Podcasts about new york festivals radio awards

No room for mistakes. No time to breathe. The Monaco Grand Prix is a unique challenge. Legends win here, but even the greats have failed to complete 78 laps on the narrow streets of Monte Carlo. Christian Hewgill is in Monaco to find out what makes this race special. Monaco winner and two-time F1 World Champion Mika Hakkinen explains why it's such a difficult Grand Prix, mentally and physically. F1TV Commentator Alex Jacques tells us about the history of the race, and about the brand-new tyre rule which will change things this year. Plus, Christian tours the track to ask F1 fans why they think Monaco is magical and discovers that nearly everyone at the race this weekend has the same name... F1 Explains has won a global podcast award! GOLD in the SPORTS PODCAST category at the New York Festivals Radio Awards. We couldn't make this podcast without you. Thank you for listening and sending your questions to F1Explains@F1.com F1: THE MOVIE starring Brad Pitt Only in cinemas June 2025 Get tickets now It's All To Drive For in 2025. Be there! Book your seat for a Grand Prix this season at tickets.formula1.com Listen to more official F1 podcasts In-depth interviews on F1 Beyond The Grid Expert reaction before and after every Grand Prix on F1 Nation

Tom's conversation with Mick Jagger has won gold for best interview at this year's New York Festivals Radio Awards! The Rolling Stones frontman sat down with Tom in London last year ahead of the release of “Hackney Diamonds” — the band's first album of original material in 18 years. Mick reflects on six decades of the Stones, the changing music industry, and the loss of their drummer, Charlie Watts.

Albert Frantz ist ein in Wien lebender Pianist. Und hat eine Lebensgeschichte, die unfassbar klingt. Er wächst in den USA auf. Erlebt dort eine traumatische Kindheit. Regelmäßig wird er von seinem Vater dafür verprügelt, dass er Klavier spielen will. Albert Frantz ist dreißig Jahre alt, als er erfährt, dass sein Vater eigentlich gar nicht sein Vater ist, sondern dass er durch eine Samenspende in die Welt gekommen ist. In den Passionswegen spricht Albert Frantz über seine jahrelange Suche nach dem leiblichen Vater und der eigenen Identität. radio klassik Stephansdom-Redakteurin Marlene Groihofer hat seine Lebensgeschichte aufgezeichnet und zu einer Feature-Sendung gestaltet, die aktuell bei den renommierten, internationalen "New York Festivals Radio Awards" mit dem "Finalist Award" ausgezeichnet worden ist! Als einzige Sendung aus Österreich! Wir gratulieren! Erstmals ausgestrahlt wurde die Sendung am 11. März 2023.

In this episode, I talk with our Daughters of Change podcast producer and audio engineer, Sarah Stacey, about her recently completed radio documentary entitled -The Iveagh Trust: How Ireland's Richest Man Housed Dublin's Poor.This story about Ireland's oldest housing charity is close to Sarah's heart, as her own family has been tenants of The Iveagh Trust for four generations and counting. Sarah is a freelance audio producer and engineer with extensive experience across live radio, documentaries, podcasts, and promotional audio content. She was born in Dublin, Ireland, and moved to Wexford with her family at the age of 12.She has also lived in the UK and earned her master's degree in Radio Production from Bournemouth University. In 2021, Sarah was a New York Festivals Radio Awards finalist for her documentary, about John Lennon – entitled “Lennon: 40 Years On.Currently, Sarah is in the process of branching out into music production and live sound, with a strong interest in mastering and audio restoration, and is working on her diploma in audio and music technology at Pulse College in Dublin.It seems fitting to start the new year off with this very special Daughter of Change. Sarah is an integral part of Daughters of Change and I know that you will enjoy learning more about her and the fascinating work she does.Links to Check Out:Link to Sarah's Documentary Sarah's LinkedIn ProfileSarah's Website - sarahstaceyaudio.comIveagh Trust WebsiteFollow Daughters of Change:Website:Facebook:InstagramLinkedInMarie's LinkedIn:Daughters of Change Podcast Producer:  Sarah StaceySarah's LinkedIn Profile

Michael Harrison interviews Rose Anderson, Vice President & Executive Director of the New York Festivals Radio Awards, about the global state of radio and storytelling.

Este viernes en Bichos de Radio, una charla con la reconocida productora Liliana Manna sobre la presentación del documental “40 Años de Democracia: Bitácora de la Transición” en los New York Festivals Radio Awards, el premio más importante a la radiodifusión a nivel internacional, donde en su última edición fue galardonada con el primer puesto de la categoría documental por la producción Juego de Imperios, Malvinas 1982. Además, Fito Páez y el concierto que ofrecerá en el Colón en homenaje al compositor Gerardo Gandini,.con quien grabó el disco Moda y Pueblo en el año 2005 Un informe sobre El Día de la Lealtad que es celebrado cada 17 de octubre. Y para finalizar, compartimos el podcast “La voz de María” de Radio Ambulante, sobre la vida de la cantante trans María Castillo de Lima, su identidad y las dificultad frente al trabajo vocal.

Welcome to another episode of Beyond the Thesis with Papa PhD! This week, I'm delighted to bring you my recent conversation with Olivier Bernard, a.k.a. the Pharmafist! Together, we talked about his passion for science communication and, in particular, about his mission to debunk pseudoscience. Olivier Bernard has been a pharmacist since 2004 and is a Fellow of the Ordre des Pharmaciens du Québec since 2022. He holds a master's degree in pharmacogenetics research. Since 2012, he has been involved in science popularization, as author and illustrator of the Le Pharmachien website and books of the same name. He has received the Prix Innovation from the Ordre des Pharmaciens du Québec (2015) and the Prix Marc Lebel from the Faculty of Pharmacy at Université Laval (2022) for his work in popularizing science. In 2019, he received the John Maddox International Award in London for defending science in the face of adversity, in connection with his work on the issue of injectable vitamin C in Quebec. From 2016 to 2022, he scripted and hosted the TV documentary series Les Aventures du Pharmachien on Radio-Canada. Since 2020, he has been producing a podcast –  Dérives – on Radio-Canada OHdio, whose first season, entitled "Le rituel de sudation", won a gold medal at the New York Festivals Radio Awards 2021. What we covered in the interview: Understanding dangerous trends in self-improvement and spirituality Pros and cons of using humor in healthcare communication Pharmacists can be influential in communication science to the public Engaging anti-vaccine beliefs: Listening, empathizing, finding common ground The importance of allowing yourself to accept opportunities despite imposter feelings as a young professional Connecting with younger researchers, learning from past mistakes This episode's resources: The Pharmafist | Website TV show – « Les aventures du Pharmachien » (French) | Tou.tv Thank you, Olivier Bernard! If you enjoyed this conversation with Olivier, let him know by clicking the link below and leaving him a message on Instagram: Send Olivier Bernard a thank you message on Instagram! Click here to share your key take-away from this interview with David! Leave a review on Podchaser ! Support the show ! You might also like the following episodes: Jacob Kendall – The Stuff You Don't Plan for But Should Kate Dahl – Reinventing Yourself after Academia Merle van den Akker – Debunking PhD Misconceptions Sirisha Kuchimanchi – Navigating Manufacturing and Engineering as a Woman As always, if you find value in Papa PhD and in the content I bring you every week, click on one of the buttons below and send some of that value back to me by becoming a supporter on Patreon or by buying me a coffee :) Support the show on Patreon ! Or buy me a coffee :)

Bienvenue à ce nouvel épisode d'Au-delà de la thèse avec Papa PhD !Cette semaine, j'ai le grand plaisir de vous apporter ma conversation récente avec Olivier Bernard, a.k.a. le Pharmachien ! Ensemble, on a parlé de sa passion pour la communication scientifique et, en particulier, de sa mission de déboulonner la pseudoscience. Olivier Bernard est pharmacien depuis 2004 et Fellow de l'Ordre des Pharmaciens du Québec depuis 2022. Il est détenteur d'une maîtrise en recherche dans le domaine de la pharmacogénétique. Depuis 2012, il s'implique en vulgarisation scientifique, en tant qu'auteur et illustrateur du site web Le Pharmachien et des livres du même nom.Il a été récipiendaire du Prix Innovation de l'Ordre des Pharmaciens du Québec (2015) et du Prix Marc Lebel de la Faculté de Pharmacie de l'Université Laval (2022) pour son travail de vulgarisation scientifique. En 2019, il a reçu à Londres le Prix international John Maddox pour avoir défendu la science dans l'adversité, en lien avec son travail dans le dossier de la vitamine C injectable au Québec. De 2016 à 2022, il a scénarise et animé la série documentaire télé Les Aventures du Pharmachien à Radio-Canada. Depuis 2020, il réalise le balado Dérives sur Radio-Canada OHdio, dont la première saison, intitulée « Le rituel de sudation », a remporté une médaille d'or aux New York Festivals Radio Awards 2021.  Avec Olivier, on a parlé de : La passion d'Olivier  pour la communicationDe son cheminement vers la vulgarisation à travers la recherche scientifiqueDu rôle des influenceurs de santé  dans le contexte actuelDu mélange de chance et de travail dans le parcours d'OlivierDes défis qu'a présenté la pandémie à la communauté de communication scientifiqueDe l'importance de valoriser la communication académique Les ressources de cet épisode : Le Pharmachien | Site WebÉmission télé « Les aventures du Pharmachien » | Page Tou.tvTu aimes Papa PhD ? Laisse-moi un commentaire > ici < - une courte phrase suffit ! Et inclus ton identifiant Twitter – comme ça je pourrai te remercier personnellement ! Merci Olivier Bernard ! Si cet entretien avec Olivier Bernard t'a plu, fais-lui en part en cliquant sur le lien ci-dessous et en lui laissant un message sur LinkedIn :Clique ici pour le remercier sur Twitter !Clique ici pour partager avec David le principal message que tu retiens de cet épisode !Si tu trouves de la valeur dans le contenu que je t'apporte chaque semaine, clique sur l'un des boutons ci-dessous et renvoie-moi l'ascenceur :) Don sécuritaire sur PayPal Deviens supporter sur Patreon ! Ou paye-moi un café :) Tu aimeras aussi ces épisodes : Martin Carli – La vulgarisation grand public : PapaPhD.com/242Bruno Lamolet - Écrire la science pour tous : PapaPhD.com/237Rémi Quirion – Projeter les jeunes chercheur.e.s dans des carrières d'avenir : PapaPhD.com/203Vikie Pedneault – Mobiliser par l'humour : PapaPhD.com/vikie-pedenault/

Questo episodio è un po diverso dalle solite ricerche musicali che vi propongo nasce da una storia personale raccontata da Bob Hecht su Jerry Jazz Musician ed io provero a raccontarla a voi.Bob Hecht ha una lunga storia di produzione e conduzione di programmi radiofonici jazz; la sua serie di podcast, The Joys of Jazz , è stata vincitrice della medaglia d'argento 2019 al New York Festivals Radio Awards.Il suo racconto si chiede semplicemente Dov'eri quando hai sentito per la prima volta Kind of Blue?e mentre ripenso a dove ero io ci ascoltiamo il suo racconto.Un ringraziamento a Joe Maita del Jerry Jazz Musician.

Sophie-Andrée Blondin anime le magazine d'actualité et de culture scientifique Les années lumière sur ICI Radio-Canada Première. Avant de prendre la barre de cette émission, elle a mené les émissions les Éclaireurs, émission quotidienne sur la santé et la consommation, et Bien dans son assiette, magazine quotidien sur l'alimentation. Animatrice, journaliste culturelle, recherchiste, journaliste scientifique, chroniqueuse : elle a exploré plusieurs facettes des médias depuis 35 ans. On a pu la voir ou l'entendre à Télé-Québec, TVA, CKAC, la télévision de Radio-Canada et ICI Radio-Canada Première. Olivier Bernard (B.Pharm, M.Sc, FOPQ) est pharmacien et Fellow de l'Ordre des Pharmaciens. Son travail de vulgarisation scientifique avec « Le Pharmachien » lui a valu le Prix Innovation de l'Ordre des Pharmaciens (2015) et le Prix Marc Lebel de la Faculté de Pharmacie de l'Université Laval (2022). En 2019, il a reçu à Londres le Prix international John Maddox pour avoir défendu la science dans l'adversité. Il scénarise et anime la série Les Aventures du Pharmachien sur Radio-Canada, et réalise le balado Dérives, dont la première saison a remporté une médaille d'or aux New York Festivals Radio Awards 2021. Crédit musical: Quirky dog de Kevin MacLeod. 

Before getting started today, I just wanted to flag that Kisses on a Postcard won silver at the New York Festivals Radio Awards for best serialised podcast.We beat off competition from major production houses, including Lionsgate, the BBC and MediaHuis (Ireland's largest media group), which is good.If you haven't already listened, load it onto your favourite podcast app and play it while you are cooking/walking/driving/ironing. This podcast with music about two boys in WWII will make your life better.In other news, wearing my comedy hat, there are still about 10 seats left for the Crazy Coqs gig on May 3rd. Some new songs, and plenty of old favourites, these nights are really good fun. Please come.So to today's piece …I've said it before and I'll say it again - the US dollar is the most important price in the world.The dollar is the global reserve currency, the international money of default. Global commerce thinks in dollars. It's the pricing mechanism for essential materials. Oil, copper, wheat - energy, metal and food, in other words - are traded in US dollars. The majority of international debt - and there is even more debt than essential material - is traded in dollars. The IMF thinks in dollars. It's a determinant of international capital flows: is capital flowing from or to the United States, the largest economy in the world (just)?I can get all idealistic and say the world would be a better place if gold had this role. It should. It's independent. It gives no nation or government exorbitant privilege. It lasts longer. It has a proven history. Its purchasing power doesn't get steadily eroded. New gold supply matches population growth. That kind of stuff. Even bitcoin could work. It's independent.But the reality is that the US has got the gig, largely by having such a strong army, and also for the fact that so many around the world trust in America. (I would argue that trust is not what it was. It's fading. But when push comes to shove it still has the gig).A strong US dollar should be good for international stability, and thus good for America's reputation. But the US government likes to print, spend, and then export the inflation and debasement. You just need to look at what it does to know what it prioritises. How the game worksWhen the dollar is weak, asset prices rise – and the policy-making world sure does love a bit of asset-price inflation. Borrowing is cheap, house prices go up, stock prices go up, bond prices go up, energy and metal prices go up. The party keeps on rocking. Everybody feels wealthy.But when the dollar is strong, the world gets the jitters. It starts to think that the asset price bubble that has been inflating since August 15, 1971, might be about to pop.Those in charge may talk tough. They wear smart, plain suits and look respectable. But then they usually start printing again.Here's the thing though. The dollar has just hit an inflection point. It comes to them every now and then. And when it does, it pays to take heed.Despite the experience of day traders, where prices flicker at you and fortunes are made and lost in tiny fluctuations, if you zoom out a bit, the dollar tends to trend for months at a time, if not years.The US dollar index (the dollar versus the currencies of its major trading partners) hit a high in 1985. It got so high, in fact, the G5 nations signed the Plaza Accord to get the price back down again. The eventual low did not come until 1992, seven years later. This wasn't a one-directional thing, except for the first move. There were counter-trend rallies that lasted several months. Trend, consolidate, trendIn fact, the process of making a low lasted from 1988 to 1995. It made a low, rallied a bit, made another low and so on. It took time in other words. Seven years.But then from 1995, the dollar rallied - with the usual drawn-out countertrend moves - all the way to 2001. With the dot-com bust, 9-11, the Iraq War and all the rest of it, the dollar then saw seven years of a bear market and in 2008 it made another low. The price was 71. It rallied for several months, then declined for several months, eventually retesting the low in 2011. So the bull trend, the bear trend and the process of making lows and highs can each take many years. If you, as an investor, trader or portfolio manager, were able to catch these trends - and be in and out of the market at the right time - you would have been able to magnify your returns many times. The low in 2011 was 72. Many years of bull market - with the usual drawn-out countertrend moves - followed before the dollar index eventually peaked in September last year at 114. Here's the long-term chart that illustrates what I have just described:Please subscribe to this amazing letter.When it changes direction, this lumbering beast likes to put in double tops and double bottoms, more than any asset I can think of. Sometimes triple tops and bottoms. It reaches a level, then re-tests it, and then sometimes re-tests it again.Here's the thing. It might be putting in one such double bottom now.The pain, especially of commodity prices, has been relieved somewhat these last few months as the US dollar has come off. This last month has felt particularly good with gold and silver both strong.But the dollar index hit a low at 101 in early February. It rallied for a few weeks, then came off again. It's retesting that low now.Does the US dollar now rally?I have to say it would be quite normal behaviour for it to do that from here.I have heard a lot of excitement about silver, for example. You know my cynicism about that metal. Too much excitement and euphoria usually mean declines are upon us. In fact, in the last few days, I have taken a small short against silver in my spread-betting account.I'm not forecasting the beginning or end of a major dollar cycle. But I do think, assuming 100 on the US Dollar Index holds, we might see a reversal in the dollar that could last several weeks or months. It comes, interestingly, just as gold is re-testing its highs. Could gold be putting in a double top?It's all about that 100-101 level.Interested in buying gold or silver. My recommended bullion dealer in the UK is The Pure Gold Company, whether you are taking delivery or storing online. Premiums are low, quality of service is high. You can deal with a human being. Both deliver to the UK, US, Canada and Europe, or you can store your gold with them. I have an affiliation deal with them.This article first appeared at Moneyweek. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe

Before getting started today, I just wanted to flag that Kisses on a Postcard won silver at the New York Festivals Radio Awards for best serialised podcast.We beat off competition from major production houses, including Lionsgate, the BBC and MediaHuis (Ireland's largest media group), which is good.If you haven't already listened, load it onto your favourite podcast app and play it while you are cooking/walking/driving/ironing. This podcast with music about two boys in WWII will make your life better.In other news, wearing my comedy hat, there are still about 10 seats left for the Crazy Coqs gig on May 3rd. Some new songs, and plenty of old favourites, these nights are really good fun. Please come.So to today's piece …I've said it before and I'll say it again - the US dollar is the most important price in the world.The dollar is the global reserve currency, the international money of default. Global commerce thinks in dollars. It's the pricing mechanism for essential materials. Oil, copper, wheat - energy, metal and food, in other words - are traded in US dollars. The majority of international debt - and there is even more debt than essential material - is traded in dollars. The IMF thinks in dollars. It's a determinant of international capital flows: is capital flowing from or to the United States, the largest economy in the world (just)?I can get all idealistic and say the world would be a better place if gold had this role. It should. It's independent. It gives no nation or government exorbitant privilege. It lasts longer. It has a proven history. Its purchasing power doesn't get steadily eroded. New gold supply matches population growth. That kind of stuff. Even bitcoin could work. It's independent.But the reality is that the US has got the gig, largely by having such a strong army, and also for the fact that so many around the world trust in America. (I would argue that trust is not what it was. It's fading. But when push comes to shove it still has the gig).A strong US dollar should be good for international stability, and thus good for America's reputation. But the US government likes to print, spend, and then export the inflation and debasement. You just need to look at what it does to know what it prioritises. How the game worksWhen the dollar is weak, asset prices rise – and the policy-making world sure does love a bit of asset-price inflation. Borrowing is cheap, house prices go up, stock prices go up, bond prices go up, energy and metal prices go up. The party keeps on rocking. Everybody feels wealthy.But when the dollar is strong, the world gets the jitters. It starts to think that the asset price bubble that has been inflating since August 15, 1971, might be about to pop.Those in charge may talk tough. They wear smart, plain suits and look respectable. But then they usually start printing again.Here's the thing though. The dollar has just hit an inflection point. It comes to them every now and then. And when it does, it pays to take heed.Despite the experience of day traders, where prices flicker at you and fortunes are made and lost in tiny fluctuations, if you zoom out a bit, the dollar tends to trend for months at a time, if not years.The US dollar index (the dollar versus the currencies of its major trading partners) hit a high in 1985. It got so high, in fact, the G5 nations signed the Plaza Accord to get the price back down again. The eventual low did not come until 1992, seven years later. This wasn't a one-directional thing, except for the first move. There were counter-trend rallies that lasted several months. Trend, consolidate, trendIn fact, the process of making a low lasted from 1988 to 1995. It made a low, rallied a bit, made another low and so on. It took time in other words. Seven years.But then from 1995, the dollar rallied - with the usual drawn-out countertrend moves - all the way to 2001. With the dot-com bust, 9-11, the Iraq War and all the rest of it, the dollar then saw seven years of a bear market and in 2008 it made another low. The price was 71. It rallied for several months, then declined for several months, eventually retesting the low in 2011. So the bull trend, the bear trend and the process of making lows and highs can each take many years. If you, as an investor, trader or portfolio manager, were able to catch these trends - and be in and out of the market at the right time - you would have been able to magnify your returns many times. The low in 2011 was 72. Many years of bull market - with the usual drawn-out countertrend moves - followed before the dollar index eventually peaked in September last year at 114. Here's the long-term chart that illustrates what I have just described:Please subscribe to this amazing letter.When it changes direction, this lumbering beast likes to put in double tops and double bottoms, more than any asset I can think of. Sometimes triple tops and bottoms. It reaches a level, then re-tests it, and then sometimes re-tests it again.Here's the thing. It might be putting in one such double bottom now.The pain, especially of commodity prices, has been relieved somewhat these last few months as the US dollar has come off. This last month has felt particularly good with gold and silver both strong.But the dollar index hit a low at 101 in early February. It rallied for a few weeks, then came off again. It's retesting that low now.Does the US dollar now rally?I have to say it would be quite normal behaviour for it to do that from here.I have heard a lot of excitement about silver, for example. You know my cynicism about that metal. Too much excitement and euphoria usually mean declines are upon us. In fact, in the last few days, I have taken a small short against silver in my spread-betting account.I'm not forecasting the beginning or end of a major dollar cycle. But I do think, assuming 100 on the US Dollar Index holds, we might see a reversal in the dollar that could last several weeks or months. It comes, interestingly, just as gold is re-testing its highs. Could gold be putting in a double top?It's all about that 100-101 level.Interested in buying gold or silver. My recommended bullion dealer in the UK is The Pure Gold Company, whether you are taking delivery or storing online. Premiums are low, quality of service is high. You can deal with a human being. Both deliver to the UK, US, Canada and Europe, or you can store your gold with them. I have an affiliation deal with them.This article first appeared at Moneyweek. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe

Radio Nacional estuvo nominada nuevamente en el New York Festivals Radio Awards por los documentales “Suicidio adolescente: Shhhhh…de eso no se habla” y “Malvinas 40 años: Nuestros héroes indígenas”. Finalmente ganó por uno de ellos y lo anunció el director de la emisora, Alejandro Pont Lezica: “Van muchos programas, es muy difícil, pero fuimos distinguidos por el documental “Malvinas 40 años” y tiene que ver con nuestros héroes indígenas. Fue otra mirada que empezamos a ver”. En “Malvinas 40 años: Nuestros héroes indígenas” los protagonistas son: Benito González (Qom). Hilario Flores (Colla) Anastasio Vilca Condorí (Colla de la comunidad Los Naranjos. Salta). Juan Bautista Vilca (Colla) David Zambrino (Descendiente guaraní). Martín Raninqueo (Mapuche). Mientras que en “Suicidio adolescente: Shhhhh…de eso no se habla”, que también estuvo nominado, se toma como punto principal el suicidio adolescente que es la segunda causa de muerte después de los accidentes viales. La producción estuvo a cargo de Liliana Manna. Por su parte, la edición y musicalización fue de Fabián Panizzi.   Pase lo que pase, lunes a viernes de 7.00 a 10.00 Con Darío Villarruel, Florencia Ibáñez, Santiago Paz, Gustavo Campana, Nidia Aguirre, Fernando Pedernera y Andrea Baldivieso

Tom's conversation with Bono is up for Best Interview at the New York Festivals Radio Awards! Enjoy this extended version of Tom's conversation with U2's larger-than-life frontman, Bono.

En una nueva emisión de Bichos de Radio, Liliana Manna presenta los dos documentales de Radio Nacional seleccionados finalistas en la edición 2022 de los New York Festivals Radio Awards: “2001: Un Final Anunciado” y “Juego de Imperios". Malvinas 1982: Colonizados por la Dictadura”. Entrevista a Sergio Rositi, dueño de la empresa familiar Walmar Electrónica, una pyme de artículos para radioaficionados. Además: La segunda vuelta electoral en Francia entre el actual presidente Emmanuel Macron y la ultraderechista Marine Le Pen. A 30 años de la partida de Atahualpa Yupanqui, último fragmento de la entrevista que le hizo Daniel Viglietti en 1992 en París para su programa “Tímpano”.

The Magpie House has been shortlisted in the 2022 New York Festivals Radio Awards in the Culture & The Arts podcast category.In the 1970s, Lilburn wrestles with synthesizers and other machines, and comes out victorious, composing some masterpieces of the electroacoustic medium. But then he quits. He never writes another piece. Or does he? Lilburn's collection in the Turnbull Library contains over 1,000 files, including some rare late-life scribblings on manuscript. In the final episode of The Magpie House we speak to some of the people who knew Lilburn best during his last 30 years. We hear about his dying wishes for the Magpie House, and about its revival as a composer's residence.Host: Kirsten JohnstoneGuests: Chris Cochran, Salina Fisher, Ross Harris, Margaret Nielsen, Jenny McLeod, Jill Palmer, Dan Poynton, Gillian WhiteheadFor the show website including information about the music in this podcast, please follow this link.This series is supported with funding from Creative New Zealand.--Podcast Series: The Magpie HouseOff a bustling Wellington city thoroughfare, there's a quaint, narrow lane called Ascot Street, where sits a modernist house whose tar-black weatherboard and stark white trim inspired the name ‘the Magpie House'. Out back, lies an overgrown jungle of a garden where New Zealand's ‘father of classical music composition' Douglas Lilburn, who lived in that house for over forty years, liked to spend time growing vegetables and listening to the calls of the Tūī. In this four-part series, host Kirsten Johnstone delves into the colourful legacy of the Magpie House and its inhabitants, weaving their intriguing—and often surprising—stories into a Forrest-Gump-esque saga of war, music, cold-war espionage, persecution, and the search for identity and a place to call home.© Centre for New Zealand Music Trust See acast.com/privacy for privacy and opt-out information.

The Magpie House has been shortlisted in the 2022 New York Festivals Radio Awards in the Culture & The Arts podcast category.In 1959, Douglas Lilburn moves into the Magpie House at 22 Ascot Terrace. It's slightly over ‘teacup throwing' distance from the cottage of his longtime friend—and onetime lover—Rita Angus and offers privacy and a generous living room in which to entertain guests. His musical output at the time draws mixed opinions, and eventually, his experiments with portable tape recorders lead him to discover the machines that are destined to fascinate and terrify him for the rest of his career.Douglas Lilburn was a very private man, and in this episode, we invade a little of that privacy. With the help of those who knew him well, we peek into the living room where he held court with aspiring young composers, and into the music room where he had a crisis of confidence. We march up the hill to the University for a squiz at the machines he became obsessed with, and we look over his shoulder as he writes letters to his dear, lifelong friends Rita Angus and Douglas McDiarmid.Host: Kirsten JohnstoneGuests: Chris Cochran, Philip Norman, Jill Trevelyan, Jenny McLeod, Margaret Neilsen, Ross Harris, Noel Sanders, Bruce GreenfieldFor the show website including information about the music in this podcast, please follow this link.This series is supported with funding from Creative New Zealand.--Podcast Series: The Magpie HouseOff a bustling Wellington city thoroughfare, there's a quaint, narrow lane called Ascot Street, where sits a modernist house whose tar-black weatherboard and stark white trim inspired the name ‘the Magpie House'. Out back, lies an overgrown jungle of a garden where New Zealand's ‘father of classical music composition' Douglas Lilburn, who lived in that house for over forty years, liked to spend time growing vegetables and listening to the calls of the Tūī. In this four-part series, host Kirsten Johnstone delves into the colourful legacy of the Magpie House and its inhabitants, weaving their intriguing—and often surprising—stories into a Forrest-Gump-esque saga of war, music, cold-war espionage, persecution, and the search for identity and a place to call home.© Centre for New Zealand Music Trust See acast.com/privacy for privacy and opt-out information.

The Magpie House has been shortlisted in the 2022 New York Festivals Radio Awards in the Culture & The Arts podcast category.In 1951 a modernist, black and white house is built at 22 Ascot Terrace in Wellington. Meanwhile, in post-war New Zealand there's a stark division between left and right. It's hard to fully comprehend the paranoia of the time against Communism and the Soviets. In this episode, we hear the story of an innocent social club—a vegetable co-op—that comes to be spied on by the Special Branch of the New Zealand Police, and of two talented young diplomats, including the owner of The Magpie House Richard Collins, whose careers and reputations would be damaged as a result.Who was the spy? And what was it like to live under a cloud of suspicion in a city as small as Wellington? Seventy years later, the ‘children of the Vegetable Club' tell their parents' stories.Host: Kirsten JohnstoneGuests: Chris Cochran, Nicola Saker & John Saker, Nick Bollinger, Jacqueline Matthews, Aaron Fox, Sarah LakeFor the show website including information about the music in this podcast, please follow this link.This series is supported with funding from Creative New Zealand.--Podcast Series: The Magpie HouseOff a bustling Wellington city thoroughfare there's a quaint, narrow lane called Ascot Street, where sits a modernist house whose tar black weatherboard and stark white trim inspired the name ‘the Magpie House'. Out back, lies an overgrown jungle of a garden where New Zealand's ‘father of classical music composition' Douglas Lilburn, who lived in that house for over forty years, liked to spend time growing vegetables and listening to the calls of the Tūī. In this four-part series, host Kirsten Johnstone delves into the colourful legacy of the Magpie House and its inhabitants, weaving their intriguing—and often surprising—stories into a Forrest-Gump-esque saga of war, music, cold-war espionage, persecution, and the search for identity and a place to call home.© Centre for New Zealand Music Trust See acast.com/privacy for privacy and opt-out information.

The Magpie House has been shortlisted in the 2022 New York Festivals Radio Awards in the Culture & The Arts podcast category.1940 marks a period of great change in the cultural landscape of New Zealand. It has been 100 years since the signing of the Treaty of Waitangi, and pākehā artists including composer Douglas Lilburn are keen to develop a character in their work that reflects the nation they've grown up in — the landscape, the people, and the history. Meanwhile, New Zealand has been pulled into World War Two, and there is an influx of European refugees, including composers and performers, architects, artists and supporters of the arts, all bringing their own ideas of what home and nationhood should look and sound like. Many of them would go on to face difficulties and, for some, persecution, when trying to establish a life in their new homeland.Host: Kirsten JohnstoneGuests: Chris Cochran, Philip Norman, Ann Beaglehole, Danny Mulheron, Tom McGrath, Nick BollingerFor the show website including information about the music in this podcast, please follow this link.This series is supported with funding from Creative New Zealand.--Podcast Series: The Magpie HouseOff a bustling Wellington city thoroughfare there's a quaint, narrow lane called Ascot Street, where sits a modernist house whose tar black weatherboard and stark white trim inspired the name ‘the Magpie House'. Out back, lies an overgrown jungle of a garden where New Zealand's ‘father of classical music composition' Douglas Lilburn, who lived in that house for over forty years, liked to spend time growing vegetables and listening to the calls of the Tūī. In this four-part series, host Kirsten Johnstone delves into the colourful legacy of the Magpie House and its inhabitants, weaving their intriguing—and often surprising—stories into a Forrest-Gump-esque saga of war, music, cold-war espionage, persecution, and the search for identity and a place to call home.© Centre for New Zealand Music Trust See acast.com/privacy for privacy and opt-out information.

In episode 5 of Shelfmarks Zoë explores the myth of Cessair and Fintan mac Bochra from the Leabhar Gabhála (The Book of Invasions / The Book of the Taking of Ireland). In the myth Cessair is the grand-daughter of Noah and daughter of Bith. Bith is refused passage on The Ark and so Cessair builds three ships to seek out a new land. Each ship is crewed by fifty women. During the seven year journey two of the ships sink but the third containing Cessair, fifty women, her husband Fintan, her father Bith and her brother Ladra arrive in Ireland. She takes the first step on Irish soil. Zoë explores this myth, the taking of Ireland and how becoming at one with the natural world becomes essential to survival. As part of this podcast writer Siobhán Mannion writes a fictional account of this first step and what Ireland might have looked like to Cessair and her crew. Zoë also takes a walk across Dublin city with Siobán to discuss her relationship with nature, walking, writing and routine. Siobhán Mannion's stories and essays have appeared in Irish and international publications including Granta, Winter Papers, Banshee, Eighteen Bridges, Stand, The Moth, The Long Gaze Back: An Anthology of Irish Women Writers and Galway Stories: 2020. She has written plays and non-fiction pieces for radio, and her work has appeared in translation. Her honours include an Arts Council Literature Bursary, a MacDowell fellowship, two Hennessy Awards, and two New York Festivals Radio Awards. She lives in Dublin, where she worked for many years as a radio producer in RTÉ and is now completing a collection of stories. 'The Book of Invasions' (‘Leabhar Gabhála') is not the name of a specific manuscript. Rather it is an origin legend of the Irish people that exists in many variant versions, in poetry and prose. The origins of the tradition can be traced to the seventh century, although the earliest surviving manuscripts are much later. The story was extensively reworked in verse form in the eleventh and twelfth centuries. Over time, prose versions were derived from the poetry, and additional historical material was added. It was revised again in the seventeenth century by the team of historians known as the Four Masters. It continued to be accepted as a plausible story of the settlement of people on the island of Ireland long after that.' Find out more at https://www.ria.ie/leabhar-gabhala-book-invasions

Gold Award Winner in the 2022 New York Festivals Radio Awards.The Pacific, which embodies more than 1,800 different peoples and cultures, is home to an astonishing variety of musical instruments.Join Tau'ili'ili Alpha Maiava and guests as they explore the origin stories and traditional functions of three musical instruments commonly found across the Moana: the conch shell (pū/foafoa), the wooden slit drum (pātē), and the nose flute (fangufangu/vivo ko'e).Host: Tau'ili'ili Alpha MaiavaGuests: Leuga Ape Taua'ana Ata Sofara, Ma'ara Maeva, John Kiria, Hūfanga-He-Ako-Moe-Lotu Dr. ‘Okusitino MahinaFor the show website please follow this link.This series is supported with funding from Creative New Zealand.--Podcast Series: Sounds of the MoanaWhat is the indigenous sound of Moana-Nui-ā-Kiwa (Oceania)? What has been lost and gained over the course of history, and how can the musical identity of the great Moana be kept alive today? Explore these questions, and more, in this two-part series hosted by Tau'ili'ili Alpha Maiava.This project was made in partnership with the Pacific Peoples music community, cultural advisors and knowledge holders.© Centre for New Zealand Music Trust See acast.com/privacy for privacy and opt-out information.

Gold Award Winner in the 2022 New York Festivals Radio Awards.What were the original sounds and music of the Pacific, and can they still be heard today?Despite colonisation and migration, the indigenous sound of the great Moana is not lost.Join host Tau'ili'ili Alpha Maiava as he holds talanoa (discussions) with the practitioners, knowledge-holders, and scholars who are keeping the ‘sounds of the navigators' alive today.Host: Tau'ili'ili Alpha MaiavaGuests: Hūfanga-He-Ako-Moe-Lotu Dr. ‘Okusitino Mahina, Rita Seumanutafa, Leuga Ape Taua'ana Ata Sofara, Ma'ara Maeva, Anonymouz (aka Faiumu Matthew Salapu)For the show website please follow this link.This series is supported with funding from Creative New Zealand.--Podcast Series: Sounds of the MoanaWhat is the indigenous sound of Moana-Nui-ā-Kiwa (Oceania)? What has been lost and gained over the course of history, and how can the musical identity of the great Moana be kept alive today? Explore these questions, and more, in this two-part series hosted by Tau'ili'ili Alpha Maiava.This project was made in partnership with the Pacific Peoples music community, cultural advisors and knowledge holders.© Centre for New Zealand Music Trust See acast.com/privacy for privacy and opt-out information.

RNZ podcast 'The Unthinkable' has taken out gold at the prestigious New York Festivals Radio Awards at the same time the government promises to do more for families who lose a baby.

RNZ podcast 'The Unthinkable' has taken out gold at the prestigious New York Festivals Radio Awards at the same time the government promises to do more for families who lose a baby.

Das allerneuste iPhone, für 300 Franken?! Das klingt zu gut, um wahr zu sein. Ein verflucht gutes Angebot, das Phils Freund Michi da auf einem Kleinanzeigen-Portal gefunden hat. Doch die Sachen hat einen Haken: Und zwar ein Video, das der Vorbesitzer auf dem Smartphone hinterlassen hat ... (01:30) Beginn Hörspiel (17:55) Abmoderation & Ausblick Dieses Hörspiel wurde an den New York Festivals Radio Awards 2020 in der Kategorie «Best Director» nominiert. Mit: Lucy Wirth (Zoey), Vera Bommer (Steffi), Aaron Hitz (Phil) und Dashmir Ristemi (Besim) sowie Michael von Burg (Michi), Barbara Falter (Nachbarin) und Julia Glaus (Melanie) Text: Simone Karpf Dramaturgie: Susanne Janson Sounddesign und Tontechnik: Ueli Karlen Musik: Mirjam Skal Regie: Wolfram Höll Eine Produktion von SRF aus dem Jahr 2021 Die nächste Folge gibt's in einem Monat: Aus einem grusligen Hotel. Habt Ihr schon mal in so einem übernachtet? Dann schreibt es uns auf grauen@srf.ch

Misty McCready presents this unique documentary recalling the memories of young inmates at the Bergen-Belsen concentration camp during the Second World War. The programme includes interviews with survivors of the camp, poignant archive audio, and first-hand accounts written in 1945. You'll hear interviews with survivors Rudi Oppenheimer and Miryam Sommerfeld. Bernard Levy, a British soldier who arrived approximately one week after the liberation, also shares his story. BBC archive audio featuring Richard Dimbleby, the first reporter into Belsen post-liberation, and Harold-Osmond le Druillenec, the only British National found in the camp, set the documentary in raw historical context. This programme was made to mark the 70th anniversary of the camp's liberation in 1945. Produced by Dave Roberts and Misty McCready, ‘Children of Belsen' won two trophies at the 2016 New York Festivals Radio Awards and was a winner at the 2015 AIBs (Association for International Broadcasting).

Michael Harrison interviews Rose Anderson, VP/Executive Director of the New York Festivals TV & Film Awards and New York Festivals Radio Awards about the rebirth of audio storytelling and the general state of radio in the digital era.

Jamie Gordon was a trainee presenter at BFBS Berlin in 1989.  This is his personal account of what happened on the night of the 9th of November when the Berlin Wall came down.   In this programme, made to commemorate the 30th anniversary of the event, Jamie returns to Berlin and speaks to former servicemen and BFBS colleagues who were stationed in the city at the time. You'll hear about what it was like for British Forces serving in this divided city and how servicemen and women bore witness to this incredible moment in history at the end of the Cold War. You'll also hear some recordings from our archive.  These were some of the first English speaking news reports from the city and as a result were in huge demand throughout the world.   Whether you were there or following the news from elsewhere, or are entirely new to this story, this special programme captures the atmosphere of a unique time in the 20th century. Produced by Hal Stewart and Jamie Gordon, ‘Berlin 30: Fall of the Wall' is a finalist at the New York Festivals Radio Awards 2020

More than 3000 Afghans worked as interpreters alongside British troops during the conflict in Afghanistan. They played an important role helping soldiers overcome language barriers, providing local knowledge and advising the military on cultural affairs. Some were invited to live in the UK but others faced the challenge of the then Home Secretary's hostile environment policy. Hear the interpreters' stories in their own words as well as the experiences of the military officers who worked with them and became their friends. Written and produced by William Warren, this programme won two awards at the 2019 New York Festivals Radio Awards.