Podcast appearances and mentions of Neville Marriner

These days I find myself in a pensive, troubled state, very much in need of the kind of consolation that only music can provide. A number of years ago, I published a pair of episodes featuring the sublime Margaret Price performing music of mourning and consolation. Today's episode presents an expanded and refurbished version of the second of those episodes, in a program composed entirely of art song, moving through a sequence of emotions surrounding loss. Composers include Johannes Brahms, Giuseppe Verdi, Robert Schumann, Enrique Granados, Franz Schubert, Grace Williams, Sergei Rachmaninov, Felix Mendelssohn, Philip Cannon, Hugo Wolf, Alban Berg, Maurice Ravel, Franz Liszt, Peter Cornelius, and Richard Strauss, and collaborating pianists and conductors include Claudio Abbado, Wolfgang Sawallisch, Cyprien Katsaris, Geoffrey Parsons, and Neville Marriner, as well as frequent collaborators James Lockhart and Thomas Dewey. A thorough traversal of the song repertoire by one of the supreme recitalists of the late 20th Century. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Sometimes when I look back on past episodes of Countermelody, I surprise myself with how good they were, even in the early days when I was still trying to figure everything out. This episode, first posted as a bonus episode five years ago is a good example of that. Earlier that season I had coined the term “Full-Figured Baroque” to describe the “old-fashioned” style of Baroque performance that I personally prefer to what one currently hears in churches and concert halls around the world and on recordings. This episode was devoted to Baroque music composed specifically for the Christmas season, recorded between 1940 and 1992, and performed in deliciously non-period style, replete with deliberate tempi, judiciously applied vibrato, and stately ritardandi. There is a special focus on the Christmas portion of Handel's Messiah and Bach's Weihnachts-Oratorium and assorted cantatas for the Advent, Christmas, and Epiphany season. Singers include Janet Baker, Tom Krause, Jerry Hadley, Margaret Marshall, Francisco Araiza, Russell Oberlin, Helen Watts, William Warfield, John Shirley-Quirk, Peter Schreier, Heather Harper, Shirley Verrett, Edith Mathis, Hermann Prey, Marga Höffgen, Agnes Giebel, Kurt Equiluz, Florence Quivar, Aksel Schiøtz, Kirsten Flagstad, Christa Ludwig, Edith Mathis, Brigitte Fassbaender. Ernst Haefliger, Jennifer Vyvyan, Anna Reynolds, Judith Blegen, Fritz Wunderlich, Elly Ameling, Peter Schreier, and Gundula Janowitz. Conductors include Neville Marriner, Raymond Leppard, Colin Davis, Karl Richter, Lorin Maazel, Helmut Winschermann, Vittorio Negri, Karl Münchinger, Leonard Bernstein, Herbert von Karajan, Eugene Ormandy, Adrian Boult, Andrew Davis, and Eugen Jochum, among others. Don't miss out on this full-figured Christmas treat! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Eine Spezialdiskothek im Rahmen des SRF-Schwerpunktthemas «KI und wir». Was hat Künstliche Intelligenz in der Musik zu suchen? Viel und Vielfältiges. Das zeigt die Diskothek mit KI-Experte und Musikwissenschaftler Michael Harenberg (Hochschule der Künste Bern) und Tonmeister Andreas Werner. Wir hören in der Sendung Produkten aus einfachen Anwendungen zu, die jeder bei sich auf den Computer laden kann. Musik per Knopfdruck? Nein, so einfach ist es dann doch nicht. In einem zweiten Teil tauchen wir in die erstaunlich lange Geschichte ein von Musik und Automation. Sie geht zurück bis ins Mittelalter. Teil drei nimmt sodann Werke unter die Lupe, die mit KI entstanden sind und wo KI in einen Dialog tritt mit menschlichen Künstler*innen auf oder hinter der Bühne. Musik von Jennifer Walshe, Holly Herndon, George E. Lewis oder Brian Eno. Gespielte Musik: · Tomek Kolczynski: Blue Serenade, 2024. Eigenverlag. · · Lejaren Hiller und Leonard Isaacson: Illiac-Suite, 1957. Quelle: Youtube · · Wolfgang Amadé Mozart: Musikalisches Würfelspiel. Aufnahme von Neville Marriner, Cembalo. Philips, 1991 · · David Cope/Experiments in musical intelligence: Bach-Invention Nr. 1, Chopin-Mazurka. Centaur Records, 1994. · · Holly Herndon: Proto. Album bei 4AD, 2019. · · George E Lewis: The reincarnation of blind Tom. SWR Symphonieorchester, Leitung Susanne Blumenthal. Aufnahme des SWR, 2024. · · Jennifer Walshe: Late Anthology of Early Music. Tetbind Records, 2020. · · Maxime Mantovani: Improvisation 23/03/2022, Forum IRCAM. Quelle: Youtube. · · Brian Eno, Peter Chilvers: Reflection. Apple-Download, 2017.

durée : 00:58:38 - sir Neville Marriner, l'élégance et le style - par : Aurélie Moreau - La discographie de Sir Neville Marriner à la tête de l'Academy of St Martin in the Fields est impressionnante, leur bande-son du film Amadeus, un immense succès : « Nous avons atteint un public plus vaste qu'avec tous nos disques et nos concerts ».

SynopsisOn this date in 1785, a new Piano Concerto in C major was given its premiere at the Burgtheater in Vienna, with its composer, Wolfgang Amadeus Mozart, at the keyboard.Years later, this piano concerto was labeled as Mozart's 21st, and given the number 467 in the chronological list of his works compiled by Ludwig Ritter von Koechel, an Austrian botanist, mineralogist and Mozart enthusiast.Today, this work is popularly referred to as the Elvira Madigan Concerto, for the simple reason that its romantic slow movement was used to great effect in a 1967 Swedish film of that name to underscore a passionate love story.That Swedish movie helped to bring Mozart's concerto to the attention of a far wider audience than ever before, as did the 1984 movie Amadeus, with Mozart's music in general.Musicologists might wince when they hear the title Amadeus. It's a matter of historical record that Mozart signed his name “Amadeo” or “Amadé.” Others object that a Swedish film should provide a nickname for one of Mozart's most sublime works — but, for better or worse, both Amadeus and Elvira Madigan are labels that seem to have stuck to Mozart's name and his concerto.Music Played in Today's ProgramWolfgang Amadeus Mozart (1756-1791): Piano Concerto No. 21; Alfred Brendel, piano; Academy of St. Martin-in-the-Fields; Neville Marriner, cond. Philips 412 856

SynopsisIn 1985, the musical world was celebrating the 300th anniversary of the birth of Georg Frideric Handel. On today's date that year, Minnesota-based composer Libby Larsen, then in her mid-30s, was celebrating the premiere performance of her Symphony No. 1.Larsen titled her symphony Water Music and says its first movement was a deliberate homage to Handel's famous Water Music. As a resident composer of a state with over 10,000 lakes, Larsen admits her love of sailing also had something to do with the symphony's descriptive title.Since 1985, Larsen has gone on to write a few more symphonies, each with its own particular title. And she frequently gives individual movements of each symphony a descriptive tag. For example, one movement from her Solo Symphony (No. 5), from 1999, is titled “The Cocktail Party Effect.”Rather than the wallop of a stiff drink, Larsen says she means the ability of human hearing to pick out a single voice among the extraneous noise one encounters at a crowded cocktail party. “It's a kind of musical ‘Where's Waldo?'” she says. “In this case, Waldo is a melody, introduced at the beginning … then hidden amid the other music.”Music Played in Today's ProgramLibby Larsen (b. 1950) Symphony: Water Music; Minnesota Orchestra; Neville Marriner, cond. Nonesuch 79147; and Solo Symphony; Colorado Symphony; Marin Alsop, cond. Koch 7520

The second of my Listeners' Favorites episodes for January is introduced by my dear friend Elliot Levine, a founding member of the Western Wind Vocal Ensemble, with whom he sang bass for 47 years. He is also an exceptional composer (who among his many other works has composed material expressly for me which I have sung with great pleasure and joy), He is also a valued choral singer and clinician. He has been a devoted listener to, and supporter of, Countermelody since its inception and among his many favorite episodes, he has chosen one of my very favorites to highlight, my birthday tribute, first published three years ago, to superbissima Margaret Marshall, who celebrates her birthday on January 4th. Since she burst upon the scene in the late 1970s, Margaret Marshall has been a favorite of lovers of great singing. Her timbre, artistry, and technical facility evoke comparisons with many treasured singers of the past. Though she retired from public performance in 2005, in the year 2020 she launched, in tandem with her daughter Nicola and a group of dedicated supporters, a website called Songbird, which focuses on the early years of her career, and which features many rare soundclips, both live and studio, from that period, many of which have been assembled into a new downloadable release entitled “Margaret Marshall Songbird.” Today's episode features a wide range of her live and studio recordings, including a few samples from the Songbird release. Included are works by Galuppi, Pergolesi, Vivaldi, Bach, Handel, Haydn, Mozart, Salieri, Gluck, Elgar, Finzi, Richard Strauss, and Alban Berg in recordings and performances between 1975 and 1990, with collaborators including conductors Neville Marriner, Riccardo Muti, John Eliot Gardiner, Vittorio Negri, Charles Groves, Antal Doráti, Philip Ledger, and Rafael Kubelik and fellow singers Ann Murray, Francisco Araiza, Alfreda Hodgson, Felicity Palmer, and Sesto Bruscantini. Compiling this episode has provided my ears and spirit with many blissful hours; I wish my listeners the same experience! Many thanks to both Margaret and Nicola for providing advice and guidance in the selection of today's material, and many happy returns to the “Scottish supersoprano”! Since this episode was published, Margaret has published a second series of rare recordings available via download on her website, as well as Apple and Spotify. Margaret Marshall Songbird 2 includes exquisite performances of Bach, Mozart, Schubert, Wolf, and Sacchini, and, like the performances on this recording, simply must be heard to be believed. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

SynopsisIt might seem odd to think of Max Bruch as a 20th-century composer. After all, his three greatest hits — his Violin Concerto No. 1, his Scottish Fantasy for violin and orchestra, and his setting of the Hebraic liturgical chant Kol Nidrei for cello and orchestra — were all written in the 19th century.But this archetypal German Romantic composer, who was born in 1838, lived to the ripe old age of 82, and kept producing new works up to the time of his death in 1920.One of these, a Concerto for Two Pianos, was commissioned by an American duo piano team, Ottilie and Rose Suttro, who premiered it with Leopold Stokowski and the Philadelphia Orchestra on today's date in 1916. The new work was well-received and its composer praised.But there is a somewhat ironic historical footnote to this successful premiere: It appears the Suttro Duo drastically revised and even rewrote parts of Bruch's score for their 1916 performance, unbeknown to the composer. It wouldn't be until 1971 that the concerto was performed as he had actually written it.Music Played in Today's ProgramMax Bruch (1838-1920) Concerto for Two Pianos; Güher and Süher Pekinel, pianos; Philharmonia Orchestra; Neville Marriner, cond. Chandos 9711

SynopsisWhen Franz Schubert died in Vienna in 1828, he left behind several manuscripts of symphonies unpublished and, in some cases, unperformed during his short lifetime. It wasn't until today's date in 1865 — 37 years after Schubert's death — that his most famous symphony received its premiere performance in his hometown of Vienna.This Symphony in B-minor came to be called the Unfinished, since its manuscript score contained only two completely finished movements. A normal Viennese symphony of Schubert's time should contain four movements, and, in fact, a fairly complete piano sketch of the third movement exists, as does a full score of just the first nine measures of that same movement.When Johann van Herbeck conducted the Vienna Philharmonic in the first performance in 1865, he tacked on the last movement of Schubert's Third Symphony as a finale. More recently, some scholars have argued that a portion of Schubert's Rosamunde incidental music was in fact the missing final movement of his symphony.Despite these attempts to finish the Unfinished, most performers and audiences seem content to hear the score as Schubert left it — romantically cut short, just like the composer's tragically short life.Music Played in Today's ProgramFranz Schubert (1795-1828) Symphony No. 8 (arr. Brian Newbould); Academy of St. Martin-in-the-Fields; Neville Marriner, cond. Philips 412 176

A week ago the extraordinary Hungarian-German soprano Julia Varady turned 82. As she is one of my favorite sopranos, I have presented her a few times on the podcast, but never on an episode devoted exclusively to her. There is no time like the present to rectify that situation. Varady had an exceptional and unusual career, centered mostly in Europe, where she was celebrated first as a Mozart soprano, later for her fearless portrayals of the full range of Verdi heroines. Elsewhere in the world, primarily because of her recordings, she was considered mostly a Strauss singer, who also dipped her toe into some of the Wagner jugendlich dramatisch heroines. As today's traversal proves, she was all that, but also much more: a singer with a gutsy dramatic instinct and a technique that allowed her to take on roles that might have been a few sizes too large for her vocally, but which she portrayed with vigor and fearlessness such as have been matched by only a few of the very greatest sopranos. It is also my objective in this episode to consider her accomplishment independently from that of Dietrich Fischer-Dieskau, her husband from 1977 until his death in 2012, regarded by many as one of the most significant baritones of the last century. But my (perhaps idiosyncratic) view is that, particularly because of their very different artistic personalities, her achievements, especially on the operatic stage, outrank his. See if you agree with me. We also hear contributions from tenors Siegfried Jerusalem and Franco Tagliavini, soprano Arta Florescu (Varady's teacher), and baritone Raimund Grumbach, along with pianists Elena Bashkirova and Aribert Reimann (whose compositional masterpiece Lear is also sampled), and conductors Wolfgang Sawallisch, Giuseppe Sinopoli, Algis Zhuraitis, Jesús López-Cobos, Neville Marriner, Herbert von Karajan, Francesco Molinari-Pradelli, and István Kertész. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Jesus Ministries, Joan Boney  ...    Exodus 18   1 When Jethro, the priest of Midian, Moses' father in law, heard of all that God had done for Moses, and for Israel HIS people, and that the LORD had brought Israel out of Egypt;   2 Then Jethro, Moses' father in law, took Zipporah, Moses' wife, after he had sent her back,   3 And her two sons; of which the name of the one was Gershom; for he said, I have been an alien in a strange land:   4 And the name of the other was Eliezer; for the God of my father, said he, was mine help, and delivered me from the sword of Pharaoh:   5 And Jethro, Moses' father in law, came with his sons and his wife unto Moses into the wilderness, where he encamped at the mount of God:   6 And he said unto Moses, I thy father in law Jethro am come unto thee, and thy wife, and her two sons with her.   7 And Moses went out to meet his father in law, and did obeisance, and kissed him; and they asked each other of their welfare; and they came into the tent.   (obeisance: a gesture expressing deferential respect, such as bow or curtesy)  

Nicolas Fleury has been playing the French horn since he was 8. He's been principle horn of the Aurora Orchestra, the Royal Philharmonic Orchestra and the Bournemouth Symphony Orchestra, and made guest appearances with a slew of orchestras around the world including the Sydney Symphony and London Symphony Orchestras. He's performed live on the BBC, appeared alongside conductors like Charles Dutoit, Neville Marriner and John Gardiner, and he's now settled in Australia as principal horn with the Melbourne Symphony Orchestra. He's made regular appearances with organisations around the country including Musica Viva and the Omega Ensemble. In this conversation, recorded while Nico was in Sydney to perform with the Omega Ensemble, Nico speaks with incredible passion about his craft and the amazing experiences he's had working with the world's top orchestras and conductors.

Not every music student or even professional musician has explored classical music, much like not necessarily every classical musician will know something about jazz or any other genre.  However, each genre has certain pieces that one should know from each genre regardless of your preference.  These are 25 of many possible choices, not necessarily "the best", but some pieces you should recognize by title and composer upon hearing. Musical examples used in this episode: 06:53 P. Tchaikovsky: "Dance of the Sugar Plum Fairy" from The Nutcracker - (Montreal Symphony; Charles Dutoit) 12:49 J.S. Bach: Toccata and Fugue in D minor BWV 565 (Hannes Kästner, organ) 13:15 J.S. Bach: Toccata and Fugue in D minor BWV 565 (Czech Philharmonic; Leopold Stokowski) 17:26 S Barber: Adagio for Strings (New York Philharmonic; Thomas Schipps) 19:48 Beethoven: Symphony No. 5 (Vienna Philharmonic; Carlos Klieber) mvt 1 and 4 24:03 Beethoven: Symphony No. 9 (Berlin Philharmonic; Von Karajan) mvt. 4 and 2 28:33 Brahms: Hungarian Dances 4, 5, 6 (Vienna Philharmonic; Claudio Abbado) 30:56 A Copland: "Hoe-Down" from Rodeo (St. Louis Symphony; Leonard Slatkin) 32:33 F Chopin: Grand Valse Brillante op. 18 (Valentina Lisitsa) 34:22 Debussy: Prelude to the Afternoon of a Faun (Royal Concertgebouw; Bernard Haitink) 36:01 Dvorak: Symphony No. 9 "From the New World" mvt 2 (London Philharmonic; Charles MacKerras) 38:16 Grieg: Peer Gynt and Peer Gynt suite no.1 (San Francisco Symphony; Herbert Blomstedt) 40:13 Handel: The Messiah "Hallelujah" (London Symphony; Colin Davis) 40:43 Handel: Water Music selections (English Chamber Orchestra; Raymond Leppard) 41:30 Holst: The Planets "Mars" - (Montreal Symphony; Charles Dutoit) 42:13 Liszt: Hungarian Rhapsody No. 2 (Marc-Andre Hamelin) 43:22 Mendelssohn: Overture and Wedding March from A Midsummer Night's Dream (London Symphony, Andre Previn) 45:11 Mozart: Overture to The Marriage of Figaro (Academy of St Martin in the Fields; Neville Marriner) 46:16 Mussorgsky: Pictures at an Exhibition - Promenade and Great Gate of Kiev (Berlin Philharmonic; Claudio Abbado) 48:25 Rachmaninoff: Piano Concerto No. 2 (Vladimir Ashkenazy; Moscow Symphony; Kirill Kondrashin) 49:38 Ravel: Bolero (Boston Symphony; Seiji Ozawa) 51:42 Ravel: Daphnis & Chloe (Rotterdam Philharmonic; Yannick Nézet-Séguin) 52:46 Rimsky-Korsakov: Flight of the Bumblebee (Berlin Philharmonic; Zubin Mehta) 53:08 Rimsky-Korsakov: Scheherezade mvt IV and III (London Symphony; Charles MacKerras) 55:06 Schubert: Ave Maria (Barbara Booney) 55:31 R Strauss: Also Sprach Zarathustra (Chicago Symphony; Fritz Reiner) 57:15 Stravinsky: Rite of Spring (from Part 1) (New York Philharmonic; Leonard Bernstein) 58:21 Tchaikovsky: Russian Dance, Arabian Dance, Dance of the Reed Flutes from The Nutcracker (Montreal Symphony; Dutoit)   Do you have a different recording of these pieces that you'd recommend?  Let me know by telling me directly at https://www.speakpipe.com/MusicianToolkit or you can send me a written message at https://www.davidlanemusic.com/contact  The blog post that goes with this episode can be found here: https://www.davidlanemusic.com/post/25-essential-classical-pieces-to-know You can find this episode and links to this show on all podcast apps from https://musiciantoolkit.podbean.com/ . If you enjoyed this, please give it a rating and review on the podcast app of your choice.  You can also now find the podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling.  Click here for more information or to begin your free trial.

Un día como hoy, 15 de abril: Nace: 1452: Leonardo da Vinci, artista, arquitecto, ingeniero e inventor italiano (f. 1519). 1843: Henry James, escritor y crítico literario estadounidense (f. 1916). 1924: Neville Marriner, violinista y director de orquesta británico (f. 2016). 1931: Tomas Tranströmer, poeta sueco (f. 2015). Fallece: 1927: Gastón Leroux, escritor francés (n. 1868). 1938: César Vallejo, escritor peruano (n. 1892). 1957: Pedro Infante, actor y cantante mexicano (n. 1917). 1980: Jean-Paul Sartre, filósofo y escritor francés (n. 1905). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

春节档终于来了，在电影院几乎一年无片可看的情况下，今年的春节档呈现出了前所未有的“五花八门”和“齐头并进”，什么类型都有，质量看上去都差不多，那么今年春节档究竟如何，和春节档看片花了800多，以及大年初一连续刷4片的我们，一起听听看吧！1. 2023春节档票房盘点2. 我们的春节档电影排名（top1-top5）：《无名》/《满江红》（两部排名第一还是第二有争议）、《流浪地球2》、《深海》、《交换人生》3. 5部片优缺点分析时间点补充（其余春节档电影请转至下期节目）：31mm:35ss《交换人生》38mm:50ss《深海》【本期音乐】Neville Marriner,Academy of St. Martin in the Fields - Concerto for Violin and Strings in E major, Op.8, No.1, R.269 ＂La Primavera＂： I.AllegroDave Brubeck Quartet - Kathy's Waltz【后期包装】宇轩【互动方式】加w”li1254007708”拉你加入聊养院

春节档终于来了，在电影院几乎一年无片可看的情况下，今年的春节档呈现出了前所未有的“五花八门”和“齐头并进”，什么类型都有，质量看上去都差不多，那么今年春节档究竟如何，和春节档看片花了800多，以及大年初一连续刷4片的我们，一起听听看吧！1. 2023春节档票房盘点2. 我们的春节档电影排名（top1-top5）：《无名》/《满江红》（两部排名第一还是第二有争议）、《流浪地球2》、《深海》、《交换人生》3. 5部片优缺点分析时间点补充（其余春节档电影请转至上期节目）：《流浪地球2》00mm：00ss—35mm：36ss《满江红》35mm：36ss—77mm：07ss【本期音乐】音乐片头音乐：Neville Marriner; Academy of St. Martin in the Fields - Concerto for Violin and Strings in E major, Op.8, No.1, R.269 La Primavera I.Allegro【后期包装】leo【互动方式】加w”li1254007708”拉你加入聊养院

The three Vicars celebrate Christmas. Ian Myerscough enjoys a poem by Christina Rosetti. Mary Haddow talks about "The Peace Child". Ian Rose looks into the history of Wenceslas. Philip Noble takes an illustration from people's pets. MUSIC 1. Joy to the World - Cambridge Singers conducted by John Rutter. 2. For unto us a child is born - Academy of St Martin in the Fields conducted by Neville Marriner.

Synopsis It was on this date in 1825 that the United States had its first date with authentic Italian opera. This was a performance of Gioacchino Rossini's The Barber of Seville, staged at New York City's Park Theatre. The singers were mostly from one extraordinary Spanish family—the Garcias—led by its patriarch Manuel Garcia, a tenor who performed role of Count Almaviva – the same role Garcia had created at the opera's premiere in Rome nine years earlier. The 1825 New York audience included luminaries from society and the arts—including the American novelist James Fenimore Cooper and Mozart's one-time librettist, Lorenzo da Ponte, who was teaching Italian at Columbia University in those days. November 29th is also important to 20th century American musical theater. Cole Porter's Gay Divorce opened on Broadway on November 29, 1932, at the Ethel Barrymore Theatre. The musical's title rankled censors who feared it treated divorce too lightly, and they insisted on converting it to the less controversial Gay Divorcee. Cole Porter's score included one of his classic songs, Night and Day, and, like Rossini before him, Porter claimed to have tailor-made this song for the unusual tenor star of his new show, one Fred Astaire. Music Played in Today's Program Gioacchino Rossini (1792-1868) selections from The Barber of Seville Academy of St. Martin in the Fields; Neville Marriner, conductor. Philips 412 266 Cole Porter (1891-1964) Gay Divorce Overture London Sinfonietta; John McGlinn, conductor. EMI 68589

The BBC has had a powerful influence on our musical taste, and in this BBC centenary year, Nicholas Kenyon, a former controller of Radio 3 and director of the Proms, delves into the archives to explore the BBC's role in reviving the centuries of early music from before the 18th century. In his third essay, Kenyon explores how the launch of the BBC's cultural Third Programme in 1946 rapidly advanced the revival of early music on the BBC. From Alfred Deller singing Purcell in the opening concert of the network, to huge and difficult undertakings like the History in Sound of European Music, the Third supported the scholarly exploration of earlier repertories. Leading figures on the staff were experts in early music, and worked with a new generation of emerging performers who were interested in performing the music of the past: Julian Bream on the lute and George Malcolm on harpsichord, Neville Marriner on the violin, and Arnold Goldsborough conducting chamber orchestras. In the title of one 1948 series featuring the violinist Norbert Brainin, leader of the Amadeus Quartet, they were creating ‘new life for old music'. Presented by Nicholas Kenyon Produced by Melissa FitzGerald

Hosted by (ig and youtube) @guitar arrangers  @The Music Thief   @Donitalia  Guest  @Pepe Romero  Special thanks to Matt Denman and Bryan Hays for making this interview possible. https://www.romero-institute.com/ https://peperomero.com/ Pepe Romero Biography There are very few true living legends in the world of classical music, few who have sustained greatness and grown throughout their lives. Pepe Romero is such an artist. He has been honored by kings, heads of state, and major institutions-the encomiums continue to pour in. But to Romero, his most important contribution has been reaching the common man. He has communicated the richness and beauty of the classical guitar to millions of people throughout the world. He has, indeed, become an ambassador of classical music, and, correspondingly, of the classical guitar. But this gift did not just appear out of nowhere. Pepe is the second son of one of the greatest guitarists that ever lived—Celedonio Romero. And he is brother to two more musical phenoms—Celin and Angel Romero.  Pepe Romero has premiered works by some of the finest composers of the twentieth and twenty-first centuries. Joaquín Rodrigo, Federico Moreno Torroba, Lorenzo Palomo, Padre Francisco de Madina, Paul Chihara, Enrique Diemecke, Ernesto Cordero, and, most poignantly, Celedonio Romero, have written compositions for Pepe. Always a champion of music by composers in earlier periods of music history, he has also delved into rare archives to re-explore lost pieces by Fernando Sor, (world premiere and recording of Fantasie in d minor), Mauro Giuliani (world premiere recordings of Concerto no.2 in A major and Concerto no.3 in F major and Variations and Polonaise, Op.65), Francesco Molino (world premier recording of Guitar Concerto in E minor, Op.56), Ferdinando Carulli (world premiere recording of Guitar Concerto in E minor, Op.140), Johann Kaspar Mertz, Luigi Boccherini, (world premiere recording of all 8 guitar quintets) and others. Maestro Romero's many accomplishments include: world premieres of Rodrigo´s Concierto andaluz (with the Romero Guitar Quartet), Concierto madrigal (with Angel Romero), and Concierto para una fiesta (written for Pepe Romero); Federico Moreno Torroba's Diálogos entre guitarra y orquesta (Pepe was personally chosen by Torroba and Andrés Segovia for the world recording premiere of this work dedicated to Segovia with an extended guitar cadenza written especially for Pepe), Concierto Ibérico by Torroba (written for and performed by the Romeros), Concierto en flamenco by Torroba was premiered in Málaga (performed by Pepe with Angel Romero conducting); and Lorenzo Palomo's Concierto de Cienfuegos (with the Romero Quartet) and Nocturnos de Andalucía (both released on the Naxos label). Of the many guitar concertos by his father, Celedonio Romero, Pepe has performed the world premieres of Concierto de Málaga, Fiesta Andaluza and El Cortijo de Don Sancho. Other premieres include Troubadour Music for four guitars and orchestra by Morton Gould, Concierto vasco and Concierto flamenco by Francisco de Madina, Concierto festivo by Ernesto Cordero, Christmas Suite for four guitars and chamber orchestra by Massimo Paris, Concierto a Celedonio by Enrique Diemecke, Concierto Mariachi by Michael Zearott and the guitar concerto, Zareh, by Loris Tjeknavorian. He also revived the great orchestral work Metamorfosi de concert by Xavier Montsalvatge, with Gianandrea Noseda, and premiered as well as recorded the Concerto for Guitar and Orchestra with Trumpet Obbligato by Paul Chihara, with Neville Marriner and the London Symphony. In April 2014 Pepe Romero performed the German premiere in the Berlin Philharmonic of a new work by Lorenzo Palomo – Fulgores - for violin, guitar and orchestra. Pepe Romero has always felt, along with his father and brothers, that the sharing of one's art is a personal responsibility. Mr. Romero has served as Professor of Guitar at the University of Southern California, University of California at San Diego, Southern Methodist University, and the University of San Diego. Every summer at the Celedonio Romero Guitar Institute, currently held at Oklahoma City University, the Romeros conduct an intensive guitar workshop including master classes, private lessons, student concerts and a final concert featuring the students performing with the Romeros. Pepe has conducted master classes at the Salzburg Summer Academy, Córdoba Guitar Festival, and the Schleswig-Holstein Festival. In 2004 he was appointed Distinguished Artist in Residence at the University of Southern California's Thornton School of Music. His newly revised guitar method “La Guitarra” was published and released by Tuscany Publications in 2012. Currently he is finalizing a teaching video that discloses the principles of the Pepe Romero guitar technique.

A remarkable violinist who has had an extraordinary career across three continents, Charmian Gadd started in humble beginnings on a farm on the Central Coast in the 1940s. She exploded onto the music scene as a teenager, and went on to play with such luminaries as Yehudi Menuhin and Neville Marriner, living in the UK and the USA before coming back to Australia in the late 80s. Her contribution to music has not just been as a performer, having also held positions at the Canberra School of Music and the Sydney Conservatorium. She turned 80 in January this year, which ended up being an extra special birthday as she was awarded a Medal in the Order of Australia for services to music in this year's Australia Day Honours. Charmian tells some wonderful stories from her long and remarkable career, and provides some lovely choices of music including from performers who were key inspirations in her professional development.

durée : 00:18:08 - Disques de légende du mercredi 29 juin 2022 - Aujourd'hui dans Disques de légende, nous écoutons Les Noces de Figaro de Mozart, dans la version de Neville Marriner, avec la cantatrice Barbara Hendricks notamment.

durée : 01:57:54 - Relax ! du mercredi 29 juin 2022 - par : Charlotte Landru-Chandès - Aujourd'hui, Charlotte Landru-Chandès vous propose une émission sur les familles Mendelssohn et Schumann. Et en disque de légende, nous écouterons Les Noces de Figaro de Mozart, avec entre autres Neville Marriner et Barbara Hendricks. - réalisé par : Antoine Courtin

Första rad: Jag skulle vilja ha arbetsglädje Uppläsning: Angela Kovács Önskad av: Carl Wretenblad m.fl. DIKTSAMLING: "Hej då, ha det så bra!" (Bonniers 2003)MUSIK Wolfgang Amadeus Mozart: Andra satsen ur Hornkonsert nr 2 Ess-durEXEKUTÖR David Pyatt, horn, Academy of Saint Martin-in-the-fields. Neville Marriner, dirigent.

Un día como hoy, 15 de abril: Nace: 1452: Leonardo da Vinci, artista, arquitecto, ingeniero e inventor italiano (f. 1519). 1843: Henry James, escritor y crítico literario estadounidense (f. 1916). 1924: Neville Marriner, violinista y director de orquesta británico (f. 2016). 1931: Tomas Tranströmer, poeta sueco (f. 2015). Fallece: 1927: Gastón Leroux, escritor francés (n. 1868). 1938: César Vallejo, escritor peruano (n. 1892). 1957: Pedro Infante, actor y cantante mexicano (n. 1917). 1980: Jean-Paul Sartre, filósofo y escritor francés (n. 1905). Una producción de Sala Prisma Podcast. 2022

2022春节档火热开闸，大年初一一日创造近20亿票房，但因为春节档过于依赖口碑，豆瓣开分晚，一时间造成因高票价导致的“选片困难”，本期节目将一次性为你盘点春节档5部长片，要看哪部，各有何特色优缺点，一期节目搞定。本期片单：《狙击手》、《这个杀手不太冷静》、《奇迹·笨小孩》、《长津湖之水门桥》、《四海》本期提纲：1. 春节档总体成绩盘点2. 5部电影排名3. 单片逐一介绍【本期音乐】Neville Marriner,Academy of St. Martin in the Fields - Concerto for Violin and Strings in E major, Op.8, No.1, R.269 ＂La Primavera＂： I.AllegroDave Brubeck Quartet - Everybody's Jumpin'Dave Brubeck Quartet - Kathy's Waltz【互动方式】加w“18246987389”拉你加入聊养院~

durée : 00:20:47 - Disques de légende du vendredi 03 décembre 2021 - Au programme de Disques de Légende aujourd'hui, retour sur l'enregistrement de 1990 de la Flûte Enchantée de Mozart par l'Academy of Saint-Martin in the Fields dirigé par Neville Marriner.

durée : 00:58:26 - " Réveillez-vous, nous crie la voix des veilleurs " - par : Aurélie Moreau - « A la fois calme et impatient, réfléchi dans ce qu'il avance et économe de ses phrases, Neville Marriner offre ainsi l'image d'un chef d'orchestre profondément épris de son art...» écrivait Jean Gallois à la suite de sa rencontre.

durée : 00:17:10 - Disques de légende du mercredi 20 octobre 2021 - Aujourd'hui dans Disques de légende, nous écoutons le Requiem de Mozart par le chef d'orchestre britannique Neville Marriner.

1. Felix Mendelssohn: Andante con variazioni v B-duru, op. 83at Anthony in Joseph Paratore – klavir štiriročno 2. Ludwig van Beethoven: Simfonija v Es-duru št. 3, op. 55 'Eroica' Orkester Akademije St. Martin in te Fields, sir Neville Marriner – dir.

1. Johann Nepomuk Hummel: Koncert za klavir in orkester, op. 110 Hans Kann – klavir; Simfonični orester iz Hamburga, Heribert Beissel – dir. 2. Robert Schumann: Uvertura, scherzo in finale v E-duru, op. 52 Simfonični orkester iz Seattla, Gerard Schwartz – dir. 3. Claude Debussy: Rapsodija za altovski saksofon in orkester John Harle – altovski saksofon; Orkester Akademije St. Martin in the Fields, sir Neville Marriner – dir.

Synopsis Few of us today really know–or care–very much about the War of Austrian Succession, a conflict that troubled Europe in the 18th century. For music lovers, it’s enough to know that to celebrate the end of that war, George Frideric Handel was commissioned to compose music for a fireworks concert in London’s Green Park, an event that took place on today’s date in the year 1749. Back then there were no such things as microphones and loudspeakers, so Handel’s score called for a huge military band of 24 oboes, 9 horns, 9 trumpets, 3 sets of timpani, 12 bassoons, 2 contrabassoons—and strings. When King George II was told about it, he balked a little at the expense: “Well, at least I hope there won’t be any fiddles,” he commented, and so Handel was informed the strings were definitely off. A public rehearsal was held at the Vauxhall Gardens and a London newspaper reported that 100 musicians performed for an audience of more than 12,000, causing a 3-hour traffic jam of carriages and pedestrians on London Bridge. The official event with fireworks went off with a bang–as well as a few fires breaking out. Music Played in Today's Program George Frederic Handel (1685 - 1759) — Music for the Royal Fireworks (Academy of St Martin in the Fields; Neville Marriner, cond.) Argo 414596 On This Day Deaths 1951 - American composer John Alden Carpenter, age 75, in Chicago; 1991 - French-born American composer and arranger Leo (Noël) Arnaud, age 86, in Los Angeles; His tune "Bugler's Dream" (written for a Felix Slatkin LP) became used as a familiar theme for the Olympic Games; Premieres 1738 - Handel: opera "Serse," (Julian date: April 15); 1899 - first version of Sibelius: Symphony No. 1, by the Helsinki Philharmonic, with the composer conducting; A revised, final version of this symphony was performed by the same orchestra on tour in Stockholm on July 4, 1900, conducted by Robert Kajanus; 1915 - Hindemith: String Quartet No. 1 in C, Op. 2, at Dr. Hoch's Conservatory in Frankfurt; 1959 - John Cage: "Fontana Mix," in New York City; 1965 - Ives: Symphony No. 4, at Carnegie Hall by the American Symphony Orchestra, with Leopold Stokowski (assisted by David Katz and José Serebrier); 1970 - Broadway premiere of Sondheim: musical 'Company"; A trial-run in Boston preceded the Broadway premiere; 1990 - John Harbison: Concerto for Double Brass Choir and Orchestra, in Los Angeles, with the Los Angeles Philharmonic, André Previn conducting; 2002 - Michael Hersch: Symphony No. 2, by the Pittsburgh Symphony, Mariss Jansons conducting; Others 1891 - Tchaikovsky arrives in New York to take part in the May 5, 1891, opening concert at New York's newly-constructed "Music Hall"(later known as "Carnegie Hall”). 1926 - American premiere of Monteverdi's 1642 opera "L'Incoronazione di Poppea" (The Coronation of Poppea), at Smith College in Northampton, Mass.

Synopsis Few of us today really know–or care–very much about the War of Austrian Succession, a conflict that troubled Europe in the 18th century. For music lovers, it’s enough to know that to celebrate the end of that war, George Frideric Handel was commissioned to compose music for a fireworks concert in London’s Green Park, an event that took place on today’s date in the year 1749. Back then there were no such things as microphones and loudspeakers, so Handel’s score called for a huge military band of 24 oboes, 9 horns, 9 trumpets, 3 sets of timpani, 12 bassoons, 2 contrabassoons—and strings. When King George II was told about it, he balked a little at the expense: “Well, at least I hope there won’t be any fiddles,” he commented, and so Handel was informed the strings were definitely off. A public rehearsal was held at the Vauxhall Gardens and a London newspaper reported that 100 musicians performed for an audience of more than 12,000, causing a 3-hour traffic jam of carriages and pedestrians on London Bridge. The official event with fireworks went off with a bang–as well as a few fires breaking out. Music Played in Today's Program George Frederic Handel (1685 - 1759) — Music for the Royal Fireworks (Academy of St Martin in the Fields; Neville Marriner, cond.) Argo 414596 On This Day Births 1812 - German opera composer Friedrich von Flotow, in Toitendorf (Teutendorf) estate, near Neu-Sanitz, Mecklenburg-Schwerin; 1894 - Russian-born America composer and famous musical lexicographer Nicolas Slonimsky, in St. Petersburg (Julian date: April 15); Deaths 1871 - German composer and piano virtuoso Sigismond Thalberg, age 59, in Posillipo, Italy; 1915 - Russian composer and pianist Alexander Scriabin, age 43, in Moscow (Julian date: April 14); 1992 - French composer, organist and teacher Olivier Messiaen, age 83, in Paris; Premieres 1720 - Handel: opera "Radamisto" (1st version), in London at the King's Theater in the Haymarket, during the first season of operas presented by the Royal Academy of Music (Gregorian date: May 8); The performance is attended by King George I and the Prince of Wales (Handel dedicates the score to the King); The singer Margherita Dursastanti appears in a Handel work for the first time in London; 1735 - Handel: opera "Alcina" (Julian date: April 16); 1736 - Handel: anthem "Sing unto God," in London at the German Chapel of St. James's Palace, during the wedding of Frederick, Prince of Wales, and Augusta, Princess of Saxe-Gotha (Gregorian date: May 8); 1749 - Handel: "Music for the Royal Fireworks" performed during fireworks display in London (Gregorian date: May 8); 1867 - Gounod: opera "Romeo and Juliet," in Paris at the Théatre-Lyrique; 1877 - Massenet: opera "Le Roi de Lahore" (The King of Lahore"), in Paris; 1893 - Rachmaninoff: opera "Aleko," in Moscow (Gregorian date: May 9); 1907 - Stravinsky: Symphony in Eb, at a private performance in St. Petersburg (Gregorian date: May 10); The first public performance took place in St. Petersburg on January 23, 1908, conducted by F. Blumenfield (Gregorian date: Feb 5); 1927 - Weinberger: opera "Schwanda the Bagpiper," in Prague at the National Theater; 1928 - Stravinsky: ballet, "Apollon musagète," in Washington, D.C., choreographed by Adolf Bohm; The European premiere of this ballet occurred on June 12 in Paris, choreographed by Georges Balanchine; 1937 - Stravinsky: ballet, "Jeu de cartes" (Card Game), by the American Ballet at the Metropolitan Opera in New York, with the composer conducting; This work was part of a Stravinsky-Balanchine matinée consisting of "Apollon musagète," "Le Baiser de la fée," and the premiere of "Jeu de cartes"; 1987 - Daniel Pinkham: Sonata No. 3 for Organ and Strings, at St. Peter's Church in Osterville, Mass., by organist Richard Benefield, with a string quartet conducted by the composer; 1992 - George Tsontakis: "Perpertual Angelus" (No. 2 of "Four Symphonic Quartets" after poems by T.S. Eliot), by the Tuscaloosa Symphony, Ransom Wilson conducting;

Synopsis On today’s date in 1926, Giacomo Puccini’s last opera, “Turandot,” had its belated premiere at the La Scala Opera House in Milan, with Arturo Toscanini conducting. The originally scheduled 1925 premiere had to be postponed, as Puccini had died in November of 1924, leaving “Turandot” unfinished. Another Italian composer, Franco Alfano, was brought in to complete the opera based on Puccini’s sketches. It’s said that after showing Toscanini his completion, Alfano asked, “What do you have to say, Maestro?”—to which Toscanini replied, “I say I see Puccini’s ghost coming to punch me in the nose.” On opening night, Toscanini stopped the performance at the point that Puccini had ceased composing and left the podium in tears—a touching act of homage to Puccini, perhaps, but also a vote of “no confidence” regarding Alfano’s completion of the beloved master’s score. Although well received by critics, the Puccini“ Turandot” with Alfano’s ending remained less popular than other Puccini operas for decades. After a run of performances in the late 1920s when the opera was still new, “Turandot” remained unperformed at the Metropolitan Opera until 1961, when Birgit Nilsson and Franco Corelli scored a huge success in a lavish Franco Zeffirelli revival production. Music Played in Today's Program Giacomo Puccini (1858 -1924) Nessun dorma, fr Turandot Academy of St Martin in the Fields; Neville Marriner, cond. EMI 49552 On This Day Births 1690 - Baptismal date of German composer and organist Gottlieb Muffat, in Pasau; He was the son of German composer Georg Muffat (1653-1704); 1840 - Russian composer Pyotr Ilyitch Tchaikovsky (Gregorian date: May 5); Deaths 1906 - American composer John Knowles Paine, age 67, in Cambridge, Mass.; At Harvard, he created the first Music Department of any American university, and was the teacher there of a number of other American composers, including John Alden Carpenter, Arthur Foote, E.B. Hill, F.S. Converse, and D.G. Mason; Premieres 1881 - Gilbert Sullivan: operetta "Patience," in London; 1918 - Schreker: opera "Die Gezeichneten" (The Branded), in Frankfurt at the Opernhaus; 1926 - Puccini: opera "Turandot," in Milan at the Teatro alla Scala, with Arturo Toscanini conducting; The final scene of this opera, left unfinished at the time of Puccini's death, was completed by Alfano; 1929 - Roussel: "Psalm 80" for tenor, chorus and orchestra, in Paris; 1931 - Prokofiev: String Quartet No. 1 in b, Op. 50, at the Library of Congress in Washington, DC, by the Brosa Quartet; 1963 - Hindemith: Organ Concerto, for a jubilee concert of the New York Philharmonic, with the composer conducting and Anton Heiller the soloist; 1980 - Rochberg: "Octet - A Grand Fantasia," at Alice Tully Hall, by the Chamber Music Society of Lincoln Center; 1999 - André Previn: Bassoon Sonata, in New York, with Nancy Goeres and the composer at the piano; Others 1841 - At a fund-raising concert in Paris for the Beethoven monument to be erected in Bonn, Franz Liszt performs Beethoven's "Emperor" Concerto with Berlioz conducting; Richard Wagner reviews the concert for the Dresden Abendzeitung; The following day, Chopin gives one of his rare recitals at the Salle Pleyel, and Liszt writes a long and glowing review for the Parisian Gazette Musicale; 1865 - Pope Pius IX confers on composer Franz Liszt the title of "Abbé". Links and Resources On Puccini and his operas

Synopsis On today’s date in 1926, Giacomo Puccini’s last opera, “Turandot,” had its belated premiere at the La Scala Opera House in Milan, with Arturo Toscanini conducting. The originally scheduled 1925 premiere had to be postponed, as Puccini had died in November of 1924, leaving “Turandot” unfinished. Another Italian composer, Franco Alfano, was brought in to complete the opera based on Puccini’s sketches. It’s said that after showing Toscanini his completion, Alfano asked, “What do you have to say, Maestro?”—to which Toscanini replied, “I say I see Puccini’s ghost coming to punch me in the nose.” On opening night, Toscanini stopped the performance at the point that Puccini had ceased composing and left the podium in tears—a touching act of homage to Puccini, perhaps, but also a vote of “no confidence” regarding Alfano’s completion of the beloved master’s score. Although well received by critics, the Puccini“ Turandot” with Alfano’s ending remained less popular than other Puccini operas for decades. After a run of performances in the late 1920s when the opera was still new, “Turandot” remained unperformed at the Metropolitan Opera until 1961, when Birgit Nilsson and Franco Corelli scored a huge success in a lavish Franco Zeffirelli revival production. Music Played in Today's Program Giacomo Puccini (1858 -1924) Nessun dorma, fr Turandot Academy of St Martin in the Fields; Neville Marriner, cond. EMI 49552 On This Day Births 1690 - Baptismal date of German composer and organist Gottlieb Muffat, in Pasau; He was the son of German composer Georg Muffat (1653-1704); 1840 - Russian composer Pyotr Ilyitch Tchaikovsky (Gregorian date: May 5); Deaths 1906 - American composer John Knowles Paine, age 67, in Cambridge, Mass.; At Harvard, he created the first Music Department of any American university, and was the teacher there of a number of other American composers, including John Alden Carpenter, Arthur Foote, E.B. Hill, F.S. Converse, and D.G. Mason; Premieres 1881 - Gilbert Sullivan: operetta "Patience," in London; 1918 - Schreker: opera "Die Gezeichneten" (The Branded), in Frankfurt at the Opernhaus; 1926 - Puccini: opera "Turandot," in Milan at the Teatro alla Scala, with Arturo Toscanini conducting; The final scene of this opera, left unfinished at the time of Puccini's death, was completed by Alfano; 1929 - Roussel: "Psalm 80" for tenor, chorus and orchestra, in Paris; 1931 - Prokofiev: String Quartet No. 1 in b, Op. 50, at the Library of Congress in Washington, DC, by the Brosa Quartet; 1963 - Hindemith: Organ Concerto, for a jubilee concert of the New York Philharmonic, with the composer conducting and Anton Heiller the soloist; 1980 - Rochberg: "Octet - A Grand Fantasia," at Alice Tully Hall, by the Chamber Music Society of Lincoln Center; 1999 - André Previn: Bassoon Sonata, in New York, with Nancy Goeres and the composer at the piano; Others 1841 - At a fund-raising concert in Paris for the Beethoven monument to be erected in Bonn, Franz Liszt performs Beethoven's "Emperor" Concerto with Berlioz conducting; Richard Wagner reviews the concert for the Dresden Abendzeitung; The following day, Chopin gives one of his rare recitals at the Salle Pleyel, and Liszt writes a long and glowing review for the Parisian Gazette Musicale; 1865 - Pope Pius IX confers on composer Franz Liszt the title of "Abbé". Links and Resources On Puccini and his operas

Synopsis Haydn’s oratorio “The Seasons” had its premiere performance on this date in Vienna in 1801. Like its predecessor, “The Creation,” Haydn’s new oratorio was a great success, and, as before, Haydn received help with the text and a lot of advice from the versatile Gottfried Bernhard Baron van Swieten, an enthusiastic admirer of Handel oratorios and the music of J. S. Bach. Swieten’s text for “The Seasons” included many opportunities for Baroque-style “tone painting”—musical representations of everything from croaking frogs and workers toiling in the fields, sections that raised a lot of smiles in 1801 and still do today. Haydn, famous for his sense of humor, in this case humored the old-fashioned tastes of the Baron as well. Speaking of the text, since Haydn was tremendous popular in England, Baron van Swieten prepared an English-language version of his text, trying to fit the English words to the rhythm of his original German. Alas, the good Baron’s command of English was, to put it diplomatically, perhaps not as firm he imagined. So these days, ensembles wishing to perform Haydn’s oratorio have a choice: they can opt for Swieten’s quaint but clunky English version, or his more graceful German original. Music Played in Today's Program Franz Joseph Haydn (1732 - 1809) Ländler, fr The Seasons Academy of St Martin in the Fields; Neville Marriner, cond. Philips 438715 On This Day Deaths 1921 - Dutch composer Alfons Diepenbrock, age 58, in Amsterdam; 1948 - Mexican composer Manuel Ponce, age 65, in Mexico City; 1998 - American composer Mel Powell, age 75, in Sherman Oaks, Calif.; He won the Pulitzer Prize for Music in 1990; Premieres 1742 - Handel: oratorio, "Messiah" (Julian date: April 13); 1801 - Haydn: oratorio "The Seasons," in Vienna; 1950 - Bernstein: incidental music "Peter Pan" (play by J.M. Barrie) at the Imperial Theater in New York City, conducted by Ben Steinberg; 1957 - Ives: String Quartet No. 1, in New York City (This music was completed in 1896); 1988 - Anthony Davis: "Notes from the Underground" (dedicated to Ralph Ellison), at Carnegie Hall in New York by the American Composers Orchestra, Paul Lustig Dunkel conducting; 1990 - Bright Sheng: "Four Movemenets" for piano trio, at Alice Tully Hall in New York City , by The Peabody Trio; 1992 - Joan Tower: Violin Concerto, with soloist Elmar Oliveira and the Utah Symphony, Joseph Silverstein conducting; 1997 - Stephen Paulus: opera "The Three Hermits," at House of Hope Presbyterian Church in St. Paul, Minn., with Thomas Lancaster conducting; Links and Resources On Haydn

Synopsis Haydn’s oratorio “The Seasons” had its premiere performance on this date in Vienna in 1801. Like its predecessor, “The Creation,” Haydn’s new oratorio was a great success, and, as before, Haydn received help with the text and a lot of advice from the versatile Gottfried Bernhard Baron van Swieten, an enthusiastic admirer of Handel oratorios and the music of J. S. Bach. Swieten’s text for “The Seasons” included many opportunities for Baroque-style “tone painting”—musical representations of everything from croaking frogs and workers toiling in the fields, sections that raised a lot of smiles in 1801 and still do today. Haydn, famous for his sense of humor, in this case humored the old-fashioned tastes of the Baron as well. Speaking of the text, since Haydn was tremendous popular in England, Baron van Swieten prepared an English-language version of his text, trying to fit the English words to the rhythm of his original German. Alas, the good Baron’s command of English was, to put it diplomatically, perhaps not as firm he imagined. So these days, ensembles wishing to perform Haydn’s oratorio have a choice: they can opt for Swieten’s quaint but clunky English version, or his more graceful German original. Music Played in Today's Program Franz Joseph Haydn (1732 - 1809) Ländler, fr The Seasons Academy of St Martin in the Fields; Neville Marriner, cond. Philips 438715 On This Day Deaths 1921 - Dutch composer Alfons Diepenbrock, age 58, in Amsterdam; 1948 - Mexican composer Manuel Ponce, age 65, in Mexico City; 1998 - American composer Mel Powell, age 75, in Sherman Oaks, Calif.; He won the Pulitzer Prize for Music in 1990; Premieres 1742 - Handel: oratorio, "Messiah" (Julian date: April 13); 1801 - Haydn: oratorio "The Seasons," in Vienna; 1950 - Bernstein: incidental music "Peter Pan" (play by J.M. Barrie) at the Imperial Theater in New York City, conducted by Ben Steinberg; 1957 - Ives: String Quartet No. 1, in New York City (This music was completed in 1896); 1988 - Anthony Davis: "Notes from the Underground" (dedicated to Ralph Ellison), at Carnegie Hall in New York by the American Composers Orchestra, Paul Lustig Dunkel conducting; 1990 - Bright Sheng: "Four Movemenets" for piano trio, at Alice Tully Hall in New York City , by The Peabody Trio; 1992 - Joan Tower: Violin Concerto, with soloist Elmar Oliveira and the Utah Symphony, Joseph Silverstein conducting; 1997 - Stephen Paulus: opera "The Three Hermits," at House of Hope Presbyterian Church in St. Paul, Minn., with Thomas Lancaster conducting; Links and Resources On Haydn

Un día como hoy, 15 de abril: Nace: 1452: Leonardo da Vinci, artista, arquitecto, ingeniero e inventor italiano (f. 1519). 1843: Henry James, escritor y crítico literario estadounidense (f. 1916). 1924: Neville Marriner, violinista y director de orquesta británico (f. 2016). 1931: Tomas Tranströmer, poeta sueco (f. 2015). Fallece: 1927: Gastón Leroux, escritor francés (n. 1868). 1938: César Vallejo, escritor peruano (n. 1892). 1957: Pedro Infante, actor y cantante mexicano (n. 1917). 1980: Jean-Paul Sartre, filósofo y escritor francés (n. 1905). Una producción de Sala Prisma Podcast. 2021

Clayton Haslop might not be a name that is familiar to all of you, but I bet you anything that you've heard his playing. He has appeared as concertmaster on over 1000 TV Shows and Movies, such as Titanic, A Beautiful Mind, The Matrix, Ratatouille, Star Trek, The incredibles, UP, and others. His story took on an extra resonance when he began suffering from Focal Dystonia. Taking a cue from the guitarist Django Reinhardt, Haslop relearned the violin with just two fingers. In this conversation, we talk about studying with Nathan Milstein, Neville Marriner, and Haslop's journey back to playing.

Welcome to 2021 chez Countermelody! Today’s episode is a birthday tribute to the splendid Scottish soprano Margaret Marshall, who was born on 4 January. Since she burst upon the scene in the late 1970s, she has been a favorite of lovers of great singing. Her timbre, artistry, and technical facility evoke comparisons with many treasured singers of the past. Though she retired from public performance in 2005, this past year, in tandem with her daughter Nicola and a group of dedicated supporters, she launched a website called Songbird, which focuses on the early years of her career, and which features many rare soundclips, both live and studio, from that period, many of which have been assembled into a new downloadable release entitled “Margaret Marshall Songbird.” Today’s episode features a wide range of her live and studio recordings, including a few samples from the Songbird release. Included are works by Galuppi, Pergolesi, Vivaldi, Bach, Handel, Haydn, Mozart, Salieri, Gluck, Elgar, Finzi, Richard Strauss, and Alban Berg in recordings and performances between 1975 and 1990, with collaborators including conductors Neville Marriner, Riccardo Muti, John Eliot Gardiner, Vittorio Negri, Charles Groves, Antal Doráti, Philip Ledger, and Rafael Kubelik and fellow singers Ann Murray, Francisco Araiza, Alfreda Hodgson, and Sesto Bruscantini. Compiling this episode has provided my ears and spirit with many blissful hours; I wish my listeners the same experience! Many thanks to both Margaret and Nicola for providing advice and guidance in the selection of today’s material, and many happy returns to the “Scottish supersoprano”! Link to the Margaret Marshall Songbird website: www.margaretmarshallsongbird.com Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available, including a new extra episode further exploring today’s topic.

Ta teden poslušamo koncert Blaža Ogriča, ki se je začel učiti rog na Glasbeni šoli v Idriji pri Neži Gruden. Šolanje je nadaljeval na Konservatoriju za glasbo in balet Ljubljana pod vodstvom Primoža Zemljaka, potem pa se je vpisal na Akademijo za glasbo v razred Boštjana Lipovška. Na svoji dozdajšnji glasbeni poti je že nastopal z nekaterimi odličnimi dirigenti, kot so sir Neville Marriner, Philippe Jordan, En Shao in Christoph Eschenbach. Že leta 2013 je nastopil kot solist z orkestrom, in sicer s simfoničnim orkestrom ljubljanskega konservatorija. Izvrstno je nastopil tudi na recitalih Glasbene mladine ljubljanske, poleg tega je bil že kot dijak reden substitut v naših simfoničnih orkestrih, udeležil pa se je tudi več turnej z mednarodnim mladinskim orkestrom Gustava Mahlerja. Prisluhnite njegovemu koncertu iz cikla Dobimo se na Magistratu Glasbene mladine ljubljanske, na katerem je z Majo Klinar izvedel: Hermann Neuling: Bagatela Paul Hindemith: Sonata za altovski rog Joseph Haydn: Koncert za rog št. 1 v D-duru

In Episode 97 of The Cinescope Podcast, Chad and Erik Woods talk about one of their favorite movies, Amadeus! The Cinescope Podcast on Apple Podcasts Chad’s New Show!! - Crossroads of Destiny | An ‘Avatar: The Last Airbender’ Universe Podcast Show Notes Amadeus (Director's Cut) on Apple TV Amadeus soundtrack on Apple Music Stats Released September 19, 1984 Dir. Miloš Forman (One Flew Over the Cuckoo’s Nest, Hair, Ragtime, The People vs. Larry Flint) Written by Peter Shaffer Music by Wolfgang Amadeus Mozart; Conducted/Supervised by Neville Marriner Starring F. Murray Abraham, Tom Hulce, Elizabeth Berridge, Roy Dotrice, Simon Callow, Christine Ebersole, Jeffrey Jones, Charles Kay, Kenneth McMillan, Kenny Baker Contact Erik Woods Twitter (@cinsoundradio) Facebook CinematicSound.net Chad Twitter (@chadadada) Facebook Letterboxd An American Workplace | A Retrospective The Office Podcast Chad’s New Show!! - Crossroads of Destiny | An ‘Avatar: The Last Airbender’ Universe Podcast Cinescope Facebook Twitter Website Email thecinescopepodcast@gmail.com Note: The iTunes links provided are affiliate links, meaning that when you click on them you help to support The Cinescope Podcast by earning it a bit of money. Thank you for your support! Special Guest: Erik Woods.

En gallakoncert afholdt på Mozarts 222-års fødselsdag i 1978 med Mozart-specialisten Neville Marriner og hans berømte kammerorkester Academy of St Martin in the Fields. Marriner døde i 2016. Der er næppe nogen musiker, der har spillet (og indspillet) så meget Mozart som ham.Mozart: Ouverture til Idomeneo.Mozart: To koncertarier for sopran.Mozart: Symfoni nr. 40.Mozart: Klaverkoncert nr. 25.Jessye Norman, sopran.Alfred Brendel, klaver.Academy of St Martin in the Fields.Dirigent: Neville Marriner.(Koncert i Strasbourg, 27. januar 1978). Vært: Tina Rømer. www.dr.dk/p2koncerten (Sendt første gang 18. november 2018).

Mark and Mark listen closely to a recording of the first movement of Vivaldi's concerto, Winter, from "The Four Seasons" with Alan Loveday (violin) and The Academy of St. Martin in the Fields, conducted by Neville Marriner. They compare it, briefly, to a recording by a British ensemble, Red Priest.

Ken's Last Ever Radio Extravaganza - "These Documents" - Show #300, from Mar. 16, 2004 [These documents clearly show. The White House Press Secretary's unrelenting assertions about Bush's military service records, how clear the documents are, and how proud the President was. No looping was necessary! Ably assisted by Vangelis, Alan Watts, and Noam Chomsky. Sources: White House with Press Secretary Scott McClellan 2/10/04 Vangelis: Chariots of Fire main titles (1981), 12 O'Clock, Blade Runner main titles (1994) Alan Watts: Zen laughing Vangelis: Tears in Rain (1994) Noam Chomsky: blood dripping from Americans' hands, from Manufacturing Consent Trembling Blue Stars: Maybe After All ("don't live in the real world...")] Ken's Last Ever Radio Extravaganza - "Now (Rippling Water)" - Show #305, from Apr. 13, 2004 [The past flows back from now. Sources: Quiet American: Plumbing and Irrigation of South Asia field recordings (2003) Alan Watts: Purpose (Now) Dire Straits: On Every Street 7% Solution: All About Satellites and Spaceships Bonnie Tyler: Making Love (Out of Nothing at All) Ken's Last Ever Radio Extravaganza: Tones for Kitten (2004) The Buddy System: Live 12/27/01 pt. 2 Pimsleur: Greek Lesson 27, Hebrew Lesson 28 Verbal Advantage: Transitory, Philanthropic, Lethargy, Exonerate, Pugnacious, Contrition, Abrogate, Intractable, Altruism, Accolade] Ken's Last Ever Radio Extravaganza - "The Coming Storms" - Show #307, from Apr. 20, 2004 [Open space via 32 copies of a piano piece, and then another piece, from The Terminator soundtrack by Brad Fiedel. Sources: Brad Fiedel: Sarah's Destiny/The Coming Storm, Theme, Main Title from The Terminator: The Definitive Edition (1995)] Ken's Last Ever Radio Extravaganza - "Coincident Symphony" - Show #312, from May 4, 2004 [Classical cut-ups and synchronicity. Sources: Bright Eyes: An Attempt to Tip the Scales Aimee Mann: You Do Robert Greenwald: Uncovered: The Whole Truth About the Iraq War (2003) Wayne Dyer: Coincident: Things that fit together perfectly Wolfgang Amadeus Mozart: Symphony No. 19 in E flat, K. 132: Allegro & Andante Wolfgang Amadeus Mozart: Symphony No. 5 in B flat, K. 22: Andante & Allero Molto] Set: Wolfgang Amadeus Mozart - "Piano Concerto in D Minor, K. 466, 2nd Movement" - Amadeus s.t. [Neville Marriner] https://www.wfmu.org/playlists/shows/83786

Ken's Last Ever Radio Extravaganza - "These Documents" - Show #300, from Mar. 16, 2004 [These documents clearly show. The White House Press Secretary's unrelenting assertions about Bush's military service records, how clear the documents are, and how proud the President was. No looping was necessary! Ably assisted by Vangelis, Alan Watts, and Noam Chomsky. Sources: White House with Press Secretary Scott McClellan 2/10/04 Vangelis: Chariots of Fire main titles (1981), 12 O'Clock, Blade Runner main titles (1994) Alan Watts: Zen laughing Vangelis: Tears in Rain (1994) Noam Chomsky: blood dripping from Americans' hands, from Manufacturing Consent Trembling Blue Stars: Maybe After All ("don't live in the real world...")] Ken's Last Ever Radio Extravaganza - "Now (Rippling Water)" - Show #305, from Apr. 13, 2004 [The past flows back from now. Sources: Quiet American: Plumbing and Irrigation of South Asia field recordings (2003) Alan Watts: Purpose (Now) Dire Straits: On Every Street 7% Solution: All About Satellites and Spaceships Bonnie Tyler: Making Love (Out of Nothing at All) Ken's Last Ever Radio Extravaganza: Tones for Kitten (2004) The Buddy System: Live 12/27/01 pt. 2 Pimsleur: Greek Lesson 27, Hebrew Lesson 28 Verbal Advantage: Transitory, Philanthropic, Lethargy, Exonerate, Pugnacious, Contrition, Abrogate, Intractable, Altruism, Accolade] Ken's Last Ever Radio Extravaganza - "The Coming Storms" - Show #307, from Apr. 20, 2004 [Open space via 32 copies of a piano piece, and then another piece, from The Terminator soundtrack by Brad Fiedel. Sources: Brad Fiedel: Sarah's Destiny/The Coming Storm, Theme, Main Title from The Terminator: The Definitive Edition (1995)] Ken's Last Ever Radio Extravaganza - "Coincident Symphony" - Show #312, from May 4, 2004 [Classical cut-ups and synchronicity. Sources: Bright Eyes: An Attempt to Tip the Scales Aimee Mann: You Do Robert Greenwald: Uncovered: The Whole Truth About the Iraq War (2003) Wayne Dyer: Coincident: Things that fit together perfectly Wolfgang Amadeus Mozart: Symphony No. 19 in E flat, K. 132: Allegro & Andante Wolfgang Amadeus Mozart: Symphony No. 5 in B flat, K. 22: Andante & Allero Molto] Set: Wolfgang Amadeus Mozart - "Piano Concerto in D Minor, K. 466, 2nd Movement" - Amadeus s.t. [Neville Marriner] http://www.wfmu.org/playlists/shows/83786

In the early 20th century a craze for the occult swept the country. It was the era of Aleister Crowley and a new-found fascination with black magic. And no-one embraced this world more fully than Philip Heseltine. This hard-living, heavy-drinking composer delved into the art of black magic, experimented with spells and even changed his name to ‘Peter Warlock’. In 1930 he died suddenly, at the age of just 36. Had he been interfering with forces beyond his control? This episode tackles subjects that some listeners might find upsetting. Original music was written by Thomas Hewitt Jones (@thewittjones). Tim Lihoreau can be found on Twitter (@TimLihoreau) and the Classic FM team can be found @ClassicFM. You can get in touch about the show at classicfm.com and find out more about this episode at classicfm.com/casenotes The recordings featured in this episode are: Warlock: Bethlehem Down – The Rodolfus Choir, directed by Ralph Allwood (Signum Classics) Warlock: Capriol Suite – Nicholas Kraemer (harpsichord), Neville Marriner, Academy of St Martin in the Fields (Decca Classics and Deutsche Grammophon) Warlock: The Fox – John Mark Ainsley, Roger Vignoles (Helios/Hyperion) Warlock: Take, O Take Those Lips Away – Tim Travers-Brown and Jeremy Filsell (Signum Classics) Warlock: Captain Stratton’s Fancy – Bryn Terfel (bass-baritone), Michael Martineau (piano) (Decca Classics and Deutsche Grammophon)

Panelen öser beröm över violinisten Isabelle Faust i Bach sonater, golvas av operan "En florentinsk tragedi" och noterar ett fördjupat allvar när Islands symfoniorkester tar sig an Dag Wirén. Veckans skivor: DAG WIRÉN Musik av Dag Wirén, bl a serenad för stråkorkester och symfoni nr 3. Islands symfoniorkester Rumon Gamba, dirigent Chandos Chan 5194 JS BACH SONATER FÖR VIOLIN OCH CEMBALO Violin- och cembalosonater av Johann Sebastian Bach Isabelle Faust, violin Kristian Bezuidenhout, cembalo Harmonia Mundi HMM 90225657 EINE FLORENTINISCHE TRAGÖDIE Opera av Alexander von Zemlinsky Radions symfoniorkester i Wien Bertrand de Billy, dirigent Sångare: Wolfgang Koch, Heidi Brunner, Charles Reid m.fl. Capriccio C5325 Referensen: Panelen jämför med en tidigare inspelning av Eine Florentinische Tragödie som gavs ut 1997 på Decca. Concertgebouw-orkestern i Amsterdam spelar under ledning av Riccardo Chailly. Johan möter: Den amerikanske dirigenten David Zinman ligger bakom en av de mest säljande klassiska inspelningarna någonsin, Henryk Goreckis tredje symfoni med London Sinfonietta från 1991. Musikrevyn träffade Zinman i Berlin i en intervju där han minns vännen Leonard Bernstein och en udda inspelning av Djungelboken. Andra i programmet nämnda och rekommenderade inspelningar: Dag Wiréns Serenad för stråkorkester med orkestern Academy of Saint-Martin-In-The-Fields under ledning av Neville Marriner, inspelad 1977 och utgiven på Argo. Dag Wiréns Serenad för stråkorkester med Radiosymfonikerna under ledning av Esa-Pekka Salonen, BIS, 1984.

I programmet diskuteras Bachs franska sviter med Ashkenazy, Vivaldis och Haydns Årstiderna; violinkonserter resp. oratorium samt Stravinskys Historien om en soldat. Magnus väljer ur 1900-talsboxar. I panelen Bodil Asketorp, Hanns Rodell och skådespelaren Katarina Ewerlöf som tillsammans med programledaren Magnus Lindman betygsätter följande skivor: JOHANN SEBASTIAN BACH Franska sviterna Vladimir Ashkenazy, piano Decca 00289 483 2150 JOSEPH HAYDN Årstiderna Carolyn Sampson, Jeremy Ovenden, Andrew Foster-Williams National Forum of Music Choir Wroclaw Baroque Orchestra Gabrieli Consort and Players Paul McCreesh, dirigent Signum SIG CD 480 ANTONIO VIVALDI FRANTISEK JIRÁNEK De fyra årstiderna Violinkonsert d-moll Ars Antiqua Austria Gunar Letzbor, dirigent Challenge Classics CCD 72700 IGOR STRAVINSKY Historien om en soldat Harriet Walter, Harrison Birtwistle, George Benjamin Royal Academy of Music Manson Ensemble Oliver Knussen, dirigent Linn CKD 552 Referensen Vivaldi Magnus refererar till och jämför med en inspelning av Vivaldis Årstiderna med violinisten Alan Loveday och Academy of Saint-Martin-in-the-Fields, allt under ledning av Neville Marriner. Inspelad på skivmärke Argo. Magnus val Magnus väljer och spelar valda delar ur två (!) boxar med 28 resp. 26 CD; Shaping the Century vol 1, 1900-1949 och vol 2, 1950-2000, vilka innehåller 1900-talsmusik av olika karaktär och upphov. Alla inspelade på Decca och DG och är utgivna på dito.  Andra i programmet nämnda eller rekommenderade inspelningar: Vivaldis Årstiderna med Nils Erik Sparf och Drottningholms barockensemble inspelad på Bis; Fabio Biondi och Europa Galante på Opus 111; Il Giardino armonico på Teldec samt med Alan Loveday och Academy of Saint-Martin-in-the-Fields allt under Neville Marriner på Argo (Referensen). Stravinskys Historien om en soldat med Gérard och Guillaume Depardieu som Djävulen respektive Soldaten och med Shlomo Mintz vid rodret utgiven på märket Valois. Bachs franska sviter med Glenn Gould på skivmärket Sony Classical, Andrej Gavrilov på DG samt med András Schiff på Decca. Haydns Årstiderna med bl.a. Marlis Petersen, RIAS kammarkör och Freiburgs barockorkester allt under René Jacobs på Harmonia Mundi  samt med bl.a. Barbara Bonney, Monteverdi-kören och Engelska barocksolisterna ledda av John Eliot Gardiner på Archiv.  Inget Svep denna vecka

Fine Music Radio — "Baroque Festival 2: Haydn’s Missa Brevis ". TRACK: Kyrie from Haydn’s Missa Brevis. ARTIST: Staatskapelle Dresden under Neville Marriner. PUBLISHER: Warner Music Group 2016. Cape Town’s Baroque Festival

Descubre la desconocida Sinfonía n. 9 en Do Mayor K.73 de W. A. Mozart, con los comentarios de Ana Laura Iglesias y la versión de The Academy of St. Martin in the Fields bajo la dirección de Neville Marriner, versión elegida por el CNDM para su CD #9Novenas. Extracto de #ElÁtico135 desde el Auditorio Nacional de Música de Madrid.

Descubre la desconocida Sinfonía n. 9 en Do Mayor K.73 de W. A. Mozart, con los comentarios de Ana Laura Iglesias y la versión de The Academy of St. Martin in the Fields bajo la dirección de Neville Marriner, versión elegida por el CNDM para su CD #9Novenas. Extracto de #ElÁtico135 desde el Auditorio Nacional de Música de Madrid.

古典音乐是一个颇有门槛的领域，但其中总有些作品为普罗大众所熟悉，帕赫贝尔的《D大调卡农》即是一例。因其和谐优美，又有丰富的情绪空间可供演绎，长久来产生了无数演绎《D大调卡农》的音乐。本期不一定音乐广播，马勺将同大家分享有关《D大调卡农》和「卡农」本身的音乐作品，一同体验建立在形式与秩序上的美与感动。   本期歌单 采样帕赫贝尔《D大调卡农》的音乐作品 1. JerryC - Canon Rock @ 摇滚卡农 (2009) 2. Trans-Siberian Orchestra - The Christmas Canon @ Christmas Attic (1998) 3. 群星 - 你的扣肉 @ 麦兜当当伴我心 电影原声 (2012) 运用帕赫贝尔《D大调卡农》和弦的音乐作品 4. Pet Shop Boys - Go West @ Very (1993) 5. My Chemical Romance - Welcome To The Black Parade @ The Black Parade (2006) 6. 梅艳芳 - 似水流年 @ Anita Classic Moment(Live) (2003) 7. Scatman John - Scatman's World @ Scatman's World (1995) 运用卡农技法的儿歌 8. Raffi - Frère Jacques @ The Corner Grocery Store (1979) 卡农曲 9. Ensemble Sonnerie - The Musical Offering, BWV 1079: Canon 1 a 2 (cancrizans) @ The Musical Offering (1996) 运用卡农技法的非卡农曲 10. Alban Berg Quartett - String Quartet in D minor Op. 76 No. 2 "Fifths": III. Menuet (Allegro ma non troppo) (2000) 运用卡农技法的流行歌曲 11. 王力宏 Selina - 你是我心内的一首歌 @ 改变自己 (2007) 《D大调卡农》原曲 12. Neville Marriner & Academy of St. Martin-in-the-Fields - Pachelbel: Canon and Gigue in D major - 1. Canon @ Mozart: Eine Kleine Nachtmusik & Other Favorites (1986)  

Madeleine Thien talks about art and music under totalitarianism, along with her novel, Do Not Say We Have Nothing, shortlisted for the Man Booker Prize; Scholar managing editor Sudip Bose explains how Neville Marriner, conductor of the now-ubiquitous Academy-of-St.-Martin-in-the-Fields, used to be a rebel; and beloved former Scholar blogger Jessica Love catches us up on the radical changes she’s made to her book on psycholinguistics. Mentioned in this episode: • Listen to the Spotify playlist we curated to accompany Do Not Say We Have Nothing, featuring every recording mentioned in the novel (that’s 23 hours and 40 minutes of music!) • Read Sudip Bose’s ode to the great Neville Marriner in our Winter 2017 issue • Check out the archives of

Madeleine Thien talks about art and music under totalitarianism, along with her novel, Do Not Say We Have Nothing, shortlisted for the Man Booker Prize; Scholar managing editor Sudip Bose explains how Neville Marriner, conductor of the now-ubiquitous Academy-of-St.-Martin-in-the-Fields, used to be a rebel; and beloved former Scholar blogger Jessica Love catches us up on the radical changes she’s made to her book on psycholinguistics. Mentioned in this episode: • Listen to the Spotify playlist we curated to accompany Do Not Say We Have Nothing, featuring every recording mentioned in the novel (that’s 23 hours and 40 minutes of music!) • Read Sudip Bose’s ode to the great Neville Marriner in our Winter 2017 issue • Check out the archives of

Welcome to Secrets of Organ Playing Podcast #65! http://www.organduo.lt/podcast ​ Today's guest is ​Nico Declerck, an organist from Belgium and founder of orgelradio project - 24/7 internet radio broadcasts of organ music. Since January 4, 2016 orgelradio has reached more than 74.000 listeners in 137 countries. Nico studied the organ in Belgium (Antwerp) with Stanislas Deriemaeker and Joris Verdin. He followed masterclasses with Marie-Claire Alain, Bernard Foccroulle, Daniel Roth, Harald Vogel, Jos Van Immerseel en studied one year with Guy Bovet in Switzerland. He played the organ and harmonium in several orchestras with conductors as Heinrich Schiff, Philip Herreweghe, Silvio Varviso, Eliahu Inbal and Neville Marriner. He recorded a harmonium cd on his big V.Mustelharmonium with celesta. This cd is completely sold out. From 2001 to 2005 he was stage manager at the Bayreuther Festspiele (D) where he could work with conductors like Pierre Boulez, Christian Thielemann and Andrew Davis and with directors like Christian Schlingensief and Keith Warner. At the moment he is stage magager at the Flemish Opera and organist in Turnhout and in Hoogstraten. The last few years he toured through Europe and Japan with Rosas, he worked as a stage manager in Rotterdam (NL), Miskolc (H) and Endinburgh (GB). He created the harmonium score in Jan Fabre's The Tragedy of a Friendship, a Hommage to Richard Wagner. He played the organ at the funeral of Queen Fabiola and recorded a cd with Marcel Ponseele, baroque oboe. In this conversation, Nico shares his experiences with orgelradio project - what inspired him to start, how he attracted the mainstream media attention, what challenges he met under way, and what his future goals are for this project. Enjoy and share your comments below. ​ And don't forget to help spread the word about the SOP Podcast by sharing it with your organist friends. Thanks for caring. Related link: http://www.orgelradio.eu

Tom Stoppard discusses the new production of his "dishevelled comedy" Travesties, Brexit and his desire to write a new play about the migrant crisis.The Girl on The Train, Paula Hawkins' thriller about a divorced alcoholic who becomes caught up in a missing person investigation, has sold 11 million copies worldwide and been turned into a film starring Emily Blunt. But has the transition onto the silver screen and the move from London to New York worked? Mark Eccleston reviews.We report from Shapes of Water, Sounds of Hope, a mass participatory performance artwork, led by the distinguished American artist Suzanne Lacy which took place in Pendle, Lancashire this weekend.As a new exhibition opens exploring the Feminist Avant-Garde of the 1970s, artist Lynn Hershman Leeson and historian Professor Hilary Robinson look back at those years and ask if there's still a need for feminist art today?And we remember the conductor and violinist Sir Neville Marriner, who has died aged 92. Presenter: Samira Ahmed Producer: Rachel Simpson.

The film director, Peter Greenaway, shares his Inheritance Tracks: An Elephant Never Forgets, performed by Henry Hall and the BBC Dance Orchestra; and Concerto in A minor for Bassoon, composed by Antonio Vivaldi and performed by Academy of St. Martin-in-the-Fields and Neville Marriner.

Aasmah Mir and the Rev. Richard Coles talk to the actress Michelle Collins about her love of markets and clothes, her singing and acting career from EastEnders to Coronation Street, and her latest role in Chitty Chitty Bang Bang. Wayne Hemingway shares his passion for classic cars, boot sales and his vast collection of vintage vinyl. The 'natural navigator' Tristan Gooley, explains how to read water - drawing on his own pioneering journeys to reveal the clues, signs and patterns in ponds, puddles, oceans and even in the bath. And Tom Gregory remembers swimming the Channel at the age of 11. JP Devlin meets Pat Stewart aka "The Girl in the Spotty Dress" to hear about the iconic 1950s photograph taken of her and friend Wendy Clarke on Blackpool Promendade, her association with Laurel and Hardy and the significance of song her husband left her. And the film director, Peter Greenaway, shares his Inheritance Tracks: An Elephant Never Forgets, performed by Henry Hall and the BBC Dance Band, and Concerto in A minor for Bassoon, composed by Antonio Vivaldi and performed by Academy of St. Martin-in-the-Fields and Neville Marriner. Chitty Chitty Bang Bang is currently playing at Cliffs Pavilion, Southend and is then on tour around the country. How to Read Water, by Tristan Gooley is out now. The Classic Car Boot Sale is at Lewis Cubitt Square, King's Cross, London N1C 4UZ, today and tomorrow, 16 / 17 April. Peter Greenaway's latest film 'Eisenstein in Guanajuato' is in cinemas now. Producer: Louise Corley Editor: Beverley Purcell.

Neville Marriner has been Music Director of the Minnesota Orchestra since 1979. He is the world's most recorded conductor and founder of the Academy of St. Martin-in-the-Fields in London. A native of Lincolnshire, England, he studied violin at the Royal College of Music in London and at the Paris conservatory. He spent thirteen years as the principal second violin with the London Symphony Orchestra and has conducted most of the world's major symphony orchestras.

"När vinden vänder" handlar om sex människor som lyckades förverkliga sig och sina musikaliska drömmar mot alla odds. I första delen berättas om Constance Mozart, grovt förtalad hustru till Mozart. Medverkar gör svenska musikvetaren Viveca Servatius, författare till biografin Constance Mozart och brittiska dirigenten Jane Glover, som skrev Mozart's Women.Ordet Constance betyder trogen, trofast, noggrann, beständig. Det här programmet kommer att visa att Constance Mozart var just så. Dessutom var hon mycket musikalisk en god pianist och en ypperlig sångerska. I motsats till hur hon har skildrats av musikhistorikerna, nämligen som ointelligent, omusikalisk och som en försumlig och ovärdig hustru till Mozart.Constance Weber föds i Tyskland 1762 och gifter sig som 20-åring med Wolfgang Amadeus Mozart i Stephansdomen i Wien.De är gifta under drygt nio år och Constance föder i äktenskapet sex barn, varav fyra barn dör i späd ålder. Två söner överlever.Constance lever under en tid när kvinnornas rörelse- och yttrandefrihet alltmer inskränktes, men trots detta kan hon betraktas som musikhistoriens mest nedvärderade kvinna, skriver musikforskaren Viveca Servatius i sin biografi Constance Mozart.-Min bild av Constance Mozart hade formats negativt genom Mozartbiografier och annan kurslitteratur på Musikvetenskapliga institutionen, berättar musikvetaren Viveca Servatius i programmet.-I den ena Mozartbiografin efter den andra framställdes Constance som den grå askungen, som genom Mozarts naiva kärlek långsamt växer in i rollen som den bortskämda fru Mozart.Enligt dessa är Constance en konstig, lat, otrogen kvinna som inte förstår Mozarts storhet. Men så läser Viveca Servatius biografin 1791: Mozart's Last Year av Robbins Landon och hennes bild av Mozarts hustru förändras totalt.Dirigenten Jane Glover har dirigerat i operahusen över hela västvärlden, inte minst Mozartoperor. Under en period var hon konstnärlig ledare för London Mozart Players.-Den briljanta pjäsen Amadeus av Peter Schaffer blev den förfärliga filmen Amadeus av Milo Forman. Filmen låtsas vara en sann historia. Personen som överlever moraliskt är Mozart, medan Constance skildras som ett blåst, vulgärt fnask, menar dirigenten Jane Glover.-Den person som startade förtalet av Constance, och som var den negativa mytens upphov, var Mozarts far Leopold Mozart, som i det längsta försökte hindra sonen att gifta sig med Constance Weber.  Musikhistorikerna svalde Leopolds obarmhärtiga lögner, förklarar Jane Glover. Constance är i verkligheten en bra tjej med en stark känsla för ekonomi. Hon är festlig och älskar livet, och mellan Constance och Wolfgang brinner en stark passion.Leopold Mozart avskyr Constances familj Weber. Hos dem musiceras det ständigt och två av Constances tre systrar, Josepha och Aloisia, är skickliga sångerskor, ja, Aloisia hyllas som sin tids viktigaste sopran.Äldsta systern Josepha blir den allra första Nattens Drottning i Mozarts opera Trollflöjten. Constance själv sjunger bl a sopransolot Et incarnatus est vid uruppförandet 1783, av den då ofullbordade Mozarts stora C-mollmässa, i Benediktinerkyrkan i Salzburg. En mycket svårsjungen mässa.Under åren med Constance skapar Wolfgang sina bästa verk. Vinden vänder 1791 när den blott 29-åriga Constance blir änka. Mozart avlider endast 35 år gammal. Constance överlever honom med mer än 50 år!För Constance vänder vinden återigen när hon efter Mozarts död möter den danske diplomaten Georg Nissen, som är utstationerad i Wien. 1809 gifter de sig och skapar ett harmoniskt, lyckligt äktenskap. De bosätter sig mellan 1810 och 1820 i hans hemstad Köpenhamn. Nissen skriver en biografi över Mozart och Constance ser till att biografin trycks efter Nissens död 1826.Constance ägnar största delen av sitt liv åt att promovera Mozarts musik och bevara hans musikaliska kvarlåtenskap. Det är bland annat hennes förtjänst att Mozarteum finns i Salzburg.Människor från hela världen vallfärdar till Salzburg för att se Mozarts änka Constance som, under sina sista år, spenderar somrarna i ett litet hus utanför stadens centrum.-Constance var en älsklig, modest kvinna. Hon njöt av att visa upp sin välskötta trädgård med alla blommor och hon visade känslosamt fram Mozarts kvarlåtenskap med stolthed och glädje, berättar Jane Glover.Constance dör i Salzburg 1842, 80 år gammal.Låtlista:12:03 Rudy Stevenson, Lisle Atkinson, Bobby Hamilton, Nina Simone - Wild Is The Wind Album: Four Women Kompositör: Dimitri Tiomkin Bolag: VERVE 12:05 Jimmy Scott, Ray Charles - If I Should Lose You Album: Falling In Love Is Wonderful Kompositör: Ralph Rainger, Leo Robin Bolag: RHINO RECORDS 12:06 Ronald Brautigam - Rondo In D, K 485 Kompositör: WOLFGANG AMADEUS MOZART Bolag: Bis 12:10 Mitsuko Uchida - Sonat För Piano Nr 12 F-Dur Kv 332: Sats 2, Adagio Album: Sonat För Piano Nr 12 F-Dur Kv 332 Adagio Kompositör: Wolfgang Amadeus Mozart Bolag: UNIVERSAL MUSIC 12:12 Edita Gruberova, Nikolaus Harnoncourt, Zürich-Operans Orkester - Die Zauberflöte: Nr 14 Album: Die Zauberflöte Kompositör: Wolfgang Amadeus Mozart Bolag: TELDEC 12:14 Renée Fleming, Charles Mackerras, Orchestra Of Saint Luke's (New York) - Die Entführung Aus Dem Serail: Nr 6, Akt 1, "Ach Ich Liebte" Album: Mozart Arias Kompositör: Wolfgang Amadeus Mozart Bolag: DECCA 12:18 Jane Glover, London Mozart Players - Serenad Kv 361 B-Dur För 12 Blåsare & Kontrabas Album: Serenad Kv 361 B-Dur - Gran Partita Kompositör: Wolfgang Amadeus Mozart Bolag: NOVELLO 12:22 Jane Glover, London Mozart Players - Serenad Kv 361 B-Dur För 12 Blåsare & Kontrabas Album: Serenad Kv 361 B-Dur - Gran Partita Kompositör: Wolfgang Amadeus Mozart Bolag: NOVELLO 12:26 Kurt Sanderling, Bbc Northern Symphony Orchestra (Manchester) - Don Giovanni: Uvertyr Album: Don Giovanni Overture Kompositör: Wolfgang Amadeus Mozart Bolag: BBC RECORDS 12:29 Frederica Von Stade, Edo De Waart, Rotterdams Filharmoniska Orkester - Le Nozze Di Figaro: Nr 6 Kompositör: Wolfgang Amadeus Mozart Bolag: PHILIPS 12:32 Kathleen Battle, André Previn, Royal Philharmonic Orchestra (London) - Vorrei Spiegarvi Oh Dio...Ah Conte (Kv 418) Album: Arior Kompositör: Wolfgang Amadeus Mozart Bolag: EMI 12:37 Kathleen Battle, André Previn, Royal Philharmonic Orchestra (London) - Vorrei Spiegarvi Oh Dio...Ah Conte (Kv 418) Album: Arior Kompositör: Wolfgang Amadeus Mozart Bolag: EMI 12:40 Barbara Hendricks, Neville Marriner, Academy Of Saint Martin-In-The-Fields (London), Justin Sillman - Mässa Nr 18 C-Moll Kv 427: Nr 14, Et Incarnatus Est Album: Airs Sacrés Kompositör: Wolfgang Amadeus Mozart Bolag: EMI 12:46 Barbara Hendricks, Neville Marriner, Academy Of Saint Martin-In-The-Fields (London), Justin Sillman - Mässa Nr 18 C-Moll Kv 427: Nr 14, Et Incarnatus Est Album: Airs Sacrés Kompositör: Wolfgang Amadeus Mozart Bolag: EMI 12:49 Hans Pålsson - Fantasi För Piano Kv 396 C-Moll Album: Sonatas And Fantasias Kompositör: Wolfgang Amadeus Mozart Bolag: CHAMBER SOUND 12:55 Hans Pålsson - Fantasi För Piano Kv 396 C-Moll Album: Sonatas And Fantasias Kompositör: Wolfgang Amadeus Mozart Bolag: CHAMBER SOUND 12:58 Cheryl Studer, Neville Marriner, Academy Of Saint Martin-In-The-Fields (London) - La Clemenza Di Tito: Nr 23, Akt 2, "Non Piu Di Fiori"      Album: Queen Of The Night      Kompositör: Wolfgang Amadeus Mozart     Bolag: PHILIPS

La trompa es capaz de transmitir gran sensibilidad por esa manera tan suya de ser, de emitir los sonidos, de frasear, de vibrar, de respirar y dar vida a tantas hermosas melodías. Porque eso es lo que es la trompa: color y melodía en estado puro, mucho más que ritmo y apoyo armónico; bien lo saben sus más animados defensores, sean estos pequeños estudiantes o grandes maestros de la composición e interpretación.Haydn, Concierto nº 1 en Re mayor, Hoboken VII D/3: Allegro: Hermnann Baumann (trompa) y Academy of St Martin in the Fields, Neville Marriner (dir.).Mozart, Concierto nº 1 en re mayor, K.412: Michael Thompson (trompa solista y director), Bournemouth Sinfonietta. Weber, Concertino para trompa y orquesta op.45, y R. Strauss, Concertino para trompa nº 1: Hermann Baumann (trompa), Orquesta de la Gewandhaus de Leipzig, Kurt Masur (dir.).Escuchar audio

Chorus speaks: We are outside a house in Württemberg, Anno Domini Fifteen-hundred and Ninety-two. Mummers herald the holiday.***Image is a Black Holetaken from the Hubble telescope.Music excerpt is Paganini’s Vieuxtemps Violin Concertos, Violin concerto No. 5 in A minor, Op 37 - II. Adagio.Viktoria Mullova withNeville Marriner, Academy St.Martin In The Fields

Our Chorus of Mankind returns to the stage, now wearing bloody bandages and scorched rags; there is sound of a huge battle beyond them and shocks of shells exploding in midair, screams of women and the crying of babies.Faustus stands apart from the Chorus of Mankind, looking on it as it begins its address.***The image is an etching by Albrecht Durer of the Four Horsemen of the Apocalypse.Music excerpt is Violin concerto No. 5 in A minor, Op 37 - II. Adagio by Paganini, from the album Paganini; Vieuxtemps Violin Concertosperformed by Viktoria Mullova (violinist) and Neville Marriner and the Academy St. Martin In The Fields.

Roy Plomley's castaway is conductor Neville Marriner.Favourite track: There Is No Rose by King's College Chapel Choir Book: Life On Earth by David Attenborough Luxury: Violin

Roy Plomley's castaway is conductor Neville Marriner. Favourite track: There Is No Rose by King's College Chapel Choir Book: Life On Earth by David Attenborough Luxury: Violin