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For decades Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers—including his own ancestors—who enlisted in the Union army in exchange for emancipation.Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slave owners and prominent historical figures from Abraham Lincoln to Frederick Douglas and Margaret Garner. Imbued with atmospheric imagery, these persona poems and more “[clarify] not only the inextricable value of Black life and labor to the building of America, but the terrible price they were forced to pay in producing that labor” (Khadijah Queen). “How do you un-orphan a people?” Walker asks. “How do you pick up / shattered black porcelain and make / a new set of dishes fit to eat off?”While carefully attuned to the heartbreak and horrors of war, Walker's poems pay equal care to the pride, perseverance, and triumphs of their speakers. Evoking the formerly enslaved General Charles Young, Walker hums: “I am America's promise, my mother's song, / and the reason my father had every right to dream.” Expansive and intimate, Load in Nine Times is a resounding ode to the powerful ties of individual and cultural ancestry by an indelible voice in American poetry. Winner of the 2025 PEN/Voelcker Award for Poetry. A native of Danville, Kentucky, Frank X Walker is the first African American writer to be named Kentucky Poet Laureate. Walker has published thirteen collections of poetry, including Turn Me Loose: The Unghosting of Medgar Evers, which was awarded the 2014 NAACP Image Award for Poetry and the Black Caucus American Library Association Honor Award for Poetry. Voted one of the most creative professors in the south, Walker coined the term “Affrilachia” and co-founded the Affrilachian Poets Collective, the oldest continuously running predominantly African American writing group in the country. He is a Professor of English, and Director of the MFA in Creative Writing program the University of Kentucky. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Professor X continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For decades Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers—including his own ancestors—who enlisted in the Union army in exchange for emancipation.Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slave owners and prominent historical figures from Abraham Lincoln to Frederick Douglas and Margaret Garner. Imbued with atmospheric imagery, these persona poems and more “[clarify] not only the inextricable value of Black life and labor to the building of America, but the terrible price they were forced to pay in producing that labor” (Khadijah Queen). “How do you un-orphan a people?” Walker asks. “How do you pick up / shattered black porcelain and make / a new set of dishes fit to eat off?”While carefully attuned to the heartbreak and horrors of war, Walker's poems pay equal care to the pride, perseverance, and triumphs of their speakers. Evoking the formerly enslaved General Charles Young, Walker hums: “I am America's promise, my mother's song, / and the reason my father had every right to dream.” Expansive and intimate, Load in Nine Times is a resounding ode to the powerful ties of individual and cultural ancestry by an indelible voice in American poetry. Winner of the 2025 PEN/Voelcker Award for Poetry. A native of Danville, Kentucky, Frank X Walker is the first African American writer to be named Kentucky Poet Laureate. Walker has published thirteen collections of poetry, including Turn Me Loose: The Unghosting of Medgar Evers, which was awarded the 2014 NAACP Image Award for Poetry and the Black Caucus American Library Association Honor Award for Poetry. Voted one of the most creative professors in the south, Walker coined the term “Affrilachia” and co-founded the Affrilachian Poets Collective, the oldest continuously running predominantly African American writing group in the country. He is a Professor of English, and Director of the MFA in Creative Writing program the University of Kentucky. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Professor X continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Friends Like Us celebrates Malcolm X's  100th birthday! Join host Marina Franklin as she talks with Tamara Payne and Troy LaRaviere as they discuss the impact of his teachings and how they resonate today. Tune in and be inspired!  Tamara Payne sheds light on her father Les Payne's groundbreaking Pulitzer Prize-winning work, "The Dead Are Arising," and its revelations about his life.   Tamara Payne is co-author of The Dead Are Arising: The Life of Malcolm X written with her father, Pulitzer Prize-winning journalist Les Payne, published by Liveright. Winner of the Pulitzer Prize, National Book Award, and NAACP Image Award. Troy A. LaRaviere is an American school administrator, educator and current President of the Chicago Principals and Administrators Association. Prior to assuming his role as president, LaRaviere served as a Chicago Public Schools (CPS) principal. He began his teacher career at CPS in 1997. LaRaviere received both a Bachelor of Science and Master of Education from the University of Illinois. LaRaviere served in the United States Navy in the late 80's. LaRaviere advocates for Progressivism, and has appeared in ads for Bernie Sanders and was a candidate for the 2019 Chicago mayoral election. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch'.   

Trump visits UAE on final leg of Middle East Tour, Iran signals ready to make a deal, Dr. Ben Carson and Nick Sortor join the show Check Out Our Partners: American Financing: Save with https://www.americanfinancing.net/benny NMLS: 182334, http://www.nmlsconsumeraccess.org 120Life: Save 20% off With Code “BENNY”: http://120life.com Patriot Mobile: Go to https://www.PatriotMobile.com/Benny and get A FREE MONTH Learn more about your ad choices. Visit podcastchoices.com/adchoices

 Directors of CIA, FBI , NSA, DIA and National Intelligence testify on Worldwide Threats before Senate,Multiple bombs found inside Tesla showroom in Texas as threats against Elon Musk continue, and Alina Habba  joins the show Check Out Our Partners: American Financing: Save with https://www.americanfinancing.net/benny NMLS: 182334, http://www.nmlsconsumeraccess.org Bamboo HR: Check out the Free Demo: https://www.bamboohr.com/freedemo Fast Growing Trees: Get 15% off with Code: BENNY: https://www.fastgrowingtrees.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

By Walt HickeyDouble feature today!Welcome to the Numlock Sunday edition.This week, I spoke to Alissa Wilkinson who is out with the brand new book, We Tell Ourselves Stories: Joan Didion and the American Dream Machine.I'm a huge fan of Alissa, she's a phenomenal critic and I thought this topic — what happens when one of the most important American literary figures heads out to Hollywood to work on the most important American medium — is super fascinating. It's a really wonderful book and if you're a longtime Joan Didion fan or simply a future Joan Didion fan, it's a look at a really transformative era of Hollywood and should be a fun read regardless.Alissa can be found at the New York Times, and the book is available wherever books are sold.This interview has been condensed and edited. All right, Alissa, thank you so much for coming on.Yeah, thanks for having me. It's good to be back, wherever we are.Yes, you are the author of We Tell Ourselves Stories: Joan Didion and the American Dream Machine. It's a really exciting book. It's a really exciting approach, for a Joan Didion biography and placing her in the current of American mainstream culture for a few years. I guess just backing out, what got you interested in Joan Didion to begin with? When did you first get into her work?Joan Didion and I did not become acquainted, metaphorically, until after I got out of college. I studied Tech and IT in college, and thus didn't read any books, because they don't make you read books in school, or they didn't when I was there. I moved to New York right afterward. I was riding the subway. There were all these ads for this book called The Year of Magical Thinking. It was the year 2005, the book had just come out. The Year of Magical Thinking is Didion's National Book Award-winning memoir about the year after her husband died, suddenly of a heart attack in '03. It's sort of a meditation on grief, but it's not really what that sounds like. If people haven't read it's very Didion. You know, it's not sentimental, it's constantly examining the narratives that she's telling herself about grief.So I just saw these ads on the walls. I was like, what is this book that everybody seems to be reading? I just bought it and read it. And it just so happened that it was right after my father, who was 46 at the time, was diagnosed with a very aggressive leukemia, and then died shortly thereafter, which was shocking, obviously. The closer I get to that age, it feels even more shocking that he was so young. I didn't have any idea how to process that emotion or experience. The book was unexpectedly helpful. But it also introduced me to a writer who I'd never read before, who felt like she was looking at things from a different angle than everyone else.Of course, she had a couple more books come out after that. But I don't remember this distinctly, but probably what happened is I went to some bookstore, The Strand or something, and bought The White Album and Slouching Towards Bethlehem off the front table as everyone does because those books have just been there for decades.From that, I learned more, starting to understand how writing could work. I didn't realize how form and content could interact that way. Over the years, I would review a book by her or about her for one publication or another. Then when I was in graduate school, getting my MFA in nonfiction, I wrote a bit about her because I was going through a moment of not being sure if my husband and I were going to stay in New York or we were going to move to California. They sort of obligate you to go through a goodbye to all that phase if you are contemplating that — her famous essay about leaving New York. And then, we did stay in New York City. But ultimately, that's 20 years of history.Then in 2020, I was having a conversation (that was quite-early pandemic) with my agent about possible books I might write. I had outlined a bunch of books to her. Then she was like, “These all sound like great ideas. But I've always wanted to rep a book on Joan Didion. So I just wanted to put that bug in your ear.” I was like, “Oh, okay. That seems like something I should probably do.”It took a while to find an angle, which wound up being Didion in Hollywood. This is mostly because I realized that a lot of people don't really know her as a Hollywood figure, even though she's a pretty major Hollywood figure for a period of time. The more of her work I read, the more I realized that her work is fruitfully understood as the work of a woman who was profoundly influenced by (and later thinking in terms of Hollywood metaphors) whether she was writing about California or American politics or even grief.So that's the long-winded way of saying I wasn't, you know, acquainted with her work until adulthood, but then it became something that became a guiding light for me as a writer.That's really fascinating. I love it. Because again I think a lot of attention on Didion has been paid since her passing. But this book is really exciting because you came at it from looking at the work as it relates to Hollywood. What was Didion's experience in Hollywood? What would people have seen from it, but also, what is her place there?The directly Hollywood parts of her life start when she's in her 30s. She and her husband — John Gregory Dunn, also a writer and her screenwriting partner — moved from New York City, where they had met and gotten married, to Los Angeles. John's brother, Nick Dunn later became one of the most important early true crime writers at Vanity Fair, believe it or not. But at the time, he was working as a TV producer. He and his wife were there. So they moved to Los Angeles. It was sort of a moment where, you know, it's all well and good to be a journalist and a novelist. If you want to support yourself, Hollywood is where it's at.So they get there at a moment when the business is shifting from these big-budget movies — the Golden Age — to the new Hollywood, where everything is sort of gritty and small and countercultural. That's the moment they arrive. They worked in Hollywood. I mean, they worked literally in Hollywood for many years after that. And then in Hollywood even when they moved back to New York in the '80s as screenwriters still.People sometimes don't realize that they wrote a bunch of produced screenplays. The earliest was The Panic in Needle Park. Obviously, they adapted Didion's novel Play It As It Lays. There are several others, but one that a lot of people don't realize they wrote was the version of A Star is Born that stars Barbra Streisand and Kris Kristofferson. It was their idea to shift the Star is Born template from Hollywood entities to rock stars. That was their idea. Of course, when Bradley Cooper made his version, he iterated on that. So their work was as screenwriters but also as figures in the Hollywood scene because they were literary people at the same time that they were screenwriters. They knew all the actors, and they knew all the producers and the executives.John actually wrote, I think, two of the best books ever written on Hollywood decades apart. One called The Studio, where he just roamed around on the Fox backlot. For a year for reasons he couldn't understand, he got access. That was right when the catastrophe that was Dr. Doolittle was coming out. So you get to hear the inside of the studio. Then later, he wrote a book called Monster, which is about their like eight-year long attempt to get their film Up Close and Personal made, which eventually they did. It's a really good look at what the normal Hollywood experience was at the time: which is like: you come up with an idea, but it will only vaguely resemble the final product once all the studios get done with it.So it's, it's really, that's all very interesting. They're threaded through the history of Hollywood in that period. On top of it for the book (I realized as I was working on it) that a lot of Didion's early life is influenced by especially her obsession with John Wayne and also with the bigger mythology of California and the West, a lot of which she sees as framed through Hollywood Westerns.Then in the '80s, she pivoted to political reporting for a long while. If you read her political writing, it is very, very, very much about Hollywood logic seeping into American political culture. There's an essay called “Inside Baseball” about the Dukakis campaign that appears in Political Fictions, her book that was published on September 11, 2001. In that book, she writes about how these political campaigns are directed and set up like a production for the cameras and how that was becoming not just the campaign, but the presidency itself. Of course, she had no use for Ronald Reagan, and everything she writes about him is very damning. But a lot of it was because she saw him as the embodiment of Hollywood logic entering the political sphere and felt like these are two separate things and they need to not be going together.So all of that appeared to me as I was reading. You know, once you see it, you can't unsee it. It just made sense for me to write about it. On top of it, she was still alive when I was writing the proposal and shopping it around. So she actually died two months after we sold the book to my publisher. It meant I was extra grateful for this angle because I knew there'd be a lot more books on her, but I wanted to come at it from an angle that I hadn't seen before. So many people have written about her in Hollywood before, but not quite through this lens.Yeah. What were some things that you discovered in the course of your research? Obviously, she's such an interesting figure, but she's also lived so very publicly that I'm just super interested to find out what are some of the things that you learned? It can be about her, but it can also be the Hollywood system as a whole.Yeah. I mean, I didn't interview her for obvious reasons.Understandable, entirely understandable.Pretty much everyone in her life also is gone with the exception really of Griffin Dunn, who is her nephew, John's nephew, the actor. But other than that, it felt like I needed to look at it through a critical lens. So it meant examining a lot of texts. A lot of Didion's magazine work (which was a huge part of her life) is published in the books that people read like Slouching Towards Bethlehem and The White Album and all the other books. What was interesting to me was discovering (I mean, not “discovering” because other people have read it) that there is some work that's not published and it's mostly her criticism.Most of that criticism was published in the late '50s and the early '60s when she was living in New York City, working at Vogue and trying to make it in the literary scene that was New York at that time, which was a very unique place. I mean, she was writing criticism and essays for both, you know, like National Review and The Nation at the same time, which was just hard to conceive of today. It was something you'd do back then. Yeah, wild stuff.A lot of that criticism was never collected into books. The most interesting is that she'd been working at Vogue for a long time in various positions, but she wound up getting added to the film critic column at Vogue in, '62, I want to say, although I might have that date slightly off. She basically alternated weeks with another critic for a few years, writing that until she started writing in movies proper. It's never a great idea to be a critic and a screenwriter at the same time.Her criticism is fascinating. So briefly, for instance, she shared that column with Pauline Kael. Pauline Kael became well known after she wrote about Bonnie and Clyde. This was prior to that. This is several years prior to that. They also hated each other for a long time afterward, which is funny, because, in some ways, their style is very different but their persona is actually very similar. So I wonder about that.But in any case, even when she wasn't sharing the column with Pauline Kael, it was a literal column in a magazine. So it's like one column of text, she can say barely anything. She was always a bit of a contrarian, but she was actively not interested in the things that were occupying New York critics at the time. Things like the Auteur Theory, what was happening in France, the downtown scene and the Shirley Clark's of the world. She had no use for it. At some point, she accuses Billy Wilder of having really no sense of humor, which is very funny.When you read her criticism, you see a person who is very invested in a classical notion of Hollywood as a place that shows us fantasies that we can indulge in for a while. She talks in her very first column about how she doesn't really need movies to be masterpieces, she just wants them to have moments. When she says moments, she means big swelling things that happen in a movie that make her feel things.It's so opposite, I think, to most people's view of Didion. Most people associate her with this snobbish elitism or something, which I don't think is untrue when we're talking about literature. But for her, the movies were like entertainment, and entering that business was a choice to enter that world. She wasn't attempting to elevate the discourse or something.I just think that's fascinating. She also has some great insights there. But as a film critic, I find myself disagreeing with most of her reviews. But I think that doesn't matter. It was more interesting to see how she conceived of the movies. There is a moment later on, in another piece that I don't think has been republished anywhere from the New York Review of Books, where she writes about the movies of Woody Allen. She hates them. It's right at the point where he's making like Manhattan and Annie Hall, like the good stuff. She just has no use for them. It's one of the funniest pieces. I won't spoil the ending because it's hilarious, and it's in the book.That writing was of huge interest to me and hasn't been republished in books. I was very grateful to get access to it, in part because it is in the archives — the electronic archives of the New York Public Library. But at the time, the library was closed. So I had to call the library and have a librarian get on Zoom with me for like an hour and a half to figure out how I could get in the proverbial back door of the library to get access while the library wasn't open.That's magnificent. That's such a cool way to go to the archives because some stuff just hasn't been published. If it wasn't digitized, then it's not digitized. That's incredible.Yeah, it's there, but you can barely print them off because they're in PDFs. They're like scanned images that are super high res, so the printer just dies when you try to print them. It's all very fascinating. I hope it gets republished at some point because I think there's enough interest in her work that it's fascinating to see this other aspect of her taste and her persona.It's really interesting that she seems to have wanted to meet the medium where it is, right? She wasn't trying to literary-up Hollywood. I mean, LA can be a bit of a friction. It's not exactly a literary town in the way that some East Coast metropolises can be. It is interesting that she was enamored by the movies. Do you want to speak about what things were like for her when she moved out?Yeah, it is funny because, at the same time, the first two movies that they wrote and produced are The Panic in Needle Park, which is probably the most new Hollywood movie you can imagine. It's about addicts at Needle Park, which is actually right where the 72nd Street subway stop is on the Upper West Side. If people have been there, it's hard to imagine. But that was apparently where they all sat around, and there were a lot of needles. It's apparently the first movie supposedly where someone shoots up live on camera.So it was the '70s. That's amazing.Yes, and it launched Al Pacino's film career! Yeah, it's wild. You watch it and you're just like, “How is this coming from the woman who's about all this arty farty stuff in the movies.” And Play It As It Lays has a very similar, almost avant-garde vibe to it. It's very, very interesting. You see it later on in the work that they made.A key thing to remember about them (and something I didn't realize before I started researching the book)was that Didion and Dunn were novelists who worked in journalism because everybody did. They wrote movies, according to them (you can only go off of what they said. A lot of it is John writing these jaunty articles. He's a very funny writer) because “we had tuition and a mortgage. This is how you pay for it.”This comes up later on, they needed to keep their WGA insurance because John had heart trouble. The best way to have health insurance was to remain in the Writers Guild. Remaining in the Writers Guild means you had to have a certain amount of work produced through union means. They were big union supporters. For them this was not, this was very strictly not an auteurist undertaking. This was not like, “Oh, I'm gonna go write these amazing screenplays that give my concept of the world to the audience.” It's not like Bonnie and Clyding going on here. It's very like, “We wrote these based on some stories that we thought would be cool.”I like that a lot. Like the idea that A Star is Born was like a pot boiler. That's really delightful.Completely. It was totally taken away from them by Streisand and John Peters at some point. But they were like, “Yeah, I mean, you know, it happens. We still got paid.”Yeah, if it can happen to Superman, it can happen to you.It happens to everybody, you know, don't get too precious about it. The important thing is did your novel come out and was it supported by its publisher?So just tracing some of their arcs in Hollywood. Obviously, Didion's one of the most influential writers of her generation, there's a very rich literary tradition. Where do we see her footprint, her imprint in Hollywood? What are some of the ways that we can see her register in Hollywood, or reverberate outside of it?In the business itself, I don't know that she was influential directly. What we see is on the outside of it. So a lot of people were friends. She was like a famous hostess, famous hostess. The New York Public Library archives are set to open at the end of March, of Didion and Dunn's work, which was like completely incidental to my publication date. I just got lucky. There's a bunch of screenplays in there that they worked on that weren't produced. There's also her cookbooks, and I'm very excited to go through those and see that. So you might meet somebody there.Her account of what the vibe was when the Manson murders occurred, which is published in her essay The White Album, is still the one people talk about, even though there are a lot of different ways to come at it. That's how we think about the Manson murders: through her lens. Later on, when she's not writing directly about Hollywood anymore (and not really writing in Hollywood as much) but instead is writing about the headlines, about news events, about sensationalism in the news, she becomes a great media critic. We start to see her taking the things that she learned (having been around Hollywood people, having been on movie sets, having seen how the sausage is made) and she starts writing about politics. In that age, it is Hollywood's logic that you perform for the TV. We have the debates suddenly becoming televised, the conventions becoming televised, we start to see candidates who seem specifically groomed to win because they look good on TV. They're starting to win and rule the day.She writes about Newt Gingrich. Of course, Gingrich was the first politician to figure out how to harness C-SPAN to his own ends — the fact that there were TV cameras on the congressional floor. So she's writing about all of this stuff at a time when you can see other people writing about it. I mean, Neil Postman famously writes about it. But the way Didion does it is always very pegged to reviewing somebody's book, or she's thinking about a particular event, or she's been on the campaign plane or something like that. Like she's been on the inside, but with an outsider's eye.That also crops up in, for instance, her essays. “Sentimental Journeys” is one of her most famous ones. That one's about the case of the Central Park Five, and the jogger who was murdered. Of course, now, we're many decades out from that, and the convictions were vacated. We know about coerced confessions. Also Donald Trump arrives in the middle of that whole thing.But she's actually not interested in the guilt or innocence question, because a lot of people were writing about that. She's interested in how the city of New York and the nation perform themselves for themselves, seeing themselves through the long lens of a movie and telling themselves stories about themselves. You see this over and over in her writing, no matter what she's writing about. I think once she moved away from writing about the business so much, she became very interested in how Hollywood logic had taken over American public life writ large.That's fascinating. Like, again, she spends time in the industry, then basically she can only see it through that lens. Of course, Michael Dukakis in a tank is trying to be a set piece, of course in front of the Berlin Wall, you're finally doing set decoration rather than doing it outside of a brick wall somewhere. You mentioned the New York thing in Performing New York. I have lived in the city for over a decade now. The dumbest thing is when the mayor gets to wear the silly jacket whenever there's a snowstorm that says “Mr. Mayor.” It's all an act in so many ways. I guess that political choreography had to come from somewhere, and it seems like she was documenting a lot of that initial rise.Yeah, I think she really saw it. The question I would ask her, if I could, is how cognizant she was that she kept doing that. As someone who's written for a long time, you don't always recognize that you have the one thing you write about all the time. Other people then bring it up to you and you're like, “Oh, I guess you're right.” Even when you move into her grief memoir phase, which is how I think about the last few original works that she published, she uses movie logic constantly in those.I mean, The Year of Magical Thinking is a cyclical book, she goes over the same events over and over. But if you actually look at the language she's using, she talks about running the tape back, she talks about the edit, she talks about all these things as if she's running her own life through how a movie would tell a story. Maybe she knew very deliberately. She's not a person who does things just haphazardly, but it has the feeling of being so baked into her psyche at this point that she would never even think of trying to escape it.Fascinating.Yeah, that idea that you don't know what you are potentially doing, I've thought about that. I don't know what mine is. But either way. It's such a cool way to look at it. On a certain level, she pretty much succeeded at that, though, right? I think that when people think about Joan Didion, they think about a life that freshens up a movie, right? Like, it workedVery much, yeah. I'm gonna be really curious to see what happens over the next 10 years or so. I've been thinking about figures like Sylvia Plath or women with larger-than-life iconography and reputation and how there's a constant need to relook at their legacies and reinvent and rethink and reimagine them. There's a lot in the life of Didion that I think remains to be explored. I'm really curious to see where people go with it, especially with the opening of these archives and new personal information making its way into the world.Yeah, even just your ability to break some of those stories that have been locked away in archives out sounds like a really exciting addition to the scholarship. Just backing out a little bit, we live in a moment in which the relationship between pop culture and political life is fairly directly intertwined. Setting aside the steel-plated elephant in the room, you and I are friendly because we bonded over this idea that movies really are consequential. Coming out of this book and coming out of reporting on it, what are some of the relevances for today in particular?Yeah, I mean, a lot more than I thought, I guess, five years ago. I started work on the book at the end of Trump One, and it's coming out at the beginning of Trump Two, and there was this period in the middle of a slightly different vibe. But even then I watch TikTok or whatever. You see people talk about “main character energy” or the “vibe shift” or all of romanticizing your life. I would have loved to read a Didion essay on the way that young people sort of view themselves through the logic of the screens they have lived on and the way that has shaped America for a long time.I should confirm this, I don't think she wrote about Obama, or if she did, it was only a little bit. So her political writing ends in George W. Bush's era. I think there's one piece on Obama, and then she's writing about other things. It's just interesting to think about how her ideas of what has happened to political culture in America have seeped into the present day.I think the Hollywood logic, the cinematic logic has given way to reality TV logic. That's very much the logic of the Trump world, right? Still performing for cameras, but the cameras have shifted. The way that we want things from the cameras has shifted, too. Reality TV is a lot about creating moments of drama where they may or may not actually exist and bombarding you with them. I think that's a lot of what we see and what we feel now. I have to imagine she would think about it that way.There is one interesting essay that I feel has only recently been talked about. It's at the beginning of my book, too. It was in a documentary, and Gia Tolentino wrote about it recently. It's this essay she wrote in 2000 about Martha Stewart and about Martha Stewart's website. It feels like the 2000s was like, “What is this website thing? Why are people so into it?” But really, it's an essay about parasocial relationships that people develop (with women in particular) who they invent stories around and how those stories correspond to greater American archetypes. It's a really interesting essay, not least because I think it's an essay also about people's parasocial relationships with Joan Didion.So the rise of her celebrity in the 21st century, where people know who she is and carry around a tote bag, but don't really know what they're getting themselves into is very interesting to me. I think it is also something she thought about quite a bit, while also consciously courting it.Yeah, I mean, that makes a ton of sense. For someone who was so adept at using cinematic language to describe her own life with every living being having a camera directly next to them at all times. It seems like we are very much living in a world that she had at least put a lot of thought into, even if the technology wasn't around for her to specifically address it.Yes, completely.On that note, where can folks find the book? Where can folks find you? What's the elevator pitch for why they ought to check this out? Joan Didion superfan or just rather novice?Exactly! I think this book is not just for the fans, let me put it that way. Certainly, I think anyone who considers themselves a Didion fan will have a lot to enjoy here. The stuff you didn't know, hadn't read or just a new way to think through her cultural impact. But also, this is really a book that's as much for people who are just interested in thinking about the world we live in today a little critically. It's certainly a biography of American political culture as much as it is of Didion. There's a great deal of Hollywood history in there as well. Thinking about that sweep of the American century and change is what the book is doing. It's very, very, very informed by what I do in my day job as a movie critic at The New York Times. Thinking about what movies mean, what do they tell us about ourselves? I think this is what this book does. I have been told it's very fun to read. So I'm happy about that. It's not ponderous at all, which is good. It's also not that long.It comes out March 11th from Live Right, which is a Norton imprint. There will be an audiobook at the end of May that I am reading, which I'm excited about. And I'll be on tour for a large amount of March on the East Coast. Then in California, there's a virtual date, and there's a good chance I'll be popping up elsewhere all year, too. Those updates will be on my social feeds, which are all @alissawilkinson on whatever platform except X, which is fine because I don't really post there anymore.Alyssa, thank you so much for coming on.Thank you so much.Edited by Crystal Wang.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

This week, poets CM Burroughs and Adrian Matejka discuss the groundbreaking legacy of poet Melvin Dixon, who "wrote extensively about the complexities of being a gay Black man" (Poetry Foundation). Presented by the Poetry Foundation. This conversation originally took place May 19, 2024 and was recorded live at the American Writers Festival.We hope you enjoy entering the Mind of a Writer.AWM PODCAST NETWORK HOMEAbout the writers:CM BURROUGHS is Associate Professor of Creative Writing at Columbia College Chicago and author of The Vital System and Master Suffering, which was longlisted for the National Book Award, Lambda Book Award, and the LA Times Book Award. Burroughs' poetry has appeared in journals and anthologies including Poetry, Ploughshares, Cave Canem's Gathering Ground, and Best American Experimental Writing.ADRIAN MATEJKA is the author of five collections of poetry, most recently Somebody Else Sold the World (Penguin, 2021), which was a finalist for the UNT 2022 Rilke Prize and the 2022 Indiana Authors Award. His first graphic novel Last On His Feet: Jack Johnson and the Battle of the Century was published by Liveright in 2023. He serves as Editor of Poetry magazine.From the Poetry Foundation: Scholar, novelist, and poet MELVIN DIXON was born in Stamford, Connecticut. He earned a BA from Wesleyan University and an MA and a PhD from Brown University. Dixon wrote the poetry collections Change of Territory (1983) and Love's Instruments (1995, published posthumously) and two novels, Trouble the Water (1989), winner of a Nilon Award for Excellence in Minority Fiction, and Vanishing Rooms (1991). Influenced by James Baldwin, Dixon wrote extensively about the complexities of being a gay black man. Speaking on this topic at a speech to the Third National Lesbian and Gay Writers Conference, Dixon said, "As white gays deny multiculturalism among gays, so too do black communities deny multisexualism among their members. Against this double cremation, we must leave the legacy of our writing and our perspectives on gay and straight experiences."   Dixon produced scholarship on and translated writing by several African American writers, including Leopold Sedar Senghor, Geneviève Fabre, and Jacques Roumain. Dixon was the recipient of a fellowship from the National Endowment for the Arts and he taught at Wesleyan University, the City University of New York, Fordham University, Columbia University, and Williams College. He died from complications related to AIDS at age 42.

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This conversation with Alissa Wilkinson is a fascinating exploration of how the stories we tell ourselves - through Hollywood, through politics, through the media - shape the very fabric of our culture and our history. Wilkinson's work on the iconic writer Joan Didion provides a powerful lens to examine how the narratives we construct, often unconsciously, can profoundly influence the way we see the world and the decisions we make as individuals and as a society. What's so compelling about this discussion is the way it peels back the layers on these deeply ingrained stories - the myths of the American West, the heroic narratives of World War II, the celebrity-driven politics of the Reagan era. Wilkinson shows how these cultural touchstones don't just reflect our values, but actively shape them, often in ways that obscure uncomfortable truths or justify harmful actions. In an age where the very notion of objective reality is under assault, this conversation reminds us of the vital importance of interrogating the stories we tell ourselves. Because the stories we choose to believe - whether about our national identity, our political leaders, or our own personal histories - have real consequences. They determine how we see the world, how we make decisions, and ultimately, the kind of future we create for ourselves. So I encourage you to listen closely, to wrestle with the questions Wilkinson raises about the power of narrative, and to consider how the stories you've internalized might be shaping your own understanding of the world. It's a conversation that gets to the heart of what it means to be human in a complex, ever-shifting cultural landscape. Alissa Wilkinson is a movie critic at the New York Times and the author of "We Tell Ourselves Stories: Joan Didion and the American Dream Machine," which will be published by Liveright on March 11, 2025.Alissa's Book:We Tell Ourselves StoriesAlissa's Recommendations:PredatorsZodiac Killer Project Subscribe to Our Substack: Shifting CultureConnect with Joshua: jjohnson@allnations.usGo to www.shiftingculturepodcast.com to interact and donate. Every donation helps to produce more podcasts for you to enjoy.Follow on Facebook, Instagram, Twitter, Threads, Bluesky or YouTubeConsider Giving to the podcast and to the ministry that my wife and I do around the world. Just click on the support the show link belowEmail jjohnson@allnations.us, so we can get your creative project off the ground! Faith That Challenges. Conversations that Matter. Laughs included. Subscribe Now!Breaking down faith, culture & big questions - a mix of humor with real spiritual growth. Listen on: Apple Podcasts SpotifySupport the show

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Adam Gopnik, staff writer for The New Yorker, and author of The Real Work: On the Mystery of Mastery (Liveright, 2023), discusses a recent essay in which he describes his long battle with insomnia.

Kash Patel and Tulsi Gabbard will testify before the Senate today, Military helicopter collides with airplane in DC. JOIN The Benny Brigade: https://www.bennyjohnson.com/brigade Check Out Our Partners: Advantage Gold: Get your FREE wealth protection kit https://www.abjv1trk.com/F6XL22/4MQCFX/?sub1=Youtube Patriot Mobile: Go to https://www.PatriotMobile.com/Benny and get A FREE MONTH Learn more about your ad choices. Visit podcastchoices.com/adchoices

Trump Roasts Globalists in Davos as he suggests he may prosecute Biden,Mass deportations underway across the US, Nicole Shanahan and Rep. Greg Stuebe joins the show Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Pete Hegseth faces confirmation hearing on Capitol Hill, Special Counsel Weiss blasts Biden in final Hunter prosecution report, Senator Markwayne Mullin, Congresswoman Anna Paulina Lunam, former Navy Seal Bill Brown and Tiffany Smiley will join the show. JOIN The Benny Brigade: https://www.bennyjohnson.com/brigade Check Out Our Partners: American Financing: Save with https://www.americanfinancing.net/benny NMLS: 182334, http://www.nmlsconsumeraccess.org Patriot Mobile: Go to https://www.PatriotMobile.com/Benny and get A FREE MONTH Learn more about your ad choices. Visit podcastchoices.com/adchoices

My guest today is Jonathon Wilson-Hartgrove. Wilson-Hartgrove is a writer, preacher, and moral activist. He is an assistant director at the Center for Public Theology and Public Policy at Yale Divinity School. Wilson-Hartgrove lives with his family at the Rutba House, a house of hospitality in Durham, North Carolina that he founded with H his wife, Leah. Wilson-Hartgrove directs the School for Conversion, a popular education center in Durham committed to "making surprising friendships possible," and is an associate minister at St. John's Missionary Baptist Church. Jonathan is the author or coauthor of more than a dozen books, including Reconstructing the Gospel, The Third Reconstruction, and Strangers at My Door.  About White Poverty: How Exposing Myths About Race and Class Can Reconstruct American Democracy (Liveright, 2024): One of the most pernicious and persistent myths in the United States is the association of Black skin with poverty. Though there are forty million more poor white people than Black people, most Americans, both Republicans and Democrats, continue to think of poverty--along with issues like welfare, unemployment, and food stamps--as solely a Black problem. Why is this so? What are the historical causes? And what are the political consequences that result? These are among the questions that the Reverend Dr. William J. Barber II, a leading advocate for the rights of the poor and the "closest person we have to Dr. King" (Cornel West), addresses in White Poverty, a groundbreaking work that exposes a legacy of historical myths that continue to define both white and Black people, creating in the process what might seem like an insuperable divide. Analyzing what has changed since the 1930s, when the face of American poverty was white, Barber, along with Jonathan Wilson-Hartgrove, addresses white poverty as a hugely neglected subject that just might provide the key to mitigating racism and bringing together tens of millions of working class and impoverished Americans. Thus challenging the very definition of who is poor in America, Barber writes about the lies that prevent us from seeing the pain of poor white families who have been offered little more than their "whiteness" and angry social media posts to sustain them in an economy where the costs of housing, healthcare, and education have skyrocketed while wages have stagnated for all but the very rich. Asserting in Biblically inspired language that there should never be shame in being poor, White Poverty lifts the hope for a new "moral fusion movement" that seeks to unite people "who have been pitted against one another by politicians (and billionaires) who depend on the poorest of us not being here." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

My guest today is Jonathon Wilson-Hartgrove. Wilson-Hartgrove is a writer, preacher, and moral activist. He is an assistant director at the Center for Public Theology and Public Policy at Yale Divinity School. Wilson-Hartgrove lives with his family at the Rutba House, a house of hospitality in Durham, North Carolina that he founded with H his wife, Leah. Wilson-Hartgrove directs the School for Conversion, a popular education center in Durham committed to "making surprising friendships possible," and is an associate minister at St. John's Missionary Baptist Church. Jonathan is the author or coauthor of more than a dozen books, including Reconstructing the Gospel, The Third Reconstruction, and Strangers at My Door.  About White Poverty: How Exposing Myths About Race and Class Can Reconstruct American Democracy (Liveright, 2024): One of the most pernicious and persistent myths in the United States is the association of Black skin with poverty. Though there are forty million more poor white people than Black people, most Americans, both Republicans and Democrats, continue to think of poverty--along with issues like welfare, unemployment, and food stamps--as solely a Black problem. Why is this so? What are the historical causes? And what are the political consequences that result? These are among the questions that the Reverend Dr. William J. Barber II, a leading advocate for the rights of the poor and the "closest person we have to Dr. King" (Cornel West), addresses in White Poverty, a groundbreaking work that exposes a legacy of historical myths that continue to define both white and Black people, creating in the process what might seem like an insuperable divide. Analyzing what has changed since the 1930s, when the face of American poverty was white, Barber, along with Jonathan Wilson-Hartgrove, addresses white poverty as a hugely neglected subject that just might provide the key to mitigating racism and bringing together tens of millions of working class and impoverished Americans. Thus challenging the very definition of who is poor in America, Barber writes about the lies that prevent us from seeing the pain of poor white families who have been offered little more than their "whiteness" and angry social media posts to sustain them in an economy where the costs of housing, healthcare, and education have skyrocketed while wages have stagnated for all but the very rich. Asserting in Biblically inspired language that there should never be shame in being poor, White Poverty lifts the hope for a new "moral fusion movement" that seeks to unite people "who have been pitted against one another by politicians (and billionaires) who depend on the poorest of us not being here." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

My guest today is Jonathon Wilson-Hartgrove. Wilson-Hartgrove is a writer, preacher, and moral activist. He is an assistant director at the Center for Public Theology and Public Policy at Yale Divinity School. Wilson-Hartgrove lives with his family at the Rutba House, a house of hospitality in Durham, North Carolina that he founded with H his wife, Leah. Wilson-Hartgrove directs the School for Conversion, a popular education center in Durham committed to "making surprising friendships possible," and is an associate minister at St. John's Missionary Baptist Church. Jonathan is the author or coauthor of more than a dozen books, including Reconstructing the Gospel, The Third Reconstruction, and Strangers at My Door.  About White Poverty: How Exposing Myths About Race and Class Can Reconstruct American Democracy (Liveright, 2024): One of the most pernicious and persistent myths in the United States is the association of Black skin with poverty. Though there are forty million more poor white people than Black people, most Americans, both Republicans and Democrats, continue to think of poverty--along with issues like welfare, unemployment, and food stamps--as solely a Black problem. Why is this so? What are the historical causes? And what are the political consequences that result? These are among the questions that the Reverend Dr. William J. Barber II, a leading advocate for the rights of the poor and the "closest person we have to Dr. King" (Cornel West), addresses in White Poverty, a groundbreaking work that exposes a legacy of historical myths that continue to define both white and Black people, creating in the process what might seem like an insuperable divide. Analyzing what has changed since the 1930s, when the face of American poverty was white, Barber, along with Jonathan Wilson-Hartgrove, addresses white poverty as a hugely neglected subject that just might provide the key to mitigating racism and bringing together tens of millions of working class and impoverished Americans. Thus challenging the very definition of who is poor in America, Barber writes about the lies that prevent us from seeing the pain of poor white families who have been offered little more than their "whiteness" and angry social media posts to sustain them in an economy where the costs of housing, healthcare, and education have skyrocketed while wages have stagnated for all but the very rich. Asserting in Biblically inspired language that there should never be shame in being poor, White Poverty lifts the hope for a new "moral fusion movement" that seeks to unite people "who have been pitted against one another by politicians (and billionaires) who depend on the poorest of us not being here." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

My guest today is Jonathon Wilson-Hartgrove. Wilson-Hartgrove is a writer, preacher, and moral activist. He is an assistant director at the Center for Public Theology and Public Policy at Yale Divinity School. Wilson-Hartgrove lives with his family at the Rutba House, a house of hospitality in Durham, North Carolina that he founded with H his wife, Leah. Wilson-Hartgrove directs the School for Conversion, a popular education center in Durham committed to "making surprising friendships possible," and is an associate minister at St. John's Missionary Baptist Church. Jonathan is the author or coauthor of more than a dozen books, including Reconstructing the Gospel, The Third Reconstruction, and Strangers at My Door.  About White Poverty: How Exposing Myths About Race and Class Can Reconstruct American Democracy (Liveright, 2024): One of the most pernicious and persistent myths in the United States is the association of Black skin with poverty. Though there are forty million more poor white people than Black people, most Americans, both Republicans and Democrats, continue to think of poverty--along with issues like welfare, unemployment, and food stamps--as solely a Black problem. Why is this so? What are the historical causes? And what are the political consequences that result? These are among the questions that the Reverend Dr. William J. Barber II, a leading advocate for the rights of the poor and the "closest person we have to Dr. King" (Cornel West), addresses in White Poverty, a groundbreaking work that exposes a legacy of historical myths that continue to define both white and Black people, creating in the process what might seem like an insuperable divide. Analyzing what has changed since the 1930s, when the face of American poverty was white, Barber, along with Jonathan Wilson-Hartgrove, addresses white poverty as a hugely neglected subject that just might provide the key to mitigating racism and bringing together tens of millions of working class and impoverished Americans. Thus challenging the very definition of who is poor in America, Barber writes about the lies that prevent us from seeing the pain of poor white families who have been offered little more than their "whiteness" and angry social media posts to sustain them in an economy where the costs of housing, healthcare, and education have skyrocketed while wages have stagnated for all but the very rich. Asserting in Biblically inspired language that there should never be shame in being poor, White Poverty lifts the hope for a new "moral fusion movement" that seeks to unite people "who have been pitted against one another by politicians (and billionaires) who depend on the poorest of us not being here." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

My guest today is Jonathon Wilson-Hartgrove. Wilson-Hartgrove is a writer, preacher, and moral activist. He is an assistant director at the Center for Public Theology and Public Policy at Yale Divinity School. Wilson-Hartgrove lives with his family at the Rutba House, a house of hospitality in Durham, North Carolina that he founded with H his wife, Leah. Wilson-Hartgrove directs the School for Conversion, a popular education center in Durham committed to "making surprising friendships possible," and is an associate minister at St. John's Missionary Baptist Church. Jonathan is the author or coauthor of more than a dozen books, including Reconstructing the Gospel, The Third Reconstruction, and Strangers at My Door.  About White Poverty: How Exposing Myths About Race and Class Can Reconstruct American Democracy (Liveright, 2024): One of the most pernicious and persistent myths in the United States is the association of Black skin with poverty. Though there are forty million more poor white people than Black people, most Americans, both Republicans and Democrats, continue to think of poverty--along with issues like welfare, unemployment, and food stamps--as solely a Black problem. Why is this so? What are the historical causes? And what are the political consequences that result? These are among the questions that the Reverend Dr. William J. Barber II, a leading advocate for the rights of the poor and the "closest person we have to Dr. King" (Cornel West), addresses in White Poverty, a groundbreaking work that exposes a legacy of historical myths that continue to define both white and Black people, creating in the process what might seem like an insuperable divide. Analyzing what has changed since the 1930s, when the face of American poverty was white, Barber, along with Jonathan Wilson-Hartgrove, addresses white poverty as a hugely neglected subject that just might provide the key to mitigating racism and bringing together tens of millions of working class and impoverished Americans. Thus challenging the very definition of who is poor in America, Barber writes about the lies that prevent us from seeing the pain of poor white families who have been offered little more than their "whiteness" and angry social media posts to sustain them in an economy where the costs of housing, healthcare, and education have skyrocketed while wages have stagnated for all but the very rich. Asserting in Biblically inspired language that there should never be shame in being poor, White Poverty lifts the hope for a new "moral fusion movement" that seeks to unite people "who have been pitted against one another by politicians (and billionaires) who depend on the poorest of us not being here." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

My guest today is Jonathon Wilson-Hartgrove. Wilson-Hartgrove is a writer, preacher, and moral activist. He is an assistant director at the Center for Public Theology and Public Policy at Yale Divinity School. Wilson-Hartgrove lives with his family at the Rutba House, a house of hospitality in Durham, North Carolina that he founded with H his wife, Leah. Wilson-Hartgrove directs the School for Conversion, a popular education center in Durham committed to "making surprising friendships possible," and is an associate minister at St. John's Missionary Baptist Church. Jonathan is the author or coauthor of more than a dozen books, including Reconstructing the Gospel, The Third Reconstruction, and Strangers at My Door.  About White Poverty: How Exposing Myths About Race and Class Can Reconstruct American Democracy (Liveright, 2024): One of the most pernicious and persistent myths in the United States is the association of Black skin with poverty. Though there are forty million more poor white people than Black people, most Americans, both Republicans and Democrats, continue to think of poverty--along with issues like welfare, unemployment, and food stamps--as solely a Black problem. Why is this so? What are the historical causes? And what are the political consequences that result? These are among the questions that the Reverend Dr. William J. Barber II, a leading advocate for the rights of the poor and the "closest person we have to Dr. King" (Cornel West), addresses in White Poverty, a groundbreaking work that exposes a legacy of historical myths that continue to define both white and Black people, creating in the process what might seem like an insuperable divide. Analyzing what has changed since the 1930s, when the face of American poverty was white, Barber, along with Jonathan Wilson-Hartgrove, addresses white poverty as a hugely neglected subject that just might provide the key to mitigating racism and bringing together tens of millions of working class and impoverished Americans. Thus challenging the very definition of who is poor in America, Barber writes about the lies that prevent us from seeing the pain of poor white families who have been offered little more than their "whiteness" and angry social media posts to sustain them in an economy where the costs of housing, healthcare, and education have skyrocketed while wages have stagnated for all but the very rich. Asserting in Biblically inspired language that there should never be shame in being poor, White Poverty lifts the hope for a new "moral fusion movement" that seeks to unite people "who have been pitted against one another by politicians (and billionaires) who depend on the poorest of us not being here." Learn more about your ad choices. Visit megaphone.fm/adchoices

Justin Trudeau RESIGNS, Trump to grant clemency to thousands of January 6ers and Chairman Jim Jordan, Julie Kelly, and Mike Davis  join the show Check Out Our Partners: American Financing: Save with https://www.americanfinancing.net/benny NMLS: 182334, http://www.nmlsconsumeraccess.org Blackout Coffee: http://www.blackoutcoffee.com/benny and use coupon code BENNY for 20% OFF your first order Patriot Mobile: Go to https://www.PatriotMobile.com/Benny and get A FREE MONTH Learn more about your ad choices. Visit podcastchoices.com/adchoices

This historian, best-selling author and foreign-policy analyst talks about his latest book, Reagan: His Life and Legend. Published by Liveright in September 2024, this biography was recognized as one of the […]

Hey, it's Katie and I want to welcome you to this special bonus episode. It'll be here for you completely ad-free for the next week so you can get a feel of what it's like to be a PREMIUM member. If you'd like an easy ad-free experience for all of our podcasts - that's over 200 episodes each month, then JOIN PREMIUM today at https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at hello@womensmeditationnetwork.com to make a request. We'd love to create what you want!  Namaste, Beautiful,

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

War forced millions of Syrians from their homes. It also forced them to rethink the meaning of home itself. In 2011, Syrians took to the streets demanding freedom. Brutal government repression transformed peaceful protests into one of the most devastating conflicts of our times, killing hundreds of thousands and displacing millions.  The Home I Worked to Make: Voices from the New Syrian Diaspora (Liveright, 2024) takes Syria's refugee outflow as its point of departure. Based on hundreds of interviews conducted across more than a decade, it probes a question as intimate as it is universal: What is home? With gripping immediacy, Syrians now on five continents share stories of leaving, losing, searching, and finding (or not finding) home. Across this tapestry of voices, a new understanding emerges: home, for those without the privilege of taking it for granted, is both struggle and achievement. Recasting “refugee crises” as acts of diaspora-making, The Home I Worked to Make challenges readers to grapple with the hard-won wisdom of those who survive war and to see, with fresh eyes, what home means in their own lives. Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

War forced millions of Syrians from their homes. It also forced them to rethink the meaning of home itself. In 2011, Syrians took to the streets demanding freedom. Brutal government repression transformed peaceful protests into one of the most devastating conflicts of our times, killing hundreds of thousands and displacing millions.  The Home I Worked to Make: Voices from the New Syrian Diaspora (Liveright, 2024) takes Syria's refugee outflow as its point of departure. Based on hundreds of interviews conducted across more than a decade, it probes a question as intimate as it is universal: What is home? With gripping immediacy, Syrians now on five continents share stories of leaving, losing, searching, and finding (or not finding) home. Across this tapestry of voices, a new understanding emerges: home, for those without the privilege of taking it for granted, is both struggle and achievement. Recasting “refugee crises” as acts of diaspora-making, The Home I Worked to Make challenges readers to grapple with the hard-won wisdom of those who survive war and to see, with fresh eyes, what home means in their own lives. Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

War forced millions of Syrians from their homes. It also forced them to rethink the meaning of home itself. In 2011, Syrians took to the streets demanding freedom. Brutal government repression transformed peaceful protests into one of the most devastating conflicts of our times, killing hundreds of thousands and displacing millions.  The Home I Worked to Make: Voices from the New Syrian Diaspora (Liveright, 2024) takes Syria's refugee outflow as its point of departure. Based on hundreds of interviews conducted across more than a decade, it probes a question as intimate as it is universal: What is home? With gripping immediacy, Syrians now on five continents share stories of leaving, losing, searching, and finding (or not finding) home. Across this tapestry of voices, a new understanding emerges: home, for those without the privilege of taking it for granted, is both struggle and achievement. Recasting “refugee crises” as acts of diaspora-making, The Home I Worked to Make challenges readers to grapple with the hard-won wisdom of those who survive war and to see, with fresh eyes, what home means in their own lives. Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

War forced millions of Syrians from their homes. It also forced them to rethink the meaning of home itself. In 2011, Syrians took to the streets demanding freedom. Brutal government repression transformed peaceful protests into one of the most devastating conflicts of our times, killing hundreds of thousands and displacing millions.  The Home I Worked to Make: Voices from the New Syrian Diaspora (Liveright, 2024) takes Syria's refugee outflow as its point of departure. Based on hundreds of interviews conducted across more than a decade, it probes a question as intimate as it is universal: What is home? With gripping immediacy, Syrians now on five continents share stories of leaving, losing, searching, and finding (or not finding) home. Across this tapestry of voices, a new understanding emerges: home, for those without the privilege of taking it for granted, is both struggle and achievement. Recasting “refugee crises” as acts of diaspora-making, The Home I Worked to Make challenges readers to grapple with the hard-won wisdom of those who survive war and to see, with fresh eyes, what home means in their own lives. Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Send us a textFor an ad-free version of the podcast plus the opportunity to enjoy hours of exclusive content and two bonus episodes a month and also help keep the Bible Project Daily Podcast free  for listeners everywhere at;patreon.com/JeremyMcCandlessSubscribe here to receive my new church history podcast every few weeks at.https://thehistoryofthechristianchurch.buzzsprout.comWelcome:Welcome to today's episode! In this episode, we delve into Acts 8:5-25 to explore the importance of aligning our thoughts with God's thoughts and how this transformation can lead us to live a godly life. Through the story of Philip in Samaria and the intriguing character of Simon the Sorcerer, we uncover practical lessons about thinking and acting in ways that reflect God's will.Episode NotesMain Themes:The importance of aligning our thoughts with God's thoughts.How transformed thinking leads to godly living.The impact of Philip's ministry in Samaria.The story of Simon the Sorcerer and the lessons we can learn from his encounter with the apostles.Key Points:Introduction to the Passage:Philip's mission to Samaria and the miracles he performed.The joy in the city as a result of God's work.Simon's Background:Simon's practice of sorcery and his claims of greatness.The people's admiration for Simon before Philip's arrival.The Shift in Belief:The Samaritans' response to Philip's preaching.Simon's belief and baptism.Controversy and Correction:Simon's misunderstanding about the Holy Spirit.Peter's rebuke and call for Simon's repentance.Lessons Learned:The significance of thinking like God to transform our lives.How actions rooted in godly thinking can lead to true spiritual transformation.Reflection Questions:How can we ensure our thoughts align with God's thoughts?What steps can we take to transform our thinking through the renewal of our minds?How can we apply the lessons from Simon's story to our own spiritual journey?Practical Application:Daily Scripture reading and meditation to align our thoughts with God's Word.Prayer for wisdom and discernment to think and act in ways that please God.Engaging in community and fellowship with other believers to encourage godly thinking and living.Thank you for joining me I hope you found it insightful and inspiring. Be sure to tune in next time as we continue to explore biblical principles for contemporary life.Support the showJeremy McCandless is creating podcasts and devotional resources | PatreonHelp us continue making great content for listeners everywhere.https://thebibleproject.buzzsprout.com

I welcome Homeopath and best-selling author Gabrielle Traub from the USA to the show to talk about her work, insights and experiences. Gabrielle, who is originally from South Africa, talks about her experiences working in clinics, alongside Homeopathic clinics in South Africa and the method of prescription. Chemicals, EMF's and food are all discussed in relation to wellbeing and treatment. We talk about Gabrielle's new book, ‘Live Right for your Remedy Type', a book focusing on a Homeopathic lifestyle. Gabrielle talks about the importance of being healthy in terms  of taking care of our bodies, and how there is a trend on different diets and fads which are not personalised. In her book, Gabrielle personalises the lifestyles changes according to our constitutional Homeopathic remedy, and how this synergistic approach can have huge health benefits for us. In her book, Gabrielle covers 21 key remedies and the lifestyle changes that can assist wellbeing, as well as parenting and relationship advice.   Be inspired and join the conversation. The ‘VOICE OF HOMEOPATHY' on radio and podcast. Support Homeopathy on Radio & Podcast by subscribing to the Homeopathy Health Show.

Trump makes triumphant return to DC for Capitol Hill and White House visits, Elon and Vivek Ramaswamy break internet after being named heads of Department of Government Efficiency, Congressman Troy Nehls, Mark Poaletta and Monica Crowley joins the show. Check Out Our Partners: American Financing: Save with http://www.AmericanFinancing.net/Benny NMLS: 182334, http://www.nmlsconsumeraccess.org Allegiance Gold: Go to http://www.protectwithbenny.com/ and get up to $5,000 in free silver with a qualifying purchase Learn more about your ad choices. Visit podcastchoices.com/adchoices

Biden addresses nation after Trump landslide, Pelosi is blamed for Kamala's loss and Kash Patel and Mike Davis join the show. Check Out Our Partners: Brickhouse Nutrition: Go to https://www.FieldofGreens.com and use Code BENNY for 15% off and free shipping Check Out Our Partners: Patriot Mobile: Go to https://www.PatriotMobile.com/Benny and get A FREE MONTH Learn more about your ad choices. Visit podcastchoices.com/adchoices

Donald Trump holds a press conference at Mar-a-Lago, Steve Bannon released from prison, Kamala surrenders North Carolina. Check Out Our Partners: Patriot Mobile: Go to https://www.PatriotMobile.com/Benny and get A FREE MONTH Learn more about your ad choices. Visit podcastchoices.com/adchoices

Law professors Jon Michaels and David Noll use their expertise to expose how state-supported forms of vigilantism are being deployed by MAGA Republicans and Christian nationalists to roll back civil, political, and privacy rights and subvert American democracy. Beyond identifying the dangers of vigilantism, Vigilante Nation: How State-Sponsored Terror Threatens Our Democracy (Atria/One Signal, 2024) functions as a call to arms with a playbook for a democratic response. Michaels and Noll look back in time to make sense of today's American politics. They demonstrate how Christian nationalists have previously used state-supported forms of vigilantism when their power and privilege have been challenged. The book examines the early republic, abolitionism, and Reconstruction. Since the failed coup by supporters of Former president Donald Trump on January 6, 2021, Michaels and Noll document how overlapping networks of right-wing lawyers, politicians, plutocrats, and preachers have resurrected state-supported vigilantism – using wide ranging methods including book bans, anti-abortion bounties, and attacks on government proceedings, especially elections. Michaels and Noll see the US at a critical inflection point in which state-sponsored vigilantism is openly supported by GOP candidates for president and vice-president, Project 2025, and wider networks, Michaels and Noll move beyond analysis to action: 19 model laws to pass. The supporters of democratic equality are numerous and dexterous enough to create a plan to fight radicalism and vigilantism and secure the broad promises of the civil rights revolution. Jon Michaels is a professor of law at UCLA Law, where he teaches and writes about constitutional law, public administration, and national security. He has written numerous articles in law reviews including Yale, University of Chicago, and Harvard and also public facing work in venues like the Washington Post, the New York Times, and Foreign Affairs. David Noll is a law professor at Rutgers Law School. He teaches and writes on courts, administrative law, and legal movements. He publishes scholarly work in law reviews such as California, Cornell, Michigan and NYU and translates for wider audiences in places like the New York Times, Politico, and Slate. Mentioned in the podcast: By Hands Now Known: Jim Crow's Legal Executioners (Norton) by Margaret A. Burnham Let them Eat Tweets: How the Right Rules in an Age of Extreme Inequality (Liveright) by Jacob Hacker and Paul Pierson Hannah Nathanson at the Washington Post who was part of a team of journalists awarded the 2022 Pulitzer Prize for Public Service for coverage of the Jan. 6 insurrection at the U.S. Capitol Previous interviews with scholars addressing the breakdown of American democracy: Four Threats: The Recurring Crises of American Democracy (Suzanne Mettler and Robert C. Lieberman) Phantoms of a Beleaguered Republic (Stephen Skowronek, John A. Dearborn, and Desmond King); How Democracies Die (Steve Levitsky and Daniel Ziblatt); The Specter of Dictatorship: Judicial Enabling of Presidential Power (David M. Driesen and A Supreme Court Unlike Any Other: The Deepening Divide Between the Justices and the People (Kevin J. McMahon) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

Georgia Judge nukes more charges against Donald Trump, Big Fani SKIPS her testimony in defiance of a subpoena and Julie Kelly joins the show Check Out Our Partners: Allegiance Gold: Go to http://www.protectwithbenny.com/ and get up to $5,000 in free silver with a qualifying purchase Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode, we welcome Gabrielle Traub, a board-certified classical homeopath, international speaker, and author of the best-selling homeopathic lifestyle guide "Live Right For Your Remedy Type" and "(In)Fertility: Secrets, Struggles & Successes." Gabrielle specializes in homeopathy for women's health and children. She worked in an OB-GYN clinic for over a decade alongside a traditional OB-GYN and fertility endocrinologist. She has conducted double-blind clinical trials on anxiety and difficulty concentrating, including ADD and ADHD. Gabrielle is the mom of a 10-year-old who was brought up on homeopathy and loves to help parents raise healthy children naturally. Gabrielle is the owner of San Diego Homeopathy and offers Telemedicine consultations worldwide.  In today's episode, we discussed what homeopathy is and how this medicine is the perfect natural medicine for any “Doctor Mom” to use with her family. We teach the difference between using homeopathy for acute conditions (fever, cold, flu, etc) compared to how homeopathy can be prescribed for someone's constitution, which can have whole body healing effects.   We share some of our favorite homeopathic remedies specifically for exhausted, burnt-out moms and some of our most prescribed remedies for kids. We also explain what a constitutional homeopathic remedy is and how finding your constitutional remedy can help determine the best foods and parenting strategies to support your child.  Topics Discussed:  What homeopathy is and how it is safe for newborns, pregnant and nursing moms Why homeopathy should be a staple in any “Doctor Mom's” medicine kit! The difference between using homeopathy for acute vs chronic conditions Top remedies for burnt-out, exhausted moms Top remedies for kids How to choose the best diet based on a child's constitutional remedy How homeopathy benefits couples who are trying to conceive  How to find a homeopath to work with Show Notes: Get Gabrielle's books Live Right for Your Remedy type and (IN)Fertility Check out Gabrielle's Website to book a virtual consult  Follow @traubgabrielle on Instagram Join Gabrielle's FB Support Group Burn Out Remedies for Moms PDF Listen to Episode 74 Homeopathy for Pregnancy, Labor and Postpartum  Visit HANP Directory to find a homeopath  Click here to learn more about Dr. Elana Roumell's Doctor Mom Membership, a membership designed for moms who want to be their child's number one health advocate! Click here to learn more about Steph Greunke, RD's Substack Mindset + Metabolism where women can learn how to nourish their bodies, hit their health and body composition goals, and become the most vibrant version of themselves. Listen to today's episode on our website Gabrielle is a board-certified classical homeopath, international speaker, and author of the best-selling homeopathic lifestyle guide, "Live Right For Your Remedy Type" and "(In)Fertility: Secrets, Struggles & Successes". Gabrielle specializes in homeopathy for women's health and children. She worked in an OB-GYN clinic for over a decade alongside a traditional OB-GYN and fertility endocrinologist. She has conducted double blind clinical trials on anxiety and difficulty concentrating, including ADD and ADHD. Gabrielle is the mom of a 10-year-old who was brought up on homeopathy and loves to help parents raise healthy children naturally. Gabrielle is the owner of San Diego Homeopathy and offers Telemedicine consultations world-wide. In her spare time, she enjoys spending time in nature with her family and loves the ocean, dancing, and fitness. This Episode's Sponsors  Enjoy the health benefits of PaleoValley's products such as their supplements, superfood bars and meat sticks.  Receive 15% off your purchase by heading to paleovalley.com/doctormom  Discover for yourself why Needed is trusted by women's health practitioners and mamas alike to support optimal pregnancy outcomes. Try their 4 Part Complete Nutrition plan which includes a Prenatal Multi, Omega-3, Collagen Protein, and Pre/Probiotic. To get started, head to thisisneeded.com, and use code DOCTORMOM20 for 20% off Needed's Complete Plan! Active Skin Repair is a must-have for everyone to keep themselves and their families healthy and clean.  Keep a bottle in the car to spray your face after removing your mask, a bottle in your medicine cabinet to replace your toxic first aid products, and one in your outdoor pack for whatever life throws at you.  Use code DOCTORMOM to receive 20% off your order + free shipping (with $35 minimum purchase). Visit BLDGActive.com to order. INTRODUCE YOURSELF to Steph and Dr. Elana on Instagram. They can't wait to meet you! @stephgreunke @drelanaroumell Please remember that the views and ideas presented on this podcast are for informational purposes only.  All information presented on this podcast is for informational purposes and not intended to serve as a substitute for the consultation, diagnosis, and/or medical treatment of a healthcare provider. Consult with your healthcare provider before starting any diet, supplement regimen, or to determine the appropriateness of the information shared on this podcast, or if you have any questions regarding your treatment plan.

We love this episode so much we are airing it twice! Tamara Payne, Nonye Brown-West and Troy Laraviere visit Friends Like Us and discuss pulitzer prize winner's Les Payne's and Tamara's book : The Dead Are Arising: The Life Of Malcom X and more with host Marina Franklin. Tamara Payne -Tamara Payne is co-author of The Dead Are Arising: The Life of Malcolm X written with her father, Pulitzer Prize-winning journalist Les Payne, published by Liveright. Winner of the Pulitzer Prize, National Book Award, and NAACP Image Award. Nonye Brown-West is a New York-based Nigerian-American comedian and writer. She has been featured in the Boston Globe's Rise column as a Comic to Watch, as well as in NPR, PBS, ABC, Sway In The Morning, and the New York Comedy Festival. Nonye made her acting debut in The Sympathy Card, now available for streaming on Vudu, Apple, Amazon, and Google Play Troy A. LaRaviere is an American school administrator, educator and current President of the Chicago Principals and Administrators Association. Prior to assuming his role as president, LaRaviere served as a Chicago Public Schools (CPS) principal. He began his teacher career at CPS in 1997. LaRaviere received both a Bachelor of Science and Master of Education from the University of Illinois. LaRaviere served in the United States Navy in the late 80's. LaRaviere advocates for Progressivism, and has appeared in ads for Bernie Sanders and was a candidate for the 2019 Chicago mayoral election. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

Charles Nessler is usually credited with inventing the permanent wave in the early 1900s. And he made a huge fortune from it, while also bolstering a huge beauty industry. Research: Bedi, Joyce. “GERMANY | Charles (Karl) Nessler.” Lemelson Center for the Study of Invention and Innovation. Smithsonian National Museum of American History. June 3, 2021. https://invention.si.edu/node/29205/p/732-germany-charles-karl-nessler Hellman, Geoffrey T. “Profiles: Hair Scientist.” The New Yorker. April 29, 1933. https://archives.newyorker.com/newyorker/1933-04-29/flipbook/020/ Larkin, Theresa. “From straight to curly, thick to thin: Here's how hormones and chemotherapy can change your hair.” MedicalExpress. Jan. 14, 2024. https://medicalxpress.com/news/2024-01-straight-curly-thick-thin-hormones.html “115 Years of Long-Lasting Curls: The History and Rebirth of the Perm.” Estetica Magazine. Feb. 8, 2022. https://www.esteticamagazine.com/2022/02/08/111-years-of-long-lasting-curls-the-history-and-rebirth-of-the-perm/ Marsden, Rhodri. “Rhodri Marsden's Interesting Objects: The Nessler Permanent Wave Machine.” The Independent. Oct. 9, 2015. https://www.independent.co.uk/life-style/fashion/features/rhodri-marsden-s-interesting-objects-the-nessler-permanent-wave-machine-a6674081.html “Modern Living: The Great Wave.” Time. Feb. 5, 1951. https://time.com/archive/6825188/modern-living-the-great-wave/ Morton, Ella. “The Alarming Aesthetics of Jazz Age Perm Machines.” Atlas Obscura. Aug. 2, 2016. https://www.atlasobscura.com/articles/the-alarming-aesthetics-of-jazz-age-perm-machines Nessler, Charles. “The Story of Hair.” New York. Bonni and Liveright. 1928. Nessler, Charles. “A New or Improved Method of and Means for the Manufacture of Artificial Eyebrows, Eyelashes and the like.” UK Patent Office. Accessed via Google: https://patents.google.com/patent/GB190218723A/en “Nessler, Invented Permanent Wave.” New York Times. January 24, 1951. https://timesmachine.nytimes.com/timesmachine/1951/01/24/88426426.pdf?pdf_redirect=true&ip=0 “A Revolutionst Dies.” Life Magazine. Feb. 5, 1951. Accessed online: https://books.google.com/books?id=50sEAAAAMBAJ&q=nestler#v=onepage&q=nessler&f=false Sheen, Maureen. “Story of Us, 1910-1920: Do the Wave.” American Salon. Jan. 20, 2016. https://www.americansalon.com/products/story-us-1910-1920-do-wave See omnystudio.com/listener for privacy information.

Tamara Payne, Nonye Brown-West and Troy Laraviere visit Friends Like Us and discuss pulitzer prize winner's Les Payne's and Tamara's book : The Dead Are Arising: The Life Of Malcom X and more with host Marina Franklin. Tamara Payne -Tamara Payne is co-author of The Dead Are Arising: The Life of Malcolm X written with her father, Pulitzer Prize-winning journalist Les Payne, published by Liveright. Winner of the Pulitzer Prize, National Book Award, and NAACP Image Award. Nonye Brown-West is a New York-based Nigerian-American comedian and writer. She has been featured in the Boston Globe's Rise column as a Comic to Watch, as well as in NPR, PBS, ABC, Sway In The Morning, and the New York Comedy Festival. Nonye made her acting debut in The Sympathy Card, now available for streaming on Vudu, Apple, Amazon, and Google Play Troy A. LaRaviere is an American school administrator, educator and current President of the Chicago Principals and Administrators Association. Prior to assuming his role as president, LaRaviere served as a Chicago Public Schools (CPS) principal. He began his teacher career at CPS in 1997. LaRaviere received both a Bachelor of Science and Master of Education from the University of Illinois. LaRaviere served in the United States Navy in the late 80's. LaRaviere advocates for Progressivism, and has appeared in ads for Bernie Sanders and was a candidate for the 2019 Chicago mayoral election. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf  

Trump found in contempt for violating gag order, Soros Funded Protesters take over Columbia University academic building in latest campus chaos, and Trent Staggs Joins the show. JOIN The Benny Brigade: https://www.bennyjohnson.com/brigade Check Out Our Partners: The Wellness Company: Go to https://www.twc.HEALTH/BENNY , and use promo code BENNY for 10% off Allegiance Gold: Go to http://www.protectwithbenny.com/ and get up to $5,000 in free silver with a qualifying purchase Learn more about your ad choices. Visit megaphone.fm/adchoices