Podcasts about Apple Books

We've been talking about the end (almost end) of this one since we started the podcast, so it seemed high time we did a deep dive on it! Judith McNaught's Perfect is the most 90s thing we've ever read, so gird your loins for both the best all-is-lost scene in romance, and also Zach, Julie, prison breaks, illiteracy, the Coors corporation, Romance Cashmere, and so so many references to Kevin Costner. It's the most 90s thing we've ever read, without question.If you want to talk more about Perfect or Judith McNaught, or about romance in general, come join our Patreon! You'll get an extra monthly episode from us and access to the incredible readers and brilliant people on the Fated Mates Discord. Learn more at fatedmates.net/patreon.Our next read along is Sarah's A Rogue By Any Other Name, the first in her casino series. This is one we've gotten a bunch of requests for, and so, it will be our final read along of the season. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.BooksPerfect by Judith McNaughtA Kingdom of Dreams by Judith McNaughtRemember When by Judith McNaughtDouble Standards by Judith McNaughtTender Triumph by Judith McNaughtNotesJen said Don't Tell Mom the Babysitter's Dead but she meant Adventures in Babysitting, which was a 1987 movie where suburban kids go on a terrifying adventure in the terrifying big city of Chicago.We did a deep dive of A Kingdom of Dreams in Season 2.Kelly Faircloth sent Sarah an ad for the book from People Magazine. In print versions of the book, there was a letter from Judith McNaught explaining the literacy plot in the book.Interestingly, the Coors literacy push was covered by the New York Times in 1992, discussing the push by big companies to adopt a cause and use it to burnish their image.Okay, apparently fleece also had a bellwether year in 1993, but let's be honest, it was Old Navy who made performance fleece happen for most of us and that was 1998.In America, our access to Abortion is much worse than it was in 1993 and America still has a devastating epidemic of suicide among queer teenagers, as The Trevor Project explains “LGBTQ+ young people are not inherently prone to suicide risk because of their sexual orientation or gender identity but rather placed at higher risk because of how they are mistreated and stigmatized in society.”SponsorsFrayed Pages by Wattpad Books, publishers of EM Wilson's Breakup for Two, available in print or ebook at Amazon, Barnes & Noble, Kobo, Apple Books, or wherever you get your books.Meghan Quinn, author of Just for the Plot, available in print, ebook and audiobook, or with your monthly subscription to Kindle Unlimited.Kylie Scott, author of Runaway Rockstar, available in print or ebook at Amazon, Barnes & Noble, Kobo, Apple Books, or your local independent bookstore.Emily Andersen, author of the Midnights on the Square series. Available in print or ebook at at Amazon, Barnes & Noble, Kobo, or wherever you get your books.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/7/28/0845-judith-mcnaughts-perfect-content-warning-the-90s If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

The last few years have brought a wave of romances with magical elements—not really paranormal, not really witches, not really contemporary — books where something is just slightly ✨magic✨. Today, we're talking about those books, how they work, what they're saying, and how they work in terms of character, plot and POV. We're also discussing how the books exist on the outer edges of the romance pool.If you want to talk more about these speculative romance novels, or about romance in general, come join our Patreon! You'll get an extra monthly episode from us and access to the incredible readers and brilliant people on the Fated Mates Discord. Learn more at fatedmates.net/patreon.Our next read along is an old school contemporary, Perfect by Judith McNaught. Sarah says it has the greatest all-is-lost moment in romance history. Read it to find out if she's right. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.BooksA Love Song for Ricki Wilde by Tia WilliamsMy Date with a Pair of Gray Sweatpants by Cassie O. PeiaThe House of Now and Then by Edward UnderhillDo Your Worst by Rosie DananEvery Version of You by Natalie MessierThe Night Island by Jayne Ann KrentzThe Dead Romantics by Ashley Poston The Someday Garden by Ashley PostonLosing Sight by Tati RichardsonStruck Speechless by Tati RichardsonNotesThis year's men's World Cup actually broke the Own Goal record with 14 of them. Get ready for the Women's World Cup in Brazil next year in 2027! So these English fans made up a bunch of chants for a regular player, which is very charming. Speaking of soccer, Mamdani continues to show us all that politicians can just…help make people's lives better?Here's a handout Jen uses to teach the three genres that fall under the speculative fiction umbrella, and why magical realism isn't a catch-all or synonym for any writing with speculative elements.The pink dress question: how do you decide if your characters need to heal themselves in order to fall in love, or if falling in love is what heals them?Matthew Rhys and Matthew Macfadyen are in fact different people, but everyone's watching Widow's Bay.SponsorsLumi Gummies. Go to lumigummies.com and use code FATEDMATES for 30% off your order.Lucy Score author of The Dead Guy Next Door, the first in the Riley Thorn series, available in print, ebook and audiobook, or with your monthly subscription to Kindle Unlimited.Harpercollins, publishers of Sleuths, by Samantha Moody, available in print, ebook and audiobook at Amazon, Barnes & Noble, Kobo, Apple Books, or your local independent bookstore.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/7/5/s0843 If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

This week, we’re bringing you inside our recent live recording in NYC, hosted by Apple Books and Reese’s Book Club. Fresh off a city Story Walk listening to Lucky on Apple Books, host Danielle sits down with bestselling author Marissa Stapley for a conversation about her beloved Reese’s Book Club thriller and its journey to the screen as a limited series on Apple TV, adapted with Hello Sunshine. They dive into the inspiration behind the riveting con woman at the center, why high-stakes heist stories never fail to hook us, and what it takes to write a morally gray antihero you can't help but root for. Plus, Marissa reveals who she'd cast to narrate her memoir (hint: she has over 20 Oscar nominations!). Put your headphones on, take yourself on your own Story Walk, and tune in. BOOKS MENTIONED: Lucky by Marissa Stapley The Lightning Bottles by Marissa Stapley Anne of Green Gables by L.M. Montgomery Olive Kittredge by Elizabeth Strout Whistler by Ann Patchett Les Miserables by Victor Hugo Daisy Jones and the Six by Taylor Jenkins Reid The Handmaid’s Tale by Margaret Atwood Finding Me: A Memoir by Viola Davis Heart The Lover by Lily King Writers and Lovers by Lily King Educated by Tara Westover -- E-book on Apple Books: (00:02) E-book on Apple Books: (00:18) E-book on Apple Books: (05:30) E-book on Apple Books: (13:12) E-book on Apple Books: (32:26) E-book on Apple Books: (32:50) TV Show on Apple TV: (00:33) TV Show on Apple TV: (1:21) TV Show on Apple TV: (12:44) TV Show on Apple TV: (26:58) See omnystudio.com/listener for privacy information.

Laura Dave is the #1 New York Times bestselling author of The Last Thing He Told Me, Eight Hundred Grapes and six other novels. Her books have been published in thirty-nine languages and have been chosen by Reese Witherspoon's Book Club, Indie Next, Book of the Month Club, The Richard and Judy Book Club, Best of Amazon, and Best of Apple Books. The Last Thing He Told Me was chosen as the Goodreads Mystery & Thriller of the Year for 2021. Her new novel, The First Time I Saw Him is a sequel to The Last Thing He Told Me, both of which are series on Apple TV. Learn more about your ad choices. Visit megaphone.fm/adchoices

After Japan's surrender in August of 1945, the Empire of Vietnam witnessed a revolution and its winners crafted a declaration of independence. However, forming a new nation-state during the Cold War would prove to be a long, bloody struggle.Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms! 

Support Midgard Musings By Clicking Here: ⁠⁠⁠⁠⁠⁠https://linktr.ee/MidgardMusings⁠⁠⁠⁠⁠⁠Click here to support Fjallvaettir Workshop: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fjallvaettir.com/⁠Buy my merch! ⁠⁠midgardmusings.dashery.com⁠⁠Donate to my mother's-in-law GoFundMe for medical equipment upgrades: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://gofund.me/43c134d0⁠Find me on FolkRealms: ⁠https://folkrealms.com/MidgardMusings⁠Pick up your copy of my book "The Saga Of The Heron That Flies To Hel" on ⁠Barnes & Noble⁠,⁠ Apple Books⁠, or a paperback copy on ⁠Lulu.⁠Purchase my album "Till The Final Twilight Dies" for $19.99 USD via one of the below digital payment options:PayPal - @MidgardMusingsVenmo - @Jesse-StilwagenCashApp -$MidgardMusings

Once upon a time, Sarah went to Sweden and met a thriller writer who likes talking about the rules of writing in genre as much as we do. We're so excited that to be able to bring Anders de la Motte's brilliant thoughts about thrillers and mysteries to Fated Mates in this far-reaching conversation on romance's sister genres—thrillers & mysteries. We talk about Anders's path to writing, about the rules of writing thrillers and mysteries, about the covenant mysteries and thrillers have with readers, and about Mystery Reasons™️. We had the best time with this one — you're going to love it.Learn more about Anders's books at his English language publishers, Simon & Schuster and HarpercollinsIf you want to talk more about Genre Carrying the Myth, Jayne Ann Krentz's genius way of thinking about the work of genre fiction, or about mysteries and thrillers, come join our Patreon! You'll get an extra monthly episode from us and access to the incredible readers and brilliant people on the Fated Mates Discord. Learn more at fatedmates.net/patreon.Our next read along is an old school contemporary, Perfect by Judith McNaught. Sarah says it has the greatest all-is-lost moment in romance history. Read it to find out if she's right. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.Thrillers and Mysteries Mentioned in This EpisodeThe Mountain King by Anders De la MotteThe Glass Man by Anders De la MotteThe Rust Forest by Anders De la MotteShutter Island by Denis LehaneThe Usual SuspectsWidow's BayMurder on the Orient Express by Agatha ChristieColumboPoker FaceMurder, She WroteKnives OutThe Girl with the Dragon Tattoo by Stieg LarssonKilling Floor by Lee ChildOrphan X by Gregg HurwitzSmall Mercies by Dennis LehaneThe DaVinci Code by Dan BrownJames BondEvil Under the Sun by Agatha ChristieDeath on the Nile by Agatha ChristieAnd Then There Were None by Agatha ChristieOne of Us is Lying by Karen M. McManusThe Thursday Murder Club by Richard OsmanThe WireMemoRandom by Anders De la MotteEnd of Summer by Anders De la MotteGame by Anders De la MotteNotesWelcome Anders de la Motte, author of mysteries and thrillers. Many of his books have been translated to English, most recently The Asker series.Many of the most famous fictional detectives we mentioned are on this list.In fiction, unreliability is a narrative device meant to purposefully confuse or lie to the reader for the purposes of the story. We've argued that it's more or less impossible to have an unreliable narrator in romance. A good explainer on the difference between close 3rd (used in romance) and limited 3rd (used in mysteries/thrillers)MacGuffins and other mystery and thriller tropes and vocabulary.SponsorsJill Shalvis author of Falling Into You, available in print, ebook, audiobook from Amazon, Barnes & Noble, or your local independent bookstore.Jess Turner, author of The Only Catch, available in print, ebook or with your monthly subscription to Kindle Unlimited.Hachette, publishers of In the Wake of the Ruined, by Kalie Cassidy, available in print, ebook and audiobook at Amazon, Barnes & Noble, Kobo, Apple Books, or your local independent bookstore.Oliver Heber Books, publishers of The Forbidden Duke, by Darcy Burke, available in print, ebook and audiobook at Amazon, Barnes & Noble, Kobo, Apple Books. Support the special 10th...

Welcome back to Sober Town! This week, host King 13 (Debs) sits down with Andrew J. Minuto, author of Fatally Resilient, for a raw and honest conversation about addiction, recovery, and resilience. Andrew opens up about his childhood move from Brooklyn to Las Vegas, the emotional isolation that planted the seeds of his addiction, and the four attempts at recovery it took to finally find lasting sobriety. He shares the devastating loss of both parents within months of each other, a painful divorce, serious health struggles including sepsis, and the custody battle for his daughter — and how he came out the other side stronger, more self-validated, and finally free from needing others to tell him who to be. Together, Andrew and Debs dig into themes of self-worth, the difference between sobriety and true recovery, the importance of community and support, and why humility is the key to never repeating the same mistakes twice. If you or someone you love is struggling, this episode is a powerful reminder: you are not alone, and it's never too late to turn your past into your greatest strength.

The Korean Peninsula was divided after the second world war as the Soviet Union occupied the north and the US occupying the south. Though this division was initially meant to be temporary, the subsequent Korean War and its aftermath cemented the divisions for both North and South as the Cold War brought troops from both the United States and the People's Republic of China into direct conflict.Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms! 

In this week's episode, we share nine tips and tricks to help indie authors manage their files. Since I now have 174 novels, file management has become important! This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: JULYSKULL The coupon code is valid through July 27, 2026. So if you need a new ebook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 311 of The Pulp Writer Show. My name is Jonathan Moeller. Today is July 10th, 2026. Today we are discussing file management tips for indie authors. Before we get into that, we'll have Coupon of the Week and an update on my current writing, publishing, and audiobook projects. First up, let's do Coupon of the Week. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store. That coupon code is JULYSKULL. As always, the coupon code and the links to the appropriate pages in my Payhip store will be available in the show notes for this episode. This coupon code is valid through July the 27th, 2026. So if you need a new ebook for this summer, we have got you covered. Now let's have an update on my current writing, publishing, and audiobook projects. As I mentioned last week, Blade of Thieves is now out. You can get it at Amazon, Barnes & Noble, Kobo, Google Play, Apple Books, Smashwords, Bookshop.org, and my own Payhip store. It is selling well and people seem to be enjoying it, so thank you all for that. Now that Blade of Thieves is out, my next main project is Cloak of Frost, which will be the 15th book in the Cloak Mage urban fantasy series. As of this recording, I am 52,000 words into it. I'm thinking the rough draft will be about 100,000 words. So if all goes well, I hope to have the book out in August. My secondary project is Blade of Visions, the sequel to Blade of Thieves, and I am 4,000 words into that. Once Cloak of Frost is finished, Blade of Visions will become my new main project. In audiobook news, recording is done for Dragon-Mage, the sixth book in the Rivah series, and that will be excellently narrated by Leanne Woodward. I just have to proof/listen to that and then we can submit it to QA and then it should be showing up on the audiobook stories in a few weeks. Recording has started on Cloak of Worlds, which will be [recorded by] Hollis McCarthy, and Blade of Thieves, which will be [recorded by] Brad Wills. So look for more news and updates about that in the coming weeks. So that is where I'm at with current writing, publishing, and audiobook projects. 00:02:16 Main Topic of the Week: File Organization for Writers So let's move on to our main topic this week, file organization tips for writers. One of the inspirations for this episode was an episode of the sitcom Community, which is quite funny. In the episode, the college is making a movie based on a legal loophole because they have some archival footage of a suddenly popular actor. One of the characters, Jeff, becomes concerned that people aren't treating the movie as seriously as they would deserve. So he steals the laptop with the movie and sets out to edit it himself. However, Jeff doesn't know anything about editing a movie, so he watches a YouTube tutorial about how to edit videos. The first lesson is "Step 1: How to properly organize your files." Jeff rages that no, he just wants to learn how to edit movies. While realizing that proper file organization is vital in the age of digital video editing, maintaining a good file structure isn't quite as rigid for authors and writers as it would be for video editors. However, even though many people consider file structure to be old-fashioned or pointless in the age of Google Docs and AI, in my years working in IT, I found that people wasted many hours trying to find files unnecessarily. For example, I always flinch a little bit when I see someone whose desktop is just a wall of misplaced icons and thousands of documents stacked upon each other. I used to do tech support for someone who had the most amazing gift for the most unhelpful and un-useful file names, often with misspelled words. He would get very frustrated and angry that he couldn't find anything because he hadn't labeled files properly with good file names. Better file structures and file naming conventions would have saved them all that stress and time. It's not wise to have all your files stacked up on your desktop and hope for the best. As you grow as a writer, files suddenly become much more complicated than one single draft in a word processing file. There needs to be organization for audiobook files, cover art, marketing materials, research, and much more. Blade of Thieves was my 174th book. So if you think about it, that means I have 174 separate book files on my computer. Many of them have audiobooks. They all have cover art. The audiobooks have cover art, to say nothing of the hundreds of short stories I've written and all of that needs to be organized properly so I can find it when I need it to. So today we're going to talk about setting up and organizing file structures for your writing work. First of all, what do I mean by file structures? In traditional computing, files like Word documents and Excel spreadsheets are organized in folders. How you navigate through the folder structure on your computer or server to find the files is called a path. Much like with a real path on a hiking trail, you want the path to find a file in a folder to be as clear from junk and confusion as possible. Good file and folder naming is like setting up signs on that hiking trail to help you find the way. Setting up your folders and files correctly makes them easier to use, find, and share with others. So let's go through some tips on how to properly organize your writing files and save yourself much stress and hassle of trying to find things. #1: Make a plan before you begin. Instead of borrowing someone else's file structure, take some time to think about how you use your writing files every day. Do you have a lot of project files for each book like book research, cover ideas, mood boards, and so on? Do you do most of your writing collaboratively? Think about your working style, the amount of files you have, and what kind of files you have that need organizing. It helps to plan for flexibility and growth in the future as the amount of files you have grows. For example, if someone currently runs only ads on Amazon but wants to add other companies like Facebook or BookBub, it'd be messier to add files from those projects if everything in their advertising folder was all Amazon documents with no sub-folder for Amazon. Making an Amazon sub-folder right away in your advertising folder prevents confusion as you start to add other companies into your advertising strategy. What you design should be realistic and as simple to use as possible. Are you someone who makes grand and complicated plans, but then sees them fall by the wayside after a couple of weeks? Many people are. Good organization is something where it's easy to let the perfect be the enemy of the possible. If you design overly complicated file and folder structures and naming conventions that you can't remember without a 20-page guide, you're not very likely to keep up with it. It's better to make something simple that it's easy to remember. Carve out the time to do this with your full attention instead of trying to do it in bits and pieces on the fly. It may take anywhere from an hour to days, depending on how many writing files you have. At the very least, set up the initial folders in one chunk of time so the organization is in place before you start moving files around. #2: Clean up before you start organizing. Get rid of duplicate and obsolete files before starting to organize other files. It will save time and make the process easier. #3: File structure is supported by good naming. Versions and drafts should be numbered to find the most recent one. Be specific. "Second draft" or "Volume one" without a book title isn't helpful if there are multiple books with that name across multiple folders. If you are using dates, be sure to include day, month, and year because in 10 years, "March ads" is not going to make much sense without the context of a year. Be consistent in how you order month, date, and year in a file because being inconsistent with it could make for mixed up dates. #4: Version control. "Rough draft THIS ONE" is not a good name to indicate that this is the latest draft and never use "final" as part of a draft or project name until it's well and truly done. On both Windows, Mac, and Linux, you get 256 characters for file names and it's a good idea to use them to be as descriptive as possible in your file names. #5: Be consistent. Don't make a folder called "Fix These File Names Later" because guess what? That date won't come. In the meantime, you'll probably get annoyed trying to find one of those files that don't have a correct name. If you're struggling with remembering to use your folder and file names, either make yourself a one-page reminder guide or take it as a sign that you might have made your structure and naming conventions too complicated. Remember that simpler is always better. #6: Document it. As with so many areas of life, proper documentation will help you remember something in the future. Write out how your folders are going to be structured, what style and formatting you will use to name the folders and files, and give yourselves some examples to jog your memory. If you're sharing the files and folders with others, make sure to share documentation with them and go over the system with them. That will save much time later since you won't have to spend so much time explaining to people where to find things in your file structure. #7: Decluttering isn't just for your college t-shirts. Schedule a regular time monthly or quarterly to declutter and fix anything in your file structure that isn't working or isn't consistent or correct. Much like organizing a drawer of shirts, things will only stay in order if you keep up with putting in and taking things out using your system. #8: It should fix, not create problems. Your first attempt at file organization may not work once you've added more files or tried it out for a while. Reflect on what is causing problems, what you would like your system to be able to do, and what you dislike about your current system. Train others who will use it. For example, differences in month/[day]/year naming conventions between countries can lead to incorrect dates if it isn't clear what date style is being used. Abbreviations should be standard to prevent confusion. For example, United States state abbreviations could follow the US Postal Service Conventions instead of writing your own abbreviations. MN would be Minnesota instead of M-I-N-N or M-I-N-N-E-S. (Though this can cause a confusion if you're not accustomed to them since, for example, in the postal codes, people often get Missouri and Minnesota mixed up.) Tip #9: Sharing isn't always caring. You can set up password protection on folders and files you don't want to share with others, especially if you're in a shared storage space. Read-only access is a way to share documents with others without worrying about them changing the files. For example, I have read-only access set for my book files so that someone working on my series bibles can download them without editing or changing the files themselves. So instead of having to make extra folders and files that are safe for someone to use without changing, I just set read-only access to those files [for that user]. Now let's take a look at some pros and cons of some typical structures. I'm going to provide examples of three possible folder structures you could use for writing and give you some of the pros and cons for each. #1: Organizing by date. In this system, the year is the first file and more specific files like quarters and months are sub-folders. This system might work best if you write based on challenges or projects such as National Novel Writing Month where each year is its own project. If you're taking writing courses, organizing by date and then by semester or course also would make sense for many people. For many writers, however, this could be a difficult way to organize because then you have to remember what year each book was written and many books are written across several years or months. If you're sharing the files with others, then you have to give them information on the history of each book project so they know which folder dates to look at, which creates extra work and most likely confusion. Like for example, off the top of my head, I could tell you that Ghost in the Forge is the sixth book in the Ghost series. However, I couldn't remember what year or month it was written in. I think it would be 2012, maybe February of 2012, but I would not be able to confirm that without looking it up, which would mean trying to find the file for Ghost in the Forge if I needed it would be a bit of a challenge. #2: Organizing by book. In this system, each book has its own folder and then other aspects like drafts, marketing materials, research, and covers are subfolders. If you don't have a large volume of books and don't have many writing adjacent activity files like research and advertising and don't share files with others, often this is a pretty straightforward way to organize your writing files. #3: Organizing by project type. In this system, the type of project is the main subfolder and sub-folders such as the books, marketing materials, covers, and series bibles would be in folders instead of being organized by individual books. For example, there would be a folder for marketing images. Instagram would be a sub-folder, and then there would be sub-folders in that folder for specific images and ads or individual books. If you have a lot of marketing images, that can be easier than trying to remember what image was for a certain book. This file organization system is more complex than just organizing by book and could be hard to keep up without some dedication. It might be unnecessarily complex for someone who only has a handful of books and only a small amount of files. As your writing adjacent activities like marketing and social media grow, it can be easier to organize this way than just by individual books. It's also much easier to share folders in a granular way using this method. For example, if you hire an assistant to help with social media posts, you can give them access to the social media marketing folders without having to give them access to the folders that have the book files and drafts in them. Now, what do I do for my own file organization system? Now, my system has partly been thought out and partly developed organically over the 15 years I've been doing this. And I found for me, since I've written so many books and series, that the best organizational principle is to run by series. My rough drafts are not super organized because once I am done with the book, I tend not to look back at the rough draft files. So usually my rough drafts are sitting in individual folders for the series like Frostborn, Dragontiarna, Blades of Ruin, and so forth. I am much more organized in the final drafts. Each individual series has its own folder and within the series, each individual book has its own folder as well. To help with keeping things in order, I usually number the folders. So for example, in Blades of Ruin, the first folder within it would be 01 Blade of Flames, then 02 Blade of Shadows, 03 Blade of Storms, and so forth. Within the individual book folders, I have the final files in ePub and PDF form for the books along with the cover images for both ebook, audiobook, and paperback. However, as I mentioned earlier in the podcast, I don't have just the book files. I also have audiobook files, advertising files, and a very large photo library from a combination of stock photos, 3D renders, and photographs I have specifically taken over the years for the purpose of using for ebook covers and advertising materials. For advertising images and materials, like I said, I found the best organizing principle for me is by series. So I generally tend to just organize them by series. So Frostborn, Sevenfold Sword, Dragontiarna, and the Andomhaim books generally have just one folder of advertising images since I can use the advertising image for both Frostborn: the Gray Knight and Sevenfold Sword: Champion. For my audiobooks, I keep those on a separate drive because they eat up a lot of space. But then I just have them organized out by book and series, which is pretty easy when I need to find something. For my stock photos, I do have those pretty well organized and again, in a separate drive, which I back up separately. I divide out the images by type. So I have a folder for castles, a folder for medieval or ancient cities, a folder for modern cities, a folder for fireballs and so forth. And so if I'm making a book cover image and I think, hmm, I want a sword, I can go into the swords folder and look at appropriate pictures of swords until I find one that would work for the project. How this [has] changed over time is I've had to become a bit more organized with the files because I started using Vellum, which generates a separate file of its own. So then I had to make sure that those were organized into proper files. I used to keep all my stock photos in just one big folder that quickly became unmanageable. So I once took two days to properly organize these stock photos. Just keeping all the rough drafts in one big folder for the series has worked pretty well for me because once I am done with the rough draft and have turned into the final draft, I just ignore the rough draft file and any changes that need to be made are obviously made to the final draft file. I also used to keep all the cover images in one folder for some reason and that was a bad idea. So then I started keeping the specific cover image in the folder with the specific book and that has worked out well. Would this be something I would recommend to someone just starting out? I think so. You can obviously get more complicated with this and my file structure is pretty simple overall, but it works for me. I can find anything I need to pretty quickly. In fact, my folder structure is deep enough I find sometimes that I get halfway down the folder structure and forget what I am looking for before I find it, which is a separate problem from folder organization. But I've stuck to this pretty consistently over the last 15 years and it's worked well for me. So I think I could recommend this to someone starting out. I'd have a folder for your rough drafts and then a folder with separate folders within it for your final drafts. Conclusion File organization is not glamorous, but as any records manager at a US government agency can tell you, it is extremely important for finding, organizing, and preserving what you create. Searching for files is not a writing adjacent activity that you want to take up your time and you definitely don't want the stress of losing something that you worked on for a long time by naming and storing it incorrectly. Finally, I want to close out with a reminder that however you set up your writing files and organizing them, they absolutely need to be backed up on a regular basis. I would recommend using a combination of cloud and local backups since they reinforce each other. If heaven forbid your house explodes and you lose your local backups, you still have your cloud backups. And if your cloud provider goes down or gets hacked or something, you still have your local backups. So no matter how you organize your files or how well organized they are, you definitely want to back them up on a very regular basis. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all of the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and we'll see you all next week.  

Support Midgard Musings By Clicking Here: ⁠⁠⁠⁠⁠⁠https://linktr.ee/MidgardMusings⁠⁠⁠⁠⁠⁠Click here to support Fjallvaettir Workshop: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fjallvaettir.com/⁠Buy my merch! ⁠⁠midgardmusings.dashery.com⁠⁠Donate to my mother's-in-law GoFundMe for medical equipment upgrades: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://gofund.me/43c134d0⁠Find me on FolkRealms: ⁠https://folkrealms.com/MidgardMusings⁠Pick up your copy of my book "The Saga Of The Heron That Flies To Hel" on ⁠Barnes & Noble⁠,⁠ Apple Books⁠, or a paperback copy on ⁠Lulu.⁠Purchase my album "Till The Final Twilight Dies" for $19.99 USD via one of the below digital payment options:PayPal - @MidgardMusingsVenmo - @Jesse-StilwagenCashApp -$MidgardMusingsArticle referenced during this episode: https://randomheathenramblings.com/blog/re-examining-innangard--utangard--and-frith-toward--a-historically-grounded-heathen-ethosMedieval Iceland: Society, Sagas, and Power by Jesse Byock- https://a.co/d/0g18BENd

It's summer, so we're talking Country House Parties! We're skulking around, having scandalous meetings in cupboards, getting caught in the rain near the groundskeeper's cottage, and generally causing chaos during a summer party at an enormous country house where someone is definitely ending up married (or at least ruined). This is another one where we're pretty shocked we haven't done it before. Gird your loins, historical lovers!!If you want to talk more about country house parties, about historicals, or about romance in general, come join our Patreon! You'll get an extra monthly episode from us and access to the incredible readers and brilliant people on the Fated Mates Discord. Learn more at fatedmates.net/patreon.Our next read along is an old school contemporary, Perfect by Judith McNaught. Sarah says it has the greatest all-is-lost moment in romance history. Read it to find out if she's right. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.BooksDay of the Duchess by Sarah MacLeanDuchess by Night by Eloisa JamesBand Sinister by KJ CharlesAny Old Diamonds by KJ CharlesHow the Duke was Won by Lenora BellA Dangerous Man by Connie BrockwayForever Your Duke by Erica RidleyDo You Want to Start a Scandal by Tessa DareSlightly Dangerous by Mary BaloghWhat I did for a Duke by Julie Ann LongThe Fifth Avenue Rebels Series by Joanna ShupeAgain the Magic by Lisa KleypasNotesIt's officially called The Obama Presidential Center, but you can also call it The Obamalisk OR the Taj Michelle. Whatever works for you! It's a great place for a first date!The tall ships! It's not the St. Charles, but the St. Lawrence waterways, it's manmade, because you know, Niagara Falls. We know geography!Some people got married at Madison Square Garden and some other people got engaged at the top of the Empire State Building.In Tatler, author Lucy Foley wrote about the country house party.Noises Off is a farce.SponsorsRachel Griffiths, author of Just for the Season, available in print, ebook, audiobook from Amazon, Apple Books, Barnes & Noble, Kobo, signed from the Ripped Bodice, or wherever you get your books.Max Monroe authors of Where I Should Have Been, available in print, ebook, audiobook from Amazon, Apple Books, Barnes & Noble, Kobo, or your local independent bookstore.Kristin Jennings, author of A Legacy of Magic & Monsters, available in print, ebook or with your monthly subscription to Kindle Unlimited.Union Square & Co., publishers of Pot Shot, by Laura Piper Lee, available in print, ebook and audiobook at Amazon, Barnes & Noble, Kobo, Apple Books, or your local independent bookstore.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/7/5/s0842-country-house-parties If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

As the People's Republic of China sought to establish itself as a modern nation state, its government chose to imitate the Soviet Union's path to modernization as they collectivized agriculture, labor, and industry with unfortunately devastating results.Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms! 

Weniger als vier von 100. So wenige gingen ein Jahr später noch ins Fitnessstudio. Und das lag nicht daran, dass sie nicht wollten.Fitness-Gewohnheiten – ob gesundes Essen, Supplement-Einnahme oder regelmäßiges Training – spielen neurobiologisch in einer eigenen Liga. Am Anfang arbeitet Dein Gehirn gegen Dich. Am Ende dieser Folge weißt Du, warum, und mit welchen drei Strategien Du trotzdem dranbleibst.Du erfährst:Warum sich die ersten Wochen wie ein Kampf anfühlen, und wann sich das drehtWarum die „21-Tage-Regel“ nicht funktioniert – und wie lange Du wirklich brauchst3 simple Strategien, die in Studien zu >50% häufigerem Training führen.Los geht's. Und dann: dranbleiben.____________*WERBUNG: Infos zum Werbepartner dieser Folge und allen weiteren Werbepartnern findest Du hier.

In this week's episode, we take a look at 5 lessons indie authors can learn from tradpub. This coupon code will get you 50% off the audiobook of Dragonskull: Crown of the Gods, Book #9 in the Dragonskull series, (as excellently narrated by Brad Wills) at my Payhip store: JULYCROWN The coupon code is valid through July 20, 2026. So if you need a new audiobook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 310 of The Pulp Writer Show. My name is Jonathan Moeller. Today is July 2nd, 2026 and today we are discussing five lessons indie authors can learn from traditional publishing. Given how negative I've been about traditional publishing over the years, that may be a bit of a surprise, but we will find out more later. We will also have a Coupon of the Week and a progress update at my current writing, publishing, and audiobook projects. So let's start off with Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Dragonskull: Crown of the Gods, Book #9 of my Dragonskull series (as excellently narrated by Brad Wills) at my Payhip store. That coupon code is JULYCROWN. As always, you can get the coupon code and the links to my Payhip store in the show notes for this episode. This coupon code will be valid through July 20th, 2026, so if you need a new audiobook for your summer travels, we have got you covered. And now for an update on my current writing, publishing, and audiobook projects. I'm pleased to report that Blade of Thieves is now done and published. Once this episode goes out, you should be able to get it at Amazon, Barnes & Noble, Kobo, Google Play, Apple Books, Smashwords, bookshop.org, and my own Payhip store. It's starting off strong, so thank you to everyone who is reading and enjoying it. Thank you for everyone being patient while I got to it. Now that Blade of Thieves is finished, my next main project will be Cloak of Frost, the 15th book in the Cloak Mage urban fantasy novel series. I'm currently 24,000 words into that. I think the rough draft will be about 100,000 words. If all goes well, I hope to have that out in August. My new secondary project is now Blade of Visions, which of course will be the direct sequel to Blade of Thieves. As of this recording, I am 1,000 words into it. In audiobook news, Leanne Woodward has started recording Dragon-Mage and Hollis McCarthy is currently recording Cloak of Worlds, which was the 13th book in the Cloak Mage series. In a few days after this, Brad Wills is going to start recording on Blade of Thieves. So we should have a bunch of new audiobooks coming up for you to listen to before too much longer, if all goes well. So that is where I'm at with my current writing, publishing, and audiobook projects. 00:02:23 Main Topic of the Week: 5 Things Indie Authors Can Learn From TradPub Now onto our main topic this week, five lessons indie authors can learn from TradPub. Given how critical I have been and continue to be of traditional publishing on this blog and my podcast, this might come as a bit of a surprise and this should be in no way an endorsement for anyone to pursue traditional publishing. My blunt opinion is that if you are a new author starting out, you are much, much, much, much, much, much, much, much, much, much better served going indie instead of traditionally publishing. You will retain ownership over your IP. You will potentially be able to make more money and you won't have to deal with the various problems endemic in traditional publishing. Occasionally I see on social media a newish author trying to get an agent or being excited that an agent responded to their query letter or whatever. I don't do this because arguing with strangers on the internet is a waste of time, but I want to tell them, "Don't do this. Go indie. You'll be much happier in the long run and you won't have to worry about your agents stealing all your money," of which there have been documented cases that have happened. Now with all those caveats aside, traditional publishing has lasted for a long time. There is a reason that traditional publishing has survived so many changes and continues in many different forms to this day. And while I wouldn't recommend that you pursue traditional publishing, there are things you can learn from it to enhance your career as an indie author. So today I'm going to talk about five things you can learn from TradPub as an indie author. #1: Your book doesn't exist in a vacuum. Many authors are resistant to their book being put into categories or being paired with similar books. I've frequently noticed that aspiring and first time authors are particularly resistant to the either idea of their book best fitting into a single category or being similar to another authors. It doesn't mean that your book isn't creative or unique, it's accepting the reality of bookselling. Even in the modern indie era, books are still very much classified by a limited number of categories on book sites and ads are built on comparing your books to other authors. Focus on the category that best represents your book if it spans genres and focus extra effort on finding similar authors to help potential readers understand what type of book you are offering. For example, I had this problem with Cloak Games and Cloak Mage for a couple of years because the series is primarily an urban fantasy, but it's also set 300 years in the future. There are increasing science fiction elements in the series. The protagonist has visited several different planets and so forth, so trying to cram that all into an ad description or an ad targeting is a difficult proposition. I had better success when I started describing the series as the Dresden Files crossed with the Shadowrun RPG, which readers of it will say probably captures it quite well and then in the marketing, I always focus on the urban fantasy elements. I don't even mention the sci-fi elements because I think that's a fair representation of the book is that it's 80% urban fantasy with some sci-fi stuff in the background. So that is an example from my own books that I've done where I have emphasized the urban fantasy and contemporary fantasy aspect of Cloak Mage in the advertising and then just didn't mention the rest of the stuff in the other advertising. Traditional publishers even create the feeling of similarity with their own books by using the same artists and styles for their book covers. There was a post going around last year showing all the romance books with blue covers, cartoon figures facing each other while outside, and swooping white font. Book genres have conventions and trends in their covers. Instead of fighting that, you might want to take a time to look at the best sellers in your category to take note of what's working for other authors in your category. A book cover doesn't have to match everything about your book. It just has to give people a quick impression of what the book is about so it makes sense and doesn't confuse people and gives them something that is least in line with genre expectations. My rule of thumb for book covers is always that it should, in a space of two seconds of looking at a book cover, it should tell you the title of the book, the author of the book, and the genre of the book and it should do this all in an aesthetically pleasing and attractive matter. Those are essentially the four rules for a successful book cover, that you look at it and you can within two seconds know the title, the author, the genre, and it's presented in aesthetically pleasing and attractive manner. So to get a good book cover for your category, it would be a good idea to look at the other books in your category and see if you can find a design that while it doesn't copy the other designs, nonetheless follows some of the same design rules. #2: Timing matters. Traditional publishing is largely based on three seasons: spring, summer, and fall. By building the release schedule this way, it offers reliability for booksellers and libraries and each season has a general theme that makes it easier to market new releases. For example, fall has a lot of prestige literary fiction titles while summer might focus more on beach reads and SATs study guides. Indie publishing isn't beholden to this type of thinking about scheduling book releases, but it's smart to learn from what has worked for traditional publishing over the last couple centuries. Book sales in the US are generally a little softer in January and the summer and peak around the winter gift giving season. Thrillers often get published in September and October so they can get the "spooky season" boost from people looking for Halloween adjacent reads. It makes sense to look at the rhythm of what has been working for bookselling in your genre and see if there's a time that is especially advantageous for you to put out your book where you're just starting out and don't have very much in the way of your own sales data yet. For myself, I found what indie authors really need to watch out for is holidays. Publishing a book the day before Christmas or the day after Christmas is not a good idea. One of the reasons I didn't rush to get Blade of Thieves out the last week of June is because a lot of people will be taking the last week of June off because it leads right into the 4th of July holiday, which is why Blade of Thieves came out after 4th of July. I'd say the weakest times in my experience for indie authors are generally on November, December (because of the late Christmas), and then August and September also tend to be fairly weak because that is back to school time, which is very often very expensive and a financial strain for many people, in addition to their time and energy being focused on things other than recreational reading. Also, I've been doing this long enough to say this with some authority is that presidential election years, especially in the run up to the election are always pretty weak times in 2012, 2016, 2020, and 2024, especially 2024. I did notice a dip in sales as we approached the election and the general intensity of the campaigning and the ads and everything picked up. I've come to realize that a significant portion of the reading public, especially in the United States, also overlaps with the very politically involved public. I mean, it's not a perfect Venn Diagram, but there is significant overlap. So as the election season heats up, you can expect to see a drop in sales. I honestly wonder if traditional publishing has that as well. I would look into that at some point. So I'd say for an indie author, be mindful of holidays and don't be alarmed if you see a sales dip before and during the holidays and it might be a good idea if you have a big release to wait until after the holiday to push it. Tip #3: If it's a product, make it a good one. Another thing that many authors reject is the notion that their book is a product to be sold and not just a piece of art. Publishing isn't shy about thinking of their books as products with units just like a can of beans on a shelf and when you're shipping hundreds of thousands of books across the world, the general process isn't all that different (with the possible exception that books are generally quite heavy). When you remove some of that emotional attachment to a book and think of it as a product, it becomes a little easier to work with. And what do I mean by that? It's much easier to tear a book apart in editing, change the cover, fix the blurb, and make ads by thinking of the book as a product that exists next to similar products instead of a special and unique masterpiece. If your book is a product, then make it a good one. Take the time to improve it and look at it from an outsider's perspective. Seek feedback, just like TradPub does through the use of advanced reader copies. Tip #4: Deadlines work. One thing traditionally published authors usually have that indie authors do not is a deadline. The TradPub book is set to be released on a specific date and missing the deadline is a pretty efficient way to get your publisher upset with you as a TradPub writer since that release date has likely been publicized and changing release dates could impact how your book sells against other books. The problem with not having a set deadline for finishing a book is that many indie authors fall prey to waiting for inspiration or letting themselves get into the habit of undisciplined work time. They let, as I often say, the perfect to be the enemy of the possible, or just as importantly, the finished. Some people need an external deadline and pressure from other people in order to work for any meaningful amount of time. It's best to know yourself and if you're the kind of person who needs some structure to work well, to find a way to put that structure and those deadlines into your work as a writer. You can try making deadlines and sharing them with someone else in a form of accountability buddy or making a set of rewards based on making your own deadlines. Plotting out your release schedule at the beginning of another year is a way of doing this. Tip #5: Paper books still matter. A surprising area of opportunity for TradPub has been print books. For some categories like children's books or cookbooks, ebooks have never been the driving force and the demand for physical copies over ebooks has remained fairly consistent. Some of the trend of readers wanting more print books started in the COVID era when people were spending entire days on Zoom meetings and staring at computer screens for work or school and needed a break from their screens in their leisure time. Bookstagram and BookTok have also driven this print trend. These influencers typically use physical books in their photos and videos and they are often arranged in various athletically pleasing ways. Publishers responded with a slew of special and exclusive print editions for this market and existing fans of the series. They often have sprayed edges or color illustrations and are so prized by collectors that some have the [sprayed edges] on the books facing out in their bookshelves or books on stands to display certain interior illustrations. Traditional publishing did not give up on print and neither should you as an indie author. Most of your income as an indie author is probably going to come from some form of ebooks, but print should not be overlooked. Some categories do better than others in the print format, but many readers will want the print version of a favorite book they have already read as an ebook or just prefer print as their preferred reading format. Fortunately, the days of having to buy a large amount of print books and keep them in your garage has passed for indie authors. Many companies, including Amazon, Ingram Spark, and Draft2Digital offer print on demand services for indie authors so you don't have to spend a large sum of money printing your own books. It's worth investigating how the print on demand format might work for you as an indie author. One thing I should also mention is that if you write nonfiction, it's also a very good idea to have a print edition because for certain kinds of nonfiction books, the reader will keep the nonfiction book and reference it again and again and keep it for years as opposed to a fiction book where the reader might read it once and be done with it and if it's not their favorite book, they might not need a print edition. My Linux Command Line Beginner's Guide is also available in print and is my overall bestselling print book because it's essentially a tutorial for learning the basics of the Linux command line and it makes sense therefore that people would want the physical copy as a quick reference when doing things in the Linux command line. In conclusion, there's no point in throwing out the centuries of experience that traditional publishers have in selling books. Although the publishing industry continues to change (and although I still think you're better off self-publishing than pursuing a TradPub deal), it's wise to look at things that are working there and adapt them to suit your needs (although once again, I still think you're better off self-publishing). So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your view on your podcasting platform of choice. Stay safe and stay healthy and we'll see you all next week.

We're filling summer reading lists and making sure that you have plenty of beach reads ready for whatever your plans are! It's hard to believe it's July, but we've got another quarterly upcoming romance episode here to ease the pain of half the year already passed! Here's a huge list of books arriving in July, August & September 2026—historical, paranormal, speculative, contemporary, a YA or two and a romantic suspense or two, we've got something for everyone. As a reminder, we haven't read most of these, but we have big plans!If you want more recommendations and more people with whom you can discuss 2026 romance novels, maybe you want to join our Patreon? You get an extra monthly episode from us and access to the incredible readers and brilliant people on the Fated Mates Discord! Support us and learn more at fatedmates.net/patreon.Our next read along is an old school contemporary, Perfect by Judith McNaught. Sarah says it has the greatest all-is-lost moment in romance history. Read it to find out if she's right. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.AUTHORS: Do you have a book coming out in 2026 that you'd like to make sure we know about? Or, are you a debut romance author who'd like to make sure we know about your debut? Fill out the forms here:2026/2027 Upcoming Romance Novels2026 Debut Romance NovelsJune Releases (Better Late Than Never)Love is a Contact Sport by Frederick SmithA Deal at Dawn by Vanessa RileyJuly ReleasesSeduced by the Werewolf Highwaymen by Eva LeighFIRE on Fire by Lukas GainesPrincess Bride with Benefits by Bella MasonAs Long as it Takes by Jill FrancisDie For Me by Shirlene ObuobiKiss, Marry, Kill by Cara TanamachiThe Paddock Club by Madge MarilAffairs of State by Calvin JamesFormula Zero by Meredith LanzenA Date with Death by Kelly CreaghDearest Beast by Felicia GrossmanFalling For You by Natasha MadisonThe Romance Revival by Christina LaurenEclipse of the Crown by AK CaggianoTheir Summer Rescue by Sera Taíno Maggie and Arthur's Magic Moment by Leslie ReneFoxx by Paisley HopeRavenous by Kresley ColeAn Education in Longing by Charlotte SteinOne Shattered Crown by Rebecca ZanettiAugust ReleasesI Punched an Alien and Now We're in Couples Therapy by Kimberly LemmingSteelborn by Taylor LaRueEmbrace by Bal KhabraThe Cozy Nook Bookshop by Jeannie ChinIn What World by Bridget MorrisseyIt's a Business Doing Pleasure With You by Lindsay LewisRoped by Saffron KentDon't Say Mafia by CR JaneSee you at the Sunset by Susan LeeOld Flames by Nadine GonzalezSex Positive by Brooklyn RoseInternational Relations by Zac HammettHer Undercover Protector by Kayla ParrinThe Marriage Rebound by Meka JamesFull Throttle by JK MaclarenVow of Eternal Night by Lily CrozierSeptember ReleasesLove Me like a Rock Song by Shelley Jay ShoreHexy Beast by Avery FlynnYou're the One that I Haunt by Katie JungA Spell of Heart and Havoc by Kristen ValeThe Alibi Club by Carrie TalickThe Invisible Roommate by Timothy JanovskyFrom Beijing With Love by Bei LinDemons and Diplomacy by Megan FramptonWith all my Haunted Heart by Isabel SterlingIsn't He Romantic by Adib KhorramHow to Ruin a Rake by Kate PearceGhost Me, Maybe by Manda CollinsSee you Next Tuesday by Kate Stayman-LondonGame Over by Bella NorthFormula He's the One by Andie J ChristopherDoomsdate by Laura Piper LeeSponsorsFelicia Grossman, author of Dearest Beast, available in print, ebook, audiobook from Amazon, Barnes & Noble,

Support Midgard Musings By Clicking Here: ⁠⁠⁠⁠⁠https://linktr.ee/MidgardMusings⁠⁠⁠⁠⁠Click here to support Fjallvaettir Workshop: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fjallvaettir.com/Buy my merch! ⁠midgardmusings.dashery.com⁠Donate to my mother's-in-law GoFundMe for medical equipment upgrades: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://gofund.me/43c134d0Find me on FolkRealms: https://folkrealms.com/MidgardMusingsPick up your copy of my book "The Saga Of The Heron That Flies To Hel" on Barnes & Noble, Apple Books, or a paperback copy on Lulu.Purchase my album "Till The Final Twilight Dies" for $19.99 USD via one of the below digital payment options:PayPal - @MidgardMusingsVenmo - @Jesse-StilwagenCashApp -$MidgardMusings

After the Japanese Imperial Army evacuated China, any hopes of peaceful reunification were dashed as the Nationalists and Communists continued fighting the Chinese Civil War, the result of which would see the birth of the People's Republic of China.Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms! 

Support Midgard Musings By Clicking Here: ⁠⁠⁠⁠⁠https://linktr.ee/MidgardMusings⁠⁠⁠⁠⁠Click here to visit Fjallvaettir Workshop: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fjallvaettir.com/Buy my merch! midgardmusings.dashery.comDonate to my mother's-in-law GoFundMe for medical equipment upgrades: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://gofund.me/43c134d0Find me on FolkRealms: https://folkrealms.com/MidgardMusingsPick up your copy of my book "The Saga Of The Heron That Flies To Hel" on Barnes & Noble, Apple Books, or a paperback copy on Lulu.Purchase my album "Till The Final Twilight Dies" for $19.99 USD via one of the below digital payment options:PayPal - @MidgardMusingsVenmo - @Jesse-StilwagenCashApp -$MidgardMusings

Is it our birthday? It is not! But who says you need to celebrate a birthday in real life to celebrate birthdays in romance novels? Not us! Today we're talking about books that focus on birthdays — something that you would think would be more common in romance. We talk about birthdays that are cursed, about mistakes made on birthdays, about why heroes don't seem to have birthdays, and about old reliable — I'm turning thirty, better get rid of this pesky virginity!Tell us about your favorite birthday romances over on the Fated Mates Discord, where it's probably someone's birthday—or at least close to someone's birthday. The Discord is accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.BooksThree Little Mistakes by Nikki SloanBrazen and the Beast by Sarah MacLeanSuddenly You by Lisa KleypasNero by SJ TillyWicked in Your Arms by Sophie JordanAll of Me by Tiya RayneWitness to Passion by Naima SimoneBirthday Girl by Penelope DouglasIt Seemed Like a Good Idea at the Time by Kylie ScottBirthday Shot by Rilzy AdamsThe Viscount Who Loved Me by Julia QuinnNotesYou can visit The Book Nook bookstore and go on the Blue Bell Ice Cream Tour if you're ever in Brenham, Texas.This reflecting pool situation, honestly, if someone wrote it into a book would be too heavy-handed a metaphor.What is clipping, you might be wondering. Well, something that's bad, actually.Charlie Chaplin had babies when he was 73! We had a whole episode about Ruination in season 7.The “turning 3O book” Jen couldn't think of is Charlie Quinn Lets Go by Jamie Varon. The nonfiction book she mentioned about “being frozen” is Girls Play Dead by Jen Percy.Chicago, don't miss Jen and Sophia Benoit tonight (June 24), to celebrate the release of her first historical romance, The Very Definition of Love.SponsorsLotte James, author of From Rogue to Viscount, available in print, ebook, audiobook from Amazon, Barnes & Noble, Kobo, Apple Books, or wherever you get your books.Macmillan, publishers of Julie Murphy's The Undergrads: Student Union, available in print, ebook, audiobook from Amazon, Apple Books, Barnes & Noble, Kobo or wherever you get your books.Blue Box Press, publishers of To Catch a Sinner, by Dylan Allen, writing as Lucy Wilson-Tagoe available at Amazon, Barnes & Noble, Kobo, Apple Books, or wherever you get your books.Lumi Gummies. Go to lumigummies.com and use code FATEDMATES for 30% off your order.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/6/23/s0839-birthday-romances If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

As incomes soared and standards of living likewise rising, the demand for entertainment in Japan also rose and the industries of film, television, and animation would produce some of the most innovative and influential works ever made.Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms! 

On the Road to Macstock, Allison Sheridan previews her session that features a hands-on spreadsheet workshop comparing Excel, Numbers, and Google Sheets. She explains practical skills like fill-down, fill-right, and possibly pivot tables, while stressing that the goal is not exhaustive training but confidence-building. Our conversation also touches on Copilot i relation to Excel, vibe coding, and why Macstock feels like coming home. Today's MacVoices is supported by TV+ Talk, our MacVoices series with Charlotte Henry focused on Apple TV+. From shows and other content to the business side there's always something to learn about apple's streaming service. Find it at the Categories listings on the web site or go directly to macvoices.com/category/tvplustalk Show Notes: Chapters: 00:00 Opening and Road to MacStock introduction00:35 Chuck welcomes Allison Sheridan01:07 Why MacStock feels like going home01:37 The welcoming culture for first-time attendees02:31 Previewing Allison's presentation topic03:16 A hands-on spreadsheet workshop03:51 Comparing Excel, Numbers, and Google Sheets04:25 Fill down, fill right, and practical spreadsheet basics05:18 Pivot tables as a possible bonus topic06:02 Finding usable demo data sets07:42 Why pivot tables can be less intimidating than they seem08:20 Excel versus Numbers and spreadsheet preferences08:46 Where Copilot fits into spreadsheet work10:30 Why this is not an AI presentation11:01 Practical spreadsheet skills for mixed-experience audiences12:30 Why covering all three major spreadsheet apps matters13:14 Who will benefit most from the session13:54 What attendees should bring14:54 Chuck guesses Allison's topic15:21 Vibe coding as an addictive new productivity tool16:13 The dopamine hit of building apps with AI17:04 How vibe coding enthusiasm spreads17:38 Being polite to AI tools18:11 Allison's MacStock discount code19:12 Encouraging attendees to join the Crystal Lake event19:36 Closing thoughts with Allison Sheridan20:01 Closing credits and support information Links: Macstock Conferencehttp://macstockconference.comAllison's Discount Code: podfeet  Guests: Allison Sheridan started podcasting in May of 2005, just 7 months after podcasting was invented. At 20 years, her flagship show, the NosillaCast Podcast, became the longest-running Apple-centric podcast. In the NosillaCast, she focuses on reviewing tech products with an EVER so slight Apple bias, while weaving accessibility throughout her content. She also co-hosts the Programming By Stealth podcast, where Bart Busschots teaches the audience to program through an audio podcast (with Bart's tutorial shownotes). Bart and Allison also hosted the podcast Taming the Terminal, which is a 40+ episode guide to the macOS Terminal, which you can also get as an ebook through Apple Books. She has a tech conversation show called Chit Chat Across the Pond, which currently comes out at least once a month with Adam Engst of TidBITS as her most frequent guest. She's a founding speaker at Macstock Conference every year outside of Chicago, and a frequent guest on the Daily Tech News Show and Clockwise podcasts. She is also a video screencast tutor for the subscription service ScreenCastsONLINE. She and her husband, Steve, produce video interviews from trade shows such as CES and CSUN's Assistive Tech conference. She's an avid exerciser, walking around 7 miles a day, and enjoys time with their dog Kepler, and two cats Ada Lovelace and Grace Hopper. Yes, their pets are all named after scientists! Support:      Become a MacVoices Patron on Patreon     http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:     http://macvoices.com      Twitter:     http://www.twitter.com/chuckjoiner     http://www.twitter.com/macvoices      Mastodon:     https://mastodon.cloud/@chuckjoiner      Facebook:     http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:     http://www.facebook.com/macvoices/      MacVoices Group on Facebook:     http://www.facebook.com/groups/macvoice      LinkedIn:     https://www.linkedin.com/in/chuckjoiner/      Instagram:     https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes     Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

On the Road to Macstock, Allison Sheridan previews her session that features a hands-on spreadsheet workshop comparing Excel, Numbers, and Google Sheets. She explains practical skills like fill-down, fill-right, and possibly pivot tables, while stressing that the goal is not exhaustive training but confidence-building. Our conversation also touches on Copilot i relation to Excel, vibe coding, and why Macstock feels like coming home. Today's MacVoices is supported by TV+ Talk, our MacVoices series with Charlotte Henry focused on Apple TV+. From shows and other content to the business side there's always something to learn about apple's streaming service. Find it at the Categories listings on the web site or go directly to macvoices.com/category/tvplustalk Show Notes: Chapters: 00:00 Opening and Road to MacStock introduction 00:35 Chuck welcomes Allison Sheridan 01:07 Why MacStock feels like going home 01:37 The welcoming culture for first-time attendees 02:31 Previewing Allison's presentation topic 03:16 A hands-on spreadsheet workshop 03:51 Comparing Excel, Numbers, and Google Sheets 04:25 Fill down, fill right, and practical spreadsheet basics 05:18 Pivot tables as a possible bonus topic 06:02 Finding usable demo data sets 07:42 Why pivot tables can be less intimidating than they seem 08:20 Excel versus Numbers and spreadsheet preferences 08:46 Where Copilot fits into spreadsheet work 10:30 Why this is not an AI presentation 11:01 Practical spreadsheet skills for mixed-experience audiences 12:30 Why covering all three major spreadsheet apps matters 13:14 Who will benefit most from the session 13:54 What attendees should bring 14:54 Chuck guesses Allison's topic 15:21 Vibe coding as an addictive new productivity tool 16:13 The dopamine hit of building apps with AI 17:04 How vibe coding enthusiasm spreads 17:38 Being polite to AI tools 18:11 Allison's MacStock discount code 19:12 Encouraging attendees to join the Crystal Lake event 19:36 Closing thoughts with Allison Sheridan 20:01 Closing credits and support information Links: Macstock Conference http://macstockconference.com Allison's Discount Code: podfeet  Guests: Allison Sheridan started podcasting in May of 2005, just 7 months after podcasting was invented. At 20 years, her flagship show, the NosillaCast Podcast, became the longest-running Apple-centric podcast. In the NosillaCast, she focuses on reviewing tech products with an EVER so slight Apple bias, while weaving accessibility throughout her content. She also co-hosts the Programming By Stealth podcast, where Bart Busschots teaches the audience to program through an audio podcast (with Bart's tutorial shownotes). Bart and Allison also hosted the podcast Taming the Terminal, which is a 40+ episode guide to the macOS Terminal, which you can also get as an ebook through Apple Books. She has a tech conversation show called Chit Chat Across the Pond, which currently comes out at least once a month with Adam Engst of TidBITS as her most frequent guest. She's a founding speaker at Macstock Conference every year outside of Chicago, and a frequent guest on the Daily Tech News Show and Clockwise podcasts. She is also a video screencast tutor for the subscription service ScreenCastsONLINE. She and her husband, Steve, produce video interviews from trade shows such as CES and CSUN's Assistive Tech conference. She's an avid exerciser, walking around 7 miles a day, and enjoys time with their dog Kepler, and two cats Ada Lovelace and Grace Hopper. Yes, their pets are all named after scientists! Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

Mit 49 ist Mark Lauren fitter als die meisten 20-Jährigen. Ganz ohne Fitnessstudio, ohne Geräte. In der Jubiläumsausgabe seines Weltbestsellers „Fit ohne Geräte“ zeigt der Ex-Elitesoldat, wie Du über den Tag verteilt trainierst, ohne je müde zu werden, und warum oft weniger mehr ist.Kurios eigentlich: Der Mann, der das Training mit dem eigenen Körpergewicht groß gemacht hat, würde sein Originalprogramm heute kaum noch selbst durchziehen. Zu hart, sagt er. Mark Lauren (IG: mark_lauren_bodyweight; FB: @bodyweight) trainiert inzwischen anders. ____________*WERBUNG: Infos zum Werbepartner dieser Folge und allen weiteren Werbepartnern findest Du hier.

We're back with a deep dive on one of our favorite recent romances, Seven Days in June by Tia Williams! We talk about yearning in contemporaries, about books that have a powerful sense of place, about dual timelines, about secondary characters, about lines that stick with us years later, and about how fated mates works as a trope in a contemporary romance.Tia also has a new book out this month, The Missed Connection. Get it wherever you get your books.Listen to our Season 3 episode with Tia Williams about writers in romance and head over to talk about Seven Days in June or any of her other books on the Fated Mates Discord, accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Read Seven Days in June at Amazon, Barnes & Noble, Kobo, Apple Books, wherever you get your books, or with your monthly subscription to Kindle Unlimited.NotesSorry, we're a Knicks podcast now, everyone. Sarah because of New York and Jen because of Villanova. Sarah did look up that Knickerbocker thing, but we never got back to it. Learn more about how those trousers became a symbol of NYC here. Sports curses are bad, just ask Red Sox fans! Spike Lee has really been through it, Jalen Brunson's interview after the game just shows you a man trying to deal with his feelings.The World Cup, we just don't know anything about that yet, but we're gonna get up to speed on that, just like all the people of the world getting up to speed on America. Also, feels important to romance that we bring you the news that the Tartan Army cleared Boston out of beer.We had Tia Williams on the podcast back in season 3 when Seven Days in June was released. Although there is not a sequel to Seven Days, Shane and Eva are secondary characters in the YA romance with Audre that came out in 2025. Find out more about Tia, and see all her books at her website.Come see Sophia Benoit in conversation with us in NYC (June 23) and Chicago (June 24) to celebrate the release of her first historical romance, The Very Definition of Love.SponsorsFrederick Smith, author of Love is a Contact Sport, available in print, ebook, audiobook from Amazon, Barnes & Noble, Kobo, or wherever you get your books.Little Brown & Company, publishers of Lu Chekowsky's Don't Buy What I'm Selling: On Breaking Up with Advertising and Finally Learning to Love My Whole, Fat Self, available in print, ebook, audiobook from Amazon, Apple Books, Barnes & Noble, Kobo or wherever you get your books.The What in the Smut? Podcast, available wherever you get your podcasts.W by Wattpad Books, publishers of Nicole Alfrine's Brain Games. Available in print and ebook from Amazon, Apple Books, Barnes & Noble, Kobo, or wherever you get your books.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/2026/6/16/s0838-seven-days-in-june-by-tia-williams If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

The Economic Miracle period witnessed, as its name suggests, tremendous economic growth throughout Japan. However, that growth came at a cost to Japan's organized working class as well as white collar workers whose pursuit of productivity often compromised their health.Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms! 

This week, we're visiting with Mary Kay Andrews, a longtime writer and certified badass who we adore for her WTAF Wednesdays and her delightful books. We talk about her writing journey, her decision to get publicly, vocally political, and about her new book Road Trip. We had a great time chatting and talking about writing, about research, and about how we should all just take a road trip through Ireland. Of course, we recommend a few books!Find Mary Kay Andrews (and catch WTAF Wednesdays) on Instagram, Threads, or her website.Listen to our earlier romance road trip episode from Season 1 and head over to tell us all about your favorite road trips and find an endless list of road trip recs on the Fated Mates Discord, accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Next week, our read along is Seven Days in June by Tia Williams. Get it at Amazon, Barnes & Noble, Kobo, Apple Books, wherever you get your books, or with your monthly subscription to Kindle Unlimited.Books DiscussedRoad Trip by Mary Kay AndrewsSummers at the Saint by Mary Kay AndrewsThis Kingdom Will Not Kill Me by Ilona AndrewsNevermind the Mistletoe by Louisa DarlingThe Adventures of Huckleberry Finn by Mark TwainThe Odyssey, Emily Wilson's TranslationThe Mostly True Story of Tanner and Louise by Colleen OakleyThis Tender Land by William Kent KruegerThe Road to Tender Hearts by Annie HartnettSponsorsEdward Underhill, author of The House of Now & Then, available in print, ebook, audiobook from Amazon, Apple Books, Barnes & Noble, Kobo, or wherever you get your books.Kristina Forrest, author of The Summer Girlfriend, available for preorder in print, ebook, audiobook from Amazon, Apple Books, Barnes & Noble, Kobo or wherever you get your books.Little Brown & Co, publishers of Emily Adrian's Seduction Theory. Available in print, ebook and audiobook from Amazon, Apple Books, Barnes & Noble, Kobo, wherever you get your books, or with your monthly subscription to Kindle Unlimited.Lumi Gummies. Go to lumigummies.com and use code FATEDMATES for 30% off your order.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/6/9/s0837-road-trips-with-mary-kay-andrews If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

Ikeda Hayato managed to garner the necessary support to become the President of the LDP and the Prime Minister of Japan after Kishi Nobusuke's resignation in 1960. He would prove to be almost the polar opposite of his arch-conservative predecessor, creating much of the social safety net which Japan continues to enjoy today. His successor, Sato Eisaku, lobbied for the return of Okinawa Prefecture and was forced to wrangle with complicated geopolitical challenges and domestic disturbances.Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms! 

Ist Dein Gewicht genetisch vorprogrammiert? Die Set-Point-Theorie sagt Ja – und nimmt Dir damit bequem jede Verantwortung ab. Nur: Die aktuelle Forschung sieht das anders. Am Ende der Folge weißt Du, was von der Theorie übrig bleibt. Und welche drei Hebel darüber entscheiden, ob es bei „vorher–nachher–vorher“ bleibt ... oder echte Veränderung daraus wird.____________*WERBUNG: Infos zum Werbepartner dieser Folge und allen weiteren Werbepartnern findest Du hier.

We're celebrating the paperback release of These Summer Storms this week, and that means we're talking about the weather! We talk about rain and snow and wind and tempests and tornadoes and monsoons, and we talk about why we all like weather in books so much (hint, it's because it's dialed up to 11).Tell us all about your favorite weather in romance novels and find an endless list of books that are as wild and stormy as you like over at the Fated Mates Discord, accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Our next read along is Seven Days in June by Tia Williams. Get it at Amazon, Barnes & Noble, Kobo, Apple Books, wherever you get your books, or with your monthly subscription to Kindle Unlimited.NotesWe are fans of Mayor Mamdani, texting Sarah about the weather. This lady didn't get the memo, but we hope she's okay. After this episode was recorded, the Knicks were headed to the MNBA finals, and the Mayor repealed bedtimes for all the kids in New York. Could we love him any more?Eric was camping, which Sarah and I imagine is like Ferngully, but it was real rainy.Half agony and half hope is from Persuasion, which just goes to show you that you can never read Jane Austen and still get the basics!Send Help is a movie with Rachel McAdams and it's basically light horror, maybe? Idk, Jen covered her eyes a lot, but it was super fun.It was a dark and stormy night is from Snoopy, and also an 1830 novel called Paul Clifford by Edward Bulwer-Lytton, who was an aristocrat! He was the first Baron Lytton! Paul Clifford is an example of a Newgate novel.Snowed-in is a subset of forced proximity, but the snowed-in is a symbol.You can watch People We Meet on Vacation on Netflix.Speaking of Crash Landing on You and weather.James Joyce was afraid of thunderstorms.Sophia Benoit will be with Sarah at Book Club Bar in Brooklyn on June 23rd, and with Jen at Women & Children First in Chicago on June 24th. Sarah will be with Mary Kay Andrews on Long Island on June 12th.SponsorsRachel Griffiths, author of Just for the Season, available for preorder in print, ebook, audiobook from Amazon, Apple Books, Barnes & Noble, Kobo, signed from the Ripped Bodice, or wherever you get your books.Lulu Morris, author of The Dating Pact, available for preorder in print, ebook, audiobook from Amazon, Apple Books, Barnes & Noble, Kobo or wherever you get your books.W by Wattpad Books, publishers of Sabrina Blackburry's Half Wylde. Available in print and ebook from Amazon, Apple Books, Barnes & Noble, Kobo, or wherever you get your books.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/6/1/s0836-weather-is-genre-these-summer-storms-paperback If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

Conservatives and Leftists both experienced party mergers after the 1955 general election. However, it was the Liberal Democratic Party who would emerge as the big winner for the foreseeable future.Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms! 

Prolific country music writer Barry Mazor joins Nick to talk about his recent book Blood Harmony: The Everly Brothers Story. The book has been widely praised as the definitive biopgraphy about the iconic musical duo and it's definitely one of the best music history books written in the last few years. Definitely check this one out!You can purchase a copy of Blood Harmony at any major retailer, including Amazon, Barnes & Noble, and Apple Books.Support the show

Schon ein halbes Kilo Flüssigkeitsverlust kostet Dich messbar Kraft, Ausdauer und Konzentration. Und die meisten Menschen merken es nicht mal.Du kommst vom Training, trinkst einen Liter Wasser – und eine Stunde später bist Du dreimal auf der Toilette gewesen, aber immer noch durstig. Das ist kein Zufall. Dein Körper scheidet das Wasser aus, das er eigentlich braucht. Und die Ursache ist ein einziger Mineralstoff, der in Deiner Flasche fehlt.Am Ende dieser Folge weißt Du, welches Getränk aus Deinem Kühlschrank laut Forschung besser hydratisiert als die meisten Sportgetränke. Warum letztere im wissenschaftlichen Ranking alle auf Wasser-Niveau landen. Und welcher einfache Kniff dazu führt, dass Dein Körper die Flüssigkeit wirklich aufnimmt.____________*WERBUNG: Infos zum Werbepartner dieser Folge und allen weiteren Werbepartnern findest Du hier.

Support Midgard Musings By Clicking Here: ⁠⁠⁠⁠⁠https://linktr.ee/MidgardMusings⁠⁠⁠⁠⁠Click here to visit Fjallvaettir Workshop: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fjallvaettir.com/Buy my merch! midgardmusings.dashery.comDonate to my mother's-in-law GoFundMe for medical equipment upgrades: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://gofund.me/43c134d0Pick up your copy of my book "The Saga Of The Heron That Flies To Hel" on Barnes & Noble, Apple Books, or a paperback copy on Lulu.Purchase my album "Till The Final Twilight Dies" for $19.99 USD via one of the below digital payment options:PayPal - @MidgardMusingsVenmo - @Jesse-StilwagenCashApp -$MidgardMusingsLearn more about The Living Futhark course here.Check out the Heretical Heathen Podcast on SpotifyFind Robert on Substack: https://substack.com/@robertnox?utm_source=share&utm_medium=android&r=op9zuSome links to books Robert recommends or talked about on this episode:Heathen Golden Dawn: https://a.co/d/07d6ENln "In Search of Seiðr: A Rune-Gild Approach" by Janet Didur: https://www.amazon.com/Search-Sei%C3%B0r-Rune-Gild-Approach-ebook/dp/B0F5YKT6ZF?dplnkId=a83df388-c317-4287-8fee-18e4baac525f

This week, we're joined by one of the greatest, Veronica Roth, whose new book, Seek the Traitor's Son, features one of her most beloved of tropes: Sad Boys Who Punch Things. We were delighted when she suggested we do an episode on this very particular, very delicious romance concept, and of course, we invited her to join us! We talk about how it works, why we love soft boys who are full of rage, and how we stan a hero who is willing to stand back and let his partner be awesome. We also talk about The West Wing & Ladyhawke (makes sense). And of course, we talk about her books!If you'd like to continue the conversation about sad boys who punch things or about Veronica's deep backlist, please join the Fated Mates Discord, which is accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Our next read along is Seven Days in June by Tia Williams. Get it at Amazon, Barnes & Noble, Kobo, Apple Books, wherever you get your books, or with your monthly subscription to Kindle Unlimited.NOTESVeronica Roth's newest release is Seek the Traitor's Son, the first in a dystopian fantasy duology with a strong romance subplot.We love the follow sad boys: Toby Ziegler, Angel, Fox Mulder, Tobias from Animorphs, and Rutger Hauer from Ladyhawke.The Sixth Faction is coming soon! SPONSORSPiper Rayne, author of The Hotshot, available in print, ebook, audiobook and with your monthly subscription to Kindle Unlimited.Rose Prendeville, author of A Faire Affair, available in print, ebook and with your monthly subscription to Kindle Unlimited.Blue Box Press, publishers of Dylan Allen's beautiful new print editions of The Daredevil, The Mastermind & The Wild Card. Available in print and ebook from Amazon and Barnes & Noble.Lumi Gummies. Go to lumigummies.com and use code FATEDMATES for 30% off your order.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/5/18/s0835-sad-boys-who-punch-things-with-veronica-roth If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

Visionary music producer Robert Margouleff shares his stories of pushing the boundaries of musical innovation, art, and technology in the new immersive audiobook, Shaping Sounds: Stevie Wonder, DEVO, the Synth Revolution and My Life Behind the Music. In legendary studios like Electric Lady and the Record Plant, Margouleff became a pioneering producer and engineer for artists like Billy Preston, Jeff Beck, DEVO, The Isley Brothers, and David Sanborn. A true sonic innovator, he was an early adopter of immersive audio and surround sound, developing new mixing techniques for home theaters that brought some of Hollywood’s biggest blockbusters to life. Travel deep into the world of a music maker who created some of the most significant and influential music of our time. Here's a preview. Find the full audiobook at Pushkin.fm, Spotify, Audible, Apple Books or wherever you get audiobooks.See omnystudio.com/listener for privacy information.

The Allied occupation changed Japan's social norms in a variety of ways. When the occupation ended, some of those changes would remain while others would fall by the wayside. In the midst of rebuilding, economic chaos, and privation, the Japanese film industry entered its golden age.Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms! 

Hi, everybody. Author, podcaster, yoga instructor extraordinaire Susan Quilty returns to the show to fill in for Rodney. The audiobook version of her novel The Insistence Of Memory is now available on Audible and Apple Books. Check out her website https://susanquilty.com for links to this and all her books, her podcast Freely Written, and her virtual yoga classes.  Susan shares information on all this plus discusses her "Gilded Age Getaway." Also, TV/streaming recommendations, the final week of The Late Show With Stephen Colbert, and a whole lot more! https://www.audible.com/pd/The-Insistence-of-Memory-Audiobook/B0GXC14CKL?source_code=AUDFPWS0223189MWT-BK-ACX0-506224&ref=acx_bty_BK_ACX0_506224_rh_us Thank you for listening. Connect with Meanwhile At The Podcast on social media. Don't forget to #livetweet (we're still calling it that)! Share the show, subscribe so you don't miss an episode, and rate us on your podcast apps. Those much coveted five stars are always appreciated. Stay safe out there. NOW ON BLUESKY @MeanwhileATP https://x.com/meanwhileatp https://www.meanwhileatthepodcast.libsyn.com Rodney (AKA Art Nerrd): https://x.com/artnerrd https://www.instagram.com/theartnerrd/ https://facebook.com/artnerrd https://shop.spreadshirt.com/artnerrd Kristin: https://www.facebook.com/kristing616 https://www.instagram.com/kristing616 https://www.etsy.com/shop/BabyDragonsBreath?ref=shop_sugg_market Rich: https://x.com/doctorstaypuft

We are thrilled to have two of our favorite people with us today to discuss one of our favorite genres! Ali Hazelwood and Adriana Herrera, the masterminds behind the AH2 Kickstarter of Historical Trailblazers are here to talk about all the ways historical romance is unmatched! We talk about the new Historical Trailblazer special edition box set that AH2 launched this week, about the power of historicals, and about some of our favorite historical romances, past and present.The Historical Trailblazer Box Set of books, including Indigo by Beverly Jenkins, Butterfly Swords by Jeannie Lin, The Magpie Lord by KJ Charles, Lord of Scoundrels by Loretta Chase, and (of course) Dreaming of You by Lisa Kleypas. The box set includes stunning hardcover editions, gold foil, sprayed edges, original artwork and letters from the authors. Learn more at the AH2 Kickstarter page.If you'd like to continue the conversation about historical romance, please come join the Fated Mates Discord, which is accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Our next read along is Seven Days in June by Tia Williams. Get it at Amazon, Barnes & Noble, Kobo, Apple Books, wherever you get your books, or with your monthly subscription to Kindle Unlimited.SponsorsBlue Box Press, publishers of Larissa Ione's Legacy of Desire, available in print, ebook or audiobook at Amazon, Barnes & Noble, Kobo, Apple Books, or wherever you get your books.Juniper Butterworth, author of The King in the Forest, coming soon in print, ebook and with your monthly subscription to Kindle Unlimited.Elle Kennedy, author of The Off Campus series, beginning with The Deal, now a television show on Amazon, available in print, ebook and audiobook, at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.Dawn Banks, author of The Spreadsheet Situation, available in print or ebook at Amazon, Barnes & Noble, free with Kobo Plus, or wherever you get your books.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/5/11/historicals-with-ali-hazelwood-and-adriana-herrera If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

Japan's economy expanded rapidly during the postwar rebuild - too rapidly. Hyperinflation created unrest and frustration which the labor movement hoped to harness. Meanwhile, the diet passed a sweeping land reform which radically transformed Japan's agrarian sector.Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms! 

James Aquilone, accomplished horror writer/editor, returns to the Wayne's Comics Podcast in Episode #744! Wayne has a great conversation this week with James, a favorite here at the podcast! On May 19, Monstrous Books will be releasing the first-ever Creepshow prose collection inspired by the hit Shudder series! It's described this way: "Creepshow: 13 Tales of Terror is a macabre celebration of the series' legacy — twisting morality tales of terror, justice, and cosmic retribution, told through the Creep's ghoulish grin." We discuss how this book is coming to be, who has created the various contributions, and what we can expect from James and Monstrous Books in the months ahead! This story collection will be available as an ebook, paperback, and hardcover on May 19, 2026, wherever books are sold, including Amazon, Barnes & Noble, Apple Books, and local independent retailers. The Creep invites you to turn the page... if you dare. Subscribe via Apple Podcasts Wayne's Comics Podcast Archive Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patreon member. It will help ensure Wayne's Comics Podcast continues far into the future! At Major Spoilers, we strive to create original content that you find interesting and entertaining. Producing, writing, recording, editing, and researching require significant resources. We pay writers, podcast hosts, and other staff members who work tirelessly to provide you with insights into the comic book, gaming, and pop culture industries. Help us keep Major Spoilers strong. Become a Patron (and our superhero) today.

We're deep diving into one of our favorite historicals from the 00s today — Jennifer Ashley's The Madness of Lord Ian Mackenzie. It's a great follow up to our Paris episode last week, but we also talk about how Ashley really wrote the heck out of this book. We talk about widows, about sex in historicals, about autism rep in historicals, romance families, and the way this series electrified us as readers. This book is a straight up banger.If you're interested in learning more about the AH2 Historical Trailblazer Kickstarter, featuring beautiful, hardcover special editions of Lord of Scoundrels, Indigo, The Magpie Lord, Butterfly Swords and Dreaming of You, head over to the Kickstarter page and sign up for updates!If you'd like to continue the conversation about The Madness of Lord Ian Mackenzie or any of Jennifer Ashley's other books, please come join the Fated Mates Discord, which is accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Our next read along is Seven Days in June by Tia Williams. Get it at Amazon, Barnes & Noble, Kobo, Apple Books, wherever you get your books, or with your monthly subscription to Kindle Unlimited.NotesCheck out the AH2 kickstarter, partnering with Fated Mates and Julia Whelan's Audiobrary. It goes live next week!Dua Lipa met her fiance Callum Turner because they both were reading the same book, Trust by Hernan Diaz. Dua Lipa's book club is called Service 95.You, too, might enjoy reading Dungeon Crawler Carl. Or Reacher. Or Murderbot. Jen is thinking of going to bedazzle a copy of Dungeon Crawler Carl, but is that too silly?Dorchester Publishing was a house that published mostly mass market paperbacks, and it shuttered shortly after the publishing of The Madness of Lord Ian MacKenzie. The editor of the book, Leah Hultenschmidt, is now at Forever.There's a new-ish translation of The Odyssey by Emily Wilson that you might like. Xenia is the ancient Greek word for hospitality, and Wilson talks a about how the word comes from the root xenos, meaning both stranger and friend. Maybe if we were all a little more open to those we don't know, things would be different.SponsorsHarperCollins, publishers of Laurie Gilmore's The Daisy Chain Flower Shop, available in print, ebook or audiobook at Amazon, Barnes & Noble, Kobo, Apple Books, or wherever you get your books.Michelle Ruoff, author of A Summer to Stay, available in print, ebook and with your monthly subscription to Kindle Unlimited.Jennilynn Wyer, author of All Our Next Times, available in print, ebook and audiobook, or with your monthly subscription to Kindle Unlimited.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/5/4/0833-the-madness-of-lord-ian-mackenzie If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

How is the German market different to English speaking markets, and why might it be worth looking into translation? What are the best ways to translate, self-publish and market your books in German? With Skye MacKinnon. In the intro, thoughts on feeling empty after a book, and the benefits of SubStack for authors [Stark Reflections; Wish I'd Known Then]; AI-Assisted Artisan Author webinars 16 and 23 May. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Skye MacKinnon is the award-winning, USA Today bestselling author of over 70 books across romance and children's books under multiple pen names, most of which are also available in German, which is her bestselling market. Her latest book for authors is Self-Publishing in German: How to Translate, Publish and Market Your Books. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why the German-speaking market is much bigger than just Germany, and which genres sell best there Title protection laws, the Impressum, and translator copyright How to find and vet human translators, and what a quality translation actually costs The current state of AI translation for fiction, and why quality assurance passes are essential Distribution decisions: the Tolino Alliance, Skoobe, libraries, and why IngramSpark doesn't work in Germany Marketing in German: BookDeals, LovelyBooks, ads, BookTok, and why pre-orders matter even more You can find Skye SkyeMacKinnon.com and her children's books at IslaWynter.com. Transcript of the interview with Skye MacKinnon Jo: Skye MacKinnon is the award-winning, USA Today bestselling author of over 70 books across romance and children's books under multiple pen names, most of which are also available in German, which is her bestselling market. Her latest book for authors is Self-Publishing in German: How to Translate, Publish and Market Your Books. Welcome, Skye. Skye: Hi. Thank you so much for having me. Jo: This is such an interesting topic. But first up— Tell us a bit more about you and how you got into writing and publishing. Skye: I've always loved writing, but I was always told, “Well, you can't be an author. Get a proper job.” So I became a journalist and did that for a few years, but there was always that love of creative writing. At some point when I was getting more active on social media, I was following some other indie authors and realised they're just like me. They're not special people. I had always pictured authors as these mythical beings high up above the rest of us. That gave me the courage to put out my own book. I self-published from the start, never even looked into trad publishing, and that was in 2017. I was really lucky because my first series totally hit it off. I was able to quit my job a year later and I have been a full-time author ever since. I started with romance and then, by accident, got into children's books. Which has been great fun. I don't even have children myself, but it's just that palette cleanser in between. Writing about cute animals and unicorns and just bringing some fun into everything. Nowadays I have about five or six pen names, depending on how you count, across genres, although most of it is romance, and that's my bread and butter really. Jo: Yes, I'm certainly one of those people who wish I could write romance. It always just seems to be the most profitable market in any language, I guess. Let's get into the book. It's a fantastic book. I've been through it myself. It's really packed full of everything you need, so we can't cover everything. Let's start by considering the German language in general. Why is German a good language market to consider expanding into? And for anyone who might not realise, why is it more than Germany? Skye: Well, Germans love to read, and depending on the statistic that you look at, they're generally seen as the third largest book market in the world after English and Mandarin Chinese. So it's a huge market, even though you think of Germany as a small little country in Europe. As you said, it's much more than Germany. Yes, you've got about 83 million people in Germany, but then you've also got Austria, Switzerland, Liechtenstein, parts of Belgium, Luxembourg, and even Italy. So if you look at the whole footprint on the map, it is much bigger than just the one country. A lot of young people there still read and go to bookshops. There's a huge bookshop culture. You will find, if you go to a high street there, way more bookshops than you do here in the UK, for example. There's demand for quality and for really gorgeous books. They have been way ahead of the curve when it comes to special editions and sprayed edges, and they also like translations. I found one statistic where about two thirds of all newly released titles in German are actual translations. Readers are used to translations, but until a few years ago it was all trad-published translations. So this transition is coming now. It's coming very, very fast, especially with AI. They generally are very open to translations as long as the quality is there. Jo: So what about specific genres then? Obviously we mentioned romance there, and romance is not just one genre anymore. Whatever they're writing— How can somebody tell if it's worth expanding into German? How do we do this? It takes time and effort and money, potentially. Skye: It can take a lot of money, so it is worth doing research. There's one easy way, which is just looking at your current sales and looking at how many books you're selling in Germany, Austria, and Switzerland at the moment in English. That can give you an indication of which of your books might be already quite popular there. Sometimes it's quite surprising. A lot of my books sell very differently in German than they do in English. I've got one series that did okay in English, and I almost didn't translate it. The German version is, I think, my second bestselling series in German and has completely surprised me. So sometimes it's worth just experimenting a bit. Otherwise, obviously as you said, romance is doing really well. There are a few surprises though. I had a chat with Draft2Digital and they gave me lots of information from their statistics, and they said about 40% of all the western title sales on Draft2Digital are actually in Germany, which is just a huge percentage. Jo: In English? Skye: Across languages. Jo: Mm-hmm. Skye: Germans, to be fair, they love their westerns. My dad in Germany, he has been watching westerns for I don't know how many decades. It is one of those things that is just really popular there. Another thing is anything that is set in other countries and really has the location as almost like a character. There's lots of Cornwall, Scotland, different islands, but also mountains and cities. So if your book is set in, even in New York City, if it has a clear setting—if it's not just that it could be any city—then that's a good one to think about translating. In general, most genres can do well. There's a few where you have to be a bit careful. Second World War books, for example. If you have a book that portrays every single German as a Nazi and as evil, it might not do as well in Germany. So some common sense when it comes to historical books. Otherwise, just look at German retailers, look at what is selling there—and not just Amazon. Places like Thalia, which is part of the Tolino Alliance, and they have about 40% of the market. So it's really important to look at them too, and not just at Amazon. Jo: We'll come back to the distribution in a minute. There are some important differences between the German market and the US/UK market. Obviously we're talking about a different language, but of course there are a few things that are different that some people might not think about. So give us a few of those things that people definitely need to think about. Skye: Okay, so even before you start publishing, you need to be aware that title protection is a thing in Germany. Your book can't have the same title as an already published book. That is a law that is basically there to avoid readers being confused. So if you had five books with the same title, readers might not realise which book is by which author. You have to do your research and check if anyone else is using your title. There are some exceptions—if it's a completely different category, so if there's a children's book with that title but you write spicy romance, then the chance that the reader gets confused is much lower. Quite often you can then contact either the author or the publisher and ask, “Can I get written permission to use that title?” I did that for one of my series and it was totally fine. Just be sure to get it in writing, because if your book suddenly becomes a huge bestseller, they might reconsider. So title protection is an important one. You need to research that before you publish. One thing that people sometimes get confused about is reusing their English title. That's totally fine because it's your own title. So if your English title hasn't been used and you want to keep that same title, that works. It's just about other people's books where you can't use those titles. Another important legal bit is the Impressum. It's the copyright page. To be fair, websites that are targeting German readers or a German audience have to have that Impressum. It's usually on page two of the book, and it has things like your legal name, your address, and then the usual things like the translator's name, cover design, and other things you would usually put on a copyright page. The problem is that technically you need to put your legal name in there unless you have a limited company, in which case you can also put the business name there, and your address. A lot of people obviously don't want to do that for privacy reasons, especially romance authors where it's sometimes a bit sketchy when it comes to some readers who get a bit too obsessed. There are services where you can pay a monthly or yearly fee and then use their address. It's a bit of a legal grey zone, but a lot of German authors are doing it because—especially as indie authors—we don't always want to put our legal address out there. Jo: Just for people listening, I use my accountant's address. That's quite common. I mean, you have to share your address on your email for anti-spam laws and all that kind of thing. As you say, there are ways to use other addresses. That just needs to happen. What else then do we need to think about? Skye: There are things about the translator. A lot of things that people are sometimes scared about is when they hear that there is a copyright issue with translators and they think, “Oh, my translator has the copyright. I can't do anything.” Actually, the translator is seen as an author—almost like a co-author of the translation in German law—because, to be fair, it's not just putting one word into another. Translation is quite a creative job, especially when it's fiction. It is a very creative job where the translator has to put a lot of their own creativity into it. So in German law, they're recognised as the creator of that translation and therefore have certain rights. But you as the author, as soon as you have a contract with your translator—which is why you always, always, always have to have a contract—you get the usage rights. This means it's exactly the same as with your English books. You can do with them what you want. You can get audiobooks, you can do print books, you can do whatever you want in different formats. It just needs to be clear in a contract that the translator is giving you the usage rights of that translation. That's something that people sometimes find a bit scary, but actually it's really simple. Translations have been done for so long. It's a normal thing. It's just called slightly different. It has to be set out in a contract. Jo: Just on that, that's when the translator themselves is in Germany, because if they are based somewhere else, still doing a German translation, that's not necessary. So that's something else for people to consider. Skye: Yes, definitely. To be fair— I would always try to get a translator based in the country. I mean, I'm a native German speaker, but I've been in Scotland for so long now that I am not confident enough to translate my own books anymore because I'm not surrounded by German 24/7 and my grammar is slightly off and I don't have that up-to-date, modern lingo. So if it's a translator who's only just moved somewhere else or a few years, that's fine. But if it's someone who's been in the US or UK or somewhere else for 20 years, I would be a bit more hesitant. That's just a personal perspective on that. One other thing that's different is Sie and du. There are two different kinds of “you” when you talk to someone. There's the formal Sie, which you use basically amongst adults, in business contexts. But even my German grandma—she had a friend and they used the formal Sie for about 10 years as friends because in German etiquette, the older person has to offer the younger person the informal du, and they never did that for some reason. We found it hilarious as kids that they were still using the formal Sie as really good friends. So there's an entire culture there that people who haven't been to Germany or haven't lived there for a while just find a bit difficult, because there are so many different unwritten rules about when you use Sie and when you use the informal du. It's weakened a bit over the years and nowadays even strangers would sometimes use the informal du depending on the context. It really depends. A good translator will usually handle that themselves. They will find a scene where, for example, especially in romance, you meet as strangers in the beginning, so you use the formal Sie, and then at some point that formality turns to informality. The translator will usually choose that moment and add a little extra scene or a sentence where they either offer it to each other or they just naturally switch into it. But then there might be an internal little monologue of, “Oh, he just used the informal du—I guess we're at that stage,” or, “I really appreciate that.” Just to make it more natural, because that's something I quite often see with AI translation where that doesn't happen, and readers get confused. Why did they just switch from Sie to du without any kind of acknowledgement of that? Jo: This is the same in Spanish and other languages, I imagine. Skye: Yes, French as well. Italian too, I think. A lot of European languages have this. Jo: I think that's something that English speakers just don't get. It is a really interesting moment. I guess that might not happen so much in other genres—that really is a thing in romance. I was just thinking about some of my thrillers. They may never have time to get to du. Skye: But then sometimes using du can also be a rude thing. So if you have an antagonist who really doesn't like your protagonist, they might just use du as a rude sort of address. Again, that's something that English speakers just wouldn't understand or even think of because we just have the one “you.” Jo: We just have the one. Jo: It's the tone. Of course, it's the tone. Skye: Exactly, yes. Jo: Okay, well let's get into the actual translation of the books themselves. Over the years I've worked with lots of humans. I've also licensed my rights. I've used different AI tools. I mean, there are tons, but as we record this— What are the options that are available for translations? Give us some tips on working with humans and finding humans. Because it can be super pricey. And of course most of us will never know about the quality until we publish it. Skye: Oh, yes, definitely a note on that. I found that quite often you will already have German people on your newsletter list or on your social media, and most of them will be super happy to give you some feedback on your translation. That's something I've used a lot. Not for German, because I speak the language, but when I did French and Italian translations. My French is—well, it used to be quite okay. It is passable at best now. So I would never feel confident enough to rate a translation. So I asked my newsletter list, “Are there any French people here who would be happy to read the book? I'll send you a free copy at the end, and some swag.” There were a surprising number of people who got back to me. The same applies to German and other languages, because if you don't speak the language, you sometimes lack the confidence of knowing if this is any good. Getting some reader feedback is super helpful. For finding human translators, the easiest of course is word of mouth, and I'm a big fan of that because you get instant feedback on whether someone is good or not and whether it's easy to work with them. Then there are freelancer platforms. Reedsy is one where everyone is vetted, so that's pretty good. But there are tons of other ones like Upwork and Fiverr, though there you have to do all the vetting yourself, so that takes a lot more time and effort. There are also more and more agencies—translator agencies who specialise in doing indie book translations. There's Literary Queens, there's Valentine Translations, there are tons of them. Then there's also, which I think a lot of authors ignore or don't know about, translation databases. There are two databases for German translators, for example, where you can search and you can usually narrow it down to whether you want literary translators, what kind of fiction or nonfiction you want. An important thing is that a literary translator is very different from a standard translator who translates birth certificates or formal documents. You want someone who has experience with fiction if you write fiction. Someone who knows about adding drama through language. Sometimes, for example, when you have an action scene, you might have shorter sentences. If you have someone who doesn't know about stuff like that, they might just think, “Oh, in German it sounds really nice to have this really long sentence.” Those little nuances are where having an experienced literary translator is a big bonus. There are some platforms that do royalty-split translations that have been quite popular in the past. Most of them I wouldn't really recommend because you just don't get those professional translators there. You usually get people who speak the language but don't really have much experience. So you might end up with a pretty bad translation, or people might just be using AI translations without telling you. If you use a human translator, always, always get a sample, because yes, they might have amazing credentials, but until they've actually translated one of your books or a scene from your book, you don't really know how good they are. I like to always use, if I write romance, a slightly sexy scene, because sex seems to show you if someone can translate or not. It's just what I've found, because if it sounds absolutely awkward or more like mechanical rather than an emotional, spicy thing, then that's a clear point for me to say, “No, thank you. I'll look for someone else.” Action scenes, sexy scenes, really emotional ones, dialogue that has a bit of colloquial language or humour—those are good scenes to choose as a sample because that really shows you if a translator can do their job or not. Then, again, have some German people from your list give you feedback on that. Also, if you work with human translators, always try to make sure that they will be available for your entire series. And not even just a series—if you have lots of books, try to grab that translator, lock them in your basement, and never let them go, because you want their style for all your books. Just like you have a style as an author, translators have a style and that will always shine through, as much as they try to be as close to your original. A bit of their style will always come through. It helps to have the same translator for at least the same series, preferably for as many of your books as possible. You really want to tell them in the beginning, “This series has nine books. I want you to do all of these, even if we only do a few of them at the beginning. Are you available to do the rest later?” Because you don't want to end up having to find a new translator in the middle of the series. That gives you a whole lot of extra work with trying to have a world bible that explains which words get translated and which get left as the original, and stuff like that. When it comes to non-human translation, it's very different because of course you don't need to do all that vetting. Tools have different capabilities and abilities, but in the end, if you put your book into a translation tool, you will always get a slightly different output. So it's not quite the same where you need an entire vetting process. Jo: Just on the human translation, I think I'd be right in saying that every single author in the world would love to have the best human translator translating their book, whatever genre it is. That would just be amazing for all of us. But let's face it, that's extremely expensive. So if I've got, let's say, a 70,000-word thriller, how much money are we talking about? An approximate number, so people know what that might be. Skye: Usually it goes by the word, but by the target language word count. Although it depends on the translator, traditional translators usually go by the target language because that's what they actually produce as their output. The average at the moment is anything from about seven to nine euro cents per word as the medium price. You will find cheaper people. You can go up as high as you want really. I have definitely seen translators who charge 15 cents and above per word, but those will usually be the ones who have worked with a lot of trad publishers who are used to being paid like that. Although even in trad publishing, the rates are going down. With more and more authors wanting translations, I think in general rates are going down. Good for us, not so good for the translators. You're definitely looking at thousands, even if you translate novellas. Then it depends—some translators have editing included, sometimes they don't. A lot of them will have arrangements with other translators where they give the translation to another translator for them to edit it. Sometimes that's included in the price, sometimes it's extra. Always make sure it gets edited, because just like when we write a book, it will never be exactly perfect. I say that as someone who writes very clean because I have a journalism background, so I'm used to writing really fast and clean for deadlines, but there will always be a few typos that just wriggle their way in. Typos are evil like that. It's the same with translations. Jo: So we are probably looking at 2,000 to 10,000 pounds, dollars, euros. We are talking about quite a lot, and this is the main reason I think that now, with AI becoming a lot better, people are looking at this. Originally—and I don't even know, probably eight years now since I did my first, might even be a decade or more—I did at some point do a version in DeepL, which was an early AI translation tool. This was nonfiction, and then paid an editor, a German editor, to then edit that in German. Those books still get good reviews. But now people are looking at options like GlobeScribe and ScribeShadow, or even just using Claude or ChatGPT. I'm actually working at the moment on a Claude Code pipeline through lots of different QA passes. That's been really interesting for me, because I can say, “Okay, now you are a reader who likes these kinds of books. Read it for that.” And because we can now put really big books in, I can actually get a lot of really interesting feedback. So I feel like there's a lot of potential with AI—potential for good stuff, potential for bad stuff too. So talk a bit about that and what to watch out for with AI. Skye: Okay, so I'm very much pro-AI and I use AI in lots of different things in my business, just to preface that. However, with translations, I'm still a bit wary, just because I have seen a lot of bad AI translations. To be fair, I've experimented with it myself for one of my other pen names. It was readable. It was definitely readable. It had sometimes beautiful, gorgeous prose. Really. But there were, occasionally—quite often even—bits where I stumbled as a native speaker. It's readable and, if I just need a little quick book in between, I would be mostly happy with that. I would read it. It's the same as some of the early KU days where you found a lot of bad quality writing, but you just wanted to read it because the story was pretty good or because you were reading it in KU and so it didn't really matter that much. There is that spectrum of quality where you have the, “Yes, it's good enough to read,” but, “Is it good enough to be up to your standards?” That's a decision that everyone has to make for themselves. If they want the same quality that they put into their English book, or if they're fine with just offering that book to a new audience because maybe you wouldn't be able to do it otherwise. I totally see that. Translation is so expensive. I don't even know how much I have spent on translations over the past few years. I'm lucky that most of my books make it back within the first weeks or months. I've never had a book that didn't make its money back, but I have heard a lot of people where that's not the case. It is a lot of investment and I would never tell someone to go into debt or anything to do translations. Do it when you're at a time where you can afford it, or where you can also afford the loss if it doesn't work out. Now, AI has changed that slightly because it now opens it up to almost anyone. Some of the AI translation tools are a few hundred pounds, but if you do it in Claude or ChatGPT or something where you already have a subscription, it can actually be quite cheap. You can do it for a few dollars or pounds. I love, by the way, having someone in the UK. I'm so used to automatically saying everything in dollars, but actually I should be using pounds. I think if you know what you're doing—and you clearly do, with your several passes, you know what you're doing with AI—but if someone just puts their book into Claude or ChatGPT or some random tool, it might just not be good enough. Jo: Let's say it won't be good enough if you just do that. We know that. You have to have QA passes—quality assurance. You have to have rules per genre. There are ways of doing it. It's kind of like you have to get to know how translation works. It's a process. It's not just a translation, like you put something in Google Translate or a menu or something, because we do care. I think that's really important. Skye: Yes. I think if you don't know how AI works—that you need detailed prompts, that you need a style guide, that you need all that extra material and not just your book, all those rules—then please don't do it. If you value your German readers—and I think sometimes when I see people just churn out those translations without doing any quality control, using exactly the same cover or even just putting a German flag on it or something—I really feel bad for German readers because they're not being valued as having the same sort of value to us as authors as our English-speaking readers. Maybe I'm a bit biased there because I read in multiple languages. I want to be able to get the same sort of quality in all languages. I want the author to think of me as being special because I'm their reader and I'm their customer. I think we are on the way where AI translation can be almost autonomous. I would personally always have a human look over it. I know what I'm doing, and I'm almost happy with my translation system that I've built now in AI, but it still needs that human touch for a few things. It still needs me to tell the AI, for example, “This is where we switch from Sie to du.” This is where I need to keep certain words in. For example, I write a lot of Scottish books, and so words like “glen” or “loch”—they are words I want to stay the same in my German translation. I don't want to translate it to the German equivalent of “lake” because that just misses that Scottish context. Things like that need instruction. A human translator will usually know that and chat to you about which words you want to keep and which ones you want translated. AI just needs our guidance, our helping hand, and if we don't know enough about the target language, we just miss knowing that. Now, a lot of tools do it all for you basically, and they set up all these rules. I think many of them are at a very advanced stage now. But AI isn't perfect and it likes to hallucinate, it likes to add random things. So I will always still have a human touch at the end, even if it's just a quick edit. A lot of people think that they just need a proofread after an AI translation, but AI doesn't really make typos—or not to an extent that humans do. So proofreading isn't really what's needed for an AI translation. It is actual editing where you go for the style, the phrasing, and sometimes the context. There's one example I always like to give. I have an alien romance where they go on a honeymoon, and because he's an alien and she's human, he misunderstands and thinks she wants to go to an actual moon. So it's a little pun in the book. It doesn't work in German at all because the word “honeymoon” has nothing to do with moons or planets in German. An AI would probably just try to translate that in a way that's quite close to the original. But my German translator, she had to come up with several different ways of fixing that issue, because humour is hard. It's hard even for humans to get the humour translated in a way that is still funny but also culturally appropriate. If you have a book that is full of puns, it gets harder with AI. I am not saying it's impossible, but it needs a lot of handholding. Jo: Yes, I think humour is hard to translate in general, isn't it? Let's move on to the distribution, because again, having done quite a lot of different languages over the years, I do use Amazon KU for my books in German and Italian and Spanish and some French. So I haven't gone wide in terms of ebook and print or audio, in fact, because I have a lot of books and it is hard to go wide in English, let alone in other languages. But you mentioned earlier that Thalia has 40% of the market or something, and that special editions and print books are important. So what are the decisions we have to make around the actual publishing? Skye: In Germany they did a really cool thing, and I wish they'd done that in other countries. When the bookshops saw that Amazon was growing and posing a threat to them—not just with print books but also with ebooks—a lot of the German bookstores got together and they formed the Tolino Alliance. They have big book chains like Thalia, but also I think it was over 1,500 indie bookshops that all got together. They all support this ecosystem for ebooks, which means they all share the same e-readers. They share the same sort of backend for the shops, which made it really easy for them because they didn't all have to develop an ebook system. It saved them a lot of money. It made it really easy to tell readers, “This is the Tolino system. You can get your books at our bookshops, but you can read them on your Tolino e-reader no matter where you get the books from.” The Tolino e-readers are actually the same as Kobo e-readers, just rebranded. They've got that big advantage there—these independent bookshops and book chains all got together. Now it's hard to find numbers because Amazon doesn't really like to share their numbers, but it's about 40% of the German ebook market, which means it rivals Amazon. They have about the same. Then the rest is split by Apple Books, Google Play, and some of the smaller players. So it is a huge chunk of the market. I'm wide with pretty much all my English books. So for me, I looked into KU, but when I saw that I was going to miss out on 60% of the market—even if Amazon has 45%, that's still a big chunk—I decided to go wide. To be fair, I haven't regretted it, because Tolino are amazing to work with. I like to compare them to Kobo because they have a really lovely human team where you can just email them and tell them, “I've got a new release coming up,” and they will put you into different promos and it's all free. Jo: Do you publish direct to Tolino, or do you use Draft2Digital? Skye: Yes, you can publish direct to Tolino and that's actually the best way of doing it. You don't have access to their marketing opportunities if you use a distributor. The Tolino dashboard is annoyingly all in German, but by now every browser has a translating plugin built in. I know lots of authors who don't speak a single word of German who navigate Tolino very successfully. They started with only ebooks in the beginning, and then about two weeks after the first edition of my book on German translations was published, they introduced print books, which meant my book was immediately out of date. I was fuming. But this time they introduced audiobooks a few weeks before my Kickstarter launch for the second edition, so this time the audiobook part is included. I was very happy about that, because it was a pain to just tell everyone, “Well, this book is out now but it's actually missing a big part of how to do print books in Germany.” So Tolino does print, ebooks, and audiobooks. And just because you're in KU with your ebooks doesn't mean you can't publish your print books via Tolino. I highly recommend that, because IngramSpark—which most of us indies use for distribution for print books—doesn't get you into the German bookstores. They used to. Then German stores have fixed price laws where books have to be the same price in all stores, and IngramSpark kept going against that. They kept sending them the wrong prices. So German bookstores at some point just said, “Nope, we've had enough of this. We no longer take books from IngramSpark.” So now Tolino, in my opinion, is the best way of getting your books listed in German online bookstores, but they can also help you get into brick-and-mortar stores. One of my books was featured by them, I think two years ago, and it was in about 300 of their shops all across Germany. It had its own little pedestal and it was amazing. Tolino love working with their indie authors. They also love romance, which is always a bonus because some stores are more prudish than others. It's really easy to work with them. They speak perfect English, so you can do all your communication outside of the dashboard in English. Their audiobooks feature is very new. Until they did that, it was much harder for German audiobook distribution because places like Findaway Voices and other distributors wouldn't get you into the Tolino Alliance stores for audio. That's a big chunk that we were missing out on. I was always looking for ways to get my German audiobooks into those stores, but the German distributors that I found were really difficult to upload to, to be honest. I'm a very technical person, but it challenged even me. I did not like that experience at all. At some point I really just gave up and wanted to throw my computer out of the window. So when Tolino introduced that, I was celebrating internally. The only problem with their distribution at the moment for audio, because it's so new, is that you can't exclude any shops. So it's all or nothing. They will get you into all the different places, including Audible, Spotify—you name it, lots of different streaming services and retailers—but you can't exclude any. So while they don't actually want exclusivity, if you published it yourself at the same time through ACX or Findaway Voices or something else, you would have duplicates, and of course, we try to avoid those. Jo: Is it human narration only, or do they also accept AI narration? Skye: They accept AI narration. The thing with Tolino is that they want everything made very clear. If you publish any books with them that have an AI production aspect, you need to put that into your Impressum. For audiobooks, there's a box to tick to make it clear. Jo: Hmm. Skye: So they are open to it all. You just need to declare it. Jo: Which I think should be true everywhere, to be fair. Skye: Oh, definitely. And a lot of German distributors—while I was researching for this book, one thing I always looked at is, “Do they need you to declare your AI use?” More and more German distributors and retailers now want you to do that. I think that's the way it's going. It's not a judgement thing. I think it's just making it clear to readers. In Germany, it's all about transparency. That's why there are all those laws with GDPR—everyone will have heard about that one by now. But there are lots of other laws where it's all about consumer rights and transparency, and that's one of them. Jo: Is there anything else on the distribution side we need to think about? Skye: One thing I like to highlight is libraries, because that's quite a big thing in Germany too. They love books and bookstores and they love libraries. Some of the ways we get our English books into libraries—like a distributor like Draft2Digital for OverDrive—OverDrive is growing in Germany. There are other systems like Onleihe, just to name one. You can't get into those through, for example, Draft2Digital or PublishDrive or StreetLib. Tolino gets you into those. There are also subscription platforms that are growing. I think it's the same as in the English-speaking market. People love a subscription, and I love them. I just don't like exclusivity. So I very much support any subscription platform that doesn't require me to be exclusive to them. Skoobe is one of them. They used to be an independent platform, and then the Tolino Alliance bought them. So now they're integrated into the Tolino stores. That means it's really prominent. Basically, any time you go to an ebook on, for example, Thalia, it will have a banner there saying, “You can also get this in our subscription.” So it's taken a while to grow, but actually in December I now made more with their subscription programme than I made in book sales. I think three of my books were in their top 10 in December. To be fair, that was a pretty good month. But it definitely shows that it can take a while to grow these subscription platforms, but when you do, it can be really successful and very much worth it. So I highly suggest looking into those sorts of platforms too, not just the standard retailers and the platforms that you're already used to. Jo: Fantastic. So we've now got translations, they're on the various stores, and then just like in English, one of our next challenges is actually marketing the books. Now this becomes another challenge, because one of the reasons I am in KU for foreign languages is because you get the five free days and you can do Amazon ads. I mean, you can do Amazon ads for wide books too, but it's easier to know that there are some options for marketing at all. I don't do email marketing. I don't do social media, so I'm pretty bad at marketing in foreign languages. So what are your suggestions for those who want to do more active marketing in German especially? Or even if we don't speak German, it can't be all the personal stuff. But are there also advertising things like BookBub? What are our options basically? Skye: There are quite a few things. It's not quite as easy as in English, of course, but I think sometimes you have to remember that you already have most of the material for marketing when you've released a book. You will have made graphics in English, you will have written a newsletter, you will have done some social media posts. All that material is already there, so you don't have to reinvent the wheel. You can just translate that, and for that, AI translation is really good because it's very quick. You don't have to bother your translator. You can just get that done. That's what I had to remind myself, because in the beginning I did everything from scratch and it took me forever and I was hating it. Then I realised, well, I could just look at the newsletter I wrote three years ago when that book released in English and translate that. That's done within a minute and I can send that out. So remember that you have a lot of content already. There's no BookBub or nothing as big as BookBub. There is a site called BookDeals, which sends out newsletters for both reduced or free books and also for new releases. I use them for pretty much all my new releases, or at least always the first in series. They're nowhere near as big as BookBub, so don't expect miracles, but I generally always break even or a bit more. It's hard to tell, of course, especially if you do several things for a new release. But my instinctive look on this is that it's worth it. BookDeals is the big one. There are a few other promo sites, but to be honest, I've not really found any of them to give me a positive ROI. I experiment with them occasionally and I listed them all in my book just for completeness, but BookDeals is the big one. Then there is LovelyBooks, which is the German Goodreads. Some Germans also use Goodreads, so always make sure to have all your German books listed there. But LovelyBooks is the big one. I love that place because people are so much kinder than on Goodreads. I avoid Goodreads completely. If I need a review, I send my assistant there to look at reviews. I don't go there. It is scary. LovelyBooks—the name is kind of telling. It is a more lovely place. People are generally more friendly. They are probably a bit more critical when they write reviews than they are on retailers, but I have found it really nice to build a community there. You can do these book clubs where you give away a copy of your book, either as print books—or I always do ebooks because I don't want to send books to Germany. Then people discuss the book as a sort of book club and then they review it at the end. I have had great success with that. I've built up a community of readers who will now buy my books too, even if they don't get them for free. I found some beta readers through that. So I love LovelyBooks. The annoying thing again is it's in German. However, their support all speaks English and you can email them with questions. They're really good. Even if you don't plan to run any book clubs or anything like that because you don't speak the language, I would always advise just setting up an author profile there because it makes it easier for your books to be found. You can track reviews, you can track reads, and that just gives you an extra place to get more visibility for free. Ads—there's not much difference compared to what you do for your English-language books. The one thing is with Facebook ads, now because of EU data protection laws, it's much harder to target because people can opt out of ads and targeting. In general, cost-per-click ads are cheaper than in the US or the UK, so that's a bonus. BookTok is big and only growing there. I don't really do social media for my German books because I just don't have the bandwidth. I wish I could, and I know some people who outsource that. In an ideal world, I would have a social media account for every single language, but it's not an ideal world and I just have limited hours in the day. But even just creating an account so that people can tag you, so that people can find you, can already be a good start. One thing that's not maybe a marketing strategy as such, but something I like to highlight, is pre-orders. If you write in series, always, always make sure that the next books in your series are up for pre-order, because— German readers have been burned so many times by authors or even publishers who just translate book one in a series and then stop. They are quite hesitant sometimes to start a new series when they see it's book one of something and they don't see the next book up for pre-order. To be fair, it's similar in English. I always make sure to have a pre-order up for the next book. Because people would just not read the series until it's complete or until they know it will be complete at some point. So always set up a pre-order if you can. Don't set it up when you don't actually know when your translation is being done, or choose a date far in the future. Just make it very clear to your readers that you are intending to translate the entire series, that you're not going to disappoint them, that they're not just wasting their money on a book one only to never find out what happens next. Jo: Fantastic. Well, this is a big decision for people to make, I think, because there's no point in doing one book in German and then not doing anything else, in the same way as doing one book in English or any language. You have to think about investing in an audience. So lots for people to think about. The book is fantastic. It's called Self-Publishing in German. So where can people find you and your books online? Skye: For my author-facing things, just go to SkyeMacKinnon.com/authors, and there you find the book about German translations. You also find more information on what I do. You can book consultations with me. I love doing those one-to-ones, especially about translations, because you can really dive into someone's catalogue and look at what would be a good strategy for someone, rather than just in general. Otherwise, it's SkyeMacKinnon.com for all my romance. If you want adorable children's books, it's IslaWynter.com. That's Wynter with a Y. Jo: Brilliant. Well, thanks so much for your time, Skye. That was great. Skye: Thank you so much for having me.The post Self-Publishing in German: How to Translate, Distribute, and Market Your Books with Skye MacKinnon first appeared on The Creative Penn.

Anthony Horowitz: Murder, Mystery, and the Power of a Second Act The Not Old Better Show, Art of Living Interview Series What if your finest work comes later?

We Love Paris in the Springtime and we love Paris in The Paris Match by our very favorite, Kate Clayborn. Today, we're talking about the City of Love itself, with Kate! We talk about the magic of the City of Lights, about the weight it has in romance, and about the mythology it carries with it whenever it's included in a book. Yes, of course, we talk about Jessica and Dain, but we also celebrate Kate's new release, The Paris Match! We're also covering sex workers, chocolatiers, cigarette smokers and heroes who gnaw off their own legs, the Champs de Elysee be damned. Thanks, as always, to Kate for joining us and putting up with our shenanigans.If you'd like to continue the conversation about Paris, please come join the Fated Mates Discord, which is accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Our next read along is The Madness of Lord Ian MacKenzie by Jennifer Ashley. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.NotesWelcome Kate Clayborn. Her first episodes way back in Season 1 were about Siblings' Best Friends and then Sexclamation Points!, and since then, she's been on about a million other times. Cormac McCarthy has some strong feelings about punctuation and Random House doesn't like the interrobang, but Sarah's a rebel.Green screen technology has come a long way. In this interview, Heated Rivalry cinematographer Jackson Parrell describes how he used the technology in the show, including the scene on the beach in Tampa. Cinematographer Valentina Vee did a really interesting set of videos talking about the use of green screen technology in the show.The Edna St. Vincent Millay sonnet about place that Sarah quoted is Time Does Not Bring Relief.Kate wrote a round up for People magazine about great books set in and about Paris.Jen heard about Puppets by Jenna Ryan after being tagged in an Instagram post by WendieReads. But in digging around, Jen discovered the Passages podcast did a deep dive of the book in 2025.You can read more about the puppet theaters of Paris in this New York Times article from 2019.SponsorsElle Kennedy, author of Love Song, available in print, ebook, audiobook and with your monthly subscription to Kindle Unlimited.Claire Wilder, author of Nailed, available in print, ebook and with your monthly subscription to Kindle Unlimited.Blue Box Press, publishers of Donna Grant's The Dragon Chronicles, beautiful new print editions of seven books in the series, including Dragon King, Dragon Fever, Dragon Burn, Dragon Night, Dragon Claimed, and Dragon Lost. Available in print and ebook from Amazon and Barnes & Noble.Lumi Gummies. Go to lumigummies.com and use code FATEDMATES for 30% off your order.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/4/27/0832-the-paris-match-by-kate-clayborn If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

This season, we're expanding our traditional Trailblazer series to include the modern romance writers who we believe will be considered trailblazers in the future. Our first guest on this branch of the legend tree is Ruby Dixon, author of the Ice Planet Barbarians series. Ruby joins us from her home to talk about how she became Ruby Dixon, what inspired the Ice Planet Barbarians series, how she thinks about writing this ever expanding world, the business of the Barbarians, and what's next. We're very grateful to her for making time with us.If you'd like to continue the conversation about Ruby Dixon, her work and the Ice Planet Barbarians, head over to join the Fated Mates Discord, which is accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Our next read along is The Madness of Lord Ian MacKenzie by Jennifer Ashley. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.NotesWelcome Ruby Dixon, bestselling author of the Ice Planet Barbarians series.Authors, Publishing Professionals, and Influencers Mentioned: author Anne McCafferty; author Edgar Rice Burroughs; author Andre Norton; author Bertrice Small; author Julie Garwood; editor Cindy Hwang; Ellora's Cave authors Evangeline Anderson, Laurann Donner, and Jaid Black; author R. Lee Smith; Dani Lacey's Ice Planet Pod; TikTokker and now author Charlotte Swan; agent Holly Root; Ruby's writing group, Alexa Riley, Kati Wilde, & Ella Goode.Books and Movies Mentioned: Clan of the Cave Bear by Jean Auel, Last of Mohicans by James Fenimore Cooper, Amarna Sunset by Aiden Dodson, Beneath the Sands of Egypt by Donald Ryan, Daughter of the Forest by Juliet Marillier, Villain Origin Story by Ruby Dixon, Dungeon Crawler Carl by Matt Dinniman.SponsorsLittle Brown & Company, publishers of Elin Hilderbrand and Shelby Cunningham's The Academy, available in print, ebook and audiobook from Amazon, Barnes & Noble, Apple Books, Kobo or wherever you get your books.Lucy Score, author of Mistakes Were Made, available in print, ebook or audiobook, or with your monthly subscription to Kindle Unlimited. Get it wherever you get your books.Lumi Gummies, Go to lumigummies.com and use code FATEDMATES for 30% off your order.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/4/19/0831-trailblazer-ruby-dixon If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

By request, we're talking about the characters who have been exiled from family, from community, and from themselves—the irredeemable characters in romance. This is Morality Chain all over again. We're talking about characters that have done terrible things on and off the page, to the detriment of their reputations in the text and outside, with readers, and somehow, by the end of their own book, are made whole and worthy of love. Here lies St. Vincent, Mr. Vivisection, and more.Tell us about your favorite irredeemable characters in romance on our social media or head over to join the Fated Mates Discord, which is accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Our next read along is The Madness of Lord Ian MacKenzie by Jennifer Ashley. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.NotesWe have been so inspired by all the moon joy in the world. Here is the Artemis II path from the Astronomy Picture of the Day; splashdown was awesome; the dark side of the moon isn't like a real thing, exactly; and here's a bunch of other stuff from NASA. Check out our episode from season 1 with astronomer Summer Ash (her interview is at the end of the episode), and learn all about that golden record they sent out to space on Voyager.Michael Corleone was irredeemable! Tommy Shelby? Well, apparently that's open to interpretation!SponsorsNeyha Liu, author of Midnight at Soulfield, available in print or ebook, or with your monthly subscription to Kindle Unlimited.Avery Maxwell, author of The Forgotten Billionaire, available in print, ebook, or with your monthly subscription to Kindle Unlimited.Little Brown & Company, publishers of Ruth McKell's Honey in Her Veins, available in print, ebook and audiobook from Amazon, Barnes & Noble, Apple Books, Kobo or wherever you get your books.Claire Contreras, author of Isle of Wrath, available in print, ebook, audiobook, or with your monthly subscription to Kindle Unlimited.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.