Podcasts about amper music

La IA en el entretenimiento. En cine y videojuegos, estudios como Disney están utilizando IA para crear efectos visuales más realistas y personalizar experiencias de entretenimiento. En los videojuegos, se usa para generar mundos virtuales dinámicos y personajes con comportamientos más realistas. Música y arte: Herramientas como Amper Music y AIVA permiten a los usuarios crear composiciones musicales originales utilizando IA.

Joan y Carles analizan la importancia del posicionamiento en la inteligencia artificial, además de repasar todas las novedades de la semana en las redes sociales, donde la IA también tiene mucho protagonismo. Y lo hacen con música de fondo generada por, precisamente, IA. Nos recomiendan: JOAN: Web: https://supersupers.com AI: RadioGPT Streamer: Thegodflores Usuarios: @la_ordenatriz (instagram) y @yolandahl_15 (tiktok) CARLES: Webs: Mumbert y Amper Music (shutterstock) Únete a nuestra comunidad en Telegram: Caviar Online by marficom t.me/marficom Déjanos tu comentario en: https://marficom.com/caviar-online/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/caviaronline/message

Stan Pavlovsky, CEO of Shutterstock since April 2020 faced interesting times heading the leading global provider of licensed photographs, videos and music during pandemic aera. We talked with Stan about the last 9 months and its impact on Shutterstock, how Stan dealt with the situation in terms of leadership, how they established new business ideas and business models, what role audio will play in the near future, talking about the acquisition of Amper Music and least but not last: What is his take on ethics in the context of content creation based on stock assets.

On the show today we have tech entrepreneur and investor, Pascal Pilon. He is currently running LANDR, which, if you are in the music industry, I’m sure you have heard of.If you haven’t, LANDR is a cloud-based, automated mastering service that helps music makers get instant mastered tracks with just a few clicks.We see more and more of AI becoming a big player in the music industry, which comes with both benefits and disadvantages. I’d love to know where you stand on this. Is AI a good thing for the music industry? Will it take over jobs? Will it allow you to focus on more creative things? Let me know by shooting me an email to niclasjeppsson@gmail.comAlso, if you want to hear more AI and tech discussions, check out my conversation with Drew Silverstein, founder and CEO of Amper Music.In this interview, we spoke about:• How LANDR got started• Is LANDR just for the bedroom producer?• The importance of measuring results• Inventing vs trying a new combination• How to create super fans and marketing• Favorite books• If LANDR is pushing the loudness war in the wrong direction• The early struggles of LANDR• The 15-second rule and the rule of thirds• Why you need to listen and be curious to create a great product• Favorite failuresAnd much more►► Join The Audio Tribe To Get Exclusive Access To Interviews, Private Q&A’s And Live Streams: https://www.youraudiosolutions.com/exclusive-accessIf you like this podcast, please leave a rating and a comment to help promote the show and get your favorite people on!

Meet: Drew Silverstein is the CEO and co-founder of Amper Music. Founded in 2014, Amper Music combines the highest levels of artistry with groundbreaking technology to empower anyone to create unique, professional music, instantly. He is part of the Forbes class of 2018 "30 Under 30" list for music. Prior to Amper Music, Drew was an award-winning composer, producer, and songwriter for film, television, and video games in Los Angeles at Sonic Fuel Studios. Drew graduated from Vanderbilt University's Blair School of Music, where he studied Music Composition and Italian and holds an MBA from Columbia Business School. What you'll learn: How AI affects the speed of music-making and the amount of content produced Evolution of music composition and tools Economic impact of using AI to create music If you would like to reach out to Drew about anything he discussed on the podcast, please reach out to him via LinkedIn or Twitter: https://www.linkedin.com/in/drewsilverstein/ https://twitter.com/DrewSilverstein

Drew Silverstein is the co-founder and CEO of Amper Music which is a tool based on artificial intelligence that empowers anyone to create unique and professional music instantly. It’s a very cool tool for people who want to create music for their videos or any other application but might not know how to do it nor have the money to hire someone else to do it for them.Having a tool like artificial intelligence that makes music-making easier and cheaper can be very valuable but can also be very disruptive to an industry that relies on composers for library music, for example.However, technology will always make things easier and more accessible, so why should the music industry be immune to that? In fact, it never has.It’s a super interesting topic and it was a pleasure talking to this and more with Drew and I hope you will enjoy our conversation as well.In this interview, we spoke about:• How AI will take over library/stock music and the lower tier of music production• Functional vs Artistic music and how we value music• How we can embrace and take advantage of AI in the music industry• The fear of losing your job to AI• Favourite books and how Drew has implemented some of them in his life• If Amper will be able to create vocals for your projects• How Drew views quitting vs staying persistent• How Amper’s technology was created• Favourite failures and the importance of failing forwardAnd much moreCheck out Amper Music:https://www.welcome.ai/amper-musicAnd Drew Silverstein:http://drewsilverstein.com/Books Mentioned In The Episode:The Last Lecture by Randy PauschHow Will You Measure Your Life? by Clayton M. ChristensenRed Notice: A True Story of High Finance, Murder, and One Man's Fight for Justice by Bill BrowderNo Room for Small Dreams: Courage, Imagination, and the Making of Modern Israel by Shimon Peres►► Join The Audio Tribe To Get Exclusive Access To Interviews, Private Q&A’s And Live Streams: https://www.youraudiosolutions.com/exclusive-access

Amper is an artificial intelligence composer that allows you to create your own unique music instantly, tailored to any content, without any musical experience required. In fact, I used it to create our new podcast music. CEO Drew Silverstein and I talk about the fusion of music theory and AI. We discuss how you can unlock emotional intent through sonic branding and how to find your sound whether it be Orchestral Hip-Hop, How To Train Your Dragon or Jackson Browne. www.ampermusic.com

Musical composition is one of the earliest examples of human art and creativity. Today, new and original music is increasingly being composed by AI. Drew Silverstein, Co-Founder and CEO of Amper Music, joins the show. Automation of sound and music, in the form of licensing stock and pre-existing recordings, is a decades-old trend that became ubiquitous with the rise of the internet. Now, thanks to machine learning and artificial intelligence, the creation of original music is increasingly being automated. Drew Silverstein, one of the pioneers at the forefront of this trend, joins the Creative Next team to explore these technologies and the trends and impacts they have on work in general and musicians in particular.   Memorable Quotes “As our technology evolves, we see AI dramatically decreasing the cost of accomplishing certain tasks and dramatically decreasing the amount of information that any one person needs to know to be successful at that task. And whether it's music, whether it's farming, whether it's creating a script, or whether it's just doing more rote business tasks, and I think what we are going to arrive at in the not too distant future, is a world in which the ability to complete a task is fully democratized and anyone can do nearly anything with the assistance of an AI.” “The value, then, of our human input is gonna be on the creative input and the creative direction, so that, as people, how can we direct the workforce and the work effort of these machines to do something that's meaningful to us.” “All you need to know to create unique and professional music tailored to your content are three things: the style of music you want to create, the mood you want to convey and the length of your piece of music and that's all you know. In a matter of seconds, you'll make something brand new.” “We think our job is just a matter of tasks in a sequence that accomplish something specific that they get a goal done, whereas our career is all about helping others achieve their goals, and the manner in which we do that will change. We used to communicate via written letters only, and then it became telegraphs, and then it became phone calls, and then it became email. Now it's texts. We're still communicating. We're still conveying messages, but how we do that will change. And in the same way, in music, the jobs of the music world that exist today will certainly evolve and be very different in a matter of years, in the same way that they're very different now than they were 10 years ago.” “So what I would say to those, both coming up in music, and those who are already successful and experienced, is to understand that technologies evolve. The way we do things will change. Be accepting of that. Be on the forefront of the adoption of those new technologies and their tools, but also be mindful at the core value in music. It's not because of the process by which it's made. It's because we're making art and people value art.” “Whether or not we exist as a company, this is happening. AI music is here.” “And then we said to ourselves, ‘As composers, we are experts at translating music into emotion and emotion into music.’ And so we suggested, ‘What if we could create a creative AI that gives you the same collaborative experience of working with us, but within the time and economic framework that you need?’” “And with each evolution in technology, the barriers to expressing oneself creatively through music were dramatically decreased, the time it takes to learn to express oneself and the cost of purchasing the tools to do so. And in that manner, we see AI music and Amper as the next step in this centuries long, if not longer, progression of technological innovation democratizing creative abilities.”   Who You'll Hear Dirk Knemeyer, Social Futurist and Producer of Creative Next (@dknemeyer) Jonathan Follett, Writer, Electronic Musician, Emerging Tech Researcher and Producer of Creative Next (@jonfollett) Drew Silverstein, Co-Founder & CEO, Amper Music   Join The Conversation Website & Newsletter: www.creativenext.org Twitter: @GoCreativeNext Facebook: /GoCreativeNext Instagram: @GoCreativeNext   Sponsors GoInvo, A design practice dedicated to innovation in healthcare whose clients are as varied as AstraZeneca, 3M Health Information Services, and the U.S. Department of Health and Human Services. www.goinvo.com  Design Museum Foundation, A new kind of museum, they believe design can change the world. They’re online, nomadic, and focused on making design accessible to everyone. Their mission: bring the transformative power of design everywhere. You can learn about their exhibitions, events, magazine, and more. www.designmuseumfoundation.org BIF, As a purpose-driven firm, BIF is committed to bringing design strategy where it is needed most - health care, education, and public service to create value for our most vulnerable populations. www.bif.is

Jesse speaks on a 'Sync Summit LA' panel about the role that Production Music Libraries play in the Sync Licensing business. Other panelists include: Shane Roberts, Amper Music, Inc.Erick Gilbertson, Director of West Coast development, RNE AudioSinead Hartmann, VP, US, BMG Production MusicModerated by Mark Frieser, CEO, Sync SummitNew To Sync Licensing? Enroll Now In My Free Music Licensing Course

In July of 1974, a young college student from Memphis State University was sentenced to 40 years in state prison for his involvement in an illegal narcotics ring. Larry Chism was a bright, unassuming young man who was nearing his graduation from law school when he was arrested and thrown into prison... a sentence that many assumed would consume a large chunk of his life. However, Larry had other plans. This sentence was merely a setback for him. Between September and December of 1978, Larry would cook up two separate escape attempts: one from state prison, and another from a county jail (as he await sentencing). In the 40+ years since, federal investigators have nearly caught up to Chism on multiple occasions, but he has managed to elude them at each turn. He has since become the longest-lasting fugitive on the US Marshals Most Wanted list... Written, hosted, and produced by Micheal Whelan Special thanks to Tim Fraley with the USMS, as well as his associates Victor, Adrian, and Rachael. This episode would not have been possible without their hard work, and the rest of their partners in law enforcement. Original music created by myself through Amper Music. Theme music created and composed by Ailsa Traves.Producers: Maggyjames, Ben Krokum, Roberta Janson, Matthew Brock, Quil Carter, Peggy Belarde, Evan White, Laura Hannan, Astrid Kneier, Katherine Vatalaro, Damion Moore, Amy Hampton Miller, Scott Meesey, Steven Wilson, Scott Patzold, Kathy Marie, Marie Vanglund, Lori Rodriguez, Emily McMehen, Jessica Yount, Brian Rollins, and Allie IbarraLearn more about this podcast at http://unresolved.me/ If you would like to support this podcast and others, consider heading to https://www.patreon.com/unresolvedpod to become a Patron or Producer

From New York Drew Silverstein from Amper Music joins is. In the most amazing conversation we had on AI ... ever! You think you know how it works, but you really don't!See omnystudio.com/listener for privacy information.

Taryn Southern, singer/songwriter, filmmaker, and artist, recently announced the release of her pop album titled I AM AI. The first ever musical collaboration between a solo artist and artificial intelligence, I AM AI uses a variety of different AI software including Amper Music, IBM’s Watson Beat, Google’s NSynth, and AIVA. It took a village (literally!) to make Taryn Southern's new blockchain anthem too. New World is the first song to be tokenized with Ethereum smart contracts, allowing 240+ token holders to collaborate on lyrics and own a portion of the song. Each participant will receive royalties from song sales & streams through Trust Troken and delivered to their Ethereum wallet. The album is distributed through stem.is, a distribution and revenue tracking service that enables royalty payments to be split between collaborators. It took a village (literally!) to make Taryn Southern's blockchain anthem. New World is the first song to be tokenized with Ethereum smart contracts, allowing 240+ token holders to collaborate on lyrics and own a portion of the song. Each participant will receive royalties from song sales & streams through Trust Troken and delivered to their Ethereum wallet. The music videos that accompany the singles leverage AR, VR, and 360° video technology too. I invited Taryn back onto the show to learn more about how she is leveraging all of the latest technologies and bringing them into every aspect of the creative process. “Working with AI not only helped me fortify my creative abilities, it gave me a new language and appreciation for music development and creation.” Background on Taryn Southern Taryn Southern is an artist and technologist with more than 700 million views across her videos. Since Taryn uploaded her first song to YouTube in 2007, she’s produced more than 1500 videos, guest starred on dozens of television shows, and hosted several music-related series and specials, including The American Music Awards, The Grammys, The X Factor. In 2013, her song “Crush” on the Mediabase Top 200 radio charts and she began hosting her own weekend countdown show for Sirius XM’s The Pulse. In addition to her experiments with AI and blockchain technology, Taryn is currently directing and producing a documentary on the future of man and machine.

On the latest episode of Not Rocket Science I beatbox for you guys, recap Elon Musk's appearance on Joe Rogan's show (and the crazy aftermath shortly after it's release) and dive into the emerging world of Music produced by AI platforms like IBM Watson and Amper Music. I give my take on where this industry stands now, where it's going and whether or not the Pharrells and Rick Rubins of the future will be convolutional neural networks and complex algorithms. All of that plus current events! --- Support this podcast: https://anchor.fm/not-rocket-science/support

This week, Mike chats with Amper Music CEO and Co-Founder Drew Silverstein. Amper Music is at the leading edge of the artificial intelligence revolution in music. Amper's AI is designed to instantly produce royalty-free production music that matches the length, genre, and mood that the user dictates, while also allowing the user to collaborate with Amper as if they're sitting in the studio with a composer. Frankly, the results are pretty impressive, and Amper is just one of many applications that are using AI to either assist creators or, depending on your perspective, replace them. "Our goal is to empower anyone around the world to express themselves creatively through music regardless of their background, expertise, or access to resources. As we become successful at that goal, it means that Amper should be involved in the creation and collaboration of every piece of music around the world," Silverstein says in this conversation, while insisting that AI-made music will eventually be indistinguishable from human-made music. What does this mean for musicians and the music industry? This conversation is a preview of an upcoming article in Canadian Musician magazine in which we address these questions. Before the interview, Mike talks about a new report from Citigroup that has the industry talking and validates musicians' concerns about getting their fair share of the money.

Il primo album di Amper Music​, un sistema di Intelligenza artificialeSarà il futuro della musica?#caffettino #ai #ampermusic

Il primo album di Amper Music​, un sistema di Intelligenza artificialeSarà il futuro della musica?#caffettino #ai #ampermusic

On Episode 4 of Startup Soundbites, we chat with Vince Ponzo, Managing Director of the Eugene Lang Entrepreneurship Center at Columbia Business School. Eugene Lang Entrepreneurship Center: http://www8.gsb.columbia.edu/entrepreneurship/ Companies founded by Columbia Business School grads mentioned on the podcast: Saatva Mattress: www.saatvamattress.com/ Thursday Boot Company: https://thursdayboots.com/ Beyond Meat: http://beyondmeat.com/ Happy Family Brands: https://happyfamilybrands.com/ Betterment: https://www.betterment.com/ x.ai: https://x.ai/ EpiBone: http://epibone.com/ It Cosmetics: https://www.itcosmetics.com/ Lola: https://www.mylola.com/ Amper Music: https://www.ampermusic.com/ Intro music by Drop Electric: www.dropelectric.com/ Follow the Columbia Entrepreneurs Organization: www.facebook.com/CBSCEO/ twitter.com/cbsceo

https://www.ampermusic.com/

The Agents of Innovation podcast features conversations with entrepreneurs, philanthropists, and artists, hosted by Francisco Gonzalez. Episode 19 (August 2016) features an interview with Matt Kabus, Vice President of Marketing and Business Development for Amper Music. Find him on LinkedIn at: https://www.linkedin.com/in/mattkabus and Amper Music at: https://www.ampermusic.com. This episode also features the song by "Alright" by Matt Kabus. His music can be found at: https://itunes.apple.com/nz/artist/matt-kabus/id371256277 . Find the Agents of Innovation podcast on Facebook at www.facebook.com/agentsofinnovationpodcast and on Twitter @AgentInnovation.