Podcasts about Czerny

Nick and Justin make a final decision on how to pronounce "Czerny".Post show song: Surrogate Seasons, the sixth track from THE LUCKY NIGHTSTICKS AND FRIENDS weekend collaboration album HOMER 2 (Robinson, Cunningham, Nunziata).  By the way, you can donate to this show in the link if you have more money than sense. You can follow on Insta and on Twit and can comment on these on the Boards. You can also write a 5 star review on Apple Podcasts!Theme music by Nick Nunziata and Steve Murphy and their many bands can be heard on Soundcloud.

Paolo Gulisano: Desafíos sociales y visión mística, el último León antes de Prevost. Nico Spuntoni: Entrevista a Cardenal Goh; León puede aportar claridad a la doctrina. Stefano Fontana: El cardenal Czerny y el “diálogo radical”. París: Monumento LGBT; la homosexualidad y el transexualismo como fenómenos épicos. La administración municipal de Brescia prohíbe exhibición de carteles de contra el género en las escuelas. La ONU aprueba tratado que deja sin penalizar la pornografía infantil creada con inteligencia artificial; también permitiría el sexting entre menores

George Weigel: Cómo funciona realmente un Cónclave. Los Cardenales Eijk y Sarah realizan intervenciones bien recibidas en la Congregación General del lunes. El Cardenal Goh pide a los fieles que intensifiquen sus oraciones para que el nuevo Papa sea «valiente en la defensa del depósito de la Fe». El Cardenal jesuita Czerny critica la búsqueda de unidad en el próximo Cónclave: “Ese es el camino equivocado”. Presidenta de la principal asociación de laicos en Alemania quiere que el nuevo Papa siga adaptando la Iglesia al mundo. Luisella Scrosati: Entre doctrina y pastoral no hay lugar para las contradicciones.

CFN's Murray Rundus looks at the latest essay of Bishop Barron (Not a friend of the traditional movement!) on the legacy of Pope Francis, the remarks of Cardinals Kasper and Czerny, and the attempted canonization of the legacy of the late Pope Francis.Subscribe to the physical paper: https://simplecirc.com/subscribe/17820213+ ⁨@BishopBarron⁩   https://firstthings.com/francis-in-full/+++Kasper https://www.ihu.unisinos.br/651235-o-povo-de-deus-ja-votou-nos-funerais-e-pediu-continuidade-com-francisco-entrevista-com-cardeal-walter-kasper+++Czerny https://www.nytimes.com/2025/04/27/world/europe/cardinals-church-conclave-pope.htmlCHAPTERS:00:00 - 03:05 Introduction to the Conclave03:05 - 30:58 Bishop Barron's essay on First Things30:58 - 33:52 The Canonization of Pope Francis33:52 - 35:43 Cardinal Czerny's Response to Cardinal Muller35:43 - 41:29 Cardinal Kasper and ConclusionWatch the Father Fahey Conference and get the e edition: https://catholicfamilynews.locals.com• Angelico Press: https://angelicopress.com/catholicfamilynews• Sophia Institute Press: https://sophiainstitute.com/product-category/books/ref/63/• TAN Books: https://tanbooks.com/?rfsn=7859550.9cf541#catholic #conclave #catholicchurch

Carl Czerny (1791-1857) – Sinfonia n. 1 in do minore Op. 7801.       Allegro2.       Andante sostenuto3.       Scherzo4.       FinaleFrankfurt Brandenburg State OrchestraNikos Athinaos, conductor

Myšlenka na den pochází z promluvy papeže Františka, kterou přednesl při dopolední bohoslužbě Michael kardinál Czerny.

FROM ST. PETER'S SQUARE, HOLY MASS PRESIDED BY CARD. MICHAEL CZERNY, S.J., PREFECT OF THE DICASTERY FOR PROMOTIING INTEGRAL HUMAN DEVELOPMENT, ON THE OCCASION OF THE JUBILEE OF THE WORLD OF VOLUNTEERING (The content of this podcast is copyrighted by the Dicastery for Communication which, according to its statute, is entrusted to manage and protect the sound recordings of the Roman Pontiff, ensuring that their pastoral character and intellectual property's rights are protected when used by third parties. The content of this podcast is made available only for personal and private use and cannot be exploited for commercial purposes, without prior written authorization by the Dicastery for Communication. For further information, please contact the International Relation Office at relazioni.internazionali@spc.va)

Obwohl Czerny zu den angesehensten Klavierlehrern in ganz Wien gehörte und in den Adelshäusern ein- und ausging, gehörte er nie wirklich dazu. Für gewöhnlich komponierte Czerny abends. An diesem besonderen Abend aber hat er nicht die Kraft dazu. Ganz aufgewühlt kommt er von einem Konzert zurück in seine Wohnung und setzt sich ans Klavier. Was ist geschehen? Unser ZOOM verrät es.

Join Cardinal Michael Czerny, prefect of the Dicastery for Promoting Integral Human Development, as he unpacks Pope Francis's bold calls to action for the Jubilee Year 2025. Discover how Catholics—and all people of goodwill—are invited to embrace the challenge to forgive debts, disarm violence, and advocate for human flourishing. Cardinal Czerny also reflects on the true meaning of the Church, not as a building or a place, but as the people of God united in living the gospel. Learn how the holy doors of the Jubilee symbolize a deeper spiritual invitation—one that opens within our hearts, calling us to renewal and unity. We would love it if you could leave a written review on Apple and share with your friends! Editing provided by Forte Catholic (https://www.fortecatholic.com/)

Carl Czerny (1791-1857) – Grande Sinfonia n. 2 in re maggiore, op. 7811.      Andante maestoso ma con moto. Allegro vivace     [00:05]2.      Andantino grazioso un poco moto                            [15:11]3.      Scherzo e Trio. Molto vivace                                    [25:57]4.      Finale. Allegro vivace                                                [32:18]SWR Rundfunkorchester KaiserslauternGrzegorz Nowak, conductor

Foto: © Dicasterie voor Communicatie In deze aflevering van Radio Vaticaan hoort u een vertaling van de boodschap van kardinaal Michael Czerny, prefect van het Dicasterie voor de Bevordering van de Integrale Menselijke Ontwikkeling, ter gelegenheid van de zogeheten ‘zondag van de zee’ die werd gevierd op 14 juli. Daarbij richt hij zich tot iedereen […]

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SynopsisOh, to have been in Vienna on today's date in 1785! Wolfgang Mozart had just finished a new piano concerto a week earlier and quite likely performed it himself for the first time as an intermission feature at a performance of the oratorio Ester, by Karl Ditters von Dittersdorf, conducted by Antonio Salieri.Now wouldn't that have made for a good scene in the movie Amadeus?Fast forward 11 years for another memorable concert at the Theater an der Wien, when on today's date in 1806, it was Beethoven's turn to premiere one of his new concertos in Emanuel Schikaneder's Viennese theater. Alongside works of Mozart, Méhul, Cherubini and Handel, Beethoven's Violin Concerto was introduced to the world, with Franz Clement as the soloist.Beethoven's friend Czerny recalled that Clement's performance was greeted with “noisy bravos.”But a contemporary Viennese music critic wrote: “While there are beautiful things in the concerto … the endless repetition of some commonplace passages could prove fatiguing.” The reviewer's final assessment? “If Beethoven pursues his present path, it will go ill with him and the public alike.”Music Played in Today's ProgramWolfgang Mozart (1756-1791) Piano Concerto No. 22; Mitsuko Uchida, piano; English Chamber Orchestra; Jeffrey Tate, cond. Philips 420 187Wolfgang Mozart (1756-1791) Magic Flute Overture; Zurich Opera House Orchestra; Nikolaus Harnoncourt, cond. Teldec 95523Ludwig van Beethoven (1770-1827) Violin Concerto; Anne-Sophie Mutter, violin; New York Philharmonic; Kurt Masur, cond. DG 471 349

FEATURED GUESTS:  Dr. Rachel Brandoff is a Registered, Board-Certified Art Therapist (ATR-BC) and credentialed supervisor (ATCS). She is an Associate Professor and Coordinator of the Art Therapy Concentration in the Community and Trauma Counseling program at Thomas Jefferson University. Dr. Brandoff maintains a clinical practice specializing with individuals who are coming out of crises and coping with trauma. She provides supervision and consultation to art therapists and professional counselors. Dr. Brandoff has served on the boards of various professional organizations and is a regular presenter at regional and national conferences. Her new book, "The Empowerment Wheel: Helping Clients Heal from Relationship Abuse", comes out in early 2024 and is available for pre-order. FEATURED GUESTS:  Dr. Astra B. Czerny is a licensed counselor (LCMHC-NC & LPC-PA), a National Certified Counselor (NCC), and a Board Certified Telemental Health Provider (BC-TMH). She maintains a small private practice for clients and a supervision and consultation practice with clinicians. Dr. Czerny is an associate professor at Lenoir Rhyne University in Hickory, NC, where she is the clinical coordinator and the developer of the Trauma Certificate program. Dr. Czerny is an active presenter at both state and national conferences. Her areas of interest include healing from trauma and empowerment.LISTEN & LEARN:  Gain a deeper understanding of The Empowerment Wheel model Learn more about the 6 main core elements of The Empowerment Wheel  Red Flags Boundaries Relationship Authenticity Locus of Control Self Talk Integrated Self Tools and structure for clinicians to help clients move through and process the domestic violence The importance of the therapist exploring implicit bias when it comes to working with victims and perpetrators RESOURCES MENTIONED ON THE SHOW: Connect with Rachel Brandoff on Linkendin  email Dr. Rachel Brandoff at rachelbrandoff@gmail.com Connect with Dr. Astra Czerny on Linkendin  email Dr. Astra Czerny at astra.czerny@gmail.com or https://www.lr.edu/about/directory/astra-czerny Find out more about about the new book  Order their new book here "The Empowerment Wheel: Helping Clients Heal from Relationship Abuse" coming out early 2024 UPCOMING PRESENTATIONS: Association for Creativity in Counseling (ACC) conference, Nov 2-4th, Melbourne, FL American Counseling Association (ACA) conference, April 11-14th, New Orleans, LA American Mental Health Counselor's Association (AMHCA) Virtual Summit, Date TBA Expressive Therapies Summit, Spring 2024, Date TBA --- Support this podcast: https://podcasters.spotify.com/pod/show/reina-lombardi5/support

Carl Czerny (1791-1857) - Sinfonia n. 1 in Do minore, op. 780I. Allegro II. Andante Sostenuto III. Scherzo IV. Finale Staatsorchester Frankfurt (Oder)Nikos Athinäos, direttore*********Johann Baptist Cramer (1771–1858) - Piano Concerto No. 2 in d minor, Op. 16 (c. 1796)1. Allegro non tanto2. Andante cantabile (12:38)3. Rondo. Allegretto (18:38)London Mozart PlayersHoward Shelley, pianoforte

Henry Czerny returns to discuss what it was like to return to the character (former IMF director Eugene Kittridge) after more than 25 years, including the differences in working with Tom Cruise and the historic parallels of his characterization. Plus, Jeff Rowe, the co-writer/director of “Teenage Mutant Ninja Turtles: Mutant Mayhem,” joins us to "Light the Ooze." See “Mission: Impossible — Dead Reckoning Part One” only in theatres. Catch up on the entire "Mission: Impossible" film series on Paramount+. Learn more about your ad choices. Visit megaphone.fm/adchoices

Canadian actor Henry Czerny makes his return to the “Mission: Impossible” universe in the new film “Mission: Impossible – Dead Reckoning Part One.” He reprises his role as Eugene Kittridge, the former head of the IMF who's now CIA director. Henry talks to guest host Talia Schlanger about the film, working with Tom Cruise and why he almost said no to “Mission: Impossible” the first time around.

The former director of the IMF, Eugene Kittridge, played by Henry Czerny, captured our imagination in the first "Mission: Impossible" film. Now, he's back for “Dead Reckoning Part One” and we couldn't be more thrilled. Henry talks about his acting origins, his similar role in “Clear and Present Danger” and why he thought he'd never be back in the series. Also, we have a bonus interview with Pom Klementieff and Vanessa Kirby from the junket in Rome (in June). See “Mission: Impossible — Dead Reckoning Part One” only in theatres. Catch up on the entire "Mission: Impossible" film series on Paramount+. Learn more about your ad choices. Visit megaphone.fm/adchoices

0:00 Intro 0:36 Start 1:26 When did you start your YouTube channel, and when did you shift from recording performances to research into Whole Beat? 6:22 Which composers used the clavichord? 9:01 Did playing the Clavichord change the way you played Organ? 11:06 What is the Clavichord's touch like? 12:55 Piano vs Clavichord 18:21 What if we had to reconstruct jazz without having access to any sound recordings but rely only on written transcriptions 30:21 Weren't there musical mechanical clocks during Haydn's time that captured authentic 18th-century musical performance practice? 34:22 What is the Whole Beat Metronome Principle (WBMP)? 36:45 Wim responds to people playing Czerny at single beat tempo 47:18 If Whole Beat is true, why do students and eye-witnesses of the great composers play so fast? 54:31 Was Beethoven's metronome broken? 57:56 Don't the flyers and concert bills that advertise the concerts of these composers invalidate Whole Beat because the concerts would be too long as opposed to their actual advertised length? 1:03:11 What has been the general response to your research overall? 1:08:57 Injuries: The unspoken dark side of performance careers in Classical music 1:14:55 Beethoven recording gets canned because the musicians' careers got threatened  1:15:48 The most powerful classical music agent Ronald Wilford wouldn't allow Cyprien Katsaris to record/perform piano transcriptions if under contract 1:16:22 What does Wim think of partimento and classical improvisation? 1:20:46 Wim's favorite composers 1:23:13 Great compositions sound great slowed down, maybe even better than how they are typically played fast today 1:30:46 Whole Beat can't work because vocal music is impossible if singers have to hold notes that long 1:38:42 Carl Czerny: Whole Beat or Single Beat? 1:38:46 Beethoven: Whole Beat or Single Beat? 1:38:50 Mozart: Whole Beat or Single Beat? 1:39:04 Franz Liszt: Whole Beat or Single Beat? 1:39:14 Did Paris Conservatory graduates historically think in terms of Whole Beat? 1:39:28 Alkan: Whole Beat or Single Beat? 1:39:39 Tchaikovsky: Whole Beat or Single Beat? 1:39:49 Rachmaninoff: Whole Beat or Single Beat? 1:40:54 Debussy and Ravel: Whole Beat or Single Beat? 1:43:50 Rimsky-Korsakov and Stravinsky: Whole Beat or Single Beat? 1:44:13 What tempo should people play Bach? 1:45:23 Wrapping Up 1:47:10 Outro

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On this SPECIAL EDITION of The Movie Podcast, Daniel and Anthony are joined by HENRY CZERNY aka KITTRIDIGE of Mission: Impossible - Dead Reckoning Part One, making his return since the 1996 original film. In that movie, Kittridge was a governmental company man who wrongly accused Ethan Hunt of being a mole, and got a fish tank blown up on him for his troubles. In the intervening years, he has risen to become director of the CIA, reappearing to urge his old adversary to “pick a side” in the war that potentially lies ahead. Mission: Impossible - Dead Reckoning Part One releases exclusively in theatres July 12, 2023 by Paramount Pictures.Watch and listen to The Movie Podcast interview now on all podcast feeds, YouTube, and TheMoviePodcast.caGet a whole month of great cinema FREE on MUBI: mubi.com/themoviepodcastContact: hello@themoviepodcast.caTHE MOVIE PODCAST MERCHANDISE NOW AVAILABLE!FOLLOW USDaniel on Twitter, Instagram, and LetterboxdShahbaz on Twitter, Instagram, and LetterboxdAnthony on Twitter, Instagram, and LetterboxdThe Movie Podcast on Twitter, Instagram, TikTok, Discord, and YouTube

On the season finale of “Jesuitical,” Zac and producer Sebastian Gomes talk with Cardinal Michael Czerny, S.J., who leads the Vatican's department for social justice and human development. (Ashley was out of the country at the time of the interview). Cardinal Czerny is also the co-author of the new book Siblings All, Sign of the Times: The Social Teaching of Pope Francis. We talk to him about: The disputed legacy of Vatican II How Pope Francis has developed the church's social teaching How the church should relate to the outside world In Signs of the Times, Zac and Ashley point ahead to some stories to look out for this summer. And in As One Friend Speaks to Another, they look back at the season and the many graces it held. Links from the show: Jesuitical listener survey Learn more about the O'Hare fellowship Vatican confirms Pope Francis will enjoy a ‘staycation' in July Pope Francis' prep advice for World Youth Day: talk to your grandparents first Siblings All, Sign of the Times: The Social Teaching of Pope Francis by Cardinal Michael Czerny and Father Christian Barone Ignatian Wisdom Fellowship from Loyola University Chicago Sacred Heart Major Seminary's online course "An Introduction to Spirituality” What's on tap? Rum sunset, prepared by outgoing O'Hare fellow, Chris Parker Learn more about your ad choices. Visit megaphone.fm/adchoices

At the end of the 19th century, Oscar de la Cinna, a Hungarian pianist, a disciple of Czerny, Thalberg, or Frank Liszt, lived in Andalusia for many years and composed virtuosic piano works of some flamenco palos. In this episode, we remember who Oscar de la Cinna was, and we listen to some of his incredible piano compositions, probably never recorded before. --- Send in a voice message: https://podcasters.spotify.com/pod/show/forgottensoundsflamenco/message

A finales del siglo XIX Oscar de la Cinna, un pianista húngaro, discipulo de Czerny, Thalberg o Frank Liszt, vivió en Andalucía durante muchos años, y compuso virtuosísticas obras para piano de algunos palos flamencos. En este episodio recordamos quién fue Oscar de la Cinna y podemos escuchar algunas de sus increibles composiciones para piano, probablemente nunca grabadas anteriormente.

Synopsis On today's date in 1837, the Dublin-born pianist and composer John Field breathed his last in Moscow at the age of 54. Born in 1782 into musical family, Field soon moved to London to study with the Italian composer Muzio Clementi and became a sought-after concert artist at a very tender age. Haydn heard the 13-year perform in London and was impressed. At age 16, Field premiered his own first Piano Concerto. Over the course of his life, John Field would meet, play for, and perform with many other famous composers of his day, including Beethoven, Czerny, Hummel, Moscheles, and Mendelsohn. Field ended up in Saint Petersburg, where he published his own compositions and apparently lived rather extravagantly. It's said he was so well-off that he could afford to turn down a lucrative appointment to the Russian court. In Tolstoy's famous novel WAR AND PEACE, the Countess Rostova even asks a pianist to play her favorite Field nocturne. And it's quite likely that while in Russia, like most of the Russian nobility of the day, Field got by speaking French, not Russian. It's said that on his deathbed when asked what his religion was, Field replied with a French pun: "I am not a Calvinist, but a Claveciniste (French for a harpsichord player). Music Played in Today's Program John Field (1782-1837) Nocturne No. 2 in C Minor John O'Conor Telarc 80199

Lever 2 millions d'euros en ICO en seconde ! Voici le super échange avec Roman disponible : On parle de plusieurs points :  - Monter un jeu vidéo et sa complexité  - La difficulté du bear market pour les boîtes web 3 - L'importance d'une équipe performante  - Les ambitions du projet et de Roman  Bonne écoute et bon visionnage l'équipe.  ***** Pour découvrir notre programme d'accompagnement pour Ecommercant c'est ici : 

Tym razem Przemysław Psikuta i jego gość Marcin Zgliński prezentowali nagrania jednej z najsłynniejszych polskich pianistek w historii - Haliny Czerny-Stefańskiej. - Jan Popis jeden ze swoich esejów poświęconych Czerny-Stefańskiej nazwał "Majestat i charakter Polski". Coś w tym jest - mówił prowadzący audycję.

Milan Czerny, chercheur spécialiste des relations entre Israël et la Russie

Música

Mit Hilfe von Marlies Czerny, Ralf Dujmovits und Kristin Harila versuchen wir in dieser Podcastfolge zu verstehen, wie Bergsteigerinnen mit Enttäuschung umgehen, inwieweit sie einfach Teil der Mission sein muss und was wir vom Scheitern in den Bergen über das Leben lernen können.++++++++++Bergwelten – der Podcast über Höhen und Tiefen – ist eine Produktion des Red Bull Media House. Produziert und gehostet wird er von der Bergwelten Redaktion. Neue Folgen erscheinen immer am 15. des Monats!Bewertet unseren Podcast und besucht uns auf:Facebook ➡️ https://de-de.facebook.com/bergwelten/Instagram ➡️ https://www.instagram.com/bergwelten/TikTok ➡️ https://www.tiktok.com/@bergweltenmagazinWebsite ➡️ https://bergwelten.com/ Bis dahin: Viel Spaß in den Bergen!

You might be thinking, "Why on earth would anyone want to devote an entire podcast to etudes?" For most instrumentalists, etudes are the bane of our existence. They are studies, meant to develop technique on an instrument. Etudes are an essential part of any instrumentalists work, but they had never been known for their musical content. As a violinist, I had practiced dozens of etudes by Kreutzer, Rodé, Dancla, Sevcik, Schraideck, Kayser, Mazas, and more, lamenting the day I chose the violin as my instrument. But pianists have the same dreaded names, like Czerny for example. Chopin changed all of that. Chopin was the first composer to integrate musical content into his etudes, which meant that Chopin's etudes were both extremely difficult technical exercises, but they also were musically interesting enough to be performed live. LIke everything Chopin did on the piano, this was revolutionary, and Chopin's 27 etudes have been part of the piano repertoire ever since. We'll discuss some of these etudes today, along with the nature of virtuosity itself. We'll also spend a lot of time talking about Leopold Godowsky. Leopold Godowsky is not a name you've probably heard very often. But he was one of the great pianists of the end of the 19th century and the beginning of the 20th century, with legions of admirers including legendary pianists like Josef Hoffman, Arthur Rubinstein, Sergei Rachmaninoff, Claudio Arrau, and the composer Ferrucio Busoni. Godowsky's pianistic gifts were well known, but what about his compositional ones? Well, to speak of one is to speak of the other. During the 1890s, when Godowsky was in his late 20s, he began making arrangements of famous piano works of Chopin and other composers music. Over the next 20 years, he became engrossed with Chopin's legendary etudes, or studies, and began writing his own arrangements of them. Now Chopin's etudes are extremely difficult just on their own, but Godowsky's studies are on another level of difficulty.  In fact, Godowsky's transcriptions are so difficult that many pianists don't even dare to play them, though some, like the great Marc-Andre Hamelin, have made them an integral part of their repertoire. So today on the show, we'll take a look at some of the studies on Chopin's etudes, analyzing both the original Chopin etudes and then the changes that Godowsky makes to them. This will be a show as much about Chopin as it is about Godowsky, because you can't understand Godowsky's achievement without understanding the Chopin first. Join us!

Dusty plasma in active galactic nuclei by Bożena Czerny et al. on Tuesday 22 November Since many years we know that dust in the form of the dusty-molecular torus is responsible for the obscuration in active galactic nuclei (AGN) at large viewing angles and thus for the classification of AGN. Recently, we gained some observational and theoretical insight into geometry of the region and the role of the dust in the dynamics of the outflow and failed winds. We will briefly touch on all these aspects, including our dust-based model (FRADO - Failed Radiatively Accelerated Dusty Outflow) of the formation of the Balmer lines in AGN. arXiv: http://arxiv.org/abs/http://arxiv.org/abs/2211.11022v1

Dusty plasma in active galactic nuclei by Bożena Czerny et al. on Monday 21 November Since many years we know that dust in the form of the dusty-molecular torus is responsible for the obscuration in active galactic nuclei (AGN) at large viewing angles and thus for the classification of AGN. Recently, we gained some observational and theoretical insight into geometry of the region and the role of the dust in the dynamics of the outflow and failed winds. We will briefly touch on all these aspects, including our dust-based model (FRADO - Failed Radiatively Accelerated Dusty Outflow) of the formation of the Balmer lines in AGN. arXiv: http://arxiv.org/abs/http://arxiv.org/abs/2211.11022v1

On todays podcast I am joined by Czerny Cohen VO of Clinical Operations for Massive Bio as well as Fiona Evans lead patient advocate for Massive BIO. You may have not heard of Massive Bio but you will be hearing a lot about them. They have created a service for MPN and Cancer patients that uses an AI-Powered technology  which sorts through all available Clinical trials tailored specifically for your particular disease. You will not be shown Clinical Trials that you are not qualified for and they can even work with your medical specialist to help with all of you needs and sign you up for the clinical trials that meet your needs. I believe we will be hearing a lot about Massive Bio and I hope you enjoy the interview and your introduction in to Massive Bio. 

Si può morire di speranza o morire nella speranza. Non è la stessa cosa. Le due possibilità non si escludono, ma lo scandalo della prima ci fa interrogare sulla seconda. Si può morire di speranza, nel mondo vecchio che abitiamo, perché non tutti sono liberi di andare dove desiderano, né di vivere come desiderano. I sogni di alcuni – il loro stesso impegno, la loro lotta per una vita dignitosa – sono negati da altri. Per questo ricordiamo i nomi di coloro che, anche quest'anno, nel Mediterraneo sono morti di speranza, cioè a causa della propria speranza. Il “Mondo vecchio” è quello in cui si alimentano le diseguaglianze, i conflitti e l'indifferenza. Il mondo nuovo, offerto a Israele nell'alleanza perché divenisse accessibile a tutti popoli, è quello in cui Cristo ci precede e da cui ci chiama. Egli corre davanti a noi, come suggerisce la lettera agli Ebrei (Eb 12,1-2), e ci dà il passo, perché non veniamo meno lungo la strada. Nel mondo nuovo, che già fiorisce, regna la speranza. In esso persino la più ingiusta delle morti riceve l'energia di trasformarsi in un inizio. https://www.santegidio.org/

Sizzling Samachar of the day - 24th June 2022From Kichcha Sudeep to Ellen Barkin, from Fatal Attraction to Spy Kids, and more storiesYou're listening to Sizzling Samachar on OTTplay , I'm your host Nikhil. Samachar first from Sandalwood.Vikrant Rona's trailer outThe trailer of Kichcha Sudeep's highly anticipated film Vikrant Rona gives a glimpse of the stunning visuals the film has to offer. Directed by Anup Bhandari, the film also stars Nirup Bhandari, Neetha Ashok, Madhusudan Rao, Ravishankar Gowda, Vasuki Vaibhav, and Jacqueline Fernandez. The film will be released in 3D format on July 28.Henry Czerny joins Scream 6Mission Impossible star Henry Czerny is set to join the ensemble cast of the upcoming slasher film Scream 6. The film is a direct sequel to this year's Scream. All surviving cast members of the original film are expected to reprise their roles in the sequel, including Melissa Barrera, Courteney Cox, Hayden Panettiere, Jasmin Savoy Brown, Mason Gooding, and Jenna Ortega. Matt Bettinelli-Olpin and Tyler Gillett are directing the film based on a screenplay by James Vanderbilt and Guy Busick.Cast of Fatal Attraction announcedAlyssa Jirrels, Toby Huss, Reno Wilson, and Brian Goodman have been added to the cast of Paramount+ series Fatal Attraction. Based on Adrian Lyne's classic thriller film of the same name, the series will also include Lizzy Caplan, Joshua Jackson, and Amanda Peet. Ellen Barkin to star in Poker FaceVeteran actress Ellen Barkin is the latest addition to Knives Out director Rian Johnson's upcoming series Poker Face. She will appear in an episode of the mystery series but details about her role are kept under wraps. The series, which has Russian Doll actress Natasha Lyonne playing the lead, also features Joseph Gordon-Levitt, Chloë Sevigny, Dascha Polanco, Lil Rel Howery, Jameela Jamil, and Tim Meadows.Littlemouth to feature  Dennis Quaid and Isabelle FuhrmanJonathan Sobol's upcoming feature film Littlemouth will feature an impressive line-up of actors, including Midway actor Dennis Quaid, Orphan fame Isabelle Fuhrman, Fargo actor David Thewlis, The Hunger Games alum Josh Hutcherson, and The Good Doctor actress Kiera Allen. The sci-fi thriller revolves around a scientist who is hired by a billionaire to work on a groundbreaking project. Fuhrman essays the role of the scientist, while Quaid plays the billionaire in the film. Gina Rodriguez and Zachary Levi joins Spy Kids rebootJane the Virgin actress Gina Rodriguez and Shazam! actor  Zachary Levi have been cast in the upcoming Netflix reboot of Spy Kids. The film will revolve around the kids of spies who inadvertently help a game developer unleash a computer virus. In the process, the developer gains control of all the technology in the world. Robert Rodriguez, who has directed the previous films in the series, is helming the project. The film also features Everly Carganilla and Connor Esterson.Billy Porter and Guy Fieri to star in 80 for BradyEmmy winners Billy Porter and Guy Fieri have been cast in the upcoming road trip comedy 80 for Brady.  Based on a true story, the film revolves around four friends and New England Patriots fans who take a trip to 2017's Super Bowl to see their idol, NFL star Tom Brady. Apart from Porter and Fieri, the film features Lily Tomlin, Jane Fonda, Rita Moreno and Sally Field. The film is directed by Kyle Marvin.That's the Sizzling news for today on OTTplay , until the next episode it's your host Nikhil signing out.Aaj kya dekhoge OTTplay se poochoWritten by Arya Harikumar

Musik und Film ist ein Beziehungsgeflecht, das in der frühen Kinematographie für zahlreiche Experimente sorgte. Weit verbreitet war die Livemusik, die passend zur Stimmung der einzelnen Filmszenen anderweitig entstandene heitere, ernste, dramatische, traurige Musikstücke anspielte. Zunehmend entstanden eigens für einen Film komponierte Filmmusiken, die ebenfalls während der Vorführung live gespielt wurden. Parallel dazu wurde mit technischen Synchronisierungsverfahren experimentiert, die aufgezeichnete Musik abspielten. Ludwig Czerny hingegen ließ sich ein Verfahren patentieren, das am unteren Ende des Filmbildes die Partitur der Filmmusik, der Opernarien abspielte, so dass die anwesenden Musiker:innen und Sänger:innen dadurch sozusagen von der Leinwand aus dirigiert wurden. Damit wollte er eine Film-Oper schaffen, die gleichermaßen Musik- und Filmerlebnis war. Der erste mit diesem Verfahren erstellte große Opernfilm war „Jenseits des Stromes“, den für die Berliner Volks-Zeitung vom 22. Mai 1922 Lothar Band rezensierte. Dabei setzte er die technische Seite des Verfahrens als bekannt voraus, da er diese in einem früheren Artikel vorgestellt hatte. Sollte die nun folgende Kritik allgemein geteilt worden sein, so wäre sie eine Erklärung für das kommerzielle Scheitern des Filmoper-Verfahrens von Czerny. Die Tücken der Synchronisierung von Live-Sänger:innen und Leinwandsänger:innen schildert für uns Paula Leu.

En 1832, l'éditeur Czerny publie un quatuor à cordes de Schubert qui restera à la postérité sous le nom de « La Jeune Fille et la Mort ». Schubert est alors décédé depuis quatre ans, et n'a donc jamais vu cette édition… Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

Zwei Mädchen erforschen den Wald und ihre Phantasie - Theresa Czerny erzählt in "Waldmädchensommer" die Geschichte einer Freundschaft. Von Lili.

Im Auftrag des Papstes ist der "Flüchtlingsbeauftragte" des Vatikans nun zwei Mal ins Grenzgebiet der Ukraine gereist. Den Krieg hat er in den Gesichtern der Menschen gesehen, sagt der kanadische Jesuit, der als Kind selbst zum Flüchtling wurde.

El Papa Francisco consagrará a Rusia y Ucrania al Inmaculado Corazón de María. Entrevista en Omnes al cardenal Czerny recién llegado de Ucrania. Martin Rhonheimer señala que hay quien quiere destruir el legado teológico de Benedicto XVI. Vivan los padres, la campaña de la asociación católica de propagandistas que reivindica a los hombres que protegen y cuidan a sus familias

Március 9-én Barabásra érkezett Michael Czerny bíboros, aki Ferenc pápa üzenetét és áldását hozta a Vatikánból. A menekülteket és az ő megsegítésüket végző munkatársak és önkéntesek is találkozhattak vele a Katolikus Karitász barabási fogadópontjánál. A Vatikán Átfogó Emberi Fejlődés előmozdítását szolgáló dikasztériumának megbízott prefektusát a megyében fogadta és a határon túlra is elkísérte Szocska A. Ábel nyíregyházi megyéspüspök, aki exkluzív interjúban számolt be a látogatás során tapasztaltakról.

Carlos Iribarren | La fortepianista Laura Granero, también pianista y clavecinista, repite visita al estudio de Clásica FM para charlar con Carlos y Mario sobre su instrumento favorito, al que ya dedicamos un programa hace algunos meses: el fortepiano. Esta vez hablaremos menos sobre sus características principales y disfrutaremos de anécdotas que le han sucedido a Laura en sus años de brillante carrera. También aprenderemos lo que es el “rubato” mientras disfrutamos con piezas de autores tan importantes como Mendelssohn, Domenico Scarlatti o W. A. Mozart. Pero no podían faltar un par de sorpresillas: un nocturno de Czerny que tiene “truco” y una pieza del desconocido Lodovico Giustini, elegida por la propia Laura. Disfruta con nosotros del sonido tan especial del fortepiano en esta nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Questa sera ci ritroviamo qui a pregare, dopo l'enorme eruzione del vulcano e del conseguente Tsunami nelle isole di Tonga, una delle più disastrose eruzioni vulcaniche, avvenute in epoca moderna. Oggi il vescovo di Tonga, il Cardinale Mafi, ci ha informato che, grazie a Dio, la maggioranza della popolazione miracolosamente è riuscita ad evitare il peggio, giacché è soltanto tre persone hanno perso la vita. Tuttavia il danno materiale è così enormemente alto, che ci vorrà molto tempo per ritornare alla vita normale. La gente ha perso case, piantagioni, macchinari e materiali per la pesca e per l'agricoltura. Il governo, la popolazione, la chiesa e molte entità stanno valutando l'impatto di questa calamità, per poter iniziare l'opera della ricostruzione, invitando la comunità internazionale a contribuire. L'appello del Santo Padre, mercoledì scorso, alla preghiera per le persone provate, è stato accolto con gioia e gratitudine dalla popolazione di questo arcipelago. Tonga era un nome poco noto e per noi è una realtà lontana. Eppure chi soffre non è mai lontano da noi, che in Gesù, li riconosciamo come figli, amati da sempre dal Padre, chiamati a condividere insieme alla famiglia umana un unico destino nella casa comune, che è la terra. La nostra preghiera vuole accorciare le distanze e rompere l'isolamento.

Pam Czerny, former pioneer and exjw had an awakening that rocked her world. Not only did she change her mindset but she changed her life.  To contact Pam:Pamczerny@gmail.com(541)297-8813IG healthyskinmindbodyFB Pamela Lynn------------------------To contact Wendi:www.wendirenay.comwendi.r.nicholson@gmail.com.   InstagramTikTokFB

Molts pianistes han "patit" els estudis d'un compositor que va ser alumne de Beethoven i professor de Liszt. "Els homes cl

Seeing refugees as a ‘global phenomenon' is dangerous because it may cause us to lose focus on the needs of particular refugees in our locality, says Cardinal Michael Czerny, under-secretary for the Migrants & Refugees Section of the Dicastery for Integral Human Development at the Vatican. The first step in cultivating a welcoming attitude is to open our eyes to the vulnerable people in our midst, who many things prevent us from seeing. This leads to four verbs of action that characterize how we should respond not only to refugees but to any vulnerable people we encounter: welcome, protect, promote, and integrate. This is a powerful interview that gets at our heart's attitude towards those on the margins of society. Check out the the resources on the Migrants & Refugees Section website. This podcast is produced in collaboration with The Tablet. Many thanks to Jamie Maule for his audio editing! --- Send in a voice message: https://podcasters.spotify.com/pod/show/faith-at-the-frontiers/message

Charlie and Eric Beck Rubin (School Of Velocity) discuss the representation of the Holocaust in literature, using classical music as a literary device, having a main character whose person limits the opportunity for dialogue through his obsession with another, and the reader being a writer. Please note that the first reading contains sexual content. Some podcast apps do not show description links properly unless the listener subscribes to the podcast. If you can't click the links below and don't wish to subscribe, copy and paste the following address into your browser to access the episode's page on my blog: http://wormhole.carnelianvalley.com/podcast/episode-26-eric-beck-rubin Wikipedia's article on Imre Kertész Wikipedia's article on Georges Perec Wikipedia's article on Jonathan Safran Foer's Everything is Illuminated Wikipedia's article on Ford Madox Ford's The Good Soldier The full quote on reading and writing, by the writer Jonathan Lethem, is: “Reading and writing are the same thing; it's just one's the more active and the other's the more passive. They flow into each other.” Wikipedia's article on John Irving's A Prayer For Owen Meany Czerny's School Of Velocity on YouTube Eric has written many articles on cultural history – among them are: ‘Not Again' ‘Georges Perec, Lost and Found in the Void: The Memoirs of an Indirect Witness' (requires a JStor account to access) ‘Avoided: On Georges Perec' ‘Sisyphus in Kertész's Fatelessness' (opens in a PDF) Eric's literary podcast ‘Burning Books' Question Index 00:41 Tell us about your PhD on the Holocaust in literature 03:13 What musical instruments do you play? 04:12 Favourite classical musician? 05:10 I know that reviews say School of Velocity is like The Great Gatsby – is there anything in this? 06:11 Why The Netherlands for the story? 13:48 It's a while until anyone but Dirk and Jan are given any dialogue. Is this something you'd considered doing throughout? 16:58 How did you go about choosing the classical music that Jan plays? 19:11 Can you talk about your choice to use Czerny's music as the title and in the context of your characters? 20:44 Do you see Jan and Dirk as having loved each other? 32:20 Do you think it would've been possible for Dirk to narrate the story from his side? 33:41 How much affect did Dirk's parents have on him? 35:38 How important was Lena's inclusion in the story? 37:39 Where did the idea of using this ‘musical tinnitus', enough to cause sickness, come from? 39:10 What's next? Purchase Links School Of Velocity: Amazon UK Amazon US Amazon Canada Waterstones Hive Barnes & Noble IndieBound Indigo Chapters I am an Amazon Associate and earn a small commission on qualifying purchases.  Likewise IndieBound. Photograph used with the permission of the author.