Podcasts about cyprien katsaris

Jed discusses nine live and unedited performances of Liszt's monumental Piano Sonata in B Minor. Pianists include Simon Barere, Jorge Bolet, Claudio Arrau, Howard Karp, Sviatoslav Richter, Irén Marik, Cyprien Katsaris, Terence Judd and Vladimir Horowitz.Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven Here are some links to some of the performances mentioned in this episode:Vladimir Horowitz Carnegie Hall Recital March 19th 1978 - https://www.youtube.com/watch?v=AfkAkMoQ6QUHoward Karp Liszt Sonata - https://www.youtube.com/watch?v=96zA4CgJuosSimon Barere Liszt Sonata (excerpt) - https://www.youtube.com/watch?v=WZLn3i-eQi0Cyyprien Katsaris Liszt Sonata - https://www.youtube.com/watch?v=SgNytL777PkTerence Judd Liszt Sonata (excerpt) https://www.youtube.com/watch?v=g8uHB_hO73kIren Marik Liszt Sonata - https://www.amazon.com/Iren-Marik-Mozart-Messiaen/dp/B000PSJCDS

Cycles devoted to Beethoven's Symphonies transcribed by Franz Liszt is the topic of today's episode.Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLink to Cyprien Katsaris playing the finale from the Beethoven/Liszt Symphony No. 3: https://www.youtube.com/watch?app=desktop&v=VoIu9l8F1g0&t=0sLink to the Tessa Uys and Ben Schoeman Piano Duo performing Beethoven's Ninth Symphony four hands: https://www.youtube.com/watch?v=HNXt-6WDPzw

These days I find myself in a pensive, troubled state, very much in need of the kind of consolation that only music can provide. A number of years ago, I published a pair of episodes featuring the sublime Margaret Price performing music of mourning and consolation. Today's episode presents an expanded and refurbished version of the second of those episodes, in a program composed entirely of art song, moving through a sequence of emotions surrounding loss. Composers include Johannes Brahms, Giuseppe Verdi, Robert Schumann, Enrique Granados, Franz Schubert, Grace Williams, Sergei Rachmaninov, Felix Mendelssohn, Philip Cannon, Hugo Wolf, Alban Berg, Maurice Ravel, Franz Liszt, Peter Cornelius, and Richard Strauss, and collaborating pianists and conductors include Claudio Abbado, Wolfgang Sawallisch, Cyprien Katsaris, Geoffrey Parsons, and Neville Marriner, as well as frequent collaborators James Lockhart and Thomas Dewey. A thorough traversal of the song repertoire by one of the supreme recitalists of the late 20th Century. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

0:00 Intro 0:36 Start 1:26 When did you start your YouTube channel, and when did you shift from recording performances to research into Whole Beat? 6:22 Which composers used the clavichord? 9:01 Did playing the Clavichord change the way you played Organ? 11:06 What is the Clavichord's touch like? 12:55 Piano vs Clavichord 18:21 What if we had to reconstruct jazz without having access to any sound recordings but rely only on written transcriptions 30:21 Weren't there musical mechanical clocks during Haydn's time that captured authentic 18th-century musical performance practice? 34:22 What is the Whole Beat Metronome Principle (WBMP)? 36:45 Wim responds to people playing Czerny at single beat tempo 47:18 If Whole Beat is true, why do students and eye-witnesses of the great composers play so fast? 54:31 Was Beethoven's metronome broken? 57:56 Don't the flyers and concert bills that advertise the concerts of these composers invalidate Whole Beat because the concerts would be too long as opposed to their actual advertised length? 1:03:11 What has been the general response to your research overall? 1:08:57 Injuries: The unspoken dark side of performance careers in Classical music 1:14:55 Beethoven recording gets canned because the musicians' careers got threatened  1:15:48 The most powerful classical music agent Ronald Wilford wouldn't allow Cyprien Katsaris to record/perform piano transcriptions if under contract 1:16:22 What does Wim think of partimento and classical improvisation? 1:20:46 Wim's favorite composers 1:23:13 Great compositions sound great slowed down, maybe even better than how they are typically played fast today 1:30:46 Whole Beat can't work because vocal music is impossible if singers have to hold notes that long 1:38:42 Carl Czerny: Whole Beat or Single Beat? 1:38:46 Beethoven: Whole Beat or Single Beat? 1:38:50 Mozart: Whole Beat or Single Beat? 1:39:04 Franz Liszt: Whole Beat or Single Beat? 1:39:14 Did Paris Conservatory graduates historically think in terms of Whole Beat? 1:39:28 Alkan: Whole Beat or Single Beat? 1:39:39 Tchaikovsky: Whole Beat or Single Beat? 1:39:49 Rachmaninoff: Whole Beat or Single Beat? 1:40:54 Debussy and Ravel: Whole Beat or Single Beat? 1:43:50 Rimsky-Korsakov and Stravinsky: Whole Beat or Single Beat? 1:44:13 What tempo should people play Bach? 1:45:23 Wrapping Up 1:47:10 Outro

Le trascrizioni per pianoforte di Franz LisztL. van Beethoven/F. Liszt - Symphony No. 5, Op. 67 (trascrizione per pianoforte)[00:05] - I. Allegro con brio[07:33] - II. Andante con moto[18:45] - III. Scherzo. Allegro[24:35] - VI. Allegro L. van Beethoven/F. Liszt - Symphony No. 1, Op. 21 (trascrizione per pianoforte)[37:11] - I. Adagio molto - Allegro con brio.[45:42] - II. Andante cantabile con moto.[54:46] - III. Menuetto. Allegro molto e vivace.[58:15] - IV. Adagio - Allegro molto vivace.Cyprien Katsaris, pianforte

Le trascrizioni per pianoforte di Franz LisztL. van Beethoven/F. Liszt - Symphony No. 5, Op. 67 (trascrizione per pianoforte)[00:05] - I. Allegro con brio[07:33] - II. Andante con moto[18:45] - III. Scherzo. Allegro[24:35] - VI. Allegro L. van Beethoven/F. Liszt - Symphony No. 1, Op. 21 (trascrizione per pianoforte)[37:11] - I. Adagio molto - Allegro con brio.[45:42] - II. Andante cantabile con moto.[54:46] - III. Menuetto. Allegro molto e vivace.[58:15] - IV. Adagio - Allegro molto vivace.Cyprien Katsaris, pianforte

Synopsis On this date in 1831, the 21-year-old Felix Mendelssohn conducted a concert in Munich consisting entirely of his own works — a concert that included the premiere of his “Piano Concerto in G Minor”, with its composer as the soloist. Mendelssohn was in high spirits and wrote these lines to family: “It is a glorious feeling to waken in the morning and to know that you are going to write the score of a grand allegro with all sorts of instruments … while bright weather promises a cheering, long walk in the afternoon. On the evening of the October 17th at half-past six, think of me, for then I will dash off with thirty violins and two sets of wind instruments [for] my new concerto in G minor. Every morning I have to write, correct and score till one o'clock, when I go to Scheidel's coffee house in Kaufinger Gasse, where I know each face by heart and find the same people every day in the same position: two playing chess, three looking on, five reading the newspapers, six eating their dinner — with me making up the seventh.” Unfortunately for posterity, Mendelssohn never said if he recognized any of that coffeehouse crowd sitting in the audience for the performance of his new concerto! Music Played in Today's Program Felix Mendelssohn (1809-1847) Piano Concerto No. 1, Op. 25 Cyprien Katsaris, piano; Leipzig Gewandhaus Orchestra; Kurt Masur, cond Teldec 8.43681

- Chciałem zademonstrować jak silne więzi muzyczne łączyły Chopina z jego uczniami, ponieważ niektóre z wybranych utworów brzmią, jak napisane przez mistrza - mówił w Programie 2 Polskiego Radia cypryjsko-francuski pianista Cyprien Katsaris, który wystąpił w Warszawie podczas 18. Międzynarodowego Festiwalu "Chopin i jego Europa".

Le trascrizioni per pianoforte di Franz LisztL. van Beethoven/F. Liszt - Symphony No. 5, Op. 67 (trascrizione per pianoforte)[00:05] - I. Allegro con brio[07:33] - II. Andante con moto[18:45] - III. Scherzo. Allegro[24:35] - VI. Allegro L. van Beethoven/F. Liszt - Symphony No. 1, Op. 21 (trascrizione per pianoforte)[37:11] - I. Adagio molto - Allegro con brio.[45:42] - II. Andante cantabile con moto.[54:46] - III. Menuetto. Allegro molto e vivace.[58:15] - IV. Adagio - Allegro molto vivace.Cyprien Katsaris, pianforte

L. van Beethoven/F. Liszt - Symphony No. 5, Op. 67 (trascrizione per pianoforte)[00:05] - I. Allegro con brio[07:33] - II. Andante con moto[18:45] - III. Scherzo. Allegro[24:35] - VI. Allegro**************L. van Beethoven/F. Liszt - Symphony No. 1, Op. 21 (trascrizione per pianoforte)[37:11] - I. Adagio molto - Allegro con brio.[45:42] - II. Andante cantabile con moto.[54:46] - III. Menuetto. Allegro molto e vivace.[58:15] - IV. Adagio - Allegro molto vivace.Cyprien Katsaris, pianforte

Pianist Cyprien Katsaris on koondanud albumile valitud palad ja arranžeeringud klaverile oma hingesugulaste loomingust.

durée : 01:28:08 - Cyprien Katsaris, pianiste (4/4) - par : François-Xavier Szymczak - Cyprien Katsaris est un artiste inclassable. Né à Marseille le 5 mai 1951 d’une famille franco-chypriote, ce citoyen du monde grandit au Cameroun avant d’entrer au Conservatoire de Paris, dans les classes d’Aline van Barentzen et Monique de La Bruchollerie. - réalisé par : Céline Parfenoff

durée : 01:29:38 - Cyprien Katsaris, pianiste (3/4) - par : François-Xavier Szymczak - Cyprien Katsaris est un artiste inclassable. Né à Marseille le 5 mai 1951 d’une famille franco-chypriote, ce citoyen du monde grandit au Cameroun avant d’entrer au Conservatoire de Paris, dans les classes d’Aline van Barentzen et Monique de La Bruchollerie. - réalisé par : Céline Parfenoff

durée : 01:28:27 - Cyprien Katsaris, pianiste (2/4) - par : François-Xavier Szymczak - Cyprien Katsaris est un artiste inclassable. Né à Marseille le 5 mai 1951 d’une famille franco-chypriote, ce citoyen du monde grandit au Cameroun avant d’entrer au Conservatoire de Paris, dans les classes d’Aline van Barentzen et Monique de La Bruchollerie. - réalisé par : Céline Parfenoff

durée : 01:28:11 - Cyprien Katsaris, pianiste (1/4) - par : François-Xavier Szymczak - Cyprien Katsaris est un artiste inclassable. Né à Marseille le 5 mai 1951 d’une famille franco-chypriote, ce citoyen du monde grandit au Cameroun avant d’entrer au Conservatoire de Paris, dans les classes d’Aline van Barentzen et Monique de La Bruchollerie. - réalisé par : Céline Parfenoff

My guest today is the famed virtuoso concert pianist and composer, Cyprien Katsaris. One of the most renowned concert pianists of both the 20th and 21st centuries, Katsaris has performed with the world's greatest orchestras and recorded extensively over his storied career. We talk about his transcriptions, compositions, playing the Cziffra Flight of Bumblee live in front of Cziffra on TV, being told by the world's most powerful classical music agent not to play transcriptions, his famed sightreading prowess, and much more! 0:41 Did you always improvise, even when you were young? 2:32 Are you saying anyone can learn to improvise? 4:05 Chick Corea finding it harder to play his written music vs improvising 4:56 Studying at the Paris Conservatory 7:09 His teacher Monique de la Bruchollerie being the first western female to play Rach 3 in 1945 8:56 Would you consider yourself a musical great-grandchild of Alkan and Liszt? 11:26 Did you study with György Cziffra? 11:59 Cziffra being a great jazz improviser 16:22 Did you meet Cziffra personally? 19:45 Recording Cziffra's transcription of the Flight of the Bumblebee 24:05 What did Cziffra think of your playing? 26:06 What motivated you to become a concert pianist who created your own transcriptions? 28:17 Did you ever face any pushback from attempting to play transcriptions? 32:13 The most powerful classical music agent in the world telling you not to play transcriptions 34:17 Why was there such a negative attitude towards transcriptions in the 20th century? 35:59 What is the difference between the modern, academic way of playing vs the traditional, older way? 39:39 Why do you dislike piano competitions? 44:19 Koji Attwood's anecdote of your incredible sight-reading feat 48:23 How important is the metronome in practice? 49:47 How do you think about music theory? 52:04 What is your compositional process? 54:43 Does your ability to play any style come from absorbing it from playing repertoire? 55:50 What is your proudest musical moment? 56:22 If you could step into a time machine and meet any great composer from history, who would it be? 56:46 What are the 3 hardest things you've ever had to play? 57:03 What are the hardest concertos for you to play? 57:18 Do you play any other instruments apart from the piano? 57:33 Have you ever dabbled on the harpsichord, organ or electric keyboard? 57:57 If you could have done it all over again, what would you have changed about your career? 58:31 At what age did you feel that you had your mature conception as an artist? 59:25 Who are the top 3 greatest composers? 59:36 Name me your top 3 recordings that you feel most proud of 59:48 If someone wanted to hear your music, which 3 albums would you recommend? 1:01:32 Name me your 3 most important compositions 1:02:57 Do you listen to or play jazz? 1:03:47 How does Scientology influence your music or life? 1:05:15 Who are the top 3 pianists of the 20th century? 1:05:28 Wrapping Up

Eine CD von Cyprien Katsaris- vorgestellt auf NDR Kultur.

durée : 00:58:42 - Beethoven : deux coffrets incontournables ! - par : Philippe Cassard - De l'immense Beethoven (1770-1827), les écritures envoûtantes et fidèles réalisées par deux différentes personnalités pianistiques: Cyprien Katsaris, compositeur et pianiste franco-chyprien né à Marseille en 1951 et d'autre part, Jean-Efflam Bavouzet, né à Lannion en 1962. Passionnant ! - réalisé par : Davy Travailleur

durée : 00:58:54 - Le van Beethoven avec le pianiste Cyprien Katsaris - par : Aurélie Moreau - Pour le Label Piano 21, le pianiste franco-chypriote vient d'enregistrer un coffret consacré à la musique de Beethoven. Cette anthologie présente des œuvres originales et des transcriptions. Cyprien Katsaris nous en parle dans Le van Beethoven. - réalisé par : Bruno Riou-Maillard

durée : 01:58:17 - De Brahms à Bach - par : Frédéric Lodéon - Evgeni Bozhanov joue Brahms et Richard Strauss transcrits par Max Reger, puis Schubert. Tchaïkovski, Chostakovitch et Weinberg par le Trio Owon. Beethoven dirigé par Esa-Pekka Salonen. Cyprien Katsaris. Le Trio Oreade. Solène Païdassi. - réalisé par : Sophie Pichon

durée : 01:57:02 - En pistes ! du jeudi 03 octobre 2019 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour : Cyprien Katsaris exhume des transcriptions d’opéras de Moniuszko, Rolando Villazón présente le sixième album issu de son cycle d’enregistrements des opéras de Mozart dirigés par Yannick Nézet-Seguin, deux petits opéras allégoriques de Marc-Antoine Charpentier réunis en un album - réalisé par : Olivier Guérin

Ulatusliku diskograafiaga pianist Cyprien Katsaris otsustas pärast kahtkümmet aastat erinevatele plaadifirmadele salvestamist rajada oma plaadimärk Piano 21, mille all ilmunud esimesel albumil kõlavad Karol A. Pensoni klaveritranskriptsioonid.

Ulatusliku diskograafiaga pianist Cyprien Katsaris otsustas pärast kahtkümmet aastat erinevatele plaadifirmadele salvestamist rajada oma plaadimärk Piano 21, mille all ilmunud esimesel albumil kõlavad Karol A. Pensoni klaveritranskriptsioonid.

Hochvirtuos ist er und nichts scheint ihm auf dem Klavier zu schwer, dazu schafft er gern eine mystische Aura um sich: Obwohl Cyprien Katsaris den Komfort des 20. Jahrhunderts nicht missen wollte, sehnt sich der Pianist gerne auch mal ins 19. Jahrhundert zurück.

durée : 01:58:28 - Carrefour de Lodéon - Acte II du lundi 10 juin 2019 - par : Frédéric Lodéon - Cet après-midi, autorisons-nous deux heures de flânerie et d'exploration ad libitum dans l'immense catalogue que nous a laissé Franz Liszt. Au programme, quelques géants du clavier : Boris Berezovsky, Vladimir Horowitz, Cyprien Katsaris, François-René Duchâble... - réalisé par : Philippe Baudouin

Cyprien Katsaris presents Katrin Hagen / Cyprien Katsaris esitleb Katrin Hagenit (Piano 21, 2015)

Cyprien Katsaris presents Katrin Hagen / Cyprien Katsaris esitleb Katrin Hagenit (Piano 21, 2015)

durée : 00:59:52 - Pas de deux - par : Lionel Esparza - En direct et en public depuis l'Hôtel Bedford - réalisé par : Antoine Courtin