Podcasts about American Literary History

american english nature series apologies poetry poet substack poem uc davis compost walt whitman personification stanford up pmla american literary history

Play Episode Listen Later Feb 26, 2024 109:36

How does life grow from death? When we taste a fruit, are we, in some sense, ingesting everything the soil contains? Margaret Ronda joins the podcast to discuss a poem that poses these questions in harrowing ways, Walt Whitman's "This Compost."[A note on the recording: from 01:10:11 - 01:12:59, Margaret briefly loses her internet connection and I awkwardly vamp. Apologies! Rest assured the remainder of the episode goes off without a hitch!]Margaret Ronda is an associate professor of English at UC-Davis, where she specializes in American poetry from the nineteenth century to the present. She is the author of Remainders: American Poetry at Nature's End (Post*45 Series, Stanford UP, 2018), and her articles have appeared in such journals as American Literary History, Post45 Contemporaries, and PMLA (for which she won the William Riley Parker Prize). She is also the author of two books of poetry, both published by Saturnalia Books: For Hunger (2018) and Personification (2010). You can follow Margaret on Twitter.As ever, if you enjoy the episode, please follow the pod and leave a rating and review. Share an episode with a friend! And sign up for my Substack, where you'll get occasional updates on the pod and my other work.

Criticism

Play Episode Listen Later Feb 15, 2024 21:14

In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world. Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you're keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we're excited to have him back on High Theory to tell us about his investigations. In the episode he offers a recuperative reading of Mark Twain's acerbic take on critics in his late notebooks: “The critic's symbol should be the tumble-bug; he deposits his egg in somebody else's dung, otherwise he could not hatch it.” (see p. 392 of this Harper & Brothers, 1935 edition of Twain's Collected Works, on archive.org). He references Jacques Derrida's book, Limited Inc (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty's Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022) and our episode with Jed on the Rhetoric of Decline. You can also take a listen back to Matt's earlier episode with us on Economics. Matt Seybold is Associate Professor of American Literature & Mark Twain Studies at Elmira College, as well as Resident Scholar at the Center For Mark Twain Studies. He is the executive producer and host of the American Vandal Podcast, and founding editor of MarkTwainStudies.org. He is co-editor (with Michelle Chihara) of of the Routledge Companion to Literature & Economics (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “Economics & Literary Studies in The New Gilded Age.” Recent articles can be found in the Mark Twain Annual, American Studies, Reception, and Los Angeles Review of Books. He tweets (or exes?) @MEASeybold. The image for this episode was made by Saronik Bosu in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Criticism

High Theory

Play Episode Listen Later Feb 15, 2024 21:14

In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world. Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you're keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we're excited to have him back on High Theory to tell us about his investigations. In the episode he offers a recuperative reading of Mark Twain's acerbic take on critics in his late notebooks: “The critic's symbol should be the tumble-bug; he deposits his egg in somebody else's dung, otherwise he could not hatch it.” (see p. 392 of this Harper & Brothers, 1935 edition of Twain's Collected Works, on archive.org). He references Jacques Derrida's book, Limited Inc (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty's Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022) and our episode with Jed on the Rhetoric of Decline. You can also take a listen back to Matt's earlier episode with us on Economics. Matt Seybold is Associate Professor of American Literature & Mark Twain Studies at Elmira College, as well as Resident Scholar at the Center For Mark Twain Studies. He is the executive producer and host of the American Vandal Podcast, and founding editor of MarkTwainStudies.org. He is co-editor (with Michelle Chihara) of of the Routledge Companion to Literature & Economics (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “Economics & Literary Studies in The New Gilded Age.” Recent articles can be found in the Mark Twain Annual, American Studies, Reception, and Los Angeles Review of Books. He tweets (or exes?) @MEASeybold. The image for this episode was made by Saronik Bosu in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices

Criticism

New Books in Critical Theory

Play Episode Listen Later Feb 15, 2024 21:14

In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world. Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you're keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we're excited to have him back on High Theory to tell us about his investigations. In the episode he offers a recuperative reading of Mark Twain's acerbic take on critics in his late notebooks: “The critic's symbol should be the tumble-bug; he deposits his egg in somebody else's dung, otherwise he could not hatch it.” (see p. 392 of this Harper & Brothers, 1935 edition of Twain's Collected Works, on archive.org). He references Jacques Derrida's book, Limited Inc (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty's Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022) and our episode with Jed on the Rhetoric of Decline. You can also take a listen back to Matt's earlier episode with us on Economics. Matt Seybold is Associate Professor of American Literature & Mark Twain Studies at Elmira College, as well as Resident Scholar at the Center For Mark Twain Studies. He is the executive producer and host of the American Vandal Podcast, and founding editor of MarkTwainStudies.org. He is co-editor (with Michelle Chihara) of of the Routledge Companion to Literature & Economics (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “Economics & Literary Studies in The New Gilded Age.” Recent articles can be found in the Mark Twain Annual, American Studies, Reception, and Los Angeles Review of Books. He tweets (or exes?) @MEASeybold. The image for this episode was made by Saronik Bosu in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

brothers event economics cultural associate professor literature context criticism decline signature mark twain apartheid jed twain american literature jacques derrida literary studies new gilded age stanford up resident scholar elmira college saronik bosu american literary history decline anglo american culture matt seybold

Criticism

Play Episode Listen Later Feb 15, 2024 21:14

In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world. Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you're keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we're excited to have him back on High Theory to tell us about his investigations. In the episode he offers a recuperative reading of Mark Twain's acerbic take on critics in his late notebooks: “The critic's symbol should be the tumble-bug; he deposits his egg in somebody else's dung, otherwise he could not hatch it.” (see p. 392 of this Harper & Brothers, 1935 edition of Twain's Collected Works, on archive.org). He references Jacques Derrida's book, Limited Inc (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty's Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022) and our episode with Jed on the Rhetoric of Decline. You can also take a listen back to Matt's earlier episode with us on Economics. Matt Seybold is Associate Professor of American Literature & Mark Twain Studies at Elmira College, as well as Resident Scholar at the Center For Mark Twain Studies. He is the executive producer and host of the American Vandal Podcast, and founding editor of MarkTwainStudies.org. He is co-editor (with Michelle Chihara) of of the Routledge Companion to Literature & Economics (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “Economics & Literary Studies in The New Gilded Age.” Recent articles can be found in the Mark Twain Annual, American Studies, Reception, and Los Angeles Review of Books. He tweets (or exes?) @MEASeybold. The image for this episode was made by Saronik Bosu in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Criticism

New Books in Art

Play Episode Listen Later Feb 15, 2024 21:14

In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world. Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you're keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we're excited to have him back on High Theory to tell us about his investigations. In the episode he offers a recuperative reading of Mark Twain's acerbic take on critics in his late notebooks: “The critic's symbol should be the tumble-bug; he deposits his egg in somebody else's dung, otherwise he could not hatch it.” (see p. 392 of this Harper & Brothers, 1935 edition of Twain's Collected Works, on archive.org). He references Jacques Derrida's book, Limited Inc (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty's Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022) and our episode with Jed on the Rhetoric of Decline. You can also take a listen back to Matt's earlier episode with us on Economics. Matt Seybold is Associate Professor of American Literature & Mark Twain Studies at Elmira College, as well as Resident Scholar at the Center For Mark Twain Studies. He is the executive producer and host of the American Vandal Podcast, and founding editor of MarkTwainStudies.org. He is co-editor (with Michelle Chihara) of of the Routledge Companion to Literature & Economics (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “Economics & Literary Studies in The New Gilded Age.” Recent articles can be found in the Mark Twain Annual, American Studies, Reception, and Los Angeles Review of Books. He tweets (or exes?) @MEASeybold. The image for this episode was made by Saronik Bosu in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

“Realness, Loss and Underdogs” with Heather Love

Queer Lit

Play Episode Listen Later Oct 17, 2023 46:32

It's time to be real. In this episode with queer studies luminary Heather Love, it's all about what you find, what you feel, what you knooooow(-ah) to be real. We talk about feeling and looking backward while shifting paradigms, about the semiprivate space of the queer classrooms, about the entanglements of queer, trans and disability studies and so much more. Tune in now and follow @queerlitpodcast on Instagram for more realness and reading recs. References to Heather's work:Underdogs: Social Deviance and Queer Theory. Chicago: University of Chicago Press, 2021.Feeling Backward: Loss and the Politics of Queer History. Cambridge: Harvard University Press, 2007. 2023 Eve Kosofsky Sedgwick Memorial Lecture in Gender + Sexuality Studies by Heather Love https://www.youtube.com/watch?v=ZU6bT2ZtNlA“Assessing Critique, Scholarly ‘Habits,' Queer Method and ‘Turns': An Interview with Heather Love.” In Feminist Encounters: A Journal of Critical Studies in Culture and Politics, ed. Salla Peltonen and Marianne Liljeström 1.1 (Autumn 2017). “Gyn/Apology: Sarah Orne Jewett's Spinster Aesthetics.” ESQ: A Journal of the American Renaissance. ESQ 55.3-4 (Winter 2009): 305-334.“Safe.” American Literary History 25.1 (Spring 2013): 1-12. Special issue on second books, ed. Gordon Hunter. Other references:Davy KnittleParis is BurningCheryl Lynn's “To Be Real”Susan Stryker's “My Words to Victor Frankenstein” (GLQ, 1994)Mary Shelley's FrankensteinJacques DerridaJean-Paul SartreJudith Butler's Gender TroubleAlison Kafer's Feminist Queer CripTobin Siebers Rachel CarrollSusan Stryker's “More words about ‘My words to Victor Frankenstein'.” (GLQ, 2019)Audre Lorde's “The Uses of Anger”William Wordsworth: “Overflow of powerful feelings [...] recollected in tranquillity”Ellen Rooney. “A Semiprivate Room.” (Differences, 2002)Paolo FreireHerb Kohlbell hooksPatricia Highsmith's The Price of SaltCarolGrace Ellis' Flung Out Of Space Questions you should be able to respond to after listening: How does Heather define realness? How does it relate to realism and authenticity? What does being real mean to you? What does Heather say about the impulse to prioritise novelty in queer studies and in capitalist systems? Which Susan Stryker essay does Heather speak about? Why does she find it so important? How do affect studies come into Heather's work? What does she say about Audre Lorde and writing from a place of anger? Do you think that the classroom is a ‘semiprivate' space? Take a look at the Rooney essay to investigate. Please pick one of the texts Heather mentions (either her own or other scholars' work) and read it. The reading recommendations in this episode are heartfelt and brilliant!

In-Person Research and Writing: Visiting Archives and "Selling Anti-Slavery"

Play Episode Listen Later Sep 7, 2023 60:50

What does it feel like to hold that diary or broadside or sugar bowl you are writing about? In today's episode, Dr. Christina Gessler is joined by Dr. Teresa Goddu to talk about research, archives, and the book Selling Antislavery: Abolition and Mass Media in Antebellum America. Today's book is: Selling Antislavery: Abolition and Mass Media in Antebellum America (University of Pennsylvania Press, 2020), by Teresa A. Goddu, which is a richly illustrated history of the American Anti-Slavery Society and its print, material, and visual artifacts. Beginning with its establishment in the early 1830s, the American Anti-Slavery Society (AASS) recognized the need to reach a diverse and increasingly segmented audience. To do so, it produced a wide array of print, material, and visual media: almanacs and slave narratives, pincushions and gift books, broadsides and panoramas. Building on the practices of British antislavery and evangelical reform movements, the AASS used innovative business strategies to market its productions and circulate them widely. In Selling Antislavery, Teresa A. Goddu shows how the AASS operated at the forefront of a new culture industry and, by framing its media as cultural commodities, made antislavery sentiments an integral part of an emerging middle-class identity. Exploring antislavery's vast archive and explicating its messages, she emphasizes both the discursive and material aspects of antislavery's appeal, providing a richly textured history of the movement through its artifacts and the modes of circulation it put into place. Today's guest is: Teresa A. Goddu, who is Associate Professor of English and American Studies at Vanderbilt University, and serves as Faculty Head of E. Bronson Ingram College. She is a specialist in nineteenth-century American literature and culture. She is the author of Gothic America: Narrative, History, and Nation; and Selling Antislavery: Abolition and Mass Media in Antebellum America. Her work has appeared in American Literary History, Book History, Common-Place, and other venues. She is the recipient of grants from the National Endowment for the Humanities, and a Senior Specialist Fulbright award. Our host is: Dr. Christina Gessler, who is a freelance book editor. She has served as content director and producer of the Academic Life podcast since she launched it in 2020. The Academic Life is proud to be an academic partner of the New Books Network. Listeners to this episode may be interested in: This conversation about Archival Kismet This discussion of Never Caught This discussion of Running From Bondage This conversation about field research and Remembering Lucille This conversation about Relative Races This discussion on archival research This conversation about Where Research Begins Welcome to the Academic Life! Join us here each week to learn from experts inside and outside the academy, and around the world, and embrace the broad definition of what it truly means to live an academic life. Missed any of the 150+ Academic Life episodes? You can find them all archived here. And check back soon: we're in the studio preparing more episodes for your academic journey—and beyond! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In-Person Research and Writing: Visiting Archives and "Selling Anti-Slavery"

The Academic Life

Play Episode Listen Later Sep 7, 2023 60:50

What does it feel like to hold that diary or broadside or sugar bowl you are writing about? In today's episode, Dr. Christina Gessler is joined by Dr. Teresa Goddu to talk about research, archives, and the book Selling Antislavery: Abolition and Mass Media in Antebellum America. Today's book is: Selling Antislavery: Abolition and Mass Media in Antebellum America (University of Pennsylvania Press, 2020), by Teresa A. Goddu, which is a richly illustrated history of the American Anti-Slavery Society and its print, material, and visual artifacts. Beginning with its establishment in the early 1830s, the American Anti-Slavery Society (AASS) recognized the need to reach a diverse and increasingly segmented audience. To do so, it produced a wide array of print, material, and visual media: almanacs and slave narratives, pincushions and gift books, broadsides and panoramas. Building on the practices of British antislavery and evangelical reform movements, the AASS used innovative business strategies to market its productions and circulate them widely. In Selling Antislavery, Teresa A. Goddu shows how the AASS operated at the forefront of a new culture industry and, by framing its media as cultural commodities, made antislavery sentiments an integral part of an emerging middle-class identity. Exploring antislavery's vast archive and explicating its messages, she emphasizes both the discursive and material aspects of antislavery's appeal, providing a richly textured history of the movement through its artifacts and the modes of circulation it put into place. Today's guest is: Teresa A. Goddu, who is Associate Professor of English and American Studies at Vanderbilt University, and serves as Faculty Head of E. Bronson Ingram College. She is a specialist in nineteenth-century American literature and culture. She is the author of Gothic America: Narrative, History, and Nation; and Selling Antislavery: Abolition and Mass Media in Antebellum America. Her work has appeared in American Literary History, Book History, Common-Place, and other venues. She is the recipient of grants from the National Endowment for the Humanities, and a Senior Specialist Fulbright award. Our host is: Dr. Christina Gessler, who is a freelance book editor. She has served as content director and producer of the Academic Life podcast since she launched it in 2020. The Academic Life is proud to be an academic partner of the New Books Network. Listeners to this episode may be interested in: This conversation about Archival Kismet This discussion of Never Caught This discussion of Running From Bondage This conversation about field research and Remembering Lucille This conversation about Relative Races This discussion on archival research This conversation about Where Research Begins Welcome to the Academic Life! Join us here each week to learn from experts inside and outside the academy, and around the world, and embrace the broad definition of what it truly means to live an academic life. Missed any of the 150+ Academic Life episodes? You can find them all archived here. And check back soon: we're in the studio preparing more episodes for your academic journey—and beyond! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

In Defense of Big Girls: Mecca Jamilah Sullivan asks whether the American Republic was founded on anti-fat people principles

Keen On Democracy

Play Episode Listen Later Jun 7, 2023 36:35

EPISODE 1535: In this KEEN ON show, Andrew talks to Mecca Jamilah Sullivan, author of BIG GIRL, about whether the American Republic was founded on anti-fat people principles Mecca Jamilah Sullivan is the author of the novel Big Girl, a New York Times Editors' Choice selection and a best books pick from Time, Essence, Vulture, Ms., Goodreads, Booklist, Library Reads, and SheReads.com. Her previous books are The Poetics of Difference: Queer Feminist Forms in the African Diaspora (University of Illinois Press, 2021), winner of the William Sanders Scarborough Prize from the Modern Language Association, and the short story collection, Blue Talk and Love (2015), winner of the Judith Markowitz Award for Fiction from Lambda Literary. Mecca holds a Ph.D. in English Literature from the University of Pennsylvania, an M.A. in English and Creative Writing from Temple University, and a B.A. in Afro-American Studies from Smith College. In her fiction, she explores the intellectual, emotional, and bodily lives of young Black women through voice, music, and hip-hop inflected magical realist techniques. Her short stories have appeared in Best New Writing, Kenyon Review, American Fiction: Best New Stories by Emerging Writers, Prairie Schooner, Callaloo, Crab Orchard Review, Robert Olen Butler Fiction Prize Stories, BLOOM: Queer Fiction, Art, Poetry and More, TriQuarterly, Feminist Studies, All About Skin: Short Stories by Award-Winning Women Writers of Color, DC Metro Weekly, Baobab: South African Journal of New Writing, and many others. A Pushcart Prize nominee, she is the winner of the Charles Johnson Fiction Award, the Glenna Luschei Fiction Award, the James Baldwin Memorial Playwriting Award, the 2021 Pride Index National Arts and Culture award, and honors from the National Endowment for the Arts, the Bread Loaf Writers' Conference, The Yaddo Colony, the Hedgebrook Writers' Retreat, Lambda Literary, the Publishing Triangle, and the Center for Fiction in New York City, where she received an inaugural Emerging Writers Fellowship. A proud native of Harlem, NY, Sullivan's scholarly work explores the connections between sexuality, identity, and creative practice in contemporary African Diaspora literatures and cultures. Her scholarly and critical writing has appeared in New York Magazine's The Cut, American Literary History, Feminist Studies, Black Futures, Teaching Black, American Quarterly, College Literature, Oxford African American Resource Center, Palimpsest: Journal of Women, Gender and the Black International, Jacket2, Public Books, GLQ: Lesbian and Gay Studies Quarterly, Sinister Wisdom, The Scholar and Feminist, Women's Studies, College Literature, The Rumpus, BET.com, Ebony.com, TheRoot.com, Ms. Magazine online, The Feminist Wire, and others. Her debut novel, Big Girl (W.W. Norton & Co./ Liveright 2022) was selected as the July 2022 Phenomenal Book Club pick, a WNYC Radio 2022 Debut pick, and a New York Public Library “Book of the Day.” Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Walt Hunter on Gwendolyn Brooks ("kitchenette building")

technology air force literature utopia creative writing creative nonfiction brownstone institute george o american literary history

Play Episode Listen Later Jun 5, 2023 77:36

What a delight this was, to talk to my friend Walt Hunter about the marvelous Gwendolyn Brooks poem "kitchenette building." Walt is an associate professor and the Chair of the Department of English at Case Western Reserve University. He is the author of two books of criticism: Forms of a World: Contemporary Poetry and the Making of Globalization (Fordham UP, 2019) and The American House Poem, 1945 - 2021 (Oxford UP, forthcoming in 2023). He is also the author of a book of poems, Some Flowers (Mad Hat Press, 2022), and the translator, with Lindsay Turner, of Frédéric Neyrat's Atopias: Manifesto for a Radical Existentialism (Fordham UP, 2017). He edits poetry for The Atlantic, where he is also a frequent contributor, and has published in such journals as New Literary History, American Literary History, Essays in Criticism, Modern Philology, and ASAP/Journal. Please follow, rate, and review the podcast if you like what you hear—and share an episode with a friend! Follow my Substack to get news of the podcast.

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#1415 - George O'Har

Out Of The Blank

Play Episode Listen Later May 23, 2023 65:28

George O'Har is an MIT Ph.D., Air Force veteran, and former electrical engineer. At Boston College, he taught courses on Literature and Technology, Utopia, Creative Writing, Creative Non-Fiction and American Literary History. George currently writes and contributes articles on the Brownstone Institute that focus on the labeling and social division after this pandemic and how politics have consumed us all. --- Support this podcast: https://podcasters.spotify.com/pod/show/out-of-the-blank/support

Andrew Epstein on John Ashbery ("Street Musicians")

Play Episode Listen Later May 1, 2023 88:02

An episode I've been waiting for from the beginning: Andrew Epstein joins the podcast to talk about John Ashbery, one of the most important poets of the last hundred years, and his beautiful and haunting poem of mid-career, "Street Musicians."Andrew is Professor of English at Florida State University and the author of three books: Beautiful Enemies: Friendship and Postwar American Poetry (Oxford UP, 2009), Attention Equals Life: The Pursuit of the Everyday in Contemporary Poetry and Culture (Oxford UP, 2016), and The Cambridge Introduction to American Poetry since 1945 (Cambridge UP, 2022). He blogs about the poets and artists of the New York School at Locus Solus and his essays and articles have appeared in such publications as the New York Times Book Review, Contemporary Literature, LARB, American Literary History, The Wallace Stevens Journal, Comparative Literature Studies, Jacket2, and Raritan. You can follow Andrew on Twitter.As always, please rate and review the podcast if you like what you hear, make sure you're following it to get new episodes automatically uploaded to your feed, and share an episode with a friend. You can also subscribe to my Substack, where you'll get (eventually!) a newsletter to go with each episode.

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The Plant Revolution and 19th Century American Literature

Unsung History

Play Episode Listen Later Apr 24, 2023 44:20

During the 19th Century, growing international trade and imperialist conquest combined with new technologies to transport and care for flora led to a burgeoning fascination with plant life. American writers, from Emily Dickinson to Frederick Douglass played with plant imagery to make sense of their world and their country and to bolster their political arguments. Joining me in this episode is Dr. Mary Kuhn, Assistant Professor of English at the University of Virginia, and author of The Garden Politic: Global Plants and Botanical Nationalism in Nineteenth-Century America. Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Down by the Salley Gardens,” performed by Celtic Aire, United States Air Force Band; the composition is traditional, and the lyrics are by Willian Butler Yeats; the recording is in the public domain via Wikimedia Commons. The episode image is from Plate VI of Familiar Lectures on Botany, by Almira Phelps, 1838 edition. Additional Sources and References: “The Wardian Case: How a Simple Box Moved the Plant Kingdom,” by Luke Keogh, Arnoldia Volume 74, Issue 4, May 17, 2017. “History of Kew,” Royal Botanic Gardens, Kew. “The Great British Tea Heist,” by Sarah Rose, Smithsonian Magazine, March 9, 2010. “Almira Phelps,” History of American Women. “‘How Many Stamens Has Your Flower?' The Botanical Education of Emily Dickinson,” by Anne Garner, New York Academy of Medicine, April 28, 2016. “Emily Dickinson's Schooling: Amherst Academy,” Emily Dickinson Museum. “Gardens at the Stowe Center,” Harriet Beecher Stowe Center. “Hawthorne in the Garden,” by W.H. Demick, The House of the Seven Gables, July 1, 2020. “Frederick Douglass On How Slave Owners Used Food As A Weapon Of Control,” by Nina Martyris, NPR, February 10, 2017. “Cedar Hill: Frederick Douglass's Rustic Sanctuary,” National Park Service. “Amoral Abolitionism: Frederick Douglass and the Environmental Case against Slavery,” by Cristin Ellis, American Literature 1 June 2014; 86 (2): 275–303. “‘Buried in Guano': Race, Labor, and Sustainability,” by Jennifer C. James, American Literary History 24, no. 1 (2012): 115–42. “The Intelligent Plant,” by Michael Pollan, The New Yorker, December 15, 2013. Braiding Sweetgrass, by Robin Wall Kimmerer, Milkweed Editions, 2015. The Overstory, by Richard Powers, W. W. Norton & Company, 2019. The Hidden Life of Trees: What They Feel, How They Communicate--Discoveries from a Secret World, by Peter Wohlleben, Greystone Books, 2016. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harris Feinsod on William Carlos Williams ("To Elsie")

The Deerfield Public Library Podcast

Play Episode Listen Later Apr 17, 2023 81:44

Harris Feinsod joins the podcast to talk about William Carlos Williams, his great book of 1923, Spring and All, and one of its strange and unforgettable poems, "To Elsie."Harris is an associate professor of English and Comparative Literary Studies at Northwestern University. He is the author of The Poetry of the Americas: From Good Neighbors to Countercultures (Oxford UP, 2017) and the co-translator (with Rachel Galvin) of Oliverio Girondo's Decals: Complete Early Poems (Open Letter, 2018). Harris's articles and essays have appeared in such publications as Comparative Literature, American Literary History, English Language Notes, Modernism/modernity, The Baffler, In These Times, Los Angeles Review of Books, n+1, and Post45. You can follow Harris on Twitter.If you're enjoying the podcast, please leave a rating and review, and share it with a friend! Follow my Substack to get a newsletter with each episode.

english books spring harris poetry poet substack poem northwestern university modernism comparative literature los angeles review baffler in these times william carlos williams american literary history comparative literary studies

Why American Literature Today? Cultural Diversity

Our Autoethnography

Play Episode Listen Later Apr 1, 2023 14:39

From creator Esther Adegbola: this podcast project is an analysis of why American literature should be read. I shall explore the cultural aspects and historical features that American literature has. References Graff, G. (2007). Why Study American Literature? PMLA, 122(2), 552–556. https://doi.org/10.1632/pmla.2007.122.2.552 Levander, C. F. (2008). Why Read American Literature? American Literary History, 20(4), 734–741. https://doi.org/10.1093/alh/ajn048 Miller, J. (2014). Why Read American Literature? American Studies, 53(1), 1-11. https://doi.org/10.1353/ams.2014.0015 Ellison, R. (1952). Invisible Man. Random House. Morrison, T. (1987). Beloved. Knopf. Lee, H. (1960). To Kill a Mockingbird. J. B. Lippincott & Co. Gates Jr, H. L. (1997). The Signifying Monkey: A Theory of African American Literary Criticism. Oxford University Press Kuo, P. C. (2017). Why read literature? Cogent Arts & Humanities, 4(1), 1299731 Nussbaum, M. C. (1990). Love's knowledge: Essays on philosophy and literature. Oxford University Press. King, S. (2010). On writing: A memoir of the craft. Simon & Schuster. Melville, H. (1851). Moby-Dick; or, The Whale. Harper & Brothers. Fitzgerald, F. S. (1925). The Great Gatsby. Charles Scribner's Sons. Morrison, T. (1987). Beloved. Knopf.

58: Merve Emre on Italo Calvino

Play Episode Listen Later Mar 22, 2023 50:50

This month on the Deerfield Public Library Podcast, I am very pleased to share a conversation with acclaimed critic Merve Emre on the beloved Italian writer Italo Calvino, known for his genre-defying stories and novels like Invisible Cities and If on a winter's night a traveler. Merve Emre is a contributing writer at The New Yorker, associate professor of English at Oxford University, and currently a Distinguished Writer in Residence at Wesleyan University. In a recent essay in The New Yorker, “The Worlds of Italo Calvino,” Merve Emre calls Calvino, “word for word, the most charming writer to put pen to paper in the twentieth century.” It is an enthusiasm we both share. Indeed, we learn that for both of us, reading Calvino novels set us on a path of making a career out of talking to people about books. Emre's essay on Calvino was occasioned by the new publication in English of a book of his essays, The Written World and the Unwritten World, translated by Ann Goldstein. 2023 also marks the centenary year of Calvino's birth and here at the Library our Classics Book Discussion celebrated with a recent series on his work. Whether you are already a Calvino-obsessive or new to his work, you will hear a passionate consideration of how an author creates communications and desires so wonderful (and so thwarted!) that you can not help turning page after page. Appropriately for a discussion of this metafictional novelist, this episode also becomes a conversation about literary conversation itself. Another recent New Yorker piece by Emre considers the fate of literary studies today. I could not help asking her if Calvino's utopian vision of a world of self-appointed readers might help us revive the literary world itself. You can check out books by Merve Emre and titles by Italo Calvino here at the library. Or check out The New Yorker, physical copies or through our ebook/emagazine service Libby. Emre is the author of Paraliterary: The Making of Bad Readers in Postwar America (University of Chicago Press, 2017), The Ferrante Letters (Columbia University Press, 2019), and The Personality Brokers (New York, 2018). She is the editor of Once and Future Feminist (MIT, 2018), The Annotated Mrs. Dalloway (Liveright, 2021), and The Norton Modern Library Mrs. Dalloway (Norton, 2021). Her essays and criticism have appeared in publications ranging from The New York Review of Books, Harper's, The New York Times Magazine, The Atlantic, and the London Review of Books to American Literature, American Literary History, PMLA, and Modernism/modernity. Merve is on Twitter @mervatim. We hope you enjoy our 58th interview episode! Each month (or so) we release an episode featuring a conversation with an author, artist, or other notable guests from Chicagoland or around the world. Learn more about the podcast on our podcast page. You can listen to all of our episodes in the player below or on Apple Podcasts, Spotify, or anywhere else you listen to podcasts. We welcome your comments and feedback—please send to podcast@deerfieldlibrary.org. The Deerfield Public Library Podcast is hosted by Dylan Zavagno, Adult Services Coordinator at the library. We welcome your comments and feedback--please send to: podcast@deerfieldlibrary.org. More info at: http://deerfieldlibrary.org/podcast Follow us: Facebook Twitter Instagram YouTube

Jasmine Nichole Cobb on New Growth: The Art and Texture of Black Hair

Conversations in Atlantic Theory

Play Episode Listen Later Feb 22, 2023 45:16

Jasmine Nichole Cobb is Professor of African & African American Studies and of Art, Art History and Visual Studies at Duke University, as well as a co-director of the “From Slavery to Freedom” (FS2F) Franklin Humanities Lab. A scholar of black cultural production and visual representation, Cobb is the author of two monographs, Picture Freedom: Remaking Black Visuality in the Early Nineteenth Century (NYUP 2015) and New Growth: The Art and Texture of Black Hair (Duke UP 2022). She is the editor for African American Literature in Transition, 1800-1830 (Cambridge UP 2021) and she has written essays for Public Culture, MELUS: Multi-Ethnic Literature of the United States, and American Literary History. In this conversation, we discuss her latest monograph, New Growth: The Art and Texture of Black Hair reveals the various ways that people of African descent forge new relationships to the body, public space, and visual culture through the embrace of Black hair.

Darieck Scott on Keeping it Unreal: Black Queer Fantasy and Superhero Comics

Conversations in Atlantic Theory

Play Episode Listen Later Feb 17, 2023 53:07

Today's discussion is with Dr. Darieck Scott, a professor of African American Studies at the University of California, Berkeley. His book Extravagant Abjection: Blackness, Power, and Sexuality in the African American Literary Imagination (NYU Press 2010), was the winner of the 2011 Alan Bray Memorial Prize for Queer Studies of the Modern Language Association. Scott is also the author of the novels Hex ( published in 2007) and Traitor to the Race (published in 1995), and the editor of Best Black Gay Erotica (published in 2004). His fiction has appeared in the anthologies Freedom in This Village (2005), Black Like Us (2002), Giant Steps (2000), Shade (1996) and Ancestral House (1995), as well as in the erotica collections Flesh and the Word 4 (1997) and Inside Him (2006). He has published essays in Callaloo, GLQ, The Americas Review, and American Literary History, and is co-editor with Ramzi Fawaz of the American Literature special issue, “Queer About Comics,” winner of the 2018 Best Special Issue from the Council of Editors of Learned Journals. He is also the author of Keeping It Unreal: Black Queer Fantasy and Superhero Comics, published by NYU Press in 2022, which is the occasion for our conversation today. In this discussion, we explore representations of Blackness in fantasy-infused genres: superhero comic books, erotic comics, fantasy and science-fiction genre literature, as well as contemporary literary “realist” fiction centering fantastic conceits.

Christopher Spaide on Terrance Hayes ("The Golden Shovel")

New Books in African American Studies

Play Episode Listen Later Feb 13, 2023 92:36

What a thrill it was to talk with Christopher Spaide about one of the great poems of this century, Terrance Hayes's "The Golden Shovel."This is a two-for-one Close Readings experience, since you can't talk about the Hayes poem without also discussing the Gwendolyn Brooks poem that his is "after," "We Real Cool."Christopher Spaide is a Junior Fellow at the Harvard Society of Fellows, where he focuses on poetry, ecopoetics, American literature, and Asian American literature. His academic writing on poetry (as well as music and comics) appears in American Literary History, The Cambridge Quarterly, College Literature, Contemporary Literature, ELH, The Wallace Stevens Journal, and several edited collections. His essays and reviews and his poems appear in The Boston Globe, Boston Review, Colorado Review, The New Yorker, Ploughshares, Poetry, Slate, The Sewanee Review, The Yale Review, and elsewhere. He has received fellowships and honors from Harvard University, the James Merrill House, and the Keasbey Foundation.As ever, if you're enjoying the podcast, please leave a rating and review, and make sure you're following us. Share Close Readings with a friend! And subscribe to the newsletter, where you'll get more thoughts from me and links to things that come up during the episodes.

Abby L. Goode, "Agrotopias: An American Literary History of Sustainability" (UNC Press, 2022)

Play Episode Listen Later Sep 20, 2022 39:57

In this book, Abby L. Goode reveals the foundations of American environmentalism and its enduring connections to racism, eugenics, and agrarian ideals. Throughout the nineteenth century, writers as diverse as Martin Delany, Charlotte Perkins Gilman, and Walt Whitman worried about unsustainable conditions such as population growth and plantation slavery. In response, they imagined agrotopias—sustainable societies unaffected by the nation's agricultural and population crises—elsewhere. Though seemingly progressive, these agrotopian visions depicted selective breeding and racial "improvement" as the path to environmental stability. In this fascinating study, Goode uncovers an early sustainability rhetoric interested in shaping, just as much as sustaining, the American population. Showing how ideas about race and reproduction were central to early sustainability thinking, Goode unearths an alternative environmental archive that ranges from gothic novels to Black nationalist manifestos, from Waco, Texas, to the West Indies, from city tenements to White House kitchen gardens. Exposing the eugenic foundations of some of our most well-regarded environmental traditions, this book compels us to reexamine the benevolence of American environmental thought. Dr. Abby Goode is Associate Professor with tenure at Plymouth State University, where she teaches in the English and Sustainability Studies programs. Twitter. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Abby L. Goode, "Agrotopias: An American Literary History of Sustainability" (UNC Press, 2022)

Play Episode Listen Later Sep 20, 2022 39:57

In this book, Abby L. Goode reveals the foundations of American environmentalism and its enduring connections to racism, eugenics, and agrarian ideals. Throughout the nineteenth century, writers as diverse as Martin Delany, Charlotte Perkins Gilman, and Walt Whitman worried about unsustainable conditions such as population growth and plantation slavery. In response, they imagined agrotopias—sustainable societies unaffected by the nation's agricultural and population crises—elsewhere. Though seemingly progressive, these agrotopian visions depicted selective breeding and racial "improvement" as the path to environmental stability. In this fascinating study, Goode uncovers an early sustainability rhetoric interested in shaping, just as much as sustaining, the American population. Showing how ideas about race and reproduction were central to early sustainability thinking, Goode unearths an alternative environmental archive that ranges from gothic novels to Black nationalist manifestos, from Waco, Texas, to the West Indies, from city tenements to White House kitchen gardens. Exposing the eugenic foundations of some of our most well-regarded environmental traditions, this book compels us to reexamine the benevolence of American environmental thought. Dr. Abby Goode is Associate Professor with tenure at Plymouth State University, where she teaches in the English and Sustainability Studies programs. Twitter. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Abby L. Goode, "Agrotopias: An American Literary History of Sustainability" (UNC Press, 2022)

New Books in History

Play Episode Listen Later Sep 20, 2022 39:57

In this book, Abby L. Goode reveals the foundations of American environmentalism and its enduring connections to racism, eugenics, and agrarian ideals. Throughout the nineteenth century, writers as diverse as Martin Delany, Charlotte Perkins Gilman, and Walt Whitman worried about unsustainable conditions such as population growth and plantation slavery. In response, they imagined agrotopias—sustainable societies unaffected by the nation's agricultural and population crises—elsewhere. Though seemingly progressive, these agrotopian visions depicted selective breeding and racial "improvement" as the path to environmental stability. In this fascinating study, Goode uncovers an early sustainability rhetoric interested in shaping, just as much as sustaining, the American population. Showing how ideas about race and reproduction were central to early sustainability thinking, Goode unearths an alternative environmental archive that ranges from gothic novels to Black nationalist manifestos, from Waco, Texas, to the West Indies, from city tenements to White House kitchen gardens. Exposing the eugenic foundations of some of our most well-regarded environmental traditions, this book compels us to reexamine the benevolence of American environmental thought. Dr. Abby Goode is Associate Professor with tenure at Plymouth State University, where she teaches in the English and Sustainability Studies programs. Twitter. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Abby L. Goode, "Agrotopias: An American Literary History of Sustainability" (UNC Press, 2022)

New Books in Environmental Studies

Play Episode Listen Later Sep 20, 2022 39:57

In this book, Abby L. Goode reveals the foundations of American environmentalism and its enduring connections to racism, eugenics, and agrarian ideals. Throughout the nineteenth century, writers as diverse as Martin Delany, Charlotte Perkins Gilman, and Walt Whitman worried about unsustainable conditions such as population growth and plantation slavery. In response, they imagined agrotopias—sustainable societies unaffected by the nation's agricultural and population crises—elsewhere. Though seemingly progressive, these agrotopian visions depicted selective breeding and racial "improvement" as the path to environmental stability. In this fascinating study, Goode uncovers an early sustainability rhetoric interested in shaping, just as much as sustaining, the American population. Showing how ideas about race and reproduction were central to early sustainability thinking, Goode unearths an alternative environmental archive that ranges from gothic novels to Black nationalist manifestos, from Waco, Texas, to the West Indies, from city tenements to White House kitchen gardens. Exposing the eugenic foundations of some of our most well-regarded environmental traditions, this book compels us to reexamine the benevolence of American environmental thought. Dr. Abby Goode is Associate Professor with tenure at Plymouth State University, where she teaches in the English and Sustainability Studies programs. Twitter. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Abby L. Goode, "Agrotopias: An American Literary History of Sustainability" (UNC Press, 2022)

Play Episode Listen Later Sep 20, 2022 39:57

In this book, Abby L. Goode reveals the foundations of American environmentalism and its enduring connections to racism, eugenics, and agrarian ideals. Throughout the nineteenth century, writers as diverse as Martin Delany, Charlotte Perkins Gilman, and Walt Whitman worried about unsustainable conditions such as population growth and plantation slavery. In response, they imagined agrotopias—sustainable societies unaffected by the nation's agricultural and population crises—elsewhere. Though seemingly progressive, these agrotopian visions depicted selective breeding and racial "improvement" as the path to environmental stability. In this fascinating study, Goode uncovers an early sustainability rhetoric interested in shaping, just as much as sustaining, the American population. Showing how ideas about race and reproduction were central to early sustainability thinking, Goode unearths an alternative environmental archive that ranges from gothic novels to Black nationalist manifestos, from Waco, Texas, to the West Indies, from city tenements to White House kitchen gardens. Exposing the eugenic foundations of some of our most well-regarded environmental traditions, this book compels us to reexamine the benevolence of American environmental thought. Dr. Abby Goode is Associate Professor with tenure at Plymouth State University, where she teaches in the English and Sustainability Studies programs. Twitter. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Abby L. Goode, "Agrotopias: An American Literary History of Sustainability" (UNC Press, 2022)

New Books in Intellectual History

Play Episode Listen Later Sep 20, 2022 39:57

In this book, Abby L. Goode reveals the foundations of American environmentalism and its enduring connections to racism, eugenics, and agrarian ideals. Throughout the nineteenth century, writers as diverse as Martin Delany, Charlotte Perkins Gilman, and Walt Whitman worried about unsustainable conditions such as population growth and plantation slavery. In response, they imagined agrotopias—sustainable societies unaffected by the nation's agricultural and population crises—elsewhere. Though seemingly progressive, these agrotopian visions depicted selective breeding and racial "improvement" as the path to environmental stability. In this fascinating study, Goode uncovers an early sustainability rhetoric interested in shaping, just as much as sustaining, the American population. Showing how ideas about race and reproduction were central to early sustainability thinking, Goode unearths an alternative environmental archive that ranges from gothic novels to Black nationalist manifestos, from Waco, Texas, to the West Indies, from city tenements to White House kitchen gardens. Exposing the eugenic foundations of some of our most well-regarded environmental traditions, this book compels us to reexamine the benevolence of American environmental thought. Dr. Abby Goode is Associate Professor with tenure at Plymouth State University, where she teaches in the English and Sustainability Studies programs. Twitter. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Abby L. Goode, "Agrotopias: An American Literary History of Sustainability" (UNC Press, 2022)

New Books in American Studies

Play Episode Listen Later Sep 20, 2022 39:57

In this book, Abby L. Goode reveals the foundations of American environmentalism and its enduring connections to racism, eugenics, and agrarian ideals. Throughout the nineteenth century, writers as diverse as Martin Delany, Charlotte Perkins Gilman, and Walt Whitman worried about unsustainable conditions such as population growth and plantation slavery. In response, they imagined agrotopias—sustainable societies unaffected by the nation's agricultural and population crises—elsewhere. Though seemingly progressive, these agrotopian visions depicted selective breeding and racial "improvement" as the path to environmental stability. In this fascinating study, Goode uncovers an early sustainability rhetoric interested in shaping, just as much as sustaining, the American population. Showing how ideas about race and reproduction were central to early sustainability thinking, Goode unearths an alternative environmental archive that ranges from gothic novels to Black nationalist manifestos, from Waco, Texas, to the West Indies, from city tenements to White House kitchen gardens. Exposing the eugenic foundations of some of our most well-regarded environmental traditions, this book compels us to reexamine the benevolence of American environmental thought. Dr. Abby Goode is Associate Professor with tenure at Plymouth State University, where she teaches in the English and Sustainability Studies programs. Twitter. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Abby L. Goode, "Agrotopias: An American Literary History of Sustainability" (UNC Press, 2022)

UNC Press Presents Podcast

Play Episode Listen Later Sep 20, 2022 39:57

In this book, Abby L. Goode reveals the foundations of American environmentalism and its enduring connections to racism, eugenics, and agrarian ideals. Throughout the nineteenth century, writers as diverse as Martin Delany, Charlotte Perkins Gilman, and Walt Whitman worried about unsustainable conditions such as population growth and plantation slavery. In response, they imagined agrotopias—sustainable societies unaffected by the nation's agricultural and population crises—elsewhere. Though seemingly progressive, these agrotopian visions depicted selective breeding and racial "improvement" as the path to environmental stability. In this fascinating study, Goode uncovers an early sustainability rhetoric interested in shaping, just as much as sustaining, the American population. Showing how ideas about race and reproduction were central to early sustainability thinking, Goode unearths an alternative environmental archive that ranges from gothic novels to Black nationalist manifestos, from Waco, Texas, to the West Indies, from city tenements to White House kitchen gardens. Exposing the eugenic foundations of some of our most well-regarded environmental traditions, this book compels us to reexamine the benevolence of American environmental thought. Dr. Abby Goode is Associate Professor with tenure at Plymouth State University, where she teaches in the English and Sustainability Studies programs. Twitter. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.

Meredith Farmer and Jonathan D. S. Schroeder, "Ahab Unbound: Melville and the Materialist Turn" (U Minnesota Press, 2021)

New Books in Intellectual History

Play Episode Listen Later Jun 27, 2022 67:49

Today's guests are Meredith Farmer and Jonathan D.S. Schroeder, the co-editors of a bracing new collection of essays about the figure of Ahab in Melville's novel Moby-Dick. Meredith is the Assistant Teaching Professor of Core Literature at Wake Forest University. Her book Melville's Leaks: Science, Materialism, and the Reconstitution of Persons is under contract at Northwestern University Press. Jonathan is the Visiting Assistant Professor of American Studies at Brandeis University. His articles have been published in American Literature, American Literary History, and the Routledge Handbook of Reenactment Studies. His book Prisoners of Loss: An Atlantic History of Nostalgia, is under contract with Harvard University Press. Their new collection of essays is titled Ahab Unbound: Melville and the Materialist Turn (U Minnesota Press, 2021), published with the University of Minnesota Press. The collection includes contributions from a range of scholars from Christopher Castiglia, Samuel Otter, Steve Mentz, Jonathan Lamb, and Bonnie Honig, among others. John Yargo recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Economics

american culture explore african americans black history month black history baldwin smithsonian national museum african american history woodson carter g woodson your legacy american literary history

Play Episode Listen Later Jun 16, 2022 14:58

Matt Seybold talks about the development of economics as a discourse inside and outside the academy, its success in making itself felt to be the only discourse that can talk about resource management and distribution, and its many complicities with capitalism. The conversation ranges from the origins of economics in the concept of household management, to the possibilities of a utopian economics in the novels of Kim Stanley Robinson. Matt Seybold is Associate Professor of American Literature & Mark Twain Studies at Elmira College, where he is also resident scholar at the Center For Mark Twain Studies, editor of MarkTwainStudies.org, and host of The American Vandal Podcast. He is co-editor, with Michelle Chihara, of The Routledge Companion to Literature & Economics (2018) and, with Gordon Hutner, of a 2019 special issue of American Literary History on “Economics & American Literary Studies in the New Gilded Age.” Other recent publications can be found in Aeon, American Studies, Henry James Review, Leviathan, Los Angeles Review of Books, and Mark Twain Annual. Image: “New York Harbor from Brooklyn Bridge” The New York Public Library Digital Collections. 1850 – 1945. Music used in promotional material: ‘Technical Difficulty Lullaby (Pigeon Song)' by Monplaisir Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

music books economics associate professor literature leviathan american studies aeon american literature los angeles review kim stanley robinson new gilded age elmira college american literary history matt seybold

Fiction & Platform Capitalism - interview w/ Mark McGurl

New Left Radio

Play Episode Listen Later Nov 16, 2021 40:37

Fan of the show? https://www.patreon.com/newleftradio (Support us on Patreon)! Amazon permeates our lives in so many ways, from lightning-fast consumerism to hoarding metadata - it does it all. It makes sense that a platform originating in bookselling has had an impact on the author and of fiction itself. Literary critic Mark McGurl joins us to discuss his new book Everything and Less: The Novel in the Age of Amazon, and the deep impact that platform capitalism has had on the artform that is the written word. About Everything and Less: The Novel in the Age of Amazon Since it was first launched in 1994, Amazon has changed the world of literature. The “Everything Store” has not just transformed how we buy books; it has affected what we buy, and even what we read. In Everything and Less, acclaimed critic Mark McGurl explores this new world where writing is no longer categorized as high or lowbrow, literature or popular fiction. Charting a course spanning from Henry James to E. L. James, McGurl shows that contemporary writing has less to do with writing per se than with the manner of its distribution. This consumerist logic—if you like this, you might also like …—has reorganized the fiction universe so that literary prize-winners sit alongside fantasy, romance, fan fiction, and the infinite list of hybrid genres and self-published works. This is an innovation to be cautiously celebrated. Amazon's platform is not just a retail juggernaut but an aesthetic experiment driven by an unseen algorithm rivaling in the depths of its effects any major cultural shift in history. Here all fiction is genre fiction, and the niches range from the categories of crime and science fiction to the more refined interests of Adult Baby Diaper Lover erotica. Everything and Less is a hilarious and insightful map of both the commanding heights and sordid depths of fiction, past and present, that opens up an arresting conversation about why it is we read and write fiction in the first place. https://www.penguinrandomhouse.com/books/678755/everything-and-less-by-mark-mcgurl/ (Buy the book here) About Mark McGurl Mark McGurl is the Albert Guérard Professor of Literature at Stanford University, where he has been a member of the English Department since 2012. His scholarly work centers on the relation of literature to social, educational and other institutions from the late 19th century to the present. He is former Director of the Stanford Center for the Study of the Novel, and has worked with the Stanford Literary Lab. He teaches a range of classes on American literature and related topics. His book, Everything and Less: The Novel in the Age of Amazon is forthcoming from Verso in 2021. McGurl is the author of The Program Era: Postwar Fiction and the Rise of Creative Writing (Harvard), which was the recipient of the Truman Capote Award for Literary Criticism for 2011. Links to reviews, interviews and other articles related to this book have been gathered here. McGurl's previous book was The Novel Art: Elevations of American Fiction after Henry James (Princeton). He has also published articles in journals such as Critical Inquiry, Representations, American Literary History, and New Literary History. McGurl received his BA from Harvard, then worked at the New York Times and the New York Review of Books. He earned his PhD in comparative literature from Johns Hopkins, and until 2011 taught at UCLA. Stay connected with the latest from New Left Radio by https://newleft.us6.list-manage.com/subscribe?u=8227a4372fe8dc22bdbf0e3db&id=e99d6c70b4 (joining our mailing list) today! _________ Support this podcast

Fireside Chat: The Practice of Citizenship (Derrick R. Spires)

Talking in the Library

Play Episode Listen Later Mar 1, 2021 53:55

In the years between the American Revolution and the U.S. Civil War, as legal and cultural understandings of citizenship became more racially restrictive, black writers articulated an expansive, practice-based theory of citizenship. Grounded in political participation, mutual aid, critique and revolution, and the myriad daily interactions between people living in the same spaces, citizenship, they argued, is not defined by who one is but, rather, by what one does. In The Practice of Citizenship, Derrick R. Spires examines the parallel development of early black print culture and legal and cultural understandings of U.S. citizenship, beginning in 1787, with the framing of the federal Constitution and the founding of the Free African Society by Absalom Jones and Richard Allen, and ending in 1861, with the onset of the Civil War. Between these two points he recovers understudied figures such as William J. Wilson, whose 1859 "Afric-American Picture Gallery" appeared in seven installments in The Anglo-African Magazine, and the physician, abolitionist, and essayist James McCune Smith. He places texts such as the proceedings of black state conventions alongside considerations of canonical figures such as Frances Ellen Watkins Harper and Frederick Douglass. Dr. Derrick R. Spires is Associate Professor of Literatures in English at Cornell University. He specializes in early African American and American print culture, citizenship studies, and African American intellectual history. His first book, The Practice of Citizenship: Black Politics and Print Culture in the Early United States (University of Pennsylvania Press, 2019), won the MLA Prize for First Book and the Bibliographical Society/St. Louis Mercantile Library Prize. His work appears or is forthcoming in African American Review, American Literary History, and edited collections on early African American print culture, and the Colored Conventions movement. Dr. Spires was an Albert M. Greenfield Foundation Fellow in African American History at the Library Company in 2008. This chat originally aired at 7:00 p.m. Thursday, February 25, 2021.

american english practice african americans civil war associate professor constitution grounded cornell university citizenship american revolution fireside chat frederick douglass african american history first book william j literatures spires richard allen pennsylvania press print culture african american review albert m absalom jones library company american literary history james mccune smith colored conventions citizenship black politics

Where Are They Now: Deborah Tulani Salahu-Din Explores African American Literary History

What's Your Legacy?

Play Episode Listen Later Feb 11, 2021 23:34

Yvette talks with her sister, Deborah Tulani Salahu-Din: poet, writer, educator and specialist in African American literary history. Tulani is an advocate for the study of African American history and culture. She is currently with the Smithsonian's National Museum of African American History and Culture. She returns to What's Your Legacy? during Black History Month to talk about Dr. Carter G. Woodson, the father of Black History. As a James A. Baldwin scholar, she shares the life and legacy of this great American writer and activist.

Négocier l'étincelle - un épisode sur la santé sexuelle, les relations et les handicaps

toutEs ou pantoute

Play Episode Listen Later May 18, 2020 47:46

À PROPOS DE CET ÉPISODE Dans cet épisode, on s'intéresse au dating et à la santé sexuelle et reproductive, mais sous un angle particulier. Alexandra a rencontré Laurence Raynault-Rioux, chargée de projet pour ACSEXE+, un projet de la Fédération du Québec pour le planning des naissances sur les sexualités et les handicaps. Laurence s'identifie elle-même comme une femme en situation de handicap, et elle s'intéresse particulièrement à la façon dont les personnes en situation de handicap négocient leur vie sexuelle et relationnelle, et notamment, leur dating. Elle a parlé entre autres avec Alexandra d'inclusivité, de capacitisme, et d'applications de rencontre. Une entrevue fascinante, qui côtoie les discussions et recommandations passionnées de Laurie et Alexandra

Episode 38: Melinda Luisa de Jesús

YourArtsyGirlPodcast

Play Episode Listen Later Oct 24, 2019 54:31

Dr. Melinda Luisa de Jesús is definitely a Renaissance woman! She is a scholar, a classical singer, a poet, & a visual artist. Listen to her discuss her journey into creativity through her earlier beginnings as a classically trained mezzo-soprano. As a feminist scholar, it wasn't until she found her voice in poetry with various publications to her first poetry collection "peminology", did her world open up even more to include visual arts in her artistic and intellectual repertoire. http://yourartsygirlpodcast.com/episodes Order "peminology" here: http://www.lulu.com/shop/http://www.lulu.com/shop/melinda-luisa-de-jes%C3%BAs/peminology/paperback/product-23634481.html PEMINOLOGY by Melinda Luisa de Jesús Published by Paloma Press Release Date: March 2018 ISBN: 9781387483686 Pages: 80, full-color Available on Lulu and at select bookshops In honor of International Women’s Day, Paloma Press is proud to announce the release of PEMINOLOGY, a first poetry collection by Melinda Luisa de Jesus, a feminist of color who teaches and writes about critical race theory, girlhood and monsters, and believes, “as did the ancients, that a poem can change the world.” Excerpt: Jealousy 1. Wanting to be blonde-haired, blue-eyed, small-boned and delicate ivory-complexioned, sweet and ladylike a fairy princess, or green-eyed and red-haired like a mermaid Anything but brown-skinned brown-eyed black-haired loud big fat different. 2. I love your poems I hate your poems I want to lick them, chew the paper they’re on savor each line then swallow them whole make them mine. 3. Wishing I felt more connection Planted in American soil wilting bleached I long to be coconut, carabao brown. Advance words: “Melinda Luisa de Jesús’ debut collection of poems comes from a space of longing, rebellion, grief, love, poetics and politics. Bold, unafraid and uncompromising, peminology carves out a space for de Jesús’ vision and her generation of Filipinas in immigrant America. She speaks in multiple voices and registers, as a daughter, to a daughter, as a mother, to a mother, as a storyteller, dredging up a past and confronting fiercely the present. peminology is poetic auto ethnography. It must be read. It must be heard. It must be listened to. This is Asian-America. This is post-Trump’s America. This is the America we live in.” —Reshmi Dutt-Ballerstadt, author of The Postcolonial Citizen: The Intellectual Migrant “peminology is bold, raw, and honest. Weaving between past and present, de Jesús creates a narrative of traumas that connect girlhood to womanhood. Charting the intersections of racial and feminist awakenings, these poems offer avenues for shame and rage to become strength and resistance. “The Tractor,” “Patriarchy,” and “Imagine That” are but a few examples of the timely critiques—anthems, even—that de Jesús situates amidst her chronology of oppression and opposition. Her experimentation with form, including the hay(na)ku, the hay(na)ku sentence, and the pantoum, interrupts Western poetic conventions as much as the language and imagery itself. The stand out poem—“Bellies”— followed by “Pantoum for Eloisa,” explores the heartbreaking complexities of brown women negotiating motherhood and white imperialism. This collection will leave you simultaneously heartbroken and empowered, ready to rise out of your seat to demand recognition, and sit down with your child to nurture self-love. A must-read for 2018.” —Linda Pierce Allen, co-editor of Global Crossroads: A World Literature Reader and Questions of Identity: Complicating Race in American Literary History Bio: Melinda Luisa de Jesús is Associate Professor and former Chair of Diversity Studies at California College of the Arts. She writes and teaches about Filipinx/American cultural production, girl culture, monsters, and race/ethnicity in the United States. She edited Pinay Power: Peminist Critical Theory, the first anthology of Filipina/American feminisms (Routledge 2005). Her academic writing has appeared in Mothering in East Asian Communities: Politics and Practices; Completely Mixed Up: Mixed Heritage Asian North American Writing and Art; Approaches to Teaching Multicultural Comics; Ethnic Literary Traditions in Children’s Literature; Challenging Homophobia; Radical Teacher; The Lion and the Unicorn; Ano Ba Magazine; Rigorous; Konch Magazine; Rabbit and Rose; MELUS; Meridians; The Journal of Asian American Studies, and Delinquents and Debutantes: TwentiethCentury American Girls’ Cultures. She is also a poet and her chapbooks, Humpty Drumpfty and Other Poems; Petty Poetry for SCROTUS Girls’ with poems for Elizabeth Warren and Michelle Obama; Defying Trumplandia; Adios Trumplandia!; James Brown’sWig and Other Poems; and Vagenda of Manicide and Other Poems were published by Locofo Chaps in 2017. Her first collection of poetry, peminology, was published by Paloma Press in 2018. In Spring 2019 Melinda was the Muriel Gold Senior Visiting Professor at the Institute for Gender, Sexuality and Feminist Studies at McGill University in Montreal, Canada where she organized the Pinay Power II: Celebrating Peminisms in the Diaspora conference (see pinaypower.ca for more info). She is a mezzo-soprano, a mom, an Aquarian, and admits an obsession with Hello Kitty. More info: http://peminist.com Twitter: @peminology

259-The Astor Place Riot

Futility Closet

Play Episode Listen Later Aug 5, 2019 35:00

The second-bloodiest riot in the history of New York was touched off by a dispute between two Shakespearean actors. Their supporters started a brawl that killed as many as 30 people and changed the institution of theater in American society. In this week's episode of the Futility Closet podcast we'll tell the story of the Astor Place riot, "one of the strangest episodes in dramatic history." We'll also fertilize a forest and puzzle over some left-handed light bulbs. Intro: In 1968, mathematician Dietrich Braess found that installing a traffic shortcut can actually lengthen the average journey. What key is "Lucy in the Sky With Diamonds" written in? Sources for our feature on the Astor Place riot: Nigel Cliff, The Shakespeare Riots: Revenge, Drama, and Death in Nineteenth-Century America, 2007. Richard Moody, The Astor Place Riot, 1958. Lawrence Barrett, Edwin Forrest, 1881. Joel Tyler Headley, Pen and Pencil Sketches of the Great Riots, 1873. H.M. Ranney, Account of the Terrific and Fatal Riot at the New-York Astor Place Opera House, 1849. Leo Hershkowitz, "An Anatomy of a Riot: Astor Place Opera House, 1849," New York History 87:3 (Summer 2006), 277-311. Bill Kauffman, "New York's Opera House Brawl," American Enterprise 13:4 (June 2002), 51. M. Alison Kibler, "'Freedom of the Theatre' and 'Practical Censorship': Two Theater Riots in the Early Twentieth Century," OAH Magazine of History 24:2 (April 2010), 15-19. Edgar Scott, "Edwin Forrest, First Star of the American Stage," Pennsylvania Magazine of History and Biography 84 (1960), 495-497. Adam I.P. Smith, "The Politics of Theatrical Reform in Victorian America," American Nineteenth Century History 13:3, 321-346. Daniel J. Walkowitz, "'The Gangs of New York': The Mean Streets in History," History Workshop Journal 56 (Autumn 2003), 204-209. Gretchen Sween, "Rituals, Riots, Rules, and Rights: The Astor Place Theater Riot of 1849 and the Evolving Limits of Free Speech," Texas Law Review 81:2 (December 2002), 679-713. Michael J. Collins, "'The Rule of Men Entirely Great': Republicanism, Ritual, and Richelieu in Melville's 'The Two Temples,'" Comparative American Studies 10:4 (December 2012), 304-317. Loren Kruger, "Our Theater? Stages in an American Cultural History," American Literary History 8:4 (Winter 1996), 699-714. Dennis Berthold, "Class Acts: The Astor Place Riots and Melville's 'The Two Temples,'" American Literature 71:3 (September 1999), 429-461. Cary M. Mazer, "Shakespearean Scraps," American Literary History 21:2 (Summer 2009), 316-323. Barbara Foley, "From Wall Street to Astor Place: Historicizing Melville's 'Bartleby,'" American Literature 72:1 (March 2000), 87-116. Neil Smith, "Imperial Errantry," Geographical Review 102:4 (October 2012), 553-555. Betsy Golden Kellem, "When New York City Rioted Over Hamlet Being Too British," Smithsonian.com, July 19, 2017. Amanda Foreman, "A Night at the Theater Often Used to Be a Riot," Wall Street Journal, March 20, 2015. Scott McCabe, "At Least 22 Killed in Astor Place Riots," [Washington, D.C.] Examiner, May 10, 2011. Timothy J. Gilfoyle, "A Theatrical Rivalry That Sparked a Riot," Chicago Tribune, April 22, 2007, 14.11. Paul Lieberman, "The Original Star; On His 200th Birthday, America's First 'Celebrity' Actor, Edwin Forrest, Still Has Fans," Los Angeles Times, March 21, 2006, E.1. Michael Grunwald, "Shakespeare in Hate; 150 Years Ago, 23 People Died In a Riot Over 'Macbeth,'" Washington Post, March 28, 1999, G01. Mel Gussow, "Richard A. Moody, 84, American-Theater Expert," New York Times, April 4, 1996. Frank Rich, "War of Hams Where the Stage Is All," New York Times, Jan. 17, 1992. "Theater: When 'Macbeth' Shook the World of Astor Place," New York Times, Jan. 12, 1992. "The Biggest Publicity Coup in the History of the Stage," New York Tribune, May 4, 1913, 4. "Death of an Aged Actress," New York Times, March 17, 1880. J. Brander Matthews, "W.C. Macready," Frank Leslie's Popular Monthly 10 (1880), 97-101. "The Astor Place Riots," New York Times, April 11, 1875. "An Old Story Retold; The Astor Place Riot -- Reminiscences of Macready," New York Times, April 3, 1875. "Dreadful Riot and Bloodshed in New York," British Colonist, May 23, 1849. "Remembering New York City's Opera Riots," Weekend Edition Saturday, National Public Radio, May 13, 2006. Listener mail: M. Ben-David, T.A. Hanley, and D.M. Schell, "Fertilization of Terrestrial Vegetation by Spawning Pacific Salmon: The Role of Flooding and Predator Activity," OIKOS 83 (1998), 47-55. James M. Helfield and Robert J. Naiman, "Effects of Salmon-Derived Nitrogen on Riparian Forest Growth and Implications for Stream Productivity," Ecology 82:9 (2001), 2403-2409. Wikipedia, "Salmon" (accessed July 13, 2019). Paul Clements, "An Irishman's Diary on Football Legend Danny Blanchflower," Irish Times, April 11, 2015. "Danny Blanchflower," Big Red Book (accessed July 13, 2019). Alex Finnis, "Jersey Is Being Terrorised by 100-Strong Gangs of Feral Chickens Waking Up Locals and Chasing Joggers," i, June 18, 2019. "Jersey Residents Annoyed by Feral Chickens," BBC, July 6, 2018. "Channel Islands Residents Cry Foul Over Feral Chickens," Morning Edition, National Public Radio, June 28, 2019. Daniel Avery, "Gang of 100 Feral Chickens Terrorizing Town," Newsweek, July 2, 2019. Will Stewart, "Russian Hermit Cut Off From World Refuses to Leave Despite Rocket Debris Fears," Mirror, June 21, 2019. "Siberian Hermit, 75, Who 'Lives in 18th Century' Refuses to Be Moved by Space Age," Siberian Times, June 21, 2019. A bridge of Königsberg (now Kaliningrad), from listener Alex Baumans: This week's lateral thinking puzzle was devised by Greg. Here are two corroborating links (warning -- these spoil the puzzle). You can listen using the player above, download this episode directly, or subscribe on Google Podcasts, on Apple Podcasts, or via the RSS feed at https://futilitycloset.libsyn.com/rss. Please consider becoming a patron of Futility Closet -- you can choose the amount you want to pledge, and we've set up some rewards to help thank you for your support. You can also make a one-time donation on the Support Us page of the Futility Closet website. Many thanks to Doug Ross for the music in this episode. If you have any questions or comments you can reach us at podcast@futilitycloset.com. Thanks for listening!

american new york death history world freedom washington politics new york times war drama night bbc stage wall street wall street journal washington post effects gang shakespeare mirror wikipedia anatomy killed google podcasts ritual implications account rituals riot riots free speech newsweek biography moody los angeles times years ago ecology salmon smithsonian chicago tribune flooding shakespearean national public radio terrific michael j irish times examiner hanley at least robert j morning edition bloodshed american literature daniel j space age schell kaliningrad james m fertilization richelieu oikos neil smith naiman frank rich timothy j daniel avery ben david ranney first star nineteenth century america mazer sky with diamonds early twentieth century macready astor place new york tribune new york history will stewart doug ross michael grunwald amanda foreman american literary history danny blanchflower be moved weekend edition saturday american stage big red book victorian america texas law review futility closet bill kauffman oah magazine edwin forrest paul lieberman nigel cliff

Melanie V. Dawson and Meredith L. Goldsmith, "American Literary History and the Turn toward Modernity" (UP of Florida, 2018)

New Books in Intellectual History

Play Episode Listen Later Dec 12, 2018 53:25

As scholars and readers, we often view literary history in rigid, simplistic terms. We imagine that nineteenth-century aesthetic and thematic preoccupations withered away as 1899 became 1900, only to be replaced immediately by a new literature of the twentieth century. In their dynamic, wide-ranging collection Melanie V. Dawson and Meredith L. Goldsmith challenge this conventional understanding of American literary history. Drawing together a diverse range of essays focused on iconic turn-of-the century writers such as Edith Wharton, Jack London and Sarah Piatt, as well as lesser-known authors like Jessie Fauset and Laura Jean Libbey, American Literary History and the Turn toward Modernity (University Press of Florida, 2018) encourages readers to reconsider their understanding of literary “modernity.” The essays contained in this wonderful new collection, published just this year by the University Press of Florida, interrogate the popular construction of literary culture between 1880 and 1930. Paying close attention to issues of culture, race, class and periodisation, Dawson and Goldsmith’s collection demonstrates that rather than representing a rejection of Victorian values, the period can instead be seen instead as a complex negotiation of both the new experimental literary forms that were emerging at the time and the entrenched values of the nineteenth century. In this episode, Melanie and Meredith join Miranda Corcoran for a discussion of expanding disciplinary boundaries and the complexities of turn-of-the-century literary culture. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

american drawing paying literature cold war victorian americana modernity goldsmith jack london university press edith wharton university college cork boolean transverse american literary history miranda corcoran spatial culture melanie v dawson

Melanie V. Dawson and Meredith L. Goldsmith, "American Literary History and the Turn toward Modernity" (UP of Florida, 2018)

New Books in American Studies

Play Episode Listen Later Dec 12, 2018 53:25

As scholars and readers, we often view literary history in rigid, simplistic terms. We imagine that nineteenth-century aesthetic and thematic preoccupations withered away as 1899 became 1900, only to be replaced immediately by a new literature of the twentieth century. In their dynamic, wide-ranging collection Melanie V. Dawson and Meredith L. Goldsmith challenge this conventional understanding of American literary history. Drawing together a diverse range of essays focused on iconic turn-of-the century writers such as Edith Wharton, Jack London and Sarah Piatt, as well as lesser-known authors like Jessie Fauset and Laura Jean Libbey, American Literary History and the Turn toward Modernity (University Press of Florida, 2018) encourages readers to reconsider their understanding of literary “modernity.” The essays contained in this wonderful new collection, published just this year by the University Press of Florida, interrogate the popular construction of literary culture between 1880 and 1930. Paying close attention to issues of culture, race, class and periodisation, Dawson and Goldsmith’s collection demonstrates that rather than representing a rejection of Victorian values, the period can instead be seen instead as a complex negotiation of both the new experimental literary forms that were emerging at the time and the entrenched values of the nineteenth century. In this episode, Melanie and Meredith join Miranda Corcoran for a discussion of expanding disciplinary boundaries and the complexities of turn-of-the-century literary culture. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

american drawing paying literature cold war victorian americana modernity goldsmith jack london university press edith wharton university college cork boolean transverse american literary history miranda corcoran spatial culture melanie v dawson

Melanie V. Dawson and Meredith L. Goldsmith, "American Literary History and the Turn toward Modernity" (UP of Florida, 2018)

Play Episode Listen Later Dec 12, 2018 53:25

As scholars and readers, we often view literary history in rigid, simplistic terms. We imagine that nineteenth-century aesthetic and thematic preoccupations withered away as 1899 became 1900, only to be replaced immediately by a new literature of the twentieth century. In their dynamic, wide-ranging collection Melanie V. Dawson and Meredith L. Goldsmith challenge this conventional understanding of American literary history. Drawing together a diverse range of essays focused on iconic turn-of-the century writers such as Edith Wharton, Jack London and Sarah Piatt, as well as lesser-known authors like Jessie Fauset and Laura Jean Libbey, American Literary History and the Turn toward Modernity (University Press of Florida, 2018) encourages readers to reconsider their understanding of literary “modernity.” The essays contained in this wonderful new collection, published just this year by the University Press of Florida, interrogate the popular construction of literary culture between 1880 and 1930. Paying close attention to issues of culture, race, class and periodisation, Dawson and Goldsmith’s collection demonstrates that rather than representing a rejection of Victorian values, the period can instead be seen instead as a complex negotiation of both the new experimental literary forms that were emerging at the time and the entrenched values of the nineteenth century. In this episode, Melanie and Meredith join Miranda Corcoran for a discussion of expanding disciplinary boundaries and the complexities of turn-of-the-century literary culture. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

american drawing paying literature cold war victorian americana modernity goldsmith jack london university press edith wharton university college cork boolean transverse american literary history miranda corcoran spatial culture melanie v dawson

Melanie V. Dawson and Meredith L. Goldsmith, "American Literary History and the Turn toward Modernity" (UP of Florida, 2018)

New Books in American Studies

Play Episode Listen Later Dec 12, 2018 53:25

As scholars and readers, we often view literary history in rigid, simplistic terms. We imagine that nineteenth-century aesthetic and thematic preoccupations withered away as 1899 became 1900, only to be replaced immediately by a new literature of the twentieth century. In their dynamic, wide-ranging collection Melanie V. Dawson and Meredith L. Goldsmith challenge this conventional understanding of American literary history. Drawing together a diverse range of essays focused on iconic turn-of-the century writers such as Edith Wharton, Jack London and Sarah Piatt, as well as lesser-known authors like Jessie Fauset and Laura Jean Libbey, American Literary History and the Turn toward Modernity (University Press of Florida, 2018) encourages readers to reconsider their understanding of literary “modernity.” The essays contained in this wonderful new collection, published just this year by the University Press of Florida, interrogate the popular construction of literary culture between 1880 and 1930. Paying close attention to issues of culture, race, class and periodisation, Dawson and Goldsmith’s collection demonstrates that rather than representing a rejection of Victorian values, the period can instead be seen instead as a complex negotiation of both the new experimental literary forms that were emerging at the time and the entrenched values of the nineteenth century. In this episode, Melanie and Meredith join Miranda Corcoran for a discussion of expanding disciplinary boundaries and the complexities of turn-of-the-century literary culture. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

american drawing paying literature cold war victorian americana modernity goldsmith jack london university press edith wharton university college cork boolean transverse american literary history miranda corcoran spatial culture melanie v dawson

163-Enslaved in the Sahara

Futility Closet

Play Episode Listen Later Jul 31, 2017 31:56

In 1815 an American ship ran aground in northwestern Africa, and its crew were enslaved by merciless nomads. In this week's episode of the Futility Closet podcast we'll follow the desperate efforts of Captain James Riley to find a way to cross the Sahara and beg for help from Western officials in Morocco. We'll also wade through more molasses and puzzle over a prospective guitar thief. Intro: In 1972 archaeologists in northwestern Iran found evidence of one couple's tender final moment. An anonymous author recast "A Visit From St. Nicholas" in legal language. Sources for our feature on James Riley: Dean King, Skeletons on the Zahara, 2004. James Riley, An Authentic Narrative of the Loss of the American Brig Commerce, 1817. Archibald Robbins, A Journal, Comprising an Account of the Loss of the Brig Commerce, of Hartford Conn., 1847. James Riley and William Willshire Riley, Sequel to Riley's Narrative, 1851. Robert J. Allison, The Crescent Obscured: The United States and the Muslim World, 1776-1815, 1995. Christine E. Sears, American Slaves and African Masters, 2012. Paul Baepler, ed., White Slaves, African Masters: An Anthology of American Barbary Captivity Narratives, 1999. Eamonn Gearon, The Sahara: A Cultural History, 2011. Dean King, "The Cruelest Journey," National Geographic Adventure 6:1 (February 2004), 46. Paul Michel Baepler, "The Barbary Captivity Narrative in American Culture," Early American Literature 39:2 (2004), 217-246. Sven D. Outram-Leman, "Alexander Scott: Constructing a Legitimate Geography of the Sahara From a Captivity Narrative, 1821," History in Africa 43 (2016), 63-94. Gordon M. Sayre, "Renegades From Barbary: The Transnational Turn in Captivity Studies," American Literary History 22:2 (Summer 2010), 347-359. Glenn James Voelz, "Images of Enemy and Self in the Age of Jefferson: The Barbary Conflict in Popular Literary Depiction," War & Society 28:2 (2009), 21-47. Hester Blum, "Pirated Tars, Piratical Texts: Barbary Captivity and American Sea Narratives," Early American Studies 1:2 (Fall 2003), 133-158. Paul Baepler, "White Slaves, African Masters," Annals of the American Academy of Political and Social Science 588:1 (July 2003), 90-104. R. Gerald McMurtry, "The Influence of Riley's Narrative Upon Abraham Lincoln," Indiana Magazine of History 30:2 (June 1934), 133-138. K. Gerald McMurtry, "Some Books That Lincoln Read," Journal of Developmental Reading 1:2 (Winter 1958), 19-26. Mark Kirby, "Author's Sahara Trek Inspired by Classic Tale," National Geographic Adventure, Jan. 27, 2004. "Riley's Sufferings in the Great Desert," Chambers's Edinburgh Journal, Dec. 24, 1836, 382-383. Robert C. Davis, "Slavery in North Africa -- The Famous Story of Captain James Riley," Public Domain Review (accessed July 9, 2017). Lev Grossman, "Sailing the Seas of Sand," Time 163:9 (March 1, 2004), 47. Listener mail: Dana Rieck, "Loveland's Sticky Situation Reaches 25-Year Anniversary," Loveland [Colo.] Reporter-Herald, Feb. 16, 2015. "Meet Stan, the New Flemish Hermit!" Flanders News, Feb. 5, 2017. Ben Gilbert, "These Incredible Photos Show One 72-Year-Old Woman's Hermit Lifestyle in Siberia," Business Insider, July 1, 2017. Jennifer Schaffer, "The Snatching of Hannah Twynnoy." "Hannah Twynnoy and the Tiger of Malmesbury." Steve Winters' decimal clock. This week's lateral thinking puzzle was contributed by listener Dan White, who sent this corroborating photo (warning -- this spoils the puzzle). You can listen using the player above, download this episode directly, or subscribe on iTunes or Google Play Music or via the RSS feed at http://feedpress.me/futilitycloset. Please consider becoming a patron of Futility Closet -- on our Patreon page you can pledge any amount per episode, and we've set up some rewards to help thank you for your support. You can also make a one-time donation on the Support Us page of the Futility Closet website or browse our online store for Futility Closet merchandise. Many thanks to Doug Ross for the music in this episode. If you have any questions or comments you can reach us at podcast@futilitycloset.com. Thanks for listening!

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Benjamin Schreier, “The Impossible Jew: Identity and the Reconstruction of Jewish American Literary History” (NYU Press, 2015)

Play Episode Listen Later Feb 27, 2017 46:05

What is Jewish about Jewish American literature? While the imaginative possibilities are numerous many scholars approach literary products with an established notion of a Jewish identity before they reach their subjects. This is one of the central concerns for Benjamin Schreier, Associate Professor at Penn State University, in The Impossible Jew: Identity and the Reconstruction of Jewish American Literary History (NYU Press, 2015). He calls for a critical study of identity and identification within his field, which should have broader applications in other identity-based investigations. Schreier provides a comprehensive and productive reevaluation of approaches to identity, which explores the meaning and power of the uses of identity in literary products. He puts his new approach into action through a rereading of key works and authors from an established Jewish American literary canon. On the other end of the spectrum, he tests the boundaries of the deployment of Jewishness when it does not align with the dominant assumptions in Jewish American literary study. In our conversation we discussed the place of Jewish American Literary studies within adjacent fields, the dominant scholarly practices of this field, racialized nationalist grounds of Jewishness, Abraham Cahan’s spectral Jew, the New York Intellectuals, the anxiety of Jewish identity in Philip Roth’s work, the irrepresentation of identity in Jonathan Safran Foer’s Extremely Loud and Incredibly Close, and how to think about identity as an analytical category. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

university religion identity study jewish jews theory impossible associate professor assistant professor human rights reconstruction methodology penn state university religious studies media studies jewish american jewishness islamic studies philip roth jonathan safran foer nebraska omaha nyu press schreier incredibly close extremely loud kristian petersen american literary history new york intellectuals benjamin schreier jewish american literary

Benjamin Schreier, “The Impossible Jew: Identity and the Reconstruction of Jewish American Literary History” (NYU Press, 2015)

New Books in Religion

Play Episode Listen Later Feb 27, 2017 46:30

What is Jewish about Jewish American literature? While the imaginative possibilities are numerous many scholars approach literary products with an established notion of a Jewish identity before they reach their subjects. This is one of the central concerns for Benjamin Schreier, Associate Professor at Penn State University, in The Impossible Jew: Identity and the Reconstruction of Jewish American Literary History (NYU Press, 2015). He calls for a critical study of identity and identification within his field, which should have broader applications in other identity-based investigations. Schreier provides a comprehensive and productive reevaluation of approaches to identity, which explores the meaning and power of the uses of identity in literary products. He puts his new approach into action through a rereading of key works and authors from an established Jewish American literary canon. On the other end of the spectrum, he tests the boundaries of the deployment of Jewishness when it does not align with the dominant assumptions in Jewish American literary study. In our conversation we discussed the place of Jewish American Literary studies within adjacent fields, the dominant scholarly practices of this field, racialized nationalist grounds of Jewishness, Abraham Cahan’s spectral Jew, the New York Intellectuals, the anxiety of Jewish identity in Philip Roth’s work, the irrepresentation of identity in Jonathan Safran Foer’s Extremely Loud and Incredibly Close, and how to think about identity as an analytical category. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

university religion identity study jewish jews theory impossible associate professor assistant professor human rights reconstruction methodology penn state university religious studies media studies jewish american jewishness islamic studies philip roth jonathan safran foer nebraska omaha nyu press schreier incredibly close extremely loud kristian petersen american literary history new york intellectuals benjamin schreier jewish american literary

Benjamin Schreier, “The Impossible Jew: Identity and the Reconstruction of Jewish American Literary History” (NYU Press, 2015)

New Books in Jewish Studies

Play Episode Listen Later Feb 27, 2017 46:31

What is Jewish about Jewish American literature? While the imaginative possibilities are numerous many scholars approach literary products with an established notion of a Jewish identity before they reach their subjects. This is one of the central concerns for Benjamin Schreier, Associate Professor at Penn State University, in The Impossible Jew: Identity and the Reconstruction of Jewish American Literary History (NYU Press, 2015). He calls for a critical study of identity and identification within his field, which should have broader applications in other identity-based investigations. Schreier provides a comprehensive and productive reevaluation of approaches to identity, which explores the meaning and power of the uses of identity in literary products. He puts his new approach into action through a rereading of key works and authors from an established Jewish American literary canon. On the other end of the spectrum, he tests the boundaries of the deployment of Jewishness when it does not align with the dominant assumptions in Jewish American literary study. In our conversation we discussed the place of Jewish American Literary studies within adjacent fields, the dominant scholarly practices of this field, racialized nationalist grounds of Jewishness, Abraham Cahan’s spectral Jew, the New York Intellectuals, the anxiety of Jewish identity in Philip Roth’s work, the irrepresentation of identity in Jonathan Safran Foer’s Extremely Loud and Incredibly Close, and how to think about identity as an analytical category. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

university religion identity study jewish jews theory impossible associate professor assistant professor human rights reconstruction methodology penn state university religious studies media studies jewish american jewishness islamic studies philip roth jonathan safran foer nebraska omaha nyu press schreier incredibly close extremely loud kristian petersen american literary history new york intellectuals benjamin schreier jewish american literary

Benjamin Schreier, “The Impossible Jew: Identity and the Reconstruction of Jewish American Literary History” (NYU Press, 2015)

New Books in Sociology

Play Episode Listen Later Feb 27, 2017 46:05

What is Jewish about Jewish American literature? While the imaginative possibilities are numerous many scholars approach literary products with an established notion of a Jewish identity before they reach their subjects. This is one of the central concerns for Benjamin Schreier, Associate Professor at Penn State University, in The Impossible Jew: Identity and the Reconstruction of Jewish American Literary History (NYU Press, 2015). He calls for a critical study of identity and identification within his field, which should have broader applications in other identity-based investigations. Schreier provides a comprehensive and productive reevaluation of approaches to identity, which explores the meaning and power of the uses of identity in literary products. He puts his new approach into action through a rereading of key works and authors from an established Jewish American literary canon. On the other end of the spectrum, he tests the boundaries of the deployment of Jewishness when it does not align with the dominant assumptions in Jewish American literary study. In our conversation we discussed the place of Jewish American Literary studies within adjacent fields, the dominant scholarly practices of this field, racialized nationalist grounds of Jewishness, Abraham Cahan’s spectral Jew, the New York Intellectuals, the anxiety of Jewish identity in Philip Roth’s work, the irrepresentation of identity in Jonathan Safran Foer’s Extremely Loud and Incredibly Close, and how to think about identity as an analytical category. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

university religion identity study jewish jews theory impossible associate professor assistant professor human rights reconstruction methodology penn state university religious studies media studies jewish american jewishness islamic studies philip roth jonathan safran foer nebraska omaha nyu press schreier incredibly close extremely loud kristian petersen american literary history new york intellectuals benjamin schreier jewish american literary

Benjamin Schreier, “The Impossible Jew: Identity and the Reconstruction of Jewish American Literary History” (NYU Press, 2015)

Play Episode Listen Later Feb 27, 2017 46:30

What is Jewish about Jewish American literature? While the imaginative possibilities are numerous many scholars approach literary products with an established notion of a Jewish identity before they reach their subjects. This is one of the central concerns for Benjamin Schreier, Associate Professor at Penn State University, in The Impossible Jew: Identity and the Reconstruction of Jewish American Literary History (NYU Press, 2015). He calls for a critical study of identity and identification within his field, which should have broader applications in other identity-based investigations. Schreier provides a comprehensive and productive reevaluation of approaches to identity, which explores the meaning and power of the uses of identity in literary products. He puts his new approach into action through a rereading of key works and authors from an established Jewish American literary canon. On the other end of the spectrum, he tests the boundaries of the deployment of Jewishness when it does not align with the dominant assumptions in Jewish American literary study. In our conversation we discussed the place of Jewish American Literary studies within adjacent fields, the dominant scholarly practices of this field, racialized nationalist grounds of Jewishness, Abraham Cahan’s spectral Jew, the New York Intellectuals, the anxiety of Jewish identity in Philip Roth’s work, the irrepresentation of identity in Jonathan Safran Foer’s Extremely Loud and Incredibly Close, and how to think about identity as an analytical category. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

university religion identity study jewish jews theory impossible associate professor assistant professor human rights reconstruction methodology penn state university religious studies media studies jewish american jewishness islamic studies philip roth jonathan safran foer nebraska omaha nyu press schreier incredibly close extremely loud kristian petersen american literary history new york intellectuals benjamin schreier jewish american literary

Benjamin Schreier, “The Impossible Jew: Identity and the Reconstruction of Jewish American Literary History” (NYU Press, 2015)

New Books in Christian Studies

Play Episode Listen Later Feb 27, 2017 46:05

What is Jewish about Jewish American literature? While the imaginative possibilities are numerous many scholars approach literary products with an established notion of a Jewish identity before they reach their subjects. This is one of the central concerns for Benjamin Schreier, Associate Professor at Penn State University, in The Impossible Jew: Identity and the Reconstruction of Jewish American Literary History (NYU Press, 2015). He calls for a critical study of identity and identification within his field, which should have broader applications in other identity-based investigations. Schreier provides a comprehensive and productive reevaluation of approaches to identity, which explores the meaning and power of the uses of identity in literary products. He puts his new approach into action through a rereading of key works and authors from an established Jewish American literary canon. On the other end of the spectrum, he tests the boundaries of the deployment of Jewishness when it does not align with the dominant assumptions in Jewish American literary study. In our conversation we discussed the place of Jewish American Literary studies within adjacent fields, the dominant scholarly practices of this field, racialized nationalist grounds of Jewishness, Abraham Cahan’s spectral Jew, the New York Intellectuals, the anxiety of Jewish identity in Philip Roth’s work, the irrepresentation of identity in Jonathan Safran Foer’s Extremely Loud and Incredibly Close, and how to think about identity as an analytical category. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

university religion identity study jewish jews theory impossible associate professor assistant professor human rights reconstruction methodology penn state university religious studies media studies jewish american jewishness islamic studies philip roth jonathan safran foer nebraska omaha nyu press schreier incredibly close extremely loud kristian petersen american literary history new york intellectuals benjamin schreier jewish american literary

Eric Gardner, “Black Print Unbound: The Christian Recorder, African American Literature, and Periodical Culture” (Oxford UP, 2015)

Play Episode Listen Later Oct 7, 2016 64:15

Eric Gardner’s new study Black Print Unbound: the Christian Recorder, African American Literature, and Periodical Culture (Oxford University Press, 2015) explores the development and voice of the Christian Recorder during the years leading up to and immediately after the American Civil War. As the house organ of the African Methodist Episcopal Church, the Recorder held a national reach among free African Americans and became an integral part of broader nineteenth-century black print networks. Through recovering the paper’s history, Black Print Unbound offers an important intervention into the study of African American literary history and American print culture. Eric’s teaching and research interests center on African American literature and culture and American literary history, and he is currently a professor of English at Saginaw Valley State University. His first monograph, Unexpected Places: Relocating Nineteenth-Century African American Literature was published in 2009 by the University Press of Mississippi and was awarded the Research Society for American Periodicals annual book prize. His work can be found in edited collections and journals such as American Literary History and Legacy: a Journal of American Women Writers. To find out more about Eric’s research visit his personal website: http://www.blackprintculture.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

american culture english african americans journal mississippi american civil war recorder university press african american literature oxford up periodical african methodist episcopal church saginaw valley state university research society eric gardner american literary history christian recorder american periodicals black print unbound

Eric Gardner, “Black Print Unbound: The Christian Recorder, African American Literature, and Periodical Culture” (Oxford UP, 2015)