Podcasts about Scherzo

If Elvis, Sherlock Holmes, and Will Shortz walked into a mystery -- well, we'd definitely watch that, just like we devoured LUDWIG! We paused viewing only long enough to record this episode and have a simmering feud over what, exactly, the criteria are for a locked-room mystery. Jacob's still not convinced Join us on the Cluedunnit Patreon (patreon.com/cluedunnitpodcast) and brag about how long your Wordle winning streak is or how fast you can do the NY Times Saturday crossword. (Yeah, we said Saturday. IYKYK.) We watched LUDWIG, series 1, episode 5. (There's no title given for the episode! Quick, let's name it for them! Andante con moto! Scherzo allegro! Nerds rule, jocks drool! Put your suggestion in the comments!) Follow us on the socials and let us know what you think!  Facebook: @cluedunnitpodcast   Instagram: @cluedunnitpodcast And don't forget to discover even more mysteries and community with us on Patreon!  You can find us on Apple podcasts: https://podcasts.apple.com/us/podcast/cluedunnit/id1582713330 Spotify: https://open.spotify.com/show/1PLXRlrkJFBTE6eE97YPwQ Overcast: You'll need to login with your Overcast account, but once you do, we're at https://overcast.fm/itunes1582713330/cluedunnit YouTube: https://www.youtube.com/@cluedunnitpodcast  

Johannes Brahms (1833-1897) - Quintetto in fa minore per pianoforte e archi, op. 341.       Allegro non troppo - Poco sostenuto - Tempo I 2.       Andante, un poco Adagio [15:58]3.       Scherzo. Allegro – Trio [25:08]4.       Finale. Poco sostenuto - Allegro non troppo - Tempo I - Presto non troppo [32:51]Quartetto ItalianoPaolo Borciani, Elisa Pegreffi (Violini)Dino Asciolla (Viola)Franco Rossi (Violoncello)Maurizio Pollini (Piano)

Franz Schubert (1797 - 1828) - Quintetto per pianoforte in la maggiore "Forellen-quintett" (La trota), op. 114, D. 6671.       Allegro vivace2.       Andante [09:48]3.       Scherzo. Presto [17:51]4.       Andantino [22:31]5.       Finale. Allegro giusto [30:48] Menahem Pressler, pianoQuatuor Ebène:Benjamin Berlioz, double bassMathieu Herzog, violaGabriel Le Magadure, violinRaphaël Merlin, cello

#notizie #podcast #politica #rassegnastampa

This is Episode No. 100 of “Music for a While.” To mark the occasion, Jay presents music associated with that number: 100. So, we can consider this a centennial celebration. Bach, “Darum wir billig loben dich,” from the Cantata BVW 130 Dvořák, Scherzo from Sonatina for Violin and Piano, Op. 100 Bach, “Er ist mein Licht, mein Leben,” from the Cantata BVW 100 Haydn, Presto, from Symphony No. 100 in G major, “Military” Beethoven, “Merkenstein” Prokofiev, Allegro marcato, from Symphony No. 5 Mozart, Serenade No. 1 in D Brahms, Sonata for Violin and Piano No. 2 in A major Schumann, “The Bride of Messina,” Overture in C minor Shostakovich, “Little Stars” from “Spanish Songs” arr. Vaughan Williams, “Old Hundredth Psalm”

Charles Gounod (1818 – 1893) – Sinfonia n. 1 in re maggiore1.       Allegro molto 0:002.       Allegretto moderato 6:153.       Scherzo & Trio. Non troppo presto 12:304.       Finale. Adagio - Allegro vivace 19:50 Orchestra of St. John's John Lubbock, conductor

Valentino Zucchetti When Valentino Zucchetti won the gold medal at the Genée International Ballet Competition in 2006, Dance Gazette called him ‘dazzling' and ‘above all, devastatingly charismatic.' The Italian artist has brought those qualities as dancer with the Royal Ballet in London (especially in vivid roles like Mercutio in Romeo and Juliet, Lescaut in Manon and Lensky in Onegin), and an award-winning choreographer. Works like Scherzo, Anemoi and Jeunesse (created for the RAD's Fonteyn competition in 2023) radiate a lyrical eye and a heartfelt response to music. As he prepares a premiere for the London Handel Festival, he discusses the rewards and challenges of his dual career. Valentino Zucchetti trained at La Scala and the Royal Ballet School and won the RAD's 2006 Genée International Ballet Competition (now The Fonteyn) and the 2007 Solo Seal award. He danced with Zürich Ballet and Norwegian National Ballet before joining the Royal Ballet in 2010, promoted to First Soloist in 2014. He won the RBS's Ursula Moreton Choreographic Award in 2005, and has created ballets for New English Ballet Theatre (Orbital Motion, Enticement's Lure, Firth of Fifth, Into the Light) and the Royal Ballet, including Scherzo (South Bank Sky Arts Award for Dance) and Anemoi (Critic's Circle National Dance Award). He created Jeunesse for The Fonteyn 2023. LINKShttps://www.london-handel-festival.com/show/2025-double-bill-tales-of-apollo-hercules/ Hosted on Acast. See acast.com/privacy for more information.

Avui hem sentit: "Licorella" (sardana); "Joguina" per a violoncel i piano; "Roman

Pietro Floridia (1860 - 1932) – Sinfonia in re minore (1889)1.       Introduzione ed allegro [0:00]2.       Scherzo [16:26]3.       Andante sostenuto [22:07]4.       Allegro festoso ma moderato [30:10] Orchestra Sinfonica dell'Opera di DonetskSilvano Frontalini, conductor

Sergej Prokofiev (1891 - 1953) – Sinfonia Classica in re maggiore Op. 251. Allegro2. Larghetto  4:113. Gavotta: Non troppo allegro  8:064. Finale: Molto vivace  9:41 New York Philharmonic OrchestraLeonard Bernstein, conductor ***** Sergej Prokofiev (1891 - 1953) - Concerto n. 1 in re maggiore per violino e orchestra, op. 19I. Andantino 13:44II. Scherzo. Vivacissimo 23:25III. Moderato 27:18 David Oistrakh, violinoLondon Symphony OrchestraLovro von Matačić, conductor

„Lied der Nacht“ haben Kommentatoren die Siebente Symphonie von Gustav Mahler genannt. Tatsächlich enthält das Werk zwei vom Komponisten selbst sogenannte „Nachtmusiken“, ein irrlichterndes, sinistres Scherzo, aber auch viel Musik von strahlender Helle. Für Musikfreunde ist sie vielleicht die rätselhafteste der bilderreichen Symphonien. Aus Anlass der Übertragung der Aufführung unter Sir Simon Rattle in Ö1 am kommenden Wochenende legt „Presse“-Musikkritiker Wilhelm Sinkovicz seinen erläuternden Podcast über das Werk noch einmal auf.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

This Day in Legal History: Bell and Gray File PatentsOn February 14, 1876, both Alexander Graham Bell and Elisha Gray filed patent applications for the invention of the telephone, setting off one of the most famous legal battles in U.S. history. Bell's lawyer submitted his paperwork to the U.S. Patent Office just hours before Gray's, leading to a dispute over who truly invented the device. Gray's filing was a "caveat," an intention to patent, while Bell's was a full application, giving him a legal advantage. When the patent was granted to Bell on March 7, 1876, Gray challenged it, arguing that Bell had improperly incorporated elements of Gray's liquid transmitter design.The controversy led to numerous lawsuits, with Gray and others accusing Bell of fraud and claiming he had seen Gray's filing before finalizing his own. Despite these challenges, the courts consistently ruled in Bell's favor, affirming his rights to the telephone patent. This legal victory gave Bell's company, later known as AT&T, control over the rapidly growing telephone industry. The case highlighted issues of patent timing, intellectual property rights, and legal strategy in technological innovation.The Bell-Gray dispute remains a landmark moment in patent law, demonstrating how the slightest timing difference can determine the outcome of major technological advancements. It also underscored the competitive nature of the late 19th-century invention boom, where multiple inventors often worked on similar ideas simultaneously.Democratic attorneys general from 16 states issued guidance defending diversity, equity, inclusion, and accessibility (DEI) programs against recent executive orders from former President Trump. Led by Massachusetts AG Andrea Joy Campbell and Illinois AG Kwame Raoul, they argued that DEI initiatives remain legal under existing anti-discrimination laws, including Title VII of the 1964 Civil Rights Act. The Trump administration's orders call for eliminating DEI efforts from federal agencies and scrutinizing private-sector programs, conflating lawful diversity policies with illegal hiring preferences, the AGs said.Major corporations like Google and Amazon have adjusted or rebranded their DEI initiatives in response to legal uncertainty. The guidance clarifies that policies promoting workplace diversity—such as broad recruitment efforts and impact assessments—are legally distinct from unlawful hiring preferences. Courts have long upheld employers' ability to consider the effects of their policies on different groups to prevent discrimination claims.Meanwhile, Republican AGs, including Missouri's Andrew Bailey, are pushing businesses to abandon DEI programs. Bailey recently sued Starbucks, accusing the company of violating civil rights laws through its DEI initiatives. The conflicting state-level actions highlight the growing legal and political battle over corporate diversity policies.Democratic AGs Defend DEI Against ‘Misleading' Trump DirectivesTwo federal judges will decide whether Elon Musk's government cost-cutting team, the Department of Government Efficiency (DOGE), can access sensitive U.S. government systems. Since his appointment by President Trump last month, Musk has led efforts to eliminate wasteful spending, but critics argue his team lacks legal authority to handle Treasury payment systems and sensitive agency data.Judge Jeannette Vargas in Manhattan will consider a request from Democratic attorneys general to extend a temporary block preventing DOGE from accessing Treasury systems that process trillions in payments. The states argue Musk's team could misuse personal data and disrupt funding for health clinics, preschools, and climate programs.In Washington, Judge John Bates will review a separate request from unions seeking to prevent DOGE from accessing records at the Department of Health and Human Services, the Labor Department, and the Consumer Financial Protection Bureau. Bates previously ruled in favor of the Trump administration but will now reconsider after the unions amended their lawsuit.Democratic AGs have also filed a separate lawsuit claiming Musk's appointment is unconstitutional and seeking to block him from making personnel decisions or canceling contracts. While courts have blocked several of Trump's initiatives, his administration has continued firing government workers and cutting foreign aid, mostly targeting programs opposed by conservatives.Musk's DOGE team: Judges to consider barring it from US government systems | ReutersA federal judge has ordered the Trump administration to restore funding for hundreds of foreign aid contractors affected by a 90-day funding freeze. The ruling temporarily blocks the administration from canceling foreign aid contracts and grants that were in place before Trump took office on January 20.  The decision came in response to a lawsuit filed by two health organizations that rely on U.S. funding for overseas programs. The Trump administration had halted all foreign aid payments, claiming the pause was necessary to review program efficiency and alignment with policy priorities. However, Judge Amir Ali ruled that the government had not provided a rational justification for the sweeping suspension, which disrupted agreements with businesses, nonprofits, and organizations worldwide.  Trump has also ordered federal agencies to prepare for major job cuts, leading to layoffs among government workers without full job protections. His administration has already removed or sidelined hundreds of civil servants and top officials, part of a broader effort to reshape the federal workforce and consolidate power among political allies.Judge orders US to restore funds for foreign aid programs | ReutersA federal judge has ordered the release of Supreme Court advocate Tom Goldstein, three days after he was jailed for allegedly violating pretrial release conditions in a tax fraud case. Goldstein, a prominent appellate lawyer and co-founder of SCOTUSblog, was indicted last month on 22 counts of tax evasion related to his high-stakes poker winnings and alleged misuse of law firm funds to cover debts.Chief U.S. Magistrate Judge Timothy Sullivan ruled that there was insufficient evidence to keep Goldstein incarcerated for allegedly concealing cryptocurrency transactions. However, the judge imposed new restrictions, including monitoring his internet use and prohibiting cryptocurrency transfers.Prosecutors claimed Goldstein secretly moved millions in crypto after his initial release, prompting his second arrest. Goldstein argued the transactions occurred in 2023 and that he did not own the accounts in question. While the judge found Goldstein's evidence created enough doubt to justify his release, he also suggested Goldstein may still have access to hidden funds that could enable him to flee. Goldstein has pleaded not guilty, and his legal team maintains the government's case lacks proof.Supreme Court veteran Goldstein wins release again in tax crimes case | ReutersThis week's closing theme is by Gustav Mahler.Gustav Mahler (1860–1911) was a visionary composer and conductor whose symphonies bridged the late Romantic and early modern eras. Known for his deeply personal and expansive works, Mahler infused his music with themes of life, death, and transcendence. His Symphony No. 2, often called the Resurrection Symphony, is one of his most ambitious compositions, blending massive orchestral forces with choral elements to explore the journey from despair to spiritual renewal.The symphony's fifth and final movement, Im Tempo des Scherzo – Aufersteh'n, is a dramatic culmination of the work's themes. It begins in chaos, with the orchestra depicting the terror of the apocalypse, before gradually moving toward light and resolution. The music builds in intensity until the choir enters softly, singing the text of Friedrich Klopstock's Resurrection Ode, which speaks of rising again after death. Mahler expands on these words, adding his own lines about redemption and eternal life.The movement swells to one of the most powerful climaxes in symphonic history, with soaring brass, thunderous percussion, and a triumphant chorus proclaiming victory over death. The final moments are a breathtaking ascent, as the music dissolves into radiant serenity. This movement is more than just a finale; it is an emotional and philosophical journey, offering a sense of transcendence that has resonated with audiences for over a century.Without further ado, Gustav Mahler's Symphony No. 2, the fifth and final movement – Im Tempo des Scherzo.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

No Podcast Filosófico de hoje, os professores voluntários de Nova Acrópole, José Roberto, Paula Poloni e Gustavo Massen, refletem sobre os valores humanos presentes no filme A Jovem e o Mar, disponível no Disney Plus. A obra retrata a saga de uma personagem real que, inserida em seu tempo, superou as barreiras do preconceito para realizar uma proeza extraordinária. Sua jornada é um testemunho da força interior que impulsiona o ser humano a transcender desafios, enfrentando o medo e a resistência, para deixar sua marca na história. Acompanhe este bate-papo filosófico e descubra como essa história nos inspira a reconhecer e manifestar a nossa própria grandeza. Participantes: Paula Poloni, Gustavo Massen, José Roberto e Danilo Gomes Trilha Sonora: Antonín Dvořák - Sinfonia n°6 - Scherzo

Con Mario Mora | Episodio algo diferente de la Orquesta y Coro Nacionales de España en la cita mensual con la información, curiosidades y entretenimiento alrededor de la orquesta. En esta ocasión, dada la reciente noticia del nombramiento de Kent Nagano como nuevo director titular a partir de la temporada 2026, hemos decidido hablar con dos expertos sobre esta noticia: Benjamín G. Rosado, periodista de El Mundo, y Ana G. Urcola, pianista y colaboradora de Voz Pópuli y Scherzo. También nos acercamos al auditorio con Carlos Iribarren y repasamos la agenda de conciertos de las próximas semanas. Branded Podcast de la Orquesta y Coro Nacionales de España - por Clásica FM.

Donald Macleod explores Vienna in the company of Franz SchubertOf all Europe's major cities, perhaps Vienna is the one with the reputation as the most comfortable, the most sophisticated, and the most musical. In fact, has any other city been home to so many great composers as Vienna? Mozart, Beethoven, Haydn, and Salieri all spent their best years working there. Yet none of those starry names was born in the city, none were true Viennese. This week, Donald Macleod explores Vienna through the lens of arguably the greatest home grown composer the city has ever produced – Franz Schubert – a man whose short life spanned a crucial period in Austrian history, a time of crisis and much change. In his company we'll explore Vienna's churches and theatres, its parks, coffee houses and taverns, and also glimpse the darker side of the city too – the excesses of Europe's aristocracy and the all seeing eyes of Vienna's secret police.Music Featured: “Kupelwieser” Waltz in G flat Major, D Anh I/14 Symphony No 9 in C Major “The Great”, D944 (3rd mvt, Scherzo) String Quintet in C Major, D 956 (2nd mvt, Adagio) Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D407 Marches Militaires, D733 (No 1 in D Major) Gretchen am Spinnrade, D118 6 Moment Musicaux, Op 94, D780 (No 3 in F min) Mass No 1 in F Major, D105 (Gloria) Grande Marche Funebre, D859 Symphony No 2 in B flat Major, D125 (4th mvt,Presto) Rosamunde, D797 (No 5 ,Entracte No 3 in B flat Major: Andantino) Licht und Liebe, D352 Quartettsatz Lazarus, Act 2 (unfinished) Schwanengesang, D744 4 Impromptus, D899, Op90 (No 3 in G Flat Major) Symphony No 8 in B minor, D759 “Unfinished” (1st mvt, Allegro moderato) Symphony No 5 in B flat Major, D485 (1st mvt, Allegro) Winterreise, D911 (No 24, Der Leiermann) Der Wanderer, D489 Piano Quintet in A Major, D667 “The Trout” (3rd mvt, Scherzo) 38 Waltzes, D145, Op 18 (Nos 6, 8 & 9 ) An Sylvia, D891, Op 6 (No 4) Fantasy in F minor, D940, Op 103 Ave Maria, D839, Op 52, No 6 Mass No 6 in E Flat Major, D950 (Credo) Rosemunde incidental music, D797 (Nos 7-9) Alfonso and Estrella, D732 (Act I, Aria “Sei mir gegrusst, o Sonne!”) An die MusikPresented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Schubert and Vienna https://www.bbc.co.uk/programmes/m0026800 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

PUCCINI: Tosca, Ópera en tres actos (Acto III) (29.21). M. Caballé (sop.), J. Carreras (ten.), I. Wixel (bar.), P. de Palma (ten.), Coro y Orq. de la Royal Ópera House Covent Garden de Londres. Dir.: C. Davis. Scherzo per archi (5.21). Orq. Fil. de Luxemburgo. Dir.: G. Gimeno. Adagetto, S. 51 (4.18). Fuga reale en Do menor, S. 37 (arr.para órg.) (3.03). L. Tamminga (órg.).Escuchar audio

After traveling to the Divergent Universe, the Doctor and Charley find themselves in a white void with nothing to do but walk, confront their feelings, and attempt to comprehend the entity trying to communicate with them. Join the Dueling Genre … Continue reading →

durée : 00:28:21 - Les scherzos (4/4) : Le scherzo s'émancipe - par : Christian Merlin - Dans la famille que forment les quatre mouvements d'une symphonie, après le premier et son exposition, le mouvement lent et son émotion, voici la détente avec le scherzo et son côté dansant, souvent humoristique, parfois inquiétant. - réalisé par : Marie Grout

durée : 00:28:12 - Les scherzos (1/4) : Menuet ou scherzo ? - par : Christian Merlin - Dans la famille que forment les quatre mouvements d'une symphonie, après le premier et son exposition, le mouvement lent et son émotion, voici la détente avec le scherzo et son côté dansant, souvent humoristique, parfois inquiétant. - réalisé par : Marie Grout

Send us a textIn the second of their David Tennant and Catherine Tate specials, Ben and Mark turn their attentions to Wild Blue Yonder, and pair it with both Big Finish's Scherzo, written by Rob Shearman, and Underworld, written by Bob Baker and Dave Martin.Ben and Mark discuss Doctor Who's changing relationship with technology, from the primitive virtual sets of Underworld to the more advanced virtual sets of Wild Blue Yonder. But was the REDACTED marketing the downfall of an otherwise terrific story? And could Big Finish release something like Scherzo today?Also: Mark gets out the good china and the Dalek napkin rings, while Ben finds out how many cupcakes you can fit inside a Dalek. Support the showFollow us on TwitterLike us on FacebookBuy us a pint

CHOPIN: Barcarola en Fa sostenido mayor, Op. 60 (8.27). G. Cziffra (p.). Scherzo nº 4 en Mi mayor, Op. 54 (12.04). C. Arrau (p.). Polonesa en La bemol mayor, Op. 53 “Heroica” (6.46). N. Freire (p.). 4 Mazurkas, Op. 33 (9.27). V. Ashkenazy (p.). Vals nº 3 en Re bemol mayor, Op. 70 (2.25). M.-J. Pires (p.).Escuchar audio

CHOPIN: Scherzo nº 2 en Si bemol menor, Op. 31 (10.53). A. Benedetti Michelangeli (p.). Sonata para piano nº 3 en Si menor, Op. 58 (25.12). D. Lipatti (p.). Nocturno nº 1 en Do menor, Op. 48 (6.38). E. Leonskaja (p.).Escuchar audio

CHOPIN: 3 Mazurkas, Op. 56 (11.52). M. Pollini (p.). Sonata para piano nº 2 en Si bemol menor, Op. 35 (21.35). V. Horowitz (p.). Scherzo nº 3 en Do sostenido menor, Op. 39 (7.07). S. Hough (p.).Escuchar audio

CHOPIN: Sonata para piano nº 1 en Do menor, Op. 4 (23.44). V. Ashkenazy (p.). Balada nº 1 en Sol menor, Op. 23 (8.35). M. Pollini (p.). Scherzo nº 1 en Si menor, Op. 20 (8.18). B. Grosvenor (p.). Preludio nº 17 en La bemol mayor (24 Preludios, Op. 28) (2.26). A. Cortot (p.).Escuchar audio

CHOPIN: Sonata para violoncello y piano en Sol menor, Op. 65 (29.27). A. Kniazev (vc.), N. Luganski (p.). Scherzo nº 4 en Mi mayor, Op. 54 (10.28). E. Kissin (p.). Estudio nº 12 en Do menor (12 Estudios para piano, Op. 10 “Grandes Estudios”) (3.01). S. François (p.).Escuchar audio

In this episode of One Symphony, host Devin Patrick Hughes interviews Dr. Samantha Ege, pianist and musicologist, about the life and works of Florence Price. Dr. Ege discusses Price's musical style, her significance in American classical music, and the recent rediscovery of her compositions. The conversation covers Price's role in the Chicago music scene, her blending of classical and African American musical traditions, and the challenges she faced as a Black female composer in the early 20th century. Dr. Ege also shares insights from her own recordings of Price's piano works and her upcoming scholarly publications on the composer.   Dr. Samantha Ege is a leading scholar and interpreter of the African American composer Florence Price.  Her work illuminates Price in the context of the Black Chicago Renaissance and Black women's dynamic networks of advocacy, empowerment, and uplift. Her first book, South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene, and first edited collection, The Cambridge Companion to Florence B. Price, are important culminations of the research she has shared around the world.   Dr Ege is a also concert pianist who specializes in the music of 20th and 21st century composers. Her performances bring her research to life, sounding new narratives that are so often unheard in the modern-day concert hall. Dr Ege seeks to communicate the diversity of classical music's past, present, and future through her performances, and foster a sense of belonging for everyone.   In her London debut at the 2021 London Festival of American Music she gave the world premiere of Florence Price's complete Fantasie Nègre set. In 2018, she made her international lecture-recitalist debut at the Chicago Symphony Center with her event A Celebration of Women in Music: Composing the Black Chicago Renaissance. She has performed across the UK, Europe, North America, and Southeast Asia. She has also played with the Oxford Philharmonic Orchestra, Oakland Symphony Orchestra, Arkansas Symphony Orchestra, and Yale Philharmonia.   Thank you for joining us on One Symphony. Thanks to Dr. Samantha Ege for sharing her incredible research, insights, and music-making. You can find her book, South Side Impresarios and more at https://www.samanthaege.com.   Music Selections “Weeping Willow, A Rag Time Two Step.” Composed by Scott Joplin. Performed by Benjamin Loeb on the album Scott Jopin: Piano Rags 2 from Naxos. Violin Concerto No. 2. Composed by Florence Price. Featuring Kelly Hall-Tompkins on violin with the Urban Playground Chamber Orchestra. Conducted by Thomas Cunningham. Sonata in E minor “Andante.” Composed by Florence Price. Performed by Samantha Ege. “Sketches in Sepia.” Composed by Florence Price. Performed by Samantha Ege. Symphony No. 1 in E minor: I. Allegro ma non troppo. Composed by Florence Price. Performed by The Philadelphia Orchestra. Yannick Nézet-Séguin, conductor. Available from Deutsche Grammophon. Symphony No. 3 in C minor: I. Andante – Allegro. Composed by Florence Price. Performed by The Philadelphia Orchestra. Yannick Nézet-Séguin, conductor. Available from Deutsche Grammophon. Sonata in E minor “Scherzo.” Composed by Florence Price. Performed by Samantha Ege. Fantasie Nègre No.4 in B minor. Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records. “Snapshots Moon Behind a Cloud.” Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records. Fantasie Nègre No.1 in E minor. Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records. Juba Dance from Symphony No. 3. Composed by Florence Price. Performed by the Chicago Symphony Orchestra. Ricardo Muti, conductor. Fantasie Nègre No.2 in G minor. Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records.   You can always find more info at OneSymphony.org or DevinPatrickHughes.com including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music. 

We often think of composers as solitary geniuses, scribbling away at their masterpieces, working alone. But this isn't always the case. Gustav Holst, most famous for composing The Planets, struggled all his life with neuritis, a condition that made his arms feel like “jelly overcharged with electricity.” It was frequently impossible for him to play or even write, so, to bring his vision of our solar system to life, he needed help. This week, Donald Macleod charts Holst's interplanetary expedition and discovers the unsung heroes who placed him amongst the stars.Music Featured: The Planets, Op 32 Toccata, H 153 Symphony in F Major, Op 8, H 47 “The Cotswolds” (2nd mvt, Elegy, Molto adagio & 3rd mvt, Scherzo, Presto - Allegretto) Sita, Op 23, H 89 (Interlude) The Mystic Trumpeter, Op 18 Choral Hymns from the Rig Veda, Op 26 (3rd Group, H99) The Hymn of Jesus, Op37 / H 140 (Hymn II, Hymn III, Hymn IV) 5 Partsongs, Op 12, H 61 St Paul's Suite, Op 29, No 2 Ballet music from 'The Perfect Fool' H150 (Op 39) Sāvitri, Op 25 (I - VI) Ode to Death, Op 38, H 144 Suite No 2 for Military Band in F major, Op 28 No 2, H106 Choral Symphony, Op 41 (2nd mvt, Song and Bacchanal) Scherzo for Orchestra, H192 Hammersmith - Prelude and Scherzo, H178, Op 52 Egdon Heath Op 47 (1st mvt, Adagio - Poco Allegro - Andante maestoso) Brook Green Suite The Planets, Op 32 (Jupiter, the Bringer of Jollity) arr. for two pianosPresented by Donald Macleod Produced by Alice McKee for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Gustav Holst (1874-1934) https://www.bbc.co.uk/programmes/m0022sj0 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Mark & Joe take their first steps into the Divergent Universe and face all manner of horrors - but enough about the stories - what about the threats they face? One of us is intrigued, the other appalled.

Donald Macleod examines Bruckner's lifelong struggle to become the great composer we know todayFrom our modern perspective, it can be difficult to appreciate why it took so long for Anton Bruckner to be recognised as one of the leading musical voices of the 19th century. His spectacular symphonies regularly pack out concert halls today but his own era took many decades to warm up to his music. Only in his sixties did Bruckner begin to achieve the popularity he deserved and, even then, he retained a reputation as a bit of an oddball. Colleagues were disturbed by his unsophisticated manners, unquestioning religious devotion and peculiar personal habits. His tendency to see enemies all around regularly tested his relationships. His romantic choices were routinely disastrous.Music Featured: Mass No 2 in Em (Kyrie) Symphony No 2 in C minor (1872 first Version, ed. W. Carragan) (2nd mvt, Scherzo. Schnell) Requiem in D Minor, (No 2, Sequentia; Dies irae) Symphony No 9 in D Minor, (1st mvt Feierlich, misterioso) Symphony No 8 in C minor (1890 Version, ed. Novak): (2nd mvt, Scherzo, Allegro moderato - Trio, Langsam) Ave Maria WAB 6 Symphony No 1 in C Minor (1877 Rev. Linz Version, Ed. Nowak), (1st mvt, Allegro) Mass in F Minor, (3rd mvt, Credo) Symphony No 6 in A major (ed. Novak) (3rd mvt, Scherzo, Nicht schnell - Trio, Langsam) Symphony No 2 in C minor (1877 version) (2nd mvt, Andante) Symphony No 3 in D minor ‘Wagner Symphony' (1873 version) (4th mvt, Finale, Allegro – Etwas langsamer – Erstes Zeitmaß) String Quintet in F major, (4th mvt, Finale, Lebhaft bewegt) Prelude in D Minor Te Deum in C major (opening) Symphony No 7 in E Major (arr. Hermann Behn), (3rd mvt, Scherzo, Sehr schnell) Ave Maria, WAB 7 (Arr. for Horn Ensemble) Symphony No 7 in E Major (Ed. Haas), (2nd mvt, Adagio, Sehr feierlich und sehr langsam) Te Deum in C major (No 5, In te domini speravi) Virga Jesse, WAB 52 Symphony No 8 in C minor (ed. Novak) (1st mvt, Allegro moderato) Symphony No 8 in C minor (ed. Haas): (4th mvt, Finale, Feierlich, nicht schnell)Presented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Anton Bruckner (1824-1896) https://www.bbc.co.uk/programmes/m0022c5f And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Anton Bruckner - Symphony No. 9: ScherzoStuttgart Radio SymphonyCarlo Maria Giulini, conductorMore info about today's track: SWR Classic SWR19411CDCourtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Daniel Handler, or Lemony Snicket as you may know him, is the author of more than two dozen books, including the 13-book best-selling saga for young adults called "A Series of Unfortunate Events.” In much of Daniel's work, terrible things happen to people. In this episode, we unpack why. These are his songs. Symphony No. 3 "Eroica" Mvt III. Scherzo. Allegro vivace - Ludwig van Beethoven Where or When - Julie London Let's Go Crazy - Prince Beethoven (I Love To Listen To) - Eurythmics Enlightenment - Sun Ra The Night You Can't Remember - The Magnetic Fields Main Title and Anatomy of a Murder - Duke Ellington Listen to Daniel Handler's full playlist on Spotify. Find the transcript of this episode at lifeinsevensongs.com. Thoughts? Guest suggestions? Email us at lifeinsevensongs@sfstandard.com.

Donald Macleod explores the world of Ethel Smyth through five love affairs British composer Dame Ethel Smyth was one of the early 20th century's most original cultural voices. A prodigious musical talent who was best known for her operas, she was a force of nature, an unapologetic eccentric who didn't suffer fools gladly, and a rule-breaking, trail-blazing feminist. Alongside music, she was an accomplished sportswoman, and her driven and playful nature - as well as her endurance - would not only shape her career but her personal life too. This week, Donald Macleod explores Smyth's story through what she termed her “passions” – the key all-consuming relationships that changed the course of her life, and how they were a necessary force for her creativity.Music Featured: Fête Galante (Overture/Sarabande) Aus der Jugendzeit! Kom, süsser Tod Lieder, Op 4 No 2, Schlummerlied Violin Sonata (3rd mvt, Romanze) Variations on an Original Theme (of an Exceedingly Dismal Nature) String Quintet, Op 1 (3rd-5th mvts) Piano Suite in E major 2nd mvt, Bourree) Piano Trio (3rd mvt, Scherzo) 4 Songs (No 2, The Dance) Serenade in D major (3rd & 4th mvts) Der Wald (excerpt) The Wreckers Overture Lieder, Op 4 No 4 “Nachtreiter” Klavierstück in E major Cello Sonata in C minor (1st & 2nd mvts) The Wreckers, Act II (Prelude “On the Cliffs of Cornwall” (arr. for winds) ) Mass in D (Gloria) Fête Galante (excerpt) Violin Sonata (2nd mvt) March of the Women The Boatswain's Mate (excerpts) Possession (Three Songs, No 2) String Quartet in E minor (3rd & 4th mvts) Soul's Joy, Now I am Gone Two Interlinked French Melodies from Entente Cordiale Odelette (Four Songs, No 1) Mass (Sanctus / Benedictus) The Prison (Nos 14-16) Double Concerto for Horn and Violin (2nd mvt, Elegy)Presented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Ethel Smyth (1858-1944) https://www.bbc.co.uk/programmes/m00219n7And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Peter Tchaikovsky - Waltz-ScherzoIlya Kaler, violin Russian Philharmonic OrchestraDmitry Yablonsky, conductorMore info about today's track: Naxos 8.557690Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

SynopsisToday's date in 1879 marks the birthdate of composer and pianist Régine Wieniawski, born in Brussels, the daughter of the Polish violinist and composer Henryk Wieniawski. Although a Franco-Belgian composer in style, she published her music under the Slavic-sounding pen name Poldowski. She was admired by many of the most famous musicians of her day. Henry Wood programmed her works on Proms concerts, and in 1912, she gave a concert at London's Aeolian Hall, that, quite unusual for the time, consisted solely of her own works with the her at the piano. That concert introduced 24 of her songs, many to texts of French poet Paul Verlaine. The review in the Daily Telegraph noted, “nearly every song was a distinguished example of the art of word setting; and the sense of harmonic color is decidedly strong.” The performance of her Violin Sonata, also on the program, was not as well received; the London Times sniffed, “the method which was successful in the songs was less effective in the Violin Sonata.”Oh well, Poldowski's Verlaine settings are still very much admired and performed, and her instrumental music, neglected for decades, is also getting renewed attention.Music Played in Today's ProgramRégine Wieniawski (aka Poldowski) (1879-1932): Scherzo from Violin Sonata; Clare Howick, violin; Miroslaw Feldgebel, piano; Dux 1840

A story that can really only be told in audio. Dom Bettinelli and Fr. Cory Sticha discuss this 8th Doctor audio story that delves into the nature of music and its importance to human existence; self-sacrificial love and mortality; and the evolution of Charlie's relationship with the Doctor.

A story that can really only be told in audio. Dom Bettinelli and Fr. Cory Sticha discuss this 8th Doctor audio story that delves into the nature of music and its importance to human existence; self-sacrificial love and mortality; and the evolution of Charlie's relationship with the Doctor. The post Scherzo (Big Finish) appeared first on StarQuest Media.