Podcast appearances and mentions of Douglas Boyd

Osrednjo pozornost tokrat namenjamo gostovanju nemškega organista Martina Sturma v Srebrnem abonmaju Cankarjevega doma. Tam so prav tako prejšnji teden na 3. koncertu, poimenovanem Za mlade, cikla Filharmonični klasični koncerti nastopili mlada nadarjena violinistka Patricija Avšič, ki se je kot solistka predstavila v 1. violinskem koncertu Henryka Wieniawskega, Orkester Slovenske filharmonije in gostujoči škotski dirigent Douglas Boyd. V nadaljevanju se odpravljamo še na Primorsko, natančneje v Novo Gorico, kjer sta v Veliki dvorani Kulturnega doma Nova Gorica na 6. koncertu tamkajšnje letošnje abonmajske sezone nastopila violinist Žiga Brank in pianistka Beata Ilona Barcza. Tokratno oddajo zaključujemo s panoramo iz reške operne hiše, kjer so uprizorili Puccinijevo Dekle z zahoda.

‘Symphony no. 41' by Mozart is a display of compositional prowess. Mozart's playing games in the music: his brilliant musical mind composes in a way that entertains the audience, the musicians, and himself. In this episode I share insights into the piece, we take a close look at the violin, and I discuss the virtuosity of composers. This episode features the fourth movement from ‘Symphony no. 41 by the composer Mozart. I recommend the recording by the Manchester Camerata conducted by Douglas Boyd. Further information: www.athousandpictures.com/episode15.   I hope you enjoy the show! Please subscribe and help us grow by leaving a rating and a review. And please share the podcast with others!   Feel free to contact Scott Wilson via:  EMAIL: feedback@athousandpictures.com  FACEBOOK: www.facebook.com/1000PicturesPod INSTAGRAM: @1000picturespod WEBSITE: www.athousandpictures.com

#mri www.boydsimaging.comFor 20% off book use Promo Code : MAN2In this episode of the MRI MAN Podcast, host Kwame AKA MRI MAN discusses various MRI safety accidents with guest Douglas Boyd. They talk about incidents involving patients sliding off beds, bringing prohibited items into the MRI room, and answer questions from subscribers. The importance of proper patient transfer and designated safety zones is emphasized. They also discuss the risks of bringing shackled prisoners into the scanner and the importance of thorough cleaning in outpatient centers. Join them as they delve into the critical topic of MRI safety.MRI MAN ETSY storehttps://www.etsy.com/shop/MRIMANSTOREListen to MRI PODCAST on Apple, Spotify and more!https://www.buzzsprout.com/1947501Support my page and buy me a coffee so I could make more content!https://www.buymeacoffee.com/mrimaninstagram @therealmriman https://instagram.com/therealmriman?u...Tik Tok @therealmrimanhttps://vm.tiktok.com/ZMRYgnUX7/

#mri www.boydsimaging.comFor 25% off book use Promo Code : SafetyWith over 30 years of experience in MRI, Douglas Boyd has a wealth of knowledge! He found this specialized field to be deeply rewarding. Boyd began writing “Boyd's Comprehensive Guide to MRI'' at the turn of the millennium. In addition to his experience as a technologist, he has served in the roles of supervisor and educator as well. It is evident that he never lost the passion for procedural advancements that drive this incredible field.Boyd's Guide is one of my top essential books for an MRI Tech. This book has all the crucial anatomy, protocols and angles you need to be an elite tech. The MR pictures look great and the book is very organized. Whether you're a new tech or senior tech, this book is a must have.“Today's MRI technologists regularly perform exams that range from the most fundamental to the most complex. Boyd's Comprehensive Guide to MRI provides accurate and reliable reference materials that will be an invaluable asset to beginning and experienced technologists alike. Doug Boyd packs a career's worth of MRI expertise into this slim volume. In addition to concise and quickly identifiable visual references, the protocols can be immediately implemented. Techs of all experience levels will benefit from Doug's clinical notes, which highlight various aspects of daily scanning that can be easily overlooked or forgotten.This reliable resource for every MRI environment includes:a description of the immense responsibilities that MRI techs face each day, in terms that corporate and administrative personnel can understand;information to guide the study of future MRI techs, including important aspects of the intersection between physics and cross-sectional anatomy;essential study and protocol data in an easy-to-access format, to help students quickly acclimate to known exams; anda comprehensive section on MRI safety.”MRI MAN ETSY storehttps://www.etsy.com/shop/MRIMANSTOREListen to MRI PODCAST on Apple, Spotify and more!https://www.buzzsprout.com/1947501Support my page and buy me a coffee so I could make more content!https://www.buymeacoffee.com/mrimaninstagram @therealmriman https://instagram.com/therealmriman?u...Tik Tok @therealmrimanhttps://vm.tiktok.com/ZMRYgnUX7/

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"If I'd had been a man, life with the flute would have been very different!" This week on 'Talking Flutes' in the first of a two part podcast Clare speaks with the enigmatic, colourful and tour de force that is Atarah Ben-Tovim M.B.E about being involved in the flute playing world for over 60 years.  From breaking down barriers and being Principal Flute in Liverpool during the 60's and the time of the Beatles, to her continued love and passion for flute study. Atarah Ben-Tovim, MBE is a British flautist and children's concert presenter.  Born in Wales, Ben-Tovim played her first television concert live at the Royal Albert Hall, at the age of fourteen. She was principal flautist with the National Youth Orchestra, and then from 1963-75 principal flautist with the Royal Liverpool Philharmonic Orchestra. She left the RLPO to found Atarah's Band in 1975, a group which sought to improve children's experiences with classical music. Atarah was awarded the MBE in 1980 for her work in this field. During its lifetime, the band played to over three million people. In the late 1980s, BBC Radio Three made the programme Atarah's Music Box, all about children and music. Omnibus devoted a programme to her work, as did Blue Peter and Magpie. Her own television series, Atarah's Music, aimed at primary school children, aired in 1982. Together with her husband Douglas Boyd she published The Right Instrument for Your Child followed by You Can Make Music!. 'Talking Flutes' and 'Talking Flutes Extra' are podcast productions by the TJ flute Company.  For more information visit www.trevorjamesflutes.com   

durée : 01:58:53 - Musique matin du lundi 14 septembre 2020 - par : Jean-Baptiste Urbain - Le chef d'orchestre et pianiste allemand Lars Vogt nous parle de sa nouvelle fonction de directeur musical de l'Orchestre de Chambre de Paris. Il succède au chef écossais Douglas Boyd qui tenait la baguette depuis 2015. - réalisé par : Yassine Bouzar

Your free classical podcast this month is Beethoven's Pastoral Symphony, played by the Auckland Philharmonia Orchestra conducted by Douglas Boyd.

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durée : 01:59:13 - Musique matin du mardi 17 septembre 2019 - par : Jean-Baptiste Urbain - C'est la rentrée de l'Orchestre de chambre de Paris : pour l'occasion, nous recevons Douglas Boyd, son directeur musical, qui fut également hautboïste soliste à l'Orchestre de chambre d'Europe. - réalisé par : Yassine Bouzar

Sara Mohr-Pietsch presents musical highlights from In Tune, featuring early music group L'Arpeggiata with a jazzy rendition of a Thomas Morely tune, conductor Douglas Boyd talks about his latest project at Garsington Opera, and cellist Raphael Wallfisch celebrates one of Elgar's most famous works written for the cello. Plus, the London Klezmer Quartet take us through the musical traditions of Eastern Europe.

durée : 01:00:10 - Bon anniversaire l'OCP - par : Lionel Esparza - Pour fêter les quarante ans de l'Orchestre de chambre de Paris, Lionel Esparza reçoit son directeur musical Douglas Boyd et des musiciens de l'orchestre qui viendront jouer en live ! Une émission en direct et en public depuis l'Hôtel Bedford à Paris. - réalisé par : Antoine Courtin

ANAM flute alumna Tamara Kohler and internationally renowned conductor Douglas Boyd (former oboist and founding member of the Chamber Orchestra of Europe) join us this week to talk about their chosen paths down the road less travelled. We talk about the linear direction that a career in music can usually take, and about the courage and risk inherent in veering off the beaten path. Tamara gets super excited talking about her recent Darmstadt adventure and the manifesto of the New Discipline (see the link below), and Dougie tells us about how the Chamber Orchestra of Europe came to exist, and why he does what he does. http://www.internationales-musikinstitut.de/en/news/blog2016-en/2497-blog-whatareyoudoinghere-newdiscipline.html

Today we will be showcasing some of Beethoven's symphonies, including two tracks from our very special featured release from Avie Records titled "Beethoven: Symphony Nos 6 and 8" performed by Manchester Camerata and Douglas Boyd.Brno Philharmonic Orchestra, Peter Tiboris "Symphony No. 9, Op. 125 in D Minor -1895 Gustav Mahler Edition: III. Adagio molto e cantabile" (mp3) from "Beethoven's 9th Symphony: 1895 Gustav Mahler Orchestration" (Bridge Records, Inc.) Buy at Amazon MP3 More On This AlbumMahler’s grand expansion of Beethoven’s Ninth Symphony employs an extra 4 horns and an extra set of Timpani, revoicing many passages of the venerable masterpiece. Mahler adds occasional counter-melodies and thickens the scoring in order to create his own heightened dynamic scale. Of his own performances of this re-scoring, Mahler wrote: "Far from following any arbitrary purpose or course, but also without allowing himself to be led astray by tradition, (this conductor) was constantly and solely concerned with carrying out Beethoven’s wishes in their minutest detail, and ensuring that nothing the master intended should be sacrificed or drowned out amid the general confusion of sound."San Francisco Symphony, Michael Tilson Thomas "Symphony No. 5 in C minor, Op. 67" (mp3) from "Beethoven: Symphony No. 5 and Piano Concerto No. 4" (San Francisco Symphony) Buy at iTunes Music Store Buy at Amazon MP3 More On This AlbumThe San Francisco Symphony and Michael Tilson Thomas present Beethoven's Symphony No. 5 and Beethoven's 4th Piano Concerto featuring pianist Emanuel Ax.Jan Willem de Vriend, The Netherlands Symphony Orchestra "Symphony no. 7 op. 92 in A major: Allegro con brio" (mp3) from "Beethoven: Symphonies nos. 7&8 - Complete symphonies vol.3" (Challenge Classics) Buy at iTunes Music Store Buy at Amazon MP3 More On This AlbumManchester Camerata, Douglas Boyd "Symphony No. 6 in F Major, Op. 68 - "Pastoral"" (mp3) from "Beethoven: Symphony Nos. 6 & 8" (AVIE Records) More On This Album Manchester Camerata lodges the latest release in its acclaimed Beethoven Symphony cycle. Like the previous releases in this cycle these live recordings capture the spirit and freshness of these remarkable, genre-busting works, as well as the excitement, atmosphere and energy of the chamber orchestra under Music Director Douglas Boyd. Manchester Camerata has become one of the finest, most innovative chamber orchestras in the UK, and Douglas Boyd has proven to be an eminent Beethovenian. Conducting the composer’s Fidelio at the 2009 Garsington Opera Festival, The Times (London) noted “his grasp of Beethovenian idiom” and “pungent underlining of orchestral detail”, praising the musical performance as “sublime and exultant”. This is the penultimate release in the Douglas Boyd-Manchester Camerata Beethoven Symphony cycle. The Ninth “Choral” Symphony will be released in November 2011.

Works for chamber orchestra performed by the Gardner Chamber Orchestra directed by Douglas Boyd.Vaughan Williams: Fantasia on a Theme of Thomas TallisElgar: Introduction and Allegro, Op. 47The two works on this podcast have a striking number of similarities. Written at the very beginning of the 20th century, both of these works for strings exhibit a luscious, Romantic sensibility, applied to centuries-old material. Vaughan Williams takes a hymn tune by a British Renaissance composer as his starting point, while Elgar evokes the Baroque more generally, using rhythmic hemiola and incorporating a vigorous fugue. Both works also hearken back to the early form concerto grosso—using a larger orchestra paired with a smaller “solo” group. Both pieces evoke the folk music of the British Isles. Despite all the commonalities, the works undoubtedly have their own distinct character, which makes for an interesting study of the similarities and differences between these two contemporaries.

Works for solo piano performed by pianist Seymour Lipkin, and for orchestra performed by the Gardner Chamber Orchestra, conducted by Douglas Boyd.Schubert: Sonata in C minor, D. 958Schubert: Symphony No. 4 in C minor, D. 417 ("Tragic")Today’s podcast takes us on a journey through Franz Schubert’s life. The smaller forces of a chamber ensemble seem a fitting vehicle for this early orchestral work, the second piece on the podcast, which shows more connection to Haydn and Mozart than Schubert’s contemporary, Beethoven. Schubert was still a teenager at the time and, though the composer’s talent is quite evident, the piece hews closely to the traditional classical structure. Written about two months before his death, Schubert’s final piano sonatas offer a tantalizing glimpse of where the composer’s music was headed, had he lived through his 30’s. By turns stark, witty, serene, and driving, the 19th sonata still uses the traditional four-movement form while covering a wide-ranging emotional and harmonic terrain.