Podcasts about yannick n

President Trump's tariff rollout sent shockwaves through the global economy, with the automobile industry emerging as one of the faces of the upheaval. How are local dealerships and prospective buyers bracing for the ripple effects? And over at the Philadelphia Zoo, more history was made. You've got to hear the story of the remarkable hatching of four critically endangered Western Galapagos tortoises to their century-old parents. Also, find out how the Free Library of Philadelphia is stepping up to help recently laid-off federal workers. Matt Leon and KYW Newsradio's reporters recap that and more of the biggest news in the Philadelphia region this week. 00:00 Intro 02:08 A local look at how auto tariffs could impact customers, dealers 06:46 Library offers help for laid-off federal workers 11:56 Investigation into Chester charter school yields staggering arrests 18:13 Aramark, union finally agree to new deal 23:40 Philadelphia Zoo welcomes critically endangered tortoise hatchlings 29:18 Philadelphia Orchestra conductor Yannick Nézet-Séguin makes special visit Listen to The Week in Philly on KYW Newsradio every Saturday at 5am and 3pm, and Sunday at 3pm. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

durée : 00:06:31 - Le Bach du matin du vendredi 17 janvier 2025 - Notre Bach du matin est un Bach qui divise, la toccata et fugue en ré mineur pour orgue orchestré par Leopold Stokowski. Il y a ceux qui adorent ce nouvel équilibre créé entre les voix et d'autres qui en reprochent la grandiloquence ici interprété par Yannick Nézet-Séguin.

durée : 00:06:31 - Le Bach du matin du vendredi 17 janvier 2025 - Notre Bach du matin est un Bach qui divise, la toccata et fugue en ré mineur pour orgue orchestré par Leopold Stokowski. Il y a ceux qui adorent ce nouvel équilibre créé entre les voix et d'autres qui en reprochent la grandiloquence ici interprété par Yannick Nézet-Séguin.

À demain avec Yannick !

Artiste polyvalente, Dorothéa Ventura est très active dans le milieu artistique québécois. Chanteuse, claveciniste, coach vocal, chef de chœur, danseuse et comédienne, elle s'est produite au sein des plus prestigieux ensembles québécois, canadiens et européens, sur environ 800 productions, concerts et disques, dont plusieurs ayant obtenu des Prix Opus, Prix Juno et nominations à l'ADISQ. Directrice artistique de l'ensemble Les Idées heureuses, elle a cofondé l'Ensemble ALKEMIA, ensemble vocal a cappella, finaliste au Early Music America Competition à New York et en nomination aux Prix Opus 2014 et 2015 (Meilleur concert de l'année). Avec le violoniste Olivier Brault, elle collabore à la création de l'ensemble Sonate 1704, visant à découvrir le répertoire des sonates pour violon en France au 18e siècle. Elle siège également sur le comité artistique de La Nef et dirige le Chœur Opus Novum. Elle enseigne à la Faculté de musique ancienne de l'Université McGill, à l'Université de Montréal, au Cégep de Trois-Rivières et est professeur régulière à CAMMAC. Coach vocal en privé pour chanteurs professionnels, elle a été assistante des chefs Yannick Nézet-Séguin, Hervé Niquet et Andrew Parrott sur plusieurs productions d'opéra. Suite à une solide formation de danse classique, moderne et baroque, elle devient membre de la compagnie Les Jardins chorégraphiques en 2009. Comme comédienne, Dorothéa a joué dans plusieurs courts-métrages et pièces de théâtre, dont les 150 représentations de La mélodie du bonheur, mise en scène par Denise Filiatrault. Instagram :https://www.instagram.com/laprescriptiondrfred/?hl=frFacebook :https://www.facebook.com/people/La-prescription-avec-Dr-Fred-Lambert/100078674880976/ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Letzten Sommer hat er zum dritten Mal das Lucerne Festival Orchestra dirigiert: der kanadische Star-Dirigent Yannick Nézet-Séguin. Im Gespräch erklärt er die Besonderheit dieses Orchesters, für das er als möglicher Kandidat in der Nachfolge Riccardo Chaillys gehandelt wird. Nézet-Séguin erzählt von seinen Studien: Klavier, Komposition usw. Und, dass es ihm mit der diverity ernst ist. Die Kunst müsse die Welt, in der wir leben, als Ganzes repräsentieren und nicht nur einen Ausschnitt. Denn das, so Nézet-Séguin, sei schlicht ignorant. Aktuell: Wie eine Schweizer Spieluhr Giacomo Puccini für "Madama Butterfly" auf die Sprünge half. In den Neuerscheinungen fragen wir "Who's afraid of ...?" mit der neuen CD des Boulanger-Trios, auf der ausschliesslich Komponistinnen zu finden sind. Und zur Sprache kommt ebenfalls das neue "EU Songbook" mit 164 Liedern aus 27 Mitgliedstaaten.

In this episode of One Symphony, host Devin Patrick Hughes interviews Dr. Samantha Ege, pianist and musicologist, about the life and works of Florence Price. Dr. Ege discusses Price's musical style, her significance in American classical music, and the recent rediscovery of her compositions. The conversation covers Price's role in the Chicago music scene, her blending of classical and African American musical traditions, and the challenges she faced as a Black female composer in the early 20th century. Dr. Ege also shares insights from her own recordings of Price's piano works and her upcoming scholarly publications on the composer.   Dr. Samantha Ege is a leading scholar and interpreter of the African American composer Florence Price.  Her work illuminates Price in the context of the Black Chicago Renaissance and Black women's dynamic networks of advocacy, empowerment, and uplift. Her first book, South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene, and first edited collection, The Cambridge Companion to Florence B. Price, are important culminations of the research she has shared around the world.   Dr Ege is a also concert pianist who specializes in the music of 20th and 21st century composers. Her performances bring her research to life, sounding new narratives that are so often unheard in the modern-day concert hall. Dr Ege seeks to communicate the diversity of classical music's past, present, and future through her performances, and foster a sense of belonging for everyone.   In her London debut at the 2021 London Festival of American Music she gave the world premiere of Florence Price's complete Fantasie Nègre set. In 2018, she made her international lecture-recitalist debut at the Chicago Symphony Center with her event A Celebration of Women in Music: Composing the Black Chicago Renaissance. She has performed across the UK, Europe, North America, and Southeast Asia. She has also played with the Oxford Philharmonic Orchestra, Oakland Symphony Orchestra, Arkansas Symphony Orchestra, and Yale Philharmonia.   Thank you for joining us on One Symphony. Thanks to Dr. Samantha Ege for sharing her incredible research, insights, and music-making. You can find her book, South Side Impresarios and more at https://www.samanthaege.com.   Music Selections “Weeping Willow, A Rag Time Two Step.” Composed by Scott Joplin. Performed by Benjamin Loeb on the album Scott Jopin: Piano Rags 2 from Naxos. Violin Concerto No. 2. Composed by Florence Price. Featuring Kelly Hall-Tompkins on violin with the Urban Playground Chamber Orchestra. Conducted by Thomas Cunningham. Sonata in E minor “Andante.” Composed by Florence Price. Performed by Samantha Ege. “Sketches in Sepia.” Composed by Florence Price. Performed by Samantha Ege. Symphony No. 1 in E minor: I. Allegro ma non troppo. Composed by Florence Price. Performed by The Philadelphia Orchestra. Yannick Nézet-Séguin, conductor. Available from Deutsche Grammophon. Symphony No. 3 in C minor: I. Andante – Allegro. Composed by Florence Price. Performed by The Philadelphia Orchestra. Yannick Nézet-Séguin, conductor. Available from Deutsche Grammophon. Sonata in E minor “Scherzo.” Composed by Florence Price. Performed by Samantha Ege. Fantasie Nègre No.4 in B minor. Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records. “Snapshots Moon Behind a Cloud.” Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records. Fantasie Nègre No.1 in E minor. Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records. Juba Dance from Symphony No. 3. Composed by Florence Price. Performed by the Chicago Symphony Orchestra. Ricardo Muti, conductor. Fantasie Nègre No.2 in G minor. Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records.   You can always find more info at OneSymphony.org or DevinPatrickHughes.com including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music. 

durée : 02:03:23 - Musique matin du mercredi 11 septembre 2024 - par : Jean-Baptiste Urbain - A 33 ans, le chef québécois Nicolas Ellis, formé auprès de Yannick Nézet-Séguin, assure la direction musicale de deux orchestres à Montréal. C'est pourtant les paysages bretons qui l'ont séduit : il ouvrira les 19 et 20 septembre sa première saison à la tête de l'Orchestre National de Bretagne. - réalisé par : Yassine Bouzar

durée : 00:12:35 - Le Disque classique du jour du mardi 27 août 2024 - Nouveau disque du chef d'orchestre canadien Yannick Nézet-Séguin à la direction de l'Orchestre de Chambre d'Europe, dans une version étincelante des quatre symphonies de Johannes Brahms

durée : 01:27:57 - En pistes ! du mardi 27 août 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ils sont au programme du jour ! Yannick Nézet-Séguin à la direction de l'Orchestre de Chambre d'Europe, la pianiste Catherine Collard, les musiciens Germano-Israélien de l'Else Ensemble, l'Orchestre Philharmonique de l'Oural dirigé par Dmitri Liss et le claveciniste Michel Kiener. En pistes !

durée : 01:27:57 - En pistes ! du mardi 27 août 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ils sont au programme du jour ! Yannick Nézet-Séguin à la direction de l'Orchestre de Chambre d'Europe, la pianiste Catherine Collard, les musiciens Germano-Israélien de l'Else Ensemble, l'Orchestre Philharmonique de l'Oural dirigé par Dmitri Liss et le claveciniste Michel Kiener. En pistes !

durée : 00:12:35 - Le Disque classique du jour du mardi 27 août 2024 - Nouveau disque du chef d'orchestre canadien Yannick Nézet-Séguin à la direction de l'Orchestre de Chambre d'Europe, dans une version étincelante des quatre symphonies de Johannes Brahms

Eine CD von Yannick Nézet-Séguin - vorgestellt auf NDR Kultur.

durée : 00:25:15 - Yannick Nézet-Séguin, chef d'orchestre (1/5) - par : Judith Chaine - Depuis son enfance heureuse à Montréal jusqu'à sa position actuelle de directeur musical de l'Orchestre métropolitain de Montréal, du Metropolitan Opera de New York et de l'Orchestre de Philadelphie, le pianiste et chef Yannick Nézet-Seguin raconte chaque étape de son éblouissant parcours. - réalisé par : Arnaud Chappatte

durée : 00:25:14 - Yannick Nézet-Séguin, chef d'orchestre (2/5) - par : Judith Chaine - Depuis son enfance heureuse à Montréal jusqu'à sa position actuelle de directeur musical de l'Orchestre métropolitain de Montréal, du Metropolitan Opera de New York et de l'Orchestre de Philadelphie, le pianiste et chef Yannick Nézet-Seguin raconte chaque étape de son éblouissant parcours. - réalisé par : Arnaud Chappatte

durée : 00:25:18 - Yannick Nézet-Séguin, chef d'orchestre (3/5) - par : Judith Chaine - Depuis son enfance heureuse à Montréal jusqu'à sa position actuelle de directeur musical de l'Orchestre métropolitain de Montréal, du Metropolitan Opera de New York et de l'Orchestre de Philadelphie, le pianiste et chef Yannick Nézet-Seguin raconte chaque étape de son éblouissant parcours. - réalisé par : Arnaud Chappatte

durée : 00:25:18 - Yannick Nézet-Séguin, chef d'orchestre (4/5) - par : Judith Chaine - Depuis son enfance heureuse à Montréal jusqu'à sa position actuelle de directeur musical de l'Orchestre métropolitain de Montréal, du Metropolitan Opera de New York et de l'Orchestre de Philadelphie, le pianiste et chef Yannick Nézet-Seguin raconte chaque étape de son éblouissant parcours. - réalisé par : Arnaud Chappatte

durée : 00:25:15 - Yannick Nézet-Séguin, chef d'orchestre (5/5) - par : Judith Chaine - Depuis son enfance heureuse à Montréal jusqu'à sa position actuelle de directeur musical de l'Orchestre métropolitain de Montréal, du Metropolitan Opera de New York et de l'Orchestre de Philadelphie, le pianiste et chef Yannick Nézet-Seguin raconte chaque étape de son éblouissant parcours. - réalisé par : Arnaud Chappatte

[@ 2 min] FOS Francesca Zambello and composer Christopher Tin recently changed the ending of "Turandot" at the Kennedy Center. We're taking a page from their book to see what problematic productions might also be in need of a refreshed finale... [@ 20 min] And then... PJ files two ecstatic field reports from the Met: one is a rock concert and the other is all about the Boy... [@ 24 min] Plus, in the ‘Two Minute Drill'… stories about Beethoven's hair and Yannick Nézet-Séguin's heart... GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

Diese Aufnahme der Sinfonien Nr. 2 und 5 zeigt, dass nicht immer alles glänzen muss, um am Ende ehrlich zu klingen.

When Chloé Robichaud decided to depict the world of conducting for her new film, “Days of Happiness,” she asked the acclaimed Canadian conductor Yannick Nézet-Séguin to help her get it right. The film follows a female conductor looking to break through the glass ceiling of classical music while also breaking away from the control of her abusive father, who's also her agent. Both Chloé and Yannick sit down with Tom to talk about “Days of Happiness,” the cycle of abuse that can haunt families for decades, and how you can tell when an actor playing a conductor is faking it.

Welcome to Season 03 Episode 12 - the "Spring Ahead" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Dr. Robert Strauss, voice faculty member at the SUNY Fredonia School of Music; Ms. Diane Andrasik, City Historian for the city of Dunkirk; and comedian Tammy Pescatelli. Notes from the Aisle Seat is available from most of your favorite podcast sites, including Apple Podcast, Google Podcast, Stitcher, Spotify, and Amazon Prime Music, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Dr. Robert Strauss/Live at the Met  01:38 Ms. DIane Andrasik/Chautauqua County Lecture Series  21:19 Arts Calendar 40:36 Tammy Pescatelli  43:20 Media Songs without Words, Book 5, No. 6 "Spring Song" MWV U 161, Felix Mendelssohn, composer, 1841 La Forza del Destino: “Son giunta! Grazie, o Dio! … Madre, madre pietosa Vergine”, Giuseppe Verdi, composer; performed at the Metropolitan Opera House March 2024 by Lise Davidsen, soprano; Yannick Nézet-Séguin, conductor Hej, sokoly; Polish folk song attributed to composer Maciej Kamieński (1734-1825) Tarantella Napoletana; traditional Italian tarantella, author unknown Ran Kan Kan; Tito Puente, composer, performed by Tito Puente and his orchestra, 1948 Spring Charm, composed and performed by Adrian von Ziegler, 2012 excerpt from "More Funny Women of a Certain Age", Showtime Special, May 19, 2020 "Traditional Medley", performed by Natalie McMaster, fiddle; Bela Fleck, banjo; from the album Yours Truly, October 10, 2006. Artist Links Dr. Robert Strauss Ms. Diane Andrasik Tammy Pescatelli BECOME AN OPERA HOUSE MEMBER!      

In his Oscar-nominated biopic Maestro, Bradley Cooper was determined not to imitate the legendary Leonard Bernstein. Instead, the actor worked with conductor Yannick Nézet-Séguin to find his own rhythm. They spoke with Terry Gross about conducting, Bernstein's legacy, and playing with batons when they were kids. Also, Justin Chang reviews Italy's submission for best foreign film, Io Capitano.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In his Oscar-nominated biopic Maestro, Bradley Cooper was determined not to imitate the legendary Leonard Bernstein. Instead, the actor worked with conductor Yannick Nézet-Séguin to find his own rhythm. They spoke with Terry Gross about conducting, Bernstein's legacy, and playing with batons when they were kids. Also, Justin Chang reviews Italy's submission for best foreign film, Io Capitano.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Jess Gillam meets violist Jordan Bak to share some of their favourite music.Jamaican-American violist Jordan Bak is a proud new music advocate – he's performed world premieres of works by composers including Kaija Saariaho and Augusta Read Thomas. His debut album IMPULSE was released in 2022 and he's performed with orchestras including London Mozart Players. His musical picks include works by Florence Price, reggae singer Koffee, and Benjamin Britten, whilst Jess has chosen a classic Radiohead track and Stokowski's take on Bach.PLAYLIST:FLORENCE PRICE – String Quartet No 2 in A minor (3rd mvt, Juba) [Catalyst Quartet] FANNY MENDELSSOHN - Schluss [Heather Schmidt (piano)] PALACE – Live Well JOHANN SEBASTIAN BACH, ARR LEOPOLD STOKOWSKI – Passacaglia And Fugue in C minor, BWV 582 [Philadelphia Orchestra, Yannick Nézet-Séguin (conductor)] KOFFEE – Toast RADIOHEAD – House of Cards BENJAMIN BRITTEN – Night Piece “Notturno” [Stephen Hough (piano)]

Tom Service speaks to the conductor Yannick Nézet-Séguin, Music Director of the Montreal Philharmonic, the Philadelphia Orchestra, and the Metropolitan Opera in New York. He is one of the starriest and most sought-after conductors in the world. also one of the most loved by the musicians who work with him. Nézet-Séguin is guest conductor to some of the world's top orchestras, like the Vienna Philharmonic, the Chamber Orchestra of Europe and the Berlin Philharmonic, and he has recorded cycles of symphonies by Brahms, Beethoven and Bruckner, plus operas by Mozart, Gounod and Wagner. Alongside the core repertoire, he's on a mission to perform new works that represent all of society and thereby draw new audiences to the orchestras that he leads and the Metropolitan Opera in New York. He tells Tom about the richly fulfilling experiences of putting on Terence Blanchard's Fire Shut up in My bones and Kevin Puts' The Hours, and how these two new operas are both bringing in audiences who have never been to the MET before, whilst also refreshing the cherished classics traditionally staged there. 2024: what does the new year hold for the musical scene? What's the impact of cuts across classical music, from education in schools to opera companies, and what are the opportunities of the moment for those who run our orchestras and lead music education? Tom Service convenes a Music Matters counsel of musical sages to discuss their thoughts of the state of music as we step into 2024: Sophie Lewis, Chief Executive of the National Children's Orchestras and Chair of the Association of British Orchestras; Gillian Moore, Artistic Associate of the South Bank Centre in London, writer and consultant; and Phil Castang, Chief Executive of Music for Youth.

Bradley Cooper talks about writing, directing, and starring in the new film Maestro, in which he portrays conductor and composer Leonard Bernstein. Also with us is conducting consultant Yannick Nézet-Séguin, who conducts the Philadelphia Orchestra and the Metropolitan Opera Orchestra. The film focuses on Bernstein's music and his relationship with his wife, including the friction caused by his affairs with men. Also, we hear from restaurateur Rose Previte, author of the new cookbook Maydān: Recipes from Lebanon and Beyond. And Justin Chang reviews Memory, starring Peter Sarsgaard and Jessica Chastain.

Bradley Cooper talks about writing, directing, and starring in the new film Maestro, in which he portrays conductor and composer Leonard Bernstein. Also with us is conducting consultant Yannick Nézet-Séguin, who conducts the Philadelphia Orchestra and the Metropolitan Opera Orchestra. The film focuses on Bernstein's music and his relationship with his wife, including the friction caused by his affairs with men. Also, we hear from restaurateur Rose Previte, author of the new cookbook Maydān: Recipes from Lebanon and Beyond. And Justin Chang reviews Memory, starring Peter Sarsgaard and Jessica Chastain.

In his new biopic Maestro, Bradley Cooper was determined not to imitate the legendary Leonard Bernstein. Instead, the actor worked with conductor Yannick Nézet-Séguin to find his own rhythm. They spoke with Terry Gross about conducting, Bernstein's legacy, and playing with batons when they were kids.

Directed, written, produced by, and starring Bradley Cooper in the title role, opposite Carey Mulligan, Maestro is a towering and fearless love story chronicling the lifelong relationship between Leonard Bernstein and Felicia Montealegre Cohn Bernstein. A love letter to life and art, Maestro at its core is an emotionally epic portrayal of family and love. Deutsche Grammophon is delighted to be releasing the original soundtrack album for the movie, which has already garnered widespread critical acclaim. All the music in the film was chosen by Cooper, and the new recordings on the soundtrack were made by the London Symphony Orchestra and Yannick Nézet-Séguin, who also worked closely with the actor-director as conducting consultant before and throughout the film-making process.The tracklist was not included in this submission to us.Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

In his new biopic Maestro, Bradley Cooper was determined not to imitate the legendary Leonard Bernstein. Instead, the actor worked with conductor Yannick Nézet-Séguin to find his own rhythm. They spoke with Terry Gross about conducting, Bernstein's legacy, and playing with batons when they were kids.

In this episode, we discuss recordings of “Bach & l'Italie” (Alpha) by Justin Taylor, “Augustin Barrios: El Bohemio” (Erato) by Thibaut Garcia, “Florence Price: Symphony No. 4 — William Dawson: Negro Folk Symphony” (Deutsche Grammophon) by The Philadelphia Orchestra /Yannick Nézet-Séguin, “Mouth Games” (Storyville Records) by The Mathias Heise Quintet, “Homage” (Cellar Live) by Michael Weiss, and “Seven Colors” (Privave Records) by Elmar Frey.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 141 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Bach & l'Italie” (Alpha) Justin Taylor https://open.spotify.com/album/1TpfWe6N5jm0mADItVZK2B https://music.apple.com/us/album/bach-litalie/1699361463   “Augustin Barrios: El Bohemio” (Erato) Thibaut Garcia https://open.spotify.com/album/5znYPBoDbkv2f5TKCFHzro https://music.apple.com/us/album/agustín-barrios-el-bohemio/1696102928   “Florence Price: Symphony No. 4 — William Dawson: Negro Folk Symphony” (Deutsche Grammophon) Philadelphia Orchestra, Yannick Nézet-Séguin https://open.spotify.com/album/6MmJfpYC6QbEPLpiwqdaPd https://music.apple.com/us/album/florence-price-symphony-no-4-william-dawson-negro-folk/1700948867   “Mouth Games” (Storyville Records) Mathias Heise Quintet https://open.spotify.com/album/0Af94x7nItQxWasQWDKlLd https://music.apple.com/us/album/mouth-games-feat-thomas-fonnesbæk-jeppe-gram-pelle/1702191237   “Homage” (Cellar Live)  Michael Weiss https://open.spotify.com/album/458ONphiRsLUfdiJbGz0SU https://music.apple.com/us/album/homage/1697538511   “Seven Colors” (Privave Records) Elmar Frey https://open.spotify.com/album/4nyOHxNsiyWYBK5DR7R0ZC https://music.apple.com/us/album/seven-colors/1712673247   Be sure to check out: "Same Difference: 2 Jazz Fans, 1 Jazz Standard" Johnny Valenzuela and Tony Habra look at several versions of the same Jazz standard each week, play snippets from each version, discuss the history of the original and the different versions.

All Classical Radio's program director, John Pitman, chats with American violinist Randall Goosby about his second album with Decca Classics. The dynamic young soloist brings freshness to a concerto he first encountered as a teenager: Max Bruch's Violin Concerto No. 1, and shimmering performances of Florence Price's two Violin Concertos, with the Philadelphia Orchestra and Yannick Nézet-Séguin. There's also a wonderful arrangement of Price's piece, Adoration, arranged especially for the Philadelphia's string section. Learn more on the All Classical Arts Blog: https://www.allclassical.org/pitman-review-goosby-concertos/

The architecture world lost a giant when the distinguished Uruguayan architect Rafael Viñoly died earlier this year at the age of 78. For four decades, Viñoly led his global architecture firm to international renown, bringing to life everything from airports to hospitals, sports stadiums, and performing arts centers — including one very close to my heart, Philadelphia's Kimmel Center. Having lived in the Philly area for many years prior to moving to New York, I've attended countless performances at the Kimmel Center. I've always been inspired by how the sprawling public space invites people to come together for drinks, conversation, and community even if you're not there for a concert. According to Viñoly's son Román, director of Rafael Viñoly Architects, creating vibrant social spaces was always part of his father's mission. "He looked at his work as something that invariably had a profoundly civic dimension," Román says on the latest episode of the Classical Post podcast. "He recognized that buildings are very capital intensive, so he always found ways to leverage those enormous investments into developing public amenities — grand, inspiring spaces that people want to spend time in. That ethical approach permeates his work throughout the world." Outside of architecture, Rafael Viñoly had another passion: classical music. So it's fitting that a concert paying tribute to the architect's life and legacy is taking place next week at Carnegie Hall — where for decades Viñoly attended several concerts every week.  On November 28, two ensembles that perform in Viñoly-designed spaces — the Philadelphia Orchestra, under the direction of Yannick Nézet-Séguin, and Jazz at Lincoln Center's Isaiah J. Thompson Trio — will share the stage at Stern Auditorium with violinist Itzhak Perlman and pianist Jonathan Biss for an evening of music honoring Viñoly.In this episode, Román and I talk more about his father's life, the work the Viñoly Foundation is doing to extend Rafael's legacy in architecture and the arts, and how the Carnegie concert also marks the first U.S. appearance of the Maene-Viñoly Concert Grand Piano — an innovative, ergonomically designed piano Rafael helped create. — ⁠⁠⁠⁠Classical Post⁠⁠⁠⁠® is a leading podcast based in New York. Our content uncovers the creativity behind exceptional music through dynamic deep-dive interviews with prominent artists in the world today. We are powered by ⁠⁠⁠⁠Gold Sound Media⁠⁠⁠⁠® — a creative studio providing omnichannel marketing and public relations services for the classical music industry.

Three-time Grammy Award-winning pianist and conductor Yannick Nézet-Séguin is the Music and Artistic Director of the Philadelphia Orchestra, Artistic Director and Principal Conductor of the Orchestre Métropolitain, and Music Director (aka David's boss) at The Metropolitan Opera where he's just the third person to hold this position in the company's long 140-year history. In the episode—recorded backstage at Carnegie Hall—Yannick discusses the primary role of a conductor, his calm and friendly demeanor while on the podium (spoiler: he doesn't know how to be mean!), how he became inspired to conduct at age 10, and why he reclaimed his love for the piano during the pandemic. Yannick shares the importance of taking every opportunity to perform seriously and his deep belief that music can connect and transform anyone who listens.Check out Yannick Nézet-Séguin on Instagram, Facebook, Twitter, Spotify, Apple Music, or the web.Follow Speaking Soundly on Instagram.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram and the web.Photograph of Yannick by George Etheredge.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

In the thirty-fifth year of his career, Daniel Sumegi has sung over one hundred operatic roles on many of the world's major stages – including the Metropolitan Opera, San Francisco Opera, Los Angeles Opera, Washington National Opera, Seattle Opera, as well as at Opera Australia.  He has also appeared in the opera houses of Bonn, Cologne, Frankfurt and Hamburg, as well as Paris, Barcelona, Tokyo, Hong Kong, Los Angeles and Houston among many others. Regarded also for his dynamic acting, his broad repertoire encompasses all periods of music – from Monteverdi and Mozart to Britten, Tippett and Puts.  Equally comfortable as Strauss' Baron Ochs, Mozart's Sarastro and Commendatore, Verdi's Grand Inquisitor and Sparafucile, Offenbach's Four Villains or Puccini's Scarpia, he has participated in Ring Cycles in New York, Los Angeles, San Francisco, Strasbourg, Cologne, Tokyo, Buenos Aires, Seattle, Melbourne and Adelaide, most notably as Hagen.  He has additionally performed Hunding in concert for the Hong Kong, Atlanta, Stuttgart and Melbourne Symphony Orchestras. Daniel's 2021/2022 engagements included Die Walküre (Singapore), Salome (Victorian Opera), Fidelio (Dublin) and Bluebeard's Castle, Aida and Lohengrin (Opera Australia). Among other roles, he has sung Die Meistersinger von Nürnberg (Pogner) for Opera Australia, Salome (Jochanaan) for New Israeli Opera, Der fliegende Holländer (title role) for Malmö Opera in Sweden and Carmen (Zuniga) for Seattle Opera.  He also undertook his music theatre debut, as Judge Turpin in Sondheim's Sweeney Todd, seen in Sydney and Melbourne.   Past highlights include Don Carlo and Madama Butterfly (Metropolitan Opera), Der Rosenkavalier (Scottish and Welsh National Opera), Luisa Miller (San Francisco), Billy Budd and Rigoletto (Los Angeles), Parsifal (Hamburg, Barcelona, Adelaide), Salome (Washington, Hamburg, Leeds, Hong Kong), Der fliegende Holländer, Aida, Beatrice and Benedict and Barbiere (Seattle), Manchurian Candidate (Minnesota, Austin), and more than 25 principal roles for Opera Australia. He has collaborated with noted conductors such as James Conlon, Sir Andrew Davis, Charles Dutoit, Dan Ettinger, Asher Fisch, Valery Gergiev, Nicola Luisotti, Sir Charles Mackerras, Yannick Nézet-Séguin, Renato Palumbo, Sir Simon Rattle, Carlo Rizzi, Donald Runnicles, Nello Santi, Sir Jeffrey Tate, Edo de Waart, Sebastian Weigle, and Simone Young. Daniel Sumegi appears on CD in Beatrice di Tenda and Seattle Opera's acclaimed Ring Cycle, and on DVD in the San Francisco Opera Production of Capriccio, Opera Australia's Don Giovanni, and the historic condensed Ring Cycle from Teatro Colón, Buenos Aires. In December, he makes his role début as Wotan/The Wanderer in OA's new production of Der Ring des Nibelungen. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

We were thrilled to have screenwriter Josh Singer, producer Kristie Macosko Krieger, Leonard Bernstein's daughter Jamie Bernstein, makeup designer Kazu Hiro, costume designer Mark Bridges, production designer Kevin Thompson, production sound mixer Steve Morrow, and Yannick Nézet-Séguin, the conducting consultant and conductor for new recordings and Music Director of The Metropolitan Opera, discuss their work on Bradley Cooper's Maestro, the Spotlight Gala selection of NYFF61, with NYFF Main Slate committee member Justin Chang. In his directorial follow-up to A Star Is Born, Bradley Cooper dramatizes the public and private lives of legendary musician Leonard Bernstein with sensitivity, visual ingenuity, and symphonic splendor. Coasting on the boundless energy of its subject's runaway genius, Maestro transports the viewer back to a vividly re-created postwar New York, when Bernstein (Cooper) began his stratospheric rise to international fame as both a conductor and composer, and also when he first met Felicia (Carey Mulligan), the actress whom he would marry and spend his life with. Maestro is a tender, often intensely emotional film about the different faces one wears when living in the public eye, depicting the complicated yet devoted decades-spanning relationship between Leonard and Felicia. Fueled by Cooper and Mulligan's perfectly matched duet of towering performances, Matthew Libatique's balletic cinematography, and, of course, Bernstein's thrilling music, Maestro is a tour de force for its director. A Netflix release. Don't forget to mark your calendars: Maestro opens in theaters on November 22 and on Netflix December 20. Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis by visiting filmlinc.org/tix.

We're back with a full season of inspiring conversations featuring Grammy nominated singer-songwriter and pianist Regina Spektor, Grammy nominated violinist Midori, the three-time Grammy Award-winning conductor and pianist Yannick Nézet-Séguin, and many more! Follow Speaking Soundly on Instagram.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram or the web.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This trailer has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Ray Epps is notorious among consumers of right-wing media as the man who initiated the Jan. 6 attack to undermine President Trump. The United States is in the middle of a maternal health crisis – a woman in the U.S. is twice as likely to die from pregnancy today than her mother was a generation ago. Correspondent Jon Wertheim interviews conductor Yannick Nézet-Séguin, music director of three major orchestras: in Philadelphia, in his hometown of Montreal and at the Metropolitan Opera in New York, which has tasked him with the bold revamping of its artistic mission. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Philharmonic, conducted by Yannick Nézet-Séguin with Mezzo-soprano Elina Garanca as soloist. The Summer Night Concert was performed this year on June 8th, 2023. It is an annual open-air event, which has been held since 2008. The park of Schönbrunn Palace in Vienna/Austria is the magical setting for the concert. The illustrious conductors who have previously led the orchestra at this event are Georges Prêtre, Daniel Barenboim, Franz Welser-Möst, Lorin Maazel, Christoph Eschenbach, Zubin Mehta, Semyon Bychkov, Gustavo Dudamel, Daniel Harding, and Andris Nelsons.1. Georges Bizet, Suite Nr. 1 aus der Oper Carmen (Arrangement Ernest Guiraud 1885)             Nr. 5. Les Toréadors (Vorspiel zum 1. Akt)             Nr. 2. Intermezzo (Vorspiel zum 3. Akt)             Nr. 1a. Aragonaise (Vorspiel zum 4. Akt) 2. Georges Bizet, Habanera aus der Oper Carmen3. Lili Boulanger, D‘un matin de printemps. Fassung für Orchester 19184. Hector Berlioz, Ouvertüre zur Oper Le Corsaire op. 215. Charles Gounod, „O ma lyre immortelle“ Arie aus der Oper Sapho6. Maurice Ravel, Daphnis et Cloé. Suite Nr. 27. Camille Saint-Saëns, „Mon cœur s'ouvre à ta voix” Arie aus der Oper Samson et Dalila8. Maurice Ravel, BoleroHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Yannick Nézet-Séguin ist ein Meister der Balance: Er treibt sein Philadelphia Orchestra mit Verve an, doch die Zügel entgleiten ihm nie.

I'm really spoiling you lot this week, with reviews of no fewer than five delicious versions of the famous flute solo from Ravel's Daphnis et Chloé! Following on from last week's episode, we go straight into the deep end and talk about my personal top 5 recordings. We'll analyse them on 3 criteria (The Scale, The MoneyMaker Moment and Unique Points) before you get to hear a wee clip from each to make your own minds up.I also briefly talk about the assault scandals in classical music, and give you a handy way to listen, guilt-free (or at least with less guilt), to recordings by problematic musicians.The full titles of the recordings are below, as well as the chapters so you can skip to your favourite one.And as always, if you enjoyed the episode, hit met up on my socials, I'd love to hear from you;Instagram: @garethhouston_fluteFacebook: @GarethHoustonFluteTikTok: @GarethHoustonFluteSlainte,Gareth xChapters0:00 - What's coming up this week2:20 - Jimmy Galway and Pahud, MIA4:06 - A note on problematic musicians7:54 - 5th place, Paul Edmund-Davies13:58 - Edmund-Davies clip14:33 - 4th place, Stefanie Faust19:38 - Faust clip20:16 - 3rd place, Ulla Miilmann26:13 - Miilmann clip26:47 - 2nd place, Juliette Hurel31:12 - Hurel clip31:46 - 1st place, Magali Mosnier39:33 - Mosnier clip40:08 - Merci's and smoochesRecording Number 5:Flute: Paul Edmund-DaviesLondon Symphony Orchestra conducted by Claudio AbaddoAlbum: Ravel: Daphnis et ChloeYear: 1986Recording Number 4:Flute: Stefanie FaustSinfonieorchester Aachen conducted by Kazem AbdullahAlbum: Ravel; Daphis et ChloéYear: 2017Recording Number 3:Flute: Ulla MiilmanThe Danish National Symphony Orchestra conducted by Matthias PintscherVideo on YouTube on Ulla Miilmans account, titled "Flute solo from Daphis et Chloé"Recording Number 2:Flute: Juliette HurelThe Rotterdam Philharmonic Orchestra conducted by Yannick Nézet-SéguinAlbum: Ravel: Daphis et Chloé et pavane pour une enfante défunteYear: 2015Recording Number 1:Flute: Magali MosnierOrchestre philharmonique de Radio France conducted by Myung-whun ChungAlbum: Ravel: Daphis et ChloéYear: 2005 Hosted on Acast. See acast.com/privacy for more information.

"Every time on stage when we connect with the choral music and I see the students moved or touched by choral music, that's the moment I fall in love with choral music. The love of choral music is affirmed again and again by the connection you make with these humans and the music."Xiaosha Lin is currently assistant professor and director of choral activities at Whitworth University in Spokane, Washington. Prior to her appointment at Whitworth, she served as Director of Choral Activities at the University of Toledo and Assistant Conductor at Hong Kong Baptist University.Known as a dynamic conductor with her engaging rehearsal approach and expressive conducting, Lin was selected as a conducting fellow in several prestigious programs where she worked with Simon Carrington, Edith Copley, David Hayes, and Lucinda Carver. She was one of the semi-finalists in the national ACDA Graduate Student Conducting Competition in Kansas City, MO. As a chorister, she has performed regularly at the Kimmel Center, Carnegie Hall, and Lincoln Center under the batons of Yannick Nézet Séguin, Alan Gilbert, Simon Rattle, and Jane Glover. Lin is a sought-after conductor, adjudicator, and choral clinician in both the U.S. and China, where she was invited to workshops and clinics for all levels of choirs. She has frequently adjudicated in middle and high school choral festivals in Pacific Northwest and Midwest regions. Lin's international background makes her an open-minded, sensitive, and well-rounded musician and educator. She is committed to creating a diverse and inclusive community through choral music. She recently received the Inclusive Excellence Faculty Award for the 2022-2023 academic year at Whitworth University and currently serves as a member of the Diversity Initiative Committee at WA-ACDA.Lin received her Doctor of Musical Arts in Choral Conducting at Michigan State University, Master of Music in Choral Conducting at Westminster Choir College, Master of Arts in Music at Hong Kong Baptist University (Hong Kong), and Bachelor of Music Education at Xinghai Conservatory of Music (China).   To get in touch with Xiaosha, you can find her on Instagram (@xiaosha_lin) or email her at xlin@whitworth.edu. Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace HudsonPracticing Connection: Working together to help families and communities thrive.Jessica Beckendorf and Bob Bertsch host this exploration of personal and collective...Listen on: Apple Podcasts Spotify Teaching While Queer PodcastTeaching While Queer Podcast is a space for LGBTQIA+ educators, administrators, and...Listen on: Apple Podcasts Spotify

The recording is an impressive collaboration with the Grammy Award-winning partnership of Yannick Nézet-Séguin and the Philadelphia Orchestra cementing Goosby's ever-growing stature as a multifaceted talent. Building on his debut album Roots (2021), which celebrated Black classical composers, this album showcases the trailblazing composer Florence Price and German romantic composer and conductor Max Bruch.Track Listing:1 Max Bruch: Violin Concerto No.1 in G minor Op.26 / I. Vorspiel: Allegro moderato2 II. Adagio3 III. Finale: Allegro energico4 Florence B. Price: Adoration arr. Jim Gray5 Florence B. Price: Violin Concerto No.1 in D / I. Tempo moderato6 II. Andante7 III. Allegro8 Florence B. Price: Violin Concerto No.2 15.52Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Randall Goosby with the Philadelphia Orchestra, conducted by Yannick Nézet-Séguin — Max Bruch & Florence Price Violin Concertos (Decca) Jump to giveaway form New Classical Tracks - Randall Goosby by “This whole season, since January, I've been performing the Tchaikovsky Violin Concerto,” violinist Randall Goosby says. “I actually hadn't performed it with an orchestra prior to that. It's been a fun exploration of the piece from the stage.” He recently had a week off from touring and was out running errands in New York City. That's what he was up to when he pulled over to the side of the road to talk about his new recording with Yannick Nezet-Seguin and the Philadelphia Orchestra, featuring violin concertos by Florence Price and Max Bruch. More From Randall Goosby 2021 PT Young Artist in Residence: Randall Goosby 2021 Violinist Randall Goosby finds inspiration in his heritage 2022 Listen to 2021 PT Young Artist Randall Goosby's Tiny Desk Concert How did this collaboration with Nézet-Séguin and the Philadelphia Orchestra evolve? “It was one of those things where I just couldn't say no to it. I had been wanting to continue my exploration of Price's music after my first album, Roots, came out, so I was thrilled at the invitation. I then spent all of last summer really diving into both the Price concerti. “To make this recording with a conductor and an orchestra that have been dedicated and passionate champions of Price's story, not just her music, was really special. It was a privilege that I'll always look back upon with great gratitude.” What about Price's Violin Concerto No. 1 resonates with you?  “One of the things that I think is very special about the Violin Concerto No. 1 is that it's modeled after the warhorse that is Tchaikovsky's Violin Concerto. It quickly becomes an example of what makes American music what it is, and that is the combining of influences from all over the place. “The piece presented her with an opportunity to shed a new light on some of the themes that Tchaikovsky laid out. I mean, Tchaikovsky had to go through some great challenges of his own at the time. But there were challenges that he had to go through that Price probably couldn't relate to. And there were certainly challenges that Price experienced and had to overcome that Tchaikovsky could never have conveyed in his music. And so I think it presents a unique opportunity to look at these two very different artists under the same spotlight.” Price's Violin Concerto No. 2 is made up of a single movement. What are we learning about her in this piece? “There's a lot of athletics; there's a lot of very quick moving notes and very fleeting harmonies that keep you on the edge of your seat — until suddenly it gives way to the richest, chocolatiest and soulful singing quality found in some of those andante sections that are laced in between the athleticism. In terms of the structure of the piece, she just changed things up and went against the grain.” Why did you decide to pair these two works with Bruch's Violin Concerto No. 1? “I fell in love with the violin because of music like the violin concerti by Bruch, Mendelssohn and Brahms, not because of the Price concerti. But the Price concerti have injected new life to me in terms of having some sort of a guiding purpose behind a lot of my programing.” Price: Violin Concerto No. 1 in D Major - I. Tempo moderato To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Giveaway Time For Three New Classical Tracks Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Randall Goosby — Max Bruch & Florence Price Violin Concertos (Amazon) Randall Goosby — Max Bruch & Florence Price Violin Concertos (Decca) Randall Goosby (official site)

A whistleblower says the Church of Jesus Christ of Latter-day Saints' investment firm has over $100 billion – more than any religious fund in America. Instead of doing good, the church is bending the law, said a whistleblower. Sharyn Alfonsi reports. With brains six times larger than humans and most of their lives spent in the darkest depths of the ocean, sperm whales are largely misunderstood. Cecilia Vega searches the Caribbean Sea to find these massive mammals. Grammy Award-winning conductor Yannick Nézet-Séguin, is obliterating the stereotype of the strict, unapproachable maestro and reimagining the role of a modern orchestra. He sits down with Jon Wertheim. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Not every music student or even professional musician has explored classical music, much like not necessarily every classical musician will know something about jazz or any other genre.  However, each genre has certain pieces that one should know from each genre regardless of your preference.  These are 25 of many possible choices, not necessarily "the best", but some pieces you should recognize by title and composer upon hearing. Musical examples used in this episode: 06:53 P. Tchaikovsky: "Dance of the Sugar Plum Fairy" from The Nutcracker - (Montreal Symphony; Charles Dutoit) 12:49 J.S. Bach: Toccata and Fugue in D minor BWV 565 (Hannes Kästner, organ) 13:15 J.S. Bach: Toccata and Fugue in D minor BWV 565 (Czech Philharmonic; Leopold Stokowski) 17:26 S Barber: Adagio for Strings (New York Philharmonic; Thomas Schipps) 19:48 Beethoven: Symphony No. 5 (Vienna Philharmonic; Carlos Klieber) mvt 1 and 4 24:03 Beethoven: Symphony No. 9 (Berlin Philharmonic; Von Karajan) mvt. 4 and 2 28:33 Brahms: Hungarian Dances 4, 5, 6 (Vienna Philharmonic; Claudio Abbado) 30:56 A Copland: "Hoe-Down" from Rodeo (St. Louis Symphony; Leonard Slatkin) 32:33 F Chopin: Grand Valse Brillante op. 18 (Valentina Lisitsa) 34:22 Debussy: Prelude to the Afternoon of a Faun (Royal Concertgebouw; Bernard Haitink) 36:01 Dvorak: Symphony No. 9 "From the New World" mvt 2 (London Philharmonic; Charles MacKerras) 38:16 Grieg: Peer Gynt and Peer Gynt suite no.1 (San Francisco Symphony; Herbert Blomstedt) 40:13 Handel: The Messiah "Hallelujah" (London Symphony; Colin Davis) 40:43 Handel: Water Music selections (English Chamber Orchestra; Raymond Leppard) 41:30 Holst: The Planets "Mars" - (Montreal Symphony; Charles Dutoit) 42:13 Liszt: Hungarian Rhapsody No. 2 (Marc-Andre Hamelin) 43:22 Mendelssohn: Overture and Wedding March from A Midsummer Night's Dream (London Symphony, Andre Previn) 45:11 Mozart: Overture to The Marriage of Figaro (Academy of St Martin in the Fields; Neville Marriner) 46:16 Mussorgsky: Pictures at an Exhibition - Promenade and Great Gate of Kiev (Berlin Philharmonic; Claudio Abbado) 48:25 Rachmaninoff: Piano Concerto No. 2 (Vladimir Ashkenazy; Moscow Symphony; Kirill Kondrashin) 49:38 Ravel: Bolero (Boston Symphony; Seiji Ozawa) 51:42 Ravel: Daphnis & Chloe (Rotterdam Philharmonic; Yannick Nézet-Séguin) 52:46 Rimsky-Korsakov: Flight of the Bumblebee (Berlin Philharmonic; Zubin Mehta) 53:08 Rimsky-Korsakov: Scheherezade mvt IV and III (London Symphony; Charles MacKerras) 55:06 Schubert: Ave Maria (Barbara Booney) 55:31 R Strauss: Also Sprach Zarathustra (Chicago Symphony; Fritz Reiner) 57:15 Stravinsky: Rite of Spring (from Part 1) (New York Philharmonic; Leonard Bernstein) 58:21 Tchaikovsky: Russian Dance, Arabian Dance, Dance of the Reed Flutes from The Nutcracker (Montreal Symphony; Dutoit)   Do you have a different recording of these pieces that you'd recommend?  Let me know by telling me directly at https://www.speakpipe.com/MusicianToolkit or you can send me a written message at https://www.davidlanemusic.com/contact  The blog post that goes with this episode can be found here: https://www.davidlanemusic.com/post/25-essential-classical-pieces-to-know You can find this episode and links to this show on all podcast apps from https://musiciantoolkit.podbean.com/ . If you enjoyed this, please give it a rating and review on the podcast app of your choice.  You can also now find the podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling.  Click here for more information or to begin your free trial.

What do great conductors listen to when they're not on the podium? Philadelphia Orchestra/Met Opera conductor Yannick Nézet-Séguin made a playlist, specifically for Fresh Air, of music that inspires him. It includes a surprising mix of pop, hip-hop and classical music — and includes a song that his cats love.In the last 30 years, Ruth E. Carter has produced some of the most iconic looks in the Black film canon and beyond. She won an Academy Award for Black Panther and is now nominated for Wakanda Forever. She spoke with Tonya Mosley about these projects as well as her decades-long collaboration with Spike Lee.

What do great conductors listen to when they're not on the podium? Philadelphia Orchestra/Met Opera conductor Yannick Nézet-Séguin made a playlist, specifically for Fresh Air, of music that inspires him. It includes a surprising mix of pop, hip-hop and classical music — and includes a song that his cats love. Find the playlist on our website or on Spotify.

Figurative painter Peter Doig — one of the world's top-selling living artists — talks about his work, his upbringing in Canada and the dark underbelly of the art market. Superstar Canadian conductor Yannick Nézet-Séguin reflects on his phenomenal rise to the peak of his profession. Author Mark Sakamoto and playwright Hiro Kanagawa talk about adapting Mark's memoir Forgiveness, about his grandparents' experiences of the Second World War, for the stage.