Podcast appearances and mentions of sergei rachmaninov

Prästen Liza L Lundkvist reflekterar kring att lämna en tro byggd på rädsla, men också att upptäcka tron som ett livsmysterium som var där hela tiden. Lyssna på alla avsnitt i Sveriges Radio Play. Igår inföll Religionstraumadagen, en dag som uppmärksammar sammanhang där tro blir begränsande och för vissa människor skadlig. Idag på Bönsöndagen blir det en lite annorlunda gudstjänst där prästen Liza L Lundkvist delar sin berättelse om att lämna en värld av tro som inte längre fungerade, men också om sina erfarenheter av gudsnärvaro.- Någon följde mig på avstånd. Väntade på mig i skuggan. Tron är inte något lättfångat, men det händer att den öppnar sig i helig svindel. Gud, livets stora mysterium, var där hela tiden, säger Liza L Lundkvist i gudstjänsten.Liza L Lundkvist är präst i Umeå, sångerska, låtskrivare och poet. I gudstjänsten varvar hon sina reflektioner med egna dikter.Gudstjänstens texter har hörts i Andakten i P1 under veckan.TexterPsaltaren 13:2-4Hosea 2:14-15Höga visan 2:10-14Johannesevangeliet 1:1-5, 14Johannesevangeliet 13:34-35Johannesevangeliet 14:1-4Musik Musik av Sergei Rachmaninov med John-Henry Crawford, cello, och Victor Santiago Asuncion, pianoAndante ur Sonat i g-moll för cello och pianoZdes chorosjoAdagio sostenuto ur Pianokonsert nr 2 i c-mollAndante ur Sonat i g-moll för cello och pianoNe poj, krasavitsaElegi i ess-moll för pianoVokalisRapsodi på ett tema av Paganini, variation 18Producent Helena Andersson HolmqvistMoskit medialiv@sverigesradio.se

Rachmaninov es uno de los compositores mas celebrados e interpretados del Siglo XX. Sergei Rachmaninov (1873-1943) fue un compositor, pianista y director de orquesta ruso. Uno de los últimos grandes compositores posrománticos europeos y considerado uno de los pianistas más influyentes del Siglo XX. Las influencias tempranas de Piotr Ilich Chaikovski, Nikolái Rimski-Kórsakov, Mili Balákirev, Modest Músorgski y otros compositores rusos dieron paso a un estilo personal notable por su melodismo, expresividad y ricos colores orquestales. Veamos su biografía. Puedes leer más y comentar en mi web, en el enlace directo: https://luisbermejo.com/misterio-de-los-relatos-de-aventuras-luisbermejo-com-06x20 Puedes encontrarme y comentar o enviar tu mensaje o preguntar en: WhatsApp: +34 613031122 Bizum: +34613031122 Web: https://www.luisbermejo.com. X: https://x.com/LuisBermejo Instagram: https://www.instagram.com/luisbermejo/ Facebook: https://www.facebook.com/lbermejojimenez/ Usuario Twitter/Instagram/Telegram: @LuisBermejo Canal Telegram: https://t.me/LuisBermejoPodcast Paypal: https://paypal.me/Bermejo Grupo Signal: https://signal.group/#CjQKIA_PNdKc3-SAGWKoJZjqR3RwMQ7uzo0bW2eBB4QDtJVZEhBc504fpeK4tyETyuwFVAUI Grupo Whatsapp: https://chat.whatsapp.com/FQadHkgRn00BzSbZzhNviT

These days I find myself in a pensive, troubled state, very much in need of the kind of consolation that only music can provide. A number of years ago, I published a pair of episodes featuring the sublime Margaret Price performing music of mourning and consolation. Today's episode presents an expanded and refurbished version of the second of those episodes, in a program composed entirely of art song, moving through a sequence of emotions surrounding loss. Composers include Johannes Brahms, Giuseppe Verdi, Robert Schumann, Enrique Granados, Franz Schubert, Grace Williams, Sergei Rachmaninov, Felix Mendelssohn, Philip Cannon, Hugo Wolf, Alban Berg, Maurice Ravel, Franz Liszt, Peter Cornelius, and Richard Strauss, and collaborating pianists and conductors include Claudio Abbado, Wolfgang Sawallisch, Cyprien Katsaris, Geoffrey Parsons, and Neville Marriner, as well as frequent collaborators James Lockhart and Thomas Dewey. A thorough traversal of the song repertoire by one of the supreme recitalists of the late 20th Century. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

The legacy of choral singing is never more cherished than during the holiday season, when it brings warmth and light to the winter darkness by opening the heart and feeding the soul. From the Christian churches and cathedrals of Europe and the U.S., to the Orthodox churches of Russia, central Asia, and the Holy Land, the human family gathers to listen, sing, and worship together. After more than ten centuries of evolution, some of the finest choral music was written during the last 100 years by a special breed of contemporary composers, who respect and extend the tradition. On this transmission of Hearts of Space, another compilation of sublime choral pieces from our longtime guest producer ELLEN HOLMES called "TO THEE WE SING." Music is by the cream of liturgical composers from Russia, Estonia, Bulgaria and the U.S., including SERGEI RACHMANINOV, ARCHBISHOP IONAFAN, DOBRI CHRISTOV, MORTEN LAURIDSEN, and others. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

A Sinfonia n. 2 escrita pelo compositor russo Sergei Rachmaninov em 1907 é uma obra de grande porte, com melodias cativantes e uma força sonora que causa grande impacto nos ouvintes. Nesta edição do Clássicos CBN, com o comentarista Helder Trefzger, vamos conhecer um pouco mais dessa obra, que será apresentada pela Orquestra Sinfônica do Espírito Santo (Oses) em Vitória nos dias 12 e 13 de setembro.  A Oses apresenta, nos dias 12 e 13 de setembro, às 20h, no palco do Sesc Glória, as séries Quinta e Sexta Clássica com a apresentação da Sinfonia n.º 2, do compositor russo Sergei Rachmaninov. Sob a regência da maestrina convidada Ligia Amadio, uma das mais destacadas regentes latino-americanas da atualidade, as duas noites de concerto apresentam ainda uma obra da compositora Eva Irene Lopszyc, Háblame de Dios… y el Almendro floreció.

Je komt uit de polder en bent nog niet echt in de stad, al zie je tussen bomen en huizen door soms al wel de skyline van de 21e eeuw - maar hier is het nog stil en landelijk, al ben je allang niet meer diep 'in de provincie'. Een grenszone, tussen de tomeloze haast waar je nog niet op zit te wachten, en bedachtzame adempauzes die maar al te welkom zijn. 23.04 CD Opus (Milan Records z.nr.) Ryuichi Sakamoto: BB Ryuichi Sakamoto [piano] 2'14” 23.07 CD Opus (Milan Records z.nr.) Ryuichi Sakamoto: The Sheltering Sky Ryuichi Sakamoto [piano] 6'22” 23.15 eigen opname Diederik van der Laag: Pursue Light Kamerkoor Sophia olv Oleksii Shamrytski 3'57” eigen opname Diederik van der Laag: I hope you grow Iassen Raykov; Vocaal Ensemble La Colombe 5'43” 23.27 eigen opname Jan Willem Troost; Steven Kamperman: Dog above Cloud Jan Willem Troost [cello, elektronica]; Steven Kamperman [klarinet] 11'40” 23.40 CD Rondo of our times (OClassica z.nr.) Pavel Karmanov, arr. Vitaly Vatulya: Second snow on the stadium Vitaduo 7'13” CD Rondo of our times (OClassica z.nr.) Sergei Rachmaninov, arr. A. Kubatov: Saxofoonsolo uit Symfonische Dansen op. 45-1 Vitaduo 5'05” 23.50 CD Opus (Milan Records z.nr.) Ryuichi Sakamoto: Andata Ryuichi Sakamoto [piano] 3'27”

At the start of the 20th century, Russian composer Sergei Rachmaninov was at his lowest point. His first symphony was a disaster and he believed he would amount to nothing in the world of music. But through the help of therapy, hypnosis, and self-perseverance, he pulled through and made some of the best classical pieces of the century. Over a hundred years later, Broadway genius Dave Malloy made a musical about that period of time. How does it hold up? Lets find out with "Preludes"!

Christina Rosenvinge se convierte en Safo con sus 'Versos sáficos', 'Los de Bilbao nacen donde quieren' de María Larrea y 150 años de Sergei Rachmaninov.Escuchar audio

1909. De Russische pianist en componist Sergei Rachmaninov vertrekt op zijn eerste tournee door Amerika met zijn derde pianoconcerto onder de arm. Een muzikale Mount Everest vol snelheid en grote sprongen waar hij flink wat geld mee verdiende, wat hij vooral uitgaf aan snelle wagens. Moeilijke woorden: pianoconcerto - cadens Uitvoering: Yuja Wang

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Vanavond is het Sinterklaasavond! Om daar een beetje bij aan te sluiten, luister je naar geestelijke avondmuziek. Die muziek komt uit de 'Vespers' van componist Sergei Rachmaninov, speciaal geschreven voor een avonddienst in de kerk. 'Sevete tikhiy' heet het deel dat je gaat horen, wat zoiets betekent als 'O vreugdevol licht'. Moge je je van binnen vullen met vreugdevol licht, aangewakkerd door die mooie muziek van Rachmaninov.

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. In het thema 'Herfst' zoeken we vandaag de verstilling op. Heb jij ook het idee dat de wereld in de herfst en de winter net wat stiller lijkt dan de rest van het jaar? Luister naar een muzikale vertolking van het 'Wees gegroet, Maria' door componist Sergei Rachmaninov. Prachtige verstilde muziek.

Jesus Ministries, Joan Boney  ...    Exodus 4   10 And Moses said unto the LORD, O my Lord, I am not eloquent, neither heretofore, nor since thou hast spoken unto thy servant: but I am slow of speech, and of a slow tongue.   11 And the LORD said unto him, Who hath made man's mouth? or who maketh the dumb, or deaf, or the seeing, or the blind? have not I the LORD? 12 Now therefore go, and I will be with thy mouth, and teach thee what thou shalt say.   13 And he (Moses) said, O my Lord, send, I pray thee, by the hand of him whom thou wilt send.   14 And the anger of the LORD was kindled against Moses, and HE said, Is not Aaron the Levite thy brother? I know that he can speak well. And also, behold, he cometh forth to meet thee: and when he seeth thee, he will be glad in his heart.   15 And thou shalt speak unto him, and put words in his mouth: and I will be with thy mouth, and with his mouth, and will teach you what ye shall do.   16 And he shall be thy spokesman unto the people: and he shall be, even he shall be to thee instead of a mouth, and thou shalt be to him instead of God.  

Kate Molleson marks the 150 anniversary of Sergei Rachmaninov's birth. She visits his home in Switzerland - after years of renovation, the beautiful Villa Senar, on the banks of Lake Lucerne, is reopening to the public. This is the peaceful summer residence where Rachmaninov lived in in the 1930s and where he composed the Rhapsody on a theme by Paganini and the Third symphony. Kate is shown around the Villa by its director Andrea Loetscher. They are joined by pianist Boris Giltburg, who is about to release his new Rachmaninov piano concertos disc, and who performs specially for Music Matters on Rachmaninov's original Steinway grand piano in the Villa's studio. Also joining Kate at the Villa is Fiona Maddocks: music critic and author of the upcoming book 'Goodbye Russia: Rachmaninoff in Exile'. Together they discuss Rachmaninov's life, work and his time spent at Villa Senar.

150 years ago this week, Sergei Rachmaninov was born: one of the finest pianists of his generation, touring the world in the 1920s and 30s as a musical megastar. Composing had been his real passion since childhood, and towards the end of his time in Russia before the Revolution, it was farming. Though St Petersburg and then Moscow was his base for much of his early life, it was Ivanovka – a country estate deep in the Russian countryside - that formed him. The house and the land surrounding it were a major source of his creative inspiration until his last visit in 1917. Donald Macleod explores how important Ivanovka was to Rachmaninov, and how he carried the precious memory of it with him when he left it behind for a life of exile. Music Featured: Lilacs op 21, No 5, ‘Siren' Piano Concerto No. 1 (mvt 1) Dances from Aleko Cello Sonata in G minor (mvt 1) Vesna Symphony No 2 (Mvt 2) Songs Op 34, No 12 Piano Concerto No 3 (Mvt 1) All-Night Vigil (Excerpt) Piano Concerto No 2 (Mvt 1) Etudes-Tableaux Op 39, No 6 The Bells (Mvt 2) Prelude Op 3, No 2 Three Russian Songs Symphony No 3 (Mvt 2) Rhapsody on a Theme of Paganini (Excerpt) Isle of the Dead Symphonic Dances (Mvt III) Suite No 2 for Two Pianos (Mvt IV) The Bells op.35 (Mvt IV) Presented by Donald Macleod Produced by Megan Jones For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Sergei Rachmaninov (1873 – 1943) https://www.bbc.co.uk/programmes/m001k8ck And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Je dagelijkse portie muzikale verwondering. Welkom in mijn wonderkamer, vol muziek, verhalen en voorwerpen. Een muzikale reis door eeuwen, windstreken en genres. ‘De laatste verjaardag van Sergei R.' Het is geen grap, maar op 1 april viert Sergei Rachmaninov zijn 150ste geboortedag. In deze aflevering enkele unieke, recent ontdekte opnamen van deze romantische alleskunner op de piano. Zo ga je naar zijn laatste verjaardag, in 1942… Meer zien? Klik hier (https://www.nporadio4.nl/klassiek/podcasts/f32bc497-7b61-4ffb-99d4-16b765eb0c53/dit-hoor-je-deze-week-in-franks-klassieke-wonderkamer-week-13-27-t-m-31-maart) Sergei Rachmaninov Pianoconcert nr.2, II. Adagio sostenuto Sergei Rachmaninov, piano Philadelphia Orchestra olv Leopold Stokowski (opn.1929) (album: Rachmaninov plays Rachmaninov)   Sergei Rachmaninov div. historische uitvoeringen Sergei Rachmaninov, piano  (album: Rachmaninov plays Symphonic Dances; newly discovered 1940 recording)   Sergei Rachmaninov 10 Preludes op.23; IV. Andante cantabile Sergei Babayan, piano (album: Babayan plays Rachmaninoff) Franks Klassieke Wonderkamer is straks niet meer via de Bach van de Dag feed te beluisteren. Niks missen? Abonneer je dan op de podcast Franks Klassieke Wonderkamer.

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Gister is de astronomische lente begonnen, en daar hoort natuurlijk bloemenmuziek bij. Ken jij de seringen? Ze bestaan in verschillende kleuren, maar de meest bekende zijn paars en wit. Daar haalde Sergei Rachmaninov ook zijn inspiratie uit voor zijn lied Lilacs; de Engelse benaming voor 'seringen'. Hij schreef het in 1902 en het is onderdeel van de twaalf korte romances die Rachmaninov schreef voor solozang en piano. Rachmaninov maakte voor Lilacs ook een arrangement voor solopiano. Dat is dan ook de versie die Ab koos voor deze aflevering.

Rétt fyrir hádegi í dag var tilkynnt um tilnefningar til Bókmenntaverðlauna Norðurlandaráðs í ár. Ljóðabók­in Laus blöð eft­ir Ragn­ar Helga Ólafs­son, sem Bjart­ur gef­ur út, og skáld­sag­an Ljós­gildr­an eft­ir Guðna Elís­son, sem Les­stof­an gef­ur út, eru til­nefnd­ar til verðlaunanna fyr­ir Íslands hönd. Dómnefndir Norðurlandanna til­nefna í ár sam­tals 14 verk til verðlaun­anna, en sam­eig­in­leg nor­ræn dóm­nefnd vel­ur vinn­ings­hafa árs­ins og verða verðlaun­in af­hent við hátíðlega at­höfn í tengsl­um við 75. þing Norður­landaráðs í Osló 31. októ­ber. Jórunn Sigurðardóttir, bókmenntasérfræðingur Rásar 1, var í Gunnarshúsi í morgun og við fáum hana til að líta við hér í upphafi þáttar og leggja lauslegt mat á tilnefningarnar. Og við heyrum nánar af verkum hins tilnefnda bókmenntafræðings og rithöfundar, Guðna Elíssonar, því Gréta Sigríður Einarsdóttir, bókmenntarýnir Víðsjár, rýnir í dag í aðra skáldsögu Guðna. Sú heitir Brimhólar og kom út hjá Lesstofunni í nóvember síðastliðnum. Í kvöld mun bresk-ástralski stórpíanistinn Stephen Hough leika hinn tilfinningaþrungna og sívinsæla píanókonsert nr 2 eftir Sergei Rachmaninov á tónleikum með Sinfóníuhljómsveit Íslands í Eldborg. Við tökum aðeins púlsinn á þeim merkilega manni og hitum með því upp fyrir kvöldið sem margir unnendur klassískrar tónlistar hafa beðið eftir með tilhlökkun. Við lítum líka við í safnaðarheimili Neskirkju, þar sem myndlistarmaðurinn Arnar Ásgeirsson var í óða önn við uppsetningu á verkum sínum í morgun, fyrir sýningu sem opnar næsta sunnudag og ber titilinn Hreinsunaraðferðir. Þar fara stæltir karlmannslíkamar í plastflöskuformi, sem minna helst á grískar eða rómverskar styttur, líkama krists eða jafnvel hinu ikonísku Jean Paul Gaultier ilmvatnsflösku sem finna má í mörgum unglingsherbergjum. En í þessum flöskum er ekki að finna ilmvatn eða heilagt vatn, heldur ýmsar hreinsivörur, svo sem klósetthreinsi, spritt, uppþvottasápu og jafnvel klór. Arnar segir okkur nánar af sýningunni og hugmyndafræðinni á bakvið Hreinsunaraðferðirnar. Umsjón: Guðni Tómasson og Melkorka Ólafsdóttir

Rétt fyrir hádegi í dag var tilkynnt um tilnefningar til Bókmenntaverðlauna Norðurlandaráðs í ár. Ljóðabók­in Laus blöð eft­ir Ragn­ar Helga Ólafs­son, sem Bjart­ur gef­ur út, og skáld­sag­an Ljós­gildr­an eft­ir Guðna Elís­son, sem Les­stof­an gef­ur út, eru til­nefnd­ar til verðlaunanna fyr­ir Íslands hönd. Dómnefndir Norðurlandanna til­nefna í ár sam­tals 14 verk til verðlaun­anna, en sam­eig­in­leg nor­ræn dóm­nefnd vel­ur vinn­ings­hafa árs­ins og verða verðlaun­in af­hent við hátíðlega at­höfn í tengsl­um við 75. þing Norður­landaráðs í Osló 31. októ­ber. Jórunn Sigurðardóttir, bókmenntasérfræðingur Rásar 1, var í Gunnarshúsi í morgun og við fáum hana til að líta við hér í upphafi þáttar og leggja lauslegt mat á tilnefningarnar. Og við heyrum nánar af verkum hins tilnefnda bókmenntafræðings og rithöfundar, Guðna Elíssonar, því Gréta Sigríður Einarsdóttir, bókmenntarýnir Víðsjár, rýnir í dag í aðra skáldsögu Guðna. Sú heitir Brimhólar og kom út hjá Lesstofunni í nóvember síðastliðnum. Í kvöld mun bresk-ástralski stórpíanistinn Stephen Hough leika hinn tilfinningaþrungna og sívinsæla píanókonsert nr 2 eftir Sergei Rachmaninov á tónleikum með Sinfóníuhljómsveit Íslands í Eldborg. Við tökum aðeins púlsinn á þeim merkilega manni og hitum með því upp fyrir kvöldið sem margir unnendur klassískrar tónlistar hafa beðið eftir með tilhlökkun. Við lítum líka við í safnaðarheimili Neskirkju, þar sem myndlistarmaðurinn Arnar Ásgeirsson var í óða önn við uppsetningu á verkum sínum í morgun, fyrir sýningu sem opnar næsta sunnudag og ber titilinn Hreinsunaraðferðir. Þar fara stæltir karlmannslíkamar í plastflöskuformi, sem minna helst á grískar eða rómverskar styttur, líkama krists eða jafnvel hinu ikonísku Jean Paul Gaultier ilmvatnsflösku sem finna má í mörgum unglingsherbergjum. En í þessum flöskum er ekki að finna ilmvatn eða heilagt vatn, heldur ýmsar hreinsivörur, svo sem klósetthreinsi, spritt, uppþvottasápu og jafnvel klór. Arnar segir okkur nánar af sýningunni og hugmyndafræðinni á bakvið Hreinsunaraðferðirnar. Umsjón: Guðni Tómasson og Melkorka Ólafsdóttir

This week we're marking the first anniversary of the full-scale invasion of Ukraine on 24th February 2022. Roy Jenkins explores some of the religious elements involved in this conflict. Many argue that Russia's President Putin has been using religion to justify his so-called special military operation. The largest religious tradition in both Russia and Ukraine is the Orthodox Church with years of history stretching back to 988 AD. Officially there are 15 Orthodox churches worldwide, along with a dozen others whose status is said to be uncertain. It's Patriarch Kirill who leads the Moscow Patriarchate. He's spoken in support of Russia's so-called special military operation; a stance which has led Pope Francis to refer to him as “Putin's altar boy”. We hear about him and ask just how much religious liberty there is for worshippers in Russia. Meanwhile in Ukraine where there is considerable religious diversity, we hear about the friction between the pro-Moscow Orthodox and independent Orthodox Church of Ukraine. We also hear about the humanitarian and pastoral work in the country. We also ask - what of the future? Our guests: Dr Geraldine Fagan: Editor of the journal East-West Church Report and a practising member of the Orthodox Church. www.eastwestreport.org Dr Joshua Searle of Spurgeon's College in London and a trustee of the Dnipro Hope Mission in Ukraine. www.dniprohopemission.org Jonathan Luxmoore is freelance journalist based in the UK and Poland specialising in religious news throughout Europe. He writes (among others) for the Church Times and The Tablet. Music: Extracts from the Vespers Op 37 by Sergei Rachmaninov. Extract from Prayer for Ukraine by Valentin Silvestrov.

In a program celebrating the 150th anniversary of Sergei Rachmaninov's birth, Lahav Shani conducts the composer's Symphonic Dances, which marries diabolical, jazzy melodies with plush, old-world grandeur. Italian pianist Beatrice Rana is soloist in Rachmaninov's Paganini Rhapsody, a set of 24 variations that crackle with wit and furious energy. Prokofiev's delightful Classical Symphony opens the program. Explore the music in the free preconcert conversation featuring Kyle Dzapo in Orchestra Hall 75 minutes before the performance. The conversation will last approximately 30 minutes. No additional tickets are needed. Learn more: cso.org/performances/22-23/cso-classical/shani-conducts-rachmaninov-symphonic-dances

Em 1907, Sergei Rachmaninov avistou uma reprodução em preto e branco de Isle of the Dead, uma pintura do artista simbolista suíço Arnold Böcklin, e ficou profundamente afetado, tomado por uma vontade irresistível, quase mística, de compor um poema sinfônico baseado nela, o que ele fez com o mesmo nome: Ilha da Morte. Um aparte interessante aqui: quando ele viu a versão colorida mais tarde, ficou estranhamente desapontado e disse: “Se eu tivesse visto primeiro o original, provavelmente não teria escrito meu 'Isle of the Dead'. Gosto dele em preto e branco.” Conversa de Câmara é apresentado por Aroldo Glomb com Eduardo Masses na bancada! Estamos também no programa Antigas Novidades! ESSE PROGRAMA É PRODUZIDO POR NA PAUTA PODCAST! FAÇA PARTE DO CONVERSA DE CÂMARA COM O NOSSO PADRIM! Então entre na conversa! No Padrin.com.br você pode ajudar o Conversa de Câmara a crescer e seguir divulgando ainda mais a boa música da humanidade. Mostre que você tem um gosto refinado apoiando a gente no Padrim.com.br https://www.padrim.com.br/conversadecamara RELAÇÃO DE PADRINS Karollina Coimbra, Aarão Barreto, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Ediney Giordani, Tramujas Jr, Brasa de Andrade Neto, Thiago Gonçalves e Aldo França

Daphne deals with the rise of a saddeningly familiar foe, the death of the only one who can help her, and a race against the clock. Can she find a way out of this deadly game of chess? Or will her queen be captured? Starring Spike L. as Barnaby Smith (twitter.com/Spikewerks) S. J. Ryker as Blake Skye (twitter.com/LookWhosFhtagn) Ness B. as Professor August Howard (twitter.com/Nessrocker) and Amy Y. as Daphne Howard (twitter.com/achill3a) Written, produced, and edited by Amy Y. with special assistance from S. J. Ryker Main Theme composed by Amy Y. Cover Art by Kale B. (twitter.com/SuperHumanFoods) MUSIC Piano Concerto No. 2 in C minor, Op. 18, Mvt. 1 by Sergei Rachmaninov, MIDI sequenced by Dario Galimberti Classic Horror 3 by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3513-classic-horror-3 License: https://filmmusic.io/standard-license Despair and Triumph by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3641-despair-and-triumph License: https://filmmusic.io/standard-license

Chanson qui n'existerait pas sans le compositeur classique Sergei Rachmaninov et son Concerto pour piano N°2. Eric Carmen s'est directement inspiré de cette musique de Rachmaninov créée en 1901. Pour lui, musique classique voulait dire libre de droit, sauf que Rachmaninov est mort en 1943, et Eric Carmen a dû verser beaucoup d'argent aux ayant-droits du compositeur. Le succès de "All By Myself" fut planétaire. En France, Richard Anthony a très vite voulu surfer sur la vague avec son adaptation, "Je n'ai que toi". 35 ans plus tard, en 2001, autre adaptation par Jeanne Mas, "Je vous aime ainsi". N'oublions pas que la seule qui a réussi à faire plus fort qu'Eric Carmen, c'est Céline Dion ! Ecoutez La pépite musicale avec Anthony Martin du 04 mai 2022

This week on The Sound Kitchen you'll hear the answer to the question about Mikhail Baryshnikov from the True Russia Collective. There's information about Planète Radio's ePOP video competition which you should all enter, great music, and of course, the new quiz question, too. Just click on the “Audio” arrow above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. RFI Planète Radio is sponsoring a video contest, and we want you to enter. The deadline is tomorrow, 1 May – so get your video in today! Planète Radio is an RFI department that reaches out to remote populations around the world. For the fourth consecutive year, Planète Radio is holding a video competition on environmental issues. The theme of this year's competition is “Show how they feel”: You are to create a 3-minute video about climate change, the environment, pollution - told by the people it affects. Here's what Planète Radio says about the competition: “Environmental deterioration, climate change, pollution, everybody's talking about it. But amid articles, figures, and expert reports, what do we really know about the feelings of the people already impacted? The video clips produced by the ePOP community in more than 50 countries allow us to hear from those who never ask for anything yet have seen it all - those who are already living with these changes that deteriorate their quality of life.” Your project can be intergenerational: Get together with your grandfather, your aunt, someone older in your community and ask them how they feel about what is happening to their surroundings or to the place where they grew up. RFI's ePOP video awards shine a light on Africa's environmental crises Your project can also be about how you, or people your age, feel about climate change, given that your future will be affected by this phenomenon. Gather the words of those around you who are confronting the environmental crisis in their daily lives, investing, researching, and questioning the urgency of deploying solutions to face it.  Prizes for this year's competition include equipment grants from 1,000 to 4,500 euros, as well as ePOP promotion kits and other goodies. For competition guidelines and more information about the four different categories you can enter, click here. You can also write to us at english.service@rfi.fr if you need more help. We're very proud that the winner in the ePOP 2020 RFI Club category went to an English language club – Adita Prithika's RFI Agnichiragu Phoenix Club in Tamil Nadu, India. Here's Adita's award-winning video. Please note that you do not have to be a member of an RFI English Club to enter. Everyone is welcome! The deadline for entries is 1 May. Erwan and I are busy cooking up special shows with your musical requests, so get them in! Send your musical requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all! Be sure you check out our wonderful podcasts! In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts which will leave you hungry for more. There's Paris Perspective, Africa Calling, Spotlight on France, and of course, The Sound Kitchen. We have a bilingual series - an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too. As you see, sound is still quite present in the RFI English service.  Keep checking our website for updates on the latest from our excellent staff of journalists. You never know what we'll surprise you with! To listen to our podcasts from your PC, go to our website and click on the three horizontal bars on the top right, choose “Listen to RFI / Podcasts”, and you've got ‘em ! You can either listen directly or subscribe and receive them directly on your mobile phone. To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show.  Teachers, take note!  I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below.  Another idea for your students: my beloved music teacher from St Edward's University in Austin, Texas, Br Gerald Muller, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books which were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.  Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload! And don't forget, there is a Facebook page just for you, the independent RFI English Clubs. Only members of RFI English Clubs can belong to this group page, so when you apply to join, be sure you include the name of your RFI Club and your membership number. Everyone can look at it, but only members of the group can post on it. If you haven't yet asked to join the group, and you are a member of an independent, officially recognized RFI English club, go to the Facebook link above, and fill out the questionnaire !!!!! (if you do not answer the questions, I click “decline”). There's a Facebook page for members of the general RFI Listeners Club, too. Just click on the link above and fill out the questionnaire, and you can connect with your fellow Club members around the world. Be sure you include your RFI Listeners Club membership number (most of them begin with an A, followed by a number) in the questionnaire, or I will have to click “Decline”, which I don't like to do! This week's quiz: On 19 March, I asked you a question about Ukraine – specifically, about the Russians against the war. Earlier that week you listened to and read Jan van der Made's excellent article “Who are the Russians campaigning to stop Putin and help Ukraine?” Jan's interview was with Sergei Guriev, the founder of the True Russia Collective. I asked you about Mikhail Baryshnikov, a member of the collective. You were to do a bit of research on him, and tell me who he is, a bit of his story, his history. The answer is: Mikhail Baryshnikov was the preeminent ballet dancer in the '70s & '80s. Born in 1948 in Soviet-controlled Latvia, he was a member of the Kirov Ballet in Leningrad, and made international headlines in 1974 while on tour with the Kirov in Canada, when he escaped his minders. All traveling Soviet artists were limited in their movements for exactly that reason: fear they would defect to the west. He was granted political asylum by the Canadian government. Baryshnikov then moved to the US and joined the American Ballet Theatre, then the New York City Ballet so that he could learn modern classical dance, which was not known in the Soviet Union. Baryshnikov then returned to the American Ballet Theatre, where he was Principal Dancer and later, Artistic Director. He has done some films, too. You know, sometimes it's good to be old – I got to see him dance. It was perfection.  The winners are: Jobayada Aktar Jai, who's a member of the Nilshagor RFI Fan Club in Nilphamari, Bangladesh. There are two RFI Listeners Club members who won this week: Radhakrishna Pillai from Kerala State in India, and Kanwar Sandhu from British Columbia in Canada. Rounding out the list are two RFI English listeners from Bangladesh: Tasmaul Housna Akhi from Naogaon, and Lutfor Rahaman from Bogura, who noted he is ill and asks for your healing thoughts. Congratulations winners! Here's the music you heard on this week's program: “New York New York” by John Kander and Fred Ebb, performed by the Instrumental Big Band Orchestra; an excerpt from Sergei Rachmaninov's “Rhapsody on a Theme by Paganini”; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “I'm Gonna' Sit Right Down and Write Myself a Letter” by Fats Waller, played by Stephanie Trick, and “Cantaloupe Island” by Herbie Hancock, performed by Hancock on the piano, Freddie Hubbard on the cornet, bassist Ron Carter, and Tony Williams on the drums.   Do you have a musical request? Send it to thesoundkitchen@rfi.fr This week's question ... You have to listen to the show to participate. After you've listened to the show, refer to Amanda Morrow's article to help you with the answers. You have until 23 May to enter this week's quiz; the winners will be announced on the 28 May podcast. When you enter, be sure you send your postal address with your answer, and if you have one, your RFI Listeners Club membership number. Send your answers to: english.service@rfi.fr or Susan Owensby RFI – The Sound Kitchen 80, rue Camille Desmoulins 92130 Issy-les-Moulineaux France or By text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number. To find out how you can win a special Sound Kitchen prize, click here. To find out how you can become a member of the RFI Listeners Club, or to form your own official RFI Club, click here. 

MOZART, BEETHOVEN & MAS presents cellist YO YO MA and pianist EMMANUEL AX in the beautiful sonata for piano and violoncello in G minor of SERGEI RACHMANINOV

Daphne reflects on the start of her marriage. Before she learned ‘in death do us part' was a lie, she first realized just how important ‘in sickness and in health' was... Starring Ness B. as Professor August Howard and additional voices (twitter.com/Nessrocker) And Amy Y. as Daphne Howard and additional voices (twitter.com/achill3a) Written, produced, and edited by Amy Y. (twitter.com/achill3a), with special assistance from SJ Ryker (twitter.com/LookWhosFhtagn) Cover Art by Kale B. (twitter.com/SuperHumanFoods) Main theme composed by Amy Y. (twitter.com/achill3a) 13 Preludes, Op. 32, Mvt. 10 by Sergei Rachmaninov, Performed by Marco Alejandro Gil Esteva Link: https://musopen.org/music/performer/marco-alejandro-gil-esteva/ Immersed by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3900-immersed License: filmmusic.io/standard-license Touching Story by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4540-touching-story License: filmmusic.io/standard-license Touching Moments Two - Higher by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4539-touching-moments-two---higher License: filmmusic.io/standard-license

Sergei Rachmaninov (1873-1943): Sinfonia n. 1 in Re minore Op. 13 (1895)I. Grave — Allegro ma non troppoII. Allegro animatoIII. LarghettoIV. Allegro con fuoco.Concertgebouw Orchestra Vladimir Ashkenazy, direttore

Pianist Lucy Parham picks through the greatest recordings of Rachmaninov's 2nd Piano Sonata. Sergei Rachmaninov's Piano Sonata No. 2, Op. 36, in B-flat minor was composed in 1913 and revised it in 1931. Three years after his third piano concerto was finished, he moved with his family to Rome and started working on his second piano sonata. It is a mighty but technically challenging piece. Rachmaninov himself was not satisfied with the work and revised it in 1931. In 1940, the pianist Vladimir Horowitz created his own edition which combined elements of both previous versions.

"Muse" is the name of the debut recording by cellist Sheku Kanneh-Mason, and his sister, pianist Isata Kanneh-Mason. The siblings have recorded together before, in the 2020 release, "Carnival of the Animals", and have performed live many times. "Muse" includes two major 20th century cello sonatas, by Samuel Barber (1932); and Sergei Rachmaninov (1901), as well as shorter pieces by both composers. Sheku and Isata share the joys of performing as siblings (there is no rivalry, both say), and the challenges that have become all too familiar in these times. Hear the rest of the story in their conversation with All Classical Portland's Program Director John Pitman.

Función del senado en una república federal como la de EEUU. Los principios del MCRC no son ideológicos. La separación de poderes por imitación de EEUU en latinoamérica. Historia del sindicalismo. Diferencia entre el socialismo utópico y el movimiento obrero. Podemos es un obstáculo hacia la libertad constituyente. Música: Allegro ma non tanto. Concierto para piano nº3 de Sergei Rachmaninov. ---------------------------- Escucha la lista de reproducción de los florilegios de Trevijano: https://go.ivoox.com/bk/9608366 ---------------------------- ¡APÓYANOS! - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ---------------------------- mcrc.es diariorc.com 2022

Qué es la sociedad civil. Origen antropológico de las sociedades indoeuropeas. La conquista de la libertad constituyente no requiere una sociedad madura, sino decidida. Diferencias entre lo bello, lo bonito y lo sublime. Las tormentas de William Turner como ejemplo de lo sublime en el arte. Los enanos de Velázquez como ejemplo de emoción estética. Lo bonito está al alcance de todos, pero lo bello siempre es natural e oposición a lo cursi. El arte nos educa en la bondad. Qué es la representación política. La abstención consciente y activa para deslegitimar un poder establecido sin libertad. Origen de la corriente filosófica del utilitarismo. Diferencia entre bien común e interés general y la democracia formal como solución al conflicto de intereses. Nadie te puede quitar la dignidad, pero se puede perder. En España no hay dignatarios. Música: Moderato vivace. Concierto para piano nº1 de Sergei Rachmaninov. ---------------------------- Escucha la lista de reproducción de los florilegios de Trevijano: https://go.ivoox.com/bk/9608366 ---------------------------- ¡APÓYANOS! - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ---------------------------- mcrc.es diariorc.com 2021

Helen Macdonald is a writer and naturalist who is best known as the author of H is for Hawk which won the 2014 Samuel Johnson Prize and the Costa Book Award, and topped the sales charts. The book chronicles her experiences training a goshawk called Mabel while grieving for her late father. Helen's father was a staff photographer at the Daily Mirror and her mother was a journalist on local newspapers. In 1975, when Helen was five, her parents bought a house in Terkel's Park, an estate owned by the Theosophical Society. It was here that Helen became a keen bird watcher and developed a love of the natural world, spending her days in fields and meadows where she collected specimens which she brought home to study. When she was 12 she helped out at a local falconry centre and trained her first hawk, a kestrel called Amy. After graduating from Cambridge she worked for the National Avian Research Centre in Wales before returning to academia. The death of her father in 2007 prompted Helen to buy Mabel and bring her home to live with her. Training Mabel was Helen's way of dealing with her grief during what she describes as a very dark period of her life. The relationship between her and Mabel became so intense that she says she became more hawk than human. Helen continues to write books and essays and present programmes about the natural world. She lives in Suffolk with two parrots she calls the Bugs. DISC ONE: Wayfaring Stranger by Rhiannon Giddens With Francesco Turrisi DISC TWO: Lully: Le Triomphe de l'Amour: Prélude pour la nuit, composed by Jean-Baptiste Lully, performed by Capriccio Stravagante Les 24 Violons, directed by Skip Sempé DISC THREE: Michelangelo by The 23rd Turnoff DISC FOUR: Ocean by The Velvet Underground DISC FIVE: 'Corelli' Variations, Op. 42, composed by Sergei Rachmaninov, performed by Vladimir Ashkenazy (piano) DISC SIX: When We Were Wolves by My Latest Novel DISC SEVEN: Point of View Point by Cornelius DISC EIGHT: Time by Hans Zimmer BOOK CHOICE: The Karla Trilogy by John Le Carré LUXURY ITEM: Luxury bedding CASTAWAY'S FAVOURITE: 'Corelli' Variations, Op. 42, composed by Sergei Rachmaninov, performed by Vladimir Ashkenazy (piano) Presenter Lauren Laverne Producer Paula McGinley

durée : 01:58:36 - Sergei Rachmaninov joue et dirige Rachmaninov - par : Philippe Cassard - Pour ouvrir la 7ème saison de Portraits de famille, Philippe Cassard célèbre "Rachmaninov interprète de ses propres œuvres". Hommage également au duo légendaire formé avec le violoniste Fritz Kreisler. - réalisé par : Pierre Willer

Law, classical music, and virtuosity have a lot in common.  As a Steinway Artist and tax lawyer, Leonard Gilbert found great commonality succeeded in both worlds.  By the age of 19, Leonard Gilbert won four Canadian Music Competitions, won the 2010 Canadian Chopin Competitions, and became the first Canadian to represent Canada at the prestigious International Chopin Competition, viewed by most pianists to be the “Olympics” and “Paralympics” of classical music competitions. Join Amos Vang and Leonard Gilbert as the two classical concert pianists discuss in great detail the wondrous world of classical concert piano performance, the similarities between pianistic practice and athletic practice, the prestige of the International Chopin Competition, the philosophies of piano performance and virtuosity, the philosophies of piano technique and preparation, the centuries-long evolution of piano tuning and musical counterpoint, and the importance, benefits, and transferability of a classical music training into a legal career. 0:00 for the Introduction. 8:09 for the beginning of the interview. Below is a list of the piano pieces that you heard in the audio version of this episode, along with the respective performing pianists and composers. 4:51 to 6:36, 6:46 to 8:22: Leonard Gilbert – “Andante Spianato Et Grande Polonaise Brillante, Op 22” by Frederic Francois Chopin. 29:03 to 30:54, 1:04:59 to 1:05:15: Amos Vang – “Après Une Lecture Du Dante: Fantasia Quasi Sonata” by Franz Liszt. 32:26 to 34:08: Krzysztof Moskalewicz – “Barcarolle in F-Sharp Major, Op. 60” by Frederic Francois Chopin, played on Chopin's own piano, the Pleyel No. 13819.  34:09 to 36:48: Daniil Trifonov – “Barcarolle in F-Sharp Major, Op. 60” by Frederic Francois Chopin 1:03:26 to 1:04:18: Tiffany Poon – “La Campanella” by Franz Liszt. 1:05:16 to 1:06:14: Arcadi Volodos – “Après Une Lecture Du Dante: Fantasia Quasi Sonata – Volodos Transcription” by Franz Liszt (transcription by Arcadi Volodos). 1:07:51 to 1:08:28: Vladimir Horowitz – “Piano Sonata No. 2 – Horowitz Transcription” by Sergei Rachmaninov (transcription by Vladimir Horowitz). 1:40:48 to 1:41:41: Yundi Li – “Etude No. 3 in G Major, Op. 28” by Frederic Francois Chopin.

In this episode,  you'll hear a masterwork—Sergei Rachmaninov's Piano Sonata No. 2 in B-flat minor Op. 36, performed by 2018 Honens Semifinalist Stefano Andreatta. Rachmaninov composed his piano music for himself. He was an amazing virtuoso with a secret weapon ... enormous hands! With his fingers spread, his reach was 12 notes wide, or an octave and a half. Those big intervals are an extra challenge for other pianists learning his work. -Watch the video edition of this excerpt at honens.com/home.

In this episode of Open Lid, Catherine McClelland, Honens Director, Artistic Planning catches up with  2000 Honens Laureates Katherine Chi and Alessandra Ammara. The three discuss memories from the 2000 Honens International Piano Competition,  adventures from past tours,  how they stayed connected during the pandemic, and their appreciation for each other. Katherine and Alessandra perform a program of Claude Debussy,  Alexina Louie, and Sergei Rachmaninov. 

durée : 01:58:47 - Sergei Rachmaninov au piano - par : Philippe Cassard - Compositeur populaire entre tous, Sergei Rachmaninov est lui-même un des pianistes les plus mythiques de tous les temps. On évoque ses interprétations de Chopin et Schumann, mais les a-t-on réécoutées récemment ? Portraits de famille ressort les vieilles cires légendaires des années 1920... - réalisé par : Pierre Willer

durée : 00:58:35 - Sergueï Rachmaninov, un romantique au XXème siècle - par : Aurélie Moreau - « La Musique, sœur de la poésie et fille du chagrin. » Serge Rachmaninov. - réalisé par : Vivian Lecuivre

Music for Easteride - Episode 3 Today we will be exploring music responding to the most joyful word of all, ‘Alleluia', in different styles from different composers throughout history. Music included in this episode is: Marcel Peres and Ensemble Organum singing the Old Roman version of ‘Alleluia, Ales Barta playing Joseph Seger's ‘Fugue on the Easter Alleluia', Christopher Hogwood conducted the Academy of Ancient Music in the first movement from Josef Haydn's ‘Alleluia' Symphony, no. 30, in C major, The Estonian Philharmonic Chamber Choir singing two psalms from Sergei Rachmaninov's All-Night Vigil, directed by Paul Hillier, Rene Jacobs conducted the Choir of Clare College Cambridge and the Freiburger Barockorchester in that exhilarating performance of the ‘Hallelujah' Chorus from Handel's ‘Messiah' and Sir James MacMillan's ‘Alleluia', beautifully performed by the SWR Vokal Ensemble and Marcus Creed. You can follow along with the text on our website at: https://radiomariaengland.uk/about/programmes/music-for-eastertide/

Pianisten Lucas en Arthur Jussen zijn al jaren geliefd op concertpodia in binnen- en buitenland. De nieuwe cd ‘The Russian Album’ is opnieuw uitgebracht bij het Deutsche Grammophon label. Ditmaal hebben de broers geprobeerd de magie van de Russische muziek te vangen. Het werk bevat een selectie van de meesters Dmitri Sjostakovitsj, Sergei Rachmaninov, Igor Stravinsky en Anton Arensky. Presentatie: Jellie Brouwer

A famous Russian concert pianist Sergei Rachmaninov once said, "Music is enough for a lifetime, but a lifetime is not enough for music." But what if a pandemic takes away 13 music-filled days from an ardent music listener's life? A gross injustice, isn't it? Well, Not anymore! Listen to the podcast by BusinessLine's Rutam Vora --- Send in a voice message: https://anchor.fm/business-line/message

Helen Fielding, writer and journalist, is best known for creating Bridget Jones, who first appeared in a newspaper column in the Independent in 1995, in the form of a diary detailing the single 30-something’s exploits in London as she tried to make sense of life and love. The column soon acquired a wider following, and Helen turned Bridget’s story into a best-selling book the following year. Born in 1958, Helen grew up in Yorkshire with an older sister and two younger brothers. Her father was a manager at the textile mill next door to where they lived. She read English at Oxford where she became friends with Richard Curtis and Rowan Atkinson. After graduating, she became a BBC trainee, travelling to Africa for Comic Relief. She later made documentaries for Thames TV before moving into print journalism. To date, Helen has written four Bridget Jones novels, three of which have been turned into feature films starring Renée Zellweger. She spent a decade in Los Angeles at the start of the new millennium and had two children with Kevin Curran, who was a scriptwriter for The Simpsons. She now lives in London. DISC ONE: Fly Me to the Moon by Julie London DISC TWO: The Windmills of Your Mind by Noel Harrison DISC THREE: It Must Be Love by Madness DISC FOUR: Piano Concerto No. 3 in D Minor, Op. 30, composed by Sergei Rachmaninov, conducted by Valery Gergiev and performed by Denis Matsuev (piano) and Mariinsky Theatre Orchestra DISC FIVE: La Isla Bonita by Madonna DISC SIX: I Will Survive by Gloria Gaynor DISC SEVEN: I’ve Got the World on a String by Frank Sinatra DISC EIGHT: Bewitched, Bothered and Bewildered by Stan Getz & The Oscar Peterson Trio BOOK CHOICE: Pride and Prejudice by Jane Austen LUXURY ITEM: A magical tree CASTAWAY'S FAVOURITE: It Must Be Love by Madness Presenter: Lauren Laverne Producer: Cathy Drysdale

Many of us have been missing live concerts and recitals, so it’s wonderful that the Henley Festival is producing a digital show. Corinna talks to one of the headliners, Hao Zi Yoh about her journey to becoming a concert pianist - from playing the Carnegie Hall aged 12, moving from Malaysia to Germany at 14 and finding freedom to practice different pieces during lockdown in London. Listen to Hao Zi perform the beautiful piano solo Liebesleid (Love’s Sorrow) recorded especially for Radio Gorgeous. This complex piece was originally written by Fritz Kreisler for violin but later transcribed by Sergei Rachmaninov. The Henley Festival Digital Edition (also featuring Beverley Knight; Will Young; Joe Stilgoe and Rory Bremner) took place on July 12 2020. www.henley-festival.co.uk (https://henley-festival.co.uk/) haozipiano (https://www.instagram.com/haozipiano/?hl=en)    @henleyfestival (https://twitter.com/henleyfestival)     @Corinna_Radio (https://twitter.com/Corinna_Radio) #music #piano #women #RadioGorgeous  Image © Andreea Tufescu

con Luca Damiani

Escape!  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  So concludes The Heroes, the sixth and penultimate arc of All Hail Yog. Our villains will return for one final future adventure. Unfortunately, we'll be taking a somewhat longer hiatus than usual. Thanks to the coronavirus, I've been unable to convene the cast and record the finale. Stay tuned to the feed and I'll be sure to update you as soon as a plan presents itself. In the meantime, special thanks to everyone – especially our generous Patrons – who made this arc possible. MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra), "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra) and "Symphony No. 6 in D Major" by Antonín Dvorák (performed by the Czech Philharmonic).

Azathomet & Ernst's excellent adventure.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra), "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra) and "Jupiter" by Gustav Holst (performed by the Royal Scottish National Orchestra)

Gone fissuring.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

One good turn.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

Talking heads.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master and featuring Kate Enge as Zyzzenxkys.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

Rachmaninov, 1 april 1873. Op zijn geboortedag; het arrangement dat Sergei maakte van drie delen uit Bach’s Partita BWV.1006. En hoe knap en spits dit arrangement is; want Rachmaninov gaat van Bach’s solo-viool naar piano, een mooie mix van beide componisten. Sergei Rachmaninov / Johann Sebastian Bach Partita nr.3, BWV.1006; (arr.) Sergei Rachmaninov, piano (opname: 1942) Naxos 8110658 7’17’’

Meet Zyzzenxkys.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master and featuring Kate Enge as Zyzzenxkys.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra) and "Symphony No. 6 in D Major" by Antonín Dvorák (performed by the Czech Philharmonic).

Food for thought.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

In broad daylight.   Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

The fall of the house of Yog.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  This episode was sponsored by Knuckledragger RPG, now on Kickstarter! On a planet called Planet, alien visitor bestow beneficent gifts fo advanced technology upon nine prehistoric races and are promptly bludgeoned to death for their trouble. Interested in combat with no initiative? A GM called a Map Daddy? Rampaging hordes of gun-toting elephant men. Kickstarting now through March 12th – become a backer today!  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

The villains gather.  ALL HAIL YOG is a D&D actual play evil campaign brought to you by the creators of Experience Points. In ALL HAIL YOG, our rotating cast of villains are the fell servants of a dark lord and must travel the realms of Ondûn to enact Yog's evil upon the earth. This 10-episode arc is called The Heroes and describes a direct assault upon Yog's homeland and the Vessel itself.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  This episode was sponsored by Knuckledragger RPG, now on Kickstarter! On a planet called Planet, alien visitor bestow beneficent gifts fo advanced technology upon nine prehistoric races and are promptly bludgeoned to death for their trouble. Interested in combat with no initiative? A GM called a Map Daddy? Rampaging hordes of gun-toting elephant men. Kickstarting now through March 12th – become a backer today!  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

The art of the meal.  Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the StalkerAliza Pearl as Smuj and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  So concludes The Ritual, the fifth arc of All Hail Yog. Our villains – plus some new voices – will return in future adventure. We'll be taking a short break but we'll be back at the beginning of March with a new cast and a new arc. Special thanks to everyone – especially our generous Patrons – who made this arc possible.  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),"Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Pictures At An Exhibition" by Modest Mussorgsky (performed by the Berlin Philharmonic) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

Ze kon zich Gustav Mahler nog herinneren, en ging zondags uit wandelen met Franz Kafka – Alice Herz-Sommer, concertpianiste. Met man en kind kwam ze terecht in Theresienstadt, waar haar zoon een rol had in de kinderopera Brundibar. Een podcast met, al zeg ik het zelf, hele bijzondere opnamen! Hans Krasa, Brundibar, children’s opera in four acts, Act 2; I & II, Disman Radio Kinderensemble olv Joza Karas Johann Sebastian Bach, Cellosuite nr.2, BWV.1008, I. Prelude, Paul Tortelier (cello) Sergei Rachmaninov, Sonate voor cello en piano, op.19; III. Andante, Raphael Sommer (cello), Daniel Adni (piano) Johann Sebastian Bach, Partita nr.1, BWV.825; I.Prelude Alice Herz-Sommer (piano; prive-opname, 1986-1995)

Don't play with your food.  Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the StalkerAliza Pearl as Smuj and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),"Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Pictures At An Exhibition" by Modest Mussorgsky (performed by the Berlin Philharmonic) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

Teeth and tongues.  Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the StalkerAliza Pearl as Smuj and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),"Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Pictures At An Exhibition" by Modest Mussorgsky (performed by the Berlin Philharmonic) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

The ritual begins.  Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the StalkerAliza Pearl as Smuj and Timothy J. Meyer as the Dungeon Master.  This episode is brought to you by our partner, Spirit of the Wilds Candles! Some of the best geeky candles in the business – even including an exclusive All Hail Yog candle! Enter "ALLHAILYOG" at check-out to get 15% off your order. What a steal! If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Pictures At An Exhibition" by Modest Mussorgsky (performed by the Berlin Philharmonic), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra) and "Carmina Burana" by Carl Orff (performed by the Brighton Festival Chorus and the Royal Philharmonic Orchestra)

Con Ana Laura Iglesias | Nuevo concierto a la carta en Fila 01 protagonizado hoy por una de las páginas más desconocidas del reducido catálogo sinfónico de Sergei Rachmaninov: el poema sinfónico La Isla de los Muertos. Descubre esta impresionante obra inspirada en un lienzo simbolista junto a su sonata para piano nº1.

Con Ana Laura Iglesias | Nuevo concierto a la carta en Fila 01 protagonizado hoy por una de las páginas más desconocidas del reducido catálogo sinfónico de Sergei Rachmaninov: el poema sinfónico La Isla de los Muertos. Descubre esta impresionante obra inspirada en un lienzo simbolista junto a su sonata para piano nº1.

Con Ana Laura Iglesias | Nuevo concierto a la carta en Fila 01 protagonizado hoy por una de las páginas más desconocidas del reducido catálogo sinfónico de Sergei Rachmaninov: el poema sinfónico La Isla de los Muertos. Descubre esta impresionante obra inspirada en un lienzo simbolista junto a su sonata para piano nº1.

The more we know about the needs and the evils in the world, the more we need to pray. But to do this effectively we don't necessarily need to know every detail. So I wrote this prayer-poem especially to encourage  those who are eager to to pray about Brexit, and other 'wider' matters, but who hold back because they feel they are not very clear about all the details. One of the sources I had in mind when I came to write this prayer-poem was an episode from Sister Kirsty’s book, ‘The Choice,’ (p134-5) in which she tells of the effect it had on her when she spoke with a saintly old monk about the agony of spirit she so often felt in prayer, especially when she heard tales of cruelty to children. The monk surprised her greatly by withdrawing deep into his cowl and remaining silent for a long time. The advice he gave her wasn't in the least what she had been expecting: it was to stop reading newspapers and watching the news for a whole year. This shrewd and prayerful man knew that we do not necessary to be aware of every horrible detail of what is happening in the world in order to pray for it effectively. From deep within the depths of his cowl, he could bring it all to the Lord, confident that this would move His hand to act – rather as when I go on retreat I do so as it were with my friends and on behalf of those in special need of prayer. All of us can pray, ‘Your Kingdom come, Your will be done on earth – and in Britain – as it is in Heaven. I can repent for the abuse that is going on, the failure to adhere to God’s word. I can declare His Lordship over the earth and all that it contains – and so on. We don’t have to know and understand all the details to be able to pray in accordance with His will. His word teaches us how to pray. The reference I have made in this prayer to a 'template' concerns my long standing hope that as we pray for one specific person or situation, the Lord take these prayers and use them as a ‘template’ to minister to many others in similar situations. On a completely different level I was also inspired by two Old Irish poems. The first that describes the ideal abode of a hermit set apart to seek the Lord, while the second celebrates the close affinity between a hermit scholar and his cat, both remain intent on their work! I hope this very brief prayer poem will inspire you to carry your own petitions to the Lord where the words and music leave off . . . The ‘still-fully’ passionate music that accompanies this prayer-poem is Sergei Rachmaninov’s Great Ektenia. ‘Ektenia’ simply means Litany: that is, a series of petitions in the Eastern Orthodox and Byzantine church. Soundcloud link here From deep within my cowl Hooded by Your hand, hidden deep within my cowl, travelling far in spirit from my regular routine ways, in prayer, O God, I seek to move Your hand. In the depths of my cowl I have no need to hear the full-blown tale of the awfulness that snares and befouls. This I trust, that in these heart-felt pleas, that stem from bended knees – You will discern the tenor of Your own petition for blocked and beleaguered souls. Offered on the altar of my heart, in the temple of my soul, make of these cries from one enclosed within, Incense that rises before Your throne,a wider template that tips the bowl to pour afar Your presence and Your aid.

The more we know about the needs and the evils in the world, the more we need to pray. But to do this effectively we don't necessarily need to know every detail. So I wrote this prayer-poem especially to encourage  those who are eager to to pray about Brexit, and other 'wider' matters, but who hold back because they feel they are not very clear about all the details. One of the sources I had in mind when I came to write this prayer-poem was an episode from Sister Kirsty’s book, ‘The Choice,’ (p134-5) in which she tells of the effect it had on her when she spoke with a saintly old monk about the agony of spirit she so often felt in prayer, especially when she heard tales of cruelty to children. The monk surprised her greatly by withdrawing deep into his cowl and remaining silent for a long time. The advice he gave her wasn't in the least what she had been expecting: it was to stop reading newspapers and watching the news for a whole year. This shrewd and prayerful man knew that we do not necessary to be aware of every horrible detail of what is happening in the world in order to pray for it effectively. From deep within the depths of his cowl, he could bring it all to the Lord, confident that this would move His hand to act – rather as when I go on retreat I do so as it were with my friends and on behalf of those in special need of prayer. All of us can pray, ‘Your Kingdom come, Your will be done on earth – and in Britain – as it is in Heaven. I can repent for the abuse that is going on, the failure to adhere to God’s word. I can declare His Lordship over the earth and all that it contains – and so on. We don’t have to know and understand all the details to be able to pray in accordance with His will. His word teaches us how to pray. The reference I have made in this prayer to a 'template' concerns my long standing hope that as we pray for one specific person or situation, the Lord take these prayers and use them as a ‘template’ to minister to many others in similar situations. On a completely different level I was also inspired by two Old Irish poems. The first that describes the ideal abode of a hermit set apart to seek the Lord, while the second celebrates the close affinity between a hermit scholar and his cat, both remain intent on their work! I hope this very brief prayer poem will inspire you to carry your own petitions to the Lord where the words and music leave off . . . The ‘still-fully’ passionate music that accompanies this prayer-poem is Sergei Rachmaninov’s Great Ektenia. ‘Ektenia’ simply means Litany: that is, a series of petitions in the Eastern Orthodox and Byzantine church.

Un “estudio” (o en frances, étude ) es una pieza instrumental, usualmente corta y con dificultad, disenada para practicar un instrumento. Los requisitos de la primera ronda del Concurso Internacional de Piano de Tchaikovsky incluyen un “Estudio” de cada uno de estos compositores: Frederic Chopin, Franz Liszt y Sergei Rachmaninov. En este programa escucharemos algunos de estos estudios.

Un “estudio” (o en frances, étude ) es una pieza instrumental, usualmente corta y con dificultad, disenada para practicar un instrumento. Los requisitos de la primera ronda del Concurso Internacional de Piano de Tchaikovsky incluyen un “Estudio” de cada uno de estos compositores:Frederic Chopin, Franz Liszt y Sergei Rachmaninov. En este programa escucharemos algunos de estos estudios.

Prinsessan Diana och Pussy Riot har framträtt med hans musik. Rachmaninov komponerade aldrig för amatörer och tålde inte megahiten han skrev som tonåring. Lyssna på alla avsnitt i Sveriges Radio Play. Låtlista: Prinsessan Diana i Australien Ur filmen Shine Preludium i ciss-moll – Sylvia Capova piano Der Toteninsel – Royal Concertgebouw Orchestra, Ashkenazy Pianotrio nr 2 d-moll, sats 3. Dmitri Makhtin, Alexander Kniazev & Boris Berezovsky Pianokonsert nr 2. Nikolai Lugansky, Sakari Oramo, City of Birmingham Symphony Orchestra Pianokonsert nr 3- Sergei Rachmaninov piano. Bogoroditse Devo, ur Vespers Op. 37 – Radiokören, Tönu Kaljuste Symfoni nr 2, sats 2 – Valeri Gergiev, London Symphony Orchestra Vocalise – Kiri Te Kanawa, Roger Vignoles

Prinsessan Diana och Pussy Riot har framträtt med hans musik. Rachmaninov komponerade aldrig för amatörer och tålde inte megahiten han skrev som tonåring. Låtlista:  Prinsessan Diana i  Australien Ur filmen Shine Preludium i ciss-moll Sylvia Capova piano Der Toteninsel Royal Concertgebouw Orchestra, Ashkenazy Pianotrio nr 2 d-moll, sats 3.  Dmitri Makhtin, Alexander Kniazev & Boris Berezovsky Pianokonsert nr 2.  Nikolai Lugansky, Sakari Oramo, City of Birmingham Symphony Orchestra Pianokonsert nr 3- Sergei Rachmaninov piano. Bogoroditse Devo, ur Vespers Op. 37 Radiokören, Tönu Kaljuste Symfoni nr 2, sats 2 Valeri Gergiev, London Symphony Orchestra Vocalise Kiri Te Kanawa, Roger Vignoles

Con Mario Mora y Ana Laura Iglesias | Nueva batalla musical en El Duelo de Clásica FM, que esta semana enfrenta a dos compositores que vivieron en el mismo momento de la historia pero en realidades muy distintas que configuraron sus estilos musicales de manera muy contrastante: Sergei Rachmaninov y George Gershwin. Difruta en esta batalla musical en 3 asaltos la música de estos grandes compositores. ¿Con quién te quedas?

Con Mario Mora y Ana Laura Iglesias | Nueva batalla musical en El Duelo de Clásica FM, que esta semana enfrenta a dos compositores que vivieron en el mismo momento de la historia pero en realidades muy distintas que configuraron sus estilos musicales de manera muy contrastante: Sergei Rachmaninov y George Gershwin. Difruta en esta batalla musical en 3 asaltos la música de estos grandes compositores. ¿Con quién te quedas?

Aad van Nieuwkerk verkent iedere zaterdag en zondag tussen 23.00 en 24.00 uur de grenzen van de klassieke muziek. Met nieuwe releases, concerttips, reportages, actuele ontwikkelingen in de muziekwereld, een vaste plek voor jong talent, en natuurlijk: adembenemende muziek! Gemaakt in nauwe samenwerking met het televisieprogramma Vrije Geluiden. Met vanavond muziek van Arthur Pryor en Sergei Rachmaninov, gespeeld door Peter Moore; César Franck door het Calefax Rietkwintet; Max Richter; Roderick Williams; en Jesse Passenier.

Donald Macleod explores Sergei Rachmaninov’s years in America. Reluctant even to visit at first, and once there always more than a little homesick, this proudly Russian composer in fact lived in the United States of America for 25 years, from the end of the First World War until his death in 1943. His life there was principally that of a virtuoso performer, not a composer; and Rachmaninov gave recitals for presidents, recorded discs for Thomas Edison, and felt obliged to rattle off his “hated” Prelude in C sharp minor for concert audiences wherever he went. All this week, Donald looks at Rachmaninov’s equivocal relationship with his adopted homeland. Rachmaninov’s first toured the USA in 1909, but it was only when he fled the 1917 revolution that he had to properly adjust to life as a concert pianist there. His intense performing schedule left him exhausted – we hear about the year 1926, which dedicated solely to composition, and how he found productive solace during his in summers in Switzerland. Although Rachmaninov was slow to embrace his adopted country, never really learning proper English and always looking back longingly to mother Russia, he did come to love the United States, and eventually, in the final year of his life, became a citizen. By then he’d become immersed in American cultural life, relishing jazz music and even admiring Mickey Mouse’s take on his ubiquitous Prelude. Music featured: Prelude in C sharp minor Piano concerto in D minor, 1st movement The Isle of the Dead, Op 29 A Dream (6 Songs, Op 38 No 5) The Star-Spangled Banner for piano Piano Concerto No 2 in C minor, 1st movement Polichinelle in F sharp minor, Op 3 No 4 Lento a capriccio (The Bells) Hungarian Rhapsody No 2 in C sharp minor (Liszt, arr. Rachmaninov) Liebeslied (arr. for piano) Etudes Tableaux, Op 33, Nos 2 and 7 3 Russian Songs, Op 41 Marche (Etudes Tableaux, orch. Respighi) Variations on a theme of Corelli, Op 42 Rhapsody on a theme of Paganini, Op 43 Symphony No 3 in A minor, Op 44, second movement Prelude in C sharp minor (arr. Barnet) 3 Symphonic Dances, Op 45 The Muse; What Happiness; Vocalise (14 Songs, Op 34) Lilacs Presenter: Donald Macleod Producer: Dominic Jewel for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Rachmaninov: https://www.bbc.co.uk/programmes/m0000hb7 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Raymond Bisha introduces Boris Giltburg’s latest album of music by Sergei Rachmaninov that features the Études-tableaux Op. 33 and his ever-popular Piano Concerto No. 2. The latter charts a dramatic course: from the passion, darkness and pain of the first movement, through the dreamy idyll of the second, to the unequivocal victory of the finale. This overview might indeed reflect the path of Rachmaninov’s own life: his depression and inability to continue composing following the disastrous première of his First Symphony (ruined by an apparently drunken Glazunov on the conductor’s podium) and his fight to overcome it with the help of a hypnotherapist, one Dr Dahl, to whom the Second Piano Concerto was dedicated.

Hopsa dan maar weer. Een nieuwe aflevering van Galerie Moderne met slagwerker Niek Kleinjan aanstaande zaterdag in Vrije Geluiden op Radio 4. Niek houdt van bombast, en dat zullen we weten ook. Dan ook nog een psalter uit de negende eeuw. Uit de negende eeuw, ja! Hoe dat klinkt hoort u zaterdag. En er zijn kaarten te winnen voor het PNEM Geluidskunstfestival. Daarnaast natuurlijk nog een ruimhartige greep uit de bundel nieuwe cd's en nog diverse assorti en dergelijke. Speellijst: 1. Kouroukan Fouga (trad) Jordi Savall & Hesperion XXI 2. Vero (Trad) Jordi Savall & Hesperion XXI 3. Sergei Rachmaninov - Symfonische dansen opus 45, Concertgebouworkest Vladimir Ashkenazy 4. Sergei Rachmaninov, Symfonische dansen opus 45, Martha Argerich & Nelson Goerne WARNER 5. Gabriel Fauré, Requiem, op.48 ; Libera me, Bernhard Kruysen [bariton] & Groot Omroepkoor, Rotterdams Philharmonisch Orkest, Jean Fournet 6. Gabriel Fauré, Requiem, op.48 ; In paradisum, Groot Omroepkoor, Rotterdams Philharmonisch Orkest, Jean Fournet 7. Renzo Spiteri, Solstice, Renzo Spiteri 8. Andree Bonhomme, Lamento, Doris Hochscheid [cello] & Frans van Ruth [piano] 9. Martin Fondse, Karavanserai, Mete Erker & ASKO Schonberg

今回はロシアを題材とした会話の第二回目です。本日登場するのはシベリア西部の街トムスク（Tomsk）。ここは人口の５人に１人が若者という、活気にあふれた街のようです。そんなトムスク出身の女性が男性に、現地のおすすめスポットとして"2 plus Koo"という場所を勧めています。ここはいったい、どのような場所なのでしょうか・・・。 ところで、ロシアは数々のすぐれた作曲家を輩出した国ですね。番組ではJoeがロシアの有名な地名や作曲家の名前を挙げていますが、皆さんはどのぐらい聞き取れるでしょうか。 今回お借りした素材 写真：Wikipedia Download MP3 （16:32　9.6MB　初級～中級）An Interesting Russian City ***オープニングに登場する固有名詞・重要語句*** ※いずれも英語の発音に注意。 Tomsk = トムスク（ロシア連邦・シベリア西部の都市） Siberia = シベリア Saint Petersburg = サンクトペテルブルグ ※米国フロリダ州の都市、セントピーターズバーグと綴りも発音も同じ。 Moscow = モスクワ Vladivostok = ウラジオストク Novosibirsk = ノボシビルスク（ロシア第三の都市） quaint = 趣のある *** It's a Good Expression *** （今回の重要表現） It's a piece of cake = It's easy. man = （男性に対する呼びかけ）ねえ、君 architecture = 建築物 to dominate = 支配する、そびえ立つ to have a (particular) fondness for 〜 = 〜が特に好きな on-line journey = ホームページに掲載されている案内図 potential visitor = 行きたいと思っている人たち obscure = 無名の a log hut/cabin = ログハウス better than anything else = 最高の last but not least = 最後にこれも重要だが ※First, ... Second, ...などと列挙した後、最後のものに付ける。 vocation = 職業 ※by vocationで「本職として、本来訓練を受けて」 ***エンディングに登場する固有名詞*** ※いずれも英語の発音に注意。 State Hermitage Museum = エルミタージュ美術館 Saint Basil's Cathedral = 聖ワシリイ大聖堂 ※モスクワ・赤の広場（Red Square）にあるロシア正教会大聖堂。 Rimsky-Korsakov = ニコライ・リムスキー＝コルサコフ（19世紀ロシアの作曲家） "Scheherazade" = 「シェヘラザード」（リムスキー＝コルサコフの代表作） Sergei Rachmaninov = セルゲイ・ラフマニノフ（19-20世紀ロシアの作曲家） "Concerto No.2" = ラフマニノフの「ピアノ協奏曲第２番」（1908初演） Tchaikovsky = チャイコフスキー（19世紀ロシアの作曲家） *** Script *** (Slow speed) 02:55-05:30 (Natural speed) 11:35-13:30 An Interesting Russian City W: So, what would you like to know about Tomsk? M: Anything, really. But mostly, are there any cool places to go to? W: Of course there are! Tomsk is a pretty unique place, man, with its wooden architecture dominating the city centre. And there are tons of universities, so one out of five people in the whole city is a student! M: I see! W: However, I have a particular fondness for a place called "2 plus Koo". M: Knowing you, it's probably a bar, right? Or a game center? Or both! W: Wrong! It's a theatre. Though I can tell you a few things about bars and game centers in Tomsk! M: No, thanks. So, what about that theatre? W: First of all, it's extremely hard to find. They have a special "on-line journey" section on their website to help potential visitors. Of course, they have a map too, but that's not quite as useful. M: An obscure location is a good sign for an art object, isn't it? W: Yeah. Next, the theatre's building is shaped like a huge log hut, or "izba", as we call it. M: A log hut? Nice! I guess it helps to create a theater atmosphere? Does it also keep you warm in winter? W: Better than anything else! Last but not least, listen to this: all the actors in the theatre are robot dolls, controlled by a computer. M: Err, what? W: The owner of "2 plus Koo" is a graduate of Tomsk Polytechnic University. He's an engineer of robotics by vocation. After working for the State Puppet Theatre, he decided to create his own theater. He made all of the dolls, their costumes, music, controlling programmes, everything! M: Wow, unbelievable! I definitely wanna go there. How far away is Tomsk from Saijo, again? W: Um… About 3,500 kilometers or so. A piece of cake, right?! (Written by Dmitry Mamchur)

今回はロシアを題材とした会話の第二回目です。本日登場するのはシベリア西部の街トムスク（Tomsk）。ここは人口の５人に１人が若者という、活気にあふれた街のようです。そんなトムスク出身の女性が男性に、現地のおすすめスポットとして"2 plus Koo"という場所を勧めています。ここはいったい、どのような場所なのでしょうか・・・。 ところで、ロシアは数々のすぐれた作曲家を輩出した国ですね。番組ではJoeがロシアの有名な地名や作曲家の名前を挙げていますが、皆さんはどのぐらい聞き取れるでしょうか。 今回お借りした素材 写真：Wikipedia Download MP3 （16:32　9.6MB　初級～中級）An Interesting Russian City ***オープニングに登場する固有名詞・重要語句*** ※いずれも英語の発音に注意。 Tomsk = トムスク（ロシア連邦・シベリア西部の都市） Siberia = シベリア Saint Petersburg = サンクトペテルブルグ ※米国フロリダ州の都市、セントピーターズバーグと綴りも発音も同じ。 Moscow = モスクワ Vladivostok = ウラジオストク Novosibirsk = ノボシビルスク（ロシア第三の都市） quaint = 趣のある *** It's a Good Expression *** （今回の重要表現） It's a piece of cake = It's easy. man = （男性に対する呼びかけ）ねえ、君 architecture = 建築物 to dominate = 支配する、そびえ立つ to have a (particular) fondness for 〜 = 〜が特に好きな on-line journey = ホームページに掲載されている案内図 potential visitor = 行きたいと思っている人たち obscure = 無名の a log hut/cabin = ログハウス better than anything else = 最高の last but not least = 最後にこれも重要だが ※First, ... Second, ...などと列挙した後、最後のものに付ける。 vocation = 職業 ※by vocationで「本職として、本来訓練を受けて」 ***エンディングに登場する固有名詞*** ※いずれも英語の発音に注意。 State Hermitage Museum = エルミタージュ美術館 Saint Basil's Cathedral = 聖ワシリイ大聖堂 ※モスクワ・赤の広場（Red Square）にあるロシア正教会大聖堂。 Rimsky-Korsakov = ニコライ・リムスキー＝コルサコフ（19世紀ロシアの作曲家） "Scheherazade" = 「シェヘラザード」（リムスキー＝コルサコフの代表作） Sergei Rachmaninov = セルゲイ・ラフマニノフ（19-20世紀ロシアの作曲家） "Concerto No.2" = ラフマニノフの「ピアノ協奏曲第２番」（1908初演） Tchaikovsky = チャイコフスキー（19世紀ロシアの作曲家） *** Script *** (Slow speed) 02:55-05:30 (Natural speed) 11:35-13:30 An Interesting Russian City W: So, what would you like to know about Tomsk? M: Anything, really. But mostly, are there any cool places to go to? W: Of course there are! Tomsk is a pretty unique place, man, with its wooden architecture dominating the city centre. And there are tons of universities, so one out of five people in the whole city is a student! M: I see! W: However, I have a particular fondness for a place called "2 plus Koo". M: Knowing you, it's probably a bar, right? Or a game center? Or both! W: Wrong! It's a theatre. Though I can tell you a few things about bars and game centers in Tomsk! M: No, thanks. So, what about that theatre? W: First of all, it's extremely hard to find. They have a special "on-line journey" section on their website to help potential visitors. Of course, they have a map too, but that's not quite as useful. M: An obscure location is a good sign for an art object, isn't it? W: Yeah. Next, the theatre's building is shaped like a huge log hut, or "izba", as we call it. M: A log hut? Nice! I guess it helps to create a theater atmosphere? Does it also keep you warm in winter? W: Better than anything else! Last but not least, listen to this: all the actors in the theatre are robot dolls, controlled by a computer. M: Err, what? W: The owner of "2 plus Koo" is a graduate of Tomsk Polytechnic University. He's an engineer of robotics by vocation. After working for the State Puppet Theatre, he decided to create his own theater. He made all of the dolls, their costumes, music, controlling programmes, everything! M: Wow, unbelievable! I definitely wanna go there. How far away is Tomsk from Saijo, again? W: Um… About 3,500 kilometers or so. A piece of cake, right?! (Written by Dmitry Mamchur)

Donald Macleod explores the life and work of the Russian composer, pianist and conductor Sergei Rachmaninov

Here's the 2nd installment of the Peace & Quiet series. Some deeper moods betwixt songs played with ease. A breezy finale closes out this collection and it's a reprise. You'll hear more from Thelonious Monk, Claudio Arrau, Art Tatum, Reinbert de Leeuw, Dave McKenna, Andre Previn, Yann Tiersen, Alessandra Celletti, Gonzales, & Sergei Rachmaninov as well as an opening composition by Nico Muhly and introduction of Fred Hersch's virtuosity to this collection. Classical works of Beethoven and Debussy intermingle with Jazz standards like Sweet and Lovely & Night and Day. Not much more to say, other press play and float away. & please remember to play at 1/2 the volume that you are used to. A Hudson Cycle - Nico Muhly Moonlight Sonata - Ludwig Van Beethoven ? So In Love - Fred Hersch Thirteen Preludes Op. 32: No. 5 In G - Sergei Rachmaninoff Antonia - Stefano Bollani Night And Day - Andre Previn Overnight - Gonzales Nocturne No. 17 in B, Op. 62 - Claudio Arrau The Golden Fly Three - Alessandra Celletti C.M. Blues - Gonzales Time On My Hands - Art Tatum Ruby, My dear - Thelonious Monk If I Had You - Benny Weinbeck It's The Talk Of The Town - Art Tatum Chang'an - Alessandra Celletti Comptine D'un Autre Ete L'apres-Midi - Yann Tierson Sweet And Lovely - Dave McKenna Peace & Quiet I http://djqoolmarvsounds.podomatic.com/entry/2008-07-01T13_45_08-07_00 Peace & Quiet III http://djqoolmarvsounds.podomatic.com/entry/2010-08-12T03_16_10-07_00

Among the reasons for compiling these songs are my Mom’s love of the sound of the piano, a serene atmosphere for my resting boy, and the soundtrack for my contemplation during the wee hours of the morning. When you DJ, your musical imagination is full of clever segues. When you love music, you’re never without songs. When you play music for people’s enjoyment, your mind is on how you’ll bring together everybody’s jams, create a vibe and move the crowd. Within crafty DJs, daydreaming in stereo is a constant. With all of that going on in your mind all of the time, and, let’s face it, music’s allure just won’t allow you to turn it off, you need Peace & Quiet. When listening to solo piano music, at last, I’m not thinking about the next mix. My mind relaxes into a mode of appreciation. Piano is an essential musical instrument, a root in the world of sound. Whether at home, the church, or singing America the Beautiful in public school, we’ve all accompanied the piano. The piano has always stuck with me. Over two years, I listened to approximately 1,800 solo piano performances amid the realms of Classical and Jazz music. I’ve loved Jazz since I was a teen, I used to listen to it while hauling lumber or doing landscaping because I never knew when the songs would end and that helped to pass the time quickly. Ten 6-minute long Jazz songs, that’s an hour. I had a tape, the soundtrack to a film called ‘Round Midnight, starring Dexter Gordon, which was with me on the bus, the El (Philadelphia's subway), alone in my room at home, Pop’s car, everywhere all the time and on auto reverse. This 1986 film won the Academy Award for Best Music and Original Score. Herbie Hancock on piano, Dexter Gordon on tenor sax, Ron Carter on bass and Tony Williams on drums, John McLaughlin on guitar, Bobby Hutcherson on vibes, Wayne Shorter on saxes, Freddie Hubbard on trumpet, Cedar Walton on piano, Billy Higgins on drums, Pierre Michelot on bass, and Bobby McFerrin on vocals. Curious about what represents a standard in Jazz as a beautifully human genre featuring master musicians? Commence your exploration with ‘Round Midnight. On that soundtrack, Herbie Hancock and Bobby Hutcherson’s "Minuit Aux Champs-Elysées" was the song that drew my focus toward the musician’s playing. Since only piano and vibes, it was easier to hear Herbie and Bobby’s playing, and I could hear, because I knew that they were improvising, what seemed to me as their brains in motion. Thinking in the present and future while playing at same time is very attractive to my ears. Your ideas begin in your mind, in your imagination, and they are uniquely yours – you unbridled. This combination of Jazz and Classical pianists juxtaposes easy going compositions played to form and played freely. Each pianist is legendary and the performances of standards and their own compositions are exquisite. Play quietly and enjoy the excursions into their minds and yours. Qool DJ Marv presents Peace & Quiet Intersecting Introspective Solo Performances of Classical & Jazz Piano Virtuosos A Beats, Jazz, & Soul Special Relax & Unwind Edition 1. Alessandra Celletti - Gymnopédies n° 1 2. Bill Evans - Peace Piece 3. Reinbert de Leeuw - Gnossiennes: No. 4 4. Alessandra Celletti - The Golden Fly Four 5. Sergei Rachmaninov - Lilacs (Composed in 1902) 6. Herbie Hancock - Harvest Time 7. Dave McKenna - There Will Never Be Another You (Warren-Gordon) 8. Art Tatum - Tenderly 9. Gonzales - The Tourist 10. Gonzales - Basmati 11. Andre Previn - In the Wee Small Hours of the Morning 12. Yann Tiersen - Sur le fil 13. Alessandra Celletti - Danses de Travers n°2 14. Sergei Rachmaninov - «The Swan» 15. George Gershwin - So Am I 16. Benny Weinbeck - Willow Weep for Me 17. Dave McKenna - Lucky to Be Me (Bernstein-Comden-Green) 18. McCoy Tyner - Tivoli 19. Vladimir Ashkenazy - Bagatelle in A Minor, WoO. 59 -"Für Elise" 20. Keith Jarrett - Sand, Part 3 21. Yann Tiersen - La Valse d'Amélie (piano version) 22. Thelonious Monk - Sweet and Lovely (Take 2) 23. Cedar Walton - Final Confession Peace & Quiet II http://djqoolmarvsounds.podomatic.com/entry/2009-07-02T17_23_23-07_00 Peace & Quiet III http://djqoolmarvsounds.podomatic.com/entry/2010-08-12T03_16_10-07_00

For the UC Davis Department of Music, cellist Jeffrey Solow with Ayke Agus on piano perform Sergei Rachmaninov's Vocalise, op. 34, no. 14.