Podcast appearances and mentions of douglas lilburn

Episode 165 Chapter 25, Electronic Music from Japan, China, and The Asia-Pacific, Part 2. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 25, Electronic Music from Japan, China, and The Asia-Pacific, Part 2.  from my book Electronic and Experimental music. In the playlist, the musical works are in chronological order by region (e.g., China, Taiwan).   Playlist: ELECTRONIC MUSIC FROM CHINA AND THE ASIA-PACIFIC   Time Track Time Start Introduction –Thom Holmes 01:39 00:00 China     1.     Fengjiangzou, “败臼,” (2021). From a survey of contemporary Chinese electronic music produced by the Unexplained Sounds Group. 03:36 01:40 2.     Yan Jun, “In A Sense That Yet To Be Made” (2022). From a cassette release. Yan Jun, musician and poet, born in Lanzhou and based in Beijing. 46:44 05:16 3.     Zhu Wenbo, Zhao Cong, Li Song, "3 lines" (live recording 2023 in Wujing, Beijing). “Sounds from transducer feedback, elastic ropes and other objects (foil, paper…).” Trio of improvising electronic musicians. 08:59 52:00 Taiwan     4.     Scattered Purgatory, “破城入山” (Ramming the Town, Roaming the Mountain) (2014). Experimental drone/folk/rock band from Taipei, Taiwan comprised of members Lu Li-Yang and Lu Jiachi. 07:48 01:00:58 5.     Mong Tong, “介紹 (Jiè Shào)” and “地府 (Dì Fǔ)” (2021). Mong Tong is a Taiwanese psychedelic music band formed by brothers Hom Yu and Jiun Chi. From the album, Music From Taiwan Mystery. 06:27 01:08:44 6.     Mong Tong, “天庭 (Tiān Tíng)” (2021). From the album, Music From Taiwan Mystery. 07:38 01:15:08 Thailand     7.     Rik Wachirapilun, “สังวาส (Fuck)” (1999). Rik is a Thai musician whose music combines elements from Thai, Indian, Arabic and Western New Wave/Indie Rock cultures. 04:15 01:22:46 Indonesia     8.     Otto Sidharta, “Gamelan” (1980). From the album, Otto Sidharta, Indonesian Electronic Music 1979-1992. 11:28 01:27:02 9.     Melcyd, “Hellephant” (2015). From the cassette compilation, Pekak! Indonesian Noise 1995-2015: 20 Years of Experimental Music from Indonesia. “Melcyd is an experimental music group that was born in the indie-pop scene of Yogyakarta city and shifted to a more experimental form in their later period as a music group.” 06:12 01:38:24 10.   Theonugraha, “Ngayau” (2015). From the cassette compilation, Pekak! Indonesian Noise 1995-2015: 20 Years of Experimental Music from Indonesia. 04:01 01:44:36 11.   To Die, “Di Lautan Kegamangan” (2015). From the cassette compilation, Pekak! Indonesian Noise 1995-2015: 20 Years of Experimental Music from Indonesia. A list of recordings can be found here. 04:25 01:48:38 Philippines     12.   Jose Maceda, “Ugnayan” excerpt (1973/2009). Ugnayan, music for 20 radio stations. This release is a stereo mix of the original twenty tracks recorded under the supervision of the composer in 1973 in the Philippines. 22:21 01:53:02 13.   Jose Maceda, “Strata” (1987). 19:42 02:15:22 New Zealand     14.   Douglas Lilburn, “The Return” (1965). Narrator, Tim Elliott; Technical Supervision, Willi Gailer; Maori Voice, Mahi Potiki. Tape work with voices. Douglas Lilburn (1915-2001) has been described as the "grandfather of New Zealand music," having worked in both conventional classical styles as well as pioneering electro-acoustic music in New Zealand. 17:00 02:34:58 15.   Annea Lockwood, “Tiger Balm” (1970/1987). Revised Tape, Annea Lockwood; Engineering Assistance, Peter Grogono. “Tiger Balm was originally mixed in 1970 at Peter Zinovieff's Putney Studio in London. It was revised by the composer in her own studio a number of years later. This is the revised version.” Born in New Zealand, Annea Lockwood moved to England in 1961, studying composition at the Royal College of Music, London and followed courses in electronic music with Gottfried Michael Koenig. 10:26 02:51:56 16.   Douglas Lilburn, “Soundscape with Lake and River” (1979). 11:01 03:02:22 17.   Ros Bandt, “Stack (Red Rhythmic Pulses In Red Paint and Electrified Steel)” (2000). Concept, composed, performed, sound design, art direction, design, photography, Ros Bandt. Bandt is a musicologist, sound sculptor and instrument designer. 09:57 03:13:22 18.   Rory Storm, “My Little Sun” (2005). Sound artist from New Zealand. Electric guitar, drum loop, bass guitar, keyboards, samples, acoustic guitar, field recording, vocals, tape, piano, ocarina, Metasynth, Rory Storm. 05:41 03:23:16   Opening and closing voicings, Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Inside this Episode with host, Mitch Hampton Christoph Schülren, one of the guests to whom I was so kindly introduced by pianist Beth Levin, will be the first time on our podcast that a musician whose professional career is devoted to the art and practice of conducting has been featured.  I thought it indispensable for many reasons to feature him: musical conducting is ubiquitous in many styles of music yet is perhaps little understood or appreciated outside of the worlds of music.  I was most happy with our discussion: he is quite articulate and able to get into the details of his craft in a relatable way to a most general audience and he has quite an intriguing biography as can be gleamed from our episode. Christoph Schlüren's Biography  “Uniting the well-known with the unknown” Conductor, Music Researcher,Musical Mentor, Music Editor, Program Adviser, Chamber Music, Coach  Christoph Schlüren studied with the late Sergiu Celibidache from 1981 to 1996. Other strong influences were the composers Anders Eliasson, Pehr Henrik Nordgren, and Per Nørgård, the musicians Paul Zukofsky, Sándor Végh, Murray Perahia, Juha Kangas, and many more.  As a conductor (Symphonia Momentum, Deutsche Kammerakademie Neuss am Rhein, St Michel Strings Mikkeli) Christoph Schlüren led first performances of works by Peter Michael Hamel and Anders Eliasson. Some of the lesser established composers he particularly favors are:Heinz Tiessen, Eduard Erdmann, Anders Eliasson, Jean-Louis Florentz, Paul Büttner, John Foulds, Vittorio Giannini, Nicolas Flagello, Giorgio Federico Ghedini, Peter Mennin, Bernard Stevens, Felix Draeseke, Heinrich Kaminski, Max Butting, Reinhard Schwarz-Schilling , Heinz Schubert, Philipp Jarnach,  Emil Bohnke, Matthijs Vermeulen, Harald Sæverud, Georges Migot, Eduard Tubin, Vagn Holmboe, Douglas Lilburn, Robert Simpson, Per Nørgård, Boris Tishchenko, Ketil Hvoslef, Pehr Henrik Nordgren, Tristan Keuris, Halvor Haug, Peter Michael Hamel, John Pickard, Håkan Larsson, and Juan José Chuquisengo.  He combines their works in dramaturgically correlated programs with the established great composers. Read more about conducting He is a music researcher, author and journalist as well (Frankfurter Rundschau, Gramophone, Tempo, Fono Forum, Crescendo, Neue Musikzeitung, Bayerischer Rundfunk, Deutschland Radio, etc.) and works as main editor and researcher on the rare music scores series Repertoire Explorer. Christoph Schlüren wrote the first basic introduction into Musical Phenomenology as it was created as a universal approach to music by Sergiu Celibidache developing further on. As a program adviser he collaborates with orchestras and conductors (Bavarian Radio Symphony Orchestra, Münchner Philharmoniker, Ostrobothnian Chamber Orchestra, Arcos Orchestra, Münchener Kammerorchester, etc.; Lavard Skou Larsen, Juha Kangas, José Serebrier , Mario Venzago, Christoph Poppen, Israel Yinon, etc.), and created commissions for the Musica Viva series of the Bavarian Radio Symphony Orchestra (Anders Eliasson's Fourth Symphony, Cynthia Lee Wong, and Onute Narbutaite, as well as arranging the world première of Artur Schnabel's Third Symphony). Read more essays and evaluations Christoph Schlüren works as a musical mentor with soloists and  chamber ensembles (Rebekka  Hartmann, Ottavia Maria Maceratini, David Frühwirth, Masha Dimitrieva, Omar Rahbany, Margarita Oganesjan, etc.). Read more about mentorship Links to more about Mr. Schlüren's beautiful works  www.christophschlueren.com #classicalmusic #music #opera #bartok #germany #progrock #rock #symphony #classicalmusic #orchestra #strings #brass #woodwind #percussion #piano #concert #theatre #fritzbrun #bethlevin #mozart #whiplash #donellis #tar #cateblanchett #leonardbernstein #brunowalter #frankzappa #contemporarymusic #modernmusic #romanticism #navarrastringquartet #igorstravinsky #antonbruckner #vienna #schoenberg #webern #serialism #tonality #meoldy #harmony #rhythm #baroque #earlymusic  --- Support this podcast: https://podcasters.spotify.com/pod/show/mitch-hampton/support

Douglas MacDiarmid is remembered as one of our great expat artists, but a new book that coincides with the 100th anniversary of his birth in Taihape reveals a man who was also a consummate letter writer and lover of language. His niece and biographer Anna Cahill has spent years transcribing hundreds of Douglas' handwritten letters to his first great love, composer Douglas Lilburn. Along with some poems dating from 1944 to 2001, these are contained in a book called Letters to Lilburn - Douglas MacDiarmid's conversations from the heart. Douglas died from Covid-19 in Paris in August 2020, but Anna and others were determined that his centenary be celebrated in his homeland. Lynn Freeman asks Anna if she hopes that Letters to Lilburn will help people to see Douglas as a man who was eloquent with both paint and pen. Letters to Lilburn - Douglas MacDiarmid's conversations from the heart, a limited-edition volume, is launched in Wellington on 14 November, the date of his 100th birthday. As well as Anna's book, there will be the MacDiarmid Centenary Art Trail that's included in a new dedicated website.

Hoy, en el último programa antes de Navidad de Anónimo IV hablamos de Luis XIV y de su vinculación con la música, especialmente con Jean Baptiste Lully. También tendremos tiempo de hablar de Douglas Lilburn y de algunos géneros musicales vinculados con los banquetes y la comida.

The Magpie House has been shortlisted in the 2022 New York Festivals Radio Awards in the Culture & The Arts podcast category.In the 1970s, Lilburn wrestles with synthesizers and other machines, and comes out victorious, composing some masterpieces of the electroacoustic medium. But then he quits. He never writes another piece. Or does he? Lilburn's collection in the Turnbull Library contains over 1,000 files, including some rare late-life scribblings on manuscript. In the final episode of The Magpie House we speak to some of the people who knew Lilburn best during his last 30 years. We hear about his dying wishes for the Magpie House, and about its revival as a composer's residence.Host: Kirsten JohnstoneGuests: Chris Cochran, Salina Fisher, Ross Harris, Margaret Nielsen, Jenny McLeod, Jill Palmer, Dan Poynton, Gillian WhiteheadFor the show website including information about the music in this podcast, please follow this link.This series is supported with funding from Creative New Zealand.--Podcast Series: The Magpie HouseOff a bustling Wellington city thoroughfare, there's a quaint, narrow lane called Ascot Street, where sits a modernist house whose tar-black weatherboard and stark white trim inspired the name ‘the Magpie House'. Out back, lies an overgrown jungle of a garden where New Zealand's ‘father of classical music composition' Douglas Lilburn, who lived in that house for over forty years, liked to spend time growing vegetables and listening to the calls of the Tūī. In this four-part series, host Kirsten Johnstone delves into the colourful legacy of the Magpie House and its inhabitants, weaving their intriguing—and often surprising—stories into a Forrest-Gump-esque saga of war, music, cold-war espionage, persecution, and the search for identity and a place to call home.© Centre for New Zealand Music Trust See acast.com/privacy for privacy and opt-out information.

The Magpie House has been shortlisted in the 2022 New York Festivals Radio Awards in the Culture & The Arts podcast category.In 1959, Douglas Lilburn moves into the Magpie House at 22 Ascot Terrace. It's slightly over ‘teacup throwing' distance from the cottage of his longtime friend—and onetime lover—Rita Angus and offers privacy and a generous living room in which to entertain guests. His musical output at the time draws mixed opinions, and eventually, his experiments with portable tape recorders lead him to discover the machines that are destined to fascinate and terrify him for the rest of his career.Douglas Lilburn was a very private man, and in this episode, we invade a little of that privacy. With the help of those who knew him well, we peek into the living room where he held court with aspiring young composers, and into the music room where he had a crisis of confidence. We march up the hill to the University for a squiz at the machines he became obsessed with, and we look over his shoulder as he writes letters to his dear, lifelong friends Rita Angus and Douglas McDiarmid.Host: Kirsten JohnstoneGuests: Chris Cochran, Philip Norman, Jill Trevelyan, Jenny McLeod, Margaret Neilsen, Ross Harris, Noel Sanders, Bruce GreenfieldFor the show website including information about the music in this podcast, please follow this link.This series is supported with funding from Creative New Zealand.--Podcast Series: The Magpie HouseOff a bustling Wellington city thoroughfare, there's a quaint, narrow lane called Ascot Street, where sits a modernist house whose tar-black weatherboard and stark white trim inspired the name ‘the Magpie House'. Out back, lies an overgrown jungle of a garden where New Zealand's ‘father of classical music composition' Douglas Lilburn, who lived in that house for over forty years, liked to spend time growing vegetables and listening to the calls of the Tūī. In this four-part series, host Kirsten Johnstone delves into the colourful legacy of the Magpie House and its inhabitants, weaving their intriguing—and often surprising—stories into a Forrest-Gump-esque saga of war, music, cold-war espionage, persecution, and the search for identity and a place to call home.© Centre for New Zealand Music Trust See acast.com/privacy for privacy and opt-out information.

The Magpie House has been shortlisted in the 2022 New York Festivals Radio Awards in the Culture & The Arts podcast category.In 1951 a modernist, black and white house is built at 22 Ascot Terrace in Wellington. Meanwhile, in post-war New Zealand there's a stark division between left and right. It's hard to fully comprehend the paranoia of the time against Communism and the Soviets. In this episode, we hear the story of an innocent social club—a vegetable co-op—that comes to be spied on by the Special Branch of the New Zealand Police, and of two talented young diplomats, including the owner of The Magpie House Richard Collins, whose careers and reputations would be damaged as a result.Who was the spy? And what was it like to live under a cloud of suspicion in a city as small as Wellington? Seventy years later, the ‘children of the Vegetable Club' tell their parents' stories.Host: Kirsten JohnstoneGuests: Chris Cochran, Nicola Saker & John Saker, Nick Bollinger, Jacqueline Matthews, Aaron Fox, Sarah LakeFor the show website including information about the music in this podcast, please follow this link.This series is supported with funding from Creative New Zealand.--Podcast Series: The Magpie HouseOff a bustling Wellington city thoroughfare there's a quaint, narrow lane called Ascot Street, where sits a modernist house whose tar black weatherboard and stark white trim inspired the name ‘the Magpie House'. Out back, lies an overgrown jungle of a garden where New Zealand's ‘father of classical music composition' Douglas Lilburn, who lived in that house for over forty years, liked to spend time growing vegetables and listening to the calls of the Tūī. In this four-part series, host Kirsten Johnstone delves into the colourful legacy of the Magpie House and its inhabitants, weaving their intriguing—and often surprising—stories into a Forrest-Gump-esque saga of war, music, cold-war espionage, persecution, and the search for identity and a place to call home.© Centre for New Zealand Music Trust See acast.com/privacy for privacy and opt-out information.

It's easy to miss Lilburn House in Wellington's well-heeled suburb of Thorndon, but the former home of foremost New Zealand composer Douglas Lilburn has a rich if, until now, not particularly well known history. The story actually intersects with one we ran on Standing Room Only last week - that of hugely influential thespian Maria Dronke who came to Aotearoa with her famlly after being forced to leave Nazi Germany. Lilburn House became a meeting place for many migrants like Maria, migrants who had a huge influence - culturally and artistically - on their new home country. These days it's a residence for composers, run by the Lilburn Residence Trust. Kirsten Johnstone has investigated the history of the house - and those who gathered there - for a podcast called The Magpie House. Lynn Freeman talks to Kirsten about it, and also to Maria Dronke's proud grandson - musician and writer Nick Bollinger.

The Magpie House has been shortlisted in the 2022 New York Festivals Radio Awards in the Culture & The Arts podcast category.1940 marks a period of great change in the cultural landscape of New Zealand. It has been 100 years since the signing of the Treaty of Waitangi, and pākehā artists including composer Douglas Lilburn are keen to develop a character in their work that reflects the nation they've grown up in — the landscape, the people, and the history. Meanwhile, New Zealand has been pulled into World War Two, and there is an influx of European refugees, including composers and performers, architects, artists and supporters of the arts, all bringing their own ideas of what home and nationhood should look and sound like. Many of them would go on to face difficulties and, for some, persecution, when trying to establish a life in their new homeland.Host: Kirsten JohnstoneGuests: Chris Cochran, Philip Norman, Ann Beaglehole, Danny Mulheron, Tom McGrath, Nick BollingerFor the show website including information about the music in this podcast, please follow this link.This series is supported with funding from Creative New Zealand.--Podcast Series: The Magpie HouseOff a bustling Wellington city thoroughfare there's a quaint, narrow lane called Ascot Street, where sits a modernist house whose tar black weatherboard and stark white trim inspired the name ‘the Magpie House'. Out back, lies an overgrown jungle of a garden where New Zealand's ‘father of classical music composition' Douglas Lilburn, who lived in that house for over forty years, liked to spend time growing vegetables and listening to the calls of the Tūī. In this four-part series, host Kirsten Johnstone delves into the colourful legacy of the Magpie House and its inhabitants, weaving their intriguing—and often surprising—stories into a Forrest-Gump-esque saga of war, music, cold-war espionage, persecution, and the search for identity and a place to call home.© Centre for New Zealand Music Trust See acast.com/privacy for privacy and opt-out information.

The Magpie House is the story of the modernist, black and white house at 22 Ascot Street, Thorndon, Wellington, where composer Douglas Lilburn lived for more than 40 years. Lilburn was the father of classical music composition in Aotearoa and today the house is a composers' residency.In this four-part series, Kirsten Johnstone weaves together stories of seven colourful decades in the Magpie House creating a Forrest-Gump-esque saga of war and music, cold-war espionage and persecution, the search for identity and a place to call home.The first episode will be released on Monday 22 November 2021. Subscribe to be notified when it is available.--Podcast Series: The Magpie HouseOff a bustling Wellington city thoroughfare there's a quaint, narrow lane called Ascot Street, where sits a modernist house whose tar black weatherboard and stark white trim inspired the name ‘the Magpie House'. Out back, lies an overgrown jungle of a garden where New Zealand's ‘father of classical music composition' Douglas Lilburn, who lived in that house for over forty years, liked to spend time growing vegetables and listening to the calls of the Tūī. In this four-part series, host Kirsten Johnstone delves into the colourful legacy of the Magpie House and its inhabitants, weaving their intriguing—and often surprising—stories into a Forrest-Gump-esque saga of war, music, cold-war espionage, persecution, and the search for identity and a place to call home.© Centre for New Zealand Music Trust See acast.com/privacy for privacy and opt-out information.

Salutes to Seven Poets by NZ composer Douglas Lilburn was performed by Yid-Ee Goh, violin, and Lisa Chou, piano, of Ensemble East on 18th April 2019 as part of the Thursday Heritage Concert Autumn Series. The poet Allen Curnow requested this work from Lilburn in 1952 for a poetry reading at Auckland University College. The event took place on the evening of 9 August that year, and involved a substantial amount of poetry (twenty-two poems in total) read by the poets involved. Lilburn's music was premiered by Antonia Braidwood (violin) and Donald Bowick (piano). One movement was supposed to precede each reading, providing the audience with the composer's musical impressions of the work and personality of each poet. In the event, however, the order was reversed, which led to some confusion for the audience and some displeasure for the composer. At the second performance of this work some time later, Lilburn determined that he would write a narration to go along with the music in lieu of the twenty-two poems. I Salute to A.R.D. Fairburn II Salute to Keith Sinclair III Salute to Allen Curnow IV Salute to M.K.Joseph V Salute to James K. Baxter VI Salute to Kendrick Smithyman (Not performed in this concert ) VII Salute to R.A.K.Mason VIII Epilogue The musical copyright of Douglas Lilburn is held by the Alexander Turnbull Library Endowment Trust, for the benefit of the Lilburn Trust. It is administered by Songbroker Music Publishing.

Yid-Ee Goh, Violin and Lisa Chou, piano of Ensemble East launch our Autumn series with a salutation to seven New Zealand poets composed by the father of New Zealand music, Douglas Lilburn. To follow, Ensemble East perform Beethoven’s violin sonata Op. 30 no.1. This is the most serene of the three violin sonatas that he wrote during this time in the beautiful environs of Heilingenstadt in the Vienna Woods.

Climate change will be the downfall of working musicians.  How do you function as a musician when the elements seem to be battling against you?This episode's guest is the legendary Kate Simko - DJ, film composer and founder of London Electronic Orchestra.  Listen as she chats about her fascinating musical path that led her to have foot in both the electronic and classical worlds.Plus don't miss this episode's Music College Didn't Prepare me of lip-sync-worthy proportions.Mentioned in this episode:Kate's "20 Weeks" playlist: https://open.spotify.com/playlist/3QeF9NRFoscRqdp3ofAxbM"20 Weeks": http://20weeks-movie.com/"We Believe in Dinosaurs": https://www.webelieveindinosaurs.net/Kate's Website: www.katesimko.comLondon Electronic Orchestra: www.katesimko.com/leoFollow Kate: @kate_simkoDavina's BBC Radio 3 Time Travellers segments (70 mins in): https://www.bbc.co.uk/programmes/m00070r6 (Douglas Lilburn and the honey)https://www.bbc.co.uk/programmes/m000767w (Rebecca Clarke)

This second RF podcast, titled simply "Some Toys Never Lern," features music by Blutsiphon, Satanicpornocultshop, Christian Marclay & Gunter Müller, Felix Kubin, Douglas Lilburn, Don't Dolby 05, and Lasse Marhaug & Kevin Drumm. What happened to the first? You may never know... Oh wait, it's here. Rare Frequency Podcast 2  

To mark NZ Music Month, Clare Martin presents a programme focussing on NZ composers with classical music including Douglas Lilburn, John Psathas, Eve de Castro-Robinson and David Hamilton.