Podcasts about The Greatest Showman

My guest this week is Ethan Popp, a Grammy®, Olivier®, and three-time Tony® Award nominee, who is nominated this year for the Tony Award for Best Orchestrations for The Lost Boys. He is also the Music Director for the show. He has worked with some of the biggest musical acts in the recording business, including Queen, Tina Turner, Elton John, Stevie Nicks, Bono, Alice Cooper, and Smokey Robinson. In film, he was the Music Production Supervisor for the 2017 film “The Greatest Showman” and served as vocal coach for Academy® Award winner Rami Malek in the movie “Bohemian Rhapsody.” For the theater, he has served as music producer, music supervisor, arranger, and orchestrator for such shows as Back to the Future: The Musical, Mrs. Doubtfire, Tina: The Tina Turner Musical, School of Rock, Motown the Musical, Hedwig and the Angry Inch, Rock of Ages, and The Lost Boys, which is what we are going to talk about today.

From action movies like X-Men to dramas like Australia to musicals like Les Mis and The Greatest Showman -- is there anything Hugh Jackman can't do? KSL Movie Show hosts Andy Farnsworth and Val Cameron join Greg and Holly to discuss the greatest flicks featuring Australian hunk Hugh Jackman.  

If your idea of a perfect weekend involves a high-energy 3D concert experience where the audience is literally moshing in the cinema aisles, we have the ultimate recco from a global pop icon.We’re also talking about the heartwarming adaptation of a best-selling novel featuring a very sassy, very smart sea creature and a retired cleaner with a mystery to solve.Finally, we unpack a quirky new film about a flock of woolly detectives that features one of our favourite leading men, and has been crowned Em's favourite movie of the year (so far).Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. Read more weekly watch recommendations from the Mamamia entertainment team here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. You're listening to a Mom with mea podcast. 00:11Speaker 2 From Mom and May. I welcome to this bill, your daily pop culture fixed. I'm em Vernon and I'm Anihaiswarren, and we are doing we can Everything with my voice gone as well. It does not sound as nice as my previous weeks, because previous weeks does sound quite nice. 00:29Speaker 1 You've got a nice little husk going though. I feel like it's quite sexy. 00:32Speaker 2 I kind of hope it stays like this. 00:35Speaker 3 You're doing a bit of scar jokes and make my throat very dry though, so not good for you, but good for the people. 00:43Speaker 2 Yeah, good for everyone else. Anyway. It's our weekend Watch episode where we give you our favorite movies and TV shows to watch this weekend. On the show today, we have a movie that you can dance to in your living room or on the cinema stage. And we also have a movie that you can vibe with, laugh with, investigate. 01:05Speaker 1 With, talk with. You went on a real journey with that movie. 01:08Speaker 2 Oh my god, I have so much to say, spillers, But first, mon, you have a movie that's been on your radar recently. 01:14Speaker 3 Yes, so there's a movie that's coming out today and I haven't seen it yet because it only drops later tonight. 01:20Speaker 1 But I'm really excited about it because I've read the book. 01:22Speaker 3 Oh so I think a lot of people would have heard of this, because I think a lot of people are reading it right now. Literally went to the park the other day and I saw a woman get out of a book and it was this book. It's everywhere. You might recognize it as the bright yellow book with the octopus on it, yes, but it's called Remarkably Bright Creatures. 01:38Speaker 2 I've heard very, very good things about this book. 01:40Speaker 3 Yeah, it's spent more than sixty four weeks on the New York Times bestseller list. It's written by this lady called Shelby van Pelt. 01:48Speaker 1 I don't know any of her other work, but she wrote this book. 01:51Speaker 3 And I actually read it from my book club and I aced the quiz, so it did really well, And I want to free your. 01:56Speaker 2 Book club has quizzes? 01:58Speaker 1 Shall we do a quiz? We take it very serious, not one of. 02:00Speaker 2 Those meant to be fun and enjoyed. 02:03Speaker 1 It's fun and you learn things. Emily. 02:06Speaker 3 So the plot is basically the main character is called Tova Sullivan. She's this woman in her seventies she's retired, but she doesn't fully want to retire, so she still has this part time job cleaning the aquarium and the aquarium the town aquarium. Yeah, it's the aquarium of the town. And she forms a bond. Nothing weird, but she forms a bond with this octopus called Marcellus. 02:29Speaker 2 Is it like a sexual book. 02:30Speaker 3 It's not a sexual pod. It's more of a deeper emotional connection. 02:34Speaker 1 He just gets her. 02:35Speaker 2 Octopuses are meant to be very smart creatures. Isn't it octopi not octopuses. 02:39Speaker 1 I don't think it's octopi. Well, there's no plural in this because it's only one o. 02:43Speaker 2 Well, this octopus seems like he is he or she he muscles, is very smart. So this we have an octopus that would guess who would win the fief for World Cup. 02:52Speaker 3 Yes, so there's all these videos of octopus octopi that. 02:56Speaker 2 Go viral and she doesn't take it seriously. 02:59Speaker 1 But okay, well I'm pretty sure that's what it is. But the woman who wrote. 03:03Speaker 3 This book got inspired by one of those viral videos of the octopus doing something smart. She was like, oh, they're so smart, and then she like wrote this book and there's. 03:10Speaker 1 Parts that are from the octopus perspective. 03:12Speaker 2 They love crazy imaginations. I know, I watched that video and I was like, cool, that made like a massive career out of writing this, Like she's a. 03:21Speaker 3 Seller book, actually great character inspoke, So there's little parts of book that are from the octopus perspective. And he's quite like, I'm sure it's a good book. He said that he's quite disdainful of humans. He's always like, I don't know, he's always kind of like looking down on them. 03:36Speaker 1 It's kind of comic relief in the book club. 03:38Speaker 3 People were divided over whether he's very annoying or very lovable. 03:42Speaker 1 Ah, but anyway. 03:44Speaker 3 It premiered at Sundance earlier this year and was very well received, very warm reception, so I'm very excited to see it. Sally's Field is playing Toba, and Lewis Pullman is in it. He's playing Cameron, who's this other character, Who's this. 03:56Speaker 1 Guy who's like thirty. Honestly, he really annoyed me in it. 03:58Speaker 2 He's just kind of like thirty. 04:00Speaker 1 He's just trying to like, he just has nothing figured out. He just has he's always like. 04:05Speaker 2 Him a break, he's down thirty everything's always breaking. 04:08Speaker 1 His camper van's always breaking. I think it's it is. 04:12Speaker 3 If you read it, you do mean everything goes wrong and it's sort of his fault and you just get it together cameraon. 04:18Speaker 1 But anyway, he's also a lead character. So very excited to see it. I think it'll be quite a heartwarming watch. It's quite emotion I. 04:24Speaker 2 Think, do you think I should read the book before I watch it? 04:27Speaker 3 Yeah? Maybe if you can be bothered. But it's going to come out tonight, so I don't know if you want to be part of the cultural movement, and yeah, maybe I'll just watch the movie. 04:34Speaker 1 Maybe just watch it. 04:35Speaker 3 So it's out on Netflix, I believe around five pm tonight, remarkably Brian creatures. 04:40Speaker 2 I'm excited. 04:42Speaker 3 Okay, So I went to see a movie this week where I have to say, I haven't been to a movie where the atmosphere in the audience was like this crazy for a while. It was the Billie Eilish Hit Me Hard and Soft tour, like the live concert experience in three D. 04:58Speaker 1 The day of a show, it just feels like any day at all. 05:02Speaker 4 I just feel like I'm like going to hang out with my friends. 05:05Speaker 2 Here I go. 05:08Speaker 4 To see the scrapes on my hands that is from the fans. I want to feel like it's me and them. You love that. 05:20Speaker 1 I love that. It was really good. 05:24Speaker 3 And I've never gone to a stadium tour of hers, like I didn't go to this tour. I've seen her at festivals when she was on the way up, like it grew in the moon and stuff, but. 05:31Speaker 1 I have never cared. 05:32Speaker 3 I've never seen her well after this, I really want to because she's amazing. I feel like I went to the concert because the crowd were like super fans, so everyone was there dressed in their like caps and kind of like dressed like her and were full like singing along. It was kind of like with the Ears tour with Taylor Swift, how people would go down to the front and like marsh in. 05:51Speaker 2 The like was there a marsh in your cinema? 05:53Speaker 1 There was a mosh in my cinema. 05:55Speaker 3 And the guy next to me was honestly, he brought a lot of the vibes like I wish I could recommend this movie. Sitting next to this particular man, he was like every time she did like a vocal run, he'd be like, yeah, he's kind of like do it along, and then he'd follow along every now and then be like, WHOA, I killed that anyway, So he was very invested. Would you consider yourself a Billie Eilish fan? 06:16Speaker 2 I would consider myself like, yeah, I would say I'm a fan of her music, but I don't know much about her as a person, and I don't think I would like when she came to Sydney. I think it was like a year ago she came to Sydney. I wasn't a big fan enough then to be like, Okay, I'm going to fork out for a concert ticket because concert tickets are expensive. 06:36Speaker 1 They are really expensive. 06:37Speaker 2 As you guys mentioned on the spill, this is. 06:40Speaker 1 A prime example of it. So I would say the same. 06:43Speaker 3 I really like a music, definitely not like a hardcore fan. So I went into it being like, oh am I going to be like a big enough fan to really enjoy this movie. But I really did. And I will say there were probably only like two songs I didn't recognize, like she has so many bangers. 06:56Speaker 2 Yeah, just keep going, and she's an excellent performer and live singer. 07:00Speaker 3 Because she obviously has so many deep emotional, moody songs. Me and my friend who went, We were like, whoa kind of like, you know, feels right now, but then it will suddenly be like bad guy and the whole cinema goes crazy. And it's obviously such a good way to get to experience that if you didn't go to the concert as well. I was thinking before the only concert films I can remember seeing other than this are the Eras Tour and then like never say never, the justin Peoble. 07:21Speaker 2 One, Oh yeah, oh did you ever you know which one I went to which when I was like quite young, like I was in primary school. The Hannah Montana concert me Miley Cyrus. 07:33Speaker 1 I did actually watch that too, and that was crazy. 07:36Speaker 2 Every time one of the Jonas brothers came on screen, every young girl in the cinema would just scream ahead off And I was like, because I was quite a mature young person, so I was like, they're not really there, They're not there. 07:48Speaker 3 I'm so glad you were there to clarify that I was such a looser. 07:51Speaker 2 I was like scolding these kids my age. 07:53Speaker 1 Yeah, like, thank thanks everyone. 07:56Speaker 3 So I feel like this one was different to sort of like the Ears to where it's just the concert films because they had these little behind the scenes interview bits with her as well on the day of the concert, and she it was done in collaboration with James Cameron, like he was one of the directors. 08:10Speaker 2 Oh wow, kind of friend. 08:11Speaker 1 I'm like in between avatars. 08:12Speaker 2 Yes, he's I need to show people the length of my work, not like blue people. 08:17Speaker 1 I'm more than that. 08:18Speaker 2 I'm more than avatar. 08:19Speaker 3 And the way it's shot is great, like the way she has such hypnotic eyes and the way she sort of stares down the camera. 08:25Speaker 2 And the way she does her makeup. I remember one of her I think it was Vogue where they do like the celebrities and how they do their makeup, and like her video went completely viral because of the way she does the eyeliner is so intense. 08:36Speaker 3 They show that in this too, where she sort of tweaks it on the end. She does all her hair and makeup for the tour herself. 08:42Speaker 2 That's crazy. And she's so good at makeup because her face always looks beat. 08:47Speaker 3 Yeah, she looked really great, and she talked about some really interesting things in the interview bits that he did with her, so she sort of explained her reasoning for why she dresses in the kind of basketball jersey and like baggy shorts for the concert, and she sort of spoke about how there's not that many female pop stars who don't do the whole like dress up and look really sexy kind of thing. Obviously we see that more with like Taylor Swift, Sabrina carp and to take and prey all those people, and she was like, I just didn't really want to have to do that because when I was growing up watching rap artists and they would just run around the stage being so comfortable and free, I just wanted to be like that, and she didn't see other women doing that, so she really wanted to be that for like the next generation of girls. 09:24Speaker 2 That's so cute. 09:25Speaker 1 Yeah, So I thought. 09:26Speaker 3 They showed really interesting things like that, a lot of interviews with the fans, and then also sort of showed how she is as a creative, like she's really involved in the lighting, she's really involved in everything to do with the stadium more than just like getting up there and singing. And then one thing I thought was really cute is that every town that they go to, they kind of connect with a rescue dog center and they bring in dogs for the crew and the other band members to like. 09:49Speaker 1 Have us like little therapy dogs and they play with them. 09:51Speaker 2 Shut up, why do we do that here? 09:53Speaker 1 And we should bring that. 09:55Speaker 2 We just had a dog in our studio just sleeping over there. 09:57Speaker 1 I think the podcast would be better. 09:58Speaker 2 Yeah, let's put that in our next like quarterly review. I want to do this, improvements to me for yourself, And I was like, improvements for everyone else bringing dogs. 10:10Speaker 3 So yeah, Billy Eilish hit me hard and soft. The tour live, it's out in cinema's now. Probably a good one if you have kids as well. I feel like all the like there were a lot of children there and they were really getting into it too, so. 10:20Speaker 2 Yeah, good family experience. Okay, I need to talk about a movie that I saw over the weekend. I was very lucky. I got to go to the Sydney screening of this movie. And when you know it's a weekend screening, it means there's going to be a lot of kids there. Because kids can come out in the weekend. 10:39Speaker 1 They're like vampires at night on the weekend. 10:41Speaker 2 We never see them throughout the week. We only see them on the weekend. So I went to the screening much similar to you, chaotic crowd, vibe vibes, a lot of children. And I was sitting next to Tina Burke and a few of us, and someone was like, Oh my god, look at all those kids over there. Look how many there are. And I was like, Oh my god, that's crazy. And then I realized those kids, all of them belonged to exact producer Georgie Page, all eight all millions of kids. There's like a million kids in that theater. Whoever went to Sheep Detectives in the weekend? All those kids you saw, all Georgie Pages kids, every single one of them. It was such a fun movie. Oh sorry, it's called Sheep Detectives. I should have lived with that. 11:22Speaker 1 The movie you've been talking about, a wee movie. 11:25Speaker 3 Of the year. 11:26Speaker 2 I reckon. I think Tina Burke agrees with me. Georgie, do you agree with me? She says, best movie ever. 11:33Speaker 5 If there's one secret to happiness in. 11:35Speaker 3 My life, it's taking care of the kindest creatures on earth, sheep. 11:42Speaker 4 I'm keeping them well fed, well groomed, and. 11:45Speaker 2 Each day read out loud to them mysteries who've done it? I know who the killer was. 11:51Speaker 1 Our shepherd was murdered and we shall solve the crime. I am George Hardy's lawyer. 11:57Speaker 5 He wrote and will in the night Time stories that people and the will are always the suspects. 12:01Speaker 2 That man had nothing. 12:03Speaker 1 Well, actually there is thirty million dollars and we have our motive. 12:09Speaker 2 It is so good. I regret not bringing more people because I want everyone to watch this. 12:15Speaker 3 You're like, why didn't they shut down the street at the State Theater like for dettlewors Prada. 12:19Speaker 2 I actually reckon, Hugh Jackman should have done like a big premiere here, Like, the reception for this movie is huge? 12:25Speaker 1 So is he in it quite a lot? 12:27Speaker 2 He's yes, he's in trailer. 12:29Speaker 1 Didn't make it seem that way. 12:30Speaker 2 Because his character dies very early on in the movie, which is also shown in the trailer, but he comes back during like flashbacks and stuff like that. So he's in like the whole length of the movie as an actor. Okay, but it's the highest rated movie he's ever done. 12:43Speaker 1 That's so unfortunate for him. What about the Greatest Showman? I thought that the guy's literally Wolverine. 12:52Speaker 2 Sorry, Hugh, but it is what it is anyway, sheep detective what it's about? So yes, Hugh Jackman is I would say the main character. He plays a shepherd who owns like this flock of sheep, and they're not like you know how when you see a flock of sheep, how they all look the same. 13:08Speaker 4 Not. 13:10Speaker 2 I think he like collects him throughout his life, so they're all like kind of like sheep who have just all come together. Anyways, he loves his sheep so much. She lives in just like a little caravan on his like field. And every night he reads detective stories to his sheep, and they say and he thinks he's just having a good time reading stories to his sheep, and then when he goes inside, it's shown to the audience that the sheep actually understand everything he's been saying, and they get really into the detective stories. His I was gonna say, the main sheep, his main sheep, the top sheep. His name is Lily. 13:46Speaker 1 Oh, it's a woman. It's a woman. 13:48Speaker 2 And she is played by Julia Louis Dreyfuss. Oh, very very good. She is like so well done. The other main character sheep is Sebastian and he's played by Brian Cranson, also really well done. 14:00Speaker 3 They played by just the voice, the voice voice. They're not there the voice. The sheep are very much Cgi sheep, and they're very very cute anyway, So what happens. Hugh Jackman murdered. I forgot his real name in the movie. We're calling him Hugh Jackman. 14:17Speaker 2 But you're not spoiling because he's in the trailer. It's in the trailer. He gets murdered, and then the sheep decide to investigate his murder because they know so much about murder because he's been reading them all these detective stories. 14:28Speaker 1 It's almost like he knew it was gonna happen. 14:30Speaker 2 Ah nice, And it's really hard for the sheep because they've never left their flock and they've never left the field, so even just crossing a road, they've never seen a road before. The Steaks couldn't be high of the sheep leaving their field to get into the town because the stupid humans don't know what they're doing. Nicholas Braun is the main police guy and the only police guy of the town. He has no idea what he's doing. He's busy taking orders from Emma Thompson and she's just the lawyer. She has no idea what she's doing, so the have to keep giving the humans clues so they can help investigate Hugh Jackman's death. 15:05Speaker 3 Do you know there's actually a lot of parallels to this in the Octopus book, because the octopus. 15:08Speaker 1 Helped solve a mystery. I forgot to say that. 15:10Speaker 3 So there's a running commentary that humans need to listen to animals more. 15:14Speaker 2 Okay, whatever, No, it's true. I think humans need to listen to animals more. And in the end, they do listen to them. I mean not physically. They still can't understand what they're saying, but they do listen to them. But there was a lot of good analogies in this, So, like the sheep do this thing where they all come down to three to forget what they just experience. So it's all about like kind of like living in your trauma, not always like pushing things aside and trying to forget it. 15:41Speaker 1 So what but count down to three to forget what they're just seeing because they were. 15:44Speaker 2 Like, Hugh Jackman just died. Everyone, let's forget this. This was so terrible. One, two, three, And then they forget it. But then they were like, no, we deserve to remember Hugh Jackman. He did so much for our life and for our flock. But then, but then I looked into this, this is not a thing that sheep do. Sheep have actually very good memories and remember everything. 16:02Speaker 3 Yeah, I mean, I wouldn't expect so that was kind of a PLoP hole in the movie. 16:06Speaker 1 I thought this was steeped. 16:07Speaker 2 In real sheep yess. Yes, what is a real sheep? Fact though, is that there's a cute little lamb in the movie that's like really like muddy and dirty, and the other sheep want nothing to do with it because it's the winter lamb and usually when lambs are born in the winter gets rejected by. 16:24Speaker 1 The flock so they die. 16:26Speaker 2 Yeah, I mean, this one didn't die spoilers, but like Hugh Jackman's the only one that really loves it, and he died. He dies, And now who's gonna love the lamb? 16:36Speaker 1 I'm gonna want you to forget that? 16:38Speaker 4 What? 16:39Speaker 2 Two? 16:39Speaker 4 Three? 16:40Speaker 1 What lamb? 16:41Speaker 2 What is this place? Where am I? But anyway, okay, I do want to say that this movie, although it's like marketed towards kids and family, it is such a good movie and it's also has really deep themes that I didn't expect from a kid's movie, kind of like int like where like you know how adults like draw so many like parallels to it. It's one of those really good movies. It's also much sader than what I expected. And because the whole thing's in a mystery, it's kind of like a Sherlock's Home vibe where you're like trying to guess who the killer is A body kid next to me guessed it in two seconds. 17:19Speaker 1 We like, don't spoil it. 17:21Speaker 2 Well, the person came on screen and the kid next to me was like, that person did it, And I was like, kids are so stupid. And then as I was watching, I was like, oh, maybe they're just I think that might be And then yeah, that eight year old kid next to me just spoiled the whole movie. But you know what, kids are smart. I guess. 17:38Speaker 3 Well, it's really good though, when they do those movies that parents can also genuinely enjoy, not just like you know some like Duck. 17:44Speaker 4 Well. 17:45Speaker 2 Everyone from our team were just like full adults. We didn't besides Georgie, we all bought other adult people. 17:50Speaker 3 You guys decided Saturday, this is what I'm doing and watching some sheeps of. 17:54Speaker 2 The Murder and I'm so glad I did. I really want to watch it again. 17:57Speaker 1 Now you have really sold it. I want to see it now. 17:59Speaker 2 Oh my god, it's so good. Anyway, that's sheep detectives in cinemas. Yes, you can take your family, but I promise you you will enjoy it more than your kids. 18:07Speaker 1 Thank you so much for listening to this spill. 18:09Speaker 3 We have another super exciting episode dropping this afternoon, a brutally honest review of a film that you absolutely don't. 18:16Speaker 1 Want to miss. Emma and Laura are unpacking all of it. 18:19Speaker 3 This fill is produced by me Minishiuslawn with a video production by Michael Keene and we'll see you this afternoon. 18:25Speaker 5 Bye see ya, Mamma. Mia acknowledges the traditional owners of the land. We have recorded this podcast on the Gatigol people of the eorination. 18:42Speaker 1 We pay our respects to their elders past and present, and extend that respect to all Aboriginal and Torres Strait islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

 The Greatest Showman is over. Hidden in Plain Sight joins Nephilim Death Squad for a raw, no-holds-barred tribute to David Wilcock after his suicide — shot himself in front of police on 4/20 after calling them first.The guys from Hidden in Plain Sight break down Wilcock's epic downfall: the trillion-dollar dreams, Corey Goode betrayal, $2M Stavadi investment scam, Edgar Cayce reincarnation claims, Ancient Aliens exit, QAnon spiral, rape pajamas story, banana sandwich trauma, Shadow of Ezra past-life lover delusions, brake-cutting paranoia, Archangel Michael channeling, and the final mental collapse.They discuss the Great Awakening map, Above Majestic, psychic visions from Carrie Cassidy claiming he faked his death, dowsing rod confirmations, and why the “scientist” narrative is exploding.Dark humor meets genuine heartbreak as they reveal years of weekly coverage, the exact moment they knew he was in trouble, and what they actually wanted for David (TikToks, comedy bits, and saving him from himself).Plus Bohemian Grove plans, life-size cardboard cutout ideas, and the tribute video that ends the show.This is the full story of the man behind the sizzle jackets — the ultimate tragedy in ufology.Timestamps:00:00 – Intro & Brohemian Grove Tickets12:00 – How Hidden in Plain Sight Broke the News25:00 – The Suicide Details & Police Call40:00 – Corey Goode, Stavadi, & Financial Ruin55:00 – Rape Pajamas, Banana Sandwich, & Past Lives1:10:00 – Great Awakening Map & Ancient Aliens Exit1:25:00 – Psychic Denial & Faked Death Theories1:45:00 – Tribute Video & Final Thoughts  Support Nephilim Death Squad – early access, ad-free, community & Brohemian Grove tix:https://patreon.com/nephilimdeathsquad  Guest: Hidden in Plain SightYouTube: Hidden in Plain Sight RadioPatreon: patreon.com/hiddeninplainsightpodTwitter/X: @TheHiddenPodInstagram: Hidden in Plain Sight Radio  TopLobster.com for merch & Brohemian Grove general admission tickets (VIP sold out in 48 hours)Become a supporter of this podcast: https://www.spreaker.com/podcast/nephilim-death-squad--6389018/support.☠️ Nephilim Death Squad — New episodes 5x/week.Join our Patreon for early access, bonus shows & the private Telegram hive.Subscribe on YouTube & Rumble, follow @NephilimDSquad on X/Instagram, grab merch at toplobsta.com. Questions/bookings: chroniclesnds@gmail.com — Stay dangerous.

We remember the life and legacy of David Wilcock. The greatest showman Ufology will ever know is gone, but he will never be forgotten. We'll be listening to David's entire musical discography and pay tribute to a beautiful soul! Please go and support the show, go check out the Patreon and sign-up there so you get over a hundred hours of extra content. That way, you're supporting the show and you get tons of bonus content so what are you waiting for? Do it. Sign up for the Patreon now. It''s gonna get wild folks!If you enjoyed the show, please Like & Subscribe to our channel and share the links. This show can be found @hiddeninplainsightradio on Instagram and @thehiddenpod on Twitter.iTunes Link: https://podcasts.apple.com/us/podcast/hidden-in-plain-sight/id1488538144?i=1000459997594Spotify Link: https://open.spotify.com/episode/5zsntvl63Do7m9gNTD8Za2?si=MczvbuMlRuCbmWChclVUZAYouTube Link: https://www.youtube.com/channel/UCNRejWJs0hn8pefj5FiE7ZQIf you want to support the show, check out our Patreon: https://www.patreon.com/hiddeninplainsightpod #hiddeninplainsight #podcast #davidwilcock #ancientaliens

Spoiler, we hate The Greatest Showman. This week Raven and Campbell make a Letterboxd account and review over 100 musicals discussed on the podcast and revisit past cocktails.   You can support us by donating to: Education Through Music at https://www.classy.org/give/442371/#!/donation/checkout The D'Addario Foundation: http://www.daddariofoundation.org/about/donate  Mr. Holland's Opus Foundation: https://www.mhopus.org/donate/  Email us at boozicals@gmail.com or comment your musical requests or cocktail recommendations! Also be sure to follow us on our Instagram @boozicals and Letterboxd for updates on your now favorite podcast.

T Lo dive into 2017's "The Greatest Showman," starring Hugh Jackman, unpacking its themes and failures, comparing it to other musicals of the stage and screen, and analyzing the creative choices of its composers, director, and costume designer in order to tell a total fantasy story about a much more complicated figure.

THAT FINAL ROUND HAD US CHEERING AT THE SCREEN .. Full Length Watch Alongs & Early Access:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Gift Someone (Or Yourself) An RR Tee! https://shorturl.at/hekk2 John Humphrey & Roxy Striar step into the ring for one of the most underrated sci-fi sports movies of the 2010s, bringing you their Real Steel reaction, recap, commentary, breakdown, analysis, and full movie spoiler review!! John Humphrey & Roxy Striar react to and break down Real Steel (2011), the sci-fi sports drama directed by Shawn Levy, starring Hugh Jackman (Logan, The Greatest Showman) as Charlie Kenton, a washed-up boxer turned robot fighting promoter, alongside Dakota Goyo as Max Kenton, his estranged son, and Evangeline Lilly (Lost, Ant-Man) as Bailey Tallet. Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

This week I discuss my birthday celebrations, The Greatest Showman, movies, Easter and much more. #LOUDITPodcast is hosted by Nnedinso. Tune in every Monday for some funny stories and girl talk to cheer up your Monday blues. From life experiences to wild stories and current media, no topic is off limits. Let's LOUD IT and talk some rubbish! Twitter: @Nneddy121 and YouTube: ItsNnedinso

Andrew and Lisa are back for a special show talk episode!In this episode they discuss Kinky Boots (London Coliseum) starring Johannes Radebe, Matt Cardle and Courtney Bowman as well as the world premiere of The Greatest Showman (Bristol Hippodrome). Having spent many years at The Stage – including five years as Deputy Editor – Lisa Martland is a theatre journalist who has worked for theatrical publications such as Musical Stages, Musicals Magazine, London Theatre, Stage Faves and My Theatre Mates. She is the Founding Editor of www.MusicalTheatreReview.com.This podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

See Alex 4/18 in Pottstown, PA - https://souljoels.com/shop/tickets/alexpearlman/ Social Media Workshop 4/18 in Pottstown, PA - https://souljoels.com/shop/merch/socialmediaworkshop/ Mr. and Mrs. P return to the christian movie guide to see what MAGA thinks of their favorite  (and least favorite) musicals. From Sweeney Todd, A Star is Born, Moulin Rouge!, Chiago to the Sound of Music, Les Mis and of course The Greatest Showman. It goes exactly as you would expect, hilarious, enraging and sometimes downright confusing. JOIN OUR PATREON COMMUNITY -

What if the very traits that got you hooked on porn—curiosity, childlike wonder, and awe—are actually keys to your freedom? As Jason Mellard explains, these qualities aren't bad; they are simply waiting to be reclaimed and redeemed. You'll learn about observation vs. obsession, building with vision vs. escaping into fantasy, and appreciating beauty vs. idolizing it...Bonus: Stay tuned for a spontaneous musical moment where Jason inspires Drew to burst into song—belting out lyrics from The Greatest Showman and sharing how it shaped his imagination for Husband Material.Jason Mellard is the founder of Own Your Identity, where he empowers men experiencing unwanted same-sex attraction to live the life they truly desire. Jason is a Certified High Performance Coach and Certified Husband Material Coach. He has experienced sexual abuse, same-sex attraction, and freedom from porn. Jason is committed to helping men live beyond their unwanted attractions and negative habits into a life of purpose and possibility through the power of Christ and for the glory of God.Listen to Jason's podcast, Own Your Identity, where he provides practical tools to bring clarity and hope to men navigating unwanted same-sex attraction.Jason is also the creator of SSAquiz.com. Take the quiz to discover how much same-sex attraction is impacting your life.Learn more about Jason at ownyouridentitynow.com.Register now for the Husband Material Retreat in Georgia (April 24-27) at husbandmaterial.com/spring-retreatSupport the showTake the Husband Material Journey...Step 1: Listen to this podcast or watch on YouTubeStep 2: Join the private Husband Material CommunityStep 3: Take the free mini-course: How To Outgrow PornStep 4: Try the all-in-one program: Husband Material AcademyThanks for listening!

See Alex 4/18 in Pottstown, PA - https://souljoels.com/shop/tickets/alexpearlman/ Social Media Workshop 4/18 in Pottstown, PA - https://souljoels.com/shop/merch/socialmediaworkshop/ Mrs. P looks into the exploitative practices of P. T. Barnum from slavery to animal cruelty, fraud and extreme greed. P. T. Barnum was a man not afraid to lie. This image contrasts incredibly to Hugh Jackman's portrayal in the movie "The Greatest Showman" which completely white washes his image and calls into question Hugh's relationship with Rupert Murdoch. JOIN OUR PATREON COMMUNITY -

Circus proprietor. Spy. Listening in.

Over the last week, there has been debate about National press outlets being excluded from the opportunity to review ONE DAY the Musical at the Royal Lyceum Theatre in Edinburgh.The production, which is making its world premiere, is one of a handful that had declined certain critics, alongside The Greatest Showman, and the most recent tours of Legally Blonde, and Kinky Boots.Today, as well as sharing Mickey-Jo's thoughts on this specific uproar, Mickey-Jo will be pulling back the curtain a little on how reviews are arranged, who this affects, and why this decision may have been made...check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction03:00 | how reviews are arranged11:44 | the ONE DAY backlash19:43 | further thoughts 26:31 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

We're going back to the circus this episode! Colden joins Jon on discussing the first musical based on P.T. Barnum's life starring the one and only Michael Crawford. They get into how this influenced theatre, Jon brings up some things he didn't like, and the two compare it to The Greatest Showman (because you have to).Colden's Social -Instagram: @coldenlambWebsite: www.coldenlamb.comYouTube: https://www.youtube.com/@ColdenLambA Marc Blitzstein Archive YouTube: https://www.youtube.com/@BlitzsteinArchivePodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodThreads: @butasongpodNext episode: Goldilocks and the Three Bares!

As promised, Mickey-Jo made it to the Bristol Hippodrome to see the first preview performance of the world premiere of THE GREATEST SHOWMAN, finally on stage as a full musical.The show stars Oliver Tompsett as PT Barnum and Samantha Barks as Charity Barnum, with a supporting cast including Ben Joyce, Lorna Courtney, Vajèn van den Bosch, Malinda Parris and more.In lieue of a review, here is what Mickey-Jo can tell you about this hugely anticipated show - from the runtime to the cut characters and newly added songs...•00:00 | introduction03:15 | theatregoing experience08:19 | storyline / characters16:54 | the old and new songs23:09 | staging and design29:15 | the future of the show36:20 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Diane and Sean discuss the musical spectacular, The Greatest Showman. Episode music is, "The Greatest Show", written by Benj Pasek, Justin Paul, and Ryan Lewis performed by Hugh Jackman Keala Settle, Zac Efron, Zendaya, and The Greatest Showman Ensemble from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

This sounds amazing! Actor Lee Mead joined Dave for a chat about his upcoming Bord Gais Energy Theatre show - ‘Barnum'. Coming to Dublin from the 14th-18th of April.

We answer the important questions like - Where is the actor who played Charity dad from? What song won the best original song oscar in 2018? and What is the time period of this movie? check out our show notes at www.girlsnightinradio.com

Less than a year after it arrived in the West End, it has been announced that Disney's HERCULES will conclude its run in London.This perhaps surprising news has invited speculation as to why the popular show is ending so soon, and which show might be next at Theatre Royal, Drury Lane?Is this the soon to be announced West End home of THE GREATEST SHOWMAN, or is Broadway going to be that musical's next destination after its Bristol world premiere?Check out Mickey-Jo's thoughts in this theatre news recap...•00:00 | introduction02:34 | Hercules closing 07:14 | why is it closing?11:22 | The Greatest Showman 16:14 | something else?21:44 | Hercules' futureAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Amidst an already exciting year of theatregoing in the United Kingdom, Mickey-Jo and his stagey fiancé @AeronJames are talking through some of their most anticipated plays and musicals in 2026.In and beyond the West End, from return engagements of Inter Alia and Cyrano de Bergerac, to new productions of The Greatest Showman and The Unlikely Pilgrimage of Harold Fry as well as regional revivals of My Fair Lady, Once, and more.Check out their respective recommendations and don't forget to share yours in the comments!•00:00 | introduction02:06 | Musicals in London10:21 | Plays in London18:26 | Off-West End shows26:44 | Regional Productions37:12 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Happy Monday! Jane's been putting her pipes to good use over the weekend, and she brings a flavour of it to this episode… aren't you lucky? Jane and Fi also chat butter wars, claggy swallows, handwriting, and Le Creuset. Our next book club pick is 'A Town Like Alice' by Nevil Shute. The original music for The Greatest Showman is by Benj Pasek and Justin Paul. Our most asked about book is called 'The Later Years' by Peter Thornton. You can listen to our 'I'm in the cupboard on Christmas' playlist here: https://open.spotify.com/playlist/1awQioX5y4fxhTAK8ZPhwQIf you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producers: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

In 2017, Hugh Jackman led an ensemble cast in a musical based on the life of circus ringmaster P.T. Barnum, which proved to be a smash hit at the box office. Co-starring Zac Effron, Michelle Williams, Rebecca Ferguson, Paul Sparks, and including Zendaya, Yahya Abdul-Mateen II, Keala Settle, Sam Humphrey, Eric Anderson, and Natasha Liu Bordizzo as members of Barnum's freakshow, with songs by Benji Pasek and Justin Paul, this film directed by Michael Gracey earned multiple awards and nominations, including a Grammy for its soundtrack. However, critics were mixed, praising its music and production, but roasting the film's historical revisionism and melodramatic approach. With a stage musical coming to the West End later this year, will our hosts decide that the greatest show on Earth is The Greatest Showman? Or would we rather run away to join the circus than have to watch it again?   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

In this episode of The 10 Ninety Podcast, Mason sits down with Brooke Pando for her second appearance on the show. Brooke is the mother of London "Lundy" Pando, who lives with Ehlers-Danlos syndrome type 6A—a degenerative condition that leaves her body unable to support her muscles and bones, making every day uncertain. London, now 13, survived a massive stroke in utero at 34 weeks that liquefied three-quarters of her brain, and doctors never expected her to live past her first few hours. Since Brooke's last appearance, her mother Margo Ann Nielsen Erickson passed away suddenly from metastatic pancreatic cancer just three months after diagnosis. Brooke shares the devastating experience of losing her mother—London's best friend and their family's primary caregiver—and how it has intensified the anxiety of knowing London could die at any moment. Brooke opens up about the dream she had months before her mother's diagnosis that warned her of the loss to come, the whirlwind of becoming her mother's full-time caregiver, and the shock of her mother's sudden death despite being on hospice. She talks about the heartbreaking day she and her father went to the cemetery to pick out burial plots—not just for her mother, but five spots total, knowing London would one day be buried there too. Together with Mason, Brooke discusses the impossible weight of living in constant fear of losing her daughter while simultaneously grieving her mother, the guilt she feels for not being as happy as London despite London's daily suffering, and the strain that anticipatory grief puts on her marriage to Blake and her other two children. She shares London's remarkable spirit—a child who calls people five times a day just to talk, who loves Trolls and The Greatest Showman, and who remains the happiest person despite living in constant physical pain. Brooke and Mason have an unflinchingly honest conversation about the questions that haunt them both: Where do our loved ones go when they die? Why do signs and dragonflies appear when we need them most, then disappear? How do you keep living when you know the worst is still coming? And why does grief feel so all-consuming, so relentless, so impossible to escape? It's a raw conversation about anticipatory grief, the loneliness of waiting for tragedy, and the brutal reality that sometimes the only thing we can do is live—because that's what the people we love most would want us to do.

In this episode of The C-Suite Mentor Podcast, Theresa Cantley shares a focused Leadership Bite for Main Street and founder-led business owners who are feeling stuck as they move into 2026. Cutting through the noise of economic predictions, marketing trends, and external pressures, Theresa brings the conversation back to inside-out leadership. She explains why feeling stuck is often a result of holding onto past mistakes, frustrations, or outdated beliefs—and how that internal misalignment creates overwhelm and hesitation. Drawing from years of experience working with small business owners, Theresa introduces four common leadership styles that show up in Main Street businesses and explores how each one can unintentionally limit growth. This episode offers practical insight and reflection to help leaders let go of the past, simplify their focus, and move forward with clarity and confidence.     Things to Listen For: Main Street / founder-based businesses → comes from the opening passion and background about Main Street businesses (00:01–03:00) External noise, economy, predictions, overwhelm → directly from the section where Theresa talks about 2026 noise, marketing advice, buyer behavior, economy, government, etc. (around 04:00–05:30) "Stuck is a choice" → explicitly stated multiple times in the episode (around 05:45–07:00) Holding onto the past blocking growth → discussed when she explains holding past failures, frustrations, and emotions (06:30–11:30) Misalignment between goals and beliefs → the friction explanation (around 10:30–12:00) Craft Master → exact leadership type explained in detail (13:00–15:00) Firefighter → exact leadership type explained with examples (16:00–18:30) Greatest Showman → exact leadership type explained (19:00–21:30) Idea King / Queen (Visionary) → exact leadership type explained (22:00–24:30) Four reflection questions → directly from the closing section of the episode (25:00–27:30) Letting go to move forward → closing message about releasing the past to step into the future (28:00–31:10)     Shownotes: In this Leadership Bite episode, Theresa Cantley speaks directly to Main Street business owners and founders who feel overwhelmed, stuck, or trapped in survival mode. She explains that while external factors like the economy, staffing challenges, and industry trends may influence a business, real leadership growth begins internally. Theresa introduces four leadership styles she commonly sees in founder-led businesses: The Craft Master – Leaders deeply connected to their craft who stay in the weeds of daily operations and struggle to step into mentorship, delegation, and vision-driven leadership. The Firefighter – Leaders who spend most of their time putting out fires, fixing problems, and managing conflict, leaving little space for strategic thinking or long-term growth. The Greatest Showman – Creative leaders with constant ideas who focus on momentum and appearance while neglecting foundational systems, processes, and execution. The Idea King or Queen – Visionary leaders who understand strategy but try to implement everything themselves, often overloading teams and overcomplicating the business. Theresa closes the episode with four reflective questions—one for each leadership style—designed to help leaders simplify, empower their teams, release past limitations, and reconnect with their core mission.     Final Leadership Reflection Leadership is not about doing more—it's about letting go. By releasing past experiences, simplifying focus, and leading from the inside out, Main Street business owners can move beyond survival mode and create meaningful impact for their teams, communities, and businesses.  

SCRIPTWRITING TALK AND MORE! Welcome To Plotpoints Podcast! Mark Sevi Show Notes January 23, 2026 Episode #327   This is Plotpoints Podcast! www.plotpoints.com With Co-Host Christopher Stires GO HERE FOR INFO ON SCRIPTWRITING CLASSES and SEMINARS   SHAMELESS PROMOS: Final Draft – Articles by Mark Sevi for Final Draft and JUST RELEASED! Tips, Tricks, Essays on Writing ~*~ CURIOUS? CONFUSED? CONFOUNDED? On Amazon, Ebook or Paperback _______________________________________________________________________ A Scriptwriting Manual for All Writers! On AMAZON SHOW DETAILS 00:00:00 INTRO Podcast theme music by Mark Sevi, Interstitial Music by MaxCo Music Seminars and Classes 00:03:00 WHAT ARE WE WATCHING? #deepspacenine #starfleetacademy #southland #veronicamars #veronica-mars 00:7:00 RANT – Just Write! 00:09:00 WHAT ARE WE WORKING ON? #script #book #ghostWriting #article #anthology 00:12:00 TOP AMAZON CHOICES OF 2025 #totallykiller #blacksnow #maigret #greatestShowman #reacher #bones #bluelights 00:19:00  QUOTE / BUH BYE “Stuff your eyes with wonder,live as if you'd drop dead in ten seconds.… Read the rest

Dan and Brian kick off 2026 discussing a little-seen, time-hopping, breakup musical starring Jeremy Jordan and Anna Kendrick. Join as they discuss nonlinear timelines in movies, showtunes, Jordan's talent and connections to The Greatest Showman, the complicated life of being a creative, depicting subjectivity on screen, the many La La Land connections, and a tribute to Adam the Woo. Dan's movie reviews: http://thegoodsreviews.com/ Subscribe, join the Discord, and find us on Letterboxd: http://thegoodsfilmpodcast.com/

Ali Wong and Bill Hader have quietly called it quits after two years together, and fans are revisiting everything from their surprisingly sweet origin story to new reports about why the split happened — and what Bill is really like behind the scenes.And Kendall Jenner got candid on a podcast this week, opening up about her life growing up, addressing long-running internet rumours that she’s secretly a lesbian, and explaining why so many people still refuse to believe her when she talks about the cosmetic procedures she has (and hasn’t) had done.Plus, Disney has officially unveiled the cast for its upcoming live-action Tangled, directed by the mind behind The Greatest Showman. With a fresh Rapunzel, Hollywood nostalgia in overdrive, and Gen-Z audiences in mind, we dive into whether this remake will capture the magic.You can find Kendall Jenner's interview here. THE END BITS Love binge-watching TV? The Spill has launched Watch Party — spoiler-filled episode deep dives into the shows everyone’s talking about. Find the feed on Apple or Spotify. Support independent women's media Follow us on TikTok, Instagram and Facebook. And subscribe to our Youtube channel. Read all the latest entertainment news on Mamamia... here. Discover more Mamamia Podcasts here. Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP! CREDITS Hosts: Laura Brodnik and Ksenija Lukich Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

You may know Hugh Jackman as the star of X-Men, The Greatest Showman, and Les Misérables, but did you know that he has a secret to success that involves working less, not more? That's right, Hugh Jackman follows the 85% rule, an unofficial guide to life that says we should try hard at things, but not too hard. In other words, we should aim to work at 85% of our capacity, rather than 100%. But why would he do that, and does it really work? Does the science back up this claim? In under 3 minutes, we answer your questions! To listen to the last episodes, you can click here: ⁠What is the Werther effect?⁠ ⁠How can I overcome my fear of speaking in public?⁠ ⁠What are plant milks?⁠ A podcast written and realised by Amber Minogue. First Broadcast: 10/10/2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Season 14! This week Andrew talks with Tony-nominated Broadway star Lorna Courtney. Lorna starred as Juliet in the hit Broadway musical & Juliet where she earned a Tony Award nomination. Now, Lorna is preparing to star in the world premier stage adaptation of The Greatest Showman. In this conversation, Lorna pulls back the curtain on many of the mindsets, ideas, & decisions that have shaped a journey that's taken her from days as a shy, young kid all the way to belting out hit songs on the Broadway stage. You'll hear powerful ideas on stepping out of your comfort zone, making the most of opportunities, adapting to new situations, & so much more. ** Follow Andrew **Instagram: @AndrewMoses123X: @andrewhmosesSign up for e-mails to keep up with the podcast at everybodypullsthetarp.com/newsletterDISCLAIMER: This podcast is solely for educational & entertainment purposes. It is not intended to be a substitute for the advice of a physician, psychotherapist, or other qualified professional.

Just so you’re aware: at one point in this episode, Barnum denies being racist while also dodging a tomato someone throws at him. And somehow… that’s not even the wildest part.Anyway—This episode takes the Barnum saga to its peak (and chaos), as we step behind the glittery curtain of “The Greatest Show on Earth” to reveal the messy reality the musical politely avoided. We explore Barnum’s controversial sideshow acts, including the dehumanizing “What Is It?” exhibit, and how he turned harmful pseudoscience into box office gold. The man was hustling — and sometimes harming — long before Hugh Jackman started singing on rooftops.Through reenactments, heated commentary, uninvited tomatoes, and Barnum himself defending every terrible idea he ever had, we unravel how spectacle, exploitation, racism, manipulation, genius, and pure shamelessness merged into the legend that shaped modern entertainment.We also follow Barnum into his unexpected political career (because of course he became a mayor), his partnership with James Bailey, and his overconfident reactions to modern TV, TikTok, Nollywood, and roller coasters. He hates most things, but respects exaggeration — naturally.This is Barnum unfiltered. Ambitious. Audacious. Problematic. And annoyingly proud of it.Welcome to The Greatest Showman — where the real story is stranger than the musical… and the musical already had a man dancing with an elephant.

This film is a pure delight!If Shaun of the Dead and The Greatest Showman were to get together and have a baby this film would 100% bet that kid. This is the only zombie, horror, musical that we have ever come across and highly entertaining from every aspect of what it promises! Zombies - Yes lots of them with hilarious and scary moments in equal measure Horror - Parts of this movie are tragic in tone, gore, terror and a never ending sense of despairMusical - Ok this is where this film excels, full musical numbers that are catchy, relevant and in places vital to plot exposition. In short this is an absolute triumph that is under discovered and underappreciated in the community.This episode has our full review, a game, facts and so much more for you to enjoy!

It's Christmas week! Merry Christmas Jokers. It's been arguably the toughest year in our young history but this episode making it out is proof that there's always light at the end of the tunnel, otherwise that's not a tunnel. Jesus loves you and there's always something past whatever you're going through at the moment.Now, before we begin, just know this: at some point in this episode, P.T. Barnum himself gets summoned into the studio, and no one emotionally survives it — least of all Lil B.Anyway—This episode pulls the glittery circus curtain straight off the myth of P.T. Barnum, the man Hollywood rebranded as a singing, dancing, top-hat philanthropist. But behind the jazz hands and catchy choruses lies a much messier truth: Barnum was a hustler, a hoax machine, a PR genius, a chronic exaggerator, and occasionally… a menace.We time-travel through his childhood scams, schoolyard “magic bean” startups, his first big hoax (selling the public a 161-year-old woman), the infamous Feejee Mermaid, and the creation of the American Museum — the original headquarters of vibes-over-facts. Then we follow him into the circus era, where elephants became walking billboards and sideshows transformed everyday people into spectacles.Through mock interviews, reenactments, interruptions by Barnum himself, Lil B’s heartbreak, Shalewa’s disappointment, and Prof Prof being generally unhelpful, we break down the real story behind “The Greatest Showman.”This isn’t the Barnum from your musical playlist.This is the Barnum who would’ve sold that playlist to you for triple the price — and thrown in a fake mermaid for good measure.Step right up, Jokers.The humbug awaits.

If next year were a movie, what kind of film would it be? Action? Adventure? Redemption? A rom-com with questionable decisions and a killer soundtrack? Whatever it is — here's the truth: no magical hand is writing it for you. You get to take the damn pen. You're the writer, the director, and the lead. In this follow-up to The Hero's Journey, April hands you the director's chair for your own life. Too many leaders and entrepreneurs drift into another year by default — replaying the same story, following the same plot, repeating the same dialogue. But what if 2025 wasn't a sequel? What if you wrote something entirely new? In this episode, April challenges you to choose your genre, claim your pen, and direct a story that actually excites you. Because your life isn't a rerun — it's a production in progress. Key Takeaways 1️⃣ You Are the Director of Your Story No one else gets to decide the tone, the plot, or the outcome. You hold the pen. 2️⃣ Drift vs. Direction Most of us live other people's priorities — reacting instead of creating. 2025 doesn't have to be a rerun; it can be your reboot. 3️⃣ The Coaching Call that Sparked It During a group session, April asked: "If next year were a movie, what would it be?" William said The Greatest Showman — bold moves, bigger stages. Daniel said The Pursuit of Happyness — grit and purpose over glamour. Katrina said The Wizard of Oz — the journey home to her own power. Each one picked a story that matched their growth season. 4️⃣ The Plot Twist for You So, what's your movie? Action — courage to leap into what you've delayed. Redemption — rebuilding after loss or burnout. Release — letting go of control, perfectionism, or old identities. Rated R for real life — raw, unfiltered, fully alive. 5️⃣ April's Reminder You're not behind — you're just busy filming the wrong movie. If last year was Groundhog Day, make this year The Great Escape. If last year was Cast Away, make this one Homecoming.  Quotes "No producer is coming to save your script — you already hold the pen." "You're not behind; you're just stuck in the wrong movie." "If last year was a sequel, this year can be your reboot." "You don't need permission to start — just courage to claim the pen."  Challenge for Pivoters Take ten quiet minutes this week — no phone, no noise. Write the title of your 2025 movie. Ask yourself:

Tonight, TG4 will show a documentary, Beo Faoin bhFód. It is a new Irish language documentary, commissioned and funded by TG4 and Coimisiún na Meán, about a man called Mick Meaney who was buried alive in a coffin in London in 1968. The man who organised the stunt was impresario and boxing promoter Michael ‘Butty’ Sugrue from Killorglin. Jerry spoke to Seamus Moriarty from Castlecove, who worked for Butty in London in the 1970s.

durée : 01:28:50 - Rencontre avec les nouvelles coqueluches de Broadway et de Hollywood : Benj Pasek et Justin Paul (2eme partie) - par : Laurent Valière - En 10 ans, Justin Paul et Benj Pasek se sont imposés dans le théâtre musical. Ils travaillent à l'adaptation sur scène du film qui les a propulsés "The Greatest Showman" sur scène au Royaume Uni et se confient au micro de Laurent Valière. - réalisé par : Céline Parfenoff Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In Episode 89, we're back with our 5 Fun Things series! After a very busy stretch at Rhythm and Confetti, we're excited to reconnect and share what we've been up to. Here are 5 Fun Fall Festivities we've been up to at Rhythm since our last episode!1. Year-End Show Reveal Our annual Reveal continues to be one of the most anticipated events of the entire season. With a large graduating class and a need for lots of character opportunities, we built four days of clues leading up to the announcement. The reveal of The Greatest Rhythm Show: A Sparktacular Circus Spectacle—our circus-inspired spin on The Greatest Showman—generated huge buzz in the studio and online. Immediately afterward, we decorated our Fun Wall with themed banners and balloons, which became a favorite photo spot throughout the fall.2. Fun at the Fair with Senior Edge Company To celebrate the new show theme and give our seniors a night out, we headed to the North Georgia State Fair. The dancers arrived in Circus-inspired looks (with grads dressed as their individual show characters), and the bright fairgrounds provided the perfect backdrop for fun and colorful photos we'll use throughout the season. We created a scavenger hunt, divided them into teams, and sent them off to complete creative tasks—from snapping cotton candy pics to teaching dance moves to strangers. At the end of the night, dancers filled out a form with personalized compliments for each teammate. We compiled the messages into keepsake prints featuring a photo and all the notes from their peers.3. Year-End Show Retreat Our annual retreat remains a cornerstone of our season. We rented a peaceful Airbnb south of Atlanta to focus on planning the entire show—concepts, music, edits, costumes, costume orders, emails, dress rehearsal schedules, and more. The setting allowed for fresh air, walks, porch time, and the kind of creative space that makes the workload manageable. It was packed with productivity, but also with fun, food, and a little college football in the background.4. Halloweek at Rhythm Halloweek is always a fall favorite. Dancers dress up all week long, and our faculty goes all-in with coordinated costumes for a themed photo and video shoot scheduled during a staff meeting. This year, even with a circus theme in play, K-Pop Demon Hunter–inspired costumes absolutely dominated. Our adult classes also delivered full-out, spooky, highly produced videos with elaborate staging and costumes. Their commitment grows every year and the results are always a highlight!5. Raise the Roof and Hammer Out Hunger With construction still underway on our new studios, we leaned into a building theme for our fall community outreach. We launched a food drive benefiting MUST Ministries, and our Rhythm families responded with incredible generosity. A friendly competition between companies added extra excitement, with the winning group earning a pizza party. Next month we'll shift from food to warm clothing, collecting coats and winter wear for local schools. We always look forward to giving back to our community! That's our fall recap. If you'd like us to dive deeper into any of these topics, reach out by DM or email. And be sure to join us next time—we're heading into Camp Confetti reveal season, and we can't wait to share what's coming for summer!Let's Get Social! Join our FREE Confetti Circle Request to join our private Facebook Group Follow us on Insta, Facebook and Pinterest

Tony-nominated Broadway star Lorna Courtney joins The Art of Kindness with Robert Peterpaul for our World Kindness Day special! The multi-hyphenate shares how leading with love keeps her grounded on and off the stage. From &Juliet to Heathers: The Musical, the powerhouse performer opens up about confidence, community, and the acts of kindness that helped shape her journey. Happy World Kindness Week! Taped live in the Welcome To Times Square Studio, this kindness podcast episode covers: How kindness became Lorna's secret to strong, authentic leadership. A touching fan story that reminded her what Broadway is really about. The self-care rituals that keep her voice and spirit healthy through eight shows a week. The power of bubble baths + much more. LORNA COURTNEY currently stars as Veronica Sawyer in the hit cult classic Heathers and will next be seen in The Greatest Showman musical. She previously completed a triumphant run as Juliet in the Broadway musical & Juliet, earning a Tony Award nomination for Best Performance by a Leading Actress in a Musical, a Drama League Award for Distinguished Performance, and won the Clive Barnes Award for Theatre. She was a guest lead in CBS's premiere of THE EQUALIZER opposite Queen Latifah, appeared in Dear Evan Hansen and the Broadway revival of West Side Story. Lorna received her BFA from the University of Michigan and graduated from Fiorello H. LaGuardia High School. This episode is sponsored by Grether's Pastilles, the premium Swiss lozenges that are kind to your voice. It's also powered by Welcome to Times Square, the billboard experience that lets YOU be a star for a day. Thank you for supporting kindness! Follow Lorna ⁠@lornaacourtney Let's be friends! ⁠⁠⁠@artofkindnesspod⁠⁠⁠ / ⁠⁠⁠@robpeterpaul⁠⁠⁠ ⁠⁠⁠youtube.com/@artofkindnesspodcast⁠⁠⁠ ⁠⁠⁠Support the show⁠⁠⁠! (⁠⁠⁠https://www.buymeacoffee.com/theaok⁠⁠⁠) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Singer and Star of SIX on Broadway, Kelsie Watts, joins Nicole Barlow and Ryan Pak to discuss the soundtrack to the 2017 Michael Gracey film, The Greatest Showman. The soundtrack spent 28 weeks at #1 on the Billboard charts, and the song "This is Me" won the Best Original Song award at the Golden Globes and was nominated for Best Original Song at the Oscars. The songwriting team of Pasek/Paul (La La Land, Dear Evan Hansen) wrote all the songs for the film. 00:00:00 - 00:07:45 Introducing Kelsie Watts! 00:07:46 - 00:09:45 Why Did Kelsie Pick The Greatest Showman and Facts About the Soundtrack 00:09:46 - 00:12:30 The Song of Pasek/Paul/ Hugh Jackman's Reaction to Kelsie's Cover of "Never Enough" 00:12:31 - 00:19:00 Preparing for a Musical 00:19:01 - 00:20:10 The Versatile Hugh Jackman 00:20:11 - 00:25:15 What Does Kelsie Think of Everyone's Singing in the Film? 00:25:16 - 00:26:30 The Golden Globe Winning and Oscar Nominated "This is Me" 00:26:31 - 00:29:15 A Greatest Showman Musical? 00:29:16 - 00:33:29 Kelsie's Future Plans and Goodbyes Kelsie' single "Fit In" is available in it's original studio form, acoustic, or remixed by SMASHKASH X MIXMASTERDAVID. She's featured on the Manafest song "Take You Higher", and just released the song "Christmas in New York", just in time for the holidays. For more information about Kelsie Watts: Website TikTok Instagram Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 01:28:50 - Rencontre avec les nouvelles coqueluches de Broadway et de Hollywood : Benj Pasek et Justin Paul (1ere partie) - par : Laurent Valière - En dix ans, le duo Benj Pasek et Justin Paul, auteurs-compositeurs rencontrés à la fac, est devenu incontournable : ils ont écrit les chansons de The Greatest Showman, les paroles de La La Land et emportés six Tony Awards pour Dear Evan Hansen, présenté pour la première fois en France. - réalisé par : Céline Parfenoff Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The third entry in our "American Dream" miniseries of listener requests is the 1980 musical BARNUM. Now, that means it is not THE GREATEST SHOWMAN, and please don't come for Jeff if he speaks too candidly about that musical! Instead, join us for a lively discussion regarding the showmanship of P.T. Barnum and the musical that bears his name as well as the complex legacy of characters like him in American History. Here to discuss it all is someone who knows a thing or two about showmanship. He can currently be seen in the Broadway smash MJ and recently choreographed a new production of BARNUM: it's Ryan VanDenBoom! (BANDSTAND, SOMETHING ROTTEN, and more.) Follow Ryan on Instagram at @ryanvandenboom If you liked this episode, check out THE MUSIC MAN with Teri Bibb Join all the cool people at PATREON! for bonus episodes, essays, and polls. Share our episodes and videos on Instagram and TikTok. Don't forget about our TeePublic Store where all the profits we receive are donated to Broadway Cares/Equity Fights AIDS. Above all, thank you for being part of this wonderful podcasting community. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey Broadway Besties! Time for our weekly check-in on the Broadway News & Top Selling Shows!In Broadway News:

In which we talk Joan's arrival to SF, Gwyneth Paltrow's ‘toxic' work environment, updates on Wendy Osefo's arrest, Justin Trudeau and Katy Perry making it ‘yatch-official', and Jennifer Lopez's latest interview on Howard Stern. JOIN US ON PATREON BONUS EPISODES + TV TALK EVERY WEEK About Eating For Free: Hosted by journalists Joan Summers and Matthew Lawson, Eating For Free is a weekly podcast that explores gossip and power in the pop culture landscape: Where it comes from, who wields it, and who suffers at the hands of it. Find out the stories behind the stories, as together they look beyond the headlines of troublesome YouTubers or scandal-ridden A-Listers, and delve deep into the inner workings of Hollywood's favorite pastime. The truth, they've found, is definitely stranger than any gossip. You can also find us on our website, Twitter, and Instagram. Any personal, business, or general inquires can be sent to eatingforfreepodcast@gmail.com  Joan Summers' Twitter, Instagram Matthew Lawson's Twitter, Instagram

Broadway casting for ‘Joe Turner’s Come and Gone,’ ‘Giant,’ and ‘Schmigadoon’; ‘Greatest Showman’ world premiere cast Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio read more

Welcome to Multiverse News, Your source for Information about all your favorite fictional universes While Marvel Studios allegiance to San Diego and Hall H seems to have waned in recent years, not so for last weekend's New York City Comic Con where our favorite cinematic universe teased the latest and greatest for their small screen offerings. Let's rundown the biggest headlines from Marvel Television:Wonder Man released its official teaser trailer alongside the announcement that the 8-episode series had been delayed from December 2025 to January 27, 2026Fans in attendance were treated to an exclusive trailer for Daredevil: Born Again Season 2, presented by Daredevil actor Charlie Cox who was reunited with Jessica Jones actor Krysten Ritter. The series was confirmed for a March 2026 release on Disney Plus and we also learned Wilson Bethel's Bullseye will return and Matthew Lillard will be an antagonist to Vincent D'Onofrio's Kingpin. Separate from NYCC, but still worth mentioning on the subject of Daredevil: Born Again, speaking with Entertainment Tonight Marvel TV Head Brad Winderbaum shared the season's connection to Spider-Man: Brand New Day, saying "We are communicating a lot with the team on Spider-Man: Brand New Day to make sure that there's coherence there. We don't want to spoil anything, but it very much exists in the same world and it is important."VisionQuest and Your Friendly Neighborhood Spider-Man Season 2 were confirmed for Fall 2026 release windows, while X-Men '97 Season 2 was announced for Summer 2026. All three shows debuted exclusive trailers not yet released to the public and both animated series confirmed their third seasons to be in development.On the DCU TV side of things, Peacemaker Season 2 aired its final episode last week, and while we'll avoid getting specific with spoilers given the recency, when asked about a third season James Gunn did provide comments on the series' future and its impact on the DCU at large, saying, “This is about the other stories in which this [cliffhanger] will play out,” he said. “Never say never. But right now, this is about the future of the DCU.” Gunn also shared that he spoke with Ryan Reynolds about a Deadpool cameo in Peacemaker and that while the actor was interested, the logistics required to pull off the crossover were ultimately deemed too daunting.Despite Tron: Ares' number one spot debut at the box office last weekend with a $60.5 million global haul, the numbers are disappointingly muted when weighed against projections of $85-95 million and a reported $180 million budget. The film currently holds a 56% on Rotten Tomatoes and B+ Cinemascore.HBO revealed the debut trailer for Game of Thrones spin off A Knight of the Seven Kingdoms at New York Comic Con last week and has announced a premiere date of Jan. 18.Bradley Cooper is in talks to star opposite Margot Robbie in the Ocean's Eleven prequel at Warner Bros. Twisters director Lee Isaac Chung is attached to direct with Robbie's Lucky Chap producing.Warner Brothers has announced that an untitled follow up to A Minecraft Movie will hit theaters on July 23rd, 2027. Jared Hess returns to direct and will write the script with Chris Galletta, one of the writers of the original.Disney has officially resumed development on a live action adaptation of Tangled. The project has The Greatest Showman's Michael Gracey attached to direct a script from Jennifer Kaytin Robinson. Scarlett Johansson is being eyed to star as Mother Gothel.Christopher Briney, one of the leads of Prime Video's The Summer I Turned Pretty, has joined HBO Max's Emmy-winning comedy Hacks for its upcoming fifth season, which is currently in production.

You can listen wherever you get your podcasts, OR— BRAND NEW: we've included a fully edited transcript of our interview at the bottom of this post.In this episode of The Peaceful Parenting Podcast, we have a coaching call with Laurel and Derrick. This call is such a good one because we cover ALL the big ideas behind the peaceful parenting approach, while applying them to real life scenarios in a home with three kids. Topics include sibling rivalry, nurturing our kids, self regulation, how to handle kids asking lots of questions and always wanting more, what parenting without punishment looks like, and more!**If you'd like an ad-free version of the podcast, consider becoming a supporter on Substack! > > If you already ARE a supporter, the ad-free version is waiting for you in the Substack app or you can enter the private feed URL in the podcast player of your choice.Know someone who might appreciate this post? Share it with them!We talk about:* 7:00 What it looks like when our children truly respect us* 9:00 7-year-old refusing to get dressed* 12:10 Why it is okay baby and nurture our kids* 14:00 Tuning into our own self regulation* 18:00 Mindset shifts to give our kids the benefit of the doubt* 19:30 How to handle sibling rivalry* 24:00 Don't try to make it a teachable moment* 38:00 When kids ask questions over and over* 41:00 Why kids always want more!* 45:00 Helping kids see how their actions affect other people* 55:00 Why kids lie and what to do* 57:00 Natural consequences, boundaries, and limits* 1:02 Peaceful Parenting MantrasResources mentioned in this episode:* Yoto Player-Screen Free Audio Book Player* The Peaceful Parenting Membership* Free Stop Sibling Fights E book* Free How To Stop Yelling at Your Kids e-coursexx Sarah and CoreyYour peaceful parenting team- click here for a free short consult or a coaching sessionVisit our website for free resources, podcast, coaching, membership and more!>> Please support us!!! Please consider becoming a supporter to help support our free content, including The Peaceful Parenting Podcast, our free parenting support Facebook group, and our weekly parenting emails, “Weekend Reflections” and “Weekend Support” - plus our Flourish With Your Complex Child Summit (coming back in the spring for the 3rd year!) All of this free support for you takes a lot of time and energy from me and my team. If it has been helpful or meaningful for you, your support would help us to continue to provide support for free, for you and for others.In addition to knowing you are supporting our mission to support parents and children, you get the podcast ad free and access to a monthly ‘ask me anything' session.Our sponsors:YOTO is a screen free audio book player that lets your kids listen to audiobooks, music, podcasts and more without screens, and without being connected to the internet. No one listening or watching and they can't go where you don't want them to go and they aren't watching screens. BUT they are being entertained or kept company with audio that you can buy from YOTO or create yourself on one of their blank cards. Check them out HERETranscript:Derrick: Hi, good morning.Sarah: Hi Derek. Nice to meet you. Hi Laurel. Hi. Are you a firefighter, Derek? I'm—yeah, I'm actually—I see you've got your sweatshirt.Derrick: Yeah. Just a heads up, I may have to jump off if we get a call.Sarah: Okay. Well, so nice to meet you guys. So you've got three—boy, girl, girl. And what would you like to talk about today?Laurel: I think I just love your whole—I've sent Derek a couple things—but I just love your whole premise of peacefulness and remaining calm when it's easy to get angry. Mm-hmm. And just some tools for doing that. I guess like some basic things, because we would both like to say where, you know, we have like, you know, the streaks where we're all calm, calm, calm, and then just—and then her, yeah, limit. Yeah.And so yeah, just tools for when that happens. We have very typical age-appropriate kind of response kids, mm-hmm, that need to be told 80 times something. And so it's frustrating. And then how to help them kind of see—without bribing, without threatening discipline, without all of that. Yeah. Like how to have a better dialogue with our kids of teaching respect and teaching kind of “we do this, you do this.”Sarah: Yeah. Yeah. So, I mean, maybe. Okay. So there's always gonna be situations where it's hard to stay calm, you know? Just being a parent—like of course your kids are gonna push your buttons sometimes. But rather than—so, we do always start with self-regulation.And what I mean by self-regulation isn't that you never get upset. It's that when you do get upset, you know how to calm yourself and take a minute, take a breath—whatever you need to do—so that you don't yell. Because yelling hurts our relationship with our kids. You mentioned respect. I think there's an old idea of respect that used to mean that kids were afraid of their parents, right?But real respect is that you care what another person thinks. Like, that's real respect. I don't want to do this because I don't want my dad or my mom to be unhappy with me—not that I'm afraid of what's gonna happen if I do it, but I care what they think and they care what I think. And that's how I define respect. True respect doesn't mean that you're afraid of somebody; it means that you care what they think, right?So when we yell, we chip away at that. Like yeah, we could get them to do what we want through yelling or threatening things or taking things away, but we're chipping away at our relationship with them. And that's really the only true influence.And as your kids are getting older, you're gonna see that you can control them when they're little, right? Because you can pick them up and move them from one place to another or whatever. But there's a famous quote by a psychologist that says, “The problem with using control when kids are young is that you never learn how to influence them, which is what you need as they get older.” Right? You need to be able to influence them, to get them to do what you would like them to do. And it's all about the relationship. That's really what I see as the most important thing.So back to what I was saying about yelling—yes, that's really important to be working on—but there's also: how do I be more effective so the kids will listen to me and I don't have to ask 80 times? How do I get their attention in an effective way? How do I get them to cooperate the first time or at least the second time?So it's a combination of learning how to calm yourself and stay calm when things are hard, and also being more effective as a parent—not asking 25 times, because that just trains them to ignore you. Like, “Oh, I don't have to do it until they yell,” or “I don't have to do it until they've asked me 25 times.”If there's something really unpleasant you had to do at work that you didn't want to do, you might also ignore your boss the first 24 times they asked you until you knew they were really serious, right? Mm-hmm. I mean, you wouldn't, but you know what I mean. If they can keep playing a little bit longer, they will keep playing a little bit longer.So I think what would be helpful is if you gave me some situations that have happened that you find challenging, and then we can do a little bit of a deeper dive into what you could have done instead, or what you could do next time if a similar thing comes up.Laurel: Yeah. I mean, for my daughter, for example, the middle one—she's so sweet, she's such a feeler—but then when she gets to the point where she's tired, hungry, it's all the things. She often doesn't wanna pick out her clothes. Something super simple like that.But when I'm making lunches and the other kids are getting ready and all the things, I just have to have her—I'm like, “You're seven, you can pick out clothes.” I give her some options, and then she'll just lay on the floor and start screaming, “You don't care! Why don't you pick out my clothes?”And then instead of me taking the time that I know I need to, I just tell her, “You have one minute or else this—so you lose this.” I just start kind of like, “This is yesterday.” You know, so she doesn't wanna get dressed, doesn't wanna get her shoes on. “You get my socks, you get all the big—” And then I end up picking her up, standing her up, “You need to get dressed.” And then both of us are frustrated.Sarah: Yeah. No, that's a great example.So first of all, whenever there's difficult behavior in our child, we try to look below the surface to see what's causing it. The symptom you see on the outside is a kid lying on the floor refusing to do something she's perfectly capable of doing herself. That's the iceberg part above the water. But what's underneath that?To me, I'm seeing a 7-year-old who has a 3-year-old sibling who probably does get help getting dressed, a capable older brother, and it's hard to give enough attention to three kids. What I see this as is a bid for attention and connection from you.I don't know if you listen to my podcast, but I did an episode about when kids ask you to do things for them that they can do themselves. Seven is a perfect age because you're like, “Oh my God, you're so capable of getting dressed yourself—what do you mean you want me to put your shoes on you?” But if you can shift your mind to think, Ah, she's asking me to do something she can do—she needs my connection and nurturing.So what if you thought, “Okay, I just spent all this energy yelling at her, trying to get her to do it. What if I just gave her the gift of picking her clothes out for her and getting her dressed?” It would probably be quicker, start your day on a happier note, and you would have met that need for connection.And yes, it's asking more of you in the moment, because you're trying to make lunches. But this is a beautiful example because you'll probably see it in other areas too—what's underneath this difficult behavior? Kids really are doing the best they can. That's one of our foundational paradigm shifts in peaceful parenting. Even when they're being difficult, they're doing the best they can with the resources they have in that moment.So when someone's being difficult, you can train yourself to think: Okay, if they're doing the best they can, what's going on underneath that's causing this behavior?I just want to say one more thing, because later on you might think, “Wait—Sarah's telling me to dress my 7-year-old. What about independence?” Just to put your fears aside: kids have such a strong natural drive for independence that you can baby them a little bit and it won't wreck them. Everybody needs a little babying sometimes—even you guys probably sometimes. Sometimes you just want Laurel to make you a coffee and bring it to you in bed. You can get your own coffee, but it's nice to be babied and nurtured.So we can do that safely. And I tell you, I have a 14-year-old, 17-year-old, and 20-year-old—very babied—and they're all super independent and competent kids. My husband used to say, “You're coddling them.” I'd say, “I'm nurturing them.”Laurel: Oh, I like that.Sarah: Okay. So I just wanted to say that in case the thought comes up later. Independence is important, but we don't have to push for it.Derrick: Yeah. No, I think that's super helpful. And I love—one of my good buddies just came out with a book called The Thing Beneath the Thing.Sarah: Oh, I love that.Derrick: It's such a good reminder. I think sometimes, like you addressed, Laurel is often a single mom and there is the reality of—she's gotta make lunch, she's gotta do laundry, she's gotta whatever. And sometimes there's just the logistical impossibility of, “I can't do that and this and get out the door in time and get you to camp on time, and here comes the carpool.”And so sometimes it just feels like there needs to be better planning. Like, “You just gotta wake up earlier, you gotta make lunch before you go to bed, or whatever,” to have the space to respond to the moment. Because the reality is, you never know when it's coming.Like, totally independent, and she wants to pick out her own clothes in one example—but then all these things creep up.Another way to describe what Laurel and I were talking about in terms of triggers is: I feel like we both really take a long time to light our fuse. But once it's lit, it's a very short fuse.Sarah: Mm-hmm. Mm-hmm.Derrick: So it's like for me especially, I'm cool as a cucumber and then all of a sudden the wick is lit and I'll explode.Sarah: Yeah. I think that's really good to be aware of. The thing is, if you go forward from today and start looking—you're calm, calm, calm, calm, calm—sometimes what's actually happening is what my mentor calls gathering kindling.We don't realize it, but we're gathering kindling along the way—resentment, eye-roll frustration. If you can start tuning in a little bit, you'll see that yeah, you're not yelling, but maybe you're getting more frustrated as it goes on. That's when you can intervene with yourself, like, “Okay, I need to take a five-minute break,” or, “We need to shift gears or tap each other out.”Because it feels like it comes out of nowhere, but it rarely does. We're just not aware of the building process of gathering kindling along the way.Derrick: Yeah. No, that's helpful. I have two examples that maybe you can help us with. You can pick one that you think is more important.Sarah: Sure. And I just want to comment on one more thing you said before you go on—sorry to interrupt you. If it's annoying to have to dress a 7-year-old in the middle of your morning routine, you can also make a mental note: Okay, what's under the thing? What's under the difficult behavior is this need for more connection and nurturing. So how can I fill that at a time that's more convenient for me?Maybe 7:30 in the morning while I'm trying to get everyone out the door is not a convenient time. But how can I find another time in the day, especially for my middle child? I've got three kids too, and I know the middle child can be a bit of a stirring-the-pot kid, at least mine was when he was little, trying to get his needs met. So how can I make sure I'm giving her that time she's asking for, but in more appropriate times?Derrick: Yeah, no, that's helpful. I think part of my challenge is just understanding what is age-appropriate. For example, our almost 10-year-old literally cannot remember to flush the toilet.Sarah: Mm-hmm.Derrick: And it's like, “Bro, flush the toilet.” It's been this ongoing thing. That's just one example. There are many things where you're going, “You're 10 years old, dude, you should know how to flush the toilet.” And then all the fears come in—“Is he ADD?”—and we start throwing things out there we don't even know.But it seems so simple: poop in the toilet, you flush it when you're done. Why is that? And that'll light a wick pretty quick, the third or fourth time you go in and the toilet's not flushed.Sarah: Yeah.Derrick: And then you talk about it very peacefully, and he'll throw something back at you.Sarah: So do you have him go back and flush the toilet?Derrick: We do.Sarah: Okay, good. Because if you make it a tiny bit unpleasant that he forgot—like he has to stop what he's doing and go back and flush it—that might help him in a kind and firm way. Like, “Oh, looks like you forgot. Pause your video game. Please go back and flush the toilet.”Also, maybe put up some signs or something. By the sink, by the toilet paper. There are just some things that, if they're not important to kids, it's very hard for them to remember. Or if it's not…I can't tell you how many times I've told my boys, “Don't put wet things in the hamper.” They're 17 and 20 and it drives me insane. Like how hard is it to not throw a wet washcloth in the hamper? They don't care if it smells like mildew.Derrick: Yeah.Sarah: It's very frustrating. But they're not doing it on purpose.Derrick: That's the narrative we write though, right? Like, you're just defiant, you're trying—because we've talked about this a million times. This is my desire.Sarah: And you feel disrespecedt.Derrick: Right.Sarah: That is so insightful of you, Derek, to realize that. To realize that's a trigger for you because it feels like he's doing it on purpose to disrespect you. But having that awareness and a mindset shift—he's not trying to give me a hard time. He's just absent-minded, he's 10, and he doesn't care if the poop sits in the toilet. He's just not thinking about it.Derrick: Yeah.I think the other example, which I'm sure is super common, is just: how do you manage them pushing each other's buttons? They can do it so quickly. And then it's literally musical chairs of explosive reactions. It happens everywhere. You're driving in the car, button pushed, explosion. The 3-year-old's melting, and Kira knows exactly what she's doing. Then Blake, then Kira. They just know. They get so much joy out of watching their sibling melt and scream. Meanwhile, you're in the front seat trying to drive and it's chaos.For me, that's when I'll blow my top. I'll get louder than their meltdown. And my narrative is: they're not even really upset, they're just turning it on to get whatever they want.Sarah: Classic sibling rivalry. Classic. Like, “How can I get Mom or Dad to show that they love me more than the other kid? Whose side are they gonna intervene on?” That's so classic.Kira came along and pushed Blake out of his preferred position as the baby and the apple of your eye. He had to learn to share you. Is it mostly Kira and Aubrey, or does everything roll downhill with all three?Derrick: It just triangulates and crosses over. They know each other's buttons. And you're right—it's always, “You always take her side. You never—”Sarah: Yes. And whenever you hear the words “always” and “never,” you know someone's triggered. They're not thinking clearly because they're upset and dysregulated.Sibling rivalry, or resentment, whatever you want to call it, is always about: “Who do they love more? Will my needs get met? Do they love me as much as my brother or sister?” That fear is what drives the button-pushing.It doesn't make sense that you'd pick a fight hoping your parent will choose you as the one who's right. But still, it's this drive to create conflict in hopes that you'll be the chosen one.So I could go over my sibling best practices with you guys if you want. That's really helpful for rivalry.Derrick: Yeah.Sarah: Okay. Do you currently have any rules about property or sharing in your house?Laurel: Not officially. I mean—Derrick: We typically will say stuff like, “That's Kira's. If she doesn't want to share it with you, give it back.” But the problem is we have so much community property.Sarah: Okay. That's what I call it: community property. Yeah. So you're doing exactly the right thing with things that belong to one person. They never have to share it if they don't want to, and other people have to ask before they touch it. Perfect.And in terms of community property, I'd suggest you have a rule: somebody gets to use something until they're done. Period. Long turns.I didn't know this when my kids were little, and I had ridiculous song-and-dance with timers—“Okay, you can have it for 10 minutes and then you can have it for 10 minutes.” But that actually increases anxiety. You want to relax into your play, not feel like, “Oh, I've only got this for 10 minutes.”So if it belongs to everyone, the person using it gets to use it as long as they want. And you empathize with the other person: “Oh, I know your brother's been playing with that pogo stick for an hour. It's so hard to wait, isn't it? When it's your turn, you'll have it as long as you want.”So if you have good sharing rules and community property rules right off the bat, you take away a lot of opportunities for resentment to build upDerrick: My biggest question is just how do you intervene when those rules are violated?Sarah: You just calmly say something like, “Oh, I know you really, really wanna play with the pogo stick. You cannot push your brother off of it just because you want a turn.” I'm just making things up here, but the idea is: you can't push your brother off just because you want something. Then you go back to the family rules. You could even make a sign—I actually have one I can send you to print out—that says, “In our family, we get to use it as long as we want.”And then you empathize with the aggressor about how hard it is to wait. Keep going back to the rules and offering lots of empathy. If someone's being difficult, recognize that they're having a hard time.Laurel, when Derrick said, “You always…” or “You never…,” anytime you hear words like that, you know somebody's hijacked by big feelings. That's not the time to make it a teachable moment. Just empathize with the hard time they're having. Nobody ever wants to calm down until they feel empathized with, acknowledged, and heard. You can always talk about it later if something needs to be discussed, but in the moment of heightened tension, just acknowledge feelings: “Oh my goodness, you were doing this thing and then your brother came and took it. This is so hard.”I also have a little ebook with these best practices laid out—I'll send it to you.The third best practice is: always be the moderator, not the negotiator. If there's a fight between the kids, your goal is to help them talk to each other. Don't try to solve it or say who's right or wrong. Even if you're right and careful not to favor one child, your solution will always fuel sibling rivalry. The child who wasn't chosen feels slighted, and the one who was chosen might think, “Dad loves me best.”So my phrase is: “Be Switzerland.” Stay neutral, intervene in a neutral way, and help them talk to each other. Give each child a chance to speak. Do you want to give me an example we can walk through?Derrick: A lot of times it's not even about taking, it's about disrupting. Aubrey has this baby doll she's obsessed with. She carries it everywhere—it looks really real, kind of creepy. Blake will walk by, pull the pacifier out of its mouth, and throw it across the room. Instant meltdown. His thing is, he knows the rules and how to toe the line. He'll say, “I didn't take the baby, I just disrupted it.”Sarah: Right, right.Derrick: And then, “Deal with it.”Sarah: Yeah, okay. So that's not exactly a “be Switzerland” moment, because it's not a two-way fight. He's just provoking his sister to get a rise out of her. That's classic sibling rivalry. It also sounds like he worries you don't love him as much as his sisters. Does he ever say that out loud?Laurel: He has sometimes. His other big thing is he doesn't have a brother, but they have each other. He constantly brings that up.Sarah: That's what I call a chip on his shoulder. When he provokes her like that, it's because he has feelings inside that make him act out. He's not a bad kid; he's having a hard time. Picking fights is often an attempt to get rid of difficult feelings. If we have a bad day and don't process it, we might come home cranky or pick a fight—it's not about the other person, it's about us.So I'd suggest having some heart-to-hearts with Blake, maybe at bedtime. Give him space to process. Say, “It must be really hard to have two little sisters and be the only boy. I bet you wish you had a brother.” Or, “I wonder if it's hard to share me and mom with your sisters. I wonder if it's hard being the oldest.” Share your own stories: “I remember when I was growing up, it was hard to be the big sister.” Or Derrick, you could share what it was like for your older sibling.The same goes for Kira: “It must be hard being in the middle—your big brother gets to do things you can't, and your little sister gets babied more.” The point is to let them express their feelings so they don't have to act them out by provoking.That provocative behavior is just difficult feelings looking for a way out. Your role is to open the door for those feelings. Say things like, “I know this must be hard. I hear you. You can always talk to me about your feelings. All your feelings are okay with me.” And you have to mean it—even if they say things like, “I wish they didn't exist,” or, “I wish you never had that baby.” That's totally normal. Don't be afraid of it. Resist the urge to offer silver linings like, “But sometimes you play so well together.” It's not time for optimism—it's time for listening and acknowledging.You can also say, “I'm sorry if I ever did anything that made you feel like I didn't love you as much as your sisters. I couldn't love anyone more than I love you.” You can say that to each child without lying, because it's true. That reassurance goes to the root of sibling rivalry.Derrick: That's really helpful. I'd love your insight on some of the things we're already doing. Lately, I've realized I spend more time in the girls' room at bedtime. Blake has his own room. He's more self-sufficient—he can read and put himself to sleep. For the past year, I've been reading in the girls' room instead, since they need more wrangling. So I've tried to switch that and spend more time in Blake's room reading with him. We've also started doing “mom dates” or “dad dates” with each kid.Sarah: That's perfect! My final best practice is one-on-one time. You're on the right track. It doesn't have to be a “date.” Special Time is 15 minutes a day with each child, right at home. You don't need to go to the aquarium or spend money. Just say, “I'm all yours for the next 15 minutes—what do you want to play?” Try to keep it play-centered and without screens.Laurel: Sometimes when we call it a “mommy date,” it turns into something big. That makes it hard to do consistently.Sarah: Exactly. You can still do those, but Special Time is smaller and daily. Fifteen minutes is manageable. With little ones, you might need to get creative—for example, one parent watches two kids while the other has Special Time with the third. You could even “hire” Blake to watch Aubrey for a few minutes so you can have time with Kira.Laurel: That makes sense. I did think of an example, though. What frustrates me most isn't sharing, but when they're unkind to each other. I harp on them about family sticking together and being kind. For example, last week at surf camp, both kids had zinc on their faces—Blake was orange, Kira was purple. She was so excited and bubbly that morning, which is unusual for her. In front of neighbor friends, Blake made fun of her purple face. It devastated her. I laid into him, telling him he's her protector and needs to be kind. I don't want to be too hard on him, but I also want him to understand.Sarah: Based on everything we've talked about, you can see how coming down hard on him might make him feel bad about himself and worry that you don't love him—fueling even more resentment. At the same time, of course we don't want siblings hurting each other's feelings. This is where empathic limits come in.You set the limit—“It's not okay to tease your sister because it hurts her feelings”—but you lead with his perspective. You might say, “Hey, I know people with color on their faces can look funny, and maybe you thought it was just a joke. At the same time, that really made your sister feel bad.” That way, you correct him without making him feel like a bad kid.Do you think he was trying to be funny, or was he trying to hurt her?Laurel: I think he was. He'll also reveal secrets or crushes in front of friends—he knows it's ammo.Sarah: Right. In that situation, I'd first empathize with Kira: “I'm so sorry your brother said that—it never feels good to be laughed at.” Then privately with Blake: “What's going on with you that you wanted to make your sister feel bad?” Come at it with curiosity, assuming he's doing the best he can. If he says, “I was just joking,” you can respond, “We need to be more careful with our jokes so they're not at anyone's expense.” That's correcting without shaming.Laurel: I love that. Sometimes I'm trying to say that, but not in a peaceful way, so he can't receive it. Then he asks, “Am I a bad kid?” and I have to backtrack.Sarah: Exactly—skip the part that makes him feel like a bad kid. Sensitive kids don't need much correction—they already feel things deeply. Just get curious.Laurel: That makes sense. Correcting without shaming.Sarah: Yes.Laurel: We also tried something new because of the constant questions. They'll keep asking: “Can I do this? Can I watch a show?” We got tired of repeating no. So now we say, “I don't know yet. Let me think about it. But if you ask again, the answer will be no.” Is that okay?Sarah: I used to say, “If I have to give a quick answer, it's going to be no.” I'd also say, “You can ask me as many times as you want, but the answer will still be no.” With empathy: “I know it's hard to hear no, but it's still no.” Another thing I said was, “It would be so much easier for me to say yes. But I love you enough to say no.” That helped my kids see it wasn't easy for me either.Laurel: That's helpful. Another thing: our kids do so much—they're busy and around people a lot, partly because of our personalities and being pastors. We try to build in downtime at home, but often after a fun day they complain on the way home: “Why do we have to go to bed?” They don't reflect on the fun—they just want more.Sarah: That's totally normal. You could go to an amusement park, eat pizza and ice cream, see a movie, and if you say no to one more thing, they'll say, “We never do anything fun!” Kids are wired to want more. That's evolutionary: quiet kids who didn't ask for needs wouldn't survive. Wanting isn't a problem, and it doesn't mean they'll turn into entitled adults.Kids live in the moment. If you say no to ice cream, they fixate on that, not the whole day. So stay in the moment with them: “You really wanted ice cream. I know it's disappointing we're not having it.” Resist the urge to say, “But we already did all these things.”Laurel: I love that. We even started singing “Never Enough” from The Greatest Showman, and now they hate it. It feels like nothing is ever enough.Sarah: That's normal.Laurel: I also want to bring it back to peaceful, no-fear parenting. I can be hard on myself, and I see that in my kids. I don't want that.Sarah: If you don't want your kids to be hard on themselves, model grace for yourself. Say, “I messed up, but I'm still worthy and lovable.” Being hard on yourself means you only feel lovable when you don't make mistakes. We want our kids to know they're lovable no matter what—even when they mess up or bother their siblings. That's true self-worth: being lovable because of who you are, not what you do. That's what gives kids the courage to take risks and not stay small out of fear of failure. They'll learn that from your modeling.Laurel: That makes sense.Sarah: And I've never, ever seen anyone do this work without being compassionate with themselves.Laurel: Hmm. Like—Sarah: You can't beat yourself up and be a peaceful parent.Laurel: Yeah, I know. Because then I'd see them doing it. It's like, no, I don't. Yeah. Yeah. I purposely don't want you guys to be that way. Yeah. That's great. Those are all good things to think about. I think the other questions I can tie back to what you've already answered, like being disrespectful or sassiness creeping in—the talking back kind of stuff. And that's all from, I mean, it stems from not feeling heard, not feeling empathized with.Sarah: Totally. And being hijacked by big feelings—even if it's your own big feelings of not getting what you want. That can be overwhelming and send them into fight, flight, or freeze. Sassiness and backtalk is the fight response. It's the mild fight. They're not screaming, hitting, or kicking, but just using rude talk.Laurel: Hmm. And so same response as a parent with that too? Just be in the moment with their feelings and then move on to talking about why and letting them kind of—Sarah: Yeah. And empathizing. Just like, “Ah, you're really…” Say they're saucy about you not letting them have some ice cream. “You never let me have ice cream! This is so unfair! You're so mean!” Whatever they might say. You can respond, “Ugh, I know, it's so hard. You wish you could have all the ice cream in the freezer. You'd eat the whole carton if you could.” Just recognize what they're feeling. It doesn't have to be a teachable moment about sugar or health. You can just be with them in their hard time about not getting what they want. And they'll get through to the other side—which builds resilience.Laurel: How do you discipline when it's needed—not punish, but discipline? For example, a deliberate rule is broken, somebody gets hurt, or stealing—like when it's clear they know it was wrong?Sarah: You want to help them see how their actions affect other people, property, or the community. That's where they internalize right and wrong. If you give them a punishment for breaking something, that only teaches them how their actions affect them—not how their actions affect others. That makes kids think, “What's in it for me? I better not do this thing because I don't want to get in trouble,” instead of, “I better not do this because it will hurt my sister or disappoint my parents.” So punishments and imposed consequences pull kids away from the real consequences—like someone getting hurt or trust being broken.You really want to help them understand: “The reason why we have this rule is because of X, Y, Z. And when you did this, here's what happened.” If they have a problem with the rule, talk about it together as a family. That works much better than punishment.Laurel: We had an incident at church where our 10-year-old was talking about something inappropriate with another kid. The other parent reached out, and I feel like we handled it okay. We talked with him, he was open, and we discussed what was said. Then we apologized to that parent in person and had a conversation. It didn't feel like we were forcing him to do something bad or shaming him.Sarah: That's good—it's about making a repair. That's always the focus. Without knowing the whole situation, I might not have said apologizing to the parent, because technically the parent wasn't directly involved. But if your son was willing and it felt authentic, that's great. What matters is the outcome: repair. Sometimes parents suggest an apology to make the child feel ashamed so they'll “remember it,” but that's not helpful. The question is: does the apology or repair actually improve the situation? That's what you keep in mind.Laurel: Well, thanks for all your wisdom.Sarah: You're welcome. It was really nice to meet you both.Part 2:Sarah: Welcome back, Laurel and Derek. Thanks for joining again. How have things been since our first coaching call?Laurel: Yeah. I feel like we gained several really good nuggets that we were able to try. One of them was about my daughter in the mornings—not wanting to get dressed, feeling stuck in the middle and left out. I've gotten to stop what I'm doing and pay attention to her. Even this morning, she still had a meltdown, but things went faster by the end compared to me being stubborn and telling her to do it on her own.Sarah: So you dropped your end of the power struggle.Laurel: Yeah. And it felt great because I wasn't frustrated afterward. I could move on right away instead of also blowing up. If we both blow up, it's bad. But if she's the only one, she can snap out of it quickly. I can't as easily, so it usually lingers for me. This way, it was so much better.We've had some challenging parenting moments this week, but looking at them through the lens of making our kids feel worthy and loved helped us respond differently. One thing you said last time—that “the perpetrator needs empathy”—really stuck with me. I always felt like the misbehaving child should feel our wrath to show how serious it was. But we were able to love our kids through a couple of tough situations, and it worked.Derrick: For me, the biggest takeaway was the “kindling” metaphor. I've even shared it with friends. Before, I thought I was being patient, but I was just collecting kindling until I blew up. Now I recognize the kindling and set it down—take a breath, or tell the kids I need a minute. This morning on the way to soccer, I told them I needed a little pity party in the front seat before I could play their game. That helped me calm before reengaging.Sarah: That's fantastic. You recognized you needed to calm yourself before jumping back in, instead of pushing through already-annoyed feelings.Laurel: Yeah. We did have questions moving forward. We had a couple of situations where we knew our kids were lying about something significant. We told them, “We love you, and we need you to tell the truth.” But they denied it for days before finally giving in. How do we encourage truth-telling and open communication?Sarah: Kids usually lie for three reasons: they're afraid of getting in trouble, they feel ashamed or embarrassed, or they're afraid of disappointing you. Sometimes it's all three. So the focus has to be: we might be unhappy with what you did, but we'll just work on fixing it. When they do admit the truth, it's important to say, “I'm so glad you told me.” That helps remove shame.Natural consequences happen without your involvement. If they take money from your wallet, the natural consequence is that you're missing money and trust is broken. But adding punishments just teaches them to hide better next time.Derrick: How do you frame the difference between a consequence and a boundary? Like if they mess up in an environment and we don't let them back into it for a while—is that a consequence or a boundary?Sarah: In peaceful parenting, we talk about limits. If they show they're not ready for a certain freedom, you set a limit to support them—not to punish. A consequence is meant to make them feel bad so they won't repeat it. A limit is about guidance and support.The way to tell: check your tone and your intent. If you're angry and reactive, it will feel punishing even if it's not meant to be. And if your intent is to make them suffer, that's a punishment. If your tone is empathetic and your intent is to support expectations, it's a limit.Derrick: That's helpful. Sometimes we beat ourselves up wondering if we're punishing when we're just setting limits. Your tone-and-intent framework is a good check.Sarah: And if you mess up in the moment, you can always walk it back. Say, “I was really angry when I said that. Let's rethink this.” That models responsibility for when we act out while triggered.Derrick: That's good.Sarah: You mentioned sibling rivalry last time. Did you try the “It's theirs until they're done with it” approach?Derrick: Yes—and it's like a miracle. It worked especially in the car.Sarah: That's great. I know car rides were tricky before.Laurel: What about mantras to help us remember not to let our kids' behavior define us as parents—or as people?Sarah: What you're talking about is shame. It's when we feel unworthy because of our kids' behavior or what others think. We have to separate our worth from our kids' actions. Even if your child is struggling, you're still a good, worthy, lovable person.Laurel: Almost the same thing we say to our kids: “You are worthy and lovable.”Sarah: Exactly. So when you feel yourself going into a shame spiral, remind yourself: “Even though my child did this thing, I am still worthy and lovable.” Hold both truths together.Laurel: Yes. That helps. One last question: mornings. School starts in a day, and we worry every morning will be a struggle with Kira. She resists everything—getting dressed, socks, breakfast. Then she's fine once we're in the car. How can we help her set her own boundaries about mornings?Sarah: It sounds like she gets anxious around transitions. She doesn't do well with being hurried. That anxiety overwhelms her, and she goes into fight mode—pushing back, lashing out.Laurel: Yes, that's exactly it.Sarah: So part of it is adjusting your routine—giving her more time in the morning. But another part is building resilience. The anti-anxiety phrase is: “We can handle this.” Remind her, “Even if it's not going how you wanted, you can handle it. We can do hard things.” Add in laughter to ease tension.And maybe accept that for now, you might need to spend 10 minutes helping her get dressed. That's okay. You can balance it by giving her extra nurturing at other times of the day so she doesn't seek it as much during rushed mornings.Derrick: That's good.Sarah: Thank you both so much. I've loved these conversations.Derrick: Thank you, Sarah.Sarah: You're welcome. It's been wonderful. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sarahrosensweet.substack.com/subscribe

If Broadway had a heartbeat, Alex Lacamoire might be it. You probably know him as the Grammy, Emmy, and Tony Award-winning musical genius behind Hamilton, Dear Evan Hansen, In the Heights, and The Greatest Showman. This week, we are beyond grateful to welcome him to Laugh Lines!Penn and I are lucky enough to call Alex and his wife, Ileana, our friends. In this episode, we go behind the scenes of his journey—from a Miami kid with a hand-me-down piano to a Broadway legend. We talk about how he sees music in colors (yes, synesthesia is real!), why lifting others up matters just as much as creating unforgettable scores, and how he's overcome incredible odds. Born with significant hearing loss, Alex has gone on to orchestrate and arrange some of the most iconic music of our generation.Oh—and did I mention we sing? A lot. From The Muppets to Broadway, Alex graciously humors us as everything turns into a sing-along (and even shares a keyboard with Penn). We adore Alex, and after listening, we think you will too. We love to hear from you, leave us a message at 323-364-3929 or write the show at podcast@theholdernessfamily.com. You can also watch our podcast on YouTube.Follow Alex to keep up on his latest projectsPre-order our new book, All You Can Be With ADHDVisit Our ShopJoin Our NewsletterFind us on SubstackFollow us on InstagramFollow us on TikTok Follow us on FacebookLaugh Lines with Kim & Penn Holderness is an evolution of The Holderness Family Podcast, which began in 2018. Kim and Penn Holderness are award-winning online content creators known for their original music, song parodies, comedy sketches, and weekly podcasts. Their videos have resulted in over two billion views and over nine million followers since 2013. Penn and Kim are also authors of the New York Times Bestselling Book, ADHD Is Awesome: A Guide To (Mostly) Thriving With ADHD and winners on The Amazing Race (Season 33) on CBS. Laugh Lines is hosted and executive produced by Kim Holderness and Penn Holderness, with original music by Penn Holderness (and this week, Alex Lacamoire!) Laugh Lines is also written and produced by Ann Marie Taepke, and edited and produced by Sam Allen. It is hosted by Acast. Thanks for listening! Hosted on Acast. See acast.com/privacy for more information.

HAPPY 8th BIRTHDAY PRODIGAL CHURCH! PRODIGAL AT THE MOVIES Grab some popcorn and find your seats as we explore biblical themes in some of Hollywood's best films! DOWNLOAD the Prodigal Church app for more! FIND US ONLINE: prodigalchurchfresno.com If you're new, we would love to meet you! Fill the online connect card on our website and we will reach out to you. prodigalchurchfresno.com/connect INSTAGRAM: @prodigalchurchfresno FACEBOOK: www.facebook.com/prodigalchurchfresno If you would like to Give to Prodigal Church, you can do so through our website, or through this link. Thank you so much for your generosity to Prodigal Church! prodigal.givingfire.com We own nothing.

Robbie Williams is a chimp. That's not an insult, just an accurate description of Better Man, from the director of past Flop House subject, The Greatest Showman. This one's the rare FH movie that was a critical success while being a financial flop -- will we agree with the critics? Oh, and we buried the lede: HALLIE'S BACK!Wikipedia page for Better ManRecommended in this episode:Dan: Ninja 3: The Domination (1984)Stu: Sinners (2025)Elliott: They Cloned Tyrone (2023)Hallie: Dangerous Beauty (1998)Aura has a great deal for Mother's Day. For a limited time, listeners can visit AuraFrames.com to get $35-off plus free shipping on their best-selling Carver Mat frame, with promo code FLOP. Support the show by mentioning us at checkout!Head to squarespace.com/FLOP for a free trial, and when you're ready to launch, use OFFER CODE: FLOP to save 10% off your first purchase of a website or domain.