Podcasts about Sydney Film Festival

A terrific opportunity to hear from Australian actor Shabana Azeez as she prepares to begin filming Season 3 of The Pitt in the US. Equity member Kat Hoyos sits down with Shabana to explore her journey from starting out in Adelaide to working on one of the most talked-about TV series today. Widely regarded as one of the most popular shows of the moment, The Pitt has captured global attention with its gripping storytelling and distinctive style. This a great opportunity to hear firsthand about the experiences, influences, and stories that continue to shape her work. They discuss how she has navigated the industry, developed her craft, and embraced the opportunities and challenges of an international career. Shabana Azeez has quickly established herself as one of the most exciting actors to watch with her undeniable talent and magnetic screen presence.  As a breakout star of HBO Max's Emmy-winning hit series, THE PITT, she can be seen reprising her role as “Victoria Javadi” in the second season which is currently streaming on Max in the USA, Binge in Australia and a number of other platforms around the world. She recently wrapped production on SBS's new drama, THE AIRPORT CHAPLAIN. The eight-part series stars Shabana opposite Hugo Weaving and captures the high-stakes world of a bustling international airport, told through the struggles and triumphs of the workers who keep it running. Recently in film, she voiced the lead character of “Saira” in the animated feature film LESBIAN SPACE PRINCESS which was selected for the 2025 Berlinale where it won the Teddy Award and honored with an AACTA Award for ‘Best Indie Film'. Previously in film, she starred as “Irene” in the feature film, BIRDEATER, for which she was awarded ‘Best Actress' by the Australian Film Critics Association. The film also won the AACTA for ‘Best Independent Feature Film', the audience award for ‘Best Australian Narrative Feature at Sydney Film Festival' and had sold out screenings at Melbourne International Film Festival prior to a very well-received release in the USA at SXSW. Shabana co-won ‘Best Female Actor' at Tropfest in 2019 and was nominated for ‘Best Performance' at Stellar Film Festival and ‘Best Actress' at the South Australian Screen Awards for her work in the feature CRUSH. She also plays “Lali” in the short film I'M THE MOST RACIST PERSON I KNOW which won the Special Jury Award at SXSW 2025, ‘Best Short Film' at Cinefest Oz in 2025 and ‘Best Short Film' at the 2026 AACTA Awards. Previous television credits include roles on the animated series TALES FROM OUTER SUBURBIA, ABC's IN LIMBO, SBS's THE HUNTING, Netflix's APPLE CIDER VINEGAR, Disney+'s NAUTILUS, ABC'S UTOPIA and WHY ARE YOU LIKE THIS?. Shabana also regularly lends her voice and talent for accents to voiceover work and audiobooks, including the very important story Home to Biloela by Priya Nadesalingam.  Splitting her time between Australia and Los Angeles, she continues to take on bold, diverse roles that showcase her talent and versatility while highlighting her passion for telling stories that push the envelope.

We love movies!!! AHHH!!! And to show that love, we attended a few of the films at the Sydney Film Festival and wanted to chat about what we thought about them. Films we watched:The InvitePressureWhispers in the WoodsTeenage Sex and Death at Camp MiasmaMinotaur Nuisance BearThe FoxFjordHistory of Concrete Paper TigerIf you have any questions or requests, send them to askwwwtpodcast@gmail.comFind us through:YouTube: https://www.youtube.com/@whowouldwatchthisInstagram: https://www.instagram.com/whowouldwatchthis/TikTok: @podcastwhowouldwatchthisLetterboxd:Carl: https://letterboxd.com/carlllllllllll1/Oscar: https://letterboxd.com/oscarfart/More links: https://linktr.ee/whowouldwatchthis  

Фильм Андрея Звягинцева «Минотавр» получил главную награду Sydney Film Festival после триумфа на Каннском кинофестивале. Перед австралийской премьерой фильма Звягинцев рассказал SBS Russian о том, что удивило его в реакции зрителей в Каннах и каково быть иммигрантом.Больше историй, интервью и новостей от SBS Russian доступно здесь.Слушайте программу на русском языке SBS по понедельникам, четвергам и субботам в 12 часов дня.Читайте нас в Facebook и подпишитесь на наши подкасты по этой ссылке.Смотрите прямые трансляции Чемпионата мира по футболу FIFA 2026™ бесплатно на SBS On Demand.

We head to the Sydney Film Festival for a candid discussion with filmmakers on the highs and lows of low-budget production. Featuring voices from across this year's program, including Hyun Lee (French Girls), Anthony Frith (Mockbuster) and Christian Byers (Death of an Undertaker).Presented in partnership with UTS Creative Practice Research Group.Presenter, Jason Di RossoProducer, Sarah CorbettSound, Carey Dell

We head to the Sydney Film Festival for a candid discussion with filmmakers on the highs and lows of low-budget production. Featuring voices from across this year's program, including Hyun Lee (French Girls), Anthony Frith (Mockbuster) and Christian Byers (Death of an Undertaker).Presented in partnership with UTS Creative Practice Research Group.Presenter, Jason Di RossoProducer, Sarah CorbettSound, Carey Dell

For this Out Takes, we put the spotlight on three queer filmmakers whose films are featured in this year's Sydney Film Festival which is on now until June 14. First up, we spoke with Gregg Araki, the legendary gay filmmaker whose latest film ‘I Want Your Sex’ is a queer highlight in this year's Sydney Film Festival program. Noted for his involvement with the New Queer Cinema movement, his filmography includes the Teenage Apocalypse film trilogy from the 90’s and his 2010 film Kaboom was also the inaugural winner of the Queer Palm at the Cannes Film Festival. His latest film stars Olivia Wilde, Cooper Hoffman and Charli XCX in what has been described as an enjoyably outrageous, risqué sex-comedy, set in the Los Angeles contemporary art scene. We jumped at the chance to speak with him and in this interview, we discussed his motivation for telling this story, his influence on the lead characters and how he feels now about being labelled one of the pioneers of New Queer Cinema. Next up, we took a look at ‘Joy Boy: A Tribute To Julius Eastman’ which is described as a prismatic, polyphonic tribute by six artists to the prolific visionary queer African American composer and noted as one of the unsung pioneers of 20th century minimalism. Created by a collective of Belgian-Congolese artists, this spell-binding film channels the radical energy of Julius Eastman, a Black, gay iconoclast who challenged the conventions of minimalism, fusing avant-garde techniques with pop and free jazz in 1970s and ’80s New York. Structured in four chapters, the film honours Eastman’s key works through incredible visuals, archival recordings and exuberant choreography. Two of the people involved in the project are curator, researcher, and artist Mawena Yehouessi who positions herself as a “collisionist,” stating she explores the frictions and assemblages between disciplines, formats, and narratives; and composer, artist, and performer Fallon Manyanja who in her work mobilizes different relationships with our environment and social, inter-relational, and self-reflexive ideas. W caught up with the real-life couple online from their Paris apartment to discuss the project in the lead up to it screening at this year's Sydney Film Festival and we discussed how they first came to know about Julius Eastman and his work, their process in bringing these stories together to explore his prolific career and more. The post Sydney Film Festival 2026 with special guests Gregg Araki, Mawena Yehouessi and Fallon Manyanja appeared first on Out Takes.

รายละเอียดรัฐบาลออสเตรเลียประกาศการปฏิรูประบบจัดหางานและช่วยเหลือผู้ว่างงานครั้งใหญ่ที่สุดในรอบกว่า 30 ปี | เทศกาลหนังที่นครซิดนีย์ (Sydney Film Festival) ปีนี้ มีภาพยนตร์ไทย 2 เรื่องเข้าร่วม เดินทางต่อจากเทศกาลภาพยนตร์ที่เมืองคานน์ กับ ‘9 วัดสู่สวรรค์' โดยสมพจน์ ชิตเกสรพงศ์ และ ‘ครัวสาว' โดยเป็นเอก รัตนเรือง

With his latest film ‘I Want Your Sex’ about to have its Australian Premiere at the Sydney Film Festival, we jumped at the opportunity to speak with Gregg Araki about the film, its incredible cast and more. Noted for his involvement with the New Queer Cinema movement, Gregg Araki’s filmography includes the Teenage Apocalypse film trilogy from the 90’s, consisting of Totally F***ed Up, The Doom Generation and Nowhere, all which have been heralded as cult classics. His 2010 film Kaboom was also the inaugural winner of the Queer Palm at the Cannes Film Festival. His latest film stars Olivia Wilde, Cooper Hoffman and Charli XCX in what has been described as an enjoyably outrageous, risqué sex-comedy, set in the Los Angeles contemporary art scene. For this Out Takes Extra, we discussed his motivation for telling this story, his influence on the lead characters and how he feels now about being labelled one of the pioneers of New Queer Cinema. As expected, he is full of great stories and insights, so we highly recommend you listen to this then book your tickets immediately for ‘I Want Your Sex’ at the Sydney Film Festival before they sell-out! The post Out Takes Extra Gregg Araki on I Want Your Sex for the Sydney Film Festival appeared first on Out Takes.

La regista e sceneggiatrice Carolina Cavalli ci parla del suo secondo film.Seguici su Facebook e Instagram o abbonati ai nostri podcast cliccando qui. 

Anthony Frith joins Matthew Pejkovic on the Matt's Movie Reviews Podcast to talk about his new movie Mockbuster, a documentary that chronicles Anthony's last ditch effort to direct a feature film when he agrees to take on a project produced by the legendary trash movie house The Asylum. The catch: Anthony has six days to shoot a dinosaur film in suburban Adelaide on a shoestring budget. Playing at the Sydney Film Festival: https://www.sff.org.au/program/event/mockbuster/  Matt's Movie Reviews Podcast listed in FeedSpot's Top 100 Movie Podcasts  Support Matt's Movie Reviews PayPal TeePublic Amazon Follow Matt's Movie Reviews Website  Youtube Facebook Instagram  Rumble

The 73rd edition of the Sydney Film Festival, one of the most prestigious events in world cinema, will be held from 3 to 14 June 2026. This year's festival will screen more than a hundred films from different countries around the world, including 19 films that have come directly from the Cannes Film Festival. - বিশ্ব সিনেমার অন্যতম মর্যাদাপূর্ণ আয়োজন সিডনি ফিল্ম ফেস্টিভ্যালের ৭৩তম আসর অনুষ্ঠিত হচ্ছে ৩ থেকে ১৪ জুন ২০২৬ পর্যন্ত। এবারের উৎসবে বিশ্বের বিভিন্ন দেশের শতাধিক চলচ্চিত্র প্রদর্শিত হচ্ছে, যার মধ্যে কান চলচ্চিত্র উৎসব থেকে সরাসরি আসা ১৯টি চলচ্চিত্রও রয়েছে।

Leo Woodall and Havana Rose Liu talk Tuner, a slick crime thriller also starring Dustin Hoffman, which follows a gifted piano tuner pulled into something darker.Afghan filmmaker Shahrbanoo Sadat on No Good Men, Afghanistan's (terrific) first rom-com, screening as part of Sydney Film Festival.Presenter, Jason Di RossoProducer, Sarah CorbettSound, Carey DellArts editor, Rhiannon Brown

Leo Woodall and Havana Rose Liu talk Tuner, a slick crime thriller also starring Dustin Hoffman, which follows a gifted piano tuner pulled into something darker.Afghan filmmaker Shahrbanoo Sadat on No Good Men, Afghanistan's (terrific) first rom-com, screening as part of Sydney Film Festival.Presenter, Jason Di RossoProducer, Sarah CorbettSound, Carey DellArts editor, Rhiannon Brown

The debut feature film of Cypriot filmmaker Myrsini Aristidou, titled Hold Me, is coming to this year's Sydney Film Festival, having already won the Audience Award in the World Cinema Dramatic Competition at the Sundance Film Festival. The film will be screened on June 6 and 7 as part of the Festival's official program. - Η πρώτη μεγάλου μήκους ταινία της Κύπριας δημιουργού Μυρσίνη Αριστείδου με τίτλο «Κράτα με» έρχεται στο φετινό Φεστιβάλ Κινηματογράφου του Σύδνεϋ, έχοντας ήδη κατακτήσει το Βραβείο Κοινού στην κατηγορία World Cinema Dramatic του Sundance Film Festival. Η ταινία θα προβληθεί στις 6 και 7 Ιουνίου, στο πλαίσιο του επίσημου προγράμματος του Φεστιβάλ.

Young Bangladeshi filmmaker Rezwan Shahriar Sumit's film 'Master' has secured a place at the upcoming 73rd Sydney Film Festival, one of the oldest film festivals of Australia. Through the lens of local politics in a remote region of Bangladesh, the film offers a powerful reflection of the country's broader political landscape, exploring the dynamics of power, influence, and social change. - তরুণ বাংলাদেশী চলচ্চিত্র নির্মাতা রেজওয়ান শাহরিয়ার সুমিতের চলচ্চিত্র ‘মাস্টার' আসন্ন ৭৩তম সিডনি চলচ্চিত্র উৎসবে স্থান করে নিয়েছে। বাংলাদেশের এক প্রত্যন্ত অঞ্চলের স্থানীয় রাজনীতির মাধ্যমে চলচ্চিত্রটি দেশের বৃহত্তর রাজনৈতিক প্রেক্ষাপটের এক শক্তিশালী প্রতিফলন তুলে ধরে।

Marina Person é a atriz principal do filme a mostrar uma chef que abre o próprio negócio de vinhos artesanais, sua grande paixão, no coração de São Paulo. A produção brasileira é parte do Sydney Film Festival e do Spanish and Latin American Film Festival, ambos este junho. Conversamos com o diretor Gabe Klinger.

Melbourne-based filmmaker Anoop Lokkur's debut semi-autobiographical film 'Don't Tell Mother' is set in 1990s Bengaluru, India. The film provides a glimpse into the complexities of family and human relationships, and the normalised physical violence in schools in those days. Speaking with SBS Hindi, he reveals his motivation for making the film, the challenges, and the emotional complexities of working with children, the lead actors who are just 5 and 9 years old.

Bộ phim tài liệu "Baby Jackfruit, Baby Guava" của đạo diễn Nông Nhật Quang là tác phẩm Việt Nam duy nhất có mặt tại Liên hoan Phim Sydney 2026 trong hạng mục Phim Tài liệu Quốc tế.

The 73rd edition of the Sydney Film Festival runs from the 3rd to the 14th of June in various locations across Sydney, featuring more thah 250 films from 81 countries, including Cannes winners and groundbreaking new voices. The post Sydney Film Festival, interview with festival director Nashen Moodley appeared first on Fred Film Radio.

The 73rd edition of the Sydney Film Festival runs from the 3rd to the 14th of June in various locations across Sydney, featuring more thah 250 films from 81 countries, including Cannes winners and groundbreaking new voices. The post Sydney Film Festival, interview with festival director Nashen Moodley appeared first on Fred Film Radio.

The 73rd edition of the Sydney Film Festival runs from the 3rd to the 14th of June in various locations across Sydney, featuring more thah 250 films from 81 countries, including Cannes winners and groundbreaking new voices. The post Sydney Film Festival, interview with festival director Nashen Moodley appeared first on Fred Film Radio.

The 73rd edition of the Sydney Film Festival runs from the 3rd to the 14th of June in various locations across Sydney, featuring more thah 250 films from 81 countries, including Cannes winners and groundbreaking new voices. The post Sydney Film Festival, interview with festival director Nashen Moodley appeared first on Fred Film Radio.

The 73rd edition of the Sydney Film Festival runs from the 3rd to the 14th of June in various locations across Sydney, featuring more thah 250 films from 81 countries, including Cannes winners and groundbreaking new voices. The post Sydney Film Festival, interview with festival director Nashen Moodley appeared first on Fred Film Radio.

The 73rd edition of the Sydney Film Festival runs from the 3rd to the 14th of June in various locations across Sydney, featuring more thah 250 films from 81 countries, including Cannes winners and groundbreaking new voices. The post Sydney Film Festival, interview with festival director Nashen Moodley appeared first on Fred Film Radio.

Кінострічка "Сліди", що підкорила Berlinale та отримала нагороду в Ґаазі, нарешті постане перед австралійськими глядачами у Сіднеї у рамцях популярного кінофестивалю 2026 Sydney Film Festival, що пройде 3 -14 червня. Українська кінорежисерка і документалістка Аліса Коваленко розповідає для SBS Ukrainian не тільки про Traces (Сліди) та події навколо нього, а й про її волонтерську роботу в правозахисній організації Sema Ukraine...

Twenty year old You Tube star turned A24 filmmaker Kane Parsons discusses Backrooms, his disorienting horror starring Chiwetel Ejiofor and Renate Reinsve.Georgian filmmaker Alexandre Koberidze's sublime road movie Dry Leaf is about to screen as part of this year's Sydney Film Festival. Shot on a 2010 flip phone, it follows a father searching across rural Georgia for his missing daughter. Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Allyse SymonsArts editor, Rhiannon Brown

Twenty year old You Tube star turned A24 filmmaker Kane Parsons discusses Backrooms, his disorienting horror starring Chiwetel Ejiofor and Renate Reinsve.Georgian filmmaker Alexandre Koberidze's sublime road movie Dry Leaf is about to screen as part of this year's Sydney Film Festival. Shot on a 2010 flip phone, it follows a father searching across rural Georgia for his missing daughter. Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Allyse SymonsArts editor, Rhiannon Brown

For this Out Takes, we put the spotlight on two queer filmmakers whose films are featured in this year's Sydney Film Festival. The 73rd edition of the festival will showcase the very best in contemporary cinema from June 3 to 14 and features an incredible selection of films from around the world, Our first guest was L.A. based filmmaker, writer, and multimedia artist William D. Caballero who is known for blending documentary, animation, and miniature world-building into visually inventive, emotionally grounded storytelling. ‘TheyDream’ is his debut feature film in which William returns home to be with his mother as they navigate the loss of their family members. Together, they draw on family audio and video, and step into the roles of their relatives – reimagined through vivid animation. We spoke with him in the lead up to his visit to Australia to present his film at the Sydney Film Festival and we discussed his career, his storytelling process, how his bisexuality was a key part of shaping this story and much more. We were then joined from Sydney by Dean Francis whose latest film ‘Body Blow’ is described as a neon-noir exploring sex, power, and queer identity starring Tim Pocock, Tom Rodgers, Paul Capsis and Sacha Horler in a genre defining Aussie film that is unashamedly queer and chaotic. We caught up with the writer, producer and director in the lead up to the highly anticipated screenings of his film at the Sydney Film Festival and we got to discuss his career as an all-rounder in the industry, his inspirations for this bold slick erotic thriller, how he landed on this incredible cast plus we discuss the films brilliant marketing campaign that includes collector cards, t-shirts and limited edition cock cages! The post Sydney Film Festival 2026 featuring William D. Caballero for TheyDream and Dean Francis for Body Blow appeared first on Out Takes.

Sean & Jim discuss the Cannes 2026 winners and look forward to the line-up of outstanding films at the upcoming Sydney Film Festival. Films discussed include: Fjord, Minotaur, The Dreamed Adventure, Fatherland, Everytime, Gentle Monster, Parallel Tales, Sheep in the Box, Queen at Sea, Ben'Imana, Yellow Letters – and many more! Facebook – In Competition Film Podcast Instagram - incompetitionfilmpod

“Filipiñana” is a film that explores Filipino identity through themes of history, culture, and lived experiences in the modern world. It began as a film school project before gaining recognition on the international stage, and is now part of the Sydney Film Festival 2026. - Ang “Filipiñana” ay isang pelikulang tumatalakay sa pagkakakilanlan ng Pilipino sa pamamagitan ng mga temang kasaysayan, kultura, at karanasan sa makabagong panahon. Nagsimula ito bilang proyekto sa film school bago kinilala sa international stage, at ngayon ay tampok sa Sydney Film Festival 2026.

Filmmaker Jordan Giusti's Floodland is an impactful documentary that takes audiences to the flood-prone landscape of Lismore, NSW. Thousands of people call the region home, and yet, due to the climate crisis and government inaction, they find themselves in horrifying situations where their homes are swept away, they lose friends and family, and pets and livestock end up as collateral damage for an ongoing emergency that has no solution in sight. Resilience is a word that's used for those who call Lismore home, the flood capital of Australia, but Jordan's documentary shows that there is a way to solve this crisis.Shot with an immediacy and the level of compassion and understanding that elevates the crisis at hand, Floodland is a powerful document for the region, the people who call it home, and their future.The following interview sees Nadine Whitney, someone who lived in the region, interview Jordan and producer Rachel Forbes about making the film. This interview was recorded ahead of the films screenings at the Sydney Film Festival, and is being published now ahead of Floodland's release around Australia this week.For screening dates and information, visit Floodland.com.au.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

Filmmaker Jordan Giusti's Floodland is an impactful documentary that takes audiences to the flood-prone landscape of Lismore, NSW. Thousands of people call the region home, and yet, due to the climate crisis and government inaction, they find themselves in horrifying situations where their homes are swept away, they lose friends and family, and pets and livestock end up as collateral damage for an ongoing emergency that has no solution in sight. Resilience is a word that's used for those who call Lismore home, the flood capital of Australia, but Jordan's documentary shows that there is a way to solve this crisis.Shot with an immediacy and the level of compassion and understanding that elevates the crisis at hand, Floodland is a powerful document for the region, the people who call it home, and their future.The following interview sees Nadine Whitney, someone who lived in the region, interview Jordan and producer Rachel Forbes about making the film. This interview was recorded ahead of the films screenings at the Sydney Film Festival, and is being published now ahead of Floodland's release around Australia this week.For screening dates and information, visit Floodland.com.au.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

After having its world premiere at the Adelaide Film Festival in 2024, and having screened at SXSW and Sydney Film Festival, Kate Blackmore's essential documentary Make it Look Real is now available to view on Netflix. I've followed the journey of this documentary with keen interest, having discussed the film at length in conversations with Kate, co-star Albert Mwangi, and now, bringing the conversation full circle, producer Bethany Bruce.In this deep conversation, Bethany talks about her journey into the arts, what her interest in producing has been, how her work with Staple Fiction is changing storytelling on Australian screens, and what it was like to work with Kate on this powerful documentary.If this is the first time you're hearing of Make it Look Real, then welcome. This is a documentary that lifts the veil on intimacy coordinators, following their journey in film from the initial phases to the day of the shoot. In between scenes of working through the intimacy coordinator process, the film explores how films like Last Tango in Paris could have benefited from having an intimacy coordinator on set. Additionally, while this film is about film and TV production, it does open up discussion for others about consent when it comes to personal relationships.Check out Make it Look Real on Netflix right now, and to find out more about Bethany's work, visit StapleFiction.com.au.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats just like this one appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

After having its world premiere at the Adelaide Film Festival in 2024, and having screened at SXSW and Sydney Film Festival, Kate Blackmore's essential documentary Make it Look Real is now available to view on Netflix. I've followed the journey of this documentary with keen interest, having discussed the film at length in conversations with Kate, co-star Albert Mwangi, and now, bringing the conversation full circle, producer Bethany Bruce.In this deep conversation, Bethany talks about her journey into the arts, what her interest in producing has been, how her work with Staple Fiction is changing storytelling on Australian screens, and what it was like to work with Kate on this powerful documentary.If this is the first time you're hearing of Make it Look Real, then welcome. This is a documentary that lifts the veil on intimacy coordinators, following their journey in film from the initial phases to the day of the shoot. In between scenes of working through the intimacy coordinator process, the film explores how films like Last Tango in Paris could have benefited from having an intimacy coordinator on set. Additionally, while this film is about film and TV production, it does open up discussion for others about consent when it comes to personal relationships.Check out Make it Look Real on Netflix right now, and to find out more about Bethany's work, visit StapleFiction.com.au.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats just like this one appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

Dreams, imagination and sobering realities meld in this absolutely magical debut, in which a young girl must decide whether to leave her volcanic island home.The island of Fogo, Cape Verde is singular in its beauty. Drylands give way to black-sand beaches, while villagers gather in intimately cluttered homes. Director Denise Fernandes' attention to lyrical detail highlights the profound love that young Nana (Dailma Mendes as a child, Sanaya Andrade as a teen) has for her home. But for all its visual poetry, many residents seek to escape the island's hard living. When her mother returns after decades away, Nana is faced with an impossible decision. Seamlessly moving between realism and the surreal – including a journey to a reality-warping volcano – Fernandes entwines myth and hard truths to tell a unique coming-of-age tale about what it means to belong to a place.Nadine Whitney interview director Denise Fernandes about her film Hanami. This interview was recorded ahead of the films screening at the Sydney Film Festival. Keep an eye out for future screening details.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. Hosted on Acast. See acast.com/privacy for more information.

Travis Johnson joins Mike and Max to talk about the films of the Sydney Film Festival! Dangerous Animals, Deeper, and Together are just some of his highlights as the three briefly talk 28 Years Later, and reminisce about Marcus Nispel's Pathfinder.Find Us on these Platforms:Guest- Travis Johnson: BlueSky/Bluntmag Work https://bsky.app/profile/travisjj.bsky.social https://bluntmag.com.au/author/travisjohnson/The Boys-Action For Everyone: Twitter/BlueSky/Twitch/Instagram https://x.com/A4EPodcast https://bsky.app/profile/a4epodcast.bsky.social https://www.twitch.tv/action4everyone https://www.instagram.com/a4epodcast/Michael Scott: BlueSky- https://bsky.app/profile/hibachijustice.bsky.socialVyceVictus: Twitter/BlueSky/Instagram/Letterboxd- https://x.com/VyceVictus https://bsky.app/profile/vycevictus.bsky.social https://www.instagram.com/vycevictus/ https://letterboxd.com/vycevictus/ Liam O'Donnell: Twitter/Instagram- https://x.com/LiamODin https://www.instagram.com/liamodin/?hl=enMax Deering: Twitter/Bluesky/Letterboxd/Polygon- https://x.com/ODSTSpartan https://bsky.app/profile/odstspartan.bsky.social https://letterboxd.com/ODSTSpartan/https://www.polygon.com/horror/562913/sinners-black-vampire-movies-list-watchhttps://www.neonsplatter.com/editorials/the-neon-splatter-interview-micho-rutare-of-predator-killer-of-killers

As I tell Gabrielle in the following interview, when a new Gabrielle Brady film emerges into the world, it is like the arrival of a gift, one that pulls us into a mindset of considering the lives of others, including those of the crabs of Christmas Island, or maybe the horses of the Gobi Desert. It's one that encourages us to see the world of truth differently. That notion of truth is something I've asked filmmakers a lot lately, and I'm conscious of its almost accusatory nature, as if documentary filmmaking must adhere to one True Reality. But it's impossible. The truth can never be captured on screen, and truth is in itself a falsity. After all, as soon as you put a camera on an event, or slice it with an editing suite, or apply a score to it, you are skewing reality away from the truth. Documentary storytelling is, by its own creation, not the truth. Yet, the emotions that we're left with and the memories that linger in our mind after the film has long played out, become a source of truth. Yet, as I slip into this spiral a little further, it's clear that co-authored filmmaking like that of Gabrielle Brady's exists to explore versions of the truth, to bring stories of subjects and collaborators to life, and to enrich our collective world.These notions are underpinned by Gabrielle's choice to study at the prestigious La Escuela Internacional de Cine in Cuba, a place which fosters the notion to 'defend the rights to ones own image' and to 'liberate the viewer's gaze'. These are ideas that I ask Gabrielle about in the following interview, which gives way to an open conversation about her creative process, and what it means to be able to work alongside people like Poh Lin, Davaa and Zaya, and Michael Latham, on her films.This interview was recorded ahead of Wolves' screenings at the Sydney Film Festival on 10 and 12 June. This is a film I urge audiences to see in a cinema, let it overwhelm your senses. Let it change you. If you're interested in reading about how the film changed me, then you can read my review here. Hosted on Acast. See acast.com/privacy for more information.

Zoe Pepper mines the generational wealth divide for all its worth in the acidic WA-made comedy Birthright. Cory (a perfectly cast deadpan Travis Jeffery) and his very pregnant wife Jasmine (an equally deadpan and delightful Maria Angelico) are getting the shaft from their rental. Stuffed in more ways than one, they load up all they can into the boot of their car and trundle off to the sanctuary of mum and dad, Cory's baby-boomer parents, Richard and Lyn (pitch perfect casting of Michael Hurst and Linda Cropper).Cory's parents live in a swanky abode in a leafy green suburb somewhere in Perth. Their house has more rooms than they need, with costly, barely used furniture swaddled in sheets and blankets to protect them from dust. Their home feels, well, a little soulless, like the misused result of decades of wealth accumulation; by any other name they might be called 'hoarders'.I couldn't help but unleash my praise on Zoe in the following interview, one which explores the foundations of the film, its relevance to now, the casting process, and the joys of bringing dark comedy to life on screen. I also apply a misreading to the film about a rock that Richard holds during one scene, summoning the name of one Scott Morrison, and alluding to his infamous embrace of coal in Parliament House.Birthright is the kind of film that'll shine with an audience, and for Aussies in Sydney, they'll get the chance to do so on Thursday 12 June, with two more sessions on 13 and 14 June at the Sydney Film Festival. Check out SFF.org.au for tickets and more details.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. Hosted on Acast. See acast.com/privacy for more information.

"Diciannove", opera prima di Giovanni Tortorici, arriva al Sydney Film Festival dopo i passaggi a Venezia e Toronto. Un film autobiografico e rarefatto sulla solitudine a diciannove anni.

Amalie Atkins loving documentary Agatha's Almanac follows Agatha Bock, Amalie's aunt, as she lives her life on a farm in southern Manitoba, tending to the vegetables, beans, and the soil. She preserves the heirloom seeds she has nurtured and maintained for decades, connecting her to her families past, and tenderly supporting herself using traditional methods. Agatha is also 90 years old, with her connection to the soil being a life-enriching experience.The charm of the film not only comes from Agatha's connection to her farming skills, but also from the various stories about her life that she tells. Whether it's the different suitors who have proposed to her over the years, or an accident that she had while tending to a window, or in one poignant moment, her memories of her siblings who have passed, Agatha's stories show a life fully lived with love, sadness, and joy.Agatha's Almanac is shot on 16-mm film, creating a warm, tangible feeling that lingers through every frame. The kiss of the sun on a cold day is felt so keenly, with the varied shades of green lifting spirits as the joyous score of 'Green garden music' plays over the soundtrack. The film was shot with an all-female crew over six years, culminating in an experience that is unexpected and delightful, like a warm hug you had no idea you needed.The following interview with Amalie was recorded ahead of the films screenings at the Sydney Film Festival on 6, 7 and 9 June, where she will be in attendance for Q&A sessions. In this chat, Amalie talks about the tangible nature of the film, one that is interspersed with shots of much-loved gloves, of Amalie's fabric-based artwork, and of course, of the gardens. She also talks about getting to bring her families history to life on screen. We also talk about intergenerational love, and why passing along work practices is important. I had a delight watching Agatha's Almanac, and that delight was matched by this charming discussion with Amalie. To find out more about her work, visit AmalieAtkins.ca, and to pick up tickets to the film, visit SFF.org.au.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories from storytellers to a wider audience. Hosted on Acast. See acast.com/privacy for more information.

A Japanese food documentary 'Tokito: The 540-Day Journey of a Culinary Maverick,' will be screened at the 71st Sydney Film Festival this month. The film follows a group of chefs who attempt to transcend the boundaries of tradition and create a new Japanese cuisine. During the process of finding food suppliers, issues of the environment, agriculture and food come to light. We spoke to the film's director, Aki Mizutani. - 今月の第71回シドニー映画祭（Sydney Film Festival）で上映される「ときと　革新の料理人たち、540日の記録」。伝統の枠を超え新しい和食を作り出そうとする料理人たちの姿を追います。そこに透けて見える環境、農業、食の問題。作品の監督を務めた水谷明希さんにお話を聞きました。

Queensland: Beautiful one day, deadly the next! For American drifter Zephyr (Hassie Harrison) the gorgeous Gold Coast supplies her with great surfing and anonymity where she can leave her dark past behind. For psychopathic fisherman Tucker (Jai Courtney) the ocean provides him with a living, but his real interest lie in dying: the death of those he reels on to his boat to feed the sharks.Sean Byrne's Dangerous Animals harkens back to Ozsploiation in the best way. It's brutal, quick paced, and one hell of a survival horror. Sharks plus serial killer – the perfect bait for Aussie entertainment.Nadine Whitney spoke with Jai Courtney, Sean Byrne, and Hassie Harrison about dipping their toes into shark infested waters.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories from storytellers to a wider audience.Dangerous Animals screens at the Sydney Film Festival on 6 June 2025. Tickets are available via SFF.org.au. Hosted on Acast. See acast.com/privacy for more information.

Director Justin Kurzel has crafted a filmography built on exploring the impact of trauma and violence on a nation. Whether it be his excoriating debut film Snowtown or the acts of cautionary storytelling with Nitram and The Order, Kurzel's work questions how violence and trauma lingers in our bodies, our minds, and in our lands. That's a notion that he explores with impressive strength with his first foray into documentary filmmaking, Ellis Park.There's catharsis in Ellis Park, partially because of Warren Ellis and his healing violin, but – as the man says himself – his presence is minimal compared to the presence of Femke and the conservationists. Yet, when paired with Kurzel and editor Nick Fenton, they collectively bring light to a horrifying trade that scars the environment. I'm shaken by Ellis Park because of its presentation of trauma, but equally so for its depiction of empathy, consideration, and support.This is, oddly, my first time talking to Justin Kurzel. Having listened to and read countless interviews by him, I was aware that I would be engaging with someone who is a deeply empathetic soul, yet I was still left disarmed by his connection to his openness about his connection to his work, his family, and to the art of cinema.To support the film, Warren Ellis and Justin Kurzel will be running Q&A sessions around the nation. All of the details are in the show notes, but make sure to pick up tickets in advance when the film kicks off with a virtual Q&A with Warren Ellis at Perth's Luna Leederville cinemas on 5 June, concluding with a Sydney Film Festival and Vivid Sydney exclusive event on 8 June at the State Theatre. Ellis Park then releases wide across Australia on 12 June 2025.The Ellis Park sanctuary is part of the Jakarta Animal Aid Network, a non-government, non-profit organisation that was established in 2004 to protect Indonesian wildlife, with a focusing on animal cruelty and rescuing animals from the noxious illegal animal trade network. To support the organisation, visit EllisPark.org.For the month of June 2025, every dollar from Patreon will be sent as a donation to Ellis Park sanctuary, so please consider joining and supporting the Curb and the sanctuary.Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your film loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories from storytellers to a wider audience. Hosted on Acast. See acast.com/privacy for more information.

Dopo aver vinto il premio come miglior opera prima alla XIX edizione della Festa del Cinema di Roma, la pellicola approda in Australia.

Sarah Roberts has been through more than most people in the last five years. The actor and DJ lost her brother in 2019, grappled with infertility and pregnancy loss and last year, ended her marriage to her former Home And Away co-star James Stewart. But Sarah believes that when she turned 40 last December, she finally turned a corner. In this exclusive conversation, Sarah joins us in the Something To Talk About studio to discuss what her life looks like now, reveal that she has found love again, and discuss how appearing in Make It Look Real, a new documentary about the rise of intimacy coordinators on film and television sets, taught her how to finally set boundaries — and in the process, changed her life for the better. This episode touches upon pregnancy loss. If you or someone you know needs support, visit Miscarriage Australia. You can watch Sarah in her new documentary Make It Look Real at the 2025 Sydney Film Festival, 4-15 June. Watch the full episode with Sarah here. Something To Talk About is a podcast by Stellar, hosted by Sarrah Le Marquand Find more from Stellar via Instagram @stellarmag or stellarmag.com.au See omnystudio.com/listener for privacy information.

There's a delirious level of dark comedy that thrives in the new short film DIY from director Tony Gardiner and writer Lachlan Marks. A woman, played with a disarming ease by Claire Lovering, is mourning the passing of her dog. As she drills into the wall to hang up a picture of her pup, she is surprised to find blood coming out of the hole. Heading to the other side of the wall, she finds the dead body - the first of the dilemmas she encounters. The next is Damon Herriman's organised crime cleaner. From here, DIY unfurls in a delirious level of bleak comedy that splashes the audience with acidity as we're invited to laugh along with the depths that Tony and Lachlan's characters fall into.I caught up with Tony and Lachlan ahead of DIYs screenings at both the St Kilda Film Festival on 8 June and the Sydney Film Festival on 14 June, where the film is a finalist in the Dendy Awards for Australian Short Films. In the following interview, Tony and Lachlan talk about their collaborative approach to horror-comedy filmmaking, while Tony talks about shifting from working on industry testing grounds like Neighbours and Home & Away onto projects like DIY. The two also talk about the political nature of filmmaking and how reflective and responsive the creative process can be.DIY is an absolute treat of a short film - the kind that blitzes by in a moment, leaving you with a giddy sensation at its close after having left you gasping for breath with its ability to draw laughs out of dark situations. This is the kind of film that thrives with an audience, and no doubt those who are in attendance at either St Kilda or Sydney will love the film.To find out more about the film, follow both Tony and Lachlan on Instagram.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us Hosted on Acast. See acast.com/privacy for more information.

El documental "Unwelcomed" retrata las dificultades que viven los inmigrantes venezolanos que han llegado a Chile en los últimos años y cómo los chilenos han ido asimilando esta compleja situación. Esta producción se presentará los días 8 y 15 de junio en el marco del Sydney Film Festival 2025. Escucha la entrevista con los directores del documental, Amílcar Infante y Sebastián González.

"Deaf" es una película que explora las experiencias y dificultades que enfrenta una mujer que padece sordera y que desea convertirse en madre. La protagonista de esta producción española, Miriam Garlo, padece sordera en la vida real y es hermana de la directora, Eva Libertad.

Neo Sora's film HAPPYEND will be screened at this year's Sydney Film Festival, which kicks off on June 4. We're revisiting our interview with the director, originally recorded in December 2024. - 6月4日から始まるシドニー・フィルム・フェスティバルで、空音央（そら・ねお）監督の長編映画デビュー作『HAPPYEND』が上映されます。監督と昨年行ったインタビューを再度お届けします！

Send us a textIn this week's Reference Max we have something for everyone, intoxicated by the thrill of Drop, galloping into the visual arms of On Swift Horses, getting insight on the danger and importance of journalism in The Correspondent, making new friendos and lovers with Clowns in a Cornfield and finding the harmony in Tinā.NOTE: On Swift Horses is currently out in US cinemas and has just been announced as part of Sydney Film Festival program. Clown in a Cornfield in AUS cinemas May 8 and US cinemas May 9.Thanks to studios & PR for interviews on most of the films covered...Interview with “DROP” Director, Christopher Landon (video/audio)Interview with “On Swift Horses” Director, Daniel Minahan (audio only)Interview with “The Correspondent” Director, Kriv Stenders (audio only)Interview with “TINĀ” Director/Writer, Miki Magasiva and Actor, Anapela Polataivao (video/audio)Website | Rotten Tomatoes | Linktree | Youtube | Twitter | Instagram