Podcast appearances and mentions of Murray Perahia

durée : 01:28:41 - Murray Perahia, une nature profonde et poétique - par : Aurélie Moreau - Murray Perahia, l'un des plus grands pianistes au monde, nous dit ce qui compte pour lui : « comprendre ce que la musique signifie, devenir plus confiant à ce sujet, et m'exprimer de manière toujours plus profonde ». (Diapason).

durée : 00:09:01 - Le Bach du matin du samedi 24 mai 2025 - Commençons le week-end avec une interprétation du Concerto en la min BWV 1044 par l'Academy of Saint Martin in the Fields dirigé par Murray Perahia

durée : 00:09:01 - Le Bach du matin du samedi 24 mai 2025 - Commençons le week-end avec une interprétation du Concerto en la min BWV 1044 par l'Academy of Saint Martin in the Fields dirigé par Murray Perahia

durée : 00:06:44 - Le Bach du matin du samedi 22 mars 2025 - Commençons le week-end avec la sobriété et la pureté de jeu du pianiste Murray Perahia dans l'interprétation du Concerto pour piano et orchestre n°2 en Mi Maj de Jean-Sébastien Bach

durée : 00:06:44 - Le Bach du matin du samedi 22 mars 2025 - Commençons le week-end avec la sobriété et la pureté de jeu du pianiste Murray Perahia dans l'interprétation du Concerto pour piano et orchestre n°2 en Mi Maj de Jean-Sébastien Bach

Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLinks to recordings:Op. 7: Elly Ney - https://www.youtube.com/watch?v=WnqFt-BgcjYOp. 7 first movement: Murray Perahia - https://www.youtube.com/watch?v=9O5eq86Zcgs

Here's my Classicstoday.com review: https://www.classicstoday.com/review/built-last-murray-perahias-masterful-hammerklavier/. And here's a review I wrote comparing both Murray Perahia and Yuja Wang performing the Hammerklavier in New York on consecutive weekends in New York: https://www.classicstoday.com/tale-two-hammerklaviers/

durée : 00:07:46 - Le Bach du matin du samedi 19 octobre 2024 - Le Bach du matin met à l'honneur Murray Perahia au piano et à la direction dans le Concerto pour piano et orchestre n°1 en ré mineur BWV 1052 : Allegro.

durée : 00:07:46 - Le Bach du matin du samedi 19 octobre 2024 - Le Bach du matin met à l'honneur Murray Perahia au piano et à la direction dans le Concerto pour piano et orchestre n°1 en ré mineur BWV 1052 : Allegro.

durée : 00:18:01 - Disques de légende du vendredi 11 octobre 2024 - A partir de 1973, Murray Perahia a enregistré pour Columbia Masterworks l'intégrale des 27 Concertos pour piano de Mozart. Un véritable monument, mais qui n'a été qu'une partie de tout le travail qu'il fit avec le merveilleux Orchestre de Chambre anglais.

durée : 00:18:01 - Disques de légende du vendredi 11 octobre 2024 - A partir de 1973, Murray Perahia a enregistré pour Columbia Masterworks l'intégrale des 27 Concertos pour piano de Mozart. Un véritable monument, mais qui n'a été qu'une partie de tout le travail qu'il fit avec le merveilleux Orchestre de Chambre anglais.

Inside this Episode with host, Mitch Hampton Christoph Schülren, one of the guests to whom I was so kindly introduced by pianist Beth Levin, will be the first time on our podcast that a musician whose professional career is devoted to the art and practice of conducting has been featured.  I thought it indispensable for many reasons to feature him: musical conducting is ubiquitous in many styles of music yet is perhaps little understood or appreciated outside of the worlds of music.  I was most happy with our discussion: he is quite articulate and able to get into the details of his craft in a relatable way to a most general audience and he has quite an intriguing biography as can be gleamed from our episode. Christoph Schlüren's Biography  “Uniting the well-known with the unknown” Conductor, Music Researcher,Musical Mentor, Music Editor, Program Adviser, Chamber Music, Coach  Christoph Schlüren studied with the late Sergiu Celibidache from 1981 to 1996. Other strong influences were the composers Anders Eliasson, Pehr Henrik Nordgren, and Per Nørgård, the musicians Paul Zukofsky, Sándor Végh, Murray Perahia, Juha Kangas, and many more.  As a conductor (Symphonia Momentum, Deutsche Kammerakademie Neuss am Rhein, St Michel Strings Mikkeli) Christoph Schlüren led first performances of works by Peter Michael Hamel and Anders Eliasson. Some of the lesser established composers he particularly favors are:Heinz Tiessen, Eduard Erdmann, Anders Eliasson, Jean-Louis Florentz, Paul Büttner, John Foulds, Vittorio Giannini, Nicolas Flagello, Giorgio Federico Ghedini, Peter Mennin, Bernard Stevens, Felix Draeseke, Heinrich Kaminski, Max Butting, Reinhard Schwarz-Schilling , Heinz Schubert, Philipp Jarnach,  Emil Bohnke, Matthijs Vermeulen, Harald Sæverud, Georges Migot, Eduard Tubin, Vagn Holmboe, Douglas Lilburn, Robert Simpson, Per Nørgård, Boris Tishchenko, Ketil Hvoslef, Pehr Henrik Nordgren, Tristan Keuris, Halvor Haug, Peter Michael Hamel, John Pickard, Håkan Larsson, and Juan José Chuquisengo.  He combines their works in dramaturgically correlated programs with the established great composers. Read more about conducting He is a music researcher, author and journalist as well (Frankfurter Rundschau, Gramophone, Tempo, Fono Forum, Crescendo, Neue Musikzeitung, Bayerischer Rundfunk, Deutschland Radio, etc.) and works as main editor and researcher on the rare music scores series Repertoire Explorer. Christoph Schlüren wrote the first basic introduction into Musical Phenomenology as it was created as a universal approach to music by Sergiu Celibidache developing further on. As a program adviser he collaborates with orchestras and conductors (Bavarian Radio Symphony Orchestra, Münchner Philharmoniker, Ostrobothnian Chamber Orchestra, Arcos Orchestra, Münchener Kammerorchester, etc.; Lavard Skou Larsen, Juha Kangas, José Serebrier , Mario Venzago, Christoph Poppen, Israel Yinon, etc.), and created commissions for the Musica Viva series of the Bavarian Radio Symphony Orchestra (Anders Eliasson's Fourth Symphony, Cynthia Lee Wong, and Onute Narbutaite, as well as arranging the world première of Artur Schnabel's Third Symphony). Read more essays and evaluations Christoph Schlüren works as a musical mentor with soloists and  chamber ensembles (Rebekka  Hartmann, Ottavia Maria Maceratini, David Frühwirth, Masha Dimitrieva, Omar Rahbany, Margarita Oganesjan, etc.). Read more about mentorship Links to more about Mr. Schlüren's beautiful works  www.christophschlueren.com #classicalmusic #music #opera #bartok #germany #progrock #rock #symphony #classicalmusic #orchestra #strings #brass #woodwind #percussion #piano #concert #theatre #fritzbrun #bethlevin #mozart #whiplash #donellis #tar #cateblanchett #leonardbernstein #brunowalter #frankzappa #contemporarymusic #modernmusic #romanticism #navarrastringquartet #igorstravinsky #antonbruckner #vienna #schoenberg #webern #serialism #tonality #meoldy #harmony #rhythm #baroque #earlymusic  --- Support this podcast: https://podcasters.spotify.com/pod/show/mitch-hampton/support

Professor Patricia Wiltshire is a forensic ecologist who specialises in palynology – the study of pollen. Her expertise has led her to work with every police force in Britain and helped solve some of the country's most notorious crimes including the Soham murder case in which two young girls were killed by school caretaker Ian Huntley.Patricia was born in Cefn Fforest, a mining village in the Sirhowy Valley, north of Cardiff. She studied botany at King's College London as a mature student and later worked as an environmental archaeologist, helping to reconstruct ancient environments by analysing the pollen and other remains in the soil.In 1994 Hertfordshire police asked her to help them with a murder case. A man had been found dead in a ditch and the police had tyre tracks and a vehicle and they needed to prove that the car in question had made the tracks. Patricia's analysis of the pollen and spores found in the car helped to convict the killers and started her career as a forensic ecologist. Patricia is married to Professor David Hawksworth, a renowned mycologist, and they sometimes work on criminal investigations together. DISC ONE: Nocturnes, Op. 27: No. 2 in D-Flat Major. Composed by Frédéric Chopin and performed by Arthur Rubinstein DISC TWO: My Foolish Heart - Billy Eckstine DISC THREE: Rock Around The Clock - Bill Haley and His Comets DISC FOUR: Brandenburg Concerto No. 4 (Allegro movement) Composed by Johann Sebastian Bach and performed by Orchestra Mozart, conducted by Claudio Abbado DISC FIVE: Myfanwy - The Treorchy Male Voice Choir DISC SIX: Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": III. Allegro vivace assai. Composed by Wolfgang Amadeus Mozart and performed by Murray Perahia (piano / conductor) and English Chamber Orchestra DISC SEVEN: And I Love Her - The Beatles DISC EIGHT: Love Will Keep Us Together - Neil Sedaka BOOK CHOICE: Childrens Encyclopedia Volume Set by Arthur Mee LUXURY ITEM: A cooking pot CASTAWAY'S FAVOURITE: Nocturnes, Op. 27: No. 2 in D-Flat Major. Composed by Frédéric Chopin and performed by Arthur RubinsteinPresenter Lauren Laverne Producer Paula McGinley

durée : 01:33:24 - Relax ! du vendredi 19 avril 2024 - par : Lionel Esparza - Dans l'univers des pianistes de musique classique, Murray Perahia est la classe incarnée. - réalisé par : Olivier Guérin

This week on The Sound Kitchen you'll hear the answer to the question about French girls, maths, and the role model in a recent French film. There's The Sound Kitchen mailbag, “The Listener's Corner” with Paul Myers, a delicious dessert from Erwan Rome on “Music from Erwan”, and of course, the new quiz and bonus questions too, so click on the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook News: There's a “new and improved” Facebook page for you, the RFI English Listeners Forum. It's for everyone who reads and listens to us and wants to connect with others, so ask to join, and I'll sign you up!The RFI Listeners Club page and the RFI English Clubs page no longer exist; if you belonged to the RFI English Clubs page and not the RFI Listeners Club page, you'll need to ask to join. I promise I won't click “Decline”

Fredrich Kuhlau (1786–1832) was a Danish composer of the late Classical and early Romantic periods who wrote prodigiously for the flute.  The final movement of his Fantasie for Solo Flute in D major, "Arietta and Variations" is charming,  virtuosic, and fun! The aria "Bati, Bati"  from Mozart's opera Don Giovanni is the theme. The operatic spirit shines in this 4 minute long gem.Georg Philip Telemann, Fantaisie No. 12, performed by Karen Kevra, flute Georg Friedrich Händel, Suite No. 5 in E Major, HWV 430:  IV. Air con Variazioni "The Harmonious Blacksmith" performed by Murray Perahia, piano Franz Schubert's Theme, from the Introduction, Theme, and Variations on "Trockne Blumen", D. 802 performed by Karen Kevra, flute and Jeffrey Chappell, pianoWolfgang Amadeus Mozart, Overture from Don Giovanni, K. 527, Hans Vonk, Staatskapelle DresdenWolfgang Amadeus Mozart, Aria: "Batti, batti, o bel Masetto", Cecelia Bartoli, soprano, Wiener Kammerorchester  Friedrich Kuhlau, Fantasie for Solo Flute in D major (Op. 38, No. 1),  movement 3, "Arietta and Variations", performed by Karen Kevra, fluteSupport the show

Chillout Classic w Radiu Spin #40 Tematem jest czterdziestka. W audycji przestawiam utwory na różny sposób związany z numerem 40. Czasem to opus, czasem czterdziesta symfonia a czasem czasy lat czterdziestych, czy tempo 40. Miłego słuchania. 1. J.S. Bach - Wariacje Goldbergowskie, Aria i 1,2,3 wariacja, Andreas Schiff. 2. F. Chopin - Polonez op.40 nr 2 g-moll, Artur Rubinstein. 3. W.A. Mozart - 3 koncert fortepianowy D-dur KV 40, cz.2 Andante, Murray Perahia, English Chamber Orchestra. 4. W.A. Mozart symfonia 40 g-moll ,cz.1 Molto Allegro, Marc Minkowski, Les Musiciens du Louvre. 5. Harold Arlen - Over The Rainbow, Judy Garland 6. Leigha Harline - When You Wish Upon a Star, Cliff Edwards. 7. Max Steiner - Temat Tary z Przeminęło z wiatrem, Itzhak Perlman, John Williams, Boston Pops Orchestra. 8. Herman Hupfeld - As Time Goes By, Billy Holiday. 9. A. Dworzak - IX Symfonia e- moll, cz. 2 Largo, New York Philharmonic, Alan Gilbert.

Andreas Neubronner is a record producer and engineer who has won 8 Grammy awards. He has recorded great orchestras around the world and is known for his recordings of the Mahler Symphonies with the San Francisco Symphony Orchestra conducted by Michael Tilson Thomas, his work with Baroque and Renaissance ensembles, and piano soloists Murray Perahia and Igor Levit.Andreas begins Part 1 talking about how he first came to work with Michael Tilson Thomas in London and his recordings of the Mahler cycle with the San Francisco Symphony. Using those sessions, Andreas gives an overview of how recordings are made, from the initial shipping of equipment and set-up, how live concerts are recorded, what a patch session is and how they're run (...and how much money each minute of the session costs!) Andreas also mentions some background of recording tech specifics, including how the human mind perceives stereo sound (and the difficulty of implementing 5.1 surround sound in an orchestral setting.) We end Part 1 with a discussion of Baroque music, and how performance practice has changed over the last 30-40 years.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Israeli pianist Eden Agranat Meged is a full ABRSM Scholarship student at the Royal Academy of Music, London, in the class of Ian Fountain. He started his piano studies in Jerusalem with Anat Paul at the Hasadna Conservatory and continued with Adela Umansky, at the Kfar-Saba Conservatory.  Eden won the first prizes in the Lillian Davis Piano Competition, London, the Harriet Cohen Bach Competition, London, and the Pnina Salzman Piano Competitions, Israel. He won the 3rd prize in the Beethoven Piano Society of Europe Competition. He receives the AICF – American Israel Culture Foundation Scholarships and the Zfunot Culture Scholarships.Murray Perahia has been a central mentor for Eden, guiding Eden at the selective JMC Excellence Piano Program. Eden was privileged to play in many masterclasses with world-renowned pianists: Imogen Cooper, Emanuel Ax, Menachem Presler, Tatiana Zelikman, Craig Shepard, Joseph Kalichstein, Victor Rosenbaum, Jerome Leventhal, Boris Slutzky, Matti Raekallio, Jonathan Biss, Boris Berman, Pascal Devoyon, Steven Osborne, Colin Stone, Claudio Martinez, Golda Vainberg Tatz, Krzystof Jablonski, Jay PengjieSun, Meng Chieh Liu, Chen Sa, Kum Sing Lee,  Xiaohan Wang, David Moroz, Haesun Paik, John Perry, Jeremy Denk, Peter Frankl, Ilana Vered, Sonia Rubinsky, Arie Vardi, Tomer Lev, Emanuel Krasovsky, Ron Regev and Asaf Zohar.Eden participated in international festivals: Morningside Music Bridge at the New England Conservatory, the International Summer Academy Cervo, International Holland Music Sessions and Tel-Hai International Program. Eden was invited to the prestigious HenleVerlag Masterclasses celebrating Beethoven's 250th anniversary in Munich.  Eden received training in the Taubman Approach with Robert Durso and the Golandsky Institute.  Eden performed as a soloist with orchestras: the Jerusalem Symphony Orchestra, Haifa Symphony Orchestra, Israel Stage Orchestra and the Ashdod Symphony Orchestra. Eden Performed in Israel's major venues, radio broadcasted concerts and performed outside his home country in the United Kingdom, Italy, the Netherlands, Switzerland and the United States.The Golandsky Institute's mission is to provide cutting-edge instruction to pianists based on the groundbreaking work of Dorothy Taubman. This knowledge can help them overcome technical and musical challenges, cure and prevent playing-related injuries, and lead them to achieve their highest level of artistic excellence.Please visit our website at: www.golandskyinstitute.org.

This week on The Sound Kitchen you'll hear the answer to the question about the French D-Day veteran. There's information on The Sound Kitchen listener essay contests, the “Listeners Corner”, and lots of good music.  All that, and the new quiz question, too, so click on the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your musical requests, so get them in! Send your musical requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!Be sure you check out our wonderful podcasts!In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts which will leave you hungry for more.There's Paris Perspective, Spotlight on France, and of course, The Sound Kitchen. We have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too.As you see, sound is still quite present in the RFI English service. Keep checking our website for updates on the latest from our staff of journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers, take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr Martin Luther King, Jr, too. They are also a good way to help you improve your English - that's how I worked on my French, reading books which were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!And don't forget, there is a Facebook page just for you, the independent RFI English Clubs. Only members of RFI English Clubs can belong to this group page, so when you apply to join, be sure you include the name of your RFI Club and your membership number. Everyone can look at it, but only members of the group can post on it. If you haven't yet asked to join the group, and you are a member of an independent, officially recognized RFI English club, go to the Facebook link above, and fill out the questionnaire !!!!! (if you do not answer the questions, I click “decline”).There's a Facebook page for members of the general RFI Listeners Club too. Just click on the link and fill out the questionnaire, and you can connect with your fellow Club members around the world. Be sure you include your RFI Listeners Club membership number (most of them begin with an A, followed by a number) in the questionnaire, or I will have to click “Decline”, which I don't like to do!This week's quiz: On 10 June, I asked you a French history question - that week, French President Emmanuel Macron was on a two-day visit to Normandy.  He went to the incredibly gorgeous architectural jewel, the abbey Mont-St-Michel, which is celebrating its 1000th birthday this year. The first stone was laid in 923.Then he went to Colleville-Montgomery – the site of the D-Day landings 79 years ago, which was the turning point in World War Two. At Colleville-Montgomery, Macron met a soldier … and you were to send in the answer to these three questions: what is the soldier's name, how old is he, and what is the name of the regiment in which he served? The answer is: The gentleman's name is 100-year-old Léon Gautier. He was the last living Frenchman to have taken part in the D-Day landings – one of the 177 Frenchmen who landed on 6 June 1944, as part of the Kieffer Commando Unit, alongside 132 thousand Allied Forces.  Sadly, Léon Gautier died just this past Monday, 3 July. Rest in peace, Monsieur Gautier. In addition to the quiz question, there was the bonus question: “If you have a summer vacation, where would you like to go?” The question was suggested by Saleem Akhtar Chadhar, who's the president of the RFI Seven Stars Radio Listeners Club in District Chiniot, Pakistan.The winners are: RFI English listener Waheed Nobi from Rangpur, Bangladesh. Waheed is also the winner of this week's bonus question. Congratulations, Waheed!There's also Jobayada Aktar Jai, a member of the Nilshagor RFI Fan Club in Nilphamari, Bangladesh; RFI Listeners Club members Kashif Khalil from Faisalabad, Pakistan as well as Sunil Dhungana from Coimbra, Portugal. Rounding out the list this week is RFI English listener Babby Noor al Haya Hussen, from Odisha, India.Congratulations winners!Here's the music you heard on this week's programme: The "Allegro vivace" from the Fantasy in f minor for piano four hands, D.940 by Franz Schubert, performed by Murray Perahia and Radu Lupu; Gregorian chant; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy performed by the composer, and “Bakhta” by Kouider Berkane and Abdelkader Elkhaldi, performed by the Algerian National Symphony Orchestra, conducted by Zahia Ziouani.Do you have a musical request? Send it to thesoundkitchen@rfi.fr This week's question ... you must listen to the show to participate. After you've listened to the show, re-read Paul Myers' article: “Strawberries and cream, grass and whites... where else but Wimbledon?” to help you with the answer.You have until 4 September to enter this week's quiz; the winners will be announced on the 9 September podcast. When you enter, be sure you send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceorBy text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number.To find out how you can win a special Sound Kitchen prize, click here.To find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club, click here.  

Confira, uma conversa informal com o casal André Kerver e sua esposa brasileira Galileia Mendes

Synopsis On today's date in 1784, in the city of Vienna, Wolfgang Mozart finished one bit of work and started another—which he would continue until the end of his life. After Mozart put the finishing touches to his Piano Concerto No. 14 in E flat, he entered this work as the first item in a ledger, which he titled, "A List of all my works from the month of February, 1784 to the month of..." Mozart then left a blank space on his title page for the concluding month and wrote just the number "1" in the space left for the concluding year of his catalog—with the reasonable expectation that he would live long enough to see the turn of the new century. He then signed his title page: "Wolfgang Amadé Mozart by my own hand." On the catalog's unruled left-hand pages Mozart wrote the date and description of his subsequent works, and occasionally, in the case of his operas and vocal pieces, the names of the singers who premiered them. The right-hand side of the page was lined with music staves, and here Mozart would write the opening measure of each piece. The very last entry in Mozart's ledger book is dated November 15, 1791, just one month before his death. This final entry notes the completion of a cantata written for Vienna's "New-Crowned Hope" Masonic Lodge. Music Played in Today's Program Wolfgang Mozart (1756-1791) Piano Concerto No. 14, K. 415 Murray Perahia, piano and conductor.; English Chamber Orchestra CBS/Sony 415 Freemason Cantata, K. 623 Boston Early Music Festival; Andrew Parrott, conductor. Denon 9152

durée : 00:24:23 - Disques de légende du lundi 05 décembre 2022 - Murray Perahia, grand interprète au clavecin des Suites de danse de J.S Bach il y a quelques années, retrouve avec ces Partitas une belle sonorité lyrique, quelque chose de plus directement pianistique, en dessous des enchaînements polyphoniques et harmoniques de surface.

In this episode, we look at the soundtrack of the 1995 movie of Sense and Sensibility by Patrick Doyle. We explore the themes used for the sisters contrasting both a classical style with emotional impactful moments and how their journey is told throughout. “Orchard House (Main Title)” - Little Women: Original Motion Picture Soundtrack by Thomas Newman, 1994 “My Father's Favorite” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “Concerto in F Major for Piano and Orchestra, K 413: II Larghetto” - Mozart: The Piano Concertos, music by Wolfgang Amadeus Mozart, performed by Murray Perahia and the English Chamber Orchestra, 2006 “Quintet No. 1 for Guitar and Strings in D minor G. 445” - Boccherini: the Guitar Quintets, music by Luigi Boccherini, performed by Pepe Romero and Academy of St. Martin in the Fields, 1993 “A Particular Sum” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “My Father's Favourite (From “Sense and Sensibility”)” - The Music of Patrick Doyle: Solo Piano, music by Patrick Doyle, 2015 “All the Delights of the Season” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “Third and Last Book of Songes, No. XV.  Weep you no more, sad fountains” - Dowland: The Collected Works, music by John Dowland, performed by Consort of Music, Anthony Rooley & Dame Emma Kirkby, 1978 “Weep You No More Sad Fountains” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, performed by Jane Eaglen, 1995 “All the Better for Her” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “Patience” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “To Die for Love” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “The Dreame” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, performed by Jane Eaglen, 1995 “Devonshire” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “Grant Me An Interview” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “Leaving London” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995

从2019年5月到现在，《和平精英》已经走过了3个年头。而3周年之际，《和平精英》带来了太多让玩家甚至泛大众耳目一新的尝试。吴京队长回归、数字代言人吉利亮相央视、主播玩家微综艺派对……而这次更令人惊讶的是，游戏的卡通角色IP——“光子鸡小队”也正式亮相。1个硬核的战术竞技游戏与4只小萌星之间会擦出什么样的火花？今天，我们邀请到了《和平精英》光子工作室群市场总监Leo、《和平精英》IP文创负责人Lucia参加本次电台，从光子鸡的3周年亮相到各具特色形象设计，以及光子鸡角色的价值，来和大家讲讲这个IP诞生背后的精彩故事。 参与人： Leo、Lucia、FJ、小乌贼歌单：IV. Allegro assai (Symphony No.40 in G minor, K.550) - Scottish Chamber Orchestra&Sir Charles Mackerras&Wolfgang Amadeus MozartII. Vivace (Mazurkas op. 33 B. 115) - Murray Perahia

durée : 00:58:50 - Murray Perahia, la maîtrise et la profondeur - par : Aurélie Moreau - Pour Murray Perahia, « Le danger, avec Bach, est d'être trop rigide, trop attaché au texte pour le laisser s'épanouir. » Son piano s'exprime aussi avec grâce et liberté dans Mozart qu'il dirige du clavier, ou dans Chopin et Schumann.

Singend hochseriös: Murray Perahia zählt zu den größten Pianisten unserer Zeit. Seine Karriere war nicht ohne Hürden, doch er ist an ihnen gewachsen. Nun wird er 75.

We are hosting the 67th Kosciusko Piano Competition! Over the years, many outstanding musicians have been associated with the competition, including Van Cliburn, Ian Hobson, Murray Perahia, Myung-shun Chung, Kevin Kenner, and Kirill Getstein. The Competition was held February 25-27. The convergence of these talented artists playing in our contemplative church with its wonderful acoustic properties provided an exciting and memorable experience. These semifinal and final performances, and more, are still available to be seen virtually via YouTube at http://stanndc.org/music

Mozart Beethoven y Mas presents pianist Murray Perahia performing Mozart's Piano Concerto #23

Not only just a review of the 2021 Leeds International Piano Competition, but also a wider examination of the issues brought up by competition in music, the role of music in communities, interviews with some of my favourite competitors including the winner Alim Beisembayev, audio clips from the unofficially linked Leeds Pub Piano Competition event, discussion with the competitors about how they deal with the nerves and pressures of competitions, and much more! Notes: Thank you to the pianists who gave me their valuable time for interviews: Alim Beisembayev Ariel Lanyi Yuzhang Li Elizaveta Kliuchereva Priscilla Navarro Thanks to creative producers Dave Cartwright & Sam Berrill for giving me their valuable time for the interview after the competition, and thanks to Clare Teal for the interview in the interval of the Leeds Pub Piano Competition Thanks and apologies if I interviewed you and there wasn't room in this podcast episode to include it- and I will try to upload the full interviews with the pianists in the coming weeks Thank you to the competition organisers and staff for their generosity, time and help! Intro-outro music for this episode is Alim Beisembayev playing Beethoven Sonata  Op .111 in the second round Links: The website of the Leeds International Piano Competition: https://www.leedspiano.com/ Medici TV's webpage for their coverage of all the events from The Leeds where you can catch up with all the performances: https://leedspiano.medici.tv/en/ Medici's YouTube channel where you can also watch all the performances and coverage: https://www.youtube.com/user/medicitv Transcript: Here's the script I wrote myself to read from which I mostly managed to keep to, although I did go a bit 'off script' at times! Hello and welcome to the heart of the piano podcast where we are exploring the world of piano. In this episode, I'll be bringing you my experience of the 2021 Leeds International Piano Competition, known informally as ‘The Leeds', and exploring some of the wider issues that competition in music brings up. Some of my favourite pianists have been finalists of The Leeds in past years, and in fact the competition was one of the main factors in launching the careers of famous names such as: Murray Perahia, Radu Lupu, Andras Schiff, Mitsuko Uchida, Dmitri Alexeev, Ilya Itin, Artur Pizarro, Kathryn Stott, Noriko Ogawa, Louis Lortie, Boris Berezovsky, Vladimir Ovchinnikov, and many more household names in the world of classical pianists. It seems to come as a huge shock to most people in Leeds that there is a regular local event happening every 3 years that is regarded as one of the most important events in the international world of professional piano- but don't just take my word for it- during the competition I asked some of the competitors why they had entered The Leeds- this is what Alim Beisembayev said who went on to become the winner: Clip And Elizaveta Kliuchereva who was in the semifinals: Clip And Ariel Lanyi who was the 3rd prize winner: Clip And semifinalist Priscilla Navarro: Clip A topic that's bound to come up in a review of a major music competition is about the controversy of whether musicians should take part in competitions and about whether we should take them seriously. There are plenty of people who very rigidly think that competitions for musicians are a very bad thing to be avoided. I personally think they can be a useful challenge for musicians, as long as the challenge is how to be deeply musical under pressure rather than get caught up in being too serious about competition and ego- this is a skill all professional musicians need to learn at some point or another! Ultimately, we can't really say that one amazing musician is better than another one- and personal subjective taste is going to vary enormously. I enjoyed chatting to people sitting near to me at every stage of the competiti...

Elias and I talk about a few of the great performing pianists. Part 2 we discuss modern and currently performing pianists. https://www.eapettersson.com/ Here is a list of pianists we discuss and think you should listen to: Alfred Brendel (b. 1931) Vladimir Ashkenazy (b. 1937) Martha Argerich (b. 1941) Maurizio Pollini (b. 1942) Nelson Freire (b. 1944) Ursula Oppens (b. 1944) Maria João Pires (b. 1944) Radu Lupu (b. 1945) Murray Perahia (b. 1947) Mitsuko Uchida (b. 1948) *Håkon Austbø (b. 1948) Grigory Sokolov (b. 1950) Santiago Rodriguez (b. 1952) András Schiff (b. 1953) Krystian Zimerman (b. 1956) *Dang Thai Son (b. 1958) Yefim Bronfman (b. 1958) *Sara Davis Beuchner (b. 1959) *Stephen Prutsman (b. 1960) *Paul Stewart (b. 1960) *Sergei Babayan (b. 1961) Casadesus (1st), Hamamatsu (1st), Scottish (1st), Busoni (3rd), Honens (4th) Stephen Hough (b. 1961) Jean-Yves Thibaudet (b. 1961) *Frederic Chiu (b. 1964) *Pavel Nersessian (b. 1964) *Alexander Korsantia (b. 1965) Sydney (1st) Rubinstein (1st) Leif Ove Andsnes (b. 1970) *Stanislav Ioudenitch (b. 1971) Evgeny Kissin (b. 1971) Arcadi Volodos (b. 1972) Nikolai Lugansky (b. 1972) Simone Dinnerstein (b. 1972) Valentina Lisitsa (b. 1973) *Antonio Pompa-Baldi (b. 1974) Long-Thibaud (3rd), Cleveland (1st), Cliburn (2nd) Ning An (b. 1976) *Roberto Plano (b. 1978) American Prize, Cleveland (1st), Cliburn (finalist) *Andrius Žlabys (b. 1978) “There is no better time to do the best work of your life than right now” Spencer Myer (b. 1978/9) Sa Chen (b. 1979) Alexander Kobrin (b. 1980) Alexandre Moutouzkine (b. 1980) Yundi Li (b. 1982) Lang Lang (b. 1982) *Boris Giltburg (b. 1984) (Beethoven Sonatas) Santander (2nd=1st), Queen Elisabeth (1st), Rubinstein (2nd) Evgheny Bozhanov (b. 1984) Cliburn (finalist), Queen Elisabeth (2nd), Chopin (4th-refused) Ingolf Wunder (b. 1985) *Rafał Blechacz (b. 1985) Chopin (1st) *Yeol Eum Son (b. 1986) Tchaikovsky (2nd) Vadym Kholodenko (b. 1986) *Vitaly Pisarenko (b. 1987) Liszt (1st), Leeds (3rd) Adam Golka (b. 1987) Yuja Wang (b. 1987) *Sean Chen (b. 1988) American Prize, Cliburn (3rd) *Yekwon Sunwoo (b. 1989) Sendai (1st), Cliburn (1st) *Charles-Richard Hamelin (b. 1989) Seoul (3rd), Montréal (2nd), Chopin (2nd) *Haochen Zhang (b. 1990) China Piano Competition (1st) Avery Fisher Grant, Cliburn (1st) *Claire Huangci (b. 1990) ARD Munich (2nd), Geza Anda (1st) *Lukas Geniušas (b. 1990) Bachauer (1st), Scottish (2nd), Chopin (2nd), Tchaikovsky (2nd) *Daniil Trifonov (b. 1991) Chopin (3rd), Rubinstein (1st), Tchaikovsky (1st) (also composer) *Kenny Broberg (b. 1993) Cliburn (2nd), Tchaikovsky (3rd), American Prize *Beatrice Rana (b. 1993) Montréal (1st), Cliburn (2nd) *Seong-Jin Cho (b. 1994) Hamamatsu (1st), Tchaikovsky (3rd), Rubinstein (3rd), Chopin (1st), DAEWON Music Awards *Kate Liu (b. 1994) NY International (1st), Hilton Head (6th), Montréal (finalist), Chopin (3rd) *Do-Hyun Kim (b. 1994) Gilmore Fellow, Vendome (2nd), Young Concert Artist Auditions (1st) Drew Peterson (b. 1994) American Prize, Avery Fisher Grant,  *Syzmon Nehring (b. 1995) Rubinstein (1st) *Eric Lu (b. 1997) Minnesota E-Comp. (1st), Chopin (4th), German Piano Award (1st), Leeds (1st) Tony Yike Yang (b. 1998) Chopin (5th-age of 16!) *Alexander Malofeev (b. 2001) China (1st), winner of youth competitions…career exploded (a la Kissin)

Espacio dedicado a destacado solistas instrumentales nacionales e internacionales.  Con la producción de Carolina Valdés.  Jueves a partir de las 12:00 hrs. En 95.1 FM y www.radioudec.cl

Jess Gillam is joined by conductor Ryan Bancroft to share the music they love, with music by Debussy, Aruna Sairam, Caroline Shaw, Joby Talbot and Massive Attack plus a warm hug from Beethoven. Playlist: Debussy - Prelude a l'apres-midi d'un faune (Orchestra National de la RTF, Constantin Silvestri) Joby Talbot - Once around the sun; January - A Yellow Disc Rising from the Sea Aruna Sairam – Tillana, Kalinga Nardhanam Massive Attack - Unfinished Sympathy Leos Janacek – Taras Bulba; 1. The Death of Andri (Vienna Philharmonic, Sir Charles Mackerras) Nina Simone – Strange Fruit Caroline Shaw – Entr’acte (Attacca Quartet) Beethoven - Emperor Piano Concerto no.5; II. adagio (Murray Perahia, Royal Concertgebouw Orchestra, Bernard Haitink)

durée : 01:57:32 - En pistes ! du lundi 21 décembre 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme, des rééditions avec deux coffrets dont l'un réunit les œuvres orchestrales de Charles Ives sous la baguette de Michael Tilson Thomas et l'autre les enregistrements Schubert et Brahms du pianiste Murray Perahia. A retrouver aussi, un opéra de Michel-Richard de Lalande... - réalisé par : Charlotte Thoreau La Salle

Ameerika pianist Murray Perahia on hinnatud Beethoveni interpreet, kes on salvestanud kõik Beethoveni 32 klaverisonaati. Sellel albumil on neist kaks: Haamerklaveri ja Kuupaiste sonaat.

Ameerika pianist Murray Perahia on hinnatud Beethoveni interpreet, kes on salvestanud kõik Beethoveni 32 klaverisonaati. Sellel albumil on neist kaks: Haamerklaveri ja Kuupaiste sonaat.

"Un volume tous les deux ans ? Si c'est une intégrale, ce que j'espère, elle va piano. Le premier volume, piochant dans les concertos ultimes (No. 25 et No. 26) m'avait poursuivi longtemps par sa poésie sereine, ses phrasés inventifs, ses attentions, le nouveau me replonge dans ce paradis de belcanto où Francesco Piemontesi tisse son clavier dans l'orchestre de sérénade des Ecossais. Le 19e déploie son solaire fa majeur dans une musique de chambre enjouée, qui se suspend parfois lorsque le piano reprend son petit motif interrogatif dans l'Allegro. Cette légèreté heureuse, emplie d'un fin soleil, je ne l'avais plus trouvé ici depuis Murray Perahia, c'est dire ! Et le 27e ? Il est si méprisé, on le prend pour un recul après les élans des précédents, quelle erreur ! Francesco Piemontesi sait bien que Mozart y est absolument libre, renouant avec une veine lyrique où passe comme une nostalgie qui sourirait. Concerto sur la corde, concerto des équilibres instables qui veut un piano tout en lumière pour mieux faire surgir les ombres, on l'a ici, tout chante dans des respirations poétiques, l'orchestre lui-même fait une sérénade un rien nocturne, et l'émotion vous gagne. Il faudra vraiment encore attendre deux années avant que ce magnifique attelage revienne peindre les paysages d'autres Köchel ?" (Linn)

De Beethovenweek van Aukelien van Hoytema. c1. Sonate no 10 in G op.14/2 Paul Lewis-piano 2. Pianoconcert no 1 in C op.15 Murray Perahia-piano; Koninklijk Concertgebouw orkest; Bernard Haitink.

durée : 01:58:33 - Relax ! du lundi 21 septembre 2020 - par : Lionel Esparza - Nous dressons cette semaine le portrait des quatre chefs d'orchestre les plus redoutés de l'histoire : Fritz Reiner, Otto Klemperer, George Szell... et Arturo Toscanini, célèbre pour ses accès de colère. Et notre légende du jour est la version des Suites anglaises de Bach par Murray Perahia. - réalisé par : Antoine Courtin

durée : 00:14:31 - Disques de légende du lundi 21 septembre 2020 - Le retour à la vie de Murray Perahia ! Le pianiste américain enregistre en 1997 et 1998 les six Suites anglaises de Jean-Sébastien Bach, pour le label Sony.

Pedro Segundo, just what the corona doctor ordered. Killer percussionist, drummer, beautiful soul, Pedro treated us to magnificent sounds, gentle humility, and a heartfelt message about human connection through music. From classical to jazz, Pedro studied, honoring his gifted craft with the passion and unique vision he presents through it. Ever since seeing Pedro at NAMM, I’ve been obsessed. I couldn’t take my eyes or ears off him. Pedro is the embodiment of dynamism. Equally, at home behind 18th-century-style kettle drums and a five-piece drum kit, Pedro makes every object he touches a channel for his incredible musical energy. Pedro’s been the house drummer for Ronnie Scott’s Jazz Club for the past 10 yrs. He’s toured Europe, North America, and the Far East with Dennis Rollins Academy of Saint Martin in the Fields, as guest timpanist with Sir Neville Marriner, Murray Perahia, and Joshua Bell and more recently with his own Solo Segundo, Dennis Rollins’ Velocity Trio, Judith Owen, and his Hammond Organ and Drums duo with Ross Stanley. We talked Judith, Harry Shearer, Lee Sklar, Marcus Eaton, his early days in his native Portugal with his talented pianist/vocalist, sister, their supportive parents, studying there, and then in London. Making his way to America, falling in love, and manifesting his childhood dream. Pedro's music can be found here: https://spoti.fi/3aIsrwc & http://www.pedrosegundo.com/ Grateful for a soulfilling hour of gentle gifts. This GC 's & Pedro's closing tune are dedicated to Flo Lawrence, another beautiful soul who left us this day. Pedro Segundo on Game Changers With Vicki Abelson Wed, 8/19/20, Live @5pm PT Live on The Facebook Replay here: https://bit.ly/3aEC4fD All BROADcasts, as podcasts, also available on iTunes apple.co/2dj8ld3 Soundcloud http://bit.ly/2hktWoS Stitcher bit.ly/2h3R1fl tunein bit.ly/2gGeItj YouTube https://bit.ly/31aIvny Thanks to Rick Smolke of Quik Impressions, the best printers, printing, the best people people-ing. quikimpressions.com Nicole Venables of Ruby Begonia Hair Studio Beauty and Products, for tresses like the stars she coifs, and regular peoples, like me. I love my hair, and I loves Nicole. http://www.rubybegoniahairstudio.com/ Blue Microphones and Kevin Walt And, Peter And Paul Cartoons.

Vandaag Beethovens Pianoconcerten deel IIb: Opus 37 en 73; WoO 6; Hess 65.   1. Pianoconcert nr. 5 in Es (“Keizer”) op. 73 Murray Perahia, piano; Koninklijk Concertgebouworkest; Bernard Haitink. 2. Rondo in Bes voor piano en orkest, WoO 6 (fragment, mogelijk bedoeld als (eerste versie van het) derde deel van het 2de pianoconcert) Ronald […]

This is an interview with pianist/composer/arranger Brad Mehldau. Our conversation on May 12, 2020 spanned many diverse topics from what he is reading at the moment, what he keeps on his piano, when and how he practices, the connection between bebop and Bach, his favorite video game and more. Bach's Table of Ornaments: http://www.pennuto.com/music/jsb_ornm.htm Hear the music mentioned (in the order we mention it) here: https://open.spotify.com/playlist/5iP9EMbyCBoB6hEyK5waK4?si=ukZQ0wy2T62vjGImM_Okfw Read the literature from our discussion here: Book of Jeremiah: (New American Bible translation) http://www.vatican.va/archive/ENG0839/__PPE.HTM The Upanishads: https://en.wikipedia.org/wiki/Upanishads Doctor Faustus by Thomas Mann: https://en.wikipedia.org/wiki/Doctor_Faustus_(novel) Rilke, Letters to a Young Poet: https://en.wikipedia.org/wiki/Letters_to_a_Young_Poet George Bernard Shaw music criticism: https://www.abebooks.com/Shaws-Music-Complete-Musical-Criticism-Bernard/30253564275/bd Brad's favorite video game: https://en.wikipedia.org/wiki/Millipede_(video_game) Musicians/Bands mentioned (Alphabetically): Bach, Bartók, Beethoven, Brahms, Jon Brion, Wendy Carlos, Chopin, John Coltrane, Critters Buggin', Nick Drake, Fauré, Gershwin, Glenn Gould, Rodgers and Hammerstein, Haydn, Fred Hersch, Wynton Kelly, Jacques Loussier, Jerome Lowenthal, Lightning Bolt, Mahler, Mendelssohn, Mozart, Willie Nelson, Phineas Newborn, Emerson Lake and Palmer, Charlie Parker, Murray Perahia, Oscar Peterson, András Schiff, Schubert, Schumann, Wayne Shorter, Nina Simone, Art Tatum, Tom Waits, Ween.  -- Follow Evan on Instagram for interactive content: www.instagram.com/WTFBach Support us: https://www.patreon.com/wtfbach https://www.paypal.me/wtfbach https://venmo.com/wtfbach https://cash.app/$wtfbach   Suggestions? Want to sponsor an episode? Write us: bach@wtfbach.com

In the first of a number of out-of-band episodes that we're planning to release in the coming weeks, we talk with pianist Angela Hewitt, best known for her extraordinary recordings of all of Bach's keyboard works. Guest: Angela Hewitt (https://angelahewitt.com) Angela Hewitt on Twitter (https://twitter.com/HewittJSB) Angela Hewitt on Hyperion Records (https://www.hyperion-records.co.uk/a.asp?a=A542) The Angela Hewitt Bach Playlist (https://music.apple.com/us/album/bach-the-angela-hewitt-bach-playlist/1239803435) an Apple Music The Angela Hewitt Baroque Playlist (https://music.apple.com/us/album/the-angela-hewitt-baroque-playlist/1239804618) on Apple Music Show notes: Led by the hand (https://www.theguardian.com/friday_review/story/0,3605,374438,00.html) (article about Murray Perahia's thumb injury) Virtuoso mourns beloved £150,000 piano smashed by movers (https://www.theguardian.com/music/2020/feb/11/virtuoso-mourns-beloved-150000-piano-smashed-by-movers) Fazioli pianos (https://www.fazioli.com/en) A Late Quartet (https://www.imdb.com/title/tt1226240/) Our next tracks: Bob Dylan: Murder Most Foul (YouTube) (https://www.youtube.com/watch?v=3NbQkyvbw18) Ella Fitzgerald and Oscar Peterson: Ella And Oscar (https://amzn.to/3bFeVsy) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast. Special Guest: Angela Hewitt.

Mooi, ouderwets woord; mijmeren. Ergens tussen dagdromen en denken in. Mijmeren doe ik graag, en redelijk veel muziek van Bach nodigt mij uit tot mijmeren. Zoals deze Allemande uit de Vierde Partita – een schier eindeloze melodie. Johann Sebastian Bach Partita nr.4, BWV.828; II. Allemande Murray Perahia, piano Sony Classical 88843036822 9’20’’

durée : 00:58:39 - Délicatesse et précision, le Beethoven de Murray Perahia - par : Aurélie Moreau - “Si tu veux être autre chose qu’un simple virtuose, tu dois d’abord être un virtuose”, c’était le conseil de Vladimir Horowitz à Murray Perahia qui a enregistré tout en majesté et en sobriété les cinq Concertos de Beethoven avec l'Orchestre du Concertgebouw d’Amsterdam dirigé par Bernard Haitink. - réalisé par : Bruno Riou-Maillard

Francis Poulenc werd in 1932 gevraagd om een korte, muzikale bijdrage aan een tijdschrift. Opdracht: schrijf muziek rond Bach. Het is kleine muziek, spits, schalks, en geheel Poulenc en toch ook een beetje Bach. Doe eens gek: als Bach gevraagd zou zijn om een kleine ode aan Poulenc te schrijven…? Francis Poulenc, Valse-Improvisation sur le nom de Bach, Pascal Roge (piano) Johann Sebastian Bach, Suite, BWV.816 ‘Franse Suite nr.5’; dl.2 Courante, Murray Perahia (piano)

durée : 01:59:01 - Relax ! du lundi 23 décembre 2019 - par : Lionel Esparza - Aujourd'hui, portrait de la chanteuse Margaret Price, un livre entier pour un clavecin, "Le Couchet", et le plus beau concerto de Mozart en disque de légende ! - réalisé par : Vivian Lecuivre

durée : 00:15:50 - Disques de légende du lundi 23 décembre 2019 - Le célébrissime 21e Concerto pour piano de Mozart a été enregistré en 1976 par Murray Perahia au cœur d'une intégrale qui a fait date.

durée : 00:21:02 - Disques de légende du jeudi 19 septembre 2019 - Cette version mémorable de la Fantaisie en fa mineur de Schubert a été enregistré lors d'une série de concerts donnés par les pianistes Radu Lupu et Murray Perahia en juin 1984 à Snape Maltings au Royaume Uni.

durée : 01:59:14 - Relax ! du jeudi 19 septembre 2019 - par : Lionel Esparza - Au programme un portrait de la soprano Gundula Janowitz, dans la rubrique 'Disques de légende' à 16h les pianistes Murray Perahia et Radu Lupu jouent la Fantaisie de Schubert, et enfin nous nous intéresserons au musicologue Remo Giazotto, véritable auteur du célèbre Adagio d'Albinoni... - réalisé par : Antoine Courtin

Another chance to hear Monica Grady, Professor of Planetary and Space Sciences at the Open University, interviewed by Kirsty Young in July 2015. Well-known in scientific circles, at NASA and the European Space Agency, she came to the attention of the general public with her enthusiastic celebration when, as part of the Rosetta project, the probe Philae became the first-ever spacecraft to land on a comet - 67P - in November 2014. The spacecraft had taken ten years to journey through space and a decade was spent on the preparations. She was born in 1958 in Leeds as the eldest of eight children. She studied chemistry and geology at Durham University and did her PhD on carbon in meteorites at Cambridge, where she worked closely with Professor Colin Pillinger on the Beagle 2 project to Mars. She first worked at the OU in 1983 before joining the Department of Mineralogy of the Natural History Museum, becoming Head of the Meteorites and Cosmic Mineralogy Division. She is married to Professor Ian Wright who is one of the lead scientists on the Rosetta cometary mission and they have one son. She was awarded a CBE in 2012 for services to space sciences and asteroid (4731) was named "Monicagrady" in her honour. DISC ONE: Meat Loaf - Bat out of Hell DISC TWO: Gilbert & Sullivan - When the Foeman Bares His Steel from The Pirates of Penzance, conducted by Isidore Godfrey, played by the Royal Philharmonic Orchestra, sung by the D’Oyly Carte Opera Chorus DISC THREE: Brahms’ St Anthony Chorale – played by Murray Perahia & Georg Solti DISC FOUR: Simon & Garfunkel - Bridge Over Troubled Water DISC FIVE: Ultravox - Vienna DISC SIX: Fanfare for the Open University from Leonard Salzedo’s Divertimento, played by Philip Jones Brass Ensemble DISC SEVEN: The Agnes Dei from Karl Jenkin’s The Armed Man, sung by the National Youth Choir of Great Britain, played by the London Philharmonic Orchestra DISC EIGHT: Smetana‘s Ma Vlast (My Homeland) played by the Czech Philharmonic Orchestra, conducted by Vaclav Talich Producer: Cathy Drysdale.

The Leeds International Piano Competition is one of the top 3 most important and prestigious piano competitions in the world, with previous finalists such as Murray Perahia, Mitsuko Uchida, András Schiff... and dozens more names that anybody familiar with classical pianists will recognise instantly as being in the top row of the best, most important, [...]

Wolfgang Amadeus Mozart: You might well have heard of Mozart – but did you know he had a really rude sense of humour? Or that he owned a pet starling? In the first episode, David meets one of the most famous composers of all time… and has a bit of a run in with a music professor. Each episode is also accompanied by a playlist in Apple Music – you can find those here: https://itunes.apple.com/gb/curator/classic-fm/1211395150 Music from: Mozart: The Magic Flute – Bayerischen Staatsoper/Wolfgang Sawallisch (Warner); Mozart: The Marriage of Figaro – Collegium Vocale Gent, Concerto Köln/René Jacobs (Harmonia Mundi); Mozart: Symphony No.41 ‘Jupiter’ – Academy of St. Martin in the Fields/Neville Marriner (Warner); Mozart: Piano Concerto No.21 – Murray Perahia, English Chamber Orchestra (Sony); Mozart: Clarinet Concerto – Martin Fröst, Amsterdam Sinfonietta/Peter Oundjian (BIS); Mozart: Eine kleine nachtmusik – Camerata Nordica/Terje Tønnesen (BIS); Mozart: Piano Sonata No.11 ‘Alla turca’ – Fazil Say (Warner); Wagner: Wedding March from Lohengrin – Bayreuth Festival/Andris Nelsons (Opus Arte); Mozart: La finta semplice – Jeremy Ovenden, Orchestra of the Age of Enlightenment/Jonathan Cohen (Signum Classics); Mozart: Don Giovanni – MusicAeterna/Teodor Currentzis (Sony); Allegri: Miserere – Tenebrae/Nigel Short (Signum); Mozart: Requiem – Freiburger Barockorchester, RIAS Kammerchor/René Jacobs (Harmonia Mundi)

Murray Perahia tõlgendused Bachi loomingust modernsel klaveril on tuntud ja tunnustust leidnud üle maailma. Tema mängus on suur soojus ja isikupära, mis tõmbab kuulajaid tema musitseerimise suunas.

Murray Perahia tõlgendused Bachi loomingust modernsel klaveril on tuntud ja tunnustust leidnud üle maailma. Tema mängus on suur soojus ja isikupära, mis tõmbab kuulajaid tema musitseerimise suunas.

Iedere klassieke muziekliefhebber kent Janine Jansen, Murray Perahia of Simon Rattle, maar waren er in de 18e en 19e eeuw ook musici met zo'n sterrenstatus? Hoe zag hun leven eruit en konden ze er van leven?

En stad där den klassiska musiken har fått starkt stöd av samhället. Här delas även ett av världens mest prestigefyllda konstmusikpris ut, Léonie Sonnings Musikpris, på 100.000 Euro år 2017. Birgitta Tollan gör självsvåldiga nedslag i musiklivet i sex städer: Reykjavik, New York, Oslo, Helsingfors, Berlin och Köpenhamn. Har vardera stad en speciell musiksjäl? Vi möter musiker, tonsättare, operachefer, operasångerskor, ensembler, programläggare, kritiker, festivaldirektörer och musikvetare. Det är dags för Köpenhamn! Prestigebyggena, det nya operahuset och Danmarks Radios nya konserthuset, i Köpenhamn har skrivit in skeppsredare och kulturministrar i musikhistorien. Trots gigantiska överdrag av budgeterna. Danmarks Radio tvingades avskeda en massa medarbetare och kanalen P2 hotades. Men finns det pengar över till själva musiken?  - Operahuset använder stora delar av sin budget till att driva det gigantiska huset. Vi skulle hellre vara utan prestigehusen om vi fick möjlighet att förverkliga våra konstnärliga ambitioner och ha ett mer varierat utbud, säger violinisten Alexander Øllgaard, som spelar i operaorkestern Det Kongelige Kapel, i Kroger Kvartetten och i Trio Aristos.   - De fria medlen har blivit färre. Smala genrer har fått det sämre. Jag undrar hur många symfoniorkestrar man kan hålla igång på bekostnad av mindre experimenterande grupper som arbetar oavhängigt, säger saxofonisten och komponisten Lotte Anker, en av de främsta inom dansk experimenterande nutida musik och jazz. - Det saknas kvinnliga lärare och kvinnliga instrumentalister i jazzutbildningen vid det Rytmiska Konservatoriet, så vi har startat danska IMPRA, ett nätverk och en föreningen för kvinnliga improvisationsmusiker efter svensk förebild.   Svenska flöjtisten Kristina Ersson utbildade sig på Musikkonservatoriet i Köpenhamn och har under fyra år varit anställd som soloflöjtist i Sjællands Symfoniorkester som på somrarna kallas Tivolis Symfoniorkester. - Den stora klassiska publiken i Köpenhamn är konservativ och över 40 år. Därför är det svårt att sälja biljetter till alltför okända, moderna program. Vi vill nå en yngre publik och vi vill utbilda publiken. Därför erbjuder vi extrapriser för serier där speciella s k Farliga konserter ingår. Vi använder även hemsidan, udda konserttider och olika jippon för att locka annorlunda publik, säger Kristina Ersson.   Nikolaj Koppel är chef för all musikverksamhet vid Tivoli i Köpenhamn, som drivs kommersiellt. Han kommer ur den välkända musiksläkten Koppel som startade med pianisten och tonsättaren Herman D Koppel. Nikolaj Koppel var tidigare konsertpianist och satsar återigen på en kammarmusikserie Pianoforte, där världskända klassiska pianister framträder, t ex Gabriela Montero, Murray Perahia, Lang Lang, Emanuel Ax, Marc-André Hamelin och Marta Argerich m fl. - Det är inte vår största uppgift att promovera nutida musik, säger Nikolaj Koppel. Men vi satsar mycket på att få ut musiken på udda ställen, t ex hörde 25 000 människor på Roskildefestivalen förra året musik av Sjostakovitj och Stravinskij. Vi vill nå dem som är mellan 15 och 26 år, alltså människor som ännu inte stiftat familj, säger Nikolaj Koppel.   Dessutom medverkar Lotte Bichell, kulturjournalist på Berlingske Tidende.   Låtlista: Untitled In CoF Minor A Valentine To Sherwood Anderson Mikhail/Gertrude Stein Mikhail. Gertrude Stein. DJ Spooky Remix Utgiven med boken Sound Unbound   Stråkkvartett i D-dur, op 63. I Allegro Moderato. Niels W Gade Köpenhamns Stråkkvartett   Dansk musik i 1000 år - en antologi Dacapo 8.224185   Berber Lotte Anker Lotte Anker, alt- och tenorsaxofoner. Craig Taborn, piano. Gerald Cheaver, Trummor Live at the Loft, Inspelad live i Köln ILK 148CD       String Quartet No. 8 'Night Descending Like Smoke' (1995-97), III: Voyage Per Nørgård The Kroger Quartet Nørgård: String Quartets No. 7-10 DACAPO 8.226059   Der Er et Yndigt Land Adam Oehlenschläger, text. H. E. Krøyer, musik Pia Raug & Steve Dobrogosz Hjertesproget / Pia Raug og Steve Dobrogosz  Exlibris EXL40 30050   Symfoni nr 3, op 27 Expansiva. I Allegro Espansiva Carl Nielsen Danska radiosymfonikerna. Michael Schönwandt, dirigent Dansk musik i 1000 år - en antologi          dacapo CD 7 8.224184-96   Symphony No. 7 (2004-2006) I Per Nørgård Thomas Dausgaard, conductor. Danish National Symphony Orchestra,   Danish National Vocal Ensemble,  Danish National Chorus Per Nörgård: Symphony 3 & 7 Dacapo 6220547    Tjenerindens fortælling, The Red Centre Assembly Hall Poul Ruders Danska kungliga operans kör och orkester. Michael Schönwandt, dirigent Tjenerindens fortælling Dacapo 2 CD 8.224165-66   Symphony #16, BVN 417, "Syndflod Af Sol" (Sun Deluge) - 2. Scherzo (1950-51) Rued Langgaard Thomas Dausgaard; Danish National Symphony Orchestra Langgaard (R): Symphonies #15 & 16      Dacapo 6.2000001   Champagne Galoppen H C Lumbye Tivolis Symfoniorkester. Giordani Bellincampi, dirigent Dansk musik i 1000 år - en antologi Dacapo 8.224186                 Listen Benita Haastrup Benita Haastrup, percussion Sunrise Calibrated CAL1080   Stråktrio op 9, Nr 2 Beethoven Trio Aristos: Alexander Øllgaard m fl Privat inspelning   String Quartet No. 8 'Night Descending Like Smoke' (1995-97), II: Man Animal Per Nørgård The Kroger Quartet Nørgård: String Quartets No. 7-10 DACAPO 8.226059   Morning Dove Anker, Courvoiser, Mori Sylvie Courvoiser / Ikue Mori / Lotte Anker Alien Huddle INTAKT CD 144   Simmering Anxiety Part 1 Pernille Bévort Bévort, saxofoner. Marie-Louise Schmidt, piano Playground +1 Calibrated CALI 059   November Anker, Cronholm, Mazur Lotte Anker,saxofonister. Marilyn Mazur, slagverk. Josefin Cronholm, sång ANKER / CRISPELL / MAZUR: Poetic Justice Dacapo DCCD 9460   Untitled In CoF Minor A Valentine To Sherwood Anderson Mikhail/Gertrude Stein Mikhail. Gertrude Stein. DJ Spooky Remix Utgiven med boken Sound Unbound

Doug and Kirk discuss Apple Music, how it’s changed the way they listen to music, and how to get the most out of the service. Show notes: Chris Breen Bach: French Suites, by Murray Perahia Our next tracks: Kirk: Cage / Lutoslawski: String Quartets, Lasalle Quartet Doug: Greta Van Fleet: Black Smoke Rising If you like the show, please subscribe in iTunes or your favorite podcast app, and please rate the podcast.

"Taller de composici

"He after honour hunts, I after love" - Proteus We begin our three-episode investigation of 'The Two Gentlemen of Verona', arguably the Bard's first play, circa 1589. Join me for a journey through the highs and lows of the plot, by way of Greek mythology, why the Ancients liked green honey, and our first casual bigotry alerts! You can find me on Facebook, Twitter, or by email at podcastshakespeare@gmail.com. You can subscribe to the podcast at iTunes, Stitcher, Soundcloud, or download direct from Libsyn. We also have a brand spanking new Spotify playlist, which will be updated each week as we work through the plays. The website for the podcast is https://podcastshakespeare.com/. On the website, you can find an evolving bibliography. Links mentioned: The Grand Tour of Europe Don Quixote The Hellespont Hero and Leander (excerpts) by Christopher Marlowe Isaac Asimov, Guide to Shakespeare Harold Bloom, The Invention of the Human Mythological Proteus Stephen Greenblatt, Shakespeare's Cure for Xenophobia, The New Yorker, June 2017 The senex iratus Unseen characters on television Medieval and Renaissance manuals on chivalry Saint Sebastian Derek Jarman's 'Sebastiane' 'Who is Silvia?' text Dame Janet Baker singing 'Who is Silvia?' by Franz Schubert, with Murray Perahia on piano And also Barbra Streisand for some reason...? Thou, thee, and so on Augustus Leopold Egg, 'Launce's Substitute for Proteus' Dog', oil on canvas, 1849 Ancient Greek colour vision Harold Goddard's The Meaning of Shakespeare Clips: Opening and closing: Henry Rowley Bishop, "Who is Sylvia?", for the Frederic Reynolds production, Covent Garden, 1821 - Philip Pickett, Susan Gritton et al Arkangel Shakespeare, Two Gentlemen of Verona, 2006, d: Clive Brill with Damian Lewis (Valentine), Michael Maloney (Proteus), Saskia Wickham (Silvia) Royal Shakespeare Company, Two Gentlemen of Verona, 2014, d: Simon Godwin with Mark Arends (Proteus), Michael Marcus (Valentine), Martin Bassindale (Speed) Marlowe Society, Two Gentlemen of Verona, 1959, d: George Rylands with Olive Gregg (Julia) Oregon Shakespeare Company, Two Gentlemen of Verona, 1957, d: James Sandoe with William Oyler (Valentine), Doris Viola (Julia), Nagle Jackson (Speed), Marcia Thayer (Lucetta), Jim Sheldon (Thurio) BBC Complete Works, Two Gentlemen of Verona, 1983, d: Don Taylor, p: Shaun Sutton with Tony Haygarth (Launce), Tyler Butterworth (Proteus), Paul Daneman (Duke of Milan), Andrew Burt (Third Outlaw) Gerald Finzi, "Who is Sylvia?" from 'Let Us Garlands Bring' (1942) with Martin Vögerl - singer, Mira Teofilova - piano

We ask Andy Doe why classical concerts have such rigid traditions and etiquette regarding audience reactions. And we discuss the Bravo Guy, present at concert halls around the world. Note: We apologize that this episode runs a bit longer than usual, but it was too interesting and too much fun to cut. This week’s guest: Andy Doe Proper Discord Show notes: Murray Perahia and the Academy of St Martin in the Fields, April 5, 2017 András Schiff – Beethoven, the 32 Sonatas András Schiff – Encores After Beethoven In 27 Pieces: The Hilary Hahn Encores The rules for Hilary Hahn’s encore contest Alex Ross: Hold Your Applause: Inventing and Reinventing the Classical Concert (PDF) Our next tracks: Kirk: DeJohnette Grenadier Medeski Scofield: Hudson Doug: The Suburbs: Hey Muse! If you like the show, please subscribe in iTunes or your favorite podcast app, and please rate the podcast. Special Guest: Andy Doe.

Eitelkeit und Selbstdarstellung waren Murray Perahia stets fremd. Der amerikanische Pianist ist auf sympathische Weise altmodisch - soll heißen, ausschließlich der Musik verpflichtet. Seine Fixpunkte sind Bach und Mozart. Am 19. April wird er 70 Jahre alt.

Top picks from across the week on In Tune, including pianist Murray Perahia, Oliver Mears and Antonio Pappano from the Royal Opera House, and crime novelist Donna Leon. Plus pianist Joseph Middleton who was recently nominated for two Royal Philharmonic Society Awards with soprano Mary Bevan, and finally folk musicians Kathryn Tickell and Amy Thatcher from Radio 3's Uproot Festival in Hull.

The incomparable pianist Murray Perahia delves into the details of Beethoven’s Piano Concertos in an Academy Podcast two part special running alongside the Perahia Plays Beethoven series at the Barbican... The post Perahia Talks Beethoven – Part 2 appeared first on Academy of St Martin in the Fields.

Am 19. März konzertiert Murray Perahia in der Münchner Philharmonie. Im Interview spricht er über sein Repertoire, seine jahrelange Zwangspause und warum man erst einmal ein guter Musiker sein muss, wenn man ein guter Pianist werden will.

The incomparable pianist Murray Perahia delves into the details of Beethoven’s Piano Concertos in an Academy Podcast two part special running alongside the Perahia Plays Beethoven series at the Barbican... The post Perahia Talks Beethoven – Part 1 appeared first on Academy of St Martin in the Fields.

Conductor Bramwell Tovey looks at works by Samuel Barber, Terry Riley, and Edward Elgar - all on his January 2017 Boston Symphony Orchestra program - from the perspective of a composer, and, in a 2014 interview, Murray Perahia describes the magnetic pull of music by Robert Schumann.

I programmet diskuteras bl.a. Vincent D'Indys andra symfoni, mässor av Pierre de la Rue och Vadim Gluzman som solist i Prokofjevs violinkonserter. Nadja Boulanger och Schönberg i I mindre skala. I panelen Anna Nyhlin, Camilla Lundberg och Tony Lundman som tillsammans med programledaren Johan Korssell betygsätter följande skivor:VINCENT DINDY Symfoni nr 2, m.m. Skotska Nationalorkestern Jean-Luc Tingaud, dirigent Naxos 8.573522SERGEJ PROKOFJEV Violinkonserterna, Soloviolinsonat Vadim Gluzman, violin Estniska symfoniorkestern Neeme Järvi, dirigent Bis SACD 2142JOHANN SEBASTIAN BACH De franska sviterna Murray Perahia, piano DG 479 6565PIERRE DE LA RUE Mässor, Salve Regina och Magnificat sexti toni Brabant-ensemblen Stephen Rice, dirigent Hyperion CDA 68150I mindre skala Johanna Paulsson och Alexander Freudenthal vänder och vrider på några av Arnold Schönberg och Nadja Boulangers arrangemang av stort och smått.Andra i programmet nämnda eller rekommenderade inspelningar: DIndys orkesterverk med Islands symfoniorkester under ledning av Rumon Gamba, inspelad på Chandos. Prokofjevs violinkonserter med Jascha Heifetz och Bostons symfoniorkester ledda av Sergej Kussevitskij (nr 2) på RCA; David Ojstrach och Londons symfoniorkester under ledning av Lovro von Matacic på märket Warner Classics; Lidija Mordkovitj och Skotska nationalorkestern, Glasgow, under Neeme Järvi på Chandos; Janine Jansen tillsammans med Londons filharmoniker ledda av Vladimir Jurowski (nr 2) på Decca samt med Maxim Vengerov som solist tillsammans med Londons symfoniorkester allt under Mstislav Rostropovitj på Teldec. Prokofjevs symfonier med Neeme Järvi och Skotska nationalorkestern, Glasgow, på Chandos.Svepet Johan sveper över ett album med musik av Claude Debussy; Image, Jeux och La plus que lente. Det är San Franciscos symfoniorkester under Michael Tilson Thomas som framför dessa. Inspelningen är gjord på det egna märket San Francisco Symphony. I Johans julspecial nästa vecka får vi höra mer ur denna CD.

om Klaassen balanceert op de grillige grenzen van de klassieke muziek. Hij start met een nieuwe prachtserie: de beste ambient-albums uit de geschiedenis.

Steven Epstein, an American producer of classical music received a B.Sc. in Music education from Hofstra University in 1973.Epstein has worked with artists such as Yo-Yo Ma, Wynton Marsalis, Plácido Domingo, Isaac Stern, Itzhak Perlman, Murray Perahia, Emanuel Ax, Bobby McFerrin, and groups such as Juilliard String Quartet, Tokyo String Quartet, Fine Arts Quartet, Punch Brothers. He has worked with the Vienna, Berlin and New York Philharmonic Orchestras, and with the Chicago, Cleveland, London, Concertgebouw, Philadelphia, Pittsburgh, and Los Angeles Symphony Orchestras. Epstein was the Senior Executive Producer of Sony Classical and now produces and engineers independently. He has won 17 Grammys, including 7 for Classical Producer of the Year and 1 for Classical Album of the Year.He is also adjunct professor of Classical Music Recording at McGill University in Montreal, Quebec, Canada.

Bryce Morrison talks us through Chopin's exquisite miniature, as played by Murray Perahia on Sony

This free-ranging conversation between one of the world’s greatest pianists Murray Perahia and the renowned Chopin scholar John Rink will explore some of the reasons why Chopin’s music continues to have such a hold over musicians and listeners alike. They will begin by discussing a musical depiction of the composer by one of his contemporaries, after which they will turn to some of the principal genres in which Chopin worked, including the Etudes and Nocturnes. Issues of technique and interpretation will be broached along the way. The conversation will also focus on Chopin’s own playing as well as the approaches of legendary pianists over the ages. It will end with an investigation of two large- scale pieces which pose particular conceptual as well as technical challenges. Passages from the repertoire will be illustrated at the piano by Mr Perahia throughout the conversation, laced with spirited commentary and debate. John Rink is Professor of Musical Performance Studies in the Cambridge Faculty of Music. He has published extensively on Chopin’s music and its performance history.

Open rehearsal. Beethoven String Quartet op.130, with Grosse Fuge. The Doric String Quartet will rehearse and discuss with Murray Perahia one of the works in their concert on 20 January.

To open the 2015 Humanitas Series in Chamber Music, Murray Perahia’s illustrated lecture will explore the music of composers ranging from Bach to Brahms. Referring to contrapuntal, harmonic, melodic and formal features in select masterpieces, Mr Perahia will describe how music can achieve profound meaning and emotion through sounds alone. Much of his commentary will focus in addition on the reflections of these composers on their own music and on the works of others. All of this will be brought to life in passages played at the keyboard, each confirming the indissoluble union of thought and feeling in artistic performance of the highest standard.

Murray Perahia (who was coached by Britten himself) talks to Suzy Klein in a wide ranging interview.

Glenn Gould was a Canadian pianist who became one of the best-known and most celebrated classical pianists of the 20th century. He was particularly renowned as an interpreter of the keyboard music of Johann Sebastian Bach. Gould was well known for his unorthodox musical interpretations and mannerisms at the keyboard. He stopped giving concerts at the age of 31 to concentrate on studio recording and other projects. Featuring Kevin Bazzana, Murray Perahia, Stephen Hough, David Owen Norris and Gidon Kremer

Sir John Eliot Gardiner, Murray Perahia and Christophe Rousset - the Gramophone Podcast, January 2011

Kirsty Young's castaway is Dame Fanny Waterman.It was during a sleepless night, more than forty years ago, that she came up with the idea of launching a piano competition in Leeds. Since then it's become a world renowned event and been a springboard for many of our most celebrated pianists including Radu Lupu and Murray Perahia. Although she is now 90 years old, she still teaches masterclasses and continues to be involved with every detail of the competition. "They call me Field Marshal Fanny" she says, "I am a busy breeches."Record: Radu Lupu- Piano Concerto No.3 Book: The Diary of a Nobody by George Grossmith Luxury: A grand piano and a stool.

Kirsty Young's castaway is Dame Fanny Waterman. It was during a sleepless night, more than forty years ago, that she came up with the idea of launching a piano competition in Leeds. Since then it's become a world renowned event and been a springboard for many of our most celebrated pianists including Radu Lupu and Murray Perahia. Although she is now 90 years old, she still teaches masterclasses and continues to be involved with every detail of the competition. "They call me Field Marshal Fanny" she says, "I am a busy breeches." Record: Radu Lupu- Piano Concerto No.3 Book: The Diary of a Nobody by George Grossmith Luxury: A grand piano and a stool.

WPAS previews pianist Murray Perahia's October 17th recital in the Kennedy Center Concert Hall. On the program – Bach's Partita No. 6, Beethoven's Piano Sonata No. 30, Kinderszenen (Scenes from Childhood) by Schummann and select Chopin pieces. Buy tickets at 202-785-WPAS or WPAS.org. Taking Note is part of WPAS’ "Between the Lines" podcast series.