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EPISODE 1535: In this KEEN ON show, Andrew talks to Mecca Jamilah Sullivan, author of BIG GIRL, about whether the American Republic was founded on anti-fat people principles Mecca Jamilah Sullivan is the author of the novel Big Girl, a New York Times Editors' Choice selection and a best books pick from Time, Essence, Vulture, Ms., Goodreads, Booklist, Library Reads, and SheReads.com. Her previous books are The Poetics of Difference: Queer Feminist Forms in the African Diaspora (University of Illinois Press, 2021), winner of the William Sanders Scarborough Prize from the Modern Language Association, and the short story collection, Blue Talk and Love (2015), winner of the Judith Markowitz Award for Fiction from Lambda Literary. Mecca holds a Ph.D. in English Literature from the University of Pennsylvania, an M.A. in English and Creative Writing from Temple University, and a B.A. in Afro-American Studies from Smith College. In her fiction, she explores the intellectual, emotional, and bodily lives of young Black women through voice, music, and hip-hop inflected magical realist techniques. Her short stories have appeared in Best New Writing, Kenyon Review, American Fiction: Best New Stories by Emerging Writers, Prairie Schooner, Callaloo, Crab Orchard Review, Robert Olen Butler Fiction Prize Stories, BLOOM: Queer Fiction, Art, Poetry and More, TriQuarterly, Feminist Studies, All About Skin: Short Stories by Award-Winning Women Writers of Color, DC Metro Weekly, Baobab: South African Journal of New Writing, and many others. A Pushcart Prize nominee, she is the winner of the Charles Johnson Fiction Award, the Glenna Luschei Fiction Award, the James Baldwin Memorial Playwriting Award, the 2021 Pride Index National Arts and Culture award, and honors from the National Endowment for the Arts, the Bread Loaf Writers' Conference, The Yaddo Colony, the Hedgebrook Writers' Retreat, Lambda Literary, the Publishing Triangle, and the Center for Fiction in New York City, where she received an inaugural Emerging Writers Fellowship. A proud native of Harlem, NY, Sullivan's scholarly work explores the connections between sexuality, identity, and creative practice in contemporary African Diaspora literatures and cultures. Her scholarly and critical writing has appeared in New York Magazine's The Cut, American Literary History, Feminist Studies, Black Futures, Teaching Black, American Quarterly, College Literature, Oxford African American Resource Center, Palimpsest: Journal of Women, Gender and the Black International, Jacket2, Public Books, GLQ: Lesbian and Gay Studies Quarterly, Sinister Wisdom, The Scholar and Feminist, Women's Studies, College Literature, The Rumpus, BET.com, Ebony.com, TheRoot.com, Ms. Magazine online, The Feminist Wire, and others. Her debut novel, Big Girl (W.W. Norton & Co./ Liveright 2022) was selected as the July 2022 Phenomenal Book Club pick, a WNYC Radio 2022 Debut pick, and a New York Public Library “Book of the Day.” Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices
For more on Parents & Addicts In Need, to follow on social media, the Don't Hide The Scars Podcast, to get involved, or to donate https://linktr.ee/painnonprofit Parents & Addicts in Need's Founder Flindt Andersen and Jason LaChance sat down with Erin Khar. We discussed differing perspectives on Harm Reduction, The War On Drugs, her recent article in Cosmopolitan on Matthew Perry's autobiography as well as the lack of government funding and policies to combat the alarming rate of overdose deaths in the United States. Erin Khar is an author and advocate known for her writing on addiction, recovery, mental health, parenting, and relationships. Erin knows first-hand the challenges of addiction recovery and has established herself as a respected voice in the national conversation about the overdose epidemic. Strung Out, Erin's debut memoir, appeared on most anticipated lists from Apple Books, Goodreads, SELF, The Rumpus, Bitch Media, and others. Of the book, The New York Times writes, "Khar's buoyant writing doesn't get mired in her dark subject matter. There is an honesty here that can only come from, to put it in the language of 12-step programs, a 'searching and fearless moral inventory.' This is a story she needed to tell; and the rest of the country needs to listen.” Erin's essay, “Guilty,” was published in Burn it Down: Women Writing About Anger. She was the recipient of a 2012 Eric Hoffer Editor's Choice Prize for her story, "Last House at the End of the Street," which was published in the Best New Writing 2012 anthology. She writes the weekly advice column, Ask Erin on Substack, and her personal essays have appeared in SELF, Marie Claire, Salon, The Times of London Sunday Magazine, HuffPost, Esquire, Cosmopolitan, and others. Erin lives in New York City. When she's not writing, she's probably watching Beverly Hills, 90210. For more on Erin Khar and her book https://www.erinkhar.com/
Celebrating the new issue of Freeman's: "The Best New Writing on California," published by Grove. Hosted by John Freeman with readings by Tommy Orange, Rabih Alameddine, Lauren Markham, H.R. Smith, Shobha Rao, Oscar Villalon, and Jaime Cortez. The sixth Freeman's brilliantly showcases some of the world's best writers grappling with the myths and reality of California today. John Freeman was the editor of Granta until 2013. His books include How to Read a Novelist, Tales of Two Cities, Tales of Two Americas, and Maps, his debut collection of poems. He is executive editor at the Literary Hub and teaches at the New School and New York University. His work has appeared in the New Yorker and the Paris Review and has been translated into twenty languages.
John Freeman and Robin Coste Lewis discuss Freeman's: The Best New Writing on California.
Chris Helvey lives in Frankfort, Kentucky. His short stories have appeared in numerous reviews and journals, including Kudzu, The Chaffin Journal, Best New Writing, New Southerner, Bayou, Dos Passos Review, and Coal City Review. His novel, Whose Name I Did Not Know, and his short story collection, Claw Hammer, are both available from Hopewell Publications. His latest novel, Snapshot, was recently released by Livingston Press. Helvey currently serves as the Editor-in-Chief of Trajectory Journal.
In today’s episode, we bring back one of our very first guests, Alicia de los Reyes! Alicia is a writer based in Maine, where she lives with her family and cat. She has her MFA from University of New Hampshire. Her nonfiction has appeared in The Archipelago, The Billfold, and others, and her fiction has been published in Best New Writing 2015. She’s also the author of the writing guides DIY Writing Retreat and DIY Chick Lit, and the creator of the Writer’s Process Planner, and we have her on today to talk about goal setting and planning — take it from me, even if you’re allergic to Virgo season and planning and goals, you’ll want to listen to this one. You can find out more about Alicia at aliciadelosreyes.com, and as @likesoatmeal on Instagram and Twitter. Listen to her podcast Scratch Paper on iTunes or on Stitcher, or at her website. As always, we'd love for you to take a minute to rate and review us in your podcast app, as this helps other listeners find the show. Visit our website, marginallypodcast.com, for complete show notes and to get in touch. Find us on Instagram @marginallypodcast. Meghan's occasionally on Twitter @meghanembee, and Olivia’s @roamingolivia
Brad Listi talks with Lisa Locascio, author of the debut novel OPEN ME (Grove Atlantic). Her work has appeared in The Believer, Tin House, n+1, Bookforum, and many other magazines. She is the editor of the anthology "Golden State 2017: Best New Writing from California," co-publisher of Joyland and editor of its West section, as well as of the ekphrastic collaboration magazine 7x7LA. She is Executive Director of the Mendocino Coast Writers Conference. She lives in California. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today, we have the pleasure of talking to writer Alicia de los Reyes about making time to write no matter what your circumstances are, and how she was able to take the rejection of her first novel and use it to grow as a writer. Alicia is a writer based in Seattle, WA, where she lives with her husband, son, and cat. She has her MFA from University of New Hampshire. Her nonfiction has appeared in The Archipelago, The Billfold, and others, and her fiction has been published in Best New Writing 2015. She is represented by DGLM and at work on a novel. You can find out more about Alicia at aliciadelosreyes.com, and as @likesoatmeal on Instagram. Listen to her podcast Scratch Paper on iTunes or on Stitcher, or at her website. Find us at marginallypodcast.com or on Instagram @marginallypodcast. If you enjoy this podcast, please rate and review. Don't miss an episode -- subscribe!
Not in Print: playwrights off script - on inspiration, process and theatre itself
William Thornhill: Born into brutal poverty in London in the late 18th century and transported to the Colony of New South Wales for theft in 1806. After earning his freedom he brings his wife and children to the Hawkesbury River where they ‘take up’ 100 acres of land, only to discover that it’s not theirs to take.--Andrew Bovell writes for the stage, television and film. In 1992 he wrote the original screenplay for Strictly Ballroom and in 2001 he went on to adapt his stage play Speaking in Tongues in to the feature film, Lantana. The film premiered at the Sydney Film Festival in 2001 and went on to screen at numerous international film festivals winning many awards. Most recently Andrew adapted John Le Carre’s novel A Most Wanted Man. His theatre credits include Scenes from a Separation (with Hannie Rayson); Speaking in Tongues, which premiered at Griffin Theatre in 1996 and has had over 50 other productions worldwide; Holy Day, which won the Louis Esson Prize for Drama at the Victorian Premier’s Literary Awards and the AWGIE Award for Best Stage Play (2002); and When the Rain Stops Falling, which won Queensland and Victorian Premier’s Literary Awards for Best Play, the Adelaide Critics Circle Individual Award, Sydney Theatre Award for Best New Australian Work and 3 Greenroom Awards including Best New Writing for the Australian Stage.
Not in Print: playwrights off script - on inspiration, process and theatre itself
Two couples set out to betray their partners. A lover returns from the past and a husband doesn’t answer the phone. A woman disappears. Her neighbour's the prime suspect. In this masterfully interconnected polyphony, an evocative mystery unravels alongside a devastating tale of disconnection between individuals, partners and communities.--Andrew Bovell writes for the stage, television and film. In 1992 he wrote the original screenplay for Strictly Ballroom and in 2001 he went on to adapt his stage play Speaking in Tongues in to the feature film, Lantana. The film premiered at the Sydney Film Festival in 2001 and went on to screen at numerous international film festivals winning many awards. Most recently Andrew adapted John Le Carre’s novel A Most Wanted Man.His theatre credits include Scenes from a Separation (with Hannie Rayson); Speaking in Tongues, which premiered at Griffin Theatre in 1996 and has had over 50 other productions worldwide; Holy Day, which won the Louis Esson Prize for Drama at the Victorian Premier’s Literary Awards and the AWGIE Award for Best Stage Play (2002); and When the Rain Stops Falling, which won Queensland and Victorian Premier’s Literary Awards for Best Play, the Adelaide Critics Circle Individual Award, Sydney Theatre Award for Best New Australian Work and 3 Greenroom Awards including Best New Writing for the Australian Stage.