Podcasts about Sergiu Celibidache

durée : 01:28:39 - Relax ! du jeudi 17 avril 2025 - par : Lionel Esparza - Le chef Sergiu Celibidache, artiste hors du commun, eut autant de détracteurs que de fanatiques. Plongeons aujourd'hui dans la discographie de cet histrion génial.

durée : 01:28:39 - Relax ! du jeudi 17 avril 2025 - par : Lionel Esparza - Le chef Sergiu Celibidache, artiste hors du commun, eut autant de détracteurs que de fanatiques. Plongeons aujourd'hui dans la discographie de cet histrion génial.

durée : 01:28:37 - Sergiu Celibidache, la philosophie d'un maître - par : Aurélie Moreau - Sergiu Celibidache fondait sa direction musicale sur une approche philosophique et non conventionnelle. Pour lui, « Le but de la musique est la liberté ». Au programme aujourd'hui : Debussy, Rimski-Korsakov, Franck, Beethoven, Johann Strauss…

Robert Schumann (1810-1856) - Sinfonia n. 4 in re minore per orchestra, op. 120Ziemlich langsam. Lebhaft (re minore - re maggiore)Romanticismo - Ziemlich langsam (re minore - re maggiore - re minore)Scherzo. Lebhaft (re minore). Trio (si bemolle maggiore - re minore). Etwas zuruckhaltend (si bemolle maggiore)Langsam (re minore). Lebhaft. Schneller. Presto (re maggiore)Orchestra Filarmonica di MonacoSergiu Celibidache, direttore d'orchestra

Robert Schumann (1810-1856) - Sinfonia n. 3 in mi bemolle maggiore "Renana", op. 97Lebhaft (la mia più grande preoccupazione)Scherzo. Sehr massig (fare maggiore)Nicht schnell (la bemolle maggiore)Feierlich (do minore). Dir Halben wie vorher die ViertelLebhaft (mi bemolle maggiore). SchnellerOrchestra Filarmonica di MonacoSergiu Celibidache, direttore d'orchestra

Robert Schumann (1810-1856) - Sinfonia n. 1 in si bemolle maggiore per orchestra "La Primavera", op. 38Andante un poco maestoso. Allegro molto vivace (si bemolle maggiore)Larghetto (mi bemolle maggiore)Scherzo. Molto vivace (fa maggiore). Trio I: Molto più vivace (re maggiore). Trio II (si bemolle maggiore)Allegro animato e grazioso (si bemolle maggiore)Orchestra RAI di Milano Sergiu Celibidache, direttore d'orchestra

Robert Schumann (1810-1856) - Sinfonia n. 2 in do maggiore, op. 61Sostenuto assai. Allegro ma non troppo (do maggiore)Scherzo: Allegro vivace (do maggiore). Trio I e IIAdagio espressivo (do minore - do maggiore)Allegro molto vivace (do maggiore)Orchestra Filarmonica di MonacoSergiu Celibidache, direttore d'orchestra

Johannes Brahms (1833-1897) - Sinfonia n. 4 in mi minore per orchestra, op. 98Allegro non troppo (mi minore)Andante moderato (mi maggiore)Allegro giocoso (in do maggiore)Allegro energico e passionale (mi minore)Orchestra Filarmonica di MonacoSergiu Celibidache, direttore d'orchestra

Johannes Brahms (1833-1897) - Sinfonia n. 3 in fa maggiore per orchestra, op. 90Allegro con brio (fa maggiore)Andante (in maggiore)Poco Allegretto (in minore)Allegro (fa minore)Orchestra Filarmonica di MonacoSergiu Celibidache, direttore d'orchestra

Johannes Brahms (1833-1897) - Sinfonia n. 2 in re maggiore per orchestra, op. 73Allegro non troppo (re maggiore)Adagio non troppo (si maggiore)Allegretto grazioso (sol maggiore). Presto ma non assaiAllegro con spirito (re maggiore)Orchestra Filarmonica di MonacoSergiu Celibidache, direttore d'orchestra

Inside this Episode with host, Mitch Hampton Christoph Schülren, one of the guests to whom I was so kindly introduced by pianist Beth Levin, will be the first time on our podcast that a musician whose professional career is devoted to the art and practice of conducting has been featured.  I thought it indispensable for many reasons to feature him: musical conducting is ubiquitous in many styles of music yet is perhaps little understood or appreciated outside of the worlds of music.  I was most happy with our discussion: he is quite articulate and able to get into the details of his craft in a relatable way to a most general audience and he has quite an intriguing biography as can be gleamed from our episode. Christoph Schlüren's Biography  “Uniting the well-known with the unknown” Conductor, Music Researcher,Musical Mentor, Music Editor, Program Adviser, Chamber Music, Coach  Christoph Schlüren studied with the late Sergiu Celibidache from 1981 to 1996. Other strong influences were the composers Anders Eliasson, Pehr Henrik Nordgren, and Per Nørgård, the musicians Paul Zukofsky, Sándor Végh, Murray Perahia, Juha Kangas, and many more.  As a conductor (Symphonia Momentum, Deutsche Kammerakademie Neuss am Rhein, St Michel Strings Mikkeli) Christoph Schlüren led first performances of works by Peter Michael Hamel and Anders Eliasson. Some of the lesser established composers he particularly favors are:Heinz Tiessen, Eduard Erdmann, Anders Eliasson, Jean-Louis Florentz, Paul Büttner, John Foulds, Vittorio Giannini, Nicolas Flagello, Giorgio Federico Ghedini, Peter Mennin, Bernard Stevens, Felix Draeseke, Heinrich Kaminski, Max Butting, Reinhard Schwarz-Schilling , Heinz Schubert, Philipp Jarnach,  Emil Bohnke, Matthijs Vermeulen, Harald Sæverud, Georges Migot, Eduard Tubin, Vagn Holmboe, Douglas Lilburn, Robert Simpson, Per Nørgård, Boris Tishchenko, Ketil Hvoslef, Pehr Henrik Nordgren, Tristan Keuris, Halvor Haug, Peter Michael Hamel, John Pickard, Håkan Larsson, and Juan José Chuquisengo.  He combines their works in dramaturgically correlated programs with the established great composers. Read more about conducting He is a music researcher, author and journalist as well (Frankfurter Rundschau, Gramophone, Tempo, Fono Forum, Crescendo, Neue Musikzeitung, Bayerischer Rundfunk, Deutschland Radio, etc.) and works as main editor and researcher on the rare music scores series Repertoire Explorer. Christoph Schlüren wrote the first basic introduction into Musical Phenomenology as it was created as a universal approach to music by Sergiu Celibidache developing further on. As a program adviser he collaborates with orchestras and conductors (Bavarian Radio Symphony Orchestra, Münchner Philharmoniker, Ostrobothnian Chamber Orchestra, Arcos Orchestra, Münchener Kammerorchester, etc.; Lavard Skou Larsen, Juha Kangas, José Serebrier , Mario Venzago, Christoph Poppen, Israel Yinon, etc.), and created commissions for the Musica Viva series of the Bavarian Radio Symphony Orchestra (Anders Eliasson's Fourth Symphony, Cynthia Lee Wong, and Onute Narbutaite, as well as arranging the world première of Artur Schnabel's Third Symphony). Read more essays and evaluations Christoph Schlüren works as a musical mentor with soloists and  chamber ensembles (Rebekka  Hartmann, Ottavia Maria Maceratini, David Frühwirth, Masha Dimitrieva, Omar Rahbany, Margarita Oganesjan, etc.). Read more about mentorship Links to more about Mr. Schlüren's beautiful works  www.christophschlueren.com #classicalmusic #music #opera #bartok #germany #progrock #rock #symphony #classicalmusic #orchestra #strings #brass #woodwind #percussion #piano #concert #theatre #fritzbrun #bethlevin #mozart #whiplash #donellis #tar #cateblanchett #leonardbernstein #brunowalter #frankzappa #contemporarymusic #modernmusic #romanticism #navarrastringquartet #igorstravinsky #antonbruckner #vienna #schoenberg #webern #serialism #tonality #meoldy #harmony #rhythm #baroque #earlymusic  --- Support this podcast: https://podcasters.spotify.com/pod/show/mitch-hampton/support

In this episode of One Symphony, host Devin Patrick Hughes sits down with Ralph Patrick, a former pastor and Alzheimer's Association collaborator, to explore the profound impact of music on individuals living with dementia. Patrick shares his personal experiences and insights, discussing how live musical performances can engage, stimulate, and connect with those affected by this challenging disease. Discover the steps musical organizations can take to create dementia-friendly programs and learn about the cognitive benefits of music for individuals with dementia. Don't miss this thought-provoking discussion on the transformative power of music and its ability to reach the deeper, inner self beyond cognition. Ralph Patrick, a former pastor and Alzheimer's Association collaborator is the son of Jean who died of Alzheimer's in 2012.  Her diagnosis in 2001 led him to join the Colorado Chapter of the Alzheimer's Association.  He has presented hundreds of education classes, as well as providing consultationg services for both caregivers and those living with dementia, and has been a collaborator and presenter with Boulder Symphony creating Sensory Friendly concert series, reaching thousands in Colorado and beyond.   00:00 Introduction to the Power of Music in Dementia Care 00:14 Early Experiences and Realizations 01:59 The Impact of Music on Dementia: Recorded vs. Live 04:31 Advancements and Community Engagement in Music Therapy 07:08 Orchestras and Ensembles: Engaging with Dementia Programs 09:56 Tailoring Music Programs for Different Stages of Dementia 16:59 The Therapeutic Benefits of Music for Dementia 18:51 The Role of Orchestras in Supporting Dementia Communities 22:10 The Deep Connection Between Music and Memory 23:28 Preventative and Therapeutic Benefits of Music 25:08 Closing Thoughts and Encouragement Thank you for joining us on One Symphony. Thanks to Ralph Patrick for sharing his expertise and stories. You can find more info at https://www.alz.org or https://bouldersymphony.org/outreach/ or linkedin.com/in/ralph-patrick-69734215 Musical selections on this episode today include  Bach - Air from Orchestral Suite no. 3 in D major BWV 1068 Performed by the Netherlands Bach Society Pyotr Ilyich Tchaikovsky – Symphony No 5 in E minor op. 64 Sergiu Celibidache conducts the Munich Philharmonic Orchestra Mozart Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": II. Andante · Ton Koopman conducts the Amsterdam Baroque Orchestra  The Syncopated Clock · Leroy Anderson, conducted by Leroy Anderson Shostakovich: Jazz Suite No. 2 - VI. Waltz II Riccardo Chailly conducts the Royal Concertgebouw Orchestra  Beethoven: Symphony No. 6 In F, Op. 68 -"Pastoral" – First movement --   Herbert von Karajan  conducts the Berliner Philharmonic  You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!  

Johannes Brahms (1833-1897) - Sinfonia n. 2 in re maggiore per orchestra, op. 73Allegro non troppo (re maggiore)Adagio non troppo (si maggiore)Allegretto grazioso (sol maggiore). Presto ma non assaiAllegro con spirito (re maggiore)Münchner Philharmoniker Sergiu Celibidache, conductorMore info: https://www.flaminioonline.it/Guide/Brahms/Brahms-Sinfonia2.html

Richard Wagner (1813-1883) - Da Parsifal: Incantesimo del Venerdì Santo (atto III)Orchestra Filarmonica di MonacoSergiu Celibidache, conductor *********13'20”Nikolay Rimsky-Korsakov (1844 - 1908) - La grande Pasqua russa, Ouverture op 36Lento mistico - Andante lugubre - Allegro agitatoOrchestra della di RAI MilanoSergiu Celibidache, conductor More info:https://www.gbopera.it/2021/04/richard-wagner-1813-1883-parsifal-incantesimo-del-venerdi-santo/https://www.flaminioonline.it/Guide/Korsakov/Korsakov-Pasquarussa36.html

durée : 00:24:23 - Disques de légende du mercredi 20 mars 2024 - Le chef Sergiu Celibidache porte les symphonies de Bruckner vers des sommets de spiritualité.

durée : 01:58:43 - Sergiu Celibidache "sur le vif" (2) - par : Philippe Cassard - Le sorcier des sons est à l'œuvre dans La Mer et Daphnis et Chloé. L'architecte des cathédrales brucknériennes nous hypnotise dans la 7ème Symphonie. - réalisé par : Margot Page

durée : 01:58:45 - Sergiu Celibidache (1912-1996) "sur le vif" - par : Philippe Cassard - Quelques extraits de concerts mémorables du grand chef roumain, qui galvanisait les orchestres. Sergiu Celibidache dirige des oeuvres de Johann Strauss, Stravinsky, Beethoven et Brahms (concerts des années 60 et 70). - réalisé par : Pierre Willer

durée : 00:23:18 - Disques de légende du mercredi 08 novembre 2023 - Découvrons ensemble la Quatrième Symphonie de Bruckner, dite la Romantique, écrite en 1874, sous la direction de Sergiu Celibidache avec l'Orchestre philharmonique de Münich.

Considerat el pare de la direcci

Andrés Amorós se detiene esta semana dentro del ciclo a grandes directores de orquesta en este director rumano bastante peculiar.

Andrés Amorós se detiene esta semana dentro del ciclo a grandes directores de orquesta en este director rumano bastante peculiar.

Lygiai prieš 110 metų, 1912-ųjų birželio 28 dieną gimė vienas ryškiausių XX amžiaus batutos meistrų rumunas Sergiu Celibidache. Vadintas burtininku, didmeistriu, despotu, dievintas ir nekęstas. Kuo ypatinga šio dirigento karjera, priėjimas prie muzikos, metodai? Kodėl daugumą kūrinių Sergiu Celibidache atlikdavo tokiais lėtais tempais? Atsakymai – Domanto Razausko pasakojime.

Robert Schumann (1810-1856) - Sinfonia n. 4 in re minore per orchestra, op. 1201. Ziemlich langsam. Lebhaft (re minore - re maggiore)2. Romance - Ziemlich langsam (re minore - re maggiore - re minore)3. Scherzo. Lebhaft (re minore). Trio (si bemolle maggiore - re minore). Etwas zuruckhaltend (si bemolle maggiore)4. Langsam (re minore). Lebhaft. Schneller. Presto (re maggiore)Munich Philharmonic OrchestraSergiu Celibidache, conductor

Robert Schumann (1810-1856) - Sinfonia n. 3 in mi bemolle maggiore per orchestra "Renana", op. 971. Lebhaft (mi bemolle maggiore)2. Scherzo. Sehr massig (do maggiore)3. Nicht schnell (la bemolle maggiore)4. Feierlich (do minore). Dir Halben wie vorher die Viertel5. Lebhaft (mi bemolle maggiore). SchnellerMunich Philharmonic OrchestraSergiu Celibidache, conductor

Robert Schumann (1810-1856) - Sinfonia n. 2 in do maggiore per orchestra, op. 611. Sostenuto assai. Allegro ma non troppo (do maggiore)2. Scherzo: Allegro vivace (do maggiore). Trio I et II3. Adagio espressivo (do minore - do maggiore)4. Allegro molto vivace (do maggiore)Munich Philharmonic OrchestraSergiu Celibidache, conductor

Robert Schumann (1810-1856) - Sinfonia n. 1 in si bemolle maggiore per orchestra "La Primavera", op. 381. Andante un poco maestoso. Allegro molto vivace (si bemolle maggiore)2. Larghetto (mi bemolle maggiore)3. Scherzo. Molto vivace (fa maggiore). Trio I: Molto piu vivace (re maggiore). Trio II (si bemolle maggiore)4. Allegro animato e grazioso (si bemolle maggiore)Orchestra RAI di Milano Sergiu Celibidache, conductor

Johannes Brahms (1833-1897) - Sinfonia n. 4 in mi minore per orchestra, op. 981. Allegro non troppo (mi minore)2. Andante moderato (mi maggiore)3. Allegro giocoso (do maggiore)4. Allegro energico e passionato (mi minore)Munich Philharmonic OrchestraSergiu Celibidache, conductor

Johannes Brahms (1833-1897) - Sinfonia n. 3 in fa maggiore per orchestra, op. 901. Allegro con brio (fa maggiore)2. Andante (do maggiore)3. Poco Allegretto (do minore)4. Allegro (fa minore)Munich Philharmonic OrchestraSergiu Celibidache, conductor

Johannes Brahms (1833-1897) - Sinfonia n. 2 in re maggiore per orchestra, op. 731. Allegro non troppo (re maggiore)2. Adagio non troppo (si maggiore)3. Allegretto grazioso (sol maggiore). Presto ma non assai4. Allegro con spirito (re maggiore)Munich Philharmonic OrchestraSergiu Celibidache, conductor

Johannes Brahms (1833-1897) - Sinfonia n. 1 in do minore per orchestra, op. 681. Un poco sostenuto (do minore). Allegro2. Andante sostenuto (mi maggiore)3. Un poco Allegretto e Grazioso (la bemolle maggiore)4. Finale. Adagio (do minore). Più Andante (do maggiore). Allegro non troppo, ma con brioMunich Philharmonic OrchestraSergiu Celibidache, conductor

Por esa razón, esta tarde escuchamos composiciones de Jordi Savall, Seco de Arpe y el propio Alfonso X, además de la sinfonía nº 40 de Mozart dirigida por Sergiu Celibidache, la primera composición que sonó tras el himno nacional en el concierto inaugural del Auditorio Víctor Villegas en 1995.

durée : 00:25:10 - Zahia Ziouani, cheffe d'orchestre (4/5) - par : Judith Chaine - Dans ce 4ème volet de nos entretiens, Zahia Ziouani nous parle de son admiration pour le chef d'orchestre roumain Sergiu Celibidache avec lequel elle prend des cours de direction. - réalisé par : Lionel Quantin

In this Episode, Elizabeth Sombart and Pierre Vallet will tell you all about their experience with Maestro Sergiu Celibidache. The Romanian conductor's teachings had an enormous impact on Elizabeth Sombart playing and were instrumental in her establishing a pedagogy method. Listen to the music played in this episode : Johann Sebastian Bach: Piano Concerto in D major, BWV 1054: II. Adagio e sempre piano Listen on Spotify, Apple, Youtube Music More about Elizabeth Sombart: Website Instagram Facebook Links More about Pierre Vallet Website Facebook Twitter #Celibidache #ElizabethSombart #SergiuCelibidache #PierreVallet #classicalmusic

Juanjo Mena was such a charming person to chat with - softly spoken, open, warm, and honest. I discovered what it is like studying with someone as intense as Sergiu Celibidache, what difficult task he sets any conductor who assists him, and he gives the most shocking answer to one of the ten questions ever - I was almost speechless when I heard it! If you would like to know more about conductors and conducting, why not subscribe at https://www.patreon.com/amiconthepodium, and for a monthly fee starting from just £5 a month, you can access two new series of interviews, group Zoom meetings with other fans of the podcast and myself, a monthly bulletin about the podcast and my own career as well as articles, photos, videos and even conducting lessons from myself. Alternatively, if you would prefer to make a one-off donation to financially support this podcast, then go to https://www.justgiving.com/crowdfunding/a-mic-on-the-podium and any donation you make will be greatly appreciated and help the podcast live on into the future. This interview was recorded on 23rd February 2021 via Zoom.

"Nichts wollen! Entstehen lassen!" Das war das Credo von Sergiu Celibidache. Musik entstand für ihn aus dem Augenblick heraus. Vor allem seinen Lieblingskomponisten Anton Bruckner wusste der rumänische Guru mir der Liszt‘schen Löwenmähne zu zelebrieren. Gedanken zum 25. Todestag des Dirigenten.

durée : 00:28:09 - Disques de légende du mercredi 23 juin 2021 - Considéré comme l'un des grands spécialistes d'Anton Bruckner avec Eugen Jochum et Sergiu Celibidache, le chef d'orchestre allemand Günter Wand enregistre la Symphonie n° 9 du compositeur en septembre 1998, lors d'une série de deux concerts donnés avec l'Orchestre philharmonique de Berlin...

En el Capítulo 5 de Allegro con batuta conoceremos cómo es que ha evolucionado la figura del director de orquesta, a lo largo de los años. ¿Cómo es que se llegó a decidir que, en algún momento, un hombre o una mujer que moviera las manos al frente de un grupo de músicos iba a ser la cabeza artística de un proyecto musical? Un recorrido, a través de la voz de Iván López Reynoso, que nos lleva desde los días Jean Baptiste Lully, Hector Berlioz, Gustav Mahler, pasando por Arturo Toscanini, Wilhelm Fürth Wengler, Sergiu Celibidache, y Leonard Bernstein, hasta la época actual con Gustavo Dudamel y las nuevas generaciones.

American violist Rita Porfiris  has performed in major concert halls and music festivals worldwide as a chamber musician, orchestral musician, and as a soloist.Currently the Associate Professor of Viola and Director of Chamber Music at The Hartt School, she has also been on the faculties of New York University, the University of Houston Moores’ School of Music, Florida International University, and the Harlem School for the Arts in New York. She has given master classes, lectures and clinics across the U.S., United Kingdom, Germany, Japan, Argentina, Brazil, Iceland, Taiwan, and the Dominican Republic.Ms. Porfiris is a member of the Miller-Porfiris Duo and the Hartt Quartet. As a founding member of the Plymouth Quartet, she was in-residence at the Ojai Festival, Mainly Mozart, Point Counterpoint, and the Internationale Quartettakademie Prag-Wien-Budapest. She was the recipient of Austria’s prestigious Prix Mercure, a prize winner in the Fischoff Chamber Music Competition and the Primrose International Viola Competition, and a laureate of the Paolo Borciani International Quartet Competition.In her 20 year-long career as an orchestral musician, 15 years of which were spent with the Houston Symphony, she worked under some of the most recognized conductors of the 20-21 Centuries, including Leonard Bernstein, Sergiu Celibidache, Kurt Masur, Michael Tilson Thomas, and Christoph Eschenbach. Equally at home in a wide variety of genres, Rita has shared the stage with Burt Bacharach, Ray Charles, Bernadette Peters, Lyle Lovett, Rod Stewart, and Tony Bennett, to name a few.Highlights of recent seasons include chamber concerts with Lynn Harrell, Joseph Kalichstein, and Jamie Laredo; tours to Israel, Europe, and Taiwan; sold-out concerto appearances at the historic Gewandhaus in Leipzig, Germany; Baltimore, Maryland and Lincoln, Nebraska; and a performance of the rarely played Romantic Rhapsody for Violin, Viola and Orchestra by Arthur Benjamin as part of the Miller-Porfiris Duo. In May 2016, the Baltimore Sun declared "Rita Porfiris proved an ideal soloist, as much for her richness of tone and impeccable articulation as for the warmth and subtlety of her phrasing."Rita’s transcriptions for the viola of both classical music staples and pop favorites have been enjoyed worldwide by audiences and performers. Gramophone Magazine called her  transcription of Gliere’s Eight Pieces Op. 39, recorded on the Miller-Porfiris Duo’s second CD “Eight Pieces,”  "satisfying" and "sung with beautiful warmth." Recent acclaim from Fanfare for the Duo's third CD, entitled "Divertimenti" declares their playing "a lightning bolt" and speaks to the "color, fire, and passion."Ms. Porfiris received both her BM and MM in Viola Performance from The Juilliard School, studying with William Lincer. Other teachers and mentors included Paul Doktor, Norbert Brainin, and Harvey Shapiro.WebsiteUncertainty of Fate Festival

Good Morning, This is Louise. Episode 100 - Levitation featuring soundworks by Akio Suzuki and Lawrence Englishwith music by Melii, Glenn Branca, Glenn Branca, The New York Chamber Sinfonia & Glen Cortese, Tomppabeats, Jung Jaeil, Jon Brion, Mulatto, Mother Superia, Redman & KRS-One, Trina, Yaeji, Moondog, Zbigniew Preisner, Leila, Cliff Martinez, Sudan Archives, Dawn Richard, Susumu Yokota, Marianne Moore, Muslimgauze, The Alchemist, Mariah, Sergiu Celibidache & Munich Philharmonic, Kaitlyn Aurelia Smith, Phoelix, Lucky Daye, Theater 1, Elysia Crampton, Blossom & HOT16, Arlo Parks, Bill Evans Trio, and Remy Ma.also with sound and voices from the flight crew of a 2014 Virgin Atlantic Boeing 747 200 Classic.programmed and produced by @small_ernst / touch touch publishingNamo Guan Shi Yin Pusa Thank you for listening

durée : 01:58:06 - Sergiu Celibidache - par : Christian Merlin - Génie pour les uns, mystificateur pour les autres, « Celi » fut la plus atypique des figures de chefs du XXe siècle, charmeur et méchant, philosophe et baratineur, vieux sage et gamin capricieux, mais surtout magicien des sons. - réalisé par : Cyrielle Weber

Helga Storck - die "grande dame" der klassischen Harfenszene - blickt zurück auf eine abwechslungsreiche Laufbahn als Musikerin und Dozentin. Die inzwischen 80jährige lernte viele große Dirigenten persönlich kennen, darunter Sergiu Celibidache, Zubin Mehta und Paul Hindemith. Als Solistin und mit Kammermusik-Ensembles war sie weltweit unterwegs. Viele Jahre war sie im WDR Sinfonieorchester, an der Hamburger Staatsoper und bei den Münchner Philharmonikern. Autor: Tom Daun

Depuis quelques temps, après des échanges avec vous à ce sujet et en lien avec ma pratique personnelle, j’avais envie de vous parler de MÉTHODE : de la méthode, ou des méthodes pour apprendre à la flûte.  Je n’ai pas voulu vous faire une liste ou une présentation commentée des différentes méthodes existantes, car je n’ai ni les connaissances, ni les ressources, ni les compétences et encore moins la légitimité pour ça… mais je vous propose un épisode dans les coulisses d’une méthode, avec le concours d’Agnès Blanche MARC. Agnès est flûtiste, concertiste, enseignante et pédagogue, mais elle a bien d’autres cordes à son arc : en 2009, après des années de recherche et de travail, elle a publié sa propre méthode, Meine Blockflöte und ich (ma flûte à bec et moi si on traduit) et donne depuis des masterclasses et des séminaires de formation continue à destination des professeurs de flûte à bec.  Je l’ai rencontrée sur un salon, où nous étions voisines de stand ! J’ai découvert, en plus d’une musicienne et d’une pédagogue hors pair, une flûtiste et une enseignante amoureuse de son métier et de son instrument, qui partage cet amour avec ses élèves avec enthousiasme et générosité. J’ai naturellement pensé à elle pour cet épisode M comme MÉTHODE, car je voulais tout savoir sur le pourquoi et le comment de la sienne : Qu’est-ce qu’une méthode ? Pourquoi en avons-nous fondamentalement besoin ? Comment a-t-elle conçu Meine blockflöte und ich, quelle en est la finalité, comment l’utiliser quand on est professeur, quand on est élève… ? Ouvrez grand vos oreilles : je vous garantis que cet épisode vous donnera envie de vous mettre, remettre à la flûte ou de ne jamais arrêter !

Holiday records from the 1940s and early 1950s. Songs include: Jingle Bells, Here Comes Santa Claus, Blue Christmas, the Nutcracker, Silent Night, Christmas Chopsticks, Frosty the Snowman and Christmas Time. Artists include: Vera Lynn, Bob Crosby, Mel Blanc, Sergiu Celibidache, Doris Day, the Mills Brothers and Billy Ecksteine.

durée : 00:58:32 - Le Beethoven de Sergiu Celibidache - par : Aurélie Moreau - À sa façon, Celibidache est resté un homme d'une autre époque en refusant d'enregistrer le moindre disque en studio. Pour lui, la musique exige un renouvellement permanent, elle ne pouvait s'entendre qu'une seule fois. - réalisé par : Louise Loubrieu

En sort-hvid tv-optagelse af Ravels ekstatiske Bolero gjorde dirigenten Sergiu Celidiache (1912-96) kendt af alle danske musiklyttere. Med sit lange hår ude af kontrol og et glødende blik i øjnene hersede han med DR Symfoniorkestret og forheksede publikum ved Torsdagskoncerterne i 1960'erne og 1970'erne. Celibidache modtog Sonnings Musikpris i København 1970, og det var ved den lejlighed, han dirigerede Bolero.J. Strauss: Ouverture til Flagermusen og Kejser Valsen med mere.J. Strauss d.æ.: Radetzky march.Tjajkovskij: Capriccio italien.Ravel: Bolero. Carl Nielsen: Maskarade ouverture.DR Symfoniorkester & Underholdningsorkester.Dirigent: Sergiu Celibidache.(Koncert i Radiohuset, 12. december 1970). Vært: Rie Koch. www.dr.dk/p2koncerten

Today we talk with Markand Thakar, Music Director and Conductor of the Baltimore Chamber Orchestra, about creating the transcendent experiences possible in your music making. We discuss how “interpretation” is not an effective word for what we can do as conductors, what Sergiu Celibidache understood about classical music and performance that almost no other conductors understand, and how Markand sought to study, practice, and teach that understanding.You will learn:How to learn “aggressively,” whether by observing rehearsals, listening to recordings, or score studyThe benefits of auditing and not conducting at a workshopWhat Celibidache understood that few others do, and how Markand made that his primary goal to understand and express and teachWhy we do art and why we do music, and understanding of the transcendent experience for the audience and the performerHow to practice hearing every sound on the podiumHow what we think is “left to interpretation” is given in the piece and how we can discover itWhy conducting without a score is not about memorizing the musicHow an understanding of structures and energy can lead us in an understanding of the whole workFind this and all other episodes at PodiumTimePod.Wordpress.com. Subscribe and download Podium Time on your favorite podcast player and connect with us on Facebook, Twitter, and Instagram at @PodiumTimePod. You can also join our Facebook Group, the Podium Time Inner Circle to ask questions and continue the conversation after every episode. If you’d like to support the podcast monetarily and get bonus content, consider joining our Patreon community at Patreon.com/PodiumTimePod. Support the show (https://patreon.com/podiumtimepod)

Seine Musiker-Laufbahn begann er als Fagottist beim Radiosinfonieorchester Stuttgart des SDR. Dann ermutigte ihn Sergiu Celibidache zum Sängerberuf. Zum Glück für Siegfried Jerusalem und die Musikwelt. Bei den Bayreuther Festspielen hat der Tenor fast alle großen Heldenpartien seines Fachs gesungen. Für seine Plattenaufnahmen erhielt er zahlreiche Preise, darunter auch mehrfach den Grammy Award. Heute, am 17. April, feiert der in Oberhausen geborene Sänger bei rüstiger Gesundheit und voller Tatendrang seinen 80. Geburtstag. Thomas Senne hat ihn in Nürnberg besucht.

Dialogamos con el musicólogo Daniel Moro Vallina acerca de su última publicación, el libro titulado "El compositor Carmelo Bernaola (1929-2002). Una trayectoria en la vanguardia musical española", publicado por la Universidad del País Vasco, en colaboración con Musikene (Centro Superior de Música del País Vasco) y Eresbil (Archivo Vasco de la Música) hace sólo unos meses. Daniel Moro es doctor en Musicología por la Universidad de Oviedo y estudió piano en el Conservatorio Superior de Música del Principado de Asturias. Ha realizado estancias de investigación en la Universidad de Bolonia y la Fundación Paul Sacher de Basilea, y es docente en la Universidad Internacional de La Rioja desde 2015. Carmelo Bernaola, compositor frecuentemente adscrito a la llamada "Generación del 51" -discutida categoría analítica sobre la cual también reflexionamos en nuestra conversación, pues la cuestión es abordada en el trabajo que presentamos-, recibió enseñanzas de figuras como Sergiu Celibidache, Gofredo Petrassi y Bruno Maderna. También dialogamos sobre su recepción del lenguaje propio de las vanguardias musicales de la posguerra europea, especialmente sobre la incorporación de la aleatoriedad dentro del proceso compositivo (su "música flexible"). Ocupan igualmente la atención de nuestro diálogo temas como la proyección pública de la figura del compositor, o diversos aspectos de su marcada personalidad. El libro de Daniel Moro sobre Bernaola es resultado de una investigación doctoral dirigida por el gran especialista en las vanguardias españolas del XX, Ángel Medina -catedrático de la Universidad de Oviedo, y maestro de varias generaciones de musicólogos-. El enfoque biográfico se funde en estas páginas con valiosas aportaciones analíticas de la obra del autor nacido en Vizcaya. El estudio tampoco rehúye consideraciones acerca de las relaciones entre Bernaola y el régimen franquista, superando en este sentido a otras aportaciones bibliográficas anteriores. Todos estos temas, así como la fundamental dimensión pedagógica de la obra del compositor, figuran en una conversación jalonada por audiciones representativas de la música de Bernaola, comenzando por la popular sintonía que compuso para el programa televisivo "La clave", y pasando por obras tan señeras como "Superficie nº 1" (1961), "Morfología Sonora" (1963), "Argia Ezta Ikusten" (1972) o "Superposiciones variables" (1976). Escuchar audio

La Radio Europa Liberă a fost redactor al programului Actualitatea internațională și a realizat emisiuni culturale muzicale, inclusiv interviuri cu mari personalități muzicale (Sergiu Celibidache, Yehudi Menuhin etc.).

durée : 01:58:30 - Relax ! du mercredi 18 septembre 2019 - par : Lionel Esparza - Nous rendons hommage au pianiste et compositeur néerlandais Daniel Wayenberg, décédé le 17 septembre. Et à 16h dans la rubrique 'Disques de légende', Sergiu Celibidache et l'Orchestre symphonique de la radio suédoise jouent des symphonies de Sibelius... - réalisé par : Antoine Courtin

durée : 00:22:19 - Disques de légende du mercredi 18 septembre 2019 - Ces deux symphonies de Jean Sibelius on été enregistrées lors de concerts donnés en 1965 et 1971 à Stockholm par l'Orchestre symphonique de la radio suédoise placé sous la direction du grand Sergiu Celibidache, à l'époque où il était chef permanent de l'orchestre. De la matière brute !

durée : 01:59:35 - Musique matin - Pablo Casals, Sergiu Celibidache, Georges Enesco, Alfred Cortot, Jacques Thibaud, Nathan Milstein, Yehudi Menuhin ou encore Ennio Morricone y ont enseigné... Poussons les portes du Palazzo Chigi-Saracini de Sienne qui héberge une académie d'été unique.

Olá pessoal, no mês de abril conversamos sobre A rosa branca (1952) de Inge Scholl. Conversamos nesse episódio sobre a resistência pacífica alemã, organizada pelo grupo Rosa Branca na Alemanha nazista dos anos 40 do século XX. Falamos sobre seus integrantes, dentre eles Hans Scholl e Sophie Scholl, condenados à morte por esse regime. Pontuamos diversos aspectos relativos aos panfletos distribuídos pelo grupo, como a forma da escrita, os temas, as referências bibliográficas e a logística de distribuição. Passamos por temas como religião e valores morais, educação e humanismo, e formas de resistência no dia a dia, todos debatidos nos panfletos distribuídos pelo grupo. Por fim, foi impossível não discutir as práticas do regime nazista e os paralelos com os governos dos dias de hoje, os fascismos que percebemos no cotidiano e os ataques às liberdades individuais. Finalmente, conversamos sobre as duas adaptações do livro, uma de 1982 e uma de 2005! Livros citados: Sombras de Reis Barbudos (1972), de José J. Veiga A misteriosa chama da rainha Loana (2004), de Umberto Eco Música da nossa trilha sonora: Durch Die Nacht Klingt Ein Lied – Willi Stanke Und Sein Orchester. Sophie Scholl – Die letzten Tage Original Soundtrack (2005) Siegfried Idyll – Richard Wagner. Sergiu Celibidache & Münchner Philharmoniker Mother And Son – Gert Wilden Jr. Sophie Scholl – Die letzten Tage Original Soundtrack (2005) Sugar – Billie Holliday Die weiße Rose – Stephan Beneking The White Rose – George Donaldson I’m making believe – Ella Fitzgerald. Sophie Scholl – Die letzten Tage Original Soundtrack (2005) Deixe seus comentários aqui pra gente. Sempre que acabamos de gravar, lembramos de algo mais que poderia ser dito, logo o tema sempre fica em aberto. Podcast: 00:00:31 Apresentação 00:04:38 Rosa Branca: resistência alemã, fascismo e os panfletos 01:07:30 Adaptações (1982) e (2005) 01:35:36 Indicações 01:45:50 Encerramento Die weiße Rose (1982) https://www.imdb.com/title/tt0084897/ Sophie Scholl – Die letzten Tage (2005) https://www.imdb.com/title/tt0426578/ I am the last White Rose https://www.youtube.com/watch?v=QMk6kumX0yM The White Rose Hans and Sophie Scholl https://www.youtube.com/watch?v=5kuzC8sLYTs The three trials of Hans Scholl https://medium.com/the-radical-center/the-three-trials-of-hans-scholl-9bb31ea9cd65 O post #33: A Rosa Branca de Inge Scholl apareceu primeiro em Chá das Cinco Com Literatura.

Iancu Dumitrescu:"Muzica spectrală este muzică, un alt tip de muzică, dar, tot muzică. E o ramură, o etapă istorică care va fi depășită, e depășită chiar acum de către noi într-o muzică hiper-spectrală sau o muzică panconsonantă în care partea de acid, partea de agresivitate auditivă, de nonconsonanță, de fapt, se descoperă a fi într-un loc sferic care este de fapt o consonanță.În Bucureștiul anilor '70, era neconcepută o astfel de muzică pare-se. Contextul era de fortăreață a imitației: imitația muzicii franceze sau vestice pe de o parte, imitația folclorului laic conservat și scos din contextul lui, apoi banalizat, redus și simulat la televizor sau un clasicism tărziu, cu care s-au luptat George Enescu și Sergiu Celibidache, clasicism deseori cu un public snob și îmbătrânit, dacă te uiți la forma intactă a discurilor din acest spațiu din târgurile din Militari sau de la speculatorii de artifacte din centrul Bucureștiului de astăzi.În acest context ia naștere ansamblul Hyperion, construit în primul rând ca un workshop de creație și experimentare, un spațiu firesc de improvizație, prin care se evita interacțiunea si dependența de infrastructurile politice pervertite din acei ani; nu mai era nevoie de Biroul simfonic și de Uniunea Compozitorilor pentru a-ți auzi partitura cântată sau înregistrată. (UNSTABLE MOLECULE, Philip Clark, The Wire Magazine, London,issue #309, october 2009).

El programa "Grandes Ciclos" de RNE Radio Clásica dedicó uno precisamente, en agosto de 2012 (con motivo del centenario de su nacimiento), a la controvertida, a mi juicio, por genial, figura de Sergiu Celibidache. Fueron varios episodios, pero sólo incorporaré a este canal los dos donde se expresa precisamente ese genio con el ingenio, como el mismo Celididache decía, de Anton Bruckner.

El programa "Grandes Ciclos" de RNE Radio Clásica dedicó uno precisamente, en agosto de 2012, a la genial figura de Sergiu Celibidache (1912-1996). Fueron varios episodios, pero sólo incorporaré a este canal los dos -este es pues el segundo-, donde se expresa precisamente ese genio con el ingenio, como el mismo Celibidache decía, de Anton Bruckner.

Den rumænske dirigent, der slog sig igennem i et sønderbombet Berlin efter 2. Verdenskrig, var ekstremernes mand. Sergiu Celibidache (1912-1996) var kendt og berygtet for at kræve det helt usædvanlige af sine musikere, og hans koncerter vekslede mellem magiske øjeblikke af harmonisk balance og ekstatiske udladninger, hvor Celibidache med håret hvirvlende omkring sig var musikkens karismatisk midtpunkt. Og så hadede Celibidache grammofonindspilninger: "Det guddommelige præsens er helt udelukket på plade." Tilrettelæggelse: Esben Tange.

Klassiske legender: Sergiu Celibidache - Den djævelske dirigentDen rumænske dirigent, der slog sig igennem i et sønderbombet Berlin efter 2. Verdenskrig, var ekstremernes mand. Sergiu Celibidache (1912-1996) var kendt og berygtet for at kræve det helt usædvanlige af sine musikere, og hans koncerter vekslede mellem magiske øjeblikke af harmonisk balance og ekstatiske udladninger, hvor Celibidache med håret hvirvlende omkring sig var musikkens karismatiske midtpunkt. Og så hadede Celibidache grammofonindspilninger: "Det guddommelige præsens er helt udelukket på plade".Berlioz: Korsaren.Debussy: La Mer.Sjostakovitj: Symfoni nr. 9.Berliner Filharmonikerne.Dirigent: Sergiu Celibidache.(Koncert i Berlin, 31. august 1947). Vært: Esben Tange. www.dr.dk/p2koncerten

Franz Schubert: Symphonie Nr. 8 h-Moll, "Unvollendete" | Antonín Dvorak: Symphonie Nr. 9 e-Moll "Aus der Neuen Welt" | Sergiu Celibidache: Münchner Philharmoniker