Podcast appearances and mentions of Rebecca Clarke

Ashurst recently brought together key stakeholders from across the data centre ecosystem to explore the many opportunities and challenges in the industry. In this episode, we share the key takeaways about investing in and financing of data centres. Experts at a recent Ashurst seminar dived deep into the funding issues associated with data centres. Among the participants were Ashurst’s Ruth Harris, Rebecca Clarke, Chris Grey, and Rhodri Lewis – and in today’s podcast they share the highlights and talking points. On the investment side, the seminar discussed strong demand, low vacancy rates, and high barriers to entry due to construction costs, regulatory scrutiny, and power access. With major M&A activity already underway, several capital destinations were flagged up including the Nordics, Spain, Italy and Greece, and the importance of subsea cable access and geopolitical factors was emphasised. From a financing perspective, the move towards longer term lender/sponsor partnerships was covered. Among several hot topics, the seminar explored the challenges of securing early-stage finance, structuring for future asset exits, and lifecycle capex planning amidst rapidly advancing technology. It was also noted that increased lender appetite raises the possibility of earlier involvement in projects and interest in more flexible finance options. To listen to this and subscribe to future episodes, search for “Ashurst Legal Outlook” on Apple Podcasts, Spotify or your favourite podcast player. To read more about data centres, head to Ashurst's data centre insights hub. And to find out more about the full range of Ashurst podcasts, visit ashurst.com/podcasts. The information provided is not intended to be a comprehensive review of all developments in the law and practice, or to cover all aspects of those referred to. Listeners should take legal advice before applying it to specific issues or transactions.See omnystudio.com/listener for privacy information.

This is the second part of an episode begun last week featuring the cream of the crop of today's young artists. As with the performers heard last week, they represent the finest opera and classical singers working today; it is my distinct pleasure (and honor) to present them to you. They include sopranos Francesca Pia Vitale and Ewa Płonka; mezzo-soprano Beth Taylor; countertenors John Holiday, Key'mon Murrah, and Reginald Mobley (pictured); tenors Laurence Kilsby and Zachary Wilder; baritones Artur Ruciński and Theo Hoffman; and bass-baritones Philippe Sly, Joseph Parrish, and Georg Zeppenfeld in repertoire ranging from Monteverdi and Vivaldi to Rebecca Clarke, Hall Johnson, and Paul McCartney. It has been my pleasure to hear many of these singers live and I look forward to hearing them all again in person (and as soon as possible!) Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Players from across the data centre ecosystem gathered recently to debate everything from planning and power to investment and financing. In this episode, we report on the opportunities and challenges that were identified, and some of the solutions that were uncovered. Ashurst’s recent Data Centre Seminar featured some of the brightest minds and latest innovations. Fresh from attending the event, Ashurst’s Ruth Harris and Rebecca Clarke reflect on the highlights and key takeaways in this podcast episode. As Ruth and Rebecca explain, a wide variety of topics were covered in a short space of time at the Seminar. Discussions about planning and construction included practical tips for engaging with planning authorities and aligning data centre projects with local community benefits to accelerate project approvals. This was illustrated by expert guest Emma Williamson, who has worked extensively integrating data centres into urban regeneration schemes and harnessing their heat output for district energy networks. Rebecca and Ruth also explain how data centres contribute to local job creation in the construction sector and beyond. They emphasise the value of smaller regional data centres, and they also ponder the power supply and sustainability issues that were flagged by industry leaders Tim O’Reilly and Edward Sargent. All in all, it’s an episode that underscores how vital (and valuable) data centres will continue to be as AI and the digital world expand in the years to come. To listen to this and subscribe to future episodes, search for “Ashurst Legal Outlook” on Apple Podcasts, Spotify or your favourite podcast player. To read more about data centres, head to Ashurst's data centre insights hub. And to find out more about the full range of Ashurst podcasts, visit ashurst.com/podcasts. The information provided is not intended to be a comprehensive review of all developments in the law and practice, or to cover all aspects of those referred to. Listeners should take legal advice before applying it to specific issues or transactions.See omnystudio.com/listener for privacy information.

“Notas de Mujer” una celebración del talento y la creatividad de destacadas mujeres compositoras a lo largo de la historia. De lunes a viernes a las 9:00 hrs. en www.radioudec.cl y el 95.1 FM. Producción: Carolina Valdés - Locución: Sergio Morales.

How does a connection with God create a happy society? Join Dr. Rebecca Clarke as she explores the Savior's visit to the Americas and the impact of that visit on the people and His invitation to live the gospel, connect with the Lord, and love each other to become the happiest people on earth.SHOW NOTES/TRANSCRIPTSEnglish: https://tinyurl.com/podcastBM43ENFrench: https://tinyurl.com/podcastBM43FRGerman: https://tinyurl.com/podcastBM43DEPortuguese: https://tinyurl.com/podcastBM43PTSpanish: https://tinyurl.com/podcastBM43ESYOUTUBEhttps://youtu.be/-OM3g1IexUAALL EPISODES/SHOW NOTESfollowHIM website: https://www.followHIMpodcast.comFREE PDF DOWNLOADS OF followHIM QUOTE BOOKSNew Testament: https://tinyurl.com/PodcastNTBookOld Testament: https://tinyurl.com/PodcastOTBookWEEKLY NEWSLETTERhttps://tinyurl.com/followHIMnewsletterSOCIAL MEDIAInstagram: https://www.instagram.com/followHIMpodcastFacebook: https://www.facebook.com/followhimpodcastTIMECODE00:00 Part I - Dr. Rebecca Clarke01:15 Bio of Dr. Rebecca Clarke04:15 Come, Follow Me Manual07:50 Research on happiness11:39 These of the episode15:42 Dr. Clarke shares a story about Guatemala21:08 The name of the Church26:58 A waterfall with a rainbow, a unicorn, and pink water31:35 Disputations, contention, and pride 34:01 3 Nephi 17:13-21 - An inclusio37:29 A wounded Jesus Christ41:24 Covenant relationship not covenant contract44:15 3 Nephi 27:20 - The commandment to repent48:17 Two stories about taking the sacrament53:32 3 Nephi 27:27 - The gospel of Jesus Christ isn't a philosophy57:28 3 Nephi 28:1 - Treating people as individuals1:03:58 The nature of God's love1:09:39  End of Part 1 - Dr. Rebecca ClarkeThanks to the followHIM team:Steve & Shannon Sorensen: Cofounder, Executive Producer, SponsorDavid & Verla Sorensen: SponsorsDr. Hank Smith: Co-hostJohn Bytheway: Co-hostDavid Perry: ProducerKyle Nelson: Marketing, SponsorLisa Spice: Client Relations, Editor, Show NotesJamie Neilson: Social Media, Graphic DesignWill Stoughton: Video EditorKrystal Roberts: Translation Team, English & French Transcripts, WebsiteAriel Cuadra: Spanish Transcripts"Let Zion in Her Beauty Rise" by Marshall McDonaldhttps://www.marshallmcdonaldmusic.com

Dr. Rebecca Clarke continues to elucidate the Savior's visit to the Americas and what creates a community of the happiest, covenant-keeping people in the world.SHOW NOTES/TRANSCRIPTSEnglish: https://tinyurl.com/podcastBM43ENFrench: https://tinyurl.com/podcastBM43FRGerman: https://tinyurl.com/podcastBM43DEPortuguese: https://tinyurl.com/podcastBM43PTSpanish: https://tinyurl.com/podcastBM43ESYOUTUBEhttps://youtu.be/e5pCQzfHwaQALL EPISODES/SHOW NOTESfollowHIM website: https://www.followHIMpodcast.comFREE PDF DOWNLOADS OF followHIM QUOTE BOOKSNew Testament: https://tinyurl.com/PodcastNTBookOld Testament: https://tinyurl.com/PodcastOTBookWEEKLY NEWSLETTERhttps://tinyurl.com/followHIMnewsletterSOCIAL MEDIAInstagram: https://www.instagram.com/followHIMpodcastFacebook: https://www.facebook.com/followhimpodcastTIMECODE00:00 Part II - Dr. Rebecca Clarke00:07 President Monson changes missionary service age01:20 Three Nephites and David Whitmer04:55 3 Nephi 29:1-9 - God's power and covenants06:03 3 Nephi 30:1-5 - Hearken08:17 What are the Gentiles going to do?09:30 4 Nephi - Happiness and relationships with Jesus Christ11:06 4 Nephi 1:16 - A list of ‘Nos'14:11 Depression and helping others17:36 A Guatemalan sister shows gratitude 21:48 1 Nephi 17:2-3, 20-21 - Same situation, different attitude24:56 Is happiness in our DNA?27:34 Contention in marriage29:24 4 Nephi 39 - Taught to hate the children of God31:12 The Four Horsemen that are problematic in a relationship37:06 4 Nephi - Power in how we see others (and chickens)41:53 The Beginner's Mind44:16 Malcolm Gladwell's Talking to Strangers48:29 Seeing our children as objects50:54 A writing assignment53:39 Jason Carroll's BYU talk on the Proclamation56:04 President Nelson's three identities58:21 4 Nephi 1:24-25, 46 - Inclusion1:00:7 4 Nephi 1:15, 28 - Satan hold of their hearts1:02:09 Dr. Clarke shares her testimony of Jesus1:05:37 End of Part 2 - Dr. Rebecca ClarkeThanks to the followHIM team:Steve & Shannon Sorensen: Cofounder, Executive Producer, SponsorDavid & Verla Sorensen: SponsorsDr. Hank Smith: Co-hostJohn Bytheway: Co-hostDavid Perry: ProducerKyle Nelson: Marketing, SponsorLisa Spice: Client Relations, Editor, Show NotesJamie Neilson: Social Media, Graphic DesignWill Stoughton: Video EditorKrystal Roberts: Translation Team, English & French Transcripts, WebsiteAriel Cuadra: Spanish Transcripts"Let Zion in Her Beauty Rise" by Marshall McDonaldhttps://www.marshallmcdonaldmusic.com

Pianist Orli Shaham meets an 11-year-old violinist who moved from Sydney to New York to pursue music and collaborates with a gifted teen on Rebecca Clarke's viola sonata. Finally, we meet a pianist who tells us about Chopin's mazurkas and life at his New England boarding school. More at: https://fromthetop.org/show/show-450/Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

durée : 00:57:46 - Tabea Zimmermann, plénitude et virtuosité - par : Aurélie Moreau - Tabea Zimmermann confiait à Télérama « La musique est beaucoup plus grande que mon instrument ! Et je ne veux pas être une altiste, mais une musicienne qui a choisi l'alto. » Aujourd'hui : les Contes de fées de Schumann, et Brahms, Rebecca Clarke…

Det er kvinderne, der viser vejen i aften. Dem der lokker med stemmer, skæve kompositioner og modet til at gå nye veje. Pauline Oliveros, Buika, Maria Dolores Pradera, Juliette Pochin, Arooj Aftab, Toechter, Ragnhild Hemsing, The Bekova Sisters, Hildegard von Bingen, Juliette Gréco og Rebecca Clarke tager dig med ud på aftens vandring. Vært: Minna Grooss.

In this episode we talk to Rebecca Clarke about her husband's Grandfather Arnold Clarke who was on board HMS India when it was torpedoed and sunk in August 1915. Arnold was one of the survivors and was interned in a camp in neutral Norway. How did he cope with being imprisoned for 3 years? How did they keep themselves occupied? We find out. We also discuss my tribute to 2 soldiers who died on the Western Front and look at the  family pilgrimages that we carried out to their graves on Terry's Tours last week.

This is a story of four composers whose careers, lives and loves as women working in 20th century Britain have since been largely forgotten. Dr Leah Broad's 2023 debut Quartet: How Four Women Changed the Musical World (Faber & Faber, 2023), reveals the life and music of some of Britain's most exciting 20th-century composers. A musicologist who gravitates towards figures at the margins of Western Art Music, the four subjects of Broad's biography (Ethel Smyth, Rebecca Clarke, Doreen Carwithen and Dorothy Howell) experience success, even fame, before being pushed to the periphery. They compose operas, film music, songs and sonatas, encounter the Second Viennese School and fashion early freelance instrumental careers. Broad's narrative begins in 1858 with the birth of Ethel Smyth. She charts two world wars, the development of post-war British institutions such as the BBC and the Arts Council of Great Britain, and brings us all the way to Doreen Carwithen's death in 2003. In this time, the four composers take on the diverse politics of suffragette militancy, 60's American liberalism and a staunch British-Catholic conservatism. Through grouping such diverse personalities, Broad refuses the tendency to isolate women as historical anomalies or singular figures. Her fluent prose expertly interweaves their lives, whilst revealing a true diversity of music, thought and experience. Joseph Edwards is a writer and violinist based in London. His current research looks at the importance of sound in chronic illness experience. Contact him via email at joseph8edwards@gmail.com or through Twitter @joseph8edwards. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This is a story of four composers whose careers, lives and loves as women working in 20th century Britain have since been largely forgotten. Dr Leah Broad's 2023 debut Quartet: How Four Women Changed the Musical World (Faber & Faber, 2023), reveals the life and music of some of Britain's most exciting 20th-century composers. A musicologist who gravitates towards figures at the margins of Western Art Music, the four subjects of Broad's biography (Ethel Smyth, Rebecca Clarke, Doreen Carwithen and Dorothy Howell) experience success, even fame, before being pushed to the periphery. They compose operas, film music, songs and sonatas, encounter the Second Viennese School and fashion early freelance instrumental careers. Broad's narrative begins in 1858 with the birth of Ethel Smyth. She charts two world wars, the development of post-war British institutions such as the BBC and the Arts Council of Great Britain, and brings us all the way to Doreen Carwithen's death in 2003. In this time, the four composers take on the diverse politics of suffragette militancy, 60's American liberalism and a staunch British-Catholic conservatism. Through grouping such diverse personalities, Broad refuses the tendency to isolate women as historical anomalies or singular figures. Her fluent prose expertly interweaves their lives, whilst revealing a true diversity of music, thought and experience. Joseph Edwards is a writer and violinist based in London. His current research looks at the importance of sound in chronic illness experience. Contact him via email at joseph8edwards@gmail.com or through Twitter @joseph8edwards. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

This is a story of four composers whose careers, lives and loves as women working in 20th century Britain have since been largely forgotten. Dr Leah Broad's 2023 debut Quartet: How Four Women Changed the Musical World (Faber & Faber, 2023), reveals the life and music of some of Britain's most exciting 20th-century composers. A musicologist who gravitates towards figures at the margins of Western Art Music, the four subjects of Broad's biography (Ethel Smyth, Rebecca Clarke, Doreen Carwithen and Dorothy Howell) experience success, even fame, before being pushed to the periphery. They compose operas, film music, songs and sonatas, encounter the Second Viennese School and fashion early freelance instrumental careers. Broad's narrative begins in 1858 with the birth of Ethel Smyth. She charts two world wars, the development of post-war British institutions such as the BBC and the Arts Council of Great Britain, and brings us all the way to Doreen Carwithen's death in 2003. In this time, the four composers take on the diverse politics of suffragette militancy, 60's American liberalism and a staunch British-Catholic conservatism. Through grouping such diverse personalities, Broad refuses the tendency to isolate women as historical anomalies or singular figures. Her fluent prose expertly interweaves their lives, whilst revealing a true diversity of music, thought and experience. Joseph Edwards is a writer and violinist based in London. His current research looks at the importance of sound in chronic illness experience. Contact him via email at joseph8edwards@gmail.com or through Twitter @joseph8edwards. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

This is a story of four composers whose careers, lives and loves as women working in 20th century Britain have since been largely forgotten. Dr Leah Broad's 2023 debut Quartet: How Four Women Changed the Musical World (Faber & Faber, 2023), reveals the life and music of some of Britain's most exciting 20th-century composers. A musicologist who gravitates towards figures at the margins of Western Art Music, the four subjects of Broad's biography (Ethel Smyth, Rebecca Clarke, Doreen Carwithen and Dorothy Howell) experience success, even fame, before being pushed to the periphery. They compose operas, film music, songs and sonatas, encounter the Second Viennese School and fashion early freelance instrumental careers. Broad's narrative begins in 1858 with the birth of Ethel Smyth. She charts two world wars, the development of post-war British institutions such as the BBC and the Arts Council of Great Britain, and brings us all the way to Doreen Carwithen's death in 2003. In this time, the four composers take on the diverse politics of suffragette militancy, 60's American liberalism and a staunch British-Catholic conservatism. Through grouping such diverse personalities, Broad refuses the tendency to isolate women as historical anomalies or singular figures. Her fluent prose expertly interweaves their lives, whilst revealing a true diversity of music, thought and experience. Joseph Edwards is a writer and violinist based in London. His current research looks at the importance of sound in chronic illness experience. Contact him via email at joseph8edwards@gmail.com or through Twitter @joseph8edwards. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

This is a story of four composers whose careers, lives and loves as women working in 20th century Britain have since been largely forgotten. Dr Leah Broad's 2023 debut Quartet: How Four Women Changed the Musical World (Faber & Faber, 2023), reveals the life and music of some of Britain's most exciting 20th-century composers. A musicologist who gravitates towards figures at the margins of Western Art Music, the four subjects of Broad's biography (Ethel Smyth, Rebecca Clarke, Doreen Carwithen and Dorothy Howell) experience success, even fame, before being pushed to the periphery. They compose operas, film music, songs and sonatas, encounter the Second Viennese School and fashion early freelance instrumental careers. Broad's narrative begins in 1858 with the birth of Ethel Smyth. She charts two world wars, the development of post-war British institutions such as the BBC and the Arts Council of Great Britain, and brings us all the way to Doreen Carwithen's death in 2003. In this time, the four composers take on the diverse politics of suffragette militancy, 60's American liberalism and a staunch British-Catholic conservatism. Through grouping such diverse personalities, Broad refuses the tendency to isolate women as historical anomalies or singular figures. Her fluent prose expertly interweaves their lives, whilst revealing a true diversity of music, thought and experience. Joseph Edwards is a writer and violinist based in London. His current research looks at the importance of sound in chronic illness experience. Contact him via email at joseph8edwards@gmail.com or through Twitter @joseph8edwards. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

This is a story of four composers whose careers, lives and loves as women working in 20th century Britain have since been largely forgotten. Dr Leah Broad's 2023 debut Quartet: How Four Women Changed the Musical World (Faber & Faber, 2023), reveals the life and music of some of Britain's most exciting 20th-century composers. A musicologist who gravitates towards figures at the margins of Western Art Music, the four subjects of Broad's biography (Ethel Smyth, Rebecca Clarke, Doreen Carwithen and Dorothy Howell) experience success, even fame, before being pushed to the periphery. They compose operas, film music, songs and sonatas, encounter the Second Viennese School and fashion early freelance instrumental careers. Broad's narrative begins in 1858 with the birth of Ethel Smyth. She charts two world wars, the development of post-war British institutions such as the BBC and the Arts Council of Great Britain, and brings us all the way to Doreen Carwithen's death in 2003. In this time, the four composers take on the diverse politics of suffragette militancy, 60's American liberalism and a staunch British-Catholic conservatism. Through grouping such diverse personalities, Broad refuses the tendency to isolate women as historical anomalies or singular figures. Her fluent prose expertly interweaves their lives, whilst revealing a true diversity of music, thought and experience. Joseph Edwards is a writer and violinist based in London. His current research looks at the importance of sound in chronic illness experience. Contact him via email at joseph8edwards@gmail.com or through Twitter @joseph8edwards. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a story of four composers whose careers, lives and loves as women working in 20th century Britain have since been largely forgotten. Dr Leah Broad's 2023 debut Quartet: How Four Women Changed the Musical World (Faber & Faber, 2023), reveals the life and music of some of Britain's most exciting 20th-century composers. A musicologist who gravitates towards figures at the margins of Western Art Music, the four subjects of Broad's biography (Ethel Smyth, Rebecca Clarke, Doreen Carwithen and Dorothy Howell) experience success, even fame, before being pushed to the periphery. They compose operas, film music, songs and sonatas, encounter the Second Viennese School and fashion early freelance instrumental careers. Broad's narrative begins in 1858 with the birth of Ethel Smyth. She charts two world wars, the development of post-war British institutions such as the BBC and the Arts Council of Great Britain, and brings us all the way to Doreen Carwithen's death in 2003. In this time, the four composers take on the diverse politics of suffragette militancy, 60's American liberalism and a staunch British-Catholic conservatism. Through grouping such diverse personalities, Broad refuses the tendency to isolate women as historical anomalies or singular figures. Her fluent prose expertly interweaves their lives, whilst revealing a true diversity of music, thought and experience. Joseph Edwards is a writer and violinist based in London. His current research looks at the importance of sound in chronic illness experience. Contact him via email at joseph8edwards@gmail.com or through Twitter @joseph8edwards. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Donald Macleod explores the life and music of Charles Villiers Stanford. With Jeremy DibbleMarking the centenary of his death, Composer of the Week explores the remarkable life and music of Sir Charles Villiers Stanford. Stanford was one of the leading musicians of his generation and, along with Parry and Mackenzie, he was one of the main protagonists in Britain's musical renaissance at the end of the 19th century. Born in Dublin, Stanford rose to the very top of the British music scene, as both a conductor and composer. He also maintained strong links to Germany, following his studies in Leipzig and Berlin. Stanford's works were popular in Europe, as well as Britain, with conductors such as Hans Richter promoting his music. Today, Stanford is largely remembered for his sacred works, however his prolific output covers most genres and he had a particular passion for opera. He was an influential teacher at the Royal College of Music and Cambridge University; many future musical luminaries passed through his classes, including Gustav Holst, Ralph Vaughan Williams, Rebecca Clarke and Samuel Coleridge-Taylor. Stanford was a tremendous force for good in British music, and in honour of his contribution to British culture, his ashes are interred in Westminster Abbey close to the remains of Henry Purcell. This week, Donald Macleod is joined by Stanford biographer, Jeremy Dibble to explore Stanford life and music.Music Featured:The Bluebird, Op 119 No 3 (excerpt) Three Intermezzi, Op 13 No 1 (Allegretto scherzando) The Resurrection, Op 5 Symphony No 1 (Scherzo) The Veiled Prophet (Act 2 Love Duet) Service in B flat major, Op 10 (Magnificat) Symphony No 2 ‘Elegiac' (Lento espressivo) To the Rose, Op 19 No 3 Piano Trio No 1, Op 35 (Allegretto con moto) Elegiac Ode, Op 21 (The night, in silence, under many a star) The Lord is my Shepherd Symphony No 3, Op 28 “Irish” (Allegro molto Vivace) Piano Quintet in D minor, Op 25 (Allegro risoluto) A Child's Garland of Songs, Op 30 No 9 (My ship and me) The Clown's Song from Twelfth Night', Op 65 No 3 Six Irish Fantasies, Op 54 No 3 (Jig) Symphony No 5, Op 56 ‘L'Allegro ed il Pensieroso' (Andante molto tranquillo) Shamus O'Brien, Op 61 (Act 2 Captain Trevor's Song) Requiem, Op 63 (Agnus Dei et Lux aeterna) Te Deum, Op 66 (Judex crederis) Ten Dances, Old and New, Op 58 No 1 (Valse) Songs of the Sea, Op 91 No 3 (Devon, O Devon, in wind and rain) Magnificat in G, Op 81 String Quartet No 4 in G minor, Op 99 (Allegro molto vivace) Stabat Mater, Op 96 (Virgo virginum praeclara) String Quintet No 2 in C minor, Op 86 (Andante) A Song of Hope, Op 113 No 3 Six Songs from ‘The Glens of Antrim', Op 174 No 2 (The sailor man) String Quartet No 7 in C minor, Op 166 (Allegro molto) Irish Rhapsody No 4, Op 141 (The Fisherman of Loch Neagh and What he Saw) An Irish Idyll in Six Miniatures, Op 77 No 2 (The Fairy Lough) Mass Via Victrix, Op 173 (Agnus Dei) How beauteous are their feetPresented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Charles Villiers Stanford (1852-1924) https://www.bbc.co.uk/programmes/m001xdr0And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Timothy Ridout won last year's Concerto category at the Gramophone Awards for his Harmonia Mundi recording, with the BBC Symphony Orchestra and Martyn Brabbins, of Elgar's Cello Concerto transcribed by Lionel Tertis for viola, alongside the Bloch Suite for Viola and Orchestra. His new HM release continues his exploration of the huge role that Tertis played in the history of the viola, as player, teacher, arranger and champion of the instrument. Ridout's new double album, for which he's joined by pianists Frank Dupree and James Baillieu, includes sonatas by York Bowen and Rebecca Clarke, as well as many shorter works with powerful links to Tertis. James Jolly met up with Timothy to talk about the album, and the place that Tertis holds for viola-players.

El mar

Rebecca Clarke gilt als eine der wichtigsten britischen Komponistinnen, die zwischen den beiden Weltkriegen gewirkt hat. Ihr Werk umfasst – da sie selbst Geigerin war – zum großen Teil Kompositionen für Geige und Bratsche. Jetzt hat sich die Violinistin Judith Ingolfsson drei ihrer größten Werke angenommen.

SynopsisA remarkable shift of focus in music history occurred in the latter part of the 20th century when performers and musicologists began turning their attention to neglected works by women composers of the past and present. Composers such as Hildegard von Bingen, Clara Schumann, Amy Beach, Rebecca Clarke and Florence Price began to receive the attention they deserved.Much work remains to be done on this front, however.Take the case of Monserrate Ferrer Otero, also known as Monsita Ferrer, born in San Juan on this date in 1885. She began playing the piano at an early age and later pursued composition studies in New York. She was one of Puerto Rico's first professional woman composers and in 1956 served as an adviser in the planning of its Conservatory of Music. Although enjoying success during her lifetime, only a few of her works are still performed today. This slow waltz, Bajo el Oro del Crepúsculo (or Under the Gold of Twilight) was dedicated to fellow travelers aboard the luxury liner Victoria Luisa.A string quartet and most of her other vocal and piano works remain unpublished long after Ferrer‘s death in 1966.Music Played in Today's ProgramMonserrate Ferrer Otero (1885-1966) Bajo el Oro del Crepúsculo (Vals lento); Kimberly Davis, p. from album ‘La Ondina: Una Colección de Música Puertorriqueña para Piano'

Où l'on parle de Clairvaux, de la dumka et de la clepsydre, autour d'oeuvres de musique de chambre de Thierry Machuel, Rebecca Clarke, Dominique Lemaître et Dulcie Holland. Retrouvez toute la programmation sur https://www.ensembleptyx.com/blog/ ********************************************* Emission radiophonique sur les musiques contemporaines proposée par l'ensemble PTYX. Présentation : Jean-Baptiste Apéré réalisation, production, sans concession : ptyx fan club vnrpe (c) 2023 Avec le soutien du Conseil départemental d'Indre-et-Loire

In this episode we look at the War at Sea in the Great War for the first time and are joined by historian Rebecca Clarke to discuss her book on the fate of HMS India and her crew, following the loss of the ship to a German U-Boat in August 1915. The men spent the rest of the war interned in neutral Norway and we discover the fascinating stories behind their experience there.Rebecca Clarke's website: HMS India website.Support the show

Søvning som en flue og lettere mellemfornøjet. Hvem kæmper ikke med november? Natsværmeren holder mørket med selskab sammen med Paco De Lucia, Rebecca Clarke, Den Sorte Skole & Karsten Fundal, Keith Jarret, Anne Lovett, Kievs kammerkor og andre af mørkets venner. Vært: Minna Grooss.

In this episode we explore the journey of professional triathlete Rebecca Clarke. From her recent victory at IRONMAN 70.3 Sunshine Coast to her racing experiences around the world, Becs opens up about her trials, tribulations and triumphs and how her experiences this season have been a great learning opportunity. We discuss Bec's transition from ITU to long distance triathlon and how her strong swimming background has helped her excel in middle and long distance racing. We also reflect on some of Bec's past races including her learnings from those races and strategies that have helped her improve along the way.. Finally, we focus on the nitty-gritty of training and preparing for Kona - the ultimate race. We discuss the importance of pacing, avoiding injury and building a robust training base. Becs talks about how she mentally gears up for the big day, highlighting the importance of knowing the course and why having a solid marathon will make all the difference. Join us as we cheer on Becs in her journey to the IRONMAN World Champs in Kona. LINKS: Follow Rebecca Clarke on Instagram at https://www.instagram.com/becclarke_tri

How should athletes respond when penalties – fair or otherwise- are handed out. We talk about some recent cases. Doug Gordon won the free race entry to the IRONMAN 70.3 Taupo. We find out more about him. Joe Skipper has asked whether after years of being self-coached he should now be considering getting a coach. We chat about why he should. Kiwi pro triathlete Rebecca Clarke has recently won the IRONMAN 70.3 Sunshine Coast, we bring you some excerpts from our full interview with Becs which is out tomorrow. We bring you finish line interviews with World Champions Beth Potter and Dorian Coninx plus Bevan and Tim discuss the WTCS racing from the weekend. (0:03:29) – Athletes and penalties (0:13:02) – Doug Gordon (0:19.36) – Infinit Nutrition 10% discount using the code FITTER10 (0:19:58) – Coached versus Self-Coached (0:29:08) – Teresa Adam racing last weekend (0:34:39) – Excerpts from our interview with Rebecca Clarke (0:44:57) – Beth Potter and Dorian Coninx plus we review the WTCS racing from the weekend. LINKS: Infinit Nutrition 10% discount using the code FITTER10 at  https://www.infinitnutrition.com.au/ Note: For the code to work you need to have created an account and be logged in. Follow Rebecca Clarke on Instagram at https://www.instagram.com/becclarke_tri 

Dr Leah Broad's book Quartet tells the story of four women composers who have received little or no attention by the classical music world. The lives of Ethyl Smyth, Dorothy Howell, Rebecca Clarke and Doreen Carwithen span the 20th century and yet their music was, until a few years ago, relatively unheard of. Quartet - a substantial history of four women's compositional lives - explains why. Following publication, Leah Broad and violinist Fenella Humphreys have joined forces with pianist Nicola Eimer, mounting a series of concerts across the country where curious audience members can hear not only the music but selected stories about the women who wrote it. There were two things apparent from the event I attended - the first in the trio's UK tour in Harrogate earlier in the summer. The carefully selected music works in performance (so much so that the programmed movements played made me want to hear the works in their entirety) AND the briefest of introductions works wonders at focussing the listener, enhancing the experience as a result. Leah, Fenella and I met up to discuss the book, the concerts and the impact good storytelling has on the concert experience. Lost Voices is at Snape on 9th August, and Milton Court Concert Hall, Barbican on 5 November. Works included in the Lost Voices programme: Ethel Smyth Sonata Doreen Carwithen Sonata Rebecca Clarke Midsummer Moon  Rebecca Clarke Sonata Movement  Dorothy Howell Andante Dorothy Howell The Moorings Fenella Humphrey's next album Prism including works by Caroline Shaw, Sarah Lianne Lewis and Cheryl Frances-Hoad is released by Rubicon Classics early 2024.

SynopsisIn 1942, the 19th Festival of the International Society for Contemporary Music was held in Berkeley, California. Over 30 composers from 13 nations were represented. All of them were male­–with one exception. On today's date, the Prelude, Allegro, and Pastorale for clarinet and viola written by Rebecca Clarke was premiered at the Festival.Clarke was born in England, in 1886, to an American father and a German mother. She grew up a British citizen, studied music in London, and became one of the U.K.'s first female professional orchestral violists. She was stranded in the United States at the outbreak of World War II and settled permanently in New York City.In notes for the 1942 Festival, Clarke modestly described her Prelude, Allegro, and Pastorale as (quote): “ … very unpretentious: a short, unassuming little prelude… The second movement should sound very spirited… The third movement, Pastorale, is rather melancholy and nostalgic…”This work, and much of Clarke's music, remained unpublished during her lifetime, but, over time, its quality and range increasingly came to light. When Clarke turned 90 in 1976, she was interviewed by the BBC, and seemed both gratified and bemused by all the renewed attention. Music Played in Today's ProgramRebecca Clarke (1886 – 1979) Prelude, Allegro, and Pastorale, Op. 11 Robert Plane, cl; Philip Dukes, vla. Naxos 8.557934

Dr. Marcía Porter, soprano, joins me as we share our recording of a fantastic song - “Tiger, Tiger” - composed by Rebecca Clark with text by William Blake. The text painting is palpable; the piano is the tiger in this song. Clarke was a prolific composer although many of her works remain unpublished. At the age of 90, she was still composing and still revising this song. Meet the Artists: Marcía Porter Natalie Sherer Check out the poetry (via LiederNet)

Rebecca Clarke – The Oak Tree with Golden Leaves...with TRE's Selina MacKenzie

Rebecca Clarke (1886-1979) – Two movements for string quartet (1924, 1926) Comodo et amabile, 2. Poem Uitvoerenden: Julstrom String Quartet CD: Centaur Records Imogen Holst (1907-1984) – Phantasy Quartet (1928) Uitvoerenden: David Worswick, Oliver Coates, Simon Hewitt Jones, Tom Hankey CD: NMC Recordings Benjamin Britten (1913-1976) – Quartettino (1930) Andante, 2. Poco adagio ma con […]

Seguimos repasando la vida del compositor británico Ralph Vaughan Williams. Nos acercamos al final de su obra y a su legado musical y estilístico. Además, hablamos de obras sobre barcos y de la compositora Rebecca Clarke.

Haz takes the lead in this podcast about female composers and women in music. Is there still a 'gender agenda' in the classical music industry, and is there enough female representation at the top table? Expect bold, beautiful music, frank exchanges and a contentious review of the film 'Tár'. Featuring pieces by Rebecca Clarke, Dani Howard, Rebecca Dale, Debbie Wiseman, Hildur Guðnadóttir, Rachel Portman and Florence Price. Playlist: https://open.spotify.com/playlist/0IujonLl2lB7bfPzz71U0Z?si=de2ff953d16940afSupport the Show.www.artsactive.org.ukEmail a2@artsactive.org.ukTwitter @artsactiveInstagram artsactivecardiff Facebook artsactive#classicalmusic #stdavidshall #neuadddewisant #drjonathanjames #bravingthestave #musicconversations #funfacts #guestspeakers #cardiff

In Floodlandia, we celebrate this day by channeling the grand, green spirit of William Butler Yeats. We do several songs based on verses by this beloved Nobel laureate. Our favorite is “Down by the Salley Gardens,” which Yeats published in his 1889 volume The Wanderings of Oisin and Other Poems.In notes about the work, Years once said the poem was "an attempt to reconstruct an old song from three lines imperfectly remembered by an old peasant woman in the village of Ballisodare, Sligo, who often sings them to herself."In fact, Yeats's original title of his poem was "An Old Song Re-Sung.” Precisely what old song Yeats was thinking of we don't really know, though researchers think it might have been a now-obscure ballad called “The Rambling Boys of Pleasure.” That song's first verse spoke of lovers meeting in a garden, then added, “She bade me take life easy just as the leaves fall from the tree / But I being young and foolish, with my darling did not agree."Yeats' poem wouldn't appear under today's better known title until it was reprinted in a 1895 volume.But What's a Salley Garden?To find out, let's start with a “where.”As Yeats' notes suggest, the location of the poem is the banks of the river at Ballysadare, and that happens to be where the residents used to cultivate trees to provide roof thatching material.That material was known locally as “salley” or “sally,” a form of the Standard English word "sallow," i.e., a tree of the genus Salix. And that is close in sound to an Irish word, saileach, which means “willow.”What About the Melody?We don't know what, if any, tune Yeats had in mind for his poem, but in 1909, Irish composer Herbert Hughes, who also was a frequent arranger of folk songs, set the verse to a traditional air called "The Maids of Mourne Shore.” While over the years other different melodies also have been applied to the poem (notably by composers Rebecca Clarke and John Ireland in the 1920s), today it is usually to the tune of "The Maids of Mourne Shore" that most performers sing and play it.The earliest recordings of the song were in the 1940s by John McCormack, Peter Pears and Kathleen Ferrier. Our Take on the TuneThe Flood started doing this song about 1979, right after Roger Samples and Charlie Bowen learned it from a beloved album, Tommy Makem and Liam Clancy, released in 1976.Rog always said he thought the melody was buried in the very genes of Irish people, adding, “Every time we do that song, I feel like the ghosts of my ancestors come into the room!”“Salley Gardens” has been in The Flood's repertoire ever since, even tucked away among the tunes the band recorded on its first commercial album two decades ago.This current version — with solos by Dan Cox and Sam St. Clair — was recorded in a recent jam session just to be our gift today. To Continue Your St. Pat CelebrationWant a bit more of the Old Sod for St. Patrick's Day 2023? Sure (and begorrah)! Just link in to the St. Patrick Blend in our free Radio Floodango music streaming service.Erin go Bragh, y'all! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Guest Dr. Leah Broad joins us from Oxford University's Christ Church to discuss Quartet, her acclaimed new biography of four British composers: Ethel Smyth, Rebecca Clarke, Dorothy Howell, and Doreen Carwithen. Three of the four women were celebrities in their own day and all were incredibly talented, yet their captivating life stories and their once acclaimed compositions have been all but forgotten today. We also discuss the film Tár. Discussed in this episode:Our Lost Ladies of Music Spotify playlistQuartet: How Four Women Changed the Musical World by Leah BroadEthel SmythRebecca ClarkeDorothy HowellDoreen Carwithen Virginia Woolf Queen VictoriaThe Wreckers by Ethel SmythEmmeline PankhurstThe March of the Women by Ethel SmythLamia by Rebecca Clarke Henry WoodBishop Rock by Doreen CarwithenBenjamin BrittenFor episodes and show notes, visit: LostLadiesofLit.com Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

The IMS Masterclasses, which take place every Spring in Cornwall, are the beating heart of the IMS. They were originally conceived by our two founders Sándor Végh and Hilary Tunstall-Behrens, over fifty years ago in 1972.  Since then, every year, we bring over 100 young musicians to Cornwall for two, 10-day courses which run over 3 weeks. The interviews and lessons in this episode were recorded on location in Spring 2022 and we hear from just a few of the many students, professors, and class pianists we've hosted over the course of our rich 50-year history. Artistic Director: Steven Isserlis  @StevenIsserlis Contributors in order of appearance: Vashti Hunter Jonian Ilias Kadesha Pablo Hernán Benedí Rita Wagner (Recorded in 2012 with Jean-Sélim Abdelmoula, piano, performing Schubert, Sonata in B flat.) Steven Isserlis Sophia Rahman Catherina Lee Thomas Riebl Edgar Francis Guilherme Marques Caldas Claus Christian Schuster Stephanie Tang Clarissa Bevilacqua David Welton Music in order of appearance: Brahms Op.111 played by the Salzburg Camerata, conducted by Sándor Végh. Henry Purcell, Three Fantasias in Three Parts. Performed by the Caerus Ensemble: Jonian Ilias Kadesha, violin; Pablo Hernán Benedí, viola and Vashti Mimosa Hunter, cello. Ernest Chausson, Poème. Performed by Catherina Lee, violin and Sophia Rahman, piano. Benjamin Britten, Lachrymae. Performed by Edgar Francis, viola and Eglė Staškutė, piano. Rebecca Clarke, Sonata for Viola and Piano. Performed by Guilherme Marques Caldas, viola and Eglė Staškutė, piano. Fritz Kreisler, Recitativo and Scherzo Caprice.  Performed by Clarissa Bevilacqua, violin. Ludwig van Beethoven, Sonata for Cello and Piano in G minor.  Performed by Tim Posner, cello and Sophia Rahman, piano. Narrator: Samuel West. @exitthelemming  Series Producer: Melissa FitzGerald  @Melissafitzg Special thanks to Capriccio for the use of the recording of the Brahms Op.111 played by the Salzburg Camerata, conducted by Sándor Végh. Cover Artwork: Bananadesign Ltd Follow us on Instagram @ims_pc Twitter @ims_pc www.i-m-s.org.uk

Navona Records presents JOYS ABIDING, an album of vocal duets by female composers including previously unpublished duets by British-American composer Rebecca Clarke, the text of which inspired the album title. The extensive track list of duets from the Baroque, Classical, and Romantic periods is performed by Dana Zenobi, soprano, Oliver Worthington, baritone, Chuck Dillard, piano/harpsichord, and David Murray, double bass. JOYS ABIDING aims to elevate the important work of female composers who have historically been excluded from the male-dominated classical duet canon.For more information about this album and to purchase, please visit:You searched for joys abiding – Navona Records

FORM GOGGLES DISCOUNT FOR OUR LISTENERS: (00:17:49) Follow https://www.formswim.com/pages/fitter-radio for 15% off FORM Goggles using the code Fitter15 HELENE GUILLAUME (00:09:51) Helene is the Founder and CEO of Wild.AI – an app that helps you to train, fuel and recover based on your female physiology. Wild.AI is now launching its new ‘Coach Academy' where coaches can learn how to train their female athletes with their physiology and gain insights from the best in the industry with access to courses, 1-2-1 sessions with the Wild.AI Team and an exclusive community to share resources and access to the most up to date research. IAN JONES – DUE DROP HOPE CHALLENGE 2023 (00:28:44) Ian (Kamo) Jones and his crew are embarking on a 16-day relay event to Swim–Bike–Run from Cape Reinga to the Beehive in Wellington. They plan to push themselves to the limits and connect with Communities Nationwide in order to raise funds for Gumboot Friday and most importantly raise awareness about the struggles young people face accessing counselling, despite a $1.5 billion investment by the current government. COACHES CATCHUP: (00:50:34) Bevan and Tim are at the Mount for the Mount Festival of Sport. We chat to winners Braden Currie and Rebecca Clarke plus we review the debut performance of the triathlon drafting detecting system Race Ranger. LINKS: More about MitoQ at https://www.mitoq.com/ Training Peaks discount at https://www.fitter.co.nz/about-radio INFINIT Nutrition discount at https://www.fitter.co.nz/about-radio More about Infinit Nutrition Australia at https://www.infinitnutrition.com.au/ Mikki's interview with Herman Pontzer at https://share.transistor.fm/s/b181f52c FORM Goggles at https://www.formswim.com/pages/fitter-radio Gumboot Friday at https://www.gumbootfriday.org.nz/hope-challenge Due Drop Hope Challenge at https://www.facebook.com/duedrophopechallenge Donate at https://givealittle.co.nz/cause/hope-challenge-givealittle Follow Due Drop Hope Challenge on Instagram at https://www.instagram.com/duedrophopechallenge/ Mount Festival of Sport at https://mountfestival.kiwi/ More about Race Ranger at https://www.raceranger.com/ Follow Braden on Instagram at https://www.instagram.com/bradencurrie/ Follow Rebecca on Instagram at https://www.instagram.com/becclarke_tri/ CONTACT US: Learn more about us at https://www.fitter.co.nz        Mikki Williden can be found at https://mikkiwilliden.com/

Piney chats with triathlete Rebecca Clarke to find out what the Challenge Wanaka triathlon festival is all about. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Rebecca Clarke - Morpheus Philip Dukes, viola Sophia Rahman, piano More info about today's track: Naxos 8.557934 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

On this episode, we talk with USFA fire program specialist Abigail Bordeaux and FEMA fire grant recipient Rebecca Clarke about the Assistance to Firefighters Grant Program. Listen on Apple Podcasts.

Synopsis On today's date in 1944, a 29-year-old American composer named David Diamond had his Second Symphony premiered by the Boston Symphony under the famous Russian conductor Serge Koussevitzky. Diamond says he had written this music for the charismatic Greek maestro Dimitri Mitropoulos, then the music director of the Minneapolis Symphony. “Mitropoulos had given a fine performance of my First Symphony,” said Diamond. “When I showed him the score of the Second he said, ‘you must have the parts extracted at once!' As these were readied, I asked him whether he was planning to perform the work. He then told me he thought he would not stay on in Minneapolis, but said, ‘Why don't you send it to Koussevitzky?' I did so, and Koussevitzky [invited me to a] trial reading at Symphony Hall. When it was over, the orchestra applauded like crazy. Koussevitzky turned to me and said, ‘I will play!'” Successful as Diamond was back in 1944, for many decades thereafter his neo-Romantic symphonic scores were neglected until Gerard Schwartz's CD recordings of some of them with the Seattle Symphony sparked a revival.  By then, Diamond was in his 70s, and commented: “The romantic spirit in music is important because it is timeless.” Music Played in Today's Program David Diamond (1915-2005) — Symphony No. 2 (Seattle Symphony; Gerard Schwarz, cond.) Delos 3093

Welcome to Episode #356 of the 303 Endurance Podcast. This week we recap the Kona Pro Women and make predictions for Saturday's Professional Men's race!   Show Sponsor: UCAN Generation UCAN has a full line of nutrition products to fuel your sport. UCAN uses SuperStarch instead of simple sugars and stimulants to fuel athletes.  UCAN keeps blood sugar steady compared to the energy spikes and crashes of sugar-based products. UCAN also has hydration products focused on giving you the sodium you need when hydrating, including several clean and light flavors. Steady energy equals sustained performance and a faster finish line!   Use UCAN in your training and racing to fuel the healthy way, finish stronger and recover more quickly!  Use the code 303UCAN for 20% off at ucan.co/discount/303UCAN/ or ucan.co   In Today's Show Endurance News Kona IMWC Women's Recap, Record and Men's Race Predictions What's new in the 303 Pro Cycling Returning to Colorado in 2023 with $1 Million payout Full Cycle & Colorado Multisport Ironman World Championship Kona Watch Party Video of the Week Upcoming Guest: Laura Killingbeck   News Sponsor Buddy Insurance: Buddy Insurance gives you peace of mind to enjoy your training and racing to the fullest. Buddy's mission is simple, to help people fearlessly enjoy an active and outdoor lifestyle.    Get on-demand accident insurance just in case the unexpected happens. Buddy ensures you have cash for bills fast.  This is accident insurance not health and life insurance.  Go to buddyinsurance.com and create an account.  There's no commitment or charge to create one.  Once you have an account created, it's a snap to open your phone and in a couple clicks have coverage for the day.  Check it out!   Endurance News: IRONMAN World Championship Women's Pro Race Kona rookie Chelsea Sodaro is the first American in 2 decades with Tim DeBoom winning in 2002 and first American female to win the IMWC since Paula Newby-Frasier in 1996. Results - Results (ironman.com)   Rich's Picks: Daniela Ryf Anne Haug Skye Moench Bill's Picks: Daniela Ryf Anne Haug Lucy Charles-Barkley   Results: Chelsea Sodaro Lucy Charles-Barkley Anne Haug   Observations: Lucy C-B solo and first coming into the pier with 4 in the chase group coming into the pier LCB first on the bike with Lauren Brandon, Rebecca Clarke and Pamella Oliveira. Fenella Langridge took over the lead on the way to Hawi Penalty tent showings for Sara Crowley and Laura Phillip had a penalty, crying in the tent   Men's Predictions: Tri-Rating Thorsten Radde Kristian Blummenfelt 30% (Podium 50%) Gustav Iden 15% (Podium 20%) Magnus Ditlev 15% (Podium 30%)   Bill's Picks:   Rich's Picks: Kristian Blummenfelt Lionel Sanders Collin Chartier or Chris Leiferman   What's New in the 303: Pro Cycling Returning to Colorado in 2023 with $1 Million payout By Nathan Van Dyne (nathan.vandyne@gazette.com) Oct 5th, 2022–Professional road cycling is coming to Colorado in 2023 as part of a new series boasting a $1 million payout.   The National Cycling League (NCL) is planning to roll out four criterium races in Denver, Atlanta, Miami and Washington, D.C. And the overall prize purse for men and women will be the largest in U.S. crit racing history.   “Creating the next generation sports community starts with valuing the athletes and their contributions to the fan experience,” Paris Wallace, co-founder and CEO of the venture, said in a news release. “The $1 million purse is just one component of a comprehensive infrastructure designed to equitably support and reward top male and female professional athletes.”   For the rest of story go ***HERE***   Upcoming Multisport Events in Colorado (runningintheusa.com) Upcoming Classic Runs in Colorado (runningintheusa.com)   Video of the week: 2022 VINFAST IRONMAN World Championship Pro Women Coverage       Upcoming Guests: Adventure Writer, Laura Killingbeck, joins us to tell her story about finding freedom through cycling, finding that space to process our lives, and her amazing endurance journey to this life changing discovery. Closing: Thanks again for listening in this week.  Please be sure to follow us @303endurance and of course go to iTunes and give us a rating and a comment.  We'd really appreciate it! Stay tuned, train informed, and enjoy the endurance journey!

Let's talk PTO US Open Pro Podiums! Welcome to Episode #354 of the 303 Endurance Podcast. You are listening to your weekly connection to coaches, experts, and pro athletes to help you reach your endurance goals. We're your hosts coach Rich Soares and 303 Chief Editor, Bill Plock. Thanks for joining us for another week of endurance interviews and discussion.   Show Sponsor: UCAN Keep your fueling fresh with new UCAN Pineapple Edge. UCAN uses SuperStarch instead of simple sugars and stimulants to fuel athletes.  UCAN keeps blood sugar steady compared to the energy spikes and crashes of sugar-based products.  Steady energy equals sustained performance and a faster finish line!   Use UCAN in your training and racing to fuel the healthy way, finish stronger and recover more quickly!  Use the code 303UCAN for 20% off at ucan.co/discount/303UCAN/ or ucan.co   In Today's Show Endurance News PTO US Open Pro Results - Collin Chartier and Ashleigh Gentle 'How fit can I get on a 10-mile commute to work?' What's new in the 303 Triathlon Adventure in Trinidad Like No Other and a Bang for a Finish Swim Tip Follow Up and more TriDot Pool Schools Last Call and Oktoberfest Video of the Week PTO Pro Recap   Our News is sponsored by Buddy Insurance. Buddy Insurance gives you peace of mind to enjoy your training and racing to the fullest. Buddy's mission is simple, to help people fearlessly enjoy an active and outdoor lifestyle.    Get on-demand accident insurance just in case the unexpected happens. Buddy ensures you have cash for bills fast.  This is accident insurance not health and life insurance.  Go to buddyinsurance.com and create an account.  There's no commitment or charge to create one.  Once you have an account created, it's a snap to open your phone and in a couple clicks have coverage for the day.  Check it out!   Endurance News:   PTO US Open 2022 results: Collin Chartier shocks the stars in Dallas   PTO US Open 2022 Results – Pro Men Sunday September 18, 2022 – 2km / 80km / 18km – Dallas   Collin Chartier (USA) – 3:17:17 Magnus Ditlev (DEN) – 3:17:59 Sam Long (USA) – 3:18:09 Sam Laidlow (FRA) – 3:20:29 Florian Angert (GER) – 3:21:14 Kristian Hogenhaug (DEN) – 3:21:28 Aaron Royle (AUS) – 3:21:33 Pieter Heemeryck (BEL) – 3:22:27 Mike Noodt (GER) – 3:22:36 Pablo Dapena Gonzalez (ESP) – 3:22:56   Four weeks ago the USA's Collin Chartier won IRONMAN Mont-Tremblant in Canada. He may have started Sunday's PTO US Open ranked #28, but an unexpected victory in the Lone Star State will, by some margin, go down as the greatest day of his triathlon career to date. With a $100,000 first prize, it will certainly be the biggest pay day of his life to date.   With water temperatures reported as circa 27°c, of course, no wetsuits today for the 2km swim in Lake Carolyn. Unlike the swim at the PTO Canadian Open in Edmonton, there was a big line of swimmers at the front of the race. The athletes were perhaps backing off a couple of percentage points having seen the difficulties that some of the elite women got into late in their race on Saturday.   Aaron Royle (AUS) was first to the exit steps in 26:38, but immediately behind were the likes of Sam Laidlow (FRA), Ben Kanute (USA), Daniel Bækkegård (DEN). Vetle Bergsvik Thorn (NOR), Josh Amberger (AUS), Nick Kastelein (AUS), Tom Bishop (GBR) and plenty more… a total of 20 athletes within 22 seconds.   Among the key names a little further back were Frederic Funk (+1:00), Magnus Ditlev (+1:09), Sebastian Kienle (+2:30), Lionel Sanders (+2:37) and Sam Long (+2:42).   With so many athletes close starting the bike, it was going to take a lap or so of the seven loop circuit to see the shape of the race become clear.   As he did in Edmonton (though minus the injured Alistair Brownlee this time), Sam Laidlow was the first to make a move on the bike. 20km in and he was alone at the front, with Florian Angert nine seconds back, but with a further 30 seconds to the main chase pack. Still outside the top-20, Sam Long and Lionel Sanders were nonetheless the fastest riders on course and, as expected, enjoying the pure power time-trial friendly bike terrain.   Jumping forward another 20km to the midway point (40km) of the ride, and it was still Laidlow leading the way. Angert was still close behind in second (+0:06), but the chasers were now just over a minute down, a group including Mika Noodt (GER), Bækkegård, Bishop, Sam Appleton (AUS), Royle, Kyle Smith (NZL), Chartier (USA), Pablo Dapena Gonzalez (ESP), Ditlev and Long.   Lionel Sanders was still just over 20 seconds back on that group and would be hoping to make the same catch soon that Long already had.   Heading into the final quarter of the ride and Team ERDINGER athlete Angert was now leading the way. Second recently at the World Triathlon Long Distance Championships (over the same 100km distance), he is consistently strong across all disciplines.   The German was 29 seconds clear of early leader Laidlow, but the chasers were now led by bike powerhouses Long and Ditlev, with only Chartier and Bækkegård remaining in that select quartet. Little more than a minute down on Angert, it was still all to play for, especially with the mercury rising.   The attrition continued over the final stages. Bækkegård couldn't stay with the chasers, Laidlow was caught by Ditlev / Long / Chartier, and as they completed the 80km / seven laps and headed into transition, the leading situation was:   Florian Angert leading solo Magnus Ditlev and Sam Long in 2nd/3rd (+1:00) Collin Chartier and Sam Laidlow in 4th/5th (+1:10) Daniel Bækkegård in 6th (+2:08) Lionel Sanders, Thor Bendix Madsen, Kristian Hogenhaug in 7th/8th/9th (+2:31) No stopping the Chartier express Long absolutely blitzed through T2 with by far the quickest transition amongst the leaders. He wanted to drop Ditlev immediately, and set off in pursuit of Angert.   37th out of the swim, could Yo Yo Yo take the $100k prize cheque and the biggest win of his career to date? The heat was on – and Long looked as though he was trying to drink everything in sight during the first kilometre.   With five laps to complete, the athletes would soon be very used to the US Open run course. It's almost pan flat, but after that fast paced bike ride and temperatures approaching 100°F, not too many would be wishing for more hills.   Long took the lead shortly before the end of lap one and at this early stage, was looking strong in doing it too.   Two laps in and Long was leading Ditlev by 16 seconds, both athletes running at exactly the same pace, separated only by that fast transition from the U.S. athlete. Chartier was also having a stellar day, and had moved past Angert into third, 33 seconds behind Long, with just under 11km of running remaining.   Further back, the news wasn't so good for Sanders who was now in eighth, having been overtaken by Aaron Royle and Kristian Hogenhaug. Mika Noodt was closing fast too, meaning No Limits would need to turn things around pretty sharpish even to retain a top ten position.   PTO US Open 2022 results: Gently does it for Ashleigh   PTO US Open 2022 Results – Pro Women Saturday September 17, 2022 – 2km / 80km / 18km – Dallas   Ashleigh Gentle (AUS), 3:37:18 Taylor Knibb (USA), 3:38:33 Lucy Charles Barclay (GBR), 3:40:32 Holly Lawrence (GBR), 3:43:38 Lisa Norden (SWE), 3:44:50 Flora Duffy (BER), 3:45:18 Jocelyn McCauley (USA), 345:35 Rebecca Clarke (NZL), 3:47:01 Kat Matthews (GBR), 3:48:34 Paula Findlay (CAN), 3:49:09   Ashleigh Gentle was eighth into T2 but moved her way through the field on the run to make up nearly seven minutes and pick up the $100,000 winners cheque at the inaugural PTO US Open.   This was another big win for the Australian, after also winning the PTO Canadian Open. In her first race since May, Taylor Knibb finished second after leading for the vast majority of the day, and Lucy Charles-Barclay was third on her continued injury return.   It was no real surprise to see Charles-Barclay dive into an immediate swim lead at the start of the two-lap, non wetsuit swim. Taylor Knibb managed to jump onto her feet and stubbornly stay there throughout the whole 2km. Charles-Barclay exited after 27:02 with Knibb just two seconds behind.   Rebecca Clarke was third out of the water and Flora Duffy exited just behind in fourth place – uncharacteristically, the Olympic and Commonwealth Games champion was over a minute down on Charles-Barclay.   Knibb lost time in transition compared to the Brit as she had to remove her swim skin, but took off at speed on the bike. Knibb more than made up for lost time on the bike. She passed Charles-Barclay within the first two kilometres of the 80km ride and never relinquished her lead.   Charles-Barclay saw a nutrition bottle fly off the back of her bike after just 20km and also slowed to a stop to adjust her problematic gears. Her next bottle also stubbornly refused to go into the rear mounted cage and ended up being stuffed down the front of her trisuit, until it too ended up on the floor. With the mercury rising, not a day for such problems.   Knibb started well but was suffering in the heat and reduced to a walk at times by half way around the 18km course. Charles-Barclay found a rhythm, but looked somewhat laboured. That was likely a combination of the conditions, her hydration problems on the bike plus of course the continued rebuilding from her injury.   By contrast, Ashleigh Gentle was running through the field at pace, passing Duffy, Norden, Findlay and Lawrence on the way. She took the lead from Knibb on the final run lap of five.     Ask a cycling coach: 'How fit can I get on a 10-mile commute to work?' Here's how to best go about mixing up your commute for maximum fitness gains A lot of cyclists ride to work. However, rather than simply being a mode of getting from home to your desk, the daily commute can form an important part of your training. My experience with athletes is that the daily commute is an undervalued and underutilised chunk of training time. So, to change that and to maximise on the many benefits of commuting by bike, let's explore some ways in which you can make the most of this time on the bike and explore how it can tell us a little about the training process at the same time. Sports scientist and coach James Spragg is one of the experts who will be answering your questions in Cycling Weekly's ASK A CYCLING COACH series which comes out every Wednesday. Working both in research and applied settings, he currently runs Intercept Performance Consultancy.   One fundamental component of training is called progressive overload. This is the notion that to continue improving, you need to keep challenging your body with new, increasingly greater stimuli. If you don't do this, you will get stuck in a training rut and simply plateau at a given level of fitness. There are three main ways through which training load can be increased:   1) Increase the overall training time - or ‘volume', as it is often referred to   2) Increase the training frequency – the amount of sessions you do per day or week   3) Increase the training intensity – how hard you ride in each ride   Your daily commute is, most likely, a fixed distance, and happens twice a day; therefore, points one and two (volume and frequency) cannot be altered. This leaves point three – intensity.   The great thing about intensity is that you can increase the stimulus without simultaneously increasing the training time. This makes it the perfect way to induce progressive overload in a ride with a fixed distance, duration and frequency.   When it comes to intensity in short rides, I am a big fan of adding sprints. Sprints are a great tool for three reasons. Firstly, they are easy to include in rides, I would be very surprised if there weren't at least a couple of sections on most commutes where it is safe and convenient to get in a few sprints.   Secondly, they don't take much time to complete, so a minor detour can always be taken to get them done. And three, they are a very flexible method of training that can be tailored to bring about ‘aerobic' or ‘anaerobic' gains; the key is to adjust the recovery.   The great thing about sprinting is that because you are always producing a maximal effort, as you get stronger and fitter, you produce more and more power and the training stimulus progresses naturally.   What's New in the 303:   Triathlon Adventure in Trinidad Like No Other and a Bang for a Finish By Bill Plock   Many triathlons end with a “bang”, but not many, maybe none end with a bang when an athlete shoots a shotgun at clay targets as a fourth discipline—after running, paddling and riding.   On September 10th near Raton New Mexico about 80 athletes trail ran, paddled kayaks and rode a treacherous 16 mile dirt road crossing the New Mexico/Colorado border ending in Trinidad Colorado.  Their “triathlon”, really a quadrathon finished by shooting clay targets. The Purgatory 4 Adventure Relay (aka Purg4) is named after the Purgatorie river, the main river running through Trinidad.   Btw, about 80 miles downstream, after a 6 mile hike, one way, you can see North America's largest dinosaur track area along this river—look up Picketwire Canyon   It's not large (yet) but the Purg4 attracts adventurous athletes from all over. Relay teams are popular making up more than half of the participants. Some teams are multigenerational with one athlete offering a skill like shooting or paddling while the other family members run or cycle.   Others are long time friends spread throughout the mid-west by life who reunite for some fun like Neal, Jake, Sunny and Eric. Friends since their college days in eastern Nebraska they came together; Neal still residing in Nebraska and the others from Amarillo, Texas. Each a “specialist” attracted to what they collectively called “something different”.   Neal happily made the nine hour trip not only to see friends and try something different but as a veteran marathon and half marathon runner, “I knew I needed some motivation to get me back into racing after being fairly dormant during Covid. This just seemed cool and a great way to see some friends and try something different, I loved it! It is motivating me to sign up for other races”.   The Purg4 starts in Lake Maloya located mostly in New Mexico in Sugarite Canyon State Park. The lake itself crosses the Colorado border. It's nestled in a thickly treed valley sitting at 7,500 feet above sea level.  Athletes run across the dam and onto trails wrapping around Little Horse Mesa gaining a few hundred feet of elevation before returning to transition. They then paddle about a mile around the lake before riding to Colorado and shooting. It's a challenging 16 mile ride over San Fransisco pass topping out at 8,500 feet and finishing at Trinidad State's Prator Gun Range for some clay target shooting. (Trinidad State has a world renown gunsmithing program by the way)   “To try something different” seemed to resonate with most contestants. But it's more than that according to race director Jared Chatterley, director of Outdoor Recreation for Trinidad, “I love the camaraderie the event creates. Between participants, between volunteers, sponsors and hosting organizations; it is awesome to how the event brings people together.”   Trinidad, a town that has seen its share of booms and busts over the last 150 years, is trying hard to utilize vast outdoor recreation assets practically within town limits. Two state parks border town. The fairly new Fisher State Park towering over town, beams with miles of trails for biking and hiking. Just to the west is Trinidad Lake State park with a huge reservoir with endless roads and trails to explore.   When asked why this race is so important to Trinidad, Jared says, “One of the goals of the city of Trinidad and the Trinidad Office of Outdoor Recreation is to make Trinidad an outdoor recreation destination. Besides developing and promoting outdoor recreation assets and programs we want to host and promote outdoor recreation signature events.  The Purgatory 4 Adventure Relay was designed to attract adventure racers to the area but also showcase the outdoor recreation opportunities Trinidad and the region have to offer.”   In recent years gravel riding has exploded in this area and on October 8th the Rad Dirt by Lifetime Fitness will kick off its second year of racing in the Spanish Peaks area with a start and stop in downtown Trinidad. Here is a good article by Becky Furuta about her experience at the Rad Dirt last year:   Here is a link to a great resource that offers many gravel routes to come explore on your own. https://visittrinidadcolorado.com/gravel-adventure/.   There is so many recreation opportunities around this area and with the lake in Trinidad State Park it seems ripe for a more traditional triathlon. When asked, Jared said, “ Currently the TOOR (Trinidad Office of Outdoor Recreation) doesn't plan to sponsor any further triathlons or adventure races but we would be very supportive of any individual or organization that would.  A triathlon that would incorporate the Trinidad Lake would be a great idea.”   With the triathlon season winding down, there are a couple of notable, somewhat different triathlons still open in the mountains of Colorado. The Black Canyon Triathlon in Montrose takes place October 1st and the Splashland Triathlon in Alamosa, finishing with a hot springs swim is October 15th.   Here is an article about the Alamosa triathlon: https://303cycling.com/a-lot-more-than-meets-the-eye-at-tri-in-alamosa-cool-tie-to-amelia-earhart-and-farm-that-built-pool/     Swim Tips Continued Last week I gave a half tip on the question we discussed last week regarding the reach, glide and catch. New Pool Schools - Dashboard (tridotpoolschool.com)   Upcoming Multisport Events in Colorado (runningintheusa.com) Upcoming Classic Runs in Colorado (runningintheusa.com)   Video of the week: Race Highlights | 2022 PTO US Open | Women's & Men's Races

durée : 00:58:33 - Une heure, un compositrice : Rebecca Clarke - par : Christophe Dilys - Rebecca Clarke (1886-1979), compositrice britannique, a été l'élève de Sir Charles Villiers Stanford et altiste, avant de passer sa vie entre Etats-Unis et Angleterre et de donner à la littérature pour alto ses lettres de noblesse.

The Carr-Petrova Duo (violist Molly Carr and pianist Anna Petrova) discuss their debut album from Melos Records, Novel Voices. Inspired by their Novel Voices Refugee Aid Project, the disc includes a world premiere by composer Fernando Arroyo Lascurain alongside beautifully rendered performances of viola/piano works and arrangements by composers Aram Khachaturian, Mieczysław Weinberg, and Rebecca Clarke.

The Boston-based Neave Trio (violinist Anna Williams; cellist Mikhail Veselov; pianist Eri Nakamura) have released a wonderful new album of music by three female composers (Amy Beach; Louise Farrenc; Rebecca Clarke) – each of them unique and absolutely essential. The trio's members join us for a conversation about the composers and music heard on the critically-acclaimed disc.

We have an actual real life guest, Rebecca Clarke join us, fresh off a 2nd at Ironman Australia over the weekend and we review St George Ironman World Champs.

Today we talk about the life of female composer and violist, Rebecca Clarke! Erin was very excited since this is the first violist we've talked about on the podcast, why has it taken us this long?? Normalize the viola! In the second half, we talk about our upcoming recitals this month and all of the anxieties surrounding our preparation. As always, stay safe and wear a mask!