Podcasts about disney's tron

Welcome to the 80s! Tortoiseshell glasses, with smoky lenses, Texas tech impresarios and Silicon Valley Dudes programing the latest hit video games. As technology began to explode into the American home, the world struggled with how to interpret this new way of life. Inevitably the artistic medium of our times saw a pretty incredible attempt to imagine the world from within technology itself. This is Disney's TRON, a 1985 science fiction film starring Jeff Bridges, Bruce Boxleitner, and David Warner. The movie would become and infamous flop, and a bold new bar in the world of technology and animation. A harbinger of things to come, not only narratively, but in the film industry; love it or hate it, TRON has grist for the Nighthawks' Diner conversation. Pull up a seat and join us.

Kevin and Mykie wrap up their fun adventures at Anime Dallas 2019 with another Reassumption! This time we're taking a second look at Disney's Tron from 1982. With the help of Kevin's sons, we digitize ourselves into the mainframe to debug rad lightcycles, funky characters, and goofy computer overlords. Hack in and get to listening!

Joe Trapanese is a friend, colleague, and film composer who has worked on some of the coolest project and film scores of the last 5-10 years including The Greatest Showman, Jean Claude Van Johnson, Straight Outta Compton, Tron: Legacy, Oblivion, Only the Brave, Unsolved: The Murders of Tupac and the Notorious B.I.G., and The Raid series (which is my #1 secret weapon as a film editor). Rarely is there an episode of TV where I don’t use a track from The Raid if I’m working with a fight scene or a suspense sequence. It’s MONEY. In this interview Joe and I break down his path from a kid in New Jersey to moving out to Los Angeles and how he climbed from nowhere to the top of his profession in record time. In addition, Joe and I also do a deep dive into the creative process of collaborating with composers. If you have ever wondered how composers approach their work, or more importantly if you’re an editor like me and you want to know some cool tips for working with composers, this is an incredibly useful and insightful interview. Win a One 1-Yr Subscription to Adobe Creative Cloud or Frame.io » Click here to leave a review of this episode in iTunes (or Apple Podcasts) Here's What You'll Learn: Focusing on what is in your control It's about who you know, so start meeting people Establishing relationships rather than networking for jobs "You won't get hired until you are the solution to someone's problem." Confidence vs. arrogance Keeping your cool in the reputation-driven world of professional composing How to searching for the best solutions in collaboration, rather than just inserting your own Dedicating yourself to a specific career ladder How to know when you're not getting enough in return for your work "Talking about music is like dancing about architecture" Useful Links: Joe Trapanese's IMDb Page Our Generous Sponsors: This episode is made possible by our proud supporters Adobe. Leave a review of this episode in iTunes or Apple Podcasts and you’ll be entered to win a yearly subscription to Adobe Creative Cloud, an essential package of video creation tools that I personally can’t live without. What’s so cool about creative cloud is how easily you can move from ingest to editing, and from color grading to 3D compositing, thanks to smooth integration between Premiere Pro, After Effects, and Audition. To win yourself that yearly subscription, just leave an honest review of this show in iTunes or Apple Podcasts. You can also enter to win the 12 month 'Pro Plan' from our sponsor Frame.io, an amazing online collaboration tool where you can comment and interact directly with your videos providing instant feedback, rather than constantly going back and forth via endless email chains. (And you know how I feel about email and productivity.) Even cooler your comments can be imported directly into your editing software of choice, and it’s so intuitive, easy to use, and dare I say “pretty” that Frame.io won an Apple Design Award. Leave a podcast review in iTunes to be entered to win your 12 month 'Pro Plan.' This episode is made possible for you by Ergodriven, the makers of the Topo Mat, my #1 recommendation for anyone who stands at their workstation. The Topo is super comfortable, an awesome conversation starter, and it’s also scientifically proven to help you move more throughout the day which helps reduce discomfort and also increase your focus and productivity. Click here to learn more and get your Topo Mat. This episode is made possible by SitTight, my new #1 recommendation if you’re searching for a healthier, more ergonomically-friendly office chair that turns sitting into an activity that actually improves your health rather than damaging it. Yes, you can actually get fit while you sit. If you’ve never seen one, just imagine the most comfortable bar stool on the planet on top of a Bosu Ball. Trust me...it’s awesome. SitTight can provide fitness for your body, focus for your mind, and fun for your spirit. BONUS: Use the coupon code OPTIMIZE for 10% off your order! Guest Bio: Facebook|Twitter|Instagram Joseph Trapanese is best known for his sleek score work for blockbuster films like “Tron: Legacy,” “Straight Outta Compton,” “Oblivion,” and the “Raid” series. As a composer, arranger, and producer for movie, television, theater, and video game music, he has collaborated with a number of mainstream musical acts. His first major break came in 2010 when he worked with Daft Punk on the sweeping digital soundtrack to Disney's “Tron” reboot/sequel. Trapanese followed that success by creating a score with Mike Shinoda of Linkin Park for the American release of the 2011 Indonesian martial arts film “The Raid: Redemption” (he would continue without Shinoda in 2014 with “The Raid 2”). That same year, he helped with arrangements on a handful of tracks for M83's breakthrough hit “Hurry Up, We're Dreaming,” which led to the pair's collaboration on the 2013 Tom Cruise sci­fi epic “Oblivion”. For 2017’s “The Greatest Showman,” Trapanese worked alongside Pasek & Paul and John Debney, producing songs and co­ composing the score. Notable solo scores include “Only The Brave” (2017), the landmark rap biopic “Straight Outta Compton” (2015), the second and third installments of the “Divergent” series, “Insurgent” (2015) and “Allegiant” (2016); “Earth to Echo” (2014); USA’s “Unsolved” (2018); Amazon’s “Jean­Claude Van Johnson” (2017); ABC’s “Quantico” (2016­17) Freeform’s “Dead of Summer” (2016); EA’s video game “Need for Speed Payback” (2017); and Ubisoft’s video game “The Crew” (2014). In the studio and in concert, in addition to Daft Punk, M83, and Mike Shinoda, he has worked with Dr. Dre, Dierks Bentley, Zedd, Kelly Clarkson, Mike Shinoda, Kendrick Lamar, Moby, Aloe Blacc, Alessia Cara, Haim, The Glitch Mob, Active Child, Halsey, Sohn, John Newman, Dia Frampton, 3OH!3, Steven Price, and James Newton Howard. Born in New Jersey, Trapanese earned his B.A. in classical composition from the Manhattan School of Music. He went on to study at UCLA for his M.A. in music for visual media and taught electronic music composition at the school from 2008­2011. In 2016, he became a member of the Academy of Motion Picture Arts and Sciences. He is a founding member of The Echo Society. Show Credits: This episode was edited by Curtis Fritsch, and the show notes were prepared and published by Elyse Rintelman. The original music in the opening and closing of the show is courtesy of Joe Trapanese (who is quite possibly one of the most talented composers on the face of the planet). Note: I believe in 100% transparency, so please note that I receive a small commission if you purchase products from some of the links on this page (at no additional cost to you). Your support is what helps keep this program alive. If you have any questions, please don’t hesitate to contact me.

Disney's "Tron" digitally dazzled the world as revolutionary work of art: the identity discs, the concept of a computerized world, and visuals that to this day haven't been replicated in their inventiveness and effort. But one thing sets movies apart from other optical art forms: The Story. And when you read Tron's narrative files, some border on corrupt. On this podcast, three grown men who worshipped Tron as boys revisit Flynn, Sark, Lora, Dumant, light bikes, solar sailers, the I/O Tower, and the Master Control Program. Big D brings his Tron toys out to play. Roger questions the sexual undercurrents of the film, and Gene gets just plain mad at the spaghetti bowl of a narrative Disney threw together. Find out how Tron's artists got those amazing glow effects, why Jeff Bridges was the only actor forced to wear a loin cloth, and how Roger manages to bring religion into even this childish technological tale. The proof is in the printout. Support With Venmo:https://venmo.com/ShatPodcasts Shop Amazon With Our Free Affiliate Link:https://www.amazon.com/?tag=shatmovies-20  Leave an iTunes Review:http://shatthemovies.com/review Leave a Voicemail: (914) 719-SHAT - (914) 719-7428 Vote for our Next Movies:http://shatthemovies.com/vote Subscribe to our Feeds & Follow us on Social Media: http://shatthemovies.com/subscribe-and-follow Checkout our TV Podcasts:https://shatontv.com/shat-on-podcasts Theme Song - Die Hard by Guyz Nite https://www.facebook.com/guyznite

Greetings, programs! Anthony Schwader of the Game & Movie podcast joins Jeremy to discuss games about a movie about games: Disney's Tron, and all its tie-in video game creations.

In this episode we cover that we now have an official beverage for the show and they have gifted us with several things for both us and the listeners. We also gave a teaser for an upcoming social media campaign with that company. Then we launched into business as usual talking about how to solve the problem with Daylight Savings time, the insanity that is daycare workers and Melatonin, discussed Disney's TRON roller coaster, see which one of us can earn more money in 24 hours, discuss what scientific breakthroughs are likely in our lifetime and as always we do our double feature movie review. Links for topics: Official Beverage: Double Cola Company's SKI Scientific Breakthroughs which could occur in our lifetime Daycare owner/workers being horrible people: Article 1 and Article 2 Contest: How much you earn in 24 hours? Disney's Tron Roller Coaster A way to solve DST Movies Reviewed: Goon - Netflix Link So Undercover - Netflix Link

With the publicity machine for Ready Player One kicking into gear, we though it time to look at some films that have based themselves on the ideas and aesthetics of video games, while not being based directly on them. To that end, listen now as we run through the ups and downs of Disney's Tron and Mamoru "Ghost in the Shell" Oshii's Avalon. It's a thing you can do, that's for sure. Full show notes at http://www.fudsonfilm.com/tron-and-avalon/

Fear is a game for all ages... For the first time ever The Horror 101 team has created a family friendly podcast. This time around we focus on dark and macabre elements from Disney and other G or PG rated films that we loved growing up. It's a time capsule show appropriate for all ages in an attempt to educate EVERYONE'S fears. We'll delve into The Wizard of OZ's darkest paths, The Black Hole's Cygnus ship with it's zombie crew. The evil Skeksis of Henson's The Dark Crystal. The genius of Ivan Reitman's thrillomedy Ghostbusters. The vicious digital world of Disney's Tron and the cream of the crop....The best horror film ever made for the entire family; Ray Bradbury's Something Wicked This Way comes. Its another 40 minute Horror 101 production that cuts out the swearing and invites the whole family to join us for this special lesson in terror. Show highlights... 01:00 Hear ye! Hear ye!! Come one, come all...(no explicit tag) 03:00 When Disney made scary films... 04:10 Our first scare (The Wizard of OZ)... 05:50 Disney's The Black Hole... 10:00 Jim Henson's The Dark Crystal... 14:33 Disney's TRON... 20:40 Ivan Reitman's Ghostbusters... 27:15 Ray Bradbury's Something Wicked This Way Comes... 36:20 Childhoods over the moment you know you're gonna die... 38:00 Conclusion and Merry Christmas....End of Line...