Podcasts about Landfall

Episode 88 Occupied by Tim Rich   Tim Rich reads ‘Occupied' and discusses the poem with Mark McGuinness. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/88_Occupied_by_Tim_Rich.mp3 This poem is from: Dark Angels: Three Contemporary Poets Available from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK   Occupied by Tim Rich We buttered the cat's pawsand baked bread in borrowed tinsto make the unfamiliar speak of pleasureand our intentions to remain All that first daythe house talked to itselfabout us Later than I expected, light withdrew across our table, unopened cratesback through thin glasstowards tomorrow So the room released its formand we sat among one anothergiving our ears to the conversation:inner doorways muttering behind flat hands; oak floors—masonic in their black treacle gloss—deciding whether to settleunder our presence Later still, in bed, I stared sideways into an unlit universe, absentlymindwalking the bounds,relocking iron door-bolts like an old rifle, drawingdrawn curtains a little closer,charting the evaporating pathbehind that plane's descent In time, each stray thought went to its home, leaving this accommodation to take place: the air held here sighing gently,like contented tortoise breaths; the softening percussion of bodies sleeping; the punctuating crack and hiss as fresh eggs are brokeninto a smoking pan; someoneopening a window   Interview transcript Mark: Tim, where did this poem come from? Tim: So, almost always for me, poems just emerge out of some sort of inner dusk. I'm not someone that can go to their desk with a plan to write about a particular message or topic or piece of content. The poem just presents itself to me. And actually I don't really have any choice in the matter. I'm sort of just forced to be a transcriber in that moment. And I was looking at the sea the other day, and I had this moment when I just thought my poems are a bit like strange sea creatures that live on the seabed. And at a particular point in their life, they decide that they just want to go to the light and they start floating up through the murky water and explode in bubbles on the surface. And, you know, hopefully I'm there sitting in the poet's boat ready to haul them on board. So, that's almost always how poems start for me. And this poem very much began that way. I was at home on a winter's evening, and it just began to come through me, as it were. And the context for that was that after many years of living in the same house, my wife and I were starting to think about the possibility of moving. And, you know, it was a really exciting prospect but also it definitely was stirring up the sediment of my unconscious. I'm someone that really feels the need for a settled home, a settled place, and this unsettled me. So, I think that that was what was giving the raw energy to the content. And there was something else, which is what informed the scenery of the poem, if you like, which is this idea of light withdrawing from a space and what that does within the space. And when I was 11, I was living just with my dad, and he would come home from work later than I would get home from school. So, for the first year or so, he arranged for me to go to some elderly neighbours on the way home from school. So I was, sort of, watched, and we would sit in their front room, and they would load up their coal fire. And through the windows, the sun would set slowly, and they were so calm. They would hardly speak. When they did speak, it was about these, kind of, wonderful domestic details like, you know, what needs to be chopped for dinner, or are there any windfalls in the garden that we can harvest tomorrow? It was very, very calm. And, you know, the coals in the fire were glowing red, but the rest of the room just lost its light. And I remember the shape of their very heavy old furniture, and the picture frames, and the curtains all began to disappear. And that must have just lodged somewhere deep within me, because that's very much, as the poem came out, where I was also taken to in my mind. Mark: So, I like this. So, I mean, to put it bluntly, it's not like you moved into a house and then you wrote this. You were thinking about moving and then a house emerged from your unconscious, from memories of other houses and so on. Tim: Yeah, yeah. Absolutely. Mark: And I think that's kind of a salutary thing to hear because… And this is a poem that really you read it and you totally believe it. It feels like a first-hand account of, well, we did this and this is what happened. And yet you're, kind of, pulling the rug from under our feet here, which is a nice thing in poetry. I think that you can't necessarily take it literally or face value. Tim: Well, we moved house… Yeah, we moved house about six months after I wrote the poem. So, I went through the experience of living the poem, which seems to be quite a good way around. Mark: Did you conjure the house, Tim? Tim: Actually, it was wonderful because it confirmed to me part of what motivated the poem, which is that I think we can all become a little bit… I don't know. Complacent seems to be too loaded a term, but we get so used to how our houses speak that we stop hearing them. And actually, there's this kind of wonderful symphony going on the whole time, you know, radiators making those strange percussive noises, and the way that the door squeaks, or suddenly, you know, how your staircase gets to a particular temperature in the middle of the night and decides to squeak. And they're constantly making these noises. And when you're living there, you stop hearing them. But when you move to somewhere for the first time, or sometimes if you go and stay in a haunted Airbnb in the woods, that first night particularly, everything's coming to you fresh. So, I think there's a strong sense of what's it like when a person moves into a space for the first time and that space has a character, and an energy, and a being of its own. Mark: So, really it's that state of heightened awareness, isn't it? You know, apparently this is how the mind works. If you've got a constant stimulus, the mind will tune it out. It's that Heaney line, you know, ‘The refrigerator whinnied into silence,' which is just that moment of… You only hear the fridge when it stops. Tim: Yeah. Mark: And what you're describing is the reverse of that. When you're in the house for the first time and everything is new and you're on hyperalert for the voices of the house. Tim: Yeah. And we're listening to our houses right now because there's a 1066 Line train from Hastings that's just gone into the tunnel over there. But we probably can't quite hear it on the microphones, but it's in the air and it's just touching elements of the house. And we're surrounded by this the whole time. And I think it's important to say, as soon as the poem had laid itself out on the page for the first time, it was clear to me that this poem was about people moving into a home for the first time, but it is also quite a vivid description, I think, of what was going through me at the time in terms of that unsettled nature. You know, I was quite surprised by the nature of the metaphors that my unconscious had presented me with. I mean, it's quite a portrait of anxiety to double-check the curtains, to lock a bolt as if it's an old rifle. You know, this is partly a portrait of an unsettled, anxious mind, which is, I think, something that I was going through at the time. Mark: And you've got some great similes, you know, the iron door bolts like an old rifle. And there's this lovely bit where you talk about ‘drawing drawn curtains'. And if you look on the website, then you can see that there's a line break after drawing, so it's drawing, line break, drawn curtains, which really just emphasises it's already drawn. You don't need to do it. This is the OCD kicking in, which really speaks to that anxiety you're describing. And I really love the second section where you say, ‘All that first day, the house talked to itself about us,' which is just a wonderfully unsettling idea that we are the intruders and the house has an opinion. Tim: Yeah, I definitely wasn't being sort of whimsically mystical about infrastructure and materials. It was definitely the feeling that there is an exchange when animals, human and other, come into a space. There's a change in energies and temperatures and sound and smells. And, you know, the dynamism of creatures come into a space that has been unoccupied, which is what generally most houses are, you know, sometimes for days, sometimes for months, and years before the new occupants come in. And I was just really taken with that idea that the house also needs to find its way of settling under these new occupants. And that seemed like a moment of 24 hours of the two parties eyeing each other and listening to each other and wondering about, ‘Who is this that I need to live with for these next years?' Mark: And it's quite a humbling poem, isn't it? Because, you know, when you think of owning the house or occupying the house, it's like you're the one in charge. But this poem just kind of subverts that idea that it's the house that's weighing us up, as in the people in the poem. It made me think of that TV series David Olusoga does, A House Through Time, where he gets an old house, and he goes through the records, and he looks at all the people who lived in the house and tells their story. And there's quite a lot of them, like, much more than I would have expected. You know, each episode goes on and on and on, and you just realise the house is staying there. The house is constant. These people, they're temporary. They might think they're the owners, but we're just passing through. Tim: We are passing through. It is a reminder of our mortality and our houses often way outlive us. Also, in recent years and decades, there's been an increase in the way in which people work from home, but that isn't a new thing. So, I wrote this poem in the house we lived in before, which was built to be a weaver's cottage, a live/work weaver's cottage. And, you know, they would find their living accommodation in quite modest corners of the house because a lot of it, at different times in the process, was given to equipment and storing material and a very intense version of live/work and working from home. And, you know, I think that part of when people suddenly a whole generation through particularly lockdowns but also just this change in working habits are spending much more of their life within the home quite often and what that means in terms of their relationship to the space and how the house relates to that. Tim: I think, just as I'm speaking, it occurs to me that perhaps also part of the influence of the atmosphere in the poem is around some of the fiction that I enjoy. And I haven't thought about this until we were talking now, but I like an M. R. James novel, or, you know, The Haunting of Hill House has just come to mind, and buildings and atmospheres that speak, as sort of some of the atmospheres you get in a Robert Aickman type horror novel. So, some of the classic British horror novels and that type of fiction. And just as we were talking about that, and I was also casting my eyes down the poem, there's some of the dusk that you get with those places, which is in this poem. And it's great, isn't it, coming back to one of your own poems quite a while after you wrote it, and you perhaps see some of the reasons for its being in a slightly different way. Mark: I mean, that's the basic premise of the haunted house is that the house is alive. I mean, you've not gone full Hammer Horror with this one. It's maybe a little more subtle, but you've definitely got some really wonderfully suggestive details. I loved ‘inner doorways muttering behind / flat hands, oak floors – masonic / in their black treacle gloss'. And that's so true. There are so many of these old houses. It's like, what happens to the wood? How does it get to be like treacle? And there's that heaviness and that opacity about it that you convey really well. Tim: Yeah. I was taken with the idea of the house being almost quite an august figure in some ways. It would be wrong to say it's proud of itself, but deciding whether to settle under our presence is quite… Mark: It's not aiming to please, is it? Tim: It's not. It's not easily won over. I mean, you know… Yeah, let's see what these new occupants are like. You know, what do they get up to? What are their tastes? What do we think of the prints that they put up on the wall? Mark: Yeah. Will they get it? Will they behave themselves? So you've got this lovely line in the third paragraph, ‘So the room released its form / and we sat among one another.' Well, thinking about the form of the poem, how close is this to, say, the first draft when you were hauling the sea creature out from the depths over the side of your poetic boat? Tim: Yeah, when the poem came out onto the page, it actually made a demand of me. It said, ‘I don't want you to put me into very organised type measures. I don't want to be sorted into regular stanzas. And also, I want you to be quite careful about any linguistic bells and whistles.' It just was a bit like the house. It had almost a sort of slightly stern feeling to it as a poem. It was very clear, and it was saying each of these stanzas, or scenes maybe, has to be as long as it wants to be. ‘I don't want you to spend time evening things up or creating consistency.' And there are many other poems that I've written where, of course, I'm deliberately very measured, very consistent. At the moment, a lot of the poems I'm writing have a lot of half rhymes but particularly a lot of internal rhymes. And, goodness, audaciously, you know, I even have a rhyming couplet in a poem that I'm working on at the moment. But this poem just said, ‘I don't want any of that.' Now, that's not to say that there aren't some half rhymes or suggestions of rhymes, and certainly some lovely withholding with words at the end of the line that only resolve as you move through into the next line, the enjambment of the word and the meaning falling over into the next line. Definitely that happens. But I tried to edit this into different shapes. I probably tried it five different ways, and each time it just felt wrong quite quickly actually. I tried to give it a consistent number of lines per stanza, and it repulsed me as a poem. It just said, ‘No, I need to be this free form.' And also, I had to accept that it's probably a little bit messier than I normally feel comfortable with. And it was good. I was like, ‘Actually, you know, just stop fighting. Just stop fighting it.' Sometimes your poems can be more irregular, more free, less obviously organised. And I think it has its rhythms that hold it together. It does for me. And listeners will decide, when they hear it, whether those rhythms are actually holding it together. Mark: Well, for me, it feels a bit like one of those old houses where you go in and there's not a right angle in sight. You know, the floors are sloping. The doors have to be a kind of trapezium to open and close, which I think is obviously true to the spirit of the thing. And it's like the house itself. It's not trying too hard. You can read it quite quickly, and it seems quite plain-spoken and spartan. But when you look, you notice the little details. Like, you know, there's the door bolts like a rifle, and the ‘nasonic', a wonderful adjective. And I've just noticed now, as we were talking, in the final verse, ‘In time, each stray thought / went to its home, leaving this / accommodation to take place'. And that's a lovely reframing of ‘accommodation', because the everyday sense is a place where you go and live, but it's an accommodation in the sense of a mutual alignment, almost like a negotiation or getting used to each other, which I think is really delightful. Mark: Okay, Tim, so I have to ask, looking again at the poem, what on earth is going on with buttering the cat's paws at the beginning? Tim: So, buttering the cat's paws is a bit of folk wisdom. And the idea is that when you move to a new house, if you have a cat or cats, that you actually put lovely, creamy butter on their paws and that they, you know, as cats do, will then spend time licking and licking and licking. And it means that more of their scent is put into the floor and the grounds of the place so they feel at home quicker and sooner. So they're sensing the place much more actively sooner. Now, I don't think there's any scientific evidence to suggest it works. But, you know, if anyone has any experience with this, I would love to hear it. But I don't really care, because the whole image of spreading beautiful, creamy butter onto the paws of the cat and that somehow just inviting them to feel that this place is home is more than enough for me. And I'd heard the phrase years and years and years before. And again, I think it was just the very first phrase that came out as the poem emerged. I think it was opening the doorway to the poem, and it felt very natural for it to be the beginning of the poem. I wonder now, looking back, whether there's something to do with the eye opened with an animal spirit. And so much of this poem really has come up from the unconscious. And I'm not starting with a very measured, conscious human, you know, activity or… I'm not saying, you know, ‘we made the decision to move'. It's not a person-led piece in the sense that, okay, we're doing the buttering, but it's the cat that's front and centre in that open line. And that's not something that I particularly thought about consciously at the time. But looking back, I think there's a hint there that we're not just talking about a straightforward human, rational response to living in a place. There are animal spirits too. Mark: Yeah, and it feels like a wonderful piece of folk magic. I mean, cats are magical creatures like witches' familiars. And, you know, maybe there's a magical aspect to that. It's a little ritual, isn't it? Tim: It is. I had a question for you, but it just came out of part of my experience of this poem going out into the world, which is that I've just been surprised, in a wonderful way, by how diverse and often surprising people's responses are to poems, how I can never really tell what it is about a poem someone's going to pick up and come back to you about. You know, for example, someone has given copies of this poem to friends when they move house. Mark: Oh, lovely. Tim: …as a housewarming present, a printed letterpress, which is very, very beautiful. Someone else said that they really loved sort of, what did they say, the soft absurdity around the house being almost this grand piece. And others have responded in different ways. And I think it's one of the wonders of poetry, maybe something that doesn't get talked about quite so much, which is that we interrogate the meaning for ourselves. And if you work with your editor and sometimes reviewers, meaning is discussed. But actually, my experience, when poems go out into the world, is it's just incredible how broad the range of response is and what people pick up on. And I suddenly think, well, is that just my experience? So what's it like for you? Are you constantly surprised by what people pick up and come back to and focus on with your poems? Mark: Yeah, it's a little bit like a Rorschach test, isn't it? People see themselves in it to a degree, or they see something that will resonate for them. And to me, it's the sign of a real poem if it can do that, if different people see different things in it. If it was too obvious and too, you know, two-dimensional, then that's fine, but it's not really a poem. And I think this is part of the magic of why poems can persist over time. Society is shifting all around them. Maybe a few of the houses are constant, but the poem still inhabits the space, and people still relate to it for decades or hundreds or even thousands of years sometimes. Tim: Yeah, I think there's an important point for poets that you have to maintain your confidence in ambiguity and what might feel like potential confusion. Of course, you need to think through how you're writing it and avoid unintended, poor consequences. But there's also a point in which I think you have to protect some of the messiness of meaning and not try to pin things down too much. Of course, there are different types of poets, and some poets need to be very clear and very message-driven. But I'm thinking, for me, there are sometimes moments when I think, ‘Am I just leaving this hanging and ambiguous and a bit dusky in terms of meaning?' And that's the point at which I think, ‘No, quite often just trust that people will find their own way into the poem.' Mark: Yeah, absolutely. And this is something I've seen a lot in classes, and it certainly happened to me very often. You know, the teacher will say you can cut the last line because we already get it. You don't need to underline the message of the poem. Sometimes we feel a bit nervous just leaving it hanging. And you've absolutely had the confidence to do that with the wonderful ending of this, where you talk about ‘the punctuating crack and hiss / as fresh eggs are broken / into a smoking pan. Someone / opening a window' – and that's it. I mean, tell me about that ending. How did you arrive at that? And did you go back and forth? Did you think, ‘Can I leave that window open, that line?' And by the way, listener, there is no full stop either to hang on to at that point! Tim: Yeah. I have to say, I do find myself clearing away more and more of the furniture of the poems. And there is a very deliberate lack of a full stop there. It was all there in the first draft that came out. It wasn't a constructed or reconstructed ending later on. Again, the poem seemed to want to open into something rather than close itself down and make a point. I think that in the action of the poem, we've moved through this dusky night, including a sort of bout of insomnia, of staring into the darkness. And then morning is coming, and it's full of new things. And there is something about that morning of waking up in a new house. What a moment in someone's life that is. Mark: Yeah. Yeah, yeah, yeah. Tim: It's just extraordinary. And there's a natural link there into the egg as a symbol. Something new, something is being born. And yeah, there may be many reasons why that window needed to be open. The smoke from the pan is one thing, which is all about the… Mark: Right, right. Setting the smoke alarm off! Tim: Yeah, it goes off in our kitchen quite often. And of course, the cooking is, again, this thing of humans being in a house and occupying it and all of the energy and dynamics. And how are you most going to make a new home your own? You're going to get out and start cooking and making a mess and eating together and getting things moving. I have no idea who the someone is, and I don't know what their motivation is for opening a window. And I like that. Mark: Okay. Well, let's have another listen to the poem and maybe, you know, each of us, as we listen to this this time, just see what associations come up for you. You know, houses you've lived in, places you've been, memories it conjures up. Thank you very much, Tim. What a lovely space to explore with this poem.   Occupied by Tim Rich We buttered the cat's pawsand baked bread in borrowed tinsto make the unfamiliar speak of pleasureand our intentions to remain All that first daythe house talked to itselfabout us Later than I expected, light withdrew across our table, unopened cratesback through thin glasstowards tomorrow So the room released its formand we sat among one anothergiving our ears to the conversation:inner doorways muttering behind flat hands; oak floors—masonic in their black treacle gloss—deciding whether to settleunder our presence Later still, in bed, I stared sideways into an unlit universe, absentlymindwalking the bounds,relocking iron door-bolts like an old rifle, drawingdrawn curtains a little closer,charting the evaporating pathbehind that plane's descent In time, each stray thought went to its home, leaving this accommodation to take place: the air held here sighing gently,like contented tortoise breaths; the softening percussion of bodies sleeping; the punctuating crack and hiss as fresh eggs are brokeninto a smoking pan; someoneopening a window   Dark Angels: Three Contemporary Poets ‘Occupied' is from Dark Angels: Three Contemporary Poets, published by Paekakariki Press. Available from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK     Tim Rich Tim Rich grew up in the woods of Sussex and now lives and writes by the sea in Hastings. His poems have been published in numerous anthologies and journals, including Dark Angels: Three Contemporary Poets (Paekakariki Press) and Poet Town (Moth Light Press). The Landfall series – exhibited at the Bloomsbury Festival, London — brought together his poetry and photography. He has five poems in the anthology Family Matters, a collection of poetry about family, to be published in 2026. Alongside poetry, Tim writes, edits and ghostwrites books.  timrich.com Photograph by Maxine Silver   A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Occupied by Tim Rich Episode 88 Occupied by Tim Rich  Tim Rich reads ‘Occupied' and discusses the poem with Mark McGuinness.This poem is from: Dark Angels: Three Contemporary PoetsAvailable from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK... Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold  Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies... Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town.

Landfall - Stonekeepers

TPCCafe Radio Presents Classic Westerns, Have Gun Will Travel: Landfall

Quatrième émission de la saison 2025-2026, dans laquelle nous dressons le bilan de l'année 2025 à travers tous les aspects de l'industrie vidéoludique, et notamment les jeux qui ont le plus marqué l'équipe ! Émission diffusée le 27 décembre 2025 sur Radio Campus Paris. Au programme :– Le pick de l'année de Gomeisa : Peak, des studios Aggro Crab et Landfall.– Le bilan social de 2025 par Lazare, garanti sans licenciements (ou presque).– L'addiction de l'année de Quineapple : News Tower du studio Sparrow Night.– 1ère pause musicale : Airport composée par Erik Skog pour l'OST de Peak.– Le coup d'oeil sur le rétro par Calypso.– Blind Test au menu par Lazare.– Le bilan des sorties 2025, un tunnel de chiffres creusé par Lazare.– 2ème pause musicale : Printing Theme composée par Bart van de Sande pour l'OST de News Tower.– Maxime refait l'histoire dans Life of Pie: Overture du studio Neowiz.– 2025 dans l'ombre des réacs par Calypso.– 3ème pause musicale : Anchordeep composée par Narayana Johnson aka River Boy pour l'OST de Cult of the Lamb.– Sophie replonge dans sa conscience à travers Citizen Sleeper 2: Starward Vector, du studio Jump over the Age.– Le bilan hardware de 2025 dans lequel Lazare se demande si l'ordinateur de poche n'est pas le futur flop de l'industrie.– Marion tente de nous laver le cerveau en essayant de nous faire croire que Cult of the Lamb, du studio Massive Monster, est sorti en 2025.– Musique de clôture : The Clear Blue Skye (Golden) composée par Tsukasa Saitoh et Suhyun Kim pour l'OST de Life of Pie: Overture. Casting :– Calypso Meszaros, chroniqueuse– Gomeisa, chroniqueur·euse– Lazare Jolly, réalisateur, monteur et responsable technique– Marion Haza, chroniqueuse– Maxime Mohr, chargé de l'entretien avec l'invité·e– Quineapple, chroniqueuse– Sophie Hellégouarch, chroniqueuse– Vincent Boutin, programmateur musical Discord : https://discord.gg/68zqVXkfCyBluesky : https://bsky.app/profile/assopixelup.bsky.socialKo-Fi : https://ko-fi.com/associationpixelup Production : Pixel Up! en partenariat avec Radio Campus Paris.

For Day 11 of our Advent Calendar, Jonathan calls up long-time friend of the podcast, acclaimed writer James Bradley, to discuss what he's been reading lately, his fabulous new novel Landfall, whether he revisits any favourite books or movies at this time of the year, and what he's been working on. As always, our thanks to James for making the time to talk to us. We hope you enjoy the episode.

Episode Notes: This week on Zed Games Zahra, Tom, and Natalia talk the challenge of the game of life before getting into a slew of events, social restrictions, RAM shortages, Excel Championship, and more in this week's #GamingNews. Natalia grabs the mail before jumping into a break in reality while reviewing the thrill seeking, speed chasing, and butt clenching rogue-like game 'Haste' from Landfall. And Tom stands for artistic integrity while getting uncomfortable, challenged, and more while playing 'Horses' from Santa Ragione and AndreaLB. Timestamps and Links: 00:00 - Welcome to Zed Games 03:20 - #GamingNews 14:06 - 4zzz Hot 100 - Sun, 7 Dec, 12pm AEST - SUBSCRIBE NOW! 16:02 - Haste from Landfall 24:23 - Horses from Santa Ragione and AndreaLB Produced and recorded by Zahra at 4zzz in Fortitude Valley, Meanjin/Brisbane Australia on Turrabul and Jaggera Country. Audio and Cover Image edited by Tobi for podcast distribution for Creative Broadcasters Limited. Sound Effects provided by Pixbay from freesound_community - Proyector16mm-2 Backing Music provided by Pixabay from Henadz Danilau - Драматичное фортепиано с оркестром

Andy, Mia, and August are sitting down together in Sweden to reminisce about the many landfalls we've made over the years. We'll be sharing some of our best and worst experiences, and the lessons we've learned from them. Join us as we talk about the magical transition from blue water to breakwater, and swap a few sea stories! We also answer questions from the Youtube live chat underway!  See the video on Youtube!  This podcast is brought to you by The Quarterdeck, our online sailing community! Join at quarterdeck.59-north.com for videos, articles, live sessions, and more! First two weeks free!

 Headlines: – Welcome To Mo News - Mo News Sale (02:00) – Cold Snap Tied To Polar Vortex Set To Threaten Thanksgiving Travel (05:00) – Hurricane Season Is Ending Without A U.S. Landfall (09:50) – Judge Tosses Indictments Against NY AG Letitia James, Ex-FBI Director James Comey (11:50) – Trump Will Visit China for Meeting With Xi Jinping (18:15) – DOGE 'Doesn't Exist' With Eight Months Left On Its Charter (22:00) – X's New Location Feature Exposes Political Accounts Based Outside The U.S. (25:50) – Mo News Partnership: As Black Friday Approaches, Mo News Talks To Target About Shopping Strategy (29:00) – Celebrities Are Making Smoking Cigarettes Cool Again (33:50) – On This Day In History (36:30) Thanks To Our Sponsors:  – LMNT⁠ - Free Sample Pack with any LMNT purchase –⁠ Industrious⁠ - Coworking office. 50% off day pass | Promo Code: MONEWS50 – Surfshark - 4 additional months of Surfshark VPN | Code: MONEWS – Factor Meals – 50% your first box plus free shipping | Promo Code: monews50off – Aura Frames -  $45 off best-selling Carver Mat frames | Promo Code: MONEWS

In this episode of The Cybersecurity Defenders Podcast, we discuss some intel being shared in the LimaCharlie community.Google's Threat Intelligence Group has observed a significant shift in 2025, threat actors are no longer using AI to just speed up operations, they are now integrating LLMs directly into the malware.Unit 42 has identified a previously undocumented Android spyware family, named LandFall, discovered during an investigation into iOS exploit chains involving malicious DNG images.Microsoft's November Patch Tuesday rollout includes fixes for over 60 vulnerabilities, one of which is a zero-day privilege escalation flaw in the Windows kernel that has already been exploited in the wild.Former executive at L3Harris Trenchant, Peter Williams, has pleaded guilty in U.S. federal court to selling 8 trade secrets valued at over 1.3 million to a Russian-based software broker involved in the zero-day exploit market.Support our show by sharing your favorite episodes with a friend, subscribe, give us a rating or leave a comment on your podcast platform.This podcast is brought to you by LimaCharlie, maker of the SecOps Cloud Platform, infrastructure for SecOps where everything is built API first. Scale with confidence as your business grows. Start today for free at limacharlie.io.

Were you a fan of the iPod Socks and have a lot of money burning a hole in your pocket? Then the iPhone Pocket might be for you. Also, what is going on over at Meta? Are they reading all your messages for AI? How much are they making from scam ads? What are the chances Elon gets his $1T payday? Plus plenty more tech news to get caught up on, and some great tips and picks to help you tech better. Watch on YouTube! - Notnerd.com and Notpicks.com INTRO (00:00) Apple launches iPhone Pocket: a limited edition designer strap accessory (02:40) MAIN TOPIC: What's going on at Meta? (07:40) Is Meta really reading your DMs? Leaked documents show Meta makes billions from scam ads Mark Zuckerberg is excited to add more AI content to all your social feeds Chan Zuckerberg Initiative shifts focus to AI and science Tesla shareholders approve new $1 trillion pay package for Musk DAVE'S PRO-TIP OF THE WEEK: Tinted Liquid Glass (21:15) JUST THE HEADLINES: (27:30) The Louvre's video surveliance password was Louvre Google plans secret AI military outpost on tiny island overrun by crabs SpaceX disables 2,500 Starlink terminals allegedly used by Asian scam centers Logitech open to adding an AI agent to board of directors, CEO says China launches stealth jet from electomagnetic catapult aircraft carrier Alien worlds may be able to make their own water Grand Theft Auto 6 delayed again to November 2026 TAKES: YouTube TV blackout is costing Disney an estimated $4.3 million per day in lost revenue (30:25) Nintendo Store app launches on iPhone (31:50) OpenAI sued for trademark infringement over Sora's 'Cameo' feature (34:35) Meta is killing off the external Facebook Like button (37:30) Commercial spyware "Landfall" ran rampant on Samsung phones for almost a year (39:00) Microsoft November 2025 Patch Tuesday (40:20) BONUS ODD TAKE: Super Mario Bros. Remastered (42:05) PICKS OF THE WEEK:  Dave: Otamatone Classic Ninja [Officially Licensed] Japanese Character Electronic Musical Instrument Portable Synthesizer from Japan Maywa Denki for Children Kids and Adults Gift (44:15) Nate: Temdan Magnetic iwatch Charger Portable Wireless Charger for Apple Watch 1200mAh Power Bank Camping Travel Essentials for Series 10/9/8/7/6/Se/5/4/3/2/1/Ultra/Ultra 2-Black - Episode 385: Live from Dongletown (50:55) RAMAZON PURCHASE OF THE WEEK (55:15)

Ending the government shutdown revives an expired cybersecurity law. The DoD finalizes a new model for building U.S. military cyber forces. A North Korean APT exploits Google accounts for full device control. The EU dials back AI protections in response to pressure from Big Tech companies and the U.S. government. Researchers discover a critical vulnerability in the Monsta FTP web-based file management tool. The Landfall espionage campaign targets Samsung Galaxy devices in the Middle East. Five Eyes partners fret eroding cooperation on counterintelligence and counterterrorism. Israeli spyware maker NSO Group names the former U.S. ambassador to Israel as its new executive chairman. Monday Biz Roundup. Tim Starks from CyberScoop discusses uncertainty in the federal Cyber Corp program, The friendly face of digital villainy. Remember to leave us a 5-star rating and review in your favorite podcast app. Miss an episode? Sign-up for our daily intelligence roundup, Daily Briefing, and you'll never miss a beat. And be sure to follow CyberWire Daily on LinkedIn. CyberWire Guest Today we are joined by Tim Starks from CyberScoop discussing uncertainty in the federal Cyber Corp program. Selected Reading Cyber information sharing law would get extension under shutdown deal bill (CyberScoop) Don't call it Cyber Command 2.0: Master plan for digital forces will take years to implement (The Record) North Korean hackers hijack Google, KakaoTalk accounts to control South Korean phones: Report (The Straits Times) EU set to water down landmark AI act after Big Tech pressure (The Financial Times) Monsta FTP Vulnerability Exposed Thousands of Servers to Full Takeover (Hackread) Newly identified Android spyware appears to be from a commercial vendor (The Record) F.B.I. Director Is Said to Have Made a Pledge to Head of MI5, Then Broken It (The New York Times) Seeking to get off US blacklist, spyware firm NSO taps ex-envoy Friedman as chairman (The Times of Israel) Google's Wiz acquisition clears DOJ's antitrust review. (The Cyberwire) Tank interview: A hacking kingpin reveals all to the BBC (BBC News) Share your feedback. What do you think about CyberWire Daily? Please take a few minutes to share your thoughts with us by completing our brief listener survey. Thank you for helping us continue to improve our show. Want to hear your company in the show? N2K CyberWire helps you reach the industry's most influential leaders and operators, while building visibility, authority, and connectivity across the cybersecurity community. Learn more at sponsor.thecyberwire.com. The CyberWire is a production of N2K Networks, your source for strategic workforce intelligence. © N2K Networks, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Presented by Material Security: We protect your company's most valuable materials -- the emails, files, and accounts that live in your Google Workspace and Microsoft 365 cloud offices. Three Buddy Problem - Episode 71: The buddies travel to Canada for a live recording at the Countermeasure conference, discussing the Google v FFmpeg open-source patching brouhana, ransomware negotiators charged and linked to ransomware attacks, the looming TP-Link ban in the U.S., and the discovery of LANDFALL, an APT attack caught using a Samsung mobile zero-day. Cast: Juan Andres Guerrero-Saade (https://twitter.com/juanandres_gs), Ryan Naraine (https://twitter.com/ryanaraine) and Costin Raiu (https://twitter.com/craiu).

runC flaws could allow hackers to escape Docker containers Lost iPhone scam warning Landfall Android spyware targets Samsung Galaxy phones Huge thanks to our sponsor, Vanta What's your 2 AM security worry?   Is it "Do I have the right controls in place?"   Or "Are my vendors secure?"   ....or the really scary one: "how do I get out from under these old tools and manual processes?   Enter Vanta.   Vanta automates manual work, so you can stop sweating over spreadsheets, chasing audit evidence, and filling out endless questionnaires. Their trust management platform continuously monitors your systems, centralizes your data, and simplifies your security at scale. Vanta also fits right into your workflows, using AI to streamline evidence collection, flag risks, and keep your program audit-ready—ALL…THE…TIME. With Vanta, you get everything you need to move faster, scale confidently—and get back to sleep.   Get started at vanta.com/headlines   Find the stories behind the headlines at CISOseries.com.

Super Typhoon Fung-wong has made landfall over Aurora Province in the eastern part of Luzon Island of the Philippines. Local authorities say the super typhoon claimed at least two lives before landing.

A newly identified Android spyware targeted Galaxy devices for close to a year, including users in the Middle East, researchers exclusively tell TechCrunch. In addition, the congressional research office confirmed a breach, but did not comment on the cause. A security researcher suggested the hack may have originated because CBO failed to patch a firewall for more than a year. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Typhoon Kalmaegi has slammed into central Vietnam's already storm-battered coastline, bringing strong winds and heavy rainfall. Vietnam has evacuated thousands of people from coastal areas.

Asia's most powerful storm has made landfall in Vietnam, after causing widespread flooding in the Philippines. BBC's South East Asia correspondent Jonathan Head spoke to Ingrid Hipkiss from Bangkok.

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

Chris, Molly, and Nathan discuss Hurricane Melissa making Landfall in Jamaica. We also take a deeper dive in to the various teleconnections and how they influence weather in Central Illinois.

Today, we're talking about Hurricane Melissa making landfall in Jamaica yesterday; SNAP benefits expected to run dry Saturday; and other top news for Wednesday, October 29th. Stay informed while remaining focused on Christ with The Pour Over. Join over 1.5 million readers with our free newsletter here Looking to support us? You can choose to pay here Check out our sponsors! We actually use and enjoy every single one. Cru Surfshark Holy Post CCCU Upside HelloFresh Mosh LMNT Theology in the Raw Safe House Project A Place For You Practicing Life Together Not Just Sunday Podcast Quince Courage for Life Study Bible She Reads Truth

Initial estimates show Hurricane Melissa may have killed dozens across Haiti and Jamaica. Melissa is one of the strongest storms the region has ever seen, leaving widespread destruction in multiple Caribbean nations. To discuss the ongoing rescue and relief efforts, Amna Nawaz spoke with Brian Bogart of the World Food Programme. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Hurricane Melissa makes second landfall in Cuba after lashing Jamaica with catastrophic flooding, brutal winds. Governor Newsom sues Trump Administration for illegally withholding SNAP food benefits. Chad Scary Movie Countdown #3. Turkey to discipline referees after uncovering mass betting scandal. New details revealed in NBA betting scandal. One-Hit Wonder Wednesday. Texas attorney general sues Tylenol company over autism claims. Lab monkeys infected with herpes and Hepatitis C escape following truck crash. Toronto outlasts Dodgers to even World Series. 

Initial estimates show Hurricane Melissa may have killed dozens across Haiti and Jamaica. Melissa is one of the strongest storms the region has ever seen, leaving widespread destruction in multiple Caribbean nations. To discuss the ongoing rescue and relief efforts, Amna Nawaz spoke with Brian Bogart of the World Food Programme. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

AP correspondent Donna Warder reports on Hurricane Melissa.

Hurricane Melissa has now made landfall in southeastern Cuba, bringing destructive winds and heavy rain. Officials say more than 735,000 people have been evacuated across the country. Authorities are warning of flash flooding, mudslides, and up to twelve feet of storm surge from the now Category 3 storm. In Jamaica, at least 7 people are reported dead and more than half a million Jamaicans remain without power, with critical infrastructure across the country suffering significant damage.President Donald Trump is in South Korea on Wednesday, where he received the nation's highest honor and a symbolic gold crown from President Lee Jae Myung. The visit featured a red-carpet welcome set to the song ‘YMCA' and talks focused on peace and trade in the region. Trump said he's open to renewed dialogue with North Korean leader Kim Jong Un, and will meet Chinese Communist Party leader Xi Jinping at the APEC summit on Thursday.The Senate failed in another vote to advance a stopgap funding bill, extending the government shutdown into day 29. The vote was 54-45—still 6 votes short of the 60 needed to end the debate. The Republican-backed bill passed the House with bipartisan support but fell short in the Senate, where Democrats are holding out for a deal on health care. The vote was held after the largest union of federal workers urged Democrats to pass the GOP resolution.

At least seven people are reportedly dead across the northern Caribbean, with category 5 Hurricane Melissa making landfall on the southwestern coast of the island of Jamaica.

BEST OF - We have the latest on Hurricane Melissa's impact on Jamaica. A new UNF poll shows Republicans lead Florida's gubernatorial race, plus how voters feel about the Epstein files and President Trump. Also, an angry Davenport mom boards a school bus to confront a student accused of bullying her kids, the latest on the government shutdown and Trump's Asia trip, and new details on how U.S. officials tried to flip Nicolás Maduro's pilot.

BEST OF - We have the latest on Hurricane Melissa's impact on Jamaica. A new UNF poll shows Republicans lead Florida's gubernatorial race, plus how voters feel about the Epstein files and President Trump. Also, an angry Davenport mom boards a school bus to confront a student accused of bullying her kids, the latest on the government shutdown and Trump's Asia trip, and new details on how U.S. officials tried to flip Nicolás Maduro's pilot.See omnystudio.com/listener for privacy information.

Hurricane Melissa has made landfall in eastern Cuba as a Category 3 storm after pummelling Jamaica as one of the strongest Atlantic hurricanes on record, the US National Hurricane Center said. We discuss this further with Dr. Samantha Hallam, Ocean and Climate Scientist at the Irish Climate Analysis Research Unit at Maynooth University.

Hurricane Melissa is on track to make a direct hit on Jamaica today, with rains and winds already lashing the island. Melissa is a category five storm, with winds clocked at up to 175 miles per hour. It's the strongest storm on the planet this year and one of the most devastating on record.Authorities in Jamaica and Cuba have issued evacuation orders for tens of thousands of people. For years, scientists have been telling us that climate change will make hurricanes more dangerous.What does this mean for the people of Jamaica? And what does a climate-change fueled future of hurricanes look like?Find more of our programs online. Listen to 1A sponsor-free by signing up for 1A+ at plus.npr.org/the1a. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

President Donald Trump met with business leaders in Japan on Tuesday. Around 20 companies from Japan and the United States are exploring projects related to Tokyo's pledge to invest $490 billion in America. The president said the U.S.–Japan partnership is a cornerstone of mutual prosperity and Asian-Pacific security.Hurricane Melissa reached category 5 status on Monday, making it the strongest Atlantic storm so far this year. Melissa is currently bearing down on Jamaica. The island nation hasn't taken a direct hit from a hurricane in more than a decade.

Hurricane Melissa has made landfall in Thailand.  KSL Meteorologist Devan Masciulli breaks down the storm’s path, potential impacts, and shares insight from a family member who is stuck in Thailand right now due to the storm.  What it means for travelers and families in affected areas.

President Donald Trump is in Japan as part of his Asia tour, where he signed major deals on critical and rare earths minerals and economic security with Japanese Prime Minister Sanae Takaichi. Trump also met with Japanese families whose loved ones were abducted by North Korea decades ago, and spoke to U.S. Navy personnel near Tokyo. Trump will head to South Korea next, where he'll meet Chinese communist regime leader Xi Jinping for high-stakes talks on trade, rare-earth exports, fentanyl, Russian oil, and more.Jamaica is bracing for what could be its most powerful storm on record. Hurricane Melissa, now a Category 5 system packing winds of up to 175 miles per hour, is due to make landfall on Tuesday. Officials have already blamed the storm for seven deaths across the Caribbean. Melissa is expected to hit Cuba next, where more than half a million people have been evacuated from coastal and mountain areas.The U.S. government shutdown is now entering Day 28. House Speaker Mike Johnson (R-La.) said Republicans have a plan to fix health care but need bipartisan cooperation to move forward. He's also warning that contingency funds can't be used to keep food assistance running past Nov. 1. In a major break, a top federal workers' union is urging Democrats to back a GOP bill to reopen the government.

Heavy floodwaters swept across southwestern Jamaica as Hurricane Melissa makes landfall. Porterville Police along with the Department of Justice, arrested 19-year-old Tony Long for cyberstalking and online threats to a minor in Kern County. Philip Teresi on KMJ ----------------------------------------------------------- Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

...EXTREMELY DANGEROUS CATEGORY 5 MELISSA ABOUT TO MAKE LANDFALL IN JAMAICA... ...CATASTROPHIC WINDS, FLASH FLOODING, AND STORM SURGE OCCURRING ONTHE ISLAND...Breaking coverage as Category 5 Hurricane Melissa makes landfall in Jamaica with catastrophic winds near 185 mph, storm surge up to 13 feet, and rainfall totals exceeding 30 inches.Join James Brierton of the Carolina Weather Group and Dr. Michael Brennan, Director of the National Hurricane Center, for the latest official update as the eye of Melissa crosses the island. Brennan details the immediate threats—life-threatening winds, flash flooding, landslides, and complete structural failure near the eyewall—while urging all residents to shelter in place.Inside this video:Real-time analysis of Melissa's approach and eyewall structureLive update from Dr. Brennan on rainfall, wind, and storm-surge impacts across Jamaica, Cuba, and the BahamasRare NOAA Hurricane Hunter footage from inside Melissa's eyewall showing the “stadium effect” and near-200 mph windsDiscussion on outer impacts reaching the Carolina coast, including continued beach erosion and new home collapses in Buxton, NCThis is a historic and catastrophic hurricane, ranking among the strongest ever recorded in the Atlantic Basin.Stay tuned for continued coverage and live analysis on the Carolina Weather Net, and join us Wednesday at 9 PM ET for the next Carolina Weather Group podcast.#HurricaneMelissa #MichaelBrennan #NationalHurricaneCenter #HurricaneHunters #Jamaica #CarolinaWeatherGroup #ExtremeWeather #Category5 #LiveUpdate #NOAA

Heavy floodwaters swept across southwestern Jamaica as Hurricane Melissa makes landfall. Porterville Police along with the Department of Justice, arrested 19-year-old Tony Long for cyberstalking and online threats to a minor in Kern County. Philip Teresi on KMJ ----------------------------------------------------------- Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

October 28th, 2025

We hear from meteorologist Matthew Cappucci, Jim Brennan & Kristina Ruggiero - a New York couple honeymooning in Jamaica are now stranded as Hurricane Melissa. Stevroy Steer runs a law firm here in Dublin but is back in Jamaica and John Sweeney , Climatologist at NUI Maynooth.

October 28, 2025 ~ Jamaica Resident, Sadie Dixon, joins Kevin as Jamacia braces for Hurricane Melissa's landfall. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Days ahead of talks between US President Donald Trump and China's President Xi Jinping, India's growing concerns about the constriction of energy trade, market access and supply chain reliability were highlighted by external affairs minister, Andhra Pradesh, Tamil Nadu and other coastal states are bracing for Cyclone Montha landfall as the India Meteorological Department has issued heavy rain alerts, Former South Africa captain AB de Villiers minced no words as he lambasted the critics of Virat Kohli and Rohit Sharma, Actor Pradeep Ranganathan is basking in the success of his latest release, Dude. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hurricane Melissa is nearing landfall in Jamaica after strengthening to a Category 5 storm with sustained winds of 175 mph. Authorities have already started mandatory evacuations across the island and have opened more than 800 emergency shelters. To discuss what Jamaica can expect in the hours ahead, Geoff Bennett spoke with Matthew Cappucci, senior meteorologist at My Radar. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Hurricane Melissa is nearing landfall in Jamaica after strengthening to a Category 5 storm with sustained winds of 175 mph. Authorities have already started mandatory evacuations across the island and have opened more than 800 emergency shelters. To discuss what Jamaica can expect in the hours ahead, Geoff Bennett spoke with Matthew Cappucci, senior meteorologist at My Radar. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

In today's episode of This Day in Miami History, we revisit one of the most significant hurricanes to impact Miami-Dade County, Hurricane Wilma. We speak with Brian McNoldy of the Rosenstiel School of Marine, Atmospheric, and Earth Science at the University of Miami about the historic 2005 hurricane season, and the storm that landed the final punch on Florida.Visit the This Day in Miami History shop on Spreadshirt for the ALL-NEW Interama t-shirt, and more, as well as TDMH-branded material!Remember to follow This Day in Miami History Podcast on your preferred podcast provider, as well as Twitter and Facebook!Brian McNoldy - RSMAS@bmcnoldy.bsky.social — BlueskyBrian McNoldy | FacebookKatrina South Florida - jimhurricanecity on YouTubeWTVJ 6 Hurricane Rita Live News Coverage September 2005 - Sloan's TV Airchive on YouTubeSupport this podcast at — https://redcircle.com/this-day-in-miami-history-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

My guest on this episode is Cindy Ho, the head coach of the women's golf team at UNC Wilmington.  Great conversation and preview leading into the Landfall Tradition at CC of Landfall!  Cindy Ho - UNC Wilmington Women's GolfThe Back of the Range - All Access Subscribe to The Back of the Range Subscribe in Apple Podcasts and SPOTIFY!Also Subscribe in YouTube,   Google Play , Overcast, Stitcher  Follow on Social Media! Email us:   ben@thebackoftherange.comWebsite: www.thebackoftherange.com  Voice Work by Mitch Phillips 

Mike_Walker_Landfall

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

In September 2024, Hurricane Helene tore through the Southeastern United States, bringing deadly storm surge, destructive winds, tornadoes, and record-breaking rainfall. Combined with a rare Predecessor Rainfall Event (PRE), the storm caused catastrophic flooding across North Carolina, South Carolina, Tennessee, and Virginia, leaving behind nearly $80 billion in damage.One year later, the Carolina Weather Group brings you this anniversary special report, filmed on location across the Carolinas, documenting the lasting damage, recovery efforts, and ongoing rebuilding.In this program, we visit:Asheville, NC, where the River Arts District became the epicenter of national flood coverage after the French Broad River engulfed buildings and crippled the city's infrastructure.Black Mountain and East Asheville, where residents endured devastating flash flooding with little access to outside help.Fletcher, NC, where the French Broad River crested 10 feet higher than the infamous 1916 flood.South Carolina Upstate communities, where hurricane-force winds up to 106 mph brought down trees and power lines.NOAA's National Centers for Environmental Information (NCEI) in Asheville, where scientists managed without power or water to preserve vital U.S. climate archives.The National Weather Service Greenville-Spartanburg office, where forecasters issued life-saving warnings while enduring the storm themselves.This anniversary documentary blends firsthand accounts, scientific analysis, and official data to provide one of the most complete records yet of Hurricane Helene's impact on the Carolinas and Appalachia.⏱️ Chapters00:00 – Introduction: Hurricane Helene's Landfall and Damage Overview02:00 – On Location in Asheville: One Year After the Storm04:30 – The River Arts District: Epicenter of Flooding and Destruction07:15 – French Broad River Flooding: Buildings, Cars, and Infrastructure Lost10:00 – Landslides and Debris Flows Across Appalachia12:30 – Evan Fisher Joins: Walking Through Asheville's Recovery16:00 – Comparing Helene to the 1916 Flood in Western North Carolina19:45 – Black Mountain: Floodwaters Overwhelm Neighborhoods23:00 – Community Meetings and Radio: How Residents Stayed Informed26:00 – Search, Rescue, and Reunification: Stories of Survival30:00 – Inside NOAA's National Centers for Environmental Information (Asheville)34:00 – Protecting America's Weather Archives During the Storm38:00 – Rainfall Data and “1-in-1,000-Year” Event Analysis41:00 – National Weather Service Greenville-Spartanburg: Messaging a Catastrophic Storm44:00 – Closing Reflections: Damage, Recovery, and Rebuilding the Carolinas

Back on this day in 2005 Hurricane Katrina made landfall. The category four storm was one of the most devasting storms in Alabama history with a mandatory evacuation for the whole city of New Orleans and over up to $150 billion in damages. 

President Trump's military deployment has been escalated in D.C. AP correspondent Mike Hempen reports.

In our news wrap Sunday, flood watches are posted for parts of North Carolina as the remnants of Tropical Storm Chantal move inland, and European leaders are bracing for what Trump may do when his tariff pause ends on July 9. PBS News is supported by - https://www.pbs.org/newshour/about/funders