Podcasts about Aotearoa

New Zealand's own 'queen of air guitar' is on a mission to revive the art. Giesela Visser-Heydon - or Giz, Gizzy Guitar, Roxy Riffles, The Gender Stratocaster - is New Zealand's only female national air guitar champion, and she came second in the Air Guitar World Champs in Finland. She says she's moved on to a judging role, and she's looking to mentor the nation's next wave of air guitar champions. "I'm really excited about bringing Air Guitar New Zealand back, we've got a great history... Aotearoa's like - come on, bring it back, let's get back on the stage, let's dominate." LISTEN ABOVESee omnystudio.com/listener for privacy information.

Many policy problems facing Aotearoa and the world, from public infrastructure to climate change and inequality, are intergenerational, long-term issues which elected politicians may not be incentivised to shoulder the short-term costs of solving. A citizen's assembly gathers together a representative mini-public to deliberate on issues like these. Citizens' assemblies mean that participants can reach consensus on an issue, develop better understanding of one another, and find pragmatic solutions, all of which can be difficult to achieve through conventional politics. Producer Eloise spoke with Dr Tatjana Buklijaš from the University of Auckland this week about deliberative democracy, citizens' assemblies, and the policy problems they are best equipped to solve.  

The Sidebars finally wrap up their time in the Air kingdom as they say their farewells and prepare for the next chapter of their adventure. Featuring:Erika Jayne as Taryn GrimSeverin Gourley as Dexter ClementineKasia Wayfinder as Granny Sabinkaand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.com

For the first time in 150 years, kiwi once again live in the hills surrounding Wellington, Aotearoa New Zealand. More than 250 manu ("birds" in the Māori language) were successfully translocated back to the region, thanks to the efforts of the iwi (nations of Aotearoa), community members, and landowners behind the Capital Kiwi Project. Paul Ward, the project lead and founder, joins the Mongabay Newscast this week to explain the yearslong effort to make this possible. "This is a relational project as much as it is what you might traditionally call a conservation project. And I think at a fundamental level that if we lose our relationship with these animals, with these manu … they risk becoming a museum species," he says. Rāwiri Walsh (Taranaki Whānui ki Te Upoko o Te Ika, Ngā Rauru Kītahi, Ngāti Raukawa ki te Tonga, Te Āti Haunui-a-Pāpārangi) is the project's Kaimanaaki Kiwi (kiwi guardian) and iwi liaison. He also joins the podcast to explain the process from the perspective of Te ao Māori (the Māori world). For the Capital Kiwi project to receive kiwi, they must be gifted the birds by iwi through a tono, a gifting process. The project then bestows the bird on a community through a pōwhiri, a traditional Māori welcoming ceremony. And then the tono, as Walsh explains, is a request to the iwi for the birds. "From a Māori perspective, we just had to agree with the iwi that we were receiving from, and they had to agree with us that they wanted to give us kiwi," Walsh says. "What we were able to do when moving kiwi is … welcome the people, both the sanctuary workers as well as the iwi, onto the lands that they were bringing the birds. And then … the responsibility and the onus to the birds would switch … we would do the pōwhiri or the ceremony, and then there would be a process where they would be handed over," Walsh says. The project is far from over, Ward says, as communities now share responsibility for caring for the birds. He adds that this model is a proof of concept for reintroducing other species. In total, including newly hatched chicks that made it to fighting weight (more than 90% of them), Ward estimates there are over 300 kiwi in the hills surrounding Wellington. "Ten years ago, [the] challenge probably would've [been] 'Are we being too ambitious?'" he says. "I think now that challenge is one of complacency. "We're leaning into those relationships with our partners, with our iwi, our landowners, and our communities to explore what other taonga [property] species might be returned to these environments." Please take a minute to let us know what you think of our podcast here. Mike DiGirolamo is the host & producer for the Mongabay Newscast based in Sydney. Find him on LinkedIn and Bluesky. Cover image: Walsh performing a health check on a kiwi chick. This photo was one of National Geographic's 2023 images of the year. Image courtesy of Robin Hammond/Capital Kiwi Project. —— Timecodes (00:00) Kiwi return to Wellington (04:28) The Cultural Significance of Kiwi (08:49) Threats & Conservation History (19:00) Building the Capital Kiwi Project (27:46) Relationship with iwi and the tono (31:54) Remarkable Results (50:05) What Comes Next

From today the free bowel cancer screening age starts lowering from 58 years old to 56. The latest change is a phased roll out, happening region by region, and means another 200,000 New Zealanders are eligible for a free home test. Bowel cancer is the second highest cause of cancer death in Aotearoa. More than 1,200 people die from it annually, and yet when it's caught early, it's one of the most treatable cancers there is. Bowel Cancer New Zealand chief executive Peter Huskinson spoke to Ingrid Hipkiss.

INTERVIEW: Sleeping Village talking brand new album 'Four' by Lily Jane on Radio One 91FM Dunedin

INTERVIEW: Lily Frewen on Dunedin Dream Brokerage 'Between Us' Exhibition by Lily Jane on Radio One 91FM Dunedin

Data sovereignty, governance debt, and AI for Māori startupsFull Show Noteshttps://www.theintelligenceagepodcast.com/842 Amber Taylor joins Mark Smith to unpack Māori data sovereignty at the point of AI system design, with a sharp focus on what startups need to think about before they build. The conversation gets practical fast, moving from governance debt and investor pressure to the risks of using third party AI platforms with sensitive indigenous knowledge.We discuss why governance has to be designed in upfront, how sovereignty changes when data touches external AI systems, and what an indigenous layer for AI could look like in practice.Key topicsAmber shares why the paper started with a startup lens, not just a sovereignty lens, because small teams do not have the same governance or architecture resources as large organisations.She introduces the idea of governance debt, arguing that AI governance added after a system is built creates the same kind of accumulated risk as technical debt.Amber explains why many AI governance frameworks miss the realities of founders and small teams who need workable, early-stage decision support.The discussion covers the limits of simply keeping data on Aotearoa soil if it still passes through external AI systems that the organisation does not control.Amber and Mark dig into the misconception that platforms are not training on user data, and why ticking a consent box is not the same as governance.They explore how investors can pressure startups to monetise data in ways that conflict with the original agreements made with communities and data holders.Amber shares how her own work with indigenous storytelling set clear protocols upfront, including ownership, attribution, and what happens if a company is sold.The conversation uses 23andMe as a cautionary example of what happens when DNA data becomes an acquired asset under new ownership.Amber outlines a future direction for an indigenous AI layer that could sit on top of any model, govern knowledge use, improve accuracy, and return reciprocity to source communities.The episode closes on the idea that New Zealand often builds first and regulation catches up later, creating opportunity for smaller AI companies to move quickly and responsibly.If you want to get in touch with me, you can message me here on Linkedin.Thanks for listening

Episode BibliographyThe Book of Common Prayer (2019). Anglican Church in North America. Available at bcp2019.anglicanchurch.net.Armas, Kat. Abuelita Faith: What Women on the Margins Teach Us about Wisdom, Persistence, and Strength. Brazos Press, 2021.McCaulley, Esau. Reading While Black: African American Biblical Interpretation as an Exercise in Hope. InterVarsity Press, 2020.The New Zealand Prayer Book / He Karakia Mihinare o Aotearoa. Collins, 1989.Rutledge, Fleming. God Spoke to Abraham: Preaching from the Old and New Testaments. Smith, James K.A. Desiring the Kingdom: Worship, Worldview, and Cultural Formation. Baker Academic, 2009.Williams, Jarvis. Redemptive Kingdom Diversity: A Biblical Theology of the People of God. Baker Academic, 2021.Williams, Rowan. Being Christian: Baptism, Bible, Eucharist, Prayer. Eerdmans, 2014.

INTERVIEW: Julia Belle on new single 'Aurora' by Lily Jane on Radio One 91FM Dunedin

Media Meltdown: Brett Nichols on Reactionary Right-wing Politics in AUS + NZ by Lily Jane on Radio One 91FM Dunedin

INTERVIEW: Same Name Confusion release new album "SNC" by Charlie O'Connell on Radio One 91FM Dunedin

For Ready Steady Learn this week, Rosetta chats to Associate Professor Linda Tyler, an art historian, Aotearoa art expert, and the author of a just-published, glossy coffee table book on the New Zealand sculptor Terry Stringer! Thanks to The University of Auckland!

Rosetta catches up with Dallas-born, LA-based artist Liv.e and Detroit drummer and producer Karriem Riggins, to chat about their collaborative project GENA (which stands for God Energy, Naturally Amazing). Both have extensive discographies prior to GENA, Liv.e under her solo project, and Riggins through collaborations with the likes of Common, J Dilla, Erykah Badu, Madlib, and more. Earlier this year, the pair released their first collaborative record The Pleasure Is Yours, and now they're heading to Aotearoa to play at Neck Of The Woods this Thursday October 1, with support from VIDA.  Rosetta chats with the pair about how they started making music together, the making of The Pleasure Is Yours, and what to expect from their upcoming Aotearoa shows. Whakarongo mai nei!

Send us Fan MailTwo architects walk into a conference and we hand them a mic. What comes out is a fast, honest look at how New Zealand architects make decisions when nobody has time for fluff. We're joined by Hamish McLachlan (Bowen and McLachlan Architects, also Architecture Zero Zero) and Rob Paulin (Paulin Studio), the two winners of our In:Situ ticket giveaway, for a quick-fire Q&A that turns into a surprisingly deep conversation about the design process and the built environment in Aotearoa.We start where great projects actually start: the relationship. How do you tell if you're a good fit for a client, and when should you walk away? From there we move into light and site research, why orientation still matters even with modelling tools, and what you learn the hard way when accuracy slips or QA gets assumed instead of checked.Then we zoom out to the big stuff: designing for beauty and resilience in New Zealand, what “timeless” really means when styles and trends keep cycling, and why ugly buildings don't survive because nobody fights to keep them. We also get practical about materiality and longevity, from mass timber and local materials to the renewed case for stone, plus why patina and imperfection can be a feature rather than a flaw. Along the way we talk prefabrication, rammed earth, affordability, and a simple A-B system for prioritising what deserves the budget.If you care about New Zealand architecture, sustainable building, and making spaces that feel good to live in, press play, then subscribe, share it with a designer mate, and leave a review. What do you want to see change in NZ architecture over the next 20 years?Please Like and Subscribe it really helps :)Follow us on @designpriciplespod on Instagram and if you wish to contact us hit our DMs or our personal pages. We love to hear from you it really encourages us to keep going and the ideas and feedback we get from the listeners is awesome!

INTERVIEW: Sandra Bell talking 'Court Of Love' EP by Lily Jane on Radio One 91FM Dunedin

INTERVIEW: Daimon, The Nomad, on new album 'ReGenerate' by Lily Jane on Radio One 91FM Dunedin

INTERVIEW: Becca Caffyn on new single 'Caroline' and EP announcement by Maddy Barnes on Radio One 91FM Dunedin

Trentaduenne, emiliana, viaggiatrice, psicologa e nomade digitale, Linda è in giro per il mondo da 13 anni con l'idea di “vivere una vita autentica fuori dai percorsi preconfezionati”. Recentemente ha pubblicato un libro sulla sua esperienza e stile di vita che si intitola Sorridi e vai. Dopo l'università, Linda ha iniziato a viaggiare con destinazione il mondo…Sud Est Asiatico, Australia, Africa, Messico, Colombia, USA, Canada, Sud America, Nord Europa…e con gli occhi sempre verso l'orizzonte. “Quando viaggi ti spogli di cose superflue, ti apri a nuovi mondi, ti rendi conto di altri aspetti della realtà”. Un viaggio in NZ era nei suoi pensieri da anni e si è concretizzato con la sfida del Te Araroa trekking, un cammino di 3,058 chilometri, che attraversa l'intero paese dall'estremo nord all'estremo sud, uno dei trekking più estremi e impegnativi. Un'impresa che pensava impossibile, ma che ha completato in cinque mesi, camminando 10 ore al giorno, sopravvivendo in natura, chiedendo ospitalità ai locali e famiglie incontrate. Linda dice che e' stata “un'esperienza trasformativa e veramente appagante”.  Per il supporto alla realizzazione di questo programma Ondazzurra ringrazia l'Istituto Italiano di Cultura di Sydney, che promuove e diffonde la conoscenza della lingua e cultura italiana in Australia e Nuova Zelanda https://iicsydney.esteri.it/en/

Ever wondered... does New Zealand have their own version of the big hairy ape man? Well the answer is a strong YES!!! And it's called the Moehau man. This hairy, bipedal wild man has been recorded by foreigners who came to New Zealand to mine for gold, for years. The elders of the Iwi's, nations and tribes have spoken about them since they arrived to Aotearoa. Because yes, the Moehau existed here in New Zealand long before the Maori people arrived. These wild men go by many different names and are surrounded in supernatural stories. So your job is ... differentiate between the biological creature and the supernatural. Have fun, I'm sure you'll love this episode Lisa xx Join us on Patreon - https://www.patreon.com/cw/CryptidWomensSocietyInternational 〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰

The owl of New Zealand was having a go at Bird of the Year. And it wasn't just Pete Wolfkamp and I that voted for the Ruru… We're both supporters of Wingspan in Rotorua – it's the place where falcons, harriers, and owls find a useful and caring home, especially when these birds have been whacked by a car on the road or flew into a glass window. It's not really something Ruru do a lot; they have phenomenal vision, especially at night. The Ruru that really became my friend was Whisper. I'll never forget that owl. Whisper was at Wingspan for many, many years. She would come and sit on my shoulder, have a little nibble in my pockets, and was happy to be scratched and treated with some tickling. All despite her preference to be cuddled by ladies (not males!). It did help to give her some insects (beetles and weta) with every visit I made! Whisper passed away a couple of years ago and all our Wingspan staff miss her dearly. The lifespan for Ruru is around ten years – depending on their place of living, I suppose. Ruru occur almost everywhere in Aotearoa, including many offshore Islands. The drier regions, especially in the eastern areas of the South Island, do not seem to have huge numbers. They are not common in Christchurch, for instance. This is the time of the year (September) when these owls are getting together and thinking about getting some young ones. Usually two eggs are the beginning of it all, with eggs hatching after a month. The parents fly silently through the forests and even trough gardens. Their ability to detect possible prey is literally the result of their silence – it makes so much sense, they can hear mice, rodents, and insects from a great distance! The Ruru's serrated feathers allow it to fly silently. After about five weeks, the kids leave their nest cavity and learn to forage their own food. If you are ready to look after your own Ruru Owl population, the least you can do is create your own Owl Box in the garden. Guess what: Pete Wolfkamp has been making a number of excellent boxes that seem to be attractive to these birds. Imagine springtime and Ruru looking after their young in a sizeable tree in your garden! The kids are relatively quiet, but mum and dad will call from time to time, yelling “morepork” just when you want to go to bed… LISTEN ABOVE See omnystudio.com/listener for privacy information.

Every Friday passionate conservationist Nicola Toki and Jesse chat about a critter that is endemic to our New Zealand and needs some love. This week Nicola is bringing our attention to Aotearoa's largest cuckoo - the koekoea (long-tailed cuckoo).

Multiple Education Ministry whistleblowers say they were told to delete the term Aotearoa and other Maori words from official documents.They say managers always gave the instructions verbally and refused to put them in writing even when challenged to do so. Some terms were restored in final curriculum documents. Education correspondent John Gerritsen reports.

INTERVIEW: Soft Bait playing Pearl Diver by Hunter Jolly and Felix Borrowdale on Radio One 91FM Dunedin

INTERVIEW: Blond Cobra playing The Crown Fri 25th Sep by Lily Jane on Radio One 91FM Dunedin

INTERVIEW and Live to Air: Warnr Emery by Lily Jane on Radio One 91FM Dunedin

INTERVIEW: InDuna, Auckland indie artist, on new single 'Favourite Colours' by Lily Jane on Radio One 91FM Dunedin

Send us Fan MailIn this our second whale themed podcast from the Batt Cave, we start with a rendition of  'Tohorā nui' - a popular children's waiata from Aotearoa,New Zealand about a whale..... Batt lamb learns a lot of whale facts!Then Tanya shares the story of Natsilane and the creation of the Orca, a traditional tale from the Tlingit and Haida peoples of the North West Pacific coast of the Americas.By the way the carving by sailors on whales teeth and bones is called Scrimshaw and while the Hauraki (home to Waiheke Island where we live) does have a population of Bryde's whale, they can also be found in other parts of the world.Support the showYou can find our audios and books to purchase at https://imagined-worlds.net/story-shopOr join the live monthly Batt Cave storytelling club at https://ko-fi.com/tanyabatt0027/tiers Or if you are an educator for children 0 - 8 years subscribe to 'Batt on the Mat' - a monthly online, professional development storytelling and arts programme https://imagined-worlds.net/batt-on-the-matAnd finally, if you enjoyed our podcast, please share with friends and write a review. Or make a donation to support what we do here https://ko-fi.com/tanyabatt0027Kia Ora!

INTERVIEW: Agneu on 'Air and Twigs' Album Release by Lily Jane on Radio One 91FM Dunedin

Feral cats are a major threat to native wildlife across Aotearoa. On Aotea Great Barrier Island in the Hauraki Gulf, the approach to eradicating them looks a little different. An iwi-led conservation project is taking on thousands of feral cats, through a kaupapa grounded in te ao Maori. Maori news journalist Layla Bailey McDowell visited the island.

INTERVIEW: Bunchy's Big Score on DUN Records Next Project... by Lily Jane on Radio One 91FM Dunedin

INTERVIEW: Dolly Possum on DUN Records Next Project... by Lily Jane on Radio One 91FM Dunedin

INTERVIEW: Kloey on new single 'Try Again' by Jonathan McCabe on Radio One 91FM Dunedin

INTERVIEW: George Henderson of The New Existentialists on release / gig by Lily Jane on Radio One 91FM Dunedin

The Government's unveiled plans for a new National Events Strategy. It follows an independent review that found New Zealand's a strong events host, but lacks a coordinated, long-term approach. The industry's backing the move, saying international competition for major events is getting tougher. Business Events Industry Aotearoa CEO Lisa Hopkins told Mike Hosking we've missed out on a lot of opportunities because we haven't been as joined up as we should be. She says this plan will put us on much better footing against competitors who are already connecting sectors and successfully leveraging major events and business events together. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Since our last recording session, we lost one of Aotearoa's greatest actors and human beings, Sir Sam Neill. Here's our tribute, alongside a What We Watched which consists of taking each other's recommendations for twisty noirs and mind-bending martial arts, sick-bed viewings of Disney films, early 80s punk rock, and genre-bending Indonesian supernatural prison dance film. 

INTERVIEW: Model new single "Hard to be Around" by Mads Harrop on Radio One 91FM Dunedin

INTERVIEW: Kayla Kingdon-Bebb of the Opportunity Party on 2026 Election by Lily Jane on Radio One 91FM Dunedin

INTERVIEW: Dan Walker & Serenity Hook on DYO Hanover Hall 'Larking About' Concert by Lily Jane on Radio One 91FM Dunedin

INTERVIEW: Naoko Yamano of Shonen Knife on Pearl Diver Show by Lily Jane on Radio One 91FM Dunedin

INTERVIEW: Garry McAlpine on The Cocker Concert & Lutha by Lily Jane on Radio One 91FM Dunedin

On this day, 20 September 1979, Aotearoa's (New Zealand's) only nationwide general strike took place when the Federation of Labour called a one-day strike of all its members in support of the Drivers Union. 300,000 people took to the streets around the country after a pay agreement between transport workers and employers was blocked by the government. The government claimed that the strike had no impact, but they agreed to refer the dispute to the Arbitration Court, which upheld the original wage agreement as demanded by the strikers.More information, sources and map: https://stories.workingclasshistory.com/article/9334/new-zealand-general-strikeOur work is only possible because of support from you, our listeners on patreon. If you appreciate our work, please join us and access exclusive content and benefits at patreon.com/workingclasshistory.See all of our anniversaries each day, alongside sources and maps on the On This Day section of our Stories app: stories.workingclasshistory.com/date/todayBrowse all Stories by Date here on the Date index: https://stories.workingclasshistory.com/dateCheck out our Map of historical Stories: https://map.workingclasshistory.comCheck out books, posters, clothing and more in our online store, here: https://shop.workingclasshistory.comIf you enjoy this podcast, make sure to check out our flagship longform podcast, Working Class History

Inside Lincoln's Allan Herbarium lies a vault of over 800,000 dried plants—a living history of Aotearoa's flora. In this episode, collection manager Dr. Ines Schönberger unlocks the cabinets to reveal how century-old pressings, rare species, and modern plant taxonomy safeguard New Zealand's biodiversity.Go to this episode on rnz.co.nz for more details

RM is one of Tāmaki's wonderful artist-run spaces, spanning a nearly three decade history of supporting local emerging artists. Making it the longest running artist-run-space here in Aotearoa, being established in 1997. With the gallery moving through various iterations and spaces, previously named rm3, rm212, rm401, and rm103, shifting and evolving as the initiative moved throughout Tāmaki. Seeking to engage a wide range of practices, and modes of presentation that are not as easily accessible within Tāmaki. RM's current pop up exhibition THE ARCHIVE located offsite from the gallery, Just beyond the Beresford entrance of the Karanga-a-hape station, with support from the Karangahape business association, Auckland transport, Auckland council, and Creative New Zealand. The exhibition itself pulls on RM's extensive archival material, presenting a range of pieces and ephemera from RMs own archive. Showcasing the gallery's rich history as an artist-run-space, as well placing these various archival materials in a space of re-invigoration. Asking us to not only view the archive as a form of documentation, but as an active site of discovery that plays a vital role within the current arts community and beyond.  Maya caught up with one of the current members of the RM cooperative, Taarn Scott about the Galleries pop up exhibition, as well as RMs overall exhibitions and events planned for the Karangahape Art Weekend.

We're back into our A to Z of Aotearoa .. this is our series where we pick something quintessentially Kiwi for each letter of the alphabet and dive into its history with the people who know it best. We've had P for Pies, S for Silver Fern, K for Kauri, and today it's Y is for Yachting. Yacht designer Brett Bakewell-White and coach and successful sailor Bruce Kendall join Jesse.

INTERVIEW: Farleigh Gilmour + Hugh Harlow on 2026 Behind The Music Symposium by Lily Jane on Radio One 91FM Dunedin

Kia ora e te ball bags! Producer Arun here putting together all the best bits you missed from the show today: Someone is walking around Aotearoa not knowing they’re the smartest person in this country… That’s RANK! Today Storme ranks “Harps”. Who’s the uncle that is not really your uncle? Harry Potter out of context to bamboozle Nickson. I’m here, and you’re there! It’s SAVAGE today. Storme has a motivational poem for the Knights ahead of their game against the Wahs this weekend. Have your parents ever called out your partner for being too ugly? What’s your povo meal? Stan Walker joins us to have a kōrero about his new waiata “Kāinga”. Thanks for listening ya mongrels! Lots of love Producer Arun, Producer A-aron, Producer Alonaa, Producer Kanuka, Producer Mah BROTHAH, Bad Boy Alan! xx

Maori News Journalist Layla Bailey-McDowell looks into how the way te reo Maori is being taught and learnt has changed over the decades.

The Sidebars go full debate mode! Will they convince the various powers-that-be in the Air Kingdom to reunite the denizens of the Vapour Vaults with those above?Featuring the persuasive talents of:Erika Jayne as Taryn GrimSeverin Gourley as Dexter ClementineKasia Wayfinder as Granny Sabinkaand Julz Burgisser as DMVisit www.fateofisen.com to learn more.Fate of Isen is one of the Feedspot top D&D podcasts in the world! Check out Feedspot here.If you like the show, please feel free to follow us on social media (@fateofisen) or support us on Patreon! ★ Support this podcast on Patreon ★ Intro, outro, and recap music by freesound user, Tyops, and ambient sound by TabletopAudio.comThis episode features the songs "In the Court of Anise and Lavender" and "Eyka's Song" by Will Savino (www.wsavino.com)

Some people leave a legacy. Some people become the legacy. This podcast is about one of those people .Terry Fox. Terry is in my opinion the greatest athlete ever to live and quite possibly the greatest Canadian of all time. 46 years ago, a young Canadian with one leg due to cancer set out to run across Canada. A marathon a day until he had gone across Canada to raise money for cancer research. I talk with Renata from Terry Fox Run NZ and Michelle from Cancer Research Trust NZ about the incredible cancer research happening here in Aotearoa, the breakthroughs being made, and why Terry's dream still matters. Because perhaps that's the greatest thing about Terry Fox. He didn't finish his run. But the world decided to finish it for him. 46 years later, we're still running. Still raising. Still researching. Still hoping. Still believing that one person can make a difference…like Terry Fox did ! If you're in Auckland or Christchurch, you can still be part of this Sunday's Terry Fox Run. Check out Terry Fox Run NZ for details .The finish line is still out there. Let's help get Terry there and finish it ! Coppuccino Podcast brought to you in association with Neighbourhood Support New Zealand