sordid business that's been ruining my life for the better part of a year, we dive into an interview with... another British criminologist... named Christopher Lowe (@ChrisLowe1994), who's working on his masters and focusing on incels. It's a lovely conversation that I'm sure you'll enjoy!PS Stay tuned at the end for a little public service announcement regarding certain behaviors that are COMPLETELY INAPPROPRIATE and their consequences, starting now."Every Breath You Take" by The Police. 1983. Polydor Records. ——————————————————————— INCEL is created and produced by Naama Kates for Crawlspace Media. Music by Cyrus Melchor. —————————————————————— If you or someone you know is struggling emotionally, or having a hard time, please call someone, or contact one of the excellent resources provided below. —————————————————————— Suicide Prevention Lifeline w: https://suicidepreventionlifeline.org/ t: 1.800.273.8255 —————————————————————— Samaritans Website: https://www.samaritans.org and telephone (UK): 116.123 —————————————————————— Please contact Naama at INCEL with any comments, inquiries, or just random thoughts: e: theincelproject@gmail.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5608426/advertisement

Show #1012 Without Your Host It's long and good, but without your host. So check this playlist to see what's playing. 01. Coco Montoya - Beyond The Blues (4:27) (Suspicion, Alligator Records, 2000) 02. Ann Rabson - Gonna Stop You From Giving Me The Blues (4:45) (Music Makin' Mama, Alligator Records, 1997) 03. Ray Bonneville - Gust Of Wind (4:40) (Gust Of Wind, Stony Plain Records, 1999) 04. Clarence 'Gatemouth' Brown - Sometimes I Slip (6:32) (Alright Again!, Rounder Records, 1987) 05. Magic Sam - I Feel So Good (I Wanna Boogie) (4:47) (West Side Soul, Delmark Records, 1967) 06. Paula Lockheart - Sweet Marijuana Brown (2:35) (It Ain't The End Of The World, Flying Fish Records, 1979) 07. Lonnie Brooks - Evil Twin (3:56) (Roadhouse Rules, Alligator Records, 1996) 08. Chicken Shack - The Road Of Love (3:30) (100 Ton Chicken, Blue Horizon Records, 1969) 09. Charlie Musselwhite - Little Star (5:21) (Continental Drifter, PointBlank Records, 1999) 10. Beaucoup Blue - Desert Spring (4:52) (Free To Fall, self-rlease, 2009) 11. Lisa Cee - Bright Shiny World (5:28) (My Turn, Rip Cat Records, 2012) 12. Cream - Born Under A Bad Sign (3:13) (Wheels Of Fire, Polydor Records, 1968) 13. Geoff Muldaur - The World Is Not My Home (4:44) (The Secret Handshake, Hightone Records, 1998) 14. San Pedro Slim - Having A Hard Time (5:59) (Another Night On The Town, Tramp Records, 1997) 15. Angela Strehli - Go On (3:11) (Blonde & Blue, Zensor/Rounder Records, 1992) 16. Jean-Jacques Milteau - Beale Street (3:46) (Merci d'Être Venus, Odeon Records, 1996) 17. BB King (ft. Joe Cocker) - Dangerous Mood (4:54) (Deuces Wild, MCA Records, 1997) 18. Eric Clapton - Kind Hearted Woman Blues (4:06) (Me And Mr. Johnson, Reprise Records, 2004) 19. Kay Kay & the Rays - Big Bad Girl (3:47) (Big Bad Girl, Topcat Records, 2004) 20. Jason Ricci & New Blood - The Eternal Is (5:29) (Rocket Number 9, Eclecto Groove Records, 2007) 21. Delbert McClinton & Dick 50 - Do It (2:48) (Acquired Taste, New West Records, 2009) 22. Ruby Turner - You Can't Do That (3:16) (Guilty, Indigo Records, 1996) 23. Harpface And The Heat - You Will Never Know (5:39) (Harpface And The Heat, Rockwerk Records, 1996) 24. Amazing Rhythm Aces - Sensual Woman (4:18) (Nothin' But The Blues, self-release, 2004) 25. Julien Kasper Band - Trash Day (4:49) (Trance Groove, Toulcat Records, 2009) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Show #1009 Leisure Pleasure 01. Watermelon Slim - He Went to Paris (3:53) (Ringers, Northern Blues Records, 2010) 02. Chris Daniels & the Kings - Azur-Te (Paris Blues) (3:16) (Louie Louie, Moon Voyage Records, 1998) 03. Arthur Ebeling - Rainy Night In Paris (2:47) (Rainy Night In Paris, Basta Records, 1999) 04. Tony Joe White - Paris Mood Tonight (3:41) (Lake Placid Blues, Polydor Records, 1995) 05. Ian Moore - Paris, Texas (2:13) (Ian Moore's Got The Green Grass, Habaldor Records, 1998) 06. Style Council - The Paris Match (4:23) (Café Bleu, Polydor Records, 1984) 07. Andrew B. Chapman aka JoJo - Plane Ride From Paris (4:57) (Well, It's About Time!, UpIsland Records, 2017) 08. Cedarail - In Memory Of Paris 2015 (2:56) (Just Timeless, self-release, 2016) 09. Nico Wayne Toussaint - Paris Rain (4:03) (Southern Wind Blowin', Dixiefrog Records, 2007) 10. Tino Gonzales - I Last Saw You In Paris (5:04) (The Right time, Just Us Recordings, 2012) 11. Bob Malone - Paris (4:01) (Mojo Deluxe, Delta Moon Records, 2015) 12. Memphis Slim & Canned Heat - Paris (2:14) (Memphis Heat, Blue Star Records, 1974) 13. Jean-Jacques Milteau - Paris Blues (4:50) (Blue 3rd, Universal Music, 2003) 14. Scottie Miller - China In Paris (2:35) (Carnival Cocoon, self-release, 2023) 15. Melvin Taylor - Groovin' In Paris (3:15) (Melvin Taylor Plays the Blues for You, Isabel Records, 1984) 16. Franck Goldwasser - Paris Woman (2:46) (Who Needs This Mess, CrossCut Records, 2023) 17. Gary Moore - Parisienne Walkways (6:49) (Blues Alive, Virgin Records, 1993) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

When MK-Ultra's vinyl collection meets Thomas Oakland's creative writing, it gives birth to Raunchy Radio; one part DJ mixtape, one part comedy audio drama. This faux 1970s radio show features a sensual selection of Soul, Funk, Psychedelic Rock, Reggae and Jazz. Starring TJ Trueh as the charismatic host Big Poppa G, accompanied by the voice talents of Tim Frizzell, Brian Dives, and Clint Davis.This podcast episode features content created or published by Ace Records, Anthology Recordings, Blue Note Records, Polydor Records, RCA Records, Rhino, Soul Jazz Records, Wagram Music and others.Keith Mansfield - Funky FanfareIncredible Bongo Band - Raunchy '73Mandrill - Two Sisters of MysteryJimi Hendrix - Foxey LadyKool & The Gang - Rated XDonald Byrd - Lansana's PriestessMillie Jackson - All The Way LoverTJ Trueh & Tim Frizzell - Billy Bob Jr. [Skit #1]Stampeders - Sweet City WomanTJ Trueh & Brian Dives - Fly Jimmy [Skit #2]Curtis Mayfield - SuperflyThe Jimmy Castor Bunch - TroglodyteTJ Trueh & Clint Davis - Doctor Benny [Skit #3]Johnny Osbourne - All I Have Is LoveLonnie Liston Smith & Cosmic Echoes - Goddess of LoveJeremy Steig - Give Me SomeThe Staple Singers - Let's Do It AgainGil Scott-Heron - When You Are Who You Are

Dan talks to Ron Aikens, and his story is full of twists and turns. Originally part of Philly soul group United Image, they were signed to Stax Records and on their way up when Ron was suddenly sentenced to a term in Graterford Prison, where he joined the prison band Power Of Attorney (signed to Polydor Records). Dan and Ron talk about what it was like to be part of a touring and recording band while incarcerated, his ups and downs in the music biz when he got out, pressing the pause button and taking a city job, and being moved to sing on the street when he retired. Joined by Max Ochester, owner of Brewerytown Beats, Ron has put out his first music in over 40 years. Thanks to Max and his in-house record label, you can get the new Ron and the Hip Tones singles wherever you get digital music, with more on the way. 

When they first burst out of Glasgow in 1981, they were vibrant, priapic, anthemic and focused. As they showed on a three-tarck demo, and on the subsequent debut single for independent label Neat (‘Roll The Dice'/'Love Xs Love'), they were much much more than mere Def Leppard slaves. In fact, the Pettin had an international sound that owed something to AC/DC, UFO, Thin Lizzy and Foreigner, but also had its own raging momentum. Not that the band found the road forward straightforward. But, thanks to a work ethic that took them around the country, plus a valuable session for Radio 1's prestigious ‘Friday Rock Show', the band eventually landed a crucial deal with the major Polydor Records. Moreover, their 1983 debut album (Lettin' Loose) was co-produced by the creative Mack…together with Queen guitarist Brian May. Now, that's pedigree. Amazingly, that album has survived more than 25 years of high-speed, hi-tech developments intact. While other, more celebrated records have dated badly, Lettin' Loose re-affirms the belief back then that the Pettin would plunge to big time stature. What went wrong at the time has little to do with band, or lack of ambition/talent. In America, where they should have broken big, long before Bon Jovi gave Love A Bad Name, they were held back by the label's insistence on an anaemic re-mix (as well as a title change to ‘Heavy Pettin', which caused more confusion than anything else). If the band's essential, vital British brio had been left as conceived in the first place, who knows what might have been achieved. Still, a slot on the bill for the 1983 Reading Festival, the day that Black Sabbath infamously headlined when fronted by Ian Gillan, did them no harm. And touring with both Kiss and Ozzy helped the quintet's progress. Perhaps then, it should have been obvious that record company politics were to scupper Pettin.. A third album, The Big Bang, was released by FM Revolver in 1989 – and still proved this lot were way ahead of so many others who were selling truckloads of ‘units' and getting acclaim from the media But, as the 1980s faded into memory, so too did Heavy Pettin. However, what has happened over the past two decades is that every so often, people will dust down those Pettin recordings, scratch their heads in confusion and wonder what went wrong. Well, recriminations never help; they only serve to fuel frustrations. But now the band are back ! – not for nostalgic reasons, not re- capture a long past youth. Not to right past wrongs. But to make music. So, here we are, not looking backwards to those years, when this lot were ready to take on the world and toured with Motley Crue and Ratt. No, this is about the 21st Century. Driven by a desire, passion, and a capacity simply to invoke the simple magic and rapport of what this band once stood for. Since stepping back out in 2017 the new line up fronted by frontman Stephen “Hamie” Hayman, the band have been going about the business of reclaiming their reputation as a “tour de force” live. 2018 saw them on tour in the UK with American legends Angel. 2019 a headline set at HRH hell followed by another headline appearance this time in Germany at the Headbangers festival, rounding off the year with another tour around the UK with Rockgoddess. 2020 promised to be the best yet, starting off with the amazing Monsters of Rock Cruise X followed by another headline festival appearance at the Brofest festival in Newcastle. Then of course Covid happened! In August 2022 after which felt like an eternity the band went out on a run of shows that would see them play in 5 deferent countries across Europe. Kicking off with a headline slot at the Legends of Rock Festival followed by a triumphant return to their hometown of Glasgow as “Special guests” to the legend that is Michael Schenker! The band have their eyes set firmly on 2023. This will be the 40th anniversary of the debut album Letting Loose. To mark the occasion a new remastered version of the Brian May produced original is slated for a March release followed by a run of shows. The plan is to record these shows for a 40th anniversary Live release later in the year. During the lock down period a new album was written, which is high on the agenda to round off 2023. With a new management deal and solid line up in place the future looks bright. Rock ain't Dead! Heavy Pettin's Info https://open.spotify.com/artist/6qBZ5zsKQjFGnYGmGFNCTC?si=xE2w4vEpReWVpjpd42pKIw heavypettinofficial    

Judith N. Benoit, Singing was always part of her childhood, Judith's humble beginnings started in Church with her family at the age of 6 singing in the choir. By the age of 16, she started writing songs with her family which lead to her auditioning to sing with bands. She was soon snapped up by a management company with her brothers. Then, they met with Adam Moseley well known producer in the business, who started working with Judith and her brothers on their music which saw some big major labels interested in signing them including Motown UK, Polydor Records, Columbia and MCA Records who invested money into them.Judith is a wonderful singer and songwriter, she continued to write and create music on her own til she started a collaboration with Alliance records in 2017, who were able to put Judith together with some awesome musicians to create her album 'Tell Me My Songs' which was released April 2021. The album has done so well with songs Judith has written and others that were submitted. Thanks in particular to these musicians who played on her album Larry Dunn, Luis Conte, Nathan East, Michael Patches Stewart, Gregoire Maret, Luisa Dunn, Morten Jay, Niclas Campagnol, Noah East, Line Krogholm, thanks to Alliance Records. Music will be played on this showcase from the 'Tell Me My Songs' album. Also to mention the producer Patrick Talev-Karanfilovic is added to talk on the show about the recent album.

Show #990 More Vinyl An eclectic mix of new & old music, with the old from vinyl, including a trio dedicated to David Lindley who passed away on March 3. 01. GA-20 - My Soul (3:12) (Live In Loveland, Colemine/Karma Chief Records, 2023) 02. Juke Jumpers - You Don't Love Me (6:41) (Border Radio, Amazing Records, 1980) 03. Dave Crimmen - Come On (3:04) (Single, self-release, 2023) 04. The Allstars - My Love Will Never Die (5:11) (Tip Your Waitress, Adelphi Records, 1978) 05. Brandon Reeves - Skooch (4:07) (Putting Together Pieces, self-release, 2023) 06. The Twangtown Paramours - I Wanna Be Free (3:17) (Single, Inside Edge Records, 2023) 07. David Bromberg - Suffer To Sing The Blues (5:43) (Long Way From Here, Fantasy Records, 1986) 08. Derroll Adams - Deep Ellum Blues (2:19) (Feelin' Fine, Village Thing Records, 1972) 09. Mick Pini & Audio 54 - Shadows (4:14) (Way Ahead, House Of Happiness Records, 2023) 10. David Lindley - Mercury Blues (3:40) (El Rayo-X, Asylum Records, 1981) 11. Ry Cooder - The Very Thing That Makes You Rich (5:36) (Bop Till You Drop, Warner Bros Records, 1979) 12. David Lindley - Spodie (5:00) (Win This Record, Asylum Records, 1982) 13. 11 Guys Quartet - Speakeasy Serenade (4:00) (Small Blues And Grooves, VizzTone Records, 2020) 14. Monaco Blues Band - Rollin' Man (3:32) (Monaco Blues Band, CBS Records, 1984) 15. Cat Wells - Blues Muse (3:44) (Single, self-release, 2023) 16. Johnny Winter - Self-Destructive Blues (3:31) (John Dawson Winter III, CBS Records, 1974) 17. Jimmie Davis - Red Nightgown Blues [1932] (3:01) (Rockin' Blues, RCA/Bear Family Records, 1983) 18. Peter Storm & the Blues Society - I Told You (Not To Treat Me Wrong) (5:40) (Second, Naked Productions, 2023) 19. John Mayall - Devil's Tricks (7:46) (Back To The Roots, Polydor Records, 1971) 20. The Tearaways - Are You Fuckin' Kidding Me (4:08) (And For Our Next Trick, Dirty Water Records, 2023) 21. Steppenwolf - Ride With Me (3:59) (For Ladies Only, Dunhill Records, 1971) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

"It's a crazy feeling right? To go from just making music in your room to now you get to play to people. It's unreal, I love it."We spoke to Toronto electronic dance artist LOSTBOYJAY. Riding the wave of a his infectious 2022 single COULD BE WRONG, Jay warmed up the decks in February for a unique underground show deep in the bowels of Toronto's Lower Bay subway station. This track cleverly transforms Brandy's I Wanna Be Down, into a summer-drenched house track. Freshly signed to Polydor Records and the entire festival season ahead of him, there's lots to celebrate. We discuss his journey from producing beats on Soundcloud to playing live shows and the positivity of the electronic dance community. You can catch him live in Toronto at CODA April 8 supporting Low Steppa. Hosted on Acast. See acast.com/privacy for more information.

As winter thaws to spring in 1984, a fresh batch of singles plucked from John Lennon's posthumous Milk & Honey LP are released on Polydor Records. Stepping Out and Borrowed Time saw some diminishing returns from the previous singles and LP release, but no one could deny the cold comfort of new John Lennon music back on the charts. Producer Jack Douglas found himself victorious in the court case against Yoko Ono over payments and royalties associated with the sessions which produced those tracks - and with that ruling, the final chapter in the Double Fantasy saga drew to a close. McCartney, meanwhile, was in the process of fulfilling a childhood dream - the development of a new Rupert the Bear animated short which would feature new music and soundtrack (not to mention voice acting!) from Paul himself. Rupert and the Frog Song is now scheduled to debut in theaters, ahead of the new McCartney film on the way... Hosted on Acast. See acast.com/privacy for more information.

Today's show features John McLaughlin, an English guitarist, composer and band leader, born in 1942 in Doncaster, a city in South Yorkshire, that's located in northern England. His mother was a concert violinist. He studied violin and piano as a child and then took up the guitar at age 11. His childhood musical influences included MILES DAVIS and LUDVIG VON BEETHOVEN, and more contemporary artists were JOHN COLTRANE and JIMMY HENDRIX McLaughlin is a pioneer of Jazz Fusion. In his music, one can clearly pick out elements of ROCK, JAZZ and BLUES…and also additional elements later on such as WORLD MUSIC, and Western Classical Music. In the 1960s at about age 20, he moved to London where he contributed to several British groups and did session work. One of those British Groups was the Graham Bond Quartet with Jack Bruce and Ginger Baker of Cream. Another rare opportunity was working with Miles Davis.  And he gave guitar lessons too, and one of his students was Jimmy Page, founder of Led Zeppelin. M1 Arjen's Bag (John McLaughlin) EXTRAPOLATION, Marmalade Records, released 1969 in UK, Re-released on Polydor Records, 1972, 4:25. M2 Goodbye Pork Pie Hat, (Charles Mingus 1959) My Goal's Beyond, Mahavishnu John McLaughlin, Douglas 9 Released 1971(solo album) 3:15            . M3- Dawn (John McLaughlin), Inner Mounting Flame, The Mahavishnu Orchestra with John McLaughlin, Columbia, Released 1971 (5:15) M4 Birds of Fire(John McLaughlin), Birds of Fire, Mahavishnu Orchestra, CBS Columbia, Released 1973 (5:50).. M5 Sanctuary (John McLaughlin), Birds of Fire, Mahavishnu Orchestra, CBS Columbia, Released 1973 (5:05). M6 WINGS of KARMA(John McLaughlin), Apocalypse, Mahavishnu Orchestra, with London Symphony Orchestra, CBS Columbia, Released 1974 (6:12) M7- La Danse du Bonheur, Shakti with John McLaughlin, Columbia, 1977 (4:48). rev4 04Jan2023 17:30

As the press tour for the Pipes of Peace LP wound down, Paul McCartney's So Bad music video featuring Ringo Starr heralded the arrival of the forthcoming Macca movie Give My Regards To Broadstreet. But as if from a bolt from above, the other half of the Lennon/McCartney songwriting partnership was about to have one final collection of unheard new material ready to compete with his bandmate. On January 19th, Polydor Records release Milk & Honey - a posthumous LP from John Lennon assembled and curated by co-headliner Yoko Ono. This release gathered together and finished off the remaining new tracks from John's 1980 Double Fantasy sessions to act as a mirror for the aforementioned ALP and give the world the gift of new John Lennon solo material one last time. Somehow, impossibly, John Lennon and Paul McCartney were once again on the same music charts, competing for commercial superiority nearly 4 years after the brutal murder of John... Hosted on Acast. See acast.com/privacy for more information.

Rocco Barker - Flesh for Lulu & Wasted Youth - in conversation with David Eastaugh Nick Marsh (vocals and guitar) and James Mitchell (drums) formed the band and soon recruited Rocco Barker (originally from Wasted Youth, guitar and vocals), and Glen Bishop (bass), taking their name from an American cult movie. After a well received John Peel session, they signed to Polydor Records in 1983, and soon thereafter, bassist Glen Bishop left to join Under Two Flags, and was replaced by Kevin Mills (formerly of Specimen). Wasted Youth were an English post-punk band from London, England, active between 1979 and 1982, which blended post-punk/pre-Goth with dark acoustic strains of the sort associated with Nick Drake and Syd Barrett. The line-up of the band was Ken Scott (vocals and guitar), Rocco Barker (guitar), Nick Nicole (synth), Darren Murphy (bass) and Andy Scott (drums)

John Otway in conversation with David Eastaugh www.johnotway.com Otway was born in Aylesbury, Buckinghamshire. Although his first single, "Gypsy"/"Misty Mountain" was released in 1972, Otway initially received some coverage on the back of punk rock and a performance on The Old Grey Whistle Test.[2] His sixth single, the half-spoken love song "Really Free" reached number 27 in the UK Singles Chart in 1977.[3] It would be his greatest success for some time. The song earned him a five-album deal with Polydor Records, who viewed him as a punk rather than merely an eccentric. His first album, recorded with Wild Willy Barrett, was produced by Pete Townshend but sold only fitfully

In this episode, John is joined by Jamie T and producer Hugo White at Miloco's The Yard Studio, to talk about how they wrote, recorded and produced the album ‘The Theory of Whatever'.   Alongside all the difficult musical decisions they made to keep the character of each song, we hear tales from the studio of sneakily replacing guitar parts and the challenges that come when there are a lot of big egos floating around.   Listen to find out why the album was almost named after Matt Maltese, why throwing your hat on the floor is sometimes the best way to get your point across, and to hear proof that Jamie actually does work pretty hard.   Tracks discussed: The Old Style Raiders, Between The Rocks, Thank You   LINKS TO EVERYTHING TAPE NOTES  linktr.ee/tapenotes    Listen to ‘The Theory of Whatever' here. Polydor Records, Universal Music   Intro Music - Sunshine Buddy, Laurel Collective     GEAR MENTIONS Vinyl Plugin Shure SM57 Neumann Mics Apple Tower Logic Pro X - Ultrabeat Logic   OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk   HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer George Durston - Production Assistant Matt Purbrick - Production Assistant Guy Nicholls - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

Email: audioofftheshelf@gmail.com. Instagram: @audioofftheshelf Twitter: @AOTS204 Facebook: https://www.facebook.com/audioofftheshelf Wonder Stuff, The. “Circlesquare (Butt Naked Mix).” Welcome to the Cheap Seats. Polydor Records. 1992. 2CD. EP. Connick, Jr. Harry. “A Nightingale Sang In Berkeley Square.” We Are In Love. Columbia Records, 1990. CD. LP. Brubeck. Dave. “Autumn in Washington Square.” Jazz Impressions of New York.. Columbia Records, 1964. Vinyl. LP. Sri. “Union Square.” Gravity Reminds Me. Blue Boy Records, 2000. CD. LP. Holly, Buddy. “You're So Square (Baby, I Don't Care).” The Buddy Holly Collection. MCA records, 1993. 2CD. LP. Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

Email: audioofftheshelf@gmail.com. Instagram: @audioofftheshelf Twitter: @AOTS204 Facebook: https://www.facebook.com/audioofftheshelf Coleman, Ornette. “Lonely Woman.” The Shape of Jazz To Come. Atlantic Records, 1959. CD. LP. Zero Boys. “Civilization's Dying.” Vicious Circle. Nimrod Records, 1982. Vinyl. LP. Wonder Stuff, The. “Will the Circle be Unbroken.” Welcome to the Cheap Seats. Polydor Records. 1992. 2CD. EP. Circle Jerks. “World Up My Ass.” Group Sex. Porterhouse Records, 1980/2000. Vinyl. LP. Pearl Jam. “Spin the Black Circle.” Vitalogy. Epic Records, 1994. CD. LP. Dag Nasty. “Circles.” Can I Say? Dischord Records, 1986. Vinyl. LP. Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

Show #967 The Originals 01.  Bob Dylan - Everything Is Broken (3:15) (Oh Mercy, Columbia Records, 1989) 02.  Ray Charles - Hard Times (No One Knows Better Than I) [1955] (2:55) (The Genius Sings The Blues, Atlantic Records, 1961) 03a. Ray Charles - Mess Around (2:39) (45 RPM Single, Atlantic Records, 1953) 03b. Charles 'Cow Cow' Davenport - Cow Cow Blues (3:09) (78 RPM Shellac, Vocalion Records, 1928) 04.  Fabulous Thunderbirds - Full Time Lover (4:43) (Girls Go Wild, Takoma Records, 1979) 05.  Al Green - Love And Happiness (5:07) (I'm Still In Love With You, Hi Records, 1972) 06.  Dire Straits - Money For Nothing (8:26) (Brothers In Arms, Vertigo Records, 1985) 07a. Screamin' Jay Hawkins - I Put A Spell On You (3:31) (45 RPM Single, Okeh Records, 1956) 07b. Screamin' Jay Hawkins - I Put A Spell On You (2:52) (Unreleased, Grand Records, 1955) 08.  Sonny Boy Williamson II - Don't Start Me Talking (2:35) (45 RPM Single, Checker Records, 1955) 09.  Atlanta Rhythm Section - So In To You (4:16) (A Rock And Roll Alternative, Polydor Records, 1976) 10.  ZZ Top - Tush (2:14) (Fandango!, London Records, 1975) 11.  Mothers Of Invention - Trouble Comin' Every Day (5:47) (Freak Out!, Verve Records, 1966) 12.  Son House - Grinnin' In Your Face (2:07) (Father Of Folk Blues, Columbia Records, 1965) 13.  Lynyrd Skynyrd - Gimme Three Steps (4:24) (Lynyrd Skynyrd, MCA Records, 1973) 14.  Elvis Presley - Heartbreak Hotel (2:09) (45 RPM Single, RCA Victor, 1956) 15.  Neville Brothers - Yellow Moon (3:58) (Yellow Moon, A&M Records, 1989) 16.  Little Feat - Spanish Moon (4:50) (Waiting For Columbus, Warner Bros Records, 1978) 17a. Peggy Lee & Benny Goodman Orchestra - Why Don't You Do Right (3:14) (78 RPM Shellac, Columbia Records, 1942) 17b. Harlem Hamfats - Weed Smoker's Dream (3:17) (78 RPM Shellac, Decca Records, 1936) 17c. Lil Green - Why Don't You Do Right (3:00) (78 RPM Shellac, Bluebird Records, 1941) 18.  Prince & the Revolution - Kiss (3:38) (Parade, Paisley Park/Warner Bros Records, 1986) 19.  Fenton Robinson - Somebody (Loan Me A Dime) (2:23) (45 RPM Single, Palos Records, 1967) 20.  Jimi Hendrix - Voodoo Child (Slight Return) (5:12) (Electric Ladyland, Polydor Records, 1968) 21.  Tampa Red - It Hurts Me Too (2:28) (78 RPM Shellac, Bluebird Records, 1940) 22a. Leonard Cohen - First We Take Manhattan (5:58) (I'm Your Man, Columbia Records, 1988) 22b. Jennifer Warnes - First We Take Manhattan (3:47) (Famous Blue Raincoat, Cypress Records, 1986) 23.  Albert King - Oh Pretty Woman (2:47) (Born Under A Bad Sign, Stax Records, 1967) 24.  Fleetwood Mac - Black Magic Woman (2:49) (45 RPM Single, Blue Horizon Records, 1968) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

If you're a fan of the TV show “Glee”, you'll have heard more than 18 songs that Tommy produced for ‘Darren Criss and the Warblers' which culminated in the Top 10 Billboard smash hit acapella version of Teenage Dream. As well as Glee, Tommy's music has been heard on Beverly Hills 90210, CBS's The Odd Couple, Netflix's One Day At A Time and Australia's Popstars. Tommy has also produced music for artists including Al Green, Natalie Cole, Dusty Springfield, Kelly Clarkson, Taylor Dayne, BB King, Josh Groban and Celine Dion. Hear how Tommy's music career started when he joined his brothers band aged 18 and how The Faragher Brothers ended up signing to Polydor Records. Listen to Tommy's stories of working with Sylvester Stallone on the movie Staying Alive, what it was like to have four of the i-tunes chart top 5 (Back when you had to buy the songs and could not stream them). How did Tommy come to work with Paul Young to record his version of the huge hit “What Becomes of The Broken Hearted” for the movie Fried Green Tomatoes? What is the writing process like when he works with Arthur Baker? How did he end up as an Executive Producer on the Australian TV show Popstars. Listen in to find out all of this and much more. Tommy Faragher Website IMDB Twitter Stay tuned for our sync session where our panel of filmmakers and music industry experts provide feedback on our listeners' holiday music for sync. Music is the difference between a good film and a great one. Music Songs included in this episode are: Silly Love Songs by Paul McCartney What Becomes of the Broken Hearted by Paul Young London by Sarah Gargano SYNC SESSIONS Featuring: Red and White (Looks Good on You) – by Lisa Williams Silent Night Cover by Dianna St. Hilaire & Caroline Hill Moore Crush on Christmas - Gregory Putnam & Erik Nelson 2 Sense  Music presents The Sync Report, where you will meet industry experts and top level songwriters as we pull the curtain back on music placement and scores, build vital relationships and provide real opportunities to our listeners. Listen to indie filmmakers present their latest productions and describe specific scenes as they consider music submitted by our audience. Please tell your friends about us, and remember to rate, comment, & subscribe to us on Apple Podcasts and across all platforms.  And find us at The Sync Report here TSR Website  Facebook  Instagram Twitter Youtube Linkedin Tik Tok  The Sync Report podcast is:  Hosted By: Rose Ganguzza - Jason P. Rothberg Featuring: Paula Flack and Willow - Milfredo Seven– Eric Campbell - Rachel Delgado - Mark Dolin – Dave and Roy Produced By: JASON P ROTHBERG - KEVIN SHARPLEY - PAULA FLACK - ROBERT CAPPADONA Executive Producers: COLIN O'DONOGHUE - ROSE GANGUZZA - JASON P ROTHBERG - KEVIN SHARPLEY - GIANFRANCO BIANCHI - DEAN LYON Writers: JASON P ROTHBERG - PAULA FLACK Editors: JASON P ROTHBERG - MILFREDO SEVEN - PAULA FLACK EDGAR “EDGE” CAMEY - ADAM MCNAMARA Marketing Director: PAULA FLACK Music Supervisors: PHILL MASON Music Department: Heather Ragnars – Phill Mason -Lisa Dunn Foley: PHILL MASON Research: LISA DUNN Art Director: GIANFRANCO BIANCHI Graphic Design: JODYLYNN TALEVI  College Programs: DR STACY MONTGOMERY College interns: Angela Nicastro - Ashley Kabous

www.iconsandoutlaws.com    Cynthia Ann Stephanie Lauper Thornton was born June 22, 1953, in Brooklyn, New York City, right here in the U.S., to Catholic parents, Fred and Catrine. Her mother was from Sicily. She has two siblings, a younger brother Fred (nicknamed Butch), and an older sister, Ellen. Her parents divorced when she was five.   Her earliest childhood days were spent in Brooklyn, but when she was about four years old, the family moved to Ozone Park, Queens, where she lived in a railroad-style apartment through her teenage years. Growing up, Lauper felt like an outcast. She grew up listening to such artists as The Beatles and Judy Garland. Then, at only 12 years old, she began writing songs and playing an acoustic guitar that she got from her sister.   Cyndi was primarily raised by her mother, who worked as a waitress to support the family. Mom loved the arts and frequently took Cyndi and her siblings to Manhattan to see Shakespeare plays or visit art museums. However, Cyndi did not do particularly well in school. She was reportedly kicked out of several parochial schools in her youth. Raised in the Roman Catholic faith, Cyndi Lauper recounted in Boze Hadleigh's "Inside the Hollywood Closet" the time a nun attacked her after catching a nine-year-old Lauper scratching a friend's back: "A nun ran in, ripped me off her back, threw me against the lockers, beat the s**t out of me, and called me a lesbian."   As many kids do, she expressed herself with various hair colors and eccentric clothing. She took a friend's advice to spell her name as "Cyndi" rather than "Cindy." Unfortunately, her" unusual" sense of style led to classmates bullying her and even throwing stones at her.   Lauper went to Richmond Hill High School, where she was expelled but later earned her GED. In her book, Cyndi revealed that after her stepfather threatened to sexually assault her and her sister and then secretly watched her take a bath, she left home for good. Cyndi left Home at 17 to escape her creepy ass stepfather, intending to study art. Her journey took her to Canada, where she spent two weeks in the woods with her dog Sparkle, trying to find herself. She eventually traveled to Vermont, taking art classes at Johnson State College and supporting herself by working odd jobs. Money was sparse, so she waitressed, served as an office assistant, and even sang in a Japanese restaurant for a time. At one point, her boyfriend at the time hunted and shot a squirrel, which she cooked up and ate. Lauper also faced an unplanned pregnancy, which she wanted, but her boyfriend did not. So, Lauper terminated the pregnancy.   "Nobody wants to run in and do that," She later told HuffPost. "It's just that I didn't want to have a kid that I love come into the world and not be able to share the kid with a dad." During this period, Cyndi got around by hitchhiking. Unfortunately, she put herself into close quarters with some potentially crappy individuals, such as the man who gave her a ride and forced her to perform a sexual act on him. "I just wanted to be able to live through it, get to the other side of it." On another occasion, she was assaulted by a bandmate and two accomplices.   Sometimes, it all understandably got too overwhelming for Lauper. "A lot of times I couldn't take it anymore, so I just lay in bed all the time," Lauper wrote. "When I really couldn't deal with anything, I used to get the shakes, just complete anxiety attacks." In 2019, Lauper gave the commencement address at Northern Vermont University-Johnson, the academic institution that now includes Johnson State. At this event, NVU awarded her the honorary degree of Doctor of Letters.   In the early 1970s, Cyndi performed as a vocalist with several different cover bands. One of those bands, Doc West, covered disco songs and Janis Joplin. A later band, Flyer, was active in the New York metropolitan area, singing songs by bands including Bad Company, Jefferson Airplane, and Logan's favorite, Led Zeppelin. Although She was performing on stage and loving that part, she was not happy singing covers. One night, while singing a cover of Kiki Dee's "I've Got the Music in Me" in 1974, her voice gave out. But it came back shortly after, and Lauper continued to sing in cover bands and a Janis Joplin tribute act. Then, in 1977, Cyndi's pipes said no more. Her voice disappeared again, and doctors discovered that she'd suffered a collapsed vocal cord.   Recommended by her temporary replacement in the Joplin cover band, Lauper sought the help of vocal coach Katie Agresta. She helped heal Cyndi and provided her with the tools and techniques to prevent it from happening again. Agresta also helped her realize that she was singing the wrong music entirely, discovering that she was more suited to pop, not hard rock. As Lauper wrote in her memoir, "[I realized] what I was aching for — to sing my own songs, in my own voice, in my own style, that I made up myself." In 1978, Lauper met saxophone player John Turi through her manager Ted Rosenblatt. Turi and Lauper formed a band named Blue Angel, Combining a New Wave look with a '60s throwback sound, and recorded a demo tape of original music. Steve Massarsky, manager of The Allman Brothers Band, heard the tape and liked Lauper's voice. He bought Blue Angel's contract for $5,000 and became their manager. "The playing was bad. There was something interesting about the singer's voice, but that was all," he later told Rolling Stone. Massarky set up a few major label showcases, but they all thought the same thing; the band wasn't great, but the singer was something special. Lauper received recording offers as a solo artist but held out, wanting the band to be included in any deal she made. She even turned down the chance to record a song by herself for the soundtrack to the MeatLoaf movie Roadie, produced by legendary disco song crafter Giorgio Moroder, the founder of the former Musicland Studios in Munich, Germany. Blue Angel was eventually signed by Polydor Records and released a self-titled album on the label in 1980. Lauper hated the artwork, saying it made her look like Big Bird. Still, Rolling Stone magazine later included it as one of the 100 best new wave album covers (2003). Despite critical acclaim, the album sold poorly ("It went lead," as Lauper later joked), and the band broke up. The members of Blue Angel had a falling-out with Massarsky and fired him as their manager. He later filed an $80,000 suit against them, which forced Cyndi into bankruptcy. She then temporarily lost her voice due to an inverted cyst in her vocal cord.   After Blue Angel broke up, Cyndi worked in retail stores, waitressing at IHOP (which she quit after being demoted to the hostess when the manager sexually harassed her), and singing in local clubs. Her most frequent gigs were at El Sombrero, which sounds like they have amazing chimichangas. Music critics who saw Her perform with Blue Angel believed she had star potential due to her four-octave singing range, which was not an easy feat. Then, in 1981, while singing in a local New York bar, Cyndi met David Wolff. He took over as her manager and had her sign a recording contract with Portrait Records, a subsidiary of Epic Records. On October 14, 1983, Cyndi released her first solo album,"  She's So Unusual." The album became a worldwide hit, peaking at No. 4 in the U.S. and reaching the top five in eight other countries. She became extremely popular with teenagers and critics, partly due to her hybrid punk image, which was crafted by stylist Patrick Lucas.   Lauper co-wrote four songs on She's So Unusual, including the hits "Time After Time" and "She Bop." On the songs she did not write, Lauper sometimes changed the lyrics. Such is the case with "Girls Just Want to Have Fun," originally written and recorded by Robert Hazard, which you can find on YouTube, and it's pretty awesome. She found the original lyrics misogynistic, so she rewrote the song as an anthem for young women.    The album includes five cover songs, including The Brains' new wave track "Money Changes Everything" (No. 27 on the Billboard Hot 100) and Prince's "When You Were Mine." The album made Cyndi Lauper the first female artist to have four consecutive Billboard Hot 100 top five hits from one album. The L.P. has stayed in the Top 200 charts for over 65 weeks and sold 16 million copies worldwide.   Cyndi won Best New Artist at the 1985 Grammy Awards. She's So Unusual also received nominations for Album of the Year, Record of the Year, Best Female Pop Vocal Performance (for "Girls Just Want to Have Fun"), and Song of the Year (for "Time After Time"). She wore almost a pound of necklaces at her award ceremony. It also won the Grammy for Best Album Package, which went to the art director, Janet Perr.   The video for "Girls Just Want to Have Fun" won the inaugural award for Best Female Video at the 1984 MTV Video Music Awards, making Cyndi an MTV staple. The video featured professional wrestling manager "Captain" Lou Albano as Lauper's father and her real-life mother, Catrine, as her mother, and also featured her attorney, her manager, her brother Butch, and her dog Sparkle. She was a huge wrestling fan. In 1984–85, Cyndi appeared on the covers of Rolling Stone magazine, Time, and Newsweek. In addition, she appeared twice on the cover of People and was named a Ms. magazine Woman of the Year in 1985.   In 1985, she participated in "USA for Africa's" famine-relief fund-raising single "We Are the World," which has sold more than 20 million copies since then.   At the Grammys in 1985, She appeared with another professional wrestler, a Mr. Terry" Hulk" Hogan, who played her "bodyguard." "'The Grammy means a lot to me,' said Cyndi (in the arms of Hulk Hogan) after winning Best New Artist, 'Because I never thought I would amount to anything. I always wanted to make art.'" She would later make many appearances as herself in a number of the World Wrestling Federation's "Rock 'n' Wrestling Connection" events and played Wendi Richter's manager in the very first WrestleMania event. Dave Wolff, Lauper's boyfriend and manager at the time, was a wrestling fan as a boy and helped set up the rock and wrestling connection.   In 1985, Cyndi released the single "The Goonies' R' Good Enough," from the soundtrack to the movie The Goonies and an accompanying video that featured several wrestling stars. The song reached number 10 on the Billboard Hot 100 chart.   She then received two nominations at the 1986 Grammy Awards: Best Female Rock Vocal Performance for "What a Thrill" and Best Long Form Music Video for Cyndi Lauper in Paris.   Cyndi released her second album, "True Colors," in 1986. It entered the Billboard 200 at No. 42 and has sold roughly 7 million copies.   In 1986, She appeared on the Billy Joel album The Bridge, with a song called "Code of Silence." She is credited with having written the lyrics with Joel, and she sings a duet with him. In the same year, Cyndi also sang the theme song for Pee-wee's Playhouse, credited as "Ellen Shaw." In 1987, David Wolff produced a concert film called Cyndi Lauper in Paris. The concert was broadcast on HBO.   Cyndi made her film debut in August 1988 in the comedy Vibes, alongside a nobody named Jeff Goldblum, Peter Falk, and Julian Sands. She played a psychic in search of a city of gold in South America. To prepare for the role, Cyndi took a few finger-waving and hair-setting classes at the Robert Fiancé School of Beauty in New York and studied with a few Manhattan psychics. The film flopped and was poorly received by critics but would later be considered a cult classic.   Cyndi then contributed a track called "Hole in My Heart (All the Way to China)" for the Vibes soundtrack, but the song was not included. Instead, a high-energy, comic action/adventure romp through a Chinese laundry video for the song was released. The song reached No. 54 on the U.S. charts, but did way better in Australia, reaching No. 8. Cyndi's third album, A Night to Remember, was released in 1989. The album had one hit, the No. 6 single "I Drove All Night," originally recorded by Roy Orbison, three years before his death on December 6, 1988. Cyndi received a Grammy nomination for Best Female Rock Vocal Performance at the 1990 Grammy Awards for That track. Still, overall, album sales for the album were down. A side note; The music video for the song "My First Night Without You" was one of the first to be closed-captioned for the hearing impaired. That record sold around 1.3 million copies.   Due to her friendship with a familiar name here at Icons and Outlaws, Yoko Ono, Cyndi was a part of the May 1990 John Lennon tribute concert in Liverpool. She performed the Beatles song "Hey Bulldog" and the John Lennon song "Working Class Hero." She was also involved in Sean Lennon's project, "The Peace Choir, "performing a new version of John Lennon's "Give Peace a Chance."   Shortly after, the album was met with a dismal response, and she split with her boyfriend and manager, David Wolff. Cyndi lived alone in a New York hotel, emotionally drained and considering suicide. "I had come so far but felt like I had failed," she wrote in Cyndi Lauper: A Memoir (via Bullyville). "I would go to the studio, and then sit in my dark room and drink vodka. I had to spend most of my time alone. I was grieving. I thought the sadness would never go away." Indirectly, it was Cyndi's best-known song that encouraged her to try to crawl out of her low place: "The only thing that always ­prevented me from suicide is that I never wanted a headline to read, 'Girl who wanted to have fun just didn't.'" On November 24, 1991, Cyndi married actor David Thornton, who's been in home alone 3, John Q with Denzel, and that god-awful tear-jerker, the Notebook.   Cyndi's fourth album, "Hat Full of Stars," was released in June 1993 and was met with critical acclaim but failed commercially, unsupported by her label. The album tackled topics like homophobia, spousal abuse, racism, and abortion, sold fewer than 120,000 copies in the United States and peaked at No. 112 on the Billboard charts. The album's song "Sally's Pigeons" video features the then-unknown Julia Stiles playing a young Cyndi. You may remember Julia from ten things I hate about you, alongside a young Heath Ledger.   In 1993, Cyndi returned to acting, playing Michael J. Fox's ditzy secretary in the movie Life with Mikey. She also won an Emmy Award for her role as Marianne Lugasso in the hugely popular sitcom Mad About You with Paul Reiser and Helen Hunt. On November 19, 1997, Cyndi gave birth to her son, Declyn Wallace Lauper Thornton, who is now a trap rapper. Her fifth album," Sisters of Avalon," was released in Japan in 1996 and worldwide in 1997. Just like "Hat Full of Stars," some songs on "Sisters of Avalon" addressed dark themes. The song "Ballad of Cleo and Joe" addressed the complications of a drag queen's double life. The song "Say a Prayer" was written for a friend who had died from AIDS. "Unhook the Stars" was used in the movie of the same name. Again without support from her label, the release failed in America, spending a week on the Billboard album chart at No. 188. This album also received much critical praise, including People magazine, which declared it "'90s nourishment for body and soul. Lauper sets a scene, makes us care, gives us hope." Let's just say it… her label sucks!   On January 17, 1999, Cyndi appeared as an animated version of herself in The Simpsons episode "Wild Barts Can't Be Broken." She sang the National Anthem to the "Girls Just Want to Have Fun" melody. That same year, she opened for Cher's Do You Believe? Tour alongside Wild Orchid. Yeah, that group with a young Fergie. Cyndi also appeared in the films "Mrs. Parker and the Vicious Circle" and The "Opportunists." In addition, she contributed to the soundtrack of the 2000 animated film, Rugrats in Paris: The Movie, performing the song "I Want a Mom That Will Last Forever." On October 12, 2000, Cyndi took part in the television show Women in Rock, Girls with Guitars performing with Ann Wilson of Heart and with the girl group Destiny's Child and the queen B herself!. A CD of the songs performed was released exclusively to Sears stores from September 30 to October 31, 2001, and was marketed as a fundraiser for breast cancer.   In 2002, Sony issued a best-of CD, The Essential Cyndi Lauper. Cyndi also released a cover album with Sony/Epic Records entitled At Last (formerly Naked City), which was released in 2003. At Last received one nomination at the 2005 Grammy Awards: Best Instrumental Arrangement Accompanying Vocalist(s) for "Unchained Melody." The effort was also a commercial hit, selling 4.5 million records.    In April 2004, Cyndi performed during the VH1's benefit concert, "Divas Live" 2004, alongside Ashanti, Gladys Knight, Jessica Simpson, Joss Stone, and Patti LaBelle. This event supported the Save the Music Foundation, a nonprofit organization dedicated to restoring instrumental music education in America's public schools and raising awareness about the importance of music as part of each child's complete education. She made appearances on Showtime's hit show "Queer as Folk" in 2005, directed a commercial for the Totally 80s edition of the board game Trivial Pursuit in 2006, served as a judge on the 6th Annual Independent Music Awards, and made her Broadway debut in the Tony-nominated "The Threepenny Opera" playing "Jenny." In addition, she performed with Shaggy, Scott Weiland of Velvet Revolver/Stone Temple Pilots, Pat Monahan of Train, Ani DiFranco, and The Hooters in the VH1 Classics special Decades Rock Live. In 2006, she sang "Message To Michael" with Dionne Warwick and "Beecharmer" with Nellie McKay on McKay's Pretty Little Head album.   On October 16, 2006, Cyndi was inducted into the Long Island Music Hall of Fame. In 2007, she served as a guest performer on the song "Lady in Pink" on an episode of the Nick Jr. show, The Backyardigans. Cyndi's sixth studio album, "Bring Ya to the Brink," was released in the United States on May 27, 2008. Regarded as one of her best works when it was released, the Songwriters Hall of Fame has regarded the album track 'High and Mighty' as one of her essential songs. The album would be Cyndi's last release to date of original material, in addition to being her last for Epic Records, her label since her 1983 debut solo album. The album debuted at #41 on the Billboard 200, with 12,000 copies sold. Other projects for 2008 included the True Colors Tour and a Christmas duet with Swedish band The Hives, entitled "A Christmas Duel." The song was released as a CD single and a 7" vinyl in Sweden. Lauper also performed on "Girls Night Out," headlining it with Rosie O'Donnell in the U.S.   On November 17, 2009, Cyndi performed with Wyclef Jean in a collaboration called "Slumdog Millionaire," on The Late Show with David Letterman. In January 2010, Mattel released a Cyndi Lauper Barbie doll as part of their "Ladies of the 80s" series.   In March 2010, Cyndi appeared on NBC's The Celebrity Apprentice with the then-future president, Donald Trump, coming in sixth place.   Cyndi's 7th studio album, Memphis Blues, was released on June 22, 2010, and debuted on the Billboard Blues Albums chart at No. 1 and at No. 26 on the Billboard Top 200. The album remained No. 1 on the Blues Albums chart for 14 consecutive weeks; Memphis Blues was nominated for Best Traditional Blues Album at the 2011 Grammy Awards. According to the Brazilian daily newspaper O Globo, the album had sold 600,000 copies worldwide by November 2010. In addition, Cyndi set out on her most extensive tour ever, the Memphis Blues Tour, which had more than 140 shows, to support the album.   Cyndi made international news in March 2011 for an impromptu performance of "Girls Just Want to Have Fun" while waiting for a delayed flight at Aeroparque Jorge Newbery in Buenos Aires. A video was later posted on YouTube.   In November 2011, she released two Christmas singles exclusive to iTunes. The first release was a Blues-inspired cover of Elvis Presley's classic "Blue Christmas," and the second was a new version of "Home for the holidays," a duet with Norah Jones. In June 2012, Lauper made her first appearance for WWE in 27 years to promote WWE Raw's 1000th episode to memorialize "Captain" Lou Albano.   In September 2012, Cyndi performed at fashion designer Betsey Johnson's 40-year Retrospective Fashion show. She also released a New York Times best-selling memoir, "Cyndi Lauper A Memoir," which detailed her struggle with child abuse and depression.   Cyndi then composed music and lyrics for the Broadway musical Kinky Boots, with Harvey Fierstein writing the book. The musical was based on the 2006 independent film Kinky Boots. The musical tells the story of Charlie Price. Having inherited a shoe factory from his father, Charlie forms an unlikely partnership with cabaret performer and drag queen Lola to produce a line of high-heeled boots and save the business. It opened in Chicago in October 2012 and on Broadway at the Al Hirschfeld Theatre on April 4, 2013. She won Best Score for Kinky Boots in May at the 63rd annual Outer Critics Circle Awards. The musical led the 2013 Tony Awards, with 13 nominations and six wins, including Best Musical and Best Actor. In addition, she won the award for Best Original Score. Cyndi was the first woman to win solo in this category. After a six-year run and 2,507 regular shows, Kinky Boots ended its Broadway run on April 7, 2019. It is the 25th-longest-running Broadway musical in history. It grossed $297 million on Broadway.    In the summer of 2013, celebrating the 30th anniversary of her debut album "She's So Unusual," Cyndi embarked on an international tour covering America and Australia. The show consisted of a mix of fan favorites and the entirety of the She's So Unusual record.  She stated:"  It's been such an amazing year for me. When I realized it's also the anniversary of the album that started my solo career, I knew it was the perfect time to thank my fans for sticking with me through it all. I'm so excited to perform She's So Unusual from beginning to end, song by song and I can't wait to see everyone!" The tourtour grossed over $1 million   She was a guest on 36 dates of Cher's Dressed to Kill tour, starting April 23, 2014. In addition, a new album was confirmed by her in a website interview.   Cyndi hosted the Grammy Pre-Telecast at the Nokia Theatre, L.A., on January 26,  later accepting a Grammy for Kinky Boots (for Best Musical Theater Album).   On April 1 (March 1 in Europe), Cyndi released the 30th Anniversary edition of She's So Unusual through Epic Records. It featured a remastered version of the original album plus three new remixes. The Deluxe Edition featured bonus tracks such as demos, a live recording, and a 3D cut-out of the bedroom featured in the 'Girls Just Want to Have Fun' music video with a reusable sticker set.   On September 17, 2014, Cyndi sang on the finale of America's Got Talent. Then, on September 25, as part of the Today Show's "Shine a Light" series, she re-recorded "True Colors" in a mashup with Sara Bareilles' "Brave" to raise awareness and money for children battling cancer. By October, the project had raised over $300,000.   The Songwriters Hall of Fame added Cyndi to its nomination list in October 2014. Also, her fourth consecutive 'Home for the Holidays' benefit concert for homeless gay youth was announced in October. Acts included 50 Cent and Laverne Cox, with 100% of the net proceeds going to True Colors United. In July 2015, She announced a project with producer Seymour Stein. She later told Rolling Stone it was a country album co-produced by Tony Brown.   On September 15, 2015, Kinky Boots opened at the Adelphi Theatre in London's West End.   In January 2016, Cyndi announced she would release a new album on May 6, 2016. This record was made up of her interpretations of early country classics entitled "Detour." The announcement was supported by a release of her version of Harlan Howard's "Heartaches by the Number" and a performance on Skyville Live with Kelsea Ballerini and Ingrid Michaelson. Then, on February 17, 2016, she released her version of Wanda Jackson's "Funnel of Love."   In February 2016, Cyndi was nominated for an Olivier Award for contributing to the U.K. production of the play "Kinky Boots" along with Stephen Oremus, the man in charge of the arrangements. In January 2017, this production's album was nominated for the Grammy Award for Best Musical Theater Album.   In May 2016, she was featured on "Swipe to the Right" from Electronica 2: The Heart of Noise by French producer Jean-Michel Jarre. This second album of the Electronica project is based on collaborations with artists like Tangerine Dream, Moby, Pet Shop Boys, and more.   In October 2016, her son Dex Lauper was the opening act for her in Scottsdale, Arizona, and Las Vegas, Nevada, for her dates on her Detour Tour.   In January 2017, Cyndi was featured on Austin City Limits' 42nd season, performing some classic bangers alongside some of her country tunes from the "Detour." album. The episode aired on PBS.   In March 2018, it was announced that Cyndi and co- "Time After Time" songwriter Rob Hyman would compose the score for the musical version of the 1988 film "Working Girl." Ya know the movie that starred Melanie Griffith and Sigourney Weaver. She teamed up with Hyman because she wanted "the music to sound like the 80s". The musical would be staged by Tony Award winner Christopher Ashley. A developmental production premiere of the musical is planned for the 2021/2022 season.   For Grandin Road, Cyndi exclusively designed her own Christmas collection, 'Cyndi Lauper Loves Christmas', available from September 2018. "I've always loved Christmas. It reminds me to find some happiness in the little things," she said.   Her annual Home For The Holidays concert at the Beacon Theatre in New York was held on December 8, 2018.   Cyndi guest starred, playing a lawyer in an episode of the reboot of the television series Magnum P.I.. The episode, titled "Sudden Death", aired on October 22, 2018.   On November 15, 2018, iBillboard announced that Cyndi would receive the Icon Award at the Billboard's 13th annual Women in Music Event on December 6 in New York City. According to Billboard's editorial director, Jason Lipshutz, "The entire world recognizes the power of Cyndi Lauper's pop music, and just as crucially, she has used her undeniable talent to soar beyond music, create positive change in modern society and become a true icon."    The song "Together" was featured in the Canadian computer-animated film Race time, released in January 2019. Originally written and performed in French by Dumas, Cyndi performed the English translation in the English version of the film initially titled La Course des tuques.   On June 26, 2019, she performed at the opening ceremony of Stonewall 50 – WorldPride NYC 2019. Backed by the Hollywood Bowl Orchestra, Cyndi played two concerts on July 12 and 13, 2019, at the iconic Hollywood Bowl.   In September 2019, it was announced that Cyndi would star alongside Jane Lynch in the new Netflix comedy series described as "kind of The Golden Girls for today." However, as of March 2021, there have been no updates on this project. On April 23, 2020, Cyndi participated in an online fundraising concert to raise money for LGBTQ nightlife workers who struggled financially because of the coronavirus pandemic. Her finale was her performing "True Colors." The show was initiated by the Stonewall Inn Gives Back nonprofit organization of the historic Greenwich Village gay bar.    In November 2020, She dueted with former top ten "American Idol" finalist Casey Abrams on a cover version of the song 'Eve of Destruction.   In November last year, Shea Diamond featured Cyndi as a guest vocalist on the track 'Blame it on Christmas.' An official video was released in December.   She then performed at this year's MusiCares Person of the Year Tribute Show, honoring folk icon Joni Mitchell on April 1.   It was announced in May this year that Alison Ellwood will direct a career retrospective documentary about Cyndi. The project is already in production but does not yet have a release date. "Let The Canary Sing" will be the title of this career-spanning documentary produced by Sony Music Entertainment.   Still killing it after all these years!   "Shes So Unusual" ranked No. 487 on Rolling Stone's list of 500 Greatest Albums of All Time in 2003. In addition, the album ranked No. 41 on Rolling Stone's Women Who Rock: The 50 Greatest Albums of All Time in 2012.   "Time After Time" has been covered by over a hundred artists and was ranked at No. 22 on Rolling Stone's 100 Best Songs of the Past 25 Years and at No. 19 on VH1's 100 Greatest Songs of the 80s.   "She Bop," the third single from She's So Unusual, is the first and only top ten song to directly mention a gay porn magazine. An ode to masturbation, it was included in the PMRC's "Filthy Fifteen" list, which led to the parental advisory sticker appearing on recordings thought to be unsuitable for young listeners. Rolling Stone ranked it the 36th best song of 1984, praising its unusual playfulness regarding sexuality.   "True Colors" is now considered a gay anthem, after which True Colors United, which advocates for runaway and homeless LGBT youth, is so “colorfully” named.   Info used from: Nickiswift.com Wikipedia.com

Show #951 Too Much On My Mind 01. Brad Wilson - All Kinds Of A Fool (4:20) (Brad "Guitar" Wilson, Cali Bee Music, 2022) 02. Juke Joint Jonny & the Kindred Spirits - Driftin' Blues (4:06) (Just Folkin Around, self-release, 2022) 03. Robert Billard & The Cold Calls - No Shape For Talking (3:11) (Stop, self-release, 2022) 04. Kat Riggins - Woahman (4:08) (Progeny, Gulf Coast Records, 2022) 05. Dylan Triplett - Junkyard Dog (4:04) (Who Is He?, VizzTone Records, 2022) 06. Janiva Magness - Strong As Steel (4:09) (Hard To Kill, Fathead Records, 2022) 07. Johnny Sansone - Something Good Going On (4:26) (Into Your Blues, self-release, 2022) 08. Ben Hemming - Lost Faith (3:40) (Marked Man, self-release, 2022) 09. Derek and the Dominos - Have You Ever Loved A woman (6:53) (Layla, Polydor Records, 1972) 10. Janis Joplin - Get It While You Can (3:23) (Pearl, CBS Records, 1971) 11. Elkie Brooks - Pearl's A Singer (3:40) (Two Days Away, A&M Records, 1976) 12. Dave Thomas - Eye On The Money (3:14) (Road To The Blues, Blonde On Blonde Direct, 2022) 13. AJ Plug - Tears Ran Dry (8:03) (Killer King, self-release, 2021) 14. Chris Antonik - Waves Of Stone (5:12) (Morningstar, self-release, 2022) 15. Matty T Wall - Walk Out The Door (5:17) (Live Down Underground, Hipsterdumpster Records, 2022) 16. Misty Blues - The Hate (4:12) (Single, Lunaria Records, 2022) 17. Steve Howell & The Mighty Men - I Believe To My Soul (5:25) (Been Here And Gone, Out Of The Past Music, 2022) 18. Supersonic Blues Machine - Devil At The Doorstep (8:00) (Voodoo Nation, Provogue Records, 2022) 19. StratCat Willie & the Strays - Guilty (3:59) (On A Hot Tin Roof, self-release, 2022) 20. Raphael Wressnig & Alex Schultz - Jimmy McGroove (5:32) (Don't Be Afraid To Groove, BHM Productions, 2009) 21. Darrell Kelley - Gun Reform (3:12) (Single, Viral Records, 2022) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

After their 1994 debut album not only failed to make a commercial dent for Polydor Records, but was also panned by critics and even the band themselves, Powderfinger returned to the studio with veteran Australian producer Tim Whitten (Hoodoo Gurus, The Go-Betweens, Clouds, etc.) for the sophomore album Double Allergic. The pairing paid off as the group put the studio to good use while maintaining a tight band feel that shifts between American alternative and more adventures diversions. The twin guitar work of Ian Haug and Darren Middleton carves out a wide range of sounds and textures that remain tasteful while dropping enough ear candy to make repeated listens pay off, while vocalist Bernard Fanning finds simple yet effective melodies to craft several radio-friendly tunes, all with the backing of a tight and versatile rhythm section.   Songs In This Episode: Intro - Pick You Up 16:25 - Boing Boing 23:08 - Oipic 32:05 - Skinny Jean 40:09 - Come Away (Hidden Track) Outro - Living Type   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

January of 1962 was the beginning of Brian Epstein managing The Beatles. He got to work right away. He started by convincing Deutsche Grammophon's Polydor Records division to release 'My Bonnie,' the song that they had recorded in Hamburg in June of 1961 backing Tony Sheridan, as a single in the UK. That would happen on January 5, 1962. Added bonus, instead of crediting the group as Tony Sheridan and The Beat Brothers, Epstein convinced them to call them Tony Sheridan and The Beatles. It's success was minimal to non-existent. But Epstein wasn't done. He also needed to formalize a management contract with The Beatles. He looked at sample of such contracts and found them lacking, specifically in their treatment of the musical artists. What he wanted was a fair contract, one that would treat The Beatles with the respect they deserved as well as one that the group could get out of if necessary. This episode of the Beatles60 podcast looks into what was going on in The Mind of Brian. NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

2022 is the Year of the Tiger in the Chinese Zodiac, as was 1962. And that year was a huge one for The Beatles. It started with an audition with Decca Records, on New Year's Day. Four days later they would technically have their first UK single release, when Germany's Polydor Records released the version of “My Bonnie” that they had recorded in June of 1961. It would go out under the name Tony Sheridan and The Beatles. Neither of those two events ended up amounting to much, but at least things were getting started. Starting with EMI and Decca, the rejections from London-based record labels started coming in. Something would have to change. Brian Epstein put The Beatles in suits and the inevitable line-up change would happen in August. A lot has been made about how and why Pete Best was replaced by Ringo Starr, sometimes revolving around the idea that George Martin wasn't going to let Pete play on their recordings. But it was actually a completely commonplace practice for studio drummers to play on recordings regardless of the live line-up of any group. There must be more to the story… Guest appearances by Eric Howell and Tim Sommer. Also a secret VIP (known to everyone) contributes his famous voice, briefly. (We signed a "no-promo agreement" with the third guest. It's a low-key but almost unbelievable contribution. Just listen for him. You'll know.) NOTE! We give you a nice long list of links for each episode. The links are almost as interesting as the podcast! See: https://beatles60.group/blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/beatles60/message

Master Bassist & Composer Stanley Clarke Discusses His Musical Career In Great Depth starting from the beginning in Philadelphia to his meeting and collaborating with maestro Chick Corea. Stanley discusses the journey of finding his own sound, Long before he became a four-time Grammy Award-winning recording artist, performer, composer, conductor, arranger, producer, a composer for recordings and film, as well as one of the most celebrated acoustic and electric bass players in the world, Stanley Clarke was a student. Stanley's “school days” were not only the inspiration for his world-renowned bass anthem, but essential to the origin story of the pioneering bass virtuoso from the streets of Philadelphia.Source: https://stanleyclarke.com/Source: https://stanleyclarke.com/stanley/This episode is from an archive from the KPFK program Profiles adapted for podcast. Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994. Support the show

Hello and welcome to the Stress Factor Podcast episode number 271, we have DJ B-12 back again for this episode with a drum and bass studio mix for June of 2021. DJ B-12 has mixed up 40 of the best tracks across the dnb genre right now into a 71 minute long studio mix. This episode includes tracks and remixes from these artists and labels Modestep, UKF, Document One, Elevate Records (UK), Rene Lavice, DeVice, Bladerunner, Hi Resolution, Emba, Telomic, Leah Rye, Galacy, Phace, Kemal, Neosignal Recordings, High Contrast, Kae Tempest, Anita Blay, Breakage, 3Beat, Quartz, Metalheadz, Koherent, Riya, Shogun Audio, Nuaura, Viper Recordings, Villem, Spearhead Records, High Contrast, Jack In Box, Future Breakz Records, Degs, Grafix, Hospital Records, Kushty, Formation Records, Telomic, Galacy, Punctual, Nabiha, Pola, Bryson, Polydor Records, Submorphics, Satl, VEDA BLACK, The North Quarter, Hyroglifics, Flexout Audio, Ben Soundscape, Intrigue Music, Wilkinson, Amber Van Day, Sleepless Music Limited, Lenzman, Hugh Hardie, Zoe Kypri, Hospital Records, Wreckless, Dunk, T95, Playaz, A K A, Ekou Recordings, Taxman, Turno, Skantia, Elevate Records (UK), Monrroe, Riya, Shogun Audio, Skuff , Deep Pan, Walk r, Spearhead Records, Etherwood, Visages, 1985 Music, Hybrid, Loadstar, Distinctive Records, Pola, Bryson, Ruth Royall, Maduk, Diplo, Sonny Fodera, Higher Ground, Mad Decent, Freaks, Geeks, Emily Makis Tracklist 01. Modestep - Forever [UKF] 02. Document One - Hands Up [Elevate Records UK] 03. Rene Lavice - Budz [DeVice] 04. Bladerunner - Switchblade [Hi Resolution] 05. Emba, Telomic - Silver Lining (ft. Leah Rye) [Galacy] 06. Phace, Kemal - MODE 101 [Neosignal Recordings] 07. High Contrast - Time is Hardcore (feat. Kae Tempest , Anita Blay) (Breakage's Hardcore Bubblers Mix) [3 Beat] 08. Quartz - Haxan Magic [Metalheadz] 09. Koherent - Talk To Me ft. Riya [Shogun Audio] 10. Nuaura - Wherever You Go [Viper Recordings] 11. Villem - 4 ME Dub [Spearhead Records] 12. High Contrast - Hold On Me [3 Beat] 13. Jack In Box - In My Heart [Future Breakz Records] 14. Degs - 4 Days (Grafix Remix) [Hospital Records] 15. Kushty - Nostalgia [Formation Records] 16. Telomic - Rewired [Galacy] 17. Punctual, Nabiha - The Step (Pola, Bryson Remix) [Polydor Records] 18. Submorphics - Let It Shine feat. Satl, VEDA BLACK [The North Quarter] 19. Hyroglifics - Dog Town [Flexout Audio] 20. Ben Soundscape - The North Shore [Intrigue Music] 21. Wilkinson, Amber Van Day - Keep Dancing [Sleepless Music Limited] 22. Lenzman - Yasukuni [The North Quarter] 23. Hugh Hardie, Zoe Kypri - Dream In Green [Hospital Records] 24. Wreckless - Don't Want To Forget How Your Voice Sounds [Flexout Audio] 25. Dunk, T95 - Pirate Radio [Playaz] 26. A K A - Correlation [Ekou Recordings] 27. A K A - Surrender [Ekou Recordings] 28. Taxman - Utopia [Playaz] 29. Turno, Skantia - Engage [Elevate Records UK] 30. Monrroe, Riya - Closer [Shogun Audio] 31. Skuff - Go Back[Deep Pan] 32. Walk r - Setting Sun [Spearhead Records] 33. Etherwood - Heterize [Hospital Records] 34. Hugh Hardie - No Compromise [Hospital Records] 35. Visages - Yalda [1985 Music] 36. Hybrid - Light Up (Loadstar Remix) [Distinctive Records] 37. Pola, Bryson, Ruth Royall - Friend [Shogun Audio] 38. Maduk - Bringing Me Down [UKF] 39. Diplo, Sonny Fodera - Turn Back Time (Wilkinson Remix) [Higher Ground - Mad Decent] 40. Freaks, Geeks - Elemental (ft Emily Makis) [Elevate Records UK]