Podcasts about dvd blue ray

At one time, Saturday morning was the only reason kids of every age trudged through their dreary week day lives. Because Saturday morning meant Saturday morning cartoons! There is a generation of kids and young adults that have no idea what I'm talking about. But with the wonder of the internet, streaming services and good old DVD/Blue Ray box sets, the joy of Saturday mornings can be found any time, anywhere. Jump into your footie pajamas and refill your bowls with sugary cereal because My Big Fat Pull List is flipping through the channels of our youth with the Best Cartoons of the 1990's! (originally released 12/12/20) — Visit Our Patreon Page And Support The Show! — Visit Our YouTube Page for Exclusive Video Content! — Darkwing Duck https://www.imdb.com/title/tt0101076/ — Batman TAS https://www.imdb.com/title/tt0103359/ — X-Men https://www.imdb.com/title/tt0103584/?ref_=nv_sr_srsg_3 — Animaniacs https://www.imdb.com/title/tt0105941/?ref_=nv_sr_srsg_3 — Exosquad https://www.imdb.com/title/tt0106842/?ref_=nv_sr_srsg_0 — Gargoyles https://www.imdb.com/title/tt0108783/?ref_=nv_sr_srsg_0 — Earthworm Jim https://www.imdb.com/title/tt0111948/?ref_=nv_sr_srsg_0 — Superman TAS https://www.imdb.com/title/tt0115378/?ref_=nv_sr_srsg_0 — Batman Beyond https://www.imdb.com/title/tt0147746/?ref_=nv_sr_srsg_0 — Futurama https://www.imdb.com/title/tt0149460/?ref_=nv_sr_srsg_6

Welcome to part 2 of our conversation with film historian and author Gregory Mank . Tonight we pick up with the first film collaboration of Karloff and Lugosi the amazing the Black Cat. from there we continue discussing all things Universal and early horror in general, I hope you enjoy this as much as I did!! Check out his website for details on all his books, DVD/Blue Ray appearances and an overview of his amazing body of work at GregoryMank.Com Enjoy and stay safe and stay well everyone! All of our episodes are listed as explicit due to language and the fact that we discuss topics such as historical crime, that may not be suitable for all audiences.

Welcome to a very special 2 part episode of Transatlantic History Ramblings. Tonight I am so thrilled to allow my nerd flag to fly as we welcome author and historian Gregory Mank, the man who literally wrote the book(s) on the golden age of monster films, the Universal Horror films. A subject very near and dear to my heart, Poor Lauren had to sit thru me as a fanboy!! Check out his website for details on all his books, DVD/Blue Ray appearances and an overview of his amazing body of work at GregoryMank.Com Enjoy and stay safe and stay well everyone! All of our episodes are listed as explicit due to language and the fact that we discuss topics such as historical crime, that may not be suitable for all audiences.

Join Alex and Dave, alongside your DVD/Blue Ray player for The Jedi Council's first full movie audio commentary! Let us join you through a showing of Rogue One and sharing our thoughts on one of our favourite Star Wars movies. We are one with the force, the force is with us!

Dans ce dernier épisode de l'été, retrouvez Antoine Sire et Antoine Jullien pour les ressorties DVD/Blue Ray du mois d'août. Au programme : - La ressortie en version restaurée 4K chez Carlotta de "La vengeance aux deux visages", l'unique réalisation de Marlon Brando. Un film contant l'histoire de deux bandits qui attaquent une banque au Mexique, s'en suivra une trahison et une vengeance dans un film d'une grande beauté. - "Le dernier face à face" de Sergio Sollima. Un western italien mettant en scène la rencontre improbable entre un professeur d'histoire et un gangster. - "La Proie" de Robert Siodmak ou l'un des films noirs les plus emblématiques de son époque. - "Une histoire simple" de Claude Sautet. Le film qui récompensa Romy Schneider d'un césar de la meilleure actrice, jouissant d'un casting cinq étoiles et illustrant avec brio la place de la femme en France, post Loi Veil. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Cette semaine, Antoine Sire et Antoine Jullien reviennent sur les ressorties en DVD/Blue Ray de trois grand classiques du 7ème art. Il s'agira tout d'abord du coffret Rainer Werner Fassbinder par Carlotta proposant les plus grands chefs-d'oeuvre du réalisateur allemand. Nous irons ensuite du côté de Wildside et la ressortie de "Mark Dixon, détective privé" d'Otto Preminger. Une oeuvre aussi bien passionnante par son scénario que violente par ses images. Toujours sur le thème de la violenc au cinéma, nous finirons par la ressortie du "Je dois tuer" de Lewis Allen où l'on peut notamment voir la performance de Frank Sinatra cherchant à assassiner le président des Etats Unis. En bref, voilà trois raisons de plus d'agrandir votre bibliothèque ! Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Flashback #19 revient sur l'actualité DVD/BLUE RAY de ce mois de mars 2018. Au programme, Antoine Sire et Antoine Jullien reviendront sur deux films avec Jean Gabin aux éditions Gaumont : "La nuit est mon royaume" (1951) et "La Vérité sur Bébé Donge". La ressorties en DVD de ces longs métrage est l'occasion de revenir sur le jeu de Jean Gabin et l'histoire autour de ces films. Puis nous descendrons en direction de l'Italie avec la ressortie de "Fellini Roma" (1972)du talentueux cinéaste Federico Fellini. Une édition incontournable pour tous les amateurs de Fellini. De quoi compléter votre collection des plus grands films du cinéma classique ! Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Cette semaine, l'objectif de Flashback zoom sur de nombreuses sorties DVD/BLUE RAY. En effet, Antoine Jullien et Antoine Sire et leur invité, Michel Pascal, traversent l'histoire du cinéma via la ressortie en DVD/BLUE RAY du diptyque de Claude Berry : "Jean de Florette" et "Manon des Sources". Sans oublier la ressortie de "La fête à Henriette" de Julien Duvivier et de deux classiques hollywoodiens : "Picnic" (1955) et "Soudain l'été dernier (1960)". Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

[DERNIER EPISODE DE LA SAISON 2, REPRISE DE LA SAISON 3 DE NOCINE LE JEUDI 14 SEPTEMBRE !]Dans un un bar madrilène, des habitués qui n’ont rien à voir les uns les autres sont attablés. L’un pousse la porte, sort, et se prend une balle dans la tête. Ainsi débute le huis-clos tendu d’Alex de la Iglesia, avec une belle mise en place et une galerie de personnage très intéressante, mais avec quelque chose de moins percutant que d’ordinaire au niveau du scénario. Toujours très subversif et sarcastique, la critique acerbe des médias est toujours là, la charge contre la chape de plomb que la morale fait peser sur la société aussi. Sauf que dans ses précédents films, même quand l’hystérie carnavalesque qu’on lui reproche ou que l’on admire fait partir ses films dans tous les sens, reste toujours à la fin une forme d’humanité. Mais pas dans El bar, où l’ironie finale est absente. Signe d’une pente misanthrope pour Alex de la Iglesia ? Pris au piège (El Bar) est disponible en France en VOD le jeudi 31 aout, et en DVD / Blue Ray le mardi 5 septembre (L'Atelier d'image / Condor Entertainment)Podcast animé par Thomas Rozec avec Yannick Dahan, Stéphane Moïssakis et Alexandre Hervaud.RÉFÉRENCES CITÉES DANS L’ÉMISSIONMi gran noche (Álex de la Iglesia, 2015), Les sorcières de Zugarramurdi (Álex de la Iglesia, 2013), Mes chers voisins (Álex de la Iglesia, 2000), Balada triste (Álex de la Iglesia, 2010), Un après-midi de chien (Sidney Lumet, 1975), Jorge Guerricaechevarria, Un Jour de chance (La Chispa de la Vida, Alex de la Iglesia, 2012), Action mutante (Álex de la Iglesia, 1992), Le Jour de la Bête (Álex de la Iglesia, 1996), Perdita Durango (Álex de la Iglesia, 1997), 800 balles (Álex de la Iglesia, 2002), Le Crime farpait (Álex de la Iglesia, 2004), La Chambre du fils (Álex de la Iglesia, 2006), Crimes à Oxford (Álex de la Iglesia, 2008), Muertos de risa (Mort de rire, Álex de la Iglesia, 1999), Torrente (Santiago Segura, 1998), Tim Burton CRÉDITSEnregistré le 04 juillet 2017 à l’Antenne Paris (10 rue de la Vacquerie, Paris 11ème). Production : Binge Audio. Direction de production : Joël Ronez. Chargée de production et d’édition : Camille Regache. Direction générale : Gabrielle Boeri-Charles. Moyens techniques : Binge Audio. Réalisation : Jules Krot. Générique : "Soupir Articulé", Abstrackt Keal Agram (Tanguy Destable et Lionel Pierres). NoCiné est une production du réseau Binge Audio www.binge.audio. See acast.com/privacy for privacy and opt-out information.

Cette semaine l'objectif de Flashback zoom sur la sortie DVD/BLUE RAY de "Tuez Charley Varrick" de Don Siegel ! Pour l'occasion, Antoine Julien reçoit Doug Headline, auteur et réalisateur notamment. Ce dernier a rédigé un livre présent dans cette édition DVD, il retrace l'histoire du film et la carrière de Don Siegel. Un invité immanquable pour ce Flashback #11. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

On the heels of Rogue One's release on DVD/Blue Ray, we discuss whether CGI is the future of acting? In Rogue One we saw two iconic Star Wars characters brought back to life thanks to CGI technology. Also, the Thunder Pop crew interviews actress Ingvild Deila who played the young Princess Leia in Rogue One!

Cleo King remarkably transforms from vivacious diva to the wise-cracking “Nana” on the hit CBS television sitcom, Mike & Molly.  Viewers can also catch Cleo in the TV Land sitcom, Jennifer Falls with Jaime Pressly.   Cleo is in the just released DVD/Blue Ray of Transformers 4:  Age of Extinction with Mark Wahlberg and directed by Michael Bay, executive producer Steven Spielberg's Big Leaf with Russell Simmons and Just Before I Go directed by Courteney Cox.  She has appeared alongside some of Tinsel Town's greatest stars with all-around standout performances as "TSA Supervisor Daisy Bell" in Vanlentine's Day with Ashton Kutcher.  

Groovement Soul Podcast No.14 is Leftside Wobble's live set from our monthly residency in The Grand Social on the 29th September 2012. Check the grooves that rocked the party on the night. INTERVIEWQuestions by Colin Leopold Q: Where is your favourite place to (a) have a beer (b) have a dance (c) eat dinner? A: Not that I'm swerving the question but in all three cases it's anywhere where the company is great. Q: Do you think there are less boundaries between soulful music in 2012? A: If anything, I think over time dance music has become even more controlled by ever more micro genres. In the 80s before the advent of house music, the better clubs weren't afraid to book DJ's that played diverse music that crossed genre boundaries. New York DJ's such as Mark Kamins, John 'Jellybean' Benitez, Arthur Baker and Francois K were so good at putting together diverse sets that fused multiple musical influences together. Those DJ's have probably been my biggest influence. Q: What advice would you give to best join the dots in a DJ set?A: For me, it's about being in tune with the crowd and not being afraid to play with the mood and energy of the room through the music you're playing. Q: What DJs do you listen to? A: As many as I can. Monday's generally involve me booting up the iPlayer to listen to Giles Petersens show but I also ensure I download mixes from my favourite club DJ's. People like Chris Duckenfield, Gerd Jensen and Move D. Q: You worked a lot with Dazed and Confused magazine in the 90s, what magazine do you read these days and if you could set up your own non-music magazine what would it cover and what would it be called?A: Most of my reading habits have moved to digital media formats these days, but I still keep an eye on what's happening in print publishing via a great blog called Magculture. It specialises in finding those really interesting micro publishing titles that cross the boundaries between culture, fashion and music. From a digital sperspective though, I'm really excited by tablets as a magazine format. There's a really great iPad magazine called Letter To Jane the reminds me very much of the early days of Dazed & Confused in the way that it does really original stuff with it's publishing medium. In the same way that Dazed made you think differently about print media, Letter To Jane does the same with interactive media. Not that I've got any ambition to set up my own magazine, but if I did it would definitely be something for digital tablets. As for a name, Jefferson Hack got there first when he named his Dazed & Confused spin-off Another Magazine. Q: Where do you find your new music? Name your hottest recent discovery or 'one to watch'? A: Soundcloud has obviously become a very important source of music discovery for me in recent years as I love the direct contact with artists it provides which isn't coloured by the opinions of others such as music journalists or record store employees. I obviously don't rely solely on Soundcloud for music discovery, but I just try to ensure my ears/eyes are always open, whatever the source – radio, social media, email newsletters, promos etc. The most exciting band I've discovered this year is a band called Public Service Broadcasting – so hard to describe but in a strange way they remind me of Lemonjelly. Search out a track of theirs called Spitfire on YouTube and you'll get what I mean, the visuals are such an integral part of their music. Q: You did an edit of The Beatles' Tomorrow Never Knows. Who's your favourite Beatle and why? | A: That's a really hard one as it constantly flips between John Lennon and George Harrison. At the moment it's George but probably only because I recently bought the Martin Scorsese documentary about his life 'Living In The Material World'. I've just been asked to DJ at an evening to launch the DVD/Blue Ray release of The Beatles 'Magical Mystery Tour' movie so my opinion will probably change again after I've been exposed to the psychedelic joys that evening brings! Q: What's the last country you visited to DJ and what was your best, and worst memory of it? A: I've just got back from Barcelona, where I was DJing for a night called Playtime. It was at a brand new venue on the Ramblas which if I'm to be totally honest, I had grave reservations about seeing as the Ramblas is in the centre of Barcelonas tourist district. But it was a fantastic little club with the best small club sound system I've come across outside of London's Plastic People. My favourite memory of the weekend was meeting so many friends that I've made over the last few years through things like Soundcloud. It's a beautifully strange sensation when you feel you know somebody pretty well but you're only meeting them face to face for the first time. The worst part of the weekend was arriving back at my hotel for a quick kip 15 minutes before check-out and finding out that my room was already booked by somebody else so I had no way of bribing the staff into allowing me an extra couple of hours in the room! Q: Did you go to Notting Hill Carnival this year? How was it and what are your top three essentials to bring to make it a good Carnival? A: Notting Hill Carnival is one of my highlights of the year and I'm lucky enough to DJ on what for me is Carnivals best sound system – Sancho Panza. I also run an after party with the Sancho crew on the Sunday night. As for three essentials, 1.) A smile 2.) Your dancing feet 3.) Some form of carnival guilty pleasure – pick your own!